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It's the nation's favourite antique experts... | 0:00:02 | 0:00:04 | |
I don't know what to do. | 0:00:04 | 0:00:05 | |
HORN HONKS | 0:00:05 | 0:00:07 | |
..with £200 each, a classic car and a goal - | 0:00:07 | 0:00:09 | |
to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! THEY LAUGH | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
It's the final leg of this week's adventure with our likely lads, | 0:00:37 | 0:00:41 | |
Raj and Charles. | 0:00:41 | 0:00:43 | |
You know, it's been a very, very lovely experience for me. | 0:00:43 | 0:00:47 | |
And, of course, | 0:00:47 | 0:00:49 | |
it wouldn't have been anywhere near this enjoyable without you. | 0:00:49 | 0:00:52 | |
I think what's nice, Raj... | 0:00:52 | 0:00:54 | |
I'm going to need therapy though, I have to say. | 0:00:54 | 0:00:56 | |
-When I get home, I am going to need a little bit of therapy. -Thanks a lot. | 0:00:56 | 0:00:59 | |
As we all know, Charles Hanson is a road tripping veteran, | 0:00:59 | 0:01:03 | |
who has a tendency to be a tad clumsy. | 0:01:03 | 0:01:06 | |
Oh! No! | 0:01:06 | 0:01:08 | |
I'm sorry. | 0:01:08 | 0:01:10 | |
Whilst his partner in crime this week is newcomer to the road trip, | 0:01:10 | 0:01:14 | |
expert auctioneer Raj Bisram. | 0:01:14 | 0:01:16 | |
I don't think, if I do another trip, it will ever quite be the same. | 0:01:16 | 0:01:20 | |
-Get out of here, Raj! -There's | 0:01:20 | 0:01:22 | |
nothing like having your first... THEY TALK OVER EACH OTHER | 0:01:22 | 0:01:25 | |
-..nothing like having your first Charles Hanson. -Get out of here! | 0:01:25 | 0:01:29 | |
Raj started this trip with £200 in his pocket. | 0:01:30 | 0:01:33 | |
And some wise buys now see him sitting pretty with £305.86. | 0:01:33 | 0:01:38 | |
Charles started with the same £200 stake. | 0:01:41 | 0:01:44 | |
After some profitable purchases though, his purse has more than | 0:01:44 | 0:01:48 | |
doubled, with a fabulous £423.64 to play with on this last leg. | 0:01:48 | 0:01:54 | |
Like a game of football, it's a big first half with an even | 0:01:55 | 0:01:59 | |
bigger second half before the final whistle goes at our last auction. | 0:01:59 | 0:02:04 | |
People might say, "Well, Hanson, you're ahead." | 0:02:04 | 0:02:07 | |
But there is always, in a football match, that chance. | 0:02:07 | 0:02:10 | |
And this could be your chance, Raj. | 0:02:10 | 0:02:12 | |
This week's automobile of choice is tidy little Triumph Herald. | 0:02:12 | 0:02:17 | |
Nicknamed Bella. | 0:02:17 | 0:02:19 | |
RATTLING | 0:02:19 | 0:02:20 | |
What was that, Raj? | 0:02:20 | 0:02:21 | |
Raj, what was that? | 0:02:22 | 0:02:24 | |
We've lost something. | 0:02:24 | 0:02:25 | |
-Is it the exhaust pipe? -I think something fell off. | 0:02:25 | 0:02:28 | |
Oh, looks like this trip is taking its toll on poor Bella. | 0:02:28 | 0:02:32 | |
GEARS GRIND | 0:02:32 | 0:02:34 | |
Bella! | 0:02:34 | 0:02:35 | |
ENGINE RATTLES | 0:02:35 | 0:02:38 | |
THEY LAUGH | 0:02:38 | 0:02:39 | |
Come on! | 0:02:39 | 0:02:41 | |
Ha! It's been a long old journey for Bella and our boys. | 0:02:41 | 0:02:45 | |
After starting their trip back in Corsham, Wiltshire, | 0:02:45 | 0:02:48 | |
they've taken in most of the south-west of England | 0:02:48 | 0:02:51 | |
and will finish their epic | 0:02:51 | 0:02:53 | |
900-mile journey in Crewkerne, Somerset. | 0:02:53 | 0:02:55 | |
Their final leg starts in Lostwithiel in Cornwall | 0:02:55 | 0:02:59 | |
and will hopefully finish at auction in Crewkerne. | 0:02:59 | 0:03:01 | |
If Bella makes it, that is. | 0:03:01 | 0:03:03 | |
Here we go. We park up here. | 0:03:05 | 0:03:06 | |
Put your back into it, Charles. | 0:03:09 | 0:03:11 | |
Perfect. Well done, Charles. | 0:03:11 | 0:03:12 | |
First shopping stop is Uzella Court Antiques Centre. | 0:03:12 | 0:03:17 | |
-Let's go. -Keep it real. Hello. -Good morning. | 0:03:17 | 0:03:20 | |
-Hello, Vicky. I'm Raj. -Hello, Raj. -Lovely to meet you. | 0:03:20 | 0:03:23 | |
-And the famous Charles. -And the famous Charles. -Get out of here! | 0:03:23 | 0:03:27 | |
-Far from it. -Good morning. | 0:03:27 | 0:03:29 | |
-You have a wonderful shop here. -Yes. -It is. | 0:03:29 | 0:03:30 | |
It's not mine but I work here and it's a pleasure being here. | 0:03:30 | 0:03:34 | |
-It's great fun. -Do you specialise in certain things or is it a mixture? | 0:03:34 | 0:03:37 | |
No, we have 16 people that have stock in here. That rent cabinets. | 0:03:37 | 0:03:40 | |
And it's a whole mixture of everything. | 0:03:40 | 0:03:42 | |
Everything you can think of. | 0:03:42 | 0:03:44 | |
That means plenty of pretty pieces on offer for our experts. | 0:03:44 | 0:03:48 | |
I'm going to be the Cornish cat that got the cream. | 0:03:48 | 0:03:51 | |
Come on, Hanson. The Cornish cat that can find the cream. | 0:03:51 | 0:03:57 | |
What about you, Raj? | 0:03:57 | 0:03:58 | |
I've just noticed there is a lovely, | 0:03:58 | 0:04:01 | |
lovely red serpentine stone lighthouse there. | 0:04:01 | 0:04:06 | |
Serpentine stone goes back millions of years. | 0:04:06 | 0:04:09 | |
And it comes in lots of different colours. | 0:04:09 | 0:04:12 | |
But the red one I think is actually one of the most attractive ones. | 0:04:12 | 0:04:16 | |
It's not a cheap piece but I'm going to speak to Vicky | 0:04:16 | 0:04:19 | |
and see what we can do. | 0:04:19 | 0:04:21 | |
Huh. With a ticket price of £55, is there a deal to be had? | 0:04:21 | 0:04:26 | |
45 would be the very, very best. | 0:04:26 | 0:04:29 | |
I'd like to get it for about £35. | 0:04:29 | 0:04:31 | |
And I still don't think there is going to be a big | 0:04:31 | 0:04:33 | |
-profit in this at auction. -Perhaps not. | 0:04:33 | 0:04:36 | |
But it has got a tiny little nick there, which I hadn't noticed. | 0:04:36 | 0:04:40 | |
So I will have to reduce it. | 0:04:40 | 0:04:42 | |
40, Raj, would have to be truly my very, very best. | 0:04:42 | 0:04:46 | |
-And I'm speaking on behalf of the owner. -OK. | 0:04:46 | 0:04:49 | |
I'm not going to rush into it but if I can just put it to one side | 0:04:49 | 0:04:53 | |
and think about it. Have a little look around and come back to it. | 0:04:53 | 0:04:57 | |
-I will keep it safe. -Thank you very much, Vicky. -Bye-bye. | 0:04:57 | 0:05:00 | |
Charles, meanwhile, is rummaging around upstairs. | 0:05:01 | 0:05:05 | |
These are quite nice. I quite like these vases. | 0:05:05 | 0:05:07 | |
What I love about these vases is they almost have a | 0:05:10 | 0:05:13 | |
bit of a Christopher Dresser, Linthorpe look. | 0:05:13 | 0:05:17 | |
These are twin-handled vases. | 0:05:17 | 0:05:20 | |
With this gorgeous drip glaze. | 0:05:20 | 0:05:22 | |
And I suspect the vase would date to around 1905, 1910. | 0:05:22 | 0:05:28 | |
The birth of the 20th century. | 0:05:28 | 0:05:30 | |
But look at the crevices. | 0:05:30 | 0:05:32 | |
Look at that almost hairy dust which has been there many, many years. | 0:05:32 | 0:05:37 | |
I can remove it. | 0:05:37 | 0:05:39 | |
You almost want to leave it there because it gives a sure | 0:05:39 | 0:05:43 | |
telltale sign that these are big capital A, like that, for antique. | 0:05:43 | 0:05:49 | |
They are called a pair of Art Nouveau vases. £15. | 0:05:49 | 0:05:54 | |
If I could perhaps acquire them for a tenner... | 0:05:54 | 0:05:57 | |
They are a good buy. | 0:05:57 | 0:05:59 | |
Actually, I might, in case Raj comes upstairs, put them down here. | 0:05:59 | 0:06:04 | |
Out of harm's way. | 0:06:04 | 0:06:06 | |
Smart thinking, old bean. Now, what has Raj found? | 0:06:06 | 0:06:10 | |
-All these keys. -I really like the crib boards. Do you play crib? | 0:06:10 | 0:06:14 | |
No, I don't. | 0:06:14 | 0:06:16 | |
-Really old-fashioned game. -Yeah. -Really old-fashioned game. | 0:06:16 | 0:06:20 | |
I particularly like that one. It looks in pretty good condition. | 0:06:20 | 0:06:23 | |
It's got lovely ball feet which are engraved. | 0:06:23 | 0:06:25 | |
It's quite a nice, early one. | 0:06:25 | 0:06:27 | |
I should think it's late 19th, early 20th century. | 0:06:27 | 0:06:31 | |
Vicky, it's priced at £55. What would be the best on it? | 0:06:31 | 0:06:36 | |
Um... | 0:06:36 | 0:06:37 | |
-£40. -OK. -You can have that, Raj, for £40. | 0:06:39 | 0:06:42 | |
That's not too bad. | 0:06:42 | 0:06:44 | |
I'm going to put it to one side with the lighthouse. | 0:06:44 | 0:06:46 | |
I'm putting a lot of things to one side at the moment. | 0:06:46 | 0:06:49 | |
-And come back to it. That'll be great. -Thank you. | 0:06:49 | 0:06:51 | |
A third item has caught Raj's eye. | 0:06:51 | 0:06:54 | |
This is a really nice, decorative magnifying glass. | 0:06:55 | 0:07:00 | |
It's made up but it's really, really quite nice. It's got... | 0:07:00 | 0:07:05 | |
It's made out of silver plate and mother-of-pearl. | 0:07:05 | 0:07:08 | |
It's only got £14 on the ticket. | 0:07:08 | 0:07:10 | |
Which isn't a great deal of money. | 0:07:10 | 0:07:12 | |
If I can get this for £10-£12, there's got to be a profit in it. | 0:07:12 | 0:07:16 | |
So, Raj has three lots on the table. | 0:07:16 | 0:07:20 | |
Vicky has given a best combined ticket price of £90. | 0:07:20 | 0:07:24 | |
Would you do a little bit better if I buy all three? | 0:07:24 | 0:07:27 | |
Ah... | 0:07:27 | 0:07:29 | |
If I said 80 for all three, Raj, | 0:07:29 | 0:07:31 | |
that would have to be the absolute best I could do. | 0:07:31 | 0:07:35 | |
If you are happy with that, I certainly am. | 0:07:35 | 0:07:37 | |
I would certainly say yes. | 0:07:37 | 0:07:39 | |
So a bold, last leg move there from Raj, | 0:07:39 | 0:07:41 | |
buying three items in the first shop. | 0:07:41 | 0:07:44 | |
Right, where is Charles? | 0:07:45 | 0:07:48 | |
That's nice. Barnstaple. That's in Devon. | 0:07:48 | 0:07:52 | |
We are really seeing some southern treasures. | 0:07:52 | 0:07:55 | |
I love this because it's almost a glaze. It gives me an oceanic feel. | 0:07:55 | 0:08:00 | |
It's like being here in Cornwall. | 0:08:00 | 0:08:03 | |
And I just think it's a really stylish vase. | 0:08:03 | 0:08:06 | |
What I could do with this vase, tactically, | 0:08:06 | 0:08:08 | |
is almost put it with those vases | 0:08:08 | 0:08:12 | |
and it almost gives them, the Art Nouveau, a bit more of a punch. | 0:08:12 | 0:08:17 | |
Because this one is marked and it might put the two vases over there | 0:08:17 | 0:08:22 | |
into almost a better league to be beside this. | 0:08:22 | 0:08:26 | |
To be beside the sea. | 0:08:26 | 0:08:28 | |
Ah, but is Vicky willing to do the deal? | 0:08:28 | 0:08:31 | |
£15 is the initial ticket price on the vases. £9.50. | 0:08:31 | 0:08:37 | |
All in, it makes 24.50. | 0:08:37 | 0:08:40 | |
And I was hoping to buy the group for £15. | 0:08:40 | 0:08:44 | |
Which is quite a big discount. Could you do it for £15? | 0:08:44 | 0:08:48 | |
-No. -No, OK. -That's a bit low. | 0:08:48 | 0:08:51 | |
20 would be ideal. | 0:08:51 | 0:08:53 | |
-Yeah, I like your style. You're 20. -Yes. -I'm over here at 15. -Yes. | 0:08:55 | 0:09:00 | |
-If I take a walk in... -Yeah. -..can you meet me... -At 18. | 0:09:00 | 0:09:03 | |
Yeah. Come over here. That's it, great. £18. That's a deal. | 0:09:03 | 0:09:06 | |
-All right? -That's great. There is £20. | 0:09:06 | 0:09:09 | |
-If I may have a solid £2 back. -You can. | 0:09:09 | 0:09:11 | |
-It could make all the difference. -All right. -I appreciate it. | 0:09:11 | 0:09:14 | |
-Thank you very much. -I got a bit of a discount. I was hoping for £15. | 0:09:14 | 0:09:17 | |
-But Vicky... -£2 change. -..is a good dealer. | 0:09:17 | 0:09:20 | |
That's great. | 0:09:20 | 0:09:21 | |
And with that, Charles is off the mark. | 0:09:21 | 0:09:23 | |
After a quick fix, Bella is back on the road | 0:09:25 | 0:09:27 | |
and Raj is taking a break from shopping and has headed to Helston. | 0:09:27 | 0:09:31 | |
He's come to meet local museum curator Katherine to find out | 0:09:31 | 0:09:35 | |
more about Henry Trengrouse, | 0:09:35 | 0:09:38 | |
a local man whose invention has saved lives all round the world. | 0:09:38 | 0:09:41 | |
-Katherine, is that Henry Trengrouse? -That's Henry Trengrouse, yes. | 0:09:43 | 0:09:48 | |
He was actually from Mullion but he then moved to Helston | 0:09:48 | 0:09:50 | |
and he was a local cabinet-maker. | 0:09:50 | 0:09:52 | |
But, of course, it's not his cabinet-making that he's | 0:09:52 | 0:09:56 | |
-famous for, is it? -No, that's right, no. | 0:09:56 | 0:09:58 | |
He was actually inspired to invent a life-saving | 0:09:58 | 0:10:02 | |
apparatus for people at sea. | 0:10:02 | 0:10:04 | |
What actually triggered that off? | 0:10:04 | 0:10:07 | |
Just after Christmas in 1807, | 0:10:07 | 0:10:10 | |
he heard that a ship had gone aground off Loe Bar, | 0:10:10 | 0:10:13 | |
which is just outside Helston. | 0:10:13 | 0:10:15 | |
And he went down to the beach to see. | 0:10:15 | 0:10:17 | |
Unfortunately, many people were drowning. | 0:10:17 | 0:10:20 | |
The ship was actually beached just slightly off the shore, just | 0:10:20 | 0:10:23 | |
too far for people to get a rope across to it, to get people off. | 0:10:23 | 0:10:26 | |
About 100 people drowned in front of him | 0:10:26 | 0:10:29 | |
and the people watching on the beach. | 0:10:29 | 0:10:31 | |
It sounds like he was really affected by what he'd seen. | 0:10:31 | 0:10:34 | |
Are there any accounts of what actually affected him? | 0:10:34 | 0:10:38 | |
Yes, we know exactly how he was feeling because we do have | 0:10:38 | 0:10:41 | |
one of his notebooks where he describes the wreck. | 0:10:41 | 0:10:44 | |
"It was then and there the annihilation of this fine ship | 0:10:44 | 0:10:46 | |
"and so many of my fellow creatures most seriously | 0:10:46 | 0:10:49 | |
"arrested my reflections and sympathy. | 0:10:49 | 0:10:52 | |
"And freshened in my memory the premature | 0:10:52 | 0:10:54 | |
"destruction of about 50 fine fellows at the wreck of a transport | 0:10:54 | 0:10:57 | |
"ship only a few weeks preceding. And also near the same spot. | 0:10:57 | 0:11:02 | |
"These melancholy disasters continue | 0:11:02 | 0:11:04 | |
"to exercise my mind intensely day and night. | 0:11:04 | 0:11:07 | |
"And I was led to consider what means could have been applied to | 0:11:07 | 0:11:10 | |
"save those who had so miserably perished within hail of their | 0:11:10 | 0:11:13 | |
"countrymen and friends, and within a few yards of land and safety." | 0:11:13 | 0:11:18 | |
Wow, that really does... | 0:11:18 | 0:11:19 | |
That really does give you a sense of exactly what | 0:11:19 | 0:11:22 | |
-he must have been feeling. -Yeah. | 0:11:22 | 0:11:24 | |
Traumatised after helplessly witnessing men, | 0:11:24 | 0:11:28 | |
women and children drown in front of him, Henry Trengrouse made | 0:11:28 | 0:11:33 | |
it his life's mission to help save people from shipwrecks. | 0:11:33 | 0:11:36 | |
And what did he actually do? | 0:11:37 | 0:11:39 | |
Well, he actually thought that there must be a way of getting | 0:11:39 | 0:11:42 | |
a rope across to the ship. | 0:11:42 | 0:11:44 | |
And he though about how could you actually get it there. | 0:11:44 | 0:11:46 | |
Actually, I think he had been to a fireworks display | 0:11:46 | 0:11:50 | |
to celebrate some royal event. | 0:11:50 | 0:11:51 | |
And the idea of the fireworks just gave him | 0:11:51 | 0:11:54 | |
the idea to actually fire a rocket. | 0:11:54 | 0:11:55 | |
So this rocket device, Katherine, how did it work? | 0:11:55 | 0:11:59 | |
I think his original idea was that every ship would carry this | 0:11:59 | 0:12:02 | |
apparatus with them. And then fire towards the shore. | 0:12:02 | 0:12:06 | |
The rocket would get a thin line across to the shore | 0:12:06 | 0:12:09 | |
which could then be pulled and attached to a larger rope. | 0:12:09 | 0:12:12 | |
Then once you got a large, substantial rope across, you could | 0:12:12 | 0:12:16 | |
then attach a seat to it which could be pulled backwards and forwards. | 0:12:16 | 0:12:19 | |
And that's the Bosun's chair that he invented. | 0:12:19 | 0:12:21 | |
And was he the first person to come up with this idea? | 0:12:21 | 0:12:24 | |
He was one of several people who came up with a similar | 0:12:24 | 0:12:26 | |
idea at the same time, yes. | 0:12:26 | 0:12:28 | |
It took Henry Trengrouse ten years to fully develop his rescue system. | 0:12:28 | 0:12:33 | |
Putting much of his own money into his big life-saving invention. | 0:12:33 | 0:12:37 | |
How long was it used for? | 0:12:37 | 0:12:38 | |
In actual fact, the basic idea of firing a rocket with a line | 0:12:38 | 0:12:42 | |
was used up into the early 1980s. | 0:12:42 | 0:12:44 | |
-Oh, wow. -And sort of search and rescue helicopters still carry them. | 0:12:44 | 0:12:48 | |
He must have been a very rich man then. | 0:12:48 | 0:12:50 | |
Unfortunately not, no. | 0:12:50 | 0:12:52 | |
He only made about £50 out of his idea from the Navy. | 0:12:52 | 0:12:55 | |
Because unfortunately, he didn't patent his idea. | 0:12:55 | 0:12:58 | |
And the other people who'd come up with a similar device | 0:12:58 | 0:13:01 | |
patented theirs. So he missed out. | 0:13:01 | 0:13:04 | |
-So no real recognition for his invention? -Unfortunately not. No. | 0:13:04 | 0:13:08 | |
And he actually died in poverty, which is very sad | 0:13:08 | 0:13:11 | |
really considering the amount of lives he actually helped to save. | 0:13:11 | 0:13:14 | |
Trengrouse's rocket-powered rescue system is estimated to | 0:13:14 | 0:13:18 | |
have saved over 20,000 lives. | 0:13:18 | 0:13:21 | |
So while he may not have made money from his ingenious invention, | 0:13:21 | 0:13:25 | |
Henry Trengrouse did exactly what he set out to do - | 0:13:25 | 0:13:28 | |
save peoples lives. | 0:13:28 | 0:13:31 | |
It's a bit of a sad ending really, isn't it? | 0:13:31 | 0:13:33 | |
I'm afraid so, yes. | 0:13:33 | 0:13:35 | |
Well, at least it's good that you have recognised, | 0:13:35 | 0:13:38 | |
and local people have recognised him. | 0:13:38 | 0:13:41 | |
It's just a shame that, you know, the world's stage didn't. | 0:13:41 | 0:13:45 | |
But it's been a fascinating story. | 0:13:45 | 0:13:47 | |
Thank you very, very much for showing me around. | 0:13:47 | 0:13:50 | |
-Thank you very much. -Thank you. | 0:13:50 | 0:13:51 | |
-After you. -Thank you. | 0:13:51 | 0:13:53 | |
Charles, meanwhile, has hit the road | 0:13:55 | 0:13:57 | |
and is headed to the most southerly city of mainland Britain. Truro. | 0:13:57 | 0:14:02 | |
Where he is hoping to dig out a few fantastic finds to take to auction. | 0:14:02 | 0:14:06 | |
-Are you open to a discount? -Yeah, I can only say no. | 0:14:06 | 0:14:11 | |
THEY LAUGH | 0:14:11 | 0:14:13 | |
Sounds like dealer Gary might need some sweet talking, Charles. | 0:14:13 | 0:14:17 | |
That's if you find something you fancy. | 0:14:17 | 0:14:20 | |
These are quite decorative, aren't they? These beakers. | 0:14:20 | 0:14:24 | |
And we have got these nice, almost leafy, | 0:14:24 | 0:14:27 | |
overlapping designs radiating around the flared tumbler. | 0:14:27 | 0:14:33 | |
-And in fact, Gary, you have called these Lalique. -Mm-hm. | 0:14:33 | 0:14:37 | |
Pair of Lalique tumblers with black enamel poppy design. | 0:14:37 | 0:14:43 | |
And all-importantly here, on the bottom, | 0:14:43 | 0:14:48 | |
is the mark for R Lalique, as in Rene, who died in 1945. | 0:14:48 | 0:14:53 | |
And some of his most important Art Deco glass | 0:14:53 | 0:14:57 | |
can fetch small fortunes. | 0:14:57 | 0:14:59 | |
There are so finally blown... | 0:14:59 | 0:15:01 | |
GLASS PINGS | 0:15:01 | 0:15:05 | |
And they ring beautifully. And they haven't got much wear. | 0:15:05 | 0:15:08 | |
I think they're probably 1930s. | 0:15:08 | 0:15:11 | |
So, something to think about. Anything else, Charles? | 0:15:11 | 0:15:15 | |
I quite like the vases up there. | 0:15:15 | 0:15:17 | |
A nice pair of what appear to be Crown Ducal - | 0:15:17 | 0:15:20 | |
they could be Crown Devon - vases | 0:15:20 | 0:15:24 | |
with a blush ivory ground, | 0:15:24 | 0:15:26 | |
maybe 1910. | 0:15:26 | 0:15:28 | |
They are only £15, but it notes, Gary, | 0:15:28 | 0:15:32 | |
-one has damage. May I have a look at them? -Yeah. | 0:15:32 | 0:15:35 | |
It all depends on how serious the damage is. Thanks, Gary. | 0:15:35 | 0:15:39 | |
They're a good pair, aren't they? | 0:15:39 | 0:15:41 | |
Oh, I say, they are cracked. | 0:15:41 | 0:15:43 | |
They're priced at 15. What is the best on them? | 0:15:43 | 0:15:48 | |
Yeah. As that one is not really worth anything... | 0:15:48 | 0:15:51 | |
-Yeah, a fiver. -OK. Yeah. Put it there. | 0:15:53 | 0:15:57 | |
Oh, sorry, Gary. | 0:15:57 | 0:15:59 | |
You need to work on that handshake, Charles. What about those tumblers? | 0:16:00 | 0:16:04 | |
I see them probably... | 0:16:04 | 0:16:06 | |
An auctioneer guiding them between £20 and £30. | 0:16:06 | 0:16:10 | |
Is there any margin | 0:16:10 | 0:16:13 | |
for you to give me a bit more off? | 0:16:13 | 0:16:15 | |
25. | 0:16:18 | 0:16:19 | |
-20? -Five. | 0:16:19 | 0:16:22 | |
-Meet me halfway? -25. -20? | 0:16:22 | 0:16:24 | |
-No. -Gary, you know what, I just like these | 0:16:24 | 0:16:27 | |
-because they carry that magic name. Oh-la-la. -Lalique. -Exactly. | 0:16:27 | 0:16:31 | |
And I think for that reason... | 0:16:31 | 0:16:34 | |
£25, it is worth a gamble. | 0:16:34 | 0:16:37 | |
-Gary, put it there. That's a deal. Thank you. -No problem. | 0:16:37 | 0:16:41 | |
Appreciate it. Thanks a lot, I am really pleased. | 0:16:41 | 0:16:44 | |
So, with two lots bought, that is day one done. | 0:16:44 | 0:16:48 | |
Nighty-night, chaps. | 0:16:48 | 0:16:51 | |
The next morning, | 0:16:51 | 0:16:52 | |
the boys are soaking up the scenery at Cape Cornwall. | 0:16:52 | 0:16:55 | |
-Where fishermen go for lobster pots. -Yeah. | 0:16:56 | 0:16:59 | |
So far, Raj has secured himself three lots - | 0:16:59 | 0:17:02 | |
the cribbage board, | 0:17:02 | 0:17:04 | |
the serpentine lighthouse | 0:17:04 | 0:17:06 | |
and the decorative magnifying glass, | 0:17:06 | 0:17:08 | |
leaving him £225.86 | 0:17:08 | 0:17:11 | |
available to spend. | 0:17:11 | 0:17:13 | |
Charles, meanwhile, has mainly bagged himself vases. | 0:17:13 | 0:17:18 | |
The first three he bought, he has grouped in one lot. | 0:17:18 | 0:17:21 | |
Then there was the Crown Devon pair. | 0:17:21 | 0:17:23 | |
And finally, just to mix things up, he snapped up the glass beakers. | 0:17:23 | 0:17:26 | |
That means he has still got £375.64 burning a hole in his pocket. | 0:17:28 | 0:17:33 | |
I've seen four crabs so far. | 0:17:35 | 0:17:37 | |
No time for a paddle, lads. | 0:17:37 | 0:17:39 | |
-Raj, do you want to hold my hand? -No, thanks, Charles. | 0:17:39 | 0:17:42 | |
Hurry up. | 0:17:42 | 0:17:43 | |
There is shopping to be done. | 0:17:43 | 0:17:45 | |
First stop of the morning is the nearest town to Land's End - | 0:17:45 | 0:17:48 | |
St Just. | 0:17:48 | 0:17:50 | |
-Cheers. -Buy some antiques. -I will. -Bye! | 0:17:50 | 0:17:53 | |
Raj has come to Bygones, hoping to uncover something special. | 0:17:54 | 0:17:58 | |
-Good morning. -Good morning to you. -Hello, I'm Raj. -Vicki. | 0:17:58 | 0:18:03 | |
-Vicki, lovely to meet you. -And you. | 0:18:03 | 0:18:04 | |
What a lovely little shop you have as well. | 0:18:04 | 0:18:06 | |
-Thank you. Have a browse. -I will. -See what you find. | 0:18:06 | 0:18:09 | |
In no mood to mess about today, | 0:18:09 | 0:18:10 | |
Raj has already sniffed out something he is cuckoo about. | 0:18:10 | 0:18:14 | |
This is a very nice little... | 0:18:17 | 0:18:22 | |
bronze dog. | 0:18:22 | 0:18:23 | |
It's...cold-painted bronze. | 0:18:23 | 0:18:28 | |
And it is... I'm trying to... I'm not exactly sure what kind... | 0:18:28 | 0:18:31 | |
It's a pug. It's a pug. There are a lot of pug collectors. | 0:18:31 | 0:18:35 | |
On the bronze, it's painted. | 0:18:35 | 0:18:37 | |
And then rubbed down. | 0:18:37 | 0:18:40 | |
And it has got a really nice little finish to it. | 0:18:40 | 0:18:43 | |
And it has got nice detail too, as well, on that. | 0:18:43 | 0:18:46 | |
In the late 19th and early 20th centuries, | 0:18:46 | 0:18:48 | |
there were a number of bronze foundries in Austria | 0:18:48 | 0:18:50 | |
specialising in these cold-painted figurines. | 0:18:50 | 0:18:54 | |
This is a modern reproduction, but it is real bronze and could | 0:18:54 | 0:18:57 | |
pull in K-9 collectors. Raj is keen. | 0:18:57 | 0:19:01 | |
The ticket price says 60. | 0:19:05 | 0:19:07 | |
Make me an offer I can't refuse. | 0:19:10 | 0:19:12 | |
Make you an offer you can't refuse... | 0:19:14 | 0:19:17 | |
I could probably make you a few that you could refuse. £25. | 0:19:18 | 0:19:22 | |
No. | 0:19:24 | 0:19:25 | |
-No? You didn't even think about it. -No. I can't do it. | 0:19:25 | 0:19:28 | |
-You can't do it for 25? -No. | 0:19:28 | 0:19:31 | |
Look, 35. Still a bargain for you. | 0:19:31 | 0:19:34 | |
Hello, Raj! | 0:19:37 | 0:19:39 | |
I tell you what we'll do, how about we split it? | 0:19:39 | 0:19:42 | |
30, and it will be cash. | 0:19:42 | 0:19:44 | |
You drive a hard bargain. | 0:19:47 | 0:19:49 | |
-We have a deal? -Yeah. | 0:19:49 | 0:19:51 | |
-OK, we have a deal. -You've got a deal. | 0:19:51 | 0:19:54 | |
And just like that, deal's done for Raj. | 0:19:54 | 0:19:57 | |
Meanwhile, Charles is made his way to Pendeen, | 0:19:57 | 0:20:00 | |
an area with a proud mining heritage. | 0:20:00 | 0:20:04 | |
Cornish mines like these played a vital role in transforming | 0:20:04 | 0:20:07 | |
the economic and social development of Britain in the 18th | 0:20:07 | 0:20:11 | |
and 19th centuries. | 0:20:11 | 0:20:13 | |
Charles is meeting ex-Geevor miner Eddie Strick to find out more. | 0:20:13 | 0:20:18 | |
What a sight we are on, with the sea just over there. | 0:20:18 | 0:20:23 | |
-But tell me, mining here, it was all about tin? -It was all about tin. | 0:20:23 | 0:20:27 | |
It has been about tin for centuries here. | 0:20:27 | 0:20:29 | |
You know, you're talking about 1500 onward. | 0:20:29 | 0:20:32 | |
Tin, along with other metals, | 0:20:32 | 0:20:33 | |
have been used by humans for over 4,000 years. | 0:20:33 | 0:20:37 | |
And since 1860, tin mining has been Cornwall's biggest export, | 0:20:37 | 0:20:42 | |
even shaping the Pendeen landscape. | 0:20:42 | 0:20:44 | |
Eddie is taking Charles down the 18th-century Mexico Shaft | 0:20:44 | 0:20:48 | |
to get a closer look. | 0:20:48 | 0:20:50 | |
Well, Eddie, I am looking the part now, aren't I? | 0:20:50 | 0:20:52 | |
You are looking well dressed for the part, yes. | 0:20:52 | 0:20:54 | |
This mine, to me, is very low. It seems quite narrow. | 0:20:54 | 0:20:59 | |
Well, it is a bit of a Victorian mine, as you will see later on. | 0:20:59 | 0:21:02 | |
This would have been worked by a family, more than likely. | 0:21:02 | 0:21:04 | |
The founders used to like to work together in this early period | 0:21:04 | 0:21:08 | |
-to keep their costs down. -Yeah. -So children as well. -OK. | 0:21:08 | 0:21:12 | |
-Well, Dad, after you. -There we go. -Come on, Dad. | 0:21:12 | 0:21:16 | |
The pioneering mining techniques developed in these Cornish mines | 0:21:16 | 0:21:20 | |
played a key role in the industrialisation of Britain. | 0:21:20 | 0:21:24 | |
Hey there, I've got a backache. | 0:21:24 | 0:21:26 | |
Here you'll be able to straighten up a bit. | 0:21:26 | 0:21:28 | |
-Oh! -Bumped your head. | 0:21:28 | 0:21:30 | |
Oh, OK. | 0:21:30 | 0:21:32 | |
Wowee, Eddie. It is like being in an igloo. | 0:21:32 | 0:21:34 | |
Where are we now, Eddie? | 0:21:34 | 0:21:35 | |
We are on the hauling shaft, | 0:21:35 | 0:21:36 | |
where all the ore was hauled to the surface. | 0:21:36 | 0:21:38 | |
As you see in front of you, the kibble, OK, that is | 0:21:38 | 0:21:42 | |
what they used to load up. | 0:21:42 | 0:21:43 | |
And that would then be pulled to the surface by a horse whim. | 0:21:43 | 0:21:46 | |
You mentioned families who work together. | 0:21:46 | 0:21:49 | |
The girls were on the surface milling their dirt, | 0:21:49 | 0:21:52 | |
so as it was hauled up in these kibbles, of course... | 0:21:52 | 0:21:55 | |
The women's side of the family would be up there processing that | 0:21:55 | 0:21:58 | |
where the men and boys would be here, hauling it out. | 0:21:58 | 0:22:01 | |
So if they had big families then... | 0:22:01 | 0:22:03 | |
In the Victorian families, there might have been of seven or eight | 0:22:03 | 0:22:06 | |
-in a family. -Yeah. -Uncles, nephews, all come together. | 0:22:06 | 0:22:09 | |
Paid on the amount of ground they had broken, | 0:22:09 | 0:22:12 | |
wages for mining were generally higher than other local occupations | 0:22:12 | 0:22:17 | |
like farming or fishing, but came with much bigger risks, too. | 0:22:17 | 0:22:20 | |
Accidents and deaths from blasting, | 0:22:20 | 0:22:23 | |
drowning and rock falls were common, as were serious long-term | 0:22:23 | 0:22:27 | |
health problems caused by breathing in the silica dust underground. | 0:22:27 | 0:22:32 | |
Although these walls can't talk, | 0:22:32 | 0:22:34 | |
it really does give you a feeling of the emotion of, | 0:22:34 | 0:22:37 | |
in part, the passion but more the hard life miners who | 0:22:37 | 0:22:43 | |
I'm sure were much younger than me had to go through and endure. | 0:22:43 | 0:22:46 | |
I can feel the work in the walls. Where are we going next? | 0:22:46 | 0:22:49 | |
Well, we are going where they'd go at the end of the shift. | 0:22:49 | 0:22:52 | |
They obviously wouldn't be. | 0:22:52 | 0:22:53 | |
-They'd be going home to a tin bath. -Yes. | 0:22:53 | 0:22:55 | |
We are going up to the dry where we would shower. | 0:22:55 | 0:22:58 | |
-Oh, lovely. Shower... -And homeward with a bit of luck. | 0:22:58 | 0:23:00 | |
-Have a hot drink. -A hot drink and home we go. | 0:23:00 | 0:23:02 | |
-That sounds more my style. -We will make our way. -I'll follow you. | 0:23:02 | 0:23:05 | |
Cornwall pioneered | 0:23:05 | 0:23:07 | |
the transfer of the British Industrial Revolution overseas. | 0:23:07 | 0:23:10 | |
As Cornish miners migrated, they took their special skills with them. | 0:23:10 | 0:23:14 | |
The gold rush in Australia, the South African diamond in | 0:23:16 | 0:23:20 | |
-Kimberley. -Getting in the hard rock, this is where the Cornishmen were. | 0:23:20 | 0:23:24 | |
So really, that Cornish love affair with mining really | 0:23:24 | 0:23:27 | |
spread around the world and showed the world the Cornish way. | 0:23:27 | 0:23:32 | |
That's right. And there is a saying, | 0:23:32 | 0:23:33 | |
"Wherever you go in the world, look down one hole. | 0:23:33 | 0:23:36 | |
"There is usually one Cornishman amongst them." | 0:23:36 | 0:23:38 | |
The Cornish miners didn't just export their technology, | 0:23:38 | 0:23:41 | |
they took their culture too - wrestling, | 0:23:41 | 0:23:44 | |
pasties and saffron cakes became well-known in Australia and America. | 0:23:44 | 0:23:49 | |
And Cornish place names can be found on every single continent. | 0:23:49 | 0:23:53 | |
Over the 1900s, Cornish tin production declined. | 0:23:53 | 0:23:57 | |
There was a sudden revival of the industry in 1970 and '80 | 0:23:57 | 0:24:01 | |
which gave it a last brief boom before disappearing in the 1990s, | 0:24:01 | 0:24:05 | |
when this mine was shut. | 0:24:05 | 0:24:07 | |
-It has been an amazing visit, thank you so much. -And the fleas. | 0:24:08 | 0:24:11 | |
I've got to tell you about the fleas, cos there were fleas here. | 0:24:11 | 0:24:14 | |
Now you tell me! | 0:24:14 | 0:24:15 | |
-But you are all right with that jacket. -Yeah, I bet I am. | 0:24:15 | 0:24:18 | |
It feels a bit itchy, actually. | 0:24:18 | 0:24:19 | |
We used to have to fumigate this place every so often. | 0:24:19 | 0:24:22 | |
Yeah, thanks a lot. | 0:24:22 | 0:24:23 | |
I have got to see my mate, Raj, now and I'll pass the jacket onto him. | 0:24:23 | 0:24:26 | |
Nice to see you, Eddie. Take care. Thanks, Eddie. See you. | 0:24:26 | 0:24:29 | |
A little further along the coast, | 0:24:33 | 0:24:35 | |
Raj has made an unscheduled stop, as he has spotted local | 0:24:35 | 0:24:39 | |
fisherman Steve, who is surrounded by a load of lobster pots. | 0:24:39 | 0:24:43 | |
-This is an old lobster pot. -This is an old lobster pot. | 0:24:43 | 0:24:46 | |
-How old would that be, Steve? -Is about five or six years old. -OK. | 0:24:46 | 0:24:51 | |
-The problem is, the bottom rubs on the hard seabed. -Ah-ha. | 0:24:51 | 0:24:55 | |
Rubs the plastic off and then the saltwater rusts it. | 0:24:55 | 0:24:58 | |
-OK. -But for what you want... | 0:24:58 | 0:25:01 | |
What would people do? I mean, that looks ideal to put a plant in. | 0:25:01 | 0:25:04 | |
-Yep. -A flower in the garden or something. -Trailing plants, whatever. | 0:25:04 | 0:25:07 | |
You are not actually going to buy one of those, are you? | 0:25:07 | 0:25:10 | |
So if I were to offer you... If they are worth 20 quid at auction, | 0:25:10 | 0:25:13 | |
-if I were to offer you a fiver, would you be happy with that? -No. | 0:25:13 | 0:25:16 | |
-You wouldn't be. -No. -No. God, you are a hard man already. | 0:25:16 | 0:25:19 | |
I could tell. OK... OK, how about ten? | 0:25:19 | 0:25:23 | |
-That has got to be fair. -Ten sounds better. -We shake on it? -Yep. | 0:25:23 | 0:25:26 | |
We have a deal. | 0:25:26 | 0:25:27 | |
Cor, pretty unconventional auction lot, | 0:25:27 | 0:25:30 | |
but I do love the fact that Raj is getting into the road trip spirit. | 0:25:30 | 0:25:33 | |
Aren't you? | 0:25:33 | 0:25:35 | |
While Raj has been taking in the sea air, Charles has travelled | 0:25:36 | 0:25:39 | |
40 miles northeast to Redruth, with some serious shopping to do. | 0:25:39 | 0:25:44 | |
Hats off. | 0:25:44 | 0:25:46 | |
-Charles! -How are you? -How are you doing? | 0:25:46 | 0:25:48 | |
-You got the name. -You got here eventually. | 0:25:48 | 0:25:50 | |
We have met before, have we? | 0:25:50 | 0:25:52 | |
-No, no, I've seen you on TV loads of times. -Oh, thanks. | 0:25:52 | 0:25:55 | |
-There we go. -I just couldn't wait to see you. | 0:25:55 | 0:25:57 | |
Could we do a deal today, do you think? | 0:25:57 | 0:25:59 | |
-Hopefully. It would be lovely, I need the money. -Get out of here! | 0:25:59 | 0:26:03 | |
Get out of here! I like your necklace, by the way. Goodness me. | 0:26:03 | 0:26:06 | |
-You carry the gold well. -Brass. -Is it? | 0:26:06 | 0:26:08 | |
You have a look round, Charles. I'll just be behind here. | 0:26:08 | 0:26:12 | |
-What is your name? -Walter. -Walter. -Yeah, my friends call me Wal. | 0:26:12 | 0:26:15 | |
-Hey, Wal. -Right on. | 0:26:15 | 0:26:17 | |
Yeah, man! Charles, what are you after? | 0:26:17 | 0:26:20 | |
Well, I quite like... Walter, follow me over here. | 0:26:20 | 0:26:23 | |
There is one thing I have seen that I quite like. | 0:26:23 | 0:26:25 | |
-Lots of glass, lots of pottery but I quite like... -Oh, right. | 0:26:25 | 0:26:29 | |
-..the bottle. -It is certainly different, | 0:26:29 | 0:26:31 | |
a wooden bottle, isn't it? | 0:26:31 | 0:26:33 | |
I don't think it is overly old. | 0:26:33 | 0:26:35 | |
-I... -It definitely isn't Louis XIV. | 0:26:35 | 0:26:39 | |
The Sun King. Where is our sun today? I quite like this. | 0:26:39 | 0:26:43 | |
-Interesting, isn't it? -Yeah. What is your very best on that? | 0:26:43 | 0:26:47 | |
-I'll do it for a tenner. -You wouldn't. -Yeah, why not? -Look at me. | 0:26:47 | 0:26:50 | |
I'm looking at you. You look like a nice man. | 0:26:50 | 0:26:53 | |
I think this is what you might call, in the auction, a fine | 0:26:53 | 0:26:57 | |
Edwardian oak-banded and coopered | 0:26:57 | 0:27:01 | |
brass-bound novelty | 0:27:01 | 0:27:05 | |
wooden wine bottle with a stopper, and it is just uncorked. | 0:27:05 | 0:27:10 | |
-Because I am going to buy it for £10. -Go for it. | 0:27:10 | 0:27:12 | |
-Wal, put it there. -Done. -As it Wal or Walter? -Wal will do. | 0:27:12 | 0:27:15 | |
-Thanks, mate. -Right on! -Right on! -You got a deal. | 0:27:15 | 0:27:18 | |
Thanks a lot. Hold on, Wal, I am going to fly the flag. There we are. | 0:27:18 | 0:27:21 | |
That is one down. | 0:27:21 | 0:27:23 | |
Firm friends already, | 0:27:23 | 0:27:24 | |
Wal is offering up a little titbit for Charles. | 0:27:24 | 0:27:28 | |
The little pot is different, at the top there, Charles. | 0:27:28 | 0:27:30 | |
-Is that peculiar? -Strange, yeah. I have no idea what it is. | 0:27:30 | 0:27:34 | |
What does it look like to you? | 0:27:34 | 0:27:36 | |
I would have said a portable inkwell, but maybe not. | 0:27:36 | 0:27:39 | |
If it was an inkwell, I would have thought it would have had... | 0:27:39 | 0:27:43 | |
A seal of some sort maybe? | 0:27:43 | 0:27:45 | |
Some remnants inside of maybe where a glass liner was. | 0:27:45 | 0:27:48 | |
And I just wonder whether it is to do with | 0:27:48 | 0:27:53 | |
maybe a nipple cover | 0:27:53 | 0:27:55 | |
if you were perhaps... What is the phrase? When you feed a baby. | 0:27:55 | 0:28:02 | |
Breast-feeding. | 0:28:02 | 0:28:04 | |
Also if you'd fill a bottle, what do you call it? | 0:28:04 | 0:28:07 | |
What is the phrase? | 0:28:07 | 0:28:09 | |
What are you on about, Charles? | 0:28:09 | 0:28:11 | |
-Express. -Oh, right. -You've had a baby and you are expressing. | 0:28:11 | 0:28:14 | |
I just wonder whether maybe there was some sort of nipple cover... | 0:28:14 | 0:28:19 | |
-In the box? -In the box. | 0:28:19 | 0:28:20 | |
You might be onto something there, Charles. | 0:28:20 | 0:28:23 | |
I could believe that. | 0:28:23 | 0:28:25 | |
It is marked London. | 0:28:25 | 0:28:26 | |
I think you've quite rightly dated it to Edwardian. | 0:28:26 | 0:28:29 | |
It is decorative, it's not got much weight to it. | 0:28:29 | 0:28:32 | |
But it is quite a dainty object. | 0:28:32 | 0:28:34 | |
If I was estimating it for auction, I would be quite hard | 0:28:34 | 0:28:37 | |
-and say it is probably going to make between £15 and £30. -Yeah. | 0:28:37 | 0:28:40 | |
Is there much scope to knock a bit off that? What could | 0:28:40 | 0:28:43 | |
you do it for, do you think, Wal? | 0:28:43 | 0:28:45 | |
Um... I would let you have that for 25. | 0:28:45 | 0:28:47 | |
It is a shame the marks are rubbed. I think it is an interesting box. | 0:28:47 | 0:28:51 | |
-You wouldn't do it for 20, would you? -Go on, go for it. | 0:28:51 | 0:28:53 | |
-Are you sure? -Yeah. -Put it there. Thanks a lot. | 0:28:53 | 0:28:56 | |
So that's a box and a bottle bought. Anything else, Charles? | 0:28:56 | 0:29:00 | |
What I quite like is... | 0:29:00 | 0:29:02 | |
-I've stuck that on the second shelf. -Right. | 0:29:03 | 0:29:05 | |
Four nice pendants. You've got cycling, that is all the rage. | 0:29:05 | 0:29:09 | |
And that is a pendant from 1931. | 0:29:09 | 0:29:14 | |
So early cycling interest. | 0:29:14 | 0:29:17 | |
Then you've got an interesting little pendant here, | 0:29:17 | 0:29:21 | |
which appears to be in the form of a sundial. | 0:29:21 | 0:29:24 | |
Then you've got soccer, football as we call it all over here, | 0:29:24 | 0:29:28 | |
with a beautiful little blue... | 0:29:28 | 0:29:30 | |
-Enamel, yeah. -..enamelled football. -Lovely. | 0:29:30 | 0:29:33 | |
Which is 1950s. | 0:29:33 | 0:29:35 | |
And then, are you at darts player? | 0:29:35 | 0:29:37 | |
-No, not at all. -No? | 0:29:37 | 0:29:38 | |
As a sporting lot, what will be the best price on all four? | 0:29:38 | 0:29:42 | |
-As a one-hit. -I'd go £40. | 0:29:42 | 0:29:46 | |
-For the whole lot? -For the lot. | 0:29:46 | 0:29:48 | |
You wouldn't do a bit less, would you, Walter? | 0:29:48 | 0:29:50 | |
-Is there another one we could throw in? -Get out of here! | 0:29:50 | 0:29:53 | |
If that is the case, Walter... You have got one here. | 0:29:53 | 0:29:57 | |
I think you have picked the dearest one, Charles. | 0:29:57 | 0:29:59 | |
Well, now you've got five, I will do the five for 50. | 0:29:59 | 0:30:03 | |
You wouldn't do them for... | 0:30:03 | 0:30:05 | |
Not a bit less? | 0:30:05 | 0:30:07 | |
-Oh, Charles... -£45? | 0:30:07 | 0:30:09 | |
-Go on, have a go. -Are you sure? -Go for it. -Happy? -No. | 0:30:10 | 0:30:13 | |
-Have you been here a while? -Yes. -Look at me. You've got to be happy. | 0:30:13 | 0:30:16 | |
You have upset me now. | 0:30:16 | 0:30:18 | |
-Don't say that. -Have you ever seen me cry? -We have done so well. | 0:30:18 | 0:30:22 | |
-The journey was well and truly on. Are you sure? -Yeah. | 0:30:22 | 0:30:24 | |
Is there a margin in it for you? | 0:30:24 | 0:30:26 | |
-Not a lot. -No, but is there a bit of a margin? -Just a bit. -OK, sold. | 0:30:26 | 0:30:30 | |
Thanks a lot. Put it there. Sold. | 0:30:30 | 0:30:32 | |
So our dapper dandy is all spent up with three final lots bought. | 0:30:32 | 0:30:37 | |
Raj isn't done yet, though. | 0:30:38 | 0:30:40 | |
So he has made his way to the ancient town of | 0:30:40 | 0:30:42 | |
St Columb Major and is off to his final shop on this road trip. | 0:30:42 | 0:30:48 | |
-Hello. -Hello there. | 0:30:48 | 0:30:50 | |
-I'm Raj. -I'm Tina. -Tina, lovely to meet you. -And you. | 0:30:50 | 0:30:53 | |
It is a pack shop, | 0:30:53 | 0:30:55 | |
so you'll need to use your head to find your final lot. | 0:30:55 | 0:30:58 | |
Hello, Charles. | 0:30:58 | 0:30:59 | |
Oh, suits you, sir. Right, anything looking good, Raj? | 0:30:59 | 0:31:04 | |
This is really, really quite nice. | 0:31:04 | 0:31:06 | |
It is a copper inkwell which is slightly different | 0:31:06 | 0:31:10 | |
because it is very Art Nouveau-y, and it looks like it might be | 0:31:10 | 0:31:15 | |
from the Newlyn School, which is obviously not very far from here. | 0:31:15 | 0:31:20 | |
The Newlyn School started around the 1880s and went on | 0:31:20 | 0:31:24 | |
until the early 20th century. | 0:31:24 | 0:31:27 | |
It is where a lot of artists went from the cities down here | 0:31:27 | 0:31:31 | |
because they... They became a colony, basically. | 0:31:31 | 0:31:35 | |
And they were all able to help each other and work on art forms. | 0:31:35 | 0:31:40 | |
And this looks very, very typically of a Newlyn Art Nouveau-y piece. | 0:31:40 | 0:31:46 | |
I can't see of signature on this at all, but it would've sat... | 0:31:46 | 0:31:49 | |
it would've sat on a desk. | 0:31:49 | 0:31:51 | |
It's missing its liner, which it would've had. | 0:31:51 | 0:31:54 | |
But it is definitely got age to it. | 0:31:54 | 0:31:56 | |
In fact, it has got here "Possibly Newlyn". | 0:31:56 | 0:31:59 | |
It has got a price on it of £79. | 0:31:59 | 0:32:02 | |
For POSSIBLY being Newlyn, 79 is quite a heavy ticket. | 0:32:02 | 0:32:06 | |
Better see if there's a deal to be had with Tina. | 0:32:06 | 0:32:10 | |
-I see you've got £79 on the ticket. -I have. -Now, what could you do? | 0:32:10 | 0:32:15 | |
-OK. -I don't want to have to get down on my knees, yet. | 0:32:15 | 0:32:19 | |
-OK. -But I will. | 0:32:19 | 0:32:20 | |
How about if we said... | 0:32:20 | 0:32:23 | |
65? | 0:32:23 | 0:32:24 | |
65... | 0:32:26 | 0:32:27 | |
-I'll tell you what I'd like to pay for it... -OK. | 0:32:28 | 0:32:31 | |
..that might give me a chance. I'd like to pay £40 for it. | 0:32:31 | 0:32:34 | |
Right. Do you think we could do 42? | 0:32:36 | 0:32:39 | |
-And you could have a deal. -Are you happy at £42? | 0:32:39 | 0:32:42 | |
-Yes, I'll be happy with 42. -You sure? -Yes. -Tina, we have a deal. | 0:32:42 | 0:32:47 | |
Great, thank you. | 0:32:47 | 0:32:48 | |
And with that, the boys are all bought up. | 0:32:50 | 0:32:52 | |
Raj spent £162 on six lots. | 0:32:54 | 0:32:57 | |
The cribbage board, | 0:32:57 | 0:32:59 | |
the serpentine lighthouse, | 0:32:59 | 0:33:01 | |
the magnifying glass, | 0:33:01 | 0:33:02 | |
the lobster pot, | 0:33:02 | 0:33:04 | |
the bronze pug | 0:33:04 | 0:33:06 | |
and the Art Nouveau inkwell. | 0:33:06 | 0:33:08 | |
Charles spent £123, | 0:33:10 | 0:33:12 | |
buying the trio of vases, | 0:33:12 | 0:33:14 | |
the wooden coopered bottle, | 0:33:14 | 0:33:16 | |
the unusual silver box, | 0:33:16 | 0:33:18 | |
the selection of sports pendants, | 0:33:18 | 0:33:21 | |
the moulded glass beakers | 0:33:21 | 0:33:23 | |
and the pair of Crown Devon vases. | 0:33:23 | 0:33:25 | |
So, what do they make of each other's lots? | 0:33:26 | 0:33:29 | |
What I really, really like and what might be my Achilles heel, | 0:33:29 | 0:33:33 | |
it's only got three letters - the pug. It might just go... | 0:33:33 | 0:33:36 | |
-HE HOWLS -At auction. | 0:33:36 | 0:33:38 | |
The wooden bottle, £10, it is | 0:33:38 | 0:33:41 | |
a nice piece of treen with some brass surrounds. | 0:33:41 | 0:33:44 | |
There is a small profit in that. | 0:33:44 | 0:33:45 | |
The cribbage board, it's a game of yesteryear. It's nice. | 0:33:45 | 0:33:48 | |
The enamelling on the club and the heart are slightly damaged. | 0:33:48 | 0:33:53 | |
Even so, it is in inspired buy. | 0:33:53 | 0:33:55 | |
Charles has bought well. He hasn't spent a lot of money. | 0:33:55 | 0:33:58 | |
He has played it very, very safe. | 0:33:58 | 0:34:00 | |
It is never over until the auctioneer for the last time | 0:34:00 | 0:34:02 | |
says, "Going, going, gone." | 0:34:02 | 0:34:04 | |
After starting this leg in Lostwithiel, | 0:34:06 | 0:34:08 | |
our experts travelled all around the Cornish coast | 0:34:08 | 0:34:11 | |
and are now off to the very last auction in Crewkerne. | 0:34:11 | 0:34:15 | |
Presiding over the auction today at lovely Lawrences | 0:34:15 | 0:34:19 | |
is Richard Kay. | 0:34:19 | 0:34:20 | |
So what is he make of our lads' lots? | 0:34:20 | 0:34:22 | |
The Cornish lobster pot is a bit of a surprise. | 0:34:22 | 0:34:24 | |
We have a huge variety in our sales, | 0:34:24 | 0:34:26 | |
but I don't think we've ever had one of those before. | 0:34:26 | 0:34:28 | |
I think it might be a little bit too fishy for some collectors' tastes. | 0:34:28 | 0:34:31 | |
This has been called a nipple box, which is a new term to me. | 0:34:31 | 0:34:34 | |
I think it is a small piece of beautifully made silverware | 0:34:34 | 0:34:36 | |
from the Edwardian period. | 0:34:36 | 0:34:38 | |
It's precise purpose is unclear, but we won't dwell on that now, | 0:34:38 | 0:34:41 | |
I think, we'll just hope for a good price on the day. | 0:34:41 | 0:34:43 | |
I think the one I am going to put my money behind is the copper inkwell. | 0:34:43 | 0:34:47 | |
There is no signature on it, which is a little off-putting, | 0:34:47 | 0:34:50 | |
but the quality is lovely. It is a charming piece. | 0:34:50 | 0:34:52 | |
So I think that could be quite a good price today. | 0:34:52 | 0:34:54 | |
So, for one last time, our boys are getting ready to head-to-head. | 0:34:54 | 0:34:59 | |
The journey starts now, this is the final curtain. | 0:35:00 | 0:35:03 | |
First up is Raj's mahogany and brass cribbage board. | 0:35:05 | 0:35:09 | |
Bid's here, start me at 20. 25, 30 is bid. | 0:35:09 | 0:35:12 | |
-Well done, profit. -It's 35, I'm out. -Keep going. | 0:35:12 | 0:35:16 | |
40, new bidder. 45. | 0:35:16 | 0:35:19 | |
Are you bidding? 50. 55. | 0:35:20 | 0:35:22 | |
-£55 now. -Excellent. -That is awesome, Raj. | 0:35:22 | 0:35:26 | |
At £55... | 0:35:26 | 0:35:28 | |
Storming start there for Raj. | 0:35:28 | 0:35:30 | |
Will Charles be as lucky with his pair of Linthorpe-style | 0:35:30 | 0:35:33 | |
vases together with the blue Brannam vase? | 0:35:33 | 0:35:37 | |
What shall we say, £10 for all three? | 0:35:38 | 0:35:40 | |
-10 is bid. -Come on. -12 now. | 0:35:40 | 0:35:42 | |
15. 18. 20. Five. | 0:35:42 | 0:35:44 | |
25, lady's bid at £25. | 0:35:44 | 0:35:47 | |
-Uh-oh. -30, new bidder. 35. | 0:35:47 | 0:35:50 | |
40. 45. | 0:35:50 | 0:35:52 | |
-Selling this one at 45. -Oh! | 0:35:52 | 0:35:54 | |
That's good! | 0:35:54 | 0:35:56 | |
It is indeed, more than doubling your money there. | 0:35:56 | 0:35:58 | |
Well done, Charles. | 0:35:58 | 0:36:00 | |
-Well, we are both off to a good start. -Wowee! | 0:36:00 | 0:36:02 | |
Like the sun, we are burning in the profit, aren't we? | 0:36:02 | 0:36:05 | |
Right, Raj, let's see how | 0:36:05 | 0:36:07 | |
your Cornish serpentine stone lighthouse fares. | 0:36:07 | 0:36:10 | |
-I light up your life. -You do. You do. | 0:36:11 | 0:36:13 | |
£10 for it. 10 is bid. Opening at 10. Selling at 10 only? | 0:36:13 | 0:36:16 | |
-Come on. -Are we done? £10? | 0:36:16 | 0:36:19 | |
At £10. | 0:36:19 | 0:36:21 | |
-Let's go. -All done at 10? I'm selling. | 0:36:21 | 0:36:23 | |
Last time. | 0:36:23 | 0:36:24 | |
That loss means Charles is still in the lead. | 0:36:24 | 0:36:27 | |
Can he pulled further ahead with his oak and brass-coopered bottle? | 0:36:27 | 0:36:32 | |
£20 for that. £20 is bid. | 0:36:32 | 0:36:34 | |
That's good. Come on. Let's move. | 0:36:34 | 0:36:37 | |
£20, then. And selling this one. 25. | 0:36:37 | 0:36:40 | |
30. 35. | 0:36:40 | 0:36:43 | |
40. No? £40. | 0:36:43 | 0:36:46 | |
-It is the lady's bid at 40. -Cost me how much? -Ten. -That's good. | 0:36:46 | 0:36:49 | |
The champagne's on ice, the show is almost over... | 0:36:49 | 0:36:53 | |
-Brilliant, well done. -Thank you. -That's a good one. -Thank you. | 0:36:53 | 0:36:55 | |
Another top profit there for Charles. | 0:36:55 | 0:36:59 | |
-You've done very well. -Thank you. -I have to say. | 0:36:59 | 0:37:02 | |
-Are you enjoying yourself? -I'm loving it. | 0:37:02 | 0:37:04 | |
I'm loving it! | 0:37:04 | 0:37:05 | |
Well, here is hoping you are still is chipper | 0:37:05 | 0:37:08 | |
after your decorative magnifying glass goes under the gavel. | 0:37:08 | 0:37:12 | |
£10 for that. £10 for it. | 0:37:12 | 0:37:14 | |
-£10, surely. -Is that a profit? -5, then. 5 is bid. | 0:37:14 | 0:37:17 | |
I saw the lady's bid first. | 0:37:17 | 0:37:19 | |
£8, sir. Are you bidding? | 0:37:19 | 0:37:21 | |
10. 12. £12 now. | 0:37:21 | 0:37:24 | |
Selling at 12. At £12, last time. | 0:37:24 | 0:37:28 | |
So, although it is a £2 profit, after auction costs, | 0:37:28 | 0:37:31 | |
it means Raj actually made a bit of a loss there. | 0:37:31 | 0:37:34 | |
Up next is Charles' unusual silver box. | 0:37:36 | 0:37:39 | |
-£25 for it. 20 then. -Interesting box. -£20. | 0:37:40 | 0:37:43 | |
£15, anywhere? | 0:37:43 | 0:37:45 | |
-15 is bid. -Come on. -18. | 0:37:45 | 0:37:47 | |
20. £20. I am selling this one at 20. All done? | 0:37:47 | 0:37:52 | |
Interesting. | 0:37:52 | 0:37:54 | |
Again, after auction costs, although he broke even, | 0:37:54 | 0:37:57 | |
that actually results in a bit of a loss for Charles. | 0:37:57 | 0:38:00 | |
Next, the lot the auctioneer felt was a bit off-piste - | 0:38:00 | 0:38:04 | |
Raj's lobster pot. | 0:38:04 | 0:38:06 | |
£10 for that? | 0:38:06 | 0:38:08 | |
5 anywhere? 5 is bid. | 0:38:08 | 0:38:10 | |
-8 now. 10. 12. -Well done. Well done, Raj. Profit. | 0:38:10 | 0:38:14 | |
12. 15. 18. £18. | 0:38:14 | 0:38:17 | |
Selling at 18. | 0:38:17 | 0:38:19 | |
-All done at 18? -Well done! | 0:38:19 | 0:38:21 | |
-Very good. You gave it all that. -I gave it all that, and it worked. | 0:38:21 | 0:38:24 | |
And you got all of that. | 0:38:24 | 0:38:26 | |
So, a pretty profit there for an old lobster pot. | 0:38:26 | 0:38:29 | |
Can Charles' collection of silver sports pendants perform as well? | 0:38:29 | 0:38:34 | |
-What shall we say, £15 for them? -Oh, dear. -18. 20. -There we go. -Five. | 0:38:34 | 0:38:39 | |
30. Five. 35. By the pillar at 35. | 0:38:39 | 0:38:43 | |
Selling this one at £35. Last time. | 0:38:43 | 0:38:46 | |
All done. | 0:38:46 | 0:38:47 | |
£10 down. | 0:38:47 | 0:38:49 | |
No sports fans in the house today, it seems. | 0:38:49 | 0:38:52 | |
What about dog fanciers? | 0:38:52 | 0:38:54 | |
A profit on the pug would give Raj a healthy lead. | 0:38:54 | 0:38:57 | |
-The reason I bought this was because I thought of you... -Why? | 0:38:57 | 0:39:00 | |
-..when I saw the pug. -Am I the pug? Pugs are quite unattractive. | 0:39:00 | 0:39:04 | |
-HE LAUGHS -What are you trying to say? | 0:39:04 | 0:39:06 | |
Very charming little piece. Bids here start me up at 40. 45. £50. | 0:39:06 | 0:39:11 | |
-Well done. -£50 is bid. 55. 60. | 0:39:11 | 0:39:14 | |
Five. 70. Five. 80. Five. 90. | 0:39:14 | 0:39:18 | |
-Wow! -£90, the bid is still with me. -Wow! | 0:39:18 | 0:39:21 | |
At 90, I am selling this one at 90. | 0:39:21 | 0:39:23 | |
£90 then. All done? | 0:39:23 | 0:39:26 | |
-Put it there. -Yes? -Wonderful, wonderful. | 0:39:26 | 0:39:28 | |
HE HOWLS | 0:39:28 | 0:39:30 | |
HE BARKS | 0:39:30 | 0:39:32 | |
A delightful doggy profit for the pug. | 0:39:32 | 0:39:36 | |
I am going to be woofing all the way home. | 0:39:36 | 0:39:38 | |
HE HOWLS | 0:39:38 | 0:39:39 | |
Right, enough of the puppy puns, | 0:39:39 | 0:39:41 | |
Charles is playing catch-up with his Art Deco glass beakers. | 0:39:41 | 0:39:45 | |
Which shall we say, £40 for them? | 0:39:45 | 0:39:47 | |
-£40 for them? 30 then? -Oh. Uh-oh. -£30 is bid. 35 now. | 0:39:47 | 0:39:51 | |
40. 45. | 0:39:51 | 0:39:54 | |
Any more? It is 45. At the cabinets at 45. All done? | 0:39:54 | 0:39:57 | |
Nice little earner there for Charles. | 0:39:58 | 0:40:00 | |
But a good result on Raj's | 0:40:00 | 0:40:02 | |
last lot could see him win this final leg. | 0:40:02 | 0:40:05 | |
It is the auctioneer's favourite, the copper inkwell. | 0:40:05 | 0:40:08 | |
-Charming piece. Bids start me at 50 on this one. -Oh, my goodness! | 0:40:08 | 0:40:11 | |
-He's in. -55. 60. Five, 70. Five, 80. | 0:40:11 | 0:40:15 | |
Five. At £85 now. I'm out in the room. | 0:40:15 | 0:40:18 | |
90, new bidder. 95. 100. | 0:40:18 | 0:40:21 | |
-Are you bidding? 110. 120. -You've done it! | 0:40:21 | 0:40:24 | |
It is 120. It is your bid, madam. At 120. And selling at 120 | 0:40:24 | 0:40:28 | |
-if you are done elsewhere. Last time. -I think you have done it. | 0:40:28 | 0:40:31 | |
Are we done? | 0:40:31 | 0:40:32 | |
I think you bought a wonderful object and I think | 0:40:32 | 0:40:35 | |
you're flying high. | 0:40:35 | 0:40:37 | |
Fantastic result, but it is not over yet. | 0:40:37 | 0:40:40 | |
You have still one last chance, Charles. | 0:40:40 | 0:40:42 | |
It is the final lot of the trip - his Crown Devon vases. | 0:40:42 | 0:40:46 | |
Come on, auctioneer. | 0:40:46 | 0:40:47 | |
-I am going to call the room out. -Blush ivory vases. -Come on. | 0:40:47 | 0:40:50 | |
No, no, no, stop that. | 0:40:50 | 0:40:51 | |
What shall we say, £10 for the two, quickly, for them? | 0:40:51 | 0:40:55 | |
-£10 here. -Come on! -£10 anywhere? | 0:40:55 | 0:40:58 | |
-Five? -I need some help. | 0:40:58 | 0:40:59 | |
-£5. -It's awful! -£2 anywhere? | 0:40:59 | 0:41:03 | |
It's only a pound each. | 0:41:03 | 0:41:04 | |
-£2 is bid. -Help! Help! | 0:41:04 | 0:41:08 | |
At £2. Only 2? Selling at 2? Are we done with them? | 0:41:08 | 0:41:11 | |
And £2 only... Four, just in time. | 0:41:11 | 0:41:13 | |
-One more! -Six. Selling at six. -Thank you! | 0:41:13 | 0:41:15 | |
You made a profit! | 0:41:17 | 0:41:18 | |
After auction costs, that means a teeny-tiny loss there for Charles. | 0:41:18 | 0:41:22 | |
-Come on. -After you. No, you go first, I salute you. | 0:41:22 | 0:41:25 | |
Well done, chaps, but the big question is - | 0:41:28 | 0:41:30 | |
who is this week's winner? | 0:41:30 | 0:41:33 | |
Raj started out with £305.86 and made, | 0:41:34 | 0:41:37 | |
after paying auction costs, an incredible profit of £88.10. | 0:41:37 | 0:41:42 | |
Making him today's winner and leaving him | 0:41:43 | 0:41:46 | |
with an impressive final total of £393.96. | 0:41:46 | 0:41:51 | |
Well done, that, man. | 0:41:51 | 0:41:52 | |
Charles began with £423.64. | 0:41:53 | 0:41:58 | |
And after paying auction costs, also made a profit of £33.62. | 0:41:58 | 0:42:04 | |
That means he may have lost this leg, | 0:42:04 | 0:42:06 | |
but he has won the overall trip with a fabulous final tally of £457.26. | 0:42:06 | 0:42:13 | |
All profits go to children in need. Well done, Charles. | 0:42:13 | 0:42:17 | |
-For the last time. -For the last time. -Foot on break. | 0:42:17 | 0:42:20 | |
-It is a bit of a sad moment. -Now, go to first gear. | 0:42:20 | 0:42:23 | |
-I can say, "Going, going..." -Gone. -There we go. That whole time. | 0:42:23 | 0:42:27 | |
Watch it, watch it. | 0:42:27 | 0:42:29 | |
What a week our cheeky chaps have had! | 0:42:29 | 0:42:32 | |
Who is this guy? | 0:42:33 | 0:42:35 | |
It has been a magical journey. | 0:42:35 | 0:42:37 | |
Completely and utterly disappear. | 0:42:37 | 0:42:39 | |
That's brilliant. Wowee! | 0:42:39 | 0:42:41 | |
And although there have been a few bumps along the way... | 0:42:41 | 0:42:45 | |
Bella! | 0:42:45 | 0:42:46 | |
-Go down. Whoops. Sorry. -Oh! | 0:42:46 | 0:42:49 | |
We have witnessed the beginning of a beautiful friendship. | 0:42:49 | 0:42:52 | |
Raj, do you want to hold my hand? Good luck. | 0:42:52 | 0:42:54 | |
Next time sees the start of a brand-new road trip with | 0:42:58 | 0:43:01 | |
Butterfingers David Harper... | 0:43:01 | 0:43:03 | |
Normally... | 0:43:03 | 0:43:05 | |
Sorry about that, Roger. | 0:43:05 | 0:43:06 | |
..and the ever-entertaining Anita Manning. | 0:43:06 | 0:43:09 | |
Whooo! | 0:43:09 | 0:43:10 |