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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HORN TOOTS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it's no mean feat. | 0:00:15 | 0:00:17 | |
Back in the game...Charlie! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
-SHE GASPS -So, will it be the high road | 0:00:23 | 0:00:25 | |
to glory or the slow road to disaster? | 0:00:25 | 0:00:28 | |
-Oh! -This is the Antiques Road Trip. | 0:00:28 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
It's day four of this week's adventure | 0:00:36 | 0:00:39 | |
and our expert auctioneers are revved up and raring to go. | 0:00:39 | 0:00:43 | |
-Charles, wake up, wake up. -Sorry. Sorry! | 0:00:43 | 0:00:47 | |
Charles Hanson is an antiques expert | 0:00:47 | 0:00:49 | |
who loves nothing more than getting giddy at a great find. | 0:00:49 | 0:00:52 | |
Aren't we lucky to be living almost in a hazy dream | 0:00:52 | 0:00:55 | |
that's the Antiques Road Trip? | 0:00:55 | 0:00:57 | |
Good Lord. This week, he's on the road with Raj Bisram, | 0:00:57 | 0:01:00 | |
our top auctioneer from Kent. | 0:01:00 | 0:01:02 | |
-ENGINE REVS -Sorry, sorry again. | 0:01:05 | 0:01:07 | |
Can you get in the back? | 0:01:07 | 0:01:08 | |
Raj made money on the last leg, which means he's got | 0:01:10 | 0:01:12 | |
an impressive £414.86 to spend. | 0:01:12 | 0:01:17 | |
GAVEL BANGS | 0:01:17 | 0:01:19 | |
Charles also bagged himself a profit, | 0:01:19 | 0:01:20 | |
which means he's currently in the lead with £464.64 to play with. | 0:01:20 | 0:01:26 | |
-It's about taking part that counts. -Absolutely. | 0:01:28 | 0:01:30 | |
And that's what Mr Tim Wonnacott always believes in. | 0:01:30 | 0:01:33 | |
Buy with a passion, stay away from knobbly knick-knacks, | 0:01:33 | 0:01:36 | |
make a name for yourself and celebrate history. | 0:01:36 | 0:01:39 | |
-That's a road trip. Got it? -Yeah, got it. | 0:01:39 | 0:01:42 | |
Glad to see you've been listening, Charles. | 0:01:42 | 0:01:45 | |
Our chaps' mammoth mission began in Corsham in Wiltshire | 0:01:46 | 0:01:49 | |
and takes in most of the south-west of England, | 0:01:49 | 0:01:52 | |
eventually finishing around 900 miles later | 0:01:52 | 0:01:55 | |
at Crewkerne in Somerset. | 0:01:55 | 0:01:56 | |
Today's trip kicks off in Hele in Devon | 0:01:58 | 0:02:01 | |
and will finish up at an auction in Exeter. | 0:02:01 | 0:02:04 | |
-Do you know what I'm looking forward to the most? -Tell me. | 0:02:04 | 0:02:07 | |
I'm looking forward to a cream tea, a famous Devonshire cream tea. | 0:02:07 | 0:02:12 | |
Yeah, a Devonian cream tea. | 0:02:12 | 0:02:14 | |
And I reckon the man who knows a good cream tea is Mr Wonnacott - | 0:02:14 | 0:02:17 | |
-he comes from Devon. -Does he? -Yeah, yeah. -Fantastic. | 0:02:17 | 0:02:20 | |
I think he likes the cream on first, before the jam. | 0:02:20 | 0:02:23 | |
Rubbish, Charles. You know it's the jam on and then the cream. | 0:02:23 | 0:02:28 | |
They're bonding up nicely, though, aren't they, | 0:02:28 | 0:02:30 | |
in the dashing Triumph Herald nicknamed Bella? | 0:02:30 | 0:02:33 | |
-It's been great, Raj, and Bella's been a joy. -She has. | 0:02:33 | 0:02:36 | |
Yeah, I have to say, I wasn't too sure at the beginning, | 0:02:36 | 0:02:40 | |
-but I'm certainly getting used to her now. -Yeah, yeah. | 0:02:40 | 0:02:43 | |
A bit like you. | 0:02:43 | 0:02:45 | |
I love a good bromance. First stop today is Fagins Antiques. | 0:02:45 | 0:02:51 | |
-Here we are. I would keep going. Keep going! -Here we are! | 0:02:51 | 0:02:54 | |
-Today's a day... -Fagins Antiques. -Slow down there. Stop, stop, stop. | 0:02:54 | 0:02:57 | |
-What's going to happen today? -Where's the entrance? | 0:02:57 | 0:02:59 | |
Yeah, but look at that! Thousands and thousands of square feet. | 0:02:59 | 0:03:03 | |
THEY LAUGH | 0:03:03 | 0:03:04 | |
-After you. -After you. -Go on, get in. | 0:03:04 | 0:03:06 | |
It should be big enough for both of them. | 0:03:06 | 0:03:09 | |
If I had a house one day big enough, | 0:03:17 | 0:03:19 | |
I'd love to buy a nice, big snooker table. | 0:03:19 | 0:03:21 | |
Uh, Charles, I think this is the moment to move on, old boy. | 0:03:22 | 0:03:25 | |
Sorry, back to business. Come on, Hanson. I'll let you carry on. | 0:03:25 | 0:03:29 | |
Raj, meanwhile, has enlisted owner Chris to help him hunt. | 0:03:33 | 0:03:37 | |
Well, I think it's made out of an old shell. | 0:03:37 | 0:03:40 | |
First World War, maybe, converted to a moneybox. | 0:03:40 | 0:03:45 | |
Some of the estimated one billion shells fired | 0:03:45 | 0:03:49 | |
during World War I were transformed into trench art, | 0:03:49 | 0:03:52 | |
but I think this is likely to be a later reproduction, don't you? | 0:03:52 | 0:03:55 | |
-There's a lot of people that collect that sort of thing. -Yeah. | 0:03:55 | 0:03:58 | |
And what would that have to be? | 0:03:58 | 0:04:01 | |
-60. -60? | 0:04:01 | 0:04:03 | |
-There's not going to be a profit in that, is there? -There is... | 0:04:03 | 0:04:06 | |
-Not at 60. -I'd say... | 0:04:06 | 0:04:07 | |
At auction, I reckon that's £40-£60. | 0:04:07 | 0:04:13 | |
Well, seeing as I've only just unearthed it, | 0:04:13 | 0:04:16 | |
-I can't remember what it cost me...which is terrible. -£30. | 0:04:16 | 0:04:20 | |
I've got to have a chance at 30. | 0:04:20 | 0:04:22 | |
-40. -35. | 0:04:22 | 0:04:24 | |
-All right. -35? -I should think you'll do well on that. That's a start. | 0:04:24 | 0:04:29 | |
OK, that's a start. OK. Thank you very much. Brilliant. | 0:04:29 | 0:04:32 | |
Right, Raj is off the mark. Charles? | 0:04:32 | 0:04:35 | |
It's always the most nerve-racking time on the first day of a shop | 0:04:35 | 0:04:38 | |
of a new county and you've got to start digging deep | 0:04:38 | 0:04:42 | |
because the hardest thing ever is to find the first purchase. | 0:04:42 | 0:04:45 | |
It's always that twitchy time where you're doing this. | 0:04:45 | 0:04:51 | |
Well, you might want to get a move on | 0:04:51 | 0:04:53 | |
as Raj has already found something else he fancies. Look at that. | 0:04:53 | 0:04:56 | |
Chris, I noticed this on the way in. It's a nice Georgian cheese coaster | 0:04:56 | 0:05:03 | |
and, of course, in Georgian times, this is how the cheese | 0:05:03 | 0:05:06 | |
would have been served on the tables but, as you can see, | 0:05:06 | 0:05:10 | |
it's a nice piece of mahogany. It does need repair. | 0:05:10 | 0:05:13 | |
This is all doable but it would have to be very cheap. | 0:05:13 | 0:05:18 | |
-The ticket price is £50. -I could probably do that for 40 for you. | 0:05:19 | 0:05:23 | |
I think there's quite a good profit. | 0:05:23 | 0:05:24 | |
I mean, they usually go 300-plus, don't they? | 0:05:24 | 0:05:28 | |
Well, I've sold a few recently and I've got about £100-£150 for them, | 0:05:28 | 0:05:32 | |
-but they've been in good condition. -Oh, right. | 0:05:32 | 0:05:34 | |
In that condition...30 quid. | 0:05:34 | 0:05:36 | |
-It's got to have the work. -Yeah. | 0:05:36 | 0:05:38 | |
-OK, you can have it. -Yep, £30? -A deal on that. -Fantastic. | 0:05:38 | 0:05:42 | |
A roaring start there for Raj, with two items bought for £65. | 0:05:42 | 0:05:47 | |
Charles, meanwhile, has decided to move on empty-handed | 0:05:53 | 0:05:57 | |
and is headed south to the pretty town of Topsham. | 0:05:57 | 0:06:00 | |
Perhaps he'll have better luck at Quay Antiques. | 0:06:01 | 0:06:05 | |
-Hello, sir. -Hello. -How are you? -I'm well. I'm Albert. | 0:06:05 | 0:06:09 | |
-Albert, Charles Hanson. -Nice to meet you. | 0:06:09 | 0:06:10 | |
-Is it your emporium? -No, not mine. | 0:06:10 | 0:06:13 | |
-I can't afford anything like this. -Get out of here. | 0:06:13 | 0:06:15 | |
You're in the bow tie. You look the part, sir. | 0:06:15 | 0:06:18 | |
Well, if you look the part, you can fool anybody. | 0:06:18 | 0:06:21 | |
Shh, don't tell anyone, Albert. | 0:06:21 | 0:06:24 | |
Surely there's something to tickle our Derby dandy in this place. | 0:06:24 | 0:06:28 | |
It's so exciting. It's like, "Land ahoy!" or "Antiques ahoy!" | 0:06:31 | 0:06:34 | |
They're everywhere. | 0:06:34 | 0:06:35 | |
One thing I do quite like is this lady here. | 0:06:39 | 0:06:44 | |
She's what we call a peg-jointed doll, | 0:06:44 | 0:06:49 | |
and with her wooden head... | 0:06:49 | 0:06:53 | |
and this tiny, squashed face | 0:06:53 | 0:06:56 | |
on that painted, enamelled wooden face, | 0:06:56 | 0:07:01 | |
she would be early Victorian - 1820, 1830. | 0:07:01 | 0:07:04 | |
What impresses me is I think she's in her original clothes. | 0:07:04 | 0:07:10 | |
I think it's a very nice object, which is certainly worth | 0:07:10 | 0:07:14 | |
-further inspection. -Only one way to find out. | 0:07:14 | 0:07:19 | |
I like her original face - it hasn't been changed or altered. | 0:07:19 | 0:07:23 | |
My only concern with her is, Albert, she's missing a leg. | 0:07:23 | 0:07:27 | |
-So, although she's a peg-jointed doll... -She's a peg leg. | 0:07:27 | 0:07:31 | |
I'll call her Peggy. Peggy is missing a leg, which is a shame. | 0:07:31 | 0:07:35 | |
Peggy is priced at £49. | 0:07:35 | 0:07:39 | |
If I could make an offer with your dealer, | 0:07:39 | 0:07:41 | |
what sort of figure do you think would be acceptable? | 0:07:41 | 0:07:44 | |
-She'd probably do it for 45. -Yeah. | 0:07:45 | 0:07:47 | |
In the perfect world, I'll probably want to pay more like 35, | 0:07:47 | 0:07:52 | |
but you might say, "Look, Charles, that's just one bid below too far." | 0:07:52 | 0:07:57 | |
-Shall we find out? -Could you, Albert? That'd be great. | 0:07:57 | 0:08:00 | |
I'll give her to you and, if Peggy is a goer, I hope she is. | 0:08:00 | 0:08:04 | |
-Right. -Thanks a lot. -Let's see what we can do. | 0:08:04 | 0:08:06 | |
With Peggy put aside for later, anything else grab you, Carlos? | 0:08:06 | 0:08:10 | |
I quite like the little goblet in here, you know, | 0:08:10 | 0:08:14 | |
which is quite decorative. I'll bring it out to you. | 0:08:14 | 0:08:17 | |
That's quite attractive, isn't it? What I like about it | 0:08:17 | 0:08:20 | |
is, if you turn it upside down, | 0:08:20 | 0:08:21 | |
you've got some nice wear on the base. | 0:08:21 | 0:08:23 | |
That's a good Bristol Blue goblet of probably around 1820. | 0:08:23 | 0:08:28 | |
Another item goes on the consideration list. | 0:08:29 | 0:08:32 | |
Are you actually going to buy anything, Charles? | 0:08:32 | 0:08:35 | |
What you hope to see is objects that jump out at you | 0:08:35 | 0:08:38 | |
-and they say, "Come on, Hanson, buy me." -Yeah, quite. | 0:08:38 | 0:08:43 | |
Well, what does this desk calendar say to you, then, Charles? | 0:08:43 | 0:08:47 | |
What's nice is it's set on this nice oak plinth base, | 0:08:47 | 0:08:50 | |
which is mounted with the leather, but what's really nice | 0:08:50 | 0:08:54 | |
is the engine turning and the fact it's also hallmarked | 0:08:54 | 0:08:58 | |
just on the side here. | 0:08:58 | 0:09:01 | |
Hallmarked for Birmingham and the date code does coincide to 1930. | 0:09:01 | 0:09:05 | |
It's priced, Albert, at £75. | 0:09:05 | 0:09:10 | |
I quite like it. It's in good condition, hasn't been dropped | 0:09:10 | 0:09:13 | |
before. There's no indentations. There's not too much wear and tear. | 0:09:13 | 0:09:17 | |
With a ticket price of £75, Charles has some thinking to do. | 0:09:17 | 0:09:21 | |
Meanwhile, Raj is back on the road | 0:09:22 | 0:09:25 | |
and taking a trip to the highest town in Somerset - Chard. | 0:09:25 | 0:09:29 | |
Charles will be in some warm, hot shop now. | 0:09:29 | 0:09:35 | |
Here I am, driving around the beautiful Somerset-Devon countryside. | 0:09:35 | 0:09:39 | |
Chard is not only the birthplace of powered flight, | 0:09:39 | 0:09:43 | |
but it was also once home to James Gillingham, shoemaker and inventor, | 0:09:43 | 0:09:48 | |
who became a pioneer in artificial limbs. | 0:09:48 | 0:09:51 | |
Raj has come to the Chard Museum | 0:09:51 | 0:09:53 | |
to meet chairman of the trustees David Ricketts | 0:09:53 | 0:09:56 | |
to find out more. | 0:09:56 | 0:09:57 | |
James was born in 1838 into a family of boot makers in Chard. | 0:09:57 | 0:10:03 | |
And, at the age of 21, | 0:10:03 | 0:10:05 | |
he went up to London to be apprenticed into shoemaking. | 0:10:05 | 0:10:09 | |
When he returned after a few years, | 0:10:09 | 0:10:11 | |
he ran the business with his mother and he was very much an inventor. | 0:10:11 | 0:10:17 | |
We know him for inventing radiators, for example, and escape mechanisms. | 0:10:17 | 0:10:23 | |
The invention Gillingham would become most famous for | 0:10:23 | 0:10:26 | |
were his artificial limbs made from moulded leather. | 0:10:26 | 0:10:30 | |
The ground-breaking event occurred in 1863, | 0:10:30 | 0:10:35 | |
when the town was celebrating the wedding of the Prince of Wales | 0:10:35 | 0:10:41 | |
and they fired fireworks and a cannon, and Will Singleton, | 0:10:41 | 0:10:46 | |
who was a local gamekeeper, was tamping into a cannon, | 0:10:46 | 0:10:51 | |
preparing to fire it, and it exploded | 0:10:51 | 0:10:55 | |
and took his arm off at the shoulder. | 0:10:55 | 0:10:57 | |
And when, out of the blue, two years later, Will Singleton met | 0:10:57 | 0:11:01 | |
James Gillingham, James Gillingham immediately said, | 0:11:01 | 0:11:04 | |
"I can make you an arm and I'll do it for nothing." | 0:11:04 | 0:11:08 | |
And that's exactly what he did, using his shoemaking skills. | 0:11:08 | 0:11:11 | |
Heavy wooden prosthetics at that time required part of a limb to | 0:11:11 | 0:11:15 | |
attach to, but Gillingham invented a ground-breaking artificial arm | 0:11:15 | 0:11:20 | |
for Will Singleton, without which he would have lost his job | 0:11:20 | 0:11:24 | |
and faced destitution. | 0:11:24 | 0:11:25 | |
He devised a special secret process for softening the leather, | 0:11:25 | 0:11:30 | |
moulding it into shape around a last | 0:11:30 | 0:11:34 | |
and then when it cooled, it hardened and it, in fact, | 0:11:34 | 0:11:38 | |
was half the weight of the wood that would originally have been used | 0:11:38 | 0:11:41 | |
for such an artificial limb. | 0:11:41 | 0:11:43 | |
So this was really revolutionary? | 0:11:43 | 0:11:45 | |
Singleton's arm was taken up to London to demonstrate | 0:11:45 | 0:11:48 | |
to the medical profession and they were really impressed with this. | 0:11:48 | 0:11:53 | |
James Gillingham was asked then to make further limbs for people who, | 0:11:53 | 0:11:57 | |
up until that time, the medical profession had thought | 0:11:57 | 0:12:00 | |
were incurable as regards to fitting limbs. | 0:12:00 | 0:12:03 | |
He got so busy that he closed his shoe shop and opened up | 0:12:03 | 0:12:06 | |
his workshop behind the house, Prospect House, as he called it. | 0:12:06 | 0:12:11 | |
He was a very benevolent man. | 0:12:11 | 0:12:12 | |
He didn't charge for a lot of things that he might have charged for | 0:12:12 | 0:12:16 | |
because he didn't believe it was right, and the individual treatments | 0:12:16 | 0:12:20 | |
that he gave to the patients were of great benefit to them. | 0:12:20 | 0:12:23 | |
His son Sydney joined him and, by 1910, they had created | 0:12:23 | 0:12:28 | |
bespoke artificial limbs for 15,000 people. | 0:12:28 | 0:12:32 | |
The family business continued producing world-class prosthetics | 0:12:32 | 0:12:37 | |
for three generations, helping many war veterans along the way. | 0:12:37 | 0:12:40 | |
In early 1924, James Gillingham died. | 0:12:42 | 0:12:45 | |
His son and grandson continued to individually attend to customers | 0:12:45 | 0:12:49 | |
until selling the business in 1950. | 0:12:49 | 0:12:51 | |
Unable to compete with mass production, | 0:12:51 | 0:12:54 | |
the firm finally closed in the 1960s. | 0:12:54 | 0:12:56 | |
Well, there's no doubt about it from what you've told me today, | 0:12:58 | 0:13:00 | |
he revolutionised prosthetics around the world | 0:13:00 | 0:13:04 | |
and I've learnt so much today and it's been such an interesting visit, | 0:13:04 | 0:13:09 | |
I can't tell you. So, I thank you very much for your time, David. | 0:13:09 | 0:13:12 | |
It's been an absolute pleasure to meet you and to listen to your words. | 0:13:12 | 0:13:15 | |
Very pleased to have you here. That's lovely, thank you. | 0:13:15 | 0:13:19 | |
While Raj has been having an informative afternoon in Chard, | 0:13:23 | 0:13:27 | |
Charles is still shopping in Topsham. Look at him go, that boy. | 0:13:27 | 0:13:31 | |
Oh, look, he's on the scent, look. | 0:13:31 | 0:13:33 | |
What I like about this... This is a what appears to be | 0:13:33 | 0:13:36 | |
a Russian silver sifter spoon by Grigory Sbitnev of Moscow. | 0:13:36 | 0:13:41 | |
It's quite heavy. Feel the weight of that, Albert. | 0:13:41 | 0:13:44 | |
I love the trefid handle, I love the pierced silver gilded bowl | 0:13:44 | 0:13:50 | |
and it is Moscow. It would date to around 1890. | 0:13:50 | 0:13:53 | |
I quite like, Albert, this spoon as well, which is also Russian. | 0:13:53 | 0:13:56 | |
Monogrammed on the back, gilded bowl and again the hallmark | 0:13:56 | 0:14:01 | |
is just very indistinct, but within the bowl here, as well. | 0:14:01 | 0:14:05 | |
And this is Russian silver, hallmarked, | 0:14:05 | 0:14:08 | |
again probably around 1890. | 0:14:08 | 0:14:09 | |
I just wonder, Albert, in the very smart bow tie, mate... | 0:14:09 | 0:14:14 | |
..if you could do me a favour and just find out | 0:14:15 | 0:14:18 | |
-if the dealer would do a deal for the two together? -OK. -Is that OK? | 0:14:18 | 0:14:22 | |
-Yeah. -That's really kind. | 0:14:22 | 0:14:24 | |
So, Charles has now shown interest in four lots, | 0:14:24 | 0:14:27 | |
but will he buy them? | 0:14:27 | 0:14:29 | |
Peggy's dealer has knocked £9 off the price tag, | 0:14:29 | 0:14:32 | |
making the damage for the doll £40. | 0:14:32 | 0:14:34 | |
I'm going to buy her because I fell in love with her | 0:14:34 | 0:14:37 | |
and with a passion, you buy what you like, so I'm going to say, | 0:14:37 | 0:14:41 | |
"At last, I've bought an object." Put it there...for £40. | 0:14:41 | 0:14:45 | |
Hooray! First lot bought, finally. | 0:14:45 | 0:14:48 | |
-The blue glass goblet... -Yeah. -Best price? | 0:14:48 | 0:14:52 | |
-15. -£15, I'll take it. Sold. That's two things down. | 0:14:52 | 0:14:56 | |
I feel a lot better now. The day is warming up. | 0:14:56 | 0:14:59 | |
Now for those Russian spoons. | 0:14:59 | 0:15:01 | |
Desperate for a deal, plucky Charles is sweet-talking the dealer himself. | 0:15:02 | 0:15:07 | |
I was just wondering whether you could do the two together for £50? | 0:15:07 | 0:15:11 | |
No. So, your best price finally is 65? | 0:15:14 | 0:15:18 | |
-OK. Thanks a lot. -You in or out, then, Charles? | 0:15:21 | 0:15:24 | |
Because my day has been so sparse, I think I'm going to buy them. | 0:15:25 | 0:15:30 | |
-Right. -Because I've got a busy day tomorrow. | 0:15:30 | 0:15:33 | |
-Well, you can take it easy tomorrow. -Oh, dear... Hanson, Hanson, Hanson. | 0:15:33 | 0:15:36 | |
-Go on, put it there. I'll take them. -OK. | 0:15:36 | 0:15:40 | |
Clocking up the lots now, eh? What about the calendar? | 0:15:40 | 0:15:44 | |
-And your best price is...? -£60. | 0:15:45 | 0:15:47 | |
-Yes. I brought these three for 120. -So another £60. | 0:15:47 | 0:15:51 | |
I'll take it. | 0:15:51 | 0:15:53 | |
That flurry of activity has landed him four lots for £180. | 0:15:53 | 0:15:58 | |
40, 60... Am I happy? | 0:15:58 | 0:16:00 | |
I'm always happy cos life's too short. | 0:16:01 | 0:16:04 | |
Well said, that man. And so day one is done. Nighty-night, chaps. | 0:16:04 | 0:16:10 | |
-Morning has broken and the boys are back on the road. -Beautiful. | 0:16:12 | 0:16:15 | |
Look at these buildings, Raj. I feel almost caught in time... | 0:16:15 | 0:16:19 | |
with you, my old mate. | 0:16:19 | 0:16:22 | |
-Yeah, less of the old, OK? -I mean, look at this. | 0:16:22 | 0:16:26 | |
I'm your new mate. | 0:16:26 | 0:16:28 | |
-So far, Charles's new pal Raj... -Go on, get in. | 0:16:28 | 0:16:31 | |
..has spent £65 on two items - the brass moneybox postbox | 0:16:31 | 0:16:36 | |
and the wooden cheese coaster - | 0:16:36 | 0:16:38 | |
which means he still has a huge £349.86 available to spend today. | 0:16:38 | 0:16:44 | |
While Charles forked out £180 for four items - | 0:16:46 | 0:16:50 | |
his peg doll, the blue glass goblet, | 0:16:50 | 0:16:54 | |
the Russian silver spoons | 0:16:54 | 0:16:56 | |
and his silver desk calendar - leaving £284.64 to play with today. | 0:16:56 | 0:17:02 | |
Our Roadtrippers have made their way to Paignton, | 0:17:05 | 0:17:07 | |
a gorgeous seaside town on the coast of Torbay. | 0:17:07 | 0:17:11 | |
-Look at this view. -Fantastic. | 0:17:11 | 0:17:13 | |
-Oh, I'm looking forward to today. -Don't make it choppy. -No. -OK. | 0:17:13 | 0:17:18 | |
-Keep calm. -I'll get the good buys. -Yeah, take care. | 0:17:18 | 0:17:21 | |
And put the "Bis" in "Ram", OK? | 0:17:21 | 0:17:24 | |
And go away and buy some great things. | 0:17:24 | 0:17:26 | |
Raj is playing catch up on the buying stakes, | 0:17:26 | 0:17:29 | |
so here's hoping he'll find some gems at his first stop of the day. | 0:17:29 | 0:17:34 | |
-Hello, there. -Hello, Raj. -Hello, Peter. -Welcome. -Nice to meet you. | 0:17:34 | 0:17:38 | |
-And you, too. -What a lovely little shop you've got here. | 0:17:38 | 0:17:40 | |
Asking Peter for some pointers | 0:17:40 | 0:17:42 | |
leads Raj to some rather pretty pottery plates. | 0:17:42 | 0:17:46 | |
These are by Old Hall Pottery. | 0:17:46 | 0:17:48 | |
Christopher Dresser was one of their designers | 0:17:48 | 0:17:52 | |
and these are very much in his style. | 0:17:52 | 0:17:54 | |
They're very heavily gold-gilded and they're just quality pieces. | 0:17:54 | 0:17:58 | |
They are. I mean, if they were definitely connected | 0:17:58 | 0:18:00 | |
-to Christopher Dresser, these would be almost museum pieces... -Yeah. | 0:18:00 | 0:18:05 | |
..because of his name. How much are these? | 0:18:05 | 0:18:07 | |
-They're £120 for the pair. -And what would be the very best on these? | 0:18:07 | 0:18:11 | |
-I'd do them for 100. -OK. | 0:18:14 | 0:18:16 | |
I'm going to put them to one side for the moment | 0:18:16 | 0:18:19 | |
and I may come back to those. | 0:18:19 | 0:18:21 | |
-Ooh... -This is unusual. -Hello. | 0:18:23 | 0:18:26 | |
You've labelled it as 18th-century. | 0:18:26 | 0:18:29 | |
-18th to 19th, thereabout. -18th to 19th. -Yeah. | 0:18:29 | 0:18:33 | |
But this is original gilding that we can see on here. | 0:18:33 | 0:18:36 | |
Oh, yeah. Difficult to date, this thing. | 0:18:36 | 0:18:39 | |
It could easily be 20th-century and possibly part of a larger piece. | 0:18:39 | 0:18:43 | |
It's a decorative item and Raj will need to get a lot off | 0:18:43 | 0:18:46 | |
the 275 price tag to make it worthwhile. | 0:18:46 | 0:18:49 | |
I would be looking to pay about £100 for it. | 0:18:51 | 0:18:55 | |
-Not even close. -OK, well, give me an idea. | 0:18:55 | 0:18:58 | |
The best would be 180. | 0:18:58 | 0:19:00 | |
So it's now a battle between two very different lots. | 0:19:00 | 0:19:04 | |
It's a question of the plates or the mask. | 0:19:04 | 0:19:07 | |
I mean, they are quality. I can see that these plates are really quality, | 0:19:07 | 0:19:11 | |
but I'd have to attribute them to Christopher Dresser. | 0:19:11 | 0:19:14 | |
There's no hard evidence. I mean, the mask is...very different. | 0:19:14 | 0:19:18 | |
-I've never, ever seen one like it before. -It's a unique piece. | 0:19:18 | 0:19:23 | |
I think it's going to have to be the mask. I know you've said 180. | 0:19:23 | 0:19:26 | |
I've only got a limited budget, as well, I think you know that. | 0:19:26 | 0:19:29 | |
-That's already over £100 off. -A little bit more movement. -175? | 0:19:29 | 0:19:34 | |
160 cash. Come on, that's not a bad price. | 0:19:34 | 0:19:37 | |
We'll split the difference at 170. I can't say further than that. | 0:19:37 | 0:19:41 | |
-We have a deal. -All right. | 0:19:41 | 0:19:43 | |
-£170. -Well done. You'll do very well. -I hope so. I do like it. | 0:19:43 | 0:19:47 | |
-Thank you. -Hang on. Looks like Raj isn't spent out yet. | 0:19:47 | 0:19:50 | |
I'm playing it a bit safe here, Peter. | 0:19:50 | 0:19:52 | |
You've got a pair of claret jugs, they're definitely 20th-century ones. | 0:19:52 | 0:19:57 | |
-There's not a lot of age to those. -They're a good-looking pair, though. | 0:19:57 | 0:20:00 | |
They are a good-looking pair and, if I can get those cheap, | 0:20:00 | 0:20:04 | |
I'm definitely going to buy them. | 0:20:04 | 0:20:05 | |
I've noticed that you've got £24 on, I presume, each ticket. That's £48. | 0:20:05 | 0:20:11 | |
-These have got to be cheap. What's the best on these? -Well... | 0:20:11 | 0:20:16 | |
Remembering I've already spent £170 with you. | 0:20:16 | 0:20:19 | |
-As it's your first trip, Raj... -OK, here we go. | 0:20:20 | 0:20:23 | |
..you can have the pair for £24. | 0:20:23 | 0:20:26 | |
-We've got a deal. No arguing. -Well done. | 0:20:26 | 0:20:29 | |
-I'll take them at 24. -Fast work there, Raj. | 0:20:29 | 0:20:32 | |
Charles, meanwhile, has come to well-known landmark Oldway Mansion. | 0:20:38 | 0:20:42 | |
This Grade II listed building was built | 0:20:42 | 0:20:44 | |
by the super-rich American family the Singers, | 0:20:44 | 0:20:48 | |
who lavished hundreds of thousands of pounds | 0:20:48 | 0:20:51 | |
creating this impressive status symbol. | 0:20:51 | 0:20:55 | |
Chairman of the Friends of Oldway, Paul Hawthorne, | 0:20:55 | 0:20:57 | |
is here to tell Charles more. | 0:20:57 | 0:21:00 | |
-Good morning. Mr Hawthorne? -Yep, Paul. -Paul, I'm Charles. | 0:21:00 | 0:21:03 | |
Nice to meet you, Charles. | 0:21:03 | 0:21:04 | |
It's great to be on the French Riviera. | 0:21:04 | 0:21:06 | |
-I almost feel I'm outside Versailles. -Yeah. | 0:21:06 | 0:21:10 | |
No, no. Welcome to Oldway Mansion, historic home of the Singer family, | 0:21:10 | 0:21:13 | |
a model on Versailles. | 0:21:13 | 0:21:14 | |
It was a recreation based on the Petit Trianon gardens in Versailles. | 0:21:14 | 0:21:19 | |
It's interesting, Paul, that in my day job we often handle Singer | 0:21:19 | 0:21:23 | |
sewing machines and of course it was that money which really built this. | 0:21:23 | 0:21:27 | |
Yeah, very much so. The first machine was put together in 1850, | 0:21:27 | 0:21:31 | |
patented 1851. The company was really starting to get up speed | 0:21:31 | 0:21:34 | |
and a lot of wealth by the time Isaac Singer came here in 1872. | 0:21:34 | 0:21:38 | |
When Isaac Singer left America, | 0:21:42 | 0:21:44 | |
not only was he one of the richest men alive, | 0:21:44 | 0:21:47 | |
he had also fathered 18 children with several different women, | 0:21:47 | 0:21:51 | |
a scandal which forced him to flee to Europe. | 0:21:51 | 0:21:55 | |
He soon settled in England with his new wife, | 0:21:55 | 0:21:58 | |
living in London before heading to the English Riviera. | 0:21:58 | 0:22:01 | |
He came here with his French wife and six young children. | 0:22:03 | 0:22:06 | |
He came down to recuperate from a heart condition, | 0:22:06 | 0:22:09 | |
recommended by his doctors to take the airs on the Riviera | 0:22:09 | 0:22:12 | |
and fell in love with the place. He'd taken a lease | 0:22:12 | 0:22:14 | |
on the house, the original villa behind here, called Little Oldway. | 0:22:14 | 0:22:18 | |
And this place, 100 feet exactly above sea level, | 0:22:18 | 0:22:23 | |
gave him a panoramic view right across the bay, | 0:22:23 | 0:22:26 | |
where he could build a great house to look out on the bay | 0:22:26 | 0:22:28 | |
but also, for Isaac Singer, being a showman, | 0:22:28 | 0:22:31 | |
everybody in the bay could stand anywhere and look up | 0:22:31 | 0:22:34 | |
and see his great house that he'd constructed watching over them. | 0:22:34 | 0:22:37 | |
Sadly, Isaac never got much time to fully enjoy his dream home | 0:22:37 | 0:22:42 | |
as, in the summer of 1875, his health worsened | 0:22:42 | 0:22:46 | |
and he passed away. Whilst Isaac Singer designed | 0:22:46 | 0:22:50 | |
the original mansion, it was one of his sons, Paris, | 0:22:50 | 0:22:53 | |
who remodelled the building on the design of the Palace of Versailles | 0:22:53 | 0:22:57 | |
and the real show stopper was his reproduction | 0:22:57 | 0:23:00 | |
of the lost Ambassadors' Staircase. | 0:23:00 | 0:23:02 | |
I almost feel as though I'm in a place of myth. | 0:23:02 | 0:23:08 | |
It's magical. It's like a fairytale. | 0:23:08 | 0:23:10 | |
We're in the space that was originally the father's theatre. | 0:23:10 | 0:23:13 | |
-When he made over the house outside, he did the same inside... -Yes. | 0:23:13 | 0:23:17 | |
..and he recreated the legendary lost staircase, | 0:23:17 | 0:23:21 | |
Ambassadors' Staircase from the Palace of Versailles | 0:23:21 | 0:23:24 | |
that no longer existed and actually, to the day, | 0:23:24 | 0:23:26 | |
there are only two recreations of this staircase. | 0:23:26 | 0:23:29 | |
One is here at Oldway. The other is in one of the palaces | 0:23:29 | 0:23:33 | |
of the Bavarian kings, Ludwig. | 0:23:33 | 0:23:34 | |
It's just high society American decadence of what age? | 0:23:34 | 0:23:40 | |
What date are we talking, Paul? When was this put in? | 0:23:40 | 0:23:42 | |
This is probably about 1900, 1905 this was being done. | 0:23:42 | 0:23:45 | |
The big David painting he had the original of, | 0:23:45 | 0:23:49 | |
he acquired in about 1898 at auction in Paris | 0:23:49 | 0:23:52 | |
-and he introduced that into the design. -Yes. -But all the marble here | 0:23:52 | 0:23:56 | |
is all quarried from the same quarries the French kings | 0:23:56 | 0:23:58 | |
had used at Versailles. | 0:23:58 | 0:23:59 | |
They were opened up especially for Paris Singer, | 0:23:59 | 0:24:02 | |
-so no expense was spared on the materials. -Yes. | 0:24:02 | 0:24:05 | |
It takes your breath away. Let's go, Paul. | 0:24:05 | 0:24:07 | |
Another impressive part of Oldway is the Rotunda. | 0:24:08 | 0:24:12 | |
Originally built by Isaac Singer as a horse-riding pavilion, | 0:24:12 | 0:24:16 | |
this stunning structure has morphed into many things over the years | 0:24:16 | 0:24:20 | |
from a swimming pool to a film studio, | 0:24:20 | 0:24:23 | |
and it was even used as a hospital ward during World War I. | 0:24:23 | 0:24:27 | |
Was this actually a place, the Rotunda, where we had beds? | 0:24:27 | 0:24:30 | |
Yeah, this was a ward. You'd have beds all around the circular walls | 0:24:30 | 0:24:33 | |
there and in the centre here. This was St George's Ward | 0:24:33 | 0:24:36 | |
and you had nursing stations at the back and another big ward. | 0:24:36 | 0:24:40 | |
The wards were sponsored by wealthy Americans. | 0:24:40 | 0:24:42 | |
It was The American Women's War Hospital, | 0:24:42 | 0:24:44 | |
so it was called St George after a wealthy American benefactor. | 0:24:44 | 0:24:47 | |
It was entirely funded by the American people. | 0:24:47 | 0:24:50 | |
Nothing from the UK Government went to pay | 0:24:50 | 0:24:52 | |
for the treatment of the 5,000 soldiers that came here. | 0:24:52 | 0:24:55 | |
After the First World War, what happened to Paris? | 0:24:55 | 0:24:58 | |
Was he here for a few more years? | 0:24:58 | 0:25:00 | |
Paris Singer... By the end of the First World War, | 0:25:00 | 0:25:03 | |
he'd moved on because of various personal problems and associations. | 0:25:03 | 0:25:07 | |
He started project building a castle in the south of France, Cap-Ferrat, | 0:25:07 | 0:25:11 | |
and he went over as well, convalescing from a heart condition, | 0:25:11 | 0:25:16 | |
and developed what's today Palm Beach, Florida. That was his resort. | 0:25:16 | 0:25:21 | |
Without Paris Singer, Palm Beach in Florida would be nothing but... | 0:25:21 | 0:25:24 | |
What was it the architect called it at the time? | 0:25:24 | 0:25:26 | |
"Without him, it would have been nothing but a sandspit." | 0:25:26 | 0:25:29 | |
After World War I, Paris's other projects saw him | 0:25:29 | 0:25:33 | |
spend more time away from Oldway, so his original plans to fully remodel | 0:25:33 | 0:25:37 | |
the mansion and demolish the Rotunda were put on hold. | 0:25:37 | 0:25:41 | |
Thanks to this, the Oldway we see today shows the unique vision | 0:25:41 | 0:25:46 | |
of both father and son. Amazing. | 0:25:46 | 0:25:49 | |
It has a romance, it has this lost American glamour, | 0:25:49 | 0:25:53 | |
which I really hope the public will rejoice at in years to come | 0:25:53 | 0:25:56 | |
-and be able to enjoy for what it represents. -Oh, very much. | 0:25:56 | 0:26:00 | |
I think the history of the house and the Singer family has a lot | 0:26:00 | 0:26:03 | |
to give to the public, to the world, that hasn't yet been told. | 0:26:03 | 0:26:08 | |
I think it's so unspoilt. It's so sleepy and market-fresh, | 0:26:08 | 0:26:12 | |
and I'm sure one day it will sing again. | 0:26:12 | 0:26:14 | |
-Do you get it? Sing? -I do. Very good. | 0:26:14 | 0:26:17 | |
-Which way is my way out, Paul? I'd better go. -We go out this way. | 0:26:17 | 0:26:20 | |
I'll follow your lead. Thanks a lot. | 0:26:20 | 0:26:22 | |
Back together again, our boys have hit the road | 0:26:25 | 0:26:28 | |
and are travelling 30 miles west to Plymouth. | 0:26:28 | 0:26:32 | |
They've even made an ice cream pit stop en route. | 0:26:32 | 0:26:35 | |
-When it drips, just do a 360 with your tongue. -OK. | 0:26:35 | 0:26:39 | |
-You sound experienced. -Yeah. | 0:26:39 | 0:26:40 | |
-Oh, no! -I'm sorry. Sorry, I'll give you... It just broke. | 0:26:43 | 0:26:49 | |
-It just broke? -Yes, it did. -"Sorry, sorry, sorry, sorry!" | 0:26:49 | 0:26:54 | |
I hope you're not making a mess of that car, Charles. | 0:26:54 | 0:26:57 | |
Ice creams demolished... | 0:26:57 | 0:26:59 | |
-Keep going, you're fine. -Oh, look out. | 0:26:59 | 0:27:01 | |
-Perfect, Raj. -..it's time to shop. | 0:27:01 | 0:27:04 | |
-If I go to the little shop down below... -And I'll go up above. | 0:27:04 | 0:27:08 | |
-Good luck. -You, too. -Stay lucky. -Yep. | 0:27:08 | 0:27:11 | |
Raj is off to Parade Antiques, which is best-known for having | 0:27:12 | 0:27:15 | |
the largest selection of military antiques in south-west England. | 0:27:15 | 0:27:20 | |
Um, that's not very military-like. Ole. | 0:27:20 | 0:27:24 | |
Oh, this is really, really interesting. | 0:27:24 | 0:27:26 | |
I don't know who it actually belongs to but it's a matador's outfit. | 0:27:26 | 0:27:30 | |
It's obviously going to be of somebody very, very important | 0:27:30 | 0:27:33 | |
because the work that's gone into this costume is incredible. | 0:27:33 | 0:27:37 | |
Can dealer John shed any light? | 0:27:37 | 0:27:40 | |
-Hola. -Hola. -Hablas Espanol? -Si. | 0:27:40 | 0:27:45 | |
John, this is obviously a matador's outfit. | 0:27:45 | 0:27:48 | |
Yes, I've stopped wearing it now, but... | 0:27:48 | 0:27:51 | |
Yes, no, it is. It's the bullfighter's suit. | 0:27:51 | 0:27:55 | |
They call it the suit of lights, traje de luces, | 0:27:55 | 0:27:58 | |
and it was worn by Joselito el Gallo. | 0:27:58 | 0:28:01 | |
El Gallo means cockerel because he was small. | 0:28:01 | 0:28:05 | |
And he was probably the most famous bullfighter that's ever lived. | 0:28:05 | 0:28:08 | |
He fought around the period of 1910 till 1920. | 0:28:08 | 0:28:14 | |
I've got to ask you, what are you asking for it? | 0:28:14 | 0:28:17 | |
-I think it's about 50,000. -About 50,000? -Yep. | 0:28:17 | 0:28:22 | |
It's slightly, just a little bit over my budget. | 0:28:22 | 0:28:26 | |
Maybe you could show me something for around my price range then? | 0:28:26 | 0:28:28 | |
-Right, OK. -Yeah, very good idea. | 0:28:28 | 0:28:31 | |
John, I quite like this hat. Is this an original? | 0:28:33 | 0:28:38 | |
-No... -It's a copy, is it? -It's a copy. It's a good copy. | 0:28:38 | 0:28:41 | |
It's made by some London outfitters, | 0:28:41 | 0:28:43 | |
but it was made for the Sharpe series. | 0:28:43 | 0:28:46 | |
What do you think? | 0:28:47 | 0:28:48 | |
That you're not going to buy it, that's what I think. Move on. | 0:28:48 | 0:28:52 | |
-Here's another military uniform. -That's nice. | 0:28:52 | 0:28:54 | |
I like that because it's a Hussars-type uniform, | 0:28:54 | 0:28:58 | |
but it's actually Horse Artillery. | 0:28:58 | 0:29:01 | |
-It looks quite small. -People were small. It could have been a bugler, | 0:29:01 | 0:29:05 | |
in which case it would have been a youngish lad. | 0:29:05 | 0:29:08 | |
I guess it's going to date from the early 1900s. | 0:29:08 | 0:29:11 | |
I'm pretty sure the buttons are King's Crown... | 0:29:11 | 0:29:15 | |
Yeah, so I think there is a label in here. | 0:29:15 | 0:29:19 | |
If I remember right, it dates from about 1900-1906. | 0:29:19 | 0:29:23 | |
I really quite like that. What's the price on that? | 0:29:23 | 0:29:27 | |
The absolute death on that would be... | 0:29:27 | 0:29:31 | |
I'll do it for 60. How's that? | 0:29:31 | 0:29:34 | |
-That is not bad, John. That's not bad. -It's VERY good. | 0:29:34 | 0:29:37 | |
-I mean, I couldn't offer you £50? It would be cash. -No, no, you can't. | 0:29:37 | 0:29:41 | |
No, you can't. No, £60 would be the absolute best. | 0:29:41 | 0:29:44 | |
I tell you what, John, I'm going to show you something and if you think | 0:29:44 | 0:29:47 | |
it's worth knocking off the extra fiver to make it 55, we have a deal. | 0:29:47 | 0:29:51 | |
If not, I'll give you £65 instead. Are you prepared for that? | 0:29:51 | 0:29:56 | |
-OK, yeah, I'm happy to make 65. -How's that? -That's OK. | 0:29:56 | 0:29:59 | |
-And you've got to be honest, OK? -This is taking haggling to a new level. | 0:29:59 | 0:30:03 | |
OK, watch carefully. | 0:30:03 | 0:30:05 | |
OK, you can see there's nothing in my hand there. | 0:30:05 | 0:30:07 | |
I'm going to take the silk hanky and I'm going to put it | 0:30:07 | 0:30:09 | |
into this hand here, right under your nose right there. | 0:30:09 | 0:30:14 | |
OK, you can see it. It's right there. | 0:30:14 | 0:30:15 | |
All I'm going to ask you to do is to just blow on my hands. | 0:30:15 | 0:30:18 | |
Right. | 0:30:18 | 0:30:21 | |
Gone. Completely and utterly disappeared. | 0:30:21 | 0:30:25 | |
Of course. I knew you were going to do that, but... | 0:30:25 | 0:30:27 | |
-Yeah, actually, that's good. -It's not bad, is it? | 0:30:27 | 0:30:29 | |
-That's not bad. -Is that worth £55? -Go on, then. | 0:30:29 | 0:30:33 | |
-We have a deal. Thank you. -I've been conned but I don't know how. | 0:30:33 | 0:30:38 | |
Neither do I. You're a man of many talents, Raj, | 0:30:38 | 0:30:40 | |
and with that little trick, you're all bought up. | 0:30:40 | 0:30:43 | |
If you do find my green silk hanky, please post it back to me, OK? | 0:30:43 | 0:30:47 | |
-I'm impressed actually. -40, 60. Brilliant. | 0:30:48 | 0:30:52 | |
Thank you very much indeed. | 0:30:52 | 0:30:54 | |
Charles still has some spending to do with a final shop to browse. | 0:30:56 | 0:31:00 | |
It's quite an interesting shop. It's like a giftware shop. | 0:31:04 | 0:31:06 | |
There's also lots of other interesting objects, as well. | 0:31:06 | 0:31:09 | |
So, it's always quite nice when antiques are almost | 0:31:09 | 0:31:12 | |
off the radar a bit. | 0:31:12 | 0:31:14 | |
This group of old storehouses holds one of the biggest collections | 0:31:14 | 0:31:17 | |
-of antique traders in the South West. -Hello there. | 0:31:17 | 0:31:21 | |
-Hello. -How are you? -I'm fine. -And your name is? -Anton. | 0:31:21 | 0:31:24 | |
-Anton, are you a local man? -Yes. -Anton is... Is it Polish or...? No. | 0:31:24 | 0:31:30 | |
-No, it's just trade name. -And your real name is...? -Tony. -Tony. | 0:31:30 | 0:31:33 | |
Hello, Tony. I like your style. | 0:31:33 | 0:31:36 | |
Well, it's not HIS style you're here to buy. Any antiques grab you, boy? | 0:31:36 | 0:31:40 | |
What we've got here are a nice pair of his and hers... | 0:31:40 | 0:31:45 | |
I suppose, what you might call... | 0:31:45 | 0:31:47 | |
They're not really dressing table mirrors, they're more just ornaments | 0:31:47 | 0:31:50 | |
you may have had on your sideboard, in your hallway. | 0:31:50 | 0:31:53 | |
They are quite crude. Look at me. | 0:31:53 | 0:31:56 | |
-Do you agree? -You're trying to get a bargain. | 0:31:57 | 0:32:00 | |
Isn't he always? Is there one here to be had? | 0:32:00 | 0:32:03 | |
-50 would be my absolute best. -OK, OK. | 0:32:03 | 0:32:06 | |
I also like the Myatt tea set down here, as well. | 0:32:06 | 0:32:10 | |
I'll be very honest with you. Why that is so sensibly priced... | 0:32:10 | 0:32:14 | |
-Yes. -..one of the cups has got a chip. | 0:32:14 | 0:32:18 | |
Because of that, I can negotiate much, much better. | 0:32:18 | 0:32:22 | |
What's the best price on those, with a broken cup? | 0:32:22 | 0:32:25 | |
I can go very good on that. I can actually half it for you. | 0:32:25 | 0:32:28 | |
With a ticket price of £49, that would be a pretty sweet deal | 0:32:28 | 0:32:32 | |
for the striking Art Deco Myatt tea set. | 0:32:32 | 0:32:36 | |
-You mentioned one chip, Anton, just show me. -It's there. -Oh, no. | 0:32:36 | 0:32:39 | |
-That one little chip. -What a shame. | 0:32:39 | 0:32:41 | |
That's all that's wrong. | 0:32:42 | 0:32:44 | |
So, what we've got here is an 18-piece, 19-piece tea set. | 0:32:44 | 0:32:49 | |
-Hand-painted. -Yeah, it is. The design is vivid. | 0:32:50 | 0:32:53 | |
Myatt & Sons made it in Staffordshire. I do like it. | 0:32:53 | 0:32:57 | |
I love this almost feathery orange-yellow banded brown glaze | 0:32:57 | 0:33:02 | |
and, in the auction house we're going to in Exeter, | 0:33:02 | 0:33:06 | |
there's going to be those young Art Deco fans | 0:33:06 | 0:33:10 | |
and I would guide it cautiously between 20 and 30. | 0:33:10 | 0:33:15 | |
So, I think £25 is a good mid-estimate and, for that, | 0:33:15 | 0:33:19 | |
it's worth a gamble. | 0:33:19 | 0:33:20 | |
I shall take your 19-piece tea set for £25 | 0:33:20 | 0:33:23 | |
-and say, "Good day." -Right. | 0:33:23 | 0:33:27 | |
Good day. Thanks a lot. | 0:33:27 | 0:33:29 | |
Like the hazy sun, it's going down to auction. | 0:33:29 | 0:33:32 | |
And, with that, both our intrepid auctioneers are all bought up. | 0:33:32 | 0:33:37 | |
Raj spent £314, bagging himself the brass postbox moneybox, | 0:33:37 | 0:33:44 | |
the Georgian cheese coaster, the unusual bronze mask, | 0:33:44 | 0:33:49 | |
the pair of 20th-century claret jugs | 0:33:49 | 0:33:51 | |
and the Royal Horse Artillery uniform. | 0:33:51 | 0:33:54 | |
My father was in the Royal Horse Artillery. | 0:33:54 | 0:33:57 | |
Charles spent £205 buying the George III blue glass goblet, | 0:33:57 | 0:34:03 | |
the pair of Russian silver spoons, | 0:34:03 | 0:34:05 | |
the Queen Anne-style painted wooden doll, | 0:34:05 | 0:34:08 | |
the mounted silver desk calendar | 0:34:08 | 0:34:11 | |
and the porcelain Art Deco tea set. | 0:34:11 | 0:34:14 | |
So, what do they make of each other's lots? | 0:34:14 | 0:34:16 | |
The heat is on and I feel like saying "hats off!" to Raj. | 0:34:16 | 0:34:19 | |
This bronze head has come out the ashes. | 0:34:19 | 0:34:21 | |
It cost him about £120. It could make 50, it could make £1,000. | 0:34:21 | 0:34:26 | |
So, it really is game on and what a thrill. | 0:34:26 | 0:34:28 | |
The items that Charles has bought, | 0:34:28 | 0:34:30 | |
I think the two that could fly are the doll and the calendar. | 0:34:30 | 0:34:35 | |
His other items, I love. I love the uniform, I love his cheese coaster, | 0:34:35 | 0:34:38 | |
so I think Raj ought to soar at auction. | 0:34:38 | 0:34:41 | |
If I was asked to swap anything with Charles, the answer would be "No." | 0:34:41 | 0:34:47 | |
After starting this leg in Hele, | 0:34:47 | 0:34:49 | |
our experts are now hurtling | 0:34:49 | 0:34:51 | |
towards the auction in Exeter. | 0:34:51 | 0:34:53 | |
Raj, if ever there was a day when the escape is on, | 0:34:53 | 0:34:57 | |
I think it's today. | 0:34:57 | 0:34:59 | |
I think we've both had a difficult buying session and I do feel, | 0:34:59 | 0:35:03 | |
if we can escape without too much harm, | 0:35:03 | 0:35:06 | |
without too much of a loss in Exeter, | 0:35:06 | 0:35:09 | |
let us head down to Penzance, hopefully with a bit leftover. | 0:35:09 | 0:35:14 | |
Managing expectations, eh, Charles? | 0:35:14 | 0:35:17 | |
-# The sun has got his hat on... # -Here we are. | 0:35:17 | 0:35:20 | |
-# Hip, hip, hip hooray. # -Here we are. -The day awaits. | 0:35:20 | 0:35:24 | |
-Here we are. -I think, Raj, it will be a hip, hip, hip hooray for you. | 0:35:24 | 0:35:28 | |
-Well, let's hope so. -I think the mask, like the sun today, | 0:35:28 | 0:35:32 | |
-will smile on the fortunate one. -We shall see. I wish you well. | 0:35:32 | 0:35:37 | |
So, the man wielding the gavel is Brian Goodison-Blanks. | 0:35:38 | 0:35:43 | |
Let's see what he makes of our lots. | 0:35:44 | 0:35:46 | |
The Russian silver spoons - I quite like these. | 0:35:47 | 0:35:49 | |
They're nice, they're period, by a very well-known Russian silversmith. | 0:35:49 | 0:35:52 | |
I think these will do quite well. | 0:35:52 | 0:35:54 | |
The bronze wall mask is decorative. We're maybe looking at £30-£40. | 0:35:54 | 0:35:57 | |
The one to watch would probably be the Royal Field Artillery uniform | 0:35:57 | 0:36:00 | |
cos militaria is a strong field at the moment and that will | 0:36:00 | 0:36:02 | |
certainly do very well with collectors. | 0:36:02 | 0:36:04 | |
Well, there's only one way to find out. | 0:36:04 | 0:36:06 | |
Get comfy as the auction's about to begin. | 0:36:06 | 0:36:08 | |
Right, here we go. | 0:36:11 | 0:36:12 | |
Charles, it's your Bristol Blue glass goblet first. | 0:36:12 | 0:36:16 | |
-Start me at 20, somebody. -Come on. -Start me at 10, somebody. | 0:36:16 | 0:36:19 | |
-Oh, it's painful. -At 10, 12, 15? | 0:36:19 | 0:36:22 | |
-15. 18... -Go on. -..20, 22, | 0:36:22 | 0:36:26 | |
-25, 28? Are you sure, sir? -One more. | 0:36:26 | 0:36:28 | |
At 25 here, then. Are we all done at 25? 8 now elsewhere? | 0:36:28 | 0:36:31 | |
-Last chance, then, at 25. -GAVEL BANGS | 0:36:31 | 0:36:33 | |
-There we go. Happy with that. -Fantastic. | 0:36:33 | 0:36:37 | |
First profit in the pocket. Raj is up next, with his brass moneybox. | 0:36:37 | 0:36:42 | |
£15. Save your pennies. You'll need them later. | 0:36:42 | 0:36:47 | |
-Oh, no. -That's good! | 0:36:47 | 0:36:50 | |
-£10, madam. -He's got 1,000 pence. -12 now. 15? -Here we go. | 0:36:50 | 0:36:54 | |
15. 18? No, at £15 in the middle to the lady. | 0:36:54 | 0:36:58 | |
15. 18, sure? At £18 on my left and standing at 18. And 20? | 0:36:58 | 0:37:01 | |
Are you quite sure then at 18? | 0:37:01 | 0:37:04 | |
GAVEL BANGS | 0:37:04 | 0:37:05 | |
It's almost been lost in the post, hasn't it? | 0:37:05 | 0:37:07 | |
Not sure now's the time for jokes, Charles. | 0:37:07 | 0:37:10 | |
That's a disappointing start for poor old Raj. | 0:37:10 | 0:37:13 | |
Now the pair of Russian silver spoons. | 0:37:13 | 0:37:16 | |
I'm hoping we can depart Exeter with some Russian love. | 0:37:16 | 0:37:21 | |
From Russia with love, via Exeter. | 0:37:21 | 0:37:24 | |
Various interests and commissions here. | 0:37:24 | 0:37:26 | |
With me here at 30, 5, 40, 5, 50. 50 is bid. | 0:37:26 | 0:37:30 | |
That's it. I'm out. | 0:37:30 | 0:37:32 | |
At 50 with my commission bid then. 55 in the room. I'm out then. | 0:37:32 | 0:37:36 | |
-At 55 here. Looking for 60 now. -That's it. I'm down 10. Go on. -55... | 0:37:36 | 0:37:41 | |
-GAVEL BANGS -Boom. Boom. | 0:37:41 | 0:37:44 | |
-That's not bad at all. -Russia has gone boom to bust. | 0:37:44 | 0:37:47 | |
Ah, hard luck, old chap. | 0:37:47 | 0:37:49 | |
Let's hope Raj fares a little bit better | 0:37:49 | 0:37:52 | |
with the Georgian cheese coaster. | 0:37:52 | 0:37:53 | |
-Come on, chief, hold tight. -HE SNIFFS | 0:37:53 | 0:37:55 | |
-I can smell cheese. -£50. | 0:37:55 | 0:37:57 | |
What will I say for that? Somebody's got to be brave to take this on. | 0:37:57 | 0:38:00 | |
-£20? -Oh, God. -£10, then. 10, I have, wave of the hand. | 0:38:00 | 0:38:04 | |
-And 12, 15, 18, 20... -It's going to move. Hold tight. | 0:38:04 | 0:38:08 | |
-22, 25? -Yes. -£22, cheaper than firewood. -Yes, 25. | 0:38:08 | 0:38:11 | |
-No, no. -5 elsewhere. At 22... | 0:38:11 | 0:38:15 | |
GAVEL BANGS | 0:38:15 | 0:38:16 | |
-Aw. -Was that two fat ducks? -That was two very fat ducks. | 0:38:16 | 0:38:19 | |
This saleroom is not proving popular with Raj. Another loss there. | 0:38:19 | 0:38:23 | |
-That's quackers, isn't it? It's quackers. -Boom, boom, Charles. | 0:38:23 | 0:38:27 | |
OK, Peggy's up next. Can this damaged dolly pull in a profit? | 0:38:27 | 0:38:31 | |
-Hold tight. Come on, doll. -Various interests here. | 0:38:31 | 0:38:34 | |
At 25, 35, 40. | 0:38:34 | 0:38:36 | |
-£40 is bid. At 40. Can I see 5 elsewhere? -Come on. Let's go. | 0:38:36 | 0:38:40 | |
-At £40. Bid me 5, somebody. -Come on. Come on. | 0:38:40 | 0:38:43 | |
45, 50. And 5? No. | 0:38:43 | 0:38:45 | |
-My commission has it then. -Good. -At £50 and 5 now? Quite sure then? | 0:38:45 | 0:38:49 | |
-At £50 then. At 50! -GAVEL BANGS | 0:38:49 | 0:38:52 | |
-Happy with that. -50-80. Yeah, you can't complain with that. | 0:38:52 | 0:38:55 | |
A nice little earner there for Charles. | 0:38:55 | 0:38:58 | |
Next, it's the decorative bronze mask that Raj saw potential in | 0:38:58 | 0:39:02 | |
but the auctioneer wasn't so keen. So, how will it fare? | 0:39:02 | 0:39:05 | |
This mask is a massive gamble, but if I'd seen it in that shop | 0:39:05 | 0:39:10 | |
where you were, I would have bought it as well. | 0:39:10 | 0:39:12 | |
80 is commission bid here. Here at 80 with me. | 0:39:12 | 0:39:14 | |
Do I see 5 now in the room? 85. 90 now. 85. 90 at all? | 0:39:14 | 0:39:19 | |
85 with the lady. 90? 85, then, you're quite sure for the wall mask? | 0:39:19 | 0:39:23 | |
It's 19th-century. At 85, then. At 85... | 0:39:23 | 0:39:28 | |
GAVEL BANGS Well, I've got no chance now, have I? | 0:39:28 | 0:39:31 | |
That's a real shame but don't throw in the towel yet, Raj. | 0:39:31 | 0:39:35 | |
-We're only halfway through. -I'm never coming to Exeter again. | 0:39:35 | 0:39:38 | |
Oh, dear. Anyway, hold tight. | 0:39:38 | 0:39:41 | |
Next up, it's Charles' silver-mounted desk calendar. | 0:39:41 | 0:39:44 | |
-So what will I say for that? Start me at £20. -Oh, no. | 0:39:44 | 0:39:48 | |
-£20 I have. -That's tough. -22, 25 seated, 25, 28? -That's tough. | 0:39:48 | 0:39:53 | |
25 seated then, looking for 28 then. 25 seated. 28 fresh place. 30, 2? | 0:39:53 | 0:39:59 | |
-Come on. -Nope. -Oh, no! -30. Original bidder at 30. | 0:39:59 | 0:40:01 | |
If you're quite sure, are we all done at £30 then? At 30... | 0:40:01 | 0:40:04 | |
GAVEL BANGS | 0:40:04 | 0:40:06 | |
-That gives Raj a chance to catch up. -The show goes on, don't forget that. | 0:40:06 | 0:40:11 | |
We fly the Road Trip flag for Queen and country. We will not... | 0:40:11 | 0:40:16 | |
We will not collapse. | 0:40:16 | 0:40:18 | |
Well, I think Raj might if he doesn't pull in a profit | 0:40:18 | 0:40:21 | |
with his pair of 20th-century claret jugs. | 0:40:21 | 0:40:24 | |
If these make a loss, I'm going to... I don't know. | 0:40:24 | 0:40:26 | |
I was going to say I was going to eat my underpants, but I'm not. | 0:40:26 | 0:40:29 | |
-Various interests here. 25, 30, 5, 40. -Wow. -£40 is bid. -Brilliant. | 0:40:29 | 0:40:35 | |
-Brilliant. -Well, that's about right. -At £40 here. 5 at all? | 0:40:35 | 0:40:38 | |
At £40 only for the decanters then, are you quite sure? | 0:40:38 | 0:40:40 | |
I thought they'd make a little bit more. At £40. Are you quite sure? | 0:40:40 | 0:40:43 | |
-I'm selling at £40... -GAVEL BANGS | 0:40:43 | 0:40:45 | |
-That's a result. -That's a result. -Put it there. -No. -Put it there. | 0:40:45 | 0:40:50 | |
-All the Ps, profit all-round. -That's more like it. | 0:40:50 | 0:40:54 | |
Raj's first profit of the day. | 0:40:54 | 0:40:57 | |
Let's see if the winning streak can continue | 0:40:57 | 0:40:59 | |
-with Charles' Art Deco tea set. -I'll start at 40. -Come on. | 0:40:59 | 0:41:03 | |
-I'll start at 20 then. -Oh! | 0:41:03 | 0:41:05 | |
20 I have, wave of the hand there. | 0:41:05 | 0:41:07 | |
-Go on, sir. -At 20. 5 now, anybody else? -Come on. | 0:41:07 | 0:41:10 | |
25, thank you, madam. 30, sir? | 0:41:10 | 0:41:12 | |
-30, 5? 40, 5? At 40 to the gentleman... -One more. Go on. | 0:41:12 | 0:41:17 | |
..the provisional bidder. Looking for the 5 then. | 0:41:17 | 0:41:20 | |
-At 40, are you quite sure? -Squeeze a smile? | 0:41:20 | 0:41:24 | |
-GAVEL BANGS? -Thank you very much. | 0:41:24 | 0:41:25 | |
A result. Marvellous. | 0:41:25 | 0:41:28 | |
To have any chance of catching up, Raj will need a massive | 0:41:28 | 0:41:30 | |
profit on his last lot - the Royal Horse Artillery uniform. | 0:41:30 | 0:41:35 | |
-Attention! -Various interests here. | 0:41:35 | 0:41:37 | |
Overlapping commission bids starting here at 25, 35, 45... | 0:41:37 | 0:41:41 | |
-Good. -..55, 65, 75, 80. | 0:41:41 | 0:41:46 | |
-£80 here. -Brilliant. -At £80. -I'm not... -That's good. | 0:41:46 | 0:41:50 | |
5 now elsewhere? 85 I have. At 85. | 0:41:50 | 0:41:52 | |
I am out then at 85. 85 is now in the room. | 0:41:52 | 0:41:55 | |
90 now, somebody, for the uniform. Militaria is on the up. | 0:41:55 | 0:41:58 | |
At £85, then, looking for 90 now. You're quite sure then? | 0:41:58 | 0:42:00 | |
All in with 85. Right in the middle then and selling. | 0:42:00 | 0:42:03 | |
-GAVEL BANGS -That's good. -It's a profit, yeah. | 0:42:03 | 0:42:06 | |
-£30. That's fantastic. -That it is! | 0:42:06 | 0:42:09 | |
As predicted, a pretty profit for the uniform. | 0:42:09 | 0:42:12 | |
On that march, one, two, after you. Come on. | 0:42:12 | 0:42:15 | |
Well done, chaps. But the big question is who came out on top? | 0:42:15 | 0:42:20 | |
Raj struggled with three lots, which meant, | 0:42:20 | 0:42:23 | |
after paying auction costs, he made a loss of £109, | 0:42:23 | 0:42:27 | |
but he's not out of the game yet as he's still got £305.86. | 0:42:27 | 0:42:33 | |
Don't step back. | 0:42:33 | 0:42:35 | |
Charles also made a loss, albeit a little less dramatic. | 0:42:35 | 0:42:39 | |
After costs, he lost £41. | 0:42:39 | 0:42:42 | |
This means our dapper dandy has £423.64 left | 0:42:42 | 0:42:48 | |
and is in the lead going into the final leg. | 0:42:48 | 0:42:50 | |
Well, it's goodbye, Exeter... | 0:42:50 | 0:42:53 | |
-Hello, Cornwall. -Hello, Cornwall. -Yes. | 0:42:53 | 0:42:56 | |
Here we go. I'm looking forward to some nice Cornish ice cream. | 0:42:56 | 0:43:00 | |
-Clotted cream... -Yeah! THEY CHEER | 0:43:00 | 0:43:02 | |
And so, until next time, toodle-pip, Roadtrippers. | 0:43:02 | 0:43:05 | |
Next time on Antiques Road Trip, the end is nigh for Charles and Raj | 0:43:06 | 0:43:11 | |
as they head towards their final auction. | 0:43:11 | 0:43:14 | |
-Hello, Charles. -But the big question is... | 0:43:14 | 0:43:16 | |
-CLUNKING -What was that, Raj? | 0:43:16 | 0:43:18 | |
-..will they actually make it? -Bail out! | 0:43:18 | 0:43:21 |