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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
I don't know what to do. HORN HONKS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Back in the game. THEY LAUGH | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
SHE GASPS | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Roadtrip. | 0:00:29 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
Today, our well-read experts are on the road to a literary destination. | 0:00:37 | 0:00:42 | |
Dorchester. It's Thomas Hardy country. | 0:00:42 | 0:00:45 | |
I actually studied Hardy at school in English literature. | 0:00:45 | 0:00:48 | |
I had to do the Mayor Of Casterbridge which, of course, | 0:00:48 | 0:00:51 | |
-is all set in and around the Dorchester area. -Really? | 0:00:51 | 0:00:54 | |
Yes, for Raj, Charles and their Triumph Herald, | 0:00:54 | 0:00:57 | |
the only way really is Wessex. Ha! | 0:00:57 | 0:00:59 | |
-Gorgeous. -Isn't it gorgeous? -It is, it's absolutely... | 0:01:01 | 0:01:04 | |
You're not bad yourself either. | 0:01:04 | 0:01:06 | |
THEY LAUGH | 0:01:06 | 0:01:07 | |
Derby dandy Charles Hanson is an auctioneer | 0:01:07 | 0:01:11 | |
and a runaway Roadtrip champion. | 0:01:11 | 0:01:13 | |
-Round three. -BELL RINGS | 0:01:13 | 0:01:15 | |
Then there's Raj Bisram. | 0:01:15 | 0:01:17 | |
Auctioneer and poker player. I wouldn't say he's cheap but... | 0:01:17 | 0:01:21 | |
I'm beginning to think that everything I buy is a fiver. | 0:01:21 | 0:01:23 | |
Raj, from Kent, | 0:01:23 | 0:01:25 | |
has so far turned his £200 stake into a very respectable £363.04 | 0:01:25 | 0:01:32 | |
While Charles, who began with the same sum, | 0:01:32 | 0:01:34 | |
has already managed to double it, with £411.04 to spend today. | 0:01:34 | 0:01:40 | |
But it's not all about profit. There is the car to think of too. | 0:01:40 | 0:01:45 | |
-Shall we give it a name? -Yet, I think so. | 0:01:45 | 0:01:48 | |
Let's call it Bella. | 0:01:48 | 0:01:49 | |
-Bella is a perfect name for our car. -Bella? -Ciao, Bella. | 0:01:49 | 0:01:53 | |
-OK. -Which means hi in Italian. | 0:01:53 | 0:01:55 | |
Si, si. | 0:01:57 | 0:01:58 | |
Our journey starts out at Corsham in Wiltshire | 0:01:58 | 0:02:01 | |
and takes in most of the southwest of England before ending up, | 0:02:01 | 0:02:04 | |
around 900 miles later, in Crewkerne in Somerset. | 0:02:04 | 0:02:08 | |
But today we begin in the Dorset town of Dorchester | 0:02:08 | 0:02:11 | |
and head west towards an auction in Somerset, at Bridgwater. | 0:02:11 | 0:02:15 | |
Now, much as I'm sure Raj would like just to hang out in the town where | 0:02:15 | 0:02:20 | |
Thomas Hardy spent most of his life, | 0:02:20 | 0:02:22 | |
he is also desperate to beat Charles. | 0:02:22 | 0:02:24 | |
So the antique centre it is. Relax. | 0:02:24 | 0:02:28 | |
You don't have to park the bus. | 0:02:28 | 0:02:31 | |
-Look at that. -It's huge. | 0:02:31 | 0:02:32 | |
Just park next to it. | 0:02:32 | 0:02:33 | |
Handbrake is on. | 0:02:35 | 0:02:36 | |
Always a good idea, that. | 0:02:36 | 0:02:37 | |
-Morning, sir. -Good morning. -How are you? -I'm very well, thank you. | 0:02:37 | 0:02:40 | |
-Your name is? -Martin. -I've been here before, haven't I? -You have. | 0:02:40 | 0:02:43 | |
-Meet my colleague Raj. -Hello. -Good to see you. -Nice to meet you too. | 0:02:43 | 0:02:46 | |
-Nice big place you've got here. -It is. -Thank you. | 0:02:46 | 0:02:48 | |
-Is this all fresh stuff? -A lot of it. -All fresh. | 0:02:48 | 0:02:51 | |
-Yeah, he's into fresh. -Is he? | 0:02:51 | 0:02:53 | |
I don't mind if it's a bit old. THEY LAUGH | 0:02:53 | 0:02:56 | |
Well, whatever takes your fancy. | 0:02:56 | 0:02:57 | |
Martin can negotiate on behalf of the several dealers who own | 0:02:57 | 0:03:01 | |
all these items. | 0:03:01 | 0:03:02 | |
I quite like... | 0:03:02 | 0:03:04 | |
There is a lovely little pot lid on the bottom shelf down here. | 0:03:04 | 0:03:07 | |
"St James' Clipper Ship - Sovereign of the Seas." | 0:03:07 | 0:03:10 | |
It could be new, it could be 1980s. | 0:03:10 | 0:03:12 | |
If it's an early one with a maritime interest, | 0:03:12 | 0:03:15 | |
it could be ripe for auction. | 0:03:15 | 0:03:17 | |
-Martin? -Yes. | 0:03:17 | 0:03:19 | |
Hang on... | 0:03:19 | 0:03:20 | |
-I just wonder, you've got a little pot lid over here. -Uh-huh. | 0:03:20 | 0:03:23 | |
Ooh, Raj! | 0:03:23 | 0:03:24 | |
I wonder how much it is. | 0:03:24 | 0:03:26 | |
The best on it is 32. | 0:03:26 | 0:03:27 | |
Naughty. | 0:03:27 | 0:03:29 | |
-OK. -I'll be with you in a sec. | 0:03:29 | 0:03:31 | |
That's Raj! | 0:03:31 | 0:03:33 | |
Yes. | 0:03:33 | 0:03:34 | |
He's everywhere. | 0:03:34 | 0:03:35 | |
The real Martin. | 0:03:35 | 0:03:37 | |
Would you mind? Thanks a lot. | 0:03:37 | 0:03:39 | |
It's not overly old, but on the back here, you'll see it reads, | 0:03:39 | 0:03:44 | |
"English porcelain, Staffordshire." | 0:03:44 | 0:03:46 | |
And this would probably be from the 1960s. | 0:03:46 | 0:03:49 | |
The other thing I liked was this fork here. | 0:03:49 | 0:03:53 | |
Almost what appears to be a bread fork, or perhaps a toasting fork. | 0:03:53 | 0:03:56 | |
Or pickles. | 0:03:56 | 0:03:58 | |
-It almost looks to be like 17th century. -Sure. | 0:03:58 | 0:04:00 | |
I don't think it is. | 0:04:00 | 0:04:02 | |
-We've got here for example the old... -I would say needlework. | 0:04:02 | 0:04:06 | |
-Needlework, exactly. -You find some really odd pieces made in bone. | 0:04:06 | 0:04:09 | |
You never know quite what they are for. | 0:04:09 | 0:04:11 | |
The ticket price is ten pounds. | 0:04:11 | 0:04:13 | |
What could it be, five pounds? | 0:04:13 | 0:04:15 | |
-No, I think it's worth a little bit more than that. -Yeah. | 0:04:15 | 0:04:18 | |
-Two pound apiece. -Two, four, six, eight. | 0:04:18 | 0:04:21 | |
Would you do the group for six pounds? | 0:04:21 | 0:04:25 | |
Call it seven and I will shake your hand. | 0:04:25 | 0:04:27 | |
For seven pounds... | 0:04:27 | 0:04:29 | |
Well, I'm off and running. | 0:04:29 | 0:04:31 | |
-Worth a go. -Yeah, worth a go. | 0:04:31 | 0:04:32 | |
That didn't take too long. | 0:04:32 | 0:04:34 | |
Trousers up. I'm off. | 0:04:34 | 0:04:37 | |
Now, where has that Raj got to? | 0:04:37 | 0:04:39 | |
-I keep being drawn to this area. -Right. -There is a few things. | 0:04:39 | 0:04:43 | |
A nice little nest of drawers. | 0:04:43 | 0:04:44 | |
They are either called collectors' drawers or spice drawers. | 0:04:44 | 0:04:47 | |
This one is late 19th century. They are very, very useful. | 0:04:47 | 0:04:51 | |
Very, very saleable. | 0:04:51 | 0:04:52 | |
Because of the little tabs on it, and it's French, | 0:04:52 | 0:04:55 | |
it looks like it might even be an apothecary one. | 0:04:55 | 0:04:58 | |
It's priced at £175. You see, if that could be about 50 or £60... | 0:04:58 | 0:05:04 | |
Are we way too off? | 0:05:04 | 0:05:06 | |
-Unlikely. Highly unlikely. -Yeah? | 0:05:06 | 0:05:08 | |
£100 best price. | 0:05:08 | 0:05:10 | |
Yeah, it's not quite enough, is it? | 0:05:10 | 0:05:12 | |
I wonder whether, if I put a few things together in this section, | 0:05:12 | 0:05:15 | |
-we could then renegotiate with them? -We can have a go. | 0:05:15 | 0:05:18 | |
Yeah, we can have a go. There are a few things down here. | 0:05:18 | 0:05:21 | |
-There is the three antique brass spoons. -Right, yeah. | 0:05:21 | 0:05:24 | |
-These three, I quite like those. -They are nice. -Yeah. | 0:05:24 | 0:05:27 | |
-They are a bit different. -Sure. -And also, I quite like the Dalton beaker. | 0:05:27 | 0:05:31 | |
I was just checking to see if the rim is silver. | 0:05:31 | 0:05:33 | |
And it looks like it is. | 0:05:33 | 0:05:35 | |
So that would be one, two, three different lots in this section. | 0:05:35 | 0:05:39 | |
OK, so ticket price would be 175, 36 on the spoons, 59 on the beaker. | 0:05:39 | 0:05:44 | |
All right, leave it with me and let me see what I can do for you. | 0:05:44 | 0:05:48 | |
Would you? | 0:05:48 | 0:05:49 | |
It looks like he's about to spend a serious amount of money. | 0:05:49 | 0:05:52 | |
Mainly so he can get his mitts on those drawers. | 0:05:52 | 0:05:54 | |
Good news? | 0:05:54 | 0:05:56 | |
The three pieces - 150. | 0:05:56 | 0:05:58 | |
Very best I could do, I'm afraid. | 0:05:58 | 0:05:59 | |
Can I ask you to go back to them one more time then, OK? | 0:05:59 | 0:06:02 | |
150 and will they throw that in as well? | 0:06:02 | 0:06:05 | |
-The wooden bowl? -Yeah. The wooden ball as well. | 0:06:05 | 0:06:07 | |
It's very rustic. I can see this in a Somerset farmhouse, full of fruit. | 0:06:07 | 0:06:11 | |
-It's got £22 on it. -Give me a minute. -Yeah? -Yeah. | 0:06:11 | 0:06:15 | |
Hang on, chaps. Look who's here. | 0:06:15 | 0:06:17 | |
Sorry, guys. Sorry. | 0:06:17 | 0:06:19 | |
Yeah, give them a moment, Charles. I think a deal is in sight at last. | 0:06:19 | 0:06:23 | |
Give me another fiver and we're done. 155. | 0:06:23 | 0:06:27 | |
155. | 0:06:27 | 0:06:29 | |
-We have a deal. -Excellent. -We got there, thank you. -Well done. | 0:06:29 | 0:06:33 | |
He's being spied on, and he knows it. | 0:06:33 | 0:06:37 | |
Are we agreed on £350? | 0:06:37 | 0:06:40 | |
-Yeah? -350 would be fantastic. -I've spent all my money. | 0:06:40 | 0:06:44 | |
If I don't make £1,000 on this, I should give up my job. | 0:06:44 | 0:06:47 | |
He's just spent 360. I don't know what on. | 0:06:47 | 0:06:51 | |
But that's one, you know, mean spend. That's frightening. | 0:06:51 | 0:06:53 | |
Wow! | 0:06:53 | 0:06:55 | |
He's fibbing, Charles. | 0:06:55 | 0:06:57 | |
-You know, sometimes when you eavesdrop, it doesn't pay off. -No. | 0:06:57 | 0:07:01 | |
-No. -No. | 0:07:01 | 0:07:03 | |
That'll teach you, Charles. | 0:07:03 | 0:07:05 | |
Now it's his turn in that corner. Anything left? | 0:07:05 | 0:07:09 | |
Wow. | 0:07:09 | 0:07:10 | |
Goodness me, there is some really good things over here. | 0:07:10 | 0:07:13 | |
I love these early sticks. | 0:07:13 | 0:07:15 | |
What I love about these sticks and their reeded, tapered form | 0:07:15 | 0:07:20 | |
is the fact that they will date to around 1760. | 0:07:20 | 0:07:25 | |
What I love about them | 0:07:25 | 0:07:26 | |
is that tactile quality of handling something that is 250 years old. | 0:07:26 | 0:07:32 | |
And we haven't got the one, we've got the pair. | 0:07:32 | 0:07:36 | |
And I love them even more because you, today, can buy a good | 0:07:36 | 0:07:43 | |
pair of mid-18th-century gilded brass candlesticks for £30. | 0:07:43 | 0:07:49 | |
Hey, Martin. | 0:07:49 | 0:07:50 | |
-Hi, Charles. -I love these candlesticks. -Right. | 0:07:50 | 0:07:53 | |
How much could they be for the pair? | 0:07:53 | 0:07:55 | |
£30. We could probably squeeze to 25, Charles. | 0:07:55 | 0:07:58 | |
They are really nice. Yeah. I think they are charming. | 0:07:58 | 0:08:01 | |
You wouldn't do 20, would you? | 0:08:01 | 0:08:03 | |
20... | 0:08:03 | 0:08:05 | |
-Go on, why not. The sun is shining today. -Good man. | 0:08:05 | 0:08:09 | |
Tell me, Martin. This big wooden dish here, has it got some age? | 0:08:09 | 0:08:13 | |
I don't think it's got a massive amount of age. | 0:08:13 | 0:08:16 | |
Oh, dear. Come on, Martin, speak up. | 0:08:16 | 0:08:18 | |
It's sold, Charles, unfortunately. You've just missed out on it. | 0:08:18 | 0:08:22 | |
Oh, no! Charles, I'd like to step in here at this point. | 0:08:22 | 0:08:25 | |
Highly embarrassing. | 0:08:25 | 0:08:26 | |
Who bought it? I love it. Did you really buy it? | 0:08:26 | 0:08:30 | |
-Yeah. -Put it there. Really? -Yeah. | 0:08:30 | 0:08:32 | |
-Make an offer, make an offer. -It's gorgeous. | 0:08:32 | 0:08:34 | |
-I'll make a small profit on it. -Get out of here. | 0:08:34 | 0:08:37 | |
Yeah, let's get out of here. £27 in total, sir. | 0:08:37 | 0:08:42 | |
But that's enough shopping for a while. | 0:08:45 | 0:08:48 | |
Time to travel south to Dorset's Jurassic Coast | 0:08:50 | 0:08:54 | |
on the Isle of Portland. | 0:08:54 | 0:08:55 | |
Look at that view! Wow! | 0:08:55 | 0:08:58 | |
Where Charles has come to Portland Bill, the southernmost | 0:08:58 | 0:09:01 | |
tip of Dorset, to visit the disused Old Higher Lighthouse. | 0:09:01 | 0:09:07 | |
-How do I get up? -Through the door there. | 0:09:07 | 0:09:09 | |
Although the lighthouse has now been closed for over a century... | 0:09:09 | 0:09:13 | |
Crikey. It's a bit steep. | 0:09:13 | 0:09:16 | |
Fran Lockyer, the current owner, | 0:09:16 | 0:09:18 | |
can tell Charles about a controversial earlier resident - | 0:09:18 | 0:09:21 | |
Marie Stopes. | 0:09:21 | 0:09:23 | |
-Pleased to meet you. Do have a seat. -What an amazing landscape you have. | 0:09:23 | 0:09:27 | |
It is, isn't it? | 0:09:27 | 0:09:28 | |
The Jurassic Coast, with its incredible fossils, was the | 0:09:28 | 0:09:31 | |
reason that Marie Stopes - a leading paleobotanist - came here in 1923. | 0:09:31 | 0:09:36 | |
But her name is justly famed worldwide for her | 0:09:36 | 0:09:39 | |
work in a different field. Family planning. | 0:09:39 | 0:09:42 | |
How did it all begin? | 0:09:42 | 0:09:44 | |
How did she get into the whole subject of birth control? | 0:09:44 | 0:09:47 | |
She worried about women having to have | 0:09:47 | 0:09:50 | |
so many children that were unplanned. And she was very keen to alter that. | 0:09:50 | 0:09:55 | |
So she went into contraception. | 0:09:55 | 0:09:58 | |
She gained popularity, in the first instance, with the books she wrote. | 0:09:58 | 0:10:02 | |
She wanted them to be cheap so the poorest people could buy them. | 0:10:02 | 0:10:06 | |
And that brought her fame | 0:10:06 | 0:10:07 | |
until, of course, the Catholic Church got involved. | 0:10:07 | 0:10:11 | |
They didn't like what she was doing one little bit. | 0:10:11 | 0:10:13 | |
Stopes' book, Married Love, and the sequel, Wise Parenthood, | 0:10:13 | 0:10:17 | |
published around the end of the First World War, | 0:10:17 | 0:10:20 | |
reflected her belief that there should be equality in marriage. | 0:10:20 | 0:10:23 | |
Those caused quite a furore but sold well | 0:10:23 | 0:10:26 | |
and were soon reprinted several times. | 0:10:26 | 0:10:28 | |
Emotion came into it. Caring came into it. | 0:10:30 | 0:10:33 | |
-How to look after your partner. -Married Love. -Yeah. | 0:10:33 | 0:10:36 | |
-That's an interesting title, isn't it? -Yeah. | 0:10:36 | 0:10:38 | |
But what's so amazing is the fact that she herself was so naive. | 0:10:38 | 0:10:43 | |
Originally. | 0:10:43 | 0:10:44 | |
Her first marriage was never consummated and she had it annulled. | 0:10:44 | 0:10:48 | |
So really, she had no experience of her own at all, | 0:10:48 | 0:10:51 | |
just this overwhelming desire to help women with huge families. | 0:10:51 | 0:10:56 | |
Together with her second husband, | 0:10:56 | 0:10:58 | |
Stopes opened Britain's very first family planning clinic in 1921. | 0:10:58 | 0:11:03 | |
Run by midwives and doctors, | 0:11:03 | 0:11:05 | |
the London clinic offered free advice on contraception. | 0:11:05 | 0:11:08 | |
Even going back to 1900, | 0:11:08 | 0:11:10 | |
what contraception was there in the Victorian times? | 0:11:10 | 0:11:13 | |
Nothing at all? | 0:11:13 | 0:11:14 | |
LAUGHING: You'd be surprised. | 0:11:14 | 0:11:16 | |
Back in Egyptian times, there was natural sponge. | 0:11:16 | 0:11:19 | |
That would have been used. Lemon juice. Balloons, children's balloons. | 0:11:19 | 0:11:24 | |
All manner of strange things. | 0:11:24 | 0:11:26 | |
The Mothers' Clinic was soon followed by other Stopes clinics, | 0:11:26 | 0:11:30 | |
which opened in the '30s and '40s, against sizeable opposition. | 0:11:30 | 0:11:34 | |
By which time, Marie Stopes had come here to recover after | 0:11:34 | 0:11:37 | |
defeat at the lengthy libel trial to protect her reputation. | 0:11:37 | 0:11:41 | |
She spent every penny defending this right. It didn't work against her. | 0:11:41 | 0:11:46 | |
-No. -Because the women realised that there was something there for them. | 0:11:46 | 0:11:50 | |
And they just flocked to the clinics. | 0:11:50 | 0:11:52 | |
Away from the headlines, Stopes restored the old lighthouse | 0:11:52 | 0:11:56 | |
and amongst all fossils, | 0:11:56 | 0:11:58 | |
soon rediscovered her love of palaeontology. | 0:11:58 | 0:12:01 | |
And then she decided that the island should have its own museum. | 0:12:01 | 0:12:06 | |
-Of fossils? -That's right, yes. | 0:12:06 | 0:12:09 | |
And she donated this lovely old cottage which was called | 0:12:09 | 0:12:12 | |
-Avis's Cottage, because it's in Thomas Hardy's book. -Wowee. | 0:12:12 | 0:12:17 | |
It was a lovely museum. For the size of the island, it's fantastic. | 0:12:17 | 0:12:21 | |
-Is it far away? -No, a couple of miles. -Can I give you a ride? | 0:12:21 | 0:12:25 | |
-In the car. -In the Herald. -Will I freeze to death? | 0:12:25 | 0:12:29 | |
Marie Stopes became the first curator of the Portland Museum | 0:12:29 | 0:12:33 | |
in 1930. | 0:12:33 | 0:12:34 | |
Let's go to this museum. | 0:12:34 | 0:12:36 | |
Once a rising star of the study of fossil plants | 0:12:36 | 0:12:39 | |
and the author of influential works, Stopes donated | 0:12:39 | 0:12:42 | |
several of the artefacts here, including a megalosaurus toe bone. | 0:12:42 | 0:12:47 | |
Knowing a bit about antiques of course, we know of Portland stone. | 0:12:47 | 0:12:51 | |
And I can see around me now some wonderful carved Portland stone. | 0:12:51 | 0:12:54 | |
Even the floor we are standing on. | 0:12:54 | 0:12:56 | |
Obviously, through the quarrying, a lot of the fossils got exposed. | 0:12:56 | 0:12:59 | |
You've gotten the ammonites, there is a nice one down there. | 0:12:59 | 0:13:02 | |
I think what she wanted to do was bring to the attention of local | 0:13:02 | 0:13:05 | |
people what they were actually sitting on. | 0:13:05 | 0:13:08 | |
The museum part of it and the palaeontology and all that, | 0:13:08 | 0:13:11 | |
has never made any headlines or anything. | 0:13:11 | 0:13:13 | |
-It's always been the birth control. -Yes. | 0:13:13 | 0:13:16 | |
And really, this needs to be brought out | 0:13:16 | 0:13:18 | |
because she was a pioneer in this as well. | 0:13:18 | 0:13:21 | |
Yeah, what an amazing lady she was. | 0:13:21 | 0:13:23 | |
And what an amazing legacy she left Portland. | 0:13:23 | 0:13:26 | |
Meanwhile, in another part of Portland, | 0:13:31 | 0:13:34 | |
right next to Chesil Beach, Raj is still combing. | 0:13:34 | 0:13:37 | |
-Hello there. -Hello. | 0:13:39 | 0:13:41 | |
-I'm Raj. And you are? -I'm Pete. Pleased to meet you. | 0:13:41 | 0:13:44 | |
Nice to meet you. | 0:13:44 | 0:13:46 | |
-Nice little shop you've got here. -Thank you very much. | 0:13:46 | 0:13:48 | |
Pete has certainly got quite a collection crammed in here. | 0:13:48 | 0:13:51 | |
Although it's hard to see beyond the Triumph and the Beezer. | 0:13:51 | 0:13:55 | |
-That's a lovely old Triumph, isn't it? -Yeah, it's a 1958 3TA. | 0:13:55 | 0:13:59 | |
-Is it running? -There is a problem with the clutch at the moment. | 0:13:59 | 0:14:02 | |
Which I just haven't had time to look at. | 0:14:02 | 0:14:04 | |
-But, yeah, the engine does run. -Not that I can afford it, | 0:14:04 | 0:14:07 | |
but how much would something like that go for? | 0:14:07 | 0:14:09 | |
In this sort of condition, you are looking around about the 2,000 mark. | 0:14:09 | 0:14:13 | |
I've seen something else. A pinball machine. | 0:14:13 | 0:14:16 | |
Ah, Charlie's Angels, bless 'em. | 0:14:16 | 0:14:17 | |
I'm sure they would be big in Bridgwater. | 0:14:17 | 0:14:19 | |
-How much have you got on it? -On that one, I've got 350 on it. | 0:14:19 | 0:14:22 | |
-That's not a bad price. -No. | 0:14:22 | 0:14:24 | |
But I need something with a nice big profit in it. | 0:14:24 | 0:14:26 | |
Point me in the right direction. What have you got? | 0:14:26 | 0:14:29 | |
We've got a lovely old garden plough here. | 0:14:29 | 0:14:32 | |
Fantastic. What's the best on it, Pete? | 0:14:32 | 0:14:34 | |
I think I've got about 70 on it, but the best I could do on it, | 0:14:34 | 0:14:37 | |
I should think, is about 35. | 0:14:37 | 0:14:39 | |
Not much of a gardener, I fear. | 0:14:40 | 0:14:42 | |
-I keep looking at that sign. -The Firestone? | 0:14:42 | 0:14:44 | |
-Yeah. Is it a heavy one? -No, it's not heavy. But it is original. | 0:14:44 | 0:14:47 | |
How much could it be? | 0:14:47 | 0:14:49 | |
30. I can't do masses off it, but I can certainly do it for 25. | 0:14:49 | 0:14:52 | |
My fear is on this, Pete, it's too gone. | 0:14:52 | 0:14:56 | |
The paintwork here is very, very flaky. | 0:14:56 | 0:14:58 | |
The motoring signs that do fetch the money | 0:14:58 | 0:15:01 | |
are always usually in good condition. | 0:15:01 | 0:15:03 | |
Yes, yeah, but in this condition, you can see it is original. | 0:15:03 | 0:15:07 | |
I think, for the moment, I'm just going to put it down, if that's OK. | 0:15:07 | 0:15:11 | |
Feels final to me. | 0:15:11 | 0:15:12 | |
What's he got down there? | 0:15:12 | 0:15:14 | |
This is a 19th-century mahogany writing slope. | 0:15:14 | 0:15:18 | |
And it's something that is incredibly out of fashion today. Hm. | 0:15:18 | 0:15:22 | |
But it's in not bad condition. | 0:15:22 | 0:15:24 | |
It's got a little bit of veneer missing on the front here. | 0:15:24 | 0:15:27 | |
£30 Pete's got on it. | 0:15:27 | 0:15:29 | |
It's about what it's worth. | 0:15:29 | 0:15:31 | |
Table a bid, Raj? | 0:15:31 | 0:15:33 | |
It's pretty run of the mill, but at the right price, | 0:15:33 | 0:15:35 | |
you know, there might be a small profit. | 0:15:35 | 0:15:37 | |
What's the best you can do on it? | 0:15:37 | 0:15:39 | |
-I can do 25. -Oh! You're a hard man, aren't you? | 0:15:39 | 0:15:43 | |
You're a hard man. | 0:15:43 | 0:15:44 | |
25. I was hoping you were going to say more like 15. | 0:15:44 | 0:15:48 | |
You know what I'm going to say now. | 0:15:49 | 0:15:51 | |
-You're going to say 20, aren't you? -Yes. | 0:15:51 | 0:15:53 | |
There is going to be a small profit in it, | 0:15:53 | 0:15:56 | |
but nowhere near enough for me to catch up. | 0:15:56 | 0:15:59 | |
Will you take 18? | 0:15:59 | 0:16:00 | |
Go on, then. | 0:16:02 | 0:16:03 | |
We have a deal. | 0:16:03 | 0:16:05 | |
Hey! We got there. | 0:16:05 | 0:16:06 | |
Another flying start for the new boy. | 0:16:06 | 0:16:09 | |
Now, time to get back to Bella, the Herald. | 0:16:10 | 0:16:13 | |
It's a coastal car, it's a coastal route, | 0:16:13 | 0:16:16 | |
and it almost feels like sitting on a towel. | 0:16:16 | 0:16:19 | |
Buonanotte, Bella. | 0:16:19 | 0:16:21 | |
Today's lesson is in history. | 0:16:23 | 0:16:25 | |
In what year did Queen Victoria die? | 0:16:25 | 0:16:28 | |
-1901. -1901. | 0:16:29 | 0:16:32 | |
In what year did Brian Clough take over Derby County? | 0:16:32 | 0:16:37 | |
I think it was 19... Oh, dear. | 0:16:37 | 0:16:40 | |
..69? | 0:16:40 | 0:16:41 | |
Was it that early? | 0:16:41 | 0:16:42 | |
1967, actually. Know your answers, Raj. | 0:16:42 | 0:16:46 | |
Fortunately, he was much more sure footed with his shopping yesterday, | 0:16:46 | 0:16:50 | |
picking up some spoons, a wooden bowl, a beaker, | 0:16:50 | 0:16:54 | |
a writing slope and some spice drawers for £173. | 0:16:54 | 0:17:00 | |
-We have a deal. -Excellent. | 0:17:00 | 0:17:01 | |
Leaving almost £200 in his wallet. | 0:17:01 | 0:17:03 | |
While Charles managed only some candlesticks | 0:17:03 | 0:17:06 | |
and some bone implements for £27. | 0:17:06 | 0:17:09 | |
Trousers up, I'm off. | 0:17:09 | 0:17:11 | |
So he still has just shy of £400 to spend today. | 0:17:11 | 0:17:15 | |
What year was the French Revolution? | 0:17:15 | 0:17:17 | |
THEY LAUGH | 0:17:17 | 0:17:19 | |
Later, they will be making for an auction in Somerset, at Bridgwater. | 0:17:19 | 0:17:23 | |
But their next stop is back in Dorchester. | 0:17:23 | 0:17:26 | |
-Here we go. -Just by the front door. Thanks a lot. | 0:17:29 | 0:17:32 | |
-Have a great day's buying. -I hope so. -Yeah. -I need to. | 0:17:32 | 0:17:35 | |
In your own time, Charles. | 0:17:37 | 0:17:38 | |
I can't open the door, Raj. | 0:17:38 | 0:17:40 | |
-There we go. I'm out! -Fantastic. -I'm free. | 0:17:40 | 0:17:44 | |
-Good luck. -See you later. -Goodbye. | 0:17:44 | 0:17:46 | |
-Hello, sir. How are you? -John Burton. -John, Charles Hanson. | 0:17:47 | 0:17:51 | |
Good to see you. | 0:17:51 | 0:17:52 | |
So, John, what I'm looking for are things which are market fresh. | 0:17:52 | 0:17:56 | |
-I'm hoping I can be first on. -We've just had a new lot come in. | 0:17:56 | 0:17:59 | |
-Have you? -Yeah, we cleared a big attic. | 0:17:59 | 0:18:02 | |
Lots and lots of boxes that haven't been touched since '52. | 0:18:02 | 0:18:05 | |
-Tell me they're not wrapped in 1952 paper? -Yeah, yeah. | 0:18:05 | 0:18:08 | |
-So nobody has seen it. Not for the last 50 years. -Wonderful! | 0:18:08 | 0:18:11 | |
That news has definitely perked him up. | 0:18:11 | 0:18:13 | |
There we go. It's a bit cheeky. | 0:18:13 | 0:18:15 | |
I wonder how long it'll take him to pick up the scent. | 0:18:15 | 0:18:19 | |
That's a really good box. It says "Sorrento. Souvenir." | 0:18:19 | 0:18:22 | |
And if you were visiting Sorrento back in the 1890s, | 0:18:22 | 0:18:26 | |
you may have picked up this box. | 0:18:26 | 0:18:28 | |
What puts me off is the fact we've got this split here. | 0:18:28 | 0:18:32 | |
But it is 120 years old. Is it priced? | 0:18:32 | 0:18:36 | |
Yes, it is. £50. Could be a mental note for later. | 0:18:36 | 0:18:39 | |
Right up his street. As is that. | 0:18:39 | 0:18:42 | |
On one Roadtrip, I was very lucky to try on Henry VIII's | 0:18:42 | 0:18:46 | |
armour at the armoury in Leeds. | 0:18:46 | 0:18:48 | |
This is quite similar, but, of course, it's later. | 0:18:48 | 0:18:52 | |
This is probably mid-20th century. But it's decorative. | 0:18:52 | 0:18:55 | |
-And it's complete. And I might just give John a quick call. John. -Yeah. | 0:18:55 | 0:19:00 | |
May I just have a quick word with you? Tell me about your treasure. | 0:19:00 | 0:19:03 | |
I don't really know much about it, if you want the truth. | 0:19:03 | 0:19:06 | |
-It came out of an attic. It was in a big box. -Hold on. From that attic? | 0:19:06 | 0:19:10 | |
From the attic, yeah. | 0:19:10 | 0:19:12 | |
Sniffed it out. | 0:19:12 | 0:19:14 | |
It's complete with what appears to be a bit of an ashtray sword. | 0:19:14 | 0:19:20 | |
It's not all quite in true historical context, but even so... | 0:19:20 | 0:19:25 | |
Tell me, John, does much more come with this? | 0:19:25 | 0:19:28 | |
-Just those leggings over there. -Another pair of leggings. | 0:19:28 | 0:19:31 | |
-Can I just bring them over? -Yeah. | 0:19:31 | 0:19:32 | |
-Did this all come from the same? -Yeah, yeah. All from the same. | 0:19:32 | 0:19:36 | |
Goodness me! Aren't they wonderful! | 0:19:36 | 0:19:38 | |
Could the mannequin come with the lot as well, John? | 0:19:39 | 0:19:42 | |
Yeah. Yeah. | 0:19:42 | 0:19:43 | |
Can I ask you how much it could be? | 0:19:43 | 0:19:45 | |
-As it's you, 40 quid. -Don't say that! | 0:19:45 | 0:19:48 | |
Let me go for a walk on, and what I may just do is make you | 0:19:48 | 0:19:53 | |
an offer if I get a bundle of bits and pieces together. | 0:19:53 | 0:19:56 | |
OK, all right. | 0:19:56 | 0:19:58 | |
Now for the cabinet. | 0:19:58 | 0:19:59 | |
These are nice. | 0:19:59 | 0:20:00 | |
If there is a section of the market today which I think is really | 0:20:00 | 0:20:03 | |
performing well, it's collectors' sections. | 0:20:03 | 0:20:06 | |
And the market also is particularly strong for fountain pens. | 0:20:06 | 0:20:10 | |
This one is a vintage Conway Stewart pen of the 1950s. A bit plain. | 0:20:10 | 0:20:15 | |
They are reflective in terms of artistic | 0:20:15 | 0:20:18 | |
quality for the decades they represent. | 0:20:18 | 0:20:21 | |
And you've got here a really almost rich lapis lazuli | 0:20:21 | 0:20:25 | |
and metallic oxide fountain pen here. | 0:20:25 | 0:20:28 | |
Which is beautifully mounted there with a 14 carat gold nib. | 0:20:28 | 0:20:32 | |
John, tell me, these fountain pens, where do they come from? | 0:20:32 | 0:20:35 | |
-The attic. -They didn't. -They did. -Out the same attic? | 0:20:35 | 0:20:38 | |
The same attic. | 0:20:38 | 0:20:39 | |
That motherlode again, eh? | 0:20:39 | 0:20:41 | |
There is eight pens in total. To an old mate... | 0:20:41 | 0:20:43 | |
That could be £60. | 0:20:43 | 0:20:45 | |
-Look at me. -£60. -Look at me, how much? | 0:20:45 | 0:20:47 | |
-40. -Why did I say that?! £40. £40! OK. | 0:20:47 | 0:20:52 | |
Highly excited. Is there still more? | 0:20:52 | 0:20:55 | |
Goodness me, John. This is a dirty buckle. | 0:20:55 | 0:20:57 | |
-There you go. -Brilliant. | 0:20:57 | 0:20:59 | |
If I just rub this hallmark, I think we'll see what might be | 0:20:59 | 0:21:04 | |
lurking. There is a date letter, which is an X. So this was made... | 0:21:04 | 0:21:09 | |
I'll test you. It was made three years before Queen Victoria died. | 0:21:09 | 0:21:13 | |
What year? | 0:21:13 | 0:21:14 | |
Now, who was paying attention earlier? | 0:21:14 | 0:21:17 | |
18... | 0:21:17 | 0:21:18 | |
-I don't know. '97. -'98. | 0:21:20 | 0:21:21 | |
Unlucky, John. | 0:21:21 | 0:21:23 | |
-Often we call these nurses. -Yeah, nurses. | 0:21:23 | 0:21:25 | |
It's quite a masculine buckle. More for a man, isn't it, really? | 0:21:25 | 0:21:28 | |
-Would your wife wear that? -Probably. Although she is very feminine. | 0:21:28 | 0:21:31 | |
-I'm pleased to hear it. -THEY LAUGH | 0:21:31 | 0:21:33 | |
And the best price on that, John, would be how much? | 0:21:33 | 0:21:36 | |
45. | 0:21:36 | 0:21:37 | |
Blimey, if he buys all this, it will match Raj's efforts yesterday. | 0:21:37 | 0:21:41 | |
Just when I came over here before, this here is a phonograph, | 0:21:41 | 0:21:46 | |
which is the forerunner to the record player. | 0:21:46 | 0:21:49 | |
Within these rolls here, you've got records which can be played. | 0:21:49 | 0:21:55 | |
He, John. I've just seen this Edison Standard phonograph. | 0:21:55 | 0:22:00 | |
-It is missing its horn, isn't it? -Yeah. | 0:22:00 | 0:22:03 | |
Thomas Edison was also partly instrumental in evolving | 0:22:03 | 0:22:08 | |
-telephone communications. -Yeah. | 0:22:08 | 0:22:10 | |
Yeah, the man who once said genius was 1% inspiration | 0:22:10 | 0:22:14 | |
and 99% perspiration was responsible for thousands of patents. | 0:22:14 | 0:22:18 | |
Including this one in 1877. Now, when did Victoria die? | 0:22:18 | 0:22:22 | |
That lifts up like that. Look at that! Look at that. | 0:22:22 | 0:22:25 | |
-Look at the handle inside. -Under there. Oh, yes, yes, yes! | 0:22:25 | 0:22:28 | |
-Obviously, John, the rolls would come with the phonograph. -Yeah. | 0:22:28 | 0:22:32 | |
-How much could it be? -£80. | 0:22:32 | 0:22:35 | |
It's just the condition. We are lacking the horn and... | 0:22:35 | 0:22:38 | |
-I could do it for less. -Could you? What's the best price on that? | 0:22:38 | 0:22:42 | |
-60. -OK, so what's the plan then, Charles? | 0:22:42 | 0:22:45 | |
I do like the knight in shining armour. I think it's not bad | 0:22:45 | 0:22:47 | |
and it's a great statement piece for a saleroom. | 0:22:47 | 0:22:50 | |
I do like the pens I saw earlier on. I like the buckle. | 0:22:50 | 0:22:54 | |
I like the phonograph. I like the box. I like everything. | 0:22:54 | 0:22:57 | |
Come on, Hanson, play it safe. But at the same time, go wild. | 0:22:57 | 0:23:01 | |
Good grief. | 0:23:01 | 0:23:02 | |
I don't know whether you perhaps want to get a pen | 0:23:02 | 0:23:04 | |
and paper out and then we can do some maths. | 0:23:04 | 0:23:07 | |
-How much? -240. -Yeah. | 0:23:08 | 0:23:11 | |
Time for Charles to have a turn. | 0:23:11 | 0:23:13 | |
-So that's actually... -220. -220. | 0:23:13 | 0:23:17 | |
180. | 0:23:17 | 0:23:18 | |
Getting better. A bit more? | 0:23:18 | 0:23:20 | |
-170. -Oh, don't! Ah! You wouldn't meet me halfway at 160, would you? | 0:23:20 | 0:23:25 | |
-Yeah, go on. -Are you sure? | 0:23:25 | 0:23:26 | |
-Yeah. -Sold. 160. -Thanks a lot. | 0:23:26 | 0:23:30 | |
So, he got them all. | 0:23:30 | 0:23:32 | |
And now has the tricky task of sorting them into lots. | 0:23:32 | 0:23:35 | |
Now, while Charles heads for a lie down, Raj has headed east, | 0:23:39 | 0:23:43 | |
making his way to the village of Tolpuddle, | 0:23:43 | 0:23:46 | |
where the courage of six farm workers changed the world. | 0:23:46 | 0:23:50 | |
-Oh, Nigel. -Hello, Raj. -Nice to meet you. -Welcome to Tolpuddle. | 0:23:50 | 0:23:53 | |
Thank you very much. | 0:23:53 | 0:23:54 | |
The story began on this very spot in the 1830s when some labourers, | 0:23:54 | 0:23:58 | |
who had just endured several cuts to their already pitiful wage, | 0:23:58 | 0:24:02 | |
met under the ancient sycamore to form a union. | 0:24:02 | 0:24:05 | |
They just didn't know how to survive. Trade unions were lawful. | 0:24:05 | 0:24:10 | |
Had just been made lawful. And that was the way forward. | 0:24:10 | 0:24:13 | |
But we'd have to do it secretly. | 0:24:13 | 0:24:15 | |
If the employer found out too soon, he could pick us off. | 0:24:15 | 0:24:19 | |
So they took an oath of solidarity, of secrecy with one another. | 0:24:19 | 0:24:23 | |
Who actually led them? | 0:24:23 | 0:24:25 | |
George Loveless was the main character. | 0:24:25 | 0:24:27 | |
He was a Methodist lay preacher, farm worker, | 0:24:27 | 0:24:31 | |
taught himself to read and write, clearly a clever man, good speaker. | 0:24:31 | 0:24:36 | |
And he has been seen as the leader of this union. | 0:24:36 | 0:24:39 | |
It must have been a movement throughout the village. | 0:24:39 | 0:24:42 | |
We think that hundreds of people would have been involved, | 0:24:42 | 0:24:44 | |
even though only six were arrested. | 0:24:44 | 0:24:46 | |
The local landowners, led by Squire Frampton, were desperate to | 0:24:47 | 0:24:50 | |
put an end to the Friendly Society of Agricultural Labourers. | 0:24:50 | 0:24:54 | |
They were told by the Home Secretary that | 0:24:54 | 0:24:56 | |
although trade unions were now lawful, | 0:24:56 | 0:24:58 | |
an obscure act designed to combat naval mutinies might be invoked. | 0:24:58 | 0:25:03 | |
If Frampton could catch them taking a secret oath, then | 0:25:03 | 0:25:06 | |
he could arrest them, and that's what happened. They were arrested. | 0:25:06 | 0:25:10 | |
Marched into Dorchester. | 0:25:10 | 0:25:12 | |
Put on trial. And it was a trumped-up charge. | 0:25:12 | 0:25:16 | |
They were sentenced to the harshest punishment | 0:25:16 | 0:25:18 | |
of seven years transportation in Australia. | 0:25:18 | 0:25:21 | |
Why Australia, why not here? | 0:25:21 | 0:25:23 | |
It was Britain's dumping ground. | 0:25:23 | 0:25:25 | |
Many, particularly poor people, who were caught stealing a handkerchief | 0:25:25 | 0:25:29 | |
or poaching were dispatched to what would have been a life sentence. | 0:25:29 | 0:25:33 | |
Cos very few people could ever afford to come back. | 0:25:33 | 0:25:36 | |
So James Brine, James Hammett, Thomas Stanfield | 0:25:36 | 0:25:40 | |
and his son John, George Loveless, and his brother James were taken in | 0:25:40 | 0:25:44 | |
chains from Dorchester to the prison hulks in Portsmouth Harbour. | 0:25:44 | 0:25:48 | |
They were kept in dreadful conditions. | 0:25:48 | 0:25:51 | |
And the poor conditions made George Loveless ill. | 0:25:51 | 0:25:54 | |
He eventually was transported later. | 0:25:54 | 0:25:56 | |
And as he left in chains, he handed a relative a piece of paper. And | 0:25:56 | 0:26:00 | |
on it, was written the famous poem that we still recite about liberty. | 0:26:00 | 0:26:05 | |
"God is our guide | 0:26:05 | 0:26:07 | |
"No swords we draw | 0:26:07 | 0:26:08 | |
"We kindle not war's battle fires | 0:26:08 | 0:26:10 | |
"By reason, union, justice, law | 0:26:10 | 0:26:13 | |
"We claim the birthright of our sires." | 0:26:13 | 0:26:16 | |
And the famous section at the end. | 0:26:16 | 0:26:18 | |
"We raise the watchword Liberty | 0:26:18 | 0:26:20 | |
"We will, we will, we will be free!" | 0:26:20 | 0:26:23 | |
But that's not the end of the story, | 0:26:23 | 0:26:24 | |
because George Loveless was heard. And when the men were still | 0:26:24 | 0:26:27 | |
on their long voyage, the public were responding to their fate. | 0:26:27 | 0:26:31 | |
The word got out and the fledgling trade unions right | 0:26:31 | 0:26:35 | |
around the country realised this was a challenge to their very existence. | 0:26:35 | 0:26:39 | |
Even before they had got going. | 0:26:39 | 0:26:41 | |
And within days, people started organising | 0:26:41 | 0:26:44 | |
meetings in Huddersfield, petitions from Cheltenham. | 0:26:44 | 0:26:48 | |
And within weeks, they planned this huge protest, | 0:26:48 | 0:26:52 | |
the like of which they had never seen before. | 0:26:52 | 0:26:55 | |
Their peaceful march through London, one of the first of its kind, | 0:26:55 | 0:26:58 | |
concluding with the delivery | 0:26:58 | 0:27:00 | |
of an 800,000-strong petition to Parliament. | 0:27:00 | 0:27:03 | |
-So many people for six farm workers? -Well, quite. | 0:27:03 | 0:27:07 | |
In the days where there was no Twitter or Facebook, | 0:27:07 | 0:27:10 | |
how they actually managed to all get there | 0:27:10 | 0:27:12 | |
and marshal such a large number of people is astonishing. | 0:27:12 | 0:27:17 | |
And you can understand why it really did frighten the government. | 0:27:17 | 0:27:22 | |
And it didn't stop there. | 0:27:22 | 0:27:24 | |
No, because while voluntary donations supported | 0:27:24 | 0:27:26 | |
the martyrs' families, legal and political challenges were pursued. | 0:27:26 | 0:27:30 | |
And after a few years, the government relented - | 0:27:30 | 0:27:32 | |
first pardoning the martyrs and then bringing them home. | 0:27:32 | 0:27:36 | |
They must have come back as heroes. | 0:27:36 | 0:27:39 | |
They arrived in Plymouth, in triumph. | 0:27:39 | 0:27:42 | |
And unions recreated this grand march. | 0:27:42 | 0:27:45 | |
They became symbols of the right of people to form a union | 0:27:45 | 0:27:50 | |
and the freedom to organise people at work. | 0:27:50 | 0:27:52 | |
Now, where has Raj's rival got to? | 0:27:56 | 0:27:59 | |
Somerset, that's where. | 0:27:59 | 0:28:02 | |
Taking a route north and west to Crewkerne, | 0:28:02 | 0:28:05 | |
the delightful town that's mostly built with the gorgeous | 0:28:05 | 0:28:08 | |
Hamstone of nearby Ham Hill. | 0:28:08 | 0:28:10 | |
-Hello, sir. -Afternoon. -How are you doing? -Fine, thanks. | 0:28:12 | 0:28:15 | |
-You are Charles, yes? -Hanson, the name's Hanson, yeah. Charles. | 0:28:15 | 0:28:18 | |
-And your name is? -Anthony Bucke. | 0:28:18 | 0:28:20 | |
-What a fantastic centre you've got here. -Thank you. | 0:28:20 | 0:28:23 | |
It is certainly big. Almost 100 traders. | 0:28:23 | 0:28:26 | |
I need more eyes. | 0:28:26 | 0:28:27 | |
But Charles doesn't really need an awful lot more. | 0:28:28 | 0:28:31 | |
Careful! Oh, God. | 0:28:32 | 0:28:34 | |
Now walk away. Slowly. | 0:28:34 | 0:28:37 | |
There must be plenty squirreled away in here. | 0:28:37 | 0:28:39 | |
What really excites me is this dish down here. | 0:28:39 | 0:28:43 | |
This little, octagonal dish is hand-painted in blue. | 0:28:43 | 0:28:47 | |
But actually, it's also gilt outlined. It's not minging. | 0:28:47 | 0:28:52 | |
OK, it might be because it's broken. | 0:28:52 | 0:28:55 | |
But in fact, this is Ming. This is true Ming porcelain. | 0:28:55 | 0:29:01 | |
Made pre-1644. And it could be yours for 500 pence. | 0:29:01 | 0:29:08 | |
Astonishing. Almost 400 years old. | 0:29:08 | 0:29:11 | |
And next door, for just a few more pounds... | 0:29:11 | 0:29:13 | |
We've got some English Staffordshire porcelain circa 1820. | 0:29:13 | 0:29:17 | |
Some Chinese Qianlong cups from circa 1780. | 0:29:17 | 0:29:21 | |
Some small Kangxi Chinese dishes from 1700. | 0:29:21 | 0:29:27 | |
And then, almost rolling home, we have a Derby dish here. | 0:29:27 | 0:29:34 | |
Pre-1795. For £12 each. | 0:29:34 | 0:29:38 | |
And what I'm really tempted to do is grab him. | 0:29:38 | 0:29:43 | |
And almost make a bundle of joy and put the Ming plates with the | 0:29:43 | 0:29:49 | |
two Kangxi dishes and the three Qianlong period cups, | 0:29:49 | 0:29:53 | |
and then maybe put the Derby dish in there as well. | 0:29:53 | 0:29:57 | |
And just see if I can acquire this wonderful lot | 0:29:57 | 0:30:01 | |
for a right old good price. | 0:30:01 | 0:30:02 | |
And if I can do, I think this little lot here has real Eastern promise. | 0:30:02 | 0:30:07 | |
So is that including East Midlands promise? Ha! | 0:30:07 | 0:30:11 | |
Time to have a word with Anthony. | 0:30:11 | 0:30:13 | |
-I've been digging. Anthony, take a seat. -What have you got here? | 0:30:13 | 0:30:17 | |
This ensemble just oozes probably 300 years of history. | 0:30:17 | 0:30:23 | |
Five, two 12s are 24, 45... That's £50, isn't it? Yeah. | 0:30:23 | 0:30:28 | |
I mean, £40? | 0:30:28 | 0:30:31 | |
Yeah, I mean, I was hoping £25. | 0:30:31 | 0:30:34 | |
-Mm. That's like 50%. -Look at me. -50%. Look at you?! | 0:30:34 | 0:30:39 | |
HE LAUGHS | 0:30:39 | 0:30:40 | |
30 quid and it's yours. | 0:30:40 | 0:30:42 | |
-Yes. -I'm OK. I'll take them. Thank you so much. | 0:30:42 | 0:30:45 | |
Thank you very much. | 0:30:45 | 0:30:47 | |
He did rather well with a similar assortment last time. | 0:30:47 | 0:30:50 | |
-Excellent. Seals the deal. -Thank you so much. -OK. | 0:30:50 | 0:30:54 | |
Providing he can get this to auction more or less intact. | 0:30:54 | 0:30:57 | |
Steady, Charles. | 0:30:57 | 0:30:58 | |
Meanwhile, back in Dorset, Raj - with just under £200 to spend - | 0:31:02 | 0:31:06 | |
takes our trip to beautiful Bridport. | 0:31:06 | 0:31:08 | |
-Hello there. -Hi. -Hi, I'm Raj. -Hi, Raj. I'm Bill. | 0:31:10 | 0:31:13 | |
-Hello, Bill. Nice to meet you. And? -Hello. I'm Frances. | 0:31:13 | 0:31:16 | |
-Hello, Frances. -Pleased to meet you. | 0:31:16 | 0:31:18 | |
-What a lovely little shop you have here. -Thank you. | 0:31:18 | 0:31:20 | |
Very, very pretty. | 0:31:20 | 0:31:22 | |
Our man splashed out yesterday, | 0:31:22 | 0:31:24 | |
so I reckon he might be a wee bit cautious here. | 0:31:24 | 0:31:26 | |
Kitchenalia, eh? | 0:31:26 | 0:31:28 | |
Not bowled over. Ho-ho. Who writes this? | 0:31:28 | 0:31:31 | |
I've seen a brass ladle over there. | 0:31:31 | 0:31:33 | |
Oh, yes. | 0:31:33 | 0:31:35 | |
It's a 19th-century English brass ladle. Used for serving soup, sauces. | 0:31:35 | 0:31:42 | |
It might even have been locally made. A lot of the local forges made them. | 0:31:42 | 0:31:47 | |
And if I can get this at the right price, | 0:31:47 | 0:31:50 | |
this will go with my other spoons. I do like this, Bill. | 0:31:50 | 0:31:53 | |
It's quite nice. It's got copper rivets. | 0:31:53 | 0:31:56 | |
-It's nicely made. -Yeah, it is nicely made. | 0:31:56 | 0:31:58 | |
-What's the best you could do on that? -The best I can do? | 0:31:58 | 0:32:01 | |
-Um, I'll do that for a fiver for you. -Yeah? -Yeah. | 0:32:01 | 0:32:05 | |
-Are you happy with that? -Yeah, I'm happy with that. | 0:32:05 | 0:32:07 | |
-Thank you very much indeed. -Great. Thank you. | 0:32:07 | 0:32:10 | |
Swift, Raj. Anything else catch your eye? | 0:32:10 | 0:32:14 | |
I know they're not very old. These Regency-style wall brackets. | 0:32:14 | 0:32:19 | |
But I do like them. They are saleable. | 0:32:19 | 0:32:22 | |
That sort of very, very decorative item, | 0:32:22 | 0:32:24 | |
there's always a market for them, at the right price. | 0:32:24 | 0:32:27 | |
-Yes, there is. -There's £35 on the ticket. -For the pair. | 0:32:27 | 0:32:31 | |
-For the pair. -Mm-hmm. -What could you do them for? | 0:32:31 | 0:32:34 | |
-Oh, I think we could do them for 15. -15? -Yes. | 0:32:34 | 0:32:39 | |
-You need some help, don't you? -I do need some help. | 0:32:39 | 0:32:41 | |
-Believe you me, I need lots of help. -Right. Right. | 0:32:41 | 0:32:44 | |
-And you're happy with that? -I'm very happy. | 0:32:44 | 0:32:46 | |
Let's shake hands on it. Thank you very much indeed. | 0:32:46 | 0:32:48 | |
Five pounds for the ladle. And 15 for the brackets. | 0:32:48 | 0:32:52 | |
-Right, yes. -£20. -Yes. | 0:32:52 | 0:32:54 | |
I've just remembered, actually, I know you said you've got spoons. | 0:32:54 | 0:32:58 | |
We've got another spoon that you might be interested in. | 0:32:58 | 0:33:01 | |
Didn't cost us much and I could throw it in for a couple of quid. | 0:33:01 | 0:33:05 | |
-You sure? -Yeah. Yeah, absolutely. | 0:33:05 | 0:33:07 | |
-You sure you're happy with that? -I'm happy with that. | 0:33:07 | 0:33:09 | |
I think it would go nicely with the others. | 0:33:09 | 0:33:11 | |
-I'm not going to say no to that. Thank you very much. -You're welcome. | 0:33:11 | 0:33:14 | |
So, £22 for another little pile. | 0:33:14 | 0:33:16 | |
But now we really must bring all the shopping to an end | 0:33:16 | 0:33:19 | |
and take a look at what's been bought. | 0:33:19 | 0:33:22 | |
Charles parted with £217 for a phonograph, | 0:33:23 | 0:33:27 | |
some porcelain, | 0:33:27 | 0:33:28 | |
some implements, | 0:33:28 | 0:33:30 | |
candlesticks, | 0:33:30 | 0:33:32 | |
a wooden box, | 0:33:32 | 0:33:33 | |
some fountain pens, | 0:33:33 | 0:33:35 | |
a buckle, | 0:33:35 | 0:33:36 | |
and a mannequin in armour. | 0:33:36 | 0:33:38 | |
While Raj spend £195 on some spoons and some ladles, | 0:33:38 | 0:33:43 | |
a writing slope, | 0:33:43 | 0:33:45 | |
a beaker, | 0:33:45 | 0:33:47 | |
a wooden bowl, | 0:33:47 | 0:33:48 | |
some spice drawers and some wall brackets. | 0:33:48 | 0:33:50 | |
So, what do they make of each other's items? Be honest. | 0:33:50 | 0:33:53 | |
I love the spice drawers. | 0:33:53 | 0:33:55 | |
I think they might make £100 on a really good day. | 0:33:55 | 0:33:59 | |
The knight's costume. What do I call him? | 0:33:59 | 0:34:02 | |
Sir Charles Hanson? | 0:34:02 | 0:34:03 | |
I just hope he gets knocked off his horse on this one. | 0:34:03 | 0:34:05 | |
I'm seeing more of a heavy spend by Raj, | 0:34:05 | 0:34:09 | |
and that will make the competition bubble and become quite volatile. | 0:34:09 | 0:34:13 | |
Would I rather have Charles' items or mine? | 0:34:13 | 0:34:16 | |
I'll stick with mine any day of the week. | 0:34:16 | 0:34:18 | |
After setting off from Dorchester in Dorset, our experts are now heading | 0:34:18 | 0:34:22 | |
for an auction on the edge of the Somerset Levels, at Bridgwater. | 0:34:22 | 0:34:26 | |
Are we not far from Cheddar Gorge? | 0:34:26 | 0:34:28 | |
Can you smell cheese? | 0:34:29 | 0:34:31 | |
Is that cheese? THEY LAUGH | 0:34:31 | 0:34:34 | |
No! Ha! | 0:34:34 | 0:34:35 | |
Welcome to Bridgwater, the port on the River Parrett | 0:34:35 | 0:34:39 | |
that's always been the industrial heart of Somerset. | 0:34:39 | 0:34:42 | |
At Tamlyns, established in 1878, business is brisk. | 0:34:42 | 0:34:45 | |
But what does the auctioneer, Claire Rawle, make of our lots? | 0:34:45 | 0:34:48 | |
The mannequin with the knight's outfit on, | 0:34:48 | 0:34:51 | |
paired with the Victorian silver belt buckle. Very, very bizarre. | 0:34:51 | 0:34:55 | |
Haven't seen anyone trying it on yet. | 0:34:55 | 0:34:57 | |
So, is Bridgwater ready? | 0:34:57 | 0:34:59 | |
There's a wave of enthusiasm. Can you feel it in the air? | 0:34:59 | 0:35:02 | |
Yes. | 0:35:05 | 0:35:06 | |
Good answer, Raj. | 0:35:06 | 0:35:07 | |
Especially as your repro Georgian brackets are first. | 0:35:07 | 0:35:11 | |
-These I have to start at £30. -Very good. | 0:35:11 | 0:35:14 | |
£30. Do I see two anywhere? | 0:35:14 | 0:35:16 | |
-At 30. All quiet in the room. At 30. -Come on! | 0:35:16 | 0:35:19 | |
At 30. Come along. 32. | 0:35:19 | 0:35:22 | |
35 with me. Can't lose them for that, can you? | 0:35:22 | 0:35:24 | |
38? They're worth it. They're ever so pretty. | 0:35:24 | 0:35:26 | |
You absolutely sure? | 0:35:26 | 0:35:28 | |
They're going to sell here with me then at £35. | 0:35:28 | 0:35:30 | |
That's very good. Well played. | 0:35:30 | 0:35:32 | |
Yes, doubled your money and more. | 0:35:32 | 0:35:34 | |
Now for Charles' combination lot of implements and box. | 0:35:34 | 0:35:38 | |
I'll start this one away at £30. Here at £30. | 0:35:38 | 0:35:40 | |
-Do I see two anywhere? -That's good. Come on. | 0:35:40 | 0:35:42 | |
-At £30 now. Two. At 32. -Come on. | 0:35:42 | 0:35:45 | |
-35? 35. -That's good. | 0:35:45 | 0:35:47 | |
-38. -Go on. | 0:35:47 | 0:35:49 | |
Oh, go on. Treat yourself, Jed. | 0:35:49 | 0:35:51 | |
At £38. Bid at 38. Now 40. | 0:35:51 | 0:35:53 | |
£40 I have. Fresh bidder at 40. | 0:35:53 | 0:35:55 | |
Are you sure? At 40. I have straight ahead here. | 0:35:55 | 0:35:58 | |
At £40. It's going to be then. You all done? | 0:35:58 | 0:36:01 | |
40 it is. | 0:36:01 | 0:36:02 | |
Another decent profit. | 0:36:02 | 0:36:04 | |
Followed by the tureen they both wanted, but Raj came away with. | 0:36:04 | 0:36:08 | |
I have to start this straight in at £12. | 0:36:08 | 0:36:11 | |
£12. Do I see 15 anywhere? | 0:36:11 | 0:36:13 | |
At 15 at the back of the room. | 0:36:13 | 0:36:15 | |
-At 15. At £15. -Oh, no. More. | 0:36:15 | 0:36:17 | |
And 18. 20. | 0:36:17 | 0:36:20 | |
22. 25. | 0:36:20 | 0:36:22 | |
28. | 0:36:22 | 0:36:23 | |
-You sure? At £28 here. -It's worth more than that. | 0:36:23 | 0:36:26 | |
-At £28. -Profit. Put it there. | 0:36:26 | 0:36:27 | |
At 28, it's going to be. You all done? | 0:36:27 | 0:36:30 | |
-It's profit. High five. -No, no! No way. | 0:36:30 | 0:36:34 | |
Yes, another profit served up. | 0:36:35 | 0:36:37 | |
Time for a bit of Victorian high fidelity. | 0:36:37 | 0:36:40 | |
I reckon it's worth at least £30. | 0:36:40 | 0:36:43 | |
That makes a loss cos it cost me 40. | 0:36:43 | 0:36:45 | |
Well, fingers crossed. | 0:36:45 | 0:36:47 | |
£50 straight in please. £50. 50? | 0:36:47 | 0:36:49 | |
-No interest. -Start me somewhere. Thank you. 50 I have. | 0:36:49 | 0:36:52 | |
-Great. -At £50. -Let's go. | 0:36:52 | 0:36:53 | |
Do I see five anywhere? Five? | 0:36:53 | 0:36:56 | |
60, either of you? | 0:36:56 | 0:36:57 | |
-60. -Go on! -It's a profit. -65. -Go on! | 0:36:57 | 0:37:00 | |
70, surely? | 0:37:00 | 0:37:02 | |
Don't miss it for... 70. | 0:37:02 | 0:37:03 | |
At £70. | 0:37:03 | 0:37:04 | |
-At £70. -It's playing sweet music in Somerset. | 0:37:04 | 0:37:09 | |
-Gosh, it worked well for you. -That's great. | 0:37:09 | 0:37:11 | |
With its horn, it might have done even better. | 0:37:11 | 0:37:14 | |
What will they make of Raj's Doulton? | 0:37:14 | 0:37:17 | |
20 surely to start me. 20? 20, surely. | 0:37:17 | 0:37:20 | |
-Come on! -Who is going to start me? -Five. | 0:37:20 | 0:37:23 | |
Five?! | 0:37:23 | 0:37:24 | |
-No, come on. -Eight. At eight pounds. Ten. -12. It's moving now. -15? | 0:37:24 | 0:37:30 | |
Are you sure? I've got 15, 18. 20. | 0:37:30 | 0:37:34 | |
At £20 then. At 20. All done? | 0:37:34 | 0:37:37 | |
It's going to sell then at £20. | 0:37:37 | 0:37:39 | |
Thank you, sir. | 0:37:39 | 0:37:41 | |
What a bargain. You got a bargain there. | 0:37:41 | 0:37:43 | |
Now for Charles' slightly chipped porcelain pile. | 0:37:43 | 0:37:47 | |
Featuring a bit of Ming. | 0:37:47 | 0:37:49 | |
£20 straight in for it. 20? | 0:37:49 | 0:37:52 | |
OK. How about ten pounds straight in? | 0:37:52 | 0:37:54 | |
-Frightening, isn't it? -Surely ten? | 0:37:54 | 0:37:56 | |
Ten I have from the hand at the back. Ten pounds. At 12. | 0:37:56 | 0:37:59 | |
-Hold tight. -15. 18. | 0:37:59 | 0:38:01 | |
20. 22. | 0:38:01 | 0:38:03 | |
25. 28. | 0:38:03 | 0:38:05 | |
No? At £28. At 28. Now 30. | 0:38:05 | 0:38:08 | |
Yes, over there. | 0:38:08 | 0:38:10 | |
It works. Every time you ask for one more, someone puts their hands up. | 0:38:10 | 0:38:14 | |
-£30 it is then. -Get it down. Get it down. | 0:38:14 | 0:38:17 | |
Well done, Mr Hanson. THEY LAUGH | 0:38:19 | 0:38:21 | |
After auction costs, it actually results in a bit of a loss. | 0:38:21 | 0:38:25 | |
Now, Raj's writing slope. | 0:38:25 | 0:38:26 | |
20 anywhere? Surely! | 0:38:26 | 0:38:29 | |
Come on, Bridgwater. You have a certain honour to keep up here. | 0:38:29 | 0:38:32 | |
Nobody? Where are you going to start me, then? Ten pounds. | 0:38:32 | 0:38:36 | |
-Oh, everyone wants it now. He was first. Ten. 12. -15. Here we go. 18. | 0:38:36 | 0:38:41 | |
-Roll on. -20. -22. Oh, my goodness me. | 0:38:41 | 0:38:45 | |
25. | 0:38:45 | 0:38:46 | |
-At £25. -One more, one more. I haven't finished yet. | 0:38:46 | 0:38:49 | |
-Fresh bidder. -Thank you. -At 28. Are you all done now? | 0:38:49 | 0:38:52 | |
It's going to sell at £28. | 0:38:52 | 0:38:54 | |
-£28. -Good for you. -Yeah. | 0:38:54 | 0:38:56 | |
We've still only had one loss so far. | 0:38:56 | 0:38:59 | |
But Raj is not going to catch Charles at this rate. | 0:38:59 | 0:39:02 | |
Even though he is having second thoughts about these. | 0:39:02 | 0:39:05 | |
I may have made a mistake with these pens. | 0:39:05 | 0:39:07 | |
You think the writing is on the wall? | 0:39:07 | 0:39:09 | |
-And I start straight in. I've got £55. -Wow. | 0:39:09 | 0:39:12 | |
At 55. Do I see 60 anywhere? Bids with me here at 55. | 0:39:12 | 0:39:15 | |
-Come on, let's go. -At 55 for the fountain pens. | 0:39:15 | 0:39:17 | |
-60. 65? No. -Go on! | 0:39:17 | 0:39:19 | |
No? Bids here with me still. Are you all sure in the room? | 0:39:19 | 0:39:22 | |
It's going to sell it here at £65. | 0:39:22 | 0:39:25 | |
-Gordon Bennett! -Well done. High five. -Thanks a lot. | 0:39:25 | 0:39:28 | |
Thanks a lot. | 0:39:28 | 0:39:30 | |
No need to worry there, was there? | 0:39:30 | 0:39:32 | |
Now, can Raj's spoons plus his bargain ladles scoop up a profit? | 0:39:33 | 0:39:37 | |
£20. Nice early brass spoons. £20? | 0:39:37 | 0:39:39 | |
They are going to bomb. They are going to bomb. | 0:39:39 | 0:39:41 | |
Ten? | 0:39:41 | 0:39:43 | |
Ten surely somewhere! Ten pounds. Ten pounds I have. | 0:39:43 | 0:39:45 | |
At ten pounds. For the nice, early spoons. 12. 15. | 0:39:45 | 0:39:50 | |
At 15... Are you sure? That was short and sweet. | 0:39:50 | 0:39:52 | |
-18. -The ladles... -20. | 0:39:52 | 0:39:55 | |
-At £20. -It's profit, isn't it? -Oh, stop it. You and your profit. | 0:39:55 | 0:39:58 | |
All done? It's going to sell then at £20. | 0:39:58 | 0:40:01 | |
Is that a profit? | 0:40:01 | 0:40:03 | |
No, it's definitely a loss. | 0:40:03 | 0:40:05 | |
-What happened? -I'm not sure. -Look at me. -I can't look at you. I can't. | 0:40:05 | 0:40:10 | |
Don't blame you. | 0:40:10 | 0:40:12 | |
Next, it's Charles' slightly odd lot of candlesticks and fork. | 0:40:12 | 0:40:15 | |
Not sure why. | 0:40:15 | 0:40:16 | |
Ten pounds anywhere for them? | 0:40:16 | 0:40:18 | |
-Thank you, ten I have. At ten pounds. Do I see 12 anywhere? -Uh-oh. | 0:40:18 | 0:40:21 | |
And 12. | 0:40:21 | 0:40:23 | |
15. 18. | 0:40:23 | 0:40:25 | |
20. | 0:40:25 | 0:40:26 | |
-One more, go on. -At 22. Fresh bidder. | 0:40:26 | 0:40:29 | |
-I made a loss. -That's good. You've done well. | 0:40:29 | 0:40:32 | |
At 25 right at the back of the room. | 0:40:32 | 0:40:33 | |
-You're out not. You're all sure? -You've done well. | 0:40:33 | 0:40:36 | |
-25 it's going to be. -It's not bad. | 0:40:36 | 0:40:38 | |
-Uh! That's OK. -Not bad. | 0:40:38 | 0:40:39 | |
Yep, they just made it. | 0:40:39 | 0:40:41 | |
But if Raj is going to catch him, | 0:40:41 | 0:40:43 | |
those spice drawers will have to make a pile. | 0:40:43 | 0:40:46 | |
I've got a bid of £20 on them. 22. 25. 28. | 0:40:46 | 0:40:49 | |
-Here they go. Listen. -30. 32, 35, 38. | 0:40:49 | 0:40:53 | |
-40. 42. 45. 48. -CHARLES COUNTS ALONG | 0:40:53 | 0:40:56 | |
-50. Five. 60. Five. 70. -CHARLES COUNTS ALONG | 0:40:56 | 0:41:00 | |
You have put me off. | 0:41:00 | 0:41:02 | |
Shush, Charles! | 0:41:02 | 0:41:03 | |
-70. Five. 80. Five. 90. Five. -Wow. | 0:41:03 | 0:41:06 | |
100. 110. 120. | 0:41:06 | 0:41:08 | |
-130. 130 here. -That's amazing. | 0:41:08 | 0:41:11 | |
I've got £130. 140. 150. | 0:41:11 | 0:41:14 | |
-160. -Oh, my goodness me. | 0:41:14 | 0:41:15 | |
170 there. At £170. Are you all done? Are you all sure? | 0:41:15 | 0:41:19 | |
-One more, one more. -170... | 0:41:19 | 0:41:22 | |
Wow! | 0:41:22 | 0:41:24 | |
Goodness me! | 0:41:24 | 0:41:25 | |
Quite a double. | 0:41:25 | 0:41:27 | |
-That's massive! -Yep. | 0:41:27 | 0:41:30 | |
Back in the game! | 0:41:30 | 0:41:31 | |
THEY LAUGH | 0:41:31 | 0:41:32 | |
Raj could win this auction. | 0:41:32 | 0:41:35 | |
It all comes down to Charles' final lot. | 0:41:35 | 0:41:38 | |
Mannequin, armour and belt buckle. | 0:41:38 | 0:41:40 | |
Start me straight in at £30, please. 30 anywhere? | 0:41:40 | 0:41:43 | |
Surely! Thank you, 30 I have. 32. | 0:41:43 | 0:41:46 | |
35. You are away, you're away. | 0:41:46 | 0:41:48 | |
38. 40. 42. | 0:41:48 | 0:41:50 | |
45. 48. | 0:41:50 | 0:41:52 | |
50. | 0:41:52 | 0:41:54 | |
55? No. At 55. Still the gentleman at 55. | 0:41:54 | 0:41:57 | |
-60. Fresh bidder. -There you go. Stop worrying. | 0:41:57 | 0:42:00 | |
70. 75. | 0:42:00 | 0:42:02 | |
-80. -Two more! | 0:42:02 | 0:42:04 | |
85. 90. | 0:42:04 | 0:42:06 | |
-95. -Oh! -Go on. Don't miss it for five. | 0:42:06 | 0:42:09 | |
At 100. See, it's done the trick. At 100. | 0:42:09 | 0:42:12 | |
It's going to sell at £100. | 0:42:12 | 0:42:15 | |
Good profit to end the day. | 0:42:18 | 0:42:20 | |
-After you. -After you. -Go on. -No, no, after you. | 0:42:20 | 0:42:24 | |
THEY LAUGH | 0:42:24 | 0:42:26 | |
Just too polite. Raj started out with £363.04 | 0:42:26 | 0:42:31 | |
and made, after paying auction costs, a profit of £51.82, | 0:42:31 | 0:42:36 | |
leaving him with £414.86 to spend next time. | 0:42:36 | 0:42:39 | |
Well done. | 0:42:39 | 0:42:41 | |
Charles began with £411.04. | 0:42:41 | 0:42:44 | |
After paying auction costs, he made a profit of £53.60. | 0:42:44 | 0:42:50 | |
So, clock this, he won by £1.78 and still leads over all. Ha! | 0:42:50 | 0:42:54 | |
-Fantastic! -Will our Herald hark? | 0:42:54 | 0:42:56 | |
-ENGINE STARTS -Yes, she will. | 0:42:56 | 0:42:58 | |
-Here we go. -Here we go, Bella. | 0:42:58 | 0:43:01 | |
RAJ LAUGHS | 0:43:01 | 0:43:04 | |
-After you. -Go on, after you. | 0:43:05 | 0:43:07 | |
Next time on Antiques Roadtrip, the boys hit the road again, | 0:43:07 | 0:43:10 | |
using their heads to hunt for bargains... | 0:43:10 | 0:43:12 | |
What do you think? | 0:43:12 | 0:43:14 | |
..and hidden treasures. | 0:43:14 | 0:43:16 | |
It's exciting. It's like land ahoy, or antiques ahoy. | 0:43:16 | 0:43:19 | |
They are everywhere. | 0:43:19 | 0:43:20 |