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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:05 | |
With £200 each, a classic car, and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
What an old diamond. | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! Charlie! | 0:00:17 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Welcome to a taste of the West with Charles and Raj. | 0:00:37 | 0:00:40 | |
Last night I had a pint of Somerset cider. | 0:00:42 | 0:00:45 | |
Do you know what I really enjoy? If it's not cider, I love cheese. | 0:00:45 | 0:00:48 | |
-Oh, well they make a very nice brie in Somerset. -Do they really? -Yep. | 0:00:48 | 0:00:52 | |
Those two gourmands, in a Triumph Herald, | 0:00:53 | 0:00:55 | |
are actually here to gobble up bargains. | 0:00:55 | 0:00:57 | |
This is a treasure island and I just want to dig with you. | 0:00:57 | 0:01:00 | |
Dig that, Charles Hanson, our auctioneer from Derby. | 0:01:02 | 0:01:06 | |
Antiques expert and Rams fan. | 0:01:06 | 0:01:08 | |
At the moment it's Hanson - 1, Raj - 0. | 0:01:08 | 0:01:12 | |
Can it be 2-0 in Somerset? | 0:01:12 | 0:01:15 | |
Not if Raj Bisram, | 0:01:15 | 0:01:16 | |
our auctioneer from Kent, has anything to do with it. | 0:01:16 | 0:01:19 | |
Antiques expert, llama aficionado, and wizard of the slopes... | 0:01:19 | 0:01:24 | |
I was a downhill racer. | 0:01:24 | 0:01:25 | |
-Oh, yes? -Which means that I'm going to go flat-out to win. | 0:01:25 | 0:01:28 | |
Highly competitive between these two, and it's only the second leg. | 0:01:30 | 0:01:34 | |
Raj started out with £200 and he has already made a tidy profit, | 0:01:37 | 0:01:41 | |
with £259.58 to spend today. | 0:01:41 | 0:01:44 | |
While Charles, who began with the same sum, | 0:01:46 | 0:01:48 | |
has done even better with £317.46 at his disposal. | 0:01:48 | 0:01:54 | |
And boy, I love how you say Charles, say it again to me. | 0:01:54 | 0:01:56 | |
-Charles. -Yeah, I like that. Yeah. | 0:01:56 | 0:01:58 | |
You say it in a nice ring. | 0:01:58 | 0:02:00 | |
Our journey starts out at Corsham, in Wiltshire, | 0:02:02 | 0:02:05 | |
and takes in most of the south-west of England, before ending | 0:02:05 | 0:02:08 | |
up about 900 miles later at Crewkerne, in Somerset. | 0:02:08 | 0:02:11 | |
But, today we begin in the Somerset village of Blackford | 0:02:11 | 0:02:14 | |
and journey south and east towards an auction near the Hampshire coast, | 0:02:14 | 0:02:18 | |
at Swanmore. | 0:02:18 | 0:02:19 | |
Located deep in the heart of the Somerset Levels, | 0:02:23 | 0:02:26 | |
Blackford's premier, and quite possibly only, | 0:02:26 | 0:02:29 | |
antiques outlet is housed in an old primary school. | 0:02:29 | 0:02:33 | |
-Good morning. Hello? -Hello, good morning. | 0:02:33 | 0:02:35 | |
-Good morning, sir, how are you? -How are you, sir? | 0:02:35 | 0:02:38 | |
Good to see you, what a wonderful building and I'm just greeted | 0:02:38 | 0:02:42 | |
by astounding antiques. | 0:02:42 | 0:02:44 | |
Yep, Les does have stock worth shouting about, | 0:02:44 | 0:02:47 | |
especially the English furniture. | 0:02:47 | 0:02:49 | |
I just can't believe the quality, I mean, | 0:02:49 | 0:02:52 | |
the pair of credenzas over there, | 0:02:52 | 0:02:55 | |
they must be worth upwards of £50,000. | 0:02:55 | 0:02:58 | |
I think that might even be on the low side, Charles. | 0:02:58 | 0:03:01 | |
Academic, really, considering your budget. | 0:03:01 | 0:03:04 | |
They were strong in the arm in the Victorian times. | 0:03:04 | 0:03:07 | |
With heavy-weight antiques and prices to match, | 0:03:07 | 0:03:10 | |
our Charles will have to be on top form here. | 0:03:10 | 0:03:12 | |
In this cabinet here, is some really good blue and white porcelain. | 0:03:12 | 0:03:17 | |
Now...be careful, don't drop it, Charles. | 0:03:17 | 0:03:21 | |
Took the words right out of my mouth! | 0:03:21 | 0:03:23 | |
But when you're looking for blue and white, you're looking for | 0:03:23 | 0:03:25 | |
rare Chelsea blue and white, you're looking for rare | 0:03:25 | 0:03:28 | |
Lowestoft blue and white, | 0:03:28 | 0:03:30 | |
and if you can find the rarer factories, in blue and white, | 0:03:30 | 0:03:34 | |
the value can be ten times more than the more bog-standard. | 0:03:34 | 0:03:37 | |
So I'm just having a quick peek in here now. | 0:03:37 | 0:03:41 | |
Ooops! | 0:03:41 | 0:03:42 | |
Nice. Put him up there. They're lovely. | 0:03:42 | 0:03:46 | |
Put these... | 0:03:46 | 0:03:48 | |
I've got six saucers, and matching tea bowls, | 0:03:48 | 0:03:53 | |
one, two, three... | 0:03:53 | 0:03:56 | |
Ah! I've got the six. | 0:03:57 | 0:03:58 | |
Gosh, aren't they gorgeous? | 0:04:00 | 0:04:01 | |
And if you think back to the times when us English were | 0:04:01 | 0:04:04 | |
discovering secrets in ancient Greece and Italy in the 1760s, | 0:04:04 | 0:04:09 | |
and Worcester were making these tea bowls and saucers | 0:04:09 | 0:04:13 | |
with these ruinous finds. | 0:04:13 | 0:04:15 | |
Look at the old metal riveting repairs to actually maintain them as | 0:04:15 | 0:04:21 | |
objects of beauty. | 0:04:21 | 0:04:23 | |
No price though. | 0:04:23 | 0:04:25 | |
Knowing Les, I reckon the six could be £1,000. | 0:04:25 | 0:04:28 | |
If you don't ask, you never find out. | 0:04:28 | 0:04:31 | |
-Les? -Yes, Charles. | 0:04:31 | 0:04:33 | |
If I said to you, pluck a price for six tea bowls and saucers... | 0:04:33 | 0:04:38 | |
200 quid. | 0:04:38 | 0:04:39 | |
Interesting. | 0:04:39 | 0:04:41 | |
But I don't really want to sell it. | 0:04:41 | 0:04:43 | |
One more thing that I pulled out, this little tea bowl here. | 0:04:43 | 0:04:47 | |
-That would be Chinese. -I think it probably is. -How much? | 0:04:47 | 0:04:51 | |
Could be 40 quid? The other piece is a good early lot. | 0:04:51 | 0:04:54 | |
-How much is that? -Probably the same price. -40 quid? | 0:04:54 | 0:04:57 | |
-Yeah, you can have that for the same price. -£40? -Yeah. | 0:04:57 | 0:05:00 | |
I'm from Derbyshire, you know, things seem to be a bit more | 0:05:00 | 0:05:02 | |
-expensive down here. -Really(!) | 0:05:02 | 0:05:04 | |
You're not in Derbyshire now, Charles. | 0:05:04 | 0:05:06 | |
Thank you, Les. I shall think on. | 0:05:06 | 0:05:07 | |
I could take a chance, my mind's ticking. | 0:05:09 | 0:05:12 | |
The gamble could be on. | 0:05:12 | 0:05:14 | |
Sorely tempted, eh? | 0:05:14 | 0:05:15 | |
Remember though, your only loss in the last leg | 0:05:15 | 0:05:19 | |
was almost £40 on a little derby ewe. | 0:05:19 | 0:05:21 | |
Be careful, Charles, have another look around at least. | 0:05:21 | 0:05:25 | |
Oh, I quite like these figures down here. | 0:05:25 | 0:05:27 | |
You've got him and her, they're still together. | 0:05:27 | 0:05:31 | |
And these are modelled... | 0:05:31 | 0:05:32 | |
..by James Hadley, | 0:05:34 | 0:05:35 | |
who was a very important modeller at Royal Worcester. | 0:05:35 | 0:05:39 | |
They've had some restoration, what a shame. | 0:05:39 | 0:05:41 | |
Look at that one there, and look at the difference. | 0:05:41 | 0:05:44 | |
-Les? -Yes? | 0:05:45 | 0:05:46 | |
Only a quickie, I'm really impressed | 0:05:46 | 0:05:49 | |
with your Hadley his and hers ladies. | 0:05:49 | 0:05:52 | |
-How much are they, for the pair? -£100. | 0:05:52 | 0:05:55 | |
£100, and between friends? | 0:05:55 | 0:05:57 | |
£110, plus VAT(!) | 0:05:57 | 0:06:00 | |
I like those. Time to take another peek at the old china, then. | 0:06:02 | 0:06:05 | |
I might just ask Les | 0:06:05 | 0:06:07 | |
if I could get a bit off because he's come straight in at £200. | 0:06:07 | 0:06:11 | |
Next door to these are also these bits of broken Chinese porcelain. | 0:06:13 | 0:06:16 | |
What I might do, is use this pile as a bargaining tool to, | 0:06:16 | 0:06:21 | |
perhaps, buy two lots. | 0:06:21 | 0:06:24 | |
Round two. | 0:06:25 | 0:06:27 | |
I probably will take the tea bowls and saucers, could you do me | 0:06:27 | 0:06:30 | |
anything on these bits of broken Chinese bits here? | 0:06:30 | 0:06:34 | |
£225, and you can take the lot. | 0:06:34 | 0:06:36 | |
Oh, dear. | 0:06:37 | 0:06:38 | |
-I tell you what, 200 quid. -For the whole lot? -Yes, how about that? | 0:06:38 | 0:06:42 | |
The break would be something like 180, for that lot there, | 0:06:42 | 0:06:45 | |
and £20 there. | 0:06:45 | 0:06:47 | |
I would think that would be reasonably accurate. | 0:06:47 | 0:06:49 | |
You know you're going to. | 0:06:49 | 0:06:51 | |
-Yeah, I will. Thank you very much. -I knew you would. I've been done! | 0:06:54 | 0:06:57 | |
I'm not so sure, Les. | 0:06:57 | 0:06:59 | |
They're certainly a big gamble for Charles, not that he seems too worried. | 0:06:59 | 0:07:02 | |
But, while all that excitement's been taking place, | 0:07:05 | 0:07:08 | |
Raj has had a more leisurely start, making his way towards | 0:07:08 | 0:07:12 | |
the village of Nether Stowey where | 0:07:12 | 0:07:14 | |
he's come to visit one of the most cherished places | 0:07:14 | 0:07:17 | |
in the history of English Romantic poetry, Coleridge's cottage. | 0:07:17 | 0:07:21 | |
-Hello, Stephen. -Hello, nice to meet you. | 0:07:21 | 0:07:23 | |
It's nice to meet you, I'm Raj. What a lovely place. | 0:07:23 | 0:07:26 | |
The Devon-born critic and philosopher, | 0:07:26 | 0:07:28 | |
Samuel Taylor Coleridge, had just been discharged | 0:07:28 | 0:07:31 | |
from the Royal Dragoons, and was editing a failing journal, | 0:07:31 | 0:07:35 | |
when a meeting changed his life. | 0:07:35 | 0:07:37 | |
Everything turned around | 0:07:37 | 0:07:38 | |
when he met William Wordsworth in Bristol in 1795. | 0:07:38 | 0:07:42 | |
It was that point, that the two of them realised that there was | 0:07:42 | 0:07:45 | |
something that each of them had, a spark of genius. | 0:07:45 | 0:07:48 | |
That was a hugely profound moment for both of them. | 0:07:48 | 0:07:51 | |
And, they became friends from that moment onwards. | 0:07:51 | 0:07:55 | |
Coleridge soon decided to leave Bristol and live in nature, | 0:07:56 | 0:08:00 | |
moving his family to this cottage in the foothills of the Quantocks. | 0:08:00 | 0:08:04 | |
He took long walks in the countryside | 0:08:04 | 0:08:06 | |
and wrote works like The Nightingale and This Lime Tree Bower, My Prison. | 0:08:06 | 0:08:12 | |
The Romantic poetry period is not about, sort of, Mills and Boon romantic love, | 0:08:12 | 0:08:16 | |
it's much more about our connection to nature, | 0:08:16 | 0:08:19 | |
how it makes us feel. | 0:08:19 | 0:08:21 | |
That's what he wanted to start writing about, | 0:08:21 | 0:08:23 | |
in a language that people understood, | 0:08:23 | 0:08:25 | |
because all the poetry that went before was quite complex, | 0:08:25 | 0:08:29 | |
the way it was structured. | 0:08:29 | 0:08:30 | |
This was just in the language of ordinary men. | 0:08:30 | 0:08:33 | |
So, Stephen, most of his famous work originates from here, the cottage? | 0:08:33 | 0:08:36 | |
Yes, Frost At Midnight, which is | 0:08:36 | 0:08:38 | |
one of his better known poems was written in this parlour. | 0:08:38 | 0:08:42 | |
It's 1798, in February and it's absolutely silent. | 0:08:42 | 0:08:46 | |
The only thing he could hear was the fire, | 0:08:46 | 0:08:49 | |
the flame was this sole, quiet thing. | 0:08:49 | 0:08:51 | |
His son, Hartley, was lying next to him in his cot here. | 0:08:51 | 0:08:55 | |
And it's one of his most famous poems. | 0:08:55 | 0:08:58 | |
These conversational poems were a great influence on Wordsworth, | 0:08:58 | 0:09:01 | |
and soon he moved close by. | 0:09:01 | 0:09:04 | |
Together they caused quite a stir. | 0:09:04 | 0:09:07 | |
They used to go out at night, from their point of view that was | 0:09:07 | 0:09:09 | |
experiencing nature at a different time of day. | 0:09:09 | 0:09:13 | |
But, from the point of view of the village, they were a bit suspicious | 0:09:13 | 0:09:16 | |
because at the time the French Revolution was going on | 0:09:16 | 0:09:19 | |
and they just thought, "Are they spies?", and they believed | 0:09:19 | 0:09:22 | |
they were mapping the area for the French to invade. | 0:09:22 | 0:09:24 | |
-Really? -And someone from the foreign office was sent here, | 0:09:24 | 0:09:26 | |
he fortunately realised that they were just poets. That was it. | 0:09:26 | 0:09:30 | |
-That was the end of it. -Bit crazy! -Yeah(!) | 0:09:30 | 0:09:32 | |
The two poets published, in 1798, | 0:09:32 | 0:09:35 | |
a work which was a landmark of the English Romantic age. | 0:09:35 | 0:09:39 | |
This is the Lyrical Ballads. | 0:09:39 | 0:09:41 | |
It's a first edition, and although it looks tiny, | 0:09:41 | 0:09:43 | |
and quite insignificant, | 0:09:43 | 0:09:45 | |
in terms of English literature, it's huge. | 0:09:45 | 0:09:49 | |
One of Coleridge's contributions, The Rime Of The Ancient Mariner, | 0:09:49 | 0:09:53 | |
became so famous that a particular phrase entered the language. | 0:09:53 | 0:09:57 | |
Day after day, day after day | 0:09:57 | 0:10:00 | |
We stuck, nor breath nor motion | 0:10:00 | 0:10:02 | |
As idle as a painted ship | 0:10:02 | 0:10:05 | |
Upon a painted ocean | 0:10:05 | 0:10:06 | |
Water, water, every where | 0:10:06 | 0:10:09 | |
And all the boards did shrink | 0:10:09 | 0:10:10 | |
Water, water, every where | 0:10:11 | 0:10:13 | |
Nor any drop to drink. | 0:10:13 | 0:10:15 | |
Coleridge spent just three years in Nether Stowey, | 0:10:15 | 0:10:18 | |
and although subsequently his collaborator became Poet Laureate, | 0:10:18 | 0:10:22 | |
Coleridge fared less well. | 0:10:22 | 0:10:25 | |
He developed an addiction to the laudanum he'd been prescribed | 0:10:25 | 0:10:29 | |
and then quarrelled with Wordsworth. | 0:10:29 | 0:10:31 | |
He continued to write, however, | 0:10:31 | 0:10:33 | |
and was encouraged by Byron to publish Kubla Khan. | 0:10:33 | 0:10:36 | |
Coleridge died in London, in 1834, aged 61. | 0:10:36 | 0:10:41 | |
I think when people talk about Wordsworth, | 0:10:41 | 0:10:43 | |
it's very rare you won't hear the name Coleridge in the same sentence. | 0:10:43 | 0:10:47 | |
The two of them are always linked. | 0:10:47 | 0:10:49 | |
It's Coleridge's work that endures, that is... | 0:10:49 | 0:10:53 | |
his poetry that was written here is still remembered today. | 0:10:53 | 0:10:57 | |
I suppose his legacy is that he was one of the crucial voices | 0:10:57 | 0:11:02 | |
of the Romantic poetry movement in this country. | 0:11:02 | 0:11:05 | |
Now, back on the lonesome road, our two travellers are together again. | 0:11:07 | 0:11:12 | |
-Go right here, Raj. -Certainly, Charles. | 0:11:13 | 0:11:16 | |
Clear my way. | 0:11:16 | 0:11:17 | |
Just about. | 0:11:17 | 0:11:18 | |
-You know, if you ever decide to give up antiques... -Yeah. | 0:11:18 | 0:11:21 | |
-..the military's for you. -I thought I might become a driving instructor. | 0:11:21 | 0:11:24 | |
Yeah, and I might become a ballroom dancer! Ha! | 0:11:24 | 0:11:27 | |
Getting along famously, aren't they? | 0:11:27 | 0:11:28 | |
Around here, even if we see things outside, | 0:11:28 | 0:11:31 | |
it's always worth maybe just stopping off and saying, look, | 0:11:31 | 0:11:34 | |
let's knock on the door. | 0:11:34 | 0:11:36 | |
Yeah, maybe we can be like rag and bone men. | 0:11:36 | 0:11:39 | |
Well, strangely enough, Raj has it on good authority | 0:11:39 | 0:11:42 | |
that there may be a bargain around here somewhere. | 0:11:42 | 0:11:45 | |
Don't be long. | 0:11:45 | 0:11:46 | |
-I've... -No, I won't be too long. -I've got shopping to do. | 0:11:46 | 0:11:50 | |
Not sure Brian's workshop would be Charles' sort of thing anyway. | 0:11:50 | 0:11:53 | |
Wowee, look at this. | 0:11:53 | 0:11:55 | |
I'd like to sell this, but I can't. | 0:11:55 | 0:11:57 | |
Well, to be honest, this is a little on the big side for me. | 0:11:57 | 0:12:00 | |
This is the only one in the world. | 0:12:00 | 0:12:03 | |
-It's the only one in the world? -Yes. -And what exactly is it? | 0:12:03 | 0:12:06 | |
It's a portable steam engine, motive power, | 0:12:06 | 0:12:09 | |
made by Paxman's of Colchester. | 0:12:09 | 0:12:11 | |
-Amazing. -I had been, in my collections, | 0:12:11 | 0:12:13 | |
gathering little bits for years | 0:12:13 | 0:12:15 | |
and I've got a little steam boiler, | 0:12:15 | 0:12:17 | |
which would be very, very attractive to the right people. | 0:12:17 | 0:12:21 | |
-If you wanted it, I'd sell it cheap. -Yeah? -Yeah. | 0:12:21 | 0:12:24 | |
To be honest, I haven't got a clue what it's worth. | 0:12:24 | 0:12:27 | |
But what are we talking about? A tenner? Can I buy it for a tenner? | 0:12:27 | 0:12:30 | |
A little bit more than a tenner and I expect you could get... | 0:12:30 | 0:12:34 | |
150, 200 for it. | 0:12:34 | 0:12:35 | |
-What about £20 and I'll just take a chance? -Done. | 0:12:35 | 0:12:38 | |
-We have a deal. -Good man. -Fantastic! Thank you very much. | 0:12:38 | 0:12:41 | |
-So, it's a vertical... -A vertical steam boiler. | 0:12:41 | 0:12:44 | |
-How old is it? -Oh, there you are. | 0:12:44 | 0:12:47 | |
There's no maker's plate, but I would say it's got to be 100 years old. | 0:12:47 | 0:12:51 | |
Well, at least it's an antique, then. | 0:12:51 | 0:12:53 | |
-Charles. -Raj. -Close your eyes. | 0:12:53 | 0:12:55 | |
Are you being serious? I can hear something jangling in the back. | 0:12:55 | 0:12:58 | |
Raj? | 0:12:58 | 0:13:00 | |
-Keep your eyes closed. -What's going in the boot? There's a fair weight in there. | 0:13:00 | 0:13:03 | |
-Yeah, mind the back axle. -Fine. Thank you very much. | 0:13:03 | 0:13:06 | |
Point to Raj, I reckon. | 0:13:06 | 0:13:08 | |
-Why don't you, yeah, just pump it a bit? -Pump it a bit? | 0:13:08 | 0:13:12 | |
-You'll want an ambulance pump in a minute. -You're blocked off now. | 0:13:12 | 0:13:15 | |
That little encounter took place | 0:13:17 | 0:13:19 | |
just outside the south Somerset town of Somerton. | 0:13:19 | 0:13:22 | |
Although nowadays a fairly sleepy place, | 0:13:22 | 0:13:25 | |
Somerton was once the county town. | 0:13:25 | 0:13:28 | |
Some even think that back in 900 AD | 0:13:28 | 0:13:30 | |
it might have been the capital of Wessex. | 0:13:30 | 0:13:32 | |
-BEEPING -Good morning. -Good morning. | 0:13:32 | 0:13:34 | |
-Sorry, afternoon, I beg your pardon. -No problem. -And your name is? | 0:13:34 | 0:13:37 | |
-I'm Paul. -Paul, Charles Hanson. -Pleased to meet you, my friend. | 0:13:37 | 0:13:40 | |
Now, Charles got off to a runaway start earlier, | 0:13:40 | 0:13:43 | |
so what, we wonder, will his tactics be here? | 0:13:43 | 0:13:47 | |
I've had a very eventful morning of big spend. | 0:13:47 | 0:13:50 | |
I think now, it's time to pull myself in | 0:13:50 | 0:13:52 | |
and just perhaps find something that's slightly... | 0:13:52 | 0:13:55 | |
steady... | 0:13:55 | 0:13:57 | |
but ready...to go, go, go. | 0:13:57 | 0:14:00 | |
-Mixed messages, I'd say. -I quite like...is it for sale, | 0:14:00 | 0:14:04 | |
I think you're using it in your shop, this lucky dip bin? | 0:14:04 | 0:14:08 | |
-It could be. -Could it be for sale? -It could be. | 0:14:08 | 0:14:10 | |
I quite like it, because it's just.... | 0:14:10 | 0:14:13 | |
OK, it's not very old. | 0:14:13 | 0:14:15 | |
What could it be, 1960s? | 0:14:15 | 0:14:17 | |
'80s, '70s? | 0:14:17 | 0:14:19 | |
Maybe '70s. | 0:14:19 | 0:14:20 | |
-Was it your era, Paul, the '70s? -Yes. | 0:14:20 | 0:14:22 | |
-PAUL LAUGHS -There we go, there we go. | 0:14:22 | 0:14:24 | |
I'm normally very much into my antiques, Paul. | 0:14:24 | 0:14:26 | |
An antique by definition needs to be 100 years old. | 0:14:26 | 0:14:30 | |
This isn't, but to me it radiates a period, | 0:14:30 | 0:14:34 | |
it radiates a style | 0:14:34 | 0:14:36 | |
and almost, for me, | 0:14:36 | 0:14:37 | |
-it's a yesteryear object that takes you back to your childhood. -Yes. | 0:14:37 | 0:14:41 | |
But what's the best price? | 0:14:41 | 0:14:42 | |
-Between mates? -Oh... | 0:14:42 | 0:14:44 | |
£70 and you get the free gifts? | 0:14:44 | 0:14:47 | |
-Really? As well? -You get the free gifts as well. | 0:14:47 | 0:14:49 | |
-This could get complicated. -What are the gifts, Paul, inside? | 0:14:49 | 0:14:53 | |
-I can't tell you that. -Oh, no! -You have to pay 50p to buy one. | 0:14:53 | 0:14:56 | |
THEY LAUGH | 0:14:56 | 0:14:58 | |
I reckon there must be at least | 0:14:58 | 0:15:00 | |
the best part of 150 presents in here, mustn't there? | 0:15:00 | 0:15:03 | |
-I don't think there's that many. About 80. -So, 80. | 0:15:03 | 0:15:06 | |
So, I might give the gifts a miss. | 0:15:06 | 0:15:09 | |
I could then almost...have £40 off? | 0:15:09 | 0:15:12 | |
-£30 off. -Really? What's his name, by the way? Has he got a name? | 0:15:15 | 0:15:18 | |
-No. -No name. -You can name him. -I might call him Charlie. | 0:15:18 | 0:15:21 | |
So, £40 and on the shortlist. | 0:15:21 | 0:15:23 | |
-And elsewhere in Somerton, Raj is on the prowl. -Raj. | 0:15:27 | 0:15:30 | |
Nice to see you, it's Andrew, welcome to Market Cross Antiques. | 0:15:30 | 0:15:33 | |
Hello, Andrew - nice to meet you. Lovely looking shop you've got here. | 0:15:33 | 0:15:36 | |
-Thank you. -Oh, yeah? No seaside clowns, though. | 0:15:36 | 0:15:39 | |
Oh, well - I'm sure he'll find something. | 0:15:39 | 0:15:42 | |
It's really nice to actually come in the shop and see so many antiques. | 0:15:42 | 0:15:46 | |
Well, a quick look at the sign would have done it, Raj. | 0:15:46 | 0:15:49 | |
There's a nautical cookery book here. It's a lovely little thing. | 0:15:49 | 0:15:53 | |
I've never seen a nautical cookery book before. | 0:15:53 | 0:15:55 | |
This dates from about 1920, 1930. It's an unusual little piece. | 0:15:55 | 0:16:00 | |
Isn't this lovely, it says here, "The Nautical Cookery Book, | 0:16:00 | 0:16:04 | |
"for the use of stewards and cooks of cargo vessels. | 0:16:04 | 0:16:07 | |
"Stewed oysters or clams with white wine sauce", | 0:16:07 | 0:16:11 | |
so they didn't eat too badly, did they? | 0:16:11 | 0:16:13 | |
It's got £20 on the ticket. I might be pushing it, | 0:16:13 | 0:16:16 | |
but if I get this for a fiver, I might do quite well on this. | 0:16:16 | 0:16:19 | |
I'm beginning to think that everything I buy is a fiver. | 0:16:19 | 0:16:22 | |
You're not alone there, Raj. | 0:16:22 | 0:16:23 | |
How's the lucky dip going? | 0:16:25 | 0:16:27 | |
Over here, we've got this almost magical figure on a carpet | 0:16:27 | 0:16:32 | |
-which appears to be a little Eastern cobbler, isn't he? -Yes, he is. | 0:16:32 | 0:16:36 | |
Priced at £85, Paul. | 0:16:36 | 0:16:38 | |
-What's your best on him? -50. -50. | 0:16:38 | 0:16:41 | |
-Yeah, you see, you're good. -Not everyone's cup of tea, | 0:16:41 | 0:16:43 | |
but he was designed by the famous CJ Noke, | 0:16:43 | 0:16:47 | |
plus, when it comes to | 0:16:47 | 0:16:48 | |
Royal Doulton, there's always a guide price to help out. | 0:16:48 | 0:16:51 | |
So there he is, HN1706. | 0:16:51 | 0:16:56 | |
Here. | 0:16:56 | 0:16:57 | |
His retail price is 275. | 0:16:57 | 0:16:59 | |
When it comes to auction, you normally drop it by about 75%. | 0:16:59 | 0:17:05 | |
It's a good price - food for thought. | 0:17:05 | 0:17:07 | |
So, the cobbler... | 0:17:07 | 0:17:09 | |
versus the clown. | 0:17:09 | 0:17:11 | |
It's like an episode of Batman in here. Holy knick-knacks! | 0:17:11 | 0:17:15 | |
He's already got plenty to ponder. | 0:17:15 | 0:17:17 | |
If I did buy and took a risk | 0:17:17 | 0:17:19 | |
-and bought the Doulton cobbler... -Yes? | 0:17:19 | 0:17:23 | |
..and bought the clown, what would be your best prices to an old mate? | 0:17:24 | 0:17:29 | |
-£80 the pair. -Oh, dear. | 0:17:29 | 0:17:32 | |
What do I really want to do? | 0:17:33 | 0:17:35 | |
-Your absolute bottom is? -70. That's it. | 0:17:35 | 0:17:39 | |
Getting tense. Time for a spot of Somerset air. | 0:17:39 | 0:17:42 | |
It's a difficult decision. | 0:17:42 | 0:17:44 | |
I've got to think about my big find, my Worcester, | 0:17:44 | 0:17:47 | |
and how I put those in the sale, but these two objects, | 0:17:47 | 0:17:50 | |
if the price is right, if he can come down a bit, | 0:17:50 | 0:17:53 | |
I might take the two and then work it out later. | 0:17:53 | 0:17:56 | |
Gird your loins, then. | 0:17:56 | 0:17:57 | |
Is there anything you could do on the £70? | 0:17:59 | 0:18:02 | |
Oh! | 0:18:02 | 0:18:04 | |
Um... | 0:18:04 | 0:18:05 | |
-We'll go down to 60. That's a good price. -Yeah. | 0:18:05 | 0:18:09 | |
I just wonder if I could perhaps acquire them both at £25 each? | 0:18:09 | 0:18:12 | |
-Put your hand there. -Thanks a lot. | 0:18:12 | 0:18:14 | |
£50 the two. They got there. | 0:18:14 | 0:18:18 | |
Now, I wonder what Raj has unearthed? | 0:18:18 | 0:18:20 | |
I've spotted a pair of watercolours by a listed artist. | 0:18:20 | 0:18:25 | |
This is by... I believe it's Abraham Hulk. | 0:18:25 | 0:18:29 | |
It could be either Hulk senior or junior. | 0:18:29 | 0:18:32 | |
Incredibly, there are a whole dynasty of 19th-century | 0:18:32 | 0:18:35 | |
Anglo-Dutch painters of maritime scenes. | 0:18:35 | 0:18:39 | |
The price for the two is £110... | 0:18:39 | 0:18:41 | |
I'm going to really chance my arm on these. | 0:18:43 | 0:18:46 | |
Time to pipe Andrew aboard. | 0:18:46 | 0:18:49 | |
I quite like these, they're very nice and decorative | 0:18:49 | 0:18:51 | |
and the auction they're going to is on the coast. | 0:18:51 | 0:18:55 | |
-They might be perfect and they've been well framed... -Yeah. | 0:18:55 | 0:18:59 | |
-But I'm going to be cheeky. -OK. Cheek away. | 0:18:59 | 0:19:02 | |
-I can do you a good deal on these. -You can? | 0:19:02 | 0:19:05 | |
I bought them, they came with another watercolour I really wanted. | 0:19:05 | 0:19:08 | |
-Right. -This could be the big one for you | 0:19:08 | 0:19:11 | |
that gets us ahead of Charlie Hanson. | 0:19:11 | 0:19:13 | |
-Really? -I think it could. | 0:19:13 | 0:19:15 | |
Hear that! He's practically on your team. | 0:19:15 | 0:19:18 | |
-I mean, would you take £20 for them? -Yeah, go on, as it's you. -Really? | 0:19:18 | 0:19:23 | |
Yeah. You've got yourself a deal. | 0:19:23 | 0:19:25 | |
-Really? -Yeah! -Shake his hand, then. | 0:19:25 | 0:19:28 | |
-Now I feel bad! -You want to give me some more, don't you! | 0:19:28 | 0:19:31 | |
Well, I WAS going to go higher, but I'll tell you what I'll do. | 0:19:31 | 0:19:33 | |
-To be fair, I'm going to give you 25 for them. -25, we've got a deal. | 0:19:33 | 0:19:37 | |
-Well, that is a first. -I've seen something else. While I'm on a roll! | 0:19:37 | 0:19:42 | |
-We're on a roll now, aren't we? -Yes! Can I show you this? -Course you can. | 0:19:42 | 0:19:46 | |
This just a nice little nautical cookery book. | 0:19:46 | 0:19:49 | |
Can I offer you a fiver for that? | 0:19:49 | 0:19:50 | |
I can go make a phone call and find out for you. | 0:19:50 | 0:19:54 | |
I can't believe I got the pictures for £25! | 0:19:54 | 0:19:56 | |
-They've got to do well. -Raj...? -Yes. | 0:19:56 | 0:19:59 | |
I've given the dealer a phone call and the best she can do is ten quid. | 0:19:59 | 0:20:03 | |
-I've got to squeeze you on this one. -OK, mate. -Eight? -Yeah, go on, then. | 0:20:03 | 0:20:07 | |
-You've got a deal. Thanks very much. -I'll sort her out for the other. | 0:20:07 | 0:20:10 | |
While you're here, is there anything else nautical that you can think of? | 0:20:10 | 0:20:13 | |
I'll take a bit of a look around and see if I can find something. | 0:20:13 | 0:20:16 | |
You never know, it would be nice if there was something to go | 0:20:16 | 0:20:19 | |
-with it, make it a little bit of a job lot. -More?! | 0:20:19 | 0:20:22 | |
He can't stop buying, today. | 0:20:22 | 0:20:24 | |
I was just thinking there's a nice flag here. | 0:20:24 | 0:20:27 | |
Got a bit of age to it, St George's flag. | 0:20:27 | 0:20:30 | |
Could be a naval flag, it's the sort of size they use, | 0:20:30 | 0:20:33 | |
-naval signalling flags. -Yes, that might go perfect with the book. | 0:20:33 | 0:20:36 | |
-Can I make you an offer? -Course you can. -Will you take a fiver for it? | 0:20:36 | 0:20:40 | |
Yeah, go on - I'll take a fiver for that. | 0:20:40 | 0:20:42 | |
So Raj now has his watercolours | 0:20:42 | 0:20:43 | |
and another nautical lot of the cookbook and the flag. | 0:20:43 | 0:20:47 | |
I think he's been inspired by The Rime Of The Ancient Mariner. | 0:20:47 | 0:20:50 | |
I don't think there's any great age to this, | 0:20:50 | 0:20:52 | |
but it's just a pretty little sloop. | 0:20:52 | 0:20:55 | |
I should think this is as modern as anything. | 0:20:55 | 0:20:58 | |
A sloop, from the Dutch "sloep", | 0:20:58 | 0:21:01 | |
is a sailing boat with a single mast. | 0:21:01 | 0:21:03 | |
The ticket price is £24. | 0:21:03 | 0:21:05 | |
I'll get this for a tenner. It'll add... | 0:21:05 | 0:21:08 | |
-Just give some more oomph to the lot I've got. -Or sink it. | 0:21:08 | 0:21:12 | |
-Andrew, this naval lot... -This is growing now. | 0:21:12 | 0:21:15 | |
Yes, it's growing into a convoy! This sloop, here. | 0:21:15 | 0:21:18 | |
What about a tenner? | 0:21:18 | 0:21:20 | |
The absolute death on it is half price, 12. | 0:21:20 | 0:21:24 | |
-I'm not going to quibble on that. -OK, thank you very much. That's good. | 0:21:25 | 0:21:29 | |
-Lovely. -Not a bad haul, Raj. | 0:21:29 | 0:21:31 | |
Now, back to the driving lessons. | 0:21:35 | 0:21:37 | |
You know when you have a junction like back there, | 0:21:37 | 0:21:40 | |
-always go into first gear. -Really? | 0:21:40 | 0:21:42 | |
You just let me know when you want me to do an emergency stop | 0:21:42 | 0:21:45 | |
and I'll do one. | 0:21:45 | 0:21:46 | |
Not quite yet! | 0:21:46 | 0:21:47 | |
TYRES SQUEAL | 0:21:47 | 0:21:48 | |
Right. Night-night! | 0:21:50 | 0:21:51 | |
Today is someone's very special day. | 0:21:54 | 0:21:57 | |
-It's your birthday! -It sure is. | 0:21:57 | 0:21:59 | |
The sun is shining, you're on the road with your new best mate | 0:21:59 | 0:22:04 | |
and it's your birthday. | 0:22:04 | 0:22:05 | |
-How old are you today? -Cut! | 0:22:05 | 0:22:07 | |
Our experienced experts certainly had a good day yesterday, acquiring | 0:22:09 | 0:22:14 | |
some watercolours, a cookbook, a flag, a sloop and a steam boiler. | 0:22:14 | 0:22:19 | |
To be honest, I haven't got a clue what it's worth. | 0:22:19 | 0:22:21 | |
Those set him back £70, leaving almost £190 in his wallet, | 0:22:21 | 0:22:26 | |
while Charles was equally acquisitive, plumping | 0:22:26 | 0:22:30 | |
for a clown, a Doulton figurine | 0:22:30 | 0:22:32 | |
and enough tea bowls to open a cafe. | 0:22:32 | 0:22:34 | |
I'm from Derbyshire, you know - | 0:22:34 | 0:22:36 | |
-things seem to be a bit more expensive down here. -Really?! | 0:22:36 | 0:22:39 | |
That lot cost £250. | 0:22:39 | 0:22:41 | |
So, he's got just under £70 left for today's bargains. | 0:22:41 | 0:22:45 | |
I have to say that spending my birthday with you today is | 0:22:45 | 0:22:48 | |
a real pleasure. What are we stopping for? | 0:22:48 | 0:22:51 | |
Sorry, I was looking at a sign back there. | 0:22:51 | 0:22:53 | |
-I thought it was a stone, I thought it might be for sale! -You carry on! | 0:22:53 | 0:22:57 | |
Later, they'll be making for an auction in Hampshire at Swanmore, | 0:22:57 | 0:23:00 | |
but the next stop | 0:23:00 | 0:23:01 | |
is at Wareham in Dorset. | 0:23:01 | 0:23:03 | |
Between the rivers Frome and Piddle sits the delightful town of Wareham. | 0:23:07 | 0:23:12 | |
I wonder if our birthday boy will find a pressie? | 0:23:14 | 0:23:17 | |
Good morning, Jake. | 0:23:17 | 0:23:18 | |
-Hi, how're you going? -Very well, thank you. -Nice to meet you. -Lovely to meet you, too. | 0:23:18 | 0:23:22 | |
Very nice little shop you have here. | 0:23:22 | 0:23:23 | |
Anything that you think would be a good little buy for me? | 0:23:23 | 0:23:27 | |
We've got what I thought was a Chinese or Japanese cup, there. | 0:23:27 | 0:23:31 | |
We did have an Oriental expert look at it | 0:23:31 | 0:23:33 | |
and she actually said it was English. | 0:23:33 | 0:23:35 | |
I'm not saying it's going to be worth as much as the Ming one | 0:23:35 | 0:23:38 | |
-that went for about 20 million! -If only, that would definitely upset Charles! | 0:23:38 | 0:23:43 | |
Yes, I think it would upset me as well, a little bit! | 0:23:43 | 0:23:46 | |
Quite, Jake! | 0:23:46 | 0:23:48 | |
The ticket price is £49. Odd he's after blue and white as well... | 0:23:48 | 0:23:52 | |
-Yeah, it's a 19th-century copy, isn't it? -Yes. | 0:23:52 | 0:23:55 | |
But it's unusual to have these marks on the bottom. | 0:23:55 | 0:23:57 | |
If I was going to put money on that, I'd have said it was Japanese. | 0:23:57 | 0:24:00 | |
-What could you do it for? -Um... | 0:24:00 | 0:24:02 | |
To give you a chance, I could definitely come down to 20 for you. | 0:24:03 | 0:24:07 | |
I guess they said it was what, mid-19th century? | 0:24:07 | 0:24:09 | |
Yes, I reckon it could be a little bit older. | 0:24:09 | 0:24:12 | |
I reckon it could be 200 years old. | 0:24:12 | 0:24:15 | |
It's got a lovely little design on it, too. | 0:24:15 | 0:24:17 | |
It's got the Japanese lady there. | 0:24:17 | 0:24:19 | |
It's blue and white, blue and white is... | 0:24:19 | 0:24:21 | |
Lots of people collect it. | 0:24:21 | 0:24:23 | |
-Well, we know two, anyway. -£20, you say? | 0:24:23 | 0:24:26 | |
Yes, I reckon you'd have a chance at that. | 0:24:26 | 0:24:29 | |
-You've got a deal. -All right, brilliant. -Thanks very much. -Cheers. | 0:24:30 | 0:24:33 | |
It could create a buzz at the auction. | 0:24:33 | 0:24:36 | |
I think Charles has similar hopes, Raj! | 0:24:36 | 0:24:38 | |
-What else do they have? -Here's a nice old piece. | 0:24:38 | 0:24:41 | |
In fact, funnily enough, at our auction rooms, | 0:24:41 | 0:24:44 | |
we have a collection of gavels! | 0:24:44 | 0:24:46 | |
I wonder when he'll finally splash some serious cash? | 0:24:46 | 0:24:50 | |
What do you think is your rarest piece in here? | 0:24:50 | 0:24:52 | |
These are actually quite nice. | 0:24:52 | 0:24:54 | |
We had these looked at, they're solid silver. | 0:24:54 | 0:24:57 | |
It's actually a Danish silver mark. | 0:24:57 | 0:25:00 | |
That's quite an unusual design. | 0:25:00 | 0:25:02 | |
What have you got on those? 169. | 0:25:02 | 0:25:06 | |
They could be Georg Jensen. | 0:25:06 | 0:25:08 | |
Georg Jensen is one of the most famous Danish makers. | 0:25:08 | 0:25:11 | |
Just as a matter of interest, what would be the best on these? | 0:25:11 | 0:25:14 | |
I might be able to do 100 on them for you. | 0:25:14 | 0:25:17 | |
If I was going into an auction where the auction was going to be | 0:25:17 | 0:25:19 | |
online, I think I'd snap those up. | 0:25:19 | 0:25:22 | |
-I think because I'm not sure, Jake, I'm going to have to leave them. -Ah! | 0:25:23 | 0:25:27 | |
I thought we were getting somewhere, then. | 0:25:27 | 0:25:30 | |
-Chess sets suit you better, sir? -It's not that old. | 0:25:30 | 0:25:33 | |
It's definitely a sort of turn-of-the-century one, | 0:25:33 | 0:25:35 | |
I'd say this was probably early 1900s. | 0:25:35 | 0:25:39 | |
Looks like it's a boxwood... | 0:25:39 | 0:25:41 | |
-What have we got on there, 29? -29. | 0:25:41 | 0:25:43 | |
I can certainly come down to 20 for you. | 0:25:43 | 0:25:46 | |
To be honest, I'd want to be paying more about ten. | 0:25:46 | 0:25:49 | |
How about meeting in the middle at 15? | 0:25:49 | 0:25:51 | |
I think there's definitely a profit in this, Jake, with that at 15. | 0:25:51 | 0:25:54 | |
No doubt about it. The thing is, I don't know | 0:25:54 | 0:25:57 | |
if you know, but I'm up against Charles Hanson! | 0:25:57 | 0:25:59 | |
I suppose Charles ought to be flattered by such tactics! | 0:25:59 | 0:26:03 | |
All right, then - to give you a chance, I'll do it for a tenner. | 0:26:03 | 0:26:05 | |
How can I turn down a chess set for £10? | 0:26:05 | 0:26:08 | |
There is actually a wooden board down there. | 0:26:08 | 0:26:10 | |
It doesn't actually belong to the chess set, | 0:26:10 | 0:26:12 | |
but it might be something that you could look at. | 0:26:12 | 0:26:15 | |
That's not a bad board. | 0:26:15 | 0:26:18 | |
-Can you do that for a tenner? -Yes, | 0:26:18 | 0:26:20 | |
I'll throw it in. | 0:26:20 | 0:26:21 | |
-Brilliant. -Yeah. -Fantastic. Great. | 0:26:21 | 0:26:24 | |
So, £20 for those and £20 for the cup and saucer. | 0:26:24 | 0:26:28 | |
-£40. -Thanks a lot. | 0:26:28 | 0:26:29 | |
-Thanks again. -He's got quite a pile, now. | 0:26:29 | 0:26:33 | |
Meanwhile, just outside Wareham, Charles has come to find the | 0:26:36 | 0:26:40 | |
tiny cottage that was once the home of a legendary British war hero. | 0:26:40 | 0:26:45 | |
-Good morning! -Morning, Charles. | 0:26:45 | 0:26:47 | |
-Alison. -Pleased to meet you. | 0:26:47 | 0:26:49 | |
I feel like saying, "I'm Hanson of the Road Trip!" | 0:26:49 | 0:26:52 | |
Yes(!) | 0:26:52 | 0:26:54 | |
Clouds Hill was where TE Lawrence, better known as Lawrence of Arabia, | 0:26:54 | 0:26:57 | |
came after his famous exploits during World War I. | 0:26:57 | 0:27:01 | |
He came down here in 1923, | 0:27:01 | 0:27:02 | |
found the cottage as a place to retreat from what he called | 0:27:02 | 0:27:06 | |
"the brutality of the barrack life" and it's very individual inside. | 0:27:06 | 0:27:10 | |
Lawrence was stationed with the Tank Corps nearby - they're still here - | 0:27:10 | 0:27:15 | |
when he rented this old forester's cottage. | 0:27:15 | 0:27:18 | |
Every detail from the Greek inscription over the lintel, | 0:27:18 | 0:27:21 | |
which means "Why worry?" to the interesting plumbing, | 0:27:21 | 0:27:23 | |
reflects his unique personality. | 0:27:23 | 0:27:26 | |
Wowee, Alison - it's just a cottage like no other. | 0:27:26 | 0:27:31 | |
It is a tiny cottage with just four rooms. | 0:27:32 | 0:27:35 | |
It's so dark in here - why is it so dark? | 0:27:35 | 0:27:38 | |
Because there was no electric lighting, | 0:27:38 | 0:27:39 | |
we've kept it the way Lawrence had it, with no electric light. | 0:27:39 | 0:27:42 | |
When was the building given to the Trust? | 0:27:42 | 0:27:44 | |
In 1937, his brother gave it to us, so just two years after his death. | 0:27:44 | 0:27:48 | |
We've been looking after it for nearly 80 years. | 0:27:48 | 0:27:50 | |
So, in fact, there was no time to see any alterations, | 0:27:50 | 0:27:54 | |
it's just how he left it. | 0:27:54 | 0:27:56 | |
-We have it very much like that. -Well, almost, | 0:27:56 | 0:27:59 | |
because this room, the book room, | 0:27:59 | 0:28:01 | |
once contained 2,000 volumes. | 0:28:01 | 0:28:03 | |
So when many of the more valuable tomes were removed to the | 0:28:03 | 0:28:07 | |
Ashmolean Museum, Lawrence's friends replaced them with images of | 0:28:07 | 0:28:11 | |
the man who brought about the Arab Revolt against the Turkish army. | 0:28:11 | 0:28:15 | |
He was by no means the only British officer helping the Arabs, | 0:28:16 | 0:28:20 | |
but he was unique in that he had learnt their language, | 0:28:20 | 0:28:24 | |
he'd absorbed their manners and he adopted their dress and he enabled them. | 0:28:24 | 0:28:29 | |
He just was this unique character, which they adored. | 0:28:29 | 0:28:32 | |
Exactly, he didn't try to tell them what to do, | 0:28:32 | 0:28:36 | |
he recognised that they were tribespeople used to travelling about, | 0:28:36 | 0:28:39 | |
so he developed guerrilla tactics | 0:28:39 | 0:28:41 | |
and he earned the respect of the Arabs | 0:28:41 | 0:28:44 | |
because he showed that whatever they could do, he could do as well. | 0:28:44 | 0:28:48 | |
And the archaeologist who could ride a camel as well as converse | 0:28:48 | 0:28:51 | |
in at least eight languages created a bolthole to match. | 0:28:51 | 0:28:55 | |
Is this a bedroom, then, or...? | 0:28:55 | 0:28:58 | |
-Lawrence didn't do anything in a conventional way. -No. | 0:28:58 | 0:29:00 | |
Not a conventional bed, a huge divan, it must be about 6ft square, | 0:29:00 | 0:29:04 | |
covered in leather. | 0:29:04 | 0:29:06 | |
He used it more as a couch, somewhere to sit and look at his books. | 0:29:06 | 0:29:09 | |
Really? So he'd almost recline on this couch... | 0:29:09 | 0:29:12 | |
Yes, maybe talking to friends. | 0:29:12 | 0:29:14 | |
Then, in the middle, you can see there's a sleeping bag. | 0:29:14 | 0:29:17 | |
-He stitched those words "Me um" onto it... -Which means? -Mine, in Latin. | 0:29:17 | 0:29:21 | |
-Really? -Upstairs, you'll see the one that goes with it, "Tu um" - yours. | 0:29:21 | 0:29:27 | |
Even this chair, I've never seen such an angular Art Deco chair. | 0:29:27 | 0:29:32 | |
-That was made for him. -Made for him? -He was very slight. | 0:29:32 | 0:29:34 | |
When he came back from the war, | 0:29:34 | 0:29:36 | |
he was probably only about 80lbs. | 0:29:36 | 0:29:39 | |
-He'd lost a phenomenal amount of weight. -80lbs?! -But lovely, isn't it? | 0:29:39 | 0:29:42 | |
He's got sheepskin, so it'd be lovely and warm at his back. | 0:29:42 | 0:29:45 | |
He would have had it turned around, feet on the fender, reading his book. | 0:29:45 | 0:29:50 | |
-He designed this and had it made by some friends. -What an ingenious man. | 0:29:50 | 0:29:53 | |
He even had a little gadget there | 0:29:53 | 0:29:54 | |
so he didn't have to hold his own toasting fork up. | 0:29:54 | 0:29:57 | |
This comes out, you pop your toasting fork in there to toast your bread. | 0:29:57 | 0:30:01 | |
I just feel so close to the great man, | 0:30:01 | 0:30:04 | |
it really is quite a special feeling. | 0:30:04 | 0:30:07 | |
But crumpets aside, Lawrence was no cook. | 0:30:07 | 0:30:11 | |
Instead, he lined a huge larder with aluminium to store tinned food | 0:30:11 | 0:30:15 | |
and added a bed for his overnight guests. | 0:30:15 | 0:30:18 | |
Lawrence did his entertaining upstairs, in the music room. | 0:30:18 | 0:30:22 | |
It's so different. What I love is this huge gramophone. | 0:30:22 | 0:30:25 | |
I've never seen such a big horn. | 0:30:25 | 0:30:27 | |
I mean, it's almost like a bachelor pad. | 0:30:27 | 0:30:30 | |
Absolutely, he often describes in his letters sitting here with | 0:30:30 | 0:30:33 | |
friends, playing music, saving certain ones until it was dark | 0:30:33 | 0:30:37 | |
-because they had more impact. -Really? | 0:30:37 | 0:30:40 | |
At Lawrence's soirees, the likes of EM Forster and Robert Graves | 0:30:40 | 0:30:44 | |
would apparently sit round clutching a tin of olives - Thomas Hardy, too. | 0:30:44 | 0:30:48 | |
Although there is a bathroom, I wonder how they coped without a loo? | 0:30:48 | 0:30:52 | |
-So no toilet, but hot water. -Absolutely. | 0:30:52 | 0:30:54 | |
He always said that if he had the luxuries, he could do without the | 0:30:54 | 0:30:58 | |
essentials and his luxuries were his hot bath, his books and his music. | 0:30:58 | 0:31:01 | |
I like his style. I'd better go. | 0:31:01 | 0:31:03 | |
It's been wonderful, thank you so much. I think nature is calling! | 0:31:03 | 0:31:08 | |
Let me show you where the spade would be, by the front door! | 0:31:08 | 0:31:10 | |
Thank you very much! | 0:31:10 | 0:31:12 | |
Now, fortunately for our two, | 0:31:14 | 0:31:15 | |
Wareham is a convenient distance from the Hampshire | 0:31:15 | 0:31:18 | |
town of Ringwood, where they'll be | 0:31:18 | 0:31:20 | |
enjoying one last shop - together. | 0:31:20 | 0:31:23 | |
-Oh, dear. -To be honest, if you go up there and park up up there... | 0:31:23 | 0:31:28 | |
If you... If you...! | 0:31:28 | 0:31:31 | |
-Steady on! -If you can park up up there, I'd appreciate it! | 0:31:31 | 0:31:35 | |
-Wait for me! -Lordy(!) | 0:31:35 | 0:31:38 | |
-He won't let me in! -Control yourself, please. -Sorry about that! | 0:31:40 | 0:31:44 | |
-Our best behaviour, OK? -Yes, best behaviour. Hello, Carol. | 0:31:44 | 0:31:47 | |
-Hello, I'm Carol Miller. -How do you do? Nice to meet you, I'm Raj. | 0:31:47 | 0:31:51 | |
Which way are we going?! | 0:31:51 | 0:31:53 | |
-Who's this? -I'm Charlie. -Oh, sorry, Charles! | 0:31:53 | 0:31:56 | |
We can hardly blame him for getting a little overexcited. | 0:31:56 | 0:32:00 | |
It's a very nice shop, after all, | 0:32:00 | 0:32:01 | |
with a bit of French influence here and there. | 0:32:01 | 0:32:04 | |
-You like oysters, don't you? -Well, I don't, but my husband did. | 0:32:04 | 0:32:08 | |
I've noticed in all the rooms are these beautiful oyster dishes. | 0:32:08 | 0:32:11 | |
Yes, that's quite a nice one, that oyster plate. | 0:32:11 | 0:32:15 | |
That's quite nice. That's French. | 0:32:15 | 0:32:17 | |
Dating it, I would say between 1890 and 1910. | 0:32:17 | 0:32:21 | |
Yes, that's about right. | 0:32:21 | 0:32:23 | |
It's difficult to tell exactly, but they are good... | 0:32:23 | 0:32:26 | |
That one's in good condition, too. | 0:32:26 | 0:32:28 | |
How much could you do this for? | 0:32:28 | 0:32:29 | |
Really, it's marked 65... | 0:32:29 | 0:32:33 | |
45. | 0:32:33 | 0:32:35 | |
That's a good deal. | 0:32:35 | 0:32:36 | |
Could you do it a little bit less? | 0:32:36 | 0:32:39 | |
What do you mean by "a little bit less"? | 0:32:39 | 0:32:41 | |
-It's not going to be a tenner! -Has she seen him in action?! | 0:32:42 | 0:32:45 | |
Would you do £30? | 0:32:45 | 0:32:47 | |
Oh, I don't know that I could do 30. | 0:32:47 | 0:32:49 | |
-I'll do 35 just to be... Just to be nice. -35? | 0:32:50 | 0:32:53 | |
-Are you sure you're happy with that? -Yes, yes. | 0:32:53 | 0:32:55 | |
In that case, definitely, we have a deal at 35, | 0:32:55 | 0:32:58 | |
thank you very much indeed, Carol. | 0:32:58 | 0:33:01 | |
-Now, what's Charles up to? -I quite like this lamp over here, Valerie. | 0:33:01 | 0:33:06 | |
It, um... | 0:33:06 | 0:33:08 | |
jumps out because it's probably eastern. | 0:33:08 | 0:33:10 | |
If we lift it up very carefully... | 0:33:10 | 0:33:12 | |
..without damaging the... | 0:33:14 | 0:33:15 | |
-Oops! -Oh! Cor, dear(!) | 0:33:15 | 0:33:18 | |
Without damaging the shade?! | 0:33:18 | 0:33:20 | |
I'll put it on there for safekeeping! It is... | 0:33:20 | 0:33:24 | |
A very nice Japanese bronze vase, | 0:33:24 | 0:33:29 | |
probably Meiji period, | 0:33:29 | 0:33:32 | |
so 19th century. | 0:33:32 | 0:33:33 | |
Beautifully patinated | 0:33:33 | 0:33:36 | |
in this lustre, oily bronze. | 0:33:36 | 0:33:38 | |
I'm so sorry, but it isn't for sale. | 0:33:38 | 0:33:41 | |
-She wouldn't be open to an offer at all? -Not at all. -What a shame! | 0:33:41 | 0:33:44 | |
That is unfortunate! Although his rival may not see it that way. | 0:33:44 | 0:33:48 | |
-Have you bought up already? -I think I might have done. -Being serious? | 0:33:48 | 0:33:51 | |
-I'm serious! -OK. Well, the world's my oyster! -Yeah! | 0:33:51 | 0:33:54 | |
-Funny you should say that. -Quite! | 0:33:54 | 0:33:57 | |
Now, Charles hasn't actually added to his purchases here, | 0:33:57 | 0:34:00 | |
so let's have a look at what they'll be taking to the auction. | 0:34:00 | 0:34:03 | |
Raj parted with £145 for a steam boiler. | 0:34:03 | 0:34:07 | |
A flag. A sloop and a cookbook. | 0:34:07 | 0:34:10 | |
Some watercolours. | 0:34:10 | 0:34:12 | |
A cup and saucer. | 0:34:12 | 0:34:14 | |
A chess set and board. | 0:34:14 | 0:34:16 | |
And, finally, an oyster dish. | 0:34:16 | 0:34:18 | |
While Charles spent £250 on a clown. | 0:34:18 | 0:34:21 | |
A Doulton figurine. | 0:34:21 | 0:34:23 | |
Some oriental tea bowls and six Worcester tea bowls | 0:34:23 | 0:34:26 | |
that he's dividing into three lots of two. Get it? | 0:34:26 | 0:34:30 | |
So, what did they make of each other's buys? | 0:34:30 | 0:34:32 | |
There's no doubt about it that Charles has a reputation | 0:34:32 | 0:34:35 | |
for being a bit of a clown. | 0:34:35 | 0:34:37 | |
I just can't believe that steam boiler. | 0:34:37 | 0:34:39 | |
I think it cost £20. Market value probably today is more like £10. | 0:34:39 | 0:34:44 | |
I do like the Worcester blue-and-white bowls. | 0:34:44 | 0:34:47 | |
They are lovely. | 0:34:47 | 0:34:49 | |
I do like the 18th-19th century-style tea bowl and saucer. | 0:34:49 | 0:34:53 | |
In fact, it's more like 1920s. | 0:34:53 | 0:34:56 | |
Full of Eastern promise, I doubt! | 0:34:56 | 0:34:58 | |
After setting off from Blackford in Somerset, | 0:34:58 | 0:35:01 | |
our experts are now heading for an auction | 0:35:01 | 0:35:03 | |
close to the Hampshire coast at Swanmore. | 0:35:03 | 0:35:06 | |
The car is purring. You are driving it like a man. | 0:35:06 | 0:35:09 | |
Your feet look better on the pedals as well, sir, I don't know why. | 0:35:09 | 0:35:12 | |
-Are you wearing different shoes? -No. | 0:35:12 | 0:35:14 | |
Welcome to this fine Edwardian pump house, | 0:35:15 | 0:35:18 | |
now converted to a quite different use. | 0:35:18 | 0:35:20 | |
-Feeling pumped up? -Yep. | 0:35:20 | 0:35:23 | |
I wonder what auctioneer Dominic Foster thinks will prosper here? | 0:35:23 | 0:35:27 | |
Period ceramics don't sell that well. | 0:35:27 | 0:35:29 | |
Things like the period Worcester might be a little bit slow. | 0:35:29 | 0:35:33 | |
My favourite item today is probably the cast-iron boiler cylinder, | 0:35:33 | 0:35:37 | |
it's quite an interesting object. It's quite useful, | 0:35:37 | 0:35:40 | |
could be used as a stick stand or in the garden, something like that. | 0:35:40 | 0:35:43 | |
Hey, I didn't see that coming. So, boiler time for Raj. | 0:35:43 | 0:35:46 | |
Heavy enough. But how hot can it be? | 0:35:46 | 0:35:49 | |
-I've got 40, 50 and I've £60. -No! -Nice. -Wow. | 0:35:49 | 0:35:53 | |
-62 there, 65 anywhere? -Well done. | 0:35:53 | 0:35:56 | |
-65 here. 68? 70. -I can't believe it. | 0:35:56 | 0:36:01 | |
-£70 here. 2 anywhere? 75 here. -Keep going, I need it. -You are. | 0:36:01 | 0:36:06 | |
78 anywhere? | 0:36:06 | 0:36:07 | |
-Come on. -75, I'll sell it then at £75. | 0:36:07 | 0:36:11 | |
Give me a high five. | 0:36:11 | 0:36:13 | |
-GAVEL BANGS -That's brilliant. Wowee! | 0:36:13 | 0:36:16 | |
Riveting result, what! | 0:36:16 | 0:36:18 | |
Next up, it's Charlie the clown. | 0:36:18 | 0:36:20 | |
Look at me, son, when I'm talking to you. | 0:36:20 | 0:36:22 | |
Bids on it here, I've got 40, 45. | 0:36:22 | 0:36:25 | |
-Come on, let's go. -48 there is. | 0:36:25 | 0:36:27 | |
50 anywhere? | 0:36:27 | 0:36:29 | |
-There is 2. -Good man, we're going, we're going. | 0:36:29 | 0:36:32 | |
58, 60. At 58. 60 anywhere? | 0:36:32 | 0:36:35 | |
"Gottle of geer." | 0:36:36 | 0:36:39 | |
Oh, is it my lot, is it my lot? Oh, no. | 0:36:39 | 0:36:42 | |
-It's definitely yours. -65 anywhere? | 0:36:42 | 0:36:44 | |
-Oh, no. -Sell it for £62 then. | 0:36:44 | 0:36:47 | |
-GAVEL BANGS -165. | 0:36:47 | 0:36:49 | |
-Was that for the clown? -It was. | 0:36:49 | 0:36:51 | |
-Yes, it was. -It was. -Do try and keep up. -Sorry, sir, I apologise. | 0:36:51 | 0:36:55 | |
Nice profit, Charlie. | 0:36:56 | 0:36:58 | |
Next, it's Raj's little maritime collection. | 0:36:58 | 0:37:02 | |
A couple of bids here, 20, 24 here. | 0:37:02 | 0:37:04 | |
Well done. Profit. | 0:37:04 | 0:37:06 | |
26, 28, 30. | 0:37:06 | 0:37:09 | |
2. 34. 36. 38. | 0:37:09 | 0:37:12 | |
-40. 2. -Yes, yes. | 0:37:12 | 0:37:15 | |
46, 48. 50. | 0:37:15 | 0:37:19 | |
-You've got a gift, you have. -Yes. -2? | 0:37:19 | 0:37:21 | |
No, at £50. Sell it at £50, then. | 0:37:21 | 0:37:24 | |
Bit more, bit more. | 0:37:24 | 0:37:26 | |
-GAVEL BANGS -1252. | 0:37:26 | 0:37:27 | |
-Well done, chief. -Yep, doubled its money. | 0:37:27 | 0:37:30 | |
How will his Hulks fare? | 0:37:30 | 0:37:32 | |
-What were they priced at originally? -110. -And they cost you 25. | 0:37:32 | 0:37:37 | |
-Yeah. -Crikey me. I like your style. -It's the way I smile. | 0:37:37 | 0:37:41 | |
Again, a couple of bids here. | 0:37:41 | 0:37:43 | |
-I've got 40 and 5. £48. -Wow, it's good. -50 anywhere? | 0:37:43 | 0:37:47 | |
50 there is. 2 anywhere? 52. 55, sir? Yes? No. | 0:37:47 | 0:37:53 | |
55. 58. 60. 2. 65. | 0:37:53 | 0:37:57 | |
68. 70. | 0:37:57 | 0:37:59 | |
2 anywhere? £70. 2 anywhere? | 0:37:59 | 0:38:02 | |
-Come on, come on. -Selling them at £70. | 0:38:02 | 0:38:05 | |
-GAVEL BANGS -Yours, sir. | 0:38:05 | 0:38:07 | |
Not quite the smash he was after. But not bad. | 0:38:07 | 0:38:11 | |
You're like the ocean around here, so calm and serene | 0:38:11 | 0:38:13 | |
in your profit-making machine, in which you are. | 0:38:13 | 0:38:16 | |
Because I know I'm up against admiral of the fleet. | 0:38:16 | 0:38:20 | |
I tell you what. Hanson's walking the plank at this rate. | 0:38:20 | 0:38:25 | |
Enough. Time for Raj's chess gambit instead. | 0:38:25 | 0:38:29 | |
35, 38 here. 40 anywhere? | 0:38:29 | 0:38:32 | |
-Profit anywhere. -Yes, good. 38's OK. -40 anywhere? | 0:38:32 | 0:38:35 | |
40 there is. 2. 44. 46 anywhere? | 0:38:35 | 0:38:40 | |
Sell it then and £44. | 0:38:40 | 0:38:43 | |
GAVEL BANGS | 0:38:43 | 0:38:44 | |
-I salute you. -Rightly so, another profit. | 0:38:44 | 0:38:47 | |
Now, what about Charles's china part one? | 0:38:47 | 0:38:50 | |
-I've got 38, I got £40 here. -Let's go. -2 anywhere? | 0:38:50 | 0:38:53 | |
42 there is. 44. 46. | 0:38:53 | 0:38:56 | |
-48. 50. -Oh, Charles. -2. 54. | 0:38:56 | 0:39:00 | |
56, 58. 60 anywhere? | 0:39:00 | 0:39:04 | |
-Ooh. -So, at £58 here. 60 anywhere? | 0:39:04 | 0:39:08 | |
-One more! -At £58. | 0:39:08 | 0:39:11 | |
-GAVEL BANGS -1252. | 0:39:11 | 0:39:13 | |
That's good, that's very good. | 0:39:13 | 0:39:15 | |
Yep, not bad for the makeweights of the deal. | 0:39:15 | 0:39:18 | |
Time for Raj's blue and white. It might not be Ming but here goes. | 0:39:18 | 0:39:22 | |
15. I've got 18. 20 is there? | 0:39:22 | 0:39:25 | |
-Come on. -20 there. | 0:39:25 | 0:39:27 | |
I've got 2. 24. At 24 here. 26 anywhere? | 0:39:27 | 0:39:31 | |
That's good. | 0:39:31 | 0:39:33 | |
Selling then at £24. | 0:39:33 | 0:39:35 | |
-GAVEL BANGS -At least it's a profit. | 0:39:35 | 0:39:38 | |
But how will Charles' big buy fare? | 0:39:38 | 0:39:41 | |
The first of his three pairs of tea bowls. | 0:39:41 | 0:39:44 | |
Bids on the book, yes. | 0:39:44 | 0:39:46 | |
-35. 38 here. -I'm in trouble. | 0:39:46 | 0:39:48 | |
40. There is 2. | 0:39:48 | 0:39:49 | |
44. 46. 48. 50. And 2. 55. | 0:39:49 | 0:39:54 | |
-58. 60. -Here we go. Yep. Profit. | 0:39:54 | 0:39:57 | |
65, 68, At 65. 68. 70. | 0:39:57 | 0:40:01 | |
And 2. 75. 78. | 0:40:01 | 0:40:05 | |
-80. And 2. -Charles. | 0:40:05 | 0:40:07 | |
85, 88. 90. | 0:40:07 | 0:40:11 | |
No? At £88. 90 anywhere? | 0:40:12 | 0:40:15 | |
Two fat ladies at 88. | 0:40:15 | 0:40:17 | |
Sell them at £80 then. | 0:40:17 | 0:40:18 | |
-GAVEL BANGS -Yours, madam. | 0:40:18 | 0:40:20 | |
But they're still great value, they're still great value. | 0:40:20 | 0:40:22 | |
More of that, and he'll do fine. | 0:40:22 | 0:40:24 | |
The second lot. | 0:40:24 | 0:40:26 | |
I've got 50, and I've got £60. | 0:40:26 | 0:40:28 | |
2 anywhere? 62, 65. 68, 70. | 0:40:28 | 0:40:32 | |
2. 75. 78. | 0:40:32 | 0:40:35 | |
80. 2. 85. | 0:40:35 | 0:40:37 | |
88. 90. At 88. | 0:40:37 | 0:40:40 | |
-90 anywhere? -Two fat ladies again, it's two fat ladies. | 0:40:40 | 0:40:44 | |
-At £88 then. -GAVEL BANGS | 0:40:44 | 0:40:46 | |
I've now got four fat ladies. | 0:40:46 | 0:40:48 | |
Yep, very respectful. He's set fair for a big profit | 0:40:48 | 0:40:50 | |
if this pair delivers. | 0:40:50 | 0:40:53 | |
£40 for them somewhere? 40 bid. 2 there is. | 0:40:53 | 0:40:56 | |
-44. 46. -We're warming up. | 0:40:56 | 0:40:58 | |
50. 2. 55. 58. | 0:40:58 | 0:41:02 | |
60. 2. | 0:41:02 | 0:41:04 | |
-Oh, no. -65. | 0:41:04 | 0:41:06 | |
68. 70. | 0:41:06 | 0:41:08 | |
No? | 0:41:08 | 0:41:10 | |
70. At £68. Oh, no. 70 anywhere? | 0:41:10 | 0:41:12 | |
At £68 then. | 0:41:12 | 0:41:15 | |
-GAVEL BANGS -I didn't make six fat ladies. | 0:41:15 | 0:41:18 | |
No. I think in "Mingo" that's called saving grace. Strangely enough. | 0:41:18 | 0:41:22 | |
Raj's big spend, the oyster dish. | 0:41:22 | 0:41:24 | |
I'm not going to make a loss on it but it's a lovely thing. | 0:41:24 | 0:41:28 | |
-It could make a loss, let's be honest. -Sorry? -It could make a loss. | 0:41:28 | 0:41:32 | |
-Sorry. -It could make a loss. | 0:41:32 | 0:41:33 | |
30, 34 here. | 0:41:33 | 0:41:35 | |
-Well done, profit. -No, no, not yet. -Put it there, you've done it. | 0:41:35 | 0:41:38 | |
36 there is. 38, 40. 2 anywhere? | 0:41:38 | 0:41:42 | |
-At £40 here. 2 anywhere? -It's worth more than 40. | 0:41:42 | 0:41:46 | |
-You've done it. -It's worth more than 40. | 0:41:46 | 0:41:48 | |
Well done. | 0:41:48 | 0:41:49 | |
-GAVEL BANGS -Thanks for coming. | 0:41:49 | 0:41:51 | |
Definitely worth shelling out for. | 0:41:51 | 0:41:53 | |
Raj is just in front on this auction. | 0:41:53 | 0:41:55 | |
But it's never over until the cobbler's cobbled. | 0:41:55 | 0:41:59 | |
-Couple of bids with me. 40 and 45. -That's good, I'm happy. | 0:41:59 | 0:42:05 | |
48. 50 anywhere? | 0:42:05 | 0:42:06 | |
50 anywhere? | 0:42:06 | 0:42:09 | |
50 here. And 5, sir? 55. | 0:42:09 | 0:42:12 | |
-58 anywhere? -I'm really pleased. | 0:42:12 | 0:42:15 | |
Sell it at £55 then. | 0:42:15 | 0:42:18 | |
-GAVEL BANGS -Yours, sir. | 0:42:18 | 0:42:19 | |
Profits all round. | 0:42:19 | 0:42:21 | |
So, who's coming out on top today? | 0:42:21 | 0:42:24 | |
The competition is sparking. Come on, I'm sparring, let's go. | 0:42:24 | 0:42:28 | |
Charles began with £317.46. | 0:42:28 | 0:42:31 | |
After paying auction costs, he made a profit of £93.58. | 0:42:31 | 0:42:36 | |
So, he still leads overall with £411.04. | 0:42:36 | 0:42:41 | |
But Raj wins the day. | 0:42:41 | 0:42:43 | |
Having started out at £259.58, | 0:42:43 | 0:42:47 | |
he made, after paying auction costs, a profit of £103.46, | 0:42:47 | 0:42:52 | |
leaving him with £363.04 to spend next time. | 0:42:52 | 0:42:56 | |
Wow. | 0:42:56 | 0:42:57 | |
You're on the road now. | 0:42:57 | 0:42:59 | |
You're showing me the way. | 0:42:59 | 0:43:01 | |
And the way is Dorset. | 0:43:01 | 0:43:03 | |
Next on Antiques Road Trip, a little of what you fancy. | 0:43:05 | 0:43:09 | |
-He's into fresh. -Is he? -I don't mind if it's a bit old. | 0:43:10 | 0:43:14 | |
And, not everyone's cup of tea. | 0:43:14 | 0:43:16 | |
It's not minging. But, in fact, this is Ming. | 0:43:16 | 0:43:20 |