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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
I don't know what to do. | 0:00:04 | 0:00:05 | |
-HORN TOOTS -..with £200 each, a classic car | 0:00:05 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game...Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-Oh! -This is the Antiques Roadtrip. | 0:00:28 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
Welcome to a brand-new trip in the company of a couple of auctioneers. | 0:00:37 | 0:00:41 | |
Look at these staddle stones here. It's a shame they're not for sale. | 0:00:41 | 0:00:45 | |
We could pick a few of those little stumps up. | 0:00:45 | 0:00:47 | |
Steady on, fellows, we're still on the introductions. | 0:00:47 | 0:00:50 | |
-GEARS GRIND -Sorry. | 0:00:50 | 0:00:52 | |
Yeah, that'll be Charles Hanson at the wheel, | 0:00:52 | 0:00:54 | |
Derbyshire doyen and Roadtrip regular, | 0:00:54 | 0:00:58 | |
in the company of debutant Raj Bisram. | 0:00:58 | 0:01:01 | |
-Do you prefer Raj or...? -Raj. -Raj, OK. | 0:01:01 | 0:01:04 | |
-Or sir. -Excuse me? | 0:01:04 | 0:01:06 | |
Kentish man Raj might be new to this particular malarkey, | 0:01:06 | 0:01:10 | |
but he's been in the trade for over 30 years. | 0:01:10 | 0:01:12 | |
He loves paintings, furniture and big deals. | 0:01:12 | 0:01:15 | |
I look at you and I think, "Yeah, you are at the kingpin." | 0:01:15 | 0:01:18 | |
You're a man who has that maturity. | 0:01:18 | 0:01:21 | |
-Like a fine wine, you've prospered... -Keep talking, Charles. | 0:01:21 | 0:01:26 | |
Before antiques, Raj was also a sportsman of some renown. | 0:01:26 | 0:01:31 | |
I was a qualified ski instructor but I'd also raced as well around Europe. | 0:01:31 | 0:01:36 | |
-On snow? -Yeah, on snow. -Charles sounds impressed. | 0:01:36 | 0:01:40 | |
But then, the feeling is clearly mutual. | 0:01:40 | 0:01:43 | |
-You've done ten series. -Yes. | 0:01:43 | 0:01:44 | |
If I could ask you for one bit of genuine advice on my first one, | 0:01:44 | 0:01:49 | |
what would it be? | 0:01:49 | 0:01:51 | |
Just buy what oozes your fancy, if that makes sense. | 0:01:51 | 0:01:54 | |
OK. Yeah, yeah. No. Well, OK. | 0:01:54 | 0:01:57 | |
I hope we're taking notes. | 0:01:57 | 0:01:59 | |
With £200 each and a 1967 Triumph Herald between them, | 0:02:01 | 0:02:05 | |
their journey starts out at Corsham in Wiltshire | 0:02:05 | 0:02:07 | |
and takes in most of the south-west | 0:02:07 | 0:02:09 | |
of England before ending up | 0:02:09 | 0:02:10 | |
about 900 miles later | 0:02:10 | 0:02:12 | |
at Crewkerne in Somerset. | 0:02:12 | 0:02:14 | |
But the very first pin on our Roadtrip map is poised over Corsham | 0:02:16 | 0:02:22 | |
and the opening auction will take place | 0:02:22 | 0:02:24 | |
at Winchcombe in Gloucestershire. | 0:02:24 | 0:02:26 | |
-Do I have to comment about your driving? -Am I driving well today? | 0:02:26 | 0:02:29 | |
-You're doing very, very well. -Thanks a lot. | 0:02:29 | 0:02:31 | |
But what's that burning smell? | 0:02:31 | 0:02:33 | |
Built of a lot of very lovely Bath stone, | 0:02:35 | 0:02:39 | |
which is still quarried hereabouts, | 0:02:39 | 0:02:41 | |
Georgian Corsham has featured in a fair few costume dramas | 0:02:41 | 0:02:45 | |
over the years. No wonder that Nick Mason, | 0:02:45 | 0:02:49 | |
the millionaire Pink Floyd drummer, has a home nearby. | 0:02:49 | 0:02:52 | |
-I will see you later. -Come back with treasure, OK? -Wish me well. | 0:02:52 | 0:02:55 | |
-See you later. Bye! -OK, Raj, the division bell sounds. | 0:02:55 | 0:03:00 | |
-Hello, I'm Raj. -Raj? My name's Anne. -Anne, lovely to meet you. | 0:03:00 | 0:03:04 | |
-Easy to meet. -This looks like the ideal shop for Raj's very first | 0:03:04 | 0:03:08 | |
-Roadtrip purchase. -I'll have a little look round | 0:03:08 | 0:03:10 | |
and then if I find anything, we'll have a little haggle or something. | 0:03:10 | 0:03:13 | |
-How does that sound? -Yeah. -OK, great. | 0:03:13 | 0:03:15 | |
It'll only be a little haggle though cos I'm quite a determined lady. | 0:03:15 | 0:03:18 | |
Could be interesting, a rummage under Anne's stern gaze. | 0:03:18 | 0:03:22 | |
Already spotted something though. | 0:03:22 | 0:03:24 | |
That's quite a nice late 19th-century riding crop. | 0:03:24 | 0:03:28 | |
It's not one of the top, top quality ones because it's not got | 0:03:28 | 0:03:32 | |
a silver collar, but it's in pretty good condition, really. | 0:03:32 | 0:03:36 | |
The ticket price is a cracking £8. | 0:03:36 | 0:03:39 | |
Time to talk to Anne and granddaughter Amelie. | 0:03:39 | 0:03:42 | |
Would you take a fiver? | 0:03:42 | 0:03:44 | |
-Um...yes. I'm sure we would. -You would? -Yes. -Fantastic. | 0:03:44 | 0:03:48 | |
-You're most welcome. -My first deal. Thank you very much indeed. -Yes. | 0:03:48 | 0:03:51 | |
-Now you'll always remember me for that. -I will. | 0:03:51 | 0:03:54 | |
Well, that was easy enough. Now, what about Charles, | 0:03:54 | 0:03:56 | |
blissfully unaware of his rival's rather modest start? | 0:03:56 | 0:03:59 | |
I'm very excited to be working with Raj | 0:03:59 | 0:04:02 | |
and he's somebody I rate very highly, | 0:04:02 | 0:04:05 | |
and I think Raj is a numbers man, | 0:04:05 | 0:04:07 | |
and what frightens me is he may be putting noughts | 0:04:07 | 0:04:11 | |
on the end of his profits and leaving me in the lurch. | 0:04:11 | 0:04:14 | |
On your metal, Charles, and on your way to Somerset and Bath, | 0:04:14 | 0:04:18 | |
where a lesser man might be distracted by the wealth | 0:04:18 | 0:04:21 | |
of gorgeous Georgian architecture, not to mention the buns. | 0:04:21 | 0:04:25 | |
Apparently, Jane Austen once overdid it | 0:04:25 | 0:04:27 | |
and got a tummy ache from Bath buns. | 0:04:27 | 0:04:29 | |
-Good morning. -Oh, good morning. | 0:04:31 | 0:04:33 | |
-Now, we've been here before, Charles. -I think you're Caroline. | 0:04:33 | 0:04:36 | |
-Yes, I am. -Good to see you. How are you? | 0:04:36 | 0:04:38 | |
-And I think you're Charles. -I am indeed. | 0:04:38 | 0:04:40 | |
Good to see you. And when I came to see you a long time ago, | 0:04:40 | 0:04:44 | |
you called me Romeo and I called Caroline Juliet. | 0:04:44 | 0:04:47 | |
-It's good to be back. -We had fun and games up on the gallery. | 0:04:47 | 0:04:50 | |
-Yes, we did. -Lordy, there's certainly plenty of props in here. | 0:04:50 | 0:04:54 | |
It was a grocery shop once, back in the 19th century, | 0:04:54 | 0:04:57 | |
but now it's as full of as many antiques as Caroline can squeeze in. | 0:04:57 | 0:05:01 | |
Sometimes, rather then look at eye level, go down... | 0:05:02 | 0:05:06 | |
-RATTLING -Whoops. | 0:05:06 | 0:05:08 | |
Oh, do be careful, Charles. You'll cause a landslide. | 0:05:08 | 0:05:12 | |
-I do like this. -Yes. -Tell me where it came from, Caroline. | 0:05:12 | 0:05:16 | |
I got it privately. I can't say anything more. | 0:05:16 | 0:05:19 | |
-No. -I can't say it came from Sir... | 0:05:19 | 0:05:22 | |
-or the Lord and Lady...blah, blah, blah. -No. | 0:05:22 | 0:05:27 | |
But what we've got is a beautiful Persian scalloped silver tray. | 0:05:27 | 0:05:31 | |
What I like is the quality of this chased decoration | 0:05:31 | 0:05:36 | |
on the border here and these, what appear to be herons | 0:05:36 | 0:05:39 | |
or fanciful birds in this very arabesque cast and chased landscape. | 0:05:39 | 0:05:46 | |
How much is on it, Caroline? | 0:05:46 | 0:05:48 | |
110. Is there much room there for negotiation? | 0:05:48 | 0:05:52 | |
-Not a great deal. -No. I love your style. You're in stripes like me. | 0:05:52 | 0:05:57 | |
If I said, "Caroline, what's your very best price?" | 0:05:57 | 0:05:59 | |
-Well, I'll do one of you. -Oh, yes. -I'll wave my arms around. | 0:05:59 | 0:06:03 | |
Well, Charles, I can do it for... | 0:06:03 | 0:06:09 | |
-90. -90, OK. It's almost half my spending gone already. | 0:06:09 | 0:06:13 | |
Can I think about it and I'll come back to you shortly? | 0:06:13 | 0:06:16 | |
-OK. -Thanks, Caroline. | 0:06:16 | 0:06:17 | |
So, while Charles ponders spending almost half his kitty, | 0:06:17 | 0:06:21 | |
what's his rival got up to? | 0:06:21 | 0:06:24 | |
Well, this is very interesting. It's an egg timer, | 0:06:24 | 0:06:27 | |
but obviously it says here actually it's been made from an old bobbin, | 0:06:27 | 0:06:32 | |
and it's probably a 19th-century bobbin made from one of the mills | 0:06:32 | 0:06:36 | |
in the north of England, which gives it a little bit more mystery. | 0:06:36 | 0:06:39 | |
That's a very unusual little thing. There's two there. | 0:06:39 | 0:06:43 | |
Another one here, a much larger one. This one, I don't think is as old. | 0:06:43 | 0:06:47 | |
The larger one has got £10 on it and the smaller one has got £5 on it, | 0:06:47 | 0:06:53 | |
and they might make a nice little lot of kitchenalia at the right price. | 0:06:53 | 0:06:58 | |
They're already pretty reasonable, Raj. | 0:06:58 | 0:07:01 | |
Anne, these two egg timers... What's the best price on both of them? | 0:07:01 | 0:07:06 | |
Tenner. | 0:07:06 | 0:07:08 | |
We're close. SHE LAUGHS | 0:07:08 | 0:07:10 | |
-We're close, we're close. -£10.50 then. | 0:07:10 | 0:07:12 | |
Aah. Your maths is terrible, isn't it? | 0:07:12 | 0:07:15 | |
-Yes, awful. -You seem to go upwards instead of downwards. | 0:07:15 | 0:07:18 | |
-Yes, I wonder why that is. -OK. £8, we have a deal. | 0:07:18 | 0:07:21 | |
Make it nine. | 0:07:21 | 0:07:22 | |
I've got to stick out for eight. | 0:07:23 | 0:07:26 | |
There's not a lot in them. | 0:07:26 | 0:07:28 | |
No, there's not much sand in them, is there? | 0:07:28 | 0:07:29 | |
You can't use them for anything. OK. We'll say £8. | 0:07:29 | 0:07:32 | |
-Eight? Lovely. Thank you very much. -You're welcome. | 0:07:32 | 0:07:36 | |
Never mind the zeros, we haven't had double-figures here yet. | 0:07:36 | 0:07:39 | |
Back in Bath, Charles has some glass in mind. | 0:07:39 | 0:07:42 | |
-This is quite interesting, isn't it? -That is nice. | 0:07:42 | 0:07:46 | |
-Have we got a price on it? -No. -No, we haven't. | 0:07:46 | 0:07:49 | |
Not overly old, is it? | 0:07:49 | 0:07:51 | |
-Oh, it's about '20s. -I just quite like the form of this. | 0:07:51 | 0:07:55 | |
It's just got the look of the Art Deco. | 0:07:55 | 0:07:59 | |
-I tell you what, I'll do it for 25. -Thank you very much. OK. | 0:07:59 | 0:08:03 | |
-That is worth something. -I'll give it some thought. | 0:08:03 | 0:08:05 | |
Where does that leave the silver tray, I wonder? | 0:08:05 | 0:08:08 | |
While Caroline takes a look out the back, | 0:08:08 | 0:08:10 | |
Charles has a decision to make. | 0:08:10 | 0:08:12 | |
I'm quite keen to buy the tray, | 0:08:12 | 0:08:14 | |
so I'm hoping I might just get her down one more bit | 0:08:14 | 0:08:19 | |
and if she came down towards maybe 70, £75, I could be... | 0:08:19 | 0:08:23 | |
-WHISPERS: -She's back. | 0:08:23 | 0:08:25 | |
Your silver tray... OK? It's had some restoration here, hasn't it? | 0:08:25 | 0:08:29 | |
You've got some solder wear there, can you see? | 0:08:29 | 0:08:32 | |
Oh, isn't that chewing gum or something? | 0:08:32 | 0:08:36 | |
Obviously you've got to make money on it as well. | 0:08:36 | 0:08:38 | |
Well, just a teeny-weeny bit. | 0:08:38 | 0:08:40 | |
I know, but you've got a big business here and I admire you. | 0:08:40 | 0:08:43 | |
I've got two cats I have to feed. | 0:08:43 | 0:08:47 | |
Go on. | 0:08:47 | 0:08:48 | |
-Yeah, go on. -Will you take £70 for it? | 0:08:48 | 0:08:51 | |
I thought you were going to say something like that. | 0:08:51 | 0:08:54 | |
-I think it's full of far-eastern promise. -I tell you what, 80. | 0:08:54 | 0:08:57 | |
-Oh, don't do this. -I've come down! | 0:08:57 | 0:08:59 | |
-I know you have. -Look, 75 and that's it. | 0:08:59 | 0:09:02 | |
-70, it's a deal. -I thought we were friends. | 0:09:02 | 0:09:06 | |
72. It'll make about 120 easy. | 0:09:07 | 0:09:13 | |
And if it doesn't? | 0:09:13 | 0:09:15 | |
Well, tough. | 0:09:15 | 0:09:17 | |
-I'll take it. Thanks, Caroline. -Right! Whoo-hoo! -£72. | 0:09:17 | 0:09:21 | |
With his deal done, Charles gets his hat. | 0:09:21 | 0:09:24 | |
Raj is also after a bit of silver, | 0:09:24 | 0:09:27 | |
-but not in quite the same price range. -Yep, it's definitely silver. | 0:09:27 | 0:09:31 | |
It's got a few dents in it though. It's a bit damaged. | 0:09:31 | 0:09:34 | |
It all depends what it can be. | 0:09:34 | 0:09:37 | |
-Anne? -Yes, Raj. -I wonder... | 0:09:37 | 0:09:40 | |
-Can we have a little chat about this? -I'm sure we can. | 0:09:40 | 0:09:43 | |
-It's quite a nice little silver urn. -It is. -It's a late-19th... | 0:09:43 | 0:09:47 | |
What would they have used that for then, Raj? | 0:09:47 | 0:09:49 | |
I'm not exactly sure, to be honest, what this was used for. | 0:09:49 | 0:09:52 | |
-No smell in it? -No, there's no smell. | 0:09:52 | 0:09:56 | |
I believe that you've got £15 on it, but it is a little dented. | 0:09:56 | 0:10:02 | |
-Can I make you another amazing offer? -Yes, they usually are. | 0:10:02 | 0:10:06 | |
A fiver for it? | 0:10:06 | 0:10:08 | |
-Yes, I'll let you have it. -Fantastic. Lovely. | 0:10:08 | 0:10:10 | |
Thank you very much. Three little buys and I believe that comes to £18. | 0:10:10 | 0:10:15 | |
-Yes. -But if I buy all three AND I pull out some cash, | 0:10:15 | 0:10:19 | |
would you take £15? | 0:10:19 | 0:10:22 | |
-I've got to try a little bit more. -Cheeky. | 0:10:22 | 0:10:24 | |
-Yes, I'll do that for you. -You're very, very kind indeed. | 0:10:24 | 0:10:27 | |
-You're most welcome. -Let's shake on it. Thanks again. | 0:10:27 | 0:10:29 | |
Raj is clearly a man with a strategy. | 0:10:29 | 0:10:31 | |
Meanwhile, way out west, | 0:10:33 | 0:10:35 | |
Charles is about to take a break from the shopping | 0:10:35 | 0:10:38 | |
by the Avon Gorge in Bristol where, | 0:10:38 | 0:10:41 | |
close to the Clifton Suspension Bridge, | 0:10:41 | 0:10:43 | |
the Victorians built an equally astonishing | 0:10:43 | 0:10:45 | |
but much less well-known feat of engineering - | 0:10:45 | 0:10:48 | |
a funicular railway, which once carried passengers from | 0:10:48 | 0:10:52 | |
fashionable Clifton down to take the waters at the Hotwells spa below. | 0:10:52 | 0:10:58 | |
-Hello. -Hi. -Good afternoon. May I come through? | 0:10:58 | 0:11:02 | |
-Yes, certainly. -Am I on the right platform? -You are. | 0:11:02 | 0:11:06 | |
-You are indeed. -I'm Charles Hanson. -I'm Maggie Shapland. | 0:11:06 | 0:11:09 | |
Great to see you. What an amazing place. | 0:11:09 | 0:11:13 | |
Maggie and her fellow enthusiasts have been hard at work attempting | 0:11:13 | 0:11:16 | |
to restore the long-disused railway to its 1893 pomp. | 0:11:16 | 0:11:22 | |
I can see over here, Maggie, | 0:11:22 | 0:11:24 | |
-behind you, almost a plan of how it was back in the 1890s. -Absolutely. | 0:11:24 | 0:11:30 | |
So, the railway tunnel... You can see, here's the top station. | 0:11:30 | 0:11:33 | |
-So that's where we are now? -That's where we are at the top. -Right. | 0:11:33 | 0:11:36 | |
You can see that the heaviest car goes down, the lightest car goes up. | 0:11:36 | 0:11:40 | |
-Yes. -So, you had a water tank at the top and you had a water tank | 0:11:40 | 0:11:43 | |
underneath the floor at the bottom. The Clifton Rocks Railway | 0:11:43 | 0:11:46 | |
was the brainchild of the publisher and entrepreneur George Newnes. | 0:11:46 | 0:11:51 | |
He wanted Bristol Spa to rival that of nearby Bath and, | 0:11:51 | 0:11:55 | |
on the opening day, the railway carried over 6,000 passengers | 0:11:55 | 0:11:59 | |
on a thrilling ride. | 0:11:59 | 0:12:01 | |
-It's quite steep, isn't it? -It's one in 2.1. -Crikey me. | 0:12:01 | 0:12:03 | |
And just down there, you've got a facade which looks to be like | 0:12:03 | 0:12:06 | |
-the wooden front of how a tram would have looked. -That's right. | 0:12:06 | 0:12:09 | |
That's actually a full-size replica. | 0:12:09 | 0:12:11 | |
That wall shouldn't be here. | 0:12:11 | 0:12:12 | |
-Yeah. -They've built all these walls on top of the railway line. | 0:12:12 | 0:12:15 | |
How long would it take me to get from up here | 0:12:15 | 0:12:18 | |
-to down where I'm going? -40 seconds. | 0:12:18 | 0:12:20 | |
-You're 500 feet as the crow flies, 230 feet vertically. -Got you. | 0:12:20 | 0:12:24 | |
The engineering is amazing. | 0:12:24 | 0:12:26 | |
To try and understand how they could plough through this limestone... | 0:12:26 | 0:12:30 | |
-Absolutely. -..put in this ingenious method of transport | 0:12:30 | 0:12:35 | |
-is just incredible. -Yes. They're just so ambitious. | 0:12:35 | 0:12:38 | |
But unfortunately the railway, unlike its illustrious neighbour, | 0:12:38 | 0:12:42 | |
never made quite enough money. | 0:12:42 | 0:12:44 | |
The Grand Spa Hotel became the Avon Gorge Hotel | 0:12:44 | 0:12:48 | |
and the pump rooms were turned first into a cinema, and then a ballroom. | 0:12:48 | 0:12:52 | |
Newnes's railway was sold then and finally closed in 1934, | 0:12:52 | 0:12:57 | |
but just a few years later it was to enjoy a very different use. | 0:12:57 | 0:13:01 | |
-Thank you. Where are we going? -Well, we're going down to the shelters. | 0:13:01 | 0:13:04 | |
When war broke out in 1939, the city was certain to be a target | 0:13:04 | 0:13:08 | |
for enemy bombing, so the Ministry of Works and Buildings | 0:13:08 | 0:13:12 | |
took over the tunnel and quickly constructed a safe place | 0:13:12 | 0:13:15 | |
for the people of Clifton and Hotwells, | 0:13:15 | 0:13:17 | |
where they could shelter deep underground. | 0:13:17 | 0:13:20 | |
So, now you can see where we got the turnstile from. | 0:13:20 | 0:13:22 | |
We cut a hole in the wall. It took us ten hours. | 0:13:22 | 0:13:25 | |
You'll see there's still two more turnstiles in there | 0:13:25 | 0:13:27 | |
-and you can see the railway lines there. -It's just amazing, isn't it? | 0:13:27 | 0:13:30 | |
The restoration has also unearthed many artefacts | 0:13:30 | 0:13:33 | |
from the war years, when hundreds of local people | 0:13:33 | 0:13:36 | |
spent night after night in this cold and dank place. | 0:13:36 | 0:13:39 | |
Maggie's colleague Peter can vividly remember what life was like. | 0:13:39 | 0:13:43 | |
-I can see the railway track still underneath the cemented steps. -Yes. | 0:13:43 | 0:13:48 | |
They're steps to sleep on, actually. | 0:13:48 | 0:13:50 | |
These are the sleeping places, all these concrete slabs. | 0:13:50 | 0:13:54 | |
The dads might be out in the war or fighting away somewhere, | 0:13:54 | 0:13:57 | |
but the mums and the kids, and I was one of the kids at the time, | 0:13:57 | 0:14:00 | |
would be coming into these places, sleeping here. | 0:14:00 | 0:14:03 | |
And once you had your own card, which allowed you to come in, | 0:14:03 | 0:14:08 | |
that was your slot. | 0:14:08 | 0:14:09 | |
What was the feeling like amongst people | 0:14:09 | 0:14:12 | |
when they were in here together? | 0:14:12 | 0:14:13 | |
Was there a sense of wellbeing, "We're safe", or was it more, | 0:14:13 | 0:14:17 | |
"Goodness me, what's happening above there? | 0:14:17 | 0:14:19 | |
"Are we going to hear a bomb drop?" | 0:14:19 | 0:14:20 | |
Well, of course, I was only three or four at this time | 0:14:20 | 0:14:23 | |
and I looked at it differently | 0:14:23 | 0:14:25 | |
because Mum and Dad went off all night. Dad was on the docks, | 0:14:25 | 0:14:28 | |
my mother was out driving a truck with sandwiches and tea | 0:14:28 | 0:14:31 | |
for the firefighters. We just thought it was a bit of excitement. | 0:14:31 | 0:14:35 | |
In early 1941, BBC Bristol followed, | 0:14:35 | 0:14:38 | |
removing the four carriages from the bottom of the tunnel | 0:14:38 | 0:14:41 | |
and constructing several ingenious chambers to be used as studios | 0:14:41 | 0:14:46 | |
so that if their headquarters in Whiteladies Road took a hit, | 0:14:46 | 0:14:50 | |
they could still carry on broadcasting. | 0:14:50 | 0:14:52 | |
When the sirens went, we jumped in a little truck, | 0:14:52 | 0:14:56 | |
and then came down here, and they manned this until the all clear went, | 0:14:56 | 0:15:00 | |
and then they went back again. | 0:15:00 | 0:15:02 | |
It truly was amongst the corporation's more unusual | 0:15:02 | 0:15:07 | |
studios, carrying on until the 1960s. | 0:15:07 | 0:15:11 | |
If the war hadn't come, this might never have been used again | 0:15:11 | 0:15:15 | |
for anything, but it had another life just during those few years. | 0:15:15 | 0:15:20 | |
After that, it closed. Then it was just left to rot but I don't think | 0:15:20 | 0:15:24 | |
now anybody would have the guts to fill it in after what we've done. | 0:15:24 | 0:15:29 | |
-It has such history and long may that continue. -Yes. | 0:15:29 | 0:15:33 | |
Now, somewhere deep in the Wiltshire countryside, | 0:15:37 | 0:15:41 | |
Raj is still shopping, | 0:15:41 | 0:15:43 | |
although he could do with an alpaca warning... | 0:15:43 | 0:15:46 | |
just outside the village of Langley Burrell at Fairfax Antiques. | 0:15:46 | 0:15:51 | |
-Hello, hello, hello. -Hello. -Nice to meet you. -I'm Elizabeth. | 0:15:51 | 0:15:54 | |
Hi, I'm Raj. | 0:15:54 | 0:15:55 | |
Our new boy's already acquired three lots today | 0:15:55 | 0:15:59 | |
for the princely sum of £15, | 0:15:59 | 0:16:01 | |
but it's all on a much grander scale here, | 0:16:01 | 0:16:04 | |
with almost 10,000 items for sale. | 0:16:04 | 0:16:07 | |
There is a price tag for those for about 220 each. | 0:16:07 | 0:16:11 | |
A mixture of antiques and reproduction. | 0:16:11 | 0:16:15 | |
-They're foam. These have aged well, haven't they? -They have. | 0:16:15 | 0:16:18 | |
-They must have been out there a long time because they almost look like the real thing. -Yes. | 0:16:18 | 0:16:22 | |
They are the real thing, those two. | 0:16:22 | 0:16:24 | |
-These two are the real thing? -Yes. -Oh. | 0:16:24 | 0:16:26 | |
Tricky business. Be on your guard, Raj. | 0:16:26 | 0:16:29 | |
But if there's a bargain here, I'm sure you'll find it. | 0:16:29 | 0:16:32 | |
This is an old military water bottle issued to the troops | 0:16:32 | 0:16:37 | |
during the Second World War, this one. | 0:16:37 | 0:16:39 | |
You see a lot of militaria, | 0:16:39 | 0:16:41 | |
but you don't often see the water bottles for some reason. | 0:16:41 | 0:16:44 | |
-It's quite different. That's on my list of come-back-tos. -OK. | 0:16:44 | 0:16:47 | |
Not a bad spot, Raj. Now, what else has Elizabeth got? | 0:16:47 | 0:16:52 | |
These are quite nice wall lights, the brass ones. | 0:16:52 | 0:16:57 | |
Those are very pretty but they're very expensive. | 0:16:57 | 0:17:00 | |
Very saleable but... Gee whiz. They're priced at £95 each. | 0:17:00 | 0:17:06 | |
-I think it's for the pair, actually. -Oh, is it? Is it for the pair? | 0:17:06 | 0:17:09 | |
Even at the pair, that's still pushing it, but... | 0:17:09 | 0:17:15 | |
I might be inclined to make a little bit of an offer on those. | 0:17:15 | 0:17:19 | |
OK, time to talk to the proprietor, Harriet Fairfax. | 0:17:19 | 0:17:22 | |
-Hello. -Hello, Lady Fairfax. I'm Raj. How are you? -Good. | 0:17:22 | 0:17:26 | |
Well, I've had a lovely look round. | 0:17:26 | 0:17:28 | |
You've got some lovely, lovely things all over the place, | 0:17:28 | 0:17:31 | |
-which brings me onto these. These are nice and decorative. -They're French. | 0:17:31 | 0:17:34 | |
They're French, they're very, very decorative, | 0:17:34 | 0:17:37 | |
but really I've got to make a profit and they're going into auction. | 0:17:37 | 0:17:41 | |
I'd be happy paying 25 for them. | 0:17:41 | 0:17:44 | |
-Each or for...? -No, for the pair. -For the pair. | 0:17:44 | 0:17:48 | |
-Maybe 30. -Do you know...? | 0:17:48 | 0:17:51 | |
-Yes. I'm going to splash out. £30. -OK, OK. -We have a deal. -That's good. | 0:17:51 | 0:17:55 | |
-Thank you very much indeed. -That went well. | 0:17:55 | 0:17:58 | |
So well that he's decided to have a go at his other little find. | 0:17:58 | 0:18:02 | |
I mean, it's in really nice condition and £35 on it. | 0:18:02 | 0:18:06 | |
If I can get this for 15 or under, I'll be happy. | 0:18:06 | 0:18:10 | |
-I'm back again. -Oh... -Yeah, well, to be honest, I was drawn to it. -Yeah. | 0:18:10 | 0:18:15 | |
I know roughly what these fetch at auction | 0:18:15 | 0:18:17 | |
and please don't take offence, and if you say no, I totally understand, | 0:18:17 | 0:18:22 | |
-but I'll give you £10 for it. -OK... -What do you think? | 0:18:22 | 0:18:25 | |
I think that's all right. | 0:18:27 | 0:18:29 | |
Yeah. I'm happy to pay a tenner for it, but any more than that... | 0:18:29 | 0:18:32 | |
-Yeah, I think that's OK. -Brilliant. Will we shake hands on that? -Mm. | 0:18:32 | 0:18:36 | |
Fantastic. Thank you very much indeed. | 0:18:36 | 0:18:39 | |
Great. So, now he just has to make it past the livestock. | 0:18:39 | 0:18:43 | |
Hello, hello, hello... Ooh! HE SPEAKS GIBBERISH | 0:18:43 | 0:18:45 | |
Mind it doesn't spit. Nighty-night. | 0:18:45 | 0:18:48 | |
Time for Raj to take a turn with the Triumph. | 0:18:50 | 0:18:54 | |
I need to go on a driving course. I wish I could find the gears. | 0:18:54 | 0:18:57 | |
All you do... Go into third now, so go up. | 0:18:57 | 0:18:59 | |
Yeah, but foot on the clutch first. | 0:18:59 | 0:19:01 | |
-Yeah, it was, it was, it was. -That's it, lad. You'll get this. | 0:19:01 | 0:19:05 | |
These cars, you have to caress them and it's clutch... | 0:19:05 | 0:19:10 | |
-and then gear stick. -Do you like walking? | 0:19:10 | 0:19:13 | |
Luckily, Raj has taken to the shopping | 0:19:13 | 0:19:16 | |
a bit quicker than the driving, | 0:19:16 | 0:19:18 | |
acquiring some silver, an army canteen, some sconces, | 0:19:18 | 0:19:22 | |
a riding crop and some egg timers for a mere £55... | 0:19:22 | 0:19:26 | |
-Can I make you an amazing offer? -Yes, they usually are. | 0:19:26 | 0:19:30 | |
..leaving £145 in his wallet, while Charles went for a very different | 0:19:30 | 0:19:34 | |
approach, splashing out £72 on just one item. | 0:19:34 | 0:19:38 | |
I thought we were friends. | 0:19:38 | 0:19:41 | |
Which leaves him almost £130 to spend today. | 0:19:41 | 0:19:45 | |
-Raj, R-A-J? -R-A-J, yeah. | 0:19:45 | 0:19:49 | |
-In English it means king. -In English Raj means king? | 0:19:49 | 0:19:52 | |
-King, yes. -Crikey me. | 0:19:52 | 0:19:54 | |
Later, they'll be making for an auction at Winchcombe, | 0:19:54 | 0:19:57 | |
but our next stop is in Hungerford. | 0:19:57 | 0:19:59 | |
Perched on the westernmost edge of Berkshire, | 0:20:01 | 0:20:04 | |
the point where southeast meets southwest England, | 0:20:04 | 0:20:08 | |
Hungerford, in a quiet sort of way, is something of a transport hub. | 0:20:08 | 0:20:11 | |
A good spot for antiques, too. | 0:20:11 | 0:20:13 | |
-Good to see you. What a gorgeous part of the world. -Isn't it? | 0:20:13 | 0:20:16 | |
-Hungerford. -Yeah. -And you know what, I'm hungry for antiques. | 0:20:16 | 0:20:19 | |
Yes, he was on a bit of a diet while Raj merrily tucked in, | 0:20:19 | 0:20:23 | |
so time to pig out, Charles. | 0:20:23 | 0:20:25 | |
-A lovely Victorian boar's head. Isn't he wonderful? -Pricey though. | 0:20:25 | 0:20:29 | |
-Ah, YOU look more like it. -I love the little sheep. That's cute. | 0:20:29 | 0:20:35 | |
A little antique porcelain figure of a ewe, priced £95. | 0:20:35 | 0:20:40 | |
In the 18th century, the likes of Chelsea as a factory | 0:20:40 | 0:20:43 | |
and Charles Gouyn, they were renowned | 0:20:43 | 0:20:45 | |
for making these whimsical objects. | 0:20:45 | 0:20:48 | |
Often they were made as scent bottles or were just toys | 0:20:48 | 0:20:51 | |
for ladies of an important house to enjoy. | 0:20:51 | 0:20:54 | |
The dealer's put, "Possibly Rockingham." Ah-ha. How much? | 0:20:54 | 0:20:59 | |
-What about 80? -It's got a couple of chipped ears. | 0:20:59 | 0:21:03 | |
He's a small little sheep. He's a bit tired. Do you want to do £50? | 0:21:03 | 0:21:10 | |
-Well, let's see if I can squeeze £50 out of him. -OK. | 0:21:10 | 0:21:14 | |
-I might hold him for a second. Is that OK? -You may. Get acquainted. | 0:21:14 | 0:21:18 | |
-Yes, I will do. -Or even go for a stroll. What's he seen then? | 0:21:18 | 0:21:23 | |
I quite like him. He's not overly exciting, but it's always quite nice | 0:21:23 | 0:21:28 | |
to question a label, and I'm a Derby man. | 0:21:28 | 0:21:33 | |
I'm a Derby ram and this is my Derby ewe. How are you, girl? | 0:21:33 | 0:21:37 | |
So, in fact, she was made in Derby not Rockingham. | 0:21:37 | 0:21:41 | |
Sometimes you really can't leave a bit of Derby history behind | 0:21:41 | 0:21:45 | |
and if she can be the right price, I think this Derby girl's | 0:21:45 | 0:21:48 | |
coming to auction. I'll find Alex. | 0:21:48 | 0:21:52 | |
-What you think, Charles? -Yeah, I like her. | 0:21:52 | 0:21:55 | |
What's the best price on her? Have you called the dealer? | 0:21:55 | 0:21:57 | |
-50 offered. 60 is the bottom. OK? -Yeah, fine. | 0:21:57 | 0:22:01 | |
I think his crook is firmly around that little ewe, Alex, | 0:22:01 | 0:22:05 | |
but he's still got the appetite for more. | 0:22:05 | 0:22:08 | |
This tray here is probably a tray from the late 18th, | 0:22:08 | 0:22:12 | |
early 19th century. People often will grumble about condition | 0:22:12 | 0:22:17 | |
but where you've got honest wear like here, splits on here, | 0:22:17 | 0:22:21 | |
and it's got stains on, you've got scars. | 0:22:21 | 0:22:25 | |
But to me, if you want a good brew with a pedigree, | 0:22:25 | 0:22:29 | |
why not serve it on something that's had experience? | 0:22:29 | 0:22:33 | |
Alex, this tray here, it's tired, it's a bit worn... | 0:22:33 | 0:22:39 | |
OK, I understand the condition isn't at its best, | 0:22:39 | 0:22:43 | |
so I think that we can do a pretty good deal on this. | 0:22:43 | 0:22:46 | |
It's priced a £19.99. | 0:22:46 | 0:22:49 | |
I like your retail style but what's your wholesale hardness? | 0:22:49 | 0:22:52 | |
-Well, what about £9.99? -Really? £9.99? | 0:22:54 | 0:22:58 | |
Well, do you know what? I will happily give you £10... | 0:22:58 | 0:23:01 | |
OK, add the extra penny on. | 0:23:01 | 0:23:02 | |
..because when you can serve tea on a tray and say, | 0:23:02 | 0:23:06 | |
"My tray was made 15 years before the Battle of Waterloo." | 0:23:06 | 0:23:10 | |
That's history. Thanks a lot. | 0:23:10 | 0:23:12 | |
-That means I owe you 70 for the ewe and the tray. -OK. | 0:23:12 | 0:23:17 | |
It could make a fiver, some experts like Raj could even say, | 0:23:17 | 0:23:21 | |
"Hanson, you've bought some firewood." | 0:23:21 | 0:23:24 | |
So, with his Derby ewe in pocket | 0:23:24 | 0:23:27 | |
and a nice bit of Georgian firmly in hand, Charles seems happy enough. | 0:23:27 | 0:23:32 | |
But what about Raj as he takes our route back west | 0:23:35 | 0:23:39 | |
towards Salisbury Plain and the village of Avebury, | 0:23:39 | 0:23:42 | |
where he's come to find out about Alexander Keiller, | 0:23:42 | 0:23:46 | |
the man who put the village on the World Heritage map? | 0:23:46 | 0:23:49 | |
-Hello, there. -Hello. -Hi, Ros. I'm Raj. -Hi. Welcome to Avebury. | 0:23:49 | 0:23:54 | |
Beautiful. It looks gorgeous. | 0:23:54 | 0:23:56 | |
Nowadays, this 16th-century manor belongs to the National Trust | 0:23:56 | 0:23:59 | |
but back in 1935, it became the headquarters of | 0:23:59 | 0:24:03 | |
the Morven Institute for Archaeological Research, | 0:24:03 | 0:24:06 | |
an incredible project to restore the stones | 0:24:06 | 0:24:09 | |
of the Avebury Neolithic Henge, | 0:24:09 | 0:24:11 | |
but the Scottish millionaire behind it was no less fascinating. | 0:24:11 | 0:24:15 | |
He was the last of the Keillers of Dundee Marmalade family | 0:24:15 | 0:24:19 | |
and, when he reached its majority, he got out of marmalade | 0:24:19 | 0:24:23 | |
and really spent the rest of his life using that money | 0:24:23 | 0:24:27 | |
-to do interesting things. -Indulging his passion? -Yes. | 0:24:27 | 0:24:30 | |
As well as archaeology, | 0:24:30 | 0:24:32 | |
Keiller was passionate about quite a lot of things, | 0:24:32 | 0:24:35 | |
trying his hand at fast cars, the study of witchcraft | 0:24:35 | 0:24:38 | |
and a good deal of wine, women and song. | 0:24:38 | 0:24:41 | |
He was a very sociable person, I think. | 0:24:41 | 0:24:43 | |
One skiing trip, they got through 150 cocktails | 0:24:43 | 0:24:48 | |
before dinner and there were only 16 of them... | 0:24:48 | 0:24:51 | |
-Sounds like a good night out. -..and he said something like, | 0:24:51 | 0:24:54 | |
"I think it was 150, but after that I don't recall." So... | 0:24:54 | 0:24:59 | |
Keiller learned to fly during World War I | 0:24:59 | 0:25:02 | |
and in the 1920s he made his first real foray into archaeology, | 0:25:02 | 0:25:07 | |
piloting a De Havilland to take the aerial photographs | 0:25:07 | 0:25:11 | |
that were published as Wessex from the Air. | 0:25:11 | 0:25:13 | |
He also bought a Neolithic site nearby | 0:25:13 | 0:25:16 | |
to save it from development and then turned his attention to Avebury. | 0:25:16 | 0:25:19 | |
So, when Keiller arrived, what was here? | 0:25:19 | 0:25:23 | |
Not many of the original 200 stones were visible at all. | 0:25:23 | 0:25:28 | |
In fact, there were only 15 standing. | 0:25:28 | 0:25:30 | |
In the Middle Ages, they'd taken to burying the stones | 0:25:30 | 0:25:34 | |
and in the 17th and 18th centuries, they'd taken to breaking them up | 0:25:34 | 0:25:38 | |
-and building houses and walls. -Keiller set about restoring | 0:25:38 | 0:25:42 | |
the four and a 4,500-year-old monument, | 0:25:42 | 0:25:45 | |
three huge circles that surround the village. | 0:25:45 | 0:25:48 | |
He also built a museum. | 0:25:49 | 0:25:51 | |
All in all, a vastly expensive project, which not only provided | 0:25:51 | 0:25:54 | |
much-needed employment in the area but also provoked some controversy. | 0:25:54 | 0:25:59 | |
He went to great lengths, didn't he, to clear some of the site? | 0:25:59 | 0:26:03 | |
Oh, absolutely. It was an enormous undertaking | 0:26:03 | 0:26:05 | |
and, in fact, he actually pulled down a small number of buildings, | 0:26:05 | 0:26:09 | |
including a couple of houses in this part of the site, | 0:26:09 | 0:26:13 | |
because they were actually on the line of the stone circle. | 0:26:13 | 0:26:16 | |
For all the work that's been done, we're still nowhere near discovering | 0:26:17 | 0:26:21 | |
what the true purpose of Avebury or nearby Stonehenge really was. | 0:26:21 | 0:26:25 | |
However, one particular stone does have a story to tell. | 0:26:25 | 0:26:29 | |
We call that the barber-surgeon and it was one of the stones | 0:26:29 | 0:26:32 | |
excavated by Alexander Keiller in 1938, and they found | 0:26:32 | 0:26:36 | |
a skeleton of a man between the stone and the side of the pit. | 0:26:36 | 0:26:40 | |
He had a pair of iron scissors and a little metal probe object | 0:26:40 | 0:26:46 | |
and three coins, and the coins allowed it to be dated to the 1320s. | 0:26:46 | 0:26:51 | |
Keiller came round to thinking that it could be a barber-surgeon, | 0:26:51 | 0:26:55 | |
people who shaved, cut hair but also did little medical things, too. | 0:26:55 | 0:27:00 | |
Some of Keiller's ancestors had been barber-surgeons and whalers | 0:27:00 | 0:27:05 | |
in the North Sea, and I think he rather liked that connection. | 0:27:05 | 0:27:09 | |
Keiller's work was interrupted when the war broke out in 1939 | 0:27:10 | 0:27:13 | |
and, a few years later, he sold his land to the National Trust. | 0:27:13 | 0:27:17 | |
He died in 1955, but the incredible legacy | 0:27:17 | 0:27:20 | |
of the playboy-turned-archaeologist remains. | 0:27:20 | 0:27:24 | |
Avebury became a World Heritage Site in 1986. | 0:27:24 | 0:27:28 | |
In a slightly busier bit of the county, | 0:27:32 | 0:27:36 | |
Charles is on the search for just one more shop | 0:27:36 | 0:27:39 | |
in the market town of Royal Wootton Bassett. It joined Leamington | 0:27:39 | 0:27:43 | |
and Tunbridge Wells in getting that rare prefix in 2011. | 0:27:43 | 0:27:47 | |
Wow. How are you? | 0:27:48 | 0:27:49 | |
-I'm doing very good. -You must be Ed, as in the front door. | 0:27:49 | 0:27:53 | |
-As in "eddintheclouds". -Eddintheclouds. Great. | 0:27:53 | 0:27:55 | |
Perhaps the name refers to the almost virtual nature | 0:27:55 | 0:27:58 | |
of Ed's business, with quite a bit sold online, but Charles, | 0:27:58 | 0:28:02 | |
despite his now limited funds, is certainly enjoying a close look. | 0:28:02 | 0:28:06 | |
-I love your little chair over here. -The little Orkney one? | 0:28:06 | 0:28:08 | |
-Liberty and Co. -Just tell me. We call it an Orkney chair why? | 0:28:08 | 0:28:12 | |
-They were made in Orkney. -Were they? -They were. | 0:28:12 | 0:28:14 | |
Liberty were shipping probably about a couple of hundred a month | 0:28:14 | 0:28:17 | |
-but they're just a classic... -Isn't that a gorgeous chair? | 0:28:17 | 0:28:20 | |
-Circa 1910? -1900, 1910. -The best price would be...? | 0:28:20 | 0:28:25 | |
I would probably say 190. | 0:28:25 | 0:28:28 | |
Oh, I wish I hadn't spent all my money earlier on. Oh, no. | 0:28:28 | 0:28:31 | |
I can't afford it! | 0:28:31 | 0:28:32 | |
And if you can't stretch to the chair, | 0:28:32 | 0:28:34 | |
don't even think about this hallstand. | 0:28:34 | 0:28:37 | |
This is in that Voysey, Art Nouveau... | 0:28:37 | 0:28:39 | |
-It's Shapland & Petter. -Shapland & Petter. -From their catalogues. -Oh... | 0:28:39 | 0:28:43 | |
If I guessed, I would have thought you would retail that today for... | 0:28:43 | 0:28:48 | |
-£1,250. -You are bang on. -1,250. There we go. | 0:28:48 | 0:28:52 | |
OK, Raj, watch me. I can play big, as well. | 0:28:52 | 0:28:56 | |
Time for Ed to point Charles towards something more affordable | 0:28:56 | 0:29:00 | |
-I think I've got a stool for you. -Have you? -Yes. -This one here? | 0:29:00 | 0:29:03 | |
Yeah. Again, it's most likely Liberty & Co. | 0:29:03 | 0:29:05 | |
-The coffee stool is what they were sold as originally. -So, this is a Liberty retail stool? | 0:29:05 | 0:29:09 | |
-Yeah, Liberty, in the 1880s, were into this kind of... -Moorish... | 0:29:09 | 0:29:14 | |
Moorish look. | 0:29:14 | 0:29:15 | |
Funnily enough, I spoke to a gentleman who possibly thinks | 0:29:15 | 0:29:18 | |
-these were possibly made in Tunbridge Wells. -Really? | 0:29:18 | 0:29:20 | |
Yeah, when the Tunbridge Ware market declined. | 0:29:20 | 0:29:22 | |
You've got almost this Islamic Moorish-influenced top | 0:29:22 | 0:29:26 | |
in mother-of-pearl, in ebony. But over the years, | 0:29:26 | 0:29:30 | |
the mosaic has become lost and the jigsaw is very incomplete... | 0:29:30 | 0:29:35 | |
-Yeah, sadly. -..because there's no bits to go with it now. | 0:29:35 | 0:29:38 | |
-I like this but it is tired. -Somebody could have a go, | 0:29:38 | 0:29:42 | |
peel the tops off and have a cute little stool with that. | 0:29:42 | 0:29:45 | |
Yeah. I think it's quite attractive. How much is it? | 0:29:45 | 0:29:48 | |
In that condition, £25. | 0:29:48 | 0:29:50 | |
-Goodness me. -That is affordable. -You can't say no to that. -No. | 0:29:50 | 0:29:54 | |
Let me give it some thought. There was one thing just downstairs | 0:29:54 | 0:29:57 | |
that caught my eye, and what I'm quite tempted to do | 0:29:57 | 0:30:00 | |
-is put the two together and see what price we come out at. -Okey doke. | 0:30:00 | 0:30:04 | |
Now we're getting somewhere. What's he spotted down there? | 0:30:04 | 0:30:07 | |
Aah, some proper Tunbridge. | 0:30:07 | 0:30:10 | |
Here we have got a complete micro-mosaic of parquetry, | 0:30:10 | 0:30:14 | |
inlaid in rosewood and ebony, and this I presume is a clothes brush? | 0:30:14 | 0:30:18 | |
-Yeah. -Yeah, a clothes brush of probably 1900, 1910, | 0:30:18 | 0:30:23 | |
made in Tunbridge Ware. How much could that be? | 0:30:23 | 0:30:26 | |
-It's £15. -£15, yeah. Do you now to use a clothes brush, Ed? | 0:30:26 | 0:30:30 | |
-Barely. -No, well, you ought to. No, I'm only... | 0:30:30 | 0:30:34 | |
So, what I'd like to do is make you an offer for the Liberty stool | 0:30:34 | 0:30:39 | |
-upstairs... -Yup. -..and this small clothes brush. | 0:30:39 | 0:30:43 | |
If I said to you, "Eddie, I'll take the two", | 0:30:43 | 0:30:46 | |
could you give me any discount on the two together? | 0:30:46 | 0:30:50 | |
-What could you do for me? -Oh... | 0:30:50 | 0:30:54 | |
-How about if I said to you 30? -That's really good. | 0:30:54 | 0:30:57 | |
Yeah, I'd be silly to say no. | 0:30:57 | 0:31:01 | |
-Thanks a lot. -Good luck with them. | 0:31:01 | 0:31:03 | |
Thanks a lot. I'm delighted. That's great. | 0:31:03 | 0:31:05 | |
It's not bad, Charles. Now, whither Raj? | 0:31:05 | 0:31:09 | |
Remember his flying start? | 0:31:09 | 0:31:11 | |
He already has quite enough for the auction, thanks very much, | 0:31:11 | 0:31:14 | |
but just in case, he's come to Devizes, | 0:31:14 | 0:31:17 | |
that charming Wiltshire market town, to see if he can manage | 0:31:17 | 0:31:19 | |
just one more purchase. | 0:31:19 | 0:31:21 | |
-SHOP DOORBELL RINGS Hi, I'm Raj. -I'm John. | 0:31:21 | 0:31:24 | |
-Pleased to meet you. -Nice to meet you, John. | 0:31:24 | 0:31:26 | |
-What a lovely shop you've got here. -Thank you very much. | 0:31:26 | 0:31:28 | |
I'm sure he says that to all the proprietors | 0:31:28 | 0:31:31 | |
but this time, he surely means it. | 0:31:31 | 0:31:33 | |
There's got to be a bargain or two tucked away in here. | 0:31:33 | 0:31:35 | |
You've got a nice big collection of apothecary jars. | 0:31:35 | 0:31:38 | |
I cleared a chemist shop that had been stored up since about the 1950s. | 0:31:38 | 0:31:44 | |
These are quite collectable as well, some of these. | 0:31:44 | 0:31:46 | |
They are. They're almost a museum in one piece. | 0:31:46 | 0:31:49 | |
-There's a few headache cures in there. -Yeah, I bet, I bet. | 0:31:49 | 0:31:54 | |
That's a no to the jars then. What is his game? | 0:31:54 | 0:31:57 | |
I was very nervous at the start, to be perfectly honest, | 0:31:57 | 0:32:00 | |
and up against Charles, as well... | 0:32:00 | 0:32:01 | |
He's a tough cookie, so I've decided to tread softly at the moment. | 0:32:01 | 0:32:06 | |
I wonder if he's got any silver downstairs. | 0:32:06 | 0:32:08 | |
Ah, well, in that case. Yes, that one. | 0:32:08 | 0:32:12 | |
It's a pretty little Art Nouveau silver rose vase, | 0:32:12 | 0:32:16 | |
is what I would call it, and it's got a few dents on it, | 0:32:16 | 0:32:22 | |
but it's quite pretty. It's priced at £45, which I think that John knows... | 0:32:22 | 0:32:29 | |
It's a little bit on the heavy side. What could be the best on it? | 0:32:29 | 0:32:33 | |
30 quid. You're right, it's a little bit dinked. | 0:32:33 | 0:32:37 | |
What other silver have you got? | 0:32:37 | 0:32:38 | |
That's a nice little silver sugar shaker, isn't it? | 0:32:38 | 0:32:42 | |
The hallmark is extremely rubbed and I would say | 0:32:42 | 0:32:45 | |
that its period was... | 0:32:45 | 0:32:47 | |
maybe only just. I would say this is probably turn-of-the-century. | 0:32:47 | 0:32:51 | |
What would be the best on this? | 0:32:51 | 0:32:53 | |
Well, as it just got here, I could probably flip that for 160. | 0:32:53 | 0:32:59 | |
That's not a bad price but you have to remember, | 0:32:59 | 0:33:01 | |
this is my first Roadtrip, OK, so a lot hangs on this for me, | 0:33:01 | 0:33:05 | |
so I need a little bit of help along the way. | 0:33:05 | 0:33:07 | |
-I'll give you a little bit of beginner's luck. -OK. | 0:33:07 | 0:33:09 | |
I'll do that for 135 and that's the death on it. | 0:33:09 | 0:33:13 | |
He's got the cash, but he's sticking to his cautious tactics. | 0:33:13 | 0:33:17 | |
-Back to the vase. -Can you do a bit better on that for me? -28. | 0:33:17 | 0:33:21 | |
-How about 20? -It's too tight. -20 is too tight? | 0:33:21 | 0:33:25 | |
-Cos it is damaged. -I know. -And I'm going to have to sell it | 0:33:25 | 0:33:27 | |
-with something else. -It's...a little bit low. | 0:33:27 | 0:33:31 | |
Shall we say 24 and we've got a deal? | 0:33:31 | 0:33:35 | |
-We've got a deal. -OK. -Thank you very much indeed. Lovely. | 0:33:35 | 0:33:39 | |
A final canny buy for our Raj. | 0:33:39 | 0:33:42 | |
Now, let's remind ourselves what they both acquired. | 0:33:42 | 0:33:45 | |
Charles spent £172 on a silver dish, | 0:33:46 | 0:33:50 | |
a ewe, a Liberty table, | 0:33:50 | 0:33:54 | |
a George III tray and a clothes brush, | 0:33:54 | 0:33:57 | |
while Raj parted with just £79 for some sconces, | 0:33:57 | 0:34:02 | |
egg timers, a water bottle, | 0:34:02 | 0:34:05 | |
a riding crop and some silver. | 0:34:05 | 0:34:08 | |
So, what did they make of all that lot? | 0:34:08 | 0:34:10 | |
He knows the game. He's been here before | 0:34:10 | 0:34:13 | |
and, to be honest, it's a nice parcel. | 0:34:13 | 0:34:16 | |
I wouldn't say he's bought knobbly knick-knacks, | 0:34:16 | 0:34:19 | |
but he's bought some very small lots. | 0:34:19 | 0:34:22 | |
I know I've played cautious, but... | 0:34:22 | 0:34:25 | |
fingers crossed it should be OK. | 0:34:25 | 0:34:27 | |
He was telling me in the car how he's spent in the past, £1,000 | 0:34:27 | 0:34:30 | |
for this, £5,000 for that and in fact his table top | 0:34:30 | 0:34:34 | |
in our first road trip is very much £5 that, £10 that. | 0:34:34 | 0:34:38 | |
Charles has bought well, but watch out for the newbie. | 0:34:38 | 0:34:42 | |
After setting off from Corsham, | 0:34:42 | 0:34:44 | |
our experts are now heading | 0:34:44 | 0:34:45 | |
for their first auction | 0:34:45 | 0:34:46 | |
at Winchcombe in Gloucestershire. | 0:34:46 | 0:34:48 | |
-# Heigh-ho -Heigh-ho! | 0:34:48 | 0:34:51 | |
# Heigh-ho! # | 0:34:51 | 0:34:53 | |
# Heigh-ho, heigh-ho, it's off to auction we go. | 0:34:53 | 0:34:57 | |
-See, you can sing! -Well, I can do Heigh-ho. | 0:34:57 | 0:35:00 | |
Designated as a walker-friendly town, Winchcombe features | 0:35:00 | 0:35:04 | |
on six long-distance footpaths, including the 102-mile Cotswold Way. | 0:35:04 | 0:35:10 | |
-This is it. -Here we go. -We've built our foundations on this, OK? | 0:35:10 | 0:35:14 | |
-High five. -Good luck. | 0:35:14 | 0:35:17 | |
Welcome to British Bespoke Auctions, home of the famous Bella. | 0:35:17 | 0:35:21 | |
Pretty, ain't she? | 0:35:21 | 0:35:22 | |
I wonder what auctioneer Nicholas Granger makes of our lot's lots. | 0:35:22 | 0:35:26 | |
There's a couple that are a bit dodgy, if I can say that word. | 0:35:26 | 0:35:30 | |
The little table, the Liberty-style table needs a lot of work to it. | 0:35:30 | 0:35:34 | |
There's a couple of little silver items, | 0:35:34 | 0:35:36 | |
which are quite nice but damaged again. | 0:35:36 | 0:35:38 | |
They're worth something but how much will they do on the day? We'll see later. | 0:35:38 | 0:35:41 | |
My favourite is definitely the 18th-century Persian silver dish. | 0:35:41 | 0:35:45 | |
I think that is spectacular. I think that's going to do well. | 0:35:45 | 0:35:47 | |
-That would be my tip for the day. -So, who will win the first round? | 0:35:47 | 0:35:53 | |
Roadtrip regular or our brand-new boy? | 0:35:53 | 0:35:55 | |
Just have a quick look round at the people in here. | 0:35:55 | 0:35:58 | |
They're smiling away. Hello, madam. She's here. We'll be OK. | 0:35:58 | 0:36:03 | |
We're starting off with Raj's sconces. | 0:36:03 | 0:36:05 | |
I'm going to start off here with a commission bid. | 0:36:05 | 0:36:07 | |
-With me at £35 on the book. -Wow. -At 35, 38, 40. | 0:36:07 | 0:36:11 | |
40 now with me. Looking for 42, and 2 and 5 | 0:36:11 | 0:36:14 | |
and 50, 55. £55 we have. | 0:36:14 | 0:36:17 | |
-At £55. -Wow. -Do we get £60? Have we got 60 in the room? | 0:36:17 | 0:36:23 | |
Raj is jumping up and down. We've got 50 here. We need £60. | 0:36:23 | 0:36:26 | |
I'm going to give fair warning with the sconces at £55. Are we sure? | 0:36:26 | 0:36:31 | |
-Going once, twice... -Well-played. | 0:36:31 | 0:36:33 | |
-At £55... -GAVEL BANGS | 0:36:33 | 0:36:35 | |
-..sold. Thank you. -Well done. -Thank you. -Well done. | 0:36:35 | 0:36:38 | |
-The first of many, I'm sure. -I can relax now. -That's amazing! £55. | 0:36:38 | 0:36:42 | |
What a start. You've almost doubled up. | 0:36:42 | 0:36:45 | |
Now for Charles's bargain Tunbridge Ware brush. | 0:36:45 | 0:36:48 | |
-If this doesn't make £40... -Get out of here! | 0:36:48 | 0:36:50 | |
..you're going to have to hold me back | 0:36:50 | 0:36:52 | |
cos I'm going to put my hands up, OK? | 0:36:52 | 0:36:54 | |
Brush yourselves down with this one. With the bidding at £30. | 0:36:54 | 0:36:57 | |
-Oh, wow! -Commission bid. Looking for 32 now. -Let's go. | 0:36:57 | 0:37:01 | |
-We're looking for a 32. -Come on. -32, 35, and £38 here. | 0:37:01 | 0:37:04 | |
£38 we've got now. It's got to be worth 40, surely? | 0:37:04 | 0:37:07 | |
-Charlie, it's got to be worth 40. -I hope so. -We've got 38 here then. | 0:37:07 | 0:37:10 | |
We're going to sell it at £38 then. | 0:37:10 | 0:37:13 | |
-Going once and the hammer goes down. Sold. Thank you. -That's good. | 0:37:13 | 0:37:17 | |
More profits. We started well. | 0:37:17 | 0:37:19 | |
-So, you're ahead. -It's amazing. -So now I'm playing catch up. | 0:37:19 | 0:37:22 | |
Well, reach for your whip then, Raj. Another cracking buy. | 0:37:22 | 0:37:26 | |
Commission bids on this, ladies and gentlemen, | 0:37:26 | 0:37:29 | |
-at £28. At 28, now looking for 30. -That's awesome. | 0:37:29 | 0:37:32 | |
32, 35, 38, | 0:37:32 | 0:37:33 | |
42 with you. £42. We have £42 in the room now on my left at 42. | 0:37:33 | 0:37:37 | |
-That's awesome, well done. -With you in the room at £42. | 0:37:37 | 0:37:40 | |
And 45 sitting down, sir, on my right. At 45 and 8? | 0:37:40 | 0:37:43 | |
At 48 here. Looking for 50. Do I have 50 on the net? | 0:37:43 | 0:37:45 | |
I've got 48 in the room then. | 0:37:45 | 0:37:47 | |
I'm going to crack the whip at £48 then. | 0:37:47 | 0:37:49 | |
-GAVEL BANGS -Sold. | 0:37:49 | 0:37:50 | |
-That's massive. -Yeah, I'm pleased with that. -Who is this guy? | 0:37:50 | 0:37:53 | |
Advantage Raj. Will Charles's George III tray carry all before it? | 0:37:53 | 0:37:59 | |
Who'll start me on this at £20? £20 we're looking for. | 0:37:59 | 0:38:02 | |
-It needs a little bit of repair but it's a nice tray. -Thanks, mate. | 0:38:02 | 0:38:04 | |
-Thanks, mate! How are you? -At £20. Looking for 22 elsewhere. | 0:38:04 | 0:38:08 | |
Have I got 22 in the room or at home? | 0:38:08 | 0:38:10 | |
-It's a George III tray, ladies and gentlemen. -Oh, it's wonderful. | 0:38:10 | 0:38:13 | |
-I'm looking for £22. -Good man! -22 we've got now | 0:38:13 | 0:38:16 | |
and 25, you're going to go. Now I'm looking for 28. | 0:38:16 | 0:38:19 | |
Thank you, sir, you're a good man. | 0:38:19 | 0:38:21 | |
-We will sell then... -That's a good price. -It's cheap, it's cheap. | 0:38:21 | 0:38:24 | |
-GAVEL BANGS -Sold to the room. | 0:38:24 | 0:38:25 | |
You're a good man. Thanks a lot. | 0:38:25 | 0:38:28 | |
I'm going to try that on my next thing, OK? | 0:38:28 | 0:38:30 | |
So, could I have some support? | 0:38:30 | 0:38:33 | |
Worth a try, Raj. Maybe on your egg timers. | 0:38:33 | 0:38:37 | |
Start the bidding on those, shall we? At £20, we're looking for. | 0:38:37 | 0:38:40 | |
Looking for £20 in the room. OK, 15 I'll take. | 0:38:40 | 0:38:43 | |
-£50? 50? -15. -How much? | 0:38:43 | 0:38:47 | |
..at £18 in the room. Now I'm looking for 20. | 0:38:47 | 0:38:49 | |
-Brilliant. That's massive profit. Well done. -Shh! | 0:38:49 | 0:38:51 | |
I'm not finished yet, I'm not finished yet. | 0:38:51 | 0:38:53 | |
At 25 sitting down here. Looking for 28 elsewhere. | 0:38:53 | 0:38:56 | |
28 on the net now. 28 and 30, sir? | 0:38:56 | 0:38:59 | |
£30 sitting down. | 0:38:59 | 0:39:00 | |
-W-w-wait, I'm hoping that it's not over. -One more bid perhaps? | 0:39:00 | 0:39:04 | |
-One more bid? -I'm going to sell then at £30... | 0:39:04 | 0:39:06 | |
-GAVEL BANGS -..to the room. Thank you. | 0:39:06 | 0:39:08 | |
He kept quiet, but they still picked up a profit. | 0:39:08 | 0:39:11 | |
Can Charles's Liberty table match it? | 0:39:11 | 0:39:13 | |
-I could be in trouble. Here we go. -Here we go. -Pray, Hansen. | 0:39:13 | 0:39:16 | |
Don't look round. Cut that out. | 0:39:16 | 0:39:19 | |
-A low cheeky bid at £15. -Oh! -At £15. -Oh! -Shh... | 0:39:19 | 0:39:23 | |
Looking for 18. At 18 with you, sir, in the room... | 0:39:23 | 0:39:25 | |
-You've done it, you've done it. -I'm still down. | 0:39:25 | 0:39:28 | |
Would you like to go, sir? 28, would you like to go? | 0:39:28 | 0:39:30 | |
-28 now with you at £28... -I'm still very down. | 0:39:30 | 0:39:34 | |
-..at 28 on my right. At 28 bid. -Hello, the world. You're out. | 0:39:34 | 0:39:38 | |
Going once, twice at £28 to the gentleman in the room. | 0:39:38 | 0:39:42 | |
-GAVEL BANGS -Sold. Thank you. | 0:39:42 | 0:39:43 | |
Someone's got a bargain. Now for Raj's little silver collection. | 0:39:43 | 0:39:48 | |
-It's a good lot. Will it make £100? -No. Oh, shut up. | 0:39:48 | 0:39:51 | |
-You're just winding me up now. -Who's going to start the bidding at £15? | 0:39:51 | 0:39:54 | |
-At 15, we've got here straight away. -Profit. Is that profit? -No. | 0:39:54 | 0:39:57 | |
We've got £15 on this for Raj. Have we got 18 elsewhere? At 18. | 0:39:57 | 0:40:01 | |
-We've got £15 only, in the room or at home. -The game's on now. -At £18. | 0:40:01 | 0:40:05 | |
I'll sell at 15 then. A bargain. And 18 on the net now. | 0:40:05 | 0:40:08 | |
We've got 18 in now. Thank you, at 18. Looking for... | 0:40:08 | 0:40:11 | |
-High-five. High-five. -No, no. Shh! Be quiet, you. | 0:40:11 | 0:40:13 | |
At £18 to the net... Sold. Thank you. | 0:40:13 | 0:40:16 | |
-Off we go! -HE GROANS | 0:40:16 | 0:40:18 | |
That's his first loss. | 0:40:18 | 0:40:20 | |
HE BLEATS Sorry? | 0:40:20 | 0:40:23 | |
-HE BLEATS -I hear the big bleat, don't I? | 0:40:23 | 0:40:26 | |
Quite. Charles's favourite ewe. Was she a bit of a gabble? | 0:40:26 | 0:40:31 | |
I'm praying. This could flop. | 0:40:31 | 0:40:32 | |
I'm looking for £30 in the room or at home. It is Derby. | 0:40:32 | 0:40:35 | |
-You've got a commission at 15. -I'm in trouble. I'm in trouble. | 0:40:35 | 0:40:39 | |
Looking for £18 in the room or on the net. At £15 a commission bid. | 0:40:39 | 0:40:42 | |
At 18 sitting down in the room. At 18 now. At 18. Looking for a 20. | 0:40:42 | 0:40:47 | |
-Thank you, 20 in the room now. -Oh, no. -Now at £20 and 2? | 0:40:47 | 0:40:50 | |
Would you like to go, sir? At 22. | 0:40:50 | 0:40:52 | |
And 5? Are you sure? | 0:40:52 | 0:40:54 | |
-Oh, I don't believe it. -At £22 in the room then. | 0:40:54 | 0:40:57 | |
Going once, twice at £22 on the sheep. | 0:40:57 | 0:41:01 | |
-GAVEL BANGS -Sold. | 0:41:01 | 0:41:02 | |
No words necessary. Charles has made a big loss. | 0:41:03 | 0:41:07 | |
But can Raj take advantage with yet another bargain buy? | 0:41:08 | 0:41:12 | |
Starting the bidding at £15. We have on that at 15. | 0:41:12 | 0:41:15 | |
Looking for 18 elsewhere. At 15 now. I'm looking for £18. | 0:41:15 | 0:41:18 | |
It must be worth more. At 18 in the room, sir, thank you very much. | 0:41:18 | 0:41:21 | |
At £18 with you. Looking for 20 now. | 0:41:21 | 0:41:23 | |
At £18, we're going to sell. Once, twice, at £18... | 0:41:23 | 0:41:27 | |
-Get it down. -..hammer down. Charles says, "Hammer down." | 0:41:27 | 0:41:29 | |
-Sold! -That'll do. Thank you, that's OK. | 0:41:29 | 0:41:32 | |
-That's good. Happy? Look at me. -Yeah. | 0:41:32 | 0:41:34 | |
A tidy return but it all comes down to the Persian silver, | 0:41:34 | 0:41:38 | |
Charles's biggest buy. The auctioneer's tip, too. | 0:41:38 | 0:41:42 | |
-Don't worry, Charles. It's going to be all right, OK? -All right. Thanks. | 0:41:42 | 0:41:46 | |
Commission bids on this, ladies and gentlemen. At £120 starting. | 0:41:46 | 0:41:50 | |
-Get in. We're in business. -130. Looking for 140, 150... | 0:41:50 | 0:41:55 | |
-Let the net run now. -Come on, then! -160, 170, 180. | 0:41:55 | 0:41:58 | |
180 now. Looking for 190. 190 now on the net, 190. | 0:41:58 | 0:42:01 | |
-I'm pumped up. -That'll be 220. -Let's go. -200 we've got here. | 0:42:01 | 0:42:05 | |
-At 200 and 220 now. -Come on then! -At 220, 220, 240 now. | 0:42:05 | 0:42:09 | |
-240 bid! -This is good. -Yeah. | 0:42:09 | 0:42:12 | |
..at 240. We're looking for 260. | 0:42:12 | 0:42:16 | |
Once, twice, at £240... | 0:42:16 | 0:42:20 | |
-Sold. -Thanks a lot. Thanks, auctioneer. -Well done. | 0:42:20 | 0:42:22 | |
-Thanks a lot, chief. Thanks very much. -That's a good buy. | 0:42:22 | 0:42:24 | |
Charles's boldness pays off and the old hand wins the day. | 0:42:24 | 0:42:29 | |
-Come on, mate. -HE GROANS | 0:42:29 | 0:42:31 | |
Raj, who started out with £200, made, after paying auction costs, | 0:42:32 | 0:42:37 | |
a profit of £59.58, | 0:42:37 | 0:42:40 | |
leaving him with £259.58 to spend next time, | 0:42:40 | 0:42:45 | |
while Charles began with the same sum, and after paying auction costs, | 0:42:45 | 0:42:49 | |
he made a profit of £117.46 | 0:42:49 | 0:42:53 | |
so he takes an early lead with £317.46. | 0:42:53 | 0:42:58 | |
-I'm getting the idea now. -You are, yeah. -So, game on. -Ah, the sunshine. | 0:42:58 | 0:43:03 | |
-Don't tell me, it reminds you of Persia. -What a day. | 0:43:03 | 0:43:06 | |
Next on Antiques Roadtrip, there's double deals... | 0:43:08 | 0:43:11 | |
How much are they for the pair? | 0:43:11 | 0:43:12 | |
-£100. -And between friends? -110. -CHARLES LAUGHS | 0:43:12 | 0:43:16 | |
-..and car-boot sales. -Raj? -Keep your eyes closed. | 0:43:16 | 0:43:20 | |
What's going in the boot? There's a fair weight in there. | 0:43:20 | 0:43:22 |