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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do! SHE BEEPS HORN | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
Well, an old diamond. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game. Charlie! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
Oh! | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Now, you'd think our experts at least would be au fait | 0:00:37 | 0:00:40 | |
with the rules of the Antiques Road Trip. | 0:00:40 | 0:00:41 | |
I really ought to buy something that might make a profit. | 0:00:41 | 0:00:45 | |
-There's a thought. -It certainly is. | 0:00:45 | 0:00:47 | |
Although, in truth, Paul Laidlaw's grasped the nettle this week. | 0:00:47 | 0:00:50 | |
-Is it expensive? -Oh, no. | 0:00:50 | 0:00:52 | |
While Christina Trevanion has been badly stung. | 0:00:52 | 0:00:55 | |
Ah! Have I won anything... | 0:00:55 | 0:00:58 | |
-this week? -You've won my respect. | 0:00:58 | 0:01:01 | |
Ha! So, losing 4-0 and over £600 adrift, | 0:01:01 | 0:01:05 | |
Christina sets out on the final leg with mixed feelings. | 0:01:05 | 0:01:08 | |
There's the part of me that is going to miss you, | 0:01:09 | 0:01:13 | |
just so lovely to be with. | 0:01:13 | 0:01:15 | |
And then there's the part of me that is not going to miss being | 0:01:15 | 0:01:18 | |
hammered at every single auction that we go to. | 0:01:18 | 0:01:21 | |
Oh! | 0:01:21 | 0:01:22 | |
Yes, Christina's so far managed to shrink her £200 stake | 0:01:22 | 0:01:26 | |
to just £145.90. | 0:01:26 | 0:01:30 | |
While Paul, who began with the same sum, has done very much | 0:01:30 | 0:01:33 | |
the opposite, starting our final leg | 0:01:33 | 0:01:37 | |
with £750.96 at his disposal. | 0:01:37 | 0:01:39 | |
Beep, beep. How do we honk? | 0:01:39 | 0:01:42 | |
I've not sussed honking yet. | 0:01:42 | 0:01:43 | |
-Where's honking? -Over there. | 0:01:43 | 0:01:45 | |
-Oh! -Press harder. | 0:01:45 | 0:01:49 | |
Our trip began in Clare, in Suffolk, | 0:01:49 | 0:01:51 | |
before careering around the heart of England | 0:01:51 | 0:01:53 | |
and then heading north, to end up at a Cheshire auction in Northwich. | 0:01:53 | 0:01:58 | |
Today, the HMC Mark IV starts out in the Staffordshire city of Lichfield | 0:01:58 | 0:02:02 | |
and motors towards that date with destiny | 0:02:02 | 0:02:05 | |
in the aforementioned Northwich. | 0:02:05 | 0:02:08 | |
Now, if our two rummagers do ever look up whilst in Lichfield, | 0:02:08 | 0:02:13 | |
they will be awarded with the sight of the only medieval English | 0:02:13 | 0:02:17 | |
cathedral boasting three spires. How's that?! | 0:02:17 | 0:02:20 | |
But first things first, and they are in this one together. | 0:02:20 | 0:02:24 | |
This is my last chance to impress you. | 0:02:24 | 0:02:27 | |
You don't need to try! | 0:02:27 | 0:02:30 | |
-Oh, I think I do. -Yes, really, she does. -Here we are. | 0:02:30 | 0:02:35 | |
Lichfield Antiques Centre. And good morning. Hello. Who are you? | 0:02:35 | 0:02:39 | |
-I'm Paul. -Paul. Oh, Paul. -That's a name I won't forget for once. | 0:02:39 | 0:02:44 | |
-I love it. -Hang on a second, your OCD says you have to go clockwise. | 0:02:44 | 0:02:48 | |
-Yes. -OK, see you later. THEY LAUGH | 0:02:48 | 0:02:51 | |
Not really. He's just very particular. | 0:02:51 | 0:02:53 | |
Could always count his profits to calm down, though. | 0:02:53 | 0:02:56 | |
These two do face very different problems. | 0:02:56 | 0:02:58 | |
I do have to be very tactical, don't I, this time? Very tactical. | 0:02:58 | 0:03:03 | |
-If I'm to regain a shred of dignity whatsoever. -So, not spend much then? | 0:03:03 | 0:03:08 | |
Whether I've got 200 or £700 to spend, my outlook is the same, | 0:03:08 | 0:03:12 | |
-I kid you not. -We'll see. | 0:03:12 | 0:03:14 | |
Now, what's first out of the cabinets, then? | 0:03:14 | 0:03:17 | |
Isn't that lovely? | 0:03:17 | 0:03:19 | |
Black Forest wares are really, really popular at the moment. | 0:03:19 | 0:03:22 | |
The carved animals, you know, those wonderful bear and mother groups. | 0:03:22 | 0:03:25 | |
The term "Black Forest carving" actually originated | 0:03:25 | 0:03:28 | |
in Switzerland in the early 1800s, and they weren't overly fashionable, | 0:03:28 | 0:03:32 | |
but in the last sort of 10 or 15 years, | 0:03:32 | 0:03:34 | |
they've gone massively fashionable | 0:03:34 | 0:03:35 | |
and are achieving some really fantastic prices at auction. | 0:03:35 | 0:03:38 | |
That's fab, I like that. | 0:03:38 | 0:03:40 | |
-How much is on that? -That he has got...45. -45. | 0:03:40 | 0:03:46 | |
-And is there any flexibility on price on that? -I could do that for 40. | 0:03:46 | 0:03:50 | |
Mmm, got anything cheaper? | 0:03:50 | 0:03:51 | |
I love these. Little Rolls-Royce condiments. | 0:03:53 | 0:03:56 | |
-Yes. -So, so sweet. | 0:03:56 | 0:03:58 | |
You just can't mistake that Rolls-Royce logo, can you? | 0:03:58 | 0:04:02 | |
And my father, bless him... I grew up with lots of Rolls-Royce | 0:04:02 | 0:04:05 | |
memorabilia around our house, because my dad was an apprentice | 0:04:05 | 0:04:08 | |
to Rolls-Royce, in Crewe, in the 1960s and '70s. | 0:04:08 | 0:04:10 | |
Much cheaper, £10 for those. | 0:04:10 | 0:04:13 | |
It really does bring back a lot of childhood memories, | 0:04:13 | 0:04:17 | |
which is worrying because am I buying them with my heart? Probably yes. | 0:04:17 | 0:04:21 | |
But I think there is quite a healthy collectors club for Rolls-Royce memorabilia. | 0:04:21 | 0:04:26 | |
Oh, yeah. Good point. Especially as the auction is online. | 0:04:26 | 0:04:30 | |
Now, that's very Paul. See what I mean? | 0:04:30 | 0:04:33 | |
So, I spy what looks like a mid-20th century | 0:04:33 | 0:04:38 | |
Bakelite cased office wall clock, | 0:04:38 | 0:04:41 | |
made by Smiths. Big manufacturer of such clocks. | 0:04:41 | 0:04:44 | |
But what's odd about that clock, that's not a 12 hour sweep, | 0:04:44 | 0:04:50 | |
that is a 20 minute sweep. | 0:04:50 | 0:04:53 | |
So what on earth am I looking at? | 0:04:53 | 0:04:56 | |
"I don't know" is the answer. Until we look at the price tag. | 0:04:56 | 0:05:00 | |
It tells us, "Very rare." | 0:05:00 | 0:05:02 | |
Well, I get that. | 0:05:02 | 0:05:04 | |
"World War II RAF darkroom 20 minute clock, | 0:05:04 | 0:05:09 | |
"used when developing photographs taken over enemy territory." | 0:05:09 | 0:05:13 | |
So, not only is it a sort of clock, but militaria, too. | 0:05:13 | 0:05:17 | |
Two of his favourite boxes ticked. | 0:05:17 | 0:05:19 | |
CLOCK RINGS | 0:05:19 | 0:05:21 | |
And apparently it's got an alarm feature as well. | 0:05:21 | 0:05:24 | |
HE LAUGHS | 0:05:24 | 0:05:25 | |
What have I done? | 0:05:25 | 0:05:27 | |
CLOCK RINGS | 0:05:27 | 0:05:28 | |
Blimey. | 0:05:28 | 0:05:29 | |
I suspect, to some collector, this is a good buy at £85. | 0:05:29 | 0:05:34 | |
Now my fear is, it is so obscure | 0:05:34 | 0:05:38 | |
and so utterly useless, | 0:05:38 | 0:05:39 | |
that's maybe not such a bargain as we might think. | 0:05:39 | 0:05:43 | |
There's only one way to find out, Paul. | 0:05:43 | 0:05:46 | |
Meanwhile, Christina is about to turn on the charm. Watch this. | 0:05:46 | 0:05:49 | |
Chris? It's beautiful, isn't it? | 0:05:49 | 0:05:51 | |
Well, I mean, apart from the damage | 0:05:51 | 0:05:53 | |
and, you know, it is very broken, isn't it? And pretty ugly. | 0:05:53 | 0:05:57 | |
You don't really want to keep it, do you? | 0:05:57 | 0:05:59 | |
SHE LAUGHS | 0:05:59 | 0:06:01 | |
Can we say 25? | 0:06:01 | 0:06:03 | |
Is that all right? | 0:06:05 | 0:06:07 | |
You're a legend. He said 25 is fine. | 0:06:07 | 0:06:10 | |
Brilliant, Chris, you are an angel, thank you so much, have a lovely day. | 0:06:10 | 0:06:13 | |
Good price. Now, what about the Rolls-Royce of condiments? | 0:06:13 | 0:06:17 | |
-Or something like that. -OK, thank you. He said eight. -Eight. | 0:06:17 | 0:06:22 | |
Can I phone... Can I speak to him? Ian, right, come on, Ian. | 0:06:22 | 0:06:25 | |
-Come on, give us the double whammy. -Hi, Ian. | 0:06:25 | 0:06:27 | |
-Christina would like to talk to you. -Thank you. | 0:06:27 | 0:06:30 | |
Hi, Ian, how are you? | 0:06:30 | 0:06:33 | |
I do like them, but I'm thinking more sort of a fiver, really, | 0:06:33 | 0:06:36 | |
would probably be more my budget. What's your thoughts? | 0:06:36 | 0:06:40 | |
You're an angel. Thank you so much. So we'll say £5. | 0:06:40 | 0:06:43 | |
I know, you're going to go to heaven, darling, I promise. SHE LAUGHS | 0:06:43 | 0:06:46 | |
£30 in total, and she's managing very well so far on limited means. | 0:06:46 | 0:06:51 | |
But what about old moneybags? | 0:06:54 | 0:06:57 | |
-My problem with it is, it ain't a clock. -No. | 0:06:57 | 0:07:01 | |
You cannae hang that onto your kitchen wall, | 0:07:01 | 0:07:03 | |
your office wall and enjoy it. It is redundant because it is a timer. | 0:07:03 | 0:07:07 | |
-Sure, sure. -And you cannae even use it to cook your eggs. | 0:07:07 | 0:07:11 | |
THEY LAUGH | 0:07:11 | 0:07:14 | |
-Is there anyway that price could be worked on? -Yes, yes, we could do something. | 0:07:14 | 0:07:18 | |
I'd love to buy it for 30 quid, something like that. | 0:07:18 | 0:07:20 | |
-I'll see what he says. -Yes, that's all I can ask. | 0:07:20 | 0:07:23 | |
I suspect it might be...a step too far. | 0:07:23 | 0:07:26 | |
So while our Paul carries on looking, | 0:07:26 | 0:07:28 | |
shopkeeper Paul takes to the phones. | 0:07:28 | 0:07:31 | |
Looks like there may be something else to consider too. | 0:07:31 | 0:07:34 | |
This is uber sexy. | 0:07:34 | 0:07:35 | |
Yes, some WMF. | 0:07:35 | 0:07:38 | |
Whose is this stuff? | 0:07:38 | 0:07:40 | |
-This is mine and Madeline's -Really? | 0:07:40 | 0:07:43 | |
-So I'm now talking to the organ grinder? -Yes. -This is better. | 0:07:43 | 0:07:48 | |
He bought some different WMF earlier in the week. Did well, too. | 0:07:48 | 0:07:52 | |
I bought the christening set. | 0:07:52 | 0:07:54 | |
So you are experts on Wurttembergische Metallwarenfabrik, | 0:07:54 | 0:07:57 | |
which rolls off the tongue, of course. Ja? | 0:07:57 | 0:08:00 | |
-IN GERMAN ACCENT: -Ja! Es ist gut. Very interesting, to say the least. | 0:08:00 | 0:08:05 | |
It is slightly scary, to be honest with you. | 0:08:05 | 0:08:07 | |
So we have got this little... It has got to be a whirlpool, | 0:08:07 | 0:08:11 | |
it would be unfair to say it is an eddy, it is stronger than that. | 0:08:11 | 0:08:14 | |
And there is this wee kid caught up in it, and looking | 0:08:14 | 0:08:18 | |
somewhat terrified, because there's a Komodo dragon coming at it. | 0:08:18 | 0:08:23 | |
It is a bizarre concoction, it really is. | 0:08:23 | 0:08:26 | |
But as such, it is a joy. | 0:08:26 | 0:08:29 | |
Quite. The ticket price is £275, plus shopkeeper Paul has managed | 0:08:29 | 0:08:34 | |
to get a £50 price for the clock. | 0:08:34 | 0:08:38 | |
So is our Paul about to splash some of that cash? | 0:08:38 | 0:08:41 | |
I'd like 250 for it. | 0:08:41 | 0:08:44 | |
Don't put it away! | 0:08:44 | 0:08:46 | |
THEY LAUGH | 0:08:46 | 0:08:48 | |
I fear I must. | 0:08:48 | 0:08:50 | |
-Seriously, it is £120 worth to me. -Ah! | 0:08:50 | 0:08:53 | |
That's harsh, harsh. | 0:08:53 | 0:08:54 | |
-If you will make it 180. -It is too strong for me. | 0:08:54 | 0:08:59 | |
I think the very best I could do, and it hurts me, is 150. | 0:08:59 | 0:09:03 | |
-I still think it is too much of a gamble for me. -130. | 0:09:03 | 0:09:07 | |
-Come on, for -£10. You're right, you're right, you're right. | 0:09:07 | 0:09:11 | |
That's 130, plus 50 for the clock. | 0:09:11 | 0:09:14 | |
You can almost hear the cogs whirring. | 0:09:14 | 0:09:17 | |
-I'm ahead of the game, I can take a loss. -Good man. | 0:09:18 | 0:09:21 | |
And he said his pile of cash wouldn't change him. Ha! | 0:09:21 | 0:09:24 | |
Right, I'll follow you and settle my debt. | 0:09:24 | 0:09:28 | |
-Thank you very much. -Pleasure. Next time. | 0:09:28 | 0:09:31 | |
Now, Dr Samuel Johnson was born in Lichfield | 0:09:32 | 0:09:35 | |
and memorably described it as a city of philosophers. | 0:09:35 | 0:09:39 | |
He almost certainly had one particular resident in mind, | 0:09:39 | 0:09:43 | |
and Christina has come to find out about Erasmus Darwin. | 0:09:43 | 0:09:47 | |
-Hello. -Christina. -You must be Tony. -I am Tony. -How lovely to meet you. | 0:09:47 | 0:09:51 | |
-Welcome to Darwin House. -Shall we go have a little look around? -I think we should. -Thank you. | 0:09:51 | 0:09:55 | |
This house was once the home of one of Britain's greatest polymaths, | 0:09:55 | 0:09:59 | |
a highly successful physician, who was also a scientist, | 0:09:59 | 0:10:03 | |
a poet and a naturalist. | 0:10:03 | 0:10:05 | |
Darwin's work had a huge influence on his much more famous relative. | 0:10:05 | 0:10:09 | |
Explain to me about Erasmus Darwin, because I've heard of Charles. | 0:10:09 | 0:10:12 | |
Charles Darwin was born in Shrewsbury, which is my home town. | 0:10:12 | 0:10:15 | |
But I've not heard of Erasmus before? | 0:10:15 | 0:10:18 | |
Erasmus was Charles' grandfather. | 0:10:18 | 0:10:20 | |
We've set the house in 1770, | 0:10:20 | 0:10:23 | |
because it was when he began to talk about evolution. | 0:10:23 | 0:10:26 | |
-In 1770? -In 1770. | 0:10:26 | 0:10:28 | |
-Erasmus was talking about evolution? -He was, yes. | 0:10:28 | 0:10:31 | |
I thought that it was Darwin that was doing evolution, in 18... | 0:10:31 | 0:10:35 | |
-Charles had to get the idea from somewhere. -Really?! | 0:10:35 | 0:10:38 | |
Erasmus Darwin would go on to publish poetry that | 0:10:38 | 0:10:41 | |
expressed his theories about the origins of life. | 0:10:41 | 0:10:44 | |
Controversial stuff in the late 18th century, | 0:10:44 | 0:10:47 | |
but it all began with his fascination with botany. | 0:10:47 | 0:10:50 | |
That picture there was painted in 1756 or thereabouts. | 0:10:50 | 0:10:56 | |
And is of a great bindweed, which is something you see in our hedgerows. | 0:10:56 | 0:11:00 | |
Yeah, I think of it as a quintessentially English or British plant. | 0:11:00 | 0:11:02 | |
Absolutely. But, in the middle of the flower, there's a stripy beetle, | 0:11:02 | 0:11:07 | |
which only occurs in the Caribbean. | 0:11:07 | 0:11:09 | |
Darwin was posed the question, | 0:11:09 | 0:11:11 | |
"How can there be a great bindweed in the Caribbean and in England?" | 0:11:11 | 0:11:14 | |
And normally what you would have said at that stage was, well, | 0:11:14 | 0:11:17 | |
God created one for the Caribbean, and one for us. | 0:11:17 | 0:11:20 | |
What Darwin concluded was that it had developed in the Caribbean | 0:11:20 | 0:11:24 | |
and also developed in England. | 0:11:24 | 0:11:26 | |
That is a tremendous conclusion to come to. | 0:11:26 | 0:11:29 | |
Couple that with some fossils which Josiah Wedgwood sent to Darwin, | 0:11:29 | 0:11:34 | |
and Darwin said, "I really don't understand them. | 0:11:34 | 0:11:37 | |
"What are fish doing in the middle of mountains?" | 0:11:37 | 0:11:39 | |
It was the great age of enlightenment, | 0:11:39 | 0:11:41 | |
and they were working things out. | 0:11:41 | 0:11:43 | |
And they were daring to actually get rid | 0:11:43 | 0:11:45 | |
of the conventions of the past... | 0:11:45 | 0:11:48 | |
-And challenge them? -And challenge them if necessary. | 0:11:48 | 0:11:50 | |
Add to those two things the fact that he noticed | 0:11:50 | 0:11:54 | |
the competition between animals. | 0:11:54 | 0:11:56 | |
Putting all this together, | 0:11:56 | 0:11:58 | |
he really came up with Survival Of The Fittest. | 0:11:58 | 0:12:01 | |
But I thought his grandson was credited with that? | 0:12:01 | 0:12:03 | |
He was credited with it, but it's there, look: | 0:12:03 | 0:12:06 | |
"Organic life, beneath the shoreless waves | 0:12:06 | 0:12:08 | |
"Was born and nurs'd in ocean's pearly caves | 0:12:08 | 0:12:12 | |
"First forms minute, unseen by spheric glass | 0:12:12 | 0:12:15 | |
"Move on the mud, or pierced the watery mass | 0:12:15 | 0:12:19 | |
"These, as successive generations bloom | 0:12:19 | 0:12:22 | |
"New powers acquire and larger limbs assume | 0:12:22 | 0:12:26 | |
"Whence countless groups of vegetation spring | 0:12:26 | 0:12:30 | |
"And breathing realms of fin, and feet and wing." | 0:12:30 | 0:12:33 | |
-That is it. That's evolution. -Absolutely. | 0:12:33 | 0:12:36 | |
But as well as inspiring his grandson's work, | 0:12:36 | 0:12:39 | |
Erasmus was also a prolific inventor. | 0:12:39 | 0:12:43 | |
Although he never actually registered a patent, | 0:12:43 | 0:12:45 | |
his incredible mind was forever supplying solutions to the | 0:12:45 | 0:12:48 | |
problems of his time. | 0:12:48 | 0:12:49 | |
This is his steering mechanism which he developed for carriages. | 0:12:50 | 0:12:54 | |
His solution was a differential, | 0:12:54 | 0:12:56 | |
so the wheels turn at different angles by putting in this bar here. | 0:12:56 | 0:13:00 | |
This axle behind? | 0:13:00 | 0:13:01 | |
This is exactly how cars are still steered today, more or less. | 0:13:01 | 0:13:07 | |
All Darwin's inventions were scrupulously recorded | 0:13:07 | 0:13:09 | |
in his commonplace book. | 0:13:09 | 0:13:11 | |
It's no wonder that he is sometimes described | 0:13:11 | 0:13:14 | |
as a British Leonardo da Vinci. | 0:13:14 | 0:13:16 | |
-Is this all his experiments? -All his sketches. | 0:13:16 | 0:13:19 | |
-Not overly good at drawing people, is he? -No... | 0:13:19 | 0:13:21 | |
Yeah, well, he might not have managed a Mona Lisa, | 0:13:23 | 0:13:26 | |
but he did have some very good ideas. | 0:13:26 | 0:13:28 | |
Like this copying machine. | 0:13:28 | 0:13:30 | |
Hey, that's not too bad, is it? | 0:13:30 | 0:13:33 | |
Some, like a mechanical bird, far ahead of their time. | 0:13:33 | 0:13:37 | |
And others, very practical. | 0:13:37 | 0:13:39 | |
-A flushing loo? -Can you imagine, a flushing loo? | 0:13:39 | 0:13:41 | |
He shoved a pipe down, through two layers of clay, | 0:13:41 | 0:13:44 | |
down into the lower porous rock - chalk, or whatever. | 0:13:44 | 0:13:48 | |
And up comes a spurt of water. | 0:13:48 | 0:13:49 | |
So that gave him his running water, OK? | 0:13:49 | 0:13:52 | |
He then fed that into a cistern, and when you got up from the loo, | 0:13:52 | 0:13:56 | |
and put the seat down, it released the valve so the thing flushed. | 0:13:56 | 0:14:01 | |
And when you close the door of the closet, the valve went back | 0:14:01 | 0:14:05 | |
and it filled up again. So it was a real, flushing loo. | 0:14:05 | 0:14:09 | |
Long before Crapper and people like that. | 0:14:09 | 0:14:12 | |
So the next time you think of Charles Darwin, | 0:14:12 | 0:14:15 | |
also remember this Lichfield doctor. | 0:14:15 | 0:14:17 | |
But Paul, meanwhile, has taken our route north | 0:14:20 | 0:14:23 | |
towards Chester and Sandbach. | 0:14:23 | 0:14:25 | |
Famous for its Saxon crosses, | 0:14:28 | 0:14:30 | |
and also the Foden dynasty of British truck and bus makers, | 0:14:30 | 0:14:35 | |
so perhaps now a place of pilgrimage for classic truck aficionados? | 0:14:35 | 0:14:40 | |
Hello there! | 0:14:40 | 0:14:41 | |
-John? -Yes. -Paul. Pleased to meet you. -Pleased to meet you. | 0:14:41 | 0:14:44 | |
This is big, isn't it? | 0:14:44 | 0:14:46 | |
Yep, several floors, Paul. | 0:14:46 | 0:14:48 | |
So let the perusal commence. | 0:14:48 | 0:14:50 | |
But don't forget that John might have just the item. | 0:14:50 | 0:14:54 | |
There we go. | 0:14:54 | 0:14:55 | |
It's one of the things that was sold on the last flight of Concorde. | 0:14:55 | 0:14:59 | |
It's a port label. | 0:14:59 | 0:15:00 | |
-In its original Concorde box. -I see. | 0:15:00 | 0:15:03 | |
Cannot argue with that! | 0:15:03 | 0:15:05 | |
And I think the small tab on the back has actually got | 0:15:05 | 0:15:07 | |
the Concorde logo on it as well. | 0:15:07 | 0:15:09 | |
What are you asking for that, out of interest? | 0:15:09 | 0:15:11 | |
I've got 45 on it, but I can do you a good price on it. | 0:15:11 | 0:15:15 | |
-Do me a good price on that, John. -LAUGHS | 0:15:15 | 0:15:19 | |
How does 25 sound? | 0:15:19 | 0:15:20 | |
It sounds exceedingly tempting. | 0:15:20 | 0:15:24 | |
Can we have a look at the old ones as well? | 0:15:25 | 0:15:27 | |
Ah, so he spotted those earlier. | 0:15:27 | 0:15:29 | |
It's all coming together rather nicely. | 0:15:29 | 0:15:31 | |
These are the ones I saw before. | 0:15:31 | 0:15:33 | |
Pretty generic, Regency-type, plated. | 0:15:33 | 0:15:35 | |
I think they're timelessly elegant, those. | 0:15:35 | 0:15:38 | |
I'm a big advocate of these things. | 0:15:38 | 0:15:41 | |
What would be the deal on the Concorde one and those? | 0:15:41 | 0:15:46 | |
Concorde was 25... | 0:15:46 | 0:15:48 | |
-Ten quid. £2.50 each. -That's cheap, isn't it? | 0:15:48 | 0:15:52 | |
The Concorde gives it a bit of something else. | 0:15:52 | 0:15:54 | |
On their own, nobody would look. | 0:15:54 | 0:15:56 | |
But you've got that antiquity with modernity. | 0:15:56 | 0:15:58 | |
-30 quid? -Mmm-hmm. -Do you reckon? -Yep. | 0:15:58 | 0:16:01 | |
Good man. Easy as that. | 0:16:01 | 0:16:03 | |
Not quite supersonic, but not far off. | 0:16:03 | 0:16:06 | |
You get two pair of 19th-century old Sheffield plate decanter labels. | 0:16:06 | 0:16:11 | |
And then, to sex up that little period lot, | 0:16:11 | 0:16:15 | |
you get the Concorde thing. | 0:16:15 | 0:16:16 | |
Concorde memorabilia has, wait for it, taken off. | 0:16:16 | 0:16:21 | |
Boom-boom. | 0:16:21 | 0:16:22 | |
Teetotallers could get a look in too, though. | 0:16:22 | 0:16:24 | |
The vogue for this type of insulated earthenware teaware | 0:16:24 | 0:16:29 | |
peaked in the late 1940s. | 0:16:29 | 0:16:31 | |
The big brand-name is Kosy Krafts, spelled with Ks. | 0:16:31 | 0:16:36 | |
Clearly, what you've got here is a chromium-plated jacket, and that's | 0:16:36 | 0:16:40 | |
lined in an insulating material - or some of them were, let's see... | 0:16:40 | 0:16:45 | |
Yeah. See that? | 0:16:46 | 0:16:48 | |
And here's the earthenware teapot. | 0:16:48 | 0:16:51 | |
So it just keeps the tea warmer for longer. | 0:16:51 | 0:16:54 | |
With this moderne or Art Deco feel to it. Very geometric. | 0:16:54 | 0:17:00 | |
Not uncommon, but, in good condition, and complete with... | 0:17:00 | 0:17:06 | |
a rather jazzy sugar basin and milk jug, | 0:17:06 | 0:17:11 | |
then, I would say, less common. | 0:17:11 | 0:17:14 | |
Nice. Condition's all right. | 0:17:14 | 0:17:16 | |
Value...not a lot. | 0:17:16 | 0:17:18 | |
Ten years ago, it was worth £40. | 0:17:18 | 0:17:21 | |
Today, you might struggle to get that under the hammer. | 0:17:21 | 0:17:23 | |
You'd use that, absolutely you would. Get the bunting out. | 0:17:23 | 0:17:27 | |
Some coronation chicken sandwiches and your Kosy Kraft-type, | 0:17:27 | 0:17:30 | |
Art Deco tea service. It's a great thing! | 0:17:30 | 0:17:33 | |
I think the thing that might be brewing up around here is a deal. | 0:17:33 | 0:17:38 | |
Never mind your sherry and your port. | 0:17:38 | 0:17:41 | |
How's about a nice cup of chai? | 0:17:41 | 0:17:44 | |
I don't know how much it's going to cost me, | 0:17:44 | 0:17:47 | |
because I had hopes that it was going to be 15 quid or thereabouts? | 0:17:47 | 0:17:53 | |
But then I noticed the price tag on that, and I can't believe | 0:17:53 | 0:17:56 | |
you're selling them individually given that they're a pair. | 0:17:56 | 0:17:59 | |
And there's no price on the pot. | 0:17:59 | 0:18:00 | |
-That came in from one house... -Right... | 0:18:00 | 0:18:03 | |
-..that came in from another house. -No! And then that? | 0:18:03 | 0:18:05 | |
And then that came in recently, so that's why I put them separately. | 0:18:05 | 0:18:09 | |
-Man alive! -So if you're interested in the whole lot... | 0:18:09 | 0:18:12 | |
Bear in mind that I thought it was 15 quid to start with. | 0:18:12 | 0:18:16 | |
Can it be near that, or are we a million miles off? | 0:18:16 | 0:18:19 | |
For the three pieces...£20. | 0:18:19 | 0:18:22 | |
It's a deal. | 0:18:22 | 0:18:24 | |
No point in being silly. Spot on. | 0:18:24 | 0:18:27 | |
So, £50 for that little lot. | 0:18:27 | 0:18:29 | |
Now, how about a solo sing-along? | 0:18:29 | 0:18:31 | |
# And will Jerusalem... # | 0:18:31 | 0:18:33 | |
You've got such a beautiful voice, come on! | 0:18:33 | 0:18:35 | |
-You have, I love it! -Sing with me, sing with me. -OK. | 0:18:35 | 0:18:38 | |
# Till we have... # | 0:18:38 | 0:18:39 | |
No. | 0:18:39 | 0:18:41 | |
Night, night, you two. | 0:18:42 | 0:18:44 | |
If honest endeavour has got you nowhere, | 0:18:47 | 0:18:49 | |
there's always barefaced lies. | 0:18:49 | 0:18:52 | |
I found the Holy Grail of the antiques world. | 0:18:52 | 0:18:55 | |
Oh-ho? Go on. | 0:18:55 | 0:18:57 | |
-What's with the laughter? -What?! | 0:18:57 | 0:18:59 | |
Next auction, there's you, there's me, there's a whisker. | 0:18:59 | 0:19:03 | |
Whoa, whoa, what's this? Mind games? | 0:19:03 | 0:19:06 | |
We can definitely rule out any Holy Grails, | 0:19:06 | 0:19:09 | |
but she did acquire a salt and pepper set | 0:19:09 | 0:19:12 | |
and a Black Forest tray yesterday. | 0:19:12 | 0:19:14 | |
Even on the phone...! | 0:19:14 | 0:19:16 | |
Those set her back a mere £30, leaving £115 for today's purchases. | 0:19:16 | 0:19:21 | |
While Paul parted with a fairly impressive £230 for some WMF, | 0:19:22 | 0:19:28 | |
a tea set, some decanter labels and an RAF timepiece. | 0:19:28 | 0:19:33 | |
CLOCK BUZZES | 0:19:33 | 0:19:36 | |
He's still got over £500 left! | 0:19:36 | 0:19:39 | |
Good man. | 0:19:39 | 0:19:40 | |
Later, they'll be making for an auction in Northwich, Cheshire, | 0:19:41 | 0:19:45 | |
but the next stop is in Manchester. | 0:19:45 | 0:19:47 | |
The world's first industrial city, once dubbed Cottonopolis, | 0:19:52 | 0:19:56 | |
Manchester has more than its fair share of landmarks and showers. | 0:19:56 | 0:20:00 | |
Antiques are plenty, too. | 0:20:00 | 0:20:02 | |
-Good morning. -Good morning. -Hello, hi. | 0:20:02 | 0:20:04 | |
-Christina. -Christina, yes. What's your name, sir? -John. | 0:20:04 | 0:20:07 | |
-John, lovely to meet you. -Same here, yes. -Thank you for having me. My goodness. | 0:20:07 | 0:20:10 | |
This all looks very brown. | 0:20:11 | 0:20:13 | |
She knows a furniture specialist when she walks into one. | 0:20:13 | 0:20:17 | |
There's some lovely stuff in here, by the way, | 0:20:17 | 0:20:19 | |
but can Christina afford as much as a leg of it? | 0:20:19 | 0:20:22 | |
I need to be a bit clever about this | 0:20:22 | 0:20:24 | |
because I've got a lot of ground to catch up. | 0:20:24 | 0:20:26 | |
You could always throw yourself on John's mercy. | 0:20:29 | 0:20:32 | |
-How much have you got? -Not very much. | 0:20:32 | 0:20:34 | |
About roughly, ballpark figure? | 0:20:34 | 0:20:36 | |
I've still got potentially three things to buy. | 0:20:36 | 0:20:39 | |
I'm hoping to spend about £20 on each one. | 0:20:39 | 0:20:41 | |
Oh, John! | 0:20:41 | 0:20:43 | |
-You're not going to do any good here. -Really? Nothing for £20? | 0:20:43 | 0:20:46 | |
All I can show you is the door. | 0:20:46 | 0:20:48 | |
The door? Can I buy the door? | 0:20:48 | 0:20:49 | |
Yeah, it's been done, believe me. | 0:20:49 | 0:20:52 | |
What's this? That's nice. | 0:20:52 | 0:20:55 | |
It's open to offers. | 0:20:55 | 0:20:56 | |
Definitely not furniture, anyway. | 0:20:56 | 0:20:58 | |
No price. | 0:20:58 | 0:21:00 | |
-It's beautiful, isn't it? This is Japanese shibayama work. -It is, yes. | 0:21:00 | 0:21:03 | |
Normally they say that these panels | 0:21:03 | 0:21:06 | |
-come out of a piece of furniture, don't they? -Shibayama cabinets. | 0:21:06 | 0:21:09 | |
-They have those big cabinet doors. -That's right. | 0:21:09 | 0:21:11 | |
This, possibly, was one of the pieces of the cabinet. | 0:21:11 | 0:21:15 | |
But they have obviously inlaid it into | 0:21:15 | 0:21:17 | |
what looks like a photograph album. | 0:21:17 | 0:21:19 | |
The leaves have come detached - that's beautiful. | 0:21:19 | 0:21:21 | |
We've got painted silk leaves in here | 0:21:21 | 0:21:24 | |
which are depicting traditional scenes with these figures on here. | 0:21:24 | 0:21:28 | |
Somebody looks like he's James Bond on them. | 0:21:28 | 0:21:30 | |
Goodness, who's that? Elizabeth. | 0:21:30 | 0:21:32 | |
Well, wasn't John Wayne's real name Marion? | 0:21:32 | 0:21:36 | |
Lacquer work is incredibly time-consuming to do, isn't it? | 0:21:36 | 0:21:40 | |
-It's layer upon layer. -Very expensive to do, yes. | 0:21:40 | 0:21:42 | |
It would have taken someone an awfully long time to build up | 0:21:42 | 0:21:45 | |
all these little intricate layers and produce this, what would have been, | 0:21:45 | 0:21:49 | |
once upon a time, a really rather beautiful picture. | 0:21:49 | 0:21:52 | |
I mean, potentially, the album is fairly beyond repair, isn't it? | 0:21:52 | 0:21:56 | |
Yeah. | 0:21:56 | 0:21:57 | |
Is there any flexibility with my £20 budget on that? | 0:21:57 | 0:22:02 | |
I doubt it very much. | 0:22:02 | 0:22:03 | |
Oh, go on, John. Have a think about it. | 0:22:03 | 0:22:05 | |
John's still keen to show her yet more furniture | 0:22:05 | 0:22:08 | |
but cash remains the issue. | 0:22:08 | 0:22:11 | |
This is not the bargain basement. | 0:22:12 | 0:22:13 | |
I have to be honest, I do love the furniture | 0:22:13 | 0:22:17 | |
but I do really like that album. | 0:22:17 | 0:22:19 | |
Right. Well, you can buy it. | 0:22:19 | 0:22:21 | |
Can I buy it for 20? | 0:22:21 | 0:22:23 | |
-It's yours. -Really?! | 0:22:23 | 0:22:25 | |
You can have it for 20 as long as the next time you come, you don't come. | 0:22:25 | 0:22:28 | |
Send somebody not as experienced as you! | 0:22:28 | 0:22:31 | |
Are you banning me? | 0:22:33 | 0:22:35 | |
Eh, he's joking, Christina, or at least I think he is. | 0:22:35 | 0:22:38 | |
20 of the great British pounds. | 0:22:38 | 0:22:41 | |
Still...somehow managing to eke it out. | 0:22:41 | 0:22:43 | |
You're a legend and I promise never, ever to come back. | 0:22:43 | 0:22:46 | |
Fine. | 0:22:46 | 0:22:47 | |
Another thing for which Manchester's justly famous is political thought. | 0:22:49 | 0:22:53 | |
The Co-operative movement started close by | 0:22:53 | 0:22:56 | |
and the Communist manifesto was begun in the city. | 0:22:56 | 0:23:00 | |
Paul's off to find out about the struggle for women's suffrage | 0:23:00 | 0:23:03 | |
at the former home of the Pankhurst family. | 0:23:03 | 0:23:06 | |
-Hi, is it Rita? -Paul. -Pleased to meet you. | 0:23:06 | 0:23:09 | |
Morning, welcome to the Pankhurst Centre. | 0:23:09 | 0:23:11 | |
-Get me out of this Manchester weather. -Come on in. | 0:23:11 | 0:23:14 | |
Votes for women had been a political topic | 0:23:15 | 0:23:17 | |
since the early part of the 19th century, | 0:23:17 | 0:23:20 | |
but it wasn't until 1903 when Emmeline Pankhurst and her daughters | 0:23:20 | 0:23:23 | |
founded the Women's Social and Political Union | 0:23:23 | 0:23:26 | |
that the fight began in earnest. | 0:23:26 | 0:23:28 | |
The Pankhurst family lived here from 1898 to 1907 | 0:23:28 | 0:23:31 | |
and it was down in the parlour here | 0:23:31 | 0:23:33 | |
where the first meeting of the suffragettes was actually held. | 0:23:33 | 0:23:37 | |
The family moved to 62 Nelson Street after the sudden death | 0:23:37 | 0:23:40 | |
of Emmeline's barrister husband, Richard Pankhurst. | 0:23:40 | 0:23:44 | |
So what did Emmeline do then? | 0:23:44 | 0:23:46 | |
Well, she took on work as a registrar of births and deaths. | 0:23:46 | 0:23:50 | |
She wasn't allowed to be a registrar of marriages because she was a woman. | 0:23:50 | 0:23:53 | |
Obviously bereft from having lost her husband, her soul mate, | 0:23:53 | 0:23:57 | |
she turned her attention to politics. | 0:23:57 | 0:24:01 | |
So was this a popular issue at the time? | 0:24:01 | 0:24:04 | |
I mean, is it well supported? | 0:24:04 | 0:24:05 | |
There was a lot of support for and against | 0:24:05 | 0:24:08 | |
and I think maybe one of the surprising things | 0:24:08 | 0:24:10 | |
is the amount of anti-campaigning, but actually led by women. | 0:24:10 | 0:24:14 | |
Right! | 0:24:14 | 0:24:15 | |
One of the main anti-suffrage campaigners | 0:24:15 | 0:24:19 | |
and protagonists was Queen Victoria. | 0:24:19 | 0:24:21 | |
-No! -She described it as a mad, wicked folly. | 0:24:21 | 0:24:25 | |
They have several examples here of the propaganda put out | 0:24:25 | 0:24:29 | |
by those who agreed with the Queen, including this handkerchief. | 0:24:29 | 0:24:32 | |
-Is that a typo? -No, no, not at all, | 0:24:32 | 0:24:35 | |
that's actually from 1881. | 0:24:35 | 0:24:37 | |
-Was this predictive? -Yeah. | 0:24:37 | 0:24:39 | |
-Was this what the world would be like in 1981 if you...? -Yes, yes. | 0:24:39 | 0:24:43 | |
If we give women the vote, what next? | 0:24:43 | 0:24:47 | |
We'll have women furling a sail. | 0:24:47 | 0:24:49 | |
You couldn't possibly have that. They'll be footmen, | 0:24:49 | 0:24:52 | |
-they'll be athletes... -Right. | 0:24:52 | 0:24:54 | |
Worse, men will be holding the baby. | 0:24:54 | 0:24:56 | |
-Ludicrous. -They'll be doing the laundry and, of course, | 0:24:56 | 0:24:59 | |
this was highly, highly effective for the anti-suffrage movement | 0:24:59 | 0:25:02 | |
because people would look at this and they would believe this propaganda. | 0:25:02 | 0:25:05 | |
-This would be frightening to them. -This would be terrifying. | 0:25:05 | 0:25:08 | |
Can you imagine women doing all these jobs? | 0:25:08 | 0:25:10 | |
What those against hadn't reckoned on was the WSPU | 0:25:10 | 0:25:15 | |
because Pankhurst's suffragettes with their motto, Deeds Not Words, | 0:25:15 | 0:25:19 | |
would deliver a much tougher, more publicity savvy campaign. | 0:25:19 | 0:25:23 | |
Women chaining themselves to railings. | 0:25:23 | 0:25:26 | |
Arson... | 0:25:26 | 0:25:28 | |
putting stones through windows and that's what set them aside from the | 0:25:28 | 0:25:31 | |
suffragists before them - this new breed, this new breed of woman | 0:25:31 | 0:25:35 | |
who was prepared to act militantly in order to get their voice heard. | 0:25:35 | 0:25:39 | |
The harsh treatment the suffragettes received from the authorities | 0:25:39 | 0:25:43 | |
made Emmeline and her daughter Christabel even more determined to fight on. | 0:25:43 | 0:25:48 | |
But soon there was splits in both the movement and the family. | 0:25:48 | 0:25:52 | |
There were, in her mind, two ways of doing things, | 0:25:52 | 0:25:55 | |
that was her way or no way and it didn't matter | 0:25:55 | 0:25:58 | |
-whether you were a friend, just a member or even family. -Right. | 0:25:58 | 0:26:03 | |
Sylvia and Adela felt so strongly against the militancy | 0:26:03 | 0:26:06 | |
and they did have fairly major fallouts with their mum | 0:26:06 | 0:26:10 | |
and these did end up with splits in the family | 0:26:10 | 0:26:12 | |
that were unable to be healed. | 0:26:12 | 0:26:14 | |
I mean, arguably, it needed someone who had such strength of feeling | 0:26:14 | 0:26:19 | |
and such passion to be able to drive through what she did. | 0:26:19 | 0:26:21 | |
Votes for women finally became a reality | 0:26:22 | 0:26:25 | |
thanks to Acts passed in 1918 and 1928. | 0:26:25 | 0:26:29 | |
The brave but slightly dysfunctional Pankhursts | 0:26:29 | 0:26:32 | |
are justly remembered for their huge role in that, | 0:26:32 | 0:26:35 | |
but perhaps one daughter's due a bit more credit. | 0:26:35 | 0:26:38 | |
I think everyone's heard of Emmeline, | 0:26:38 | 0:26:40 | |
but if you ask a die-hard suffragette fan, "Who's your favourite?" | 0:26:40 | 0:26:43 | |
there is no question Sylvia will be | 0:26:43 | 0:26:46 | |
at the top of the pile. | 0:26:46 | 0:26:48 | |
-Because... -Because she was just so broadly | 0:26:48 | 0:26:51 | |
a women's campaigner in general. | 0:26:51 | 0:26:53 | |
She wasn't just concerned with women's right to vote, | 0:26:53 | 0:26:55 | |
she was much more concerned with the lives of working-class women, | 0:26:55 | 0:26:58 | |
of poorer women. | 0:26:58 | 0:27:00 | |
And probably, without question, | 0:27:00 | 0:27:02 | |
she's the one that made the most difference | 0:27:02 | 0:27:05 | |
-on broader women's issues. -I see, yes. | 0:27:05 | 0:27:07 | |
Wonderful. What a family. | 0:27:07 | 0:27:09 | |
Now, back in the car | 0:27:13 | 0:27:15 | |
and singing back towards Cheshire. | 0:27:15 | 0:27:17 | |
Come on, Laidlaw. | 0:27:17 | 0:27:18 | |
# Ah, one of these days is but-ah-ga-na-wa-ga-na-don-don... # | 0:27:18 | 0:27:23 | |
PAUL CHUCKLES | 0:27:23 | 0:27:24 | |
The trip's almost complete. | 0:27:24 | 0:27:25 | |
Just time for one more shop - in Congleton. | 0:27:25 | 0:27:28 | |
They used to call it Beartown, | 0:27:30 | 0:27:33 | |
a reference to the baiting, | 0:27:33 | 0:27:35 | |
which was apparently quite popular in the 17th century. | 0:27:35 | 0:27:38 | |
Not any more, though! | 0:27:38 | 0:27:39 | |
Goodness me, let's hope antiques are waterproof. | 0:27:41 | 0:27:43 | |
Come on, you. Race you! | 0:27:43 | 0:27:45 | |
Although a shared shop can sometimes get a bit tasty. | 0:27:45 | 0:27:48 | |
Oh! That's a bit drier. | 0:27:48 | 0:27:50 | |
-Right. -Antiques that way. | 0:27:50 | 0:27:52 | |
-I'm going that way. -That way. -OK. | 0:27:52 | 0:27:54 | |
Adios! | 0:27:54 | 0:27:55 | |
Hasta la vista. | 0:27:55 | 0:27:57 | |
But just what will their final buys be? | 0:27:57 | 0:28:00 | |
Serendipity. | 0:28:00 | 0:28:01 | |
That's what it is. Serendipity. | 0:28:01 | 0:28:03 | |
Well, hmm, let's hope so. | 0:28:03 | 0:28:05 | |
Is he a bit too wacky for Northwich? | 0:28:05 | 0:28:07 | |
Who knows? | 0:28:08 | 0:28:09 | |
I dare you to find out. | 0:28:09 | 0:28:11 | |
-What about Paul? -Oh, hello there. | 0:28:11 | 0:28:13 | |
-Are you officialdom here? -I'm Kate, pleased to meet you. | 0:28:13 | 0:28:16 | |
There are around 50 shopkeepers represented here... | 0:28:16 | 0:28:20 | |
most of them, of course, not actually present. | 0:28:20 | 0:28:23 | |
There are certain dealers you feel an affinity with | 0:28:23 | 0:28:26 | |
even in their absence, because you get what they get. | 0:28:26 | 0:28:29 | |
-This one's working for me. -Do tell, Paul. | 0:28:29 | 0:28:32 | |
A lawn tennis measure, clearly a Victorian specimen. | 0:28:32 | 0:28:36 | |
But look at this. | 0:28:36 | 0:28:38 | |
There is a representation of a tennis court | 0:28:38 | 0:28:42 | |
with the lines spelt out | 0:28:42 | 0:28:45 | |
and the dimensions provided just in case you FORGET | 0:28:45 | 0:28:49 | |
where to chalk that boundary line. | 0:28:49 | 0:28:51 | |
Absolutely... | 0:28:51 | 0:28:53 | |
I think that is SUCH a good thing. | 0:28:53 | 0:28:55 | |
It's priced up at £65, | 0:28:55 | 0:28:58 | |
but I'll defy you to find me another one. | 0:28:58 | 0:29:01 | |
It may only be worth tens of pounds, | 0:29:01 | 0:29:04 | |
but that is not a measure of its rarity, it is a measure of the demand. | 0:29:04 | 0:29:08 | |
How many people do you know need a vintage tennis court measure? | 0:29:08 | 0:29:11 | |
-You like that, Kate, don't you? -I love it. | 0:29:11 | 0:29:13 | |
It's a good thing, isn't it? | 0:29:13 | 0:29:14 | |
Is the dealer in this building or contactable? | 0:29:14 | 0:29:17 | |
-We'll see if we can give them a ring. -Track them down. | 0:29:17 | 0:29:20 | |
I'd be really interested to see if there's a trade price on that. | 0:29:20 | 0:29:23 | |
Sounds like advantage, Paul, already. | 0:29:23 | 0:29:25 | |
Good to see Christina's put that clown down. Anything else? | 0:29:25 | 0:29:28 | |
What have we got in here? | 0:29:28 | 0:29:31 | |
Oh, my goodness! | 0:29:31 | 0:29:32 | |
"Electro-Medical Supplies, London." | 0:29:32 | 0:29:35 | |
Good Lord! | 0:29:35 | 0:29:37 | |
It actually works, that. | 0:29:37 | 0:29:38 | |
-Does it! Is this yours, sir? -Well done, Christina. | 0:29:38 | 0:29:41 | |
You've found yourself a real live dealer | 0:29:41 | 0:29:43 | |
with a distinctly medical bent, too. | 0:29:43 | 0:29:45 | |
This is a tonsillectomy. | 0:29:46 | 0:29:48 | |
Oh. | 0:29:48 | 0:29:49 | |
It's a flap and there's a slit in it | 0:29:49 | 0:29:51 | |
and you hook it on your tonsil, | 0:29:51 | 0:29:53 | |
pull the trigger, cl-ick! | 0:29:53 | 0:29:55 | |
Ha! | 0:29:55 | 0:29:56 | |
Actually, that probably IS too wacky for Northwich. | 0:29:56 | 0:29:59 | |
But Eric has more. | 0:29:59 | 0:30:01 | |
That's for making pills. | 0:30:01 | 0:30:02 | |
Oh, that's cool. Can I see that? | 0:30:02 | 0:30:04 | |
It's quite heavy, watch, it's heavy. | 0:30:04 | 0:30:06 | |
That's amazing. So is that for... | 0:30:06 | 0:30:08 | |
That's for grading... | 0:30:08 | 0:30:10 | |
They made their own tablets, yes. | 0:30:10 | 0:30:11 | |
For a pharmacist. | 0:30:11 | 0:30:13 | |
Oh, there's a plate in there. | 0:30:13 | 0:30:15 | |
That tells you the sizes. | 0:30:15 | 0:30:17 | |
They must have made them in there. | 0:30:17 | 0:30:18 | |
I don't know how it works! | 0:30:18 | 0:30:20 | |
What on earth do you do with that? | 0:30:20 | 0:30:22 | |
-So how much have you got on that, Eric? -Tenner. | 0:30:22 | 0:30:24 | |
That's Christina's kind of price. | 0:30:24 | 0:30:27 | |
Eric, I'm loving your company. | 0:30:27 | 0:30:28 | |
Now, how is Paul's rummage progressing? | 0:30:28 | 0:30:31 | |
Can't resist a bit of trench art. | 0:30:31 | 0:30:33 | |
This is the business end | 0:30:33 | 0:30:36 | |
of a First World War artillery shell. | 0:30:36 | 0:30:38 | |
Yes, a big bullet, you know what I'm talking about. | 0:30:38 | 0:30:41 | |
You see the shell cases all over the place. | 0:30:41 | 0:30:43 | |
This is the bit that governs | 0:30:43 | 0:30:46 | |
when your shell explodes. | 0:30:46 | 0:30:48 | |
Well, it makes a handy little paperweight. | 0:30:48 | 0:30:51 | |
It's been mounted on vulcanite. | 0:30:51 | 0:30:53 | |
That's vulcanised rubber. | 0:30:53 | 0:30:55 | |
But for whatever reason, somebody thought that piece of mass-produced brass, | 0:30:55 | 0:30:59 | |
these were turned out in their millions, | 0:30:59 | 0:31:02 | |
was worth preserving. | 0:31:02 | 0:31:03 | |
How about I'm sitting in my trench, scared witless, | 0:31:03 | 0:31:07 | |
and there's a bang, does that, | 0:31:07 | 0:31:09 | |
and I hear this thud next to me, | 0:31:09 | 0:31:11 | |
and this thing lands a few inches from where I'm standing? | 0:31:11 | 0:31:16 | |
Do you know what I'd do? | 0:31:16 | 0:31:18 | |
I'd go, "Holy Moses!" and I'd keep that. | 0:31:18 | 0:31:21 | |
And there's just a possibility | 0:31:21 | 0:31:23 | |
that it was kept for that sort of reason. | 0:31:23 | 0:31:25 | |
That's the way these things work, believe me. | 0:31:25 | 0:31:28 | |
The ticket price for a bit of history is £25. | 0:31:28 | 0:31:31 | |
But while Kate calls the dealer about THAT | 0:31:31 | 0:31:33 | |
and the tennis court tape, Christina ponders on. | 0:31:33 | 0:31:37 | |
OHHHH! | 0:31:37 | 0:31:39 | |
What am I going to buy? What am I going to buy? | 0:31:39 | 0:31:42 | |
-What am I going to buy? -Trumpet? | 0:31:42 | 0:31:43 | |
-Clarinet? -No, no. | 0:31:43 | 0:31:46 | |
-Bongo drums? -No. | 0:31:46 | 0:31:47 | |
Teeny tiny violin perhaps? | 0:31:47 | 0:31:49 | |
Relax! | 0:31:49 | 0:31:51 | |
The pill-making frame was cheap | 0:31:51 | 0:31:53 | |
and I'm sure that Eric can supply something else. | 0:31:53 | 0:31:55 | |
It's a firescreen. | 0:31:55 | 0:31:57 | |
I think it's nice. | 0:31:57 | 0:31:59 | |
The ticket price is £18. | 0:31:59 | 0:32:01 | |
-I love Arts and Crafts stuff and people just aren't buying it. -Yeah. | 0:32:01 | 0:32:04 | |
It was really in vogue when they had the Arts and Crafts exhibition at the V&A | 0:32:05 | 0:32:09 | |
and now it's gone out of vogue. | 0:32:09 | 0:32:11 | |
There are still collectors for it... | 0:32:11 | 0:32:14 | |
and it's fairly cheap... | 0:32:14 | 0:32:16 | |
Give me a pound and you can take it out of the way. | 0:32:16 | 0:32:18 | |
-Really? -Seriously. | 0:32:18 | 0:32:20 | |
-£10 for that... -Pound for that. | 0:32:20 | 0:32:22 | |
-What about £10 the two? -Yes, OK. | 0:32:23 | 0:32:26 | |
-Really? -Seriously you can have them. | 0:32:26 | 0:32:29 | |
Eric! | 0:32:29 | 0:32:30 | |
I love you. | 0:32:30 | 0:32:32 | |
SHE LAUGHS | 0:32:32 | 0:32:33 | |
See you again. | 0:32:37 | 0:32:38 | |
What is Paul's news, then? | 0:32:38 | 0:32:40 | |
Got some prices on those two pieces there. | 0:32:40 | 0:32:43 | |
Tape measure - £45... | 0:32:43 | 0:32:45 | |
Or artillery fuse, First World War, for £15. | 0:32:45 | 0:32:49 | |
It's a no-brainer, isn't it? | 0:32:49 | 0:32:51 | |
I'm going to go for the... | 0:32:51 | 0:32:53 | |
fuse. | 0:32:53 | 0:32:55 | |
Why, Laidlaw? You see those all over the place. | 0:32:55 | 0:32:58 | |
Well, there's something I didn't let on | 0:32:58 | 0:33:00 | |
when I was talking in front of the lovely Kate, there. | 0:33:00 | 0:33:03 | |
-Because, I mean, you've got to keep some of your powder dry, have you not? -Well, quite. | 0:33:03 | 0:33:07 | |
There were no numbers on there. | 0:33:07 | 0:33:08 | |
You didn't see one, two, three, four, five, six, seven, eight, nine, ten. | 0:33:08 | 0:33:11 | |
There were Arabic characters. | 0:33:11 | 0:33:14 | |
That is a Turkish fuse, | 0:33:14 | 0:33:17 | |
fired almost certainly | 0:33:17 | 0:33:20 | |
at Anzac or British troops at Gallipoli. | 0:33:20 | 0:33:23 | |
That's where these things turn up. | 0:33:23 | 0:33:25 | |
I love that and there are collectors out there that get it. | 0:33:25 | 0:33:29 | |
Let's hope that tin hats outnumber tennis types at the auction. | 0:33:29 | 0:33:33 | |
All of £15. | 0:33:33 | 0:33:34 | |
-Thank you very much. -Wonderful, thank YOU very much. | 0:33:34 | 0:33:37 | |
Thank you. | 0:33:37 | 0:33:39 | |
Time to have a peek at what they'll be carting to the auction. | 0:33:39 | 0:33:42 | |
Christina parted with just £60 for a firescreen, | 0:33:43 | 0:33:47 | |
some Rolls-Royce condiments, | 0:33:47 | 0:33:49 | |
a bone-inlaid photo album, | 0:33:49 | 0:33:51 | |
a pill-making frame | 0:33:51 | 0:33:53 | |
and a Black Forest tray. | 0:33:53 | 0:33:55 | |
While Paul spent £245 | 0:33:55 | 0:33:58 | |
on some clockwork militaria, | 0:33:58 | 0:34:00 | |
some WMF, | 0:34:00 | 0:34:02 | |
a Kosy Kraft tea service | 0:34:02 | 0:34:04 | |
an artillery fuse | 0:34:04 | 0:34:06 | |
and some decanter labels. | 0:34:06 | 0:34:07 | |
So what do they make of each other's buys? | 0:34:07 | 0:34:10 | |
Christina's pair of Rolls-Royce salt and pepper combination, | 0:34:10 | 0:34:14 | |
I get the sentiment. Frankly, I love them. | 0:34:14 | 0:34:17 | |
£5 paid, I think they're worth £30-£50. | 0:34:17 | 0:34:20 | |
I love what he's got, I really love what he's got. | 0:34:20 | 0:34:22 | |
The real creme de la creme for me | 0:34:22 | 0:34:24 | |
is the wonderful decanter labels that he bought. | 0:34:24 | 0:34:26 | |
The one thing that I think is a little bit iffy is his WMF bowl. | 0:34:26 | 0:34:31 | |
But, frankly, if it makes a loss he's still going to be ahead of me, | 0:34:31 | 0:34:34 | |
so does it really matter? | 0:34:34 | 0:34:36 | |
I may be thrashed in this auction | 0:34:36 | 0:34:39 | |
if my gamble on WMF does not pay off. What was I thinking of? | 0:34:39 | 0:34:44 | |
Hm. There's a few of us thinking that, Paul. | 0:34:44 | 0:34:47 | |
So...your tray... PAUL CHUCKLES | 0:34:47 | 0:34:49 | |
Frankly, I do find it quite sinister. I mean, it's bizarre, isn't it? | 0:34:49 | 0:34:52 | |
What's sinister about huge reptiles devouring young children? | 0:34:52 | 0:34:56 | |
Oh, nothing at all. | 0:34:56 | 0:34:59 | |
Nothing whatsoever. | 0:34:59 | 0:35:00 | |
After setting off from the Staffordshire city of Lichfield, | 0:35:00 | 0:35:03 | |
our experts are now heading for an auction in Northwich in Cheshire. | 0:35:03 | 0:35:08 | |
-Our last auction! -HE SNIFFS | 0:35:08 | 0:35:10 | |
Do we have to go? | 0:35:10 | 0:35:11 | |
Do we really have to? | 0:35:11 | 0:35:13 | |
Oh, no. It's been a blast. | 0:35:13 | 0:35:15 | |
The former salt mining centre | 0:35:15 | 0:35:17 | |
has recently featured on a list of Britain's best places to live | 0:35:17 | 0:35:21 | |
and this has to be one of the best places to auction in Northwich - | 0:35:21 | 0:35:24 | |
online and with commission bids. | 0:35:24 | 0:35:26 | |
-Perfect, well done. -For the last time. -Oh! | 0:35:27 | 0:35:30 | |
I wonder what auctioneer Peter Critchley makes of our lot's lots. | 0:35:30 | 0:35:34 | |
The photo album is a very, very good quality item. | 0:35:34 | 0:35:37 | |
We've estimated £60-£80. | 0:35:37 | 0:35:39 | |
The WMF tray... We've have had a lot of interest in this online. | 0:35:39 | 0:35:42 | |
It's very unusual, | 0:35:42 | 0:35:44 | |
I've never seen anything like it before from WMF, | 0:35:44 | 0:35:47 | |
so we have high hopes of that. | 0:35:47 | 0:35:49 | |
Paul will be excited to hear that news, huh! | 0:35:49 | 0:35:51 | |
But first under the hammer is Christina's bargain firescreen. | 0:35:51 | 0:35:55 | |
What do you reckon? | 0:35:55 | 0:35:56 | |
Do you reckon you'll make a profit on your pound firescreen? | 0:35:56 | 0:35:59 | |
-Probably not. -Behave yourself! | 0:35:59 | 0:36:01 | |
There's the fire screen now, Arts and Crafts firescreen. | 0:36:01 | 0:36:03 | |
It looks like some really dodgy nightclub curtains, doesn't it? | 0:36:03 | 0:36:06 | |
Good-looking thing. Start me off at £20. | 0:36:06 | 0:36:10 | |
Start me at £20 on the fire screen. | 0:36:10 | 0:36:12 | |
£20 on the fire screen. 20? | 0:36:12 | 0:36:14 | |
-I've got 15 here on commission, looking for 18. -Yes! Get in! | 0:36:14 | 0:36:18 | |
£15 then, the commission bid. | 0:36:18 | 0:36:20 | |
No further interest. | 0:36:20 | 0:36:22 | |
-It's a gift to get it for £15. -£15. | 0:36:22 | 0:36:24 | |
A few more like that and she'll be in the money. | 0:36:24 | 0:36:27 | |
-Very happy with that. -What you need is your biggest spend to make a similar margin. | 0:36:27 | 0:36:30 | |
-Hm. -That's what you need. | 0:36:31 | 0:36:33 | |
Is that going to happen? Probably not. | 0:36:33 | 0:36:35 | |
Next we have Paul's tickets | 0:36:37 | 0:36:38 | |
with the Concord one to sex it up. | 0:36:38 | 0:36:41 | |
Let's hope it will fly! | 0:36:41 | 0:36:42 | |
PAUL SINGS | 0:36:42 | 0:36:44 | |
You're singing! You're singing! | 0:36:44 | 0:36:46 | |
-Yeah, I did that for you. -Aw! | 0:36:46 | 0:36:48 | |
PAUL CHUCKLES | 0:36:48 | 0:36:50 | |
Show me £30 on the labels. | 0:36:50 | 0:36:51 | |
We've got a Concord label that's worth £30 on its own. | 0:36:51 | 0:36:54 | |
Show me a 20, then. Show me a 20. | 0:36:54 | 0:36:55 | |
£20 I have. | 0:36:55 | 0:36:57 | |
Yes, quite rightly so. | 0:36:57 | 0:36:58 | |
25? £20 I have - is there 25? 25. | 0:36:58 | 0:37:01 | |
Aye aye. That leg's on the move. | 0:37:01 | 0:37:03 | |
25 is a bid. Is there 30? | 0:37:03 | 0:37:05 | |
30 is in the room. | 0:37:05 | 0:37:06 | |
-It should be 50 quid, shouldn't it? -35? | 0:37:06 | 0:37:08 | |
-£30 then. -Oh, I've broken even. -Is there 35 anywhere? | 0:37:08 | 0:37:12 | |
I think it was a bargain. | 0:37:12 | 0:37:14 | |
You can drink to that...just. | 0:37:14 | 0:37:16 | |
Oh, the nervous leg. | 0:37:16 | 0:37:17 | |
-I'd forgotten about the nervous leg. -You'll miss it. You'll miss it. | 0:37:17 | 0:37:20 | |
What can his Kosy Kraft tea service do? | 0:37:20 | 0:37:23 | |
It's not...pointy or... | 0:37:23 | 0:37:26 | |
fighting or war... | 0:37:26 | 0:37:28 | |
Amazing! | 0:37:28 | 0:37:29 | |
Make tea not war! | 0:37:29 | 0:37:30 | |
Commission interest at 20 only. 20. | 0:37:32 | 0:37:34 | |
-Straight in. -I'll start at 20, look for, look for 25. | 0:37:34 | 0:37:37 | |
£20 on this item. Is there 25? | 0:37:37 | 0:37:38 | |
-He's going to wash his face again! -Come on! | 0:37:38 | 0:37:41 | |
-..30 on commission. -Hey! -Here we go, £30, well done. -..£35... | 0:37:41 | 0:37:44 | |
£30 on commission then. Commission bid and selling. | 0:37:44 | 0:37:47 | |
No further interest...£30. | 0:37:47 | 0:37:50 | |
Paul scrapes home again. | 0:37:50 | 0:37:51 | |
Now for another of Christina's bargains - | 0:37:53 | 0:37:55 | |
-her Rolls-Royce condiment set. -Aren't they lovely? | 0:37:55 | 0:37:58 | |
-Are they lovely! -Gorgeous. | 0:37:58 | 0:38:00 | |
Oh, the factory used to be round here. | 0:38:00 | 0:38:03 | |
Oh, God! There's hundreds of them around here, aren't there? | 0:38:03 | 0:38:06 | |
I've got 15 here. Is there 18 anywhere? | 0:38:06 | 0:38:08 | |
-15...18? -18 at the back of the room. | 0:38:08 | 0:38:10 | |
I have 20. 25? 25 is in the room. | 0:38:10 | 0:38:13 | |
There's a man bidding! | 0:38:13 | 0:38:14 | |
Rolls-Royce condiments, they don't come any posher than this. | 0:38:14 | 0:38:17 | |
Oh, £30 online. 35? | 0:38:17 | 0:38:19 | |
-£30 online. Is there 35 anywhere? -Keep going. | 0:38:19 | 0:38:22 | |
£30 is the online bid and selling. | 0:38:22 | 0:38:24 | |
That's £25. | 0:38:24 | 0:38:26 | |
I think that's the most profit I've ever made. | 0:38:26 | 0:38:28 | |
Margin queen today! | 0:38:28 | 0:38:30 | |
She certainly is. | 0:38:30 | 0:38:31 | |
Just the five times on those! | 0:38:31 | 0:38:34 | |
Paul's got high hopes for his Turkish artillery fuse. | 0:38:34 | 0:38:37 | |
Commission interest at 20 only, 20 only. | 0:38:37 | 0:38:40 | |
-20 only! -What should it make? | 0:38:40 | 0:38:42 | |
Um... It's worth £30-£50. | 0:38:42 | 0:38:45 | |
25 from Cyprus. How is Cyprus? | 0:38:45 | 0:38:47 | |
Cyprus is bidding on it? | 0:38:47 | 0:38:49 | |
It has been defused, Cyprus. | 0:38:49 | 0:38:51 | |
Cyprus? The bidder's from Cyprus? | 0:38:51 | 0:38:53 | |
Could they send that in the post? | 0:38:53 | 0:38:56 | |
-£25. -Nice profit there. | 0:38:56 | 0:38:58 | |
Christina's slightly tatty bone-inlaid album next. | 0:38:58 | 0:39:03 | |
We'll start the bidding at £35 only. | 0:39:03 | 0:39:05 | |
-Straight in. -Straight into a profit. That's not bad. | 0:39:05 | 0:39:08 | |
35 I have on commission. | 0:39:08 | 0:39:10 | |
It's a fabulous album this one. | 0:39:10 | 0:39:11 | |
Beautifully hand-painted inside. | 0:39:11 | 0:39:13 | |
-It's going to do more, this. -I doubt it. | 0:39:13 | 0:39:15 | |
35 is the bid. Surely it's worth more than that? | 0:39:15 | 0:39:18 | |
I will sell, no reserve item. | 0:39:18 | 0:39:20 | |
£35 the bid... 35 it is. | 0:39:20 | 0:39:22 | |
Another fine profit, followed by Paul's RAF timepiece. | 0:39:22 | 0:39:26 | |
Start me at £50 on the World War II Bakelite clock. | 0:39:27 | 0:39:30 | |
Start me at 50. | 0:39:30 | 0:39:32 | |
-Start me at 30, then. -Ooh! -Start me at 30. -Hey, it's not going! | 0:39:32 | 0:39:35 | |
-30 bid - 30 I have. -Come on. | 0:39:35 | 0:39:37 | |
35. 35 now. | 0:39:37 | 0:39:39 | |
35, looking for 40. | 0:39:39 | 0:39:41 | |
-35 is the bid on the RAF clock. -What? | 0:39:41 | 0:39:43 | |
No further interest? | 0:39:43 | 0:39:45 | |
£35 the bid... | 0:39:45 | 0:39:46 | |
-35. -Oh! | 0:39:46 | 0:39:47 | |
Aye, aye, aye! | 0:39:47 | 0:39:48 | |
A loss? For Paul's militaria? | 0:39:50 | 0:39:53 | |
What's going on? | 0:39:53 | 0:39:54 | |
Time for Christina's nice slice of Black Forest. | 0:39:54 | 0:39:58 | |
Start me at £20. Any interest at 20? | 0:39:58 | 0:40:00 | |
-Start me... -It's lovely, it's very nice. | 0:40:00 | 0:40:02 | |
£10 on the Black Forest tray. | 0:40:02 | 0:40:03 | |
-Ten bid, ten bid, looking for 12. -Oh. | 0:40:03 | 0:40:05 | |
Ten is bid online, is there 12? Surely can't be ten. | 0:40:05 | 0:40:08 | |
Must be more than that? £10 is bid. | 0:40:08 | 0:40:10 | |
-Is there £12? 12 - back of the room now. -Yes! | 0:40:10 | 0:40:12 | |
-Come on! -Is there a 15 anywhere? | 0:40:12 | 0:40:14 | |
15 over there, 15 over there. | 0:40:14 | 0:40:15 | |
Do you want 18? 18. | 0:40:15 | 0:40:17 | |
20? 20. 25? | 0:40:17 | 0:40:19 | |
25? Yes. 30? No. | 0:40:19 | 0:40:21 | |
-Oh, go on! -25 in the room. | 0:40:21 | 0:40:23 | |
Oh, go on, it's nice! | 0:40:23 | 0:40:25 | |
-No threatening customers, please! -THEY LAUGH | 0:40:25 | 0:40:28 | |
£25 in the room and selling. | 0:40:28 | 0:40:30 | |
£25 it is. | 0:40:30 | 0:40:31 | |
I think she thought she was charming them. | 0:40:31 | 0:40:33 | |
Oh, well! At least Christina's having a good time. | 0:40:33 | 0:40:36 | |
-I'm winning. -I'm not. -I'm winning! | 0:40:36 | 0:40:37 | |
THEY LAUGH | 0:40:37 | 0:40:39 | |
Is this what it feels like? | 0:40:39 | 0:40:41 | |
Now for Christina's pill-making frame. | 0:40:41 | 0:40:44 | |
Start me off at £20, please. | 0:40:44 | 0:40:46 | |
£20? All you need to start your own drug company. Who's got £20? | 0:40:46 | 0:40:50 | |
-Start me 10. £10. -That doesn't make me very proud. | 0:40:50 | 0:40:53 | |
It's a Victorian pill frame, it's got to be worth £10. | 0:40:53 | 0:40:55 | |
-10 is bid, 10 is bid. Looking for 20. -Rightly so. | 0:40:55 | 0:40:58 | |
£1 profit. I'm happy. | 0:40:58 | 0:41:00 | |
Is their £12 anywhere? | 0:41:00 | 0:41:02 | |
Last chance at 10? | 0:41:02 | 0:41:04 | |
£10 it is. | 0:41:04 | 0:41:06 | |
-You went out on a pound profit. -Yeah! | 0:41:06 | 0:41:08 | |
Yep, sort of sums up her week... | 0:41:09 | 0:41:12 | |
But she'll win this auction | 0:41:12 | 0:41:13 | |
unless Paul makes a huge profit on his disturbing WMF. | 0:41:13 | 0:41:17 | |
-Here we are. -Look at it! | 0:41:17 | 0:41:19 | |
-Oh, God! -Don't dwell on the subject. It's lovely. | 0:41:19 | 0:41:21 | |
-And I shall start the bidding at £120. -Da-da! | 0:41:21 | 0:41:24 | |
Oh, it's close. Come on, come on. | 0:41:24 | 0:41:25 | |
120, looking for 130 now. | 0:41:25 | 0:41:27 | |
It's a very unusual item, this one. | 0:41:27 | 0:41:29 | |
-I've got £120. Is there... -Oh, no, come on! -..130? | 0:41:29 | 0:41:32 | |
-Went down. -Certainly did. | 0:41:32 | 0:41:35 | |
Another small loss and Christina triumphs! | 0:41:35 | 0:41:38 | |
-Christina Trevanion, you've won the last auction. -Oh, did I? | 0:41:38 | 0:41:41 | |
-HE LAUGHS -Well done, you. | 0:41:41 | 0:41:44 | |
I won one! | 0:41:44 | 0:41:45 | |
THEY CHUCKLE | 0:41:45 | 0:41:47 | |
-Lost everything else... -Now get out of here(!) | 0:41:47 | 0:41:50 | |
Christina started this leg with £145.90 | 0:41:51 | 0:41:55 | |
and made, after paying auction costs, | 0:41:55 | 0:41:58 | |
a profit of £34.30 | 0:41:58 | 0:42:00 | |
leaving her with a final total of £180.20... | 0:42:00 | 0:42:04 | |
..while Paul began with £750.96 and, | 0:42:05 | 0:42:08 | |
after paying auction costs, | 0:42:08 | 0:42:10 | |
made a loss of £48.20. | 0:42:10 | 0:42:13 | |
So he's lost this battle, but won the war | 0:42:13 | 0:42:15 | |
with £702.76. | 0:42:15 | 0:42:18 | |
All profits to Children in Need. | 0:42:18 | 0:42:20 | |
Thanks...I think. | 0:42:20 | 0:42:22 | |
Well, well done, you and your multi-million pound win. | 0:42:22 | 0:42:25 | |
I'm very impressed. | 0:42:25 | 0:42:27 | |
And I get to drive! | 0:42:27 | 0:42:28 | |
Come on, baby. | 0:42:30 | 0:42:31 | |
Quite a week, wasn't it? | 0:42:31 | 0:42:34 | |
Put it here, partner. | 0:42:34 | 0:42:36 | |
After an inauspicious start... | 0:42:36 | 0:42:38 | |
Oh, I think you've broken it... | 0:42:38 | 0:42:41 | |
..it turned out a corker. | 0:42:41 | 0:42:43 | |
-You just said... -You said... | 0:42:43 | 0:42:45 | |
Oh! I'm a bit hot. | 0:42:46 | 0:42:48 | |
Ta-da! | 0:42:48 | 0:42:50 | |
-Well done. -Yes, yes, yes! | 0:42:50 | 0:42:52 | |
Ah! | 0:42:52 | 0:42:55 | |
Next on Antiques Road Trip - | 0:42:59 | 0:43:01 | |
a magical new expert, Raj Bisram... | 0:43:01 | 0:43:04 | |
I'm going to take the silk hanky... | 0:43:04 | 0:43:06 | |
Gone. | 0:43:06 | 0:43:07 | |
..an old favourite, Charles Hanson... | 0:43:07 | 0:43:10 | |
-and the beginning of a beautiful friendship. -Isn't it gorgeous? | 0:43:10 | 0:43:14 | |
-It is. -And you're not bad yourself, either! THEY CHUCKLE | 0:43:14 | 0:43:17 |