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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:05 | |
..with £200 each, a classic car, and a goal | 0:00:07 | 0:00:10 | |
to scour Britain for antiques. | 0:00:10 | 0:00:12 | |
What an old diamond! | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners, and valiant losers. | 0:00:20 | 0:00:24 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today our experts shop in Shropshire. | 0:00:38 | 0:00:41 | |
See if you can tell which one lives here. | 0:00:41 | 0:00:43 | |
Ah, John Deere. Got to love a John Deere. | 0:00:43 | 0:00:46 | |
Yep, tractor spotter Christina Trevanion's a country lass, | 0:00:46 | 0:00:49 | |
as well as an auctioneer. | 0:00:49 | 0:00:52 | |
She even learned to drive in a Land Rover. | 0:00:52 | 0:00:54 | |
This is the life, driving round my home county, in this car, | 0:00:54 | 0:00:57 | |
being a tour guide, boring you senseless. | 0:00:57 | 0:01:01 | |
Sorry, what were you saying again? Were you talking there? | 0:01:02 | 0:01:06 | |
I just caught Shropshire, Wrekin... Severn, yeah. | 0:01:06 | 0:01:09 | |
Wrekin, eh? That big hill, almost as prominent as her co-driver's wallet. | 0:01:09 | 0:01:15 | |
You've got so much money to spend. | 0:01:15 | 0:01:17 | |
I'm walking lopsided! | 0:01:17 | 0:01:19 | |
I'm not surprised, because Cumbrian auctioneer and dapper Dan, | 0:01:19 | 0:01:24 | |
Paul Laidlaw, has been fairly raking it in on this trip, | 0:01:24 | 0:01:28 | |
thanks very much. | 0:01:28 | 0:01:29 | |
300! | 0:01:29 | 0:01:31 | |
His latest coup, some Georgian glass, that he bought for £1 | 0:01:31 | 0:01:34 | |
and sold for £360! | 0:01:34 | 0:01:36 | |
-Bravo! Well done. -Christina has so far increased her £200 stake to a modest £224.54. | 0:01:37 | 0:01:45 | |
While Paul, who began with the same sum, | 0:01:48 | 0:01:50 | |
has already managed to almost quadruple it | 0:01:50 | 0:01:54 | |
with £780.34 now at his disposal. | 0:01:54 | 0:01:57 | |
Our trip begins in Clare, Suffolk, before careering around the heart of | 0:01:59 | 0:02:03 | |
England, and heading north, to end | 0:02:03 | 0:02:05 | |
up at a Cheshire climax in Northwich. | 0:02:05 | 0:02:08 | |
But today, their HMC Mark IV starts out in Shrewsbury, | 0:02:08 | 0:02:12 | |
in Shropshire, and makes its way towards an auction | 0:02:12 | 0:02:14 | |
in the Potteries at Stoke-on-Trent. | 0:02:14 | 0:02:16 | |
But first, to the Salopian county town, where, | 0:02:20 | 0:02:24 | |
until a few years ago, Shrewsbury Football Club | 0:02:24 | 0:02:27 | |
played their matches beside the Severn | 0:02:27 | 0:02:29 | |
at the picturesque Gay Meadow. | 0:02:29 | 0:02:32 | |
Ah, there's a little reminder. | 0:02:32 | 0:02:34 | |
-Hello. Hi, Christina. -Nice to meet you. | 0:02:34 | 0:02:36 | |
-Hi. What's your name? -Jim. -Jim. | 0:02:36 | 0:02:38 | |
-Lovely to meet you, Jim. -Handsome Jim. | 0:02:38 | 0:02:40 | |
Handsome Jim. That's the name, is it? | 0:02:40 | 0:02:42 | |
Especially if you want a bargain, Christina. | 0:02:42 | 0:02:45 | |
-Has she found something already? -Oh, hello. | 0:02:45 | 0:02:47 | |
Now, that's a bit of magic. | 0:02:47 | 0:02:49 | |
Ah, a pair of Alexander Blaikley paintings, by the look of it. | 0:02:49 | 0:02:52 | |
-Very nice, aren't they? -Aren't they just, yeah. | 0:02:52 | 0:02:55 | |
So, they're a pair? Is that £195 for the pair? | 0:02:55 | 0:02:57 | |
-No. -So you've got them individually priced, but you won't split them? | 0:02:57 | 0:03:01 | |
I won't split them, yeah. | 0:03:01 | 0:03:02 | |
-OK. -All right, I can do a deal on the pair, then. £250. | 0:03:02 | 0:03:05 | |
-That's a good price. -They are very beautiful, but I don't have £250! | 0:03:06 | 0:03:12 | |
-Then you can't have them, can you! -Exactly. | 0:03:12 | 0:03:15 | |
Have they got any provenance? Where have become from? | 0:03:15 | 0:03:18 | |
I don't do the history, it costs extra(!) | 0:03:18 | 0:03:20 | |
Fair enough, Jim. Scottish born Blaikley was a 19th-century portrait | 0:03:20 | 0:03:24 | |
painter, these two are very typical of his work. | 0:03:24 | 0:03:27 | |
They look a bit faded to me. | 0:03:27 | 0:03:28 | |
I would be looking to pay probably 150... | 0:03:28 | 0:03:31 | |
Good Lord! I'll do you the pair for 200. | 0:03:31 | 0:03:34 | |
-Now, that's a good deal. -Split the difference with me at 180. | 0:03:34 | 0:03:38 | |
-Split the difference and go 190. -No, not going to go more than 180. | 0:03:38 | 0:03:43 | |
-185? -Nope. -Oh, good Lord. There's a dog to be fed. | 0:03:43 | 0:03:46 | |
Blimey, Jim. What on earth are you giving him? | 0:03:47 | 0:03:49 | |
Let me have a really good look at them, and we'll talk again. | 0:03:49 | 0:03:53 | |
-OK. -All right. -Yes. -They are quite interesting, these pictures. | 0:03:53 | 0:03:57 | |
I've sold one of these in my auction and it sold incredibly well. | 0:03:57 | 0:04:01 | |
The only reservation is, unfortunately, | 0:04:01 | 0:04:03 | |
the auction that we're going to I don't think has internet bidding | 0:04:03 | 0:04:06 | |
and therefore doesn't have an international audience. | 0:04:06 | 0:04:09 | |
These pictures, to do them justice, need an international audience, | 0:04:09 | 0:04:13 | |
and they could bomb. | 0:04:13 | 0:04:14 | |
Yet, they could very well do that. | 0:04:14 | 0:04:16 | |
I said I was going to buy five things for £1, I can't | 0:04:16 | 0:04:18 | |
go and spend all my money on the first item! | 0:04:18 | 0:04:21 | |
Argh! | 0:04:23 | 0:04:24 | |
Ignorant of that agony, Paul's on the way to his first shop | 0:04:27 | 0:04:32 | |
just outside Shrewsbury, at Atcham. | 0:04:32 | 0:04:34 | |
Hello. Hello! How are you? | 0:04:35 | 0:04:39 | |
-Gerard, is it? -Yes. Welcome to Mytton Antiques. | 0:04:39 | 0:04:42 | |
Thank you, very much. What a property, | 0:04:42 | 0:04:45 | |
it's like something out of Hansel and Gretel, this. | 0:04:45 | 0:04:48 | |
But only in a nice way, because this cottage is full of fine things. | 0:04:48 | 0:04:53 | |
Not cheap, but then our Paul does have a few bob. | 0:04:53 | 0:04:56 | |
A nice little George III Sheraton, satinwood-veneered, crossbanded, | 0:04:56 | 0:05:04 | |
burr walnut-inlaid caddie, circa 1780. | 0:05:04 | 0:05:09 | |
Nah, it's a biscuit tin(!) | 0:05:09 | 0:05:10 | |
Empty too, by the sound of it. | 0:05:10 | 0:05:12 | |
But it's great, isn't it? I don't think this is expensive. | 0:05:12 | 0:05:16 | |
£58. It's a little joy, it's fun, and you can use it. | 0:05:16 | 0:05:21 | |
You can still put your teabags in it, or whatever. | 0:05:21 | 0:05:24 | |
Is it for me? Not at the moment. | 0:05:24 | 0:05:26 | |
But I like it. | 0:05:27 | 0:05:28 | |
Not enough, though. Keep looking. | 0:05:28 | 0:05:31 | |
Jim, can we have another chat? | 0:05:31 | 0:05:32 | |
While back in Shrewsbury, it looks like things | 0:05:32 | 0:05:34 | |
may be about to get interesting. | 0:05:34 | 0:05:37 | |
Where did we get to? | 0:05:37 | 0:05:38 | |
185 for the pair. | 0:05:38 | 0:05:40 | |
Stupid price. | 0:05:40 | 0:05:42 | |
Well, I did say maybe. Gird your loins. | 0:05:42 | 0:05:45 | |
My issue is, obviously, there's a lot of damage to the frames and they | 0:05:45 | 0:05:48 | |
have been re-lined. They've had new backs on, | 0:05:48 | 0:05:50 | |
so somebody has taken them out. | 0:05:50 | 0:05:51 | |
Somebody took them out to put money inside, covered it over and left it. | 0:05:51 | 0:05:55 | |
-Gold sovereigns? -Well, could be. | 0:05:55 | 0:05:58 | |
-I'm still thinking 150, 160. -No, you didn't, you went up to 170. | 0:05:58 | 0:06:01 | |
-Yeah, well, I changed my mind. -You went up to 170. | 0:06:01 | 0:06:03 | |
-I've changed my mind. -You can't go back down! | 0:06:03 | 0:06:05 | |
It's a woman's prerogative. | 0:06:05 | 0:06:06 | |
-She's right, Jim. -I think 160 would be a fair price on the two. | 0:06:06 | 0:06:10 | |
Good Lord, no! Can I go and make myself a cup of tea? | 0:06:10 | 0:06:12 | |
-A man'll die of thirst here! -No! | 0:06:12 | 0:06:14 | |
I leave you to it. That's it. | 0:06:14 | 0:06:16 | |
-He's off again? -Jim? -That's robbery. Daylight robbery! | 0:06:16 | 0:06:19 | |
-Jim? Jim? -Yes, darling. | 0:06:19 | 0:06:21 | |
It's like some sort of courtship ritual, isn't it? | 0:06:21 | 0:06:25 | |
-160. -Nope. | 0:06:25 | 0:06:26 | |
-165? -No! | 0:06:26 | 0:06:27 | |
Come on, a fiver. | 0:06:27 | 0:06:29 | |
175. I'll start going up if you keep coming down. | 0:06:29 | 0:06:33 | |
Do you feel insulted? | 0:06:33 | 0:06:34 | |
I do. Highly. | 0:06:34 | 0:06:35 | |
165, you've got a deal. | 0:06:35 | 0:06:37 | |
And I'll get out of your hair for the rest of the day. Go on. | 0:06:37 | 0:06:41 | |
-OK, go on. -165. -You bring tears to a glass eye, you know that? | 0:06:41 | 0:06:44 | |
So, that's one deal happily arrived at. | 0:06:46 | 0:06:49 | |
Bye, Murphy, bye. | 0:06:49 | 0:06:51 | |
Bye. Bye. | 0:06:51 | 0:06:52 | |
He'll bite you! | 0:06:52 | 0:06:54 | |
But, Paul, it seems, has drawn a blank | 0:06:54 | 0:06:56 | |
so he's now heading back towards Shrewsbury, and Christina's shop | 0:06:56 | 0:07:00 | |
and the dog. | 0:07:00 | 0:07:01 | |
Four floors of antiques and vintage. It may be big enough for both of us. | 0:07:01 | 0:07:07 | |
Junk 'n' Disorderly. That's got my name on it! | 0:07:07 | 0:07:09 | |
-Hello! -Is your work here done? -What are you doing here? | 0:07:09 | 0:07:12 | |
-Remember me? -You're like a bad penny. What are you doing here? | 0:07:12 | 0:07:15 | |
-Oh, don't say it like that! -What's going on? | 0:07:15 | 0:07:17 | |
Well, I bought so well in that first shop that I'm on a roll. | 0:07:17 | 0:07:20 | |
-Yeah, out! Out! -You're offski, yeah? -Yeah, I'm done. | 0:07:20 | 0:07:23 | |
-Seriously, you've done here? -Yeah. | 0:07:23 | 0:07:26 | |
-Aw! -See later, have fun. -It's a plan. See you later. | 0:07:26 | 0:07:29 | |
Paul's turn, then. | 0:07:31 | 0:07:32 | |
And apart from the missing paintings, there's still plenty to | 0:07:32 | 0:07:36 | |
choose from, including a little militaria. | 0:07:36 | 0:07:38 | |
-Here we go. -Well, quite a lot, actually. | 0:07:38 | 0:07:42 | |
A rack of uniforms. | 0:07:42 | 0:07:44 | |
And that's my bag. | 0:07:44 | 0:07:46 | |
However, that's post-war German, Bundeswehr. | 0:07:46 | 0:07:52 | |
That's post-war dress, who cares! | 0:07:52 | 0:07:55 | |
It's all well buying fancy dress, history is what we are looking for. | 0:07:55 | 0:07:59 | |
This, however, is Second World War Royal Navy. | 0:07:59 | 0:08:03 | |
Right, OK. Watch this. Switch, geek mode! Anorak mode! | 0:08:04 | 0:08:08 | |
This is called a jumper. | 0:08:08 | 0:08:10 | |
Yes, you think a jumper is a woolly pully, | 0:08:10 | 0:08:12 | |
but in admiralty language this is a jumper. | 0:08:12 | 0:08:14 | |
And it would indeed be worn with bell-bottomed trousers, | 0:08:14 | 0:08:16 | |
with seven folds that represent the seven seas. | 0:08:16 | 0:08:19 | |
These five stripes, here, are war service chevrons. | 0:08:20 | 0:08:25 | |
These were given in the Second World War for each year of service, | 0:08:25 | 0:08:28 | |
that guy served for the duration of the war, and he was still | 0:08:28 | 0:08:32 | |
wearing this in 1944, because in 1944 he had earned four stripes, | 0:08:32 | 0:08:37 | |
see this one is a bolt on. | 0:08:37 | 0:08:39 | |
Isn't that a great wee bit of detective work? | 0:08:39 | 0:08:41 | |
We can pin this thing down to a period without a label or a date. | 0:08:41 | 0:08:45 | |
I can tell you more about the guy, he is, by my reckoning, a signaller, | 0:08:45 | 0:08:51 | |
is he not? Because they are semaphore flags. | 0:08:51 | 0:08:53 | |
It all starts to reveal itself. | 0:08:54 | 0:08:56 | |
Clever stuff. | 0:08:56 | 0:08:58 | |
Jim, though, wishes to put a more eccentric item forward. | 0:08:58 | 0:09:02 | |
-It's a good 'un. -It's all about the story, isn't it? | 0:09:02 | 0:09:04 | |
Well, I can give you any story you like! | 0:09:04 | 0:09:07 | |
It's a mounted horse's hoof, complete with shoe, | 0:09:07 | 0:09:12 | |
fitted with a brass collar and a hinged mahogany lid. | 0:09:12 | 0:09:17 | |
It would serve as a baccy pot or a match pot, or whatever you want. | 0:09:17 | 0:09:22 | |
I'm giving you 95. I'm open to a bit of hardball. Look, I've removed the | 0:09:22 | 0:09:26 | |
price, what does that tell you? I'm ready for a sale. | 0:09:26 | 0:09:28 | |
I need some money, I've a dog to feed, look at him. | 0:09:28 | 0:09:31 | |
Didn't he say the same thing to Christina? | 0:09:31 | 0:09:32 | |
Just how much dog food does that dog want? He's so small. | 0:09:32 | 0:09:36 | |
For my money, the best of these are hooves of mounts that charged | 0:09:36 | 0:09:42 | |
with the Light Brigade, or whatever. | 0:09:42 | 0:09:45 | |
Then you've got me going, cos frankly, that's disgusting! | 0:09:45 | 0:09:50 | |
Show me some history, and then you've got me attention. | 0:09:50 | 0:09:53 | |
Now, if that ST is Sergeant Lamb, of the 17th Lancers, I'm interested. | 0:09:53 | 0:10:01 | |
Quite. Now let the horse trading recommence without the dog. | 0:10:01 | 0:10:04 | |
-Give me 45. -No. -I can't... | 0:10:04 | 0:10:07 | |
I reckon that's going to make 30-40 quid under the hammer. | 0:10:07 | 0:10:11 | |
You're joking me! Give me 40 and I'll take it | 0:10:11 | 0:10:13 | |
-and that's the end of it now. -Have you not listened to me? | 0:10:13 | 0:10:16 | |
We've got an old uniform and a green helmet there. | 0:10:16 | 0:10:20 | |
What would be the price if on the three pieces? | 0:10:20 | 0:10:23 | |
And I don't rate them, by the way, | 0:10:23 | 0:10:24 | |
I'm just trying to take the pain out of that. | 0:10:24 | 0:10:27 | |
-Give me 75 for the lot. -No! -That's dirt cheap! | 0:10:27 | 0:10:30 | |
-Because the blue uniform... -50 quid, there you go. | 0:10:30 | 0:10:33 | |
-..is neither here nor there. -That's what you wanted. 50 quid. | 0:10:33 | 0:10:36 | |
-Do you want to shake on it, yes or no? -Yeah. -Done. -No problem. | 0:10:36 | 0:10:39 | |
Well, Jim, yet again it's been emotional. | 0:10:39 | 0:10:42 | |
Well, I tell you what, you'll do well to get a tenner for it. | 0:10:42 | 0:10:44 | |
This is no joking matter. | 0:10:46 | 0:10:48 | |
-Look after yourself, my friend. -You too, man. | 0:10:49 | 0:10:51 | |
-All the best to you. -And I hope I don't see you again. | 0:10:51 | 0:10:54 | |
I'll wash out my mouth, big man. | 0:10:54 | 0:10:56 | |
Now, still in Shrewsbury, where's our local lass got to? | 0:10:59 | 0:11:02 | |
-Bill, how are you? -Christina, how are you? -Nice to see you. Very well, thank you. | 0:11:05 | 0:11:09 | |
-Oh, what a surprise. Nice of you to drop in. -Yeah, I'm sorry about this gate-crashing. -You're always welcome. | 0:11:09 | 0:11:13 | |
Now, I don't know about you but I reckon those two have met before. | 0:11:13 | 0:11:17 | |
Could local knowledge help? It's certainly a very nice shop. | 0:11:17 | 0:11:21 | |
-Bill, I love... This is a printing block tray, isn't it? -It is. | 0:11:21 | 0:11:24 | |
It's a printing block tray that you've put on the wall | 0:11:24 | 0:11:26 | |
and it just makes a really lovely display cabinet. | 0:11:26 | 0:11:29 | |
It takes all those lovely little items that you've got that | 0:11:29 | 0:11:31 | |
you just don't know what to do with but they're beautiful to look at. | 0:11:31 | 0:11:34 | |
-Yeah, that my husband curses. -Does he? | 0:11:34 | 0:11:36 | |
Yeah, I bet they're all over the place. | 0:11:36 | 0:11:38 | |
Christina could certainly do with pointing in the right direction. | 0:11:38 | 0:11:41 | |
Oh, Bill, I need to find something I'm going to make | 0:11:41 | 0:11:43 | |
-about £500 profit on. -Are you? I'm not sure that's the object. -I know. | 0:11:43 | 0:11:49 | |
-Anything else, Billy? -Oh, I tell you what I do like. -Oh, the tin-plate? | 0:11:49 | 0:11:54 | |
-That's pretty cool, isn't it? -That's fabulous. -I like that. | 0:11:54 | 0:11:57 | |
-OK, missing its front. -Yeah. There's bits wrong with it. | 0:11:57 | 0:12:00 | |
-Oh, but look at him driving his train! -It is '50s. It is Japanese. | 0:12:00 | 0:12:05 | |
It needs a little bit of care and attention. | 0:12:07 | 0:12:09 | |
It does, doesn't it? But that's great. Does it work? | 0:12:09 | 0:12:11 | |
Well, no, it doesn't. Well, I don't know if it's bad off working. | 0:12:11 | 0:12:16 | |
-The bits are there. -Oh, yeah. What have we got on it? £20. -Yep. | 0:12:16 | 0:12:20 | |
-It looks great but... -It's a decorative object. | 0:12:20 | 0:12:23 | |
Like me, it has issues. HE LAUGHS | 0:12:23 | 0:12:26 | |
-Don't we all? -Speak for yourselves. | 0:12:26 | 0:12:29 | |
-12 quid, it's yours. -Yeah? -You'll make a profit. | 0:12:29 | 0:12:32 | |
-Will I? -What do you think? -Can we make it a tenner? | 0:12:32 | 0:12:34 | |
-Oh, sure. -Tenner? | 0:12:34 | 0:12:37 | |
What have you got there? Is that a handshake or what? | 0:12:37 | 0:12:39 | |
-It's a handshake. -All right. -Thank you very much. -You're welcome. | 0:12:39 | 0:12:42 | |
You're an angel. | 0:12:42 | 0:12:43 | |
Deal sealed and, issues or not, she should be chuffed | 0:12:43 | 0:12:46 | |
about that little buy. | 0:12:46 | 0:12:48 | |
But whilst Christina's been bargaining, Paul's back | 0:12:51 | 0:12:53 | |
behind the wheel heading east towards the Birmingham suburb | 0:12:53 | 0:12:57 | |
of Erdington, where inside this mysterious warehouse | 0:12:57 | 0:13:02 | |
there's a wealth of incredible history. | 0:13:02 | 0:13:05 | |
-RADIO: Good afternoon. Reception, can I help you? -Paul Laidlaw. | 0:13:05 | 0:13:08 | |
I've arranged to pop in and see you. | 0:13:08 | 0:13:12 | |
Oh, look at that! Holy Moses, here it goes. | 0:13:12 | 0:13:17 | |
Paul's about to get a close look | 0:13:17 | 0:13:19 | |
at where the government keeps our wills. | 0:13:19 | 0:13:21 | |
-Hello there, Phil. -Paul, good to see you. | 0:13:21 | 0:13:24 | |
-Good to see you. -Welcome to Iron Mountain. -Thanks very much. What a place this is! | 0:13:24 | 0:13:28 | |
It certainly is because since 1858, when our wills were made public, | 0:13:28 | 0:13:33 | |
they have been archived and there's an awful lot of them here. | 0:13:33 | 0:13:36 | |
We store the wills, 80 million of them, | 0:13:36 | 0:13:40 | |
on behalf of Her Majesty's Courts and Tribunals Service | 0:13:40 | 0:13:43 | |
and we've got some really, really strict controls in place | 0:13:43 | 0:13:46 | |
around the temperature, humidity and, as you've seen, security, | 0:13:46 | 0:13:49 | |
-when you came through. -Indeed. | 0:13:49 | 0:13:51 | |
Nowadays, they're hard at work digitising all this | 0:13:51 | 0:13:55 | |
and putting it online for everyone, | 0:13:55 | 0:13:56 | |
from those studying their family history | 0:13:56 | 0:13:58 | |
to biographers of great Britons. | 0:13:58 | 0:14:01 | |
-Oh, it is, it's amazing. This is Indiana Jones. -Oh, absolutely. | 0:14:01 | 0:14:05 | |
But there's nothing quite like taking a close-up look | 0:14:05 | 0:14:08 | |
at the originals. | 0:14:08 | 0:14:09 | |
These are hundreds of thousands of people we're looking at. | 0:14:09 | 0:14:12 | |
Each one of these pages, each one of these documents | 0:14:12 | 0:14:15 | |
can tell you a story, and then you've got | 0:14:15 | 0:14:17 | |
the more interesting people such as Edward William Elgar. | 0:14:17 | 0:14:20 | |
-Right, the composer. Right. -Absolutely. | 0:14:20 | 0:14:23 | |
"I regret that owing to the sudden collapse of everything artistic | 0:14:23 | 0:14:26 | |
"and commercial, I have found it necessary to revoke the will, | 0:14:26 | 0:14:29 | |
"which I previously made and to make this present will." | 0:14:29 | 0:14:32 | |
So even in the wills of famous people, of people that we know, | 0:14:32 | 0:14:35 | |
there are still stories to be told about how fortunes were made | 0:14:35 | 0:14:40 | |
and sometimes were lost or fortunes changed. | 0:14:40 | 0:14:43 | |
So why has he rewritten the will? | 0:14:43 | 0:14:45 | |
At this time in his life, you can see here that he's struggling with everything around him | 0:14:45 | 0:14:49 | |
and that was caused by the death of his wife, Alice. | 0:14:49 | 0:14:51 | |
-So tragic circumstances led to this. -It reads like a book. | 0:14:51 | 0:14:55 | |
-It does. -Not how I expected. -Absolutely, yeah. | 0:14:55 | 0:14:58 | |
Who else have you got? | 0:14:58 | 0:15:00 | |
Straight away here is a name you may recognise. | 0:15:00 | 0:15:02 | |
-Florence Nightingale, the lady with the lamp? -It is, absolutely. | 0:15:02 | 0:15:07 | |
-You could just keep doing this, blow my mind. -Followed by... | 0:15:07 | 0:15:11 | |
HE GASPS | 0:15:11 | 0:15:12 | |
Whoa! Winston Churchill. Just beyond belief. | 0:15:12 | 0:15:17 | |
I know who that is - Beatrix Heelis | 0:15:17 | 0:15:19 | |
-That's the married name of Beatrix Potter. -It absolutely is. | 0:15:19 | 0:15:22 | |
Well, there you go. | 0:15:22 | 0:15:23 | |
The lady that left all of her estate to the National Trust. | 0:15:23 | 0:15:26 | |
Yup, they're all in here, | 0:15:26 | 0:15:28 | |
everyone from your great-granny, to the Kray twins. | 0:15:28 | 0:15:30 | |
Take a look online at the YouGov website. | 0:15:30 | 0:15:34 | |
After you. | 0:15:34 | 0:15:36 | |
There's also a touch of the James Bond about this, is there not? | 0:15:36 | 0:15:39 | |
There is. | 0:15:39 | 0:15:40 | |
Especially poignant on the centenary of the Great War, | 0:15:40 | 0:15:43 | |
is a collection of almost 300,000 soldiers' wills. | 0:15:43 | 0:15:47 | |
"In the event of my death I give the whole of my property | 0:15:47 | 0:15:50 | |
"and effects to Mrs Catherine McCarthy." | 0:15:50 | 0:15:54 | |
Signed 6184 Private McCarthy. Deary me. | 0:15:54 | 0:15:58 | |
Such different circumstances than some of the other wills that we saw. | 0:15:58 | 0:16:02 | |
Who died in their bed, the great and the good. | 0:16:02 | 0:16:05 | |
This guy in the mud of France and Flanders, | 0:16:05 | 0:16:07 | |
an officer saying, "You'd better fill that in." | 0:16:07 | 0:16:10 | |
And it could be tomorrow that it's applicable. | 0:16:10 | 0:16:13 | |
And nothing brings it home more than the pocketbook | 0:16:13 | 0:16:15 | |
that we've got in front of us. It's actually got a bullet hole in it. | 0:16:15 | 0:16:18 | |
The soldiers carried their pocketbooks around with them | 0:16:18 | 0:16:20 | |
when they were on the front line and probably one of the last things | 0:16:20 | 0:16:24 | |
that was ever written in here was the will. | 0:16:24 | 0:16:27 | |
-So that's the reason... -That's why it's here? -That's why it's here. Absolutely, yeah. | 0:16:27 | 0:16:31 | |
And quite interesting with the will that we've got here, | 0:16:31 | 0:16:33 | |
a request from the soldier, Horace Henry Cook, saying, | 0:16:33 | 0:16:38 | |
"Had not the hand of the Almighty intervened," | 0:16:38 | 0:16:41 | |
the lady in question would have been his wife, | 0:16:41 | 0:16:44 | |
so he's asking in this for his girlfriend | 0:16:44 | 0:16:47 | |
to be treated as though she would have been his wife | 0:16:47 | 0:16:50 | |
had he not gone to war and had he not died. | 0:16:50 | 0:16:53 | |
I would never have guessed walking in here that I'd be so moved. | 0:16:53 | 0:16:56 | |
Acres and acres of paper but it's much more than that, isn't it? | 0:16:56 | 0:16:59 | |
It absolutely is, yeah. | 0:16:59 | 0:17:01 | |
Now, they have a saying hereabouts, "All around the Wrekin." | 0:17:04 | 0:17:09 | |
-Driving off into the sunset. -This is it. | 0:17:09 | 0:17:11 | |
It means, "Taking the scenic route." | 0:17:11 | 0:17:14 | |
-Thelma and Louise. -Night-night, you two. | 0:17:14 | 0:17:16 | |
Next day, we're back on the hot topic. | 0:17:19 | 0:17:22 | |
So, how are you doing with your sovereigns? | 0:17:22 | 0:17:24 | |
Have you managed to walk very far or are your pockets weighing you down? | 0:17:24 | 0:17:27 | |
Well, he didn't part with too many of them yesterday, | 0:17:27 | 0:17:30 | |
that's for sure, shelling out just £50 | 0:17:30 | 0:17:32 | |
for a sailor's uniform, a helmet and a horse's hoof. | 0:17:32 | 0:17:36 | |
-Do you want to shake on it, yes or no? -Yeah. -Done. | 0:17:36 | 0:17:38 | |
So he still has well over £700 left, | 0:17:38 | 0:17:42 | |
while Christina took her modest hoard and gambled, | 0:17:42 | 0:17:46 | |
splashing out £175 on a tin-plate train and two Victorian portraits. | 0:17:46 | 0:17:52 | |
Aah! | 0:17:52 | 0:17:54 | |
So, she now has less than 50 left | 0:17:54 | 0:17:56 | |
although what they do have in common is a bruising encounter with Jim. | 0:17:56 | 0:18:01 | |
I'm spending a chunk of my profit on some therapy. | 0:18:01 | 0:18:04 | |
SHE LAUGHS | 0:18:04 | 0:18:06 | |
Two Celts going at it. It was like 13 rounds with Barry McGuigan. | 0:18:06 | 0:18:11 | |
SHE LAUGHS | 0:18:11 | 0:18:13 | |
Later, they'll be making for a Staffordshire auction | 0:18:13 | 0:18:15 | |
at Stoke-on-Trent but their next stop | 0:18:15 | 0:18:18 | |
is back in Shropshire at Shifnal. | 0:18:18 | 0:18:20 | |
It was around these parts that PG Wodehouse | 0:18:23 | 0:18:25 | |
set his famous Blandings Castle saga and Shifnal is rumoured to be | 0:18:25 | 0:18:30 | |
the inspiration for the fictional town of Market Blandings. | 0:18:30 | 0:18:34 | |
Nothing quite like a shared shop to up the ante. | 0:18:36 | 0:18:40 | |
-Hello! Hi. Hello. Hi. Christina. Nice to meet you. -Hello. | 0:18:40 | 0:18:43 | |
-What was your name? -I'm Jackie. -Jackie. Lovely to meet you, Jackie. | 0:18:43 | 0:18:46 | |
-How are you doing, Jackie? I'm Paul. -Hello, Paul. | 0:18:46 | 0:18:48 | |
You don't need to know him. | 0:18:48 | 0:18:50 | |
What did I say? Deep breaths all round. | 0:18:50 | 0:18:53 | |
Should we risk upsetting the kilter of the universe | 0:18:53 | 0:18:56 | |
and my feng shui? | 0:18:56 | 0:18:58 | |
-I'm going to deviate from clockwise from the door. -No! | 0:18:58 | 0:19:00 | |
-Your OCD won't cope with that. -You heard it. No, I cannae. | 0:19:00 | 0:19:04 | |
-"I can't do it." OK. I'm going this way. -Plenty to choose from, you two. | 0:19:06 | 0:19:10 | |
-So, how much is on that? -995. -Ooh! -Yeah. -Wow! | 0:19:12 | 0:19:17 | |
Yeah, that's about £990 more than I've got. | 0:19:17 | 0:19:22 | |
Close enough, Christina. Now, what Paul's game? | 0:19:22 | 0:19:25 | |
-Jackie? -Hm? -You've got a sense of humour, haven't you? -Why? | 0:19:25 | 0:19:28 | |
Do you want to play a wee joke? | 0:19:28 | 0:19:30 | |
So, that's celebrating the centenary of the Great Exhibition. | 0:19:30 | 0:19:32 | |
The Great Exhibition obviously was put on by Victoria and Albert. | 0:19:32 | 0:19:36 | |
-Aye, aye. -It is effectively a tourist piece | 0:19:36 | 0:19:38 | |
so there would have been a lot of them produced | 0:19:38 | 0:19:40 | |
so if we're looking for scarcity factor, it's not going to be there. | 0:19:40 | 0:19:44 | |
It's a very generous discount. | 0:19:44 | 0:19:46 | |
-350 to 60, are you quite sure about that? -Yes. | 0:19:46 | 0:19:50 | |
HE LAUGHS | 0:19:51 | 0:19:53 | |
The icy look! We were kidding, by the way. | 0:19:53 | 0:19:57 | |
You're a blighter! | 0:19:57 | 0:19:59 | |
I'm looking at £2 items. | 0:19:59 | 0:20:02 | |
Yes, you should be ashamed of yourself, Paul. | 0:20:02 | 0:20:04 | |
That looks affordable at least. | 0:20:04 | 0:20:06 | |
This is quite fun, what's this? Is that for sale? | 0:20:06 | 0:20:09 | |
This is a display cabinet for cigars and it's something that we've had | 0:20:09 | 0:20:12 | |
that we use to display cigarettes, lighters and cigarette cases in. | 0:20:12 | 0:20:18 | |
-Is it for sale? -Well, if you'd like it, yeah. -I quite like that. | 0:20:18 | 0:20:22 | |
So what would you price that at? | 0:20:23 | 0:20:25 | |
-I would probably put something like £45 on it. -Oh, would you? | 0:20:25 | 0:20:31 | |
-I wouldn't be looking to pay that for it? -But I am open to offers. | 0:20:31 | 0:20:35 | |
Would you be very, very insulted if I said a fiver? | 0:20:35 | 0:20:39 | |
-Not really. -Really? -Mm. -Could I have it for a fiver? | 0:20:39 | 0:20:44 | |
-Yeah, you can have it for £5. -Are you sure? | 0:20:44 | 0:20:46 | |
-Yes, I'm positive. -Are you happy at that? -Yep. | 0:20:46 | 0:20:48 | |
Deal. Brilliant. Jackie, you're a star. | 0:20:50 | 0:20:53 | |
I didn't think I wanted to buy a Henri Wintermans display cabinet | 0:20:53 | 0:20:56 | |
-but life is a journey, isn't it? -That's right. | 0:20:56 | 0:21:00 | |
It sure is and Paul seems to be taking a brief detour | 0:21:00 | 0:21:03 | |
getting to know the trading estate. | 0:21:03 | 0:21:06 | |
Bureau - £10. It's for sale, this stuff. | 0:21:06 | 0:21:09 | |
-Vintage bike... -Who's behind all of this treasure? | 0:21:10 | 0:21:14 | |
-Hello. -Hello there. -It looks like you're selling, yeah? | 0:21:14 | 0:21:17 | |
Yes, I'm selling a few things to try and get rid of them. | 0:21:17 | 0:21:21 | |
Sounding cheap. | 0:21:21 | 0:21:23 | |
-Is your clock running, or no? -No, it's not. | 0:21:23 | 0:21:25 | |
I don't know whether it's worth me bothering or not. | 0:21:25 | 0:21:28 | |
I've been told what it's worth. | 0:21:28 | 0:21:30 | |
He says he wants about 20 quid for it. | 0:21:30 | 0:21:32 | |
Now, there's nothing Paul likes more than a wonky clock. | 0:21:32 | 0:21:35 | |
These are commonly referred to as anniversary clocks. | 0:21:35 | 0:21:38 | |
This is a torsion clock. | 0:21:38 | 0:21:40 | |
So, instead of a swinging pendulum you have got | 0:21:40 | 0:21:45 | |
an oscillating, rotating weight here. | 0:21:45 | 0:21:49 | |
Now, your average domestic clock will run for eight days, | 0:21:49 | 0:21:52 | |
which means you've got to wind it once a week | 0:21:52 | 0:21:55 | |
and if you forget, you've got a day to remember. | 0:21:55 | 0:21:58 | |
Your torsion clock is a fantastic piece of engineering. | 0:21:58 | 0:22:02 | |
It's so sophisticated. | 0:22:02 | 0:22:04 | |
We wind our torsion clock typically once every 400 days. | 0:22:04 | 0:22:10 | |
What do you think of that for horological sophistication? | 0:22:10 | 0:22:13 | |
You've got to wind it once a year and what day might you wind it on? | 0:22:13 | 0:22:17 | |
Why don't you wind it on your anniversary? Anniversary clock. | 0:22:17 | 0:22:21 | |
And if it slips your mind, you've still got 35 days to remember. | 0:22:21 | 0:22:24 | |
I suspect there's not much missing there. | 0:22:24 | 0:22:28 | |
Would you take a wee cheeky offer on your clock as a project? | 0:22:28 | 0:22:32 | |
-Well, yes, I would. -I'm no interested in 20 quid. | 0:22:32 | 0:22:35 | |
It's... There's too much uncertainty in it. | 0:22:35 | 0:22:40 | |
If a fiver would buy it, I'll shake your hand. | 0:22:40 | 0:22:42 | |
-I wouldn't do it at a fiver. -There was no harm in asking. | 0:22:42 | 0:22:45 | |
-It would have to be a tenner. -A tenner? Take a punt... | 0:22:45 | 0:22:50 | |
Nah. A fiver if it will buy it but that's it. | 0:22:50 | 0:22:53 | |
-Yes. Oh, go on. I'll take a fiver. -I'll take a punt, then. | 0:22:53 | 0:22:57 | |
How badly wrong can it go for a fiver? | 0:22:57 | 0:23:00 | |
-Well, I thank you very much. -Thank you very much. Cheers. -Cheers. | 0:23:00 | 0:23:05 | |
He just couldn't resist, could he? | 0:23:05 | 0:23:08 | |
Christina meanwhile is likewise exploring | 0:23:08 | 0:23:10 | |
her inner rag-and-bone woman. | 0:23:10 | 0:23:12 | |
It's a mangle. That's fab, isn't it? | 0:23:12 | 0:23:15 | |
-What have you got on your mangle? -I've got... I think it's £60. -Is it? | 0:23:15 | 0:23:20 | |
-Would you be open to a deal on that? -Yeah, I think so. | 0:23:20 | 0:23:23 | |
Squeeze out a profit maybe? | 0:23:23 | 0:23:25 | |
For our younger viewers, a mangle was once how we dried | 0:23:25 | 0:23:27 | |
our newly washed clothes, as Christina demonstrates. | 0:23:27 | 0:23:30 | |
What can the price be squeezed down to? | 0:23:30 | 0:23:33 | |
-Would you take very little for it? -How little is very little? | 0:23:33 | 0:23:37 | |
I don't need a wee, I'm just very nervous. | 0:23:37 | 0:23:40 | |
-Would £20 be too much? -Oh... | 0:23:40 | 0:23:44 | |
What would be the very, very least you could do it for? | 0:23:44 | 0:23:46 | |
10? It's a deal. | 0:23:46 | 0:23:49 | |
Thank you very much. The sun shines on the righteous, Jackie. | 0:23:49 | 0:23:53 | |
-Yes, definitely. -Oh, my God, I just bought a mangle! | 0:23:53 | 0:23:56 | |
Yes, and spent a mere £15 in total for that and the display cabinet. | 0:23:56 | 0:24:02 | |
-You're an angel. -There you go. -Thank you very much. What a star. | 0:24:02 | 0:24:04 | |
-Thank you. -So, with Christina out of the picture, | 0:24:04 | 0:24:07 | |
Paul now has the shop to himself. | 0:24:07 | 0:24:09 | |
-Right. -Oh, I feel liberated. | 0:24:09 | 0:24:12 | |
Right, well, I managed to have a look around the bulk of the shop | 0:24:12 | 0:24:15 | |
but I couldn't get near your cabinets. | 0:24:15 | 0:24:17 | |
They're sweet, aren't they? Those wee coffee spoons, there. | 0:24:17 | 0:24:21 | |
-Cute little terminals with the little bird feeding the chicks. -Mm. | 0:24:21 | 0:24:24 | |
I think they've got novelty and jam by the bucket-load. | 0:24:24 | 0:24:27 | |
-Can I just make you an offer? -Yeah. -25 quid for those. | 0:24:27 | 0:24:31 | |
I think I can accept that. | 0:24:31 | 0:24:33 | |
Have you played this game before? | 0:24:35 | 0:24:37 | |
-You're supposed to go, "No, I couldn't possibly!" -No. | 0:24:37 | 0:24:41 | |
And given that you're clearly a joy to do business with, | 0:24:41 | 0:24:43 | |
-I'll just shake your hand and give you some money. -OK. -That was easy. | 0:24:43 | 0:24:47 | |
To the victor! The spoons. | 0:24:47 | 0:24:49 | |
Meanwhile, elsewhere in Shropshire, Christina's taking | 0:24:53 | 0:24:55 | |
a bit of a break in the little town of Much Wenlock, | 0:24:55 | 0:24:59 | |
where she's come to find out about the local GP, | 0:24:59 | 0:25:02 | |
who inspired Olympic history. | 0:25:02 | 0:25:05 | |
-Hello, hi. I'm Christina. -Welcome to Much Wenlock Museum. -Thank you. | 0:25:05 | 0:25:09 | |
Curator Emma can tell her about the progressive influence | 0:25:09 | 0:25:13 | |
of Much Wenlock's most famous son, Dr William Penny Brookes. | 0:25:13 | 0:25:17 | |
One of the things that he saw both as being a doctor | 0:25:17 | 0:25:19 | |
and a magistrate was that young people needed something | 0:25:19 | 0:25:23 | |
to focus their attentions, to keep them out of the local pubs | 0:25:23 | 0:25:27 | |
and to get them out in the fields and get them fit. | 0:25:27 | 0:25:29 | |
And by 1850 he had set up the first Wenlock Olympian Games. | 0:25:29 | 0:25:34 | |
Local people were invited to come and take part. | 0:25:34 | 0:25:37 | |
Local families gave prizes for the games | 0:25:37 | 0:25:40 | |
and really it all took off and then became an annual event. | 0:25:40 | 0:25:44 | |
So, what, you might ask, | 0:25:44 | 0:25:47 | |
was so incredible about organising the town sports day? | 0:25:47 | 0:25:50 | |
Well, the good doctor was ahead of his time | 0:25:50 | 0:25:52 | |
in just about everything from understanding the need | 0:25:52 | 0:25:54 | |
for physical fitness, to encouraging social inclusion. | 0:25:54 | 0:25:58 | |
Did you have to be a certain somebody or could anybody take part? | 0:25:58 | 0:26:01 | |
No, that's what was really unique about the Wenlock Games, | 0:26:01 | 0:26:04 | |
was it was not only just open to people of all ages, | 0:26:04 | 0:26:07 | |
it would also open to people of all classes and at this time | 0:26:07 | 0:26:11 | |
a lot of sporting events were very much | 0:26:11 | 0:26:13 | |
for gentlemen of the gentleman class. | 0:26:13 | 0:26:15 | |
Of course, rowing... It's all quite public-school, isn't it? | 0:26:15 | 0:26:18 | |
-Indeed. -But this was open to everybody and anybody? -Yes. | 0:26:18 | 0:26:20 | |
-Gosh, he was obviously a man of vision. -He really was. | 0:26:20 | 0:26:24 | |
It seems to be anything that was new and exciting and radical that | 0:26:24 | 0:26:27 | |
happened in Wenlock, William Penny Brookes was involved in. | 0:26:27 | 0:26:31 | |
I mean, he brought gas to the town and set up the local gasworks. | 0:26:31 | 0:26:35 | |
He brought the railway here, | 0:26:35 | 0:26:37 | |
which was partly about getting people in to visit the Games | 0:26:37 | 0:26:40 | |
and to take part but also about making sure | 0:26:40 | 0:26:42 | |
that Wenlock prospered as a town. | 0:26:42 | 0:26:44 | |
Just like Charles Darwin, born the same year | 0:26:44 | 0:26:46 | |
in nearby Shrewsbury, Dr Brookes was shaking things up. | 0:26:46 | 0:26:51 | |
So Shropshire was a real hotbed of scientific thinkers, wasn't it? | 0:26:51 | 0:26:55 | |
That's really exciting! I'm feeling quite proud. | 0:26:55 | 0:26:58 | |
It was a place where lots of new ideas developed. | 0:26:58 | 0:27:01 | |
Within a few years, the Much Wenlock Games had become established | 0:27:01 | 0:27:05 | |
in the sporting calendar, with contests for both sexes | 0:27:05 | 0:27:08 | |
and all results scrupulously recorded | 0:27:08 | 0:27:10 | |
in the doctor's book of victors. | 0:27:10 | 0:27:13 | |
And you've got a really interesting mix of traditional sports, | 0:27:13 | 0:27:16 | |
like running the high leap, which was to become the high jump. | 0:27:16 | 0:27:20 | |
-Yeah. -You've got the hurdle race, one mile, which is quite impressive. | 0:27:20 | 0:27:25 | |
-A wheelbarrow race? -Indeed. -Really? | 0:27:25 | 0:27:27 | |
There was always a novelty game and this year the novelty game | 0:27:27 | 0:27:32 | |
was the wheelbarrow race where everyone was blindfolded. | 0:27:32 | 0:27:36 | |
Oh, my goodness! | 0:27:36 | 0:27:38 | |
I think my favourite one is where the old ladies of the town | 0:27:38 | 0:27:42 | |
-raced for a pound of tea, which is an awful lot of tea. -Right, OK. | 0:27:42 | 0:27:46 | |
It was never repeated, though, because everyone was outraged | 0:27:46 | 0:27:49 | |
that the ladies lifted their skirts and revealed their ankles. | 0:27:49 | 0:27:52 | |
-Oh, really? -Too many men were shocked and flustered. | 0:27:52 | 0:27:56 | |
Competitions included a version of jousting called tilting at the ring | 0:27:56 | 0:27:59 | |
and keenly fought arts and crafts events | 0:27:59 | 0:28:03 | |
like knitting and even recitation. | 0:28:03 | 0:28:05 | |
There was nothing amateur about the event though, | 0:28:05 | 0:28:07 | |
with big prize money available. | 0:28:07 | 0:28:10 | |
It was really worth coming and taking part in the Games, | 0:28:10 | 0:28:12 | |
especially for the working class people. | 0:28:12 | 0:28:15 | |
This was a really significant sum of money for them. | 0:28:15 | 0:28:19 | |
Also awarded were medals and soon Brookes | 0:28:19 | 0:28:21 | |
was behind the formation of the National Olympian Association. | 0:28:21 | 0:28:25 | |
Then, many years later, his Wenlock Games influenced | 0:28:25 | 0:28:29 | |
the young French baron who would create the modern Olympic movement. | 0:28:29 | 0:28:33 | |
In 1890, de Coubertin came to Wenlock. | 0:28:33 | 0:28:37 | |
He spent every night sitting up | 0:28:37 | 0:28:39 | |
until very late at the Raven Hotel talking to Brookes | 0:28:39 | 0:28:42 | |
about their ideas, and they worked very closely together after that | 0:28:42 | 0:28:46 | |
-on setting up the games. -Oh, brilliant. | 0:28:46 | 0:28:48 | |
In fact, here in 1891, the following year, he sends a French medal... | 0:28:48 | 0:28:54 | |
Wow! Goodness me. | 0:28:54 | 0:28:55 | |
And it was won by a local boy, Edward Marsden Farmer, | 0:28:55 | 0:29:00 | |
and in fact his descendants | 0:29:00 | 0:29:01 | |
presented to the Wenlock Olympian Society in the 1980s the very medal. | 0:29:01 | 0:29:05 | |
Oh, wow! | 0:29:05 | 0:29:07 | |
This is the only sporting medal that de Coubertin ever presented. | 0:29:07 | 0:29:11 | |
That's incredible! | 0:29:11 | 0:29:12 | |
-This is the precursor to our modern-day Olympic medals. -Indeed. | 0:29:12 | 0:29:15 | |
-That's phenomenal! You're holding it in your hands! -Yes. -Wow. | 0:29:15 | 0:29:20 | |
-At this point in time I am an incredibly proud Salopian. -Excellent. | 0:29:20 | 0:29:24 | |
Thank you so much for showing me through it. | 0:29:24 | 0:29:26 | |
It's been an absolute joy, it really has. | 0:29:26 | 0:29:28 | |
Yeah. In 2012, the torch relay came to Much Wenlock | 0:29:28 | 0:29:32 | |
and they named one of the mascots after the town. | 0:29:32 | 0:29:35 | |
But were the synchronised rummage ever to make it | 0:29:37 | 0:29:40 | |
to the Olympic Games, you would have one sure-fire medallist | 0:29:40 | 0:29:45 | |
and here he is en route | 0:29:45 | 0:29:46 | |
to the Worcestershire town of Kidderminster. | 0:29:46 | 0:29:49 | |
-Hello. Are you the man? -Ian Warner. -Good to see you, I'm Paul. | 0:29:52 | 0:29:55 | |
Hi, nice to meet you. | 0:29:55 | 0:29:57 | |
Ian has quite an assortment on display here. | 0:29:57 | 0:29:59 | |
-Good things. -Plus there's the stuff out the back. -Have a look at this. | 0:29:59 | 0:30:04 | |
Feast your eyes on this lot. | 0:30:04 | 0:30:06 | |
A box to make one particular customer very interested. | 0:30:06 | 0:30:09 | |
-That was him. -What a lovely portrait. | 0:30:09 | 0:30:12 | |
A major in the Royal Tank Regiment. | 0:30:12 | 0:30:15 | |
-"An expression of our gratitude to our liberators." -Yeah. -Fantastic. | 0:30:15 | 0:30:20 | |
So, these are all items from the life of one soldier. | 0:30:20 | 0:30:24 | |
So, he was East Riding yeomanry into Royal Tank Regiment. | 0:30:24 | 0:30:28 | |
You've got somebody's life there, haven't you? | 0:30:28 | 0:30:30 | |
Birth certificate? Yeah. | 0:30:30 | 0:30:32 | |
That's his war identity. | 0:30:32 | 0:30:34 | |
I've never seen one of those in that format. There he is. | 0:30:34 | 0:30:38 | |
Temporary Major Scott. E J Scott, Royal Armoured Corps, born 1908. | 0:30:38 | 0:30:43 | |
We've even got... These are all his buttons off his tunics and his pips | 0:30:43 | 0:30:50 | |
and everything else in there. These are his badges... | 0:30:50 | 0:30:53 | |
-That's the collar and badges... -These are some of his pips. | 0:30:53 | 0:30:57 | |
There's a good photo. What's he in there? | 0:30:57 | 0:30:59 | |
Armoured scout cars. Fantastic stuff. | 0:30:59 | 0:31:02 | |
He's got his miniatures. I haven't sadly got his full set of medals. | 0:31:02 | 0:31:05 | |
Oh, and there's a named medal in there as well, isn't there? | 0:31:05 | 0:31:08 | |
There's a territorial medal. Those, what's he got there? | 0:31:08 | 0:31:10 | |
About 30 quid's worth of medals there | 0:31:10 | 0:31:13 | |
but if you had that one named medal, you'd have the lot! | 0:31:13 | 0:31:15 | |
Yeah, the lady who brought them in... | 0:31:15 | 0:31:17 | |
Obviously I did actually ask her where the medals were and... | 0:31:17 | 0:31:20 | |
-You never saw them? -I never saw them. -Is it dear? | 0:31:20 | 0:31:24 | |
-65 quid for the lot. -There's no point in clowning about. | 0:31:24 | 0:31:28 | |
-Take my paw. I don't want to clown about. -Thank you very much. | 0:31:28 | 0:31:31 | |
Accepted with enthusiasm and no wonder. | 0:31:31 | 0:31:34 | |
You had me from hello, as she said in the film. | 0:31:34 | 0:31:36 | |
-That's a very moving collection. -Take care. Thank you. | 0:31:36 | 0:31:41 | |
But back on the banks of the River Severn, | 0:31:43 | 0:31:46 | |
Christina's made her way to beautiful Bewdley | 0:31:46 | 0:31:50 | |
-for just one more shop. -Hello. -Hi. -Hello, hi. | 0:31:50 | 0:31:54 | |
-You must be Christina. -I am, yes, for my sins. -Matt. | 0:31:54 | 0:31:57 | |
Matt. Lovely to meet you, Matt. How are you? | 0:31:57 | 0:31:59 | |
I've been better but not too bad now I've seen you. | 0:31:59 | 0:32:01 | |
-Oh, why, what's wrong? -Just had a bit of a heavy night last night. | 0:32:01 | 0:32:04 | |
Oh, really? Brilliant, so I've got you on a weak day? | 0:32:04 | 0:32:08 | |
A very weak day, yes. I'll roll over now. | 0:32:08 | 0:32:10 | |
WHISPERS: Do you want me to whisper? Are you all right? | 0:32:10 | 0:32:12 | |
-HE WHISPERS: -I'll be all right. -Are you sure? -Yeah. | 0:32:12 | 0:32:15 | |
-OK, I'll give you a shout if I see anything. -OK. -OK. | 0:32:15 | 0:32:17 | |
Only £34 left now, Christina, so choose wisely. | 0:32:17 | 0:32:22 | |
Ooh, this is very Laidlaw. | 0:32:22 | 0:32:24 | |
-Ooh, shall I buy some militaria? -Why not? Everybody else does. | 0:32:24 | 0:32:27 | |
-I don't know anything about militaria. -Nor does anybody else. | 0:32:27 | 0:32:30 | |
World War II astrocompass. | 0:32:30 | 0:32:33 | |
It looks very complicated, very scientific. | 0:32:33 | 0:32:37 | |
SHE GASPS Shall I phone Paul and ask him? | 0:32:37 | 0:32:39 | |
Wouldn't Matt be a better choice? | 0:32:41 | 0:32:43 | |
-Could I have a look in one of your cabinets? -Of course you can. | 0:32:43 | 0:32:46 | |
And I know nothing about it. I'm guessing. | 0:32:46 | 0:32:48 | |
All bearings white... Declination... | 0:32:48 | 0:32:52 | |
I'm guessing it's some form of aircraft, isn't it? | 0:32:52 | 0:32:55 | |
-Possibly a Lancaster but it's actually Ian's, this is. -Who's Ian? | 0:32:55 | 0:33:00 | |
-He's the chap that's stood outside. -Oh, why's he stood outside? | 0:33:00 | 0:33:04 | |
Cos it's sunny, isn't it? | 0:33:04 | 0:33:07 | |
Well, let's hope someone can throw some light on it. | 0:33:07 | 0:33:10 | |
-They were used by the RAF during the war. -What sort of plane? Lancaster? | 0:33:10 | 0:33:15 | |
Lancasters and Wellingtons... Halifax, yeah. | 0:33:15 | 0:33:17 | |
-I was right, how about that? -Well done, Matt, well done. | 0:33:17 | 0:33:19 | |
-Even hungover, you're good. -Unbelievable. | 0:33:19 | 0:33:22 | |
Would I make a profit on it at auction? That's the key. | 0:33:22 | 0:33:25 | |
Paul is beating me hands down and I'd love to buy a bit of militaria | 0:33:25 | 0:33:28 | |
-cos you know he loves his militaria. -I tell you what, | 0:33:28 | 0:33:31 | |
he's putty in your hands if you look at him with a sort of... | 0:33:31 | 0:33:34 | |
-I think we may be close. -What could that be, Ian? | 0:33:34 | 0:33:36 | |
-In money? -Yeah. Well...in sweets? | 0:33:36 | 0:33:40 | |
-What's it down for? 30? -30, yeah. | 0:33:40 | 0:33:42 | |
-15. -10 or £15? -Where did she get 10 from? | 0:33:42 | 0:33:47 | |
-No, I quite like that. £10? -Mm-hm. -With the instructions? | 0:33:47 | 0:33:51 | |
-Yeah, with the instructions. -You can't go wrong with that. | 0:33:51 | 0:33:54 | |
No, exactly. Thank you, Ian. Thank you, Matt. | 0:33:54 | 0:33:57 | |
-WHISPERING: Sorry. Thank you, Matt. -And also it will be useful for finding your way back from the pub. | 0:33:57 | 0:34:01 | |
I don't spend time in the pub, unlike some of us. | 0:34:01 | 0:34:04 | |
Well, despite her sketchy grasp, it's not a lot of money. | 0:34:04 | 0:34:09 | |
Now, let's take a look at what they've bought. | 0:34:09 | 0:34:12 | |
Paul parted with just over £145 for a helmet, a naval uniform, | 0:34:12 | 0:34:18 | |
some silver spoons, a torsion clock, a horse's hoof's box | 0:34:18 | 0:34:24 | |
and a box containing some mementos of a soldier. | 0:34:24 | 0:34:27 | |
Whilst Christina spent £200 on a toy train, a cigar display case, | 0:34:27 | 0:34:33 | |
a mangle, an astrocompass and two Victorian portraits. | 0:34:33 | 0:34:37 | |
A mangle? A mangled mangle, it has to be said, but it cost a tenner. | 0:34:39 | 0:34:43 | |
It might be worth 50, 60, 70, £80, for all I know. | 0:34:43 | 0:34:46 | |
He spent no money whatsoever, which frankly, | 0:34:46 | 0:34:50 | |
when you've got SO much money to spend, is rude. | 0:34:50 | 0:34:54 | |
Pictures... That's the one to watch. Who knows? | 0:34:54 | 0:34:57 | |
It could be bad news for me but it could be what saves my bacon. | 0:34:57 | 0:35:01 | |
At least I've taken a risk. | 0:35:01 | 0:35:04 | |
-You've got to take a few risks in life, haven't you? -Yeah. | 0:35:04 | 0:35:07 | |
After setting off from Shrewsbury in Shropshire, | 0:35:07 | 0:35:09 | |
our experts are now heading north | 0:35:09 | 0:35:11 | |
for an auction in Staffordshire | 0:35:11 | 0:35:13 | |
at Stoke-on-Trent. | 0:35:13 | 0:35:14 | |
The last Blaikley that sold, was admittedly in a London saleroom, | 0:35:14 | 0:35:18 | |
sold for £900 and I bought two for £160. | 0:35:18 | 0:35:22 | |
-HE LAUGHS -Well, wait and see. | 0:35:22 | 0:35:26 | |
Well, it might have been wise to have bought a pot or two, I suppose. | 0:35:26 | 0:35:29 | |
Quite well-known for that sort of thing round here. | 0:35:29 | 0:35:32 | |
This chap too, Sir Stanley Matthews, "The Wizard of the Dribble". | 0:35:32 | 0:35:37 | |
-Ta-da! -Fantastic. Well done, pilot. -The auction awaits, milady. | 0:35:37 | 0:35:42 | |
ASH Auctions takes its name from the initials of the founders | 0:35:42 | 0:35:47 | |
so let's hear from one of them, auctioneer Lee Sherratt. | 0:35:47 | 0:35:50 | |
That military stuff I believe is of one person. | 0:35:50 | 0:35:54 | |
Some nice interesting and quirky little bits there, | 0:35:54 | 0:35:56 | |
the photograph and the rest of the items that go with it. | 0:35:56 | 0:36:00 | |
The portraits, interesting again. I like these. | 0:36:00 | 0:36:03 | |
The estimate on them is between 80 and 120-something, I would imagine. | 0:36:03 | 0:36:07 | |
Blimey. Christina won't want to hear that. | 0:36:07 | 0:36:10 | |
But let's begin with one of her cannier buys, the tin-plate train. | 0:36:10 | 0:36:14 | |
I think I bought it for £10. | 0:36:14 | 0:36:15 | |
You bought everything for £10, didn't you? Everything was a tenner. | 0:36:15 | 0:36:19 | |
Well, apart from my pictures, which I accidentally spent a fortune on. | 0:36:19 | 0:36:22 | |
-I've got £18 bid straight on. -Oh, it's my train! Here we go! | 0:36:22 | 0:36:26 | |
I'm going to sell. £20. Where's 2? At £20 it's in the room. Where's 2? | 0:36:26 | 0:36:30 | |
At £20, have we gone? | 0:36:30 | 0:36:34 | |
GAVEL BANGS Come on! | 0:36:34 | 0:36:35 | |
Great start but it will take a bit more than that to catch Paul up. | 0:36:35 | 0:36:39 | |
-It's the fightback. -£10 profit. The fightback? | 0:36:39 | 0:36:44 | |
Yeah, if I could just get something with about £600 profit. | 0:36:44 | 0:36:47 | |
-Next, it's Paul's little chick spoons. -Tweet, tweet. -Is that a bid? | 0:36:47 | 0:36:52 | |
Higher up than that. Show me that high up. | 0:36:52 | 0:36:54 | |
A nice little set there in the original box. | 0:36:54 | 0:36:56 | |
25. 25, somebody. Come on. Where are you £20? Go on, 15? | 0:36:56 | 0:37:00 | |
15, I'm bid at 15. 16 anywhere quickly? At 15. All over the place. | 0:37:00 | 0:37:05 | |
-You've got bidders all over it now. -..18, 20, | 0:37:05 | 0:37:07 | |
22, 24, 26. | 0:37:07 | 0:37:10 | |
-Your turn, 28... -Oh, look at the leg, look at the leg! | 0:37:10 | 0:37:14 | |
-It's gone, hasn't it? -Hey, well caught, knee camera. -..32! | 0:37:14 | 0:37:18 | |
Selling at £30 only... | 0:37:18 | 0:37:19 | |
GAVEL BANGS You come across so confident | 0:37:19 | 0:37:21 | |
and then the leg starts going. I can feel it! | 0:37:21 | 0:37:23 | |
Good. But no cigar. | 0:37:23 | 0:37:25 | |
And look what's next! Christina's case. | 0:37:25 | 0:37:29 | |
-I love this. -Was this part of that woman's shop? | 0:37:29 | 0:37:33 | |
-Did you buy part of her shop? -I did. -I thought you did! | 0:37:33 | 0:37:36 | |
£5. 5 there. | 0:37:36 | 0:37:37 | |
At 6, 8, 10, 12, 14? | 0:37:37 | 0:37:41 | |
12 on my right. £12. 14, surely? | 0:37:41 | 0:37:44 | |
-14 now... -A man with style. -16, 18? -A man with style. | 0:37:44 | 0:37:47 | |
At £16, right-hand side. | 0:37:47 | 0:37:49 | |
18, 20? 20, 22? | 0:37:49 | 0:37:52 | |
22, 24? 24, 26? | 0:37:52 | 0:37:55 | |
At £24 it's being sold... | 0:37:55 | 0:37:58 | |
GAVEL BANGS We've spent the last three days, | 0:37:58 | 0:38:00 | |
just messing about. | 0:38:00 | 0:38:02 | |
Catching up VERY slowly. | 0:38:02 | 0:38:05 | |
Not bad. Are you scared yet? | 0:38:05 | 0:38:08 | |
Time for Paul's navy jumper and green hat. | 0:38:09 | 0:38:12 | |
Did you ever go out as a teenager? | 0:38:12 | 0:38:16 | |
-No? -We have our resident modeller modelling this. | 0:38:16 | 0:38:20 | |
-She's tried it on, it won't fit. -Aw! -But the hat does. The hat fits. | 0:38:20 | 0:38:26 | |
-Fantastic. -Well, I think it suits her. | 0:38:26 | 0:38:28 | |
She wears all sorts of stuff in this saleroom. | 0:38:28 | 0:38:31 | |
25 for it, somebody. 25. 20 bid me. | 0:38:34 | 0:38:37 | |
A tenner? 10 I'm bid. 12 anywhere? | 0:38:37 | 0:38:41 | |
He's going to sell it for a tenner? Never mind that... | 0:38:41 | 0:38:43 | |
Come on, it's only money. £10. It's got to be 10. All done? | 0:38:43 | 0:38:46 | |
-GAVEL BANGS -I've lost money on military. | 0:38:46 | 0:38:48 | |
-Oh! You've made a loss! -I'm going. I've had enough of this. | 0:38:48 | 0:38:52 | |
Paul makes a loss on militaria. Hold the front page. | 0:38:52 | 0:38:56 | |
I would laugh so much if my militaria made more than your militaria. | 0:38:56 | 0:39:01 | |
No, let's not. | 0:39:01 | 0:39:02 | |
-Go, Christina. -What is it? | 0:39:02 | 0:39:05 | |
An astrocompass. A navigator's tool. | 0:39:05 | 0:39:07 | |
-An air navigator's tool. -Oh. -Yeah. -Is that good? | 0:39:07 | 0:39:11 | |
25 for it. Come on, where are we? £20... | 0:39:11 | 0:39:14 | |
-I thought you'd get 20 or 30 quid for it. -15 then, somebody 15. | 0:39:14 | 0:39:18 | |
15, I'm bid there at 15. | 0:39:18 | 0:39:19 | |
Where's 16 now? At £15... | 0:39:19 | 0:39:21 | |
16, 18, 20, | 0:39:21 | 0:39:24 | |
22, 24... | 0:39:24 | 0:39:26 | |
-What did I pay for this? -£10! A tenner. | 0:39:26 | 0:39:29 | |
..I'm going to sell it at £22. The hammer's up. All finished? | 0:39:29 | 0:39:32 | |
-GAVEL BANGS -Yours then at £22. Number 107. | 0:39:32 | 0:39:35 | |
Amazing. | 0:39:35 | 0:39:36 | |
Well done. A bit of a militaria coup. | 0:39:36 | 0:39:39 | |
Never talk to me again. | 0:39:39 | 0:39:41 | |
My militaria made more than your militaria. | 0:39:41 | 0:39:44 | |
Time for Paul's prize lot, a soldier's life. | 0:39:45 | 0:39:48 | |
-I've got a commission of £31. -A long way off. -We should have a riot here. | 0:39:48 | 0:39:52 | |
-32, 33... -We should have a riot here. | 0:39:52 | 0:39:55 | |
..34, 36, 38, 40. | 0:39:55 | 0:39:58 | |
At £38. I'm going to sell then at £38. | 0:39:58 | 0:40:01 | |
Last call at £38. Are we done? | 0:40:01 | 0:40:04 | |
-GAVEL BANGS -That's yours. -Crying on the inside. | 0:40:04 | 0:40:06 | |
Call that a riot? Seems a modest sum for all those memories. | 0:40:09 | 0:40:13 | |
-Now, from the sublime... -Guess how much I paid for my mangle. | 0:40:13 | 0:40:16 | |
Oh, let me think. Just pulling figures out of the air... | 0:40:16 | 0:40:19 | |
I don't know... 80? 100? A tenner? | 0:40:19 | 0:40:22 | |
Yeah, surprisingly enough. | 0:40:22 | 0:40:24 | |
£20, can I see 20? 15 for him, somebody? 15 for the mangle there. | 0:40:24 | 0:40:29 | |
10 to go, somebody. | 0:40:29 | 0:40:31 | |
£10. 10 I'm bid on my right. At £10, where's 12 now? | 0:40:31 | 0:40:35 | |
-12... -Tell them it's the folding version. | 0:40:35 | 0:40:38 | |
-A rare folding version! -..I'm selling it. | 0:40:38 | 0:40:41 | |
-GAVEL BANGS -Don't these fools know? | 0:40:41 | 0:40:43 | |
It's all profits for Christina today. | 0:40:43 | 0:40:45 | |
Small ones anyway. | 0:40:45 | 0:40:47 | |
Time for Paul's equally attractive hoof. | 0:40:47 | 0:40:50 | |
-What shall we say? 50? 40? 30? -BIDDER: 34. | 0:40:50 | 0:40:52 | |
-34 is bid on commission... -£80. If it doesn't make £80... | 0:40:52 | 0:40:56 | |
I'm going to sell. No, I'm not. 36 standing. | 0:40:56 | 0:40:59 | |
38? 38, 40? We've got a riot now. 38... | 0:40:59 | 0:41:02 | |
-He's got a riot. -He's got another riot. | 0:41:02 | 0:41:05 | |
-Call the police! -..at £38, the hammer's up. | 0:41:05 | 0:41:08 | |
-GAVEL BANGS -£38, there it is. | 0:41:08 | 0:41:10 | |
Well, it's a profit at least. A bit lame though. | 0:41:10 | 0:41:13 | |
Now for his bargain clock. | 0:41:13 | 0:41:15 | |
I've got £25 commission. It's on sale, I'm looking for 30 now. | 0:41:15 | 0:41:19 | |
-At £25... -Nobody's yelling about 25 quid | 0:41:19 | 0:41:21 | |
but it's my first piece of profit of the day. | 0:41:21 | 0:41:23 | |
..at £25... | 0:41:23 | 0:41:25 | |
-GAVEL BANGS -That's why I bought it. | 0:41:25 | 0:41:28 | |
His little stroll off-piste paid off. | 0:41:28 | 0:41:30 | |
-I can see you bought that with soul. -I'm not proud of that. | 0:41:30 | 0:41:33 | |
But Christina is very proud of these Alexander Blaikley portraits. | 0:41:33 | 0:41:39 | |
-Are they in the right auction though? -The moment of truth. | 0:41:39 | 0:41:42 | |
-Don't look, don't look. -No, I can't watch. I can't hear anything. | 0:41:42 | 0:41:44 | |
We won't sell from the word go, ladies and gents, | 0:41:44 | 0:41:47 | |
-£40, I don't believe it. -SHE GASPS | 0:41:47 | 0:41:49 | |
-Now we can see 50... -60. -..60, 70? | 0:41:49 | 0:41:54 | |
-70... -That's all mine out. -It's in the room at £70. | 0:41:54 | 0:41:57 | |
-They've got to be worth more then this, surely? -Yes! -At £70. | 0:41:57 | 0:42:00 | |
I'm going to sell them at £70. 80, surely? | 0:42:00 | 0:42:04 | |
At £70. This is for nothing. | 0:42:04 | 0:42:06 | |
-GAVEL BANGS -I thought they'd have gone for | 0:42:06 | 0:42:08 | |
a lot more than that. £70. | 0:42:08 | 0:42:10 | |
She needs a hug after that. | 0:42:10 | 0:42:12 | |
Had the auction been online, I think they'd have done a lot better. | 0:42:12 | 0:42:15 | |
My heart is actually broken. | 0:42:15 | 0:42:17 | |
Do you think there's a cake big enough in the world | 0:42:17 | 0:42:20 | |
-to fix your heart? -No. -Let's try and find it anyway. -Let's, yeah. | 0:42:20 | 0:42:24 | |
-Yeah. We could try. -A big cake. -Yeah. -Come on. | 0:42:24 | 0:42:27 | |
Christina started out with £224.54 and made, | 0:42:27 | 0:42:32 | |
after paying auction costs, a loss of £78.64, | 0:42:32 | 0:42:36 | |
leaving her with £145.90 to spend next time. | 0:42:36 | 0:42:41 | |
Bad luck. | 0:42:41 | 0:42:43 | |
While Paul began with £780.34 | 0:42:43 | 0:42:47 | |
and, after paying auction costs, made a loss of £29.38. | 0:42:47 | 0:42:51 | |
So, he's the winner today and still leaves with £750.96. | 0:42:51 | 0:42:57 | |
Give me the keys and don't talk to me! | 0:42:57 | 0:42:59 | |
HE LAUGHS | 0:42:59 | 0:43:02 | |
This is just all going very wrong! | 0:43:02 | 0:43:04 | |
-Oh, wait a minute! -Sorry. -Wait a minute! -Bye! | 0:43:04 | 0:43:07 | |
-Bye! -Christina! | 0:43:07 | 0:43:10 | |
Next on Antiques Road Trip, an alarm... | 0:43:10 | 0:43:12 | |
-ALARM RINGS -Oh, no, what have I done? | 0:43:12 | 0:43:15 | |
IT CONTINUES TO RING | 0:43:15 | 0:43:17 | |
-..and several surprises. -Yes! | 0:43:17 | 0:43:20 | |
-I'm winning. -I'm not. -I'm winning! | 0:43:20 | 0:43:23 | |
Is this what it feels like? | 0:43:23 | 0:43:25 |