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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:12 | |
What a little diamond. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it is no mean feat. | 0:00:15 | 0:00:17 | |
-Back in the game! -Charlie! | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or a slow road to disaster? | 0:00:23 | 0:00:28 | |
-Oh! -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
It's the second leg of a road trip for international | 0:00:38 | 0:00:41 | |
man of mystery David Harper and fellow treasure hunter Anita Manning. | 0:00:41 | 0:00:46 | |
I am enjoying this early-morning drive in Yorkshire. | 0:00:47 | 0:00:51 | |
The sky is blue. | 0:00:51 | 0:00:52 | |
It is a wee bit cold, it is a wee bit blowy, | 0:00:52 | 0:00:54 | |
but we are nice and cosy-tosy in a lovely wee Moggie. | 0:00:54 | 0:00:59 | |
Sorry, can you say that in English for me again, so I understand? | 0:00:59 | 0:01:01 | |
CHUCKLES Languages may not be his forte, | 0:01:01 | 0:01:03 | |
but antiques dealer David is a whiz at spotting hidden gems. | 0:01:03 | 0:01:07 | |
He is perhaps not always as successful with the ladies, though. | 0:01:07 | 0:01:10 | |
Stand by. | 0:01:10 | 0:01:11 | |
-Hello. -Hello. -Do you like men in uniform? -I do! | 0:01:11 | 0:01:14 | |
I don't know about men with big heads! | 0:01:14 | 0:01:17 | |
Oh, I say! | 0:01:17 | 0:01:19 | |
Auctioneer extraordinaire and antiquing royalty, | 0:01:20 | 0:01:23 | |
Anita specialises in jewellery and dressing up. | 0:01:23 | 0:01:27 | |
Very Queen Mother. | 0:01:27 | 0:01:28 | |
SHE LAUGHS | 0:01:28 | 0:01:31 | |
Aye. Positively regal, Anita. | 0:01:31 | 0:01:33 | |
Their jazzy ride is a 1965 Morris Minor convertible | 0:01:34 | 0:01:38 | |
and their stage is God's own country, rural Yorkshire. | 0:01:38 | 0:01:43 | |
-Fields... -All right. | 0:01:43 | 0:01:44 | |
-Fields, horses jumping over fences, all that sort of stuff. -Marvellous. | 0:01:44 | 0:01:49 | |
Stop leaping yourself, if you don't mind. | 0:01:49 | 0:01:52 | |
Quite. | 0:01:52 | 0:01:53 | |
Both made a loss at the first auction. | 0:01:53 | 0:01:55 | |
Starting the trip with £200 each, | 0:01:55 | 0:01:58 | |
David now has... | 0:01:58 | 0:02:02 | |
Anita also made a loss, | 0:02:02 | 0:02:04 | |
but is in the lead with... | 0:02:04 | 0:02:07 | |
Got any advice for your rival, Anita? Seeing as how you are out front. | 0:02:09 | 0:02:13 | |
I would keep away from these bits of cars and old bits of iron. | 0:02:14 | 0:02:20 | |
HE CHUCKLES | 0:02:20 | 0:02:21 | |
Good advice. | 0:02:21 | 0:02:23 | |
Anita and David are travelling over 700 miles. | 0:02:26 | 0:02:30 | |
From Ramsbottom, Lancashire, | 0:02:30 | 0:02:31 | |
they snake their way up through | 0:02:31 | 0:02:33 | |
Yorkshire all the way to Bonnie Scotland and the town of Paisley. | 0:02:33 | 0:02:36 | |
Today, we are starting out near York | 0:02:36 | 0:02:39 | |
in the village of Barmby Moor, | 0:02:39 | 0:02:41 | |
ending up at an auction in Harrogate. | 0:02:41 | 0:02:43 | |
-This looks fabulous. -Oh, my gosh. | 0:02:46 | 0:02:50 | |
-Anita... -This is fabulous. | 0:02:50 | 0:02:52 | |
Bar Farm Antiques occupies several old farm buildings, funnily enough. | 0:02:53 | 0:02:57 | |
Looks like Serrell territory. | 0:02:58 | 0:03:00 | |
Look! Is that one of your girlfriends? | 0:03:00 | 0:03:03 | |
Listen, I'm off. I will see you later. Have a great day. | 0:03:03 | 0:03:06 | |
Have fun, darling. | 0:03:06 | 0:03:07 | |
-OK. See you. -Bye. -Bye. | 0:03:07 | 0:03:08 | |
In spite of the size of the place, | 0:03:10 | 0:03:11 | |
David spots something straight off the bat. | 0:03:11 | 0:03:15 | |
That is a really, really wild thing. What on earth was it? | 0:03:16 | 0:03:21 | |
Well, I'm guessing we are talking about police station, circa 1955. | 0:03:21 | 0:03:26 | |
I am the police sergeant, you are the criminal, | 0:03:28 | 0:03:31 | |
you are on that side, I have nabbed you. | 0:03:31 | 0:03:33 | |
You are in big trouble and I want your fingerprints. | 0:03:33 | 0:03:36 | |
And I think this is basically a fingerprint... | 0:03:36 | 0:03:40 | |
I want to call it a machine. | 0:03:40 | 0:03:42 | |
In 1901, the first fingerprint bureau was set up in the UK | 0:03:42 | 0:03:46 | |
at Scotland Yard. | 0:03:46 | 0:03:48 | |
Four years later, fingerprinting was used | 0:03:48 | 0:03:51 | |
for the first time to convict a murderer. | 0:03:51 | 0:03:54 | |
David likes it, so let's meet dealer Greg from New Orleans. | 0:03:54 | 0:03:58 | |
-What's it like having your fingerprints taken, Greg? -It's OK. | 0:03:58 | 0:04:01 | |
THEY LAUGH | 0:04:01 | 0:04:03 | |
Ha, ha, ha, David. | 0:04:03 | 0:04:05 | |
-Are you looking for a price? -Yes. | 0:04:05 | 0:04:07 | |
-45. -45. -I think that is a pretty good price for a piece of furniture. | 0:04:08 | 0:04:14 | |
HE SIGHS | 0:04:14 | 0:04:16 | |
-It couldn't be 20? -No, it can't be 20. | 0:04:16 | 0:04:20 | |
You can't do a little better than that? | 0:04:20 | 0:04:23 | |
Why don't we do what all the best dealers in the world have done | 0:04:23 | 0:04:26 | |
for a million years. | 0:04:26 | 0:04:29 | |
Compromise, meet in the middle? | 0:04:29 | 0:04:33 | |
And where was the middle starting? | 0:04:33 | 0:04:35 | |
25. | 0:04:35 | 0:04:37 | |
-That will do. -Good man. Thank you very much. -That's all right. | 0:04:37 | 0:04:41 | |
Great deal and David's first item in the old bag. | 0:04:41 | 0:04:43 | |
Meanwhile, Anita is travelling just over ten miles west to | 0:04:50 | 0:04:53 | |
the beautiful walled city of York. | 0:04:53 | 0:04:55 | |
Where the infamous Guy Fawkes was born and educated. | 0:04:56 | 0:05:00 | |
She is visiting the Antiques Centre York | 0:05:02 | 0:05:05 | |
and Becky is on hand to assist. | 0:05:05 | 0:05:08 | |
Stand by, Becky. Here comes Anita. | 0:05:08 | 0:05:11 | |
-I quite like these wee silly condiments up here. -Yes? | 0:05:11 | 0:05:14 | |
-Do you want to have a look? -Yes. | 0:05:14 | 0:05:16 | |
They are a heck of a good fun. I think they are probably Continental. | 0:05:22 | 0:05:26 | |
But good fun. | 0:05:26 | 0:05:27 | |
Oh, I am quite tempted. | 0:05:27 | 0:05:30 | |
Ticket price is £10. | 0:05:30 | 0:05:32 | |
Oh, look. There's more. | 0:05:33 | 0:05:36 | |
More condiments. This time... | 0:05:37 | 0:05:42 | |
cuddling pigs. | 0:05:42 | 0:05:44 | |
-That one has got a school tie on. -THEY CHUCKLE | 0:05:44 | 0:05:47 | |
They have a collective price of £26. | 0:05:47 | 0:05:51 | |
I wonder if you could ask if these could be bought for | 0:05:51 | 0:05:56 | |
15? | 0:05:56 | 0:05:58 | |
-You can always ask. -I can always ask. -Uh-huh. | 0:05:58 | 0:06:01 | |
That is quite a discount Anita is wanting, | 0:06:01 | 0:06:04 | |
and after a quick phone call to the owners... | 0:06:04 | 0:06:06 | |
-How did we get on? -He can do two for 18. | 0:06:06 | 0:06:09 | |
-Ah, wonderful, wonderful. Thank you very much. -You're welcome. | 0:06:09 | 0:06:12 | |
-They are fun, aren't they? -They are fun, yeah. | 0:06:12 | 0:06:15 | |
If you say so! | 0:06:15 | 0:06:16 | |
One lot secured and it is time for some celebratory dressing up. | 0:06:19 | 0:06:24 | |
Very Queen Mother. | 0:06:26 | 0:06:28 | |
CHUCKLES | 0:06:28 | 0:06:29 | |
David is also at it. Dear, oh, dear. | 0:06:33 | 0:06:36 | |
# And then you'll start him laughing with all his blessed might | 0:06:36 | 0:06:39 | |
# Ha ha-ha ha-ha ha-ha | 0:06:39 | 0:06:42 | |
# Ha-ha... # | 0:06:42 | 0:06:43 | |
-Hello. -Hello. -Do you like men in uniform? -I do. -Well... | 0:06:43 | 0:06:46 | |
I don't know about men with big heads! | 0:06:46 | 0:06:50 | |
That really is criminal. | 0:06:50 | 0:06:53 | |
Back to shopping? | 0:06:53 | 0:06:54 | |
Tell you something, this is quite unusual, isn't it? | 0:06:55 | 0:06:58 | |
It is a neat thing. | 0:06:58 | 0:06:59 | |
I like Post Office things, plus it is old and during the war and... | 0:06:59 | 0:07:05 | |
it is nice. And the way it is just worn. | 0:07:05 | 0:07:08 | |
George VI, he was on the throne from 1937 to our current Queen. | 0:07:08 | 0:07:13 | |
Greg got this sign from a local Post Office. | 0:07:13 | 0:07:16 | |
Items like this can be hugely collectable. | 0:07:16 | 0:07:20 | |
"Can" being the operative word. | 0:07:20 | 0:07:22 | |
-I would have a go at 30 or 40. -OK. | 0:07:22 | 0:07:26 | |
-Is that anywhere near for you? -It might be all right. 40 is all right. | 0:07:26 | 0:07:29 | |
-OK. -40 is all right. | 0:07:29 | 0:07:32 | |
I will have a go at 40. | 0:07:32 | 0:07:33 | |
-OK, I want you to make some money. -Thank you very much. Good show. | 0:07:33 | 0:07:37 | |
Well, that was easy. At £40, that is another good deal. | 0:07:37 | 0:07:40 | |
And HRH Anita has also made an interesting find. | 0:07:43 | 0:07:47 | |
Here we have a sort of 1950s, a kind of "kid on" agate, | 0:07:47 | 0:07:52 | |
-it's all "kid on", isn't it? -Yeah. | 0:07:52 | 0:07:55 | |
I don't mind. | 0:07:55 | 0:07:57 | |
I don't mind it being "kid on". | 0:07:57 | 0:08:00 | |
Otherwise known as costume jewellery, Anita. Ticket price £18. | 0:08:00 | 0:08:05 | |
-If I can get it for a tenner, that would be great. -Yeah, I'll ask. | 0:08:05 | 0:08:08 | |
-Do you want to try? -Yeah. | 0:08:08 | 0:08:10 | |
Do your best for me, darling. | 0:08:10 | 0:08:13 | |
Anita is all about the cheeky offers today. | 0:08:13 | 0:08:16 | |
But will Becky come through for her again? | 0:08:16 | 0:08:18 | |
-Yes, we can do that. -Can you?! | 0:08:18 | 0:08:20 | |
Come here. | 0:08:22 | 0:08:24 | |
You have been very good. | 0:08:24 | 0:08:26 | |
Yes, a tenner is good indeed. | 0:08:26 | 0:08:28 | |
Frugal Anita has now bought two items for just £28. | 0:08:28 | 0:08:32 | |
David, meanwhile, is still exploring. | 0:08:35 | 0:08:38 | |
I have a bit of a love-hate relationship with sofas like this. | 0:08:38 | 0:08:42 | |
He has found a 1920s drop-end settee. | 0:08:42 | 0:08:46 | |
Please, sit down. | 0:08:46 | 0:08:47 | |
Let me demonstrate how this sofa works. | 0:08:47 | 0:08:50 | |
Greg, please step into my office. | 0:08:50 | 0:08:52 | |
-Right, get yourself comfortable. -I'm all right. | 0:08:52 | 0:08:54 | |
-How are the springs feeling? -Mm-hm. Pretty good. -Are you sure? -Perfect. | 0:08:54 | 0:08:58 | |
-Because they often stick in places... -No, it's perfect. | 0:08:58 | 0:09:00 | |
..you don't want. No, they are sticking in places you don't want. | 0:09:00 | 0:09:03 | |
They are definitely sticking... | 0:09:03 | 0:09:05 | |
Not surprising, in those tight trousers, David. | 0:09:05 | 0:09:08 | |
There we go. | 0:09:08 | 0:09:10 | |
-Ah, I can lay down. -You can be recumbent. | 0:09:10 | 0:09:15 | |
So it converts into a little chaise. | 0:09:15 | 0:09:18 | |
So, in the business, it is referred to as a 1920s drop arm... | 0:09:18 | 0:09:21 | |
-Don't fall asleep, I'm not that boring! -OK. | 0:09:21 | 0:09:24 | |
These settees can be picked up cheaply as they can cost | 0:09:24 | 0:09:27 | |
over £1,000 to restore and cover. | 0:09:27 | 0:09:30 | |
Once covered, though, you have a 100-year-old sofa worth, | 0:09:30 | 0:09:34 | |
sometimes, thousands of pounds. | 0:09:34 | 0:09:36 | |
How much is it? | 0:09:36 | 0:09:37 | |
-£20. -No, yeah... | 0:09:37 | 0:09:39 | |
I want to say for goodness' sake buy it for 20 quid, | 0:09:39 | 0:09:42 | |
it is ridiculous, it will cost 5,000-7000 to create it... | 0:09:42 | 0:09:44 | |
£10! £5. | 0:09:44 | 0:09:46 | |
Five?! | 0:09:46 | 0:09:48 | |
Five?! | 0:09:48 | 0:09:50 | |
The wheels are worth five. | 0:09:50 | 0:09:53 | |
£5. Good man. | 0:09:53 | 0:09:54 | |
-Greg, it's a delight doing business with you. -All right. | 0:09:55 | 0:09:59 | |
David has spent a total of £70 on three items. | 0:09:59 | 0:10:02 | |
Pretty good for a morning's shopping! | 0:10:02 | 0:10:04 | |
Anita, meanwhile, is on her way to Murton, | 0:10:08 | 0:10:10 | |
a small village on the outskirts of York. | 0:10:10 | 0:10:13 | |
She is visiting the Yorkshire Museum of Farming | 0:10:13 | 0:10:16 | |
and meeting curator Louise to learn about the Women's Land Army, | 0:10:16 | 0:10:20 | |
an institution that was established during the First World War. | 0:10:20 | 0:10:24 | |
At this time, the majority of men were on the battlefields | 0:10:24 | 0:10:27 | |
and it was estimated that Britain would run out of food | 0:10:27 | 0:10:30 | |
within three weeks. | 0:10:30 | 0:10:32 | |
In response, women were rallied to help out in the fields | 0:10:32 | 0:10:35 | |
to build food supplies. Bless 'em! | 0:10:35 | 0:10:39 | |
Who were the Land Girls? | 0:10:39 | 0:10:41 | |
They were inspirational women, really, | 0:10:41 | 0:10:44 | |
again, out of the kitchens and back onto the land, | 0:10:44 | 0:10:48 | |
showing that they were just as capable as the men | 0:10:48 | 0:10:51 | |
of doing these jobs. | 0:10:51 | 0:10:52 | |
Many of the girls came from the city and, with no real training, | 0:10:52 | 0:10:56 | |
were flung straight in at the deep end - | 0:10:56 | 0:10:59 | |
ploughing fields, clearing ditches, milking cows, | 0:10:59 | 0:11:02 | |
all the things a man would have traditionally done. | 0:11:02 | 0:11:05 | |
-I imagine it might have been a bit of a shock to the system. -Yeah. | 0:11:05 | 0:11:08 | |
To get involved in very hard manual labour. | 0:11:08 | 0:11:12 | |
Yeah, I imagine it would have been. | 0:11:12 | 0:11:14 | |
You do see examples as well about a woman being killed by a horse | 0:11:14 | 0:11:19 | |
cos she was thrown off the horse, | 0:11:19 | 0:11:21 | |
so, yes, it was very hard work at the time. | 0:11:21 | 0:11:24 | |
-And could be dangerous. -Yeah, it could be very dangerous. | 0:11:24 | 0:11:27 | |
At the end of the First World War, | 0:11:27 | 0:11:29 | |
women were encouraged to return to more ladylike occupations. | 0:11:29 | 0:11:33 | |
That doesn't seem awful fair, does it? | 0:11:33 | 0:11:36 | |
-They'd been given a taste of freedom. -Girls, you've done well. | 0:11:36 | 0:11:39 | |
Off you go back home to the kitchen! | 0:11:39 | 0:11:41 | |
Their contribution to the war effort went a long way | 0:11:41 | 0:11:44 | |
to help the women's suffrage movement. | 0:11:44 | 0:11:47 | |
By the time the Land Army was re-established | 0:11:47 | 0:11:50 | |
for the Second World War, | 0:11:50 | 0:11:52 | |
women had been afforded the right to vote for over a decade. | 0:11:52 | 0:11:54 | |
How many women worked on the land? How many Land Girls did we have? | 0:11:54 | 0:11:59 | |
In the Second World War, by the end of it, | 0:11:59 | 0:12:02 | |
there was about 80,000 of them. | 0:12:02 | 0:12:04 | |
Dorothy Taylor and Iris Newbold are two of these exceptional women. | 0:12:04 | 0:12:09 | |
They belonged to the East Riding Women's Land Army | 0:12:09 | 0:12:13 | |
and now, aged 87 and 90, | 0:12:13 | 0:12:15 | |
are two of only three that are still alive today. | 0:12:15 | 0:12:20 | |
-What was your favourite job? -Haymaking. | 0:12:20 | 0:12:23 | |
I loved haymaking, the old way. | 0:12:23 | 0:12:25 | |
We used to load up the wagon and then sit on top of the hay wagon | 0:12:25 | 0:12:30 | |
and roll home with the horse and wagon. | 0:12:30 | 0:12:33 | |
Wonderful days, I loved hay time. | 0:12:33 | 0:12:36 | |
And long, hot summers. | 0:12:36 | 0:12:39 | |
And mine was going on the milk round | 0:12:39 | 0:12:42 | |
and you'd meet some of the lovely people on the way. | 0:12:42 | 0:12:47 | |
A lot of evacuated people were there | 0:12:47 | 0:12:50 | |
and it was just friendly all the way. | 0:12:50 | 0:12:55 | |
Dorothy came from a mining community and Iris was a city girl. | 0:12:55 | 0:13:00 | |
Neither had farmed before. | 0:13:00 | 0:13:02 | |
It must've been a very important time for you | 0:13:02 | 0:13:04 | |
when you look back on it. | 0:13:04 | 0:13:06 | |
Well, we were girls when we went in and we were grown-up girls | 0:13:06 | 0:13:10 | |
-when we came out. -It made me a different person. | 0:13:10 | 0:13:14 | |
Three-and-a-half years made a difference to you altogether. | 0:13:14 | 0:13:18 | |
More confident, yes. | 0:13:18 | 0:13:21 | |
In spite of the long hours and exhausting work, | 0:13:21 | 0:13:25 | |
the girls still found the energy for a bit of fun. | 0:13:25 | 0:13:28 | |
Tell me, when all the work was done, | 0:13:28 | 0:13:32 | |
-were you able to go out and play? -Yes, yes. | 0:13:32 | 0:13:36 | |
If you were near to a town, I was two-and-a-half miles away, | 0:13:36 | 0:13:41 | |
so you had to walk into town after you'd finished work. | 0:13:41 | 0:13:46 | |
And if you were going to a dance or the cinema, | 0:13:46 | 0:13:50 | |
then you had to walk back again. | 0:13:50 | 0:13:52 | |
Girls, what did it feel like after the war, when the war was over? | 0:13:52 | 0:13:58 | |
You'd worked hard, you knew that you'd made your contribution | 0:13:58 | 0:14:02 | |
-to the war effort... -Flat. | 0:14:02 | 0:14:04 | |
-And then you were sent back into the kitchen. -Yes, flat. | 0:14:04 | 0:14:09 | |
-Very flat. -Yes, it was. | 0:14:09 | 0:14:13 | |
I went into horticulture so I could just find my feet | 0:14:13 | 0:14:18 | |
and get over the shock of changing again to city life. | 0:14:18 | 0:14:23 | |
And I went into Marks & Spencer! | 0:14:23 | 0:14:26 | |
What a change that was! | 0:14:29 | 0:14:31 | |
Whilst these remarkable ladies | 0:14:31 | 0:14:33 | |
may not have been on the actual front line, | 0:14:33 | 0:14:36 | |
the jobs they carried out were vital in keeping Britain fed. | 0:14:36 | 0:14:39 | |
Their ability to take on work originally done by men | 0:14:39 | 0:14:42 | |
also played an important role | 0:14:42 | 0:14:44 | |
in developing women's future economic and political rights. | 0:14:44 | 0:14:48 | |
Now, what's David up to? | 0:14:50 | 0:14:52 | |
Also in York, he's popping into Red House Antiques, | 0:14:52 | 0:14:54 | |
where dealer Michael is on hand to help him spend his remaining £96. | 0:14:54 | 0:15:00 | |
Go, Dave! | 0:15:00 | 0:15:02 | |
What about that ginger jar there? Can I have a quick look at that? | 0:15:06 | 0:15:09 | |
Of course you can. | 0:15:09 | 0:15:12 | |
It's been adapted to a table lamp | 0:15:12 | 0:15:16 | |
and the one downside to it | 0:15:16 | 0:15:18 | |
is, obviously, that it's been drilled. | 0:15:18 | 0:15:21 | |
It's been drilled, has it? | 0:15:21 | 0:15:24 | |
Ouch! Ouch! | 0:15:24 | 0:15:26 | |
-Gosh, it's a nice pot, isn't it? -It's without its lid, obviously. | 0:15:27 | 0:15:30 | |
Yeah, without its lid. | 0:15:30 | 0:15:32 | |
Ginger jars were originally used to transport caramelised ginger | 0:15:32 | 0:15:37 | |
and for storage and they became popular ornaments | 0:15:37 | 0:15:40 | |
-when the ginger was eaten up. -So it's definitely Chinese. | 0:15:40 | 0:15:44 | |
These symbols here are Buddhist, aren't they? | 0:15:44 | 0:15:47 | |
But it's very good quality for a ginger jar. | 0:15:47 | 0:15:50 | |
Michael's ringing the owner to see | 0:15:50 | 0:15:52 | |
if there's any movement on the ticket price. | 0:15:52 | 0:15:56 | |
£55 is the very best. | 0:15:56 | 0:15:58 | |
Well, at £55, Michael, I've just got to say yes. | 0:15:58 | 0:16:01 | |
Thank you very much indeed, That is brilliant. | 0:16:01 | 0:16:03 | |
For £55, the Chinese ginger jar is David's last purchase of the day. | 0:16:03 | 0:16:09 | |
Together again and it's time to rest up in preparation | 0:16:11 | 0:16:14 | |
for another exciting day's shopping tomorrow. | 0:16:14 | 0:16:17 | |
Night-night! | 0:16:17 | 0:16:19 | |
Next morning, our duo are hitting the antique trail once more. | 0:16:22 | 0:16:27 | |
So, David, our second day of buying, we're in wonderful Yorkshire, | 0:16:27 | 0:16:32 | |
the gateway to the North. The sun is shining, the sky is blue. | 0:16:32 | 0:16:38 | |
-And the roof is off! -And it's blooming freezing! -Oh, no, stop it! | 0:16:38 | 0:16:43 | |
You look so glamorous, though! | 0:16:43 | 0:16:45 | |
David went big yesterday, spending £125 on four lots - | 0:16:47 | 0:16:52 | |
a police fingerprinting table, a Post Office letterbox, | 0:16:52 | 0:16:56 | |
a 1920s drop-end settee and a Chinese ginger jar lamp. | 0:16:56 | 0:17:01 | |
Today, he has just £41.46 left to spend. | 0:17:01 | 0:17:06 | |
Anita, in contrast, went small. | 0:17:06 | 0:17:08 | |
She bought two pairs of condiment sets and a 1950s brooch. | 0:17:08 | 0:17:13 | |
Having spent just £28, | 0:17:13 | 0:17:14 | |
she still has £164.14 left for today. | 0:17:14 | 0:17:19 | |
David and Anita are travelling around 30 miles | 0:17:22 | 0:17:24 | |
to the historic market town of Pickering | 0:17:24 | 0:17:26 | |
and to Anita's first shop today. | 0:17:26 | 0:17:29 | |
So what treasures await you here, then, Anita? | 0:17:29 | 0:17:34 | |
I've just been shown this wonderful board of photographs. | 0:17:34 | 0:17:38 | |
Now, these photographs are showing the war weekend in Pickering. | 0:17:38 | 0:17:42 | |
It's in October and during that weekend, | 0:17:42 | 0:17:45 | |
servicemen and ex-servicemen come together really to celebrate | 0:17:45 | 0:17:50 | |
the wonderful work that they did during the war | 0:17:50 | 0:17:53 | |
and they get all dressed up in uniforms and look who we have here! | 0:17:53 | 0:17:58 | |
We have our wonderful Land Girls | 0:17:58 | 0:18:01 | |
and there is Dorothy and there is Iris. | 0:18:01 | 0:18:06 | |
They're all dressed up in their breeches and their uniforms | 0:18:06 | 0:18:10 | |
and don't they look smart! | 0:18:10 | 0:18:12 | |
What are the chances, eh? | 0:18:12 | 0:18:15 | |
Sadly, this is not for sale, but what else has she found? | 0:18:15 | 0:18:19 | |
Owner Caroline is on duty to help. | 0:18:19 | 0:18:21 | |
I notice you had some Mauchline ware there. | 0:18:21 | 0:18:24 | |
-Could I have a wee look at it? -Yeah. | 0:18:24 | 0:18:27 | |
-These have just come in, have these ones. -Right, OK. | 0:18:27 | 0:18:31 | |
I'm very fond of Mauchline ware. | 0:18:31 | 0:18:33 | |
It was made in a little village in Ayrshire called Mauchline | 0:18:33 | 0:18:38 | |
-which was associated with Robert Burns. -Oh, right, yes. | 0:18:38 | 0:18:41 | |
He lived in that area. | 0:18:41 | 0:18:42 | |
Anita has spotted a collection of Machline treen, | 0:18:42 | 0:18:47 | |
comprising a wool winder, | 0:18:47 | 0:18:49 | |
pocket watch holder, needle box and money box. | 0:18:49 | 0:18:52 | |
They have a collective ticket price of £62. | 0:18:52 | 0:18:55 | |
Considering the fact that we do have damage, | 0:18:57 | 0:19:01 | |
I would like to be paying in the region of around about £20 for them. | 0:19:01 | 0:19:04 | |
-I couldn't go that low, no. -Could you come to 25? | 0:19:04 | 0:19:09 | |
-Go on, then. -Would you do 25? That's lovely. | 0:19:09 | 0:19:13 | |
Thank you very much, Caroline. | 0:19:13 | 0:19:15 | |
Swift business! Oh, there is more! | 0:19:15 | 0:19:19 | |
This is like Italian glass. It's like Murano glass. | 0:19:22 | 0:19:26 | |
That's the word. I couldn't remember! | 0:19:26 | 0:19:28 | |
Yes, it's like Murano glass, | 0:19:28 | 0:19:30 | |
but there's nothing to indicate on the base. | 0:19:30 | 0:19:34 | |
Murano glass has been made on the Venetian island of Murano | 0:19:34 | 0:19:37 | |
for centuries and is very collectable. | 0:19:37 | 0:19:40 | |
Whilst this particular vase may not be Murano, | 0:19:40 | 0:19:43 | |
it is Italian, with a price of £48. | 0:19:43 | 0:19:46 | |
Would you do 20 on that? | 0:19:46 | 0:19:48 | |
-Yeah. -Let's go for that one. -That one? -Yeah, £20, that's great. | 0:19:50 | 0:19:54 | |
That's lovely. | 0:19:54 | 0:19:56 | |
Anita has now spent a total of £45 in this shop. | 0:19:56 | 0:20:01 | |
David's just a few minutes away at Pickering Parish Church, | 0:20:01 | 0:20:04 | |
a beautiful place of worship | 0:20:04 | 0:20:06 | |
that has held an amazing secret for most of its existence. | 0:20:06 | 0:20:10 | |
Archaeologist Dr Kate Giles is showing him around. | 0:20:10 | 0:20:13 | |
Kate, I really didn't expect to see pictures painted onto the wall. | 0:20:16 | 0:20:21 | |
I've never seen anything quite like them in my life before. | 0:20:28 | 0:20:30 | |
If they're impressive to me today, in the 21st century, | 0:20:30 | 0:20:34 | |
what did they mean to people in the 15th and 16th century? | 0:20:34 | 0:20:38 | |
The pictures depict various saints | 0:20:38 | 0:20:40 | |
who are hugely revered by the medieval Christians. | 0:20:40 | 0:20:44 | |
Well, even I can recognise George. | 0:20:44 | 0:20:47 | |
St George and the Dragon, yes, that's absolutely right. | 0:20:47 | 0:20:51 | |
What's really exciting for us at Pickering | 0:20:51 | 0:20:54 | |
is that we know that these saints' images | 0:20:54 | 0:20:57 | |
were placed in calendar order. | 0:20:57 | 0:20:59 | |
This makes them the only medieval paintings of their kind in the UK. | 0:20:59 | 0:21:04 | |
The medieval calendar differed from ours | 0:21:04 | 0:21:07 | |
with the year beginning in March rather than in January | 0:21:07 | 0:21:10 | |
and the first saint's day depicted in the church paintings is in April. | 0:21:10 | 0:21:14 | |
So, this is the beginning of the calendar with George, April. | 0:21:14 | 0:21:17 | |
That's right, and then we have May with Christopher. | 0:21:17 | 0:21:20 | |
We go on to St John the Baptist | 0:21:20 | 0:21:23 | |
and the Virgin above him, July and August, | 0:21:23 | 0:21:26 | |
and then November and December by the time we get to the east end. | 0:21:26 | 0:21:30 | |
These magnificent works of art are believed to have been done | 0:21:30 | 0:21:33 | |
by a group of travelling painters, | 0:21:33 | 0:21:35 | |
moving around monastic houses and churches of the region. | 0:21:35 | 0:21:38 | |
And colours, colours galore. | 0:21:38 | 0:21:40 | |
Of course, they've faded over the last several hundred years. | 0:21:40 | 0:21:43 | |
Would they have been really bright and vibrant in their day? | 0:21:43 | 0:21:46 | |
Churches were about giving people a little glimpse of heaven | 0:21:46 | 0:21:49 | |
and that's part of what these paintings are designed to do. | 0:21:49 | 0:21:52 | |
I can see it. | 0:21:52 | 0:21:54 | |
But these exquisite images spent many years under whitewash. | 0:21:54 | 0:21:58 | |
It's so hard to believe, isn't it, | 0:21:58 | 0:22:00 | |
that anybody would dream of covering them up? | 0:22:00 | 0:22:02 | |
It is, isn't it, but during the Reformation, | 0:22:02 | 0:22:06 | |
-images of saints were highly controversial. -Dangerous? -Yes. | 0:22:06 | 0:22:10 | |
The 16th century Reformation | 0:22:10 | 0:22:12 | |
was sparked by corruption within the Catholic Church. | 0:22:12 | 0:22:15 | |
It resulted in the fundamental break from many Catholic practices, | 0:22:15 | 0:22:19 | |
such as the veneration of the saints, which became outlawed. | 0:22:19 | 0:22:23 | |
It's not until the 19th century that they were re-uncovered | 0:22:23 | 0:22:27 | |
during the course of restoration works in 1852. | 0:22:27 | 0:22:29 | |
The rediscovery evoked great joy from the parishioners and antiquarians, | 0:22:29 | 0:22:35 | |
a sentiment that was sadly not shared | 0:22:35 | 0:22:37 | |
by the incumbent vicar, Ponsonby. | 0:22:37 | 0:22:39 | |
He wrote a series of very worried letters to his archbishop, | 0:22:39 | 0:22:43 | |
expressing his concern about the paintings. | 0:22:43 | 0:22:45 | |
Ponsonby worried about the dangers | 0:22:45 | 0:22:47 | |
surrounding the Catholic nature of the images. | 0:22:47 | 0:22:51 | |
He was also concerned that they would distract from his sermons. | 0:22:53 | 0:22:57 | |
The Archbishop is really interested in the paintings | 0:22:58 | 0:23:01 | |
and he encourages the Reverend Ponsonby to leave them alone | 0:23:01 | 0:23:04 | |
and he uses the fateful words, "Don't do anything to them | 0:23:04 | 0:23:08 | |
"until they have been copied by some skilful or competent artists." | 0:23:08 | 0:23:12 | |
Sadly, Vicar Ponsonby interpreted this to the letter, | 0:23:12 | 0:23:16 | |
waiting until copies were done of the paintings | 0:23:16 | 0:23:18 | |
then covered them up once more. | 0:23:18 | 0:23:20 | |
It was another 20 years until they were rediscovered again. | 0:23:20 | 0:23:23 | |
Ponsonby's gone, the Reverend Lightfoot arrives, | 0:23:23 | 0:23:27 | |
does a huge programme of restoration in the church | 0:23:27 | 0:23:30 | |
and people start to tell him about the paintings | 0:23:30 | 0:23:33 | |
and he decides to uncover them yet again. | 0:23:33 | 0:23:36 | |
In his eagerness to restore the pictures, | 0:23:36 | 0:23:38 | |
Lightfoot brings in stained-glass and paintings experts | 0:23:38 | 0:23:42 | |
to work on the images, | 0:23:42 | 0:23:43 | |
giving them a distinctive 19th-century Pre-Raphaelite feel. | 0:23:43 | 0:23:48 | |
As it's the 19th-century, Victorians would call it being improved. | 0:23:48 | 0:23:51 | |
They would do the same with furniture - | 0:23:51 | 0:23:52 | |
send it back to workshops to be modernised | 0:23:52 | 0:23:55 | |
and brought up to date and I think I can see here | 0:23:55 | 0:23:57 | |
that the medieval picture has been brought up to date, hasn't it, | 0:23:57 | 0:24:01 | |
to 19th-century imagery? | 0:24:01 | 0:24:02 | |
It has and I think it's what makes the story of Pickering | 0:24:02 | 0:24:05 | |
so unique, that we not only have the original medieval wall paintings, | 0:24:05 | 0:24:09 | |
but we also have the 19th-century interventions as well | 0:24:09 | 0:24:12 | |
and what's more amazing is that we actually have the original copies | 0:24:12 | 0:24:17 | |
of the drawings of the paintings made in 1852, | 0:24:17 | 0:24:20 | |
which we found in the vestry of the church. | 0:24:20 | 0:24:23 | |
19th-century drawings of the paintings | 0:24:23 | 0:24:25 | |
had been lost and found several times. | 0:24:25 | 0:24:28 | |
In 2014, half-life size drawings | 0:24:28 | 0:24:30 | |
were found in the church's safety deposit box, | 0:24:30 | 0:24:34 | |
dating back to the 1950s. | 0:24:34 | 0:24:35 | |
It makes you wonder | 0:24:35 | 0:24:37 | |
if there's anything else yet to be discovered. | 0:24:37 | 0:24:40 | |
Yes, if I've learnt anything over the last ten years, | 0:24:40 | 0:24:43 | |
it's that Pickering has the power to surprise | 0:24:43 | 0:24:45 | |
and who knows what might emerge from the walls | 0:24:45 | 0:24:47 | |
or come out of the drawers or archives in the future. | 0:24:47 | 0:24:51 | |
Whilst the paintings have spent much of their existence hidden away, | 0:24:51 | 0:24:55 | |
today, they are celebrated in their full glory, | 0:24:55 | 0:24:57 | |
attracting thousands of visitors each year. | 0:24:57 | 0:25:00 | |
Anita is travelling nearly 30 miles to Thirsk, | 0:25:02 | 0:25:05 | |
hometown of Alfred Wright, author of All Creatures Great And Small | 0:25:05 | 0:25:10 | |
and on which he based the fictional town of Darrowby. | 0:25:10 | 0:25:13 | |
She's visiting Three Tuns Antiques and Curios | 0:25:17 | 0:25:21 | |
with just under £120 left to spend. | 0:25:21 | 0:25:23 | |
Ah, something shiny has caught her eye. | 0:25:23 | 0:25:27 | |
Surprise-surprise(!) | 0:25:27 | 0:25:29 | |
-Could I take this outside to have a wee look at it? -Yes. | 0:25:29 | 0:25:33 | |
You not going to do a runner, are you? | 0:25:33 | 0:25:36 | |
I hope not! | 0:25:36 | 0:25:37 | |
Judging by the glint in Anita's eye, she is up to something, though. | 0:25:37 | 0:25:40 | |
Don't go back, Anita. | 0:25:40 | 0:25:41 | |
I wanted to see this in the light. | 0:25:41 | 0:25:44 | |
It's a lidded vessel | 0:25:44 | 0:25:46 | |
which would have been used to hold the host during Mass. | 0:25:46 | 0:25:52 | |
Now, it has a price of £10 on it, | 0:25:52 | 0:25:58 | |
but what I thought when I handled it was, "Is this silver? | 0:25:58 | 0:26:04 | |
"Is this silver and not silver plate?" | 0:26:04 | 0:26:06 | |
When I look at the top of it and apply a wee bit of pressure, | 0:26:06 | 0:26:11 | |
I've got some give there | 0:26:11 | 0:26:13 | |
and that's indicating that it is a softer metal. | 0:26:13 | 0:26:17 | |
Now, silver plate would be a harder metal than that. | 0:26:17 | 0:26:21 | |
Its official name is a ciborium | 0:26:21 | 0:26:24 | |
and it also has markings, which are Continental and complicated. | 0:26:24 | 0:26:28 | |
Now, if this was silver plate, | 0:26:28 | 0:26:30 | |
both pieces would not have been hallmarked like that. | 0:26:30 | 0:26:34 | |
So that's giving me another indication that it may be silver. | 0:26:34 | 0:26:39 | |
This might be the Holy Grail! | 0:26:39 | 0:26:40 | |
Now, that really would be something, wouldn't it? | 0:26:40 | 0:26:44 | |
-So, £10 on that. -Yes. | 0:26:44 | 0:26:46 | |
That's great. | 0:26:46 | 0:26:48 | |
So, for just £10, Anita has bought an ecclesiastical vessel | 0:26:48 | 0:26:52 | |
that she believes to be made of solid silver. | 0:26:52 | 0:26:55 | |
Meanwhile, our other little cherub, choirboy David, | 0:26:56 | 0:27:00 | |
has driven east to the picturesque village of Thornton Le Dale. | 0:27:00 | 0:27:04 | |
He's got one more shot to spend his remaining £41 | 0:27:07 | 0:27:10 | |
and he's meeting manager and dealer Jan. Hi, Jan! | 0:27:10 | 0:27:14 | |
What about... | 0:27:14 | 0:27:16 | |
-This is a different, quirky item. -Is it a watering can? -No, it's not. | 0:27:16 | 0:27:21 | |
What is it? | 0:27:21 | 0:27:23 | |
It's from a railway and they used it for flares in emergencies. | 0:27:23 | 0:27:29 | |
-No! So, what's it fired by? -Either kerosene or paraffin. -Right. | 0:27:29 | 0:27:34 | |
-It would be dropped on the line. -It would be like a Roman torch. | 0:27:34 | 0:27:40 | |
In a line so that, in emergencies, they could see what was going on. | 0:27:40 | 0:27:45 | |
My goodness me! | 0:27:45 | 0:27:46 | |
Emergencies could be anything from heavy fog to signal failure. | 0:27:46 | 0:27:50 | |
So, date wise, are we thinking early part of the 20th century | 0:27:50 | 0:27:54 | |
-or even earlier? -Even earlier, actually, I think. -Right! | 0:27:54 | 0:27:57 | |
OK, its ticket price is £30 | 0:27:57 | 0:27:58 | |
and it's not the only piece of railway interest. | 0:27:58 | 0:28:02 | |
-Just one more piece of railwayana as well. -Blinking hell! | 0:28:02 | 0:28:05 | |
-A gear lever. -What's all this with you and railwayana? | 0:28:05 | 0:28:09 | |
You do not look like someone who is a train spotter! | 0:28:09 | 0:28:12 | |
-I'm not a -train spotter! Are you not? -No, definitely not. | 0:28:12 | 0:28:15 | |
-OK, so this is a gear lever of some disruption. -Right. | 0:28:15 | 0:28:23 | |
It comes from sort of the tender, engine box. | 0:28:23 | 0:28:26 | |
-Actually, is it very heavy? -It is very heavy, yes. | 0:28:26 | 0:28:29 | |
-It's made of cast iron. -Let's have a look at it. Oh, gosh, yes! | 0:28:29 | 0:28:33 | |
And when you say a tender box, it actually would be on the train? | 0:28:33 | 0:28:37 | |
-On the train itself. -I love that, I absolutely love that. | 0:28:37 | 0:28:42 | |
Its price is £35, but can Jan do a deal on the lever and the flare lamp? | 0:28:42 | 0:28:48 | |
What's your offer, David? | 0:28:48 | 0:28:50 | |
-Do you want all my money? -I want all your money. -You got it, baby. -OK. | 0:28:50 | 0:28:53 | |
-Thank you very much. -Thank you. | 0:28:53 | 0:28:56 | |
Technically, he's still got 46p, | 0:28:56 | 0:28:58 | |
but that discount means David is now the proud owner | 0:28:58 | 0:29:02 | |
of two pieces of railway interest. | 0:29:02 | 0:29:05 | |
He's spent a total of £166 | 0:29:05 | 0:29:07 | |
and also picked up the police fingerprinting table, | 0:29:07 | 0:29:12 | |
his 1940s letterbox, | 0:29:12 | 0:29:15 | |
the Chinese ginger jar | 0:29:15 | 0:29:18 | |
and the 1920s drop end settee. | 0:29:18 | 0:29:20 | |
Anita has spent just £83 on her five lots, | 0:29:22 | 0:29:26 | |
purchasing two sets of condiments, a 1950s brooch, | 0:29:26 | 0:29:30 | |
a collection of Mauchline treen boxes, a 1960s Italian glass vase | 0:29:30 | 0:29:37 | |
and a white metal cyborium with gilt interior. | 0:29:37 | 0:29:42 | |
So, what do they think of each other's items? | 0:29:42 | 0:29:45 | |
I mean, the condiment sets, oh, my gosh, | 0:29:45 | 0:29:49 | |
they are diabolical beyond belief! | 0:29:49 | 0:29:51 | |
They have no age whatsoever | 0:29:51 | 0:29:54 | |
and need to be chucked in the nearest bin possible. | 0:29:54 | 0:29:58 | |
What he's done with the flare lamp and that other bit of old iron, | 0:29:58 | 0:30:03 | |
is he has bought definitely the weird! | 0:30:03 | 0:30:06 | |
Somebody might fall in love with it, but, to me, | 0:30:06 | 0:30:09 | |
it's just another big lump of old iron. | 0:30:09 | 0:30:13 | |
Anita and David are travelling south again to an auction | 0:30:13 | 0:30:17 | |
in the historic spa town of Harrogate, | 0:30:17 | 0:30:19 | |
voted the happiest place to live | 0:30:19 | 0:30:22 | |
by a popular property website in 2013 and 2014. | 0:30:22 | 0:30:26 | |
Despite the dire weather, | 0:30:26 | 0:30:28 | |
happy Harrogate seems to have rubbed off on our excited pair. | 0:30:28 | 0:30:32 | |
Listen, if it didn't rain, | 0:30:32 | 0:30:34 | |
would we have this beautiful greenery all around about us? | 0:30:34 | 0:30:38 | |
I always say that, actually. | 0:30:38 | 0:30:39 | |
-BOTH SING: -# Always look on the bright side of life | 0:30:39 | 0:30:43 | |
-# Be-doo... # -# Be-doop-be-doop-be-doo... # | 0:30:43 | 0:30:46 | |
Wayhey! Here we are. | 0:30:46 | 0:30:48 | |
Second auction, David, let the battle commence! | 0:30:49 | 0:30:53 | |
Oh, my kind of woman. Come on! | 0:30:53 | 0:30:55 | |
Today's auction is being held at Harrogate Auction Centre | 0:30:57 | 0:31:01 | |
and the auctioneer is George Allen. | 0:31:01 | 0:31:03 | |
The condiment set, well, it's a bit quirky, they're a bit fun, | 0:31:03 | 0:31:07 | |
but cheap items, I'm afraid. | 0:31:07 | 0:31:10 | |
They're not going to do a right lot of money at all. | 0:31:10 | 0:31:13 | |
The letterbox is a very rare find, is that, and I think | 0:31:13 | 0:31:16 | |
you'll be quite surprised by how much that is going to make. | 0:31:16 | 0:31:19 | |
Let's hope so! Time for the auction. | 0:31:19 | 0:31:23 | |
Let's get comfy, David. | 0:31:23 | 0:31:26 | |
On our thrones, Anita, thrones. | 0:31:26 | 0:31:29 | |
And speaking of regal, it's Anita's king and queen condiments | 0:31:29 | 0:31:34 | |
-and cuddling pigs first. -Well, good luck. -Thank you, darling. | 0:31:34 | 0:31:38 | |
Can we see five anywhere on that one? £2? | 0:31:38 | 0:31:41 | |
The flags are up now. | 0:31:41 | 0:31:43 | |
-They all want them! -Four bid, six bid, eight bid. | 0:31:43 | 0:31:48 | |
Ten, is that, number nine? It is ten bid. 12 bid. | 0:31:48 | 0:31:52 | |
14, lovely attractive lady on the front. 14 bid. | 0:31:52 | 0:31:57 | |
14 bid, is that 16, number nine? | 0:31:57 | 0:32:00 | |
14 the bid. 14 bid. | 0:32:00 | 0:32:02 | |
15 bid! 16 bid. | 0:32:02 | 0:32:06 | |
You're out, sir. 16 bid, any advance on 16? Any more? | 0:32:06 | 0:32:12 | |
18, she's back in. | 0:32:12 | 0:32:14 | |
20. 22. 22 bid, any more? | 0:32:14 | 0:32:20 | |
All done? Don't miss out on these. 22 bid. | 0:32:20 | 0:32:24 | |
The room's on fire! | 0:32:24 | 0:32:27 | |
-Are you all done at £22? -Ahhh! | 0:32:27 | 0:32:29 | |
Not a king's ransom, but still a profit. | 0:32:31 | 0:32:35 | |
That was pressure, wasn't it? | 0:32:35 | 0:32:38 | |
From two! I thought they were going to sell for two. | 0:32:38 | 0:32:40 | |
So did I, my wee heart was beating! | 0:32:40 | 0:32:44 | |
-Next up are David's train lever and flare lamp. -Can I leave now? | 0:32:46 | 0:32:52 | |
-Can I go? -Shall I hold your wee hand? | 0:32:52 | 0:32:54 | |
I think you're going to have to. | 0:32:54 | 0:32:56 | |
-50. 40. -Go on. -30. 20. | 0:32:56 | 0:33:00 | |
This is for the two items. Five bid, five the bid. Any advance on five? | 0:33:00 | 0:33:05 | |
Ten bid, here we go. 15 bid. | 0:33:05 | 0:33:09 | |
20, 25, 30, 35 bid, 40 bid. | 0:33:09 | 0:33:13 | |
£40 the bid, 45, 50 bid. £50 bid. Any more? | 0:33:13 | 0:33:20 | |
55 bid, 60 bid. 65 bid. | 0:33:20 | 0:33:24 | |
65, 70 bid. | 0:33:24 | 0:33:27 | |
Any advance? 75 bid. | 0:33:27 | 0:33:29 | |
75. 80 bid. 85 bid. Any more? | 0:33:29 | 0:33:35 | |
-When is it going to stop? -Go on! Never! -90 bid. 95 bid. | 0:33:35 | 0:33:40 | |
95, round it up, make it to double figures. 100 bid. | 0:33:40 | 0:33:46 | |
-That's more like it, yeah. -All done at £100? | 0:33:46 | 0:33:52 | |
-Ohhhh! -Brilliant! -Thank you, Anita. | 0:33:52 | 0:33:56 | |
An incredible result - from such a slow start, | 0:33:56 | 0:34:00 | |
David has more than doubled his money. | 0:34:00 | 0:34:03 | |
It's so exciting! | 0:34:03 | 0:34:05 | |
-I was digging my nails into your hand. -I noticed! | 0:34:05 | 0:34:08 | |
Now, it's Anita's 1950s brooch. | 0:34:08 | 0:34:12 | |
Four bid, £4 bid. £6, £8 bid. | 0:34:12 | 0:34:16 | |
Eight the bid and ten. Ten bid, 12 bid, 14. | 0:34:16 | 0:34:21 | |
-And you're off! -14 bid. Any advance on 14? | 0:34:21 | 0:34:25 | |
Come on, buy it for your lady. 14 bid, any more? Another one? | 0:34:25 | 0:34:30 | |
14, 15, he's back in. 15, 16. | 0:34:30 | 0:34:34 | |
16 bid, any more? All done at £16? | 0:34:34 | 0:34:39 | |
-You're going to miss out on this one. -Go on! | 0:34:39 | 0:34:42 | |
All done at 16... | 0:34:42 | 0:34:44 | |
-Yes! -Well done, well done. | 0:34:44 | 0:34:47 | |
She's very excited! | 0:34:47 | 0:34:49 | |
And so she should be! | 0:34:49 | 0:34:51 | |
She got it at a great price. Still, it's a small profit for Anita. | 0:34:51 | 0:34:56 | |
Now it's David's most expensive item - his Chinese ginger jar. | 0:34:56 | 0:35:01 | |
-Has your heart started going? -Yeah, it's going. | 0:35:01 | 0:35:04 | |
I am 50 bid, straight in at 50. 60 on the telephone. £60 bid. | 0:35:07 | 0:35:14 | |
70 on the book, £70 bid. | 0:35:14 | 0:35:18 | |
80 bid. 90 with me. 95 bid. | 0:35:18 | 0:35:21 | |
-100 bid on the book. -Come on! | 0:35:21 | 0:35:24 | |
Any advance on 100? I'm into triple figures. Any more? | 0:35:24 | 0:35:27 | |
All done at £100... | 0:35:27 | 0:35:31 | |
-Ohhhhh, that's a good one! -Well done, darling. -It's all right. | 0:35:31 | 0:35:35 | |
-Listen, let me give you a wee kiss. -Thank you. -That is great. | 0:35:35 | 0:35:38 | |
Wow! That's another great profit for David. | 0:35:38 | 0:35:41 | |
He went big with his buys and, so far, it seems to be paying off. | 0:35:41 | 0:35:46 | |
David is in the lead | 0:35:46 | 0:35:48 | |
so Anita needs a big profit on her Mauchline treen | 0:35:48 | 0:35:51 | |
-to stay in the game. -Ten bid. | 0:35:51 | 0:35:52 | |
£10 bid, any advance on 10? | 0:35:52 | 0:35:56 | |
Any more? All done? 15? | 0:35:56 | 0:36:00 | |
-One piece is worth more than that. 20 bid. £20 the bid. -Go on! | 0:36:00 | 0:36:03 | |
£20 bid. 25 bid. The lady in blue is back in at 25. | 0:36:03 | 0:36:08 | |
30 bid. | 0:36:08 | 0:36:10 | |
£30 the bid, I'll take 2.50 if it will help anybody. | 0:36:10 | 0:36:14 | |
£30 the bid, any more? All done? | 0:36:14 | 0:36:18 | |
32.50 bid, are you all done at 32.50? | 0:36:18 | 0:36:23 | |
Another profit for Anita - what a brilliant crowd here today! | 0:36:23 | 0:36:28 | |
I love his 50ps! It makes all the difference. | 0:36:28 | 0:36:31 | |
-He gets every single penny! -He doesn't half, he doesn't half. | 0:36:31 | 0:36:34 | |
Well, every penny counts. | 0:36:34 | 0:36:36 | |
Let's see if Anita's next item can bring in a few more. | 0:36:36 | 0:36:40 | |
-It may not be Murano, but it still is an Italian vase. -Ten to start me. | 0:36:40 | 0:36:46 | |
Ten bid. Any advance? 15. 20. | 0:36:46 | 0:36:49 | |
-It's all over, it's all over! -25. 35 bid. | 0:36:49 | 0:36:54 | |
40 bid. 45. 50 bid. | 0:36:54 | 0:36:57 | |
-Any advance? 55 bid. 60. -Are you bidding? | 0:36:57 | 0:37:02 | |
-I'm just getting excited! -Any advance? 65 bid. 65. £70 the bid. | 0:37:02 | 0:37:09 | |
75 bid. 80 bid. 85 bid. | 0:37:09 | 0:37:12 | |
85 the bid, any advance on 85? | 0:37:12 | 0:37:18 | |
An exciting lot, there. 90 bid. | 0:37:18 | 0:37:20 | |
-Ohhhh! -£90. 95 bid. £100 bid. | 0:37:20 | 0:37:25 | |
We've hit the magic mark. 100 bid. | 0:37:25 | 0:37:30 | |
-105 bid. -Yes! -105 the bid. Any more? | 0:37:30 | 0:37:36 | |
All done? | 0:37:36 | 0:37:38 | |
110. 110, the lady is back in at 110. | 0:37:38 | 0:37:42 | |
All done at 110? | 0:37:42 | 0:37:46 | |
-Ohhhh! -Number nine. | 0:37:46 | 0:37:48 | |
Oh, what an auctioneer! | 0:37:51 | 0:37:53 | |
That's an incredible profit for Anita. | 0:37:54 | 0:37:58 | |
She has quadrupled her money, putting her firmly back in the game. | 0:37:58 | 0:38:02 | |
Now, let's see if David's 1940s letterbox gets the same reception. | 0:38:02 | 0:38:07 | |
40. 50. £50 bid. Any advance on 50? | 0:38:08 | 0:38:14 | |
60. 70. £70 bid. 80. 90. | 0:38:14 | 0:38:19 | |
100 with me. £100 bid. | 0:38:19 | 0:38:21 | |
Come on! Cling onto me. | 0:38:21 | 0:38:25 | |
-Good luck! -130 bid. | 0:38:25 | 0:38:29 | |
130 bid. Any advance on 130? I'm out. | 0:38:29 | 0:38:33 | |
In the room at the very back there at £130 the bid. | 0:38:33 | 0:38:37 | |
It's there to go at 130... | 0:38:37 | 0:38:41 | |
-Yes! -Get in there! | 0:38:41 | 0:38:44 | |
Well done, George. | 0:38:44 | 0:38:46 | |
Well done, David! Another massive profit. Quite the auction today! | 0:38:46 | 0:38:52 | |
-This is wonderful! Isn't it wonderful? -It is, it is wonderful. | 0:38:53 | 0:38:57 | |
David got his 1920s sofa for a steal, but will it fare today? | 0:38:57 | 0:39:03 | |
Ten anywhere? | 0:39:03 | 0:39:04 | |
Ten bid. £10 bid, 20 bid. 30 bid. | 0:39:04 | 0:39:08 | |
40 bid. £40, 50 bid. 60 bid. | 0:39:08 | 0:39:13 | |
-You're in profit. -Come on! -60, were getting there. | 0:39:13 | 0:39:15 | |
£60 the bid, 70 bid. 70 bid, lovely piece. | 0:39:15 | 0:39:20 | |
80 bid. £80 the bid. | 0:39:20 | 0:39:22 | |
-90. Magic figure, £90 the bid, any more? -Come on, get another hundred. | 0:39:22 | 0:39:27 | |
-100. -Yes! -100. | 0:39:27 | 0:39:29 | |
110. 110, it's selling itself. 110 the bid. | 0:39:29 | 0:39:35 | |
Any more? All done at £110? | 0:39:35 | 0:39:40 | |
David... | 0:39:40 | 0:39:45 | |
That's 200% profit. | 0:39:45 | 0:39:47 | |
200? It's more than that. It's about 4 million. | 0:39:47 | 0:39:50 | |
We're both rubbish at maths! | 0:39:50 | 0:39:53 | |
Apparently so. It's actually just over 2,000% profit. | 0:39:53 | 0:39:58 | |
Next, It's Anita's incredible find - her cyborium. | 0:39:58 | 0:40:03 | |
Anita still believes it's silver, | 0:40:03 | 0:40:05 | |
but has been unable to identify its marks | 0:40:05 | 0:40:09 | |
-so it's being sold as white metal. -£20 bid. 20 bid. | 0:40:09 | 0:40:12 | |
20 bid. It's not where we start, it's where we finish. 30 bid. | 0:40:12 | 0:40:16 | |
£30 the bid. 35. 40 bid. | 0:40:16 | 0:40:20 | |
45. 45. 50 bid. | 0:40:20 | 0:40:24 | |
50 bid, any advance on 50? | 0:40:24 | 0:40:27 | |
55. 55, you won't get another one. | 0:40:27 | 0:40:30 | |
-55, 60 bid. 65 bid. -Come on! | 0:40:30 | 0:40:36 | |
Any advance on 65? It's worth a lot more. | 0:40:36 | 0:40:40 | |
65. 70 bid. 75 bid. | 0:40:40 | 0:40:44 | |
Any more? All done? Finished at £75? | 0:40:44 | 0:40:50 | |
A stroke of luck or divine intervention? | 0:40:52 | 0:40:54 | |
Either way, that's a fantastic profit. | 0:40:54 | 0:40:58 | |
Profits all over the place! What a feeling, eh? | 0:40:58 | 0:41:02 | |
It's certainly too close to call. | 0:41:02 | 0:41:05 | |
Time for David's final and most unusual item - | 0:41:05 | 0:41:07 | |
his police fingerprinting table. | 0:41:07 | 0:41:09 | |
Can we see 20? Ten bid. | 0:41:11 | 0:41:14 | |
£10 bid, any advance on ten? You'll never get another one. | 0:41:14 | 0:41:17 | |
-You'd never WANT another one! -£20 the bid. Any advance on 20? | 0:41:17 | 0:41:23 | |
-Any more? 30. £30. -Come on! Come on! | 0:41:23 | 0:41:29 | |
The bid is at the back of the room. | 0:41:29 | 0:41:31 | |
£30, any more? All done? | 0:41:31 | 0:41:35 | |
Finished at £30 only bid? | 0:41:35 | 0:41:39 | |
That's all right! | 0:41:39 | 0:41:41 | |
-Well done, that's all right. -It's still a profit. -That's all right. | 0:41:41 | 0:41:44 | |
It's still a profit. | 0:41:44 | 0:41:45 | |
It's small, but it's still a profit. | 0:41:45 | 0:41:48 | |
What an incredible auction with no losses! | 0:41:48 | 0:41:51 | |
Now, that makes a change, doesn't it? | 0:41:51 | 0:41:54 | |
David, that was absolutely fabulous! | 0:41:54 | 0:41:58 | |
What are we going to do now? | 0:41:58 | 0:42:01 | |
We're going to forget about cups of tea, | 0:42:01 | 0:42:02 | |
-let's go straight for the champagne! -You are my kind of girl! | 0:42:02 | 0:42:06 | |
Well, before we go popping any corks, | 0:42:08 | 0:42:10 | |
let's find out who came out on top. | 0:42:10 | 0:42:12 | |
Anita started this leg with £192.14. | 0:42:12 | 0:42:16 | |
After auction costs, she made a profit of £126.51, | 0:42:16 | 0:42:22 | |
leaving her with £318.65 to spend next time. | 0:42:22 | 0:42:27 | |
David, however, emerges victorious this week. | 0:42:27 | 0:42:31 | |
He started off with £166.46. | 0:42:31 | 0:42:35 | |
After auction costs, he's made a whopping profit of £219.40 | 0:42:35 | 0:42:41 | |
so takes forward £385.86 to the following leg. | 0:42:41 | 0:42:46 | |
-Go on, you. -You're such a sweetie! -In you go! | 0:42:48 | 0:42:52 | |
-Right, are you in? -Yep. | 0:42:53 | 0:42:55 | |
What an amazing day it's been! So, cheerio, chaps! | 0:42:55 | 0:43:00 | |
Next time on Antiques Road Trip, Anita considers other career options. | 0:43:00 | 0:43:06 | |
SHE BLOWS A RASPING NOTE | 0:43:06 | 0:43:09 | |
Whilst David takes a leaf out of his competitor's book. | 0:43:09 | 0:43:12 | |
I am desperate to buy it if it's cheap. | 0:43:12 | 0:43:15 |