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-It's the nation's favourite antiques experts... -I don't know what to do. | 0:00:02 | 0:00:05 | |
..with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:11 | |
-What a little diamond. -The aim? | 0:00:11 | 0:00:13 | |
To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
-Back in the game! Charlie! -THEY LAUGH | 0:00:17 | 0:00:20 | |
There'll be worthy winners | 0:00:20 | 0:00:22 | |
and valiant losers. SHE GASPS | 0:00:22 | 0:00:24 | |
-So, will it be the high road to glory or the slow road to disaster? -Oh! | 0:00:24 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the third leg of the road trip | 0:00:39 | 0:00:42 | |
for David Harper and our canny Scottish lassie, Anita Manning. | 0:00:42 | 0:00:46 | |
We're going north, Anita, we're going north! | 0:00:46 | 0:00:49 | |
-Isn't that the pleasure of this trip? -I know. -Isn't it? | 0:00:49 | 0:00:52 | |
Seeing all these different landscapes. | 0:00:52 | 0:00:55 | |
Buying a load of old iron as well whilst doing it. | 0:00:55 | 0:00:57 | |
-Look, an iron bridge! -An iron bridge! -Great! Don't you love it? | 0:00:57 | 0:01:01 | |
-I could flog that dead easy. -He probably could as well, | 0:01:01 | 0:01:06 | |
for dealer David's got a knack | 0:01:06 | 0:01:08 | |
-of finding the golden dust in a bit of old rust. -It is fabulous. | 0:01:08 | 0:01:13 | |
And do you know what, Tony? I am desperate to buy it if it's cheap. | 0:01:13 | 0:01:19 | |
His partner in crime, auctioneer Anita, | 0:01:20 | 0:01:23 | |
has decades of antiquing under her belt, | 0:01:23 | 0:01:26 | |
though she's not one to blow her own trumpet. | 0:01:26 | 0:01:28 | |
SHE BLOWS BRASS INSTRUMENT | 0:01:28 | 0:01:32 | |
-Do you think they'd let me into The Boys Brigade? -Er, I don't think so. | 0:01:33 | 0:01:38 | |
Anita and David are still eating up the miles, though, | 0:01:40 | 0:01:43 | |
in this positively delectable 1965 Morris Minor convertible. | 0:01:43 | 0:01:47 | |
Their last auction was a rip-roaring success | 0:01:47 | 0:01:50 | |
with both of them making whopping great profits. | 0:01:50 | 0:01:53 | |
-Yes! -Get in there! | 0:01:53 | 0:01:54 | |
-Oh! -Oh! | 0:01:54 | 0:01:56 | |
-Number nine. -Oh! | 0:01:56 | 0:01:58 | |
Bravo, chaps. | 0:01:58 | 0:01:59 | |
Our two expert treasure hunters started the trip with £200. | 0:01:59 | 0:02:04 | |
Anita now has £318.65 to spend. | 0:02:04 | 0:02:08 | |
David, meanwhile, has taken the lead with £385.86 for this leg. | 0:02:08 | 0:02:15 | |
-Hey, I tell you what, have we got some money to spend or what? -Yes! | 0:02:15 | 0:02:20 | |
-Crikey. -We've got tons of dosh. -I know. -Tons of dosh. | 0:02:20 | 0:02:23 | |
I'm looking forward to seeing what takes your fancy, Mrs. | 0:02:23 | 0:02:27 | |
-Well, it won't be those bright red trousers. -Oh, stop lying. | 0:02:27 | 0:02:30 | |
They're the same colour as my nail varnish! | 0:02:30 | 0:02:32 | |
Otherwise known as "shocking" red. | 0:02:32 | 0:02:35 | |
David and Anita are travelling over 700 miles | 0:02:38 | 0:02:41 | |
from Ramsbottom, Lancashire, snaking their way up through Yorkshire, | 0:02:41 | 0:02:45 | |
all the way to bonny Scotland and the town of Paisley. | 0:02:45 | 0:02:48 | |
Our journey commences today in Chester-le-Street, County Durham, | 0:02:49 | 0:02:53 | |
ending up at an auction in Newcastle-upon-Tyne. | 0:02:53 | 0:02:56 | |
-I always aim to please. -Oh, and you do. You never fail. | 0:02:58 | 0:03:02 | |
-Right, have a great day. -OK. David, spend, spend, spend. | 0:03:02 | 0:03:07 | |
-Don't you worry about that. See you soon. -Bye. -Bye-bye. | 0:03:07 | 0:03:11 | |
Anita is dropping David off at his first shop of the day. | 0:03:11 | 0:03:15 | |
Crikey, those trousers really ARE bright. And tight. | 0:03:15 | 0:03:19 | |
Now she's tootling just 20 miles south | 0:03:19 | 0:03:22 | |
to the village of St Helen Auckland, | 0:03:22 | 0:03:24 | |
where she's catching up with her old pal, Yvonne. | 0:03:24 | 0:03:27 | |
-Yvonne! -Oh, Anita, lovely to see you. | 0:03:27 | 0:03:30 | |
Lovely to be back to this wonderful treasure chest. | 0:03:30 | 0:03:34 | |
They really are happy to be reunited. | 0:03:35 | 0:03:37 | |
YVONNE BLOWS INSTRUMENT | 0:03:37 | 0:03:40 | |
-Wow, I did not do that! -You're good at that. | 0:03:40 | 0:03:43 | |
-Right, OK, hang on a wee second till I get the... -The tone. | 0:03:43 | 0:03:47 | |
SHE PLAYS ACCORDION | 0:03:47 | 0:03:49 | |
I think that might take more than a second, Anita. | 0:03:49 | 0:03:51 | |
Perhaps stick to shopping? | 0:03:51 | 0:03:53 | |
Not THAT type of shopping. | 0:04:01 | 0:04:03 | |
Bright pillar-box red handbag. | 0:04:09 | 0:04:13 | |
Just the type of thing that would go with David's trousers. | 0:04:14 | 0:04:17 | |
Oh, please don't encourage him. | 0:04:17 | 0:04:19 | |
Distractions over, Anita soon spots something she likes. | 0:04:19 | 0:04:23 | |
-Can I see your scent bottle? -You can indeed. -Is the top silver? | 0:04:23 | 0:04:27 | |
Yes, hallmarked. | 0:04:27 | 0:04:29 | |
-Right. I love these things. -I do. -I love them as well. | 0:04:30 | 0:04:34 | |
There's no damage on the cut crystal. | 0:04:34 | 0:04:37 | |
-And when you think of the amount of work that was done... -Yeah, amazing. | 0:04:37 | 0:04:41 | |
..to cut all that into all these little triangles, squares and so on. | 0:04:41 | 0:04:47 | |
And I've got that nice quality polished base. | 0:04:47 | 0:04:50 | |
The only thing that I'm worried about in that, Yvonne, is... | 0:04:51 | 0:04:56 | |
-..the fact that we don't have the stopper. -I know, I know. | 0:04:58 | 0:05:01 | |
The missing stopper will reduce the value, | 0:05:01 | 0:05:04 | |
but I dare say Anita will use that to her advantage. | 0:05:04 | 0:05:07 | |
Ticket price is £60. | 0:05:07 | 0:05:10 | |
What's the very best you can do on that, Yvonne? | 0:05:10 | 0:05:13 | |
-To you, the very, very... -The very, very best. | 0:05:13 | 0:05:16 | |
And taking into consideration | 0:05:16 | 0:05:19 | |
that we've got that very important part missing. | 0:05:19 | 0:05:23 | |
Yeah. What about £45? | 0:05:23 | 0:05:24 | |
-What I'm looking at is round about the £30. -Mmm. If we said £35. -£35? | 0:05:25 | 0:05:30 | |
-Would that be...? Yeah. -Let's go for that. -Yeah. -That's great. -Excellent. | 0:05:30 | 0:05:34 | |
-Thank you very much. -Thank you, Anita. | 0:05:34 | 0:05:36 | |
Generous discount of nearly 50% off. | 0:05:36 | 0:05:40 | |
David, meanwhile, is starting his morning in Chester-le-Street, | 0:05:42 | 0:05:46 | |
where he's meeting dealer Colin. | 0:05:46 | 0:05:48 | |
It's just an Aladdin's cave. It's an adventure. | 0:05:48 | 0:05:52 | |
Soon enough, David's eye is drawn to a Mouseman cheeseboard. | 0:05:52 | 0:05:57 | |
It's very simple stuff, isn't it? | 0:05:59 | 0:06:01 | |
But aged oak and they store the oak outside the factory premises | 0:06:01 | 0:06:05 | |
-for 10 or 14 years, I believe, until it's just right to be cut. -Right. | 0:06:05 | 0:06:10 | |
And then they cut it and they use that tool - is it an adze? | 0:06:10 | 0:06:13 | |
You know, the che-che - that, almost like a medieval tool, | 0:06:13 | 0:06:17 | |
so the surfaces are never perfectly flat, are they? | 0:06:17 | 0:06:19 | |
They've got that kind of wavy finish to them. And the old mouse there. | 0:06:19 | 0:06:24 | |
Each Mouseman piece has a mouse carved on it | 0:06:24 | 0:06:27 | |
which slightly varies depending on which craftsman was doing the work. | 0:06:27 | 0:06:32 | |
The company was founded by Robert Thompson in the early 20th century | 0:06:32 | 0:06:36 | |
-and is still running today. -OK, what about that baby there? | 0:06:36 | 0:06:39 | |
-Is that Mousey? -Yep, same again. | 0:06:39 | 0:06:42 | |
-Let's have a look. -There we go. | 0:06:42 | 0:06:45 | |
OK, so this is a different animal altogether, isn't it? | 0:06:45 | 0:06:47 | |
This is the cow stool. Tripod with that facetted leg, all hand-cut. | 0:06:47 | 0:06:53 | |
When you look closely at these things, people would criticise them | 0:06:53 | 0:06:56 | |
because they're just off-centre and a little bit rough in places. | 0:06:56 | 0:06:59 | |
-It's cos it's handmade, isn't it? -Yeah. | 0:06:59 | 0:07:01 | |
They are different, aren't they? | 0:07:02 | 0:07:04 | |
This one's got more of a domed back, a bit fatter. | 0:07:04 | 0:07:07 | |
And, apparently, there's a story | 0:07:07 | 0:07:09 | |
behind how these mice came to be carved in the first place. | 0:07:09 | 0:07:12 | |
These guys were moaning that they weren't getting paid much | 0:07:12 | 0:07:16 | |
by Yorkshireman Robert Mousey Thompson | 0:07:16 | 0:07:18 | |
and as they were moaning about it, | 0:07:18 | 0:07:20 | |
this little mouse scurried across the church floor | 0:07:20 | 0:07:23 | |
and one of them said to the other, "Look at that. | 0:07:23 | 0:07:26 | |
"Here we are in a church and we're as poor as church mice." | 0:07:26 | 0:07:29 | |
And from that day on, they started carving mice onto the furniture. | 0:07:29 | 0:07:34 | |
The combined ticket price of the two items is £210. | 0:07:34 | 0:07:38 | |
-I'd stand a chance if that was £160 for the pair. -How much? -£160. | 0:07:38 | 0:07:43 | |
-I cannot. Go on, try a bit harder. -I'll try a bit harder. | 0:07:46 | 0:07:51 | |
£170 and I'm done. | 0:07:51 | 0:07:53 | |
-Thank you very much. -Thank you. | 0:07:56 | 0:07:57 | |
Well, that's a very generous discount. | 0:07:57 | 0:08:00 | |
It works out at £110 for the stool and £60 for the cheeseboard. | 0:08:00 | 0:08:04 | |
Back with Anita and she's found something a little bit festive. | 0:08:04 | 0:08:08 | |
Another thing that I was looking at, which I thought was quite fun... | 0:08:08 | 0:08:12 | |
-Yes. -These old Christmas card printing blocks. -Yeah. | 0:08:12 | 0:08:15 | |
-I thought they were good. -They're really nice, aren't they? -Uh-huh. | 0:08:15 | 0:08:19 | |
What I kind of like about them is, although they're not old - | 0:08:19 | 0:08:23 | |
they're not Victorian, Edwardian | 0:08:23 | 0:08:25 | |
or even probably the first part of the 20th century - | 0:08:25 | 0:08:28 | |
-they're kind of soppy. -Yeah. | 0:08:28 | 0:08:30 | |
-You know, that kind of old-fashioned Merry Christmas type of thing. -Yeah. | 0:08:30 | 0:08:35 | |
And I think it's the type of thing | 0:08:35 | 0:08:37 | |
that people could have good fun with. | 0:08:37 | 0:08:39 | |
-Yeah. -You know, they could make their own vintage Christmas cards. | 0:08:39 | 0:08:43 | |
-Mmm-hmm. -Is there more printing stuff? -There's those as well, Anita. | 0:08:43 | 0:08:48 | |
-There. -Oh, right. -I think they're numbers as well. -Right. These are... | 0:08:48 | 0:08:52 | |
-These are numbers. -Mmm-hmm. -Oh, look, that's for money. -Yeah. | 0:08:53 | 0:08:58 | |
See all these together - who's going to want them except me? | 0:08:58 | 0:09:01 | |
THEY LAUGH | 0:09:01 | 0:09:03 | |
-Craft people. -Craft people. That's right, craft people. | 0:09:03 | 0:09:07 | |
Er... Are these throwaway dead...dead cheap? | 0:09:07 | 0:09:12 | |
The printing blocks are priced at £22. | 0:09:14 | 0:09:17 | |
-I'll do them at £20 for the lot. -For the lot? | 0:09:19 | 0:09:23 | |
-Could you do them all for a tenner? -Oh, Anita! | 0:09:23 | 0:09:27 | |
-ANITA LAUGHS -That is so hard. | 0:09:27 | 0:09:29 | |
They're just daft things but I like them. | 0:09:29 | 0:09:32 | |
I tell you what I'll do, I'll do them for £15. | 0:09:32 | 0:09:35 | |
-You'll do them for £15? -Yeah. -Let's go for it. -Yeah. | 0:09:35 | 0:09:38 | |
Another cracking buy, but there's still time for one more item. | 0:09:38 | 0:09:43 | |
Er, I think it's German. I think it probably is German. | 0:09:44 | 0:09:47 | |
Er, it has an Art Nouveau look about it. | 0:09:47 | 0:09:51 | |
-It's got a bit of a mixture of styles. -Yeah. | 0:09:51 | 0:09:54 | |
But I kind of like this crazy thing. | 0:09:54 | 0:09:55 | |
-It's almost like a crab or a sea creature or something. -Oh, yes. | 0:09:55 | 0:10:00 | |
And you've got these wee cherubs. | 0:10:00 | 0:10:03 | |
It's a continental Art Nouveau porcelain mantle clock | 0:10:03 | 0:10:06 | |
with a ticket price of £48. | 0:10:06 | 0:10:09 | |
-I don't like it. -Nor do I. | 0:10:09 | 0:10:11 | |
-Do you not? -I don't know why. -I do! | 0:10:11 | 0:10:14 | |
-I mean, how much do you not like it? -A lot! -A lot! -She's right. | 0:10:14 | 0:10:19 | |
No prizes in guessing where THIS conversation's going. | 0:10:19 | 0:10:22 | |
Why don't you give it a throwaway price, | 0:10:22 | 0:10:27 | |
-so that I can take this out of your life for ever. -Yeah, for ever. | 0:10:27 | 0:10:33 | |
It definitely won't be coming back? | 0:10:33 | 0:10:35 | |
It won't be coming back, it won't be coming back. | 0:10:35 | 0:10:37 | |
-I'm going to give you a one-off price... -A one-off price? | 0:10:37 | 0:10:42 | |
..today, which is a tenner. | 0:10:42 | 0:10:45 | |
-Wonderful! -YVONNE LAUGHS | 0:10:46 | 0:10:49 | |
Boys, you're coming home with me! | 0:10:49 | 0:10:51 | |
Well, they're going to the auction. Put it there. | 0:10:53 | 0:10:56 | |
-I've got three items and I'm delighted with them all. -Excellent. | 0:10:56 | 0:10:59 | |
I'm not surprised. | 0:10:59 | 0:11:01 | |
Anita's bought three cracking pieces for just £60. | 0:11:01 | 0:11:04 | |
David, meanwhile, has spotted something a bit unusual. | 0:11:07 | 0:11:10 | |
Right, what have we got in here of interest? What on earth is that? | 0:11:11 | 0:11:16 | |
-Can I dive in there? -You can. -Is that a...? -There you are. | 0:11:16 | 0:11:19 | |
-It's a cigarette lighter. -It's a what?! | 0:11:19 | 0:11:22 | |
-It's a what? -A cigarette lighter. -Oh, I see. | 0:11:23 | 0:11:26 | |
Why on earth do you make a bike...? It's a novelty cigarette lighter. | 0:11:26 | 0:11:29 | |
-Yeah. -Replica of a... | 0:11:29 | 0:11:32 | |
It reminds me of my ten-speed racer when I was a young boy. | 0:11:32 | 0:11:36 | |
Not long ago. Ticket price for this fun little piece is £25. | 0:11:36 | 0:11:39 | |
You've got wheels that turn, brakes that work... That's ridiculous! | 0:11:39 | 0:11:44 | |
A chain that... I can't believe that's a funct... | 0:11:44 | 0:11:48 | |
-You could get on that and ride off! -THEY LAUGH | 0:11:48 | 0:11:51 | |
Is that cheap? It's a fun thing. | 0:11:51 | 0:11:54 | |
-Yeah. -Is it cheap? -Yeah, it's cheap. | 0:11:54 | 0:11:56 | |
-Well, I think £20 and that is cheap for that. -£20? | 0:11:56 | 0:12:01 | |
-Will you take £15? -Yeah. | 0:12:01 | 0:12:04 | |
Thank you very much. Marvellous! Purchase number three. | 0:12:05 | 0:12:08 | |
-You're brilliant. -Marvellous indeed. | 0:12:08 | 0:12:10 | |
That's one shop down and three items in the bag for £185. | 0:12:10 | 0:12:15 | |
Anita is now travelling over 25 miles east | 0:12:17 | 0:12:20 | |
to the coastal town of Hartlepool. | 0:12:20 | 0:12:22 | |
In the 19th century, Hartlepool was an important ship-building port. | 0:12:22 | 0:12:26 | |
Sadly, this industry caused the town to be the target | 0:12:26 | 0:12:30 | |
of a horrific attack by the German navy | 0:12:30 | 0:12:32 | |
at the beginning of the First World War. | 0:12:32 | 0:12:35 | |
Anita is here to learn more | 0:12:35 | 0:12:37 | |
about this momentous day from curator Mark. | 0:12:37 | 0:12:40 | |
Do you know, it's so peaceful here today, | 0:12:40 | 0:12:43 | |
but I believe at the beginning of the First World War, | 0:12:43 | 0:12:47 | |
really a lot happened. | 0:12:47 | 0:12:49 | |
Yeah, if you were standing here 100 years ago, | 0:12:49 | 0:12:52 | |
all hell was breaking loose around you, | 0:12:52 | 0:12:54 | |
as shells from three German warships | 0:12:54 | 0:12:57 | |
bombarded the town of Hartlepool and West Hartlepool. | 0:12:57 | 0:13:00 | |
On 16th December, 1914, | 0:13:00 | 0:13:03 | |
the war, that was seemingly being fought hundreds of miles away, | 0:13:03 | 0:13:07 | |
came to the doorsteps of the working-class people of Hartlepool. | 0:13:07 | 0:13:11 | |
This shock attack was the first of its kind on British soil | 0:13:11 | 0:13:15 | |
and claimed the lives of 130 people. | 0:13:15 | 0:13:19 | |
Over 500 more were injured. Wow. | 0:13:19 | 0:13:22 | |
Local people had absolutely no idea. | 0:13:22 | 0:13:25 | |
They're sitting eating their breakfast in the houses behind us, | 0:13:25 | 0:13:28 | |
going to school, getting ready to go to work | 0:13:28 | 0:13:31 | |
and then, suddenly, the shells start coming | 0:13:31 | 0:13:34 | |
and the sound of thunder out to sea. | 0:13:34 | 0:13:37 | |
Huge German 11-inch shells start falling on the town in huge numbers. | 0:13:37 | 0:13:40 | |
-Something like 1,500 shells in about 40 minutes. -Out there? | 0:13:40 | 0:13:46 | |
Yes, from just behind us here, out in the sea here, | 0:13:46 | 0:13:50 | |
coming in from the mist. | 0:13:50 | 0:13:52 | |
No public warnings of the attack came until it was too late. | 0:13:52 | 0:13:56 | |
The few Royal Navy ships from Hartlepool responded to the attack, | 0:13:56 | 0:14:00 | |
but were vastly outnumbered. | 0:14:00 | 0:14:02 | |
By the time more help arrived, the Germans had scooted. | 0:14:02 | 0:14:06 | |
Scarborough and Whitby were also hit | 0:14:06 | 0:14:09 | |
but Hartlepool suffered the most damage. | 0:14:09 | 0:14:11 | |
Inside Hartlepool Maritime Museum, Mark has some interesting artefacts, | 0:14:11 | 0:14:16 | |
including some shrapnel from the attack, to show Anita. | 0:14:16 | 0:14:19 | |
These are travelling at hundreds and hundreds of miles an hour - | 0:14:19 | 0:14:22 | |
in some cases, faster than the speed of sound. | 0:14:22 | 0:14:25 | |
So you can imagine, when the shells are exploding, there's no warning | 0:14:25 | 0:14:30 | |
and it just takes a building and turns it into matchsticks. | 0:14:30 | 0:14:33 | |
The devastation at the time was unimaginable, | 0:14:36 | 0:14:38 | |
as people's everyday lives were suddenly turned upside down | 0:14:38 | 0:14:41 | |
by the onslaught. | 0:14:41 | 0:14:43 | |
So, this is the bombardment clock from Collingwood Road, | 0:14:43 | 0:14:49 | |
where a family hear the shells... | 0:14:49 | 0:14:52 | |
The shells are coming down, so they run out into the street | 0:14:52 | 0:14:55 | |
and a shell hits the back of their house and completely demolishes it. | 0:14:55 | 0:14:58 | |
The family discover the shrapnel-riddled alarm clock | 0:14:59 | 0:15:03 | |
in the rubble of the house. | 0:15:03 | 0:15:04 | |
It had stopped at the exact time the bombardment started. | 0:15:04 | 0:15:07 | |
But look closely. Where's the alarm clock made? | 0:15:07 | 0:15:10 | |
-"Made in Germany." Oh! -It's a German import. | 0:15:10 | 0:15:13 | |
It sounds like a day out of hell. | 0:15:17 | 0:15:19 | |
But tell me about the ordinary man, the ordinary woman, | 0:15:19 | 0:15:22 | |
the ordinary family on that terrible morning. | 0:15:22 | 0:15:24 | |
People thought that the Germans were invading | 0:15:24 | 0:15:28 | |
and went either to find out what was going on or went to try to get help. | 0:15:28 | 0:15:33 | |
A lot of the people who were killed and wounded | 0:15:33 | 0:15:36 | |
were injured by shells exploding, | 0:15:36 | 0:15:38 | |
hitting the streets and being outside. | 0:15:38 | 0:15:41 | |
People panicked | 0:15:41 | 0:15:43 | |
and collected their families and their worldly possessions | 0:15:43 | 0:15:46 | |
and tried to run off into the countryside. | 0:15:46 | 0:15:48 | |
These were the first German attacks of this magnitude to strike the UK | 0:15:48 | 0:15:52 | |
and, as such, resulted in the first civilian and military casualties | 0:15:52 | 0:15:57 | |
of the First World war on British soil. | 0:15:57 | 0:16:00 | |
Mark, you have painted me a terrifying picture | 0:16:00 | 0:16:05 | |
of what happened to Hartlepool on that fateful morning. | 0:16:05 | 0:16:09 | |
But what effect did it have on the people of Hartlepool? | 0:16:09 | 0:16:13 | |
Anger and fear to start with. | 0:16:13 | 0:16:17 | |
And then they turned their anger over | 0:16:17 | 0:16:20 | |
into wanting to do something about it. What do you do? | 0:16:20 | 0:16:25 | |
So, you join the army, you go to work in the munitions factories, | 0:16:25 | 0:16:29 | |
making shells in buildings like the one we're standing in now. | 0:16:29 | 0:16:33 | |
The events of that day changed the lives | 0:16:33 | 0:16:35 | |
of the people of Hartlepool forever. | 0:16:35 | 0:16:37 | |
Ultimately, though, the community rallied together. | 0:16:37 | 0:16:40 | |
22,000 people volunteered for the armed forces. | 0:16:40 | 0:16:44 | |
Even more impressive, they raised the modern equivalent | 0:16:44 | 0:16:47 | |
of over half a billion pounds for the war effort - | 0:16:47 | 0:16:50 | |
an incredible figure for such a small working-class community. | 0:16:50 | 0:16:54 | |
Over 800 buildings were damaged during the attack | 0:16:54 | 0:16:57 | |
and it took over a decade to restore Hartlepool to its former glory. | 0:16:57 | 0:17:01 | |
David is now heading south to Darlington, | 0:17:03 | 0:17:06 | |
a town said to be the birthplace | 0:17:06 | 0:17:08 | |
of the world's first public steam-powered railway. | 0:17:08 | 0:17:11 | |
He's hot to shop, with just over £200 to spend. | 0:17:13 | 0:17:16 | |
-Hello, Tony. -Hello. | 0:17:16 | 0:17:19 | |
-Good to see you. -And again. | 0:17:19 | 0:17:20 | |
Very good to see you. I'm loving those glasses! | 0:17:20 | 0:17:23 | |
After a quick mooch downstairs, | 0:17:26 | 0:17:29 | |
Tony's got an item he thinks David will like the look of upstairs. | 0:17:29 | 0:17:33 | |
-Now then. It's a little bit industrial here. -Oh. | 0:17:33 | 0:17:37 | |
-Um, be careful, it's fairly heavy. -Oh, yeah. | 0:17:37 | 0:17:41 | |
And watch those trousers as well. | 0:17:41 | 0:17:43 | |
Why, what's it going to do? Grab them? | 0:17:43 | 0:17:46 | |
-It'll be fairly rusty. -OK. | 0:17:46 | 0:17:48 | |
It's an early 20th-century cast-iron hay grabber | 0:17:48 | 0:17:51 | |
and, more importantly for David, a good chunk of metal. | 0:17:51 | 0:17:55 | |
Oh, there's the mechanism. There's your gear thing, switch that. | 0:17:55 | 0:17:59 | |
-Yeah, that's it. -Oh, I see, I see. So, that goes onto the hay? -Yeah. | 0:17:59 | 0:18:04 | |
-It grabs it... -Grabs it. -Locks in... -Locks in. | 0:18:04 | 0:18:07 | |
-And then lifts the hay bale. -That's right. | 0:18:07 | 0:18:10 | |
And that's your support there, all for your chains | 0:18:10 | 0:18:14 | |
and the thing just goes up, away and then down again... | 0:18:14 | 0:18:18 | |
I hope you followed that. | 0:18:19 | 0:18:21 | |
Now, I remember... You'll remember this. | 0:18:23 | 0:18:25 | |
-In 1895, when we used to work in the fields... -Yes. | 0:18:25 | 0:18:28 | |
..doing these by hand. | 0:18:28 | 0:18:30 | |
-Do you remember them, Tony, those days? -David, I do, yes. | 0:18:30 | 0:18:33 | |
You must remember, I put the first coat of primer on the Ark. | 0:18:33 | 0:18:37 | |
THEY LAUGH | 0:18:37 | 0:18:41 | |
Just like watching The Two Ronnies, isn't it? | 0:18:41 | 0:18:44 | |
I mean, it is fabulous and do you know what, Tony? | 0:18:44 | 0:18:49 | |
-I am desperate to buy it if it's cheap. -I tell you what we'll do... | 0:18:49 | 0:18:53 | |
A tenner. £10. | 0:18:55 | 0:18:57 | |
10 quid. Thank you very much. That is not worth negotiating over. | 0:18:59 | 0:19:03 | |
That's a bargain and Anita Manning is going to be so jealous | 0:19:03 | 0:19:08 | |
because she loves all my bits of any old iron. | 0:19:08 | 0:19:12 | |
He sure spent big earlier, | 0:19:12 | 0:19:14 | |
but this last £10-buy marks the end of the first day's shopping. | 0:19:14 | 0:19:18 | |
Time for some much-needed shuteye for our dazzling duo. Night-night. | 0:19:20 | 0:19:25 | |
MUSIC: I Do Like To Be Beside The Seaside | 0:19:28 | 0:19:31 | |
A new day has dawned and today, | 0:19:31 | 0:19:33 | |
they're starting out beside the seaside. | 0:19:33 | 0:19:36 | |
David, isn't that wonderful? Look at the sea, the wonderful North Sea. | 0:19:37 | 0:19:42 | |
And we're in Whitby, one of the most delightful little seaside towns | 0:19:42 | 0:19:46 | |
-in the north of England. -It's gorgeous. | 0:19:46 | 0:19:48 | |
And I'm so excited, I want to swim in the sea. | 0:19:48 | 0:19:52 | |
Hmm, look out. You'd regret THAT pretty quickly. | 0:19:52 | 0:19:55 | |
Yesterday, big kid Anita bought some printing blocks, | 0:19:56 | 0:20:00 | |
a cut-glass crystal scent bottle with silver embossed top | 0:20:00 | 0:20:04 | |
and an Art Nouveau mantle clock. | 0:20:04 | 0:20:07 | |
Today, she has £258.65 left to spend. | 0:20:07 | 0:20:11 | |
David's spent a big chunk of his money buying four items - | 0:20:11 | 0:20:16 | |
a Mouseman cheeseboard and milking stool, | 0:20:16 | 0:20:19 | |
a novelty racing bike lighter and an early 20th-century hay grabber, | 0:20:19 | 0:20:23 | |
leaving him with just over £190 for today's shopping. | 0:20:23 | 0:20:27 | |
Anita and David have travelled to the seaside town of Whitby, | 0:20:29 | 0:20:32 | |
a place that has a long history of maritime importance. | 0:20:32 | 0:20:35 | |
It was here that explorer Captain Cook learned seamanship. | 0:20:35 | 0:20:39 | |
-There you go, madam. -There we are, down there. | 0:20:42 | 0:20:46 | |
-Delivered right to the door, just about. -Ah. | 0:20:46 | 0:20:49 | |
-Well, you're keen to get out. -Yeah. | 0:20:49 | 0:20:51 | |
You almost flung yourself out the door! | 0:20:51 | 0:20:53 | |
Is it the effect I have on women or something? | 0:20:53 | 0:20:55 | |
-I'm looking forward to shopping. -Yeah, bye. -Bye. | 0:20:55 | 0:20:59 | |
And so she should be, as her first shop of the day is The Bazaar, | 0:20:59 | 0:21:03 | |
packed full of interesting artefacts to get excited over. | 0:21:03 | 0:21:07 | |
There to help her is dealer Frank. | 0:21:11 | 0:21:13 | |
Frank, could I ask you about this little tea set | 0:21:13 | 0:21:19 | |
or party set over here? | 0:21:19 | 0:21:21 | |
-Oh, that, yes. -I quite like that. | 0:21:22 | 0:21:25 | |
It's part of a tea set, Royal Crown Derby, | 0:21:25 | 0:21:29 | |
-in that wonderful imari pattern. -Yes. | 0:21:29 | 0:21:33 | |
And this imari pattern is taken from the oriental, | 0:21:33 | 0:21:36 | |
with these wonderful...the blues, | 0:21:36 | 0:21:39 | |
the rust-reds and golds and I like that. | 0:21:39 | 0:21:42 | |
There seem to be some flaws though. | 0:21:44 | 0:21:46 | |
I think that this is probably unassociated with it. | 0:21:47 | 0:21:51 | |
-What, the plate? -The plate, yeah. -Yeah, that's... | 0:21:51 | 0:21:54 | |
It's a different mark, so it's been brought... | 0:21:54 | 0:21:56 | |
-Bits have been brought together. -Yes. -Uh-huh. And we've got a damage. | 0:21:56 | 0:22:00 | |
-Damage? -Or a repair. -Are you sure? -Uh-huh, I think that's a repair. | 0:22:01 | 0:22:05 | |
Oh, yeah, that's a repair, yeah. I didn't notice that. | 0:22:05 | 0:22:08 | |
-Has that been there for a long time? -Er, I shouldn't say, but it has. -Oh. | 0:22:08 | 0:22:12 | |
THEY LAUGH | 0:22:12 | 0:22:15 | |
The item is priced at £150. | 0:22:15 | 0:22:18 | |
So, what was you thinking of offering? | 0:22:18 | 0:22:21 | |
-I'd be looking for round about £50. -Pounds. | 0:22:21 | 0:22:25 | |
I tell you what. I could have a deal. | 0:22:26 | 0:22:29 | |
How about £70? Would that be any good? | 0:22:29 | 0:22:31 | |
-£70? -Yeah. -Could you come to maybe £60 on it? | 0:22:31 | 0:22:35 | |
-Is that possible? -Well, it's been here for a...for a long time, so... | 0:22:36 | 0:22:39 | |
Has it been here for a long time? | 0:22:39 | 0:22:41 | |
-It's a long time, yeah, so I'll have a deal with you. £60. -At £60? -Yeah. | 0:22:41 | 0:22:46 | |
-That's wonderful. Thank you very much. -OK. | 0:22:46 | 0:22:49 | |
-That's wonderful, thank you. -That's an amazing discount. | 0:22:49 | 0:22:52 | |
So, for £60, Anita is now the proud owner of a Derby part-tea set. | 0:22:52 | 0:22:58 | |
David is also in Whitby, where the notoriously dangerous coastline | 0:22:58 | 0:23:02 | |
saw one of the biggest shipping disasters | 0:23:02 | 0:23:05 | |
in the history of the Royal National Lifeboat Institution. | 0:23:05 | 0:23:08 | |
This even went on to prompt a rethink | 0:23:08 | 0:23:12 | |
on how the RNLI functioned in UK waters. | 0:23:12 | 0:23:16 | |
He's visiting the Whitby Lifeboat Museum | 0:23:16 | 0:23:18 | |
to learn more about that fateful day | 0:23:18 | 0:23:21 | |
from curator and retired coxswain Pete Thomson. | 0:23:21 | 0:23:24 | |
That's a fine model of a ship, Pete. What are we looking at? | 0:23:24 | 0:23:27 | |
This is the famous Rohilla. | 0:23:27 | 0:23:29 | |
She was a hospital ship with 229 people on board. | 0:23:29 | 0:23:33 | |
It was bound for Dunkirk to pick up wounded soldiers, | 0:23:33 | 0:23:37 | |
basically from the front in the First World War. | 0:23:37 | 0:23:40 | |
The people on board were mostly medical staff and the ship's crew. | 0:23:41 | 0:23:45 | |
Sadly, though, the Rohilla never made its final destination, | 0:23:45 | 0:23:50 | |
as, struck by a huge storm, it was swept off course. | 0:23:50 | 0:23:53 | |
As a result of the German naval attack | 0:23:55 | 0:23:57 | |
that Anita learned about yesterday, there was a coastal blackout | 0:23:57 | 0:24:01 | |
and the ship ran onto a mile-long rock known as the Whitby Scar. | 0:24:01 | 0:24:07 | |
The impact split the vessel into three parts. | 0:24:07 | 0:24:10 | |
That would be the first notification that there was a ship ashore | 0:24:11 | 0:24:16 | |
and that's the way the rest of the town would find out. | 0:24:16 | 0:24:19 | |
The dangerous state of the seas | 0:24:19 | 0:24:20 | |
meant that the lifeboat couldn't leave from its normal launch site, | 0:24:20 | 0:24:25 | |
so the volunteer crews had to move the boat | 0:24:25 | 0:24:28 | |
to a safer location position opposite the wreck. | 0:24:28 | 0:24:31 | |
This involved lifting the lifeboat over an eight-foot wall | 0:24:31 | 0:24:35 | |
and then carrying it another quarter of a mile. | 0:24:35 | 0:24:37 | |
She was dragged by several hundred people. | 0:24:40 | 0:24:44 | |
It was damaged in the process of this, | 0:24:44 | 0:24:48 | |
so it was damaged before it actually left the shore. | 0:24:48 | 0:24:52 | |
Those waters must have been absolutely hell on Earth. | 0:24:53 | 0:24:57 | |
I would imagine surf running in from the Rohilla | 0:24:57 | 0:24:59 | |
would be anything like 12, 15 foot high, | 0:24:59 | 0:25:02 | |
so this little boat trying to get out through these huge breakers | 0:25:02 | 0:25:07 | |
to get alongside and rescue them | 0:25:07 | 0:25:09 | |
must have been a fantastic feat in itself. | 0:25:09 | 0:25:12 | |
It took off the first 17 people and landed them back through the waves. | 0:25:12 | 0:25:19 | |
Into the surf for a second time, and a further 18 people were rescued. | 0:25:19 | 0:25:24 | |
When she got back from that trip, after hitting the rocks, | 0:25:24 | 0:25:27 | |
it was so badly damaged that it had to be abandoned | 0:25:27 | 0:25:31 | |
and that's where we had to call for help from further stations. | 0:25:31 | 0:25:34 | |
Three other lifeboats from neighbouring towns - | 0:25:35 | 0:25:38 | |
one motorised - tried and failed to help. | 0:25:38 | 0:25:42 | |
And were people stuck on the boat? Were they in the water? | 0:25:42 | 0:25:45 | |
What was happening? | 0:25:45 | 0:25:46 | |
No, the survivors would be mustered in around the wheelhouse. | 0:25:46 | 0:25:52 | |
People were seen by the crowds on the cliff to be jumping into the sea | 0:25:52 | 0:25:56 | |
and trying to swim for it. | 0:25:56 | 0:25:57 | |
A lot were saved by Whitby people on the Scar itself, | 0:25:57 | 0:26:02 | |
wading into the water and pulling them out. Many, many died. | 0:26:02 | 0:26:06 | |
In desperation, they just jumped over into the water and that was it. | 0:26:08 | 0:26:12 | |
Time was running out for the passengers. | 0:26:12 | 0:26:15 | |
They were now entering their third day stranded | 0:26:15 | 0:26:18 | |
and the storm was showing no signs of abating. | 0:26:18 | 0:26:22 | |
Finally, a lifeboat from over 50 miles to the north | 0:26:22 | 0:26:25 | |
-was called upon to assist. -And what happened next? | 0:26:25 | 0:26:28 | |
The final thing was to try and get a motor lifeboat down from the Tyne. | 0:26:28 | 0:26:32 | |
And they decided to sail through the night | 0:26:32 | 0:26:36 | |
the 50-odd mile from the Tyne mouth down to Whitby, | 0:26:36 | 0:26:40 | |
which they did through the full storm and everything went well. | 0:26:40 | 0:26:44 | |
They took our second coxswain and he then acted as pilot. | 0:26:44 | 0:26:49 | |
They went out through the storm, round to the wreck | 0:26:49 | 0:26:53 | |
and managed to get the last 50 survivors. | 0:26:53 | 0:26:56 | |
Until now, motorised lifeboats | 0:26:56 | 0:26:58 | |
were in the very early stages of development | 0:26:58 | 0:27:01 | |
-and were few and far between. -On this occasion, | 0:27:01 | 0:27:04 | |
when everything failed with the rowing lifeboat | 0:27:04 | 0:27:08 | |
and, of course, the motor one succeeded, | 0:27:08 | 0:27:12 | |
then the RNLI quite rightly said, | 0:27:12 | 0:27:14 | |
"Now is the time to put a motor lifeboat in Whitby." | 0:27:14 | 0:27:16 | |
So, the disaster then was a catalyst for change. | 0:27:16 | 0:27:19 | |
It was, and a big step, | 0:27:19 | 0:27:21 | |
and the RNLI realised, and so did lifeboat men, | 0:27:21 | 0:27:24 | |
that oars were no longer the ideal way for saving life. | 0:27:24 | 0:27:29 | |
Many interesting artefacts were found at the time of the wreck | 0:27:29 | 0:27:32 | |
but perhaps the most fascinating was discovered in 2014 - | 0:27:32 | 0:27:36 | |
a trunk belonging to Mary Roberts, | 0:27:36 | 0:27:38 | |
the only female stewardess on the Rohilla. | 0:27:38 | 0:27:41 | |
She was no stranger to shipping disasters, | 0:27:41 | 0:27:44 | |
having also survived the most famous shipwreck of all time - the Titanic. | 0:27:44 | 0:27:50 | |
That's fantastic. | 0:27:50 | 0:27:52 | |
So, 100 years, certainly to the year, the trunk comes back. | 0:27:52 | 0:27:56 | |
-What a coincidence. -I don't know whether Mary was lucky or unlucky. | 0:27:56 | 0:28:01 | |
What are your thoughts? | 0:28:01 | 0:28:02 | |
Well, she has been known to have said that, of the two disasters, | 0:28:02 | 0:28:06 | |
the Rohilla was the worst to experience | 0:28:06 | 0:28:09 | |
because of the severity of the weather. | 0:28:09 | 0:28:12 | |
Titanic was huge but it was flat calm. | 0:28:12 | 0:28:15 | |
So, her experience of the Rohilla certainly stuck with her. | 0:28:15 | 0:28:19 | |
2014 marked the centenary of Rohilla's fateful journey, | 0:28:20 | 0:28:24 | |
but the memory of that traumatic day | 0:28:24 | 0:28:26 | |
and the courage of the people of Whitby | 0:28:26 | 0:28:29 | |
and its surrounding towns lives on. | 0:28:29 | 0:28:31 | |
84 people died on that ship, but over the course of three days, | 0:28:31 | 0:28:36 | |
against all the odds, the RNLI managed to save 145 souls | 0:28:36 | 0:28:41 | |
and their bravery was rewarded with the gold medal | 0:28:41 | 0:28:44 | |
of the Royal National Lifeboat Institute, | 0:28:44 | 0:28:46 | |
the highest honour of its kind. | 0:28:46 | 0:28:48 | |
Anita is on her way, 20 miles down the coast, | 0:28:51 | 0:28:53 | |
to another popular seaside resort, Scarborough. | 0:28:53 | 0:28:56 | |
She's got just under £200 to spend | 0:28:56 | 0:28:58 | |
at Scarborough Antique and Collectors Centre. There she goes. | 0:28:58 | 0:29:01 | |
-Hi. I'm Anita. -Pleased to meet you. I'm Matt. | 0:29:01 | 0:29:05 | |
Lovely. Lovely to be here. | 0:29:05 | 0:29:07 | |
The shop is brimming with Anita's Achilles heel - jewellery. | 0:29:07 | 0:29:12 | |
This may take some time. | 0:29:12 | 0:29:14 | |
Is this the bargain box? | 0:29:14 | 0:29:16 | |
Yeah, I suppose that's where we've put a lot of the reduced ones, yeah. | 0:29:16 | 0:29:20 | |
Yeah, like music to your ears, eh, Anita? | 0:29:20 | 0:29:22 | |
The brooches, silver and gold, | 0:29:22 | 0:29:25 | |
-aren't worn as much as they used to be, so... -Yeah. | 0:29:25 | 0:29:28 | |
-When they do come in, we'd rather not scrap them. -I know, I know. | 0:29:28 | 0:29:33 | |
-Nice wee lot, here, of four. -Yeah. | 0:29:33 | 0:29:37 | |
We've got the little blister pearl here and I like those. | 0:29:37 | 0:29:41 | |
We've got this, it's a blue... | 0:29:41 | 0:29:43 | |
-It's not a sapphire. I think it's just a blue gemstone here. -Right. | 0:29:43 | 0:29:47 | |
Little gold one with the flower... | 0:29:47 | 0:29:50 | |
..and this pearlized stone here. | 0:29:52 | 0:29:55 | |
-Four of them, all nine-carat gold, in the bargain basement box. -Yeah. | 0:29:55 | 0:30:01 | |
The combined ticket price for the four brooches is £80. | 0:30:01 | 0:30:05 | |
I'd be looking to pay... | 0:30:07 | 0:30:09 | |
..£35-40 as a wee group, taking all four of them, | 0:30:10 | 0:30:15 | |
-so it's a kind of quick sale on four. -Right, I see. | 0:30:15 | 0:30:18 | |
-Um... -Yeah... -Tell me how you feel about that. -Right. | 0:30:18 | 0:30:22 | |
I mean, they're already in the bargain basement | 0:30:22 | 0:30:25 | |
and I'm a bit of a tight Yorkshireman... | 0:30:25 | 0:30:27 | |
Oh, hello, Yorkshire pot, meet Scottish kettle. | 0:30:27 | 0:30:31 | |
-I could do them for £50, Anita. -£50? Could you take it to £40? | 0:30:31 | 0:30:36 | |
-Could you take it to £40? -I...I think I could do £45 for you. | 0:30:36 | 0:30:41 | |
You could do £45 on that? I think I'll go for that. That's lovely. | 0:30:41 | 0:30:44 | |
-Thank you very much. -Thank you very much, Matt, that's wonderful. | 0:30:44 | 0:30:47 | |
And with that, Anita has bought her final lot. | 0:30:47 | 0:30:51 | |
David has travelled inland to the village of Sleights | 0:30:56 | 0:30:59 | |
in the Esk Valley. | 0:30:59 | 0:31:00 | |
He's visiting Eskdale Antiques, where he's meeting owner Philip. | 0:31:00 | 0:31:05 | |
He's still got just over £190 left to spend | 0:31:05 | 0:31:08 | |
and a whole host of interesting objects to choose here. | 0:31:08 | 0:31:11 | |
Hmm. | 0:31:16 | 0:31:18 | |
Little papier-mache 19th-century snuffbox here. | 0:31:19 | 0:31:22 | |
Now, these things can be very ordinary, can't they, | 0:31:24 | 0:31:26 | |
-and bought for a few pounds? -Sorry, who are you talking to, David? | 0:31:26 | 0:31:32 | |
But I love this because of the doggy on there. | 0:31:32 | 0:31:34 | |
What's all this about? What do you know about this one? | 0:31:34 | 0:31:36 | |
Ah, Philip, hello! | 0:31:36 | 0:31:38 | |
Nice little scene on the front - dog carrying its prey back, I think. | 0:31:38 | 0:31:41 | |
Yeah, rabbit there, "To be delivered immediately" to its master. | 0:31:41 | 0:31:46 | |
I love snuffboxes and I love the story behind snuff. | 0:31:46 | 0:31:51 | |
In the 17th century, it was astonishingly expensive | 0:31:51 | 0:31:54 | |
and people would have urns of snuff | 0:31:54 | 0:31:56 | |
worth the equivalent of thousands of pounds and rooms locked, | 0:31:56 | 0:32:01 | |
-didn't they, so people couldn't pinch the snuff? -Right. | 0:32:01 | 0:32:04 | |
It's priced at £45. | 0:32:04 | 0:32:07 | |
-OK, what's the trade on that? -Um, I can do £25 on that. -£25. | 0:32:08 | 0:32:14 | |
Can we go £20? | 0:32:15 | 0:32:16 | |
-Yeah, we can do £20. -Shall we do it? -That's fair, yeah. -Phil, thank you. | 0:32:17 | 0:32:22 | |
So, for £20, David has bought a 19th-century snuffbox, | 0:32:22 | 0:32:25 | |
making his total spend on this leg just £215. | 0:32:25 | 0:32:30 | |
His other purchases are a Mouseman cheeseboard and milking stool, | 0:32:30 | 0:32:34 | |
a vintage racing bike lighter | 0:32:34 | 0:32:36 | |
and a 20th-century cast-iron hay grabber - as you do. | 0:32:36 | 0:32:40 | |
Anita has spent £165. | 0:32:40 | 0:32:43 | |
She bought some assorted printing blocks, | 0:32:43 | 0:32:46 | |
a cut-crystal scent bottle, | 0:32:46 | 0:32:48 | |
an Art Nouveau porcelain clock, | 0:32:48 | 0:32:50 | |
a late 19th-century Derby part-tea set and four gold brooches. | 0:32:50 | 0:32:55 | |
Their shopping is complete | 0:32:57 | 0:32:58 | |
but what do they think of each other's purchases? | 0:32:58 | 0:33:02 | |
The little bar brooches - they're not my cup of tea | 0:33:02 | 0:33:04 | |
but she knows these things inside out. £45 purchase price. | 0:33:04 | 0:33:09 | |
There's gold in there. I think she'll do pretty well. | 0:33:09 | 0:33:13 | |
I love David's Mouseman items. | 0:33:13 | 0:33:16 | |
The little cheeseboard is a sweetie | 0:33:16 | 0:33:20 | |
and the stool - isn't that such a delight? | 0:33:20 | 0:33:24 | |
Our jubilant duo are heading over 70 miles north | 0:33:27 | 0:33:30 | |
to an auction in Newcastle. | 0:33:30 | 0:33:32 | |
Well, David, we're in sunny Newcastle. | 0:33:32 | 0:33:34 | |
-As we travel north... -It gets warmer. | 0:33:34 | 0:33:37 | |
-..the clouds are parting, the sun is shining. -Yes. | 0:33:37 | 0:33:41 | |
-By the time we get to Scotland... -We'll be in our swimwear! | 0:33:41 | 0:33:45 | |
-I'm hoping. -THEY LAUGH | 0:33:45 | 0:33:47 | |
Oh, Lordy! Well, if ever there was a reason to stay south of the border... | 0:33:47 | 0:33:52 | |
Good luck. | 0:33:53 | 0:33:54 | |
There we go. And you can leap out...now. | 0:33:55 | 0:34:00 | |
OK. Well done, David, well done. | 0:34:00 | 0:34:02 | |
Our action today is taking place at Thomas Miller Auctioneers | 0:34:02 | 0:34:07 | |
and wielding the all-important gavel this morning is Guy Macklam. | 0:34:07 | 0:34:11 | |
I think the Mouseman items obviously stand out. They're always popular. | 0:34:11 | 0:34:16 | |
You never struggle to do well | 0:34:16 | 0:34:17 | |
with Mouseman furniture and collectables and things like that. | 0:34:17 | 0:34:20 | |
Derby, synonymous with super quality, | 0:34:20 | 0:34:23 | |
but I have to say, tea sets, dinner sets, | 0:34:23 | 0:34:26 | |
even good quality, are not making a lot of money now, | 0:34:26 | 0:34:29 | |
so you're probably looking at less than £50 for that lot, I'd think. | 0:34:29 | 0:34:32 | |
The auction's about to commence. Those two are unusually silent. | 0:34:32 | 0:34:37 | |
-Could it be jitters? -Are you nervous? -I am nervous. -Good, I like that. | 0:34:37 | 0:34:42 | |
-You like that? -Yeah. | 0:34:42 | 0:34:44 | |
First up, David's 19th-century snuffbox. | 0:34:46 | 0:34:49 | |
20 is bid for it. Any advance on 20? | 0:34:49 | 0:34:51 | |
-Come on. -30. 35. 40. 45. -Yes, good boy! | 0:34:51 | 0:34:56 | |
At £45. Down here, £50. | 0:34:56 | 0:34:59 | |
At £50. To the lady at £50. | 0:34:59 | 0:35:01 | |
Looking for some more here. At £50, all done. | 0:35:01 | 0:35:03 | |
-All finished at £50. -GAVEL BANGS | 0:35:03 | 0:35:05 | |
-That's good. That's good. -Good start. | 0:35:05 | 0:35:08 | |
-Are you happy? -No. Not yet. | 0:35:08 | 0:35:12 | |
You should be. 150% profit. It's a great start! | 0:35:12 | 0:35:16 | |
Next, it's Anita's numerical printing and greeting card blocks. | 0:35:18 | 0:35:23 | |
-Here we go. Keep your fingers crossed. -I will. | 0:35:23 | 0:35:25 | |
I'm bid £10. Madam, thank you. Any advance on £10? | 0:35:25 | 0:35:28 | |
Go down the King's Road, wouldn't buy you a block. | 0:35:28 | 0:35:30 | |
12 bid. 15. Oh, come along. 15 offered. | 0:35:30 | 0:35:33 | |
Right in front of me. Selling at 15. | 0:35:33 | 0:35:35 | |
-Oh. -It's yours, madam, at £15. All done. Are we quite sure? | 0:35:35 | 0:35:38 | |
Wouldn't buy you a block, I'm telling you. 15, right in front. | 0:35:38 | 0:35:41 | |
-Going at £15, all done. -GAVEL BANGS | 0:35:41 | 0:35:43 | |
Not a bad result. | 0:35:43 | 0:35:44 | |
Time for David's cast-iron hay grabber. | 0:35:47 | 0:35:50 | |
-Amway, let's go to the scrap dealer. -£10 for it or are we going to pass? | 0:35:50 | 0:35:54 | |
-Oh, we've got it. 10 bid. -£10? That's... -Come on! | 0:35:54 | 0:35:58 | |
At 10 at the back of the room, sir. Your money and it's away. | 0:35:58 | 0:36:01 | |
-All finished at 10. -Oh! -Back of the room, an offer at 10. | 0:36:01 | 0:36:03 | |
All finished at £10. Selling at £10. | 0:36:03 | 0:36:05 | |
-I can't believe it! -I can. -GAVEL BANGS | 0:36:05 | 0:36:08 | |
-They've got no style. -THEY LAUGH | 0:36:08 | 0:36:12 | |
So, a loss after auction costs and no sympathy from Anita. | 0:36:13 | 0:36:17 | |
-I loved you for buying that... -Thank you. -..piece of rubbish. | 0:36:18 | 0:36:21 | |
THEY LAUGH | 0:36:21 | 0:36:23 | |
Charming. Time, if you pardon the pun, | 0:36:24 | 0:36:27 | |
for Anita's Art Nouveau mantle clock. | 0:36:27 | 0:36:30 | |
10 is bid. Any advance on only 10? | 0:36:30 | 0:36:33 | |
12, 15, 17, 20. | 0:36:33 | 0:36:35 | |
-Come on! -Ooh... -At £20. Any advance at £20 for the lot? | 0:36:35 | 0:36:40 | |
Selling at £20. Right-hand side, at £20. | 0:36:40 | 0:36:43 | |
Are we finished? Think we are. Selling at 20. At 22. Not quite. | 0:36:43 | 0:36:46 | |
-Yes! -Oh! -At 25 on the right, standing at 25. You're out, madam. | 0:36:46 | 0:36:50 | |
-I've got 25. 27. -Yes! -Hello. -27 seated. All finished at 27. | 0:36:50 | 0:36:55 | |
-All done. Sell for £27. -GAVEL BANGS | 0:36:55 | 0:36:58 | |
-Oh, well done. Well done. -Well done, indeed. | 0:36:58 | 0:37:01 | |
That's a decent profit. | 0:37:01 | 0:37:04 | |
David's Mouseman pieces have received all sorts of praise | 0:37:04 | 0:37:08 | |
-but how will his cheeseboard fare this morning? -Is your heart beating? | 0:37:08 | 0:37:13 | |
10 bid. 15, 20, 25. At £25. Any advance on £25? | 0:37:13 | 0:37:18 | |
-30, 35, 40, 45... -Come on, come on. | 0:37:18 | 0:37:22 | |
£45 against you, sir. It's got to go. | 0:37:22 | 0:37:26 | |
50 bid. At £50. | 0:37:26 | 0:37:27 | |
Looking for another 5. At 50 at the back then. Selling at 50. | 0:37:27 | 0:37:30 | |
-55. -Yes, good, good, good. | 0:37:30 | 0:37:34 | |
55 at the back. 60. | 0:37:34 | 0:37:36 | |
And again, sir. At 65. | 0:37:36 | 0:37:38 | |
-At 65. -Not climbing there. -Hammer's up. At £65. | 0:37:38 | 0:37:43 | |
-No! -GAVEL BANGS | 0:37:43 | 0:37:44 | |
-Ooh. -Oh! -£65. | 0:37:44 | 0:37:46 | |
It's still a profit for David, but less than expected. | 0:37:48 | 0:37:51 | |
Next, Anita's cut-glass scent bottle with the silver embossed top. | 0:37:53 | 0:37:58 | |
20 is bid. Any advance at 20? | 0:38:00 | 0:38:02 | |
-25, 30, 35. -Oh. | 0:38:02 | 0:38:05 | |
40, 45, 50. | 0:38:05 | 0:38:07 | |
And again, sir. £50 to a lady at the back. | 0:38:07 | 0:38:11 | |
At £50. 55, 60. | 0:38:11 | 0:38:14 | |
At 60 in the distance then. | 0:38:14 | 0:38:15 | |
Going away at £60. Gents are out. | 0:38:15 | 0:38:18 | |
Selling here to a lady at £60, all done. | 0:38:18 | 0:38:20 | |
-GAVEL BANGS -Nice one. -Yeah. | 0:38:20 | 0:38:22 | |
A great profit, despite the missing stopper. | 0:38:24 | 0:38:27 | |
-Two more each to go. -Two more. -This is the telling section, isn't it? | 0:38:29 | 0:38:34 | |
It is, indeed. | 0:38:34 | 0:38:36 | |
David loves his vintage bicycle lighter, but will anyone else? | 0:38:36 | 0:38:40 | |
10 bid. Any advance on only 10? | 0:38:41 | 0:38:43 | |
At 10, 12, 15, 17. | 0:38:43 | 0:38:48 | |
At 17 for the lot then. Nearer me then, at 17. | 0:38:48 | 0:38:51 | |
-All finished at 17. You have it, sir. -No! | 0:38:51 | 0:38:54 | |
All finished at 17. 20 bid. Not quite. 22? 22. | 0:38:54 | 0:38:58 | |
At 22 to a gent then. Quite sure at 22? Going to sell it to you, sir. | 0:38:58 | 0:39:03 | |
-Hammer's up at £22. -Oh! | 0:39:03 | 0:39:04 | |
-GAVEL BANGS -Ooh... | 0:39:06 | 0:39:08 | |
I thought someone else was going to come in then. | 0:39:08 | 0:39:10 | |
Sadly not. But every little helps, as they say. | 0:39:10 | 0:39:14 | |
Will Anita's collection of four gold brooches do any better? | 0:39:15 | 0:39:19 | |
-50 start. Any advance on 50? -Oh, my gosh. | 0:39:19 | 0:39:23 | |
-60. 70, 80, 90. -Yes! -Seriously... -100. | 0:39:23 | 0:39:26 | |
-And 10. 120. 125. -Yes! | 0:39:26 | 0:39:29 | |
-130. -Yes! -At £130, lady at the back. -Amazing. | 0:39:29 | 0:39:34 | |
£130. All out over this side. | 0:39:34 | 0:39:36 | |
Looking for another £5. Selling at 130. You have it, madam. | 0:39:36 | 0:39:40 | |
-Selling away now, at £130. -GAVEL BANGS | 0:39:40 | 0:39:44 | |
-Yes! -£130. | 0:39:44 | 0:39:46 | |
That's a great profit for Anita and her beloved brooches. | 0:39:46 | 0:39:51 | |
She's nearly tripled her money. | 0:39:51 | 0:39:53 | |
-I'm pleased at that. -That's amazing. That is the best of the day so far. | 0:39:53 | 0:39:57 | |
Up next, it's David's Mouseman milking stool. | 0:39:57 | 0:40:01 | |
He spent a fair whack on this. | 0:40:01 | 0:40:03 | |
Let's hope it does better than the cheeseboard. | 0:40:03 | 0:40:06 | |
-You know I'm going to hold your hand, don't you? -Oh...hold my hand. | 0:40:06 | 0:40:11 | |
Start me at £100 to go. 100 bid. | 0:40:11 | 0:40:14 | |
-£100! -Come on. -Any advance at £100? At £100 for the lot. | 0:40:14 | 0:40:18 | |
-120, 140. At £140. -Come on! | 0:40:18 | 0:40:23 | |
Any advance for the stool? At £140. | 0:40:23 | 0:40:25 | |
-Looking for 160. Take a half, 150 bid. -Come on! | 0:40:25 | 0:40:28 | |
-Accepted. 150 offered. -Come on! | 0:40:28 | 0:40:31 | |
-At £150. Another £10 anywhere else? -Go on! -At £150. | 0:40:31 | 0:40:34 | |
-160 bid. New buyer. -Oh, yes! | 0:40:34 | 0:40:37 | |
At £160. Yours in the middle of the room, sir, at £160. | 0:40:37 | 0:40:40 | |
Selling away then, in the middle of the room at £160. | 0:40:40 | 0:40:43 | |
GAVEL BANGS | 0:40:43 | 0:40:44 | |
-Well, that's all right. It's all right. -Got my heart beating. -I know! | 0:40:44 | 0:40:49 | |
Yours?! I'm surprised I'm still sat down. | 0:40:49 | 0:40:52 | |
I thought I'd be on the floor by now! | 0:40:52 | 0:40:54 | |
That profit has put David back in the game. | 0:40:54 | 0:40:57 | |
Maybe Anita does have the magic touch after all. | 0:40:57 | 0:41:00 | |
Anita's biggest buy, and perhaps biggest gamble, | 0:41:02 | 0:41:05 | |
was her slightly damaged tea set. | 0:41:05 | 0:41:07 | |
Listen, very best of luck with this one. | 0:41:08 | 0:41:12 | |
-10 bid. 15, 20, 25. At £25. -There's still a long way to go. | 0:41:12 | 0:41:16 | |
Come along. 25 offered. 30. 35. 40. | 0:41:16 | 0:41:20 | |
At £40. Are you bidding, sir? 45. | 0:41:20 | 0:41:23 | |
-Come on. -50. 55, 60, 65, 70. | 0:41:23 | 0:41:27 | |
-Gone, hasn't it? -Yeah. -80. Now, it's £80, corner right has it. | 0:41:27 | 0:41:31 | |
Any advance on £80 for the lot? | 0:41:31 | 0:41:34 | |
-Quite sure? -That's a lot of money for that. -It is a bit. | 0:41:34 | 0:41:38 | |
-Selling at £80. -GAVEL BANGS | 0:41:38 | 0:41:40 | |
-That's very good. -Ah. -That's a good, healthy profit. | 0:41:40 | 0:41:43 | |
-I'm happy enough with that. -Yeah. | 0:41:43 | 0:41:45 | |
And so she should be, considering how auctioneer Guy predicted it. | 0:41:45 | 0:41:50 | |
-Phew! -Massive profit, massive profit. | 0:41:50 | 0:41:52 | |
It was a bit nail-biting at times. | 0:41:52 | 0:41:55 | |
I think we need to lie down. | 0:41:55 | 0:41:57 | |
-Separately, of course! -Of course! -Go on, you go. | 0:41:57 | 0:41:59 | |
Well, if you can remain vertical for now, chaps, | 0:41:59 | 0:42:02 | |
the results are as follows... | 0:42:02 | 0:42:05 | |
David started this leg with £385.86. | 0:42:05 | 0:42:09 | |
Today, he's made a solid profit of £36.74, | 0:42:09 | 0:42:14 | |
meaning he carries forward £422.60. | 0:42:14 | 0:42:18 | |
Nice cheesy grin, David, thank you. | 0:42:18 | 0:42:21 | |
Anita, meanwhile, emerges victorious. She started with £318.65. | 0:42:22 | 0:42:27 | |
After auction costs, she has made an incredible profit of £90.84. | 0:42:27 | 0:42:33 | |
So, although she's still trailing slightly behind David overall, | 0:42:33 | 0:42:37 | |
with £409.49, she has won the day. | 0:42:37 | 0:42:41 | |
That was exciting, David. Oh, thank you. | 0:42:43 | 0:42:45 | |
-You know what, you deserve that. -What a gentleman. -You deserve it. | 0:42:45 | 0:42:48 | |
-You are my hero, Anita. Ready? -Yeah. -Strap yourself in. | 0:42:48 | 0:42:52 | |
-Get ready for another adventure, eh? -Yes, indeedy. | 0:42:54 | 0:42:57 | |
I, for one, cannot wait. | 0:42:57 | 0:43:00 | |
Next time, on Antiques Road Trip, Anita shows off her many talents... | 0:43:01 | 0:43:05 | |
# ..To Dundee. # | 0:43:05 | 0:43:08 | |
..while David sees something he really likes. | 0:43:11 | 0:43:14 | |
Ooh, I say! Fantastic! | 0:43:14 | 0:43:16 |