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It's the nation's favourite antique experts... | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:05 | |
..with £200 each, | 0:00:05 | 0:00:07 | |
a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. But it is no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! | 0:00:17 | 0:00:18 | |
Charlie! | 0:00:18 | 0:00:19 | |
There will be worthy winners | 0:00:19 | 0:00:21 | |
and valiant losers. | 0:00:21 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Wow! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today marks the penultimate leg of the road trip for fancy pants | 0:00:38 | 0:00:42 | |
David Harper and wily Anita Manning. | 0:00:42 | 0:00:46 | |
Oh, Anita, does it get any more beautiful than this? Seriously! | 0:00:46 | 0:00:50 | |
It becomes more and more beautiful the farther north you go. | 0:00:50 | 0:00:54 | |
Listen, we are not in Scotland yet. This is Northumberland. | 0:00:54 | 0:00:58 | |
-It is glorious! -It's marvellous. | 0:00:58 | 0:01:00 | |
Speaking of glorious, auctioneer Anita Manning might have decades | 0:01:03 | 0:01:07 | |
of antiquing behind her, but she still has got a spring in her step. | 0:01:07 | 0:01:10 | |
MUSIC: The Road To Dundee by Calum Kennedy | 0:01:10 | 0:01:12 | |
-My first boyfriend used to sing that to me. -Did he? -That's true. | 0:01:12 | 0:01:17 | |
I hope he's not watching. | 0:01:17 | 0:01:18 | |
Ha! | 0:01:22 | 0:01:23 | |
David always cuts a dash and is determined to pass on his | 0:01:23 | 0:01:27 | |
expertise not just in antiques but fashion prowess to Anita. | 0:01:27 | 0:01:31 | |
For the right price, of course. | 0:01:31 | 0:01:35 | |
If it is really cheap, I'll buy it for her. | 0:01:35 | 0:01:38 | |
It is 40 quid. She is not worth 40 quid. | 0:01:39 | 0:01:41 | |
Oh, poor Anita! | 0:01:41 | 0:01:43 | |
Our fanatic antiquing foragers are roaring their way up north | 0:01:43 | 0:01:47 | |
in their beloved Morris Minor. | 0:01:47 | 0:01:49 | |
You know what? I am so pleased as well that you are becoming | 0:01:49 | 0:01:52 | |
reasonably fashionable with your yellow trousers, again. | 0:01:52 | 0:01:57 | |
David, we are colour coordinated, | 0:01:57 | 0:02:00 | |
but we do look a bit like a bunch of bananas. | 0:02:00 | 0:02:03 | |
Our fruity fashionistas are currently neck-and-neck | 0:02:08 | 0:02:12 | |
in the competition with just over £10 between them. | 0:02:12 | 0:02:15 | |
They started the trip with £200 each. | 0:02:15 | 0:02:17 | |
Anita now has £409.49 | 0:02:17 | 0:02:20 | |
to spend this time. | 0:02:20 | 0:02:22 | |
David might have come in second at the last auction, | 0:02:24 | 0:02:26 | |
but he is still in the overall lead with £422.60 to spend today. | 0:02:26 | 0:02:32 | |
Well, I am absolutely willing to blow every pound | 0:02:35 | 0:02:39 | |
if I see a chance of profit. | 0:02:39 | 0:02:41 | |
-Would you do the same? -I don't know. | 0:02:41 | 0:02:44 | |
-I'm a bit more canny than you are. -You are canny! | 0:02:44 | 0:02:47 | |
-But I like your style, sir. -Do you? | 0:02:47 | 0:02:50 | |
Apparently so, as you appear to have borrowed a pair of his trousers. | 0:02:50 | 0:02:55 | |
David and Anita are travelling | 0:02:57 | 0:02:59 | |
over 700 miles from Ramsbottom, | 0:02:59 | 0:03:01 | |
Lancashire, snaking their way up | 0:03:01 | 0:03:04 | |
through Yorkshire all the way | 0:03:04 | 0:03:05 | |
to Bonnie Scotland | 0:03:05 | 0:03:06 | |
and the town of Paisley. | 0:03:06 | 0:03:07 | |
Today's journey commences in Powburn, in Northumberland. | 0:03:10 | 0:03:14 | |
And ends in Scotland, at an auction in the village of Kinbuck, | 0:03:14 | 0:03:18 | |
near Dunblane. | 0:03:18 | 0:03:19 | |
Here we are, David, Antiques Tea Room & Emporium. | 0:03:21 | 0:03:26 | |
Perfect. | 0:03:26 | 0:03:27 | |
-Coffees and teas all around. -Life couldn't get any better. | 0:03:27 | 0:03:31 | |
Well, it couldn't. Not with you, Anita. Not with you around. | 0:03:31 | 0:03:34 | |
David and Anita are at Hedgeley Services this morning, | 0:03:34 | 0:03:37 | |
in Powburn, shopping at two neighbouring establishments. | 0:03:37 | 0:03:41 | |
If you need any help, David, give me a shout. | 0:03:41 | 0:03:43 | |
OK, pop a kettle on. | 0:03:43 | 0:03:45 | |
He is visiting Hedgeley Antiques Centre. | 0:03:50 | 0:03:52 | |
And David is such a fan of Oriental artefacts, | 0:03:52 | 0:03:55 | |
it doesn't take him long to find something right up his street. | 0:03:55 | 0:03:58 | |
It is a wooden writing slope. | 0:03:58 | 0:04:01 | |
South Chinese, Cantonese, probably during our Victorian period. | 0:04:01 | 0:04:05 | |
Very symbolic. There we have, right on the front, chickens. | 0:04:05 | 0:04:10 | |
The most important creature is the cockerel. | 0:04:10 | 0:04:13 | |
Now it might just look decorative, | 0:04:13 | 0:04:15 | |
but the cockerel is incredibly symbolic in Chinese culture, | 0:04:15 | 0:04:19 | |
and he represents strength, vitality, masculinity. | 0:04:19 | 0:04:25 | |
Everything that is strong and powerful about the male. | 0:04:25 | 0:04:28 | |
It folds down, no doubt. | 0:04:28 | 0:04:31 | |
Satinwood finish to the interior. | 0:04:31 | 0:04:33 | |
Black velvet, which is probably original. Is it absolute stonker. | 0:04:33 | 0:04:38 | |
And I need Jane. | 0:04:38 | 0:04:39 | |
Yeah, don't we all? It's ticket price is £95. | 0:04:39 | 0:04:43 | |
Is Jane prepared to do a deal? | 0:04:43 | 0:04:45 | |
Right, Jane. | 0:04:45 | 0:04:46 | |
I'm going to talk to you about this dreadful Chinese writing slope. | 0:04:46 | 0:04:51 | |
-Yeah... -I hate it! -Right. | 0:04:51 | 0:04:53 | |
-Yes. -What could it be? I would love to pay 30. | 0:04:53 | 0:04:57 | |
SHE LAUGHS | 0:04:57 | 0:04:59 | |
I don't think so. I think we need a little bit more than that. | 0:04:59 | 0:05:03 | |
-How much is a bit more than 30? -Um... | 0:05:03 | 0:05:06 | |
-50. -40. -SHE GASPS | 0:05:07 | 0:05:10 | |
Um... Hm... | 0:05:10 | 0:05:11 | |
Um... | 0:05:13 | 0:05:14 | |
Can we do somewhere in the middle, 45? | 0:05:14 | 0:05:17 | |
-I could not say no to that. -Excellent. | 0:05:17 | 0:05:21 | |
Cor, David was quick off the mark there. | 0:05:21 | 0:05:23 | |
Anita is in the Village Tea Room & Emporium next door | 0:05:23 | 0:05:27 | |
and has also found a couple of items she is keen on. | 0:05:27 | 0:05:30 | |
Dealer Beryl is on hand to assist. | 0:05:30 | 0:05:33 | |
-What I'm seeing here... -Yes? | 0:05:33 | 0:05:36 | |
..are the perfect accompaniments to the Antiques Road Trip. | 0:05:36 | 0:05:41 | |
I have my picnic set for when we stop by the side of a wee loch | 0:05:41 | 0:05:47 | |
and have a lovely picnic. | 0:05:47 | 0:05:49 | |
And we have a picnic gramophone | 0:05:49 | 0:05:52 | |
where we could have a dance. | 0:05:52 | 0:05:56 | |
I can see where this is going. | 0:05:56 | 0:05:58 | |
MUSIC: The Road To Dundee by Calum Kennedy | 0:05:59 | 0:06:05 | |
-My first boyfriend used to sing that to me. -Did he? -It's true. | 0:06:05 | 0:06:09 | |
I hope he's not watching. | 0:06:09 | 0:06:11 | |
THEY LAUGH | 0:06:11 | 0:06:13 | |
-He'd see a big difference. -Oh? | 0:06:13 | 0:06:15 | |
# To Dundee... # | 0:06:15 | 0:06:19 | |
That... | 0:06:21 | 0:06:22 | |
That was wonderful. But you are better looking than David Harper. | 0:06:22 | 0:06:26 | |
I think that is a compliment. | 0:06:28 | 0:06:31 | |
But is she actually going to buy anything? | 0:06:31 | 0:06:34 | |
The gramophone is £55 and the picnic set, 38. | 0:06:34 | 0:06:37 | |
The picnic set isn't of the finest quality. | 0:06:37 | 0:06:41 | |
We don't have the container for the champagne. | 0:06:41 | 0:06:45 | |
But it is quite nice and it has got a lovely period, | 0:06:45 | 0:06:48 | |
vintage look about it. | 0:06:48 | 0:06:51 | |
Wind-up gramophones are always great fun. | 0:06:51 | 0:06:54 | |
I'm going to have another look around, but I might just go for them. | 0:06:54 | 0:06:58 | |
Holiday time! | 0:06:58 | 0:06:59 | |
Not quite ready to commit, Anita carries on browsing. | 0:07:02 | 0:07:06 | |
David, meanwhile, has found another interesting object. | 0:07:06 | 0:07:10 | |
Pretty naff kind of early 20th century, | 0:07:11 | 0:07:14 | |
maybe 1930s, even '40s, ashtray. | 0:07:14 | 0:07:19 | |
What I am interested in is actually what is underneath the glass base. | 0:07:19 | 0:07:23 | |
And it is described as a glass and jade ashtray. | 0:07:23 | 0:07:27 | |
There is your Jade. | 0:07:27 | 0:07:30 | |
On the bottom. | 0:07:30 | 0:07:31 | |
Hardly detailed at all, but actually, that is a good sign | 0:07:31 | 0:07:34 | |
because with jade being a hard stone, | 0:07:34 | 0:07:36 | |
it is incredibly difficult to carve. | 0:07:36 | 0:07:39 | |
Green jade is the most common type of jadeite, but there | 0:07:39 | 0:07:43 | |
are various colours such as | 0:07:43 | 0:07:44 | |
lavender, red, yellow, black and white. | 0:07:44 | 0:07:46 | |
It is priced at £6.50. So another one to think about. | 0:07:46 | 0:07:51 | |
Now back with Anita. What's she up to now? Sight going? | 0:07:51 | 0:07:55 | |
I've come outside to have a closer look at this wee posy holder. | 0:07:56 | 0:08:00 | |
It was in a cabinet. | 0:08:02 | 0:08:03 | |
It would've had two glass tubes | 0:08:05 | 0:08:08 | |
coming out of these funnels here. | 0:08:08 | 0:08:12 | |
Now, it's priced at ten pounds. | 0:08:12 | 0:08:15 | |
If I can find a hallmark, if it is silver, | 0:08:16 | 0:08:19 | |
at ten pounds, it is a bargain! | 0:08:19 | 0:08:23 | |
The ten-pound ticket price suggests the item has been | 0:08:23 | 0:08:26 | |
valued as silver-plated. | 0:08:26 | 0:08:28 | |
A hallmark would mean it is silver and therefore more valuable. | 0:08:28 | 0:08:31 | |
Oh, yes. | 0:08:31 | 0:08:32 | |
People often miss it. | 0:08:32 | 0:08:34 | |
It is almost indiscernible. | 0:08:34 | 0:08:38 | |
But it is there. | 0:08:38 | 0:08:40 | |
This could be a real find. | 0:08:40 | 0:08:42 | |
Anita is also still interested in the picnic hamper | 0:08:42 | 0:08:44 | |
and the gramophone. But is Beryl The Peril willing to negotiate? | 0:08:44 | 0:08:49 | |
Now, if I am buying three things, I was wondering if I could have a deal. | 0:08:49 | 0:08:54 | |
-Right. -On the three things. | 0:08:54 | 0:08:56 | |
Their combined ticket price is £103. | 0:08:56 | 0:08:59 | |
But what I'd like to pay for the ensemble | 0:08:59 | 0:09:03 | |
is between £45 and £55. | 0:09:03 | 0:09:08 | |
For the ensemble. | 0:09:08 | 0:09:10 | |
Using a French word isn't going to make that offer any less cheeky, | 0:09:10 | 0:09:13 | |
Anita. Merci. | 0:09:13 | 0:09:15 | |
How about 60? | 0:09:15 | 0:09:17 | |
-60 for the three? -For the three pieces. | 0:09:17 | 0:09:20 | |
-Let's go for it. -I think you'll be all right. -I think I am fine. | 0:09:20 | 0:09:24 | |
And I love the items. | 0:09:24 | 0:09:26 | |
That is nearly a 50% discount, | 0:09:26 | 0:09:28 | |
working out at 30 for the gramophone, | 0:09:28 | 0:09:31 | |
20 for the picnic set and ten for the silver flower holder. | 0:09:31 | 0:09:34 | |
Tres bien, Anita, cherie! | 0:09:34 | 0:09:37 | |
-Shall I include that Road To Dundee for you? -Oh, yes! | 0:09:37 | 0:09:42 | |
-Oh, yes. -You can play that at the auction. -We can play that. | 0:09:42 | 0:09:46 | |
-I can kid on it was one of my old boyfriend's. -Yeah. | 0:09:46 | 0:09:49 | |
MUSIC: The Road To Dundee by Calum Kennedy | 0:09:49 | 0:09:53 | |
David, meanwhile, unsuspecting of being dumped for Calum Kennedy, | 0:09:55 | 0:09:59 | |
is in shopping heaven. | 0:09:59 | 0:10:01 | |
One of my biggest weaknesses in life is cars. | 0:10:01 | 0:10:05 | |
Now this thing, a car horn, | 0:10:05 | 0:10:07 | |
dates way back to the early days of the car. | 0:10:07 | 0:10:11 | |
A bit like the lamps that I bought not very long ago, | 0:10:11 | 0:10:14 | |
which did a bit of a bomber. | 0:10:14 | 0:10:16 | |
Oh, yes. That was their first auction. | 0:10:17 | 0:10:20 | |
To tell you the truth, I'm surprised they went that far. | 0:10:21 | 0:10:23 | |
Oh, charming(!) | 0:10:23 | 0:10:25 | |
It is not exactly any old item, but for Anita, | 0:10:26 | 0:10:29 | |
it will certainly fall into that category. | 0:10:29 | 0:10:32 | |
She will hate this with a passion, which makes me love it even more. | 0:10:32 | 0:10:36 | |
So it is a brass horn | 0:10:36 | 0:10:38 | |
made for a vintage car, early 20th century. | 0:10:38 | 0:10:41 | |
I don't know, probably Edwardian. | 0:10:41 | 0:10:43 | |
Something like that. With its, I think, | 0:10:43 | 0:10:45 | |
original little rubber squeezer, whatever you call it. | 0:10:45 | 0:10:49 | |
It feels really dry. And brittle. | 0:10:49 | 0:10:52 | |
There is quite a bit of damage on the rubber, | 0:10:52 | 0:10:54 | |
but David seems undeterred. | 0:10:54 | 0:10:56 | |
Perhaps because it is priced at just ten pounds. | 0:10:56 | 0:10:59 | |
Now then. | 0:10:59 | 0:11:01 | |
-We have an ashtray with a bit of old jade. -Right. | 0:11:01 | 0:11:06 | |
-And a bit of old iron/brass. -THEY LAUGH | 0:11:06 | 0:11:10 | |
-OK. -Once part of a vintage car. I want them both very desperately. | 0:11:10 | 0:11:14 | |
That's right, David, keep your cards close to your chest. | 0:11:14 | 0:11:17 | |
The combined ticket price of the two items is £16.50. | 0:11:17 | 0:11:22 | |
-Well, what about rounding it to 15? -I am absolutely delighted. | 0:11:22 | 0:11:25 | |
-Excellent. -Thank you. | 0:11:25 | 0:11:27 | |
Three things on my account very quickly! | 0:11:28 | 0:11:31 | |
Very quick indeed. | 0:11:31 | 0:11:33 | |
So that is £6.50 for the ashtray and £8.50 for the car horn, | 0:11:33 | 0:11:38 | |
bringing David's total spend at this shop, | 0:11:38 | 0:11:41 | |
with the Chinese writing box, to £60. | 0:11:41 | 0:11:43 | |
Our duo are now heading about 30 miles north to the beautiful | 0:11:43 | 0:11:47 | |
walled town of Berwick-upon-Tweed, | 0:11:47 | 0:11:49 | |
just a few miles south | 0:11:49 | 0:11:51 | |
of the Scottish border. | 0:11:51 | 0:11:52 | |
In the medieval period, the town was captured | 0:11:54 | 0:11:57 | |
and sacked 13 times, passing between English and Scottish | 0:11:57 | 0:12:00 | |
rule until eventually falling under the control of England in 1482. | 0:12:00 | 0:12:05 | |
It's great walls were originally created to keep out invading Scots. | 0:12:07 | 0:12:11 | |
Ironically, the town is still home to the barracks | 0:12:11 | 0:12:14 | |
and museum of the King's Own Scottish Borderers. | 0:12:14 | 0:12:16 | |
I can't wait to get inside and for you to show me around. | 0:12:18 | 0:12:22 | |
Come on, let's go. | 0:12:22 | 0:12:23 | |
MARCHING DRUMS PLAY | 0:12:23 | 0:12:25 | |
Anita is meeting the hugely enthusiastic | 0:12:25 | 0:12:28 | |
Colonel Colin Hogg to learn about the important role | 0:12:28 | 0:12:32 | |
that Scottish pipers have played | 0:12:32 | 0:12:34 | |
in this regiment's history. | 0:12:34 | 0:12:36 | |
During this time, | 0:12:36 | 0:12:37 | |
these brave men were on the front line, leading the troops | 0:12:37 | 0:12:40 | |
on with nothing but their pipes into hundreds of bloody battles. | 0:12:40 | 0:12:44 | |
So formed in the 17th century, | 0:12:46 | 0:12:48 | |
but I believe their regiment has been | 0:12:48 | 0:12:51 | |
involved in all major conflicts since that time. | 0:12:51 | 0:12:55 | |
Yes, ever since, really, the Battle of Killiecrankie. | 0:12:55 | 0:12:58 | |
Through to Culloden. | 0:12:58 | 0:13:00 | |
And then the Boer War. | 0:13:00 | 0:13:02 | |
The First World War. | 0:13:02 | 0:13:04 | |
The Second World War. | 0:13:04 | 0:13:06 | |
And indeed, Afghanistan of late. | 0:13:06 | 0:13:09 | |
-So it is still a major force. -Yes. | 0:13:09 | 0:13:12 | |
I believe that pipers have played | 0:13:12 | 0:13:16 | |
a major part in this regiment. | 0:13:16 | 0:13:19 | |
What did the piper do? Why was the piper there? | 0:13:19 | 0:13:22 | |
On through history, there were pipers. | 0:13:22 | 0:13:25 | |
What were they there for? | 0:13:25 | 0:13:27 | |
Well, they certainly made you get up and go. | 0:13:27 | 0:13:31 | |
I find that there is nothing more stirring | 0:13:34 | 0:13:38 | |
than the sound of the pipes. | 0:13:38 | 0:13:41 | |
Their music was like a war cry, rallying the troops into battle. | 0:13:43 | 0:13:47 | |
It served to boost morale but also to intimidate the enemy. | 0:13:47 | 0:13:52 | |
There are stories of Germans saying, you know, "What is it? | 0:13:52 | 0:13:55 | |
-"These devils in kilts." -Is that what they were called? | 0:13:55 | 0:13:58 | |
"I'm putting my hands up." | 0:13:58 | 0:14:01 | |
But there weren't enough of them always to be there and always | 0:14:01 | 0:14:05 | |
to be in the front line, where they could be picked off very easily. | 0:14:05 | 0:14:09 | |
So they were quite often used as stretcher bearers, runners, | 0:14:09 | 0:14:14 | |
medics in the wider sense of the word. | 0:14:14 | 0:14:17 | |
Or indeed riflemen themselves. | 0:14:17 | 0:14:19 | |
Possibly one of the bloodiest conflicts the pipers had to | 0:14:21 | 0:14:24 | |
endure was at the start of the 20th century. | 0:14:24 | 0:14:27 | |
What would it have been like to be a piper in the First World War? | 0:14:27 | 0:14:31 | |
I think it must've been terrifying. | 0:14:31 | 0:14:34 | |
I mean, to get up over the trench, | 0:14:34 | 0:14:37 | |
parapet, and blow, | 0:14:37 | 0:14:40 | |
and you are an easy target. | 0:14:40 | 0:14:43 | |
I don't how they did it. | 0:14:43 | 0:14:44 | |
With just their bagpipes, | 0:14:44 | 0:14:46 | |
the weaponless pipers would lead the charge into the battle. | 0:14:46 | 0:14:50 | |
With no means of defending themselves, their death rate | 0:14:50 | 0:14:53 | |
was extremely high. | 0:14:53 | 0:14:55 | |
During the First World War, over 1,000 pipers were killed, | 0:14:55 | 0:14:59 | |
not helped by the introduction of poisonous gas. | 0:14:59 | 0:15:03 | |
-There would have been fire, open fire going on. -Open fire, gas. | 0:15:03 | 0:15:08 | |
"Oh, there is the piper." | 0:15:10 | 0:15:11 | |
He would have to take his gas mask off and play | 0:15:11 | 0:15:14 | |
while the others, in the trenches, probably kept theirs on. | 0:15:14 | 0:15:19 | |
Such incredible bravery resulted in the pipers being awarded | 0:15:19 | 0:15:23 | |
over 100 of the most revered medals during the First World War. | 0:15:23 | 0:15:28 | |
One of the most famous pipers was Danielle Laidlaw | 0:15:28 | 0:15:31 | |
of the Seventh Battalion. | 0:15:31 | 0:15:33 | |
During the Battle of Loos in 1915, | 0:15:33 | 0:15:35 | |
morale was at rock bottom | 0:15:35 | 0:15:37 | |
and the heavy fire and witnessing the heavy smog of poisonous gas | 0:15:37 | 0:15:41 | |
for the first time, | 0:15:41 | 0:15:42 | |
the troops were hanging back from going over the top. | 0:15:42 | 0:15:45 | |
In spite of the dangers, Laidlaw was ordered out of the trenches. | 0:15:45 | 0:15:49 | |
Lieutenant Young, Platoon Commander, | 0:15:49 | 0:15:51 | |
turned to Laidlaw and said, | 0:15:51 | 0:15:54 | |
"For God's sake, Laidlaw, pipe them forward!" | 0:15:54 | 0:15:58 | |
And Laidlaw went out of his trenches, | 0:15:58 | 0:16:01 | |
took his gas mask off and started playing. | 0:16:01 | 0:16:04 | |
And he started playing a regimental march, Blue Bonnets Over The Border. | 0:16:04 | 0:16:09 | |
And the jocks were stirred. | 0:16:14 | 0:16:17 | |
Something said inside them, "I'm going over." | 0:16:17 | 0:16:21 | |
An up they got. | 0:16:21 | 0:16:23 | |
And forward they went. | 0:16:23 | 0:16:25 | |
Whilst the Battle of Loos was considered a German victory, | 0:16:25 | 0:16:28 | |
Laidlaw's music spurred his regiment out of the trenches, | 0:16:28 | 0:16:31 | |
subsequently gaining valuable ground. | 0:16:31 | 0:16:33 | |
Laidlaw was shot in both legs during the conflict | 0:16:33 | 0:16:36 | |
but miraculously survived and | 0:16:36 | 0:16:38 | |
became known as the Piper of Loos. | 0:16:38 | 0:16:41 | |
Although wounded, he recovered | 0:16:41 | 0:16:44 | |
and was to be awarded the Victoria Cross that day. | 0:16:44 | 0:16:48 | |
He was also awarded the Croix de Guerre, | 0:16:48 | 0:16:51 | |
with palm, | 0:16:51 | 0:16:53 | |
and he was also promoted from piper to corporal. | 0:16:53 | 0:16:57 | |
The history of the Laidlaw pipers did not stop there, | 0:16:57 | 0:17:01 | |
as Daniel's nephew, Jock Laidlaw, is believed to be the last ever | 0:17:01 | 0:17:05 | |
Army piper to lead British troops into battle in 1945. | 0:17:05 | 0:17:10 | |
Although the days of the pipers on the front line | 0:17:10 | 0:17:12 | |
are now in the past and their role is strictly ceremonial, | 0:17:12 | 0:17:15 | |
the memory of their bravery is proudly preserved | 0:17:15 | 0:17:17 | |
by the King's Own Scottish Borderers. | 0:17:17 | 0:17:19 | |
David is just across the river in Tweedmouth. He still has just | 0:17:27 | 0:17:31 | |
over £360 left to spend and is visiting Berwick Antique Centre. | 0:17:31 | 0:17:37 | |
Good on him. | 0:17:37 | 0:17:38 | |
-Dave. -Dave, nice to meet you. -Great to meet you. | 0:17:38 | 0:17:41 | |
What a day, what a place. | 0:17:41 | 0:17:42 | |
-So what have we got here? -Right, we have a cafe. | 0:17:42 | 0:17:46 | |
If you spend more than ten pound, you get a free cup of coffee. | 0:17:46 | 0:17:49 | |
Very good, OK. | 0:17:49 | 0:17:50 | |
Not that David ever needs any encouragement to spend. | 0:17:50 | 0:17:54 | |
I love this building, it just - | 0:17:55 | 0:17:57 | |
you can hear it - it just creaks. | 0:17:57 | 0:17:59 | |
It is like being on an old boat. | 0:17:59 | 0:18:01 | |
It has got such an atmosphere. | 0:18:01 | 0:18:04 | |
I just love it. | 0:18:04 | 0:18:05 | |
These are the kind of places that you could find...anything. | 0:18:05 | 0:18:10 | |
And speaking of anything... | 0:18:10 | 0:18:12 | |
See, I absolutely love that. | 0:18:14 | 0:18:16 | |
Have you any idea what you think this could be? | 0:18:18 | 0:18:21 | |
So it's bronze. | 0:18:22 | 0:18:24 | |
Fantastically detailed. It is obviously Oriental. | 0:18:25 | 0:18:28 | |
Is made mainly for a female, even though it is very heavy. | 0:18:28 | 0:18:32 | |
And it is, you may be surprised to hear... | 0:18:32 | 0:18:34 | |
..a mirror. | 0:18:35 | 0:18:37 | |
That's it. | 0:18:37 | 0:18:38 | |
The bronze would be highly polished, and that is your reflective mirror. | 0:18:38 | 0:18:43 | |
Mirrors today form part of our everyday lives, | 0:18:44 | 0:18:48 | |
but historically, they were rare and expensive commodities. | 0:18:48 | 0:18:51 | |
And the bronze mirror is not the only thing to catch David's eye. | 0:18:51 | 0:18:55 | |
So what have we got there? We have got a mahogany Georgian-style chair. | 0:18:55 | 0:18:59 | |
I love the tapestry seat. | 0:18:59 | 0:19:01 | |
That is not period, | 0:19:01 | 0:19:03 | |
I don't think, but it has got age. | 0:19:03 | 0:19:06 | |
But is it actually a Georgian chair? | 0:19:06 | 0:19:08 | |
The biggest telltale, really, for a period chair | 0:19:08 | 0:19:11 | |
are the internal blocks. | 0:19:11 | 0:19:13 | |
So we have the hand-cut, rounded blocks that keep the chair together. | 0:19:13 | 0:19:19 | |
So I can tell you, categorically, | 0:19:19 | 0:19:21 | |
that this chair is a period George III chair made | 0:19:21 | 0:19:26 | |
in about 1770 from solid mahogany. | 0:19:26 | 0:19:31 | |
What is it worth? | 0:19:31 | 0:19:32 | |
£24. | 0:19:35 | 0:19:36 | |
£24... | 0:19:39 | 0:19:42 | |
for a period Georgian mahogany chair | 0:19:42 | 0:19:45 | |
is absolutely bonkers. | 0:19:45 | 0:19:47 | |
Beyond belief. | 0:19:47 | 0:19:49 | |
I have got to buy that chair. | 0:19:49 | 0:19:51 | |
That would be dealer Stephen's cue. | 0:19:51 | 0:19:54 | |
I mean, to be honest with you, | 0:19:54 | 0:19:56 | |
I priced it because I wasn't sure about it. | 0:19:56 | 0:20:00 | |
If you think it is a genuine, I think it is | 0:20:00 | 0:20:02 | |
probably worth more than £25, but I'll do it for 20. | 0:20:02 | 0:20:05 | |
Well, and I obviously get a massive cup of coffee. | 0:20:05 | 0:20:08 | |
-You could have a mug. -Do I get a bit of cake as well? | 0:20:08 | 0:20:11 | |
-A slice of cake. -Perfect. Done deal. | 0:20:11 | 0:20:14 | |
Thank you very much, Steve, you are a delight. | 0:20:14 | 0:20:17 | |
Pushing your luck a bit there, David. | 0:20:17 | 0:20:19 | |
And there is still one more item to discuss. | 0:20:19 | 0:20:22 | |
Well, this actually came out of The Hermitage at Hexham, which this | 0:20:23 | 0:20:27 | |
is two old ladies that have lived in this house for about 100 years. | 0:20:27 | 0:20:31 | |
It was a family house. | 0:20:31 | 0:20:33 | |
So that is its provenance. | 0:20:33 | 0:20:34 | |
It probably is from that sort of an era, so... | 0:20:34 | 0:20:37 | |
I think it has got a great history, | 0:20:37 | 0:20:39 | |
and I totally believe it. | 0:20:39 | 0:20:41 | |
It makes me feel confident that I could describe it | 0:20:41 | 0:20:44 | |
as early 20th century. | 0:20:44 | 0:20:46 | |
Its ticket price is £140. Much more than David would like to pay. | 0:20:46 | 0:20:51 | |
I would want that to owe me... | 0:20:51 | 0:20:54 | |
£40 or £50. | 0:20:54 | 0:20:56 | |
To stand a chance of it taking off. | 0:20:56 | 0:20:59 | |
£70 and I can do a deal. | 0:21:02 | 0:21:03 | |
Let's see if the polishes up all right. | 0:21:03 | 0:21:06 | |
And if it does, I'll have it for 60, how is that? | 0:21:06 | 0:21:11 | |
-OK. -Whoa! | 0:21:11 | 0:21:12 | |
Time for a bit of spit and polish. | 0:21:12 | 0:21:15 | |
Are you ready to see yourself... | 0:21:15 | 0:21:17 | |
-No, thanks. -..reflected | 0:21:17 | 0:21:20 | |
in a Japanese bronze geisha girl's mirror? | 0:21:20 | 0:21:23 | |
-Are you ready for it? -I'm ready. | 0:21:23 | 0:21:25 | |
You are going to look stunning! | 0:21:25 | 0:21:27 | |
-That would be a first. -THEY LAUGH | 0:21:27 | 0:21:31 | |
TINKLING | 0:21:31 | 0:21:33 | |
Absolutely gorgeous, Stephen. | 0:21:33 | 0:21:34 | |
-It wasn't a mirror before. -I think you got a bargain. | 0:21:34 | 0:21:37 | |
Now it is a mirror. | 0:21:37 | 0:21:38 | |
-Well done. £60. -Thank you very much. | 0:21:40 | 0:21:42 | |
David spent a total of £80 on two items in this centre | 0:21:42 | 0:21:46 | |
and got his free cake and coffee. | 0:21:46 | 0:21:48 | |
Not a bad way to make a living. | 0:21:48 | 0:21:51 | |
And that marks the end of a day's rip-roaring | 0:21:51 | 0:21:54 | |
adventure for our daring duo. | 0:21:54 | 0:21:57 | |
Nighty-night. | 0:21:57 | 0:21:58 | |
Morning has broken. | 0:22:02 | 0:22:04 | |
It is a new day and a whole new country. We think. | 0:22:04 | 0:22:07 | |
Anita, I think you'd better announce where we are. | 0:22:07 | 0:22:12 | |
I think we might be in Scotland now. | 0:22:12 | 0:22:15 | |
Well, come on, show a bit of enthusiasm! | 0:22:15 | 0:22:17 | |
We have been working our way up here. | 0:22:17 | 0:22:20 | |
I thought you'd be absolutely celebrating and going wild. | 0:22:20 | 0:22:23 | |
Well, I mean, I know we must be in Scotland, | 0:22:23 | 0:22:27 | |
but there are no border patrols. | 0:22:27 | 0:22:30 | |
Lucky for you, because those outfits are just criminal. | 0:22:30 | 0:22:34 | |
In spite of Anita's confusion, we have indeed crossed the border. | 0:22:35 | 0:22:39 | |
Yesterday, in England... Nice hat, Anita! | 0:22:39 | 0:22:42 | |
..she bought three themed items - a portable picnic gramophone | 0:22:42 | 0:22:46 | |
with record, a vintage picnic set and a silver flower holder. | 0:22:46 | 0:22:50 | |
Today, she has just under £350 left to spend. | 0:22:50 | 0:22:54 | |
David, meanwhile, bought five lots - | 0:22:54 | 0:22:57 | |
a 19th-century Chinese writing box, | 0:22:57 | 0:22:59 | |
a Chinese jade plaque made into an ashtray, | 0:22:59 | 0:23:02 | |
an early brass car motor horn, | 0:23:02 | 0:23:05 | |
a George III mahogany chair and a Japanese bronze hand mirror. | 0:23:05 | 0:23:08 | |
He has just over £280 left to spend today. | 0:23:08 | 0:23:12 | |
David and Anita have travelled inland to Duns, | 0:23:13 | 0:23:17 | |
believed to be the birthplace of 13th century religious philosopher | 0:23:17 | 0:23:21 | |
John Duns Scotus, from whom the word dunce was derived. | 0:23:21 | 0:23:27 | |
During the Reformation, Protestants declared that to follow his | 0:23:27 | 0:23:30 | |
Catholic beliefs and old-fashioned theories was simply foolish. | 0:23:30 | 0:23:34 | |
A little antique centre, both of us together. | 0:23:34 | 0:23:37 | |
-Don't be following me about. -Happy days(!) | 0:23:37 | 0:23:40 | |
David and Anita are sharing the shop floor this morning. | 0:23:40 | 0:23:44 | |
David, you go that way. | 0:23:44 | 0:23:47 | |
-As far as I can. -As far as you can go. | 0:23:47 | 0:23:49 | |
-For miles. -For miles. -For miles. | 0:23:49 | 0:23:52 | |
-But good luck, darling. -Yeah, right! | 0:23:52 | 0:23:55 | |
Right, well, I am pretty safe, really. | 0:23:55 | 0:23:58 | |
I've got five cracking objects. | 0:23:58 | 0:24:01 | |
The idea here is to scan this place and see if I can find something | 0:24:01 | 0:24:06 | |
to add to one of my lots to make it much more appealing and desirable. | 0:24:06 | 0:24:11 | |
Anita, meanwhile, only has three lots. | 0:24:11 | 0:24:14 | |
But there is something that has already piqued her interest. | 0:24:14 | 0:24:17 | |
This is rather a nice, sweet thing. | 0:24:19 | 0:24:21 | |
It is a wee treen stuff box. | 0:24:21 | 0:24:23 | |
But what makes it special is the horseshoe motif. | 0:24:23 | 0:24:28 | |
One to think about. | 0:24:28 | 0:24:31 | |
Across the shop, David is buttering up dealer John. | 0:24:31 | 0:24:34 | |
-Now, listen, I've got a bit of a cunning plan here. -Right. | 0:24:34 | 0:24:38 | |
-I've got this lovely Chinese writing box. -Right. | 0:24:38 | 0:24:41 | |
-It doesn't have any inkwells in it. -Right. | 0:24:41 | 0:24:44 | |
I might be looking for something like an inkwell. | 0:24:44 | 0:24:46 | |
Just something to lash it up a little. | 0:24:46 | 0:24:50 | |
Lucky for David, John has got just the ticket, | 0:24:50 | 0:24:52 | |
or inkwell if you like. | 0:24:52 | 0:24:54 | |
-Right, David, just come through. -Right, OK. -I think... | 0:24:54 | 0:24:58 | |
-This is the one I was thinking of. -OK, let's have a look. | 0:24:58 | 0:25:00 | |
-That is a nice little one. -OK. | 0:25:00 | 0:25:02 | |
-So we have a little probably early 20th century... -The old charmer! | 0:25:02 | 0:25:07 | |
He doesn't just chat up the birds, he chats up the guys as well. | 0:25:09 | 0:25:13 | |
Listen, honestly, take no notice of her, John. | 0:25:13 | 0:25:16 | |
-How are you doing, darling? -Not so bad. | 0:25:16 | 0:25:18 | |
Well, I was doing all right until you said something. | 0:25:18 | 0:25:20 | |
Anyway, back to the inkwell. Its ticket price is eight pounds. | 0:25:21 | 0:25:25 | |
How much is it to me? Is it a pound or two? | 0:25:26 | 0:25:29 | |
Well, normally, we don't really do much for discount below ten, | 0:25:29 | 0:25:32 | |
but we could do four with that? | 0:25:32 | 0:25:35 | |
He is a right charmer. | 0:25:35 | 0:25:37 | |
-Three to you. -It's getting better! It's getting better! | 0:25:38 | 0:25:42 | |
I'll just pause a bit longer. | 0:25:42 | 0:25:44 | |
Buy something for three pounds. | 0:25:44 | 0:25:46 | |
-Two then. -Oh! -Two pounds! Two pounds. | 0:25:46 | 0:25:49 | |
Do you know what, can't say no to that. Thank you very much. | 0:25:49 | 0:25:52 | |
So another item in the old bag for David, | 0:25:52 | 0:25:55 | |
leaving John free to give his full attention to Anita. | 0:25:55 | 0:25:59 | |
-There is a wee snuffbox in here. -Oh, yeah, that is lovely, that. | 0:25:59 | 0:26:03 | |
-Which I liked. -Yes, it is nice. -It is like a hardwood, almost a rosewood. | 0:26:03 | 0:26:08 | |
But what I like about it is the little horseshoes | 0:26:08 | 0:26:11 | |
-and your little whip there. -Yeah, the little crop. | 0:26:11 | 0:26:13 | |
-I think that is quite nice. -Yeah, it is. -Is there a very, very, | 0:26:13 | 0:26:17 | |
very good deal that you could do me | 0:26:17 | 0:26:19 | |
-on that little snuffbox? -I'm sure I could do something. | 0:26:19 | 0:26:21 | |
-I am used to these Glaswegian persuasive powers. -Oh, right! | 0:26:21 | 0:26:24 | |
-My wife is from Glasgow. -Oh, right! | 0:26:24 | 0:26:26 | |
Wise man. Its ticket price is £45. | 0:26:26 | 0:26:30 | |
I am looking for in the region of kind of 18...£18. | 0:26:30 | 0:26:37 | |
Oooh, 18. I don't know if I could do 18. | 0:26:37 | 0:26:40 | |
I was thinking 28. | 0:26:40 | 0:26:44 | |
-Could you come to 20? -I think we could, yes. -Could you do that? | 0:26:44 | 0:26:49 | |
-Yes, to give you help. -That's lovely. -That's lovely, thank you. | 0:26:49 | 0:26:53 | |
-Thank you very much. -There we go. -I like that. It is a nice, sweet thing. | 0:26:53 | 0:26:56 | |
-Yes. -Nice, sweet thing. All we need is a snuff-taking horseman. | 0:26:56 | 0:27:01 | |
It might happen, Anita. | 0:27:01 | 0:27:03 | |
So for just £20, John has come through again | 0:27:03 | 0:27:06 | |
with a cracking discount. | 0:27:06 | 0:27:07 | |
And that is Anita's fourth item done and dusted. | 0:27:07 | 0:27:10 | |
David has travelled 30 miles north to Dunbar, | 0:27:14 | 0:27:17 | |
a seaside town on the southeast coast of Scotland. | 0:27:17 | 0:27:21 | |
Dunbar is the birthplace of one of the founding fathers of the | 0:27:21 | 0:27:25 | |
environmental movement - world renowned conservationist John Muir. | 0:27:25 | 0:27:30 | |
In his autobiography, he describes with great affection | 0:27:30 | 0:27:33 | |
his childhood pursuits here in the 1840s. | 0:27:33 | 0:27:36 | |
It is not hard to see how this spectacular coastline | 0:27:36 | 0:27:39 | |
and beautiful countryside inspired his passion in nature. | 0:27:39 | 0:27:43 | |
To find out more about this remarkable man, | 0:27:43 | 0:27:45 | |
David is taking a stroll along a stretch of land named | 0:27:45 | 0:27:49 | |
in his honour with Joe Mullen, | 0:27:49 | 0:27:51 | |
museum officer of John Muir's Birthplace. | 0:27:51 | 0:27:54 | |
-David, welcome to Dunbar. -Well, thank you very much. | 0:27:55 | 0:27:59 | |
My gosh, what a view! | 0:27:59 | 0:28:01 | |
This is perfect for exploring John Muir's playground. | 0:28:01 | 0:28:04 | |
He spent the first ten years of his life in Dunbar. | 0:28:04 | 0:28:08 | |
You can see, can't you, that this | 0:28:08 | 0:28:09 | |
environment would also stimulate an amazing imagination? | 0:28:09 | 0:28:12 | |
Oh, the imagination, but also his passion for the nature | 0:28:12 | 0:28:16 | |
and wildlife around him. Him and his boyhood friends | 0:28:16 | 0:28:19 | |
would talk about the birds' nests that they could find. | 0:28:19 | 0:28:22 | |
And they would have competitions to see who knew the most birds, | 0:28:22 | 0:28:26 | |
who knew the most nests. | 0:28:26 | 0:28:28 | |
Another major influence in John Muir's life | 0:28:28 | 0:28:31 | |
was his grandfather, who not only taught him about nature | 0:28:31 | 0:28:34 | |
but also helped to educate him. | 0:28:34 | 0:28:36 | |
His grandfather taught him his letters and numbers. | 0:28:36 | 0:28:40 | |
From walks on the high street, they would go down the street | 0:28:40 | 0:28:43 | |
looking at the shop signs and the numbers on the clock tower | 0:28:43 | 0:28:46 | |
at the townhouse. And that is how he learned his first numbers | 0:28:46 | 0:28:49 | |
and letters, before he went off to school at the age of three. | 0:28:49 | 0:28:52 | |
John's education, however, ended abruptly, aged ten, | 0:28:52 | 0:28:57 | |
when his father decided to move to Wisconsin, in America, | 0:28:57 | 0:29:01 | |
where he was forced to work on the family farm. | 0:29:01 | 0:29:05 | |
John was set to the plough. His life was hard work and labour. | 0:29:05 | 0:29:09 | |
But he still had this passion to learn. | 0:29:09 | 0:29:11 | |
But Father was a devout religious man and Father | 0:29:11 | 0:29:14 | |
believed the only book you should have in the house was the Bible. | 0:29:14 | 0:29:17 | |
Self-educated, John eventually gained a place at university, where | 0:29:17 | 0:29:21 | |
his gift for inventions resulted in him procuring employment | 0:29:21 | 0:29:25 | |
in factories. | 0:29:25 | 0:29:26 | |
While he was working in one of those factories, | 0:29:26 | 0:29:29 | |
he had an accident that was to change the course of his life. | 0:29:29 | 0:29:33 | |
He was... | 0:29:33 | 0:29:35 | |
He was using a file to tension a belt and it slipped | 0:29:35 | 0:29:38 | |
and pierced his eye. | 0:29:38 | 0:29:39 | |
Blinded for several weeks, this accident made him | 0:29:39 | 0:29:43 | |
re-evaluate his life. He decided to devote his time | 0:29:43 | 0:29:46 | |
to exploring nature rather than the man-made creations | 0:29:46 | 0:29:50 | |
he had been focusing on. | 0:29:50 | 0:29:51 | |
He set off on 1,000-mile walk from Indiana to the Gulf of Mexico, | 0:29:53 | 0:29:57 | |
by the wildest, leafiest route that he could find. | 0:29:57 | 0:30:01 | |
After this epic journey, | 0:30:01 | 0:30:02 | |
he travelled to the West Coast, where he fell in love with | 0:30:02 | 0:30:06 | |
the Sierra Nevada and Yosemite and became devoted to protecting it. | 0:30:06 | 0:30:11 | |
His ability to see how everything in the universe is hitched together. | 0:30:11 | 0:30:15 | |
He could see that if you clear felled forest on a steep slope, | 0:30:15 | 0:30:20 | |
you would then have problems with soil stability. | 0:30:20 | 0:30:23 | |
You'd get erosion, which would have an impact on water quality | 0:30:23 | 0:30:26 | |
further downstream, which would have a knock-on effect elsewhere. | 0:30:26 | 0:30:29 | |
-Somebody way ahead of his time. -Oh, definitely. | 0:30:29 | 0:30:32 | |
John became famous in the States through his writing. | 0:30:32 | 0:30:36 | |
In 1890, he wrote two articles, published in Century Magazine, | 0:30:36 | 0:30:40 | |
pushing for National Park status for Yosemite. | 0:30:40 | 0:30:44 | |
And that same year, it was granted. | 0:30:44 | 0:30:47 | |
He realised very early on that was crucially important was to make | 0:30:47 | 0:30:51 | |
other people, or help other people, | 0:30:51 | 0:30:53 | |
become as passionate about wild places as he was. | 0:30:53 | 0:30:56 | |
In 1892, he founded the Sierra Club, | 0:30:56 | 0:30:58 | |
the world's largest grass root environmental organisation, | 0:30:58 | 0:31:04 | |
of which he was president for life. | 0:31:04 | 0:31:06 | |
His passion was so contagious of that in 1903, | 0:31:06 | 0:31:09 | |
fellow nature lover President Roosevelt wrote to him, | 0:31:09 | 0:31:12 | |
requesting a camping trip in Yosemite. | 0:31:12 | 0:31:15 | |
John and the president set out on a camping trip with no other support. | 0:31:15 | 0:31:20 | |
No security, no media, no other things you would expect | 0:31:20 | 0:31:23 | |
today of a presidential visit. | 0:31:23 | 0:31:25 | |
And they went off. | 0:31:25 | 0:31:26 | |
John took him into the backcountry of Yosemite | 0:31:26 | 0:31:29 | |
to experience it first-hand. | 0:31:29 | 0:31:32 | |
As a result of that camping trip, | 0:31:32 | 0:31:34 | |
there was a bill passed that put in place the protection | 0:31:34 | 0:31:38 | |
that was needed for Yosemite National Park. | 0:31:38 | 0:31:41 | |
-Quite a seal of approval there. -Oh, definitely. | 0:31:41 | 0:31:43 | |
Whilst Yellowstone was in fact the first national park, the bill | 0:31:43 | 0:31:48 | |
Roosevelt went on to pass afforded Yosemite even greater protection. | 0:31:48 | 0:31:53 | |
National parks now exist all over the world, with 15 in the UK. | 0:31:53 | 0:31:57 | |
Hard to believe that from such humble but beautiful origins | 0:31:59 | 0:32:02 | |
came perhaps the greatest pioneering conservationist of modern times. | 0:32:02 | 0:32:07 | |
Anita has made her way to the beautiful riverside | 0:32:09 | 0:32:13 | |
town of Jedburgh, | 0:32:13 | 0:32:15 | |
where Mary Queen of Scots resided in 1566. | 0:32:15 | 0:32:18 | |
She has got just under £330 left to spend | 0:32:18 | 0:32:22 | |
and is meeting dealer Mary in Bygone Days Antiques. | 0:32:22 | 0:32:27 | |
The sun is shining, so why are you eyeing up some snowshoes, old girl? | 0:32:27 | 0:32:31 | |
I can't stop looking at these snowshoes. | 0:32:31 | 0:32:35 | |
THEY LAUGH | 0:32:35 | 0:32:38 | |
Because they are so quirky. They are so quirky. | 0:32:38 | 0:32:42 | |
-A wee bit of damage on them. -Yes, on the toe. | 0:32:42 | 0:32:45 | |
And old attached ticket says "Snowshoe Club, Montreal, 1889." | 0:32:45 | 0:32:51 | |
Is it something that sells well? | 0:32:51 | 0:32:53 | |
THEY LAUGH | 0:32:53 | 0:32:56 | |
-Sorry. -Have you had them for a wee while? -I have, yes. | 0:32:56 | 0:33:00 | |
-You have? -Would you like to look at them? | 0:33:00 | 0:33:02 | |
It is certainly a change from Anita's normal choice of jewellery. | 0:33:04 | 0:33:07 | |
Oh, careful! Oh. | 0:33:09 | 0:33:11 | |
It is beginning to be tempting. They're a wee bit quirky. | 0:33:12 | 0:33:17 | |
That's why I'm drawn to them. And who knows the price of them? | 0:33:17 | 0:33:21 | |
Mary, probably. Ticket price is £100. | 0:33:21 | 0:33:25 | |
-Could I make you a daft offer? -Oh, you can try me. | 0:33:25 | 0:33:28 | |
Could these be bought for £25? | 0:33:28 | 0:33:31 | |
Is Mary going to throw her out of the shop? | 0:33:32 | 0:33:35 | |
OK then, yeah. | 0:33:35 | 0:33:37 | |
-Are you going to go for it? -I will, yes. -Thank you very much. | 0:33:37 | 0:33:41 | |
Yeah, crikey! | 0:33:41 | 0:33:43 | |
Mary is obviously feeling generous. | 0:33:43 | 0:33:44 | |
For just a quarter of their original price, | 0:33:47 | 0:33:49 | |
Anita is now the proud owner of a pair of the Victorian snowshoes. | 0:33:49 | 0:33:53 | |
This now joins her gramophone with record, vintage picnic set, | 0:33:53 | 0:33:57 | |
silver flower holder and treen snuffbox. | 0:33:57 | 0:34:00 | |
She spent just £105. | 0:34:00 | 0:34:04 | |
David has erred on the frugal side, | 0:34:04 | 0:34:06 | |
spending just £142. | 0:34:06 | 0:34:09 | |
For this, he has bought a 19th-century lacquer writing slope | 0:34:09 | 0:34:12 | |
with inkwell now, | 0:34:12 | 0:34:14 | |
A jade 20th-century ashtray, a motorcar horn, | 0:34:14 | 0:34:18 | |
a George III mahogany chair, and a Japanese bronze mirror. | 0:34:18 | 0:34:21 | |
Oh, I say, fantastic! | 0:34:21 | 0:34:24 | |
If you say so, David. | 0:34:24 | 0:34:26 | |
It is the end of another shopping spree. But what are their thoughts? | 0:34:26 | 0:34:30 | |
The highest profit, I think, | 0:34:31 | 0:34:33 | |
is probably going to come from the old silver epergne. | 0:34:33 | 0:34:36 | |
Very late 19th century. | 0:34:36 | 0:34:38 | |
It is missing its glass bits, but for a tenner, | 0:34:38 | 0:34:40 | |
she is going to make some money. | 0:34:40 | 0:34:43 | |
Ashtrays are not popular. | 0:34:43 | 0:34:46 | |
Smoking is not PC. | 0:34:46 | 0:34:49 | |
So that type of item isn't great in this market. | 0:34:49 | 0:34:53 | |
But the addition of the - | 0:34:53 | 0:34:55 | |
some people call it jade - that might attract people to it. | 0:34:55 | 0:34:59 | |
It is that all-important auction day. | 0:35:00 | 0:35:02 | |
And this morning, we are in the village of Kinbuck, | 0:35:02 | 0:35:05 | |
just four miles north of the Scottish | 0:35:05 | 0:35:07 | |
cathedral town of Dunblane. | 0:35:07 | 0:35:09 | |
But sadly, due to a family emergency, | 0:35:09 | 0:35:12 | |
David will be missing today's auction. | 0:35:12 | 0:35:14 | |
David isn't with us today. | 0:35:14 | 0:35:16 | |
But I will be rooting for his items, tooting them on, | 0:35:16 | 0:35:20 | |
but not too much as I want to win. | 0:35:20 | 0:35:23 | |
Yes! | 0:35:23 | 0:35:24 | |
Today's auction is taking place at Robertsons Auctioneers, | 0:35:24 | 0:35:27 | |
and our auctioneer today is Struan Robinson. | 0:35:27 | 0:35:30 | |
The vintage picnic set. I think this is really nice. It's complete. | 0:35:30 | 0:35:34 | |
You could take it straight out, have a picnic with it if you wanted. | 0:35:34 | 0:35:37 | |
I would say the Oriental bronze mirror with the polished front, | 0:35:37 | 0:35:41 | |
I think that is my favourite. | 0:35:41 | 0:35:43 | |
Something a bit different. | 0:35:43 | 0:35:44 | |
I think that might make the highest out of the lot today. | 0:35:44 | 0:35:48 | |
David and Anita have just over ten pounds between them | 0:35:48 | 0:35:51 | |
in this competition, so there is everything to play for today. | 0:35:51 | 0:35:55 | |
The room is packed! | 0:35:55 | 0:35:57 | |
Let the auction commence. | 0:35:57 | 0:35:59 | |
First up, it is Anita's gramophone with record. | 0:36:01 | 0:36:05 | |
Now, this is a really nice piece here. | 0:36:05 | 0:36:06 | |
You've even got the record there, | 0:36:06 | 0:36:08 | |
you can go straight out into the grass and have a wee listen. OK? | 0:36:08 | 0:36:11 | |
And if you really want, OK, take Jamie with it. | 0:36:11 | 0:36:13 | |
And Jamie can serenade you as you are sitting, having your picnic | 0:36:13 | 0:36:17 | |
listening to your music, OK? | 0:36:17 | 0:36:19 | |
-£30. 30 bid. -He started at 30, that's good. | 0:36:19 | 0:36:23 | |
34. 36. 38. 40. | 0:36:23 | 0:36:26 | |
-45. 50. -Yes! | 0:36:26 | 0:36:29 | |
Advance on 50? 55. 60. | 0:36:29 | 0:36:31 | |
Advance on 60? Advance on £60? | 0:36:31 | 0:36:34 | |
All out on 60, then. | 0:36:34 | 0:36:36 | |
That is good, £60. I'm happy with that. | 0:36:36 | 0:36:41 | |
That's the sweet, sweet sound of a profit. Bravo, Anita. | 0:36:41 | 0:36:44 | |
Next, it is David's 20th-century brass car horn. | 0:36:46 | 0:36:51 | |
-£15. Ten pounds, not dropping. Come on, ten pounds. -Ten, we are started. | 0:36:51 | 0:36:55 | |
He is in profit already. | 0:36:55 | 0:36:57 | |
Advance on 10? 12. 14. 16. | 0:36:57 | 0:37:00 | |
18. Advance on 18? Still cheap, guys. | 0:37:00 | 0:37:02 | |
Advance on 18? | 0:37:02 | 0:37:04 | |
All out on 18, then. | 0:37:04 | 0:37:05 | |
£18, that is not bad. | 0:37:05 | 0:37:09 | |
I am sure David would be pleased. | 0:37:09 | 0:37:12 | |
Not sure he will be. But he has doubled his money there. | 0:37:12 | 0:37:15 | |
Will Anita's vintage picnic set fair any better, though? | 0:37:15 | 0:37:19 | |
Now, if you bought the picnic gramophone earlier, OK, | 0:37:19 | 0:37:22 | |
what a lovely wee accompaniment. | 0:37:22 | 0:37:23 | |
OK? And again, you'll have Jamie with you. | 0:37:23 | 0:37:26 | |
He'll sing along and he will actually feed you grapes as well, | 0:37:26 | 0:37:28 | |
OK? So you have got all that there, OK? | 0:37:28 | 0:37:32 | |
25 then. £25. £25. | 0:37:32 | 0:37:34 | |
-25 bid. -26. 28. 30. | 0:37:34 | 0:37:37 | |
32. £32. Advance on 32? | 0:37:37 | 0:37:39 | |
34. 36. | 0:37:39 | 0:37:41 | |
£36. Advance on 36? Still cheap. 38. | 0:37:41 | 0:37:44 | |
£38. 40. Advance on 40? Next is 5. | 0:37:44 | 0:37:48 | |
Advanced on 45? 50. Advance on 50? | 0:37:48 | 0:37:51 | |
Advance on £50? Advance on 50? | 0:37:51 | 0:37:53 | |
Keep that open there, Jamie. Keep enticing her. Advance on 50? | 0:37:53 | 0:37:56 | |
Advance on £50? Jamie is worth it. All out on 50 then. | 0:37:56 | 0:37:59 | |
£50, that is not bad. | 0:37:59 | 0:38:02 | |
It is no picnic making profits at auction. | 0:38:03 | 0:38:06 | |
That is another good buy for Anita, though. | 0:38:06 | 0:38:08 | |
Now for something with significantly more age - | 0:38:08 | 0:38:12 | |
David's George III mahogany chair. | 0:38:12 | 0:38:14 | |
And I'll start the bidding off at 30. Advance on 30? | 0:38:14 | 0:38:17 | |
-In at 30. -Advance on 30? Advance on £30? | 0:38:17 | 0:38:20 | |
All right on 30 then. Last chance at 30. | 0:38:20 | 0:38:24 | |
Maiden bid at 30. That is not too bad at all. | 0:38:24 | 0:38:28 | |
Quite right. | 0:38:28 | 0:38:29 | |
Who says brown furniture is not that popular at the moment? | 0:38:29 | 0:38:32 | |
Cos that is actually quite a decent profit. | 0:38:32 | 0:38:33 | |
Something both experts thought was a great find, | 0:38:35 | 0:38:38 | |
though, was Anita's silver flower holder. | 0:38:38 | 0:38:41 | |
That is my best item and I am really interested to see how far it will go. | 0:38:41 | 0:38:46 | |
I am hoping for great things on this little one. | 0:38:46 | 0:38:50 | |
And I'll start the bidding off at 80. At 80. | 0:38:50 | 0:38:52 | |
-Yes! -85. 90. 95. | 0:38:52 | 0:38:55 | |
One. 110 with you. | 0:38:55 | 0:38:57 | |
Advance on 110? Advance on £110? | 0:38:57 | 0:39:00 | |
All out on 110, then. | 0:39:00 | 0:39:02 | |
-Last chance on 110. -110! 120! -120. | 0:39:02 | 0:39:04 | |
Advance on 120? 130. | 0:39:04 | 0:39:06 | |
Advance on 130? Advance on £130? | 0:39:06 | 0:39:09 | |
-140. -140. | 0:39:09 | 0:39:11 | |
Advance on 140? Advance on £140? | 0:39:11 | 0:39:14 | |
All out at 140, then. | 0:39:14 | 0:39:16 | |
140! What a result! | 0:39:16 | 0:39:19 | |
Yes! That's an amazing profit and a great find. Well done, Anita. | 0:39:19 | 0:39:23 | |
Lesson there - look for the hallmarks. | 0:39:23 | 0:39:26 | |
They can be underneath a piece of embossed work. | 0:39:26 | 0:39:30 | |
Will David's jade based ashtray do as well? | 0:39:30 | 0:39:34 | |
He paid very little for it. | 0:39:34 | 0:39:36 | |
It is going to do well. | 0:39:36 | 0:39:38 | |
Ten, I'm not dropping. Come on, guys. It has got to be worth that. | 0:39:38 | 0:39:40 | |
-Ten bid. An advance on ten? -Ten, it is started. -Come on, guys, bid. | 0:39:40 | 0:39:44 | |
-Advance on ten? 12. £12. 14. 14. -It's climbing. | 0:39:44 | 0:39:48 | |
Advance on 14? Advance on £14? All out on 14, then. | 0:39:48 | 0:39:52 | |
£14. Well, it's still profit. | 0:39:52 | 0:39:54 | |
Another small profit there. David needs a big win to catch up. | 0:39:55 | 0:39:59 | |
Next, it is Anita's treen snuffbox. | 0:40:01 | 0:40:05 | |
-25 starts it then. 25 bid. -25! 25. | 0:40:05 | 0:40:08 | |
30. 32. £32. | 0:40:08 | 0:40:10 | |
-34. -We are in profit. -Advance on 34? | 0:40:10 | 0:40:13 | |
Advance on £34? All out on 34, then. | 0:40:13 | 0:40:17 | |
I am happy enough with that. £34. | 0:40:17 | 0:40:20 | |
That was probably just about the right price for it. | 0:40:20 | 0:40:23 | |
If you are happy, then I am happy too, Anita. | 0:40:23 | 0:40:27 | |
I am soaring ahead at the moment. | 0:40:27 | 0:40:30 | |
But David has his two best items to go. | 0:40:30 | 0:40:35 | |
Speaking of which, it is David's writing box with the inkwell. | 0:40:35 | 0:40:40 | |
-50 bid. -50 bid! 50. -Advance on £50? | 0:40:40 | 0:40:42 | |
55. 60. | 0:40:42 | 0:40:44 | |
65. 70. £70. Advance on 70? | 0:40:44 | 0:40:48 | |
Advance on £70? All out on 70, then. | 0:40:48 | 0:40:50 | |
Not a bad profit. | 0:40:50 | 0:40:52 | |
Not bad indeed. David will be sad to be missing the excitement. | 0:40:54 | 0:40:58 | |
-Time for Anita's snowshoes. -I'll start the bidding off than at £20. | 0:40:59 | 0:41:04 | |
Advance on 20? 22. 24. 26. | 0:41:04 | 0:41:06 | |
-There is a wee bit of interest in there. -30. | 0:41:06 | 0:41:08 | |
£30. 32. 34. | 0:41:08 | 0:41:12 | |
£34. An advance on 34? | 0:41:12 | 0:41:14 | |
Advance on £34? Still cheap, guys. | 0:41:14 | 0:41:16 | |
Nice gear at £34. | 0:41:16 | 0:41:18 | |
All out on 34, then. | 0:41:18 | 0:41:20 | |
That is good enough, I am happy with that. | 0:41:20 | 0:41:23 | |
Anita is having a great day today. | 0:41:23 | 0:41:25 | |
David's biggest spend and most quirky item - | 0:41:25 | 0:41:28 | |
his Japanese bronze mirror - is up next. Stand by. | 0:41:28 | 0:41:31 | |
This could be a flyer. | 0:41:33 | 0:41:35 | |
£40. | 0:41:35 | 0:41:36 | |
£30, then. Come on. £30, guys. 30 bid. Advance on 30? | 0:41:36 | 0:41:40 | |
32. 34. 36. 38. 40. | 0:41:40 | 0:41:45 | |
45. Advance on 45? 50. | 0:41:45 | 0:41:49 | |
-Yes. Come on. -Advance on 50? Advance on £50? | 0:41:49 | 0:41:51 | |
Advance on 50? All out on 50, then? | 0:41:51 | 0:41:55 | |
Oh, £50. Didn't quite make it. | 0:41:55 | 0:41:59 | |
In fact, you could call it a sad reflection. | 0:41:59 | 0:42:01 | |
He'd be disappointed with that. | 0:42:01 | 0:42:04 | |
Better luck next time. Onwards and upwards. | 0:42:04 | 0:42:07 | |
David started today with £422.60. | 0:42:08 | 0:42:13 | |
He has made a small profit of £7.24 after auction costs. | 0:42:13 | 0:42:17 | |
He takes forward £429.84. | 0:42:17 | 0:42:23 | |
Anita, however, has had a great auction today. | 0:42:23 | 0:42:26 | |
She started with £409.49 and after costs, | 0:42:26 | 0:42:30 | |
she made a profit of £155.76, meaning she takes | 0:42:30 | 0:42:35 | |
the lead from David with £565.25 to spend on their final adventure. | 0:42:35 | 0:42:41 | |
That auction went terrifically well for me | 0:42:45 | 0:42:48 | |
and I am absolutely delighted. | 0:42:48 | 0:42:50 | |
David might be lagging behind, | 0:42:50 | 0:42:53 | |
but he has still got a healthy budget going forward. | 0:42:53 | 0:42:56 | |
Safe home, Anita. And hurry back, David! | 0:42:56 | 0:42:59 | |
Next time, on their final leg of the road trip, | 0:43:00 | 0:43:03 | |
Anita takes a titanic-sized risk. | 0:43:03 | 0:43:06 | |
Well, I hope my purchases will keep my profit afloat. | 0:43:06 | 0:43:10 | |
But who will come out victorious? | 0:43:10 | 0:43:12 | |
Don't sell them. Oh, no! | 0:43:12 | 0:43:15 |