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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HORN TOOTS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
-or the slow road to disaster? -Oh! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the final leg of the Road Trip for debonair David Harper | 0:00:37 | 0:00:41 | |
and the queen of the auction room Anita Manning. | 0:00:41 | 0:00:43 | |
-We're in your neck of the woods. -We're in my neck of the woods. | 0:00:45 | 0:00:49 | |
-Good buying venues in these parts, Anita Manning? -Oh, yes. | 0:00:49 | 0:00:52 | |
We are indeed just outside Glasgow. It's been a fun old Road Trip. | 0:00:52 | 0:00:57 | |
Time for a bit of nostalgic reflection perhaps. | 0:00:57 | 0:01:00 | |
Well, it's been a lark. It's been a great lark. | 0:01:00 | 0:01:03 | |
Yep, yep, and it has been so much fun. | 0:01:03 | 0:01:05 | |
-And we've seen wonderful places, David. -We have, yes. | 0:01:05 | 0:01:08 | |
I will miss you, Anita. It has been a really great adventure. | 0:01:08 | 0:01:12 | |
David has a bit of a soft spot for his travel companion, | 0:01:16 | 0:01:19 | |
but our bonnie auctioneer Anita Manning | 0:01:19 | 0:01:21 | |
has already set her sights on someone else. | 0:01:21 | 0:01:24 | |
-I quite fancy him. -Ha! | 0:01:24 | 0:01:27 | |
David Harper has his heart set firmly on winning the final auction, | 0:01:27 | 0:01:30 | |
but could he be about to fall for the wrong thing? | 0:01:30 | 0:01:33 | |
Oh, John, here I am looking at a pair of oriental vases. | 0:01:35 | 0:01:40 | |
I can sense myself getting into all sorts of trouble here. | 0:01:41 | 0:01:45 | |
Our lovestruck antiquers have been steadily eating up the miles north | 0:01:45 | 0:01:50 | |
in their sturdy little 1965 Morris Minor Convertible. | 0:01:50 | 0:01:54 | |
And our little car has just behaved like a dream. | 0:01:55 | 0:01:59 | |
-She's been a little buzzer, hasn't she? -I'm going to miss her. | 0:01:59 | 0:02:03 | |
-I might even miss you. -And me. -Aw, so sweet. | 0:02:03 | 0:02:07 | |
Our lovable duo started this trip with £200 each. | 0:02:07 | 0:02:12 | |
On this final stretch, David has £429.84 to spend. | 0:02:12 | 0:02:17 | |
Anita, however, has soared ahead, so she goes into this last leg | 0:02:19 | 0:02:22 | |
in the lead, with £565.25 for the trip ahead | 0:02:22 | 0:02:27 | |
and the competition's heating up! | 0:02:27 | 0:02:29 | |
-Well, I'm a wee bit ahead of you, David. -Oh, stop it. -A wee bit ahead. | 0:02:32 | 0:02:36 | |
A wee bit? | 0:02:36 | 0:02:38 | |
You're miles ahead, it's ridiculous, and should be actually illegal. | 0:02:38 | 0:02:41 | |
Quite right. Speaking of miles, David and Anita have been travelling | 0:02:41 | 0:02:45 | |
over 700 of them, all the way from Ramsbottom, Lancashire, | 0:02:45 | 0:02:49 | |
snaking their way up through Yorkshire to Bonnie Scotland, | 0:02:49 | 0:02:53 | |
ending up in Paisley. | 0:02:53 | 0:02:54 | |
Today's journey is commencing just outside the old weaving village | 0:02:54 | 0:02:59 | |
of Kilbarchan in Renfrewshire | 0:02:59 | 0:03:02 | |
and finishes at this week's final auction in Paisley. | 0:03:02 | 0:03:05 | |
David's first shop of this leg is Gardner's Antiques, | 0:03:05 | 0:03:08 | |
where he's meeting a dealer also called David. Stand by. | 0:03:08 | 0:03:12 | |
-Keep it nice and simple. Two Davids together, eh? -Nice to meet you. | 0:03:12 | 0:03:15 | |
And he's quick to spot something of interest. | 0:03:22 | 0:03:25 | |
And that's that big lump of glass screaming the 1960s. | 0:03:27 | 0:03:33 | |
So cool and so stylish, very organic in its twisty shape. | 0:03:33 | 0:03:38 | |
But look at the light fitting itself. | 0:03:38 | 0:03:40 | |
That is not a recent addition, that is original, | 0:03:40 | 0:03:43 | |
contemporary to the glass. | 0:03:43 | 0:03:45 | |
That flying fish mark is a Strathearn Glass mark. | 0:03:45 | 0:03:49 | |
Strathearn Glass was manufactured from 1965 to 1980. | 0:03:49 | 0:03:54 | |
Aside from the leaping salmon, it's also recognisable | 0:03:54 | 0:03:58 | |
by its bold, bright colours | 0:03:58 | 0:04:00 | |
similar to the hugely collectable Italian Murano glass. | 0:04:00 | 0:04:04 | |
So, something that has a real continental, stylish, Italian look | 0:04:04 | 0:04:09 | |
was actually made probably no more than two hours | 0:04:09 | 0:04:13 | |
from where we are standing right now. | 0:04:13 | 0:04:15 | |
It's bang on trend and I want it so badly it's unbelievable. | 0:04:15 | 0:04:21 | |
Its ticket price is £95, but will the other David be willing to do a deal? | 0:04:22 | 0:04:28 | |
So, David, do you love 20th-century design or not? | 0:04:28 | 0:04:32 | |
It's not really my thing, but I can appreciate that it is attractive. | 0:04:32 | 0:04:37 | |
Right. That's bringing the price down, then. | 0:04:37 | 0:04:40 | |
-No, not at all. -No! | 0:04:42 | 0:04:43 | |
-I didn't think so. -Not looking too hopeful on that discount. | 0:04:45 | 0:04:50 | |
-Maybe use some of that Harper charm. -I love it. -Yep. -I've got taste. | 0:04:50 | 0:04:54 | |
-You hate it... -Not quite what I had in mind. | 0:04:54 | 0:04:58 | |
-What's the best on that for me, trade? -That would be £80. -£80? | 0:04:58 | 0:05:02 | |
-So that's it, as we say, the death? -It is the death, yes. -OK. -£80. | 0:05:02 | 0:05:06 | |
Well, I think I've got to have it, David. Thank you very much. | 0:05:06 | 0:05:09 | |
David's spent big on his first item, | 0:05:09 | 0:05:11 | |
heading boldly towards the final auction. | 0:05:11 | 0:05:14 | |
Anita is ten miles south, in the town of Kilbirnie. | 0:05:18 | 0:05:22 | |
Back in Ayrshire, and her old stomping ground, | 0:05:22 | 0:05:25 | |
Anita is catching up with girlfriend Greta. | 0:05:25 | 0:05:28 | |
-Hi, Greta. -Anita, how are you? | 0:05:31 | 0:05:33 | |
It's lovely to see you again and to be back in the Stirrup Cup. | 0:05:33 | 0:05:37 | |
Anita has just over £565 burning a hole in her pocket. | 0:05:39 | 0:05:44 | |
Can she spend some of it in here? | 0:05:44 | 0:05:46 | |
MUSIC: My Heart Will Go On by Celine Dion | 0:05:46 | 0:05:49 | |
Tell me a bit about this. | 0:05:55 | 0:05:56 | |
It was made by this enthusiast, this chap, who has completely | 0:05:56 | 0:06:01 | |
built it himself with its working steam engine inside. | 0:06:01 | 0:06:05 | |
This boat has been painstakingly made but with a £250 ticket price, | 0:06:05 | 0:06:10 | |
will thrifty Anita think it's worth the financial risk? | 0:06:10 | 0:06:13 | |
-I do like it. I'm sorely tempted. -You can't lose money on that. | 0:06:13 | 0:06:17 | |
I know that I quite possibly could. It's a substantial buy. | 0:06:17 | 0:06:21 | |
-It's not a modest buy. -I know, I know. | 0:06:21 | 0:06:23 | |
You wanted to come in and spend 30. | 0:06:23 | 0:06:25 | |
Clearly Greta's dealt with Anita before. | 0:06:25 | 0:06:28 | |
However, the fact that it's been made by an amateur | 0:06:28 | 0:06:31 | |
could decrease its value at auction significantly. | 0:06:31 | 0:06:35 | |
What is the very bottom that you would take for it? | 0:06:35 | 0:06:37 | |
220. | 0:06:41 | 0:06:42 | |
-I thought you were going to say 150. -No, no, no, no, no. | 0:06:44 | 0:06:48 | |
-I can't be that much in loss. -Would you take the 200 for it? | 0:06:48 | 0:06:51 | |
-I will. -200, that's lovely. Thank you very much, Greta. | 0:06:51 | 0:06:54 | |
-You're very welcome. -That's a great boat. | 0:06:54 | 0:06:57 | |
Brave move, Anita. | 0:06:57 | 0:06:58 | |
She's risking her lead by spending a huge chunk of her cash | 0:06:58 | 0:07:02 | |
on a bit of a gamble item. | 0:07:02 | 0:07:04 | |
Perhaps time to get back to some familiar ground, Anita. Jewellery. | 0:07:04 | 0:07:08 | |
-I was looking at this little brooch here. -Isn't it sweet? -That's nice. | 0:07:08 | 0:07:13 | |
-It's just a pity there's not a name on it. -Is there no marker? | 0:07:13 | 0:07:16 | |
I don't see a sculptor's name on it. | 0:07:16 | 0:07:19 | |
I think this is quite a nice thing, Art Nouveau, and I love that period. | 0:07:19 | 0:07:23 | |
It's a piece of costume jewellery and I think it's very sweet. | 0:07:23 | 0:07:28 | |
Ticket price is £45. | 0:07:31 | 0:07:32 | |
Looking at a reasonable price that will give me a chance... | 0:07:34 | 0:07:37 | |
I'd be... Is 25...? | 0:07:41 | 0:07:44 | |
It's a bit low. I was thinking nearer 40. | 0:07:44 | 0:07:48 | |
-Well, if I could get even 32. -Could you go to 30 for it? | 0:07:48 | 0:07:51 | |
-OK, then. Yes. -Could we go to 30? -Yeah. | 0:07:51 | 0:07:54 | |
For £230, Anita has picked up two items in this shop | 0:07:56 | 0:08:00 | |
and is on her merry way. | 0:08:00 | 0:08:01 | |
Well, I hope my purchases will keep my profit afloat. | 0:08:03 | 0:08:06 | |
-And good luck to you. -Bye-bye. | 0:08:06 | 0:08:09 | |
FERRY HORN BLOWS | 0:08:09 | 0:08:11 | |
David is taking the 35-minute ferry ride across the Firth of Clyde | 0:08:11 | 0:08:16 | |
to the beautiful Isle of Bute. | 0:08:16 | 0:08:18 | |
He's here to visit Mount Stuart, | 0:08:21 | 0:08:23 | |
one of the most spectacular Gothic revival buildings in Britain. | 0:08:23 | 0:08:27 | |
David is meeting Head of Collections, Alice Martin... Lucky old Alice. | 0:08:31 | 0:08:36 | |
-Hello, Alice. -Hi, welcome to Mount Stuart. | 0:08:36 | 0:08:38 | |
..to learn more about this beautiful building and the incredible history | 0:08:38 | 0:08:42 | |
surrounding the family who created it. | 0:08:42 | 0:08:44 | |
Alice, this is some entrance hall, is it not? This is a house. | 0:08:44 | 0:08:48 | |
It is a house, yes. It climbs to about 89 feet. | 0:08:48 | 0:08:53 | |
Every house should have one. | 0:08:53 | 0:08:54 | |
It shows the stars in the northern hemisphere. | 0:08:54 | 0:08:57 | |
The house is the hereditary seat of the Crichton-Stuart family, | 0:09:00 | 0:09:03 | |
who share common ancestry with the Scottish monarchy. | 0:09:03 | 0:09:06 | |
So, how many generations, then, do the family go back here? | 0:09:08 | 0:09:12 | |
The family's involvement in the island goes right back to the 1300s. | 0:09:12 | 0:09:17 | |
The family were intertwined with the earliest of the Stuart's kings | 0:09:17 | 0:09:22 | |
so Walter, High Steward to the Scottish king, | 0:09:22 | 0:09:25 | |
married Robert the Bruce's daughter, Marjorie. | 0:09:25 | 0:09:28 | |
So, this family share common ancestry | 0:09:28 | 0:09:30 | |
with Bonnie Prince Charlie, Mary, Queen of Scots | 0:09:30 | 0:09:33 | |
and all of those great figures from Stuart royal history. | 0:09:33 | 0:09:36 | |
The house was originally built in the 1700s but burnt down in 1877. | 0:09:39 | 0:09:44 | |
The Third Marquess, thought at the time to be | 0:09:47 | 0:09:50 | |
the richest man in Britain, rebuilt it in the 1880s. | 0:09:50 | 0:09:53 | |
Unsurprisingly, no expense was spared. | 0:09:53 | 0:09:56 | |
This house is actually a phoenix that arose out of the ashes | 0:10:02 | 0:10:07 | |
and is estimated to have cost around £89 million in today's money. | 0:10:07 | 0:10:11 | |
Well, you would if you could, wouldn't you? | 0:10:11 | 0:10:13 | |
You would if you could. | 0:10:13 | 0:10:14 | |
When it was rebuilt, the finest craftsmen of the time | 0:10:14 | 0:10:18 | |
were brought in to replicate architectural marvels | 0:10:18 | 0:10:21 | |
from around the world. | 0:10:21 | 0:10:23 | |
Our floor in the marble chapel is a direct influence | 0:10:23 | 0:10:27 | |
from the Sistine Chapel, for example. | 0:10:27 | 0:10:29 | |
These banisters that you see around the gallery, | 0:10:29 | 0:10:32 | |
they're all exact replicas of Charlemagne's Palace | 0:10:32 | 0:10:35 | |
in Aachen in Germany. | 0:10:35 | 0:10:37 | |
All of the marble that you see around here is Italian and Sicilian. | 0:10:37 | 0:10:40 | |
He actually built a railway to bring all of the marble | 0:10:40 | 0:10:44 | |
from the pier down below the house up to the house | 0:10:44 | 0:10:47 | |
and built a worker's village for all the people that it took. | 0:10:47 | 0:10:50 | |
-It sounds like a movie, doesn't it? -It is incredible. | 0:10:50 | 0:10:53 | |
-It's such a great script, that. -It is a script. | 0:10:53 | 0:10:55 | |
The house also comes equipped with some great historical characters. | 0:10:57 | 0:11:02 | |
The Third Earl of Bute, who lived here in the 18th century, | 0:11:02 | 0:11:05 | |
was the first Scottish Prime Minister of the United Kingdom. | 0:11:05 | 0:11:08 | |
He was also one of the founders of Kew Gardens | 0:11:08 | 0:11:11 | |
and his love of botany is believed to have stemmed | 0:11:11 | 0:11:14 | |
from the spectacular grounds here. | 0:11:14 | 0:11:16 | |
-OK, so this is our grand dining room. -Grand dining room, indeed. | 0:11:18 | 0:11:23 | |
My gosh. | 0:11:23 | 0:11:25 | |
Where did the money come from? | 0:11:25 | 0:11:27 | |
A lot of the money that built this house comes from Wales and coal. | 0:11:27 | 0:11:33 | |
The Second Marquess had inherited through his grandmother, | 0:11:33 | 0:11:36 | |
Charlotte Jane Windsor, huge tracts of land in Wales, | 0:11:36 | 0:11:40 | |
and he, being an entrepreneur, the Second Marquess, | 0:11:40 | 0:11:44 | |
actually developed Cardiff from quite a small fishing village | 0:11:44 | 0:11:47 | |
into one of the largest coal-exporting cities in the world | 0:11:47 | 0:11:52 | |
by building massive docks, which were known as the Bute Docks. | 0:11:52 | 0:11:56 | |
With unlimited resources, | 0:11:56 | 0:11:58 | |
the house was equipped with all mod cons, such as ceiling lights, | 0:11:58 | 0:12:02 | |
and claims to have the first indoor heated pool in the world. | 0:12:02 | 0:12:06 | |
It was the most modern house in Britain. | 0:12:06 | 0:12:09 | |
Gosh, Alice. | 0:12:09 | 0:12:11 | |
I suppose this is a snapshot of absolute modern living... | 0:12:11 | 0:12:15 | |
-Absolutely. -..for the very rich late-19th century family. | 0:12:15 | 0:12:19 | |
Yeah, yeah. I mean, if you had imagination and a lot of money, | 0:12:19 | 0:12:22 | |
you built one of these and, of course, being the first | 0:12:22 | 0:12:26 | |
that we know of in the world to be heated in a private home, | 0:12:26 | 0:12:29 | |
this is pretty unique. And it's just fascinating | 0:12:29 | 0:12:32 | |
cos this is obviously one of the parts of the house | 0:12:32 | 0:12:34 | |
that didn't get finished when the Third Marquess died in 1900. | 0:12:34 | 0:12:37 | |
-Sorry, the house was never finished? -It's still a work-in-progress. | 0:12:37 | 0:12:40 | |
Whilst the family no longer live in Mount Stuart, | 0:12:42 | 0:12:44 | |
they are still dedicated to preserving | 0:12:44 | 0:12:47 | |
the Crichton-Stuart family history and the building, | 0:12:47 | 0:12:50 | |
now managed by the Mount Stuart Trust. | 0:12:50 | 0:12:53 | |
Thanks to them, | 0:12:53 | 0:12:55 | |
and not unlike Gaudi's Sagrada Familia in Barcelona, | 0:12:55 | 0:13:00 | |
work on this incredible building still continues today | 0:13:00 | 0:13:03 | |
based on its original designs. | 0:13:03 | 0:13:05 | |
Across the water, | 0:13:10 | 0:13:11 | |
Anita is in the traditional Scottish holiday resort of Largs. | 0:13:11 | 0:13:15 | |
The last seagoing paddle steamer in the world, the Waverley, | 0:13:16 | 0:13:19 | |
makes regular trips from here in the summer. | 0:13:19 | 0:13:22 | |
Anita's catching up with yet another old pal at Narducci Antiques. | 0:13:25 | 0:13:30 | |
In spite of spending big in her first shop, | 0:13:33 | 0:13:36 | |
she's still got just over £335 left to spend. | 0:13:36 | 0:13:41 | |
Stand by, everyone. | 0:13:41 | 0:13:42 | |
I quite like this desk piece here. | 0:13:44 | 0:13:47 | |
It's a wee desk accessory and I suppose you would put | 0:13:49 | 0:13:53 | |
your papers and envelopes and so on in there. | 0:13:53 | 0:13:55 | |
Letters and envelopes, uh-huh. | 0:13:55 | 0:13:56 | |
And this would be where you would put your inkwells and a little... | 0:13:56 | 0:14:03 | |
-For your nibs. -Nibs or stamps or whatever. | 0:14:03 | 0:14:06 | |
Probably... What would you say? Turn of the century? | 0:14:06 | 0:14:09 | |
-Turn of the last century, yes. -Edwardian. | 0:14:09 | 0:14:11 | |
And these wee chookie birdies. | 0:14:11 | 0:14:15 | |
They're sweet, aren't they? Lovely. | 0:14:15 | 0:14:17 | |
This piece is fresh in today, so no ticket price. | 0:14:18 | 0:14:22 | |
Chance of a bargain, perhaps? | 0:14:22 | 0:14:24 | |
I'd like to be paying probably about £20 for it. | 0:14:24 | 0:14:27 | |
-I was thinking more of around the 45 mark. -Could you come further down? | 0:14:27 | 0:14:32 | |
Could you come to 25? | 0:14:32 | 0:14:34 | |
-30, how does 30 sound? -30 is sounding better. | 0:14:34 | 0:14:37 | |
Do you know, Franco, we're getting there? | 0:14:37 | 0:14:40 | |
-I see you winning this one, do you know that? -Do you know? I do too. | 0:14:40 | 0:14:44 | |
28, Anita, how's that? | 0:14:44 | 0:14:46 | |
We're going to go for that. It's good at 28, but can I show you | 0:14:46 | 0:14:50 | |
-something else? Which is a wee bit mad... -OK. -..and you might | 0:14:50 | 0:14:53 | |
-just want to... -Give you it. -..get rid of it. | 0:14:53 | 0:14:57 | |
Another dealer who knows our wily Anita's ways. | 0:14:57 | 0:15:01 | |
So, that's one item down and another one still to play for. | 0:15:01 | 0:15:05 | |
Franco, I know this is a bit crazy but my eye was taken to this... | 0:15:06 | 0:15:11 | |
-For me, it's a little piece of sculpture. -Uh-huh. Yes, it is. | 0:15:11 | 0:15:15 | |
It's quite an unusual piece, a wee centrepiece for a table. | 0:15:15 | 0:15:17 | |
-Uh-huh, for your candles. -For your candles, yes. | 0:15:17 | 0:15:19 | |
When I looked at it, I thought, "Is it brand-new? | 0:15:19 | 0:15:21 | |
"Where does it come from? Is it just a piece of nothing, really?" | 0:15:21 | 0:15:26 | |
In the end, I didn't care because I liked it. | 0:15:26 | 0:15:30 | |
It reminds me of space travel and spaceships, | 0:15:30 | 0:15:33 | |
and surface of the moon, and Sputniks, | 0:15:33 | 0:15:36 | |
and all that sort of stuff. | 0:15:36 | 0:15:38 | |
This looks like a Christofle piece to me, | 0:15:38 | 0:15:41 | |
which could make it rather sought after. | 0:15:41 | 0:15:43 | |
For you, I'll do that for £25. | 0:15:43 | 0:15:46 | |
25?! Come on, Franco, you must know what you're selling here. | 0:15:46 | 0:15:50 | |
I would really like to be buying it for a tenner. | 0:15:50 | 0:15:55 | |
Try again. Try me again. Go on. | 0:15:55 | 0:15:59 | |
I'll throw a cuddle in. | 0:15:59 | 0:16:01 | |
-I'll throw a cuddle in if you say yes. -15? | 0:16:01 | 0:16:05 | |
-Let's go for both of them. -Thank you, thank you. | 0:16:07 | 0:16:12 | |
OK, thank you. Oh, Franco. | 0:16:12 | 0:16:15 | |
I say, Franco definitely deserves a kiss. | 0:16:15 | 0:16:17 | |
He's been incredibly generous there as Anita is about to find out. | 0:16:17 | 0:16:21 | |
It turns out that this is Christofle, | 0:16:21 | 0:16:24 | |
which is a good French make, | 0:16:24 | 0:16:26 | |
and Franco has just pointed that out to me. | 0:16:26 | 0:16:29 | |
He has also supplied me with the box for it | 0:16:29 | 0:16:33 | |
and, if I had known that beforehand... Franco... | 0:16:33 | 0:16:35 | |
You'd have paid me fortunes. You'd have paid me fortunes. | 0:16:35 | 0:16:38 | |
I would have paid you another £3. | 0:16:38 | 0:16:41 | |
Put it there, before you change your mind. | 0:16:41 | 0:16:43 | |
No, I'm not changing my mind. A deal's a deal. | 0:16:43 | 0:16:46 | |
That's unbelievably kind of you, Franco. | 0:16:46 | 0:16:49 | |
For £43, Anita walks away with a French centrepiece | 0:16:49 | 0:16:52 | |
and a fruitwood letter rack. | 0:16:52 | 0:16:55 | |
And that wraps up Day One. | 0:16:55 | 0:16:57 | |
Night-night. | 0:16:59 | 0:17:00 | |
It's the final day's shopping for our adventurous treasure hunters | 0:17:03 | 0:17:07 | |
and we're in Anita's hometown of Glasgow. | 0:17:07 | 0:17:09 | |
-Into bonnie Glasgow. -Into bonnie Glasgow. | 0:17:09 | 0:17:11 | |
It suddenly got much warmer when we crossed the border, didn't it? | 0:17:11 | 0:17:14 | |
-That's right. -Palm trees appeared and everything. | 0:17:14 | 0:17:17 | |
It's always Mediterranean climate in Central Scotland. | 0:17:17 | 0:17:21 | |
Ha! Anita had a great day's shopping yesterday. | 0:17:21 | 0:17:24 | |
She took a massive gamble on a working model of the Titanic | 0:17:25 | 0:17:29 | |
and also picked up an Art Nouveau brooch, | 0:17:29 | 0:17:31 | |
a fruitwood letter rack and got a Christofle centrepiece | 0:17:31 | 0:17:35 | |
for a bargain, leaving her with just under £300 to spend. | 0:17:35 | 0:17:39 | |
David, however, bought just one item, a Strathearn lamp. | 0:17:40 | 0:17:44 | |
This means he has nearly £350 to splash today. | 0:17:44 | 0:17:49 | |
David's first shop this morning is in Glasgow's Finnieston area, | 0:17:49 | 0:17:52 | |
home to a wealth of trendy bars and restaurants. | 0:17:52 | 0:17:55 | |
He's visiting Real Deal Antiques - I wonder where that name came from. | 0:17:55 | 0:17:59 | |
A bit of a tight squeeze in here. | 0:18:04 | 0:18:06 | |
Whoops. It's a broken one! | 0:18:06 | 0:18:10 | |
-It's a bronze. -Gosh, so tight. | 0:18:10 | 0:18:13 | |
See, the good thing with the antiques business is | 0:18:13 | 0:18:15 | |
you can use and abuse stuff and, when you do damage them like that, | 0:18:15 | 0:18:18 | |
it just adds a little bit of character. | 0:18:18 | 0:18:20 | |
-Isn't that right, Michael? -Certainly. | 0:18:20 | 0:18:22 | |
I'm not sure Michael's convinced. A bit more care needed, I think, David. | 0:18:22 | 0:18:27 | |
A little tea caddy. | 0:18:28 | 0:18:30 | |
It's quite unusual to find these things | 0:18:30 | 0:18:32 | |
with their original little canisters in there. | 0:18:32 | 0:18:35 | |
This is a tea caddy dating to about 1820, | 0:18:35 | 0:18:38 | |
just after the Napoleonic wars. | 0:18:38 | 0:18:40 | |
-Tea used to cost a fortune, didn't it? -Really, yeah. | 0:18:40 | 0:18:43 | |
300 years ago, one teaspoon would equate to the average wage | 0:18:43 | 0:18:48 | |
of a servant girl, so that is pretty expensive stuff. | 0:18:48 | 0:18:52 | |
Tea first became popular in Britain in the 17th century, | 0:18:52 | 0:18:56 | |
when Portuguese Princess Catherine de Braganza married Charles II. | 0:18:56 | 0:19:01 | |
Known as something of a trendsetter, her taste for tea soon caught on. | 0:19:01 | 0:19:05 | |
This one's 1820, Regency, mahogany, sarcophagus shape. | 0:19:05 | 0:19:09 | |
Ticket price £25. Looks rough to me. | 0:19:09 | 0:19:12 | |
But those things, 20 years ago, in mint condition was £300. | 0:19:12 | 0:19:18 | |
Yeah, I can remember that. | 0:19:18 | 0:19:20 | |
In worn-out condition like that, a restoration piece, was 100. | 0:19:20 | 0:19:24 | |
-Now, it is a tenner's worth, isn't it? What is it? -15. | 0:19:24 | 0:19:28 | |
Go on, then. Let's have that. It's a good start. | 0:19:28 | 0:19:31 | |
£15 for a Regency, 140-year-old, | 0:19:31 | 0:19:34 | |
thereabouts, tea caddy is absolutely ridiculous, | 0:19:34 | 0:19:38 | |
in the best possible way. | 0:19:38 | 0:19:40 | |
And if he can avoid knocking anything else over, | 0:19:40 | 0:19:43 | |
there's plenty more to see. | 0:19:43 | 0:19:45 | |
-What have we got here? -Some bowling trophies. | 0:19:45 | 0:19:49 | |
I know this stand is silver-plate. | 0:19:51 | 0:19:52 | |
-Let's have a look. So, engraved 1975. Now, William Prout... -Right. | 0:19:52 | 0:19:57 | |
..I think, was a trophy maker in Glasgow. | 0:19:57 | 0:20:02 | |
Ticket price is £35. | 0:20:02 | 0:20:04 | |
On a silver-plated stand. | 0:20:04 | 0:20:06 | |
Could it be reused as a trophy for someone else? | 0:20:06 | 0:20:10 | |
Well, it's nice to have a Glasgow | 0:20:10 | 0:20:11 | |
piece when you're in Glasgow, isn't it? | 0:20:11 | 0:20:13 | |
OK, well, it's silver but it's filled, | 0:20:13 | 0:20:15 | |
so it's very thin silver on a stand. | 0:20:15 | 0:20:17 | |
Is that 15? | 0:20:17 | 0:20:20 | |
Let me see it. | 0:20:20 | 0:20:21 | |
OK, we'll do that for 15. | 0:20:25 | 0:20:27 | |
Michael's obviously feeling generous | 0:20:27 | 0:20:29 | |
and that's another swift deal for the silver trophy. | 0:20:29 | 0:20:32 | |
Any more hidden treasure? | 0:20:34 | 0:20:37 | |
-Now that, I imagine, is a Henry Moore. -Is it? | 0:20:37 | 0:20:42 | |
Well, if that was a Henry Moore, you and I would be retired, I think. | 0:20:42 | 0:20:45 | |
Well, in my view, it's got nothing to do with Henry Moore. | 0:20:47 | 0:20:50 | |
Anyway, the ticket price is £22. | 0:20:50 | 0:20:53 | |
I've probably had that about nine months. | 0:20:54 | 0:20:56 | |
I can't really tell you where that came from. | 0:20:56 | 0:20:58 | |
So, it's been in the cabinet for nine months | 0:20:58 | 0:21:00 | |
-and nobody has spotted it as a Henry Moore yet? -No, no. | 0:21:00 | 0:21:03 | |
It's quite good fun I think, actually. | 0:21:03 | 0:21:06 | |
It's not bronze, it's just metal, isn't it? It's a bit mad. | 0:21:06 | 0:21:10 | |
Is that a five-pound note? | 0:21:10 | 0:21:12 | |
That's a good tenner's worth. | 0:21:12 | 0:21:14 | |
Go on, I'll give you ten quid for a Henry Moore. | 0:21:14 | 0:21:17 | |
Marvellous. I'm done. That's brilliant. I've bought three things. | 0:21:18 | 0:21:21 | |
-Right, OK. -Thank you very much. | 0:21:21 | 0:21:23 | |
Let's get out before I smash something. | 0:21:23 | 0:21:25 | |
Quite right. That's a total of £40 for three lots. Good job. | 0:21:25 | 0:21:30 | |
Thank you very much. | 0:21:30 | 0:21:31 | |
Anita is also in Glasgow. | 0:21:32 | 0:21:34 | |
She's going to learn about famous Scottish comedian and singer | 0:21:34 | 0:21:38 | |
Harry Lauder, one of the greatest performers | 0:21:38 | 0:21:40 | |
and bestselling recording artists of his generation. | 0:21:40 | 0:21:43 | |
# Roamin' in the gloamin' on the bonnie banks o' Clyde | 0:21:44 | 0:21:49 | |
# Roamin' in the gloamin'... # | 0:21:49 | 0:21:51 | |
She's meeting Paul Maloney. | 0:21:51 | 0:21:53 | |
-Anita. -Hello, Paul. -Hello, nice to meet you. -It's lovely to meet you. | 0:21:56 | 0:21:59 | |
# Oh, it's lovely roamin' in the gloamin'... # | 0:21:59 | 0:22:04 | |
They're at Glasgow University Library, home to one of the | 0:22:04 | 0:22:07 | |
largest collections of Harry Lauder memorabilia in the world. | 0:22:07 | 0:22:11 | |
-Would you like to come in and see the collection? -Yes. | 0:22:11 | 0:22:13 | |
Who was Harry Lauder? What was his background? | 0:22:15 | 0:22:19 | |
Did he come from Glasgow? | 0:22:19 | 0:22:20 | |
No, he was born in Portobello, which is the seaside town | 0:22:20 | 0:22:23 | |
outside Edinburgh, and his father was a potter. | 0:22:23 | 0:22:27 | |
The family moved briefly to England | 0:22:29 | 0:22:31 | |
but following the tragic death of Harry's father, | 0:22:31 | 0:22:34 | |
moved back to Scotland, finally settling in Hamilton, | 0:22:34 | 0:22:37 | |
just outside Glasgow. | 0:22:37 | 0:22:39 | |
This meant that Harry had to become effectively the breadwinner | 0:22:39 | 0:22:43 | |
very early on in his life. | 0:22:43 | 0:22:45 | |
Harry started working in the flax mills | 0:22:46 | 0:22:48 | |
and eventually ended up in the mines. | 0:22:48 | 0:22:51 | |
Lauder claimed it was here that he learned to be a comic, | 0:22:51 | 0:22:54 | |
while working gruelling 12-hour shifts with no natural light. | 0:22:54 | 0:22:58 | |
It seems an unlikely background for a theatre performer. | 0:23:00 | 0:23:04 | |
He was always interested in singing and performing | 0:23:04 | 0:23:06 | |
and, in fact, about the time he started work as a boy worker, | 0:23:06 | 0:23:09 | |
in a way, he began entering competitions. | 0:23:09 | 0:23:11 | |
He was very successful. He was obviously very good at it | 0:23:11 | 0:23:14 | |
and, by the time we get to the 1890s, | 0:23:14 | 0:23:17 | |
he begins to get offers of work, | 0:23:17 | 0:23:21 | |
what were called semi-professional offers of work. | 0:23:21 | 0:23:24 | |
Lauder received his big break in 1892, | 0:23:24 | 0:23:27 | |
when he had an offer to tour the country with a concert party. | 0:23:27 | 0:23:31 | |
And so he goes off on a 14-week tour with a concert party | 0:23:31 | 0:23:35 | |
all over Scotland and it's a fantastic apprenticeship for him. | 0:23:35 | 0:23:38 | |
Despite Glasgow being at the heart of the heyday | 0:23:39 | 0:23:42 | |
of Scottish variety theatre, it wasn't until Lauder moved to London | 0:23:42 | 0:23:46 | |
that his career really took off. | 0:23:46 | 0:23:48 | |
In 1900, he decided to go to London to end what was in some ways | 0:23:50 | 0:23:54 | |
a make-or-break exercise and he got lucky. | 0:23:54 | 0:23:57 | |
A performer went off ill and he was asked at very short notice | 0:23:57 | 0:24:00 | |
by telegram to come and go on that night. | 0:24:00 | 0:24:02 | |
He charmed the audience. He sang his Scotch comic material, | 0:24:02 | 0:24:05 | |
and after that offers of work flooded in. | 0:24:05 | 0:24:07 | |
Paul, tell me a wee bit about the kind of act that he would have done | 0:24:07 | 0:24:12 | |
in those first days. | 0:24:12 | 0:24:13 | |
He would sing a succession of comic songs, | 0:24:13 | 0:24:15 | |
each with a different character. And sometimes he'd drag up | 0:24:15 | 0:24:18 | |
and play a woman or he'd play a whole range of people. | 0:24:18 | 0:24:21 | |
Lauder's arrival on the scene coincided | 0:24:22 | 0:24:24 | |
with the rise of the gramophone. | 0:24:24 | 0:24:26 | |
In 1902, he cut his first track | 0:24:26 | 0:24:30 | |
and was the first British artist to sell one million records. | 0:24:30 | 0:24:34 | |
When I think of Harry Lauder songs... | 0:24:35 | 0:24:37 | |
Roamin' in the Gloamin', I Love a Lassie - | 0:24:37 | 0:24:40 | |
-people are still singing these songs today. -Yeah. | 0:24:40 | 0:24:42 | |
# I love a lassie | 0:24:42 | 0:24:44 | |
# A bonnie, bonnie lassie | 0:24:44 | 0:24:46 | |
# She's as pure as the lily in the dell... # | 0:24:46 | 0:24:50 | |
After a successful stint in panto in 1907, Lauder decided | 0:24:50 | 0:24:55 | |
to take his act to the United States, again with unbelievable results. | 0:24:55 | 0:25:00 | |
He was hugely successful there. | 0:25:00 | 0:25:02 | |
By 1908 he was earning 5,000 a week playing in America | 0:25:02 | 0:25:06 | |
and, at the height of his success, | 0:25:06 | 0:25:08 | |
which came slightly later in the States, | 0:25:08 | 0:25:11 | |
he would have his own trains to travel with his company | 0:25:11 | 0:25:13 | |
called Lauder Expresses. | 0:25:13 | 0:25:15 | |
-He was a superstar. -He was a superstar. | 0:25:15 | 0:25:17 | |
Hugely influential throughout his career, | 0:25:18 | 0:25:21 | |
Lauder met with five American presidents. | 0:25:21 | 0:25:24 | |
He had the world at his feet when World War I broke out. | 0:25:24 | 0:25:28 | |
In 1917 he got a telegram, the dreaded telegram, | 0:25:30 | 0:25:33 | |
saying that his son had been killed in action. | 0:25:33 | 0:25:36 | |
Following this devastating news, | 0:25:37 | 0:25:40 | |
Lauder's focus moved from show business to the war effort. | 0:25:40 | 0:25:44 | |
Against the advice of the War Office, | 0:25:44 | 0:25:46 | |
he took his show to the troops in the trenches to boost morale. | 0:25:46 | 0:25:51 | |
He even tried to enlist himself but was too old. | 0:25:51 | 0:25:54 | |
He was very concerned about the troops. | 0:25:54 | 0:25:56 | |
What would happen to all the wounded? What's going to happen | 0:25:56 | 0:25:58 | |
to them after the war? How are they going to survive? | 0:25:58 | 0:26:00 | |
Lauder went on to establish the Million Pound Fund | 0:26:00 | 0:26:03 | |
to help injured soldiers. | 0:26:03 | 0:26:05 | |
He also made a short film with close friend Charlie Chaplin | 0:26:05 | 0:26:09 | |
to help raise funds. | 0:26:09 | 0:26:10 | |
He was a hugely energetic man | 0:26:11 | 0:26:13 | |
and clearly poured all his energy into doing this. | 0:26:13 | 0:26:16 | |
In 1919, Lauder was knighted for his work during the war. | 0:26:16 | 0:26:20 | |
In the 1930s, he retired from the stage | 0:26:20 | 0:26:23 | |
but continued to do the odd performance and fundraised | 0:26:23 | 0:26:26 | |
during the Second World War. | 0:26:26 | 0:26:28 | |
In a career spanning four decades, he touched the lives of countless people | 0:26:28 | 0:26:32 | |
with his generosity, gentle humour and catchy tunes. | 0:26:32 | 0:26:36 | |
# Oh, it's lovely roamin' in the gloamin'. # | 0:26:36 | 0:26:41 | |
David is nearby, visiting Glasgow City Antiques. | 0:26:43 | 0:26:47 | |
He's got just under £310 left to spend. | 0:26:47 | 0:26:51 | |
So, this is my last chance on this WHOLE trip to pull it back. | 0:26:51 | 0:26:58 | |
One more purchase and I can't go the safe route. | 0:26:58 | 0:27:01 | |
Can dealer John help him find that winning item? | 0:27:03 | 0:27:06 | |
Oh, John, here I am looking at a pair of Oriental vases. | 0:27:14 | 0:27:20 | |
I can sense myself getting into all sorts of trouble here. | 0:27:20 | 0:27:24 | |
Do you love them? | 0:27:24 | 0:27:26 | |
-Nope. -You don't? -No! -Seriously? Why? | 0:27:26 | 0:27:29 | |
-What is wrong with you? -The amount of damage. | 0:27:29 | 0:27:33 | |
That doesn't seem to be putting David off... | 0:27:33 | 0:27:35 | |
..neither does the ticket price of £220. | 0:27:37 | 0:27:40 | |
I can't help be drawn to them. | 0:27:40 | 0:27:42 | |
There you have a pair of monumental Japanese | 0:27:42 | 0:27:47 | |
late-19th century Meiji-period Satsuma vases. | 0:27:47 | 0:27:53 | |
A pair, John. What's wrong with you? | 0:27:53 | 0:27:56 | |
It's make or break. David needs to seriously think about this. | 0:27:56 | 0:28:00 | |
They're beautiful vases but severely damaged. | 0:28:00 | 0:28:04 | |
Can I buy them for sub £100? | 0:28:04 | 0:28:07 | |
-100 quid, cash. -That's not sub 100. | 0:28:07 | 0:28:10 | |
No. 100 quid, cash. | 0:28:10 | 0:28:12 | |
OK, I'm probably the only person in the world that is very happy | 0:28:13 | 0:28:18 | |
to buy a pair of smashed Satsuma vases. | 0:28:18 | 0:28:21 | |
I'm going to have to have them. I love them so much I don't care. | 0:28:21 | 0:28:24 | |
-£100. -Wish me all the luck. -I certainly do, yes. | 0:28:24 | 0:28:28 | |
Wow, I don't believe it. | 0:28:28 | 0:28:30 | |
He's got an incredible 50% off his final item | 0:28:30 | 0:28:33 | |
but it's still a bit of a gamble to buy something | 0:28:33 | 0:28:35 | |
SO badly damaged for the all-important last auction. | 0:28:35 | 0:28:40 | |
Anita has crossed over to the south bank of the River Clyde | 0:28:41 | 0:28:44 | |
and the district of Govan. | 0:28:44 | 0:28:47 | |
She's visiting the eclectic Love Salvage, | 0:28:47 | 0:28:50 | |
with just under £300 in her pocket. | 0:28:50 | 0:28:52 | |
Go, Anita. Go, girl. | 0:28:52 | 0:28:55 | |
Harley-Davidson. Vroom, vroom. Vroom, vroom. | 0:28:57 | 0:29:01 | |
5'4". | 0:29:02 | 0:29:04 | |
I've grown. | 0:29:04 | 0:29:05 | |
-It's a big adventure playground. -And speaking of adventurous... | 0:29:08 | 0:29:13 | |
SHE LAUGHS | 0:29:13 | 0:29:15 | |
It's a laughing policeman. | 0:29:18 | 0:29:20 | |
-John! -Yes? -John, where did this come from? | 0:29:22 | 0:29:25 | |
You've got to tell me. | 0:29:25 | 0:29:26 | |
We got that a while back from another private dealer. | 0:29:26 | 0:29:30 | |
-It's papier-mache and some sort of fairground attraction. -Uh-huh. | 0:29:30 | 0:29:34 | |
I've not got a lot of origin information about it. | 0:29:35 | 0:29:37 | |
I know, but it's such a hoot. | 0:29:37 | 0:29:39 | |
-It brightens up the place as well, you know? -That's right. | 0:29:39 | 0:29:42 | |
I quite fancy him. | 0:29:42 | 0:29:43 | |
Yes, does she love him enough to fork out some serious cash? | 0:29:43 | 0:29:48 | |
Remember, you've already taken a Titanic-size risk on this leg, Anita. | 0:29:48 | 0:29:52 | |
-Is this guy for sale? -He is indeed. -Everything's for sale. | 0:29:52 | 0:29:56 | |
-Everything's for sale. -OK, darling? | 0:29:56 | 0:29:59 | |
-But for what price? -He should be OK there. | 0:29:59 | 0:30:01 | |
Anita is way in the lead, but one wrong buy could cost her dearly. | 0:30:01 | 0:30:06 | |
-Tell me what you might look for him. -He's priced about £60 just now. | 0:30:06 | 0:30:10 | |
-60. -Yeah. -It is just such great fun. | 0:30:10 | 0:30:15 | |
Would you take £40 for him? | 0:30:15 | 0:30:16 | |
-I could do him... 45 probably would be the best. -45? | 0:30:19 | 0:30:22 | |
I'd be sad to see him go, but he has been here a wee while. | 0:30:22 | 0:30:25 | |
-Well, I think maybe he's got a new home then at 45. -Fantastic. | 0:30:25 | 0:30:30 | |
Put it there, John. That's great, thank you. | 0:30:30 | 0:30:32 | |
-Thank you very much, Anita. -You're coming home with me. | 0:30:32 | 0:30:36 | |
-And he's still smiling! -He's still smiling. | 0:30:36 | 0:30:39 | |
And so is Anita. | 0:30:39 | 0:30:41 | |
-Thank you very much, John. -Thank you for your custom. | 0:30:43 | 0:30:45 | |
Thanks for your visit. | 0:30:45 | 0:30:46 | |
That last purchase for £45 wraps up this trip's shopping. | 0:30:46 | 0:30:51 | |
Anita adds the policeman's head to her giant risk | 0:30:51 | 0:30:54 | |
of the model of the Titanic | 0:30:54 | 0:30:56 | |
and her potentially valuable Christofle centrepiece. | 0:30:56 | 0:31:00 | |
She also bought an Art Nouveau brooch and a letter rack. | 0:31:00 | 0:31:03 | |
Anita spent a total of £318. | 0:31:03 | 0:31:07 | |
David, for once, has spent less than Anita, just £220. | 0:31:07 | 0:31:12 | |
For this, he picked up a Strathearn lamp, | 0:31:12 | 0:31:14 | |
a circa-1820s tea caddy, | 0:31:14 | 0:31:17 | |
a silver bowls trophy, | 0:31:17 | 0:31:18 | |
a modernist golf trophy and also took a bit of a gamble | 0:31:18 | 0:31:22 | |
on a pair of Meiji Japanese Satsuma vases, which are bust. | 0:31:22 | 0:31:26 | |
But what do they think of each other's final purchases? | 0:31:26 | 0:31:29 | |
Now, this is where it starts to get serious - the Titanic model. | 0:31:31 | 0:31:35 | |
It's got bigness. It's a big baby that could make her a bit, | 0:31:35 | 0:31:39 | |
but I'm hoping... Please! ..it's going to lose her a bit. | 0:31:39 | 0:31:43 | |
The vases! These are massive. They are immense. | 0:31:43 | 0:31:48 | |
The damage is going to make a difference. | 0:31:48 | 0:31:50 | |
He's taken a chance. He's been brave but well done, David. | 0:31:50 | 0:31:54 | |
The last auction is finally upon us | 0:31:57 | 0:31:58 | |
and our dazzling duo are just outside Glasgow in the town of Paisley. | 0:31:58 | 0:32:02 | |
With a lot of catching up to do, are you feeling a bit nervous, David? | 0:32:03 | 0:32:08 | |
-Our very, very last auction. -Stop it! | 0:32:08 | 0:32:11 | |
I'm far too nervous to talk about it. | 0:32:11 | 0:32:14 | |
We've both got potential for profits, David. | 0:32:14 | 0:32:17 | |
Yeah, we do actually. We do. | 0:32:17 | 0:32:19 | |
But we've also got potential for losses. | 0:32:19 | 0:32:21 | |
You have taken some chances and I love you for it, I really do. | 0:32:21 | 0:32:25 | |
It makes it very exciting. | 0:32:25 | 0:32:26 | |
The auction today is online and in the room, | 0:32:26 | 0:32:29 | |
and is taking place at Collins & Paterson Auctioneers. | 0:32:29 | 0:32:33 | |
Wielding the gavel this morning is Stephen Maxwell. | 0:32:33 | 0:32:35 | |
The Titanic should sell really well, I think. | 0:32:35 | 0:32:38 | |
It's in fantastic condition and I believe it is in working order | 0:32:38 | 0:32:41 | |
as well, so I'm very confident it should sail off at a good price. | 0:32:41 | 0:32:46 | |
The pair of tall Japanese vases do have extensive damage, | 0:32:46 | 0:32:50 | |
so I have my doubts as to whether they might sell particularly well. | 0:32:50 | 0:32:55 | |
Only time will tell, so let the auction commence. | 0:32:55 | 0:32:58 | |
Oh, it's so exciting, eh? | 0:32:58 | 0:33:00 | |
-You're up first. -I'm up first. | 0:33:01 | 0:33:03 | |
Calm yourself, David. First up, Anita's brooch. | 0:33:05 | 0:33:07 | |
Straight in at £12... | 0:33:09 | 0:33:11 | |
-Oh, good, I was going to get excited at that. -I know. | 0:33:11 | 0:33:13 | |
..18, at 20 now is your bid, sir. At £20 has it. | 0:33:13 | 0:33:17 | |
I need a wee bit more. | 0:33:17 | 0:33:19 | |
At £20. Gone to number 289. | 0:33:19 | 0:33:23 | |
-Mm... Not brilliant. Not brilliant. -Not brilliant. | 0:33:23 | 0:33:27 | |
A disappointing start there for Anita and that was her safe item. | 0:33:27 | 0:33:31 | |
I feel fantastic. Absolutely... I'm ecstatic! | 0:33:31 | 0:33:35 | |
-Sorry, did I say that out loud? -Not very sporting, David. | 0:33:35 | 0:33:39 | |
Will he be quite so smug after HIS first lot, the silver bowls trophy? | 0:33:39 | 0:33:44 | |
At 15, in at 15. 15, I have here. | 0:33:44 | 0:33:46 | |
Are you bidding? Oh, £18. 20. | 0:33:46 | 0:33:49 | |
-And 2, 22. -Come on, come on. | 0:33:49 | 0:33:52 | |
We'll sell it, then, at £22... Gone there... | 0:33:52 | 0:33:55 | |
That's £7 on-paper profit. | 0:33:56 | 0:33:59 | |
Not a bad start for David, | 0:33:59 | 0:34:01 | |
though he's going to need to do better than that to catch his rival. | 0:34:01 | 0:34:04 | |
I'm getting there, Anita. I'm catching you. I'm catching you up. | 0:34:04 | 0:34:07 | |
Can his tea caddy shrink Anita's lead even more? | 0:34:09 | 0:34:12 | |
-How do you feel about that? -Very confident. | 0:34:13 | 0:34:16 | |
-It should double its money. -Yeah? -Really, it should. | 0:34:16 | 0:34:20 | |
I'm going for the 100%. I'm going double bubble. | 0:34:20 | 0:34:23 | |
-It's a wee bit tired, David. -I know. Well, aren't we all? | 0:34:23 | 0:34:26 | |
If you'd been around since 1820, you'd be a bit tired. | 0:34:26 | 0:34:29 | |
Any tea drinkers in today? Come on, now. £30, surely. | 0:34:29 | 0:34:32 | |
-At 20 then. -Ugh. | 0:34:32 | 0:34:34 | |
At £20. Thank you, madam. £20 we have. Do I have 22? | 0:34:34 | 0:34:38 | |
22 at the back. 25? | 0:34:38 | 0:34:40 | |
-Got you now, sir. -Go on! -Still at 25. | 0:34:40 | 0:34:43 | |
-We'll sell it, then, at £25. -A bit more! | 0:34:43 | 0:34:46 | |
-Gone there. It's 309. -It's not double bubble, so I'm not happy. | 0:34:46 | 0:34:50 | |
Still, not a bad profit though, David. | 0:34:50 | 0:34:53 | |
Next, it's Anita's letter rack. | 0:34:54 | 0:34:56 | |
Thank you, sir. 25, I have straight in. | 0:34:58 | 0:35:00 | |
-28, £30... -30. -You're in. | 0:35:00 | 0:35:03 | |
..35, 38? The bid's now at the back. It's with the gent now at £38. | 0:35:03 | 0:35:08 | |
Gone there, 216. £38. | 0:35:08 | 0:35:10 | |
That's all right. Are you pleased with that? | 0:35:10 | 0:35:12 | |
-I'm happy. -You've made back the loss. -I'm delirious. -Are you? | 0:35:12 | 0:35:15 | |
-I'm delirious. -It doesn't take much, does it? | 0:35:15 | 0:35:18 | |
Apparently not. Another nice little profit. | 0:35:18 | 0:35:22 | |
I'm very happy for you. | 0:35:22 | 0:35:24 | |
-Are you very, very happy? -Yeah, delighted. Ecstatic. | 0:35:24 | 0:35:28 | |
Let's see a big smile, then. | 0:35:28 | 0:35:29 | |
Next up, it's David's Strathearn lamp that he fell in love with | 0:35:31 | 0:35:36 | |
-and rated so highly. -Good Scottish glass lamp, this. | 0:35:36 | 0:35:39 | |
Start there at 20, surely? 20. | 0:35:39 | 0:35:41 | |
Thank you, sir. £20, we have. 20 bid. | 0:35:41 | 0:35:43 | |
Do we have...? 22 at the back. 25? | 0:35:43 | 0:35:47 | |
No, you're out, madam. With the gent at 25. | 0:35:47 | 0:35:49 | |
Do we have 28? It's with the gent there and we're selling... | 0:35:49 | 0:35:51 | |
-This is going to be horrible. No. -Gone, 338. £25 there. | 0:35:51 | 0:35:55 | |
That's terrible. I knew it. I knew it. | 0:35:55 | 0:35:57 | |
But I loved it. What can you do? What can you do? | 0:35:57 | 0:36:00 | |
Well, bad luck, David. It's a big loss. | 0:36:00 | 0:36:02 | |
Just not what he needed in this all-important last auction. | 0:36:02 | 0:36:06 | |
-I'd buy it again. -Would you? | 0:36:06 | 0:36:09 | |
HE SOBS | 0:36:09 | 0:36:10 | |
I bet you wouldn't. | 0:36:10 | 0:36:11 | |
Probably not. Next up, it's Anita's accidental great find, | 0:36:15 | 0:36:19 | |
a Christofle centrepiece. | 0:36:19 | 0:36:21 | |
She got this for a steal but will it live up to its potential? | 0:36:21 | 0:36:25 | |
I love it. It's modernist, it's French, it's, "Ooh, la, la." | 0:36:25 | 0:36:30 | |
It's got everything going for it. | 0:36:30 | 0:36:32 | |
-I'm starting on... OK, I'm actually straight in at £20... -Unbelievable. | 0:36:32 | 0:36:36 | |
..on the candle holder. At 22, the gentleman. 25? | 0:36:36 | 0:36:39 | |
28. 30 and 2. | 0:36:39 | 0:36:41 | |
Now it's your bid, sir. It's in the room and 32 has it. | 0:36:41 | 0:36:44 | |
35, new bidder. | 0:36:44 | 0:36:45 | |
-38, 40... -It's away! -Well, I never. That's taken off! | 0:36:45 | 0:36:49 | |
..50, 5, 60, 5, 70, 5, | 0:36:49 | 0:36:53 | |
80, 5, 90, 5, £100? | 0:36:53 | 0:36:58 | |
-110, 120, 130... -Crikey, and it's still going! | 0:36:58 | 0:37:03 | |
..170, 180, 190, 200, | 0:37:03 | 0:37:07 | |
210, 220, 230? | 0:37:07 | 0:37:11 | |
240, 250? 260, 270... | 0:37:11 | 0:37:16 | |
-I thought it would sell for a fiver. -280! -..290? | 0:37:16 | 0:37:19 | |
You're out. The bid's with the gentleman in grey. | 0:37:19 | 0:37:21 | |
We're selling to the room, fair warning to you, at £290. | 0:37:21 | 0:37:25 | |
-Gone. It's yours, sir. 290 there. -Yes! | 0:37:25 | 0:37:27 | |
That's my Titanic then, isn't it? Never mind that thing. | 0:37:27 | 0:37:31 | |
That is unbelievable! | 0:37:31 | 0:37:32 | |
Unbelievable. It really was an incredible buy. | 0:37:33 | 0:37:38 | |
That amazing profit has now pushed Anita even further into the lead. | 0:37:38 | 0:37:42 | |
-Well, I must say that I'm quite happy about that. -Happy? | 0:37:43 | 0:37:47 | |
-You should be doing the blinking cancan. -The Highland fling? | 0:37:47 | 0:37:50 | |
Do that if you like. | 0:37:50 | 0:37:51 | |
Well, David, you've really got your work cut out now. | 0:37:52 | 0:37:56 | |
It's your modernist golf trophy up next. | 0:37:56 | 0:38:00 | |
£10 for the trophy. £10 surely for the trophy? | 0:38:00 | 0:38:03 | |
-£5... -For goodness' sake! | 0:38:03 | 0:38:05 | |
Any advance on £5? 8, the lady now! £10. | 0:38:07 | 0:38:10 | |
-The lady of taste. -Thank you, madam. | 0:38:10 | 0:38:13 | |
Are you back in at £12, no? | 0:38:13 | 0:38:14 | |
Yes, £12. | 0:38:14 | 0:38:16 | |
15. Still with the gentleman. | 0:38:16 | 0:38:19 | |
We're selling at £15. Gone there! | 0:38:19 | 0:38:21 | |
-Ugh! Disaster zone. -You've made a profit. | 0:38:21 | 0:38:25 | |
A fiver. I need a lot more than that to catch you. | 0:38:25 | 0:38:30 | |
Anita's laughing policeman's head was an unusual pick. | 0:38:30 | 0:38:33 | |
Let's see how he does this morning. | 0:38:33 | 0:38:36 | |
Yes, a papier-mache fairground head of a laughing policeman, no less. | 0:38:36 | 0:38:40 | |
I never thought I'd say those words in an auction room. | 0:38:40 | 0:38:42 | |
Interesting lot. What can we say about it? Where would you start? | 0:38:42 | 0:38:45 | |
I have no idea. How about £20? | 0:38:45 | 0:38:48 | |
Yes, thank you, sir. Straight in at 20. | 0:38:48 | 0:38:50 | |
£20, we have. Do we have 22? | 0:38:50 | 0:38:53 | |
22, 25, 28, 30, | 0:38:53 | 0:38:57 | |
32, 35. For the same gent at 35. | 0:38:57 | 0:39:01 | |
Any advance? We're selling then at £35. | 0:39:01 | 0:39:04 | |
-Gone. Amazingly. -Oh! -140 at £35. | 0:39:04 | 0:39:08 | |
It was love at first sight for Anita, | 0:39:08 | 0:39:10 | |
but clearly not to the people of Paisley. | 0:39:10 | 0:39:14 | |
But her last item was the big gamble. | 0:39:14 | 0:39:16 | |
Time for Anita's Titanic model. | 0:39:17 | 0:39:20 | |
Will it sink or will it soar? | 0:39:21 | 0:39:24 | |
A lovely item, this. | 0:39:24 | 0:39:25 | |
I'm hoping it will sail away to somewhere nice shortly. | 0:39:25 | 0:39:28 | |
Hopefully profit. | 0:39:28 | 0:39:29 | |
£100. Thank you, sir. Gentleman has the bid at £100. 110 bid. | 0:39:29 | 0:39:35 | |
120, 130, 140, 150... | 0:39:35 | 0:39:38 | |
-The room's going quiet now. -..160, 170. The bid's here at 180. | 0:39:38 | 0:39:42 | |
Are you bidding, sir, in white? 190, 200? | 0:39:42 | 0:39:45 | |
You're out. The bid's still in black. It's to my left | 0:39:45 | 0:39:47 | |
with the gentleman. Selling at £200. | 0:39:47 | 0:39:49 | |
-Gone. Number 67. -Well! | 0:39:49 | 0:39:51 | |
£200 for the Titanic. | 0:39:51 | 0:39:53 | |
Wiped its face. Now, Anita must be massively relieved with that result. | 0:39:53 | 0:39:58 | |
Next, it's the final lot of the competition and it all rests | 0:39:58 | 0:40:00 | |
on David's beloved Meiji vases. | 0:40:00 | 0:40:03 | |
David might be behind but could this all be about to change? | 0:40:03 | 0:40:06 | |
I could make a bit of profit but I'm not going to catch up to you, am I? | 0:40:06 | 0:40:11 | |
Come on, David. Where's your fighting spirit? Stiffen up, man. | 0:40:11 | 0:40:14 | |
-Start me at £100. -Oh, go on. -£100 surely for the pair. | 0:40:14 | 0:40:18 | |
Large vases, £100. | 0:40:18 | 0:40:20 | |
Go on! Ahem. Sorry, did I say that out loud? | 0:40:20 | 0:40:23 | |
I'll start, then. On commission I have £50 here | 0:40:25 | 0:40:27 | |
to start the lot at 50. Just a starting point. 50 is with me. | 0:40:27 | 0:40:30 | |
Do we have 5? 55 bid. £60? | 0:40:30 | 0:40:32 | |
-65, 70... -Come on, come on... -..75, 80? | 0:40:32 | 0:40:36 | |
You're out. Still with me at 80. It's on commission at 80. | 0:40:36 | 0:40:39 | |
Do we have 85? Still with me at 80. We'll sell them, then, at £80. | 0:40:39 | 0:40:41 | |
You won't. Don't sell them, don't sell them. | 0:40:41 | 0:40:44 | |
-Gone to number 30. -Oh, no! | 0:40:44 | 0:40:46 | |
-Unbelievable. -Aw. | 0:40:48 | 0:40:50 | |
Crikey, someone's got those for a bargain. Bad luck, David. | 0:40:51 | 0:40:56 | |
I don't care what you say, | 0:40:56 | 0:40:57 | |
you have absolutely thrashed me within an inch of my life, | 0:40:57 | 0:41:01 | |
so I think we should go and... | 0:41:01 | 0:41:03 | |
-Cup of tea, cake, regroup and do the figures. -Uh-huh. | 0:41:03 | 0:41:06 | |
So, at the end of five incredible auctions, the results are as follows. | 0:41:07 | 0:41:12 | |
David started this leg with £429.84. After auction costs are deducted, | 0:41:12 | 0:41:18 | |
he made a loss of £83.06, meaning he ends this competition | 0:41:18 | 0:41:22 | |
with a respectable £346.78. | 0:41:22 | 0:41:27 | |
Anita started out with £565.25. | 0:41:28 | 0:41:33 | |
She's had another great auction today, making, after costs, | 0:41:33 | 0:41:36 | |
a profit of £160.06. | 0:41:36 | 0:41:40 | |
This means she's not just today's winner but also | 0:41:40 | 0:41:44 | |
the victor of this Road Trip, | 0:41:44 | 0:41:45 | |
with a spectacular final figure of £725.31. | 0:41:45 | 0:41:51 | |
Well done, Anita, and all profits go to Children in Need. | 0:41:51 | 0:41:55 | |
So, you know what? That's one each. | 0:41:55 | 0:41:58 | |
Several years ago, you and I hit the road and I beat you, | 0:41:58 | 0:42:02 | |
so I'm going to give you two or three years off | 0:42:02 | 0:42:05 | |
and I'm going to re-challenge you. | 0:42:05 | 0:42:08 | |
Be it on your own head! | 0:42:08 | 0:42:10 | |
It's been a memorable old Road Trip... | 0:42:11 | 0:42:14 | |
# The way you wear your hat | 0:42:14 | 0:42:19 | |
# The way you sip your tea | 0:42:19 | 0:42:24 | |
# The memory of all that... # | 0:42:24 | 0:42:27 | |
-The sun is shining, the sky is blue... -And the roof is off! | 0:42:27 | 0:42:31 | |
# No, they can't take that away from me... # | 0:42:31 | 0:42:35 | |
..with some big, big wins... | 0:42:35 | 0:42:37 | |
-Wahey! Whoa! -Mwah! | 0:42:37 | 0:42:39 | |
..and some serious blows. | 0:42:39 | 0:42:41 | |
FALTERING TOOT | 0:42:41 | 0:42:42 | |
# The way you sing off key... # | 0:42:42 | 0:42:44 | |
# ..to Dundee! # | 0:42:44 | 0:42:46 | |
# The way you haunt my dreams... # | 0:42:46 | 0:42:49 | |
-Do you like men in uniform? -I do! -I quite fancy him. | 0:42:49 | 0:42:52 | |
But above all, an unbreakable bond has been formed. | 0:42:52 | 0:42:56 | |
I've got on a Marks & Spencer silk vest. | 0:42:56 | 0:42:59 | |
Oh, hello. | 0:42:59 | 0:43:01 | |
Next week, a brand-new pair of experts hit the road | 0:43:01 | 0:43:04 | |
when wisdom meets youth... | 0:43:04 | 0:43:06 | |
SHE GASPS FOR BREATH | 0:43:06 | 0:43:08 | |
..with Philip Serrell | 0:43:08 | 0:43:10 | |
and Natasha Raskin. | 0:43:10 | 0:43:12 | |
-How old are you? -Shut up. | 0:43:12 | 0:43:14 | |
SHE LAUGHS | 0:43:14 | 0:43:15 |