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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
I don't know what to do. | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car, | 0:00:06 | 0:00:08 | |
and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! THEY LAUGH | 0:00:17 | 0:00:19 | |
Charlie! | 0:00:19 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
It's a brand-new road trip, | 0:00:37 | 0:00:38 | |
and we are coasting along with a freshly minted twosome - | 0:00:38 | 0:00:42 | |
Philip Serrell and Natasha Raskin. | 0:00:42 | 0:00:45 | |
When I found out I was working with you, Phil, I was a bit nervous. | 0:00:45 | 0:00:49 | |
What, really? | 0:00:49 | 0:00:50 | |
Yes, because your reputation goes before you. | 0:00:50 | 0:00:53 | |
Ha! It does indeed! | 0:00:53 | 0:00:55 | |
Philip Serrell is an august auctioneer based in Worcester, | 0:00:55 | 0:00:59 | |
who brings his many years of experience to the game. | 0:00:59 | 0:01:02 | |
-How old are you? -28. -Great. | 0:01:02 | 0:01:04 | |
SHE LAUGHS How old are you? | 0:01:04 | 0:01:06 | |
Shut up. | 0:01:06 | 0:01:07 | |
Not to mention his sunny disposition. | 0:01:07 | 0:01:10 | |
Glaswegian Natasha Raskin is a relative newcomer to the Trip. | 0:01:10 | 0:01:15 | |
But this bright young auctioneer, specialising in contemporary | 0:01:15 | 0:01:18 | |
art, has already proved herself a very canny competitor. | 0:01:18 | 0:01:22 | |
This is my second only ever Road Trip. | 0:01:23 | 0:01:25 | |
I'm looking forward to it. | 0:01:25 | 0:01:27 | |
I'm really looking forward to it. It's lovely to work with you. | 0:01:27 | 0:01:30 | |
Our duo are driving a delightful 1957 Porsche 356 coupe. | 0:01:30 | 0:01:35 | |
Delish! | 0:01:35 | 0:01:37 | |
What do you think of our car? | 0:01:37 | 0:01:39 | |
I think this car is pretty great. | 0:01:39 | 0:01:41 | |
I genuinely thought I was going to be more Penelope Pitstop. | 0:01:41 | 0:01:44 | |
I don't know who I am right now. Mr Magoo. | 0:01:44 | 0:01:47 | |
But it's great. | 0:01:47 | 0:01:49 | |
Hmm. Eyes on the road, Natasha. | 0:01:49 | 0:01:51 | |
Both of our experts begin this journey with £200 in their pockets. | 0:01:51 | 0:01:55 | |
On this epic road trip, | 0:01:57 | 0:01:59 | |
Philip and Natasha will journey from Narberth in Pembrokeshire, Wales, | 0:01:59 | 0:02:03 | |
covering several hundred miles to end | 0:02:03 | 0:02:07 | |
up in Salisbury, Wiltshire, England. | 0:02:07 | 0:02:09 | |
On this leg, they are winding through the Welsh countryside, | 0:02:09 | 0:02:11 | |
heading for auction in Cross Hands, in Carmarthenshire. | 0:02:11 | 0:02:14 | |
Let's hope they are not sitting on their hands. | 0:02:14 | 0:02:16 | |
Pembrokeshire is just the best place. | 0:02:16 | 0:02:18 | |
-I love this part of the world. -So beautiful. | 0:02:18 | 0:02:20 | |
-We are sort of slap bang in the middle, aren't we? -Yeah. | 0:02:20 | 0:02:22 | |
-This is exciting. -It's all of that. -I just don't know what to expect. | 0:02:22 | 0:02:25 | |
Neither do I. | 0:02:25 | 0:02:27 | |
First stop this morning is the town of Narberth, | 0:02:29 | 0:02:32 | |
where our two part ways at the rugby club. | 0:02:32 | 0:02:35 | |
Have a lovely time. | 0:02:36 | 0:02:38 | |
-Oh! -Be careful. -There we go. | 0:02:38 | 0:02:40 | |
-Take care. -Thank you so much. Take care. -See you soon, lovely. | 0:02:40 | 0:02:43 | |
You won't find any items there, Phil. | 0:02:45 | 0:02:48 | |
Never seen him look so happy. | 0:02:48 | 0:02:49 | |
Oh, I don't know, maybe there is an antiques shop around. | 0:02:49 | 0:02:52 | |
Ah, there we are! | 0:02:52 | 0:02:54 | |
Dealer Peter awaits inside. | 0:02:58 | 0:03:00 | |
-High, you must be Peter. -Good morning, Phil. | 0:03:00 | 0:03:02 | |
-Welcome to the Malthouse. -Good to see you. | 0:03:02 | 0:03:04 | |
You've got some stuff in here, haven't you! | 0:03:04 | 0:03:06 | |
We are crammed with it, yes. | 0:03:06 | 0:03:08 | |
Certainly is. Full to bursting. | 0:03:08 | 0:03:10 | |
If I'm going to beat Natasha, or Tash, | 0:03:18 | 0:03:21 | |
who's suddenly become my new best friend because I think she's lovely, | 0:03:21 | 0:03:24 | |
I've got to box really clever here. | 0:03:24 | 0:03:26 | |
I've either got to think what's going to do well. | 0:03:26 | 0:03:29 | |
But the other thing I've got... | 0:03:29 | 0:03:30 | |
What was the other thing I could think of? | 0:03:30 | 0:03:32 | |
I don't know, Phil, what was it? Must be your age, dear. | 0:03:32 | 0:03:35 | |
My plan is, I've got to try and buy specifically for the auction. | 0:03:35 | 0:03:38 | |
That's really my plan. | 0:03:38 | 0:03:40 | |
Good, I'm so glad you've cleared that up, Phil. | 0:03:40 | 0:03:43 | |
Look out, he's onto something. Get the nurse, quick. | 0:03:46 | 0:03:49 | |
What on earth is that off? It's a measuring stick. | 0:03:49 | 0:03:53 | |
It's got on here, look - Bentley & Taylor, London. | 0:03:53 | 0:03:56 | |
So it's got to be quite a well-made thing. | 0:03:56 | 0:03:59 | |
Customs & Excise. | 0:03:59 | 0:04:01 | |
So this is actually... | 0:04:02 | 0:04:04 | |
It's got a brass cap down here. | 0:04:04 | 0:04:07 | |
This measuring stick, marked as being used by | 0:04:08 | 0:04:11 | |
Customs & Excise, is priced at £20. | 0:04:11 | 0:04:15 | |
Do you know what...? | 0:04:15 | 0:04:18 | |
I haven't got a clue what that is. | 0:04:18 | 0:04:19 | |
But I think that's quite fun. | 0:04:19 | 0:04:21 | |
So he's got the mystery measure in his sights and he's browsing on. | 0:04:21 | 0:04:25 | |
Hmm. | 0:04:27 | 0:04:29 | |
I don't think so, do you, Phil? | 0:04:29 | 0:04:31 | |
No, best not, but here is something more promising. | 0:04:32 | 0:04:35 | |
See, that's quite fun. | 0:04:36 | 0:04:38 | |
You know, this is a little miniature cricket bat. | 0:04:38 | 0:04:41 | |
Signed by the Australia cricket team 1956. | 0:04:41 | 0:04:45 | |
I mean, actually it's not signed | 0:04:45 | 0:04:47 | |
because these are all facsimile signatures. It's a transfer print. | 0:04:47 | 0:04:50 | |
That's a bit of fun, isn't it, you know? | 0:04:50 | 0:04:52 | |
15 quid. I've got a couple of cheapies I might be in for here. | 0:04:52 | 0:04:55 | |
Yeah, he has also spotted a ship's light, | 0:04:57 | 0:05:00 | |
probably dating from the early 20th century, | 0:05:00 | 0:05:02 | |
which is marked up at a hefty £95, | 0:05:02 | 0:05:05 | |
which, added to the measuring stick and bat, have a | 0:05:05 | 0:05:08 | |
combined ticket price of £130. | 0:05:08 | 0:05:10 | |
I think time for a sit down, Phil, don't you? | 0:05:10 | 0:05:13 | |
Your ship's light, has that been in long? | 0:05:13 | 0:05:16 | |
No. It came in two, three weeks ago. | 0:05:16 | 0:05:19 | |
What can you do on prices for me? What about the light? | 0:05:19 | 0:05:22 | |
The ship's light... | 0:05:22 | 0:05:25 | |
95 on... | 0:05:25 | 0:05:26 | |
I can treat you today and do it for 45. | 0:05:28 | 0:05:30 | |
-OK, would you mind getting the light for me? -No, I'll do that for you. | 0:05:32 | 0:05:36 | |
I see no ships only hardships. | 0:05:36 | 0:05:40 | |
Let's hope it's not hardships for Phil. | 0:05:40 | 0:05:42 | |
What deal can they strike for all three items? | 0:05:42 | 0:05:45 | |
-I'm going to put these two in at a tenner each. -OK. | 0:05:45 | 0:05:48 | |
-Ten, ten, 30. That's 50 quid. -Yes. -That all right? | 0:05:48 | 0:05:52 | |
-Yes, that seems reasonable to me. -You are a gentleman, sir. | 0:05:52 | 0:05:55 | |
Thank you very much indeed. Thank you. Let me get some money out. | 0:05:55 | 0:05:57 | |
You better had. That's quite a deal. | 0:05:59 | 0:06:01 | |
All three items for a nice, clean £50. | 0:06:01 | 0:06:03 | |
Meanwhile, Natasha has driven on to the Pembrokeshire town | 0:06:08 | 0:06:11 | |
of Newport, where she is strolling off into the | 0:06:11 | 0:06:15 | |
Carningli Centre, a fine place to hunt for a special buy. | 0:06:15 | 0:06:18 | |
She's meeting dealer, Anne. | 0:06:19 | 0:06:22 | |
Hello? | 0:06:22 | 0:06:23 | |
-Hello. -Oh, hello. Hi. I'm Natasha. -Hello, I'm Anne. -Lovely to meet you. | 0:06:23 | 0:06:27 | |
-What a lovely wee shop! -Thank you. | 0:06:27 | 0:06:30 | |
And she is on the hunt. | 0:06:30 | 0:06:32 | |
Nice squirrels! | 0:06:35 | 0:06:37 | |
And she is finding out that this shop goes full steam | 0:06:40 | 0:06:43 | |
for one kind of item. | 0:06:43 | 0:06:44 | |
I don't have a clue what I'm looking for, | 0:06:44 | 0:06:47 | |
but I think that if I was looking for railwayana, | 0:06:47 | 0:06:50 | |
I think I know where we would find it. | 0:06:50 | 0:06:52 | |
Phil would go mad if he was in here. | 0:06:52 | 0:06:54 | |
He would be absolutely in his element. | 0:06:54 | 0:06:57 | |
I'm just trying to think what Phil would buy. What would Phil buy? | 0:06:57 | 0:07:01 | |
And I think the answer to that is stop thinking what Phil would buy | 0:07:01 | 0:07:06 | |
and maybe concentrate on what I should buy. | 0:07:06 | 0:07:09 | |
Have a look around. | 0:07:09 | 0:07:10 | |
Now there's an idea. | 0:07:10 | 0:07:12 | |
And she's soon spotted something that really fires up her interest. | 0:07:12 | 0:07:16 | |
These are just so lovely. They've got to be Arts & Crafts. | 0:07:16 | 0:07:20 | |
It's a pair of early 20th-century firedogs, | 0:07:20 | 0:07:22 | |
used in a hearth to support firewood. | 0:07:22 | 0:07:25 | |
They are in the Arts & Crafts style. | 0:07:25 | 0:07:27 | |
And like Natasha, possibly of Scottish origin. | 0:07:27 | 0:07:30 | |
They certainly seem to appeal to her. | 0:07:30 | 0:07:34 | |
Yeah, they are really nice. It's a sort of thin gauge of copper. | 0:07:34 | 0:07:38 | |
Hand beaten. | 0:07:38 | 0:07:39 | |
This lovely, typical Arts & Crafts motif in a kind of foliage style. | 0:07:39 | 0:07:45 | |
Then a bit of a sunset or something in the top. They are just lovely. | 0:07:45 | 0:07:50 | |
They are really, really nice. And they are only £30. | 0:07:50 | 0:07:53 | |
I'm getting the impression you quite like them. | 0:07:53 | 0:07:55 | |
I think I would like to have a punt at these. | 0:07:55 | 0:07:57 | |
Because they are really, really lovely. | 0:07:57 | 0:07:59 | |
Yes, time to talk to Anne then. | 0:07:59 | 0:08:02 | |
I suppose it's not really in my interest to say this, Anne, | 0:08:02 | 0:08:05 | |
but they are quite reasonably priced. I mean, £30 is the price. | 0:08:05 | 0:08:10 | |
Is there any movement on that? | 0:08:10 | 0:08:11 | |
-I could do them for 25. -25. | 0:08:11 | 0:08:14 | |
Do you know what, Anne, I really think for the pair, 25 quid... | 0:08:14 | 0:08:17 | |
It's such a great deal. Can I please shake your hand on that? | 0:08:17 | 0:08:20 | |
-Lovely. -I'm really, really grateful. | 0:08:20 | 0:08:22 | |
Deal done very decisively. And her first buy is in hand. | 0:08:22 | 0:08:27 | |
Now, Phil has travelled on to the village of Rhydowen, | 0:08:28 | 0:08:33 | |
a pretty pastoral little place, to continue the day's buying. | 0:08:33 | 0:08:37 | |
Oh, that's nice. | 0:08:37 | 0:08:39 | |
Phil is strolling off into Alltyrodyn Antiques, | 0:08:39 | 0:08:43 | |
where dealer Chris is on hand to help. | 0:08:43 | 0:08:45 | |
-Hi, how are you? -Hi, good. -I'm Philip. -Hi, Philip, I'm Chris. | 0:08:45 | 0:08:49 | |
Chris. Is your phone box for sale? | 0:08:49 | 0:08:51 | |
-Could be. -Right, how much is it? | 0:08:51 | 0:08:54 | |
Make me an offer. | 0:08:54 | 0:08:56 | |
This isn't the way it's supposed to work. | 0:08:56 | 0:08:59 | |
I don't know, is it worth £100? | 0:08:59 | 0:09:01 | |
No, it's worth rather more than that, my dear. 700, 800 quid. | 0:09:01 | 0:09:05 | |
Yeah, I think they are worth between £600 and £1,000, aren't they? | 0:09:05 | 0:09:08 | |
-Yeah, about that. -I won't be buying that then, will I? | 0:09:08 | 0:09:10 | |
Nope, Philip, you will not. Chris certainly seems like a canny one. | 0:09:10 | 0:09:14 | |
You will need your wits about you in this shop. | 0:09:14 | 0:09:16 | |
Philip still has £150 to spend. So he had better get hunting. | 0:09:16 | 0:09:21 | |
This looks a bit more realistic. | 0:09:29 | 0:09:30 | |
This is fun, isn't it? | 0:09:31 | 0:09:33 | |
BELL RINGS | 0:09:33 | 0:09:34 | |
I quite like that. | 0:09:34 | 0:09:36 | |
An old wooden till with working key and bell. | 0:09:36 | 0:09:42 | |
It probably dates from the early 20th century. And is priced at £60. | 0:09:42 | 0:09:46 | |
And there is another surprising item as well. | 0:09:46 | 0:09:49 | |
This is interesting, isn't it, Chris? | 0:09:49 | 0:09:51 | |
Because to the outside world, | 0:09:51 | 0:09:52 | |
-that looks like a small chest of four drawers. -Yeah. | 0:09:52 | 0:09:55 | |
-But you and I know that ain't a chest of four drawers. -We do. | 0:09:55 | 0:09:59 | |
It is, in fact, a commode. | 0:09:59 | 0:10:01 | |
Handy. It's mahogany and probably dates from the late Georgian period. | 0:10:01 | 0:10:06 | |
Ticket price is £35. | 0:10:06 | 0:10:08 | |
Its inner fittings have been removed, perhaps thankfully. Ha! | 0:10:08 | 0:10:12 | |
It could make a handy little firewood store. | 0:10:12 | 0:10:15 | |
Or be made into firewood. | 0:10:15 | 0:10:18 | |
That is just wonderful quality mahogany, isn't it? | 0:10:18 | 0:10:20 | |
It's lovely, yeah. | 0:10:20 | 0:10:21 | |
And that is just the finest woodworm you see. Can you see that? | 0:10:23 | 0:10:27 | |
-Yeah, I wouldn't bang that too hard. -No. | 0:10:27 | 0:10:30 | |
He likes the till and the commode. So I feel a haggle coming on. | 0:10:30 | 0:10:34 | |
Come into my office, please. | 0:10:34 | 0:10:37 | |
Have a seat, please. | 0:10:37 | 0:10:38 | |
First, the till. | 0:10:40 | 0:10:41 | |
Go on, how much is it? | 0:10:41 | 0:10:43 | |
-40 quid. -Behave! | 0:10:43 | 0:10:45 | |
-I'll give you 40 quid for it... -Yeah? | 0:10:47 | 0:10:50 | |
But you've got to throw in the commode. | 0:10:50 | 0:10:54 | |
-No! -I'll give you 40 quid the two. | 0:10:54 | 0:10:57 | |
-45. -No, honestly, 40 is the end for me. It is the end. -Go on, then. | 0:10:57 | 0:11:01 | |
-Are you sure? -Yeah. -You are an angel. Thank you very much indeed. | 0:11:01 | 0:11:05 | |
Let me get some money out. | 0:11:05 | 0:11:06 | |
Thanks to a very generous deal from Chris, | 0:11:06 | 0:11:09 | |
he's got another two items for £40. | 0:11:09 | 0:11:12 | |
The Silver Fox. | 0:11:12 | 0:11:13 | |
Now Natasha has jumped back in the car. | 0:11:15 | 0:11:18 | |
Her next stop is the town of Cardigan. | 0:11:18 | 0:11:21 | |
Cardigan Castle to be precise. | 0:11:23 | 0:11:25 | |
It's the site of the first Eisteddfod, | 0:11:25 | 0:11:28 | |
an ancient Welsh festival of music | 0:11:28 | 0:11:30 | |
and poetry that has been staged for hundreds of years | 0:11:30 | 0:11:34 | |
and has exported the unique culture of Wales all over the world. | 0:11:34 | 0:11:38 | |
Natasha is meeting historian Glen Johnson. | 0:11:45 | 0:11:48 | |
-Hello, hi, I'm Natasha. Nice to meet you. -Nice to meet you. | 0:11:48 | 0:11:50 | |
The castle comprises buildings of many different eras, | 0:11:54 | 0:11:57 | |
including some dating back to the medieval period. | 0:11:57 | 0:12:00 | |
It's a reminder, really - | 0:12:01 | 0:12:03 | |
Cardigan Castle has a 900-year history. | 0:12:03 | 0:12:06 | |
And through that history, it's constantly been reinventing itself. | 0:12:06 | 0:12:10 | |
The first person to reinvent it was a man called Lord Rhys. | 0:12:10 | 0:12:13 | |
-Rhys ap Gruffydd. -OK. | 0:12:13 | 0:12:15 | |
He changed it from being a wooden castle, | 0:12:15 | 0:12:17 | |
established by the Normans in 1110, to a stone castle. | 0:12:17 | 0:12:21 | |
He was the first Welshman ever to build a castle in stone. | 0:12:21 | 0:12:25 | |
It was completed in 1176. | 0:12:25 | 0:12:28 | |
He held an event here which was a house-warming | 0:12:28 | 0:12:30 | |
party for his new castle. | 0:12:30 | 0:12:32 | |
And the event was the pre-runner of the modern national Eisteddfod. | 0:12:32 | 0:12:37 | |
Lord Rhys was a prominent Welsh prince who use the castle to | 0:12:37 | 0:12:42 | |
improve relations with the English king. | 0:12:42 | 0:12:44 | |
His parties became the Eisteddfod, a festival in which the country's | 0:12:44 | 0:12:48 | |
greatest musicians and poets competed to win prizes. | 0:12:48 | 0:12:52 | |
A house-warming party has gone on to become a national event? | 0:12:52 | 0:12:56 | |
-How did that happen? -Yes. | 0:12:56 | 0:12:57 | |
Rhys was clever enough to understand there was a very fragile | 0:12:57 | 0:13:01 | |
-peace at that time between himself and King Henry. -OK. | 0:13:01 | 0:13:05 | |
What was becoming really popular in European courts | 0:13:05 | 0:13:09 | |
were big artistic events. | 0:13:09 | 0:13:12 | |
So he thought he would do something like that here. | 0:13:12 | 0:13:15 | |
He'd invite people from all over Britain | 0:13:15 | 0:13:17 | |
and probably from the Continent as well. | 0:13:17 | 0:13:20 | |
And he'd have contests in music and poetry. | 0:13:20 | 0:13:23 | |
And in doing so, he'd show the rest of Britain that, you know, | 0:13:23 | 0:13:27 | |
the Welsh are not barbarians, we are a cultured, | 0:13:27 | 0:13:29 | |
-civilised people with long musical and poetic traditions. -Very nice. | 0:13:29 | 0:13:34 | |
And it was. It was a hugely successful event. | 0:13:34 | 0:13:37 | |
It probably secured the survival of Welsh culture. | 0:13:37 | 0:13:42 | |
Really, you think it is significant as that? | 0:13:42 | 0:13:44 | |
-I think so, yeah. -Amazing. | 0:13:44 | 0:13:46 | |
The Eisteddfod continued but didn't emerge in its modern form | 0:13:46 | 0:13:50 | |
until many centuries later. | 0:13:50 | 0:13:51 | |
In 1792, a man who went by the bardic name of Iolo Morganwg... | 0:13:51 | 0:13:57 | |
-That's some name. -It is. He held an event in London, | 0:13:57 | 0:14:01 | |
and that was the beginning of a major resurgence. | 0:14:01 | 0:14:05 | |
There is one item above all others that explains unique | 0:14:05 | 0:14:09 | |
part of the festival's traditions. | 0:14:09 | 0:14:11 | |
I think the first thing we have to talk about is this beautifully | 0:14:11 | 0:14:14 | |
-carved chair. I'm guessing it's of some importance. -Yeah, well, | 0:14:14 | 0:14:18 | |
the chair has always been the great symbol of the Eisteddfod. | 0:14:18 | 0:14:22 | |
Going back to the very first one. | 0:14:22 | 0:14:24 | |
Lord Rhys had this idea. | 0:14:24 | 0:14:26 | |
Instead of giving a cash prize for the best bard or the best | 0:14:26 | 0:14:30 | |
musician, he'd set a chair for them. | 0:14:30 | 0:14:34 | |
-This may sound a bit odd nowadays... -It does, yeah. | 0:14:34 | 0:14:38 | |
In those days, most ordinary people sat on benches or stools. | 0:14:38 | 0:14:43 | |
Chairs were reserved for really important people. | 0:14:43 | 0:14:46 | |
The bishop had a chair. The prince had chair. The king had a chair. | 0:14:46 | 0:14:50 | |
Ordinary people did not have a chair. | 0:14:50 | 0:14:52 | |
So the idea of almost enthroning the best bard, you know, | 0:14:52 | 0:14:57 | |
you were paying them a great honour by having a chair for them. | 0:14:57 | 0:15:01 | |
And this tradition has carried on. | 0:15:01 | 0:15:03 | |
In every Eisteddfod now, a carpenter will be asked to produce a | 0:15:03 | 0:15:06 | |
chair which will be his imagining of how an Eisteddfod chair should be. | 0:15:06 | 0:15:11 | |
So each chair is unique. And the winner gets a chair like this. | 0:15:11 | 0:15:17 | |
From the Victorian period onwards, the Eisteddfod | 0:15:17 | 0:15:20 | |
and its traditions became the most important celebration of Welsh arts. | 0:15:20 | 0:15:25 | |
It's become really, | 0:15:25 | 0:15:27 | |
if you like, the mark of national excellence really in Welsh culture. | 0:15:27 | 0:15:34 | |
So to have been a competitor in an Eisteddfod | 0:15:34 | 0:15:41 | |
-is regarded as, you know, kudos. -Yeah. | 0:15:41 | 0:15:43 | |
And to have won your category in Eisteddfod, you know, | 0:15:43 | 0:15:48 | |
really is a sign that you've arrived as a representative of your art. | 0:15:48 | 0:15:54 | |
How has it changed? | 0:15:54 | 0:15:56 | |
Not only has it branched out across the UK but internationally. | 0:15:56 | 0:16:00 | |
There's Eisteddfodau all over the world. | 0:16:00 | 0:16:03 | |
The view from the battlements at the top of the castle | 0:16:03 | 0:16:06 | |
illustrates how the Eisteddfod took on the world. | 0:16:06 | 0:16:09 | |
Wow, this is quite the view! | 0:16:11 | 0:16:13 | |
-Yep, this is the outer defence of the castle itself. -OK. | 0:16:13 | 0:16:16 | |
From here, you get a great view of the river. | 0:16:16 | 0:16:19 | |
And it's a reminder that in the early 19th century, | 0:16:19 | 0:16:22 | |
Cardigan was one of the biggest seaports in Wales. | 0:16:22 | 0:16:25 | |
One of the biggest seaports in the country. | 0:16:25 | 0:16:27 | |
Cardigan ships sailed all over the world. | 0:16:27 | 0:16:29 | |
And like other people stealing from other Welsh ports, | 0:16:29 | 0:16:32 | |
one of the things they took with them | 0:16:32 | 0:16:34 | |
to these different countries was the idea of the Eisteddfod. | 0:16:34 | 0:16:38 | |
All these Welsh emigrants going all over the world established | 0:16:38 | 0:16:42 | |
Eisteddfodau in all sorts of surprising places. | 0:16:42 | 0:16:46 | |
Canada, the United States, Australia, I've even | 0:16:46 | 0:16:51 | |
-heard of an Eisteddfod in Japan. -Amazing! | 0:16:51 | 0:16:54 | |
And some of them | 0:16:54 | 0:16:56 | |
have become quite large annual events overseas as well. | 0:16:56 | 0:17:00 | |
-Yeah, I can imagine. -The Eisteddfod has gone global. | 0:17:00 | 0:17:02 | |
The festival is still the most prominent symbol of Welsh | 0:17:02 | 0:17:05 | |
culture all around the world today. | 0:17:05 | 0:17:07 | |
Glen, I have to say, | 0:17:07 | 0:17:08 | |
it's been absolutely fascinating meeting with you today. | 0:17:08 | 0:17:11 | |
-What a great tale. -Thank you very much. | 0:17:11 | 0:17:13 | |
With that, a jam-packed first day draws to a close. | 0:17:16 | 0:17:20 | |
Night-night, Road Trippers. | 0:17:20 | 0:17:22 | |
Nothing will keep our energetic pair off the trail for long. | 0:17:24 | 0:17:28 | |
And the morning finds them back in the Porsche | 0:17:28 | 0:17:31 | |
and gearing up for the competition ahead. | 0:17:31 | 0:17:34 | |
How many things have you bought? | 0:17:34 | 0:17:36 | |
Um, one. | 0:17:36 | 0:17:37 | |
Good thing? | 0:17:37 | 0:17:39 | |
-One good thing. -One very good thing? | 0:17:39 | 0:17:41 | |
-Good to very good. -Oh, no! No, no, no! | 0:17:41 | 0:17:45 | |
-In my humble opinion. -Oh, no! | 0:17:45 | 0:17:47 | |
So far, Natasha has bought only one item - | 0:17:48 | 0:17:51 | |
the pair of Arts & Crafts firedogs for £25 - | 0:17:51 | 0:17:55 | |
meaning she still has £175 to her name. | 0:17:55 | 0:17:58 | |
Philip has been extravagant by comparison. | 0:18:00 | 0:18:03 | |
He's already bought five items - the measuring stick, | 0:18:03 | 0:18:07 | |
the souvenir cricket bat, | 0:18:07 | 0:18:09 | |
the ship's light, | 0:18:09 | 0:18:11 | |
the till | 0:18:11 | 0:18:13 | |
and the commode. | 0:18:13 | 0:18:15 | |
The one lot was a mistake, really. A real mistake. | 0:18:15 | 0:18:19 | |
Well, we'll find out on the day, won't we? | 0:18:19 | 0:18:21 | |
I'm guessing it's the woodworm playing on Phil's mind. | 0:18:21 | 0:18:25 | |
Is that right? | 0:18:25 | 0:18:27 | |
-I bought livestock. -No, you didn't. -I did, honestly. | 0:18:27 | 0:18:31 | |
I promise you, I bought livestock. | 0:18:31 | 0:18:33 | |
Woodworm. A whole herd of it. | 0:18:33 | 0:18:36 | |
Have you ever seen a herd of woodworm? | 0:18:36 | 0:18:38 | |
There is a thought. | 0:18:38 | 0:18:40 | |
This morning they are in Trecastle. | 0:18:41 | 0:18:43 | |
This historic village nestles on the border of the beautiful | 0:18:44 | 0:18:48 | |
Brecon Beacons National Park. | 0:18:48 | 0:18:50 | |
A lovely place to kick off the day. | 0:18:50 | 0:18:53 | |
Beautifully driven. Beautifully handled. | 0:18:53 | 0:18:55 | |
SHE LAUGHS | 0:18:55 | 0:18:58 | |
Right, OK. | 0:18:58 | 0:19:00 | |
Which way? Oh, thank you so much. | 0:19:00 | 0:19:02 | |
They are clearly getting on well. | 0:19:03 | 0:19:05 | |
We'll see how long that lasts when there's bargains to be fought over. | 0:19:05 | 0:19:09 | |
They are heading into Trecastle Antiques Centre | 0:19:09 | 0:19:12 | |
and meeting dealers Margaret and Louise. | 0:19:12 | 0:19:15 | |
-Hi, nice to meet you. I'm Tasha. -I'm Margaret. | 0:19:15 | 0:19:18 | |
-Margaret, nice to meet you. -I'm Louise. -Louise, lovely to meet you. | 0:19:18 | 0:19:21 | |
Nice to meet you. We are all charm today. | 0:19:21 | 0:19:24 | |
Right, you two, time to get buying. | 0:19:24 | 0:19:26 | |
-Have you been emptying your local church? -I wouldn't do such a thing! | 0:19:30 | 0:19:34 | |
There's pews everywhere. | 0:19:34 | 0:19:35 | |
Margaret would do nothing of the sort. | 0:19:35 | 0:19:38 | |
-Are they for sale or...? -They are for sale. | 0:19:41 | 0:19:44 | |
Quite a collection of ladies' fans there. | 0:19:44 | 0:19:48 | |
-How much are these each? -They are £15 each, Phil. | 0:19:48 | 0:19:52 | |
-That's beautiful, look. -I know. I know. | 0:19:52 | 0:19:55 | |
Sounds keen. Looks like he's picked up his favourite from the bunch. | 0:19:55 | 0:19:59 | |
Something to keep in mind, no doubt. | 0:19:59 | 0:20:02 | |
-Yes, I will take care of them for you. -Thank you very much. | 0:20:02 | 0:20:05 | |
Now keep browsing. | 0:20:05 | 0:20:07 | |
What's he got now? | 0:20:12 | 0:20:14 | |
Margaret, what's the national sport of Wales? | 0:20:15 | 0:20:17 | |
Rugby. | 0:20:17 | 0:20:19 | |
When in Wales... | 0:20:19 | 0:20:20 | |
It's a collection of 1970s Welsh rugby programmes. | 0:20:20 | 0:20:23 | |
-I was at that game. -Were you? -Yeah. | 0:20:26 | 0:20:28 | |
There is no ticket price on them. So what could Margaret do? | 0:20:28 | 0:20:31 | |
How much for the lot? | 0:20:31 | 0:20:33 | |
20 quid. | 0:20:34 | 0:20:35 | |
That's the bargain of the day. | 0:20:37 | 0:20:38 | |
It might be, but Phil is looking for an even better deal on these | 0:20:38 | 0:20:42 | |
and the ladies' fans. | 0:20:42 | 0:20:44 | |
In my eyes... | 0:20:44 | 0:20:45 | |
I honestly think those have got to be 30 and those have got to be five. | 0:20:46 | 0:20:50 | |
That's what I really think, if I had the two. What do you reckon? | 0:20:50 | 0:20:53 | |
-Go on. We've had such fun. -You are an angel, thank you very much. | 0:20:53 | 0:20:56 | |
Thank you, my love. | 0:20:56 | 0:20:57 | |
Good on you, Margaret. | 0:20:57 | 0:20:59 | |
That will keep Phil happy for a while at least. | 0:20:59 | 0:21:02 | |
Meanwhile Natasha is around here somewhere. | 0:21:03 | 0:21:06 | |
Oh, careful! | 0:21:06 | 0:21:08 | |
Lordy, what is she up to now? | 0:21:09 | 0:21:11 | |
Oh, Phil. En garde! | 0:21:11 | 0:21:14 | |
I'm coming to get you. Oh, no! | 0:21:14 | 0:21:16 | |
How are you feeling about your rival, Natasha? | 0:21:16 | 0:21:19 | |
But no, Phil. Phil I'm suspicious of. Always. | 0:21:19 | 0:21:22 | |
SHE LAUGHS | 0:21:22 | 0:21:23 | |
Rightly so. Now, time to hunt some buys. | 0:21:23 | 0:21:26 | |
I don't know, this kind of section is quite good, actually, | 0:21:29 | 0:21:32 | |
because there is quite a lot going on. | 0:21:32 | 0:21:33 | |
There are really nice hand sickles down here as well. | 0:21:33 | 0:21:36 | |
A sickle is a hand-held tool for cutting a grain crops or grasses. | 0:21:36 | 0:21:40 | |
This set of three have a ticket price of £17. | 0:21:40 | 0:21:43 | |
And what's really nice is that Phil was telling me | 0:21:43 | 0:21:46 | |
in the car this morning that one of his items is riddled with woodworm. | 0:21:46 | 0:21:49 | |
And so is this one. | 0:21:49 | 0:21:51 | |
It says it has been treated but these too have woodworm. | 0:21:51 | 0:21:53 | |
Lovely. | 0:21:53 | 0:21:55 | |
So I don't know if maybe I just want to make Phil feel a little bit | 0:21:55 | 0:21:57 | |
more at home. | 0:21:57 | 0:21:59 | |
I'm not sure you're quite in the cut-throat spirit of this | 0:21:59 | 0:22:01 | |
competition yet, Natasha. | 0:22:01 | 0:22:03 | |
But the sickle's a definite possibility. | 0:22:03 | 0:22:05 | |
And on the rural theme... | 0:22:05 | 0:22:07 | |
I don't know why, but I really like this lawnmower. | 0:22:07 | 0:22:10 | |
And it does say on the label there that it is in working order. | 0:22:10 | 0:22:13 | |
I don't know if anyone would use it. | 0:22:13 | 0:22:15 | |
But for decorative purposes, it's great. | 0:22:15 | 0:22:17 | |
Yeah, have it in your lounge(!) | 0:22:17 | 0:22:19 | |
Why not? It dates from the late 20th century and the ticket price is £33. | 0:22:19 | 0:22:23 | |
Oh, something else now. | 0:22:23 | 0:22:25 | |
OK, this is a beautiful fireplace. That's really lovely. | 0:22:25 | 0:22:28 | |
Very nice indeed. Cast metal fireplace. | 0:22:28 | 0:22:31 | |
It's a late Victorian cast-iron fire surround, | 0:22:31 | 0:22:34 | |
complete with its original tiles. | 0:22:34 | 0:22:36 | |
It's £85. | 0:22:40 | 0:22:42 | |
It's £85. | 0:22:42 | 0:22:44 | |
In fact, the combined ticket price on the sickles, lawnmower | 0:22:46 | 0:22:49 | |
and fireplace is £135. | 0:22:49 | 0:22:51 | |
It's a little bit industrial, isn't it? | 0:22:55 | 0:22:57 | |
But I like it. No, I like it. | 0:22:57 | 0:22:59 | |
Time to speak to dealer Louise, then. | 0:22:59 | 0:23:01 | |
-If I make you an offer for the lot? -Right. | 0:23:01 | 0:23:04 | |
I'm going to make you an offer of 100 quid, | 0:23:04 | 0:23:07 | |
-and if you think I've lost the plot, just tell me. -OK. -100. | 0:23:07 | 0:23:10 | |
Nice round number. Think of that. £100 in your hand. Today. Cash. | 0:23:10 | 0:23:13 | |
-Since it's you, we could probably squeeze to 100. -Do you reckon? | 0:23:15 | 0:23:17 | |
-We could probably do that. -You are acting on someone else's behalf, | 0:23:17 | 0:23:20 | |
so I don't want to get you in trouble. | 0:23:20 | 0:23:22 | |
-No, I think that would be OK. -Do you think so? | 0:23:22 | 0:23:24 | |
-I think it would be OK. -Lawnmower, fire surround, | 0:23:24 | 0:23:26 | |
three hand sickles filled with woodworm, | 0:23:26 | 0:23:28 | |
-treated mind you. -Yeah, I'm sure they are. | 0:23:28 | 0:23:30 | |
They would be because anything coming in would be treated. | 0:23:30 | 0:23:33 | |
You reckon? Should we do it? | 0:23:33 | 0:23:34 | |
-Go on, then. We'll do. I'll do. -OK. £100. -£100. | 0:23:34 | 0:23:37 | |
I'm going to go get my cash. Louise, thank you so much! | 0:23:37 | 0:23:39 | |
Crikey, that sudden flurry of impulse buying means Natasha | 0:23:39 | 0:23:43 | |
has another three lots. | 0:23:43 | 0:23:45 | |
Philip meanwhile is back in the car. | 0:23:46 | 0:23:49 | |
Having already bought all his items, | 0:23:49 | 0:23:51 | |
he is driving into the lovely Brecon Beacons National Park. | 0:23:51 | 0:23:55 | |
Near the village of Abercraf is Dan-yr-Ogof - | 0:23:55 | 0:23:59 | |
the National Showcaves Centre for Wales. | 0:23:59 | 0:24:02 | |
An extraordinary wonder of the natural world that was discovered by | 0:24:06 | 0:24:10 | |
two very courageous local farmers, the Morgan brothers, in 1912. | 0:24:10 | 0:24:15 | |
He is meeting the curator of the centre, Ashford Price. | 0:24:16 | 0:24:21 | |
-Hello, Phil. -Ashford, how are you? | 0:24:21 | 0:24:23 | |
Welcome to Dan-yr-Ogof caves. | 0:24:23 | 0:24:25 | |
The cave system the Morgan brothers found here is now known to | 0:24:25 | 0:24:29 | |
extend at least 11 miles into the Earth. | 0:24:29 | 0:24:33 | |
And it's so fast that the outer limits are not yet known. | 0:24:33 | 0:24:36 | |
When they first found the caves, the brothers were looking for the | 0:24:36 | 0:24:40 | |
source of a river that flowed from the mountain, termed a resurgence. | 0:24:40 | 0:24:44 | |
In June of 1912, they actually went into the resurgence. | 0:24:45 | 0:24:49 | |
Literally by going in there. | 0:24:49 | 0:24:51 | |
They only went in there about a couple of hundred yards. | 0:24:51 | 0:24:54 | |
Just with candles. And one of them | 0:24:54 | 0:24:56 | |
found a little passageway leading off from the main river. Followed it. | 0:24:56 | 0:25:00 | |
And lo and behold, he didn't find the source of the river, | 0:25:00 | 0:25:03 | |
but he found some of the best caves probably in Europe. | 0:25:03 | 0:25:06 | |
With a little bit of trepidation, is it time to retrace some steps? | 0:25:06 | 0:25:09 | |
Yeah, I think so. | 0:25:09 | 0:25:11 | |
If it's any consolation, I've never lost a tourist yet. | 0:25:11 | 0:25:14 | |
You are in good hands then, Phil. | 0:25:14 | 0:25:16 | |
The Morgan brothers had no experience at all of caving | 0:25:18 | 0:25:22 | |
and ventured in with minimal equipment. | 0:25:22 | 0:25:25 | |
They came in the cave as complete novices, | 0:25:25 | 0:25:28 | |
not knowing what they were going to see | 0:25:28 | 0:25:31 | |
and certainly had no idea how long they would be underground. | 0:25:31 | 0:25:34 | |
So they came in with their ordinary suits. | 0:25:34 | 0:25:37 | |
They had a handkerchief tucked in. They had a their gold watch chain. | 0:25:37 | 0:25:40 | |
And also, which is amazing today, all they had with them | 0:25:40 | 0:25:45 | |
was literally a candle. Can you imagine? | 0:25:45 | 0:25:48 | |
Would you like to walk round this place on your own basically | 0:25:48 | 0:25:52 | |
just with a candle? They were exceptionally brave. | 0:25:52 | 0:25:55 | |
Cos if anything had happened to them on that first day, | 0:25:55 | 0:25:59 | |
nobody would have guessed as to where they were. | 0:25:59 | 0:26:02 | |
And certainly they would have just died in the cave. | 0:26:02 | 0:26:05 | |
It would have been a pretty grim ending. | 0:26:05 | 0:26:07 | |
What they were doing to try and get out, which is | 0:26:07 | 0:26:10 | |
-equally as important as coming in... -Too right! | 0:26:10 | 0:26:12 | |
They would put a little arrow marks on what was then the sandy floor. | 0:26:12 | 0:26:17 | |
This was their only way actually of coming in and out of the cave. | 0:26:17 | 0:26:21 | |
On the second day, though, they got a little bit wiser | 0:26:21 | 0:26:24 | |
and they brought in some balls of string that they used on the farm. | 0:26:24 | 0:26:29 | |
And they tied it to where they actually entered the cave | 0:26:29 | 0:26:31 | |
and they ran out the string behind them as they went further | 0:26:31 | 0:26:35 | |
and further into the mountain. | 0:26:35 | 0:26:36 | |
I would have been absolutely terrified as to what was | 0:26:36 | 0:26:39 | |
-round the next bend. -Well, I think they were also frightened | 0:26:39 | 0:26:42 | |
because as they went farther into the cave, one of them | 0:26:42 | 0:26:46 | |
actually took in, according to his diaries, his old ex-army revolver. | 0:26:46 | 0:26:51 | |
Despite their complete lack of experience and equipment, | 0:26:53 | 0:26:56 | |
the brave Morgan brothers managed to explore an extensive area. | 0:26:56 | 0:27:01 | |
They even used a small boat called a coracle | 0:27:01 | 0:27:04 | |
to cross the underground lakes. | 0:27:04 | 0:27:06 | |
Well, Phil, what do you think of that then? | 0:27:08 | 0:27:11 | |
This whole chamber is known as the Coracle Chamber. | 0:27:11 | 0:27:15 | |
It's about 40 foot high. Imagine finding that in 1912. | 0:27:15 | 0:27:22 | |
The Morgan brothers were responsible for discovering this | 0:27:22 | 0:27:25 | |
wonderful underground landscape, and their descendants, | 0:27:25 | 0:27:29 | |
of whom Ashford is one, still run the complex today. | 0:27:29 | 0:27:32 | |
Over the decades, other cavers have made greater | 0:27:32 | 0:27:36 | |
and greater advances through the stunning rock formations that have | 0:27:36 | 0:27:40 | |
been hewn over millennia by water passing over the limestone rock. | 0:27:40 | 0:27:43 | |
Experienced cavers are still discovering new | 0:27:49 | 0:27:51 | |
areas of the cave system. | 0:27:51 | 0:27:53 | |
Even with modern technology, | 0:27:53 | 0:27:55 | |
exploring underground can be dangerous | 0:27:55 | 0:27:57 | |
as rising water levels can cut explorers off, | 0:27:57 | 0:28:00 | |
temporarily depriving them of an escape route. | 0:28:00 | 0:28:03 | |
Cavers have been overdue. We've had a few cave rescues. | 0:28:04 | 0:28:08 | |
What do you mean by overdue? | 0:28:08 | 0:28:09 | |
They've had to spend a few nights in here. | 0:28:09 | 0:28:12 | |
That's a sobering thought. | 0:28:13 | 0:28:15 | |
In 1953, members of the South Wales Caving Club finally | 0:28:15 | 0:28:19 | |
discovered the area many consider to be the jewel of the Dan-yr-Ogof, | 0:28:19 | 0:28:24 | |
known as Cathedral Cave. | 0:28:24 | 0:28:27 | |
I don't think you see that in many places probably in the world. | 0:28:27 | 0:28:31 | |
Both the waterfalls there are about 40 foot high. | 0:28:31 | 0:28:34 | |
They lead onto vast cave systems left and right there. | 0:28:35 | 0:28:39 | |
You can imagine, Phil, | 0:28:39 | 0:28:41 | |
the vast amount of water required to make a cave passageway like this. | 0:28:41 | 0:28:45 | |
Obviously, a lot of this water came from all the various ice ages, | 0:28:45 | 0:28:49 | |
when, obviously, the planet was frozen. | 0:28:49 | 0:28:52 | |
It then thawed and, obviously, you had vast amounts of rainwater | 0:28:52 | 0:28:55 | |
coming through this area. | 0:28:55 | 0:28:58 | |
It is truly magnificent. | 0:28:58 | 0:29:00 | |
It doesn't matter how often I see it, I'm still impressed by this. | 0:29:00 | 0:29:04 | |
Thanks to the courageous efforts of the Morgan brothers, | 0:29:04 | 0:29:08 | |
the caves here can now be enjoyed by visitors who don't even have | 0:29:08 | 0:29:11 | |
to bring their own candle. | 0:29:11 | 0:29:13 | |
It is quite a magical place. | 0:29:13 | 0:29:16 | |
I'm feeling like Indiana Jones in here, you know? | 0:29:16 | 0:29:19 | |
-Where is that bit of string? -We'll find it now. Come on. | 0:29:19 | 0:29:23 | |
Natasha meanwhile has motored on to Brecon, | 0:29:26 | 0:29:29 | |
a very attractive market town that boasts its very own Norman castle. | 0:29:29 | 0:29:33 | |
With £75 still to spend, Natasha is heading into Brecon Antiques Centre, | 0:29:35 | 0:29:39 | |
where she is meeting dealer Linton. | 0:29:39 | 0:29:42 | |
-Hello, hi there. -Hi. -Hi, I'm Natasha. -Pleased to meet you. Linton. | 0:29:42 | 0:29:46 | |
Linton, it's lovely to meet you! | 0:29:46 | 0:29:47 | |
-This looks like an absolute treasure trove. -Yes, it's quite compact. | 0:29:47 | 0:29:52 | |
Which suits Natasha | 0:29:52 | 0:29:53 | |
as her thoughts are turning to the bijou this afternoon. | 0:29:53 | 0:29:57 | |
I'm just looking for something small. | 0:29:57 | 0:30:00 | |
I think that everything I've bought has been quite humphing, quite big. | 0:30:00 | 0:30:04 | |
Especially the cast-iron fire surround. | 0:30:04 | 0:30:08 | |
I think I need something more delicate. | 0:30:08 | 0:30:09 | |
And as if by magic... | 0:30:09 | 0:30:11 | |
40% off! You cannot resist. Let's have a wee look. | 0:30:11 | 0:30:15 | |
I mean, there is loads of stuff in here. | 0:30:16 | 0:30:18 | |
I don't know if there is a huge amount of age to all of it. | 0:30:18 | 0:30:21 | |
It's mostly glass items, by the look of things. | 0:30:21 | 0:30:24 | |
Even a few delicate pieces in there for you, Natasha. | 0:30:24 | 0:30:27 | |
And the promised discounts never hurts in this game. | 0:30:27 | 0:30:30 | |
I just, it's not something I ever buy, glass. But I'm just thinking... | 0:30:30 | 0:30:34 | |
I am thinking that if you are going to go kind of kitschy | 0:30:34 | 0:30:37 | |
and colourful, should you go the whole hog? | 0:30:37 | 0:30:40 | |
There are things like, you know, | 0:30:40 | 0:30:42 | |
a little bit of Murano glass there. It's nice. | 0:30:42 | 0:30:44 | |
It's not going to change anyone's life. It's a pretty thing. | 0:30:44 | 0:30:47 | |
But what I do think is a life-changing piece of glass | 0:30:47 | 0:30:50 | |
and, dare I say, art | 0:30:50 | 0:30:52 | |
is this very nice ankle boot. | 0:30:52 | 0:30:55 | |
Oh, careful. | 0:30:57 | 0:30:58 | |
Look at that. | 0:30:58 | 0:31:01 | |
Is that not the most hideous thing that you have ever seen? | 0:31:01 | 0:31:06 | |
Well, it's not my style, but I'm sure someone would like it. | 0:31:06 | 0:31:09 | |
I think that I have to buy it. | 0:31:09 | 0:31:14 | |
Mm. Sensible reasoning. | 0:31:14 | 0:31:16 | |
It's marked up at £39. | 0:31:16 | 0:31:18 | |
But the all-important 40% discount will have to be subtracted. | 0:31:18 | 0:31:23 | |
OK, my maths is really bad. It's £39. | 0:31:23 | 0:31:27 | |
Essentially call it 40. | 0:31:27 | 0:31:30 | |
4+4... | 0:31:30 | 0:31:32 | |
Good grief! After the discount, it's £23.40. | 0:31:32 | 0:31:37 | |
Best have a word with Linton. | 0:31:37 | 0:31:38 | |
-This has to be the best thing I've ever seen. -The magic slipper. | 0:31:38 | 0:31:41 | |
And I tell you what's great, it was in a 40% off cabinet that I found. | 0:31:41 | 0:31:45 | |
-Never. -That you were keeping from me. You didn't... -Oh. | 0:31:45 | 0:31:48 | |
Yeah, thanks for that, Linton. | 0:31:48 | 0:31:50 | |
Another dealer owns the enchanting boot. | 0:31:50 | 0:31:53 | |
What deal could Linton strike on his behalf? | 0:31:53 | 0:31:56 | |
What do you think is the bare minimum? | 0:31:56 | 0:31:58 | |
18 to 20. But I think you might squeeze 18 out of him. | 0:31:58 | 0:32:02 | |
It has to be 18 quid for a Laguna glass boot vase. | 0:32:02 | 0:32:05 | |
It's the best thing I've ever seen. It's beautiful! | 0:32:05 | 0:32:08 | |
-OK, thank you so much. You are my prince. -With pleasure. | 0:32:08 | 0:32:11 | |
And with that fairytale ending, they are all bought up. | 0:32:11 | 0:32:14 | |
Natasha bought the Arts & Crafts firedogs, | 0:32:17 | 0:32:21 | |
the three wooden hand sickles, | 0:32:21 | 0:32:23 | |
the mechanical lawnmower, | 0:32:23 | 0:32:25 | |
the cast-iron fireplace, | 0:32:25 | 0:32:28 | |
and the much-loved glass lady's boot. | 0:32:28 | 0:32:32 | |
She spent £143 exactly. | 0:32:32 | 0:32:35 | |
While Philip bought the Customs & Excise measuring stick, | 0:32:35 | 0:32:39 | |
the memento cricket bat, | 0:32:39 | 0:32:41 | |
the ship's light, | 0:32:41 | 0:32:43 | |
the till, | 0:32:43 | 0:32:44 | |
the commode, | 0:32:44 | 0:32:46 | |
the rugby programmes, | 0:32:46 | 0:32:48 | |
and the ladies' fans. | 0:32:48 | 0:32:50 | |
That little lot cost him £105. | 0:32:50 | 0:32:53 | |
So what do they think of each other's offerings? | 0:32:54 | 0:32:58 | |
I'm not quite sure what his till is going to do. | 0:32:58 | 0:33:00 | |
I think it's a really quirky thing. I really like it. | 0:33:00 | 0:33:03 | |
But is it the sort of thing that people would buy | 0:33:03 | 0:33:05 | |
apart from just decorative purpose? | 0:33:05 | 0:33:06 | |
Maybe they will. I don't know. I hope so. | 0:33:06 | 0:33:08 | |
I think the fire stand is really, really lovely. | 0:33:08 | 0:33:10 | |
If she's got two people at the auction who want that, | 0:33:10 | 0:33:13 | |
I can see it making three figures. | 0:33:13 | 0:33:14 | |
I think Phil has done brilliantly. I think he is an absolute star. | 0:33:14 | 0:33:17 | |
I think my favourite item has to be the commode, | 0:33:17 | 0:33:20 | |
purely because we are in it together with our woodworm, | 0:33:20 | 0:33:22 | |
and I think it's going to be the battle of the woodworm. | 0:33:22 | 0:33:25 | |
I like to think that, you know, my influence has worn off on her, | 0:33:25 | 0:33:28 | |
because with those three sickles, we've got | 0:33:28 | 0:33:31 | |
all the true Serrell traits of rust and woodworm. | 0:33:31 | 0:33:35 | |
And I expect them to go in a similar fashion to my commode. | 0:33:35 | 0:33:41 | |
In a skip somewhere. | 0:33:41 | 0:33:42 | |
On this leg, they've travelled from Narberth, Pembrokeshire, | 0:33:45 | 0:33:49 | |
to auction here in Cross Hands, Carmarthenshire. | 0:33:49 | 0:33:52 | |
Today the proof will be in the pudding, Mr Serrell. | 0:33:55 | 0:33:58 | |
I think my pudding may be a bit stodgy. | 0:33:58 | 0:34:01 | |
I think that probably goes for both of us. | 0:34:01 | 0:34:04 | |
That's the spirit! | 0:34:04 | 0:34:06 | |
It's a lovely day, isn't it? | 0:34:06 | 0:34:07 | |
It's beautiful. | 0:34:07 | 0:34:09 | |
It is indeed. | 0:34:09 | 0:34:10 | |
Let's hope fortune shines on our brave | 0:34:10 | 0:34:13 | |
pair as they head for the reckoning. | 0:34:13 | 0:34:15 | |
They are just arriving at Welsh Country Auctions, today's saleroom. | 0:34:16 | 0:34:20 | |
-Well, here we are. Are you ready? -I'm ready. Are you ready? | 0:34:20 | 0:34:24 | |
Shall we go in arm and arm to our first auction? | 0:34:24 | 0:34:26 | |
That way, that way. | 0:34:26 | 0:34:27 | |
-This way. -That way. Come on. | 0:34:27 | 0:34:30 | |
This bodes well. | 0:34:30 | 0:34:32 | |
Holding the gavel today is auctioneer Andrew Williams. | 0:34:32 | 0:34:35 | |
Before the off, what does he think of Natasha and Phil's lots? | 0:34:35 | 0:34:39 | |
The rugby programmes and the bat, they are quite nice things, | 0:34:39 | 0:34:42 | |
but we do tend to get a lot of rugby programmes in. | 0:34:42 | 0:34:45 | |
We get boxfuls in, sadly. | 0:34:45 | 0:34:46 | |
It's a job telling how old the glass boot is, | 0:34:46 | 0:34:49 | |
but we do have collectors of boots and shoes and quirky things. | 0:34:49 | 0:34:52 | |
It's a nice enough piece, so it should do OK. | 0:34:52 | 0:34:55 | |
The cast-iron fire surround, | 0:34:55 | 0:34:57 | |
different design with the domed top to it. Somebody will use it. | 0:34:57 | 0:35:00 | |
Could end up in a garden, could go back in a house. | 0:35:00 | 0:35:02 | |
The barrel measure is quite nice. | 0:35:02 | 0:35:03 | |
It's something unusual, something different. | 0:35:03 | 0:35:06 | |
And the till does make a nice sound when the drawer opens, | 0:35:06 | 0:35:08 | |
so it'll cause a little bit of interest. | 0:35:08 | 0:35:11 | |
Right, let's get on with it then. The auction is about to begin. | 0:35:11 | 0:35:14 | |
First up, it's Philip's souvenir cricket bat, which he's placed | 0:35:18 | 0:35:22 | |
in a job lot with his collection of 1970s Welsh rugby programmes. | 0:35:22 | 0:35:26 | |
Five. Five pounds. At five. | 0:35:28 | 0:35:31 | |
-Eight. Ten. 12. 13. -Yes! | 0:35:31 | 0:35:34 | |
The programmes are signed. | 0:35:34 | 0:35:36 | |
18. At £18. 20 in the back. | 0:35:36 | 0:35:38 | |
Two. 25. | 0:35:38 | 0:35:39 | |
At 25. | 0:35:39 | 0:35:41 | |
Any more? At £25. | 0:35:42 | 0:35:44 | |
On my right at £25. | 0:35:44 | 0:35:46 | |
BANGS GAVEL | 0:35:46 | 0:35:47 | |
Philip Serrell. | 0:35:47 | 0:35:49 | |
A decent profit for Philip. | 0:35:50 | 0:35:52 | |
-Well done. That's great. -It's a profit, isn't it? | 0:35:52 | 0:35:56 | |
That's our very first profit. | 0:35:56 | 0:35:57 | |
You have started this auction with a bang. | 0:35:57 | 0:36:00 | |
Firedogs are coming up next. | 0:36:00 | 0:36:01 | |
Are they going to be dogs or are they going to be all right? | 0:36:01 | 0:36:04 | |
I don't know. | 0:36:04 | 0:36:05 | |
I'm a little bit worried because they were my first buy. | 0:36:05 | 0:36:07 | |
I just sort of went with what I knew, Scottish Arts & Crafts. | 0:36:07 | 0:36:10 | |
But maybe I should have remembered that we were in Wales. | 0:36:10 | 0:36:13 | |
Natasha now with her Arts & Crafts firedogs. | 0:36:13 | 0:36:17 | |
Ten I'm bid. At ten pounds. | 0:36:17 | 0:36:19 | |
At ten for the pair. | 0:36:19 | 0:36:21 | |
At ten. Ten pounds. 15. | 0:36:21 | 0:36:22 | |
20. At 20. | 0:36:22 | 0:36:25 | |
Five. 30. | 0:36:25 | 0:36:27 | |
Five. | 0:36:27 | 0:36:28 | |
At 35 for the pair. I thought these would have made more. | 0:36:28 | 0:36:31 | |
-At £35. -No! | 0:36:31 | 0:36:33 | |
-BANGS GAVEL -35. | 0:36:33 | 0:36:35 | |
LAUGHING: They could have done better. | 0:36:35 | 0:36:37 | |
We just seem to be nerdling away at ten-pound notes here, don't we? | 0:36:37 | 0:36:40 | |
That strong start has Natasha now neck and neck with Phil. | 0:36:40 | 0:36:44 | |
Next, it's Philip's vintage till, | 0:36:47 | 0:36:50 | |
selling in a job lot with his Customs & Excise measuring stick. | 0:36:50 | 0:36:54 | |
-There you go, there is a lovely... -BELL RINGS | 0:36:54 | 0:36:56 | |
-Listen to that sound. -Come on. That's so good. -Wonderful. And again. | 0:36:56 | 0:36:59 | |
BELL RINGS NATASHA CHEERS | 0:36:59 | 0:37:01 | |
What a good bit of kerching. | 0:37:01 | 0:37:02 | |
This is lot 139. Rostrum bid to start. | 0:37:02 | 0:37:04 | |
-At 20. -He's got 20. -Five. -Yes! | 0:37:04 | 0:37:07 | |
30. | 0:37:07 | 0:37:08 | |
Two. 35. | 0:37:08 | 0:37:10 | |
At £35. Let's have another ding. | 0:37:10 | 0:37:12 | |
38. 40 in the back. | 0:37:12 | 0:37:14 | |
At 40. Two. 45. | 0:37:14 | 0:37:17 | |
50. At 50. | 0:37:17 | 0:37:19 | |
Is it going to be another tenner? | 0:37:19 | 0:37:21 | |
-BANGS GAVEL -50. | 0:37:21 | 0:37:23 | |
THEY LAUGH | 0:37:23 | 0:37:24 | |
It's ten-pound profits all round today. | 0:37:24 | 0:37:27 | |
I saw a lady over there, and she'd only got one glass left boot on. | 0:37:28 | 0:37:32 | |
-So you never know. If it's the right size... -I'm glad she came. | 0:37:32 | 0:37:35 | |
Mind you... | 0:37:35 | 0:37:37 | |
There was a pumpkin and some wild mice out the back as well. | 0:37:37 | 0:37:40 | |
-Bibbidi-bobbidi-boo. -Pardon? | 0:37:40 | 0:37:43 | |
SHE LAUGHS | 0:37:43 | 0:37:45 | |
You might have guessed. It's Natasha's glass boot now. | 0:37:45 | 0:37:48 | |
20 I'm bid. Rostrum bid to start. | 0:37:48 | 0:37:50 | |
-At £20. £20 bid. -At 20. No, he doesn't. | 0:37:50 | 0:37:52 | |
-The glass boot at 20. -He actually has that? | 0:37:52 | 0:37:55 | |
25. | 0:37:55 | 0:37:57 | |
30. At 30. | 0:37:57 | 0:37:59 | |
At 30. | 0:37:59 | 0:38:00 | |
-And five now? £30. -I've made 12 quid thus far. | 0:38:00 | 0:38:04 | |
At 30. | 0:38:04 | 0:38:05 | |
-BANGS GAVEL -30. | 0:38:05 | 0:38:07 | |
Someone does take to it. A surprise success for Natasha. | 0:38:07 | 0:38:12 | |
That was unbelievable. How did he...? | 0:38:12 | 0:38:14 | |
This is the best auction house in the land. | 0:38:14 | 0:38:17 | |
Now let's see if Phil's ship's light can illuminate proceedings. | 0:38:17 | 0:38:22 | |
-£20. -That is sexy. £20 bid. | 0:38:22 | 0:38:24 | |
25. 30. | 0:38:24 | 0:38:26 | |
Five. 40. | 0:38:26 | 0:38:28 | |
Five. 50. | 0:38:28 | 0:38:30 | |
We're off to the races. | 0:38:30 | 0:38:32 | |
60. | 0:38:32 | 0:38:33 | |
Five. At £65. | 0:38:33 | 0:38:35 | |
-Hell yeah! -65. | 0:38:35 | 0:38:38 | |
-Last call then at £65. -Off the rocks anyway. | 0:38:38 | 0:38:40 | |
BANGS GAVEL | 0:38:40 | 0:38:43 | |
You are a legend. | 0:38:43 | 0:38:45 | |
Ha! Some might say. | 0:38:45 | 0:38:47 | |
And with that, Phil has now taken the lead. | 0:38:47 | 0:38:50 | |
So it's Natasha's mechanical mower next. | 0:38:51 | 0:38:54 | |
20, one of you? | 0:38:54 | 0:38:55 | |
Oh, go on! Why not? | 0:38:55 | 0:38:57 | |
Won't get a better cut than with a nice old push mower. | 0:38:57 | 0:39:00 | |
-At -Two pounds. Two? -It's got to be sold. -Why are they laughing? | 0:39:00 | 0:39:03 | |
At two. Five. At five pounds. At five. That was a lucky escape. | 0:39:03 | 0:39:07 | |
-This is terrible. They are laughing. -Eight. | 0:39:07 | 0:39:09 | |
Yes, it's not usually a good sign. | 0:39:09 | 0:39:11 | |
At ten pounds. At ten. Save on your electric as well. | 0:39:11 | 0:39:14 | |
-Oh, no. -Ten pounds here. -Oh, no. -At the end of the row then. | 0:39:14 | 0:39:17 | |
BANGS GAVEL | 0:39:17 | 0:39:18 | |
Oh, Phil! Oh... | 0:39:18 | 0:39:21 | |
The saleroom doesn't take to it. Bad luck. | 0:39:22 | 0:39:24 | |
While Philip's ladies' fans fare any better? | 0:39:26 | 0:39:29 | |
Ten I'm bid. At ten. Ten pounds. | 0:39:29 | 0:39:31 | |
15 for the fans. 20. | 0:39:31 | 0:39:33 | |
Five. 30. | 0:39:33 | 0:39:35 | |
Five. 40. | 0:39:35 | 0:39:37 | |
Five. 50. | 0:39:37 | 0:39:39 | |
-And 60. -Oh! | 0:39:40 | 0:39:42 | |
-I'm very surprised. -70. | 0:39:42 | 0:39:43 | |
80. There's quite a few of them in there. | 0:39:43 | 0:39:46 | |
-We're back at £80. -Yes. -Once, twice. | 0:39:46 | 0:39:49 | |
All done at £80. | 0:39:49 | 0:39:52 | |
-How good is that?! -That's a real result, isn't it? | 0:39:52 | 0:39:55 | |
SHE LAUGHS | 0:39:55 | 0:39:56 | |
Go and get one quick and fan me. | 0:39:56 | 0:39:58 | |
Blow me down! Philip is now a real contender. | 0:39:58 | 0:40:02 | |
In all honesty, I think, to the right man, | 0:40:02 | 0:40:05 | |
your fireplace is 150 quid. | 0:40:05 | 0:40:08 | |
-No. Stop it. -I do, I do, I do. | 0:40:08 | 0:40:11 | |
It's Natasha's big chance to shine with her cast-iron fire surround. | 0:40:11 | 0:40:16 | |
-Pretty surround. -At 20. Oh, no. | 0:40:16 | 0:40:18 | |
At five anywhere now? | 0:40:18 | 0:40:20 | |
-Oh, no. -Going to sell it then. At £20. | 0:40:20 | 0:40:22 | |
25. Here comes the rush. 30. | 0:40:22 | 0:40:24 | |
35. | 0:40:24 | 0:40:25 | |
At 35. Lost you in the back now. | 0:40:25 | 0:40:28 | |
SHE GROANS | 0:40:28 | 0:40:29 | |
-Bids behind me. -At £35. | 0:40:29 | 0:40:30 | |
BANGS GAVEL | 0:40:30 | 0:40:32 | |
-Oh, that's soul destroying. -I think you were unlucky with that. -Oh. | 0:40:32 | 0:40:37 | |
So sweet. An unlucky loss. | 0:40:37 | 0:40:39 | |
-You live, you learn. -Yeah. -I'm in Wales. | 0:40:39 | 0:40:41 | |
I'm learning how the Welsh do it now. | 0:40:41 | 0:40:43 | |
So what will the Welsh saleroom make of Philip's star buy, | 0:40:43 | 0:40:48 | |
the woodwormed commode? | 0:40:48 | 0:40:50 | |
Wherever you would like to start. A reasonable offer? | 0:40:50 | 0:40:52 | |
Reasonable offer of... | 0:40:52 | 0:40:54 | |
20 I'm bid. At 20. | 0:40:54 | 0:40:55 | |
Quick, before they change their mind. | 0:40:55 | 0:40:57 | |
A little Georgian commode. At 20. Five. At 25. | 0:40:57 | 0:41:01 | |
Don't tell him to put the hammer down, it's going up. | 0:41:01 | 0:41:03 | |
No, no. They might change their mind. | 0:41:03 | 0:41:06 | |
At £25. All done? No more? | 0:41:06 | 0:41:07 | |
Last call at 25. | 0:41:07 | 0:41:09 | |
BANGS GAVEL | 0:41:09 | 0:41:10 | |
You are schooling me today. | 0:41:10 | 0:41:13 | |
You are schooling me today. | 0:41:13 | 0:41:15 | |
25 quid for that. | 0:41:15 | 0:41:17 | |
Ha! A very respectable outcome for Philip. | 0:41:17 | 0:41:20 | |
How do you feel? | 0:41:20 | 0:41:22 | |
Uh, I feel lucky. | 0:41:22 | 0:41:24 | |
And so you should, Philip. | 0:41:24 | 0:41:26 | |
One final lot now - Natasha's hand sickles. | 0:41:26 | 0:41:30 | |
Perhaps there is a woodworm collector in the crowd. | 0:41:30 | 0:41:33 | |
I don't know how these are going to fare, but you know what, | 0:41:33 | 0:41:36 | |
has this not just been the nicest morning? | 0:41:36 | 0:41:38 | |
-It's been really good fun. -Yeah. | 0:41:38 | 0:41:39 | |
-Aren't we lucky to do this? -I know! | 0:41:39 | 0:41:41 | |
-Ten pounds for the three. -Yes, come on! | 0:41:41 | 0:41:44 | |
Someone go ten. | 0:41:44 | 0:41:45 | |
Ten I'm bid. 12. | 0:41:45 | 0:41:48 | |
15. | 0:41:48 | 0:41:49 | |
18. At £18. | 0:41:49 | 0:41:51 | |
At 18 right down the centre. | 0:41:51 | 0:41:52 | |
-It's better than I thought. -21 now? | 0:41:52 | 0:41:55 | |
-At £18 for all three. No more? -BANGS GAVEL | 0:41:55 | 0:41:58 | |
-Yes. -That's really good. | 0:41:58 | 0:42:00 | |
Very respectable. | 0:42:00 | 0:42:02 | |
I'm quite happy with that. I'm really pleased for you. | 0:42:02 | 0:42:04 | |
And I've really enjoyed our morning in Wales. | 0:42:04 | 0:42:07 | |
-It's been good fun, hasn't it? -Yeah. Yeah. | 0:42:07 | 0:42:09 | |
Aw, aren't you two sweet? | 0:42:09 | 0:42:11 | |
So it's time to tot up the totals. | 0:42:11 | 0:42:14 | |
They both began this leg with £200. | 0:42:14 | 0:42:16 | |
Rather bad luck meant Natasha lost £38.04 | 0:42:16 | 0:42:21 | |
after auction costs are deducted, | 0:42:21 | 0:42:24 | |
which means she has £161.96 to carry forward. | 0:42:24 | 0:42:28 | |
While Philip played a stormer, | 0:42:29 | 0:42:31 | |
making a profit of £75.90 after costs. | 0:42:31 | 0:42:36 | |
So he has £275.90 for the next leg. | 0:42:36 | 0:42:40 | |
-Thank you very much. -Well... -Very well done, Phil. | 0:42:42 | 0:42:45 | |
-Well, a bit of luck, but I tell you what, loser drives. -Loser drives! | 0:42:45 | 0:42:48 | |
-I was going to say the winner drives away. -No, the loser drives. | 0:42:48 | 0:42:51 | |
Loser drives. I'm up for it if you are. | 0:42:51 | 0:42:53 | |
Only fair. And so, on to the next leg. | 0:42:53 | 0:42:56 | |
On the next Antiques Road Trip, Natasha is full of compliments. | 0:42:58 | 0:43:02 | |
I cannot think of a better way to spend a day than | 0:43:02 | 0:43:05 | |
driving around Wales with a handsome man like you. | 0:43:05 | 0:43:08 | |
What a girl! What a girl! | 0:43:08 | 0:43:09 | |
And Phil is full of doubt. | 0:43:09 | 0:43:11 | |
I don't know what to do. | 0:43:11 | 0:43:13 |