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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HONK | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
-Back in the game. -HE LAUGHS | 0:00:17 | 0:00:19 | |
-Charlie. -There will be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
SHE GASPS So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today is the second helping of our Road Trip escapade | 0:00:38 | 0:00:41 | |
with auctioneers Mark Stacey and Thomas Plant. | 0:00:41 | 0:00:44 | |
-I don't think I'm a Superman. -No, no. | 0:00:45 | 0:00:47 | |
I think you are more like an overweight Lois Lane. | 0:00:47 | 0:00:49 | |
HE CHUCKLES | 0:00:49 | 0:00:53 | |
That is so harsh. | 0:00:53 | 0:00:54 | |
If I'm an overweight Lois Lane, | 0:00:54 | 0:00:57 | |
-God only knows what that makes you. -Oh, don't. Don't. | 0:00:57 | 0:01:01 | |
Oh, they love one another really. | 0:01:01 | 0:01:03 | |
Mark is having a go at a spot of clairvoyance. | 0:01:05 | 0:01:08 | |
If only I could say, "Mirror, Mirror on the wall, | 0:01:08 | 0:01:10 | |
"who's going to make the greatest profit of them all?" | 0:01:10 | 0:01:12 | |
Thomas dazzles us with his encyclopaedic knowledge of antiques. | 0:01:15 | 0:01:20 | |
This looks like, almost like, a female bottom. | 0:01:20 | 0:01:23 | |
Do you know, he's right. | 0:01:23 | 0:01:24 | |
And they are putting their foot down in this racy little number, | 0:01:24 | 0:01:27 | |
the 1978 MGB GT. I had one of those. | 0:01:27 | 0:01:30 | |
Well, I have to say, Tom, she's doing all right at the moment, | 0:01:31 | 0:01:35 | |
-isn't she, the car? -Yes, and you... | 0:01:35 | 0:01:37 | |
-It's a she, is it, in your world? -Well, as all cars should be. | 0:01:37 | 0:01:40 | |
Well, some of them are men, some of them are boys, | 0:01:40 | 0:01:42 | |
but I don't know what to call her, actually. | 0:01:42 | 0:01:44 | |
-Beauty. A black beauty. -A black beauty. | 0:01:44 | 0:01:46 | |
Glad we cleared that up. | 0:01:46 | 0:01:48 | |
Our Road Trip buddies started off with £200, | 0:01:54 | 0:01:57 | |
but their first auction saw Mark make a big loss on the dreaded cannonball. | 0:01:57 | 0:02:02 | |
This leaves him with £107.50 for the second leg. | 0:02:04 | 0:02:08 | |
HAMMER KNOCKS | 0:02:11 | 0:02:13 | |
But Thomas has edged ahead with a much smaller loss, | 0:02:13 | 0:02:16 | |
so has a lovely wodge of £194.30. | 0:02:16 | 0:02:21 | |
Mark and Thomas will be making a trip of over 500 miles | 0:02:23 | 0:02:27 | |
from Sittingbourne, Kent | 0:02:27 | 0:02:28 | |
and will wind all the way along the South East and East Anglia | 0:02:28 | 0:02:32 | |
through Norwich and finally land | 0:02:32 | 0:02:34 | |
in Oakham in the East Midlands. | 0:02:34 | 0:02:36 | |
Today's journey begins in the village of Otford, in Kent, | 0:02:36 | 0:02:39 | |
and the auction will take place | 0:02:39 | 0:02:41 | |
in Paddock Wood, also in Kent. | 0:02:41 | 0:02:43 | |
And get this, Otford boasts quite possibly the only roundabout | 0:02:46 | 0:02:50 | |
in Britain to have its very own duck pond. | 0:02:50 | 0:02:53 | |
Ha! | 0:02:53 | 0:02:54 | |
Ducky. | 0:02:54 | 0:02:55 | |
-Well done. I could get used to this. -Could you, what? | 0:02:57 | 0:03:00 | |
-You driving me around. -I'm not going to drive you. | 0:03:00 | 0:03:03 | |
I might offer you a job as a driver, Tom. | 0:03:03 | 0:03:05 | |
I'm not going to be your driver, not on that money you've got to spend. | 0:03:05 | 0:03:08 | |
-Oh, don't, Thomas. -I mean, you know... | 0:03:08 | 0:03:10 | |
THOMAS CHUCKLES Don't rub it in, Thomas. | 0:03:10 | 0:03:12 | |
Our Road Trip pals are sticking together for the first | 0:03:12 | 0:03:15 | |
-shop of the day. -After you. | 0:03:15 | 0:03:17 | |
-Oh, no. Age before beauty. -Oh, thank you. | 0:03:17 | 0:03:19 | |
-Did you just say what I thought you said? -I did. I did. | 0:03:19 | 0:03:22 | |
Well, you know, I've always been told. | 0:03:22 | 0:03:24 | |
-Hello! -Hello. | 0:03:24 | 0:03:25 | |
This is my colleague, Thomas, who is competing against me. | 0:03:25 | 0:03:28 | |
-So, we mustn't be too nice to him because he's leading. -OK. | 0:03:28 | 0:03:30 | |
We're going to have a look around and then we'll come back | 0:03:30 | 0:03:33 | |
and have a word. Is that all right? | 0:03:33 | 0:03:34 | |
-Yeah, that's fine. Lovely. -Thank you. | 0:03:34 | 0:03:36 | |
Right, Mark, you got bit of catching up to do today. | 0:03:36 | 0:03:38 | |
Got any ideas, mate? | 0:03:38 | 0:03:40 | |
I've got to think of some sort of a plan, so I'm going to try and find | 0:03:42 | 0:03:45 | |
interesting objects at, maybe, ten pounds | 0:03:45 | 0:03:49 | |
that might sell for £30 or £40. | 0:03:49 | 0:03:52 | |
So, even after commissions and things, there's a sizable profit. | 0:03:52 | 0:03:55 | |
Just to start getting me back in the rhythm. | 0:03:55 | 0:03:58 | |
And of course, the one thing I'm completely going to avoid... | 0:03:58 | 0:04:02 | |
is cannonballs. | 0:04:02 | 0:04:04 | |
Hm, don't worry. I don't think you'll find any in there. | 0:04:04 | 0:04:07 | |
If only I could say, "Mirror, Mirror on the wall, | 0:04:09 | 0:04:11 | |
"who is going to make the greatest profit of them all?" | 0:04:11 | 0:04:14 | |
It won't answer me, of course. | 0:04:14 | 0:04:15 | |
And if it did, it'd probably say, "Thomas Plant." | 0:04:15 | 0:04:18 | |
Oh, dear. Feeling a bit sorry for yourself? | 0:04:18 | 0:04:21 | |
This is rather attractive, actually. | 0:04:22 | 0:04:24 | |
There's only one period, date this could have been made. | 0:04:24 | 0:04:27 | |
Probably around about 1900, 1905, | 0:04:27 | 0:04:31 | |
but I love these sinuous lines | 0:04:31 | 0:04:33 | |
with the lily pads | 0:04:33 | 0:04:36 | |
and these sort of stylised berries | 0:04:36 | 0:04:39 | |
and lis here. | 0:04:39 | 0:04:40 | |
Art Nouveau is one of the first modern styles of the 20th century | 0:04:40 | 0:04:44 | |
and takes inspiration from the natural world. | 0:04:44 | 0:04:47 | |
The ticket price is £28. That seems cheap. | 0:04:47 | 0:04:51 | |
Do know what? I think I might be a bit cheeky. I'll go and find Jackie. | 0:04:51 | 0:04:55 | |
Jackie? | 0:04:56 | 0:04:58 | |
-Time to talk money, eh? -Oh, Jackie. | 0:04:58 | 0:05:01 | |
I'm doing very well. I've been in here five minutes | 0:05:01 | 0:05:03 | |
-and I've already found this dish. -Right. | 0:05:03 | 0:05:06 | |
I'm in a real predicament, Jackie. I'll explain to you | 0:05:06 | 0:05:08 | |
and this is no word of a lie. | 0:05:08 | 0:05:11 | |
-So, put on your caring face for me. -I will. I'll try. -Thank you. Try. | 0:05:11 | 0:05:15 | |
I've had my first auction | 0:05:15 | 0:05:16 | |
-and I shot myself in the foot with a cannonball. -Yes. | 0:05:16 | 0:05:19 | |
So, I'm going to be terribly mean to start off with | 0:05:19 | 0:05:21 | |
-and she's going to tell me to get out of the shop. -Yes, give me a | 0:05:21 | 0:05:24 | |
-price. Probably will. -I would love to buy it for ten pounds. -Ooh! | 0:05:24 | 0:05:27 | |
Um... | 0:05:27 | 0:05:28 | |
Oh. | 0:05:28 | 0:05:29 | |
Ask her what she would be comfortable with. Thank you. | 0:05:29 | 0:05:32 | |
All right, then. | 0:05:32 | 0:05:33 | |
What are you doing, Mark? | 0:05:33 | 0:05:35 | |
Dealer Wendy is just downstairs. | 0:05:35 | 0:05:38 | |
-Mark wants the best price on this. -Best price on this. | 0:05:38 | 0:05:41 | |
He's made an offer, which I daren't tell you at the moment, | 0:05:41 | 0:05:43 | |
but he is offering ten. | 0:05:43 | 0:05:45 | |
-Oh, no. -THEY LAUGH | 0:05:45 | 0:05:50 | |
Um, 15? | 0:05:50 | 0:05:52 | |
-18. -Right. I'll go and see what he says and that really is...? | 0:05:53 | 0:05:58 | |
-It is really. -It's got to have 18. | 0:05:58 | 0:06:01 | |
-Oh, Jackie, hello. -You're not going to be happy. | 0:06:03 | 0:06:06 | |
Oh, I'm not? No. | 0:06:06 | 0:06:08 | |
-18. -18. Oh, gosh. -And I tried. I really tried. | 0:06:08 | 0:06:10 | |
She's been really generous, isn't she? I mean, look... | 0:06:10 | 0:06:12 | |
-HE WHISPERS: -..it's not a lot of money, is it, really? | 0:06:12 | 0:06:15 | |
And she has been very kind to me, actually. | 0:06:15 | 0:06:18 | |
-Jackie, thank you. -OK. | 0:06:18 | 0:06:19 | |
-Let's call that sold, all right? -OK. That's lovely. | 0:06:19 | 0:06:21 | |
And I'll carry on browsing. | 0:06:21 | 0:06:23 | |
-I'll take it downstairs for you. -Thanks so much. I do appreciate it. | 0:06:23 | 0:06:26 | |
Well, as you can see, I'm firmly sticking to my ten-pound challenge. | 0:06:26 | 0:06:30 | |
And I've now spent on my first item £18, | 0:06:30 | 0:06:33 | |
so I'm already 80% over what I said I wouldn't pay. | 0:06:33 | 0:06:37 | |
It's going very, very well(!) | 0:06:37 | 0:06:39 | |
Still, a good discount from the original £28 ticket price, Mark. | 0:06:40 | 0:06:46 | |
Now, what about Thomas? | 0:06:46 | 0:06:48 | |
-Right, Mark. -Oh, my gosh, Thomas! -Like Thor. | 0:06:48 | 0:06:52 | |
In your mind, Thomas. | 0:06:52 | 0:06:53 | |
Well, I was going to smash some of your profits. | 0:06:53 | 0:06:56 | |
-Oh, well, you've already done that. -HE LAUGHS | 0:06:56 | 0:06:58 | |
Well, that's kind of true, actually. | 0:06:58 | 0:07:01 | |
Time to get delving, Thomas! | 0:07:01 | 0:07:03 | |
Well, this is wonderful. | 0:07:03 | 0:07:06 | |
In a real kitsch sort of way. | 0:07:06 | 0:07:07 | |
It's got "foreign" on the base. | 0:07:07 | 0:07:09 | |
"Foreign" was placed on quite a lot of Japanese-based goods | 0:07:09 | 0:07:14 | |
because after the war, | 0:07:14 | 0:07:16 | |
they didn't think that their products would be bought | 0:07:16 | 0:07:19 | |
and therefore by putting "foreign" on, | 0:07:19 | 0:07:21 | |
it would come from a foreign country | 0:07:21 | 0:07:24 | |
and they wouldn't necessarily know where. | 0:07:24 | 0:07:26 | |
It is an antique and it is collectible, | 0:07:26 | 0:07:29 | |
but is simply dreadful. | 0:07:29 | 0:07:31 | |
Hm. Beauty is in the eye of the beholder. | 0:07:31 | 0:07:36 | |
What do you think that looks like? | 0:07:36 | 0:07:38 | |
-Erm... -A bottom. -Yes. | 0:07:38 | 0:07:41 | |
And it is called a coco de mer. | 0:07:41 | 0:07:44 | |
The sea pod from the Seychelles. | 0:07:44 | 0:07:47 | |
It's almost like a female bottom, if you can imagine. | 0:07:47 | 0:07:50 | |
They are quite sensual. | 0:07:50 | 0:07:52 | |
There's the bottom and the legs, etc. | 0:07:52 | 0:07:54 | |
You get them in different sizes. | 0:07:54 | 0:07:55 | |
This one has been made into a tray, a cutlery tray with a handle here. | 0:07:55 | 0:07:58 | |
It would have all been covered. | 0:07:58 | 0:08:01 | |
And it's been designed... And it's a tourist piece. | 0:08:01 | 0:08:03 | |
This is the largest seed in the plant kingdom and due to its rarity, | 0:08:03 | 0:08:07 | |
the Seychelles native has been protected by law since 2010. | 0:08:07 | 0:08:11 | |
And it's just a lovely piece of natural sculpture. | 0:08:11 | 0:08:14 | |
Could be my first purchase of this leg. | 0:08:15 | 0:08:17 | |
Thomas is sure this piece is late 19th or early 20th century. | 0:08:17 | 0:08:21 | |
Ticket price is £65. | 0:08:21 | 0:08:23 | |
-Hi, Berryl? -Yes. -I found this. | 0:08:24 | 0:08:28 | |
Let me see who it belongs to. | 0:08:28 | 0:08:31 | |
I just worked out what your necklace is. | 0:08:31 | 0:08:33 | |
It's a fox, isn't it, or something? | 0:08:33 | 0:08:35 | |
-It's a hedgehog. -A little hedgehog. It's sweet, isn't it? | 0:08:35 | 0:08:38 | |
-It's looking at you. -Oh, it's wonderful. | 0:08:38 | 0:08:40 | |
Looks like the coco de mer is working its lovey-dovey magic. | 0:08:40 | 0:08:43 | |
I'd like to ask if it's possible to buy it for 40. | 0:08:43 | 0:08:48 | |
because of the cracks. If it wasn't cracked, | 0:08:48 | 0:08:50 | |
-I haven't got a problem. -Yeah, so you are talking about... | 0:08:50 | 0:08:53 | |
-40 quid. -40. | 0:08:53 | 0:08:54 | |
After a quick call to the dealer, Berryl has a price for Thomas. | 0:08:54 | 0:08:58 | |
What do you think you can do? | 0:08:58 | 0:09:00 | |
-Shall I just go and ask him? -Yes. | 0:09:03 | 0:09:06 | |
Would you meet them at 50? | 0:09:06 | 0:09:08 | |
-45. -What about 45? | 0:09:09 | 0:09:12 | |
-Go on, then. -Is that all right? | 0:09:16 | 0:09:18 | |
Thank you, Barry. Thank you. | 0:09:18 | 0:09:21 | |
-Cheerio. -Love you, Barry. | 0:09:21 | 0:09:23 | |
-45. -Brilliant. | 0:09:23 | 0:09:25 | |
What a charmer! The first purchase of leg two for Thomas. | 0:09:25 | 0:09:29 | |
-There's 45. -Thank you. Thanks for coming. | 0:09:29 | 0:09:31 | |
-Thank you very much. -The fascinating coco de mer polished nut. | 0:09:31 | 0:09:35 | |
Great. | 0:09:35 | 0:09:36 | |
Mark is 15 miles away in the village of Wateringbury, | 0:09:39 | 0:09:43 | |
near Maidstone, in Kent. | 0:09:43 | 0:09:45 | |
Where Memories Meet is Mark's second shop of the day. | 0:09:48 | 0:09:52 | |
Joseph is the proprietor here. | 0:09:52 | 0:09:54 | |
-Hello. -Hello. -I'm Mark. -Hi, I'm Joseph. How are you? | 0:09:54 | 0:09:57 | |
-Nice to meet you, Joseph. -Nice to meet you. | 0:09:57 | 0:09:59 | |
I thought I was going to an antique shop. It looks more like a cafe. | 0:09:59 | 0:10:02 | |
Yeah, we try to mix it all up, really. | 0:10:02 | 0:10:04 | |
I'm not sure whether to order a cream tea | 0:10:04 | 0:10:06 | |
or try and look for some china. | 0:10:06 | 0:10:08 | |
I'm...I'm confused. Utterly confused. | 0:10:08 | 0:10:11 | |
What's new? | 0:10:12 | 0:10:13 | |
The antiques are downstairs, Mark. | 0:10:13 | 0:10:15 | |
But at least you got a guaranteed cuppa, though. | 0:10:15 | 0:10:19 | |
-Got you a cup of tea here. -Thank you so much. | 0:10:19 | 0:10:21 | |
I'm looking forward to this. | 0:10:21 | 0:10:23 | |
Oh, tea-time. No cake, I noticed. | 0:10:23 | 0:10:26 | |
Come on! Get to work. Ha! | 0:10:26 | 0:10:29 | |
This is an extending book rack, | 0:10:29 | 0:10:32 | |
so you can have your books there, | 0:10:32 | 0:10:34 | |
but then as your collection of books expands, | 0:10:34 | 0:10:36 | |
you can stretch this out. It is a good, decorative thing. | 0:10:36 | 0:10:40 | |
I love the carving and I quite like Indian items. | 0:10:40 | 0:10:42 | |
I'm not even going to look at the price of that. | 0:10:42 | 0:10:46 | |
I'm going to put that as a possibility. | 0:10:46 | 0:10:49 | |
Cos I think maybe Joseph might want to get rid of that | 0:10:49 | 0:10:53 | |
cos there will be some more room for cups and saucers there then, | 0:10:53 | 0:10:56 | |
which he probably sells more of than sliding book slides. | 0:10:56 | 0:10:59 | |
It just goes to show | 0:11:00 | 0:11:02 | |
there are purchases to be made amongst the cakes and pots of tea. | 0:11:02 | 0:11:06 | |
And look! He has found something else. | 0:11:06 | 0:11:08 | |
But it's like a sort of pedestal comport. | 0:11:08 | 0:11:10 | |
You got sort of metal base with a dolphin | 0:11:10 | 0:11:13 | |
and then a sort of domed pedestal. | 0:11:13 | 0:11:16 | |
Little flower head inside. | 0:11:16 | 0:11:18 | |
A comport is simply a footed bowl or plate. | 0:11:18 | 0:11:21 | |
And it has taken Mark's fancy. | 0:11:21 | 0:11:24 | |
If that was illustrated and catalogued nicely, | 0:11:24 | 0:11:28 | |
somebody looking round online will think, "Oh, that looks rather nice. | 0:11:28 | 0:11:31 | |
"I'd quite like that for the centre of my table." | 0:11:31 | 0:11:33 | |
And they might pay a reasonable sum for it. | 0:11:34 | 0:11:36 | |
So actually, that might be a possibility. | 0:11:36 | 0:11:39 | |
Sounds like it's about time to talk money to me. | 0:11:39 | 0:11:41 | |
Oh! Joseph. | 0:11:44 | 0:11:46 | |
Oh. | 0:11:46 | 0:11:48 | |
Wow. Can see you found a couple of pieces. | 0:11:48 | 0:11:50 | |
Well, I have and I've had a jolly good look round. | 0:11:50 | 0:11:53 | |
-You've got some fascinating objects. -Wow, fantastic. | 0:11:53 | 0:11:56 | |
-I'm going to tell you what I'm going to try to achieve. -OK. | 0:11:56 | 0:11:58 | |
OK. I had a very difficult first auction. | 0:11:58 | 0:12:01 | |
I lost quite a lot of money. | 0:12:01 | 0:12:02 | |
FEIGNS CRYING: I've heard this story before. | 0:12:02 | 0:12:05 | |
But I have found two items, but I've got to be terribly mean with you. | 0:12:05 | 0:12:09 | |
-Mm-hm. -I haven't looked at the prices, | 0:12:09 | 0:12:11 | |
so I don't know what they are. | 0:12:11 | 0:12:12 | |
-They could we thousands for all I know. -Doubt it. | 0:12:12 | 0:12:14 | |
But I need to buy the two of them for £20... | 0:12:14 | 0:12:18 | |
for me to get a profit at auction. | 0:12:18 | 0:12:20 | |
The original price on the book slide is £25 | 0:12:20 | 0:12:23 | |
and the comport is £26. | 0:12:23 | 0:12:26 | |
Do you think you are going to win? | 0:12:26 | 0:12:28 | |
I...I would like to think so, yes. | 0:12:28 | 0:12:30 | |
And I think these might help me achieve that. | 0:12:30 | 0:12:32 | |
Well, if you think you are going to win, | 0:12:32 | 0:12:34 | |
I'm happy to sell them to you at that price. | 0:12:34 | 0:12:37 | |
Joseph, you are a star. | 0:12:37 | 0:12:38 | |
Certainly in a generous mood. Huh! | 0:12:38 | 0:12:42 | |
Two items at less than half price, should help you out there, Mark. | 0:12:42 | 0:12:46 | |
-Thank you very much for supporting us. -Perfect! Perfect. | 0:12:46 | 0:12:50 | |
£20 for the book slide and the comport! | 0:12:50 | 0:12:54 | |
-Thank you, Joseph. Good luck. -Yeah. Perfect. | 0:12:54 | 0:12:56 | |
Ha! Well done, Mark. You now have three lovely lots. | 0:12:56 | 0:13:00 | |
Thomas travelled 14 1/2 miles south for a taste of old England | 0:13:04 | 0:13:09 | |
in the glorious village of Penshurst, in Sevenoaks. | 0:13:09 | 0:13:12 | |
Thomas is stepping back in time to visit Penshurst Place. | 0:13:17 | 0:13:21 | |
This medieval manor house is steeped in royal history. | 0:13:21 | 0:13:25 | |
Literally fit for a king, Henry VIII used the estate as a hunting lodge. | 0:13:25 | 0:13:29 | |
But for the last 460 years, | 0:13:32 | 0:13:34 | |
it's been in the continuous ownership of the Sidney family. | 0:13:34 | 0:13:38 | |
But there is one Sidney that holds a dazzling torch in the family history. | 0:13:38 | 0:13:42 | |
Thomas is meeting Philip Sidney, the second Viscount De L'Isle, | 0:13:42 | 0:13:46 | |
to find out more. | 0:13:46 | 0:13:47 | |
-Hello, Lord De L'Isle. -Good afternoon. | 0:13:47 | 0:13:49 | |
-How nice to see you, Thomas. -So, tell me | 0:13:49 | 0:13:51 | |
where actually are we in Penshurst Place? | 0:13:51 | 0:13:54 | |
We are standing in the oldest part of the house, | 0:13:54 | 0:13:56 | |
which was built in 1341. | 0:13:56 | 0:13:58 | |
And when did your family move here? | 0:13:58 | 0:14:00 | |
Well, we were given it, luckily, by Edward VI. | 0:14:00 | 0:14:04 | |
Philip's namesake, Sir Philip Sidney, | 0:14:04 | 0:14:07 | |
was a great figure of the English Renaissance, a romantic poet, | 0:14:07 | 0:14:11 | |
a charismatic Elizabethan courtier and a heroic soldier. | 0:14:11 | 0:14:15 | |
He was a big hit with the medieval crowds | 0:14:15 | 0:14:17 | |
and would give many of today's A-list celebs a run for their money. | 0:14:17 | 0:14:22 | |
-Here we are. -Gosh! | 0:14:22 | 0:14:24 | |
This is the state dining room. | 0:14:24 | 0:14:26 | |
These are all sort of the early portraits. | 0:14:26 | 0:14:31 | |
This one here is Sir Philip Sidney | 0:14:31 | 0:14:33 | |
but it's actually an 18th-century picture. | 0:14:33 | 0:14:35 | |
Philip was born at Penshurst in 1554. | 0:14:35 | 0:14:39 | |
He showed great intelligence from an early age | 0:14:39 | 0:14:41 | |
and at 17 he began a four-year tour of Europe | 0:14:41 | 0:14:45 | |
that would shape the rest of his life. | 0:14:45 | 0:14:47 | |
When he returned to England, he entered court | 0:14:47 | 0:14:49 | |
as the leading advisor to the Queen on international relations. | 0:14:49 | 0:14:53 | |
He was just 21. | 0:14:53 | 0:14:55 | |
Why was he so important? | 0:14:55 | 0:14:57 | |
He just was the Renaissance man. | 0:14:57 | 0:15:00 | |
He even... In the 1950s, someone wrote about him, | 0:15:00 | 0:15:03 | |
"Even at this distance, Sidney is dazzling." | 0:15:03 | 0:15:06 | |
You bet. Not just a statesman, Philip was also a prolific writer | 0:15:06 | 0:15:10 | |
and worked to raise the standards of literature in England. | 0:15:10 | 0:15:13 | |
His writing is said to have inspired Charles Dickens | 0:15:13 | 0:15:17 | |
and been likened to the great Bard. | 0:15:17 | 0:15:19 | |
Shakespeare, obviously, is famous, | 0:15:19 | 0:15:22 | |
but if you go and talk to academics, | 0:15:22 | 0:15:25 | |
they all bring him up as being one of the leading lights. | 0:15:25 | 0:15:28 | |
He was known for being quite irascible, | 0:15:28 | 0:15:31 | |
but he always managed to charm, particularly the Queen, | 0:15:31 | 0:15:35 | |
to get back in her good books. | 0:15:35 | 0:15:37 | |
This charismatic gentleman blessed with dashing good looks | 0:15:37 | 0:15:41 | |
rose through Elizabeth's court becoming an ambassador at 22, | 0:15:41 | 0:15:45 | |
an MP at 27 and was knighted at just 29. | 0:15:45 | 0:15:49 | |
Because he was, you know, a poet and quite good-looking, | 0:15:49 | 0:15:55 | |
he'd always sort of known the Queen held a candle for him. | 0:15:55 | 0:15:58 | |
He went off to take ship | 0:15:58 | 0:16:00 | |
with Sir Francis Drake, a mate, to go to the Americas. | 0:16:00 | 0:16:05 | |
To Virginia. | 0:16:05 | 0:16:06 | |
He got down to the port | 0:16:06 | 0:16:08 | |
and the Queen sent a messenger to get him back. | 0:16:08 | 0:16:11 | |
She wanted him around. | 0:16:11 | 0:16:13 | |
Despite the Queen preventing him putting himself in danger, | 0:16:15 | 0:16:19 | |
Sir Philip aspired to be a soldier. | 0:16:19 | 0:16:21 | |
During the Eighty Years' War in Europe, he picked up arms | 0:16:21 | 0:16:24 | |
and, fighting for Elizabeth's Protestant cause | 0:16:24 | 0:16:28 | |
against the Spanish, paid the ultimate price. | 0:16:28 | 0:16:30 | |
Fighting against the Spanish, he met a sticky end, didn't he? | 0:16:32 | 0:16:34 | |
His great friend, Fulke Greville, | 0:16:34 | 0:16:37 | |
turned up without his side arm on his legs | 0:16:37 | 0:16:40 | |
and so Sir Philip said that it was a chivalrous act. | 0:16:40 | 0:16:43 | |
"If you haven't got yours on, I won't have mine on." | 0:16:43 | 0:16:45 | |
Silly boy. | 0:16:45 | 0:16:47 | |
And he got a musket ball in the leg. | 0:16:47 | 0:16:49 | |
He died six weeks later. | 0:16:49 | 0:16:51 | |
But what a brave man to take off his armour. | 0:16:51 | 0:16:53 | |
Well, I think it was foolhardy. | 0:16:53 | 0:16:55 | |
Oh, probably, yes, but we all think... And how old was he? | 0:16:55 | 0:16:58 | |
32 when he died. | 0:16:58 | 0:16:59 | |
Oh, that's no age, is it? 32 and he had achieved so much. | 0:16:59 | 0:17:03 | |
Upon Sir Philip's tragic death, | 0:17:04 | 0:17:06 | |
his great champion, Elizabeth I decreed | 0:17:06 | 0:17:09 | |
that he be given a state funeral. | 0:17:09 | 0:17:12 | |
The first commoner to be graced with such an honour. | 0:17:12 | 0:17:15 | |
Ever. | 0:17:15 | 0:17:17 | |
So, this is what I was going to show you. | 0:17:17 | 0:17:19 | |
It's Sir Philip's funeral helm. | 0:17:19 | 0:17:21 | |
It looks big. | 0:17:21 | 0:17:22 | |
It is larger than life-size. | 0:17:22 | 0:17:24 | |
And it was probably made at the armoury at Greenwich. | 0:17:24 | 0:17:28 | |
He was granted a state funeral. | 0:17:28 | 0:17:30 | |
The first commoner to have a state funeral and the next one was Nelson. | 0:17:30 | 0:17:35 | |
It must have been a vast expense. | 0:17:35 | 0:17:37 | |
Most imagine that it would have run into millions of pounds... | 0:17:37 | 0:17:39 | |
-In today's money. -..in today's money. | 0:17:39 | 0:17:42 | |
A fitting end for a noble statesman, | 0:17:42 | 0:17:44 | |
a valiant soldier and one of the greatest Elizabethan writers. | 0:17:44 | 0:17:48 | |
Talking of sparking luminaries, | 0:17:50 | 0:17:52 | |
our lovable duo are reunited once again. | 0:17:52 | 0:17:55 | |
Time for a rest before they get going again tomorrow. | 0:17:55 | 0:17:59 | |
So, nighty night, chaps. | 0:17:59 | 0:18:01 | |
The heavens have descended, but it isn't dampening the spirits | 0:18:02 | 0:18:05 | |
of our Mark and Thomas. Oh, no. | 0:18:05 | 0:18:08 | |
I have not bought a cannonball. | 0:18:10 | 0:18:12 | |
HE LAUGHS | 0:18:12 | 0:18:14 | |
You're going to have to buy something spherical. | 0:18:14 | 0:18:17 | |
-But I'm with you. You're slightly spherical. -Mark... | 0:18:17 | 0:18:20 | |
THEY LAUGH | 0:18:20 | 0:18:22 | |
I am not at all slightly spherical. | 0:18:22 | 0:18:25 | |
Ha-ha! No, you are a fine figure of a man! | 0:18:25 | 0:18:28 | |
Let's remind ourselves of their shopping trip so far. | 0:18:31 | 0:18:34 | |
Mark didn't have the biggest budget, | 0:18:34 | 0:18:36 | |
but still acquired three items. | 0:18:36 | 0:18:38 | |
He bought the Art Nouveau silver-plated fruit dish, | 0:18:38 | 0:18:40 | |
the carved book slide | 0:18:40 | 0:18:42 | |
and the porcelain and gilt comport. | 0:18:42 | 0:18:45 | |
He still has £69.50 to spend today. | 0:18:45 | 0:18:48 | |
Thomas needs to put his foot down | 0:18:50 | 0:18:52 | |
cos he has only bought one item - | 0:18:52 | 0:18:54 | |
the rather fascinating coco de mer, polished tray, shell, nutty thing, | 0:18:54 | 0:18:58 | |
which means he's got £149.30 for the day ahead. | 0:18:58 | 0:19:03 | |
Thomas and Mark are starting their morning | 0:19:04 | 0:19:06 | |
in the village of Chart Sutton, in Kent. | 0:19:06 | 0:19:10 | |
I'm looking forward to our shared shop. | 0:19:10 | 0:19:12 | |
I do like a shared shop. I like annoying you in the shop. | 0:19:12 | 0:19:14 | |
-I like you annoying me, Thomas. -THOMAS CHUCKLES | 0:19:14 | 0:19:17 | |
Fortunately, you are one of those people I can just rise above. | 0:19:17 | 0:19:20 | |
And... | 0:19:20 | 0:19:21 | |
-Am I just white noise? -THOMAS LAUGHS | 0:19:21 | 0:19:24 | |
Kind of, yes. | 0:19:24 | 0:19:26 | |
Charming. | 0:19:26 | 0:19:27 | |
They are both shopping in Chart Sutton Antiques. | 0:19:27 | 0:19:30 | |
I do hope they behave themselves. | 0:19:30 | 0:19:32 | |
Fat chance! | 0:19:32 | 0:19:33 | |
-Oh! What are you doing?! -Oh, hello. | 0:19:33 | 0:19:35 | |
Handbrake! Oh, God. | 0:19:35 | 0:19:37 | |
I tell you, you're never driving again! | 0:19:37 | 0:19:39 | |
-Look at you! -Oh, stop moaning and get in! | 0:19:40 | 0:19:44 | |
They should come with a health and safety warning, those two. | 0:19:45 | 0:19:48 | |
-Hello. I'm Mark. -How nice to meet you. | 0:19:48 | 0:19:51 | |
-Nice to meet you too. -Hello, I'm Thomas. -Hello, Thomas. I'm Trevor. | 0:19:51 | 0:19:54 | |
-Hi, Trevor. -Nice to meet you both. | 0:19:54 | 0:19:56 | |
-So, you're looking for some bargains? -I am looking for some | 0:19:56 | 0:19:58 | |
-bargains. -Well, you won't find them in here. | 0:19:58 | 0:20:00 | |
No. Let's go, then. Let's go. | 0:20:00 | 0:20:02 | |
Off to a good start, chaps. | 0:20:02 | 0:20:04 | |
Now, if they could just get along in such close quarters, we'll be fine. | 0:20:05 | 0:20:09 | |
-I'm watching you. -I can hear you. | 0:20:10 | 0:20:12 | |
-I'm watching you, Thomas. -I'm watching you. | 0:20:12 | 0:20:14 | |
Just like children. | 0:20:14 | 0:20:15 | |
There's a lot to choose from here and Mark has spotted something. | 0:20:15 | 0:20:18 | |
This is charming, | 0:20:18 | 0:20:20 | |
but this is really nice cos it's modelled as a lady's shoe. | 0:20:20 | 0:20:24 | |
At least it's not another lady's bottom. Ha! | 0:20:24 | 0:20:27 | |
But sadly, the end of the foot is missing there, | 0:20:27 | 0:20:31 | |
which is a real shame, actually. Priced up at £20. | 0:20:31 | 0:20:35 | |
-I mean, that's quite cheap. -Lovely. Ooh! | 0:20:35 | 0:20:39 | |
Look, he is onto something else now. | 0:20:39 | 0:20:41 | |
This is a...what I would call a cigarette box, | 0:20:41 | 0:20:44 | |
but I like the inscription. | 0:20:44 | 0:20:46 | |
"Presented to Lieut. FC Rogers by his brother officers | 0:20:46 | 0:20:51 | |
"on the occasion of his marriage, July 18, 1934." | 0:20:51 | 0:20:56 | |
That is priced up at £48, which is quite a lot of money. | 0:20:56 | 0:21:00 | |
But I mean, it is a nice presentational piece | 0:21:00 | 0:21:03 | |
and I like that, actually. | 0:21:03 | 0:21:05 | |
I might have to go over the ten-pound challenge | 0:21:05 | 0:21:07 | |
with this, mightn't I? | 0:21:07 | 0:21:08 | |
Trevor is on hand to assist and luckily Robin, | 0:21:10 | 0:21:13 | |
the owner of the cigarette box, is also here. | 0:21:13 | 0:21:16 | |
I think it is beautifully done and I love the presentation. | 0:21:16 | 0:21:19 | |
It is a piece of history. | 0:21:19 | 0:21:21 | |
Maybe we should take advantage of the owner being present | 0:21:21 | 0:21:23 | |
if we're going to negotiate a price. | 0:21:23 | 0:21:25 | |
-The owner is heading to his local pub, so... -Oh, is he? | 0:21:25 | 0:21:28 | |
Yes. Better make this quick then, Mark. | 0:21:28 | 0:21:31 | |
I had the most disastrous first auction. | 0:21:31 | 0:21:33 | |
Oh, here we go again. | 0:21:33 | 0:21:35 | |
I think this could be quite interesting. | 0:21:36 | 0:21:38 | |
Of course, I don't want to push you. | 0:21:38 | 0:21:40 | |
-Not much. -Not much anyway. | 0:21:40 | 0:21:43 | |
But I really could do with a little bit of a leg up, if I can. | 0:21:43 | 0:21:47 | |
Do you want me to give you some money to take it away? | 0:21:47 | 0:21:50 | |
-Would you mind? -LAUGHTER | 0:21:50 | 0:21:52 | |
You're very good. | 0:21:54 | 0:21:55 | |
Look, I'm going to be terribly mean | 0:21:57 | 0:21:58 | |
and then you can come back to me, all right? | 0:21:58 | 0:22:00 | |
What about 20 quid? | 0:22:00 | 0:22:02 | |
-No way, sir! -Oh, come on. | 0:22:02 | 0:22:04 | |
-No, no, no. -What do you think? -I'll go down to £40. | 0:22:04 | 0:22:08 | |
Oh, no, I can't do it for £40. | 0:22:08 | 0:22:10 | |
Could we possibly do it for £30? And I will shake the hand. | 0:22:10 | 0:22:15 | |
I think you'd take my hand off as well if we did that. | 0:22:17 | 0:22:20 | |
I wouldn't ask if I wasn't so desperate. | 0:22:21 | 0:22:25 | |
-THOMAS: -Don't do it! -Shut up. | 0:22:25 | 0:22:27 | |
Don't do it. Stay true. | 0:22:27 | 0:22:30 | |
Thomas, concern yourself with your own shopping, please. | 0:22:30 | 0:22:33 | |
£32. And you have really, really done well in that. | 0:22:35 | 0:22:40 | |
-£32. Thank you, it's very nice of you. -Good luck to you. | 0:22:40 | 0:22:44 | |
With an original ticket price of £48, | 0:22:44 | 0:22:46 | |
Mark has got another generous deal for the very stylish cigarette box. | 0:22:46 | 0:22:51 | |
Now, what about that little fruit knife? | 0:22:53 | 0:22:55 | |
Can that be terribly, terribly, terribly cheap? | 0:22:55 | 0:22:59 | |
It depends what terribly cheap is, really, doesn't it? | 0:22:59 | 0:23:01 | |
Starting point I'm going to suggest to you is a fiver. | 0:23:01 | 0:23:05 | |
-THEY LAUGH -£12. -£12... | 0:23:05 | 0:23:08 | |
I think if we can say ten pound, I'll have it. | 0:23:10 | 0:23:12 | |
Because then I think it might make £20 at auction. | 0:23:14 | 0:23:17 | |
-Can we split the difference and do £11? -No, we cannot. Over a pound. | 0:23:17 | 0:23:21 | |
-HE LAUGHS -For goodness' sake. | 0:23:21 | 0:23:23 | |
-I mean, I know times is 'ard, but... -Times IS 'ard! | 0:23:23 | 0:23:25 | |
..you know, it is much 'arder for me. | 0:23:25 | 0:23:27 | |
-Oh, go on, say a tenner. -Tenner. | 0:23:27 | 0:23:29 | |
-Are you sure? -It's yours. -Happy? -Happy. | 0:23:29 | 0:23:31 | |
-Thank you very much. -No problems at all. | 0:23:31 | 0:23:33 | |
Cor, more generous deals for Mark. | 0:23:33 | 0:23:35 | |
The cigarette box and the little knife | 0:23:35 | 0:23:38 | |
now give him a total of five items. | 0:23:38 | 0:23:39 | |
But how is that Thomas getting on? | 0:23:41 | 0:23:43 | |
It's very off-putting listening to him rabbiting on, | 0:23:43 | 0:23:48 | |
trying to do a deal. | 0:23:48 | 0:23:49 | |
Oh, he's done it. | 0:23:49 | 0:23:51 | |
-Finally. -Yeah. | 0:23:54 | 0:23:55 | |
Despite the distractions, Thomas soon sniffed something out. | 0:23:55 | 0:23:59 | |
That looks quite fun. That is 19th-century. | 0:23:59 | 0:24:01 | |
I bet you that is a vest case. | 0:24:01 | 0:24:04 | |
So, a match strike. It's just really unusual. | 0:24:04 | 0:24:07 | |
Wouldn't mind looking at that. | 0:24:10 | 0:24:12 | |
Trevor's services are required once more. | 0:24:12 | 0:24:14 | |
It is just this creel here. | 0:24:14 | 0:24:16 | |
It is quite sweet that, isn't it? | 0:24:17 | 0:24:20 | |
This little vesta box dates from the 19th century | 0:24:20 | 0:24:22 | |
and is priced at eight pounds. | 0:24:22 | 0:24:25 | |
-If that's going to be a fiver, that would be fabulous. -OK. | 0:24:25 | 0:24:27 | |
Well, we could...I'm sure we could do something, Thomas. | 0:24:27 | 0:24:30 | |
I'm sure we can do something. | 0:24:30 | 0:24:32 | |
That creel is more Mark's budget. But it's dead sweet. | 0:24:33 | 0:24:36 | |
You've got the actual... | 0:24:36 | 0:24:38 | |
It's well-modelled, it's in brass, it's 19th-century. | 0:24:38 | 0:24:41 | |
It appeals to two different types of collectors. | 0:24:43 | 0:24:46 | |
And fishing is the most popular pastime in this country. | 0:24:46 | 0:24:50 | |
Online, it would look brilliant if they photograph it well. | 0:24:50 | 0:24:53 | |
-This could be a winner, Thomas. -Can I talk about that creel? | 0:24:53 | 0:24:57 | |
-Yes, of course. -Do you think it could be... | 0:24:57 | 0:24:59 | |
-It can be five pounds. -Can it? -Yes, it can. | 0:24:59 | 0:25:02 | |
-That is a definitely buy. -Good. | 0:25:02 | 0:25:03 | |
-Thank you very much. -Lovely. | 0:25:03 | 0:25:05 | |
-I'll give you a fiver, if that's all right. -OK. | 0:25:05 | 0:25:08 | |
-OK. Thank you. -That was quick. | 0:25:08 | 0:25:10 | |
Although, with two items, | 0:25:10 | 0:25:11 | |
Thomas is still lagging behind his rival on the buying stakes. | 0:25:11 | 0:25:14 | |
Mark, meanwhile, | 0:25:18 | 0:25:19 | |
has finished shopping | 0:25:19 | 0:25:20 | |
and is heading for two miles north | 0:25:20 | 0:25:22 | |
to the historic town of Rochester. | 0:25:22 | 0:25:24 | |
I am so looking forward to seeing the castle. | 0:25:24 | 0:25:27 | |
I believe it is quite historical. | 0:25:27 | 0:25:29 | |
It is. Mark is visiting Rochester Castle, | 0:25:29 | 0:25:32 | |
one of the best preserved Norman fortifications in Europe. | 0:25:32 | 0:25:36 | |
It is here that the most famous siege in Medieval history took place, | 0:25:39 | 0:25:43 | |
a battle that would ultimately decide | 0:25:43 | 0:25:45 | |
whether the Crown of England would stand or fall. | 0:25:45 | 0:25:49 | |
Mark is meeting with education officer Jeremy Clarke | 0:25:50 | 0:25:53 | |
to find out more about this bloodthirsty tale. | 0:25:53 | 0:25:56 | |
-Hello. -Hello, Mark. I'm Jeremy. -Nice to meet you, Jeremy. | 0:25:58 | 0:26:01 | |
-Welcome to Rochester Castle. -Shall we go in? -Let's go in. -Why not? | 0:26:01 | 0:26:05 | |
In 1215, this castle was central to King John's struggle | 0:26:09 | 0:26:13 | |
to retain power in the country. | 0:26:13 | 0:26:15 | |
He was famously unpopular for raising taxes | 0:26:15 | 0:26:17 | |
and harshly exploiting his feudal rights. | 0:26:17 | 0:26:21 | |
This bred deep discontent with the ruling barons. | 0:26:21 | 0:26:24 | |
They decided to take action. | 0:26:24 | 0:26:26 | |
Jeremy, why have we arrived at this part of the castle? | 0:26:27 | 0:26:30 | |
This is the best place for us to pick up the story of 1215, | 0:26:30 | 0:26:34 | |
the 800th anniversary of the sealing of Magna Carta. | 0:26:34 | 0:26:36 | |
The Magna Carta was first drafted by the Archbishop of Canterbury | 0:26:36 | 0:26:40 | |
in 1215 to make peace between King John and the rebel barons. | 0:26:40 | 0:26:45 | |
Amongst the many conditions, it promised access to swift justice. | 0:26:45 | 0:26:49 | |
Neither side stood by their commitments. | 0:26:50 | 0:26:53 | |
Battle preparations began immediately. | 0:26:53 | 0:26:56 | |
Anyone who's heading for the interior of Britain | 0:26:56 | 0:26:59 | |
is probably going to end up going through Rochester | 0:26:59 | 0:27:01 | |
-and across Rochester Bridge. -Gosh. | 0:27:01 | 0:27:03 | |
So, the barons tried to anticipate what is going to happen | 0:27:03 | 0:27:07 | |
by holding the bridge, holding the castle | 0:27:07 | 0:27:09 | |
and preventing John getting anywhere near London. | 0:27:09 | 0:27:12 | |
King John was determined to hang onto his land and his crown. | 0:27:12 | 0:27:16 | |
-John moves very quickly and he is at Rochester within three days. -Gosh. | 0:27:16 | 0:27:20 | |
And sieges were complicated in the Middle Ages, | 0:27:20 | 0:27:23 | |
but a large part of them was negotiation. | 0:27:23 | 0:27:25 | |
You didn't want to lose men yourself. | 0:27:25 | 0:27:27 | |
You wanted, if possible, to gain your objectives | 0:27:27 | 0:27:29 | |
-without any bloodshed... -Yes. -..or as little as possible. | 0:27:29 | 0:27:32 | |
But John turns up and he attacks. Straightaway? Straightaway. | 0:27:32 | 0:27:35 | |
A bloody civil war began with the barons holed up inside | 0:27:37 | 0:27:41 | |
and King John and his men outside trying to blast the walls down. | 0:27:41 | 0:27:46 | |
He seems to have been initially successful | 0:27:46 | 0:27:48 | |
in bringing down the outer walls, | 0:27:48 | 0:27:51 | |
but his siege engines failed to make any impression on this keep. | 0:27:51 | 0:27:55 | |
So, he changes his plan. | 0:27:55 | 0:27:56 | |
They attempt to undermine a corner of the tower. | 0:27:56 | 0:28:00 | |
Very quickly, King John's men chipped away at the keep, | 0:28:00 | 0:28:03 | |
pickaxing their way deeper and deeper | 0:28:03 | 0:28:06 | |
and replacing stones with wooden pit props. | 0:28:06 | 0:28:08 | |
-John sent a writ, an order, for the fat of 40 pigs... -Gosh. | 0:28:12 | 0:28:17 | |
..of the sort...the least good for eating. | 0:28:17 | 0:28:20 | |
So, that is the fattiest of fatty pigs. | 0:28:20 | 0:28:23 | |
The soldiers would then get hold of the pork fat | 0:28:23 | 0:28:26 | |
and push it into the hole, round the pit props, grease everywhere | 0:28:26 | 0:28:29 | |
so that when they set fire to it, it burned really fiercely, | 0:28:29 | 0:28:33 | |
which would crack and collapse the pit props, | 0:28:33 | 0:28:37 | |
and this entire quarter of Rochester Castle keep | 0:28:37 | 0:28:40 | |
came crashing to the ground. | 0:28:40 | 0:28:43 | |
Uh! With the King's men inside, | 0:28:43 | 0:28:45 | |
the barons retreated behind the safety of a second thick wall. | 0:28:45 | 0:28:49 | |
But the siege soon came to an end when all provisions ran out. | 0:28:50 | 0:28:54 | |
John does actually have to starve them out. | 0:28:54 | 0:28:57 | |
-They're reduced to eating their horses. -Ugh. | 0:28:57 | 0:29:00 | |
After two months of stallion and chips, the barons surrendered. | 0:29:00 | 0:29:04 | |
King John's advisers dissuaded him from killing all the survivors, | 0:29:04 | 0:29:08 | |
who were instead imprisoned. | 0:29:08 | 0:29:10 | |
Gosh. | 0:29:10 | 0:29:11 | |
-What a very splendid view up here, Jeremy. -It is wonderful, isn't it? | 0:29:13 | 0:29:16 | |
So...King John has won Rochester Castle back. | 0:29:17 | 0:29:22 | |
Things go badly for him after that. | 0:29:22 | 0:29:24 | |
Um...he loses the Crown Jewels | 0:29:24 | 0:29:26 | |
attempting to cross The Wash in East Anglia, | 0:29:26 | 0:29:29 | |
contracts dysentery and dies soon after. | 0:29:29 | 0:29:32 | |
But curiously, the tide turns back in favour of the Crown. | 0:29:32 | 0:29:35 | |
With the tyrant king now dead | 0:29:35 | 0:29:37 | |
and the crown handed to John's nine-year-old son, | 0:29:37 | 0:29:41 | |
the Magna Carta was reinstated by the rebel barons in 1217. | 0:29:41 | 0:29:45 | |
It became the foundation for future government and, as such, | 0:29:45 | 0:29:49 | |
remains a powerful symbol of liberty around the world. | 0:29:49 | 0:29:52 | |
Thomas has travelled 15 miles north to the town of Strood | 0:29:55 | 0:29:58 | |
and he has still got a bit to buy. | 0:29:58 | 0:30:00 | |
Cottage Style Antiques is Thomas's last shop, | 0:30:07 | 0:30:10 | |
and he has got just over £144 to spend. | 0:30:10 | 0:30:14 | |
-Hello, Bill. -Hello, Thomas. -Nice to see you. -And you. | 0:30:14 | 0:30:17 | |
-God, you've got a lot of stuff in here. -I know. It's loaded. | 0:30:17 | 0:30:19 | |
-HE LAUGHS -It is loaded, isn't it?! | 0:30:19 | 0:30:22 | |
There is certainly a lot to choose from here. | 0:30:22 | 0:30:24 | |
Two little Poole pots, hand-painted. | 0:30:24 | 0:30:27 | |
These are very Deco, with this dash design to the rim. | 0:30:27 | 0:30:30 | |
They are definitely a possible purchase. | 0:30:30 | 0:30:33 | |
These little Poole pottery salts date from the 1930s and are a fiver each. | 0:30:33 | 0:30:38 | |
Look at this. | 0:30:38 | 0:30:40 | |
You may hate it, you may love it, | 0:30:40 | 0:30:42 | |
but this is real West German Pottery. | 0:30:42 | 0:30:45 | |
Looks like lava dripping down a column. | 0:30:45 | 0:30:47 | |
Hm, I'm feeling sick. | 0:30:47 | 0:30:49 | |
The Fat Lava style of West German Pottery | 0:30:49 | 0:30:52 | |
is still very much in its infancy as a collectable, | 0:30:52 | 0:30:55 | |
but some pieces can command hundreds, even thousands of pounds. | 0:30:55 | 0:30:59 | |
This one, though, has a ticket price of £20. | 0:30:59 | 0:31:02 | |
Being German, it has got to be efficient. | 0:31:02 | 0:31:05 | |
Now, on here is the number 26. | 0:31:05 | 0:31:08 | |
Cos it's German, that 26 means it's 26cm high. | 0:31:08 | 0:31:12 | |
No word of a lie, every bit of West German Pottery | 0:31:13 | 0:31:16 | |
has its size on it, so you don't have to do it. | 0:31:16 | 0:31:19 | |
So, that definitely could be a purchase. | 0:31:19 | 0:31:21 | |
And these two little salts. | 0:31:22 | 0:31:24 | |
And they're different sizes, but I think if I bought them, | 0:31:24 | 0:31:27 | |
I think it would quite annoy Mark. | 0:31:27 | 0:31:29 | |
Which I'd quite enjoy. | 0:31:30 | 0:31:32 | |
I just hope it doesn't end in tears. | 0:31:33 | 0:31:35 | |
So, this is a walking cane. I think it is probably horn from a goat. | 0:31:38 | 0:31:43 | |
In the 19th century, these sticks were sometimes used | 0:31:43 | 0:31:47 | |
as sort of rent sticks, and that means over 100 years ago, | 0:31:47 | 0:31:51 | |
you'd knock on your tenant's door - knock, knock, knock - | 0:31:51 | 0:31:54 | |
and got your rent and if they got angry with you or if you got... | 0:31:54 | 0:31:58 | |
Yes, they were used as sort of persuaders, I would say, to pay up. | 0:31:58 | 0:32:03 | |
Yeah. Rent sticks were often used in the 18th and 19th centuries | 0:32:03 | 0:32:08 | |
by tyrant landlords as weapons against tardy tenants. | 0:32:08 | 0:32:11 | |
I think this is certainly one which would be good. | 0:32:11 | 0:32:14 | |
It is of beautiful shape and form. | 0:32:14 | 0:32:17 | |
It has got a ticket price of £48, so let the haggling commence. | 0:32:17 | 0:32:21 | |
-What could it be? -£38. | 0:32:23 | 0:32:25 | |
£38. Can it be £28? | 0:32:25 | 0:32:28 | |
-I'll let you have it for £30. How's that? -£30. | 0:32:31 | 0:32:33 | |
-So, that would be... -That's ever so fair. | 0:32:33 | 0:32:35 | |
-That IS ever so fair, isn't it? -Ever so fair. | 0:32:35 | 0:32:38 | |
What about the Poole salts and the West German vase? | 0:32:38 | 0:32:40 | |
-They've got £30 on them, haven't they? -Yeah. | 0:32:42 | 0:32:44 | |
And I suppose you want them for next to nothing. | 0:32:44 | 0:32:46 | |
Not necessarily, but I want to give you something for them. | 0:32:46 | 0:32:48 | |
That is good of you, Thomas. Gosh. | 0:32:48 | 0:32:50 | |
-What about £20? -Perfect. OK. | 0:32:50 | 0:32:53 | |
-£50 for the lot, you've got a deal. -Yep. -Yeah? | 0:32:53 | 0:32:57 | |
Well, that completes Thomas's shopping. | 0:32:57 | 0:33:00 | |
He has a total of five items, including the coco de mer tray, | 0:33:00 | 0:33:04 | |
the vesta fishing creel, the Fat Lava vase, | 0:33:04 | 0:33:07 | |
the pair of Poole pottery salts and the 19th-century rent stick. | 0:33:07 | 0:33:10 | |
Thomas was thrifty with his cash, spending just £100, | 0:33:10 | 0:33:14 | |
but what a variety of stuff. | 0:33:14 | 0:33:16 | |
Mark worked with extreme caution. He also bought five items. | 0:33:16 | 0:33:20 | |
The silver-plated dish, the book slide, | 0:33:20 | 0:33:22 | |
the continental comport, the fruit knife | 0:33:22 | 0:33:25 | |
and the silver cigarette box, spending a cautious £80. | 0:33:25 | 0:33:29 | |
But what do they think of each other's bag of treasures? | 0:33:33 | 0:33:36 | |
I love that coco de mer basket. | 0:33:36 | 0:33:39 | |
I think it is wonderful, absolutely wonderful. | 0:33:39 | 0:33:42 | |
They can make serious money, so that's really, first of all, | 0:33:42 | 0:33:46 | |
got me worried, because he only paid £45 for it. | 0:33:46 | 0:33:48 | |
He's bought a lovely Art Nouveau tray for £18. | 0:33:48 | 0:33:51 | |
I think that is a great-looking thing and I really, really like it. | 0:33:51 | 0:33:55 | |
He's lost half his money. | 0:33:55 | 0:33:57 | |
He really needs to do well this time, | 0:33:57 | 0:34:00 | |
so if he beats me and he does well, I don't mind. | 0:34:00 | 0:34:03 | |
I think he's going to walk away with another auction here, | 0:34:03 | 0:34:06 | |
and I'm not happy. | 0:34:06 | 0:34:07 | |
No, you're not! | 0:34:07 | 0:34:10 | |
Our Road Trip rascals are heading to | 0:34:10 | 0:34:12 | |
their second auction 19 miles away | 0:34:12 | 0:34:14 | |
in the rural town of Paddock Wood | 0:34:14 | 0:34:15 | |
near Tonbridge in Kent. | 0:34:15 | 0:34:18 | |
So, Mark, you bought quite differently this time | 0:34:18 | 0:34:20 | |
than you did... | 0:34:20 | 0:34:22 | |
Yes. Well, there was one decision I made quite firmly, Tom, | 0:34:22 | 0:34:25 | |
and that's not to buy another cannonball. | 0:34:25 | 0:34:27 | |
-Strange that, isn't it? -That is strange, isn't it? | 0:34:27 | 0:34:30 | |
-Did you see any, though, to buy? -No, no. | 0:34:30 | 0:34:32 | |
When you were in the castle, did they mention cannonballs? | 0:34:32 | 0:34:34 | |
-No, they didn't. -THOMAS CHUCKLES | 0:34:34 | 0:34:36 | |
Oh, you cheeky scamp, Thomas. | 0:34:36 | 0:34:38 | |
The auction is being held at Hop Farm Auctions, | 0:34:38 | 0:34:41 | |
a rather beautiful setting, fellas. | 0:34:41 | 0:34:44 | |
-Watch the plant pots! -I'm watching the plant pot. | 0:34:44 | 0:34:47 | |
I thought you'd be used to that plant. | 0:34:47 | 0:34:49 | |
Great, come on, hurry up. Turn the engine off. | 0:34:51 | 0:34:53 | |
-HORN BEEPS -Oh! Hello. | 0:34:53 | 0:34:56 | |
-Are you announcing yourself? -I've announced that I'm here. | 0:34:56 | 0:34:59 | |
It is all fun and games for now. Huh! | 0:34:59 | 0:35:02 | |
Our auctioneer today is Alexander Jenkins. | 0:35:04 | 0:35:07 | |
What does he think of Mark and Thomas's lots? | 0:35:07 | 0:35:09 | |
The coco de mer tray is lovely, but personally, | 0:35:10 | 0:35:14 | |
I would rather see it as a whole item and not carved. | 0:35:14 | 0:35:17 | |
There is a little bit of damage there. | 0:35:17 | 0:35:19 | |
The items that I'd like to see do well are the fruit knife, | 0:35:19 | 0:35:22 | |
and the vesta I think will catch people. | 0:35:22 | 0:35:25 | |
I think people will just like that. | 0:35:25 | 0:35:27 | |
But I think the pear knife, the smallest item of the lot, | 0:35:27 | 0:35:29 | |
I think that is the little winner of the lot. | 0:35:29 | 0:35:32 | |
All quiet. The auction is about to begin. | 0:35:32 | 0:35:35 | |
First up is Thomas's Fat Lava vase. | 0:35:35 | 0:35:39 | |
Ten pounds anywhere? Ten pounds? | 0:35:39 | 0:35:41 | |
Five. Five pounds, surely. | 0:35:41 | 0:35:43 | |
Six behind you, seven. Eight, nine, ten. | 0:35:43 | 0:35:46 | |
Nine pounds there, ten. | 0:35:46 | 0:35:47 | |
12, 14, 16... | 0:35:47 | 0:35:50 | |
-Ooh, you're in profit. -..18. | 0:35:50 | 0:35:52 | |
Go on. | 0:35:52 | 0:35:53 | |
-18 is there. 20. -20. -22. | 0:35:53 | 0:35:55 | |
Have another one. 20 is here. 22 anywhere? | 0:35:55 | 0:36:00 | |
£22 in the room. | 0:36:00 | 0:36:01 | |
And selling at 22. | 0:36:01 | 0:36:04 | |
-I take my hat off to you. You made a profit. -Well, I knew it would. | 0:36:04 | 0:36:08 | |
Oh, did you? Of course, you did, Thomas. | 0:36:08 | 0:36:10 | |
Of course, he did! Good profit to start us off with, though. | 0:36:10 | 0:36:13 | |
Next up is Thomas's fascinating carved coco de mer tray. | 0:36:15 | 0:36:19 | |
44, 46, 48, 50. | 0:36:19 | 0:36:22 | |
50 is there. 52 anywhere? | 0:36:22 | 0:36:24 | |
Oh, the hands fly up. 52... | 0:36:24 | 0:36:26 | |
Let's just call 60. £60, 70. | 0:36:26 | 0:36:28 | |
-80, 90... -Told you. | 0:36:28 | 0:36:31 | |
..110, 120. 120 anywhere? | 0:36:31 | 0:36:34 | |
110 I have got here. 120, 130. | 0:36:34 | 0:36:38 | |
-140, 150... -I told you. -160. | 0:36:38 | 0:36:41 | |
Come on, now, stop pursing your lips. Get that bid out. 160? | 0:36:41 | 0:36:44 | |
160 is there. 170? | 0:36:44 | 0:36:47 | |
-Well done. -170's there. | 0:36:47 | 0:36:48 | |
170, it is going. Last chance. | 0:36:48 | 0:36:51 | |
170 it is. | 0:36:51 | 0:36:53 | |
-Well done. -Thank you. Yeah, it's pulled well. | 0:36:54 | 0:36:57 | |
I'm not even sure | 0:36:57 | 0:36:58 | |
-I want to stay for my lots now... -THOMAS LAUGHS | 0:36:58 | 0:37:01 | |
TIM CHUCKLES Excellent result. | 0:37:02 | 0:37:04 | |
Thomas has quite the lead now. | 0:37:04 | 0:37:06 | |
It is Mark's first lot of the day, the carved book slide. | 0:37:08 | 0:37:12 | |
Start it off at 30. | 0:37:12 | 0:37:13 | |
£30 for it, £30 for the book slide. Quite right too. | 0:37:13 | 0:37:16 | |
-£30 has tripled my money, anyway. -That's brilliant. | 0:37:16 | 0:37:19 | |
£32 anywhere? 32, 34, 36, | 0:37:19 | 0:37:22 | |
38, 40, 42, | 0:37:22 | 0:37:25 | |
44, 46. | 0:37:25 | 0:37:27 | |
Go on! 48, 50. | 0:37:27 | 0:37:30 | |
£48 here. £48... | 0:37:30 | 0:37:33 | |
-That is really good, isn't it? -I'm pleased with that. | 0:37:33 | 0:37:35 | |
-48. -Do you know, that is not a bad price. | 0:37:36 | 0:37:38 | |
Thank you so much, Joseph. I am so pleased I went to that cafe. | 0:37:38 | 0:37:41 | |
At last, all smiles from Mark. | 0:37:43 | 0:37:45 | |
Good return under on your ten-pound spend. | 0:37:45 | 0:37:48 | |
Back to Thomas. It is the 19th-century rent stick next. | 0:37:48 | 0:37:52 | |
£20 for it. Come along, 20. | 0:37:52 | 0:37:55 | |
£20 anywhere? 20 I've got, thank you. | 0:37:55 | 0:37:58 | |
22 anywhere. Should be. 22 anywhere? | 0:37:58 | 0:38:00 | |
-£20 in front. -That's a shame. | 0:38:00 | 0:38:03 | |
At 20 I sell, then. | 0:38:03 | 0:38:04 | |
-That's your first loss. -It is, isn't it? | 0:38:05 | 0:38:08 | |
-£20, lost ten pounds on it. -And a bit more. | 0:38:08 | 0:38:11 | |
Thomas's first loss. But he is still out in front. | 0:38:11 | 0:38:14 | |
Next up, it is Mark's continental comport, | 0:38:15 | 0:38:18 | |
another one of his tenner buys. | 0:38:18 | 0:38:21 | |
Starts off here with me at £20. | 0:38:21 | 0:38:23 | |
-Do I see 22? -Oh, my God. You've doubled your money. | 0:38:23 | 0:38:26 | |
£22 anywhere? 22? £20 I have. 22? | 0:38:26 | 0:38:29 | |
Come along. 22 anywhere? | 0:38:29 | 0:38:31 | |
-I know you shouldn't complain... -Come on. | 0:38:31 | 0:38:34 | |
-£20. -I doubled my money, Thomas. | 0:38:35 | 0:38:37 | |
Congratulations. | 0:38:37 | 0:38:38 | |
He's happy with that. Your tenner tactic is working so far. | 0:38:38 | 0:38:43 | |
Now Mark again, | 0:38:43 | 0:38:44 | |
with the slightly dearer £18 silver-plated Art Nouveau tray. | 0:38:44 | 0:38:49 | |
And we have auctioneer Paul at the rostrum now. | 0:38:49 | 0:38:52 | |
Start me at 20. £20. | 0:38:52 | 0:38:54 | |
Oh, no. Come on. | 0:38:54 | 0:38:55 | |
Ten pounds, then. Silver plate. | 0:38:55 | 0:38:57 | |
Ten I'm bid at the back, 12 I'm bid, 14. | 0:38:57 | 0:39:00 | |
16, 18 at the back, 20 online if you want. | 0:39:00 | 0:39:02 | |
Come on, 20. 22. | 0:39:02 | 0:39:05 | |
22, 24 online. | 0:39:05 | 0:39:06 | |
-That's a little bit of a shame. -£22 is a shame. | 0:39:06 | 0:39:08 | |
-It should be £30, shouldn't it? -Yeah. | 0:39:08 | 0:39:10 | |
Oh, that is disappointing. | 0:39:10 | 0:39:11 | |
-I am...feel a bit let down. -I thought that might do a bit better. | 0:39:11 | 0:39:15 | |
Hey, it is still a profit, Mark. | 0:39:15 | 0:39:17 | |
Next up are Thomas's Poole pottery salts. | 0:39:19 | 0:39:21 | |
Eight pounds. Anyone at eight pounds? | 0:39:21 | 0:39:24 | |
Start me at five pounds, I'm bid. Six anywhere else? Five pounds. | 0:39:24 | 0:39:28 | |
One bid takes it at five pounds. | 0:39:28 | 0:39:30 | |
Seven pounds I'm bid on my left. | 0:39:30 | 0:39:32 | |
Last time, 1090. | 0:39:32 | 0:39:33 | |
All done at seven pounds. | 0:39:33 | 0:39:35 | |
That's really good, Tom. It was well worth spending a fiver. | 0:39:35 | 0:39:38 | |
-It is well worth doing that, isn't it? -Really tactical. | 0:39:38 | 0:39:41 | |
Well done. It paid off. | 0:39:41 | 0:39:43 | |
A small profit for Thomas there. | 0:39:45 | 0:39:46 | |
Can Mark's elegant little fruit knife help him catch his rival? | 0:39:50 | 0:39:53 | |
£20 for the fruit knife. Got to have 20. | 0:39:53 | 0:39:56 | |
-Come on. -20 pounds. -Go on. | 0:39:56 | 0:39:58 | |
Ten pounds is there, 12. | 0:39:58 | 0:40:00 | |
12, 14, 16, 18, 20. | 0:40:00 | 0:40:03 | |
-Oh, there you are. -At £20. | 0:40:03 | 0:40:06 | |
£20 online. | 0:40:06 | 0:40:08 | |
Small, incy-wincy profit. Those low punches, back in the ring again. | 0:40:08 | 0:40:12 | |
-Back in the ring. -You're dancing around. | 0:40:12 | 0:40:14 | |
But still not getting anywhere. | 0:40:14 | 0:40:16 | |
Come on, Mark! You've doubled your money with that little knife. | 0:40:16 | 0:40:19 | |
It's Thomas's fishing creel vesta box next. | 0:40:20 | 0:40:24 | |
Another nice little thing. | 0:40:24 | 0:40:26 | |
£30. 30 online, is there 32? | 0:40:26 | 0:40:28 | |
32. I knew you were waiting, sir. | 0:40:28 | 0:40:31 | |
34. Online if you want. | 0:40:31 | 0:40:33 | |
36. 36 I'm bid. 36, 38? | 0:40:33 | 0:40:37 | |
38, 40 online if you want. | 0:40:37 | 0:40:39 | |
40, 42. 42 I'm bid, 44? | 0:40:39 | 0:40:43 | |
-Oh, it's good. -That's good. -Yeah. | 0:40:43 | 0:40:46 | |
At £42. One more, 1040, if you want. | 0:40:46 | 0:40:49 | |
-44, 46. -44. -That is a good price. | 0:40:49 | 0:40:53 | |
-That is a good price. -And it's worth that. | 0:40:53 | 0:40:55 | |
-Oh, it's lovely. -That's a beautiful vase. -Yeah. | 0:40:55 | 0:40:57 | |
At £44, last time at 44. | 0:40:57 | 0:41:00 | |
-Brilliant. -I think that is brilliant. | 0:41:02 | 0:41:04 | |
-It deserved to make that money. -Yeah. | 0:41:04 | 0:41:06 | |
-It did. -And a bit more. I wouldn't have been surprised. | 0:41:06 | 0:41:08 | |
-If it made... -50 quid. -Yes. He tried 50. -So, well done. | 0:41:08 | 0:41:12 | |
You bet. Amazing profit | 0:41:12 | 0:41:13 | |
built on a five-pound stake. | 0:41:13 | 0:41:15 | |
It is the last item, a last chance for Mark - | 0:41:18 | 0:41:20 | |
the elegant silver cigarette box. | 0:41:20 | 0:41:23 | |
£100 for the silver box. Anyone at £100? | 0:41:23 | 0:41:26 | |
-£80, anyone at 80? -Oh, come on. | 0:41:27 | 0:41:30 | |
Silver box there for £80. | 0:41:30 | 0:41:31 | |
£80. | 0:41:31 | 0:41:34 | |
Start me at 50, then. Anyone at £50? | 0:41:34 | 0:41:36 | |
I'm bid. 55, 60, 65. | 0:41:36 | 0:41:40 | |
70 anywhere? At 65. | 0:41:40 | 0:41:42 | |
-Well, there we are, Thomas. That was my last chance. -Doubled your money. | 0:41:42 | 0:41:46 | |
Well, I made £33 on it, which is good. | 0:41:46 | 0:41:48 | |
Thank goodness for that. Great profit. | 0:41:50 | 0:41:52 | |
Who will be the jubilant winner of the second leg? | 0:41:53 | 0:41:56 | |
Let's work out the maths. | 0:41:56 | 0:41:57 | |
Mark started this leg with £107.50. | 0:41:59 | 0:42:04 | |
After auction costs are deducted, he has totted up a profit of £63.50, | 0:42:04 | 0:42:10 | |
so Mark's grand total for next time is £171. | 0:42:10 | 0:42:14 | |
Thomas began with £194.30 and, after auction costs, | 0:42:15 | 0:42:21 | |
made an excellent profit of £150.66, | 0:42:21 | 0:42:25 | |
so he is the triumphant winner of today's leg, | 0:42:25 | 0:42:28 | |
carrying £309.96 into the next leg. | 0:42:28 | 0:42:33 | |
Well done, boy. | 0:42:33 | 0:42:34 | |
Well, you have done it again, Mr Plant. Well done. | 0:42:37 | 0:42:39 | |
-Thank you, Mark. -But I've crept up a little, | 0:42:39 | 0:42:41 | |
-so I'm quite pleased. -You have, haven't you? | 0:42:41 | 0:42:43 | |
Are you going to drive? | 0:42:43 | 0:42:44 | |
I will drive you because you've been successful, as well as I have. | 0:42:44 | 0:42:47 | |
-Oh, you are... -I feel you need your energy. | 0:42:47 | 0:42:50 | |
I do need my energy. | 0:42:50 | 0:42:52 | |
I need more than that, I need a drink. | 0:42:52 | 0:42:53 | |
Bye-bye, chaps. See you next time. | 0:42:56 | 0:42:58 | |
Next time on Antiques Road Trip, Mark turns on the charm... | 0:43:00 | 0:43:05 | |
This has always been my problem. I am too generous. | 0:43:05 | 0:43:08 | |
..while Thomas changes his tactics. BLOWS WHISTLE | 0:43:08 | 0:43:11 | |
Yeah, that works, so maybe I'll be able to call Mark. | 0:43:11 | 0:43:14 |