Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
This is beautiful! | 0:00:04 | 0:00:05 | |
That's the way to do this. | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car and a goal - to scour for antiques. | 0:00:06 | 0:00:12 | |
Joy. | 0:00:12 | 0:00:13 | |
Hello! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners... | 0:00:19 | 0:00:21 | |
-Sorry, sorry! -..and valiant losers. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
MUSIC: The Boys Are Back In Town by Thin Lizzy | 0:00:35 | 0:00:38 | |
Today heralds the start of a new road trip. | 0:00:38 | 0:00:42 | |
This week we're in the company of Charles Hanson and Margie Cooper. | 0:00:42 | 0:00:47 | |
That's going fast! | 0:00:47 | 0:00:48 | |
-Stop it. -Get out of here! | 0:00:48 | 0:00:50 | |
There we go, Margie! | 0:00:50 | 0:00:53 | |
-It's going to be a wonderful week. -It is. | 0:00:55 | 0:00:57 | |
I feel like I could be a Hollywood star. | 0:00:57 | 0:00:59 | |
-GEAR GRINDS -I do! | 0:00:59 | 0:01:01 | |
I feel like I'm with a Bond girl. | 0:01:01 | 0:01:02 | |
JAMES BOND THEME | 0:01:02 | 0:01:05 | |
007 wouldn't crunch those gears. | 0:01:05 | 0:01:07 | |
Margie may never have been a Bond girl, | 0:01:07 | 0:01:10 | |
but by gosh, she was a model before starting out in the antiques biz - | 0:01:10 | 0:01:13 | |
and our Charles is an auctioneer who appreciates the finer things in life. | 0:01:13 | 0:01:17 | |
I look at you, Margie, and I think, "upmarket". | 0:01:17 | 0:01:20 | |
How am I going to get through this week with you? | 0:01:20 | 0:01:23 | |
But is that right? | 0:01:23 | 0:01:24 | |
Look at me! | 0:01:24 | 0:01:25 | |
You're gorgeous! Look at me! | 0:01:25 | 0:01:27 | |
I'm going red now, under my glasses. | 0:01:27 | 0:01:29 | |
They're in a very rare 1959 Elva Courier - | 0:01:32 | 0:01:35 | |
only 400 or so were made, | 0:01:35 | 0:01:38 | |
and this is believed to be the only one on British roads. | 0:01:38 | 0:01:41 | |
-This car, Margie... -GEAR GRINDS | 0:01:41 | 0:01:42 | |
..it's quite racy, isn't it? | 0:01:42 | 0:01:44 | |
-How am going to cope with this car? -Get out of here! | 0:01:44 | 0:01:46 | |
What if it rains? | 0:01:46 | 0:01:47 | |
You are in this wild canary yellow ground sports car, Margie! | 0:01:47 | 0:01:52 | |
It's not a sports car - it's a racing car. | 0:01:52 | 0:01:54 | |
This trip starts in the Leicestershire town | 0:01:57 | 0:01:59 | |
of Melton Mowbray, and meanders through Nottinghamshire, Derbyshire | 0:01:59 | 0:02:03 | |
and Lincolnshire, then dips into Norfolk | 0:02:03 | 0:02:05 | |
before arriving for the final sale in the city of Leicester. | 0:02:05 | 0:02:09 | |
Today's leg starts from the market town of Melton Mowbray | 0:02:09 | 0:02:12 | |
and heads to auction in the fine fair city of Nottingham. | 0:02:12 | 0:02:16 | |
All I will say, Margie, | 0:02:17 | 0:02:18 | |
is Leicestershire is in my neighbourhood. | 0:02:18 | 0:02:20 | |
I hope we're not going into shops where you know people... | 0:02:20 | 0:02:23 | |
-LAUGHS: -Get out of here, Margie! | 0:02:23 | 0:02:25 | |
-..who are going to do you favours. -Get out of here! | 0:02:25 | 0:02:27 | |
Our experts have £200 each to spend - | 0:02:27 | 0:02:29 | |
if they ever make it to the shops, that is. Oh, no... | 0:02:29 | 0:02:32 | |
-Margie! -Yeah? | 0:02:32 | 0:02:34 | |
-I've found it. -SHE LAUGHS | 0:02:34 | 0:02:36 | |
That's what's come off. | 0:02:36 | 0:02:37 | |
-Oh, crikey. You said you'd heard a thump. -That's what's come off. | 0:02:37 | 0:02:40 | |
-Down... -What is that? | 0:02:40 | 0:02:42 | |
I don't know. | 0:02:42 | 0:02:43 | |
-Hah! -But it's something that came off the car. | 0:02:43 | 0:02:45 | |
-Hold it, I've got a plan. -No, no! -Trust me, hold on. | 0:02:45 | 0:02:47 | |
Oh, no, Charles. | 0:02:47 | 0:02:48 | |
-Marge, I'm no mechanic... -SHE LAUGHS | 0:02:48 | 0:02:50 | |
-..but listen. Can you see that pipe there? -Yes. | 0:02:50 | 0:02:53 | |
All of this brown liquid, which could be a coolant... | 0:02:53 | 0:02:55 | |
-Could I just say...? -Yes. | 0:02:55 | 0:02:57 | |
Wash my hands of anything to do with you with that. | 0:02:57 | 0:03:00 | |
Quite right. | 0:03:00 | 0:03:01 | |
I'm going to my first shop. Bye! | 0:03:01 | 0:03:03 | |
See ya. | 0:03:03 | 0:03:04 | |
Marge! | 0:03:04 | 0:03:06 | |
Look at me! | 0:03:06 | 0:03:07 | |
Bye! | 0:03:07 | 0:03:09 | |
Well, fortunately, Margie hasn't got far to go - | 0:03:09 | 0:03:11 | |
just down the road is the third-oldest market town | 0:03:11 | 0:03:13 | |
in the country, | 0:03:13 | 0:03:15 | |
and the birthplace of pork pies, Melton Mowbray. | 0:03:15 | 0:03:18 | |
And in the centre of town, her first shop. | 0:03:18 | 0:03:21 | |
-Good morning. -Good morning. -Morning. | 0:03:23 | 0:03:25 | |
Lovely shop! | 0:03:25 | 0:03:26 | |
-Thank you. -Right, so, I'm Margie. -I'm Sue. | 0:03:26 | 0:03:29 | |
-And you are the owner? -I'm the owner, John. | 0:03:29 | 0:03:32 | |
-And you're John...? -Bean. -John Bean. | 0:03:32 | 0:03:35 | |
Introductions over, time to shop. | 0:03:35 | 0:03:37 | |
Oh, look at this! | 0:03:37 | 0:03:39 | |
-That's an old porter's... -Yeah, for railway stations and such. | 0:03:39 | 0:03:42 | |
Yeah. | 0:03:42 | 0:03:43 | |
Yeah, 175 - yeah, that's a bit... That's nearly my budget. | 0:03:43 | 0:03:48 | |
But you're open to offers, aren't you? | 0:03:48 | 0:03:50 | |
We are, yes. | 0:03:50 | 0:03:51 | |
That's promising. | 0:03:51 | 0:03:53 | |
Right - more stuff. | 0:03:53 | 0:03:55 | |
Oh, and this African stool - they're hot at the moment, aren't they? | 0:03:57 | 0:04:01 | |
-They are. -These things. | 0:04:01 | 0:04:03 | |
Margie's uncovered a West African tribal stool | 0:04:03 | 0:04:07 | |
which is probably Ashanti. | 0:04:07 | 0:04:10 | |
I'm not an expert in tribal stuff. | 0:04:10 | 0:04:13 | |
Early 20th century African. | 0:04:13 | 0:04:15 | |
That's it! | 0:04:15 | 0:04:16 | |
Yeah...it's not in great condition, is it? | 0:04:18 | 0:04:21 | |
No, it's cracked. | 0:04:21 | 0:04:23 | |
It's seen better days, and is priced at £140. Wow. | 0:04:23 | 0:04:27 | |
Right, I'm going to carry on a bit longer, and then all will be well. | 0:04:27 | 0:04:32 | |
SHE LAUGHS | 0:04:32 | 0:04:33 | |
Tribal, tribal, tribal. | 0:04:33 | 0:04:35 | |
Mm... | 0:04:37 | 0:04:38 | |
On an African theme, | 0:04:38 | 0:04:40 | |
Margie's found a late 19th century carved hardwood stick | 0:04:40 | 0:04:43 | |
ticketed at £35. | 0:04:43 | 0:04:45 | |
Go on, give it a poke. | 0:04:45 | 0:04:47 | |
Well, here you are - I'm going to get it pointing now! | 0:04:47 | 0:04:50 | |
How much can that be? | 0:04:50 | 0:04:52 | |
-Well, the stick could be £10 on its own... -Yeah. | 0:04:53 | 0:04:56 | |
The headrest could be 80, so that'd be £90 for the pair, then. | 0:04:56 | 0:05:00 | |
Two possibilities for Margie to think about. | 0:05:00 | 0:05:03 | |
Meanwhile, with the car fixed, | 0:05:04 | 0:05:06 | |
Charles has motored 22 miles southwest | 0:05:06 | 0:05:08 | |
to the outskirts of Leicester. | 0:05:08 | 0:05:10 | |
His first shop is Hidden Treasures. | 0:05:10 | 0:05:12 | |
-It's Mark, isn't it? -Hello, how are you? | 0:05:15 | 0:05:16 | |
Long time no see. | 0:05:16 | 0:05:18 | |
-It's been a while. -I'll have to shake with your left, unfortunately. | 0:05:18 | 0:05:21 | |
There are goodies galore here. | 0:05:21 | 0:05:23 | |
-I shall go for a wander... -Yep. -..and cross my fingers... | 0:05:23 | 0:05:27 | |
-Help yourself. -..that lurking in these murky antiques is a sleeper. | 0:05:27 | 0:05:33 | |
Something soon stirs Charles. | 0:05:37 | 0:05:40 | |
It looks a feast. | 0:05:40 | 0:05:41 | |
It's got some weight to it. | 0:05:42 | 0:05:44 | |
-Has it? -Yeah. | 0:05:44 | 0:05:45 | |
Oh, good, it has. | 0:05:45 | 0:05:47 | |
-I believe it to be bronze. -Yeah, I think you're right. | 0:05:47 | 0:05:50 | |
It's a lovely... | 0:05:50 | 0:05:51 | |
What we've got here is a big charger, | 0:05:51 | 0:05:54 | |
-a big circular display dish... -Yeah. | 0:05:54 | 0:05:57 | |
..which you can see has been pierced for the purpose of hanging. | 0:05:57 | 0:06:02 | |
How old is this? | 0:06:02 | 0:06:03 | |
-1880? -I would say around turn of the century, yeah. -Yeah. | 0:06:03 | 0:06:06 | |
-It's a nice thing, isn't it? -Yeah. -It's decorative. -Yeah. | 0:06:06 | 0:06:10 | |
How much is it? | 0:06:10 | 0:06:11 | |
-Ooh, now, there's the... -To an old mate. -..there's the rub. | 0:06:11 | 0:06:14 | |
-To an old mate. -To an old mate... | 0:06:14 | 0:06:15 | |
-A Derby lad. -..who makes lots of money out of me. -Get out of here! | 0:06:15 | 0:06:19 | |
It's a funny old game. | 0:06:19 | 0:06:21 | |
£30. | 0:06:21 | 0:06:22 | |
25? | 0:06:23 | 0:06:24 | |
Oh - to an old mate. | 0:06:24 | 0:06:26 | |
£25 for a really handsome bronze charger, I think, is really good. | 0:06:26 | 0:06:32 | |
-I'll leave it there for the time being, go for a wander... -All right. | 0:06:32 | 0:06:35 | |
..and just see what else takes my fancy. | 0:06:35 | 0:06:37 | |
-Thanks a lot. -OK. | 0:06:37 | 0:06:38 | |
Good price on a nice item. | 0:06:38 | 0:06:40 | |
Back in Melton Mowbray, Margie's getting excited. | 0:06:43 | 0:06:46 | |
Dealer John has new stock hidden behind his counter, | 0:06:46 | 0:06:49 | |
and it's silver - right up Margie's street. | 0:06:49 | 0:06:52 | |
So, have we got any sets of anything in there? | 0:06:52 | 0:06:55 | |
Er...a few of these are quite good. | 0:06:55 | 0:06:57 | |
Hm... | 0:06:57 | 0:06:59 | |
-Ah, you've got six. -Got those. -Yeah. | 0:06:59 | 0:07:02 | |
They look to me as though they're early 20th century. | 0:07:04 | 0:07:07 | |
I would think so. | 0:07:07 | 0:07:08 | |
But sadly they might end up melting - going in the pot. | 0:07:08 | 0:07:11 | |
But look how crisp they are. They have not been used, hardly. | 0:07:11 | 0:07:16 | |
They've got quite a bit of life in them. | 0:07:16 | 0:07:18 | |
To buy those new would be hundreds of pounds - | 0:07:18 | 0:07:21 | |
hundreds and hundreds of pounds to buy those new now. | 0:07:21 | 0:07:24 | |
Sadly, antique silver isn't reaching the money it once did, | 0:07:25 | 0:07:28 | |
so Margie is buying these at scrap value. | 0:07:28 | 0:07:30 | |
Handily enough, John has some scales. | 0:07:30 | 0:07:33 | |
-11 ounces. Yeah. -Right. And you're telling me how much? | 0:07:34 | 0:07:38 | |
That would come to about £43. | 0:07:38 | 0:07:40 | |
Yeah. You don't want to round it off? | 0:07:40 | 0:07:42 | |
Call it 40? | 0:07:42 | 0:07:43 | |
So, does that soften that a bit? | 0:07:43 | 0:07:45 | |
Tell you what, 70 including the stick, then. | 0:07:45 | 0:07:48 | |
-70 and 40... -Yeah. -..is a hundred and... -Ten. -..ten. | 0:07:48 | 0:07:54 | |
Yeah. | 0:07:54 | 0:07:55 | |
JOHN LAUGHS | 0:07:59 | 0:08:00 | |
Deal - that's £60 for the African stool, the stick for £10, | 0:08:00 | 0:08:04 | |
and the silver weighed in at £40. | 0:08:04 | 0:08:07 | |
That's cheap. | 0:08:07 | 0:08:08 | |
-Thank you very much for your patience. -No problems at all. | 0:08:08 | 0:08:11 | |
Three lots in the first shop - not bad at all. | 0:08:11 | 0:08:14 | |
I wonder if Charles is having any luck. | 0:08:18 | 0:08:20 | |
What I do quite like is... | 0:08:20 | 0:08:23 | |
-..this davenport here. -OK. | 0:08:25 | 0:08:27 | |
A davenport is a small desk with a lifting lid - | 0:08:28 | 0:08:31 | |
named after Captain Davenport, | 0:08:31 | 0:08:33 | |
who commissioned the first design about 200 years ago. | 0:08:33 | 0:08:36 | |
This example in walnut dates from around 1870. | 0:08:36 | 0:08:40 | |
It's only been in about a week. | 0:08:41 | 0:08:44 | |
-Um... So, it's fresh. -Fresh on the market, yeah. | 0:08:44 | 0:08:47 | |
-Yes. -Yes. It's quite tired, isn't it? -Yeah. Pretty much all there. | 0:08:47 | 0:08:52 | |
I think they're ingenious, because the cupboard door, here - | 0:08:52 | 0:08:56 | |
open it up, and these... delicious drawers, aren't they? | 0:08:56 | 0:08:59 | |
They are very nice, yeah. | 0:08:59 | 0:09:01 | |
And look at that original colour. | 0:09:01 | 0:09:03 | |
What I love is this drawer here - | 0:09:03 | 0:09:05 | |
and this drawer, in the heyday, if you were a Victorian lady, | 0:09:05 | 0:09:09 | |
-back in 1870, you'd have your pens in here, I presume... -Yeah. | 0:09:09 | 0:09:14 | |
..or your quill pen, and it's just a charming object. | 0:09:14 | 0:09:18 | |
I do like it. | 0:09:18 | 0:09:20 | |
It's a nice little piece. | 0:09:20 | 0:09:21 | |
It's ticketed at £50, but as it's new in, is there any chance of a deal? | 0:09:21 | 0:09:26 | |
What's your rock bottom? | 0:09:26 | 0:09:28 | |
For you to still make a profit. | 0:09:30 | 0:09:31 | |
-Oh... -And a small margin. | 0:09:31 | 0:09:33 | |
Very, very small profit - 35. | 0:09:33 | 0:09:36 | |
That's good. | 0:09:38 | 0:09:40 | |
That is a deal to write home about, hey, Charles? | 0:09:40 | 0:09:43 | |
If I'd been a Victorian gent, if I was writing a letter now, | 0:09:43 | 0:09:47 | |
and saying, "Margie Cooper - Margie, I could buy this davenport for £35, | 0:09:47 | 0:09:54 | |
"although it's so rickety," she'll say, "Buy it." | 0:09:54 | 0:09:58 | |
-Well, there we go. -I'll take it. | 0:09:58 | 0:09:59 | |
-You're taking that? -Thanks a lot. -Lovely, thanks. | 0:09:59 | 0:10:02 | |
Crikey, a flying start for Charles, there. Two deals in his first shop. | 0:10:02 | 0:10:07 | |
The bronze charger for £25 and the Victorian davenport for 35. | 0:10:07 | 0:10:12 | |
-Thanks a lot, Mark! -Thank you! -It's been great. -Thanks very much. | 0:10:12 | 0:10:16 | |
I hope they take a fortune. | 0:10:16 | 0:10:18 | |
-And you. Hope you do well. -Cheers, Mark. -Thank you. -See you! | 0:10:18 | 0:10:21 | |
Just down the road from Bosworth Battlefield | 0:10:25 | 0:10:28 | |
is the medieval village of Shenton. | 0:10:28 | 0:10:30 | |
That is Margie's next shop - at Whitemoors Antiques Centre. | 0:10:31 | 0:10:36 | |
She has £90 left to spend. | 0:10:36 | 0:10:38 | |
Fine bowl. | 0:10:42 | 0:10:43 | |
IT CHIMES | 0:10:43 | 0:10:45 | |
Fine bowl. | 0:10:45 | 0:10:46 | |
It's got clarity, hasn't it? | 0:10:48 | 0:10:50 | |
It certainly has. Anything else? | 0:10:50 | 0:10:52 | |
Just looking at these... | 0:10:52 | 0:10:54 | |
A pair of uplighters for 50 quid. | 0:10:54 | 0:10:58 | |
Hm! Can you imagine those in a... cleaned up in a room? | 0:10:58 | 0:11:02 | |
They could be very nice, couldn't they? | 0:11:02 | 0:11:04 | |
They're all electrified. | 0:11:04 | 0:11:07 | |
-TUTS: -But they could be trouble. | 0:11:07 | 0:11:10 | |
Yeah - time to speak to the top man. | 0:11:10 | 0:11:11 | |
Hi, Robert. | 0:11:11 | 0:11:13 | |
-Right, now, I've had a wander round... -Yes, my dear. | 0:11:13 | 0:11:16 | |
..and as much as I like those two brass uplighters, | 0:11:16 | 0:11:19 | |
-I just think that they're trouble. -OK. | 0:11:19 | 0:11:22 | |
-I mean, I love the bowl... -Mm-hm. -Your bowl? -My bowl. | 0:11:22 | 0:11:25 | |
-Is it 15? -I've... No, it wasn't! | 0:11:25 | 0:11:27 | |
I've got 30 on it. | 0:11:27 | 0:11:29 | |
And my absolute bottom, which I paid, was 20 - | 0:11:29 | 0:11:32 | |
and you can have it for what I paid for it. | 0:11:32 | 0:11:34 | |
Well, I shall stroll over and have a look at it. | 0:11:34 | 0:11:37 | |
It is - it's a magnificent thing, isn't it? | 0:11:37 | 0:11:40 | |
Oh, crikey - no, I'm not going to do that. | 0:11:40 | 0:11:43 | |
-Can you hand it...? -Yes. -Can you? You're a nice big strong man. | 0:11:43 | 0:11:46 | |
It's heavy. | 0:11:46 | 0:11:47 | |
Yeah, that's lovely. | 0:11:47 | 0:11:48 | |
IT CHIMES | 0:11:48 | 0:11:50 | |
-Yeah, I'm going to go for that. -Deal done. -Thank you. | 0:11:50 | 0:11:52 | |
£20 for that cut-glass bowl is a steal. | 0:11:52 | 0:11:56 | |
Cor, you could do well later. | 0:11:56 | 0:11:57 | |
Meanwhile, Charles is back on the open road. | 0:12:00 | 0:12:03 | |
ENGINE KNOCKS | 0:12:03 | 0:12:05 | |
Oh, lordy, that doesn't sound good. | 0:12:05 | 0:12:07 | |
Oh, no! | 0:12:07 | 0:12:09 | |
HE COUGHS | 0:12:09 | 0:12:10 | |
There we go. | 0:12:10 | 0:12:12 | |
I've got smoke coming out of the heater. | 0:12:12 | 0:12:14 | |
Charles! Not again! | 0:12:14 | 0:12:15 | |
It's a lovely, lovely car... | 0:12:15 | 0:12:18 | |
but it's not made for me. | 0:12:18 | 0:12:19 | |
I think what I'm going to do is... | 0:12:20 | 0:12:23 | |
Walk. | 0:12:23 | 0:12:24 | |
..let it cool down, and hopefully I'll cool down as well, | 0:12:24 | 0:12:28 | |
and my road trip can be up and running again. | 0:12:28 | 0:12:32 | |
Could take ages, this, Charles. | 0:12:32 | 0:12:34 | |
Dear, oh, dear. | 0:12:34 | 0:12:35 | |
While the car gets some TLC, Charles heads to Ashby-de-la-Zouch... | 0:12:35 | 0:12:39 | |
..a Leicestershire town with a very pretty name. | 0:12:41 | 0:12:44 | |
Here they celebrate a female pioneer of a dangerous sport | 0:12:45 | 0:12:48 | |
who could probably thrill the thousands | 0:12:48 | 0:12:49 | |
who flocked to see her death-defying stunt in the early 1900s. | 0:12:49 | 0:12:54 | |
Charles is meeting Ashby-de-la-Zouch museum trustee Ken to find out more. | 0:12:54 | 0:12:58 | |
-Oh, good afternoon, Charles. -Is it Ken? | 0:12:58 | 0:13:01 | |
Good to see you - it is, yes. Welcome to Ashby-de-la-Zouch. | 0:13:01 | 0:13:03 | |
Ken, it's good to be here. | 0:13:03 | 0:13:04 | |
-Now, I'm here to learn about a lady. -Yes. -A lady by the name of... | 0:13:04 | 0:13:08 | |
-Dolly Shepherd. Come and have a look at what she's about. -I can't wait. | 0:13:08 | 0:13:11 | |
-Go on through. -Thanks, Ken. | 0:13:11 | 0:13:13 | |
In 1903, aged 17, Dolly Shepherd was working as a waitress. | 0:13:15 | 0:13:19 | |
A chance conversation with a diner | 0:13:19 | 0:13:21 | |
led to Dolly taking up one of the most dangerous sports of the day. | 0:13:21 | 0:13:25 | |
She was probably quite a young go-getter - 17 years old, she sat... | 0:13:25 | 0:13:29 | |
-She was a tomboy. -She was a tomboy. -An admitted tomboy. | 0:13:29 | 0:13:33 | |
The diner Dolly was serving was a balloonist. | 0:13:33 | 0:13:36 | |
He was looking for a pretty girl to help draw paying crowds | 0:13:36 | 0:13:40 | |
to witness his balloon show, and Dolly would soon become its star. | 0:13:40 | 0:13:45 | |
Here's a photograph of her | 0:13:45 | 0:13:47 | |
sitting for one of these Edwardian studio photographs - | 0:13:47 | 0:13:50 | |
and there is the Union Jack, which she used to float and fly. | 0:13:50 | 0:13:54 | |
And fly she did. | 0:13:54 | 0:13:56 | |
Dolly pioneered the sport of parachuting for women 110 years ago, | 0:13:56 | 0:14:01 | |
when it was as far from respectable as an Edwardian lady could get. | 0:14:01 | 0:14:07 | |
-So, to be ignorant, Ken... -Yeah. -She would have gone up on a balloon...? | 0:14:07 | 0:14:11 | |
Well, below the balloon - | 0:14:11 | 0:14:13 | |
-the parachute is attached to the balloon... -OK. | 0:14:13 | 0:14:15 | |
-..she then holds on with a trapeze bar... -How does she ascend? | 0:14:15 | 0:14:19 | |
-How will she ascend? -She ascends simply by hanging on. | 0:14:19 | 0:14:21 | |
She had a very strong grip, apparently, and she comes down | 0:14:21 | 0:14:24 | |
holding on to a trapeze bar, and simply hangs on for the 2,000 feet. | 0:14:24 | 0:14:29 | |
Taking your life into your own hands and doing these fearless jumps - | 0:14:29 | 0:14:33 | |
was she well paid for it? | 0:14:33 | 0:14:34 | |
£2.50. | 0:14:34 | 0:14:36 | |
That's around £270 in today's money. | 0:14:37 | 0:14:40 | |
Dolly would tour the country, | 0:14:42 | 0:14:44 | |
but claimed Ashby-de-la-Zouch as her favourite place to jump. | 0:14:44 | 0:14:47 | |
Did she become a celebrity? | 0:14:47 | 0:14:49 | |
Absolutely - Dolly Shepherd the Parachute Queen. | 0:14:49 | 0:14:52 | |
After four years of jumps, Dolly - now 21 - | 0:14:52 | 0:14:55 | |
was becoming renowned for her dangerous act. | 0:14:55 | 0:14:58 | |
In 1908, she hit the headlines - | 0:14:58 | 0:15:00 | |
she agreed to accompany a young girl on her maiden jump. | 0:15:00 | 0:15:04 | |
But disaster struck. | 0:15:05 | 0:15:07 | |
The decision was made that Dolly and Louie would go up | 0:15:08 | 0:15:12 | |
under the same balloon and come down in two parachutes - | 0:15:12 | 0:15:16 | |
Louie first and then Dolly to follow her. | 0:15:16 | 0:15:19 | |
So they got up to the usual 2,500 feet | 0:15:19 | 0:15:22 | |
and Louie was told to jump by Dolly. | 0:15:22 | 0:15:26 | |
"It's OK, jump." | 0:15:26 | 0:15:27 | |
Nothing happened. | 0:15:27 | 0:15:29 | |
She pulled the cord, nothing happened. | 0:15:29 | 0:15:31 | |
You mean the parachute didn't open? | 0:15:31 | 0:15:33 | |
-Well, no. They couldn't get the parachute to pull away from the balloon. -Oh, dear. | 0:15:33 | 0:15:36 | |
Well, Louie, this was her first jump remember, was terrified. | 0:15:36 | 0:15:40 | |
This is Dolly Shepherd's drawing, many years later, | 0:15:40 | 0:15:42 | |
showing what happened. | 0:15:42 | 0:15:44 | |
And essentially she got Louie to swing towards her, | 0:15:44 | 0:15:47 | |
to grasp her round the neck, Dolly round the neck, | 0:15:47 | 0:15:51 | |
and then they would cut the cord attaching her to the other parachute | 0:15:51 | 0:15:56 | |
and they'd come down together. | 0:15:56 | 0:15:58 | |
By the time the two girls were ready to jump, | 0:16:00 | 0:16:02 | |
the balloon had reached 12,000 feet. | 0:16:02 | 0:16:06 | |
Four times higher than usual. | 0:16:06 | 0:16:08 | |
They come down far too fast. | 0:16:09 | 0:16:12 | |
Dolly lands on her back, as she should do. | 0:16:12 | 0:16:15 | |
The problem is Louie then landed on Dolly. | 0:16:15 | 0:16:18 | |
This was the first ever mid-air rescue. | 0:16:18 | 0:16:21 | |
Although Louie was able to walk away, | 0:16:22 | 0:16:25 | |
the crash to earth in a remote field left Dolly severely injured. | 0:16:25 | 0:16:30 | |
She was carried to a nearby farm, and under strict doctor's orders, | 0:16:30 | 0:16:33 | |
remained there for a fortnight. | 0:16:33 | 0:16:35 | |
It was feared Dolly was paralysed. | 0:16:35 | 0:16:37 | |
The local doctor had this great idea after one or two weeks | 0:16:39 | 0:16:44 | |
to give her an electric shock. | 0:16:44 | 0:16:47 | |
She was put on her front, electrodes were pulled onto her back, | 0:16:47 | 0:16:51 | |
and she said it was like a double-decker bus or something hitting her, | 0:16:51 | 0:16:55 | |
because there was this huge electric volt went through her and bounced up. | 0:16:55 | 0:17:00 | |
This was not an accepted therapy - then or now. | 0:17:00 | 0:17:05 | |
But Dolly's luck came through. | 0:17:05 | 0:17:07 | |
The story goes the shock unlocked her paralysis. | 0:17:07 | 0:17:11 | |
She was told she was never going to walk again. | 0:17:11 | 0:17:13 | |
And would you believe it, | 0:17:13 | 0:17:15 | |
within eight weeks she was back in Ashby-de-la-Zouch going up again. | 0:17:15 | 0:17:20 | |
-She was almost a wonder woman. -Yes, or mad. | 0:17:20 | 0:17:22 | |
Dolly became a national figure - the heroine who saved her friend. | 0:17:24 | 0:17:28 | |
After eight years of jumps, Dolly retired from parachuting. | 0:17:28 | 0:17:32 | |
Though this wasn't an end to her bravery. | 0:17:32 | 0:17:35 | |
In the First World War, Dolly served as a driver and mechanic in France. | 0:17:35 | 0:17:39 | |
And in World War II was an air raid warden in London's Lewisham during the Blitz. | 0:17:39 | 0:17:44 | |
She got to nearly 97. | 0:17:44 | 0:17:46 | |
She died in 1983 in September. | 0:17:46 | 0:17:48 | |
Not before, about a year and a bit earlier, | 0:17:48 | 0:17:51 | |
she had met up with the Red Devils and she went up with them | 0:17:51 | 0:17:55 | |
into the sky, and she said she wished she was young again. | 0:17:55 | 0:17:58 | |
So she was a marvellous woman and we're very proud of her in Ashby. | 0:17:58 | 0:18:02 | |
-So, Ken, in that firm grip of Dolly's. I've enjoyed it. -Good seeing you. | 0:18:02 | 0:18:05 | |
Thanks so much, Ken. | 0:18:05 | 0:18:06 | |
It's been a great day, apart from for the car. | 0:18:06 | 0:18:10 | |
Time for some well-earned rest. Nighty-night, everyone. | 0:18:10 | 0:18:13 | |
It's a brand-new day. And good news, because the car is back up and running. | 0:18:17 | 0:18:20 | |
Margie's taking on the driving duties. | 0:18:20 | 0:18:23 | |
Watch these nettles. Crikey me. | 0:18:23 | 0:18:26 | |
So how did you get on yesterday? | 0:18:26 | 0:18:28 | |
Yesterday was OK, Margie. | 0:18:28 | 0:18:30 | |
I always say, "Never live a with a regret." | 0:18:30 | 0:18:33 | |
Because if you leave that object in that cabinet you never know. | 0:18:33 | 0:18:36 | |
It could be rags to riches. | 0:18:36 | 0:18:38 | |
-Do you think so? -Yes. | 0:18:38 | 0:18:40 | |
Yesterday, Margie was the big spender, splashing £130 on four lots. | 0:18:43 | 0:18:48 | |
An African stool, an engraved stick, | 0:18:48 | 0:18:50 | |
six silver spoons | 0:18:50 | 0:18:52 | |
and a cut glass bowl. | 0:18:52 | 0:18:53 | |
That leaves her with just £70 to spend today. | 0:18:53 | 0:18:56 | |
Charles had a far less fruitful day, | 0:18:59 | 0:19:01 | |
spending only £60 on a bronze charger and a davenport desk. | 0:19:01 | 0:19:06 | |
His pockets are pretty full, with £140 left to spend today. | 0:19:06 | 0:19:11 | |
We're in Warwick this morning, | 0:19:11 | 0:19:13 | |
the most impressive local attraction here is the 1,100-year-old castle. | 0:19:13 | 0:19:19 | |
But, there's no opportunity for sightseeing. | 0:19:19 | 0:19:22 | |
Charles is here to shop. | 0:19:22 | 0:19:24 | |
Drive carefully. See you later. Bye. | 0:19:24 | 0:19:27 | |
Warwick Antique Centre is home to around 25 dealers, | 0:19:31 | 0:19:34 | |
covering a wide range of antiques and collectables. | 0:19:34 | 0:19:37 | |
Charles gets straight on the hunt. | 0:19:37 | 0:19:39 | |
I feel in the mood to really... | 0:19:44 | 0:19:46 | |
Well, find a bargain. | 0:19:46 | 0:19:49 | |
Any opinion on the competition, Charles? | 0:19:49 | 0:19:52 | |
I think Margie is maturer, | 0:19:52 | 0:19:55 | |
-Margie is a lady who has been around longer than me... -Steady, Charles. | 0:19:55 | 0:19:58 | |
But she certainly knows the finer things in life. | 0:19:58 | 0:20:01 | |
I think she'd be a hard act to follow, | 0:20:01 | 0:20:03 | |
so I've got to impress her by not buying, shall we say, | 0:20:03 | 0:20:05 | |
nobly knick-knacks, | 0:20:05 | 0:20:07 | |
but very much buying the finer things for my friend Margie. | 0:20:07 | 0:20:12 | |
Back to the cabinets, Charles. | 0:20:12 | 0:20:14 | |
If only these objects could talk. Oh, wow! | 0:20:15 | 0:20:19 | |
They could be good. A group of three pieces of iron grape shot. | 0:20:19 | 0:20:23 | |
Gosh, they're interesting. | 0:20:23 | 0:20:25 | |
I might just have to get this cabinet open. | 0:20:25 | 0:20:27 | |
Grape shot consisted of small balls wrapped tightly in a canvas bag | 0:20:29 | 0:20:34 | |
and loaded with gunpowder into canon. | 0:20:34 | 0:20:36 | |
The dealer claims these were found in Nottinghamshire | 0:20:36 | 0:20:39 | |
and could have been fired in the battle between Cromwell | 0:20:39 | 0:20:42 | |
and King Charles I. Peter has the keys. | 0:20:42 | 0:20:44 | |
Those English civil war iron grape shots | 0:20:44 | 0:20:48 | |
could be quite expensive, I bet. | 0:20:48 | 0:20:50 | |
£70 the asking price. | 0:20:50 | 0:20:53 | |
-So these would have been fired in the 1640s? -Indeed. | 0:20:53 | 0:20:57 | |
Isn't that wonderful? | 0:20:57 | 0:20:59 | |
And to handle this and to think what damage did they do? | 0:20:59 | 0:21:03 | |
What people did they knock? What buildings were destroyed? | 0:21:03 | 0:21:07 | |
What excites me, Peter, we're going to Nottinghamshire, | 0:21:07 | 0:21:11 | |
I want to obviously shoot Margery down, | 0:21:11 | 0:21:12 | |
and I just would hope that people of Nottinghamshire | 0:21:12 | 0:21:16 | |
might look at these balls and think, | 0:21:16 | 0:21:18 | |
"Goodness me. What great balls of history. | 0:21:18 | 0:21:20 | |
"We ought to really celebrate these and bring them home." | 0:21:20 | 0:21:23 | |
The gentleman's whose cabinet this is | 0:21:23 | 0:21:26 | |
-only deals in authentic antiquities. -Good for him. | 0:21:26 | 0:21:29 | |
Every item is guaranteed and it comes with a certificate. | 0:21:29 | 0:21:33 | |
Sounds promising. | 0:21:33 | 0:21:35 | |
That could be a very good spot, | 0:21:35 | 0:21:37 | |
but is there any wiggle room on the price? | 0:21:37 | 0:21:40 | |
The very best would be 50. | 0:21:41 | 0:21:44 | |
I just think they're balls of fire | 0:21:44 | 0:21:46 | |
and for what they might ignite in terms of Nottinghamshire history, | 0:21:46 | 0:21:49 | |
they could do quite well in a local sale in Nottingham. | 0:21:49 | 0:21:55 | |
Sounds like you've settled on your next buy. | 0:21:55 | 0:21:58 | |
-So your bet is 50? -It is. -Look at me. | 0:22:00 | 0:22:03 | |
Afraid so. | 0:22:03 | 0:22:04 | |
Margie Cooper, you're in that bunker. | 0:22:04 | 0:22:07 | |
-Watch out, I'm coming to get you! -Thank you. -Thanks, Peter. | 0:22:07 | 0:22:11 | |
A piece of local history for £50, that could do very well at auction. | 0:22:11 | 0:22:15 | |
Thank you so much and I shall see how they fire in Nottinghamshire. | 0:22:15 | 0:22:20 | |
Meanwhile, Margie is headed to Baginton | 0:22:25 | 0:22:28 | |
on the outskirts of Coventry... | 0:22:28 | 0:22:30 | |
..not far from the birthplace of a man who changed the course of history, | 0:22:31 | 0:22:37 | |
the way we live and how we travel. | 0:22:37 | 0:22:39 | |
His invention has arguably had the greatest impact on the world | 0:22:39 | 0:22:44 | |
over the past 85 years. | 0:22:44 | 0:22:46 | |
Margie's meeting Midland Air Museum curator Barry. | 0:22:46 | 0:22:50 | |
-How are you? -Welcome. -Shall we go on? -By all means. | 0:22:50 | 0:22:53 | |
Frank Whittle was born in 1907. | 0:22:54 | 0:22:57 | |
As a boy he was fascinated by the new flying machines taking to the sky. | 0:22:57 | 0:23:02 | |
There he is as a young lad with his first model aeroplane. | 0:23:03 | 0:23:06 | |
And basically as a young lad | 0:23:06 | 0:23:08 | |
that's how he got to sort of handle the planes of that period. | 0:23:08 | 0:23:11 | |
And there's an image here as him as a young lad | 0:23:11 | 0:23:14 | |
seeing an aeroplane taking off. | 0:23:14 | 0:23:15 | |
But this is very much his early days | 0:23:15 | 0:23:17 | |
and when he got to sort of be excitable the idea of flying. | 0:23:17 | 0:23:21 | |
Frank's dreams of flying came true when he joined the RAF | 0:23:21 | 0:23:25 | |
and his career soon took off. | 0:23:25 | 0:23:27 | |
-He was a trained pilot. -He was a very well trained pilot. | 0:23:30 | 0:23:33 | |
And in fact, he was renowned for being a little bit...chancy. | 0:23:33 | 0:23:38 | |
-Oh! -He took chances. He was overconfident. -Daredevil. | 0:23:38 | 0:23:42 | |
Frank was a maverick and pushed planes to their limit. | 0:23:44 | 0:23:47 | |
His fighter pilot training taught him that flying higher and faster | 0:23:47 | 0:23:51 | |
gave you the upper hand in dogfights. | 0:23:51 | 0:23:55 | |
Frank knew if he wanted to increase altitude and speed | 0:23:55 | 0:23:57 | |
he needed a new type of thrust, | 0:23:57 | 0:24:00 | |
one better than a propeller attached to a piston engine. | 0:24:00 | 0:24:04 | |
So in 1928, fuelled by wild ambition, | 0:24:04 | 0:24:07 | |
he designed the turbo jet, a revolutionary form of propulsion. | 0:24:07 | 0:24:12 | |
He was coming out with something, a cutting edge of technology. | 0:24:12 | 0:24:16 | |
This was totally in a new field. | 0:24:16 | 0:24:19 | |
And this was something the people of the day | 0:24:19 | 0:24:22 | |
really didn't fully comprehend. | 0:24:22 | 0:24:24 | |
The RAF was unimpressed and rejected his idea. | 0:24:25 | 0:24:29 | |
Undeterred, Frank found funding to make a prototype in his spare time. | 0:24:29 | 0:24:33 | |
This is a Whittle engine. | 0:24:35 | 0:24:37 | |
Comes in at that end, comes through, fuel is put into here, | 0:24:37 | 0:24:41 | |
spark plugs ignite the fuel to give it burning | 0:24:41 | 0:24:44 | |
and then it goes back out that way. | 0:24:44 | 0:24:47 | |
Long before modern health and safety, | 0:24:47 | 0:24:49 | |
Frank and his colleagues ran a series of dangerous tests, | 0:24:49 | 0:24:53 | |
some of which Frank later helped to reconstruct | 0:24:53 | 0:24:56 | |
in this government information film. | 0:24:56 | 0:24:58 | |
MAN SHOUTS | 0:25:03 | 0:25:05 | |
LOUD BANG | 0:25:07 | 0:25:09 | |
He was very brave to stand there while it blew up. | 0:25:11 | 0:25:14 | |
There are other words you could use. | 0:25:14 | 0:25:16 | |
Despite the setbacks | 0:25:19 | 0:25:20 | |
he was determined to get his invention in the air. | 0:25:20 | 0:25:23 | |
A decade later, and as the Nazi threat grew, | 0:25:23 | 0:25:26 | |
the RAF put Frank on special duties to develop his jet engine. | 0:25:26 | 0:25:31 | |
He thought it was a war winner. This would give Britain the edge. | 0:25:31 | 0:25:36 | |
There was a race to get the first fighter into the air | 0:25:36 | 0:25:39 | |
as the Germans were developing their own jet engine. | 0:25:39 | 0:25:42 | |
But by 1944, British jets powered by Frank's engines | 0:25:42 | 0:25:46 | |
were taking to the skies. | 0:25:46 | 0:25:48 | |
This plane in front of us is a Meteor. | 0:25:49 | 0:25:52 | |
This was Britain's first operational jet fighter. | 0:25:52 | 0:25:54 | |
They went into operation in July, 1944 | 0:25:54 | 0:25:57 | |
and they were largely used to take on the doodlebugs, the flying bombs. | 0:25:57 | 0:26:01 | |
Had the authorities listened to young Frank, Allied pilots might have been | 0:26:04 | 0:26:08 | |
flying jets rather than Spitfires sooner | 0:26:08 | 0:26:12 | |
and the Luftwaffe almost certainly would not have picked a fight. | 0:26:12 | 0:26:15 | |
History might have been very different. | 0:26:15 | 0:26:17 | |
These machines were operating at speeds | 0:26:19 | 0:26:22 | |
that were far in excess of anything like the Spitfires of the day. | 0:26:22 | 0:26:24 | |
-Yeah. -So they took you another, 2-300 mile faster. | 0:26:24 | 0:26:28 | |
-Gosh! -Double the speed almost. | 0:26:28 | 0:26:31 | |
When the public heard about the new jet engine, | 0:26:31 | 0:26:34 | |
Frank Whittle became a household name and the skies echoed to a new sound. | 0:26:34 | 0:26:39 | |
There's a Meteor! | 0:26:39 | 0:26:40 | |
Look! | 0:26:41 | 0:26:43 | |
That's a Vampire. | 0:26:45 | 0:26:47 | |
After the war, Britain led the way in jet propulsion. | 0:26:50 | 0:26:55 | |
Frank's invention revolutionised travel, | 0:26:55 | 0:26:58 | |
commercial jet liners permitted further, | 0:26:58 | 0:27:00 | |
faster more comfortable journeys. | 0:27:00 | 0:27:03 | |
Frank Whittle could have been a rich man, | 0:27:04 | 0:27:06 | |
but he was not motivated by money. | 0:27:06 | 0:27:08 | |
He was, however, recognised with a knighthood in 1948, | 0:27:08 | 0:27:12 | |
the year he retired from the RAF. | 0:27:12 | 0:27:15 | |
We are all beneficiaries of this modest, | 0:27:15 | 0:27:18 | |
British boffin who shrank the globe. | 0:27:18 | 0:27:20 | |
A genius responsible for a remarkable achievement. | 0:27:20 | 0:27:24 | |
Frank Whittle died in 1996. | 0:27:24 | 0:27:27 | |
The next stop for both experts is in Staffordshire | 0:27:36 | 0:27:39 | |
and the city of Lichfield. | 0:27:39 | 0:27:41 | |
Margie's a few miles behind, | 0:27:42 | 0:27:44 | |
so Charles will get the first picks at Lichfield Antiques Centre. | 0:27:44 | 0:27:48 | |
A Leslie Harradine. Beautiful figure. Royal Doulton. But 790. | 0:27:48 | 0:27:53 | |
Oh, that's gorgeous! | 0:27:53 | 0:27:55 | |
William Moorcroft. Pomegranate pattern vase. | 0:27:55 | 0:27:58 | |
550. | 0:27:58 | 0:28:00 | |
I've only got about £90 to spend, so very much think big, but think... | 0:28:01 | 0:28:07 | |
-Small? -Cheap. More barato, in Spanish. | 0:28:07 | 0:28:10 | |
Come on, Charles. Put your back into it, lad. | 0:28:14 | 0:28:17 | |
I've only got £90, haven't I? | 0:28:20 | 0:28:23 | |
You have, | 0:28:25 | 0:28:26 | |
but maybe your local knowledge will get you out of this hole. | 0:28:26 | 0:28:30 | |
CHUCKLING | 0:28:30 | 0:28:32 | |
-Oh! Look who's here! -Have you had a good day? | 0:28:32 | 0:28:35 | |
Not bad. | 0:28:36 | 0:28:37 | |
I'm going to get in. One more thing to buy. | 0:28:37 | 0:28:39 | |
-Over there, OK? -Yeah, OK. | 0:28:39 | 0:28:41 | |
-See you later. Good luck. -Bye. | 0:28:41 | 0:28:43 | |
I wonder where he's off to. | 0:28:43 | 0:28:45 | |
Maybe Margie will have better luck here with her remaining £70, | 0:28:45 | 0:28:49 | |
but the clock is ticking. | 0:28:49 | 0:28:51 | |
3:40pm now and I need to be buying something. | 0:28:51 | 0:28:56 | |
I don't really want to buy any silver. | 0:28:59 | 0:29:01 | |
Brand-new. | 0:29:05 | 0:29:08 | |
Leave that there. | 0:29:08 | 0:29:10 | |
Not finding anything at the moment. | 0:29:10 | 0:29:13 | |
Margie's now realised why Charles was headed in the other direction. | 0:29:13 | 0:29:16 | |
We're suppose to be in this shop together. | 0:29:16 | 0:29:19 | |
He's been in and he's disappeared. I think he's up to no good. | 0:29:19 | 0:29:24 | |
I really do. | 0:29:24 | 0:29:26 | |
You're right to be a little suspicious, my girl. | 0:29:26 | 0:29:29 | |
Charles, on his home patch, knows of another shop a short walk away. | 0:29:33 | 0:29:37 | |
James A Jordon Antiques. | 0:29:37 | 0:29:39 | |
Jim specialises in watches and clocks, | 0:29:39 | 0:29:41 | |
but Charles may well find a few things here for auction. | 0:29:41 | 0:29:45 | |
I like your teapot, Jim, in the window. | 0:29:49 | 0:29:53 | |
-Yes. -The cockerel. | 0:29:53 | 0:29:54 | |
-Mm-hm. -May I pick it up, Jim? -Of course you can. | 0:29:54 | 0:29:57 | |
Are you a man for tea? | 0:29:57 | 0:30:00 | |
-I am. -Isn't that a fine cockerel? | 0:30:00 | 0:30:03 | |
If you want that happy, good morning wake up call, | 0:30:03 | 0:30:06 | |
why not have a cockerel teapot? | 0:30:06 | 0:30:09 | |
And a real cup of tea. | 0:30:09 | 0:30:11 | |
And a real blend of the finest tea mixed up in this rooster teapot. | 0:30:11 | 0:30:18 | |
There's no maker's mark, but this pot dates to the 1930s. | 0:30:18 | 0:30:23 | |
It's priced at £45. | 0:30:23 | 0:30:25 | |
For a good Art Deco rooster teapot with a cover, Jim. | 0:30:25 | 0:30:29 | |
What's the best price on that? | 0:30:29 | 0:30:31 | |
-How does £25 sound? -That's a good discount, from 45. Wow! | 0:30:32 | 0:30:37 | |
-I'll give it some thought. -Right. Pleasure. -I'll put him back. | 0:30:37 | 0:30:41 | |
Great discount. Is that home advantage paying off? | 0:30:41 | 0:30:45 | |
I think Margie thinks I know everybody, which I might do, | 0:30:45 | 0:30:49 | |
but at the same time that doesn't mean I'm going to get discounts. | 0:30:49 | 0:30:53 | |
And I always say, with Margie's charm, Margie's swagger | 0:30:53 | 0:30:57 | |
and smile, she's got one up on me. | 0:30:57 | 0:31:00 | |
Back with Margie, and with a bit of luck, | 0:31:02 | 0:31:06 | |
dealer Madeline has had an idea. | 0:31:06 | 0:31:08 | |
-There's that one there. -Oh, yeah! | 0:31:08 | 0:31:10 | |
How creative is this? | 0:31:12 | 0:31:14 | |
Quite nice, that. That's nice. | 0:31:14 | 0:31:18 | |
And it says, Skinner and Rook. | 0:31:19 | 0:31:22 | |
Wine merchants. Nottingham. | 0:31:24 | 0:31:26 | |
For around 100 years, | 0:31:26 | 0:31:28 | |
Skinner and Rook wine merchants were a big business in Nottingham. | 0:31:28 | 0:31:31 | |
Closing in the 1950s. | 0:31:31 | 0:31:33 | |
The auction's taking place in Nottingham, | 0:31:33 | 0:31:35 | |
so Margie might be on to something here. | 0:31:35 | 0:31:37 | |
It's funny, isn't it? | 0:31:39 | 0:31:40 | |
The fact it's Nottingham makes it really good. Yeah, I like that. | 0:31:40 | 0:31:44 | |
Madeline has priced the crate at £28. Wow! | 0:31:44 | 0:31:48 | |
Could that be 15 quid? | 0:31:48 | 0:31:50 | |
-Go on, Margie. -Thank you very much. | 0:31:51 | 0:31:54 | |
Well, that's Margie's fifth and final lot for auction. | 0:31:55 | 0:31:59 | |
-Bye. -Bye. | 0:31:59 | 0:32:00 | |
Just around the corner, Charles has struck lucky. | 0:32:05 | 0:32:08 | |
Dealer Jim's found some old pocket watches. | 0:32:08 | 0:32:10 | |
Oh, great, Jim! | 0:32:10 | 0:32:13 | |
I don't know if there's anything there... | 0:32:13 | 0:32:15 | |
-Wow, Jim! -..that interests you. | 0:32:15 | 0:32:18 | |
Amazing! | 0:32:18 | 0:32:20 | |
Jim has three late 19th century pocket watches. | 0:32:20 | 0:32:23 | |
This nice silver pocket watch, probably around 1900. | 0:32:23 | 0:32:28 | |
It's tired, but you've got the intrinsic worth of the silver. | 0:32:28 | 0:32:31 | |
And this one here, Jim? | 0:32:31 | 0:32:33 | |
-That's a Victorian... -Is that continental? -It is. | 0:32:33 | 0:32:37 | |
They're pretty, aren't they? | 0:32:37 | 0:32:39 | |
-And that's a sign with the top one. -Oh, that's nice. | 0:32:39 | 0:32:43 | |
-That must be what? 1900 again? -1900. 1890, 1900. | 0:32:43 | 0:32:47 | |
What could that job lot be in terms of price? | 0:32:47 | 0:32:51 | |
Make a tenner a piece. 30. | 0:32:51 | 0:32:53 | |
I'll be a fool to say no. Jim, I'll take them. | 0:32:53 | 0:32:57 | |
-Sold. -Thanks so much. Tick-tock. Thanks. -Charles isn't finished yet. | 0:32:57 | 0:33:01 | |
Jim, I'm back again. | 0:33:01 | 0:33:03 | |
-Right. -With the teapot. | 0:33:03 | 0:33:05 | |
-It's humorous, isn't it? -It is. | 0:33:05 | 0:33:08 | |
What would be your very best on the pot to an old mate? | 0:33:08 | 0:33:12 | |
You give me £20. | 0:33:12 | 0:33:14 | |
Going, going... | 0:33:14 | 0:33:17 | |
-gone. Thanks, Jim. -Pleasure. -I'll take those two lots. | 0:33:17 | 0:33:21 | |
Those two final lots add to Charles' booty. | 0:33:22 | 0:33:25 | |
Including a bronze charger, a Victorian davenport | 0:33:27 | 0:33:30 | |
and three pieces of civil war grape shot. | 0:33:30 | 0:33:33 | |
All that lot came to £160. | 0:33:33 | 0:33:36 | |
Margie parted with £145 for an African stool, a hardwood stick, | 0:33:38 | 0:33:44 | |
six silver dessert spoons, a cut glass bowl and a wine crate. | 0:33:44 | 0:33:48 | |
So what do they make of each other's buys? | 0:33:49 | 0:33:53 | |
Margie's objects are quite exotic. | 0:33:53 | 0:33:55 | |
I really like the headrest. | 0:33:55 | 0:33:57 | |
I like the tribal stick as well, that was a really good buy. | 0:33:57 | 0:34:02 | |
Charles Hanson, bless him, he's never straightforward. | 0:34:02 | 0:34:04 | |
He looks, he digs deep, he looks for the interesting. | 0:34:04 | 0:34:08 | |
Then there's some grape shot. | 0:34:08 | 0:34:11 | |
£50 he's paid for somebody who wants to have three lumps of iron. | 0:34:11 | 0:34:15 | |
Interesting, though. Interesting. | 0:34:15 | 0:34:17 | |
I think it really is game on and I think this first Road Trip auction | 0:34:17 | 0:34:23 | |
could be Cooper - 1, Hanson - 0. | 0:34:23 | 0:34:26 | |
After setting off from Melton Mowbray | 0:34:30 | 0:34:32 | |
our experts are now heading for auction in the city of Nottingham. | 0:34:32 | 0:34:36 | |
It's a good job I've got this roll bar to hang onto. | 0:34:36 | 0:34:40 | |
Margie, hold tight. It could be a ropey ride today in this auction. | 0:34:40 | 0:34:43 | |
I think you'll fly high today. | 0:34:43 | 0:34:45 | |
What excites me is the auctioneer thinks those are 18th century. | 0:34:45 | 0:34:48 | |
But they're not. | 0:34:48 | 0:34:50 | |
-They could be. -I don't think they are. | 0:34:50 | 0:34:52 | |
Yeah, but believe. Half the battle is belief. | 0:34:52 | 0:34:56 | |
Business is brisk at Arthur Johnson and Sons, | 0:34:56 | 0:34:59 | |
with six saleroom auctions taking place today. | 0:34:59 | 0:35:02 | |
What an atmosphere, Margie. What a crowd. | 0:35:02 | 0:35:04 | |
-I have got to try and get out of here. -There we go. | 0:35:04 | 0:35:08 | |
Come on. Here we go. | 0:35:09 | 0:35:11 | |
Morning. | 0:35:13 | 0:35:14 | |
What does auctioneer Phil Poyser make of our lots? | 0:35:14 | 0:35:17 | |
It's a mixed bunch of lots. The musket balls is an interesting lot. | 0:35:20 | 0:35:28 | |
I'm hoping for a bit of interest from a lot of local private buyers. | 0:35:28 | 0:35:32 | |
I like the dessert spoons, they're my favourite lot. | 0:35:32 | 0:35:35 | |
Nice Dutch silver, good maker, Johan van Kempen. | 0:35:35 | 0:35:39 | |
I'd estimate them at 80 to 120. | 0:35:39 | 0:35:41 | |
Sounds promising for Margie. | 0:35:41 | 0:35:43 | |
Come on, chaps, take your seats. | 0:35:43 | 0:35:46 | |
Here we are. Wow! | 0:35:46 | 0:35:47 | |
-Are you ready? -Yeah, I'm ready. | 0:35:47 | 0:35:50 | |
Hold tight. This is going to be an exciting one. | 0:35:50 | 0:35:53 | |
First up, Charles teapot. | 0:35:55 | 0:35:56 | |
Hope it won't go cheap, cheap, cheap. | 0:35:58 | 0:36:00 | |
It will go cock-a-doodle-doo! | 0:36:00 | 0:36:02 | |
An ideal breakfast teapot. | 0:36:03 | 0:36:05 | |
Absolutely. Sorry! | 0:36:05 | 0:36:08 | |
£20. 20 I've got. | 0:36:10 | 0:36:13 | |
-5. 30. 5. 40. -Thank you. | 0:36:13 | 0:36:17 | |
Are you sure? I'll take 42. | 0:36:17 | 0:36:19 | |
-One more. -42. -Thank you. -45. | 0:36:19 | 0:36:23 | |
I'm selling at £45. | 0:36:23 | 0:36:25 | |
That's a good start. | 0:36:25 | 0:36:26 | |
-You've got ants in your pants. -I twitch. I get nervous. | 0:36:26 | 0:36:30 | |
No need for nerves, Charlie. | 0:36:30 | 0:36:32 | |
That rooster has pocketed you a decent profit. | 0:36:32 | 0:36:34 | |
Next up, Margie's large cut glass bowl. | 0:36:36 | 0:36:39 | |
I've got two commission bids here. The lowest is 30. I'm going 35. | 0:36:39 | 0:36:43 | |
£35 bid. 40. 5. | 0:36:43 | 0:36:45 | |
-45 bid. 50. 55. 60. -Go on. | 0:36:45 | 0:36:49 | |
65. Lady at the back at 65. 70. | 0:36:49 | 0:36:53 | |
-5. 75 bid. -This is getting annoying now. | 0:36:53 | 0:36:57 | |
80 online. | 0:36:57 | 0:36:59 | |
-That's amazing. -85. 90. Being sold, done at 90. | 0:36:59 | 0:37:05 | |
Well, you have surprised me. | 0:37:05 | 0:37:09 | |
Well done, Margie. | 0:37:09 | 0:37:11 | |
Racing ahead. | 0:37:11 | 0:37:12 | |
You are. A great return on an item bought for £20. | 0:37:12 | 0:37:16 | |
Next is Charles' bronze charger, or is it an electrotype? | 0:37:16 | 0:37:21 | |
-£40. 20. -Oh, no! | 0:37:21 | 0:37:24 | |
-I really hate this. -I've got 12 only bid with me. At 12. £12 bid. | 0:37:24 | 0:37:28 | |
15. 18. 20. I'm selling at £20. | 0:37:28 | 0:37:34 | |
I really hate that. | 0:37:34 | 0:37:36 | |
I like his style. | 0:37:36 | 0:37:38 | |
Bad luck. First loss of the day, but there's still time to make it up. | 0:37:38 | 0:37:43 | |
Margie's African stool is next. | 0:37:43 | 0:37:46 | |
-Help yourselves here. At £20. 5. 30. 5. 40. -Going to run. | 0:37:46 | 0:37:52 | |
5. 50. 5? 55. On the back wall at 55. | 0:37:52 | 0:37:57 | |
-You're joking. -Done at £55? | 0:37:57 | 0:37:59 | |
No, 60. | 0:37:59 | 0:38:02 | |
Bad luck. It's only a small loss, Margie. | 0:38:02 | 0:38:06 | |
Time now for Charles' pocket watches. | 0:38:06 | 0:38:08 | |
£30 to start. Bid. 30 I've got. | 0:38:08 | 0:38:11 | |
-Come on. -35. 40. In the room at 40. | 0:38:11 | 0:38:14 | |
5. 45 bid. In France at 45. | 0:38:14 | 0:38:16 | |
In France! | 0:38:16 | 0:38:18 | |
-It's a French bid on the internet. -Come on, France. | 0:38:18 | 0:38:21 | |
Online at 50. The three together go at £50. | 0:38:21 | 0:38:24 | |
That's a small profit. | 0:38:24 | 0:38:26 | |
Well done. | 0:38:26 | 0:38:28 | |
Sparking global interest too, Charles. | 0:38:28 | 0:38:32 | |
Margie hoped the Nottingham link would attract some bids. Let's see. | 0:38:32 | 0:38:36 | |
10 I've got. At 10. 12. 15 with me now. | 0:38:36 | 0:38:39 | |
18. 20. 5. 25. It's the lady at the back at 25. | 0:38:39 | 0:38:44 | |
-A bit more. -It goes at 25. | 0:38:44 | 0:38:48 | |
A good profit for Margie. | 0:38:49 | 0:38:51 | |
Charles is still on catch up. Can his davenport turn a profit? | 0:38:52 | 0:38:56 | |
£100 to start me. | 0:38:56 | 0:38:58 | |
£50. Come one. | 0:38:58 | 0:39:01 | |
Well, I've got various commission bids, | 0:39:01 | 0:39:03 | |
-so I can start the bidding at 35. -There you go. | 0:39:03 | 0:39:06 | |
At 35. 40. 5. 50. 50 in the room. | 0:39:06 | 0:39:11 | |
It's on the back wall at 50. | 0:39:11 | 0:39:13 | |
-I'm selling... 5. 55. -Yes! | 0:39:13 | 0:39:17 | |
60. 60 still in the room. | 0:39:17 | 0:39:18 | |
Is there a fire? | 0:39:18 | 0:39:20 | |
65 online. 70 in the room. | 0:39:20 | 0:39:23 | |
Being sold at £70. | 0:39:23 | 0:39:26 | |
Done at 70. | 0:39:26 | 0:39:27 | |
-I'm over the moon. -Doubled your money. -Thanks, partner. | 0:39:27 | 0:39:31 | |
Well done, Charles. | 0:39:31 | 0:39:33 | |
Margie's carved hardwood stick is up next. | 0:39:33 | 0:39:35 | |
-10. Front row at -10. Oh, no! | 0:39:35 | 0:39:39 | |
At 10. Help yourselves here. | 0:39:39 | 0:39:42 | |
12. 15. 18. | 0:39:42 | 0:39:44 | |
18 bid right at the back. | 0:39:44 | 0:39:46 | |
I'll take 20. At £18. | 0:39:46 | 0:39:49 | |
I'm selling. It goes. Done at £18. | 0:39:49 | 0:39:52 | |
Profit. Put it there, partner. | 0:39:53 | 0:39:56 | |
No, I'm miffed. I'm not doing it. | 0:39:57 | 0:40:00 | |
Chin up, Margie. You nearly doubled your money there. | 0:40:00 | 0:40:03 | |
And your silver dessert spoons are coming up. | 0:40:03 | 0:40:06 | |
My finale coming up. My Dutch spoons. | 0:40:06 | 0:40:10 | |
They look gorgeous. Absolutely gorgeous. | 0:40:10 | 0:40:12 | |
-I've got 60 bid. 60 online. -Wow! | 0:40:14 | 0:40:17 | |
-At 60. -Well done. | 0:40:17 | 0:40:20 | |
-Put the hand down. -Fantastic. Put it there. -No! | 0:40:20 | 0:40:24 | |
Put your hand down. | 0:40:24 | 0:40:25 | |
-70. -There you go. Put your hand down. | 0:40:25 | 0:40:28 | |
At £70. | 0:40:28 | 0:40:29 | |
I'm selling on commission at £70. | 0:40:29 | 0:40:33 | |
-Wonderful. -Oh! | 0:40:33 | 0:40:35 | |
They made £70 and another great profit for Margie. | 0:40:35 | 0:40:38 | |
The final lot for our pair now. Charles' grape shot. | 0:40:40 | 0:40:44 | |
Will there be a whiff of interest? | 0:40:44 | 0:40:46 | |
They don't present very well, do they? | 0:40:46 | 0:40:48 | |
Margie, these are important balls. | 0:40:48 | 0:40:51 | |
These hopefully today will become balls of fire | 0:40:51 | 0:40:54 | |
in a frenzied competition ignites | 0:40:54 | 0:40:57 | |
like they did 400 years ago. | 0:40:57 | 0:40:59 | |
This will be very interesting. | 0:40:59 | 0:41:01 | |
I've got two commission bids. | 0:41:01 | 0:41:02 | |
-20 is only bid. -No! | 0:41:02 | 0:41:04 | |
5. 30. 5. 40. 40 bid with me. | 0:41:04 | 0:41:10 | |
-5. 50. 5. 60. -It's history. | 0:41:10 | 0:41:13 | |
60 bid. | 0:41:13 | 0:41:15 | |
-5. 70. 5. 80. -Come on. | 0:41:15 | 0:41:20 | |
5. 90. 5. 100. | 0:41:20 | 0:41:23 | |
110. 120. It's all online now. | 0:41:23 | 0:41:26 | |
-130. 140. 150. -This is history. | 0:41:26 | 0:41:30 | |
160. 170. 180. 190. | 0:41:30 | 0:41:33 | |
-200. 210. -Crickey! | 0:41:33 | 0:41:35 | |
-220. 230. -Oh, my goodness! | 0:41:35 | 0:41:38 | |
-240. -Wonderful! -250. -History! | 0:41:38 | 0:41:40 | |
-250 bid. -Oh! | 0:41:41 | 0:41:43 | |
At 250. £250 bid online. At 250. | 0:41:43 | 0:41:47 | |
Anybody else? | 0:41:47 | 0:41:48 | |
Being sold at 250. | 0:41:50 | 0:41:52 | |
Thank you very much. | 0:41:53 | 0:41:55 | |
Here we are in Nottinghamshire, and that's history. | 0:41:57 | 0:42:00 | |
Well done, Charles. What an amazing profit. | 0:42:00 | 0:42:02 | |
What a great way to end the first auction of this week's Road Trip. | 0:42:02 | 0:42:06 | |
We're going. Come on. Thank you, auctioneer. | 0:42:06 | 0:42:10 | |
Margie started out with £200. | 0:42:10 | 0:42:12 | |
After paying auction house costs she's made a respectable profit of | 0:42:12 | 0:42:17 | |
£66.56, leaving her with £266.56 to spend next time. | 0:42:17 | 0:42:24 | |
Charles also started with £200. | 0:42:26 | 0:42:28 | |
After fees were paid he made a remarkable profit of £196.70. | 0:42:28 | 0:42:35 | |
So he's the winner today and takes forward £396.70 for the next leg. | 0:42:35 | 0:42:41 | |
All I can say, musket balls. | 0:42:43 | 0:42:46 | |
Absolutely. Let's roll, OK? | 0:42:46 | 0:42:51 | |
See you. Bye. Give 'em a wave, Margie. | 0:42:51 | 0:42:53 | |
The handbrake's on! | 0:42:53 | 0:42:55 | |
-Bye! -Cheerio, chaps. | 0:42:58 | 0:43:00 | |
Next time, our experts continue their epic road trip. | 0:43:02 | 0:43:06 | |
You are classy. | 0:43:06 | 0:43:07 | |
While Charles tries to shoe in some deals... | 0:43:07 | 0:43:11 | |
They suit me or not? Not really, do they? | 0:43:11 | 0:43:13 | |
..our Margie just gets blown away. | 0:43:13 | 0:43:15 | |
Oh! | 0:43:15 | 0:43:16 | |
SHE LAUGHS | 0:43:16 | 0:43:18 |