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It's the nation's favourite antique experts... | 0:00:02 | 0:00:04 | |
-This is beautiful! -That's the way to do this. | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal - | 0:00:06 | 0:00:09 | |
to scour for antiques. | 0:00:09 | 0:00:12 | |
Joy! Hello! | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it is no mean feat. | 0:00:16 | 0:00:17 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
The handbrake's on! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Welcome to day two with Margie Cooper and Charles Hansen. | 0:00:37 | 0:00:40 | |
Look at me. | 0:00:42 | 0:00:43 | |
You are classy. | 0:00:43 | 0:00:44 | |
The racy two-seater is a 1959 Elva Courier believed to be | 0:00:47 | 0:00:51 | |
the only one of its kind on British roads. | 0:00:51 | 0:00:54 | |
-We haven't changed gears for the last five minutes. -It's in top gear. | 0:00:54 | 0:00:57 | |
-Are you in top gear? -Top gear. You are not back-seat driving, are you? | 0:00:57 | 0:01:01 | |
No, I'm not. | 0:01:01 | 0:01:02 | |
Sounds like it. | 0:01:02 | 0:01:03 | |
100. | 0:01:03 | 0:01:04 | |
The last auction was a rip-roaring success with both experts | 0:01:04 | 0:01:08 | |
making a profit. But Charles was the big winner. | 0:01:08 | 0:01:10 | |
-240. -Anybody else? Wonderful! | 0:01:10 | 0:01:13 | |
-Thank you very much. Thank you. -Oh, my God! -Thank you. | 0:01:13 | 0:01:17 | |
This is a new day, Margie. | 0:01:17 | 0:01:18 | |
The sun's shortly without his hat on. | 0:01:18 | 0:01:21 | |
Well, let's hope the sun shines on Margie because although our | 0:01:21 | 0:01:26 | |
experts each started with £200, she has some catching up to do. | 0:01:26 | 0:01:30 | |
She currently has £266.56 to spend. | 0:01:30 | 0:01:35 | |
Charles, meanwhile, is in the lead with £396.70. | 0:01:35 | 0:01:41 | |
I look at you, and you just are glamorous. | 0:01:42 | 0:01:45 | |
You know, just go Hollywood on me. | 0:01:45 | 0:01:47 | |
Just spend it, Margie. You know, it's only money. | 0:01:47 | 0:01:50 | |
These two are on one epic road trip. | 0:01:53 | 0:01:56 | |
Starting in the Leicestershire town of Melton Mowbray, | 0:01:56 | 0:01:59 | |
they're weaving their way across six counties before finishing | 0:01:59 | 0:02:03 | |
their week near where they started, in Leicester. | 0:02:03 | 0:02:06 | |
This leg starts off in Newark-on-Trent in Nottinghamshire | 0:02:07 | 0:02:10 | |
and ends with an auction in Lancashire's Bolton. | 0:02:10 | 0:02:13 | |
The first stop for both our experts is Newark-on-Trent. | 0:02:18 | 0:02:21 | |
The castle here was a Royalist stronghold during the 17th-century | 0:02:21 | 0:02:25 | |
Civil War, withstanding three sieges by Cromwell's Parliamentarian rebels. | 0:02:25 | 0:02:30 | |
The first shop of this trip is a shared experience, so stand by. | 0:02:33 | 0:02:37 | |
-It is huge. -It is, isn't it? | 0:02:38 | 0:02:40 | |
It certainly is. | 0:02:40 | 0:02:42 | |
Good luck! | 0:02:42 | 0:02:44 | |
Margie, remember, think of England. | 0:02:44 | 0:02:46 | |
Oh, my word! | 0:02:47 | 0:02:49 | |
-Sorry. -Careful. | 0:02:53 | 0:02:55 | |
Just trying to find something that's...a bit quirky, really. | 0:02:55 | 0:02:58 | |
Hey there! | 0:03:01 | 0:03:03 | |
Crikey. | 0:03:03 | 0:03:04 | |
SHE EXHALES LOUDLY | 0:03:05 | 0:03:07 | |
That is a sweet little chair, that, isn't it? | 0:03:10 | 0:03:12 | |
Look at that little baby. | 0:03:13 | 0:03:15 | |
You generally see them in slightly larger... | 0:03:15 | 0:03:18 | |
in a Victorian drawing room suite, where you'd have a two-seater, | 0:03:18 | 0:03:22 | |
you'd have the much bigger chairs like that. | 0:03:22 | 0:03:25 | |
But this is a typical design of the mid-Victorian era. | 0:03:25 | 0:03:28 | |
And quite usually... | 0:03:28 | 0:03:31 | |
I think it's in walnut. | 0:03:31 | 0:03:32 | |
I kind of like that. | 0:03:34 | 0:03:36 | |
This Victorian nursing chair is priced at £115. Wow. | 0:03:37 | 0:03:42 | |
That is such a nice little chair. It's perfect. | 0:03:42 | 0:03:45 | |
HE HUMS | 0:03:45 | 0:03:47 | |
Oh, Charles is humming. Is that a good sign? | 0:03:47 | 0:03:51 | |
What I quite like... There's a wonderful, | 0:03:51 | 0:03:54 | |
rusty old World War I | 0:03:54 | 0:03:57 | |
German water bottle. | 0:03:57 | 0:04:00 | |
It has clearly been buried for some time. | 0:04:00 | 0:04:04 | |
And although we might think today militaria collectors | 0:04:04 | 0:04:08 | |
need things in tiptop condition, when the object is wounded, | 0:04:08 | 0:04:12 | |
it is an object which we never forget about | 0:04:12 | 0:04:15 | |
because of what that bottle would have been part of. | 0:04:15 | 0:04:20 | |
Priced at ten pounds, is it worth a closer look? | 0:04:20 | 0:04:23 | |
As Charles seeks out the keys for the cabinet, | 0:04:24 | 0:04:27 | |
Margie has tracked down dealer Jill. | 0:04:27 | 0:04:29 | |
That furniture up there, is that your...? | 0:04:29 | 0:04:32 | |
-Right at the far end? -Right at the far end. | 0:04:32 | 0:04:34 | |
I've just seen this sweet little chair up there. | 0:04:34 | 0:04:36 | |
It has got 115 on it. It needs to really topple down. | 0:04:36 | 0:04:40 | |
What... Where are we? | 0:04:40 | 0:04:42 | |
-Let's have a start... Let's have a starting point. -Oh, gosh. | 0:04:42 | 0:04:47 | |
Well, I was thinking when I saw it - 68. | 0:04:47 | 0:04:51 | |
-70 and I'll take the... -Oh, go on. | 0:04:51 | 0:04:53 | |
-OK? -Yeah, thanks a lot. -OK. | 0:04:55 | 0:04:57 | |
Generous, Jill. | 0:04:58 | 0:04:59 | |
£55 knocked off the Victorian nursing chair seals the first deal | 0:04:59 | 0:05:03 | |
of this leg of the trip. | 0:05:03 | 0:05:06 | |
-Thank you very much. Pop back and see us again. -Yeah! -Good. -Will do. | 0:05:06 | 0:05:09 | |
-Thank you. -Bye. -Bye-bye. | 0:05:09 | 0:05:11 | |
Earlier, Charles spotted a First World War German water bottle, | 0:05:12 | 0:05:16 | |
exhumed, apparently, from the Somme. | 0:05:16 | 0:05:18 | |
Dealer Wendy is on hand. | 0:05:18 | 0:05:20 | |
Wow. | 0:05:24 | 0:05:25 | |
We've even got a bullet hole here. | 0:05:25 | 0:05:28 | |
So when the World War I German water bottle.... | 0:05:28 | 0:05:31 | |
It is tin, basically, that has nearly severely corroded, | 0:05:31 | 0:05:35 | |
having been in the ground. | 0:05:35 | 0:05:37 | |
And to have unearthed this with this story takes my breath away. | 0:05:37 | 0:05:42 | |
But what is its provenance? | 0:05:42 | 0:05:44 | |
This bottle is a unique item, but it will only appeal to collectors | 0:05:45 | 0:05:49 | |
if its origin can be verified. | 0:05:49 | 0:05:51 | |
Wendy is only holding the keys for another dealer, | 0:05:51 | 0:05:54 | |
so while Charles heads off to make a phone call... | 0:05:54 | 0:05:57 | |
Hello, sir. | 0:05:57 | 0:05:59 | |
..Margie has found a hidden corner of the shop...and Roger. | 0:05:59 | 0:06:03 | |
-See, you're tucked away, I nearly missed you. -We have so much. | 0:06:06 | 0:06:09 | |
-All you have to do is say what you are looking for. -Right. | 0:06:09 | 0:06:12 | |
Well, I was looking for silver bits of jewellery. | 0:06:12 | 0:06:14 | |
-I'm not looking for badges. -We have got some little bits over there. | 0:06:14 | 0:06:17 | |
You got any suggestions? | 0:06:17 | 0:06:19 | |
-There is a lovely little brooch there. -Very stylish, isn't it? | 0:06:19 | 0:06:23 | |
Very Deco-looking, although it is quite modern. | 0:06:23 | 0:06:26 | |
-Nine carat gold hallmark? -It is hallmarked. | 0:06:26 | 0:06:28 | |
But it is such a small mark, I need a really powerful magnifier. | 0:06:28 | 0:06:32 | |
I always carry this with me. | 0:06:32 | 0:06:34 | |
Good luck with it. The mark is on the edge. | 0:06:34 | 0:06:37 | |
I can see 375 and I can see, you know... | 0:06:37 | 0:06:40 | |
And it says £35. | 0:06:40 | 0:06:43 | |
30 to you. | 0:06:43 | 0:06:45 | |
-That's a gift. -And I'm going to shake your hand at £30. -OK. | 0:06:45 | 0:06:49 | |
Thank you very much. Thank you very much. | 0:06:49 | 0:06:51 | |
A nice nine carat gold brooch at £30? | 0:06:51 | 0:06:55 | |
-Thank you once again. -Wish me luck. -Good luck. | 0:06:59 | 0:07:02 | |
Two items in the first shop for Margie. | 0:07:02 | 0:07:05 | |
Charles is still to get off the mark. How about that water bottle, Carlos? | 0:07:07 | 0:07:11 | |
After we see polished medals and we see the finished item, | 0:07:11 | 0:07:15 | |
but to see objects which of course were left abandoned really | 0:07:15 | 0:07:18 | |
brings us into a certain time check. | 0:07:18 | 0:07:22 | |
It's not so much on price, I think you can't buy history, | 0:07:22 | 0:07:25 | |
but you can with that bottle. | 0:07:25 | 0:07:27 | |
I'll shake Wendy's hand now. Ten pounds. | 0:07:27 | 0:07:29 | |
-'You enjoy it.' -We will enjoy what it represents. Thanks awfully, sir. | 0:07:29 | 0:07:34 | |
Bye-bye. | 0:07:34 | 0:07:35 | |
Wow, so he was a teacher and he was on the Somme 20 or | 0:07:35 | 0:07:39 | |
so years ago as a teacher and it was literally just uncovered | 0:07:39 | 0:07:43 | |
and was sold to him for a sum of money. | 0:07:43 | 0:07:45 | |
It was his teaching aid at school, | 0:07:45 | 0:07:47 | |
when he used to teach our youngsters all about the Great War. | 0:07:47 | 0:07:50 | |
It's amazing it survived THAT! | 0:07:50 | 0:07:52 | |
Absolutely. And that is real history, isn't it? | 0:07:52 | 0:07:55 | |
It can't be proven, but at least it gives SOME provenance. | 0:07:55 | 0:07:58 | |
I take £20 out. There, give that to you. | 0:07:58 | 0:08:01 | |
-Thank you. All the best to you. Thanks, Wendy. Bye-bye. -Thank you. | 0:08:01 | 0:08:04 | |
-Bye-bye. -See you. Bye! | 0:08:04 | 0:08:06 | |
Margie is taking a break from shopping to head to Laxton, | 0:08:11 | 0:08:14 | |
in Nottinghamshire. | 0:08:14 | 0:08:15 | |
She is visiting a centre set up to educate children about the glimmer | 0:08:17 | 0:08:21 | |
of light that shone during one of the darkest periods in history. | 0:08:21 | 0:08:25 | |
The guide for the afternoon is centre Chief Executive Phil Lyons. | 0:08:27 | 0:08:31 | |
-Ah. -Margie, hi. -Hello, Phil. -Welcome. -Thank you. | 0:08:33 | 0:08:36 | |
Welcome to Beth Shalom, house of peace. | 0:08:36 | 0:08:39 | |
-Come on in. -Thank you. | 0:08:39 | 0:08:41 | |
Margie has come to hear how thousands of lives were saved from the Nazis | 0:08:41 | 0:08:46 | |
by the children's transport known as Kindertransport in German. | 0:08:46 | 0:08:51 | |
So, tell me the story of Kindertransport. | 0:08:51 | 0:08:54 | |
Well, the story has a very, very complex background to it. | 0:08:54 | 0:08:59 | |
It starts in the mid-'30s in Germany when Hitler came to power. | 0:08:59 | 0:09:04 | |
And part of his programme was to remove, as best he could, | 0:09:04 | 0:09:09 | |
the Jews from the German population. | 0:09:09 | 0:09:11 | |
Simple as that. | 0:09:11 | 0:09:13 | |
In the mid-'30s, anti-Semitism was on the rise in Europe. | 0:09:14 | 0:09:19 | |
Jews were persecuted and their businesses destroyed. | 0:09:19 | 0:09:22 | |
Synagogues were burned to the ground, shops, | 0:09:22 | 0:09:25 | |
homes were trashed, were ruined. | 0:09:25 | 0:09:29 | |
30,000 German Jewish men were arrested, sent to the camps. | 0:09:29 | 0:09:35 | |
And in a sense, the State had engineered all of this. | 0:09:35 | 0:09:39 | |
In 1935, new laws were announced by the Nazi party that excluded | 0:09:41 | 0:09:46 | |
German Jews from citizenship. | 0:09:46 | 0:09:48 | |
Effectively refugees in their own country, | 0:09:48 | 0:09:51 | |
it was virtually impossible for them to leave. | 0:09:51 | 0:09:54 | |
The international community started to take notice. | 0:09:54 | 0:09:57 | |
This civilised country suddenly descending into this dreadful, | 0:09:58 | 0:10:04 | |
oppressive regime. | 0:10:04 | 0:10:06 | |
And here in the UK, the government passed | 0:10:06 | 0:10:10 | |
through emergency legislation within a fortnight. | 0:10:10 | 0:10:14 | |
And what it was saying is that they will take children | 0:10:14 | 0:10:17 | |
refugees between ages of three and 17, mostly at the younger age... | 0:10:17 | 0:10:22 | |
-Yeah. -..and they could come into the country | 0:10:22 | 0:10:25 | |
without travel documents. | 0:10:25 | 0:10:26 | |
In an unprecedented undertaking, trains were arranged by charities | 0:10:28 | 0:10:32 | |
and religious groups to save persecuted children. | 0:10:32 | 0:10:35 | |
For nine months, the Nazis permitted the trains to leave Germany | 0:10:35 | 0:10:39 | |
and Eastern Europe. | 0:10:39 | 0:10:40 | |
Many ended up at train stations around Britain, | 0:10:40 | 0:10:43 | |
just like this reconstruction at the museum. | 0:10:43 | 0:10:46 | |
While a few were greeted by relatives, the majority of boys | 0:10:46 | 0:10:49 | |
and girls were welcomed into the arms of foster families. | 0:10:49 | 0:10:54 | |
When they arrived in the UK, what faced them? | 0:10:54 | 0:10:58 | |
The vast majority if not all of them had no language, | 0:10:58 | 0:11:01 | |
didn't speak English. | 0:11:01 | 0:11:02 | |
We'd like to think that most of them had very quickly some love | 0:11:02 | 0:11:06 | |
-and support offered to them. -Yes. -That is what you want for children, | 0:11:06 | 0:11:10 | |
what you'd want for children. I'd want that. | 0:11:10 | 0:11:11 | |
Through all the travesty, they did survive. | 0:11:11 | 0:11:14 | |
-That is the most important thing. -Yeah, survival. -They did survive. | 0:11:14 | 0:11:18 | |
And most of them went on to lead positive family lives of their own. | 0:11:18 | 0:11:23 | |
One of those survivors was Bernard Grunberg, | 0:11:25 | 0:11:28 | |
just 15 when his German Jewish parents feared for his safety. | 0:11:28 | 0:11:32 | |
Now 92, he regularly shares his remarkable story of survival | 0:11:32 | 0:11:37 | |
with schoolchildren who visit the centre. | 0:11:37 | 0:11:39 | |
I came over with the second Kindertransport that left Berlin | 0:11:41 | 0:11:46 | |
in December 1938. | 0:11:46 | 0:11:49 | |
And that was the last time I ever saw anyone from my family again. | 0:11:49 | 0:11:53 | |
Although I didn't know what was happening - | 0:11:53 | 0:11:56 | |
nobody had told me anything. | 0:11:56 | 0:11:57 | |
I didn't know why I was on that train, | 0:11:57 | 0:11:59 | |
I didn't know where it was going. | 0:11:59 | 0:12:01 | |
-I thought it was just a temporary way to be away from home... -Yeah. | 0:12:01 | 0:12:06 | |
..and, eventually, you'd meet up again and live like a family again. | 0:12:06 | 0:12:13 | |
After the war, Bernard settled in northern England and married in 1947. | 0:12:13 | 0:12:18 | |
Like some other Kindertransport children, | 0:12:18 | 0:12:21 | |
he found an appointment as a farm labourer. | 0:12:21 | 0:12:24 | |
Do you think Kindertransport saved your life? | 0:12:25 | 0:12:28 | |
Out of the 10,000 children, | 0:12:28 | 0:12:32 | |
I don't know how many, but there is very, | 0:12:32 | 0:12:36 | |
very few that ever saw their parents again, or any relatives again. | 0:12:36 | 0:12:42 | |
And I am sure they will know that Kindertransport | 0:12:42 | 0:12:48 | |
-saved their lives... -Yeah. | 0:12:48 | 0:12:50 | |
..as it did mine. And I will never forget that. | 0:12:50 | 0:12:53 | |
Approximately 10,000 children who made it to the safety of Britain were | 0:12:53 | 0:12:58 | |
able to start new lives and, like Bernard, contribute to our society. | 0:12:58 | 0:13:03 | |
Back in Newark-on-Trent, Charles has made the short walk across town | 0:13:10 | 0:13:14 | |
to his next shop. | 0:13:14 | 0:13:16 | |
-Around 50 dealers trade from here. -Sir, Charles Hansen. | 0:13:17 | 0:13:22 | |
Simon, what a lovely antiques centre you've got here. | 0:13:22 | 0:13:25 | |
If I said to you I am after the more interesting objects, | 0:13:25 | 0:13:28 | |
would you direct me anywhere in particular? | 0:13:28 | 0:13:31 | |
I'd direct you into the backroom, yeah. | 0:13:31 | 0:13:33 | |
-Right, OK. It is safe back there, isn't it? -Oh, yeah, very safe. | 0:13:33 | 0:13:36 | |
-Hope so. OK. See you shortly. -OK. Thank you. | 0:13:36 | 0:13:39 | |
Charles has just under £380 left to spend. | 0:13:41 | 0:13:46 | |
Says it's nine pounds. It's new. | 0:13:46 | 0:13:48 | |
But boys and toys... It's quite nice. | 0:13:48 | 0:13:51 | |
SCRATCHING Oh! Mind the table, Charles. | 0:13:52 | 0:13:55 | |
One thing I love about history is the sampler. | 0:13:58 | 0:14:03 | |
And here you've got a wonderful sampler. | 0:14:03 | 0:14:06 | |
And we marvel at samplers because they were a girl's education. | 0:14:06 | 0:14:11 | |
Take a bow, Sarah McCune. | 0:14:11 | 0:14:15 | |
Her sampler, it's on linen and this lovely stitched wool work | 0:14:15 | 0:14:20 | |
and also needlework. | 0:14:20 | 0:14:21 | |
I do like it. | 0:14:21 | 0:14:23 | |
The embroidered crown with letters G and R | 0:14:23 | 0:14:26 | |
probably date this sampler to around 1770. | 0:14:26 | 0:14:31 | |
Simon, this sampler here, I can't see a price. | 0:14:31 | 0:14:36 | |
-50. -50, OK. | 0:14:36 | 0:14:38 | |
You want to do £40? | 0:14:40 | 0:14:41 | |
I'll meet you in the middle, 45. | 0:14:43 | 0:14:45 | |
-I'll take it. -OK. -45. -Sold. | 0:14:45 | 0:14:48 | |
Despite the few holes, this is a nice item for £45. | 0:14:50 | 0:14:53 | |
Anything else in here, Charles? | 0:14:53 | 0:14:55 | |
What will sell well in Bolton? What will sell well in Bolton? | 0:14:57 | 0:15:02 | |
Well, how about a pair of clogs? | 0:15:02 | 0:15:04 | |
Aren't they wonderful? | 0:15:05 | 0:15:06 | |
May I try one on? Do you mind? | 0:15:11 | 0:15:13 | |
Knock yourself out there, Charles. | 0:15:13 | 0:15:16 | |
Wow. These are early-19th-century clogs. | 0:15:16 | 0:15:19 | |
And stepping back in time is fascinating. | 0:15:21 | 0:15:23 | |
And it's interesting, the clog market really took | 0:15:23 | 0:15:27 | |
off in the 1840s, in the 1850s, in industrial England, in the North. | 0:15:27 | 0:15:33 | |
Do they suit me or not? Not really, do they? | 0:15:33 | 0:15:35 | |
But the reason I like these is because they are so crude. | 0:15:35 | 0:15:38 | |
What is remarkable is these could've been cobbled together quite | 0:15:38 | 0:15:42 | |
literally by a blacksmith. | 0:15:42 | 0:15:44 | |
They almost look like a horse's horseshoe. | 0:15:44 | 0:15:48 | |
What a find! I'm going to find Simon. | 0:15:48 | 0:15:51 | |
The clogs are priced at £35. | 0:15:51 | 0:15:54 | |
Simon, I love these. | 0:15:54 | 0:15:57 | |
-Do you have clogs at home? -No. -My wife does. | 0:15:57 | 0:15:59 | |
-Does your wife wear clogs? -No. -OK, OK. | 0:15:59 | 0:16:03 | |
-What is the best price? -20 then. -Oh, I say! Really? | 0:16:03 | 0:16:06 | |
-Yes. -Sold. I'll take them. Thanks, Simon. Thanks a lot. | 0:16:06 | 0:16:09 | |
Two in the old bag, eh, Charles? But is there still more? | 0:16:09 | 0:16:12 | |
What we've got is a bronze Buddha, possibly 19th century. | 0:16:19 | 0:16:23 | |
I just quite like it. | 0:16:23 | 0:16:24 | |
It's got this dirty appeal of just being well-worn. | 0:16:24 | 0:16:26 | |
Simon is asking £35 for this little Buddha. | 0:16:28 | 0:16:31 | |
Simon, I quite like this. | 0:16:32 | 0:16:35 | |
-I'll do it for 25. -Would you really? -Yeah. | 0:16:35 | 0:16:37 | |
-Are you happy with that? -Yes. -Done, I'll take it. | 0:16:37 | 0:16:40 | |
A successful shopping trip, I'd say, | 0:16:42 | 0:16:44 | |
picking up an 18th-century sampler, a pair of 19th-century clogs | 0:16:44 | 0:16:47 | |
and a bronze Buddha, all for a total of £90. | 0:16:47 | 0:16:51 | |
-All the best. -Thank you very much. -Thanks, Simon, all the best to you. | 0:16:54 | 0:16:57 | |
Bye-bye. See you. Bye. | 0:16:57 | 0:16:59 | |
And with that, today's shopping comes to a close. | 0:17:03 | 0:17:06 | |
Nighty-night. | 0:17:06 | 0:17:08 | |
The next morning, it is a bit of a damp start. | 0:17:14 | 0:17:18 | |
-You OK? -I'm going under. So I'll say goodbye to you. | 0:17:18 | 0:17:21 | |
THEY LAUGH | 0:17:21 | 0:17:23 | |
Hold tight, Marge. | 0:17:23 | 0:17:25 | |
Yesterday, Charles spent £100 | 0:17:26 | 0:17:28 | |
on a First World War German water bottle, | 0:17:28 | 0:17:31 | |
a George III sampler, a bronze Buddha, | 0:17:31 | 0:17:33 | |
and a pair of 19th-century clogs. | 0:17:33 | 0:17:35 | |
Margie also splashed out £100.50 | 0:17:37 | 0:17:41 | |
but bought just two items - a gold brooch and a Victorian nursing chair. | 0:17:41 | 0:17:45 | |
This morning, they are heading for Mansfield, in Nottinghamshire. | 0:17:47 | 0:17:51 | |
This is, I think, a fairly untapped part of North Derbyshire. | 0:17:51 | 0:17:54 | |
It is quite barren, yet it's fertile. | 0:17:54 | 0:17:58 | |
-Are you feeling fertile today? -SHE LAUGHS | 0:17:58 | 0:18:01 | |
-Are you? -Well, if we get in the right shops, I shall feel fertile. | 0:18:01 | 0:18:04 | |
Thank you very much. | 0:18:04 | 0:18:06 | |
THEY CHUCKLE | 0:18:06 | 0:18:08 | |
Surrounded by the vestiges of Sherwood Forest, | 0:18:10 | 0:18:13 | |
Mansfield was once a lodging place for medieval royalty. | 0:18:13 | 0:18:17 | |
It is Margie's first shop today. | 0:18:17 | 0:18:20 | |
Oh, my gosh, what a day. | 0:18:20 | 0:18:22 | |
That won't fit through the door, love. | 0:18:24 | 0:18:27 | |
I'll leave that there. | 0:18:27 | 0:18:28 | |
-There. Luke. -Very nice to meet you. | 0:18:28 | 0:18:31 | |
-Nice to meet you too. What a horrible day. -I know! | 0:18:31 | 0:18:34 | |
Perhaps you'll find something to brighten up your day, Margie. | 0:18:36 | 0:18:40 | |
So are all these old toys here? | 0:18:42 | 0:18:44 | |
Oh, God, he's cute, isn't he? | 0:18:44 | 0:18:46 | |
-They are called Mobo, aren't they? -Yeah. -And they had much bigger ones. | 0:18:46 | 0:18:50 | |
And rocking horses. This is a little tiny one. | 0:18:50 | 0:18:53 | |
He's dead sweet. He's not in bad nick, is he? | 0:18:53 | 0:18:56 | |
-Considering his age, he is quite good. -Yeah. What is he, '50s? | 0:18:56 | 0:19:00 | |
-I'd say so, yeah. -Yeah. Well, he's a thought. | 0:19:00 | 0:19:04 | |
Well, that is one strong contender. | 0:19:04 | 0:19:07 | |
Uh... So what have you got in here? Let's look. | 0:19:07 | 0:19:10 | |
-What's that? -That's a medical fleam. -Yeah. -Used for -blood-letting. Eugh. | 0:19:10 | 0:19:16 | |
It was once believed blood-letting could treat | 0:19:17 | 0:19:20 | |
everything from fever to madness in both people and animals. | 0:19:20 | 0:19:24 | |
The three sharp blades of this fleam are likely to have been used | 0:19:24 | 0:19:28 | |
on farm livestock. Gruesome. | 0:19:28 | 0:19:30 | |
Yeah, I quite like things like that. | 0:19:30 | 0:19:34 | |
-It is a bit unusual. -Yeah. | 0:19:34 | 0:19:36 | |
Georgian. That is Georgian. | 0:19:36 | 0:19:39 | |
My, I'm glad I didn't live then. Can you imagine? | 0:19:39 | 0:19:42 | |
Yeah! It is priced at £45. Cutting-edge, eh? | 0:19:42 | 0:19:46 | |
Is that the very best on that? | 0:19:46 | 0:19:48 | |
-I'll do it for 30, and that is my best. -Mm. | 0:19:48 | 0:19:51 | |
Once somebody says that's the best, | 0:19:51 | 0:19:54 | |
I feel as though it is a bit rude to say 28. | 0:19:54 | 0:19:56 | |
THEY LAUGH | 0:19:56 | 0:19:58 | |
Go on, then. | 0:20:00 | 0:20:02 | |
Thank you very much. | 0:20:02 | 0:20:04 | |
Luke has kindly knocked £17 off the asking price, | 0:20:04 | 0:20:08 | |
and Margie has got something a little different. | 0:20:08 | 0:20:12 | |
See you! Oh, what awful weather! | 0:20:12 | 0:20:16 | |
-Oh! -SHE LAUGHS | 0:20:16 | 0:20:18 | |
Oh, no! | 0:20:18 | 0:20:20 | |
Mary Poppins never had this trouble. | 0:20:20 | 0:20:23 | |
Oh, for flipping heck. | 0:20:23 | 0:20:24 | |
Oh, well, let's do it. | 0:20:24 | 0:20:26 | |
My brolly's broken! | 0:20:28 | 0:20:29 | |
SHE LAUGHS | 0:20:29 | 0:20:31 | |
Charles' next stop is sandwiched between the spectacular Peak District | 0:20:35 | 0:20:40 | |
and Sherwood Forest, near the village of Creswell. | 0:20:40 | 0:20:43 | |
Here, straddling the Nottinghamshire-Derbyshire | 0:20:43 | 0:20:45 | |
border, is Creswell Crags. | 0:20:45 | 0:20:48 | |
Hannah Boddy is Creswell's exhibition manager. | 0:20:48 | 0:20:51 | |
She wants to show Charles one of Europe's most important | 0:20:51 | 0:20:55 | |
archaeological finds. | 0:20:55 | 0:20:57 | |
This is Creswell Crags Gorge. | 0:20:57 | 0:20:59 | |
It is absolutely gorgeous, despite the weather today. | 0:20:59 | 0:21:03 | |
Tell me about this site, this backdrop behind me. | 0:21:04 | 0:21:06 | |
Well, it is amazing because we have evidence from the Ice Age. | 0:21:06 | 0:21:10 | |
Creswell was one of the most northerly points that people | 0:21:10 | 0:21:13 | |
could get to in the whole world during the Ice Age. | 0:21:13 | 0:21:16 | |
10,000 years ago, the polar ice cap was only a few miles north | 0:21:18 | 0:21:23 | |
of Creswell and the UK was joined to the rest of Europe. | 0:21:23 | 0:21:26 | |
As Ice Age hunters travelled north, | 0:21:26 | 0:21:29 | |
the caves in this gorge offered vital shelter through a crucial period | 0:21:29 | 0:21:34 | |
of human evolution. | 0:21:34 | 0:21:35 | |
Wow, Hannah! | 0:21:36 | 0:21:38 | |
-This is inviting. And very exciting. -Yes. | 0:21:38 | 0:21:41 | |
-It is, isn't it? -Unbelievable. | 0:21:41 | 0:21:43 | |
Wow, Hannah. | 0:21:47 | 0:21:48 | |
Hannah, is there today much evidence of human occupation still | 0:21:51 | 0:21:55 | |
left within these caves? | 0:21:55 | 0:21:57 | |
In 2003, some archaeologists found Britain's only Ice Age rock art, | 0:21:57 | 0:22:02 | |
Britain's oldest artwork, in this cave. | 0:22:02 | 0:22:04 | |
-Oldest and only rock art. -Yeah. Oldest, only Ice Age rock art. | 0:22:04 | 0:22:09 | |
I'm looking hard, and I can't see any. | 0:22:09 | 0:22:12 | |
This cave kept a secret for over 12,000 years. | 0:22:12 | 0:22:15 | |
The damp environment hasn't been kind to the Ice Age art, which is | 0:22:16 | 0:22:21 | |
why they remained undiscovered until 2003. | 0:22:21 | 0:22:24 | |
When they were found, they rewrote history, proving not only that | 0:22:24 | 0:22:29 | |
Ice Age man walked this far north but that he brought his art with him too. | 0:22:29 | 0:22:35 | |
Hannah, I can't see anything yet. | 0:22:35 | 0:22:37 | |
So, here we have a deer stag on the wall. | 0:22:37 | 0:22:40 | |
-They've used a natural feature for the mouth. -Oh, I can see it. | 0:22:40 | 0:22:43 | |
Over on the muzzle. | 0:22:43 | 0:22:44 | |
-And then just... I can see two ears as well. -Here are the horns. | 0:22:44 | 0:22:48 | |
-Oh, my goodness me. -The ear. | 0:22:48 | 0:22:50 | |
Oh, it's wonderful. I can't believe it. | 0:22:50 | 0:22:52 | |
23 drawings were discovered in this one cave. | 0:22:52 | 0:22:56 | |
The images of bison and birds made this damp, dark hole | 0:22:56 | 0:23:00 | |
in Derbyshire one of international importance. | 0:23:00 | 0:23:04 | |
The art here resembles better preserved drawings found | 0:23:04 | 0:23:08 | |
in warmer climates. | 0:23:08 | 0:23:09 | |
Cave paintings in Spain | 0:23:09 | 0:23:10 | |
and France feature animals drawn in a similar style. | 0:23:10 | 0:23:13 | |
But, Hannah, how can we date this cave art? | 0:23:15 | 0:23:18 | |
This one is the easiest of all of them to date because you can | 0:23:18 | 0:23:22 | |
see this area here of flowstone, which is growing on top of it. | 0:23:22 | 0:23:27 | |
Flowstone is similar to stalactite and stalagmite formations. | 0:23:27 | 0:23:32 | |
Scientists proved the flowstone growing over the rock art was 12,500 | 0:23:32 | 0:23:38 | |
years old, proving the deer and other pictures were drawn by Ice Age man. | 0:23:38 | 0:23:43 | |
That is quite amazing. | 0:23:43 | 0:23:44 | |
I can't believe I'm looking at a work of art from 13...or | 0:23:44 | 0:23:49 | |
circa 13,000 years ago. | 0:23:49 | 0:23:51 | |
Creswell Crags is now one of the most heavily protected | 0:23:53 | 0:23:57 | |
archaeologically and geological sites in Britain. | 0:23:57 | 0:24:01 | |
I suppose, in many respects, Hannah, these men and ladies | 0:24:01 | 0:24:05 | |
12,000 years ago were real explorers. | 0:24:05 | 0:24:08 | |
They were going as far north as was humanly possible. | 0:24:08 | 0:24:11 | |
They were clever people. They were hardy people. | 0:24:11 | 0:24:13 | |
-Oh, hugely clever people. -Thanks, Hannah. -Good luck. | 0:24:13 | 0:24:16 | |
Now, which way is out? | 0:24:16 | 0:24:17 | |
More importantly, which way is the bison? | 0:24:17 | 0:24:19 | |
Hm. Over there. | 0:24:19 | 0:24:20 | |
I am on the hunt. See you later. | 0:24:20 | 0:24:22 | |
Don't forget to give back the helmet, Charles. | 0:24:22 | 0:24:25 | |
Hey! | 0:24:25 | 0:24:27 | |
I've got no spear! | 0:24:27 | 0:24:28 | |
Back in the present day, Margie has taken herself over the county | 0:24:33 | 0:24:37 | |
border, into Derbyshire and the market town of Belper. | 0:24:37 | 0:24:40 | |
Her next shop is a big'un, set in a former Victorian mill. | 0:24:40 | 0:24:44 | |
Colin is in charge today. | 0:24:44 | 0:24:46 | |
Look out. | 0:24:46 | 0:24:48 | |
-Hello, good afternoon. -Hello there. How are you? -Are you Colin? | 0:24:48 | 0:24:51 | |
-I am, yeah. -I'm Margie. -Hello, Margie. -It looks enormous. | 0:24:51 | 0:24:55 | |
You can have a wander around. | 0:24:55 | 0:24:56 | |
Also, while I'm doing that, yesterday I bought a little brooch. | 0:24:56 | 0:25:01 | |
-Right. -You haven't got a little box, have you? | 0:25:01 | 0:25:03 | |
-I might find one, see. -We might find one for you. -I'll even pay you. -Oh! | 0:25:03 | 0:25:07 | |
Well, we will find you one then. | 0:25:07 | 0:25:08 | |
Margie has £138.56 to spend. | 0:25:11 | 0:25:15 | |
This is her last opportunity to buy before the auction. | 0:25:15 | 0:25:18 | |
That's nice, isn't it? Lovely old gate, look. | 0:25:20 | 0:25:23 | |
I love that. Don't you? Magnifico. | 0:25:23 | 0:25:27 | |
Isn't that something else? | 0:25:27 | 0:25:30 | |
And that is... | 0:25:30 | 0:25:32 | |
Architectural antiques, they are good. | 0:25:32 | 0:25:35 | |
Margie has fallen for this Victorian iron gate, priced at £90. | 0:25:37 | 0:25:41 | |
Here comes Colin, though. | 0:25:41 | 0:25:43 | |
It is not the prettiest thing we've got, is it? | 0:25:46 | 0:25:48 | |
-Are you surprised I selected that? -I am a little, yeah. -Are you? | 0:25:48 | 0:25:51 | |
-Yeah. -Good, it'll be cheap then. -HE LAUGHS | 0:25:51 | 0:25:54 | |
-Well, where has it got to be? -Well, I would be happy buying that for 40. | 0:25:54 | 0:25:58 | |
-I tell you what... -Yeah. | 0:25:58 | 0:25:59 | |
-Add a fiver to it so I can have me tea and it is yours. -OK. | 0:25:59 | 0:26:03 | |
-I think we'll go for that. -45. Excellent. -Thank you, sir. | 0:26:03 | 0:26:05 | |
45? That's half-price. Well done, Margie. | 0:26:05 | 0:26:08 | |
Does anything else take your fancy? | 0:26:09 | 0:26:12 | |
Well, this is one of these boots that a pony...a pony... | 0:26:12 | 0:26:15 | |
Well, it's quite a big pony. | 0:26:15 | 0:26:18 | |
It is a bootie to wear on its hoof to stop | 0:26:18 | 0:26:22 | |
digging into the garden | 0:26:22 | 0:26:24 | |
when he's pulling on a lawnmower. Back in the day. | 0:26:24 | 0:26:29 | |
Before motorised motors pony-drawn cutters were used. | 0:26:30 | 0:26:34 | |
These booties prevented a neat lawn from being cut up by the hooves. | 0:26:34 | 0:26:40 | |
This one boot is priced at £55. | 0:26:40 | 0:26:43 | |
I just like the memory of this. | 0:26:43 | 0:26:45 | |
You know, of the horse with these little boots on. | 0:26:45 | 0:26:47 | |
But I don't know whether you've noticed, there is only one, | 0:26:47 | 0:26:50 | |
-so there's three missing. -SHE CHUCKLES | 0:26:50 | 0:26:53 | |
I really like it, though. | 0:26:53 | 0:26:56 | |
Oh, Colin! | 0:26:56 | 0:26:58 | |
-What have we found? -What have we found? Something really daft. | 0:26:58 | 0:27:02 | |
-I'm just looking at this, which I find really interesting. -OK, yeah. | 0:27:02 | 0:27:05 | |
-It would be nice if... -And you know what it is? -I do know what it is. | 0:27:05 | 0:27:08 | |
Yeah. Interesting piece. | 0:27:08 | 0:27:10 | |
-It is an interesting piece. -You could make something of it. | 0:27:10 | 0:27:12 | |
Yeah, but it all depends... OK, here, there is a bit... | 0:27:12 | 0:27:15 | |
-Somebody has written on here... -OK. -..£55. -Yeah. | 0:27:15 | 0:27:19 | |
-What do you think a nice bottle of wine would cost you? -25 quid? | 0:27:19 | 0:27:22 | |
-35. -SHE LAUGHS | 0:27:22 | 0:27:24 | |
Oh, Colin. How about if we split that? And then we can be friends. | 0:27:24 | 0:27:29 | |
-32.50? -Yeah. Go on, then. | 0:27:29 | 0:27:31 | |
THEY LAUGH | 0:27:31 | 0:27:34 | |
We got there in the end. | 0:27:34 | 0:27:36 | |
Margie has her last lots for auction - | 0:27:36 | 0:27:39 | |
an iron gate and a pony boot, | 0:27:39 | 0:27:41 | |
together costing £77.50. | 0:27:41 | 0:27:45 | |
-That's marvellous. That's very kind of you, Colin. -Thank you very much. | 0:27:45 | 0:27:48 | |
-Now, earlier you said... -Yeah. -"Have you got a little box for me?" | 0:27:48 | 0:27:51 | |
-Yeah, have you got one? -Well, would that suit? | 0:27:51 | 0:27:54 | |
Oh, that would suit. I feel as though I should offer... | 0:27:54 | 0:27:57 | |
What about 50p? Thank you. That feels like a win. | 0:27:57 | 0:28:01 | |
-Bye-bye. -Bye now. | 0:28:01 | 0:28:03 | |
Brilliant. A wise 50p spent. | 0:28:03 | 0:28:06 | |
Well done, Margie. | 0:28:06 | 0:28:07 | |
Charles' last stop today is in Derbyshire, | 0:28:11 | 0:28:13 | |
in the former mining town of Bolsover. | 0:28:13 | 0:28:16 | |
He still has £296.70 left to spend here, | 0:28:18 | 0:28:22 | |
at Bolsover Antique Centre. | 0:28:22 | 0:28:25 | |
-GLASS CLINKS -Sorry. | 0:28:28 | 0:28:31 | |
She's quite nice. I quite like this lady in here. | 0:28:34 | 0:28:38 | |
This 1930s figurine is made of an alloy of zinc, also known as spelter. | 0:28:38 | 0:28:45 | |
She's been given a coating of bronze to give the impression | 0:28:45 | 0:28:48 | |
she's the real McCoy. | 0:28:48 | 0:28:50 | |
She is quite nice. I'm quite surprised. | 0:28:50 | 0:28:53 | |
£18. To me, she is striking. | 0:28:53 | 0:28:57 | |
She is Art Deco. She is glamorous. | 0:28:57 | 0:28:59 | |
She is almost as glamorous as Margie Cooper. | 0:28:59 | 0:29:02 | |
For that purpose, I need to go find the key for cabinet number six. | 0:29:02 | 0:29:08 | |
£18 is surprisingly cheap. | 0:29:08 | 0:29:10 | |
I wonder why. Perhaps Carol knows. | 0:29:10 | 0:29:13 | |
Carol? | 0:29:13 | 0:29:15 | |
Oh, she is gorgeous, Carol. | 0:29:17 | 0:29:19 | |
-Hello! Margie Cooper-esque. Isn't she lovely? -She is. | 0:29:21 | 0:29:25 | |
-Just got one problem. You've got them, she hasn't. -Yeah. -Thumbs. | 0:29:25 | 0:29:30 | |
-It's a shame, yeah. -Where have her thumbs gone, Carol? | 0:29:30 | 0:29:33 | |
-Has she been nibbling her nails and gone too far? -Must have, yes. | 0:29:33 | 0:29:35 | |
She is missing her thumbs. | 0:29:35 | 0:29:37 | |
She is missing both of her thumbs, | 0:29:37 | 0:29:39 | |
hence why the dealer has put on here AF. | 0:29:39 | 0:29:42 | |
But turning it round, look at that lovely back. | 0:29:42 | 0:29:45 | |
It's quite exceptional - i.e., | 0:29:45 | 0:29:48 | |
hasn't been dropped or dented. | 0:29:48 | 0:29:49 | |
It is in particularly nice condition. | 0:29:49 | 0:29:52 | |
Carol, she is missing her thumbs, but she can still dance. | 0:29:52 | 0:29:56 | |
-Do you like her? -I do, yeah. | 0:29:56 | 0:29:57 | |
-Take £12? -Do you want me to go and check? -Could you for me? | 0:29:57 | 0:30:00 | |
I won't be long. | 0:30:00 | 0:30:01 | |
Carol, if you want to take a chance... | 0:30:01 | 0:30:03 | |
-# On me... # Try a tenner. -Right! | 0:30:03 | 0:30:06 | |
-All right. We'll try. -Thanks, Carol. | 0:30:06 | 0:30:08 | |
Ten pounds? He is trying his luck. | 0:30:10 | 0:30:13 | |
-Hold tight. -I've had a word. -Yeah. | 0:30:18 | 0:30:20 | |
-Whisper it in my... -The best we can do is 15. | 0:30:20 | 0:30:22 | |
For that sort of price, I'd be rude not to. | 0:30:22 | 0:30:26 | |
-Cos I think at £15... -She stands a chance. | 0:30:26 | 0:30:28 | |
She is gorgeous. She is stunning. | 0:30:28 | 0:30:30 | |
And I'll take her. | 0:30:30 | 0:30:31 | |
She may be thumbless, but at that price, she is worth taking a punt on. | 0:30:31 | 0:30:37 | |
And Charles isn't finished here just yet. | 0:30:37 | 0:30:40 | |
I'm quite taken by this cabinet here. | 0:30:40 | 0:30:41 | |
It has got quite a few reproduction wrist watches in. | 0:30:41 | 0:30:45 | |
But more importantly, it has almost got a lot of sentiment in. | 0:30:45 | 0:30:50 | |
Charles' eye has been drawn to the militaria. | 0:30:50 | 0:30:54 | |
Utah Beach. | 0:30:54 | 0:30:55 | |
World War II relic. | 0:30:55 | 0:30:58 | |
June 6, 1944, D-Day landing. | 0:30:58 | 0:31:02 | |
How interesting. | 0:31:02 | 0:31:04 | |
This, of course, represents a very important day | 0:31:04 | 0:31:07 | |
when, sadly, so many individuals lost their lives. | 0:31:07 | 0:31:11 | |
And this could just be a piece of relic | 0:31:11 | 0:31:15 | |
from that D-Day landing, | 0:31:15 | 0:31:17 | |
who knows, brought back by a soldier. | 0:31:17 | 0:31:20 | |
I doubt it. | 0:31:20 | 0:31:21 | |
If it's right, a military collector would pay well over ten pounds | 0:31:21 | 0:31:26 | |
for something which has such emotive value to such a day. | 0:31:26 | 0:31:32 | |
I'd love to learn more about this. | 0:31:32 | 0:31:34 | |
Best call the owner, then. | 0:31:34 | 0:31:35 | |
Fortunately, Carol has his number at hand. Go, Carol. | 0:31:35 | 0:31:39 | |
Can I just pass you over? | 0:31:39 | 0:31:43 | |
Hi, mate. Just a really interesting cabinet of curios. | 0:31:43 | 0:31:46 | |
And obviously, it's a piece of cement and a bit of barbed wire. | 0:31:46 | 0:31:50 | |
And folks might say, | 0:31:50 | 0:31:51 | |
"Goodness me, Hansen, you're not really buying antiques." | 0:31:51 | 0:31:54 | |
But then, you are buying an object which indirectly is linked to | 0:31:54 | 0:31:58 | |
such history and to one such day in particular. | 0:31:58 | 0:32:04 | |
The owner claims it came from a specialist dealer. | 0:32:04 | 0:32:07 | |
Provenance here is hard to prove, but Charles is taking a risk. | 0:32:07 | 0:32:11 | |
What is your best price? On at ten pounds. | 0:32:11 | 0:32:14 | |
A fiver? | 0:32:14 | 0:32:16 | |
I think for what it potentially represents, | 0:32:16 | 0:32:19 | |
I'd be a fool to say no. | 0:32:19 | 0:32:21 | |
I'm going to say I'll buy it and thanks ever so much. Thanks, mate! | 0:32:21 | 0:32:26 | |
And that concludes the shopping. | 0:32:26 | 0:32:28 | |
-15 and five is 20. -Thank you. | 0:32:28 | 0:32:30 | |
Thank you so much. Thanks, Carol. Thanks again for the memories. | 0:32:30 | 0:32:33 | |
-Thank you. -Bye. -Bye. | 0:32:33 | 0:32:36 | |
They've been busy on this trip. | 0:32:36 | 0:32:38 | |
Charles has paired the possible Utah Beach barbed wire with | 0:32:38 | 0:32:42 | |
the First World War German water bottle to make a militaria lot. | 0:32:42 | 0:32:46 | |
He has four other items, including the bronze Buddha, | 0:32:46 | 0:32:49 | |
a George III sampler, | 0:32:49 | 0:32:51 | |
a pair of 18th-century clogs, | 0:32:51 | 0:32:53 | |
and an Art Deco figurine. | 0:32:53 | 0:32:55 | |
All that lot cost him £120. | 0:32:55 | 0:32:58 | |
While Margie parted with £206 for a Victorian nursing chair, | 0:33:01 | 0:33:06 | |
a gold brooch with box, | 0:33:06 | 0:33:08 | |
the Georgian fleam, | 0:33:08 | 0:33:10 | |
a Victorian iron gate | 0:33:10 | 0:33:12 | |
and one leather pony boot. | 0:33:12 | 0:33:14 | |
So, what do they make of each other's buys? | 0:33:14 | 0:33:17 | |
I love that Art Deco brooch. | 0:33:18 | 0:33:20 | |
And heaven forbid, for £30.50, you have bought real gold. | 0:33:20 | 0:33:25 | |
I can't believe he's bought a pair of clogs. I mean, | 0:33:25 | 0:33:28 | |
-the saleroom is in Lancashire. -SHE GIGGLES | 0:33:28 | 0:33:32 | |
And that is taking coals to Newcastle. | 0:33:32 | 0:33:34 | |
There are lots and lots of clogs in Lancashire. | 0:33:34 | 0:33:36 | |
I am quite happy to go to Lancashire with my bootie to take on hers. | 0:33:36 | 0:33:40 | |
And hopefully, I'll be victorious. | 0:33:40 | 0:33:42 | |
We'll soon see, for it is across the Peak District | 0:33:44 | 0:33:48 | |
they head for an auction in Bolton, Lancashire. | 0:33:48 | 0:33:51 | |
-Ay up, me duck! -Yeah, yeah. Ay up. -Ay up, me duck. | 0:33:51 | 0:33:54 | |
Bolton was a 19th-century boom town. | 0:33:55 | 0:33:58 | |
It once had over 200 cotton mills, | 0:33:58 | 0:34:01 | |
making it one of the most productive cotton spinning towns in the world. | 0:34:01 | 0:34:05 | |
I'm fairly sure, Margie, at this auction house in Bolton, | 0:34:05 | 0:34:08 | |
where there's muck, there's grass. | 0:34:08 | 0:34:10 | |
And where they see our mucky buys, there's grassy treasures. | 0:34:10 | 0:34:13 | |
I think muck and grass is Yorkshire, but never mind. | 0:34:13 | 0:34:16 | |
-Oh, Margie... -Who cares? | 0:34:16 | 0:34:18 | |
Today's sale is taking place at Bolton auction room, | 0:34:18 | 0:34:21 | |
housed in the former Metropolitan Library building. | 0:34:21 | 0:34:25 | |
-I shouldn't have worn a skirt. -It's all to come. | 0:34:25 | 0:34:29 | |
-It's all to come, Margie. -Oh, gosh, this car'll be the death... | 0:34:29 | 0:34:33 | |
That's the way, Margie, a Lancashire lass does it. | 0:34:33 | 0:34:36 | |
-I was that before you. -And I'm a Derbyshire man. | 0:34:37 | 0:34:40 | |
Presiding over proceedings is auctioneer Stephen Sloan. | 0:34:40 | 0:34:44 | |
What does he make of our experts' buys? | 0:34:44 | 0:34:46 | |
The Buddha, quite a nice lot. He is a good colour and, I think, | 0:34:49 | 0:34:52 | |
a jolly good collector's item. | 0:34:52 | 0:34:54 | |
And I think he should do quite well today. | 0:34:54 | 0:34:56 | |
A pony boot, yes, obviously one of four. | 0:34:56 | 0:35:00 | |
Now, I must say, this one is in exceptional condition. | 0:35:00 | 0:35:03 | |
Now, what you would do with it, I have no idea. | 0:35:03 | 0:35:06 | |
As Stephen readies himself, | 0:35:06 | 0:35:08 | |
his colleague Mia is primed to receive online bids. | 0:35:08 | 0:35:12 | |
Time for our experts to take their seats. | 0:35:12 | 0:35:15 | |
-Here we go. -Thank you. Wow. | 0:35:15 | 0:35:17 | |
-How are you, Margie? -Very well. How are you? -This is Bolton, isn't it? | 0:35:17 | 0:35:20 | |
-Are you trembling in Bolton? -Trembling in anticipation. | 0:35:20 | 0:35:23 | |
Calm those auction nerves. | 0:35:23 | 0:35:25 | |
It's Charles's pair of clogs first. | 0:35:27 | 0:35:29 | |
-I have never seen such a big pair of clogs. -Thank you. | 0:35:29 | 0:35:31 | |
-I tried them on. -You know, you brought clogs to Lancashire. | 0:35:31 | 0:35:34 | |
There are a heck of a lot of them around. | 0:35:34 | 0:35:36 | |
-Are there really? -Hopefully. | 0:35:36 | 0:35:37 | |
Thank you, sir. 30, bid. 30. | 0:35:37 | 0:35:39 | |
-Come on. -32. 34. | 0:35:39 | 0:35:42 | |
-34. 36. -Come on, they are wonderful boots. | 0:35:42 | 0:35:45 | |
-40. -Let's go. -And two. | 0:35:45 | 0:35:47 | |
-42, thank you. -Happy with that. -At £42, this is for two. | 0:35:47 | 0:35:51 | |
-21 each. -MARGIE LAUGHS | 0:35:51 | 0:35:53 | |
-21 each! -At 42. Thanks. | 0:35:53 | 0:35:55 | |
-Welcome to Lancashire, Margie. -Are you sure? -I'm delighted. | 0:35:55 | 0:35:59 | |
And so you should be. | 0:35:59 | 0:36:00 | |
You've walked away with a £22 profit. | 0:36:00 | 0:36:03 | |
Next up, Margie's 19th-century fleam. | 0:36:05 | 0:36:07 | |
Gosh, I feel quite squirmish now. | 0:36:08 | 0:36:10 | |
I'm even more nervous for you. | 0:36:10 | 0:36:12 | |
-Squeamish. -Squeamish, right. | 0:36:12 | 0:36:14 | |
-25 bid, thank you. -Good. -That's OK, isn't it? -On the net. | 0:36:14 | 0:36:18 | |
-'31!' -Yes. -31? | 0:36:18 | 0:36:20 | |
32. 34? At £34. | 0:36:20 | 0:36:24 | |
-36. 38? -Come on, crawl a bit more. | 0:36:24 | 0:36:27 | |
-38. 40? £40. And two? 42. -Gosh, | 0:36:27 | 0:36:31 | |
-it is giving me heart failure. -42. Are you sure? | 0:36:31 | 0:36:34 | |
That is Charles and Margie both making a profit on their first lots. | 0:36:36 | 0:36:40 | |
A great start. Now, time for Charles' sampler. | 0:36:41 | 0:36:45 | |
-Anybody got £40 for it? £40? -HE SIGHS | 0:36:45 | 0:36:49 | |
30 bid. 30. Five anywhere? At £30. | 0:36:49 | 0:36:52 | |
And five anywhere else? | 0:36:52 | 0:36:54 | |
-Come on, let's go! -At 40. At £40. | 0:36:54 | 0:36:57 | |
-Keep selling. -£50, give me five. | 0:36:57 | 0:36:58 | |
-55. -I should think so. -Quite right, I like her style. | 0:36:58 | 0:37:02 | |
-£60. Five. -Come on! | 0:37:02 | 0:37:04 | |
-All done at £60? It is here to be sold. -A little profit. | 0:37:04 | 0:37:08 | |
That's great, I'm very happy. It could've gone the other way. | 0:37:09 | 0:37:12 | |
But it didn't, and you're faring well. | 0:37:12 | 0:37:15 | |
Margie's gate is next to go under the gavel. | 0:37:15 | 0:37:18 | |
-£30, kick it in. -SHE LAUGHS | 0:37:18 | 0:37:21 | |
Gracious me, scrap metal now. | 0:37:21 | 0:37:23 | |
20 bid, thank you. 20. Two. | 0:37:23 | 0:37:26 | |
-24? 24. 26? -That's better. -28? 28. -Go on keep going. | 0:37:26 | 0:37:30 | |
30. 30, and two? Two, thank you. | 0:37:30 | 0:37:33 | |
-34? 34. 36? 36. -Still going. Come on. -38, thank you. | 0:37:33 | 0:37:38 | |
-That's better, Margie. Good. -£40. And two. | 0:37:38 | 0:37:41 | |
42. 44. At 42. | 0:37:41 | 0:37:44 | |
I am selling at £42. This is no money at all. | 0:37:44 | 0:37:47 | |
SHE EXHALES LOUDLY | 0:37:49 | 0:37:51 | |
Oh, Margie, so close. | 0:37:51 | 0:37:54 | |
The auctioneer thought this next lot could do well for Charles. | 0:37:55 | 0:37:59 | |
It could be full of Eastern promise. We are live online. | 0:37:59 | 0:38:02 | |
-Say what, £100 to start me? -HE BREATHES QUICKLY | 0:38:02 | 0:38:05 | |
-£70. 70 bid. -70 bid! Come on, let's go! -Five anywhere? -Come on! | 0:38:05 | 0:38:09 | |
At £70 bid. | 0:38:09 | 0:38:10 | |
-Shut up! -It is a very rare opportunity. -It is rare. | 0:38:10 | 0:38:13 | |
All done at 70? Last time, gavel's up... | 0:38:13 | 0:38:17 | |
-Well done. -Very good. Thank you very much. Thanks, partner. | 0:38:17 | 0:38:19 | |
A brilliant profit on that little chap. Well done, Charles. | 0:38:19 | 0:38:24 | |
First clogs and now Margie's pony boot. | 0:38:24 | 0:38:27 | |
But will our second footwear lot be as successful? | 0:38:27 | 0:38:31 | |
Say what, kick it in at £20? | 0:38:31 | 0:38:33 | |
20 in the room. £20, thank you. And two. | 0:38:33 | 0:38:36 | |
-Two. 22. -Come on, Margie. | 0:38:36 | 0:38:38 | |
24. 26. 28. | 0:38:38 | 0:38:39 | |
-30. 32? 32. -Good. | 0:38:39 | 0:38:42 | |
-Profit. -Oh, no! -Profit. | 0:38:42 | 0:38:45 | |
34! | 0:38:45 | 0:38:46 | |
-'Oh, she's at it.' -36, new money. 38? Try two. | 0:38:46 | 0:38:49 | |
-38! -Yeah! Well done, Margie. | 0:38:49 | 0:38:51 | |
-38. -Good job. -Spoilsport. | 0:38:51 | 0:38:54 | |
Back to the net then at 38. 38. 40 anywhere else? | 0:38:54 | 0:38:57 | |
-At £38. -Well done, partner. They're all in the room. | 0:38:57 | 0:39:02 | |
-And two? -Tight. -40? -It's kicking. | 0:39:02 | 0:39:04 | |
Wonderful. | 0:39:05 | 0:39:07 | |
Another profit for Margie. | 0:39:07 | 0:39:09 | |
Next up, Charles' thumbless figurine. | 0:39:11 | 0:39:14 | |
-Are you sure she's not repro? -Get out of here! | 0:39:14 | 0:39:17 | |
-Where would you like to be with her? -Anywhere. -You needn't say what. | 0:39:17 | 0:39:20 | |
-£30 to start me. Thank you. -Thank you very much. | 0:39:20 | 0:39:23 | |
In the room at £30. 30. And two. | 0:39:23 | 0:39:25 | |
-32. -Come on, let's go. -34. 36? | 0:39:25 | 0:39:27 | |
-36. 38? 38. 40? -She's coming home. | 0:39:27 | 0:39:31 | |
-£40, and two. -Let's go. | 0:39:31 | 0:39:32 | |
-Two, sir, thank you. -The Lancashire lady. | 0:39:32 | 0:39:34 | |
Thank you very much, sir. Thank you. | 0:39:34 | 0:39:36 | |
-44. -Come on, sir. -46. | 0:39:36 | 0:39:38 | |
46 in the room. All done at 46? | 0:39:38 | 0:39:41 | |
I can't believe it. | 0:39:41 | 0:39:42 | |
She had no thumbs but she was a lovely lady. I am really pleased. | 0:39:44 | 0:39:48 | |
Super profit. | 0:39:48 | 0:39:49 | |
Margie's brooch is next. And in a new box. | 0:39:51 | 0:39:54 | |
The auction house have kindly found a smarter box than the one she bought. | 0:39:54 | 0:39:58 | |
Could have saved yourself 50p, Margie. | 0:39:58 | 0:40:01 | |
Where would you like to be with this one? Say what, £40 for it? | 0:40:01 | 0:40:04 | |
-40 bid, sir. -Margie! Brilliant! -Two anywhere? On the bloke at 42. | 0:40:04 | 0:40:09 | |
-You watch, Margie. -44. 46. | 0:40:09 | 0:40:11 | |
-48. 50. -Good buy, Margie. -52. | 0:40:11 | 0:40:14 | |
Four. 56. | 0:40:14 | 0:40:16 | |
-58. £60. 62. -Oh, good. | 0:40:16 | 0:40:19 | |
-64. -Funny old game, Margie. | 0:40:19 | 0:40:21 | |
-68. £70. -I didn't think it would... | 0:40:21 | 0:40:23 | |
72? At 70. | 0:40:23 | 0:40:25 | |
Wow, Margie Cooper, take a bow! | 0:40:25 | 0:40:28 | |
-Two. 72. -Oh, Margie. -In two places. 74, sir? -Wow! -74, is it? | 0:40:28 | 0:40:34 | |
In the room at 74. 76? At 74 in the room. Gentleman's bid in the room. | 0:40:34 | 0:40:39 | |
-Marge, they've all been waiting for this. -£74... | 0:40:39 | 0:40:42 | |
Good girl, Margie. | 0:40:42 | 0:40:43 | |
Margie has bagged another great profit. | 0:40:43 | 0:40:46 | |
And she's up again with her Victorian nursing chair. | 0:40:48 | 0:40:51 | |
Where would you like to be with that one for me? | 0:40:51 | 0:40:54 | |
65, thanks. There we go. | 0:40:54 | 0:40:55 | |
-That's what I should've paid. -Good, Margie. -We are starting. | 0:40:55 | 0:40:58 | |
-Is that profit? -70 anywhere? | 0:40:58 | 0:41:00 | |
-£70. 70 here. And five. -Hold tight, Margie. | 0:41:00 | 0:41:03 | |
That's 70 here. £70. | 0:41:03 | 0:41:05 | |
Golden opportunity. | 0:41:05 | 0:41:06 | |
SHE LAUGHS | 0:41:08 | 0:41:11 | |
I just love buying things and selling them at the same price. | 0:41:11 | 0:41:14 | |
It's wiped its face, Margie. | 0:41:14 | 0:41:17 | |
Our pair's last lot now. | 0:41:17 | 0:41:20 | |
It is Charles' wartime memorabilia. | 0:41:20 | 0:41:23 | |
They were both risky buys as the provenance is questionable. | 0:41:23 | 0:41:26 | |
Thank you, sir. 20, and we're away. 20, and two. I have 20. Two. | 0:41:26 | 0:41:31 | |
22. 24? 24. 26. 28? | 0:41:31 | 0:41:34 | |
28, thank you. | 0:41:34 | 0:41:35 | |
It is all about the history, Margie, forget the money. | 0:41:35 | 0:41:38 | |
-It is just to see a bit of history. -34. And six? Six, thank you. | 0:41:38 | 0:41:42 | |
-38? 38, thank you. -Ah! You are getting there. | 0:41:42 | 0:41:46 | |
-42. 44? 44. -Ooooh... -46? 46. | 0:41:46 | 0:41:49 | |
-48? 48. -It is real history, Margie. | 0:41:49 | 0:41:53 | |
You can't buy history, but you can today. | 0:41:53 | 0:41:55 | |
-A rare opportunity. -Margie... And that's history. | 0:41:55 | 0:41:59 | |
And ending on another profit for Charles. Well done, both of you. | 0:42:00 | 0:42:04 | |
-Come on. -Let's go. | 0:42:04 | 0:42:05 | |
Time to tally up who's today's winner. | 0:42:07 | 0:42:10 | |
Margie started this leg with £266.56. | 0:42:10 | 0:42:14 | |
Today, after paying auction house fees, | 0:42:14 | 0:42:17 | |
she has made a profit of £13.76. | 0:42:17 | 0:42:20 | |
This means she carries forward £280.32. | 0:42:20 | 0:42:25 | |
Charles, meanwhile, started with £396.70. | 0:42:30 | 0:42:35 | |
Today, he has made an impressive profit of £99.76, | 0:42:35 | 0:42:40 | |
which means he is stretching ahead with £496.46 | 0:42:40 | 0:42:46 | |
to spend on the next leg. | 0:42:46 | 0:42:48 | |
MOTOR REVS | 0:42:49 | 0:42:51 | |
Bye-bye! See you, Lancashire! | 0:42:51 | 0:42:54 | |
Bye-bye, Road Trippers! | 0:42:54 | 0:42:56 | |
Next time on Antiques Road Trip... | 0:43:00 | 0:43:02 | |
Whoa! | 0:43:02 | 0:43:04 | |
..the weather doesn't dampen Charles' spirits... | 0:43:04 | 0:43:06 | |
I feel like a pirate. | 0:43:06 | 0:43:08 | |
..and Margie reaches new heights. | 0:43:08 | 0:43:10 | |
I feel like I am going to break it. | 0:43:10 | 0:43:12 | |
You're going to lose the sale! | 0:43:12 | 0:43:15 |