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It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:05 | |
I want something shiny. | 0:00:05 | 0:00:06 | |
..a classic car... HORN TOOTS | 0:00:06 | 0:00:07 | |
and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I like a rummage! | 0:00:10 | 0:00:12 | |
I can't resist. | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it's no mean feat. | 0:00:15 | 0:00:17 | |
Why do I always do this to myself?! | 0:00:17 | 0:00:19 | |
There'll be worthy winners. | 0:00:19 | 0:00:20 | |
Give us a kiss! | 0:00:20 | 0:00:21 | |
And valiant losers. | 0:00:21 | 0:00:22 | |
Come on, stick 'em up! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory... | 0:00:23 | 0:00:25 | |
Onwards and upwards! | 0:00:25 | 0:00:26 | |
..or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Take me home! | 0:00:28 | 0:00:29 | |
This is Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this third leg of the road trip, | 0:00:38 | 0:00:40 | |
we're in some Tudor towns in Warwickshire, | 0:00:40 | 0:00:42 | |
with the king and queen of the antiques trade, | 0:00:42 | 0:00:44 | |
Catherine Southon and Charles Hanson. | 0:00:44 | 0:00:46 | |
He's the king, she's the queen. | 0:00:46 | 0:00:47 | |
We are in Middle England. | 0:00:49 | 0:00:51 | |
Welcome to what I would call the home of heritage. | 0:00:51 | 0:00:56 | |
It is beautiful round here. | 0:00:56 | 0:00:58 | |
Catherine started her career at one of London's top auction houses, | 0:00:58 | 0:01:01 | |
and still deals with a straight-talking logic and acumen, | 0:01:01 | 0:01:04 | |
as you would expect. | 0:01:04 | 0:01:05 | |
-B&W. -B&W? | 0:01:05 | 0:01:08 | |
-Black and white. -Yeah? | 0:01:08 | 0:01:09 | |
Black and white timber-frame cottages. | 0:01:09 | 0:01:12 | |
I love the way, Charles, you talk in riddles, | 0:01:13 | 0:01:15 | |
you make absolutely no sense whatsoever. | 0:01:15 | 0:01:18 | |
Quite! | 0:01:19 | 0:01:20 | |
While Charles runs a Derbyshire saleroom with his trademark passion | 0:01:20 | 0:01:23 | |
for all things antiquated and archaic. | 0:01:23 | 0:01:26 | |
And chaotic and really rather lovely. | 0:01:26 | 0:01:28 | |
This area is renowned for black and white timber-frame cottages, | 0:01:28 | 0:01:32 | |
Anne Hathaway's, | 0:01:32 | 0:01:34 | |
Shakespeare's... | 0:01:34 | 0:01:35 | |
Ah, to be or not to be. | 0:01:35 | 0:01:38 | |
With our bards of buying starting off with £200, | 0:01:38 | 0:01:41 | |
Catherine now has £207.30... | 0:01:41 | 0:01:44 | |
..while Charles has proved himself a true titan of trading, | 0:01:45 | 0:01:48 | |
having accumulated £660.98. | 0:01:48 | 0:01:52 | |
He learned everything from me. | 0:01:52 | 0:01:53 | |
How much have you got? You've got thousands! | 0:01:53 | 0:01:55 | |
Oh, get out of here! I've got...tens of pounds. | 0:01:55 | 0:01:59 | |
Today they're driving a green goddess, | 0:01:59 | 0:02:01 | |
this 1981 MGB GT, | 0:02:01 | 0:02:03 | |
which they're calling Meg, as you do. | 0:02:03 | 0:02:06 | |
Are you with us, Meg? She's with us. | 0:02:06 | 0:02:09 | |
Well, you wouldn't be going very far if she wasn't, would you? Ha! | 0:02:09 | 0:02:12 | |
On this whole road trip, | 0:02:13 | 0:02:15 | |
Catherine and Charles began in southern England | 0:02:15 | 0:02:17 | |
before wending their way up the country, | 0:02:17 | 0:02:20 | |
journeying several hundred miles. | 0:02:20 | 0:02:22 | |
They'll finally finish up in Congleton in Cheshire. | 0:02:22 | 0:02:24 | |
On this leg, they start off in the Warwickshire village of Long Marston | 0:02:26 | 0:02:30 | |
and aim for auction in Newport, Shropshire. | 0:02:30 | 0:02:32 | |
But what might be their dream buys on this leg, eh? | 0:02:33 | 0:02:36 | |
See, I don't have sweet dreams any more on the road trip, | 0:02:38 | 0:02:40 | |
-I have nightmares. -Get out of here! | 0:02:40 | 0:02:41 | |
Wondering what else you're going to buy! | 0:02:41 | 0:02:43 | |
It's treasure hunting, it's like my hobby of metal detecting. | 0:02:43 | 0:02:46 | |
-You can't guarantee... -You don't do metal detecting! | 0:02:46 | 0:02:49 | |
As a young boy, what got me into treasure hunting... | 0:02:49 | 0:02:53 | |
-SHE LAUGHS -..was metal detecting, | 0:02:53 | 0:02:54 | |
I love it. What's so funny?! | 0:02:54 | 0:02:56 | |
SHE MIMICS DETECTOR BLEEPING | 0:02:56 | 0:02:58 | |
Let's hope they can both find something that glitters | 0:03:00 | 0:03:02 | |
as they head for their first shops, | 0:03:02 | 0:03:05 | |
and, having dropped Charles off, | 0:03:05 | 0:03:07 | |
Catherine's striding towards her first destination. | 0:03:07 | 0:03:10 | |
Ooh, hello! | 0:03:11 | 0:03:13 | |
-Good morning. -Hi, I'm Catherine, very nice to meet you. | 0:03:13 | 0:03:16 | |
Pleasantries over, time to shop. | 0:03:16 | 0:03:18 | |
But what's this chapeau, then? | 0:03:18 | 0:03:21 | |
That... | 0:03:21 | 0:03:23 | |
is amazing. | 0:03:23 | 0:03:24 | |
It's a beautiful dancer's headdress. | 0:03:24 | 0:03:27 | |
I have to try this on. | 0:03:27 | 0:03:29 | |
It's actually not as heavy as I thought it was going to be. | 0:03:31 | 0:03:33 | |
Oh, you are the queen, indeed, the pearly queen! | 0:03:33 | 0:03:37 | |
What's the price? I don't even want to look. | 0:03:38 | 0:03:41 | |
395. | 0:03:41 | 0:03:43 | |
I'm nowhere near this. | 0:03:43 | 0:03:44 | |
Well, that's clear out of your budget, then. | 0:03:44 | 0:03:46 | |
But this little joker looks cheaper and interesting. | 0:03:46 | 0:03:50 | |
Oh, now, that's cute, look at that! | 0:03:50 | 0:03:53 | |
It's in terrible condition. | 0:03:54 | 0:03:56 | |
Wow, I love that! | 0:03:56 | 0:03:58 | |
I love it! | 0:03:58 | 0:03:59 | |
It's a miniature model of a sedan chair, | 0:03:59 | 0:04:01 | |
a type of box in which a small seat or cabin | 0:04:01 | 0:04:05 | |
would be carried by servants or horses. Hm! | 0:04:05 | 0:04:08 | |
This one might have been used as a display case | 0:04:08 | 0:04:10 | |
and probably dates from the 19th century. | 0:04:10 | 0:04:12 | |
Dealer Laura owns this little curiosity. | 0:04:12 | 0:04:16 | |
Obviously, we've got a stain on the top. | 0:04:16 | 0:04:18 | |
What is your very, very best on that? | 0:04:19 | 0:04:22 | |
You've got 88 on it. | 0:04:22 | 0:04:23 | |
I could do it for 50. | 0:04:23 | 0:04:24 | |
I don't think I'd spend any more than 40, to be honest. | 0:04:25 | 0:04:28 | |
-Would you be willing to... -You couldn't go to 45? | 0:04:30 | 0:04:32 | |
45... | 0:04:32 | 0:04:33 | |
45, yeah, that's a possibility, yeah. | 0:04:33 | 0:04:36 | |
-Can I put that on the back burner? -Course you can. | 0:04:36 | 0:04:39 | |
Well, I wouldn't burn it, exactly. | 0:04:39 | 0:04:40 | |
Anything else? | 0:04:41 | 0:04:43 | |
This I'm kind of drawn towards. | 0:04:43 | 0:04:45 | |
A copper letter rack, yes. It does have a maker's mark on it. | 0:04:45 | 0:04:48 | |
This copper and brass letter rack also hails from France, | 0:04:50 | 0:04:54 | |
where Laura sources a lot of her stock. | 0:04:54 | 0:04:57 | |
The ticket price on that is £55. | 0:04:57 | 0:04:59 | |
What could that be? | 0:05:01 | 0:05:02 | |
I could do that one for... | 0:05:04 | 0:05:06 | |
30. | 0:05:06 | 0:05:08 | |
I think I'd want to be more around 20 on that, to be honest. | 0:05:08 | 0:05:13 | |
Could we meet in the middle, 25? | 0:05:14 | 0:05:17 | |
Shall we see again? | 0:05:17 | 0:05:18 | |
Cos we've got this, with the sedan chair... | 0:05:18 | 0:05:20 | |
With two items reserved, time for a peek outside. | 0:05:23 | 0:05:26 | |
How much is the Belfast sink? | 0:05:26 | 0:05:27 | |
Oh, do you know, I can't remember, I think it's 40-something, | 0:05:27 | 0:05:30 | |
but that can be cheap. | 0:05:30 | 0:05:31 | |
Cheap, you say, Laura? | 0:05:31 | 0:05:32 | |
That's music to Road Trippers' ears! | 0:05:32 | 0:05:35 | |
But let's not rush to a decision, eh, Catherine? | 0:05:35 | 0:05:38 | |
Have a tea, love! | 0:05:38 | 0:05:39 | |
Meanwhile, Charles has raced onwards | 0:05:41 | 0:05:44 | |
to the multistorey town of Stratford-upon-Avon. | 0:05:44 | 0:05:47 | |
Stratford was Shakespeare's old stomping ground. | 0:05:49 | 0:05:52 | |
Here, Charles is aiming towards Stratford Antiques Centre, | 0:05:52 | 0:05:55 | |
and dealer Raymond. | 0:05:55 | 0:05:57 | |
To be or not to be, Ray? | 0:05:57 | 0:05:59 | |
Good morning! | 0:05:59 | 0:06:00 | |
Hello, good morning, sir. | 0:06:00 | 0:06:02 | |
-Your name is... -Raymond. | 0:06:02 | 0:06:04 | |
It is great to be here in Stratford. | 0:06:04 | 0:06:06 | |
Indeed it is. | 0:06:06 | 0:06:07 | |
And just as Charles has come through the door, | 0:06:08 | 0:06:11 | |
Raymondo already has a little item he's keen to show him. | 0:06:11 | 0:06:14 | |
Raymond's got all these wonderful jades, | 0:06:16 | 0:06:18 | |
all these wonderful Chinese porcelains. | 0:06:18 | 0:06:22 | |
But this is not Chinese. | 0:06:22 | 0:06:23 | |
But Raymond has got a fairly interesting Bohemian, | 0:06:23 | 0:06:26 | |
-continental, could be German... -Oh! | 0:06:26 | 0:06:28 | |
Could be a French porcelain plaque. | 0:06:28 | 0:06:30 | |
-Let's get it out, Ray. -Have a look. | 0:06:30 | 0:06:32 | |
Pretty, isn't it? Is it on porcelain? | 0:06:32 | 0:06:34 | |
-Yes! -Are you sure about that? | 0:06:34 | 0:06:36 | |
Yeah, because there's some marks at the back. | 0:06:36 | 0:06:38 | |
So what we've got here, it appears to be, what...? | 0:06:38 | 0:06:40 | |
Madonna and child? It's a religious scene, isn't it? | 0:06:42 | 0:06:44 | |
Yes. | 0:06:44 | 0:06:46 | |
This little plaque appears to bear the mark of the German ceramics firm | 0:06:46 | 0:06:51 | |
Meissen, the very first European manufacturer to create porcelain | 0:06:51 | 0:06:55 | |
in 1708, a skill previously only held in East Asia. | 0:06:55 | 0:07:00 | |
But Charles thinks something about this is a bit suspicious, | 0:07:00 | 0:07:03 | |
and I think he's right. | 0:07:03 | 0:07:04 | |
It carries a mock Meissen mark. | 0:07:05 | 0:07:09 | |
-OK. -So it's an imitation of Meissen. | 0:07:09 | 0:07:12 | |
And this was made in Germany, probably around 1880. | 0:07:12 | 0:07:16 | |
-OK. -I like it, I like it a lot. | 0:07:16 | 0:07:19 | |
That will need further investigation, | 0:07:19 | 0:07:22 | |
but it's still an attractive 19th century lump. | 0:07:22 | 0:07:25 | |
What's your best price on that? | 0:07:27 | 0:07:28 | |
-50. -15? £15 sounds good to me. | 0:07:30 | 0:07:32 | |
Not 15, 50! | 0:07:32 | 0:07:34 | |
-Oh, say again? -50! Five zero. | 0:07:34 | 0:07:37 | |
-Oh! Sorry, sorry! -RAY LAUGHS | 0:07:37 | 0:07:40 | |
Put him down, Charles. | 0:07:40 | 0:07:41 | |
-I'm tempted. -OK. | 0:07:43 | 0:07:45 | |
What would be your best price? | 0:07:45 | 0:07:47 | |
-30 for you. -30? | 0:07:47 | 0:07:49 | |
You wouldn't do a bit more at all, would you, no? | 0:07:49 | 0:07:51 | |
Because to me it's probably worth between £20 and £40. | 0:07:51 | 0:07:55 | |
OK. | 0:07:55 | 0:07:56 | |
-25's rock bottom. -OK. | 0:07:57 | 0:07:59 | |
It's so early, I'm... | 0:08:00 | 0:08:02 | |
not even sparked up yet. | 0:08:02 | 0:08:04 | |
£25, I'm going to say, well, life is too short, I'll take it. | 0:08:04 | 0:08:07 | |
Deal done at £25. | 0:08:08 | 0:08:11 | |
Thank you, Raymondo! | 0:08:11 | 0:08:13 | |
Back in Long Marston, | 0:08:14 | 0:08:16 | |
Catherine's been busy negotiating for the miniature sedan chair, | 0:08:16 | 0:08:19 | |
French letter rack, | 0:08:19 | 0:08:21 | |
and Belfast sink. | 0:08:21 | 0:08:22 | |
What a mixture! | 0:08:22 | 0:08:23 | |
Dealer Laura's suggesting £85 for the three. | 0:08:23 | 0:08:27 | |
Catherine?! | 0:08:27 | 0:08:28 | |
Could we do 75 for the three, rather than 85? | 0:08:28 | 0:08:31 | |
No, but I could go to 80. | 0:08:34 | 0:08:36 | |
-OK, OK, shall we do that? -Yeah. | 0:08:36 | 0:08:38 | |
-Are you happy with that? -I am. | 0:08:38 | 0:08:40 | |
-We'll go on that. -Thank you. -Right. | 0:08:40 | 0:08:42 | |
Magnifique, eh? | 0:08:42 | 0:08:43 | |
Catherine has bagged the sedan chair for £35, | 0:08:43 | 0:08:46 | |
the letter rack for 30 | 0:08:46 | 0:08:48 | |
and the sink for 15. | 0:08:48 | 0:08:49 | |
-Lovely to meet you. -Nice to meet you too. | 0:08:51 | 0:08:53 | |
And carry on buying en francais. | 0:08:53 | 0:08:55 | |
-We will! -Au revoir! | 0:08:55 | 0:08:56 | |
-Au revoir! -Au revoir! | 0:08:56 | 0:08:58 | |
In Stratford, Charles is still on the hunt, | 0:09:00 | 0:09:02 | |
and helped by dealer Raymond. | 0:09:02 | 0:09:05 | |
And what's this he's stumbled upon? | 0:09:05 | 0:09:06 | |
An early footman. | 0:09:08 | 0:09:10 | |
A footman was used for keeping plates or food or wine warm | 0:09:10 | 0:09:14 | |
in front of a dining-room fire. | 0:09:14 | 0:09:16 | |
Handy. | 0:09:16 | 0:09:18 | |
-Raymond? -Hello, yeah? | 0:09:18 | 0:09:20 | |
What's your best price on this footman? | 0:09:20 | 0:09:22 | |
The price tag is 58. | 0:09:22 | 0:09:24 | |
-That's a lot. -I can do... | 0:09:24 | 0:09:26 | |
-38. -Oh, you can't! | 0:09:29 | 0:09:31 | |
Oh, he can do anything. | 0:09:31 | 0:09:33 | |
-The really important thing is to determine its age. -Mm. | 0:09:33 | 0:09:36 | |
So I'm hoping this might just be late 18th century, | 0:09:36 | 0:09:39 | |
because I say so... but I might be wrong! | 0:09:39 | 0:09:42 | |
He's keen, but what about the price? | 0:09:44 | 0:09:46 | |
Would you take 30 for it? | 0:09:48 | 0:09:50 | |
OK, 30, then. | 0:09:50 | 0:09:51 | |
Done, thank you very much, that's great. | 0:09:51 | 0:09:54 | |
Cor, things are hotting up. | 0:09:54 | 0:09:55 | |
Another deal in the bag. Thank you, Raymondo. | 0:09:55 | 0:09:58 | |
See you! | 0:09:58 | 0:09:59 | |
Now, Catherine's enjoying the quiet of a drive | 0:10:04 | 0:10:07 | |
without Charles in the car. | 0:10:07 | 0:10:09 | |
When he's here driving, he's just... | 0:10:10 | 0:10:12 | |
SHE BLATHERS | 0:10:13 | 0:10:14 | |
He's so on all the time, talking, he doesn't stop. | 0:10:14 | 0:10:17 | |
She's motoring on to the ancient town of Warwick. | 0:10:19 | 0:10:22 | |
Being a lover of historical intrigue, | 0:10:23 | 0:10:26 | |
she's keen to spend a tranquil afternoon | 0:10:26 | 0:10:28 | |
exploring one of the area's best kept secrets. | 0:10:28 | 0:10:31 | |
She's heading for the Lord Leycester Hospital | 0:10:31 | 0:10:34 | |
and meeting its master, Lieutenant Colonel Gerald Lesinski. | 0:10:34 | 0:10:38 | |
-Hello there! -How do you do? | 0:10:38 | 0:10:40 | |
Catherine, hi. Nice to meet you. | 0:10:40 | 0:10:42 | |
-And you. -This is quite a spectacular building, isn't it? -It is. | 0:10:42 | 0:10:46 | |
These medieval structures house an ancient charitable institution, | 0:10:48 | 0:10:52 | |
but although it's a hospital, | 0:10:52 | 0:10:54 | |
you won't find any doctors or nurses here. | 0:10:54 | 0:10:56 | |
The word "hospital" is used in its ancient sense, | 0:10:57 | 0:11:00 | |
where it meant a shelter, a refuge. | 0:11:00 | 0:11:02 | |
We became a hospital, a shelter, a refuge, | 0:11:02 | 0:11:06 | |
a retirement home for old soldiers, old warriors, | 0:11:06 | 0:11:09 | |
445 years ago. | 0:11:09 | 0:11:12 | |
And the hospital is still a home for retired service people | 0:11:15 | 0:11:18 | |
to this very day. | 0:11:18 | 0:11:20 | |
It owes its centuries of existence | 0:11:20 | 0:11:22 | |
to a nobleman of the 16th century Elizabethan period, | 0:11:22 | 0:11:25 | |
Robert Dudley, Earl of Leicester. | 0:11:25 | 0:11:27 | |
He was a friend of Queen Elizabeth, | 0:11:28 | 0:11:31 | |
a close friend of Queen Elizabeth. | 0:11:31 | 0:11:33 | |
-Oh! -A very, very close friend of Queen Elizabeth. | 0:11:33 | 0:11:36 | |
-Say no more! -Lived up the road in Kenilworth. | 0:11:36 | 0:11:38 | |
-Right. -And at the time, there was a problem with people like me. | 0:11:38 | 0:11:42 | |
I was a soldier for 35 years. | 0:11:42 | 0:11:44 | |
Back in those days, | 0:11:44 | 0:11:46 | |
if you were disabled in the service of the Queen, | 0:11:46 | 0:11:48 | |
there was no pension or resettlement schemes, | 0:11:48 | 0:11:50 | |
so old warriors often became beggars or vagrants, | 0:11:50 | 0:11:54 | |
and a general pain in the backside to normal law-abiding citizens, | 0:11:54 | 0:11:59 | |
who complained to the Queen. | 0:11:59 | 0:12:01 | |
And she let it be known | 0:12:01 | 0:12:02 | |
she expected her noblemen to do something about it, | 0:12:02 | 0:12:04 | |
and so Robert Dudley, Earl of Leicester, | 0:12:04 | 0:12:06 | |
one of her close associates, | 0:12:06 | 0:12:08 | |
decided that he would. And so in 1571, | 0:12:08 | 0:12:11 | |
he took over these old guild buildings, | 0:12:11 | 0:12:14 | |
and here he established his shelter, his refuge. | 0:12:14 | 0:12:17 | |
The hospital was first established to house 12 retired soldiers | 0:12:19 | 0:12:23 | |
known as brothers, presided over by one master, | 0:12:23 | 0:12:26 | |
the role that the Lieutenant Colonel takes today. | 0:12:26 | 0:12:30 | |
It might not be the most famous British institution | 0:12:30 | 0:12:33 | |
for ex-service pensioners, | 0:12:33 | 0:12:35 | |
but it's certainly one of its most venerable. | 0:12:35 | 0:12:37 | |
Nowadays, of course, we've got the Royal Hospital at Chelsea, | 0:12:38 | 0:12:41 | |
which of course is much younger than us. | 0:12:41 | 0:12:43 | |
But we have married brothers, unlike, again, Chelsea, | 0:12:43 | 0:12:48 | |
which we know very well, | 0:12:48 | 0:12:49 | |
we have married couples here, so our little community here is about... | 0:12:49 | 0:12:52 | |
I don't know, 20 strong? | 0:12:52 | 0:12:54 | |
And each of the brothers has a self-contained flat. | 0:12:54 | 0:12:56 | |
So has that always been the case? | 0:12:56 | 0:12:58 | |
Yes, we've always had married couples. | 0:12:58 | 0:13:00 | |
And Robert Dudley set down more rules for life at the hospital, | 0:13:02 | 0:13:06 | |
which are still followed today. | 0:13:06 | 0:13:08 | |
-This is the chapel. -Beautiful! | 0:13:10 | 0:13:12 | |
Built in the 12th century, 1126. | 0:13:13 | 0:13:16 | |
-Was it? -And... | 0:13:16 | 0:13:18 | |
..one of the rules that Robert Dudley laid down, | 0:13:19 | 0:13:22 | |
when he founded the place, | 0:13:22 | 0:13:24 | |
was that the master and the brothers should meet for prayers | 0:13:24 | 0:13:27 | |
in the chapel every morning. | 0:13:27 | 0:13:29 | |
And the other thing about this chapel is there's no heating in here | 0:13:29 | 0:13:33 | |
so you can probably imagine, | 0:13:33 | 0:13:34 | |
-walking through that door in the winter. -Absolutely freezing. | 0:13:34 | 0:13:37 | |
It's like walking into a deep freeze and if you were watching, | 0:13:37 | 0:13:40 | |
you'd see me shivering. | 0:13:40 | 0:13:41 | |
-Is it a very quick prayer service? -Very quick, | 0:13:41 | 0:13:43 | |
you'll hear me leading the prayers like a machinegun. | 0:13:43 | 0:13:46 | |
-SHE CHUCKLES -"Ba-da-ba-da-ba!" | 0:13:46 | 0:13:48 | |
To get through quickly as possible before we get hypothermia, Amen. | 0:13:48 | 0:13:52 | |
The brothers wear these traditional uniforms for high days | 0:13:52 | 0:13:55 | |
and ceremonial events, | 0:13:55 | 0:13:57 | |
and it's they who staff and maintain these beautiful buildings, | 0:13:57 | 0:14:00 | |
and tend to visitors. | 0:14:00 | 0:14:02 | |
Brother Bill... Do I call you brother Bill or is it Bill? | 0:14:03 | 0:14:06 | |
-Just Bill. -Just Bill. Bill, it's good to meet you. | 0:14:06 | 0:14:08 | |
So, you're ex... Is it ex-Navy? | 0:14:08 | 0:14:10 | |
Navy. Coming here, it's... | 0:14:10 | 0:14:11 | |
..it's a fantastic place to live and work. | 0:14:12 | 0:14:14 | |
Keeps the grey matter going. | 0:14:15 | 0:14:17 | |
-What's your name, sir? -Albert. | 0:14:17 | 0:14:19 | |
How long have you been here for, Albert? | 0:14:19 | 0:14:21 | |
Let me see, 21st year, just starting. | 0:14:21 | 0:14:25 | |
Brother John, what attracted you to be in the hospital? | 0:14:25 | 0:14:27 | |
I think the main single reason is I felt that it allowed us, | 0:14:27 | 0:14:31 | |
my wife and I, | 0:14:31 | 0:14:33 | |
to take a step closer to history, | 0:14:33 | 0:14:35 | |
because this place is steeped in history. | 0:14:35 | 0:14:37 | |
It certainly is. | 0:14:38 | 0:14:40 | |
But it's time for Sister Catherine to be on her way. | 0:14:40 | 0:14:43 | |
It's been lovely to meet you all, so thank you very much indeed. | 0:14:43 | 0:14:46 | |
You're very welcome, nice to see you. | 0:14:46 | 0:14:48 | |
-And thank you for sharing your stories. -Yes! | 0:14:48 | 0:14:49 | |
Now, Charles has travelled on to the town of Henley-in-Arden, | 0:14:52 | 0:14:56 | |
where he's about to trip off into Henley Vintage & Interiors. | 0:14:56 | 0:15:00 | |
Always on the run, Charles. | 0:15:00 | 0:15:02 | |
-Hello, ladies. -Hello. -How are you? | 0:15:03 | 0:15:05 | |
-Hi. -Charles Hamilton. -Hi, Christine. | 0:15:05 | 0:15:07 | |
-Hi, Christine. And? -Julie. | 0:15:07 | 0:15:08 | |
Hi, Julie, good to see you. What a lovely shop. | 0:15:08 | 0:15:10 | |
-Thank you. -And walking through Henley, there's such style. | 0:15:10 | 0:15:13 | |
And again, ladies, you have great style. | 0:15:13 | 0:15:15 | |
-Thank you. -I almost feel... | 0:15:15 | 0:15:17 | |
I almost feel slightly alien being from Derbyshire | 0:15:17 | 0:15:19 | |
that I'm not quite dressed for the occasion. | 0:15:19 | 0:15:21 | |
-You look lovely. -Well, thank you very much. | 0:15:22 | 0:15:25 | |
I say! | 0:15:25 | 0:15:27 | |
If you've quite finished fishing for compliments, Charles, | 0:15:27 | 0:15:30 | |
you'd better pull your socks up and get on the hunt. | 0:15:30 | 0:15:32 | |
Oh, I can see in here already there's a nice array of silver. | 0:15:35 | 0:15:40 | |
-Is it your...? -It isn't. | 0:15:40 | 0:15:41 | |
-No. -But it's... I'm more than happy to open it up for you. | 0:15:41 | 0:15:43 | |
And, and, and, oh, thank you very much, | 0:15:43 | 0:15:45 | |
and are you always open to some degree of negotiation? | 0:15:45 | 0:15:49 | |
As long as you're kind. | 0:15:49 | 0:15:50 | |
Always, Christine, always. | 0:15:51 | 0:15:53 | |
I quite like these old pails. | 0:15:54 | 0:15:56 | |
-Yes. -Are they silver? | 0:15:56 | 0:15:58 | |
I believe they are, let's just open up and have a look. | 0:15:58 | 0:16:01 | |
These are lovely, Christine. | 0:16:01 | 0:16:03 | |
Oh, God, they're really nice! | 0:16:04 | 0:16:05 | |
That's a set of four silver seasoning dishes, or salts, | 0:16:08 | 0:16:12 | |
bearing a Victorian hallmark, | 0:16:12 | 0:16:14 | |
and the monogram of their original owner, and they're very sweet. | 0:16:14 | 0:16:16 | |
Here we've got W Pound, esquire, | 0:16:17 | 0:16:20 | |
and we've got the hallmarks on there for London. | 0:16:20 | 0:16:24 | |
It's a young sovereign head, so we know they're about 1884. | 0:16:24 | 0:16:28 | |
-Have they been here a while? -No. | 0:16:28 | 0:16:30 | |
They're lovely. So, four of those. | 0:16:30 | 0:16:31 | |
-Yes. -How much could they be? | 0:16:31 | 0:16:33 | |
-You had... -£50 on them. | 0:16:34 | 0:16:37 | |
What's your offer, Charles? | 0:16:37 | 0:16:38 | |
Well, I was going to say to you, Christine, | 0:16:38 | 0:16:40 | |
whether I could buy them at £10 a piece, and go in at £40? | 0:16:40 | 0:16:45 | |
42? | 0:16:45 | 0:16:46 | |
I'll happily buy them. | 0:16:46 | 0:16:47 | |
-Lovely. -For £42, thank you. -Thank you... -I've just bought... | 0:16:47 | 0:16:50 | |
-Oh, let's throw them around! -CLINK ON FLOOR | 0:16:50 | 0:16:52 | |
There we go, I caught it almost. | 0:16:52 | 0:16:53 | |
I almost caught it. | 0:16:53 | 0:16:54 | |
-LAUGHTER -And I was in the slips, and... | 0:16:54 | 0:16:57 | |
Right, there we go, it's OK. | 0:16:57 | 0:16:59 | |
You know, I used to play cricket, you know, | 0:16:59 | 0:17:01 | |
so I just caught it as it came off the foot. | 0:17:01 | 0:17:03 | |
Well done, Charles. | 0:17:03 | 0:17:04 | |
We'll make a wicket keeper of you yet. | 0:17:04 | 0:17:07 | |
Bye. Bye. | 0:17:07 | 0:17:08 | |
And with that, we're quite hit for six | 0:17:08 | 0:17:11 | |
at the end of a jam-packed first day on the trip, so... | 0:17:11 | 0:17:14 | |
nighty-night, you two. | 0:17:14 | 0:17:15 | |
But the morning finds these two back in the MG | 0:17:19 | 0:17:22 | |
and getting along as swimmingly as ever. | 0:17:22 | 0:17:25 | |
-How are you? -Get off, get off. | 0:17:25 | 0:17:27 | |
-Let's stay together. -You're a bit close for my liking. | 0:17:27 | 0:17:30 | |
Well, thanks a lot. | 0:17:30 | 0:17:31 | |
This is my impression of you, Charles. | 0:17:31 | 0:17:33 | |
Why's that? | 0:17:33 | 0:17:34 | |
You're kind of like a little... | 0:17:35 | 0:17:37 | |
I don't know what you are, you're like a little... | 0:17:37 | 0:17:40 | |
-Weasel? -Yeah. -Thank you very much. | 0:17:40 | 0:17:42 | |
So far, Charles has squirrelled away three lots. | 0:17:42 | 0:17:45 | |
The little porcelain plaque, | 0:17:45 | 0:17:47 | |
the polished steel footman, | 0:17:47 | 0:17:49 | |
and the set of four salts. | 0:17:49 | 0:17:51 | |
He still has £563.98 for the day ahead... | 0:17:51 | 0:17:54 | |
-Bye-bye. -Bye-bye. | 0:17:54 | 0:17:56 | |
-See you. -Bye. -..which is a lot of dough. | 0:17:56 | 0:17:58 | |
While Catherine also has three lots. | 0:17:59 | 0:18:01 | |
The miniature sedan chair, | 0:18:01 | 0:18:03 | |
the letter rack | 0:18:03 | 0:18:04 | |
and the Belfast sink. | 0:18:04 | 0:18:06 | |
She still has £127.30 in her coin purse. | 0:18:07 | 0:18:11 | |
Don't you feel in our week thus far we've grown quite close together? | 0:18:14 | 0:18:18 | |
No. | 0:18:18 | 0:18:19 | |
Don't quarrel, now. | 0:18:19 | 0:18:20 | |
Of course we have. | 0:18:20 | 0:18:22 | |
That's better. | 0:18:22 | 0:18:24 | |
This morning, Catherine's beginning her buying | 0:18:24 | 0:18:26 | |
in the pretty Cotswold town of Chipping Campden. | 0:18:26 | 0:18:29 | |
You are going to be chipping away. | 0:18:31 | 0:18:34 | |
I am chipping away at Chipping Campden. | 0:18:34 | 0:18:37 | |
Now you can't get a better England than this. | 0:18:37 | 0:18:39 | |
Good luck, and don't miss me too much, OK? | 0:18:39 | 0:18:42 | |
-Don't what? -Don't miss me too much. | 0:18:42 | 0:18:44 | |
Oh, gosh, I won't miss you. | 0:18:44 | 0:18:45 | |
Oh, thanks. I thought you might miss me. | 0:18:45 | 0:18:47 | |
No, I'm not, I'm not going to miss you, Charles. | 0:18:47 | 0:18:49 | |
You're an uptown girl in Chipping Campden. | 0:18:49 | 0:18:52 | |
-See you later. -Mwah! | 0:18:52 | 0:18:53 | |
Ah, this doesn't look promising. | 0:18:55 | 0:18:58 | |
This is not good. It's closed. | 0:18:58 | 0:19:00 | |
There is no sign of life, so... | 0:19:01 | 0:19:04 | |
I'm going to get a coffee. | 0:19:05 | 0:19:06 | |
While Catherine has some well-deserved quiet time, | 0:19:06 | 0:19:10 | |
Charles is driving onwards, and hopefully upwards. | 0:19:10 | 0:19:13 | |
Just... I think Catherine has left some sandals in the car | 0:19:13 | 0:19:16 | |
and actually, they are quite stylish. | 0:19:16 | 0:19:18 | |
They've got a certain vintage retro look. | 0:19:18 | 0:19:21 | |
I reckon... | 0:19:21 | 0:19:23 | |
based on the fact, I mean, they are a bit outdated, | 0:19:23 | 0:19:27 | |
but I'm sure they'll make between £10 and £15 at auction. | 0:19:27 | 0:19:30 | |
And if I get a bit stuck later, | 0:19:30 | 0:19:32 | |
I might even put them into the sale myself. | 0:19:32 | 0:19:34 | |
Let's hope it doesn't come to that, | 0:19:34 | 0:19:36 | |
for Catherine's sake, at least. | 0:19:36 | 0:19:37 | |
Gorgeous. | 0:19:38 | 0:19:39 | |
In Chipping Campden, we're now open for business. | 0:19:39 | 0:19:42 | |
And Catherine has her coffee, | 0:19:42 | 0:19:43 | |
and is just about to stroll into Stuart House Antiques | 0:19:43 | 0:19:46 | |
to meet Rachel. Where's Stuart, then? | 0:19:46 | 0:19:48 | |
Excellent. "Come in, we are open." | 0:19:50 | 0:19:52 | |
Good morning. | 0:19:52 | 0:19:53 | |
Good morning. | 0:19:53 | 0:19:55 | |
Welcome to Chipping Campden. | 0:19:55 | 0:19:57 | |
Thank you. And you are? | 0:19:57 | 0:19:58 | |
I'm Rachel. Nice to meet you. | 0:19:58 | 0:20:00 | |
Rachel, lovely to meet you. | 0:20:00 | 0:20:01 | |
Catherine will scour this jam-packed place for buys. | 0:20:02 | 0:20:05 | |
And she will, you know. | 0:20:05 | 0:20:07 | |
My goodness, I've never seen so many ceramics. | 0:20:12 | 0:20:14 | |
Plates, plates, plates, plates, cups, cups, cups. | 0:20:14 | 0:20:16 | |
Crikey. But upstairs there is a collection of ceramics | 0:20:16 | 0:20:19 | |
that might just signal the hunt's over. | 0:20:19 | 0:20:22 | |
-Rachel? -Yeah? | 0:20:22 | 0:20:23 | |
Can I just ask you, you've got a lot more of this hunting, | 0:20:23 | 0:20:27 | |
the hunting china here...? | 0:20:27 | 0:20:29 | |
-Yes. -Crown Staffordshire. | 0:20:29 | 0:20:30 | |
Crown Staffordshire was a ceramic maker | 0:20:31 | 0:20:33 | |
whose origins date back to the mid-1800s. | 0:20:33 | 0:20:37 | |
The set Catherine has alighted on hails from the 1930s, | 0:20:37 | 0:20:40 | |
decorated with hunting scenes. Rather jolly. | 0:20:40 | 0:20:43 | |
-It's quite fun, isn't it? -It is quite fun. Yeah. | 0:20:44 | 0:20:46 | |
I wouldn't buy the whole lot. | 0:20:46 | 0:20:47 | |
I haven't got the money to buy the whole lot. | 0:20:47 | 0:20:49 | |
But something like the sugar bowl and the jug... | 0:20:49 | 0:20:53 | |
-Yes. -Would you sell those two? | 0:20:53 | 0:20:54 | |
Yes. | 0:20:54 | 0:20:56 | |
Combined ticket price on those is £66. | 0:20:56 | 0:21:00 | |
But what might Rachel accept? | 0:21:00 | 0:21:02 | |
I'd let you have it for... | 0:21:03 | 0:21:06 | |
25. | 0:21:06 | 0:21:07 | |
-For the two. -For the two. | 0:21:07 | 0:21:08 | |
Should I go for a cup and saucer, as well? | 0:21:10 | 0:21:11 | |
-And do a whole kind of...? -Nice little set, wouldn't it? | 0:21:11 | 0:21:15 | |
Catherine's adding a cup, saucer and tea plate set to the bundle, | 0:21:15 | 0:21:20 | |
but what could Rachel do on those AND the cream jug and sugar bowl? | 0:21:20 | 0:21:23 | |
I'd be able to have one, two and three for £30. | 0:21:23 | 0:21:28 | |
RACHEL INHALES | 0:21:28 | 0:21:29 | |
What about 35? | 0:21:29 | 0:21:31 | |
I'm going to shake your hand... | 0:21:31 | 0:21:32 | |
-Good... -..at 35, because I really like that. | 0:21:32 | 0:21:34 | |
And I hope you do really well on that, yes. | 0:21:34 | 0:21:36 | |
So, Catherine has her quarry. | 0:21:36 | 0:21:38 | |
And she's cantering off. | 0:21:38 | 0:21:40 | |
HORSE NEIGHS | 0:21:41 | 0:21:42 | |
MUSIC: Hound Dog by Elvis Presley | 0:21:42 | 0:21:43 | |
Meanwhile, Charles is heading for the environs of | 0:21:45 | 0:21:47 | |
the town of Moreton-in-Marsh. | 0:21:47 | 0:21:49 | |
This morning, dog-lover Charles has come here to learn | 0:21:50 | 0:21:53 | |
the fascinating story of some of the nation's favourite dog breeds. | 0:21:53 | 0:21:57 | |
He's meeting breeder Gay Robertson. | 0:21:57 | 0:21:59 | |
-Good morning. -How are you? -I'm fine, nice to meet you. | 0:22:01 | 0:22:03 | |
Good to see you, Gay. I'm Charles Hanson. | 0:22:03 | 0:22:05 | |
-And who's your friend beside you? -This is Fickle. -Hello, Fickle. | 0:22:05 | 0:22:08 | |
Good to see you, Fickle. Hello, I won't bite. | 0:22:08 | 0:22:10 | |
I should hope not, Charles. | 0:22:10 | 0:22:12 | |
Gay breeds, shows and races whippets like Fickle, | 0:22:13 | 0:22:16 | |
and is something of an authority on the fascinating history | 0:22:16 | 0:22:19 | |
of racing dogs like whippets and greyhounds. | 0:22:19 | 0:22:22 | |
These sighthounds were bred over centuries to chase small prey, | 0:22:22 | 0:22:27 | |
like hare, by sight rather than by smell, | 0:22:27 | 0:22:30 | |
as breeds like foxhounds and beagles. | 0:22:30 | 0:22:33 | |
Sighthounds have been raced in Britain for many centuries. | 0:22:33 | 0:22:37 | |
-Really, in this country... -Yes. -..we started with the Romans. | 0:22:37 | 0:22:41 | |
-Right. -And the Romans, who used them for sport, | 0:22:41 | 0:22:44 | |
the sport entailed the dogs chasing the hare... | 0:22:44 | 0:22:49 | |
-Yes. -..not to catch it, but to see which dog was the fastest. | 0:22:49 | 0:22:54 | |
-Yes. -And that's been true ever since. | 0:22:54 | 0:22:56 | |
This sport was known as hare coursing, | 0:22:57 | 0:23:00 | |
and was popular in Britain down the ages. | 0:23:00 | 0:23:02 | |
It found particular favour with the aristocracy of the 16th century, | 0:23:02 | 0:23:06 | |
when Queen Elizabeth I took an interest. | 0:23:06 | 0:23:09 | |
The Duke of Norfolk was told by Queen Elizabeth I | 0:23:10 | 0:23:14 | |
to draw up a complete set of rules for the sport. | 0:23:14 | 0:23:17 | |
And it's because betting figured very, very heavily. | 0:23:17 | 0:23:21 | |
And you don't want somebody saying "S'not fair!" You know? | 0:23:21 | 0:23:25 | |
THEY LAUGH | 0:23:25 | 0:23:26 | |
No, you don't, do you? | 0:23:26 | 0:23:27 | |
It had to be... | 0:23:27 | 0:23:28 | |
..absolutely which dog can run fastest, | 0:23:29 | 0:23:32 | |
turn the hare most often, and score the most points. | 0:23:32 | 0:23:36 | |
This made for a great spectator sport, | 0:23:36 | 0:23:38 | |
popular for centuries, | 0:23:38 | 0:23:40 | |
and regularly drew large crowds to coursing events. | 0:23:40 | 0:23:43 | |
In the 19th century, the banks closed for the Waterloo Cup, | 0:23:43 | 0:23:47 | |
for instance. | 0:23:47 | 0:23:48 | |
Wow. Such was the popularity of greyhounds? | 0:23:48 | 0:23:52 | |
The whole thing was very popular. | 0:23:52 | 0:23:55 | |
Although today we might most associate the greyhound breed | 0:23:55 | 0:23:59 | |
with dog racing, | 0:23:59 | 0:24:00 | |
the similar but smaller whippet was also very popular, | 0:24:00 | 0:24:03 | |
particularly in working-class mining areas of the 19th century. | 0:24:03 | 0:24:06 | |
In the north, and also in Wales, as you know, | 0:24:08 | 0:24:10 | |
mining was a big thing. | 0:24:10 | 0:24:12 | |
And whippets were more user-friendly than greyhounds. | 0:24:13 | 0:24:18 | |
I mean, you can have a whippet or two in your house, | 0:24:18 | 0:24:20 | |
and there's room. | 0:24:20 | 0:24:23 | |
They did take great care of them | 0:24:23 | 0:24:25 | |
because to win a race with a whippet could earn you more | 0:24:25 | 0:24:29 | |
than you earned in a week. | 0:24:29 | 0:24:31 | |
Nowadays of course, | 0:24:31 | 0:24:33 | |
dogs don't chase a live hare but rather a mechanised lure, | 0:24:33 | 0:24:38 | |
as all of Gay's whippets have been trained to do. | 0:24:38 | 0:24:40 | |
This taps in to the dog's instinct to pursue, | 0:24:40 | 0:24:43 | |
with no risks to wildlife. | 0:24:43 | 0:24:45 | |
I think the hooligan, he's the quickest, almost as quick as me. | 0:24:47 | 0:24:50 | |
THEY LAUGH | 0:24:50 | 0:24:52 | |
Come on! | 0:24:52 | 0:24:53 | |
So, so this activity's all part of their training? | 0:24:54 | 0:24:56 | |
It keeps them in good shape...? | 0:24:56 | 0:24:57 | |
It keeps them in good shape and it's... | 0:24:57 | 0:25:00 | |
They just love to do it. | 0:25:00 | 0:25:01 | |
So, it's all about looking at antiques | 0:25:03 | 0:25:05 | |
and always look at the bottom shelf first, keep your head down, | 0:25:05 | 0:25:08 | |
just stay with the object, and then towards the finishing line, | 0:25:08 | 0:25:11 | |
if it's worth buying, get it bought, | 0:25:11 | 0:25:13 | |
and hit that finish line, OK? | 0:25:13 | 0:25:15 | |
BARKING | 0:25:15 | 0:25:16 | |
Frank! Pack it in. | 0:25:16 | 0:25:19 | |
Whoops! | 0:25:19 | 0:25:20 | |
Charles is down! Oh, Lord. | 0:25:20 | 0:25:22 | |
I was taken down by a whippet. | 0:25:22 | 0:25:25 | |
BARKING | 0:25:25 | 0:25:26 | |
MUSIC: Dog Days Are Over by Florence And The Machine | 0:25:26 | 0:25:29 | |
-Go! -Go on! Go! | 0:25:30 | 0:25:32 | |
Come on, Potter. | 0:25:32 | 0:25:33 | |
Look at them go! Whoo! | 0:25:37 | 0:25:39 | |
Come on, Morgan. | 0:25:53 | 0:25:55 | |
Bring it home. Imagine that's Catherine Southon, OK? | 0:25:55 | 0:25:58 | |
Oh, Charles! | 0:25:58 | 0:25:59 | |
Get set. Go! | 0:25:59 | 0:26:00 | |
He's off! He's off! | 0:26:00 | 0:26:01 | |
-Well... -Their speed's incredible. | 0:26:04 | 0:26:05 | |
It's like lightning across the field. | 0:26:05 | 0:26:07 | |
Come on. Ooh, I've lost my dog now. | 0:26:11 | 0:26:13 | |
Once Charles's catches up, it's time to hit the road. | 0:26:15 | 0:26:18 | |
I've been delighted to have been here, so... | 0:26:18 | 0:26:20 | |
-Well, it was lovely. -Thank you so much, Gay. | 0:26:20 | 0:26:21 | |
It's been such a revelation and I shall not forget today. | 0:26:21 | 0:26:25 | |
WOOFING | 0:26:26 | 0:26:28 | |
In the meantime, Catherine's | 0:26:33 | 0:26:35 | |
moved on to the town of Burford, | 0:26:35 | 0:26:36 | |
where she is still on the hunt for another item | 0:26:36 | 0:26:39 | |
with her remaining £92.30. | 0:26:39 | 0:26:42 | |
That's £325 on it, so... | 0:26:45 | 0:26:47 | |
..I'm not buying it. | 0:26:48 | 0:26:50 | |
My goodness. | 0:26:54 | 0:26:56 | |
1920s. | 0:26:56 | 0:26:58 | |
French grapepickers' bins. | 0:26:58 | 0:27:01 | |
So, this is going to come round, like this. | 0:27:01 | 0:27:04 | |
You put your grapes in there. That's incredible. | 0:27:06 | 0:27:08 | |
But this grape bin is ticketed at around £200, | 0:27:09 | 0:27:13 | |
more than double what Catherine has remaining. | 0:27:13 | 0:27:16 | |
Let's leave her to look for lower-hanging fruit. | 0:27:16 | 0:27:18 | |
Meanwhile, Charles has trotted off to the town of Evesham... | 0:27:21 | 0:27:25 | |
..where he's wandered into his next shop. | 0:27:26 | 0:27:28 | |
Time for antique-ing. | 0:27:30 | 0:27:31 | |
And it's a familiar sort of place. | 0:27:33 | 0:27:35 | |
I've been here before. | 0:27:37 | 0:27:38 | |
-Good to see you. -Hi, hello, Charles. | 0:27:38 | 0:27:40 | |
Yes, you have been here before. | 0:27:40 | 0:27:41 | |
-I forget your name. -Andy. | 0:27:41 | 0:27:42 | |
-Good to see you. It's about two years ago... -Yes. | 0:27:42 | 0:27:44 | |
I came to this very antique centre and bought quite well. | 0:27:44 | 0:27:48 | |
You did. | 0:27:48 | 0:27:49 | |
Well, that sounds 'andy, Andy. | 0:27:49 | 0:27:51 | |
Let's hope Charles can repeat that success. | 0:27:51 | 0:27:53 | |
What a chair. Look at that for a chair. | 0:27:59 | 0:28:02 | |
-BOX CLATTERS TO FLOOR -Sorry. | 0:28:06 | 0:28:07 | |
Oh, Lord, Charles. | 0:28:07 | 0:28:09 | |
This might be interesting, | 0:28:10 | 0:28:11 | |
if it's in one piece. | 0:28:11 | 0:28:12 | |
The only reason this jumps out at me is it's a survivor. | 0:28:14 | 0:28:19 | |
It's made of timber, which can be easily burned, | 0:28:19 | 0:28:21 | |
and on many great bonfires of stately homes in the 20th century, | 0:28:21 | 0:28:26 | |
this entire chair... | 0:28:26 | 0:28:27 | |
..would have been, I suppose, put to that bonfire, | 0:28:28 | 0:28:32 | |
but you'll see has this beautiful shaped apron back, | 0:28:32 | 0:28:37 | |
with these scrolls, | 0:28:37 | 0:28:38 | |
this beautiful tired rush back, | 0:28:38 | 0:28:42 | |
these wonderful arms, | 0:28:42 | 0:28:43 | |
and when you just rest your arms on these rests, | 0:28:43 | 0:28:47 | |
you almost close your eyes, and you're in a time warp... | 0:28:47 | 0:28:50 | |
don't you? | 0:28:50 | 0:28:51 | |
Yep. | 0:28:51 | 0:28:53 | |
This chair's certainly seen its fair share of life. | 0:28:53 | 0:28:56 | |
It's been extensively repaired over the years, | 0:28:56 | 0:28:59 | |
but its bones look true and ancient. | 0:28:59 | 0:29:01 | |
I'm fairly confident in saying... would date to around 1700. | 0:29:01 | 0:29:08 | |
-Yep. -Oh. | 0:29:08 | 0:29:10 | |
-Would you agree? -I would agree, yes. | 0:29:10 | 0:29:11 | |
It's somewhere... Give or take a couple of years. | 0:29:11 | 0:29:14 | |
Ticket price on the armchair is a hefty £240. | 0:29:17 | 0:29:20 | |
Be careful, Charles. | 0:29:20 | 0:29:21 | |
-What could it be? -We could take that down to half price. | 0:29:22 | 0:29:25 | |
Dear me. | 0:29:29 | 0:29:30 | |
That's it. Goes in eventually. | 0:29:30 | 0:29:33 | |
Has it been here a long time? | 0:29:34 | 0:29:36 | |
Yes, it has. Er... | 0:29:36 | 0:29:39 | |
So, that's often a bad sign, isn't it? | 0:29:39 | 0:29:41 | |
So, your very, very best price would be... | 0:29:41 | 0:29:43 | |
Yep. | 0:29:43 | 0:29:44 | |
100. I can't go any lower. | 0:29:44 | 0:29:46 | |
-May I give it some thought? -Yep. | 0:29:50 | 0:29:52 | |
So, Charles will ponder that offer at a cool £100, and browse on. | 0:29:52 | 0:29:57 | |
Back in Burford, though, | 0:29:59 | 0:30:01 | |
Catherine's just about exhausted her options. | 0:30:01 | 0:30:03 | |
There is an awful lot to see and some beautiful pieces, | 0:30:03 | 0:30:06 | |
but it's just not for me. | 0:30:06 | 0:30:08 | |
The prices are just way, way over what I have. | 0:30:08 | 0:30:12 | |
It's lovely stock, but for another day. | 0:30:13 | 0:30:16 | |
Back in Evesham, | 0:30:17 | 0:30:18 | |
Charles has spotted something else with an intriguing past. | 0:30:18 | 0:30:21 | |
Just...down here, what I'm looking at now | 0:30:23 | 0:30:28 | |
is just a very, very nice microscope. | 0:30:28 | 0:30:29 | |
This Victorian brass example was made by Bryson of Edinburgh, | 0:30:29 | 0:30:33 | |
a quality maker of clocks and instruments from the very heyday | 0:30:33 | 0:30:37 | |
of the gentleman scientist. | 0:30:37 | 0:30:39 | |
What's attractive is this microscope comes in its original fitted box. | 0:30:39 | 0:30:45 | |
There we are. | 0:30:45 | 0:30:47 | |
With its divisions... and original slides. | 0:30:47 | 0:30:51 | |
There's no ticket price on it, | 0:30:51 | 0:30:53 | |
but there is another smaller microscope here, too. | 0:30:53 | 0:30:56 | |
This one isn't so good. | 0:30:56 | 0:30:57 | |
Another fairly simple microscope. | 0:31:00 | 0:31:02 | |
Andy, how much could the two be together? | 0:31:05 | 0:31:08 | |
Make it 25 for the pair. | 0:31:08 | 0:31:09 | |
Golly. | 0:31:09 | 0:31:11 | |
I mean... Very tempting. | 0:31:11 | 0:31:13 | |
And his beloved ancient chair is still offered at around 100. | 0:31:13 | 0:31:18 | |
It's make your mind up time, Carlos. | 0:31:18 | 0:31:21 | |
I'm going to take it with me, | 0:31:21 | 0:31:22 | |
-and hopefully impress Catherine by what will be... -Yes. | 0:31:22 | 0:31:25 | |
..the earliest item I've bought so far. | 0:31:25 | 0:31:28 | |
It's just a wonderful chair. | 0:31:28 | 0:31:30 | |
And the microscopes? | 0:31:30 | 0:31:32 | |
Anyway, I think for £25, I'll take them. | 0:31:32 | 0:31:34 | |
-Yes. -Thanks a lot. -Right. -Andy, I'm delighted with those two purchases. | 0:31:34 | 0:31:37 | |
I really feel... | 0:31:37 | 0:31:39 | |
..I'm spent. | 0:31:41 | 0:31:43 | |
Spent out, or spent up? | 0:31:43 | 0:31:45 | |
We all are, Charles. We all are. | 0:31:45 | 0:31:47 | |
As well as the chair and the microscopes, | 0:31:47 | 0:31:49 | |
Charles has the porcelain plaque, | 0:31:49 | 0:31:50 | |
the polished steel footman | 0:31:50 | 0:31:52 | |
and the set of four salts. | 0:31:52 | 0:31:53 | |
He spent £222 exactly... | 0:31:53 | 0:31:56 | |
..while Catherine has the miniature sedan chair, | 0:31:58 | 0:32:01 | |
the French letter rack, | 0:32:01 | 0:32:03 | |
the Belfast sink | 0:32:03 | 0:32:05 | |
and the collection of Crown Staffordshire. | 0:32:05 | 0:32:08 | |
She spent a total of £115. | 0:32:08 | 0:32:11 | |
But what do they make of each other's hauls? | 0:32:11 | 0:32:14 | |
I do love that miniature sedan chair. | 0:32:15 | 0:32:18 | |
It's a really good object, Catherine. | 0:32:18 | 0:32:20 | |
I think for £35 it could make £100, so good job. | 0:32:20 | 0:32:24 | |
I cannot tell you how devastated I am | 0:32:24 | 0:32:29 | |
that Charles has bought those four salts | 0:32:29 | 0:32:33 | |
in the shape of pails for £42. | 0:32:33 | 0:32:37 | |
It pains me to even think about them. | 0:32:37 | 0:32:40 | |
They are amazing! | 0:32:40 | 0:32:42 | |
Catherine is a very decorative lady, | 0:32:42 | 0:32:44 | |
she's quite calculating, | 0:32:44 | 0:32:46 | |
she has a scientific mind, | 0:32:46 | 0:32:48 | |
and almost she is my Queen Catherine, | 0:32:48 | 0:32:50 | |
I'm King Charles, | 0:32:50 | 0:32:51 | |
and hopefully the next auction won't be off with my head. | 0:32:51 | 0:32:54 | |
On this leg of the trip, | 0:32:56 | 0:32:58 | |
they began in Long Marston, | 0:32:58 | 0:33:00 | |
and are now aiming for auction in the Shropshire town of Newport, | 0:33:00 | 0:33:03 | |
a handsome market town that seems just the place to hawk their wares. | 0:33:03 | 0:33:08 | |
But sad news. | 0:33:08 | 0:33:10 | |
Things have taken an unexpected turn this morning. | 0:33:10 | 0:33:12 | |
Unfortunately, Charles has been detained on urgent family business, | 0:33:12 | 0:33:16 | |
so he can't make the auction today. | 0:33:16 | 0:33:19 | |
Catherine is driving solo. | 0:33:19 | 0:33:21 | |
I know I do moan about him, but I actually quite miss Charles. | 0:33:22 | 0:33:27 | |
It's not the same without him. | 0:33:27 | 0:33:28 | |
It's kind of... What can I say? | 0:33:28 | 0:33:30 | |
..quiet. | 0:33:30 | 0:33:32 | |
It's too peaceful! | 0:33:32 | 0:33:34 | |
But we wouldn't want things to get too quiet. | 0:33:35 | 0:33:38 | |
So an old pal will step into the breach | 0:33:38 | 0:33:41 | |
to rally Charles's lots along. | 0:33:41 | 0:33:44 | |
Hello there, legendary Road Tripper. | 0:33:44 | 0:33:46 | |
It's Phil Serrell. | 0:33:46 | 0:33:47 | |
-Hello! -Hello, how are you? | 0:33:49 | 0:33:51 | |
I'm good. Do you think my parking's improved? | 0:33:51 | 0:33:54 | |
Oh, it's unbelievably good. | 0:33:54 | 0:33:56 | |
Thank you for stepping in. | 0:33:56 | 0:33:57 | |
They wanted someone with Charlie's disposition, you know - | 0:33:57 | 0:33:59 | |
happy, smiley, effervescent, bubbly... | 0:33:59 | 0:34:02 | |
Here I am. | 0:34:03 | 0:34:05 | |
-LAUGHING: -Come on! -Come on. How are you? | 0:34:05 | 0:34:06 | |
Catherine and Philip are strolling into Brettells Auctioneers, | 0:34:08 | 0:34:10 | |
where appropriately presides auctioneer David Brettell. | 0:34:10 | 0:34:14 | |
..with spare lenses... | 0:34:15 | 0:34:16 | |
Before the off, what does he make of our lots? | 0:34:16 | 0:34:18 | |
Down at 48... | 0:34:18 | 0:34:19 | |
The copper and brass French letter holder, that's got a good look. | 0:34:21 | 0:34:25 | |
It's quirky, it's interesting, it's useful. | 0:34:25 | 0:34:28 | |
Of all of the things, | 0:34:28 | 0:34:29 | |
that's the one that I would think will attract the most interest. | 0:34:29 | 0:34:32 | |
The chair's certainly an early chair. | 0:34:32 | 0:34:33 | |
Do I think if its 16th, 17th century? | 0:34:33 | 0:34:36 | |
I wouldn't go that far. | 0:34:36 | 0:34:38 | |
It's been a good chair, don't get me wrong, | 0:34:38 | 0:34:39 | |
it's been a good chair, but it needs a lot, lot of work. | 0:34:39 | 0:34:42 | |
And age doesn't mean value. | 0:34:42 | 0:34:46 | |
But Philip's now had a chance to scout out Charles's items, too. | 0:34:46 | 0:34:50 | |
Well, your little plaque here... | 0:34:50 | 0:34:51 | |
And that's cost Charles Hanson £25. | 0:34:52 | 0:34:55 | |
That'll do really well. | 0:34:56 | 0:34:58 | |
Well, that's very promising, as the sale kicks off. | 0:34:58 | 0:35:01 | |
And with internet bidding as well. | 0:35:01 | 0:35:03 | |
-Excited? -I'm very excited. | 0:35:03 | 0:35:06 | |
You're going to have to talk me through this | 0:35:06 | 0:35:08 | |
because I haven't done this before. | 0:35:08 | 0:35:09 | |
Come, come now, Philip, you're a seasoned veteran. | 0:35:09 | 0:35:12 | |
Charles couldn't have anyone better in his corner. | 0:35:12 | 0:35:15 | |
First off, it's Charles... | 0:35:16 | 0:35:18 | |
and Philip's two microscopes. | 0:35:18 | 0:35:19 | |
Can they scope out some cash? | 0:35:19 | 0:35:22 | |
30 on the net, £30... | 0:35:22 | 0:35:24 | |
See, I'm into profit straightaway. | 0:35:24 | 0:35:25 | |
-Aren't I? Aren't I? -Oh, all right. All right. | 0:35:25 | 0:35:27 | |
We've got 37 on the net, now. | 0:35:27 | 0:35:29 | |
37. | 0:35:29 | 0:35:30 | |
42 on the net. | 0:35:30 | 0:35:32 | |
Five on the net. | 0:35:32 | 0:35:33 | |
45 bid, 45. 48, 48. | 0:35:33 | 0:35:35 | |
Nobody in the room. I sell this time at 48. | 0:35:35 | 0:35:38 | |
GAVEL BANGS | 0:35:38 | 0:35:39 | |
That scores an enlarged profit for Team Charles and Phil. | 0:35:39 | 0:35:44 | |
-We're all pleased for Charlie. -Charlie who? | 0:35:44 | 0:35:46 | |
-Charlie slash Phil. -Charlie...? | 0:35:46 | 0:35:47 | |
He had no input on those. | 0:35:48 | 0:35:50 | |
I bought those. | 0:35:50 | 0:35:51 | |
Hey! I'm sure you bought them in spirit, Philip. | 0:35:51 | 0:35:54 | |
Next, it's one for Catherine, as her Belfast sink meets the room. | 0:35:54 | 0:35:58 | |
We go ten, 12, 15, 18, £20 bid. | 0:35:58 | 0:36:02 | |
Two, five, eight, £30 bid. | 0:36:02 | 0:36:04 | |
-Yes. -Ooh! | 0:36:04 | 0:36:05 | |
£30 bid, £30 got. 32... | 0:36:05 | 0:36:07 | |
-Keep going. -Five, eight, £40 bid. | 0:36:07 | 0:36:10 | |
-Rubbish thing. -I knew this would make money. | 0:36:10 | 0:36:11 | |
Didn't I say it all the time? | 0:36:11 | 0:36:13 | |
-"Make a good profit on this." -Just shush. | 0:36:13 | 0:36:15 | |
Can't say I heard you, Philip. | 0:36:15 | 0:36:17 | |
Will be sold. Hammer's up. Anybody else going? | 0:36:17 | 0:36:19 | |
-Oooh...yes! -At £40... | 0:36:19 | 0:36:21 | |
GAVEL BANGS | 0:36:21 | 0:36:22 | |
SHE CLICKS HER FINGERS | 0:36:22 | 0:36:23 | |
No sinking feeling for Catherine, as that earns her a nice little bundle. | 0:36:24 | 0:36:29 | |
I learned from you. | 0:36:29 | 0:36:30 | |
I learned it all from you. | 0:36:30 | 0:36:31 | |
Oh-ho, I don't know about that. | 0:36:31 | 0:36:34 | |
Mwah. | 0:36:34 | 0:36:35 | |
Lordy, they ARE getting on well. | 0:36:36 | 0:36:38 | |
Now it's Charles's big gamble, | 0:36:38 | 0:36:40 | |
the chair with some real age, | 0:36:40 | 0:36:42 | |
but needs a lot of restoration. | 0:36:42 | 0:36:44 | |
£30. | 0:36:45 | 0:36:46 | |
£20. | 0:36:48 | 0:36:50 | |
Really is for nothing. | 0:36:50 | 0:36:51 | |
£10. | 0:36:51 | 0:36:53 | |
-Oh, dear. -Can I put my hand up? | 0:36:54 | 0:36:56 | |
-No. -No, you can't! | 0:36:56 | 0:36:58 | |
£10 on the net. 12, 15. | 0:36:58 | 0:37:01 | |
-15. -20 bid. | 0:37:01 | 0:37:03 | |
22. | 0:37:03 | 0:37:04 | |
-22. -22, got to be sold. | 0:37:04 | 0:37:06 | |
Hammer's up. Shout me now. | 0:37:06 | 0:37:07 | |
Charlie will be really upset. | 0:37:07 | 0:37:09 | |
Fair warning. | 0:37:09 | 0:37:10 | |
GAVEL BANGS | 0:37:10 | 0:37:11 | |
Do you know, I'd never have bought that? Never, never have bought that. | 0:37:11 | 0:37:14 | |
-SHE LAUGHS -I don't know what on earth... | 0:37:14 | 0:37:16 | |
-You've changed your tune! -Don't know what possessed him to buy that. | 0:37:16 | 0:37:19 | |
Despite some 20-20 hindsight from Philip, | 0:37:19 | 0:37:22 | |
that's a stinging loss on a chair Charles loves. | 0:37:22 | 0:37:25 | |
Bad luck. | 0:37:25 | 0:37:26 | |
I feel sad for him, because he really believed in that. | 0:37:26 | 0:37:30 | |
-Really believed in that. -Let me tell you, | 0:37:30 | 0:37:32 | |
it's a much better chair than 20 quid. | 0:37:32 | 0:37:34 | |
Now it's another for Catherine, | 0:37:35 | 0:37:37 | |
as her collection of Crown Staffordshire | 0:37:37 | 0:37:38 | |
goes hunting for profit. | 0:37:38 | 0:37:39 | |
Giddy up. | 0:37:39 | 0:37:41 | |
£10 here for the hunting. | 0:37:41 | 0:37:43 | |
-Come on. -No, ten, 12, 15. | 0:37:43 | 0:37:46 | |
-This is ridiculously cheap, you know? -It's ridiculously cheap. | 0:37:47 | 0:37:50 | |
Selling, then. | 0:37:50 | 0:37:51 | |
I'm not selling, I'm giving away now. | 0:37:51 | 0:37:53 | |
-He is giving it away. -At 15... | 0:37:53 | 0:37:54 | |
-HAMMER BANGS -That is really, really cheap. | 0:37:54 | 0:37:56 | |
Oh, chance of a profit gallops off there. | 0:37:56 | 0:37:59 | |
Oh, well. | 0:38:00 | 0:38:02 | |
There we go. What's next? | 0:38:02 | 0:38:04 | |
Glad you asked, Catherine. | 0:38:04 | 0:38:05 | |
It's Charles's set of four silver salts. | 0:38:05 | 0:38:08 | |
Can his seasoned stand-in Philip will them to a profit? | 0:38:08 | 0:38:12 | |
£50 for those? | 0:38:12 | 0:38:13 | |
They've got to make 100. | 0:38:13 | 0:38:14 | |
Well, 40 then? It's only a tenner each. | 0:38:14 | 0:38:16 | |
40, thank you, Bill. | 0:38:16 | 0:38:18 | |
£40 bid, £40 got. | 0:38:18 | 0:38:19 | |
£40 bid. 45. | 0:38:19 | 0:38:21 | |
50. | 0:38:21 | 0:38:23 | |
£50 bid, £50 got. Five? | 0:38:23 | 0:38:25 | |
-BIDDER: 60. -60. | 0:38:25 | 0:38:26 | |
£60. Five? Hammer's up. | 0:38:26 | 0:38:29 | |
70. £70 sat there. | 0:38:29 | 0:38:31 | |
Five? 75? | 0:38:31 | 0:38:33 | |
No, he says. 75 bid... | 0:38:33 | 0:38:35 | |
-I think these are for nothing. -Me too. | 0:38:35 | 0:38:38 | |
Quickly round at 75. | 0:38:38 | 0:38:41 | |
It's a decent profit, but our experts hoped for more. | 0:38:41 | 0:38:44 | |
To be honest, they should have made £100. | 0:38:45 | 0:38:48 | |
-They are really nice things! -Yeah. | 0:38:48 | 0:38:50 | |
I agree. | 0:38:50 | 0:38:51 | |
Another chance to give Catherine a bit of a lift now, | 0:38:51 | 0:38:54 | |
as her miniature sedan chair is up. | 0:38:54 | 0:38:57 | |
Nice little display. For 50. | 0:38:57 | 0:38:58 | |
It's a good thing. Come on. | 0:38:58 | 0:39:00 | |
OK, then. 60. | 0:39:00 | 0:39:02 | |
-Yes! -Five in the room. | 0:39:02 | 0:39:03 | |
65 bid, 65, in the room... | 0:39:03 | 0:39:05 | |
This is my only chance. | 0:39:05 | 0:39:06 | |
70. Five. | 0:39:06 | 0:39:08 | |
Come on, this is a good thing. | 0:39:08 | 0:39:09 | |
I'm selling at 75. 80 on the net. | 0:39:09 | 0:39:12 | |
85. 85 bid. | 0:39:12 | 0:39:13 | |
85. 90... | 0:39:13 | 0:39:15 | |
Yes! | 0:39:15 | 0:39:16 | |
-100. -Yes! | 0:39:16 | 0:39:18 | |
£100 in the room. | 0:39:18 | 0:39:19 | |
I'm selling, in the room at 100. | 0:39:19 | 0:39:21 | |
All done at 100? | 0:39:21 | 0:39:22 | |
I still don't think that was that dear. | 0:39:24 | 0:39:25 | |
-Just shush, I'm happy with that. -I don't. | 0:39:25 | 0:39:27 | |
As well you might be, Catherine. | 0:39:29 | 0:39:30 | |
Another splendid profit, darling. | 0:39:30 | 0:39:32 | |
Thanks, you bring good luck. | 0:39:32 | 0:39:33 | |
You're like my little leprechaun. | 0:39:33 | 0:39:35 | |
We should get him a hat! | 0:39:35 | 0:39:37 | |
Another for Team Charles and Philip now, | 0:39:38 | 0:39:40 | |
as the 19th century polished steel footman | 0:39:40 | 0:39:42 | |
will try to ignite some interest. | 0:39:42 | 0:39:44 | |
Bid. £10, I'm bid, | 0:39:44 | 0:39:45 | |
10, 12, 15, 18, 20 on my left. | 0:39:45 | 0:39:48 | |
Sat down here, £20, you're out, £20 bid. | 0:39:48 | 0:39:51 | |
£20 got. £20 to you on the left... | 0:39:51 | 0:39:52 | |
-On the internet. -25 on the net. | 0:39:52 | 0:39:55 | |
25 bid on the net, now 28 on the net. | 0:39:55 | 0:39:57 | |
Hammer's up then. All done, | 0:39:57 | 0:39:59 | |
round we go, quickly round at 28. | 0:39:59 | 0:40:00 | |
GAVEL BANGS | 0:40:00 | 0:40:02 | |
A little, a little loss. | 0:40:02 | 0:40:03 | |
A smidge. | 0:40:03 | 0:40:04 | |
Sadly, that lights no fires for Charles. | 0:40:04 | 0:40:07 | |
I'm quite happy for you to come on again. | 0:40:07 | 0:40:10 | |
I'm just thinking, I could rent myself out | 0:40:10 | 0:40:11 | |
to all the other Road Trippers, couldn't I? You know, | 0:40:11 | 0:40:14 | |
if anybody is having a really bad day or a good day, | 0:40:14 | 0:40:16 | |
-get Phil in. -Yeah. | 0:40:16 | 0:40:17 | |
Now it's the little French letter rack | 0:40:17 | 0:40:20 | |
that Catherine felt had some je ne sais quoi. | 0:40:20 | 0:40:23 | |
£50 on the net, £50 got. | 0:40:23 | 0:40:25 | |
No... | 0:40:25 | 0:40:27 | |
Five, 55 bid, 55 got. | 0:40:27 | 0:40:29 | |
55, lovely thing. 60... | 0:40:29 | 0:40:30 | |
60? Where did that come from? | 0:40:30 | 0:40:32 | |
A bidder, Catherine. | 0:40:32 | 0:40:34 | |
Five on, for Andrea, 65 bid. | 0:40:34 | 0:40:36 | |
We've got the two internets playing each other here. | 0:40:36 | 0:40:38 | |
70. At £70 bid. | 0:40:38 | 0:40:40 | |
£70, up to you. | 0:40:40 | 0:40:41 | |
-Five for UK Auctioneers... -Ooh! | 0:40:41 | 0:40:43 | |
75 bid. 70, 80, back to sale room | 0:40:43 | 0:40:46 | |
at £80 bid... | 0:40:46 | 0:40:47 | |
-Yes. -Ooh. | 0:40:47 | 0:40:48 | |
85 bid, 85. | 0:40:48 | 0:40:50 | |
I wish Charles was here to see this, | 0:40:50 | 0:40:52 | |
cos I always lose money when I'm with Charles. | 0:40:52 | 0:40:53 | |
100 on the net. £100 bid, £100 got. | 0:40:53 | 0:40:57 | |
Ten. 110 bid, 110... | 0:40:57 | 0:40:59 | |
£110? Is he on the same lot? | 0:40:59 | 0:41:01 | |
120 bid. | 0:41:01 | 0:41:02 | |
120 got. 120 you're at, Andrea. | 0:41:02 | 0:41:05 | |
120 bid. No? | 0:41:05 | 0:41:07 | |
Selling at 120... | 0:41:07 | 0:41:09 | |
GAVEL BANGS | 0:41:09 | 0:41:10 | |
Yeeeeees! | 0:41:10 | 0:41:11 | |
Thank you so much. | 0:41:11 | 0:41:13 | |
That really was something to write home about. | 0:41:14 | 0:41:17 | |
I do really like you, Phil. | 0:41:17 | 0:41:18 | |
Now it's Charles and indeed Philip's very last shot at a profit. | 0:41:20 | 0:41:25 | |
The little porcelain plaque. | 0:41:25 | 0:41:26 | |
£100 for it. 100 bid on the net. | 0:41:26 | 0:41:29 | |
-£100 bid... -£100! | 0:41:29 | 0:41:30 | |
110... | 0:41:30 | 0:41:32 | |
-# There may be trouble ahead... # -Shush! | 0:41:32 | 0:41:35 | |
130, 40. | 0:41:35 | 0:41:37 | |
140 on the net... | 0:41:37 | 0:41:38 | |
Well, at least he's kind of making it up for the chair. | 0:41:38 | 0:41:41 | |
Nobody in the room. 140 bid, 140, going to be sold, this time. | 0:41:41 | 0:41:45 | |
£140, then, bid. | 0:41:45 | 0:41:46 | |
140. Hammer is up. | 0:41:46 | 0:41:48 | |
At £140. | 0:41:48 | 0:41:49 | |
Anybody on the UK Auctioneer one? | 0:41:49 | 0:41:51 | |
At £140, hammer's up, going to be sold. | 0:41:51 | 0:41:53 | |
All done? Anybody else? 140... | 0:41:53 | 0:41:56 | |
-GAVEL BANGS -He's done brilliantly. | 0:41:56 | 0:41:58 | |
-Yeah, I knew that'd make money. -He'll be happy. -Yeah. | 0:41:58 | 0:42:00 | |
-And you would've bought that, wouldn't you? -Yeah, yeah. | 0:42:00 | 0:42:02 | |
Oh, yeah, yeah. | 0:42:02 | 0:42:03 | |
Well, that's a winner that's almost Heaven sent | 0:42:03 | 0:42:05 | |
to help the absent Charles on his last lot. | 0:42:05 | 0:42:08 | |
Philip was right about that. | 0:42:08 | 0:42:09 | |
So, let's do the maths. | 0:42:09 | 0:42:10 | |
Charles, ably assisted by Philip, started this leg with £660.98. | 0:42:12 | 0:42:17 | |
He made a profit of £34.66, | 0:42:19 | 0:42:23 | |
meaning he has £695.64 to carry forward... | 0:42:23 | 0:42:27 | |
..while Catherine put a little bit of a dent in his lead in this sale. | 0:42:29 | 0:42:33 | |
She started with £207.30. | 0:42:33 | 0:42:37 | |
She made a profit, though, of £110.50, which is magnificent! | 0:42:37 | 0:42:42 | |
So she has £317.80 in her coffers, | 0:42:42 | 0:42:46 | |
and is today's winner. | 0:42:46 | 0:42:47 | |
So, all that remains is to pass on the good news to Charles. | 0:42:47 | 0:42:51 | |
This is exciting. | 0:42:51 | 0:42:52 | |
"You've reached the voicemail of Charles Hanson..." | 0:42:52 | 0:42:54 | |
BEEP | 0:42:54 | 0:42:55 | |
NARRATOR LAUGHS | 0:42:55 | 0:42:56 | |
I'm sure they'll catch him before the next leg. | 0:42:56 | 0:42:59 | |
Next time on the Antiques Road Trip... | 0:43:00 | 0:43:02 | |
our pair reconnect with nature, as Catherine gets hands-on in a shop... | 0:43:02 | 0:43:06 | |
You can't not touch this beautiful oak. | 0:43:06 | 0:43:10 | |
..while Charles gets hands dirty in a field. | 0:43:10 | 0:43:12 | |
What is lurking under there? | 0:43:12 | 0:43:14 |