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The nation's favourite antiques experts, £200 each, | 0:48:02 | 0:48:04 | |
and one big challenge. | 0:48:04 | 0:48:06 | |
I'm here to declare war. | 0:48:06 | 0:48:07 | |
Why? | 0:48:07 | 0:48:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:48:09 | 0:48:13 | |
-Can we make it... -No! | 0:48:13 | 0:48:15 | |
-The aim is to trade up and hope each antique turns a profit. -Ouch! | 0:48:15 | 0:48:19 | |
But it's not as easy as you might think, | 0:48:19 | 0:48:21 | |
and things don't always go to plan. | 0:48:21 | 0:48:23 | |
Push! | 0:48:23 | 0:48:24 | |
So will they race off with a huge profit or come to a grinding halt? | 0:48:24 | 0:48:28 | |
We're doomed! | 0:48:28 | 0:48:29 | |
This is the Antiques Road Trip. | 0:48:29 | 0:48:31 | |
It's the penultimate day for our dashing duo, | 0:48:37 | 0:48:40 | |
Thomas Plant and Paul Laidlaw, and it's all to play for. | 0:48:40 | 0:48:44 | |
I think my modus operandi is to buy tat again! | 0:48:44 | 0:48:49 | |
And turn it into gold! | 0:48:49 | 0:48:51 | |
It's clearly working for you! You've got the junk Midas touch! | 0:48:51 | 0:48:56 | |
Thomas Plant is an auctioneer and jewel expert, | 0:48:56 | 0:49:00 | |
but when it comes to decisions, well, it can take some time. | 0:49:00 | 0:49:04 | |
I need something to come out and grab me. | 0:49:04 | 0:49:07 | |
-Hmm... -Our proud Scottish expert, Mr Laidlaw, is a lifelong collector | 0:49:07 | 0:49:13 | |
with a passion for all things military. | 0:49:13 | 0:49:17 | |
He loves a bargain and seldom backs down. | 0:49:17 | 0:49:20 | |
I think my estimate in an auction is £30-60 on that. | 0:49:20 | 0:49:23 | |
Can we do it? Thank you very much indeed! | 0:49:23 | 0:49:25 | |
1387, it's a hallmarked silver-cased trench watch. | 0:49:25 | 0:49:30 | |
At yesterday's auction, Paul was playing it safe | 0:49:30 | 0:49:34 | |
and stuck with what he knows best, militaria. | 0:49:34 | 0:49:38 | |
Well done, a big well done, that's a really good profit. | 0:49:38 | 0:49:40 | |
And it certainly worked. | 0:49:40 | 0:49:43 | |
Show me the money, more money! | 0:49:43 | 0:49:44 | |
After a disappointing start, he's now on the up with £255.88. | 0:49:44 | 0:49:51 | |
But can he catch his fearsome competitor? | 0:49:51 | 0:49:54 | |
Thomas is keeping his chin up, | 0:49:54 | 0:49:57 | |
despite a gut-wrenching loss at the last auction. | 0:49:57 | 0:50:00 | |
Where do we see it? Who's going to start me, £30? | 0:50:00 | 0:50:03 | |
£30 online, at £30... | 0:50:03 | 0:50:05 | |
Ouch! | 0:50:05 | 0:50:07 | |
Sadly, two of his lots didn't impress, | 0:50:09 | 0:50:11 | |
leaving him with £305.20. He's still on top, | 0:50:11 | 0:50:14 | |
but he definitely needs to up his game. | 0:50:14 | 0:50:17 | |
But it's a new day, | 0:50:17 | 0:50:19 | |
and keeping them on track is their sporty Alfa Romeo Spider. | 0:50:19 | 0:50:24 | |
Lovely day, isn't it? You know, it's just... | 0:50:24 | 0:50:27 | |
Laidlaw and Plant in their little Italian hairdryer. | 0:50:27 | 0:50:31 | |
Starting in Skipton, | 0:50:31 | 0:50:33 | |
Thomas and Paul will travel over 400 miles south | 0:50:33 | 0:50:36 | |
through the beautiful Yorkshire Dales, | 0:50:36 | 0:50:38 | |
the Home Counties of Buckinghamshire and Oxfordshire, | 0:50:38 | 0:50:42 | |
before arriving in Pewsey for the final auction. | 0:50:42 | 0:50:45 | |
It's the penultimate trip, and they're leaving Towcester behind | 0:50:45 | 0:50:49 | |
heading for auction four in Watlington. | 0:50:49 | 0:50:52 | |
First stop is the beautiful market town of Olney. | 0:50:52 | 0:50:55 | |
Olney is known for its pancake race, | 0:50:58 | 0:51:00 | |
which has been run in the town every Pancake Day since 1445. | 0:51:00 | 0:51:05 | |
But it's perhaps best known | 0:51:05 | 0:51:09 | |
as the place where the Olney Hymns were written. | 0:51:09 | 0:51:11 | |
# Amazing grace | 0:51:11 | 0:51:17 | |
# How sweet the sound... # | 0:51:17 | 0:51:23 | |
John Newton, the author of the hymn Amazing Grace, | 0:51:23 | 0:51:28 | |
was curate of Olney and is buried here. | 0:51:28 | 0:51:32 | |
No pancakes on the menu today, and, as the boys go their separate ways, | 0:51:32 | 0:51:37 | |
Mr Laidlaw's first shop of the day is Dodo Antiques, | 0:51:37 | 0:51:40 | |
where he's meeting proprietor Owen. | 0:51:40 | 0:51:43 | |
Do you own this material, | 0:51:43 | 0:51:45 | |
or are you representing lots of different sellers? | 0:51:45 | 0:51:48 | |
A bit of a combination. Most of the furniture is mine. | 0:51:48 | 0:51:52 | |
There's a cabinet in each room pretty much rented out. | 0:51:52 | 0:51:56 | |
My word, what a lovely offering! | 0:51:56 | 0:51:59 | |
It just feels lovely in here. | 0:51:59 | 0:52:00 | |
And it just gets better and better for Paul. | 0:52:00 | 0:52:04 | |
Look at these fabulous Art Deco cloud chairs round there. | 0:52:04 | 0:52:07 | |
Fabulous burr veneer table. | 0:52:07 | 0:52:10 | |
But, between you and me, price is my problem at the moment. | 0:52:10 | 0:52:13 | |
Not choice, price. | 0:52:13 | 0:52:14 | |
You've got £200 to spend - surely there's something you can afford. | 0:52:14 | 0:52:19 | |
It's a dinner gong. | 0:52:19 | 0:52:21 | |
It's missing a chord at the moment, but let's do the business, shall we? | 0:52:21 | 0:52:25 | |
-GONG RINGS -Lovely tone, very Oriental. | 0:52:25 | 0:52:29 | |
That's a shell case. | 0:52:29 | 0:52:30 | |
You really are drawn to all things military, aren't you, Paul? | 0:52:32 | 0:52:36 | |
It's a British naval shell | 0:52:36 | 0:52:38 | |
and from the markings looks to date to January 1898. | 0:52:38 | 0:52:43 | |
This was kept as a souvenir and actually re-used, | 0:52:43 | 0:52:46 | |
but don't they make a handsome gong? Now, what's it on? | 0:52:46 | 0:52:49 | |
Rather architectural, rather classy. | 0:52:49 | 0:52:51 | |
Some of these are junk, but this absolutely is not. | 0:52:51 | 0:52:55 | |
Whopping great big piece of mahogany. | 0:52:55 | 0:52:59 | |
So far as they go, it's a superior example. | 0:52:59 | 0:53:03 | |
It's a pretty unique item, | 0:53:03 | 0:53:05 | |
and I'm sensing Paul has fallen for its charm. | 0:53:05 | 0:53:08 | |
I can't see a price on it to start with. | 0:53:08 | 0:53:11 | |
We could do that for £45 for you. | 0:53:11 | 0:53:13 | |
-Can you think harder about that? -I'm thinking pretty hard! | 0:53:16 | 0:53:20 | |
-I think that's not expensive. -It's not. -But it's not a bargain yet. | 0:53:20 | 0:53:24 | |
-So what is a bargain? -20 quid's a bargain. -20 quid's scrap! | 0:53:24 | 0:53:27 | |
-PAUL LAUGHS -That's it! | 0:53:27 | 0:53:29 | |
We'll see if we can find a few things and do a deal. | 0:53:29 | 0:53:32 | |
Why don't we? I like that. | 0:53:32 | 0:53:34 | |
While Paul hunts for potential bargains, | 0:53:34 | 0:53:37 | |
Thomas is across the road in Leo's Place, and feeling the pressure. | 0:53:37 | 0:53:42 | |
Oh, it's difficult, isn't it? | 0:53:42 | 0:53:45 | |
You see, Paul's got this vision of me just buying tat. | 0:53:45 | 0:53:48 | |
The thing is, I just know what sells, especially in that jewellery world. | 0:53:48 | 0:53:54 | |
I mean, he knows about his military thing. Oh, more military stuff! | 0:53:54 | 0:53:58 | |
It might be draining, Thomas, | 0:53:58 | 0:54:01 | |
but it's the military stuff that's keeping him hot on your tail. | 0:54:01 | 0:54:04 | |
With a bit of help from shop manager Di, | 0:54:04 | 0:54:06 | |
Thomas starts to make progress. | 0:54:06 | 0:54:09 | |
Is it all right if I just pick out things I'm interested in? | 0:54:09 | 0:54:13 | |
-Not at all, Martin. -Thomas. -Thomas! | 0:54:13 | 0:54:17 | |
-Where does Martin come from? -I don't know, is that ridiculous? | 0:54:17 | 0:54:20 | |
I've never been called a Martin. | 0:54:20 | 0:54:22 | |
Robert I get a lot of, because of Robert Plant. | 0:54:22 | 0:54:25 | |
But Martin... | 0:54:25 | 0:54:27 | |
I think you might have to enlighten Di on that one. | 0:54:27 | 0:54:31 | |
The singer, Led Zeppelin singer. | 0:54:31 | 0:54:33 | |
# And as we wind on down the road... # | 0:54:33 | 0:54:37 | |
Glad you cleared that up, Martin. Now, back to business, Thomas. | 0:54:37 | 0:54:40 | |
You see, I am drawn to this. | 0:54:40 | 0:54:43 | |
But this looks like it's been in there a long time. | 0:54:43 | 0:54:46 | |
It could be an old friend. | 0:54:46 | 0:54:48 | |
I've put these two to one side, 38 and 9.50. | 0:54:48 | 0:54:52 | |
It's German, 1920s, 1930s, | 0:54:52 | 0:54:55 | |
that sort of fashion for that Egyptian-style jewellery. | 0:54:55 | 0:55:00 | |
I don't even think it's silver... I mean, it's too rich for me at £38. | 0:55:00 | 0:55:07 | |
-Would you be interested in it? -I would, but it's a real low figure. | 0:55:07 | 0:55:12 | |
-Real low figure. -How low? | 0:55:12 | 0:55:14 | |
I mean, it's so low I don't expect people to accept it. | 0:55:14 | 0:55:17 | |
-20? -No, it's too much, I'm afraid. | 0:55:17 | 0:55:21 | |
-How much too much? -If it was a tenner, I'd have it. | 0:55:22 | 0:55:26 | |
A tenner?! Thomas, I think you could be pushing your luck here, boy. | 0:55:26 | 0:55:30 | |
And then there's this brooch, which I'm interested in. | 0:55:30 | 0:55:33 | |
I like these from the point of view that these are smoky quartz. | 0:55:33 | 0:55:37 | |
-Yes. -Not the greatest stone ever to walk this earth, | 0:55:37 | 0:55:40 | |
but still, it's smoky quartz. | 0:55:40 | 0:55:42 | |
You know the interesting thing about it? The backing on it, | 0:55:42 | 0:55:45 | |
so it's foil-backed, so it dates it to 19th century. | 0:55:45 | 0:55:48 | |
I tell you what... You see, I've got this £20 sitting here. | 0:55:48 | 0:55:52 | |
I'd give you that for those two, so that makes that 15 and that five. | 0:55:52 | 0:55:57 | |
Because it's you, Tom... | 0:55:58 | 0:56:00 | |
..I'll accept 20. | 0:56:01 | 0:56:03 | |
-Oh! Brilliant. -Thank you. -Thank you very much. | 0:56:03 | 0:56:05 | |
Well done, Thomas, that's a great buy. | 0:56:05 | 0:56:08 | |
Time for Mr Laidlaw to show us what he's got. | 0:56:08 | 0:56:11 | |
All, some or none of these could end up worth buying, | 0:56:11 | 0:56:16 | |
but let's see what we've got. | 0:56:16 | 0:56:18 | |
Lovely little pocket notepad, nice! | 0:56:18 | 0:56:22 | |
Pocket fruit knife. | 0:56:22 | 0:56:24 | |
This is a bit of decadence for you. | 0:56:24 | 0:56:26 | |
Cocktail swizzle stick, because isn't it so tiresome | 0:56:26 | 0:56:30 | |
when one's champagne is just a tad too effervescent? | 0:56:30 | 0:56:33 | |
Like those. | 0:56:33 | 0:56:34 | |
He's also found an English silver cigar cutter, | 0:56:36 | 0:56:40 | |
a silver penknife, as well as a lorgnette. | 0:56:40 | 0:56:43 | |
I say! Isn't Mrs Smith's behaviour | 0:56:43 | 0:56:46 | |
scandalous in the village at the moment? | 0:56:46 | 0:56:50 | |
It's a great collection of silver, | 0:56:50 | 0:56:52 | |
but at £171 it would only leave him with £84.88 to spend. | 0:56:52 | 0:56:59 | |
-How are you getting on? -If there's any way you can look at | 0:56:59 | 0:57:02 | |
what can be squeezed on... all of that, potentially. | 0:57:02 | 0:57:05 | |
OK. I'll go and give the dealer a ring, see what I can do. | 0:57:05 | 0:57:09 | |
Be warned, Owen, our Mr Laidlaw loves a good haggle. | 0:57:09 | 0:57:14 | |
Is that the best? | 0:57:14 | 0:57:16 | |
Thank you, see you later. | 0:57:16 | 0:57:19 | |
She's saying really the best she could do would be 145 on the lot. | 0:57:21 | 0:57:25 | |
And what did we start at? I never even added them up. | 0:57:25 | 0:57:28 | |
-You've got 15% off there. -15?! She's not even trying, is she? | 0:57:28 | 0:57:32 | |
OK. I could throw something else in to try and sweeten it for you. | 0:57:32 | 0:57:36 | |
-Liking the sound of that. -I've got something over here. | 0:57:36 | 0:57:38 | |
This kind of negotiation is right up Paul's street. | 0:57:38 | 0:57:42 | |
We've had this a little while. | 0:57:42 | 0:57:44 | |
-For a while! -PAUL LAUGHS | 0:57:44 | 0:57:47 | |
Owen has two classic mirrors. | 0:57:47 | 0:57:50 | |
They're priced at £80 and £95. | 0:57:50 | 0:57:53 | |
Last time, Paul's mirror did well, much to Thomas's disappointment. | 0:57:53 | 0:57:58 | |
You've made steady profits on all of them. | 0:57:58 | 0:58:01 | |
So we've a reproduction, late Georgian style. | 0:58:02 | 0:58:05 | |
Oval framed, satinwood stringing to the edges. | 0:58:05 | 0:58:08 | |
There's nothing the matter with it apart from nobody wants it | 0:58:08 | 0:58:12 | |
and the Victorian one is like a tombstone, isn't it? | 0:58:12 | 0:58:15 | |
Mr Laidlaw, I'm shocked. I thought you'd be snapping them up. | 0:58:15 | 0:58:20 | |
I can do them for a tenner each. | 0:58:20 | 0:58:22 | |
What a bargain! How can you refuse? | 0:58:22 | 0:58:25 | |
My fear at the moment is I'm shooting all my bolts. | 0:58:25 | 0:58:29 | |
But I'm still talking to you. | 0:58:29 | 0:58:31 | |
Where were we with the gong, was it 40? | 0:58:31 | 0:58:34 | |
I'll go to 30 on the gong. | 0:58:34 | 0:58:35 | |
Now we're talking about a gong, couple of mirrors | 0:58:35 | 0:58:38 | |
and a handful of silver and plate. | 0:58:38 | 0:58:41 | |
-Give me the last price on the lot then. -Best price is 190. | 0:58:41 | 0:58:44 | |
Give me a wee bit off it. | 0:58:44 | 0:58:46 | |
20 quid off that, 170 quid, cash, job done, I'm out of here. | 0:58:46 | 0:58:49 | |
-Everybody wins. -I'll drop it to 180. | 0:58:52 | 0:58:55 | |
170. | 0:58:55 | 0:58:57 | |
-You want to do it. -All right then. | 0:59:00 | 0:59:02 | |
What a result. How do you manage it, Paul? | 0:59:02 | 0:59:05 | |
One shop down and already he's bought four lots. | 0:59:05 | 0:59:08 | |
The pressure's back on you, Thomas. | 0:59:08 | 0:59:11 | |
After a great buy with the brooches, Thomas is hoping for another bargain. | 0:59:11 | 0:59:15 | |
He's met Alan, one of the dealers. | 0:59:15 | 0:59:18 | |
-Ooh, we've got the same watch. -There's good taste for you. | 0:59:18 | 0:59:21 | |
Alan rents space in the shop for his collection of clocks and watches. | 0:59:21 | 0:59:25 | |
That's a lovely Albert, isn't it. | 0:59:25 | 0:59:28 | |
Gorgeous fob as well. A lot of gold. | 0:59:28 | 0:59:31 | |
Beautifully enamelled centre. | 0:59:31 | 0:59:32 | |
Named after Queen Victoria's beloved consort Albert, | 0:59:32 | 0:59:36 | |
it consists of a T bar and two complete chains. | 0:59:36 | 0:59:39 | |
Basically you'd wear this in your waistcoat here, | 0:59:39 | 0:59:43 | |
so your watch would have been clipped on. | 0:59:43 | 0:59:46 | |
Here it is look, being clipped on like this. | 0:59:46 | 0:59:49 | |
Clip it on. You've got a watch on there. | 0:59:49 | 0:59:54 | |
That would have gone in to your waistcoat pocket in there, | 0:59:54 | 1:00:00 | |
and this would have gone into the button hole of your waistcoat. | 1:00:00 | 1:00:03 | |
That's rather handsome. | 1:00:03 | 1:00:05 | |
So is that something you're willing to sort of sell to me, at a deal? | 1:00:05 | 1:00:11 | |
I'd always be willing to sell you something. | 1:00:11 | 1:00:13 | |
Well, I know you would, but, you know... | 1:00:13 | 1:00:16 | |
-You mean at the right price. -At a good price. | 1:00:16 | 1:00:19 | |
Would you consider £90 a reasonable price? | 1:00:19 | 1:00:22 | |
Well, that's OK. | 1:00:24 | 1:00:25 | |
I had another figure in mind. | 1:00:25 | 1:00:28 | |
A bit less. | 1:00:28 | 1:00:29 | |
But I know that I'm being sort of pushing. | 1:00:29 | 1:00:33 | |
I'll take another five off - 85 - which is very reasonable. | 1:00:33 | 1:00:37 | |
-You wouldn't go as low as 70? -No. | 1:00:37 | 1:00:41 | |
You said you'd take a fiver, would you take a bit more off? | 1:00:41 | 1:00:44 | |
-Not really. -Really? Go on. -No. -No? | 1:00:44 | 1:00:47 | |
I'll do it for 80, but that's it. | 1:00:49 | 1:00:52 | |
£80. | 1:00:52 | 1:00:53 | |
-Yes, that's it. -Well, I like you. I'm going to say yes. -OK. | 1:00:53 | 1:00:57 | |
You've got a deal. Thank you very much. It's a very nice thing. | 1:00:57 | 1:01:02 | |
I hope it's not the undoing of me! | 1:01:02 | 1:01:05 | |
Now all that's left is for Thomas to dish the dosh to Di, | 1:01:05 | 1:01:09 | |
but not before he's had one last try. | 1:01:09 | 1:01:11 | |
We agreed on 80. He wasn't going down any more, was he? That was it. | 1:01:11 | 1:01:16 | |
A bit of profit. By the time he's paid commission... | 1:01:16 | 1:01:19 | |
-How much commission is he going to pay? -Well... | 1:01:19 | 1:01:22 | |
-Could you give me the commission off? -I can't. I'm so sorry. | 1:01:22 | 1:01:26 | |
I had to ask! | 1:01:26 | 1:01:29 | |
Meanwhile, after a mammoth shopping spree, Paul drives 14 miles south | 1:01:29 | 1:01:34 | |
to Bletchley Park. | 1:01:34 | 1:01:35 | |
This looks promising. | 1:01:36 | 1:01:39 | |
"Welcome to Bletchley Park National Code Centre." | 1:01:41 | 1:01:45 | |
Bletchley Park is the historic site | 1:01:49 | 1:01:52 | |
of secret British code breaking activities during World War Two. | 1:01:52 | 1:01:56 | |
The museum reveals the incredibly complex processes needed to | 1:01:56 | 1:02:01 | |
break the German codes that proved so important in winning the war. | 1:02:01 | 1:02:04 | |
Hello, is it John ? | 1:02:07 | 1:02:08 | |
Being a military enthusiast, Paul is extremely excited | 1:02:08 | 1:02:11 | |
to be shown round by volunteer John Jackson. | 1:02:11 | 1:02:15 | |
-Shall we go in? -Thank you very much. Expensive technology. | 1:02:15 | 1:02:18 | |
Yes. | 1:02:18 | 1:02:19 | |
Enigma is perhaps the best-known cipher machine of all time, | 1:02:21 | 1:02:26 | |
and Bletchley Park has the largest collection of these machines | 1:02:26 | 1:02:28 | |
on public display in Europe. | 1:02:28 | 1:02:30 | |
What we have here is the standard three-wheel Enigma machine | 1:02:30 | 1:02:34 | |
used by the German armed forces throughout the Second World War. | 1:02:34 | 1:02:37 | |
This machine was used under battlefield conditions. | 1:02:37 | 1:02:41 | |
Wherever the German military machine went | 1:02:41 | 1:02:44 | |
during the Second World War, | 1:02:44 | 1:02:46 | |
around 50,000 of these machines went with them. | 1:02:46 | 1:02:49 | |
The Enigma machines were designed and used by the Germans | 1:02:49 | 1:02:52 | |
to send each other encrypted messages. | 1:02:52 | 1:02:54 | |
It was these messages that were picked up | 1:02:54 | 1:02:57 | |
and sent to Bletchley Park for the code breakers to crack. | 1:02:57 | 1:03:00 | |
So I'm sitting here and I have a secret message to get back to HQ, | 1:03:00 | 1:03:06 | |
and here is the message, and for every letter I put in | 1:03:06 | 1:03:10 | |
-I get a different and encrypted or enciphered letter out. -Yes. | 1:03:10 | 1:03:15 | |
If Bletchley Park had broken a particular code during the day, | 1:03:15 | 1:03:19 | |
they had to start all over again, as every night at midnight | 1:03:19 | 1:03:23 | |
the German operators changed the settings on their Enigma machines. | 1:03:23 | 1:03:28 | |
When that key was set up for the day, | 1:03:28 | 1:03:32 | |
the odds against finding it were one in 158 million million million. | 1:03:32 | 1:03:40 | |
And when you consider that getting the winning ticket in the Lottery | 1:03:40 | 1:03:45 | |
is only one in 14 million, you understand why the Germans were | 1:03:45 | 1:03:49 | |
so confident about the security of this machine. | 1:03:49 | 1:03:52 | |
In order to decipher the German Enigma messages, | 1:03:52 | 1:03:55 | |
the British designed a machine called the bombe, and this became | 1:03:55 | 1:03:59 | |
the primary tool used at Bletchley Park to crack the Enigma messages. | 1:03:59 | 1:04:05 | |
This is the bombe rebuild. | 1:04:05 | 1:04:07 | |
This is Helen, one of the bombe demonstration team. | 1:04:07 | 1:04:11 | |
It took the team 12 years to rebuild. | 1:04:11 | 1:04:15 | |
It has got 12 miles of wiring in it. | 1:04:15 | 1:04:17 | |
It has got 17,000 screws keeping it together, | 1:04:18 | 1:04:22 | |
and during the course of the Second World War, these machines broke | 1:04:22 | 1:04:27 | |
2.5 million messages enciphered on the Enigma machine. | 1:04:27 | 1:04:33 | |
Astonishing! | 1:04:33 | 1:04:35 | |
It is said that Bletchley Park probably shortened the war | 1:04:35 | 1:04:39 | |
by as much as two years. | 1:04:39 | 1:04:41 | |
And the great tragedy of these machines is that, the day | 1:04:41 | 1:04:44 | |
after the war ended, they began breaking them up. | 1:04:44 | 1:04:48 | |
It wasn't until 1974 that anybody outside of Bletchley Park | 1:04:48 | 1:04:53 | |
even knew that they had existed. | 1:04:53 | 1:04:55 | |
1,600 Wrens worked on the bombes at Bletchley Park, | 1:04:55 | 1:04:59 | |
eight-hour shifts, 24/7, right up until 8th May 1945. | 1:04:59 | 1:05:03 | |
Conditions were hard, they were in bombproof buildings with no windows | 1:05:03 | 1:05:08 | |
and the need for speed and accuracy made the work relentless. | 1:05:08 | 1:05:12 | |
The crucial thing about the job they did | 1:05:12 | 1:05:15 | |
was all the clever interception and all the genius of the code breakers | 1:05:15 | 1:05:20 | |
would have fallen down if the Wrens had not been 100% accurate | 1:05:20 | 1:05:24 | |
when they plugged up the bombe. | 1:05:24 | 1:05:27 | |
If they got it wrong, everything went wrong. | 1:05:28 | 1:05:31 | |
But they were wonderful young women and they did an outstanding job. | 1:05:31 | 1:05:35 | |
Churchill called the work at Bletchley Park his ultra secret | 1:05:35 | 1:05:40 | |
and at one time thanked the Wrens for laying the golden eggs without clucking. | 1:05:40 | 1:05:45 | |
What a fascinating place, | 1:05:47 | 1:05:49 | |
and who would have thought that just six miles down the road in Woburn | 1:05:49 | 1:05:53 | |
another great piece of history took place. | 1:05:53 | 1:05:56 | |
This was the venue for my wedding. Woburn Abbey. | 1:06:00 | 1:06:03 | |
A few years down the line, here I am back again, | 1:06:03 | 1:06:05 | |
and it brings back very, very happy memories. | 1:06:05 | 1:06:08 | |
So what a lucky boy! | 1:06:08 | 1:06:10 | |
Hopefully your luck will continue as you head to the old Town Hall, | 1:06:10 | 1:06:14 | |
aptly named Town Hall Antiques, | 1:06:14 | 1:06:17 | |
where owner Alvin is on hand to help. | 1:06:17 | 1:06:20 | |
Well, I wouldn't mind looking in your friend's cabinet. | 1:06:20 | 1:06:23 | |
-Let me get the key. -Thank you very much. Thanks. | 1:06:23 | 1:06:26 | |
I haven't seen that. She's only just put that in. | 1:06:26 | 1:06:29 | |
-Looks like a nice object. -A Viennese bronze of a swallow. | 1:06:29 | 1:06:35 | |
It's well done. | 1:06:36 | 1:06:38 | |
Just tap it with your ring. | 1:06:38 | 1:06:41 | |
Obviously, if it's another metal, it doesn't ring as well as bronze. | 1:06:41 | 1:06:45 | |
That's got a really nice ring to it. | 1:06:45 | 1:06:47 | |
That's got 125 on it. | 1:06:47 | 1:06:49 | |
What's she like? Good or bad? | 1:06:49 | 1:06:50 | |
-She's mean as anything. -Really? | 1:06:50 | 1:06:52 | |
-Really hard, yes. -Really hard. | 1:06:52 | 1:06:55 | |
I should say 115. | 1:06:55 | 1:06:58 | |
Really? | 1:06:58 | 1:06:59 | |
-But I could squeeze to 110. -Really? | 1:06:59 | 1:07:02 | |
I love that swallow. | 1:07:02 | 1:07:05 | |
She wouldn't come down any more on that if you gave her a call? | 1:07:06 | 1:07:09 | |
I'll take another five, but not a penny less. | 1:07:09 | 1:07:12 | |
105. I think that's quite a good buy. | 1:07:14 | 1:07:17 | |
So I think you're being very mean if you're not happy to pay 105. | 1:07:17 | 1:07:21 | |
What about 100? | 1:07:21 | 1:07:23 | |
No. No. Not at all. | 1:07:23 | 1:07:25 | |
105. | 1:07:25 | 1:07:26 | |
I just think it's slightly out of fashion. | 1:07:26 | 1:07:28 | |
Well, start a new fashion. | 1:07:28 | 1:07:30 | |
-Me be the trend setter? -Yeah. You've got the auction to do it. | 1:07:31 | 1:07:35 | |
Oh dear, has the Plant charm lost its sparkle? | 1:07:36 | 1:07:39 | |
I don't know. I'm in two minds. | 1:07:39 | 1:07:41 | |
I'm about to spend £105 on a bronze figure, | 1:07:41 | 1:07:46 | |
but it is just not fashionable? | 1:07:46 | 1:07:48 | |
Alvin, he's a nice guy, he knows his stuff. | 1:07:48 | 1:07:52 | |
I don't think I can push him that much further. I might get thrown out if I do. | 1:07:52 | 1:07:56 | |
Time for a change of tactics. | 1:07:56 | 1:07:59 | |
Thomas is looking for something to pair with the swallow | 1:08:01 | 1:08:04 | |
in the hope that Alvin will do him a deal. | 1:08:04 | 1:08:08 | |
These are cultured pearls | 1:08:08 | 1:08:09 | |
so the beads have been implanted inside the oyster. | 1:08:09 | 1:08:14 | |
They're quite nice though. | 1:08:14 | 1:08:16 | |
They've got this creamy colour to them - | 1:08:17 | 1:08:20 | |
but look how they change colour. | 1:08:20 | 1:08:22 | |
Creamy colour against my skin - you see that? | 1:08:22 | 1:08:25 | |
But put pearls against white and look what happens. | 1:08:25 | 1:08:29 | |
They come alive. Isn't that amazing? | 1:08:29 | 1:08:32 | |
Do you think... | 1:08:32 | 1:08:34 | |
you would do me a deal on these two items? | 1:08:34 | 1:08:39 | |
On that and the swallow? | 1:08:39 | 1:08:40 | |
We got these at 59 and I've got the swallow at 125. | 1:08:40 | 1:08:46 | |
That's 184. | 1:08:46 | 1:08:49 | |
If I say 150 for the two items. | 1:08:49 | 1:08:52 | |
Could I sneak a little bit more? | 1:08:54 | 1:08:57 | |
I really don't think so, no. | 1:08:57 | 1:08:58 | |
Are you sure? | 1:08:58 | 1:09:00 | |
I'm sure. | 1:09:00 | 1:09:01 | |
150 for the two items. | 1:09:02 | 1:09:04 | |
-And are you really positive... -I'm absolutely... -..you couldn't do 140? | 1:09:04 | 1:09:08 | |
Woah, woah, no, no, definitely not. | 1:09:08 | 1:09:11 | |
-Definitely? -150 is my absolute death. | 1:09:11 | 1:09:14 | |
-You're sure not 140? -No, definitely not. | 1:09:14 | 1:09:16 | |
-150. -Meet me halfway? | 1:09:16 | 1:09:18 | |
No. 150 is the deal. | 1:09:18 | 1:09:20 | |
-Just do it for 145. -No. | 1:09:20 | 1:09:22 | |
-150. But I will toss a coin for it. -All right! | 1:09:22 | 1:09:25 | |
-Call. -Heads. | 1:09:25 | 1:09:27 | |
Tails it is. | 1:09:27 | 1:09:29 | |
That means I would've spent 250 in my first day. | 1:09:29 | 1:09:33 | |
Go on. Well done. | 1:09:33 | 1:09:35 | |
Who'd have thought it? | 1:09:37 | 1:09:39 | |
Thomas has bought five lots in the first day. | 1:09:39 | 1:09:43 | |
The competition's heating up | 1:09:43 | 1:09:45 | |
but for now our antique hunters need their beauty sleep. | 1:09:45 | 1:09:48 | |
It's a new day and our chaps on the road again. | 1:09:56 | 1:09:59 | |
What are you going to buy? More things? You've bought four already. | 1:09:59 | 1:10:03 | |
Yeah, look, I'm on a roll. I can't help myself. | 1:10:03 | 1:10:06 | |
One expensive item. Go on! | 1:10:06 | 1:10:08 | |
So far you haven't bought one item over three figures yet, have you? | 1:10:08 | 1:10:12 | |
# No, you haven't. No, you haven't. Not a single item. # | 1:10:12 | 1:10:18 | |
LAUGHTER | 1:10:18 | 1:10:19 | |
So far Paul's spent £170 on four lots. | 1:10:20 | 1:10:24 | |
The dinner gong, a Victorian dressing mirror, | 1:10:24 | 1:10:28 | |
a Sheraton string inlaid mirror as well as a collection of silver delights, | 1:10:28 | 1:10:33 | |
leaving £85.88 for the day ahead. | 1:10:33 | 1:10:37 | |
Thomas, meanwhile, hit the first day's shopping hard, | 1:10:37 | 1:10:41 | |
spending a colossal £250 on five lots - | 1:10:41 | 1:10:45 | |
an Egyptian brooch, a smoky quartz brooch, | 1:10:45 | 1:10:48 | |
a double Albert watch chain, | 1:10:48 | 1:10:50 | |
a figurine of a swallow and a pearl necklace. | 1:10:50 | 1:10:53 | |
He has just £55.20 left to spend. | 1:10:53 | 1:10:57 | |
-Pretty good fun, huh! -Yeah. | 1:10:57 | 1:10:59 | |
They're leaving Woburn behind | 1:10:59 | 1:11:01 | |
and chauffeur Paul is dropping Thomas in Shuttleworth, | 1:11:01 | 1:11:05 | |
where he's in for a treat. | 1:11:05 | 1:11:06 | |
-Chocks away! -Chocks away for me! | 1:11:06 | 1:11:09 | |
I feel like a very lucky spoilt boy! | 1:11:09 | 1:11:12 | |
With all his shopping done in the first day, Mr Plant is off to a flying start | 1:11:12 | 1:11:17 | |
so he's come to the Shuttleworth aerodrome. | 1:11:17 | 1:11:20 | |
Good luck! Spend all your money! | 1:11:20 | 1:11:23 | |
Yeah(!) Enjoy! | 1:11:23 | 1:11:25 | |
The Shuttleworth Collection is an assortment of working aircraft and automobiles | 1:11:25 | 1:11:30 | |
founded by the young aviator, Richard Shuttleworth. | 1:11:30 | 1:11:32 | |
Showing Thomas around is Tony Podmore. | 1:11:33 | 1:11:35 | |
Come on in. | 1:11:35 | 1:11:37 | |
I'm fascinated by the collection and how it came to be. | 1:11:37 | 1:11:41 | |
Obviously there was a Mr Shuttleworth. | 1:11:41 | 1:11:45 | |
Richard Shuttleworth was born in 1909. | 1:11:45 | 1:11:48 | |
He had inherited his grandfather and father's flair for all things mechanical. | 1:11:48 | 1:11:53 | |
Richard Shuttleworth was passionate about cars | 1:11:53 | 1:11:56 | |
and became a motor racing driver, | 1:11:56 | 1:11:58 | |
taking part in the first ever British Grand Prix in 1935. | 1:11:58 | 1:12:03 | |
But after a nasty accident, his career was cut short. | 1:12:03 | 1:12:07 | |
He decided, however, to take an interest in flying | 1:12:07 | 1:12:11 | |
because he thought it was so much safer! | 1:12:11 | 1:12:14 | |
This "never give up" attitude, this "never die" attitude. | 1:12:14 | 1:12:17 | |
It's terribly British. | 1:12:17 | 1:12:19 | |
And Richard's gung-ho attitude didn't stop there. | 1:12:19 | 1:12:23 | |
When war broke out, he volunteered as a pilot for the Royal Air Force. | 1:12:23 | 1:12:27 | |
It was during, very sadly, a night-flying sortie | 1:12:27 | 1:12:32 | |
at RAF Benson in Oxfordshire that he suffered a fatal crash. | 1:12:32 | 1:12:38 | |
He was only 31. | 1:12:38 | 1:12:39 | |
In 1944, Richard's mother set up a trust in his memory | 1:12:40 | 1:12:45 | |
and today the collection houses some of Richard's most prized possessions. | 1:12:45 | 1:12:50 | |
There she is! | 1:12:50 | 1:12:51 | |
The world's oldest air-worthy aeroplane. | 1:12:52 | 1:12:56 | |
The 1909 Bleriot. | 1:12:56 | 1:12:58 | |
1909! | 1:12:58 | 1:12:59 | |
-Isn't she amazing? -It is amazing. | 1:12:59 | 1:13:01 | |
Richard believed that the very best form of preservation | 1:13:01 | 1:13:05 | |
was to keep everything in working order. | 1:13:05 | 1:13:08 | |
Has this ever been up? | 1:13:08 | 1:13:09 | |
-Oh, yes. -Really? | 1:13:09 | 1:13:10 | |
Absolutely. Yes. | 1:13:10 | 1:13:11 | |
It goes up in the air? | 1:13:11 | 1:13:13 | |
Yes. | 1:13:13 | 1:13:14 | |
In view of the rarity value of this aeroplane, | 1:13:14 | 1:13:16 | |
it is the only one of its kind in the world, | 1:13:16 | 1:13:19 | |
we restrict it to what we affectionately call hops. | 1:13:19 | 1:13:24 | |
-Oh, right! -This is where it goes down our runway, | 1:13:24 | 1:13:26 | |
the aircraft comes off the ground and just hops along. | 1:13:26 | 1:13:31 | |
It looks like one of those model aero engines I sell at actions! | 1:13:35 | 1:13:39 | |
There's no chance we can hop with this one today? | 1:13:39 | 1:13:42 | |
No, but I tell you what we can do. | 1:13:42 | 1:13:44 | |
We can actually fly one for real for you. | 1:13:44 | 1:13:46 | |
Not one of these though? | 1:13:46 | 1:13:48 | |
Not the Bleriot. Vintage 1931 de Havilland Tiger Moth. | 1:13:48 | 1:13:52 | |
Yes! | 1:13:52 | 1:13:53 | |
This way. | 1:13:53 | 1:13:54 | |
While Thomas gets kitted out, | 1:13:56 | 1:13:58 | |
Paul's taking his £80.55 south to Hemel Hempstead. | 1:13:58 | 1:14:03 | |
After World War II, Hemel Hempstead was designated a new town | 1:14:03 | 1:14:09 | |
for people displaced by the London Blitz. | 1:14:09 | 1:14:12 | |
Interesting wee neck of the woods. | 1:14:12 | 1:14:14 | |
The original part of Hemel Hempstead is still known as the old town | 1:14:14 | 1:14:18 | |
and it's where Paul is on the hunt. | 1:14:18 | 1:14:21 | |
That looks the part, doesn't it! | 1:14:23 | 1:14:25 | |
Off The Wall. | 1:14:25 | 1:14:27 | |
Eccentric European collectables. | 1:14:27 | 1:14:29 | |
That's got Laidlaw written all over it. But closed. | 1:14:29 | 1:14:32 | |
Never one to be defeated, he's on the phone to track the owner down. | 1:14:32 | 1:14:36 | |
Why not? | 1:14:36 | 1:14:38 | |
In for a penny. Give it a try. | 1:14:38 | 1:14:41 | |
Where are you? | 1:14:41 | 1:14:43 | |
When I need you? | 1:14:43 | 1:14:45 | |
'Can't answer your call right now.' | 1:14:45 | 1:14:47 | |
As he patiently waits for news, Thomas is ready for action. | 1:14:48 | 1:14:53 | |
That's fabulous. You look great. How do you feel? | 1:15:13 | 1:15:15 | |
I feel ready to do it. | 1:15:15 | 1:15:16 | |
Up, up and away! | 1:15:29 | 1:15:31 | |
Hold on tight, Biggles! | 1:15:31 | 1:15:33 | |
The de Havilland Tiger Moth is a 1930s byplane, | 1:15:33 | 1:15:36 | |
designed by Geoffrey de Havilland | 1:15:36 | 1:15:39 | |
and was operated by the Royal Air Force as a primary trainer. | 1:15:39 | 1:15:43 | |
The Tiger Moth remained in service with the RAF until 1952. | 1:15:43 | 1:15:48 | |
Thomas, it looks as if you're having a ball! | 1:15:53 | 1:15:56 | |
That was just awesome. | 1:15:58 | 1:15:59 | |
Absolutely awesome. | 1:16:01 | 1:16:03 | |
Absolutely wonderful. | 1:16:03 | 1:16:04 | |
Very honoured and as you can tell by my big smile, | 1:16:04 | 1:16:08 | |
it's been a wonderful trip up. | 1:16:08 | 1:16:10 | |
Mmm. Awesome(!) | 1:16:13 | 1:16:14 | |
While Thomas is on cloud nine, Paul's prayers have been answered. | 1:16:14 | 1:16:19 | |
Shop owner Michelle opened up | 1:16:21 | 1:16:23 | |
but in order to get in, he needs to help move stuff out. | 1:16:23 | 1:16:28 | |
This is like the auction room again! | 1:16:30 | 1:16:33 | |
Michelle has owned the shop for 11 years | 1:16:36 | 1:16:38 | |
and it's bursting at the seams. | 1:16:38 | 1:16:41 | |
Good luck, Paul! | 1:16:41 | 1:16:42 | |
This place is like an antiques Tardis! | 1:16:43 | 1:16:45 | |
Have you seen round here? | 1:16:45 | 1:16:47 | |
Look at this! | 1:16:49 | 1:16:50 | |
You know what I need? | 1:16:50 | 1:16:51 | |
One of those big long poles, that's what I need. Tightrope. | 1:16:51 | 1:16:56 | |
That is a Georgian cribbage board. | 1:17:01 | 1:17:04 | |
I love cribbage - my favourite card game. | 1:17:04 | 1:17:07 | |
I played too much of this in 6th form. | 1:17:07 | 1:17:09 | |
So how does one use a cribbage board for playing crib? | 1:17:09 | 1:17:13 | |
Well, you get points for certain card combinations | 1:17:13 | 1:17:17 | |
and I start at this end and you may start at the other | 1:17:17 | 1:17:22 | |
and we race one another round the board. | 1:17:22 | 1:17:24 | |
This is just a score-keeping board. | 1:17:24 | 1:17:27 | |
People played crib round this, maybe 150, maybe even 200 years ago | 1:17:27 | 1:17:32 | |
in a tavern, smoking a clay pipe. | 1:17:32 | 1:17:36 | |
I think it's charming. | 1:17:36 | 1:17:39 | |
It is £3. | 1:17:39 | 1:17:41 | |
Now, what have you spotted? | 1:17:47 | 1:17:49 | |
It is a Chinese armchair. | 1:17:49 | 1:17:52 | |
A striking piece of furniture. | 1:17:52 | 1:17:54 | |
You have to come and have a look. | 1:17:54 | 1:17:56 | |
I don't know if there's any tremendous age to it. | 1:17:56 | 1:17:59 | |
Never mind the quality, feel the weight. | 1:17:59 | 1:18:02 | |
I'd like it to be 18th or 19th century, | 1:18:02 | 1:18:05 | |
brought back in some tea clipper or in someone's military baggage train. | 1:18:05 | 1:18:11 | |
What I don't want is it to have been brought over 30 years ago | 1:18:11 | 1:18:14 | |
in a shipping container with a whole lot of other looky-likies. | 1:18:14 | 1:18:18 | |
After his antique assault course, it's time to talk numbers. | 1:18:19 | 1:18:24 | |
I think I paid about £90 for it about 15 years ago. | 1:18:24 | 1:18:28 | |
Wow. Wow. Ouch. | 1:18:28 | 1:18:29 | |
How about 50 for the chair and you've got a deal? | 1:18:29 | 1:18:33 | |
OK. | 1:18:33 | 1:18:35 | |
You might see me looking at the cribbage board. | 1:18:35 | 1:18:37 | |
Am I feeling a buy one get one free moment coming on? | 1:18:37 | 1:18:40 | |
Oh! You could read minds as well! | 1:18:40 | 1:18:42 | |
I'm psychic. | 1:18:42 | 1:18:43 | |
I'm sticking my neck out with the chair. That is a gamble. | 1:18:43 | 1:18:47 | |
It could go the other way, it could work for me. | 1:18:47 | 1:18:49 | |
If you give me the chair for 45, throw that in as a wee freebie, | 1:18:49 | 1:18:52 | |
I'll take a punt at the chair. | 1:18:52 | 1:18:55 | |
OK. | 1:18:56 | 1:18:57 | |
The chair takes up more room in this very overcrowded shop. | 1:18:57 | 1:19:00 | |
LAUGHTER | 1:19:00 | 1:19:01 | |
It's empty! | 1:19:01 | 1:19:03 | |
True. | 1:19:03 | 1:19:04 | |
With his last two lots secured, it's time for Mr Laidlaw to show Mr Plant his treasures. | 1:19:04 | 1:19:09 | |
Did you spend all your money? | 1:19:12 | 1:19:14 | |
I spent a goodly sum. | 1:19:14 | 1:19:15 | |
-Come on, show me. -Prepare to be underwhelmed. | 1:19:15 | 1:19:19 | |
Come on, just get on with it! | 1:19:19 | 1:19:20 | |
LAUGHTER | 1:19:20 | 1:19:22 | |
I'm so bored! | 1:19:23 | 1:19:24 | |
When you're gifted, you find it difficult to walk past mirrors. | 1:19:25 | 1:19:30 | |
LAUGHTER | 1:19:30 | 1:19:31 | |
-A tenner. -No! | 1:19:32 | 1:19:34 | |
-Get in! -A tenner?! | 1:19:34 | 1:19:35 | |
That's amazing. Well done you. | 1:19:35 | 1:19:37 | |
So, this... | 1:19:37 | 1:19:39 | |
Oh my word. | 1:19:39 | 1:19:40 | |
Nine carat silver. | 1:19:40 | 1:19:42 | |
With a lovely enamel and silver... | 1:19:42 | 1:19:45 | |
With gold on it. But I paid 80. | 1:19:45 | 1:19:48 | |
If you want one, try and find me better. I defy you. | 1:19:48 | 1:19:52 | |
-Gorgeous quality. -Speaking of gorgeousness... | 1:19:52 | 1:19:55 | |
Oh, for God's... | 1:19:55 | 1:19:57 | |
No! Not another one! | 1:19:57 | 1:19:59 | |
Why did you buy an Edwardian one? | 1:19:59 | 1:20:01 | |
That was cheap so that one was 70. | 1:20:01 | 1:20:04 | |
No, it wasn't 70. Don't be so ridiculous! | 1:20:04 | 1:20:07 | |
A tenner. | 1:20:07 | 1:20:08 | |
Is there a pattern here? | 1:20:08 | 1:20:10 | |
The pattern is - Laidlaw bought a good thing at a killer price again! | 1:20:10 | 1:20:15 | |
-There we are. -Oh, yeah, yeah, yeah. | 1:20:16 | 1:20:18 | |
King Tut, is it 1920s Egyptian revival? | 1:20:18 | 1:20:21 | |
1920s Egyptian revival. | 1:20:21 | 1:20:23 | |
OK, but it's not... | 1:20:23 | 1:20:25 | |
No, but it's £15! | 1:20:25 | 1:20:28 | |
How can you go wrong with that? | 1:20:28 | 1:20:29 | |
£15, you can't. | 1:20:29 | 1:20:31 | |
If you're lucky, double your money? | 1:20:31 | 1:20:33 | |
£20 or £30 if it goes. | 1:20:33 | 1:20:35 | |
It's gonna make more than 15. It's a good-looking thing. | 1:20:35 | 1:20:38 | |
Close your eyes. Trust me. | 1:20:38 | 1:20:41 | |
Can I open them? | 1:20:41 | 1:20:43 | |
GONG SOUNDS | 1:20:43 | 1:20:46 | |
-Oh, God. -You're weeping at the splendour of my dinner gong. | 1:20:46 | 1:20:51 | |
So a shell in a fire iron set, attached to it with a bit of string. | 1:20:51 | 1:20:57 | |
It's fun but did you spend more than £35 on it? | 1:20:57 | 1:21:03 | |
Would that be a bad thing if I had? | 1:21:03 | 1:21:05 | |
Personally, yes. | 1:21:05 | 1:21:07 | |
Paid £30 for it. | 1:21:07 | 1:21:10 | |
So I think it's a silver, bronze. | 1:21:10 | 1:21:14 | |
It cost me 100. | 1:21:14 | 1:21:15 | |
-I'm loving that. -It's a good thing. -What a great thing. -Lovely thing. | 1:21:15 | 1:21:19 | |
So, come on. | 1:21:19 | 1:21:22 | |
Gone to the microscopic now. | 1:21:22 | 1:21:24 | |
Onto this titchy-witchy, lovely silver fruit knife. | 1:21:24 | 1:21:28 | |
£20. 18? Oh no, come on. | 1:21:28 | 1:21:31 | |
I know when he's pleased with himself. | 1:21:31 | 1:21:33 | |
So this is a little Laidlaw lot? These are nice, gold lorgnettes | 1:21:33 | 1:21:37 | |
Well, I don't know. I did not buy them as gold. | 1:21:37 | 1:21:40 | |
-That's just part of it. -Oh no! Oh, and another one. | 1:21:40 | 1:21:44 | |
-Oh yes, sweet. -That's better by far. | 1:21:44 | 1:21:46 | |
-Let's be sensible. -Yeah. You're not gonna get that cheap. | 1:21:46 | 1:21:49 | |
I would say that lot cost you £65. | 1:21:49 | 1:21:54 | |
-120. -120, no, that's fine. | 1:21:54 | 1:21:57 | |
It's a nice lot and it's gonna make that. | 1:21:57 | 1:22:00 | |
-But that's not the lot. I got that. -And something else, come on. | 1:22:00 | 1:22:04 | |
Tripping over it. | 1:22:04 | 1:22:07 | |
Oh, and a cigar cutter. | 1:22:07 | 1:22:08 | |
-And, er, what's this? -No. -What's this then? | 1:22:08 | 1:22:12 | |
-A swizzle stick? -Yeah. | 1:22:14 | 1:22:16 | |
120 all of that? That's a very, very good lot. | 1:22:16 | 1:22:21 | |
OK, it's smokey quartz, nine carat. | 1:22:22 | 1:22:25 | |
Yeah, it is gold. 19th century setting. | 1:22:25 | 1:22:28 | |
-Obviously it would have been part of a brooch. -OK. | 1:22:28 | 1:22:30 | |
-You got that dirt cheap, you paid £15 for that. -I paid a fiver. | 1:22:30 | 1:22:33 | |
-Oh! -£5. -You're romping home with that. That's not a problem. | 1:22:33 | 1:22:37 | |
OK, Chinese chair. | 1:22:40 | 1:22:41 | |
Yeah. All the hallmarks of authenticity. | 1:22:41 | 1:22:44 | |
Yeah, yeah. | 1:22:44 | 1:22:45 | |
-What did you pay for it? -45. | 1:22:45 | 1:22:48 | |
That was cheap. | 1:22:48 | 1:22:49 | |
I would have to be unlucky to lose on that. | 1:22:50 | 1:22:53 | |
The thing is I was so disappointed with these, but they were only a tenner each. | 1:22:53 | 1:22:58 | |
You're not walking past those, are you? | 1:22:58 | 1:23:00 | |
-I'm walking past those. -A tenner? -I'm not interested. | 1:23:00 | 1:23:03 | |
Oh, you're interested in diamante, I forgot. | 1:23:03 | 1:23:07 | |
I've got a string of pearls. They're lovely, creamy pearls. | 1:23:07 | 1:23:10 | |
-Very sutterly graded. -Yeah, they're not bad. | 1:23:10 | 1:23:13 | |
And a wee sterling clasp. I've seen these picking up. | 1:23:13 | 1:23:17 | |
Did you buy these for £80 under the hammer? | 1:23:17 | 1:23:19 | |
-Yeah, they were 50 to me. -Yeah. | 1:23:19 | 1:23:21 | |
-Are we done? -Wait a minute, wait a minute. | 1:23:21 | 1:23:24 | |
I got a freebie. | 1:23:24 | 1:23:25 | |
Why did you get that free? You shouldn't be getting free things. | 1:23:27 | 1:23:31 | |
-If I was you I'd put it with that lot. -Can somebody pick up Tom's dummy. | 1:23:31 | 1:23:34 | |
He spat it over there. | 1:23:34 | 1:23:36 | |
-No, it is quite nice. It's gonna make 20 or 30 quid. -Absolutely! | 1:23:36 | 1:23:40 | |
I don't mind saying you've done really well. | 1:23:40 | 1:23:43 | |
Well, it's all sounding very nice, isn't it? Time to hear what they really think. | 1:23:43 | 1:23:47 | |
I am really nervous what's gonna happen at the auction because he's bought really well. | 1:23:47 | 1:23:52 | |
Although I've bought well, | 1:23:52 | 1:23:54 | |
that silver lot is gonna eclipse everything! | 1:23:54 | 1:23:57 | |
As soon as that came out I went, "Oh!" | 1:23:57 | 1:23:59 | |
I think this is the auction where it turns in my favour. | 1:23:59 | 1:24:05 | |
Well, maybe. | 1:24:05 | 1:24:07 | |
It's been a fabulous jaunt, though, delightful Olney, | 1:24:07 | 1:24:10 | |
via Woburn and Hemel Hempstead | 1:24:10 | 1:24:13 | |
with the auction house in Watlington firmly in their sights. | 1:24:13 | 1:24:16 | |
I feel pretty confident, Paul. You've got some great lots coming up. | 1:24:16 | 1:24:20 | |
I've played a good hand. | 1:24:20 | 1:24:21 | |
Reputedly England's smallest town, nestling in the shadows of the Chiltern Hills, | 1:24:21 | 1:24:27 | |
Watlington offers a traditional market town welcome. | 1:24:27 | 1:24:31 | |
Just what our cheeky chaps need on auction day. | 1:24:31 | 1:24:35 | |
Kicking things off today is auctioneer, Simon Jones. | 1:24:36 | 1:24:39 | |
But first, what does he think of their choices? | 1:24:39 | 1:24:43 | |
There's a good cross-section. The bronze bird will do well | 1:24:43 | 1:24:46 | |
because it's a pretty little thing. | 1:24:46 | 1:24:48 | |
My favourite item will be the chair, | 1:24:48 | 1:24:51 | |
simply because you don't see many of them and it's a lovely object. | 1:24:51 | 1:24:54 | |
Paul began this leg with £255.88 | 1:24:54 | 1:24:59 | |
and has since spent £215 on six auction lots. | 1:24:59 | 1:25:04 | |
As for Thomas, he started with £305.20 | 1:25:06 | 1:25:10 | |
and threw caution to the wind spending £250 on five auction lots. | 1:25:10 | 1:25:14 | |
It's the moment of truth. Let the auction begin. | 1:25:17 | 1:25:20 | |
First up it's Paul's dressing mirror. | 1:25:22 | 1:25:25 | |
What can we say for that? 50, £60 for it? | 1:25:25 | 1:25:29 | |
40 then to start me for the toilet mirror. | 1:25:29 | 1:25:31 | |
40 I'm bid, 42 anywhere? | 1:25:31 | 1:25:34 | |
All done then at 40. | 1:25:34 | 1:25:37 | |
Excellent start, but will the dinner gong strike the right note? | 1:25:37 | 1:25:44 | |
50 or £60 for it? | 1:25:44 | 1:25:46 | |
£50? 50 I'm bid. | 1:25:46 | 1:25:47 | |
55 before I go to the phone. Coming to you at 55, Kay. | 1:25:47 | 1:25:52 | |
55 I'm bid. 60 anywhere? | 1:25:53 | 1:25:55 | |
At 55 then, 60. | 1:25:55 | 1:25:57 | |
65, 70. | 1:25:57 | 1:26:01 | |
70 I'm bid. 75. | 1:26:01 | 1:26:03 | |
Come to daddy. | 1:26:03 | 1:26:05 | |
75, 80? 80 I'm bid, 85? | 1:26:05 | 1:26:09 | |
At £80 then, it's in the room at £80. | 1:26:10 | 1:26:16 | |
Well done. | 1:26:16 | 1:26:18 | |
We did it, we planned. | 1:26:18 | 1:26:20 | |
Well done, Paul. You're off to a flying start | 1:26:20 | 1:26:22 | |
and it can only get better as your next lot was the freebie! | 1:26:22 | 1:26:26 | |
Lot 110 is the Treen cribbage board. Sweet, little chap this. | 1:26:28 | 1:26:32 | |
What can we say for that? 40, £50 for it? | 1:26:32 | 1:26:34 | |
That will do. | 1:26:34 | 1:26:36 | |
20 to start me. 15 to go. | 1:26:36 | 1:26:37 | |
Weird that. | 1:26:37 | 1:26:39 | |
Anyone want a cribbage board? Ten? | 1:26:39 | 1:26:42 | |
-Ten I'm bid. -Dirt cheap, dirt cheap. | 1:26:42 | 1:26:44 | |
I would give you more than that for it. | 1:26:44 | 1:26:47 | |
At £10 then, all done at ten. | 1:26:47 | 1:26:50 | |
Oh, well, it was a tenner. | 1:26:50 | 1:26:52 | |
It cost you nothing, it owes you nothing. It's £10. | 1:26:52 | 1:26:54 | |
Three lots down and Paul's hot on your heels, Thomas. | 1:26:54 | 1:26:59 | |
Let's hope your figurine pays off. | 1:26:59 | 1:27:00 | |
Lot 116 is the bronze figurine of a swallow. | 1:27:00 | 1:27:05 | |
Silver plated on a little circular base there. £100 for it? | 1:27:05 | 1:27:08 | |
-He's asking big money. -80 to start. | 1:27:08 | 1:27:10 | |
50 then? | 1:27:10 | 1:27:12 | |
50 I'm bid, 55 anywhere? At £50. | 1:27:12 | 1:27:14 | |
55? Yes, 55. | 1:27:14 | 1:27:17 | |
60, 65? | 1:27:17 | 1:27:18 | |
At £60, right at the back of the room. At 60. | 1:27:18 | 1:27:23 | |
Somebody got a bargain, Thomas. You were unlucky there. | 1:27:23 | 1:27:26 | |
-Somebody got a bargain. -Oh dear! | 1:27:26 | 1:27:28 | |
It was always going to be risky. Now for Paul's second mirror. | 1:27:28 | 1:27:32 | |
128 is the Sheraton string in-laid dressing mirror. | 1:27:32 | 1:27:36 | |
40 or £50 for this. | 1:27:36 | 1:27:38 | |
30 then to start me. | 1:27:38 | 1:27:40 | |
20 for the dressing mirror. | 1:27:40 | 1:27:42 | |
A little Sheraton one, shield shape. | 1:27:42 | 1:27:44 | |
£20 I'm bid. | 1:27:44 | 1:27:46 | |
All done at 20. | 1:27:46 | 1:27:48 | |
-I can thank the auctioneer. -£10 profit. | 1:27:48 | 1:27:51 | |
Back to Thomas for his pearls. Fingers crossed. | 1:27:51 | 1:27:55 | |
Lot 330 is a string of graduated culture pearls with a silver | 1:27:55 | 1:27:58 | |
and Marquisette clasp. | 1:27:58 | 1:28:01 | |
40, £50 for it? | 1:28:01 | 1:28:02 | |
30 to start me then. | 1:28:02 | 1:28:06 | |
Don't tell me pearls are out of fashion. | 1:28:06 | 1:28:10 | |
£20 I'm bid. 22 anywhere? At £20, all done at 20. | 1:28:10 | 1:28:13 | |
Ouch! | 1:28:13 | 1:28:14 | |
Oh, go on, give him a hug. | 1:28:14 | 1:28:16 | |
-Well. -A hug? | 1:28:16 | 1:28:18 | |
-No. -You want a hug? | 1:28:18 | 1:28:20 | |
-No. -Later? -No hugs later. | 1:28:20 | 1:28:23 | |
Surely his silver double chain and fob will get him back in the game. | 1:28:23 | 1:28:28 | |
What are you going to start me? 40 I'm bid. 42, 44? | 1:28:28 | 1:28:31 | |
£42 seated, 44 anywhere? | 1:28:31 | 1:28:34 | |
At £42 then all done. At 42. | 1:28:34 | 1:28:38 | |
Do you want me to start bidding on your stuff because I've a lot of money to burn. | 1:28:40 | 1:28:45 | |
Keep positive, Thomas. Things can only get better. | 1:28:45 | 1:28:48 | |
350 is an enamel 1930s Egyptian brooch. | 1:28:48 | 1:28:50 | |
In a little box there. 30, £40 for this? | 1:28:52 | 1:28:55 | |
It's what it should do. | 1:28:55 | 1:28:57 | |
20 then to start me. | 1:28:57 | 1:28:58 | |
£20 I'm bid, 22 anywhere for the brooch? | 1:28:58 | 1:29:01 | |
22, 24, 26, 28. | 1:29:01 | 1:29:04 | |
30, 32, 34, 36. | 1:29:04 | 1:29:06 | |
38, 40, 42? | 1:29:06 | 1:29:08 | |
At £40 all done at 40? | 1:29:08 | 1:29:12 | |
-Sweet. -That's more like it! | 1:29:14 | 1:29:16 | |
Now for Thomas's last stab, the double smokey courts brooch. | 1:29:16 | 1:29:21 | |
£30 for it? | 1:29:22 | 1:29:24 | |
25 I'm bid. 28? | 1:29:25 | 1:29:27 | |
£25 then for the smokey quartz. | 1:29:27 | 1:29:29 | |
£25, are you all done at 25? With Alan. | 1:29:29 | 1:29:32 | |
Fair enough. | 1:29:32 | 1:29:33 | |
The brooches were your saving grace. | 1:29:33 | 1:29:35 | |
Now for Paul's collection of silver. | 1:29:37 | 1:29:39 | |
I'm nervous about this, here it comes. | 1:29:39 | 1:29:42 | |
£100 to start me. £100 I'm bid. | 1:29:42 | 1:29:45 | |
110 anywhere? 110, 120, 130, 140. | 1:29:45 | 1:29:49 | |
150? 140 then standing at the back of the room. | 1:29:49 | 1:29:53 | |
140. 150 anywhere? | 1:29:53 | 1:29:54 | |
-Cheap for all that stuff. -140, all done. | 1:29:54 | 1:29:57 | |
It's Paul's last stab at a big profit. | 1:30:00 | 1:30:03 | |
A Chinese chair. What can we say for that? | 1:30:03 | 1:30:06 | |
£100 to start me for it. £100 I'm bid. | 1:30:06 | 1:30:10 | |
110? At £100, are you all happy at £100. | 1:30:10 | 1:30:14 | |
A maiden bid of £100, are you all done? | 1:30:14 | 1:30:16 | |
Can you lend me some money? | 1:30:18 | 1:30:21 | |
Can you lend me some money? | 1:30:21 | 1:30:23 | |
In spectacular fashion, Mr Laidlaw wins the day. | 1:30:23 | 1:30:27 | |
Thomas started today's show victorious with £305.20. | 1:30:28 | 1:30:35 | |
After commission he's made a hideous loss of £96.66, giving him | 1:30:35 | 1:30:40 | |
a meagre £208.54 to spend tomorrow. | 1:30:40 | 1:30:45 | |
Paul, meanwhile, started with £255.88. | 1:30:47 | 1:30:51 | |
He made a fabulous profit of £104.80, | 1:30:51 | 1:30:57 | |
so with a whopping £360.68 in the kitty he's firmly in the lead. | 1:30:57 | 1:31:03 | |
-What a roller-coaster! -Tell me. | 1:31:03 | 1:31:07 | |
I feel like I've been on the helter-skelter, you know. | 1:31:07 | 1:31:10 | |
It's going to make for an interesting shop in the last leg. | 1:31:10 | 1:31:14 | |
-All to play for, for me. -Yeah. -I'm going for it. | 1:31:14 | 1:31:17 | |
We've heard that before! Next time on the Antiques Road Trip it's the grand finale. | 1:31:17 | 1:31:21 | |
Thomas is playing catch-up. | 1:31:21 | 1:31:23 | |
My shop closes in three-quarters of an hour, time is against me. | 1:31:23 | 1:31:28 | |
I'm going to have the devil chasing me on my back. | 1:31:28 | 1:31:31 | |
And has Mr Laidlaw met his match? | 1:31:31 | 1:31:34 | |
Make it £28 and I will buy it. | 1:31:34 | 1:31:38 | |
I can't! | 1:31:38 | 1:31:39 | |
You're good! | 1:31:39 | 1:31:41 | |
Subtitles by Red Bee Media Ltd | 1:31:52 | 1:31:56 | |
E-mail [email protected] | 1:31:56 | 1:31:59 |