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The nation's favourite antiques experts, £200 each and one big challenge! | 0:00:02 | 0:00:06 | |
Cos I'm here to declare war. | 0:00:06 | 0:00:07 | |
Why? | 0:00:07 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
There's nothing in here. | 0:00:13 | 0:00:14 | |
The aim is to trade up and hope each antique turns a profit... | 0:00:14 | 0:00:17 | |
Disappointing. | 0:00:17 | 0:00:19 | |
But it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push! | 0:00:23 | 0:00:24 | |
So, will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
I'm terribly nervous now, James. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
All this week we've been on the road with antiques guru James Braxton | 0:00:35 | 0:00:39 | |
who's been pitting his wits against young whippersnapper auctioneer Jonathon Pratt. | 0:00:39 | 0:00:45 | |
And it's been a far-from-close competition. | 0:00:45 | 0:00:49 | |
Devilish James has stormed ahead, leaving poor Jonathon floundering. | 0:00:49 | 0:00:54 | |
Disaster strikes! | 0:00:54 | 0:00:56 | |
So while Pratt fell flat, | 0:00:56 | 0:00:59 | |
old Brackers made loads of smackers, which means he did jolly well. | 0:00:59 | 0:01:03 | |
-That's not to say he's a bit conceited, though. -I'm not smiling! | 0:01:03 | 0:01:07 | |
From his original £200, James now has an impressive... | 0:01:08 | 0:01:12 | |
Great hat! | 0:01:14 | 0:01:15 | |
But Jonathon is only scraping through to the final leg | 0:01:15 | 0:01:19 | |
with less than half of James's budget, a pretty pitiful... | 0:01:19 | 0:01:22 | |
Bad luck! | 0:01:25 | 0:01:25 | |
It's been a tough week for Jonathon, but his spirits are still high. | 0:01:25 | 0:01:29 | |
And that could be because James is letting him drive his pride and joy, | 0:01:29 | 0:01:33 | |
the 1952 MG, to their first shopping location. | 0:01:33 | 0:01:37 | |
This week, they're travelling all the way from Altrincham, Greater Manchester, | 0:01:37 | 0:01:41 | |
to sunny Cornwall. | 0:01:41 | 0:01:43 | |
Today we kick off the fifth leg in Crewkerne, | 0:01:43 | 0:01:46 | |
then head to the final auction showdown in Lostwithiel. | 0:01:46 | 0:01:50 | |
The earliest record of Crewkerne in Somerset was in the will of Alfred the Great back in 899. | 0:01:50 | 0:01:58 | |
And during the 18th and 19th centuries, the main industry was cloth-making, | 0:01:58 | 0:02:01 | |
including crafting sails for the Royal Navy. | 0:02:01 | 0:02:05 | |
Our fellows will certainly need a fair wind, | 0:02:05 | 0:02:07 | |
not so sure about the rain up their tails, to shop until they drop. | 0:02:07 | 0:02:11 | |
But it's time to zip up and get the final leg of their competition underway. | 0:02:11 | 0:02:16 | |
Good. Anyway, good luck. | 0:02:16 | 0:02:17 | |
Perfect. | 0:02:17 | 0:02:19 | |
Noah's Antiques is packed to the gunnels with goodies, | 0:02:19 | 0:02:23 | |
but will anything entice James? | 0:02:23 | 0:02:26 | |
What a day out there! | 0:02:26 | 0:02:28 | |
Morning. | 0:02:29 | 0:02:30 | |
-Hello. James. -Michael. -Michael. Good to meet you, Michael. | 0:02:30 | 0:02:34 | |
Morning. Now, what Michael doesn't realise is that James has a whopping £320.94 to spend, | 0:02:34 | 0:02:41 | |
so he can really afford to splash out on some expensive top-quality lots. | 0:02:41 | 0:02:45 | |
I might have a quick look through your bargain area, Michael. | 0:02:50 | 0:02:54 | |
Uh-oh! Bargain area! James is acting like a rag-and-bone man again, | 0:02:54 | 0:02:59 | |
not someone whose pocket is bulging with cash! | 0:02:59 | 0:03:02 | |
There were things for more rarefied dining, really. | 0:03:02 | 0:03:06 | |
This is a rather unusual one, but it's sort of entree-dish shaped, | 0:03:06 | 0:03:10 | |
elongated octagonal, it's got sort of fruiting vines all the way around it... | 0:03:10 | 0:03:14 | |
But they're fun, you know. You can use them for anything. | 0:03:14 | 0:03:17 | |
These ones are all quite early, Edwardian, turn of the century, that sort of thing. | 0:03:17 | 0:03:23 | |
This one's inscribed, that one's inscribed. | 0:03:23 | 0:03:26 | |
This one's a very nice chamber stick. | 0:03:26 | 0:03:29 | |
So it would have had a cylindrical glass thing to protect it from the wind. | 0:03:29 | 0:03:33 | |
Cylindrical glass thing? Is that a technical term, then, James? | 0:03:33 | 0:03:37 | |
And then we've got the old swing basket, as they're known. | 0:03:37 | 0:03:41 | |
Would have been stamped out on some great machine in Birmingham or Sheffield... | 0:03:41 | 0:03:45 | |
and then...this is probably the youngest of the lot. | 0:03:45 | 0:03:50 | |
This is just a clean bit of plate. | 0:03:50 | 0:03:53 | |
It's quite a big fellow. What are we? It's 10 or 12 inches across. | 0:03:53 | 0:03:56 | |
It's just been stamped out. | 0:03:56 | 0:03:58 | |
So you won't be buying that, then, James? | 0:03:58 | 0:04:02 | |
It's a good little lot, that. | 0:04:02 | 0:04:04 | |
So you will, then? James is planning to buy and then sell this bundle as a job lot, | 0:04:04 | 0:04:09 | |
which auction houses often do with cheaper items. | 0:04:09 | 0:04:12 | |
There's no price on this as a group, but that's not stopping our man from chancing his arm. | 0:04:12 | 0:04:18 | |
Let's see if I can make you a, you know, tempting offer. | 0:04:18 | 0:04:23 | |
A tenner? | 0:04:23 | 0:04:24 | |
-Er... -Stop wincing! | 0:04:24 | 0:04:27 | |
-Put your hand out. -Go on, then. -Thank you. | 0:04:27 | 0:04:29 | |
Gosh! James's strategy seem to be spending as little as he can, | 0:04:32 | 0:04:36 | |
so how about the man who has no choice? That's Jonathon, by the way. | 0:04:36 | 0:04:41 | |
He's arrived at his first shop, Crewkerne Antiques. | 0:04:41 | 0:04:44 | |
-Morning. -Good morning. -Nice to come inside in the dry. | 0:04:44 | 0:04:48 | |
-Not the best of days, is it? -No. | 0:04:48 | 0:04:50 | |
You've got some great things. There's a lot of things I can't afford already, | 0:04:50 | 0:04:55 | |
-but you've got some good quality things here. -A good mix. | 0:04:55 | 0:04:57 | |
-Do you have any sort of house-clearance type areas, a bit junkier? -Not really. | 0:04:57 | 0:05:01 | |
My budget has been depleting of late, so I'm looking for something... | 0:05:01 | 0:05:08 | |
-The ultimate bargain? -Yes! | 0:05:08 | 0:05:11 | |
Well, you're not going to find the ultimate bargain if you hang around talking to Eddie! | 0:05:11 | 0:05:15 | |
So how are you feeling today, Jonathon? | 0:05:16 | 0:05:20 | |
I'm quite nervous now. | 0:05:21 | 0:05:23 | |
Oh! | 0:05:24 | 0:05:25 | |
Mmm...best head under the stairs, then. It's worked for you before. | 0:05:25 | 0:05:29 | |
Reasonably well painted, actually. | 0:05:33 | 0:05:35 | |
And it's going to be off the South Coast. | 0:05:35 | 0:05:38 | |
Dated 1911. | 0:05:38 | 0:05:40 | |
Again, this chap's not in superb condition, but that one's better, by a chap called Flowers. | 0:05:41 | 0:05:48 | |
Flowers? Mmm... Not quite Turner, then! | 0:05:48 | 0:05:52 | |
I do like those though, actually, I do like those. | 0:05:52 | 0:05:54 | |
Royal coat of arms. | 0:05:56 | 0:05:58 | |
Quite like that. | 0:05:58 | 0:06:00 | |
Yes, nice piece of needlework there, but will it sell well at auction? | 0:06:00 | 0:06:04 | |
It all depends on whether Jonathon can do a good deal. Now... | 0:06:04 | 0:06:09 | |
-Do you mind if I ask you a few things about these? -Yeah, go on. | 0:06:09 | 0:06:11 | |
-That's the first thing that struck me. -That is fabulous. | 0:06:11 | 0:06:15 | |
Nice 19th-century needlework, Royal coat of arms... | 0:06:15 | 0:06:20 | |
-Would you accept for that... -KNOCKING | 0:06:20 | 0:06:22 | |
-..£60? -Probably not. | 0:06:24 | 0:06:26 | |
-Probably not? -I've got in mind about 80, I'll be honest. I think it's worth that. | 0:06:26 | 0:06:30 | |
-I think it's a nice thing. -I'll put that down on the iffy list, OK? | 0:06:30 | 0:06:35 | |
Flowers. OK, slightly faded paper, bit of foxing, but nice subject. | 0:06:35 | 0:06:39 | |
He's not an Academy hand, but it's still quite competently painted. | 0:06:39 | 0:06:43 | |
-£60 for them? -I could probably do that for those. -You could do that? -That would be OK. | 0:06:43 | 0:06:49 | |
-And this music stand. It's not in the greatest of order... -It's a little tired. | 0:06:49 | 0:06:54 | |
It's a little tired. It's only pine. | 0:06:54 | 0:06:56 | |
A little tired? Jonathon does seem to like buying bashed and broken items. | 0:06:56 | 0:07:01 | |
-30? -Yeah, that's fine. I can do that on that one. -OK. | 0:07:02 | 0:07:07 | |
-But of all the things I want most is this one here. -Cos that's the best one. | 0:07:07 | 0:07:10 | |
Yeah, that's the one I like the most, this one being... | 0:07:10 | 0:07:13 | |
-I think that's quite a charming thing. -£60 for that one, providing you buy that one for 30. | 0:07:13 | 0:07:20 | |
£80 the two? | 0:07:20 | 0:07:21 | |
-A little tear? Yeah, OK. -OK. -All right. -Oh, my word! There we go. | 0:07:23 | 0:07:28 | |
Hang on, Jonathon! What about sailing pictures? | 0:07:28 | 0:07:32 | |
Oh, gosh! | 0:07:33 | 0:07:36 | |
I know I've already said a price for them... | 0:07:36 | 0:07:38 | |
Er... | 0:07:38 | 0:07:39 | |
but I can't afford that, now, can I? | 0:07:39 | 0:07:42 | |
Would you | 0:07:48 | 0:07:50 | |
take... | 0:07:50 | 0:07:51 | |
..would you take £40 a pair? | 0:07:52 | 0:07:54 | |
I'd like to help you out, but no. | 0:07:56 | 0:07:58 | |
£50? | 0:07:58 | 0:08:00 | |
Yeah, OK. If I can take all your money, I will. | 0:08:01 | 0:08:05 | |
You've almost done that, Eddie. | 0:08:05 | 0:08:07 | |
And just as Jonathon is paying up, he's spotted yet another picture. | 0:08:07 | 0:08:11 | |
I really quite like this, only because it's... Funnily enough, it's St Paul's. | 0:08:11 | 0:08:15 | |
The paper's nice and white and actually what's drawn me to it | 0:08:15 | 0:08:19 | |
is this little image here which is a little vignette, presumably of the artist... | 0:08:19 | 0:08:23 | |
-DOOR CLOSES -James is just arriving. | 0:08:23 | 0:08:25 | |
Limited edition print, and it's quite a charming subject, a nice painting. | 0:08:25 | 0:08:28 | |
-You're only asking £15 for it. -Today's special price! -Today's special price! | 0:08:28 | 0:08:34 | |
-Is it cheeky for me to make an offer? -Yeah. -It is, is it? | 0:08:34 | 0:08:37 | |
-£12. -Yeah, go on. -Hey, you're in a good mood. | 0:08:39 | 0:08:42 | |
Nothing wrong with being a bit cheeky in my book! | 0:08:42 | 0:08:45 | |
James has arrived, so Jonathon needs to shove off. | 0:08:45 | 0:08:49 | |
-Hi, James. How are you doing? -Hello, Jonathon. Very well. | 0:08:49 | 0:08:51 | |
-How are you doing? -Very well, thank you. -You're looking chipper. | 0:08:51 | 0:08:54 | |
-You're smiling. Nice to see a man smiling. -Yeah. | 0:08:54 | 0:08:57 | |
-There's plenty here, James. -Is there? Looks plenty. Fabulous, isn't it? | 0:08:57 | 0:09:01 | |
-A good hunting ground. I think you'll have fun. -Good, good, good. | 0:09:01 | 0:09:04 | |
You cleared all the broken stuff out now? | 0:09:04 | 0:09:07 | |
No, nothing that's broken, James. You'll see! | 0:09:08 | 0:09:11 | |
Not going to tell him about the bashed-up music stand, then, Jonathon? | 0:09:11 | 0:09:15 | |
-Looks very good. I'm going to get exploring. -And there's upstairs as well, James. -Thank you. | 0:09:15 | 0:09:21 | |
-Any basements? -No, I'm afraid not. -No? No basement, no? | 0:09:21 | 0:09:26 | |
-No. -OK. | 0:09:26 | 0:09:27 | |
Aha! So just to recap in case you missed it... | 0:09:27 | 0:09:31 | |
Jonathon started the day way down behind James. | 0:09:31 | 0:09:34 | |
His solution on his first day in his first shop was to buy four items and spend nearly all his money. | 0:09:34 | 0:09:41 | |
Rather him than me. | 0:09:41 | 0:09:43 | |
As Jonathon heads off with just £13.36 left in his pocket, James is keen to get spending, | 0:09:43 | 0:09:49 | |
as he still has over £300, | 0:09:49 | 0:09:52 | |
and he's giving the place a good once-over, hoping to hunt out a hidden gem. | 0:09:52 | 0:09:56 | |
See, that's got big ears, hasn't it, that brass fellow. | 0:09:56 | 0:10:00 | |
Nay I have a look at old Big Ears? | 0:10:00 | 0:10:02 | |
-Look at that, big-eared fellow! -It's clean too. | 0:10:05 | 0:10:08 | |
Clean! Somebody's put some work into it, haven't they? | 0:10:08 | 0:10:11 | |
Lovely sort of wing-nut ears to it, isn't it? | 0:10:12 | 0:10:16 | |
-Kind of royal. -It is royal! A study of the... | 0:10:16 | 0:10:21 | |
Might be tempting, mightn't it? | 0:10:21 | 0:10:24 | |
Moving upstairs, will anything else catch James's roving eye? | 0:10:24 | 0:10:28 | |
Traditionally, Braxton always buys one of these, every time! | 0:10:29 | 0:10:33 | |
It's probably Syrian. | 0:10:33 | 0:10:35 | |
They're a generic sort of Middle Eastern coffee table. | 0:10:35 | 0:10:39 | |
So all those sort of cafes and things like that would have these outside. | 0:10:39 | 0:10:44 | |
And you would take your mint tea or your dark Turkish coffee out of them. | 0:10:44 | 0:10:49 | |
Hang on, James! Didn't you have a disaster with ethnic goods this week? | 0:10:49 | 0:10:54 | |
-I can see how it would really work in the contemporary home, this. -Yeah. -150? For the two? | 0:10:54 | 0:11:00 | |
Thank you very much indeed. | 0:11:00 | 0:11:02 | |
All done at £24. | 0:11:03 | 0:11:06 | |
Across the room at £50. | 0:11:06 | 0:11:09 | |
-Oh, dear, oh, dear. -Never mind. -Never mind. | 0:11:09 | 0:11:13 | |
Lesson learnt? | 0:11:13 | 0:11:14 | |
No. | 0:11:14 | 0:11:16 | |
I'm a North African at heart, I think. | 0:11:16 | 0:11:18 | |
Oh! It's sort of Damascus like. | 0:11:19 | 0:11:22 | |
Brass tray and stand. My offer for that is £20. | 0:11:24 | 0:11:28 | |
He's asking 48. | 0:11:28 | 0:11:30 | |
-Or 25 for Big Ears! -I couldn't do that one. -Couldn't do that one. | 0:11:30 | 0:11:34 | |
-This I could. -You could? £20. | 0:11:34 | 0:11:36 | |
Thanks a lot. I can't resist. I can't resist these. | 0:11:39 | 0:11:43 | |
-Thank you very much indeed. -Thank you very much. -It's very kind of you. Thanks a lot. | 0:11:43 | 0:11:46 | |
Time to get back on the road. | 0:11:46 | 0:11:49 | |
James and Jonathon are crossing counties and driving 34 miles west to Honiton, | 0:11:49 | 0:11:54 | |
a town which used to have a ceremony called hot pennies, | 0:11:54 | 0:11:57 | |
where local gentry would throw hot pennies from windows to local peasants, | 0:11:57 | 0:12:02 | |
which resulted in burnt hands. Nice! | 0:12:02 | 0:12:05 | |
Perhaps James will spend a penny or two in the Grove Antiques Centre. Stand by! | 0:12:05 | 0:12:12 | |
-Hello. James. -Lesley. -Hello. Nice to meet you. | 0:12:12 | 0:12:15 | |
Now, this is... Surrounded by lots of lovelies here. | 0:12:15 | 0:12:18 | |
-Where should the astute buyer be looking for that elusive bargain? -You naughty thing. | 0:12:18 | 0:12:23 | |
Well, would it be a good idea if you had a look around? Or do I take you around? | 0:12:23 | 0:12:29 | |
What an excellent idea, Lesley! | 0:12:29 | 0:12:31 | |
Go on, James, don't be lazy. Get looking. Get working. | 0:12:31 | 0:12:35 | |
Exactly, James! You've still got nearly £300 burning a hole your pocket. | 0:12:35 | 0:12:40 | |
Time to buy! | 0:12:40 | 0:12:42 | |
I must admit, I don't think I've seen the like. | 0:12:42 | 0:12:45 | |
James has spotted a French scent bottle, costing £75. | 0:12:45 | 0:12:49 | |
It's got a little pillbox in the top there. You take that off... | 0:12:49 | 0:12:53 | |
and you've got a little stopper there. Very pretty, isn't it? | 0:12:53 | 0:12:56 | |
I think it's a lovely novelty item. I like the fact that it has a pillbox. | 0:12:56 | 0:13:01 | |
My only problem is... is the donks in it. 25? | 0:13:01 | 0:13:06 | |
-30 and it's yours. -30, and I want to buy something. Well done. | 0:13:08 | 0:13:12 | |
Thank you, Lesley. You're a very kind lady. | 0:13:12 | 0:13:15 | |
James did quite well there and still has time to explore the rest of the antiques centre. | 0:13:15 | 0:13:21 | |
And what should he find, but something which isn't even for sale? | 0:13:21 | 0:13:24 | |
Typical! | 0:13:24 | 0:13:26 | |
Just been chatting to Lee here | 0:13:26 | 0:13:28 | |
and looking at all these fabulous clocks, and I just noticed this rather nice Chinese stand. | 0:13:28 | 0:13:34 | |
This red marble. We used to call these blackwood | 0:13:34 | 0:13:38 | |
and now we use the name wang wally, a very nice tropical hardwood. | 0:13:38 | 0:13:42 | |
It's not Lee's, it's his mother's, and he's used it as a shop fitting for seven years, | 0:13:42 | 0:13:47 | |
and he'll find out whether she wants to sell it or not. | 0:13:47 | 0:13:52 | |
-No. -No? | 0:13:52 | 0:13:54 | |
Phew! | 0:13:54 | 0:13:55 | |
Unless you pay 225. | 0:13:55 | 0:13:58 | |
-225? -Yeah. -She said? -Yeah. -Would she settle at 200? | 0:13:58 | 0:14:03 | |
You're a gambling man. | 0:14:03 | 0:14:06 | |
What I wouldn't gamble on is how she reacts if I were to tell her... | 0:14:06 | 0:14:10 | |
But we know, mothers and sons... it's...it's...unconditional love. | 0:14:10 | 0:14:17 | |
-When it comes to money with my mother... -Oh, right, is it? | 0:14:17 | 0:14:22 | |
I'll tell you what... | 0:14:22 | 0:14:24 | |
-200. -OK. Well done. That's great. Good. Thanks a lot. | 0:14:24 | 0:14:28 | |
I better go and let her know. Where am I going to put my £20,000 clock? | 0:14:28 | 0:14:32 | |
Jonathon's nearly all spent up, | 0:14:32 | 0:14:34 | |
so it's time to play instead. | 0:14:34 | 0:14:37 | |
He's travelling 50 miles to Bovey Tracey to discover the history | 0:14:37 | 0:14:41 | |
of one of our most treasured childhood games, marbles. | 0:14:41 | 0:14:45 | |
Has he lost his? No, but he's found the House of Marbles, | 0:14:45 | 0:14:50 | |
a museum situated on the site of the old Bovey Pottery, but before he gets to play, | 0:14:50 | 0:14:54 | |
marketing manager Andrea's going to take him on a mini tour. | 0:14:54 | 0:14:58 | |
This is the old pottery site. I think it's about 1750 around the area that they started making pottery. | 0:14:58 | 0:15:07 | |
-Have you still got some chimneys and things? -We do, yes. A lot of it is very derelict. | 0:15:07 | 0:15:11 | |
The three here are protected and they're outside. | 0:15:11 | 0:15:14 | |
-There's not much of it left. -No, there isn't today. | 0:15:14 | 0:15:17 | |
-So where do we start with the very earliest of examples? -The earliest, we do have some examples over there. | 0:15:17 | 0:15:23 | |
-I'll just show you... -Lovely. -..Some artefacts here that have come from the site. | 0:15:23 | 0:15:30 | |
Seeing on the label at the back that Josiah Wedgwood came here, | 0:15:30 | 0:15:34 | |
-obviously links into what was the fashion of that period. -That's it. | 0:15:34 | 0:15:37 | |
-There was some rivalry with Mr Crisp here. -Mr Crisp was the man who ran it? | 0:15:37 | 0:15:42 | |
That's it, yes. And he was trying to develop...different techniques were being developed at that time, | 0:15:42 | 0:15:49 | |
and Mr Crisp was really striving to get a successful business, as many people do. | 0:15:49 | 0:15:54 | |
I believe Wedgwood pipped him to the post and became the famous man. | 0:15:54 | 0:15:58 | |
-Mr Wedgwood was a very clever man, though. -Yeah. -He did...he was probably the ruin of many a pottery! | 0:15:58 | 0:16:05 | |
Enough of all that lark! Please, can we see some marbles? | 0:16:05 | 0:16:09 | |
No-one is quite sure where the game of marbles first began, | 0:16:09 | 0:16:13 | |
but archaeologists have found games, boards and clay playing pieces in the tombs of Ancient Egypt. | 0:16:13 | 0:16:21 | |
China and ceramic marbles were introduced around 1800, | 0:16:21 | 0:16:25 | |
but it wasn't until the middle of the 19th century that German glassblowers invented | 0:16:25 | 0:16:29 | |
the tools to enable the marbles that we all know and love to be made out of glass. | 0:16:29 | 0:16:33 | |
And lucky old Jonathon is going to find out how it's done, | 0:16:33 | 0:16:36 | |
as there's a glassmaking factory onsite. | 0:16:36 | 0:16:40 | |
Jonathon's going to be shown the ropes by seasoned glassblower Paul. | 0:16:40 | 0:16:44 | |
-We're going to gather some glass out the furnace and make the inside coloured part of the marble. -OK. | 0:16:44 | 0:16:50 | |
-OK? -Go on, then. | 0:16:50 | 0:16:52 | |
All of these marbles are handcrafted. | 0:16:52 | 0:16:55 | |
-So there's like a pool of glass down there? -That's right. -Oh, my word! | 0:16:55 | 0:16:58 | |
Glass is melted in a sweltering 900 degrees centigrade, then shaped and moulded. | 0:16:58 | 0:17:04 | |
There we go. Look at that. | 0:17:04 | 0:17:06 | |
Dye is added to create the colours inside the marble, the glass is twisted and shaped... | 0:17:06 | 0:17:12 | |
Give it a squeeze. At the same time...a twist. | 0:17:12 | 0:17:16 | |
Then a clear glass bulb is melted around it. | 0:17:16 | 0:17:21 | |
It takes a special pair of pincers to get that perfect marbley shape. | 0:17:21 | 0:17:25 | |
Finally, it's snipped off and, hey, presto, the perfect marble. | 0:17:25 | 0:17:30 | |
Simple! Well, sort of. | 0:17:30 | 0:17:32 | |
Amazing. | 0:17:32 | 0:17:34 | |
# Goodness gracious, great balls of fire! # | 0:17:35 | 0:17:38 | |
Well, after all that hard work, I think it's time for both of our dear experts to snuggle down | 0:17:38 | 0:17:45 | |
and get a good night's sleep before the final shop tomorrow. | 0:17:45 | 0:17:49 | |
Day 2 dawns and our antiques experts are back on the road, | 0:17:52 | 0:17:56 | |
pumped up and ready for battle. | 0:17:56 | 0:17:58 | |
Yesterday the boys both spent the majority of their cash. Jonathon blew £142, | 0:17:58 | 0:18:04 | |
practically all his pennies, on four items all from the same shop. | 0:18:04 | 0:18:08 | |
That leaves him with a mere £13.36 for his second day of buying. | 0:18:08 | 0:18:14 | |
James started his day frugally, but then blew a mind-blowing £200 on one Chinese stand. | 0:18:14 | 0:18:20 | |
So all in all, he's spent £260 in three shops. | 0:18:20 | 0:18:25 | |
Which means today he's got £60.94 to play with. | 0:18:25 | 0:18:29 | |
I'm heading to the MG. | 0:18:29 | 0:18:31 | |
Today our boys are journeying south | 0:18:31 | 0:18:33 | |
to the popular tourist destination of Dartmouth. | 0:18:33 | 0:18:36 | |
Set on the banks of the estuary of the River Dart, | 0:18:36 | 0:18:40 | |
the port was used as the sailing point for the crusades of the 12th century, | 0:18:40 | 0:18:46 | |
and James and Jonathon are on a crusade of their own today | 0:18:46 | 0:18:49 | |
as they don't have much time or money left to spend. | 0:18:49 | 0:18:52 | |
James heads straight off to Penny Farthing Antiques to see what treasures he can uncover. | 0:18:52 | 0:18:58 | |
-Hello. -Hello there. -I'm James. How do you do? -Hi. Keith Williams. -Good to meet you. | 0:18:58 | 0:19:04 | |
-Well, I'll just have a look round. -Do. -Thank you. | 0:19:04 | 0:19:07 | |
Thank you. With just £60 left in his pocket, James needs to be clever with his cash. | 0:19:07 | 0:19:14 | |
-Can I look at your Tudoric jug? -Of course, yeah. -Thanks. | 0:19:14 | 0:19:17 | |
Liberty's, circa 1910. | 0:19:20 | 0:19:22 | |
-It's lovely, isn't it? -Mmm. | 0:19:22 | 0:19:24 | |
-I imagine it's part of a set, isn't it? -Yeah, we think that's hot water. | 0:19:26 | 0:19:29 | |
-Yeah. -But it's the right style, it's a good look. -It is, isn't it? It's very simple. | 0:19:29 | 0:19:34 | |
This type of jug was often used to carry and keep water hot until required to refresh the teapot. | 0:19:34 | 0:19:42 | |
The cane-covered handle protected the user from the heat of the metal. | 0:19:42 | 0:19:45 | |
The founder of Liberty & Co, Arthur Lasenby Liberty, | 0:19:45 | 0:19:49 | |
began to import modern pewter from Germany in 1899, | 0:19:49 | 0:19:53 | |
and the success of this venture encouraged him to commission the Tudoric British-made range. | 0:19:53 | 0:19:59 | |
-May I look at your chamber stick? -Certainly. | 0:19:59 | 0:20:02 | |
They've got "made in England" at the bottom... Oh, Torquay down there. | 0:20:04 | 0:20:08 | |
Yeah, I think it's early sort of Torquay ware. | 0:20:08 | 0:20:11 | |
-That's rather nice, that. -Again, good style, isn't it? -Great style. | 0:20:11 | 0:20:15 | |
Majolica glaze. | 0:20:15 | 0:20:17 | |
With only £60 left, James will have to do some hard bargaining to bag both items, I can tell you! | 0:20:18 | 0:20:23 | |
-£60 for the two. -I was thinking more sort of 85 for the pair. | 0:20:23 | 0:20:28 | |
-I've only got 60. -I reckon you should go for this one. Don't miss that, cos that was privately sourced. | 0:20:28 | 0:20:33 | |
The trade hasn't seen that. | 0:20:33 | 0:20:35 | |
OK? So that's going to be good for the saleroom. | 0:20:35 | 0:20:38 | |
The only problem is that handle, isn't it? But, you know, these things can be repaired. | 0:20:38 | 0:20:43 | |
-Yeah, it's a proper name, isn't it? -Yeah, a proper name. -Yeah. -Nice fellow. Good design. | 0:20:43 | 0:20:47 | |
-Could you do 35 on that, Nick? -I could do 40. -40? -Yeah. | 0:20:47 | 0:20:51 | |
We'll have a deal. There's got to be a profit in that at 40, hasn't there? | 0:20:51 | 0:20:55 | |
I think there is. Nick, I'll do it. | 0:20:55 | 0:20:58 | |
-That's very kind. You've probably saved me a lot of agony. -OK. | 0:20:58 | 0:21:01 | |
It might seem like a good buy now, but will it sell well at the auction? | 0:21:02 | 0:21:08 | |
Further down the road, Jonathon is popping into Commerce, | 0:21:08 | 0:21:12 | |
hoping to blow his final £13.36 on a star buy. Good luck with that. | 0:21:12 | 0:21:17 | |
-Good afternoon. -Good afternoon. How are you? All right? -Very good, very good. | 0:21:19 | 0:21:22 | |
-What a charming shop you've got here. -Thank you. | 0:21:22 | 0:21:25 | |
I'm going to have to be honest. I have £13.36. | 0:21:25 | 0:21:31 | |
So it doesn't really leave me very much, I think. | 0:21:32 | 0:21:36 | |
Well, hopefully, this could be an interesting turning point, for your, you know... | 0:21:36 | 0:21:40 | |
So I'm looking at basically anything you think that you could have, that you may offer me | 0:21:40 | 0:21:46 | |
for less than £13.36. | 0:21:46 | 0:21:49 | |
With such a small amount of cash left, | 0:21:49 | 0:21:51 | |
I fear Jonathon is going to be hard pushed to find a profit-making purchase at all! | 0:21:51 | 0:21:57 | |
I've already bought a pair of maritime watercolours, which I think are quite good, quite nice. | 0:21:57 | 0:22:02 | |
And I quite like the idea of trying to find something in the same vein, | 0:22:02 | 0:22:08 | |
almost like, you know, you've got like a lifebelt up there and little things like that. | 0:22:08 | 0:22:12 | |
A lifebelt? Surely not? I feel a metaphor coming on. | 0:22:12 | 0:22:16 | |
-I'd let that go for a fiver. -Would you? -And you'd be in pocket! | 0:22:16 | 0:22:21 | |
How much are your paddles? Would you do a couple of paddles for £13.35, and I'd keep a penny back. | 0:22:21 | 0:22:28 | |
Oh, dear! | 0:22:28 | 0:22:30 | |
-Yes. -You would? -Yes. I'll do obviously that which we discussed and the pair of paddles... | 0:22:30 | 0:22:35 | |
Not with it. I wasn't suggesting with the ring. Unless you want to throw the ring in as well! | 0:22:35 | 0:22:39 | |
-It might be my lifesaver! -DRUM ROLL -Oh, no, I knew it was coming! | 0:22:39 | 0:22:43 | |
Pair of paddles and that, I'll take all your money. | 0:22:43 | 0:22:47 | |
Keep your penny. | 0:22:47 | 0:22:48 | |
-There we go. -Brilliant. Thank you, sir. -Thank you very much. -You're welcome. It was a pleasure. | 0:22:48 | 0:22:52 | |
JAMES SIGHS | 0:22:52 | 0:22:54 | |
-Right, then, is this going to be my lifesaver? I jolly well hope so. -DRUM ROLL | 0:22:55 | 0:22:59 | |
That's number 2! | 0:22:59 | 0:23:00 | |
So while Jonathon leaves, clutching his lifebelt, | 0:23:00 | 0:23:04 | |
James has taken himself off to Chudleigh. | 0:23:04 | 0:23:07 | |
He's here to visit retired council officer Robert Hough, | 0:23:07 | 0:23:11 | |
a passionate collector of some rather amazing musical devices. | 0:23:11 | 0:23:15 | |
-Hello, James. Come on in. -Hello, Robert. | 0:23:15 | 0:23:17 | |
Robert's collecting urge started when he was only 12. | 0:23:17 | 0:23:21 | |
Back then it was butterflies, but it soon graduated into antique mechanical musical machines. | 0:23:21 | 0:23:27 | |
Now he has 35 and they've taken over his entire house. | 0:23:27 | 0:23:31 | |
-James, welcome to our music room. -God, the house really opens up, doesn't it? | 0:23:31 | 0:23:35 | |
-It's lovely. -The music room was really conceived | 0:23:35 | 0:23:38 | |
as a space to store our mechanical music collection, | 0:23:38 | 0:23:42 | |
-but it's evolved into a function space now and we do concerts and all kind of things here. -Oh, lovely. | 0:23:42 | 0:23:47 | |
-So you're the musical hub of Chudleigh? -Something like that. | 0:23:47 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:52 | |
-And what do we have here? -It's called the piano melodica. | 0:23:52 | 0:23:55 | |
And it's got a rather weird and wonderful kind of mechanism. | 0:23:55 | 0:24:00 | |
You load it up... | 0:24:00 | 0:24:01 | |
through like this. | 0:24:01 | 0:24:04 | |
-Goodness! -Put the form, the pressure bar... | 0:24:04 | 0:24:08 | |
-Put the lid back down. -Put the lid down. | 0:24:08 | 0:24:10 | |
And you crank away. | 0:24:10 | 0:24:13 | |
MUSIC PLAYS | 0:24:13 | 0:24:16 | |
That's amazing. | 0:24:18 | 0:24:20 | |
-So well-geared... -Would you like to try? -I'd love to try. | 0:24:20 | 0:24:23 | |
You get an empathy for the music. Off you go. | 0:24:23 | 0:24:26 | |
-And what does that mean? "Hurry up, James"? -Move to the right. | 0:24:30 | 0:24:32 | |
Come on, James, give it some welly! | 0:24:32 | 0:24:35 | |
And then you come back to about there. | 0:24:41 | 0:24:43 | |
JAMES LAUGHS | 0:24:46 | 0:24:48 | |
There was always a little bit of hardship to entertainment. | 0:24:48 | 0:24:52 | |
-Well... -The Victorians didn't like anything too easy, did they? -No. | 0:24:52 | 0:24:56 | |
Not sure this winding lark suits you, James. What about a bit of pedal power? | 0:24:56 | 0:25:00 | |
And what have we next, Robert? | 0:25:00 | 0:25:02 | |
-This is a very early form of pianola called a piano-player. -Right. | 0:25:02 | 0:25:08 | |
And we have got 65 wooden fingers that come out of the back of this mechanism, | 0:25:08 | 0:25:14 | |
-and they match up with the keys on the Bechstein piano. -Really? | 0:25:14 | 0:25:19 | |
And when you sit down and you pedal, which I'd like you to have a go at in a minute... | 0:25:19 | 0:25:22 | |
-OK, I'll sit down. -I'll just give you a little crash course on how to play it. | 0:25:22 | 0:25:27 | |
Start pedalling and don't be frightened of it. | 0:25:27 | 0:25:29 | |
-1900, but it's still going. All right? -Yeah. | 0:25:29 | 0:25:32 | |
MUSIC STARTS FEEBLY A little bit more pedal. That's it. | 0:25:33 | 0:25:36 | |
Oh, this is pitiful! Stop him, please! | 0:25:38 | 0:25:42 | |
Feet flat on the pedals and then I'm sort of waggling? | 0:25:42 | 0:25:45 | |
This was sold to be played by young ladies of a refined nature. | 0:25:45 | 0:25:48 | |
They'd have to work jolly hard peddling, I think! | 0:25:48 | 0:25:51 | |
Blimey! I'm feeling some lovely toning coming on here... | 0:25:51 | 0:25:54 | |
just beneath the thighs. | 0:25:54 | 0:25:57 | |
-Would you like me to take over? -Yes, I think it needs the hands of a master. Come on, Robert. | 0:25:57 | 0:26:03 | |
This is a little bit of Beethoven. Here we go. | 0:26:03 | 0:26:07 | |
MUSIC STARTS FLUENTLY | 0:26:07 | 0:26:08 | |
Ah, that's how it's supposed to sound! | 0:26:08 | 0:26:11 | |
-The machine has come alive. -Years of practice! | 0:26:11 | 0:26:15 | |
Oh, it's very good. | 0:26:15 | 0:26:17 | |
Yes, it is... when it's being properly operated. | 0:26:17 | 0:26:20 | |
One machine that Robert won't be letting James loose on is his pride and joy, his organ. | 0:26:20 | 0:26:26 | |
-This is the Aeolian Residence Player Pipe Organ. -Right. | 0:26:26 | 0:26:31 | |
I actually persuaded my wife to take 8 feet off the room to build an organ chamber, | 0:26:31 | 0:26:37 | |
-because behind the tapestry there's 1,100 pipes. -Really? | 0:26:37 | 0:26:41 | |
-Robert, fire away! -Would you like to hear it? -I'd love to. | 0:26:41 | 0:26:44 | |
We've got a little selection from Cavalleria Rusticana. | 0:26:44 | 0:26:47 | |
-And if you want to have a peek behind the tapestry, you can see the organ pipes. -OK. | 0:26:49 | 0:26:54 | |
-MUSIC STARTS -So it's behind here, is it? | 0:26:54 | 0:26:56 | |
Yes, if you go to the right and have a little look. | 0:26:56 | 0:27:00 | |
Oh, I see. | 0:27:05 | 0:27:06 | |
My word! | 0:27:06 | 0:27:08 | |
I must say, Robert, you have a very tolerant wife. | 0:27:17 | 0:27:20 | |
-It is very impressive. How many pipes was it? -There's 1,100 pipes. -1,100? | 0:27:22 | 0:27:28 | |
And that is relatively small as Aeolian Pipe Organs go. | 0:27:28 | 0:27:31 | |
Aeolian had the policy that if you could afford it, they would install an Aeolian Pipe Organ anywhere, | 0:27:31 | 0:27:36 | |
-under stairs, under bedrooms, in cellars, and goodness knows what. -Yeah. | 0:27:36 | 0:27:41 | |
And some of the installations were enormous. | 0:27:41 | 0:27:44 | |
Mrs Vanderbilt in New York had a 70 rank...a 70 rank... | 0:27:44 | 0:27:50 | |
-we've got 14, so you can imagine the size of it! -God! | 0:27:50 | 0:27:53 | |
Robert's house isn't open to the public but he holds concerts there and welcomes enthusiasts. | 0:27:53 | 0:28:00 | |
But for now it's time for enthusiastic James to say goodbye | 0:28:00 | 0:28:04 | |
and head off to catch up with Jonathon back in Dartmouth | 0:28:04 | 0:28:07 | |
for a little game of I'll show you mine if you show me yours. | 0:28:07 | 0:28:10 | |
Oh, look at that! That's very nice, isn't it? | 0:28:12 | 0:28:14 | |
Mid to early part of the 19th century, formerly a banner of a pole screen, | 0:28:14 | 0:28:19 | |
-but nice needlework. -Very nice, isn't it? How much did you pay? | 0:28:19 | 0:28:24 | |
I paid £60. | 0:28:24 | 0:28:26 | |
£60? That's good. That's very nice. | 0:28:26 | 0:28:28 | |
-Yeah. Nicely framed. Rosewood frame. Good item, good start. -Thank you very much. | 0:28:28 | 0:28:32 | |
-Over to you. -OK, here we are. My first lot. | 0:28:32 | 0:28:36 | |
-A little job lot of plate. -OK. | 0:28:36 | 0:28:38 | |
-Oh, I'm missing something. Here we are. And that fellow. -OK. Er... | 0:28:38 | 0:28:42 | |
A bit bitty but very good. | 0:28:43 | 0:28:47 | |
-£10. -Phew! | 0:28:47 | 0:28:49 | |
-Well, you've got a profit there, haven't you? -I hope so. | 0:28:49 | 0:28:52 | |
OK. | 0:28:52 | 0:28:53 | |
-God, Mr Picture! -There we go. -That's nice, isn't it? | 0:28:53 | 0:28:57 | |
-Though it's hard to see. -A little engraving. | 0:28:57 | 0:29:00 | |
I'm hoping it's Saint Paul's, but I don't know whether you've got these little turrets... | 0:29:00 | 0:29:04 | |
-It's Sacre Coeur. -Sacre Coeur? -Yeah, in Paris. -Oh, OK. | 0:29:04 | 0:29:07 | |
It's been reframed, not very well. | 0:29:07 | 0:29:10 | |
And I paid... | 0:29:10 | 0:29:11 | |
..£12. | 0:29:12 | 0:29:14 | |
£12. Yeah, that's nice, isn't it? | 0:29:14 | 0:29:16 | |
Mmm, a little unimpressed there, James! So what will Jonathon make of your North African table? | 0:29:16 | 0:29:21 | |
Here you are. So a nice sort of Damascus-Syrian fellow. | 0:29:21 | 0:29:26 | |
Here's your coffee table. | 0:29:26 | 0:29:28 | |
-That's a pretty... -That's your scrap of brass. | 0:29:28 | 0:29:33 | |
-And it sits very happily up there. -There's not an enormous amount of age to the base, particularly. | 0:29:33 | 0:29:39 | |
-No. -It's 20th century. -Yeah. | 0:29:39 | 0:29:41 | |
It's 1920s or '30s. | 0:29:41 | 0:29:44 | |
-£30? -20. -20 paid? -£20. -Yeah. OK, there's a potential profit there. -Another little profit there. | 0:29:44 | 0:29:51 | |
-I don't think he was blown away there! -Get rid of that, then. | 0:29:51 | 0:29:54 | |
-There we go. -Oh, marines, very nice. | 0:29:54 | 0:29:57 | |
-Rounding The Buoy. -Rounding The Buoy, yes. -By Mr Flowers. | 0:29:57 | 0:30:01 | |
-A pair to it. There we go. -That's very nice, isn't it? | 0:30:01 | 0:30:05 | |
-That chap there. -Nice marine tint. | 0:30:05 | 0:30:07 | |
Again, shame they're not in contemporary frames, but they're nice bright pictures, aren't they? | 0:30:07 | 0:30:13 | |
-How much did you pay for them? -For these, I paid £50. | 0:30:13 | 0:30:17 | |
-£50? -Yeah. -You're racking it up, aren't you? | 0:30:17 | 0:30:20 | |
This is my third item. | 0:30:20 | 0:30:22 | |
OK... | 0:30:25 | 0:30:26 | |
-It's got a little pillbox on the top there. -Yeah. -Which unscrews. | 0:30:28 | 0:30:32 | |
That's rather sweet, isn't it? | 0:30:32 | 0:30:34 | |
Cracked on the inside of the lip there. | 0:30:34 | 0:30:38 | |
-Nice to have that function. Without that bit there... -It would have been dead. -Boring. | 0:30:38 | 0:30:42 | |
But that makes the difference, doesn't it? Very good. | 0:30:42 | 0:30:45 | |
You've paid... | 0:30:45 | 0:30:47 | |
-..£30? -Correct. -Well done. | 0:30:48 | 0:30:51 | |
Ah, now I get it! This is a game of who can underwhelm whom the most. | 0:30:51 | 0:30:57 | |
There we go. | 0:30:57 | 0:30:59 | |
It didn't really start off life, I think, looking like this. | 0:30:59 | 0:31:03 | |
-But functional, you could paint it. -Quite fun. | 0:31:03 | 0:31:05 | |
Children learning to play a musical instrument in the front room. | 0:31:05 | 0:31:08 | |
You paid £20. | 0:31:08 | 0:31:10 | |
-Yes, £20. -That's good. | 0:31:10 | 0:31:11 | |
Now for James's star buy! | 0:31:11 | 0:31:14 | |
-This is where good sense departed me, I'm afraid. -Oh, good. | 0:31:14 | 0:31:17 | |
OK. Cool. | 0:31:17 | 0:31:20 | |
Nice sharp edges on it. 100 years old, perhaps. | 0:31:20 | 0:31:24 | |
Chinese hardwood. Nice little functional thing. | 0:31:24 | 0:31:26 | |
-I paid £200 for it. -You didn't, really? | 0:31:26 | 0:31:30 | |
-That was a bold buy, James. -It's a bold buy, but it's a lovely buy, | 0:31:30 | 0:31:33 | |
it's a very fashionable item at the moment. It might make 150, it might make 250, it might make 700. | 0:31:33 | 0:31:39 | |
-Yeah. -You know, it's impossible to predict these. -Well done. Very good. | 0:31:39 | 0:31:43 | |
Now, bearing in mind I had £13.36 left...that's all... | 0:31:43 | 0:31:48 | |
I bought... | 0:31:48 | 0:31:50 | |
-A rubber ring. Well done! -I thought these could be my lifesaver. -DRUM ROLL | 0:31:51 | 0:31:55 | |
Oh, no! Another one! | 0:31:55 | 0:31:58 | |
-I got some change out of my money. -How much? -There we go. | 0:31:58 | 0:32:01 | |
-I have my penny left. -Well, it's great fun. | 0:32:01 | 0:32:04 | |
I think...you've correctly targeted your purchases to where we're going. | 0:32:04 | 0:32:10 | |
-I'm hoping. -Here's my last. | 0:32:10 | 0:32:12 | |
It's Tudoric, Liberty & Co. | 0:32:18 | 0:32:21 | |
It is...a touch boring. | 0:32:21 | 0:32:25 | |
Oh, that was a lethal jab! | 0:32:25 | 0:32:27 | |
-It needs something a bit bright going on. -It needs a bit of flowers going on, a bit of embossing. | 0:32:27 | 0:32:31 | |
-Handle's not in great shape, but then you didn't have a lot of money left. -No. | 0:32:31 | 0:32:36 | |
How much money did you have left? | 0:32:36 | 0:32:38 | |
I paid £40 for that. | 0:32:38 | 0:32:39 | |
-OK... That could be a good purchase, that. -Mmm. | 0:32:39 | 0:32:44 | |
-So, good, excellent. I think that's a good mixture of stuff, isn't it? -The die is cast! | 0:32:44 | 0:32:48 | |
Well, it looked civilised, but these two spared no punches. | 0:32:48 | 0:32:52 | |
I don't think I can bear to hear what they really thought... | 0:32:52 | 0:32:55 | |
Oh, go on, then! | 0:32:55 | 0:32:57 | |
Jonathon has bought items according to his budget. | 0:32:57 | 0:33:00 | |
I think he's put a lot of thought into where we're going, | 0:33:00 | 0:33:05 | |
so there's a lot of marine interest and that might serve him very well. | 0:33:05 | 0:33:09 | |
I'm relieved that James has been bold and has spent a lot of money. | 0:33:09 | 0:33:13 | |
£200 on that table was... | 0:33:13 | 0:33:15 | |
It is a gamble. It may do it. But I'm pleased, it's a real battle now, | 0:33:17 | 0:33:22 | |
because there's... we've got a lot between us. | 0:33:22 | 0:33:25 | |
You certainly have! | 0:33:25 | 0:33:27 | |
It's been a highly competitive fifth leg of this road trip | 0:33:27 | 0:33:30 | |
from Crewkerne to Honiton and on to Dartmouth. | 0:33:30 | 0:33:32 | |
The destination for the final auction showdown is Lostwithiel | 0:33:32 | 0:33:35 | |
in Cornwall. | 0:33:35 | 0:33:37 | |
Situated on the wooded banks of the Fowey River, | 0:33:37 | 0:33:41 | |
Lostwithiel boomed 800 years ago, exporting tin, | 0:33:41 | 0:33:45 | |
becoming the second busiest port on the South Coast of England. Wow! | 0:33:45 | 0:33:50 | |
Our final auction of the week is at Jefferys Auctions, | 0:33:50 | 0:33:54 | |
so does auctioneer Ian Morris think our experts' items shine or lack lustre? | 0:33:54 | 0:33:58 | |
Obviously the Chinese rosewood four stand... | 0:33:59 | 0:34:04 | |
is going to do well, but obviously it's a nicer piece, it's a more expensive piece anyway. | 0:34:04 | 0:34:09 | |
I'd hope we get in the region of £180-220 for that. | 0:34:09 | 0:34:13 | |
That's the real thing that really stands out. | 0:34:13 | 0:34:16 | |
Then everything else really is maybe bumbling along in the region of... | 0:34:16 | 0:34:22 | |
as low as £10 start up to £50 or £60, | 0:34:22 | 0:34:23 | |
so I'm hoping the guys haven't paid a lot of money for their bits and pieces, really. | 0:34:23 | 0:34:28 | |
Well, James started this leg with an impressive £320.94, | 0:34:29 | 0:34:34 | |
and has gone on to spend exactly £300 on five auction lots. | 0:34:34 | 0:34:39 | |
Jonathon, meanwhile, began with a rather measly £155.36, | 0:34:41 | 0:34:46 | |
but he managed to spend every penny except one... | 0:34:46 | 0:34:49 | |
on five auction lots. | 0:34:49 | 0:34:52 | |
Time to find out who's able to flex the most financial muscle. | 0:34:52 | 0:34:57 | |
First up, Jonathon's rather bashed music stand. | 0:34:58 | 0:35:02 | |
Part 19th century, on bobbin-turned support there. | 0:35:02 | 0:35:04 | |
£20? £10 to start me off. | 0:35:04 | 0:35:07 | |
10 bid. I'll take 12 now. At £10. 12? | 0:35:07 | 0:35:10 | |
14. 16. At £16. 18. At £18. 20. At £20 bid. | 0:35:10 | 0:35:14 | |
-Keep going, keep going, keep going! -We all done? -No, no, no! | 0:35:14 | 0:35:18 | |
£20 to 547. | 0:35:18 | 0:35:20 | |
-£20. -It's like Groundhog Day. This is what happened to me last time. | 0:35:20 | 0:35:23 | |
Bought for 20, sold for 20. | 0:35:23 | 0:35:26 | |
It certainly didn't sing to the buyers! | 0:35:27 | 0:35:29 | |
Next up, James's silver-plated job lot. | 0:35:31 | 0:35:34 | |
Some items of silver plate | 0:35:34 | 0:35:35 | |
including a Mappin & Webb pierced bordered chamber stick | 0:35:35 | 0:35:38 | |
and Bevan & Webb pint tankard. Lot 115. £20 to buy very quickly? | 0:35:38 | 0:35:42 | |
Tenner bid. At 10. I'll take 12. 12. 14. | 0:35:42 | 0:35:45 | |
16. 18. 20? At £18. 20 no? At £18. 20 no. We're done. | 0:35:45 | 0:35:51 | |
At £18. £18. | 0:35:51 | 0:35:53 | |
-Steady James. -Steady profit there. | 0:35:54 | 0:35:56 | |
A small profit for James, but a profit nevertheless. | 0:35:57 | 0:36:02 | |
Jonathon's engraving of the Sacre Coeur is up next. | 0:36:02 | 0:36:06 | |
Let's hope a little French charm goes a long way in Cornwall. | 0:36:06 | 0:36:10 | |
French school, early 20th century, signed limited edition etching, | 0:36:10 | 0:36:14 | |
Parisian street scene. That one there, very quickly. Can I say £20? | 0:36:14 | 0:36:18 | |
£10? Tenner bid. | 0:36:18 | 0:36:19 | |
At 10. At 12. At 15. At £15, the bid's with me. | 0:36:19 | 0:36:22 | |
Come on! | 0:36:22 | 0:36:23 | |
At £18, the bid's at the back. At £18. 20 no. We all done? At £18. | 0:36:23 | 0:36:29 | |
-Well done. Back in the game! -Result! | 0:36:29 | 0:36:32 | |
Back in the game! Back in the game! | 0:36:32 | 0:36:35 | |
Un petit profit for Jonathon! Ooh la la! | 0:36:35 | 0:36:38 | |
Continuing the French theme... | 0:36:40 | 0:36:42 | |
Novelty French white-metal topped bottle with integral pillbox, | 0:36:42 | 0:36:45 | |
complete with stopper. Pretty little thing. £50 to buy? £30 to buy? | 0:36:45 | 0:36:49 | |
£20 I'm bid. At £20. 25. 30. 35. | 0:36:49 | 0:36:52 | |
£40. 45? At 45 I'm bid. At £40 I'm bid. | 0:36:52 | 0:36:56 | |
We're done at £40. | 0:36:56 | 0:36:58 | |
Tenner. | 0:36:58 | 0:36:59 | |
Disappointing as per normal. | 0:36:59 | 0:37:02 | |
The good folk of Cornwall | 0:37:02 | 0:37:04 | |
certainly seem to like items from across the Channel. | 0:37:04 | 0:37:07 | |
So will they be drawn to Jonathon's marine theme? | 0:37:07 | 0:37:11 | |
A pair of signed watercolours there. | 0:37:11 | 0:37:12 | |
-Dated 1911. -Here we are. Good luck. Good luck, lovely lot. -£50? | 0:37:12 | 0:37:17 | |
£30? £20 I have. | 0:37:17 | 0:37:19 | |
At £20. 25. £30. 35. | 0:37:19 | 0:37:21 | |
£40? At £35. | 0:37:21 | 0:37:23 | |
-At £35. 40? -Come on! | 0:37:23 | 0:37:25 | |
At 38. 40 now. At 38 I'm bid. At 38, 40 no, I'm done. | 0:37:25 | 0:37:30 | |
At 38. 825. | 0:37:30 | 0:37:32 | |
Oh, Jonathon! | 0:37:33 | 0:37:35 | |
Don't worry. | 0:37:35 | 0:37:37 | |
By the look of it, we might sell the table for about £30. | 0:37:37 | 0:37:41 | |
Don't give up, James! The auctioneer liked your table. | 0:37:41 | 0:37:46 | |
But first the pewter jug, remember? | 0:37:46 | 0:37:49 | |
The one the trade hasn't seen and which is sure to make a profit. | 0:37:49 | 0:37:52 | |
Liberty Tudoric pewter hot water jug. Pattern number 0213. | 0:37:52 | 0:37:57 | |
£20 away? £10 away? | 0:37:57 | 0:37:59 | |
Tenner bid. At 10. At £10. I'll take 12. At £10 I'm bid. 12. | 0:37:59 | 0:38:03 | |
14. 16. 18. 20. | 0:38:03 | 0:38:06 | |
£20, the bid's right at the back. | 0:38:06 | 0:38:07 | |
22. 25? 25. 28? 28. £30? £30. | 0:38:07 | 0:38:10 | |
32? £30 still at the back. 32? At £30, then, going at the back. | 0:38:10 | 0:38:14 | |
At £30. 228. | 0:38:14 | 0:38:17 | |
-Up and down, James. -Up and down, up and down. | 0:38:17 | 0:38:19 | |
Oh, dearie me! Moving on... | 0:38:19 | 0:38:22 | |
Jonathon's got a right royal hope with his embroidery. | 0:38:22 | 0:38:26 | |
19th-century framed needlework panel, | 0:38:26 | 0:38:28 | |
depicting the Royal coat of arms in a nice rosewood frame there. | 0:38:28 | 0:38:32 | |
Start there very quickly. Can I say £50 away? £30 away. | 0:38:32 | 0:38:35 | |
£30 I'm bid. | 0:38:35 | 0:38:37 | |
-He's got someone. -One or two in the book. Keep going. | 0:38:37 | 0:38:41 | |
Keep going. Keep going. Keep going. | 0:38:41 | 0:38:43 | |
At £45? Are we all done? At £45. | 0:38:43 | 0:38:46 | |
He gives with one hand and he takes with the other, doesn't he? | 0:38:48 | 0:38:52 | |
That's life! | 0:38:54 | 0:38:55 | |
How coy! | 0:38:56 | 0:38:59 | |
We may be in the Duchy of Cornwall but no-one's feeling very patriotic! | 0:38:59 | 0:39:03 | |
It's James's North African coffee table. | 0:39:03 | 0:39:06 | |
Are the good people of Lostwithiel up for a little ethnic charm? | 0:39:06 | 0:39:10 | |
Brass circular coffee tray... | 0:39:10 | 0:39:12 | |
-Lovely tray! What a lovely tray! -£20 away? -Feel the weight, sir! -Shh! | 0:39:12 | 0:39:18 | |
At £10 I'm bid. I'll take 12. | 0:39:18 | 0:39:20 | |
At £10 I'm bid. 12? | 0:39:20 | 0:39:23 | |
Are we all done at £10? Going at £10. | 0:39:23 | 0:39:27 | |
-This isn't the 1970s! -What a crime! | 0:39:28 | 0:39:31 | |
£10! | 0:39:31 | 0:39:33 | |
Oops! I could have told you, James! | 0:39:33 | 0:39:37 | |
Now, could Jonathon's life be saved in more ways than one? | 0:39:37 | 0:39:42 | |
Red-and-white lifesaving ring and pair of military painted paddles. | 0:39:42 | 0:39:45 | |
Somebody might need lifesaving. DRUM ROLL | 0:39:45 | 0:39:48 | |
-Oh, even the auctioneer's at it! -£10 away? | 0:39:48 | 0:39:51 | |
At 5. £5 I'm bid. I'll take 6. At 5. 6. 7. | 0:39:51 | 0:39:55 | |
-8. 10. At £10 I'm bid. -Keep going. -12 now? | 0:39:55 | 0:39:59 | |
Up the river without a paddle! | 0:39:59 | 0:40:01 | |
At £10 I'm bid. 12 no. Going at £10. | 0:40:01 | 0:40:04 | |
-Steady work. -Steady work, yeah. -Steady work. -Yeah, sorry, kids. | 0:40:04 | 0:40:08 | |
Yeah, lovely. | 0:40:10 | 0:40:12 | |
Well, there'll be no bird on the table this Sunday! | 0:40:12 | 0:40:16 | |
The bidders are just not in today. | 0:40:16 | 0:40:19 | |
The final lot of the day is James's big punt, | 0:40:19 | 0:40:23 | |
his pricey Chinese rosewood stand, bought for £200. | 0:40:23 | 0:40:27 | |
Lot 104 there is a late 19th-century Chinese carved rosewood stand. | 0:40:27 | 0:40:32 | |
There it is, it's in a prime place. | 0:40:32 | 0:40:34 | |
One, two, three, four bids on this one. I'm going to start at £210. | 0:40:34 | 0:40:38 | |
-Oh, no! -At 210. At 210. | 0:40:38 | 0:40:41 | |
AUCTIONEER LAUGHS | 0:40:41 | 0:40:44 | |
Far too much! Shall I go down to £50? | 0:40:44 | 0:40:47 | |
At 210, all the bids with me. | 0:40:47 | 0:40:49 | |
210. 220 no? We all done at 210? Well, the bid's with me at £210. | 0:40:49 | 0:40:55 | |
Really? 210? | 0:40:56 | 0:40:57 | |
Oh...! | 0:40:57 | 0:40:59 | |
-That's very good, James. -The top bid was probably 500! | 0:41:01 | 0:41:05 | |
His dreams dashed. | 0:41:05 | 0:41:08 | |
This has not been the final hurrah James was hoping for. | 0:41:08 | 0:41:11 | |
Nervous Jonathon started this leg with... | 0:41:12 | 0:41:15 | |
..and, unfortunately, made a loss of £47.93, | 0:41:17 | 0:41:21 | |
so he ends up with... | 0:41:21 | 0:41:23 | |
In fact, that's nearly half what he started with. | 0:41:26 | 0:41:29 | |
Not great! | 0:41:29 | 0:41:30 | |
Devilish James, however, kicked off today with... | 0:41:31 | 0:41:35 | |
He also made a loss, of £47.44, | 0:41:36 | 0:41:39 | |
but he ends with a grand total of... | 0:41:39 | 0:41:42 | |
..making him this week's clear winner. Well done, old fruit! | 0:41:44 | 0:41:48 | |
And what a competitive week it's been. | 0:41:48 | 0:41:51 | |
Since leaving Altrincham, near Manchester, | 0:41:51 | 0:41:53 | |
James and Jonathon have driven over 300 miles south | 0:41:53 | 0:41:56 | |
to glorious Cornwall. James has needled his rival from the start. | 0:41:56 | 0:42:01 | |
MUSIC: "Stir It Up" by Bob Marley and the Wailers | 0:42:01 | 0:42:04 | |
It's nice to see a man scratching around, isn't it? | 0:42:04 | 0:42:07 | |
You can hear him now, can't you? He's round there, skulking around, putting me off! | 0:42:08 | 0:42:13 | |
I'm not smiling! | 0:42:17 | 0:42:19 | |
Lot number 7. | 0:42:19 | 0:42:21 | |
Good, good, good. | 0:42:21 | 0:42:23 | |
You cleared all the broken stuff out now? | 0:42:23 | 0:42:25 | |
No, nothing that's broken, James. | 0:42:25 | 0:42:27 | |
Occasionally, he's lost the birdie... | 0:42:27 | 0:42:30 | |
For a cuckoo clock, do you need a cuckoo? | 0:42:30 | 0:42:32 | |
While Jonathon has been confused... | 0:42:32 | 0:42:34 | |
-MUSIC: "Confusion" by Electric Light Orchestra -Oh, dear! God! | 0:42:34 | 0:42:38 | |
He's dithered... | 0:42:40 | 0:42:42 | |
OK, £100... Oh, God, I'm so... | 0:42:46 | 0:42:49 | |
But at least they've had a jolly good jaunt down the country in James's trusty MG. | 0:42:51 | 0:42:58 | |
Next week we're on the road with David Barby and David Harper, | 0:43:01 | 0:43:05 | |
as they travel all the way from Northern Ireland to Wales. | 0:43:05 | 0:43:08 | |
There's plenty of rivalry... | 0:43:08 | 0:43:11 | |
-No. -Oh! | 0:43:11 | 0:43:13 | |
And occasionally the gloves come off... | 0:43:13 | 0:43:15 | |
Oh, dear! I feel so awful for you! | 0:43:15 | 0:43:18 | |
But which David will win the day? | 0:43:18 | 0:43:20 | |
-Come on! -Hey, David! David! Best of luck. -Oh, sorry. | 0:43:20 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:37 |