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The nation's favourite antiques experts, £200 and one big challenge. | 0:00:02 | 0:00:06 | |
I'm going to declare war. | 0:00:06 | 0:00:07 | |
-Why? -Who can make the most money buying and selling antiques as they scour the UK? | 0:00:07 | 0:00:13 | |
Very good. | 0:00:13 | 0:00:14 | |
-The aim is to trade up and hope each antique turns a profit. -Oh! | 0:00:14 | 0:00:18 | |
But it's not as easy as you might think | 0:00:18 | 0:00:20 | |
-and things don't always go to plan. -Push! | 0:00:20 | 0:00:24 | |
So will they race off with a huge profit or come to a grinding halt? | 0:00:24 | 0:00:28 | |
-Do you think I'd believe that? -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
In a week that promises slightly dubious weather | 0:00:37 | 0:00:41 | |
but wonderful scenery and fabulous people, | 0:00:41 | 0:00:43 | |
the Antiques Road Trip comes to you from Northern Ireland. | 0:00:43 | 0:00:46 | |
Lough Neagh, the biggest freshwater lake in the British Isles. | 0:00:46 | 0:00:51 | |
-Did you know that, David? -I did. | 0:00:51 | 0:00:52 | |
Sorry, I'd forgotten that you know everything. | 0:00:52 | 0:00:55 | |
It's here our antique ambassadors, David Barby and David Harper, | 0:00:55 | 0:01:00 | |
are about to charm a nation and hopefully make a profit. | 0:01:00 | 0:01:04 | |
Look at this. It's one of the most romantic places in the British Isles | 0:01:04 | 0:01:08 | |
and here am I with David Barby. | 0:01:08 | 0:01:10 | |
I mean, my life doesn't really get any better, does it? | 0:01:10 | 0:01:14 | |
-I hope your inclinations are honourable. -Not at all. | 0:01:14 | 0:01:16 | |
Freelance auctioneer and valuer David Barby is affectionately known as Dolly, | 0:01:18 | 0:01:23 | |
not out of any resemblance, though, to the toy. | 0:01:23 | 0:01:26 | |
What are they for? I don't know. | 0:01:26 | 0:01:28 | |
He has a passion for antiques that began at the tender age of 12. | 0:01:28 | 0:01:31 | |
I've just asked what the bottom price is. | 0:01:31 | 0:01:33 | |
Not to be outdone, David Harper started collecting when he was just five years old, | 0:01:33 | 0:01:38 | |
or so he says. | 0:01:38 | 0:01:40 | |
I am a treasure hunter. | 0:01:40 | 0:01:42 | |
Today, he's living the dream as an antiques dealer, writer | 0:01:43 | 0:01:47 | |
and thoroughly good egg. | 0:01:47 | 0:01:49 | |
She's gorgeous and I wouldn't mind taking her home. | 0:01:49 | 0:01:52 | |
The two Davids are starting this contest with £200 each | 0:01:52 | 0:01:55 | |
and naturally, they're both hoping to have the luck of the Irish. | 0:01:55 | 0:02:00 | |
Are you going to try and beat me on this, Mr Barby, | 0:02:00 | 0:02:02 | |
or are you going to play the gentleman and just let me win? | 0:02:02 | 0:02:05 | |
I shall play the gentleman, always. | 0:02:05 | 0:02:08 | |
Do you think I'd believe that? | 0:02:08 | 0:02:10 | |
This week we're travelling from Northern Ireland, | 0:02:12 | 0:02:15 | |
heading south towards the county of Meath, | 0:02:15 | 0:02:18 | |
then across to the north coast of Wales | 0:02:18 | 0:02:21 | |
and once again heading south, | 0:02:21 | 0:02:23 | |
ending our trip in Llanelli. | 0:02:23 | 0:02:25 | |
Today, we're en route to the village of Moy | 0:02:25 | 0:02:28 | |
and our journey concludes with auction number one in Omagh. | 0:02:28 | 0:02:32 | |
As for our experts' mode of transport, | 0:02:33 | 0:02:36 | |
what could be more glamorous than a Triumph TR3? | 0:02:36 | 0:02:39 | |
If I was to close my eyes a little bit, | 0:02:39 | 0:02:41 | |
I'd think I was with some beautiful blonde. | 0:02:41 | 0:02:44 | |
-Indeed? -Not for long but... | 0:02:44 | 0:02:46 | |
Known to the locals as The Moy, | 0:02:47 | 0:02:50 | |
back in the 1700s, this village was just a handful of cottages and a pub, | 0:02:50 | 0:02:55 | |
most of which are still standing | 0:02:55 | 0:02:57 | |
and have been transformed into an antiques business | 0:02:57 | 0:03:01 | |
that's been in the same family for three generations. | 0:03:01 | 0:03:04 | |
What's more, it has room after room of gorgeous collectables, | 0:03:04 | 0:03:08 | |
so what better place for our boys to make a start? | 0:03:08 | 0:03:11 | |
-David... -Come on! -David, best of luck. | 0:03:11 | 0:03:13 | |
Oh, sorry. Sorry. Best of luck. Of course. | 0:03:13 | 0:03:16 | |
Of course I mean that. BARBY GRUNTS | 0:03:16 | 0:03:18 | |
-Do you want me to help you out? -Yes, thank you. | 0:03:18 | 0:03:21 | |
Anything to delay you. | 0:03:21 | 0:03:23 | |
Now, while David Harper gets Dermot to give him the grand tour | 0:03:24 | 0:03:29 | |
of what used to be the entire village of Moy... | 0:03:29 | 0:03:32 | |
Look at this. This is my idea of heaven. | 0:03:32 | 0:03:34 | |
..Lawrence, his father, is looking after our Mr Barby in the main shop. | 0:03:34 | 0:03:39 | |
Can you tell me the price of the Crown Devon? | 0:03:39 | 0:03:42 | |
-£220. -Oh! Goodness me. -For the two. | 0:03:42 | 0:03:45 | |
That takes up almost all my money. | 0:03:45 | 0:03:47 | |
In other words, time for a much cheaper plan B - | 0:03:47 | 0:03:51 | |
this Georgian window panel. | 0:03:51 | 0:03:53 | |
This is the one here. | 0:03:53 | 0:03:55 | |
It's an individual over-door, yes. That's a genuine Georgian one, yes. | 0:03:55 | 0:03:59 | |
So this would have been... Oops. | 0:03:59 | 0:04:03 | |
-That would have been across the top. -Of course, yeah, yeah. | 0:04:03 | 0:04:07 | |
-Yes. -So we've got quite a lot of damage here. | 0:04:07 | 0:04:10 | |
Yes, it needs some of the wood replaced, yeah. | 0:04:10 | 0:04:13 | |
You've got layers of paint, there. | 0:04:14 | 0:04:17 | |
So this is probably what? Regency, George IV? | 0:04:17 | 0:04:21 | |
Yeah, around George IV, yeah. | 0:04:21 | 0:04:23 | |
-So what's your price on it? -£35. | 0:04:23 | 0:04:27 | |
-£35. Is that your very, very best? -That's it, finito, on that one. | 0:04:27 | 0:04:31 | |
Is it? I rather like that. | 0:04:31 | 0:04:34 | |
For now, it's a strong maybe | 0:04:34 | 0:04:36 | |
because today, David Barby is a man with a game plan. | 0:04:36 | 0:04:39 | |
I'm looking for something that is unique, | 0:04:40 | 0:04:44 | |
unusual, quirky. | 0:04:44 | 0:04:47 | |
There's some decent stuff here. Lovely, lovely, lovely. | 0:04:47 | 0:04:50 | |
I'm happy if I just sort of play the middle ground. | 0:04:50 | 0:04:54 | |
I don't really mean that. | 0:04:54 | 0:04:56 | |
I'd love to win but it depends how the day goes by. | 0:04:56 | 0:04:59 | |
As for David H, his tactic is to spend lots. | 0:05:00 | 0:05:04 | |
-So this is an oil burner? -An oil burner, yeah. -Oil burner. | 0:05:04 | 0:05:08 | |
A good thing, in copper, bit of brass. | 0:05:08 | 0:05:11 | |
-Nicely patinated. -That's right. -Good thick glass. | 0:05:11 | 0:05:15 | |
-Imagine that illuminated. That, in a garden, would look the business. -Yeah. | 0:05:15 | 0:05:19 | |
-Early 20th century. -1910, something like that. -It would be. | 0:05:19 | 0:05:23 | |
It has to be, yeah. | 0:05:23 | 0:05:24 | |
-What sort of money...? -The trade price on that is 35 quid. | 0:05:24 | 0:05:28 | |
Can it be 30 quid? | 0:05:28 | 0:05:30 | |
-30 quid. Go on. Good luck with it. -Good man. Nice to do a deal quickly. | 0:05:31 | 0:05:34 | |
Man after my own heart. Fantastic. | 0:05:34 | 0:05:36 | |
I love doing deals, Dermot. Show me some more. Let's continue. | 0:05:36 | 0:05:40 | |
Well, the boys are going great guns today | 0:05:41 | 0:05:45 | |
and across the courtyard, David B has already found something else, | 0:05:45 | 0:05:48 | |
though he has just one question. | 0:05:48 | 0:05:50 | |
-What are they? -They're Scottish but I'm not sure what they were used for. | 0:05:50 | 0:05:55 | |
-They're both the same? -Mm-hm. | 0:05:55 | 0:05:57 | |
-Yeah, two pieces. -How much are they? | 0:05:59 | 0:06:01 | |
We'd do the two of them for £60. | 0:06:01 | 0:06:04 | |
-They're quite unusual. -They are but I don't know what they're for. | 0:06:04 | 0:06:09 | |
And even more surprising, nor do I. | 0:06:09 | 0:06:12 | |
It's a chance that somebody will know at the auction | 0:06:12 | 0:06:15 | |
-but I think they're Churchill. -Rubbish. | 0:06:15 | 0:06:17 | |
Probably dating from the early part of the 20th century, | 0:06:17 | 0:06:21 | |
so I think they're interesting enough. | 0:06:21 | 0:06:24 | |
-What's the best you can do on these, Lawrence? -On these, it's £60. | 0:06:24 | 0:06:28 | |
-Oh, come on. -For the two of them. -This one's got damage. | 0:06:28 | 0:06:31 | |
-For the two, £50. -I think you can afford to knock some more off | 0:06:31 | 0:06:35 | |
-because you don't know what they are. -That's where the hidden value is. | 0:06:35 | 0:06:39 | |
Maybe these will make a lot more money. | 0:06:39 | 0:06:41 | |
-Would you do 40 for the two, please? -OK, 40 for the two. OK. -OK. | 0:06:41 | 0:06:45 | |
Can I pay for those later? | 0:06:45 | 0:06:46 | |
There might be something else here. I'm getting excited. | 0:06:46 | 0:06:50 | |
Someone else who's excited is David Harper, | 0:06:51 | 0:06:53 | |
who might just have found his next purchase. | 0:06:53 | 0:06:56 | |
So we have here a set of six, certainly 19th century, prints | 0:06:56 | 0:07:03 | |
but mounted in a really unusual way. | 0:07:03 | 0:07:05 | |
I love the shape of them and they could work - | 0:07:05 | 0:07:08 | |
you've got to use your imagination - in a modern room | 0:07:08 | 0:07:12 | |
with a little bit of regilding on the frame, | 0:07:12 | 0:07:14 | |
that would look really jazzy. | 0:07:14 | 0:07:16 | |
But proper things. 19th century. Probably 1860, 1880. | 0:07:16 | 0:07:23 | |
There's potential but they've got to be cheap. | 0:07:23 | 0:07:26 | |
Bear in mind there's six of them. | 0:07:26 | 0:07:28 | |
Oh, no, this is a very bad start to this conversation, Dermot. | 0:07:28 | 0:07:32 | |
The best I'll do for you is 50 quid. | 0:07:32 | 0:07:34 | |
50 quid. | 0:07:34 | 0:07:36 | |
Dermot, give us them for 40. | 0:07:36 | 0:07:38 | |
-45. -Good man. Fantastic. | 0:07:39 | 0:07:41 | |
I love doing business with you. I love it. | 0:07:41 | 0:07:43 | |
Right, OK, another one in the bag. Show me some more. | 0:07:43 | 0:07:47 | |
My goodness, at this rate, the boys will be done in time for elevenses. | 0:07:47 | 0:07:52 | |
Actually, I could murder a biccy. | 0:07:52 | 0:07:53 | |
I've just spotted this, which I think is an interesting composition. | 0:07:55 | 0:07:59 | |
It's 19th century. | 0:07:59 | 0:08:01 | |
What I like about it is the feature of the woman | 0:08:02 | 0:08:04 | |
and then this figure going at an angle across, which is unusual, | 0:08:04 | 0:08:09 | |
as though somebody else is straining to look out from behind the curtain. | 0:08:09 | 0:08:13 | |
I rather like that. Oh, and of course, she has a naked breast, | 0:08:17 | 0:08:21 | |
so it may well have been put in an attic | 0:08:21 | 0:08:23 | |
rather than upset anybody's sensitive nerves, | 0:08:23 | 0:08:26 | |
because it has got an exposed breast. | 0:08:26 | 0:08:28 | |
Cleaned up, I think that would be quite good | 0:08:28 | 0:08:31 | |
but there's damage across here. | 0:08:31 | 0:08:33 | |
I would hope it would be round about £50. | 0:08:33 | 0:08:36 | |
Lawrence, I just spotted this as I came through the door. | 0:08:36 | 0:08:39 | |
I know it's got damage on it. | 0:08:39 | 0:08:41 | |
-What's the best price you can do? -£40. -£40. -Mm. | 0:08:41 | 0:08:44 | |
-That's allowing for its condition and whatever restoration has to be done to it. -OK. | 0:08:44 | 0:08:48 | |
-Lawrence. -David. | 0:08:49 | 0:08:52 | |
-Thank you very much indeed. -OK. | 0:08:52 | 0:08:53 | |
Right. Oh, I'm quite pleased. | 0:08:53 | 0:08:57 | |
Perhaps there's something in the air. | 0:08:57 | 0:08:59 | |
# I've heard people say... # | 0:09:00 | 0:09:02 | |
Because at this very second, David H... | 0:09:02 | 0:09:05 | |
# Too much of anything is not good for you, baby... # | 0:09:05 | 0:09:07 | |
..is also now thinking... | 0:09:07 | 0:09:09 | |
She's a bit of all right, isn't she? | 0:09:09 | 0:09:11 | |
..about naked women. | 0:09:11 | 0:09:13 | |
She's gorgeous. Not only is she lovely to look at because she's a lovely shape | 0:09:13 | 0:09:17 | |
-but she's very contemporary and you could put her... -That's right. | 0:09:17 | 0:09:21 | |
-..in a traditional house and jazz it up. -That's right. -Couldn't you? | 0:09:21 | 0:09:25 | |
-Or a very modern place. -Very modern, yeah. | 0:09:25 | 0:09:28 | |
This rather saucy painting, that has David so excited, | 0:09:28 | 0:09:32 | |
is an amateur copy of Daniel O'Neill's work, | 0:09:32 | 0:09:36 | |
an Irish artist now deceased, | 0:09:36 | 0:09:38 | |
though while the original did sell for 50,000 euros, | 0:09:38 | 0:09:43 | |
I think this canvas is worth a bit less. | 0:09:43 | 0:09:45 | |
Erm, what sort of money is she, then? I wouldn't mind taking her home. | 0:09:45 | 0:09:49 | |
-Say something like... -30 quid? 20 quid? | 0:09:49 | 0:09:52 | |
-50 quid, 50 quid. -Really? | 0:09:52 | 0:09:54 | |
-45. -You couldn't put it on my bill at 20 quid? | 0:09:54 | 0:09:57 | |
-Say 30? -25 quid. | 0:09:59 | 0:10:02 | |
-Let me take her home for 25 quid. -OK. | 0:10:02 | 0:10:04 | |
Good man, good man. | 0:10:04 | 0:10:06 | |
Gosh, we're never going to stop. Come on, Dermot. | 0:10:06 | 0:10:09 | |
Let's go. | 0:10:09 | 0:10:10 | |
As for David B, he's done and dusted, | 0:10:10 | 0:10:13 | |
so that's one Georgian overlight, a pair of pottery figures, | 0:10:13 | 0:10:17 | |
possibly Churchill, possibly not, and one very tasteful nude. | 0:10:17 | 0:10:20 | |
-So what's the total? -115. | 0:10:21 | 0:10:24 | |
-I'll give you 110. -Oh, dear. | 0:10:24 | 0:10:26 | |
-110. -OK, 110, OK, OK. -Thank you very much. | 0:10:27 | 0:10:31 | |
Jammy old devil. | 0:10:31 | 0:10:33 | |
-I hope you do well. -So do I. | 0:10:33 | 0:10:35 | |
So do I. Otherwise I'll be back. | 0:10:35 | 0:10:38 | |
Though for now, David's headed south. | 0:10:39 | 0:10:42 | |
His next stop is Milford, | 0:10:43 | 0:10:45 | |
a small mill town that used to belong to the McCrum family, | 0:10:45 | 0:10:49 | |
who famously produced some of the world's best Irish linen. | 0:10:49 | 0:10:52 | |
Today, their family home, although protected, lies derelict, | 0:10:52 | 0:10:57 | |
but their story is still being told, thanks to the Milford House Museum, | 0:10:57 | 0:11:02 | |
housed in what used to be one of the workers' cottages. | 0:11:02 | 0:11:05 | |
-Welcome to Milford House Museum. -Thank you. | 0:11:08 | 0:11:11 | |
And it was founded by Stephen McManus, | 0:11:11 | 0:11:15 | |
whose family, back in the 19th century, | 0:11:15 | 0:11:17 | |
used to be weavers employed by the McCrums. | 0:11:17 | 0:11:20 | |
Where is your interest in this? Where did it all begin? | 0:11:20 | 0:11:23 | |
Well, it all began when I was 15 | 0:11:23 | 0:11:25 | |
and I set up a charity called the Milford Buildings Preservation Trust | 0:11:25 | 0:11:29 | |
to protect and preserve Milford House for the benefit of the nation | 0:11:29 | 0:11:34 | |
and from that, the collection developed. | 0:11:34 | 0:11:36 | |
The family gave us back the remaining possessions that they had | 0:11:36 | 0:11:41 | |
and it was from them that the collection started. | 0:11:41 | 0:11:44 | |
The head of the family was Robert McCrum, | 0:11:44 | 0:11:46 | |
a man bordering on genius, | 0:11:46 | 0:11:48 | |
who, of course, pioneered a new type of linen - double damask. | 0:11:48 | 0:11:52 | |
When we say that Milford linen is superior to any other linen in Ireland or, indeed, in the world, | 0:11:52 | 0:11:58 | |
we're not joking. | 0:11:58 | 0:11:59 | |
-Why do you say that? -If you look at this napkin here, | 0:11:59 | 0:12:02 | |
you can see that the design is printed on both sides of the fabric, | 0:12:02 | 0:12:06 | |
so it looks exactly the same on each side. | 0:12:06 | 0:12:08 | |
Because he invented it and he patented it, | 0:12:08 | 0:12:12 | |
he had the monopoly on the industry in Ireland | 0:12:12 | 0:12:15 | |
until he died in 1915. | 0:12:15 | 0:12:17 | |
Robert McCrum's design revolutionised the linen industry | 0:12:17 | 0:12:21 | |
and soon he had two factories and 1,000 employees, | 0:12:21 | 0:12:25 | |
who helped make him a very rich man. | 0:12:25 | 0:12:28 | |
But he wasn't the only member of the family to change the world. | 0:12:28 | 0:12:31 | |
For a start, his daughter Harriet was a founding member of the Irish suffragette movement. | 0:12:31 | 0:12:36 | |
This is a copy of a portrait of Harriet McCrum. | 0:12:36 | 0:12:40 | |
We can't say she was a great beauty - she wasn't. | 0:12:40 | 0:12:43 | |
She was close friends with Millicent Fawcett, | 0:12:43 | 0:12:46 | |
-who was a founding member of the suffragette movement in England. -Right. | 0:12:46 | 0:12:50 | |
Both ladies preferred to do the hard work and let someone else take the credit. | 0:12:50 | 0:12:54 | |
And this magnifying glass here was a wedding present | 0:12:54 | 0:13:00 | |
from Millicent Fawcett to Harriet McCrum | 0:13:00 | 0:13:02 | |
and you can see it's inscribed, | 0:13:02 | 0:13:04 | |
"H McCrum with M Fawcett's love and care." | 0:13:04 | 0:13:08 | |
That's a lovely little present. | 0:13:08 | 0:13:10 | |
Meanwhile, Harriet's brother William was the black sheep of the family, | 0:13:10 | 0:13:15 | |
preferring to gamble in Monte Carlo rather than run a linen factory. | 0:13:15 | 0:13:18 | |
But he too has a claim to fame, | 0:13:18 | 0:13:20 | |
for in 1890, in the park just outside this museum, | 0:13:20 | 0:13:24 | |
he invented the penalty kick rule. | 0:13:24 | 0:13:27 | |
In the 19th century, there were no rules in football. | 0:13:27 | 0:13:29 | |
Games could last an average four days - four days at a time. | 0:13:29 | 0:13:33 | |
-An average of seven men died playing football a year. -Really? | 0:13:33 | 0:13:38 | |
But when he invented it, the penalty kick was laughed at. | 0:13:38 | 0:13:41 | |
But he was a goal keeper and my theory behind it is | 0:13:41 | 0:13:46 | |
that he was very into acting and amateur dramatics. | 0:13:46 | 0:13:48 | |
Goal keepers don't do much in the game | 0:13:48 | 0:13:50 | |
-and so for a few seconds, he's the most important person in the game. -Right. | 0:13:50 | 0:13:55 | |
-And if he wins the game, then he's even more important. -Oh, right. | 0:13:55 | 0:14:00 | |
Today, he's even more famous than his father was. | 0:14:00 | 0:14:03 | |
-REFEREE'S WHISTLE BLOWS -And naturally, if one visits this world-famous site, | 0:14:03 | 0:14:08 | |
how can you resist reliving a piece of footballing history? | 0:14:08 | 0:14:12 | |
Barby takes the run-up... | 0:14:12 | 0:14:14 | |
He kicks... This is... | 0:14:16 | 0:14:19 | |
GLASS SMASHING | 0:14:19 | 0:14:20 | |
..a criminal offence. Time to go, I think. | 0:14:20 | 0:14:23 | |
As for David Harper, he's gone well and truly off the beaten track, | 0:14:29 | 0:14:33 | |
to a place appropriately called Countryside Antiques. | 0:14:33 | 0:14:37 | |
Well... Oh, I can't believe it. | 0:14:38 | 0:14:40 | |
Full of fantastic stuff. | 0:14:40 | 0:14:43 | |
Absolutely and this unlikely shop is owned by Stanley, | 0:14:43 | 0:14:46 | |
who used to be a farmer but after a spot of heart trouble | 0:14:46 | 0:14:50 | |
decided to become an antiques dealer instead. | 0:14:50 | 0:14:52 | |
And then we got bigger and bigger as we went along. | 0:14:53 | 0:14:56 | |
-This is what happens. -This is what happens. -It's a disease. | 0:14:56 | 0:14:59 | |
It's worse than the heart disease. | 0:14:59 | 0:15:01 | |
It causes heart disease, this business. | 0:15:01 | 0:15:04 | |
Come on, then, show me. What have we got? Let's have a look. | 0:15:04 | 0:15:07 | |
Or more to the point, what hasn't Stanley got, | 0:15:07 | 0:15:11 | |
from Japanese Noritake to Mouseman furniture. | 0:15:11 | 0:15:15 | |
-That's not £100, is it? -Well, it would be a deposit. | 0:15:15 | 0:15:18 | |
I'm afraid David Harper can't get any of it | 0:15:19 | 0:15:22 | |
at the rock-bottom prices he's so fond of. | 0:15:22 | 0:15:25 | |
They're quite interesting, aren't they? | 0:15:26 | 0:15:28 | |
I think they're Irish. I'm not 100% sure. | 0:15:28 | 0:15:31 | |
-Let's see. You could be right. Romany. -They could be Romany. | 0:15:31 | 0:15:34 | |
If you trace the Romanies back, you actually get to India. | 0:15:34 | 0:15:37 | |
If you keep going east, that's where they started, | 0:15:37 | 0:15:40 | |
so they've always got that Indian sort of influence. | 0:15:40 | 0:15:43 | |
So it could be Romany. | 0:15:43 | 0:15:45 | |
So you carry two of them. What are you going to carry two of them for? | 0:15:45 | 0:15:49 | |
-Beer. -Beer. One of them each. | 0:15:49 | 0:15:50 | |
-You and I could have a great party. -It would be. | 0:15:50 | 0:15:53 | |
-Fill them up. -Fill them up. | 0:15:53 | 0:15:55 | |
-What, I mean... There's a pair of them. -There's a pair of them. | 0:15:55 | 0:15:59 | |
-What kind of...? What sort of...? -100. | 0:15:59 | 0:16:01 | |
-100. Take 50 quid and be... -I can't. I'd be happy to get 60 for them. | 0:16:01 | 0:16:05 | |
I'm getting no money out of them. | 0:16:05 | 0:16:07 | |
-Stanley, I'm going to give you £60. -Thank you very much. | 0:16:08 | 0:16:12 | |
Thank you very much. They're fantastically whacky. I love them. | 0:16:12 | 0:16:16 | |
Love them. I've almost blown all my money. | 0:16:16 | 0:16:18 | |
Well, in that case, it's hats off to Stanley | 0:16:18 | 0:16:22 | |
and time for our esteemed experts to call it a day. | 0:16:22 | 0:16:26 | |
Did you spend all your money? You were going to do that, weren't you? | 0:16:26 | 0:16:29 | |
I do want to spend all my money. I want to blow every single penny. | 0:16:29 | 0:16:33 | |
As they sun hides behind several enormous grey clouds, | 0:16:35 | 0:16:39 | |
the two Davids are none the less excited about the day ahead. | 0:16:39 | 0:16:43 | |
All I can say is it's lovely countryside. | 0:16:43 | 0:16:46 | |
I think the only way to see Ireland is by open-top car. | 0:16:46 | 0:16:50 | |
This is the way to do it. | 0:16:50 | 0:16:51 | |
So far, David Barby has spent £110 on three auction lots | 0:16:51 | 0:16:56 | |
and still has £90 up his finely tailored sleeve. | 0:16:56 | 0:17:00 | |
David Harper, on the other hand, has gone a bit mad, | 0:17:01 | 0:17:05 | |
parting with £160 for four auction lots. | 0:17:05 | 0:17:07 | |
Mind you, he says he's determined to spend every penny. | 0:17:07 | 0:17:11 | |
Cheeky! | 0:17:11 | 0:17:13 | |
Is this your policy? You're going to blow it on each occasion? | 0:17:13 | 0:17:16 | |
I might. I'm going to try it this time on our first leg out | 0:17:16 | 0:17:19 | |
and if it all goes disastrously wrong, I may change tactic. | 0:17:19 | 0:17:22 | |
The boys' first stop today is Armagh, | 0:17:22 | 0:17:25 | |
known to many as the city of saints and scholars. | 0:17:25 | 0:17:28 | |
And that's a story which begins in the mid 400s | 0:17:29 | 0:17:33 | |
when Christianity first spread to Ireland | 0:17:33 | 0:17:36 | |
and St Patrick established his principal church right here, | 0:17:36 | 0:17:40 | |
thus making this the island's ecclesiastical capital, | 0:17:40 | 0:17:44 | |
although it's since been destroyed and rebuilt 17 times. | 0:17:44 | 0:17:48 | |
As for our story, | 0:17:48 | 0:17:49 | |
that begins a few streets away at the Shambles Market, | 0:17:49 | 0:17:53 | |
where David Barby is about to have his world rocked. | 0:17:53 | 0:17:57 | |
Hold on. Now, this is the first time ever | 0:17:57 | 0:18:00 | |
you've stepped onto the holy ground of a car boot. Am I right? | 0:18:00 | 0:18:04 | |
-I've been to one of these country house car boots. -Yes. | 0:18:04 | 0:18:08 | |
-So I expect this is something similar. -Very similar. | 0:18:08 | 0:18:11 | |
You might find some Rembrandts | 0:18:11 | 0:18:13 | |
-and some really good early George I oak furniture. -Just what I want. | 0:18:13 | 0:18:17 | |
OK, good luck to you. You go in that direction and I'll go in that direction. | 0:18:17 | 0:18:21 | |
Whilst David's new to the cut and thrust of the car boot sale, | 0:18:21 | 0:18:25 | |
he's loving it, | 0:18:25 | 0:18:27 | |
approaching every nuance as if he's narrating a nature documentary. | 0:18:27 | 0:18:30 | |
Well, this is the most extraordinary place I've been to. | 0:18:32 | 0:18:35 | |
It's all at a car boot sale. It's amazing what's being sold. | 0:18:35 | 0:18:39 | |
And the people are so interesting as well. | 0:18:39 | 0:18:42 | |
They're all out there to get a bargain. | 0:18:42 | 0:18:44 | |
I hope I can find one. | 0:18:44 | 0:18:46 | |
Even more surprising, this eclectic market place | 0:18:46 | 0:18:49 | |
is also having a strange effect on David Harper. | 0:18:49 | 0:18:53 | |
Five pounds. It should be 25 quid, that. It's madness. | 0:18:53 | 0:18:56 | |
It's so cheap it's probably illegal. | 0:18:56 | 0:18:59 | |
What?! Oh, right. He almost had me, there. | 0:18:59 | 0:19:03 | |
And true to form, he's now going on | 0:19:03 | 0:19:06 | |
to squeeze the pocket money out of an 18-year-old stallholder. | 0:19:06 | 0:19:09 | |
Two cracking bits of Murano. | 0:19:10 | 0:19:13 | |
Now, what would your price, to me, be for these? | 0:19:13 | 0:19:17 | |
-20. -20 on that and how much for that? -20. -20. | 0:19:17 | 0:19:21 | |
So here we are, here's the great example of Murano, | 0:19:21 | 0:19:24 | |
made on the island of Murano just off the coast of Italy. | 0:19:24 | 0:19:28 | |
It's interesting because in Murano, they've been making glass for hundreds of years, | 0:19:28 | 0:19:32 | |
even a couple of thousand years, | 0:19:32 | 0:19:34 | |
and many, many moons ago, | 0:19:34 | 0:19:37 | |
to avoid any glassblowers, glass artisans ever leaving the island, | 0:19:37 | 0:19:42 | |
the threat was that, "If we train you on this island, | 0:19:42 | 0:19:45 | |
"you become a master glassblower, | 0:19:45 | 0:19:47 | |
"you leave this island and take those skills elsewhere, | 0:19:47 | 0:19:50 | |
"if we catch you, we'll kill you." | 0:19:50 | 0:19:52 | |
It's a great story and they're still making there today. | 0:19:52 | 0:19:55 | |
What about doing a bulk-buy deal here? | 0:19:55 | 0:19:58 | |
-I'll go for 35. -35? -35. | 0:19:58 | 0:20:00 | |
25? | 0:20:01 | 0:20:02 | |
Huh! He's shameless. | 0:20:02 | 0:20:04 | |
-I'll go to 32. -Do 30 and we've done a deal. | 0:20:04 | 0:20:08 | |
-All right. -Good man, good man. | 0:20:08 | 0:20:10 | |
OK, fantastic. | 0:20:10 | 0:20:12 | |
David Barby, meanwhile, is going down the ceramic route. | 0:20:12 | 0:20:16 | |
After all, this slipper pan is the perfect opportunity | 0:20:16 | 0:20:19 | |
for some lavatorial humour. | 0:20:19 | 0:20:21 | |
This piece here is a Grimwade, a Grimwade piece. | 0:20:21 | 0:20:27 | |
I like Grimwade pottery and I've just asked what the bottom price is. | 0:20:27 | 0:20:31 | |
-CYMBAL CRASHES -Huh! That's one. | 0:20:31 | 0:20:33 | |
-50p. -50p? -Pee being the operative word. | 0:20:33 | 0:20:37 | |
-CYMBAL CRASHES -That's two. | 0:20:37 | 0:20:39 | |
Hasn't been used for ages. | 0:20:39 | 0:20:41 | |
-CYMBAL CRASHES -That's three | 0:20:41 | 0:20:43 | |
and that's probably enough. | 0:20:43 | 0:20:44 | |
-For 50 pence. I've got to buy it for 50 pence, haven't I? -Yes. -Yeah. | 0:20:44 | 0:20:48 | |
I've bought something! Oh! I've bought something. | 0:20:48 | 0:20:51 | |
-Thank you very much. -You're very welcome. -Not at all. | 0:20:52 | 0:20:54 | |
-I'll give you a pound. -And there's your change. -Thank you. | 0:20:54 | 0:20:58 | |
-And there's an Irish luck penny. -An Irish luck penny. | 0:20:58 | 0:21:01 | |
It's traditional when you buy something, you get a bargain, | 0:21:01 | 0:21:05 | |
you get a luck penny back. | 0:21:05 | 0:21:06 | |
What have I done? | 0:21:07 | 0:21:09 | |
With only £10 left in his pocket, David Harper is calling it a day | 0:21:09 | 0:21:13 | |
and is headed to the Armagh public library, founded in 1771 | 0:21:13 | 0:21:18 | |
by the Archbishop Robinson, | 0:21:18 | 0:21:20 | |
who thought of it as the healing place of the soul | 0:21:20 | 0:21:23 | |
and filled its shelves with his collection of rare 17th and 18th century books. | 0:21:23 | 0:21:28 | |
-Welcome. It's a delight to have you here. -Thank you. | 0:21:28 | 0:21:31 | |
-I'm David. -I'm Carol. -Carol. Thank you very much. | 0:21:31 | 0:21:34 | |
You should feel very much at home here | 0:21:34 | 0:21:37 | |
because Archbishop Richard Robinson, who had this lovely library built, | 0:21:37 | 0:21:41 | |
-was from Yorkshire. -A fellow Yorkshireman. -Yes. | 0:21:41 | 0:21:45 | |
A wonderful collector. A wealthy man in his own right. | 0:21:45 | 0:21:48 | |
And he set to and he bought and acquired books, manuscripts, | 0:21:48 | 0:21:53 | |
prints, gems, coins. | 0:21:53 | 0:21:56 | |
-It was a very subtle way of saying, "I have money..." -Yes! | 0:21:56 | 0:21:59 | |
"..and I want to show you that." | 0:21:59 | 0:22:00 | |
Robinson's ultimate aim was to have a university in Armagh, | 0:22:00 | 0:22:04 | |
so he started by building a library and each of the books he introduced | 0:22:04 | 0:22:08 | |
was stamped with his own personal book plate. | 0:22:08 | 0:22:11 | |
But whilst he died in 1794, his collection continues to grow, | 0:22:11 | 0:22:17 | |
containing everything from theology to literary classics. | 0:22:17 | 0:22:22 | |
This is a first edition of Jonathan Swift's Gulliver's Travels. | 0:22:22 | 0:22:26 | |
It's known as Gulliver's Travels. The title is Travels Into Several Remote Nations Of The World. | 0:22:26 | 0:22:31 | |
-That's the original title? -That's the original title. | 0:22:31 | 0:22:34 | |
I didn't know that. | 0:22:34 | 0:22:36 | |
And then it's by, you see, this surgeon, Lemuel Gulliver, | 0:22:36 | 0:22:41 | |
-and we shorten it to Gulliver's Travels... -Of course. | 0:22:41 | 0:22:44 | |
The first edition, 1726, | 0:22:44 | 0:22:46 | |
and this is the actual edition in which Swift chose to make changes | 0:22:46 | 0:22:52 | |
in the margins, ready for a further print run. | 0:22:52 | 0:22:56 | |
-There actually have been... -This particular one? -Yes. | 0:22:56 | 0:22:58 | |
That's what's so special for us. | 0:22:58 | 0:23:00 | |
-There are areas here where we can actually show... -Oh! | 0:23:00 | 0:23:04 | |
..in some cases, a little change, in others, more... | 0:23:04 | 0:23:07 | |
-Does that mention Lilliput, there? -Yes. -And he's made a change? | 0:23:07 | 0:23:11 | |
The fact that Lilliput has been underlined is fascinating. | 0:23:11 | 0:23:15 | |
If I may show you another one where he was just putting in... | 0:23:15 | 0:23:19 | |
Binding is what's printed and it should have been bending. | 0:23:20 | 0:23:25 | |
-Ah! -So he was frustrated to find | 0:23:25 | 0:23:27 | |
that there were several printing errors like that. | 0:23:27 | 0:23:30 | |
Swift was so frustrated, in fact, he even fired the publisher. | 0:23:30 | 0:23:35 | |
Wow. Carol, we're having a real feast here, aren't we? | 0:23:35 | 0:23:38 | |
I'm glad you're saying that. That's great to hear. | 0:23:38 | 0:23:41 | |
We thought you might like to see this as well. | 0:23:41 | 0:23:44 | |
It's a 1614 copy of Sir Walter Raleigh's The History Of The World. | 0:23:44 | 0:23:50 | |
-No! -Raleigh wrote this while imprisoned in the Tower in London. | 0:23:50 | 0:23:54 | |
He had fallen out of favour with Queen Elizabeth. | 0:23:54 | 0:23:58 | |
She was very angry to learn that he had married one of her ladies in waiting in secret. | 0:23:58 | 0:24:02 | |
-Not the done thing. -No, indeed. | 0:24:02 | 0:24:04 | |
He was imprisoned for quite a number of years | 0:24:04 | 0:24:07 | |
and it was during that time that he wrote The History Of The World. | 0:24:07 | 0:24:10 | |
Now, whilst David Harper's in no particular rush, | 0:24:10 | 0:24:14 | |
David Barby still has more shopping to do. | 0:24:14 | 0:24:16 | |
His next stop is Cookstown, which was founded around 1620 | 0:24:16 | 0:24:21 | |
when ecclesiastical lawyer Dr Alan Cook leased the land | 0:24:21 | 0:24:26 | |
from the then Archbishop of Armagh. | 0:24:26 | 0:24:29 | |
It's also the location of the Saddle Room Antiques | 0:24:29 | 0:24:32 | |
and the man in that snazzy tie is Christopher. | 0:24:32 | 0:24:35 | |
-I'm looking for bargains, so I hope you've got some. -I hope so! | 0:24:35 | 0:24:39 | |
Well, if anyone can sniff one out, it's Barby. | 0:24:40 | 0:24:43 | |
-An old jelly mould. -A late Victorian white-glazed jelly mould. | 0:24:45 | 0:24:50 | |
-The ones that are collectable are the salt-glazed ones. -Yes. | 0:24:50 | 0:24:53 | |
But what I like is this still can be used. | 0:24:53 | 0:24:56 | |
That's £18. | 0:24:56 | 0:24:58 | |
What's the best on that one? | 0:24:58 | 0:25:00 | |
-Eight. -Can you do it for five? -OK. | 0:25:03 | 0:25:06 | |
I would like that for £5. | 0:25:06 | 0:25:08 | |
That would go nicely with another ceramic object I've bought. | 0:25:08 | 0:25:11 | |
OK, yes. | 0:25:11 | 0:25:13 | |
Mm. Jelly and nobody's business. What an intriguing combination. | 0:25:14 | 0:25:19 | |
Though he's not done yet. | 0:25:19 | 0:25:21 | |
His next acquisition might just be this stick stand, circa 1900. | 0:25:21 | 0:25:26 | |
On the stick stand, I see you've got £78. | 0:25:26 | 0:25:29 | |
I would do that for 35. | 0:25:29 | 0:25:32 | |
35. Your very best at 35? | 0:25:34 | 0:25:37 | |
Erm... | 0:25:37 | 0:25:39 | |
Could you do it for round about 20? | 0:25:39 | 0:25:41 | |
-OK. -£20? That man could charm the skin off a snake. | 0:25:42 | 0:25:48 | |
What I like about it is it's still got its original drip tray. | 0:25:48 | 0:25:52 | |
The maker's mark is a callipers at the bottom. | 0:25:52 | 0:25:55 | |
It's an interesting piece of social history. | 0:25:55 | 0:25:57 | |
The sort of house this would have come from would be a comfortable residence | 0:25:57 | 0:26:01 | |
where there would have been servants. | 0:26:01 | 0:26:03 | |
This would have been in the hall | 0:26:03 | 0:26:05 | |
because only people of a certain wealth could afford walking canes, umbrellas or parasols. | 0:26:05 | 0:26:10 | |
You'd date this probably round about the beginning of the 20th century. | 0:26:10 | 0:26:14 | |
Which is David's way of saying he'll take it. | 0:26:14 | 0:26:17 | |
For £10, it's very good. Thank you very much. | 0:26:17 | 0:26:20 | |
-What did you say? -20. It's 20. -Nice try. -That's great. | 0:26:22 | 0:26:26 | |
With the shopping done, | 0:26:26 | 0:26:28 | |
it's time for David and David to reveal to each other | 0:26:28 | 0:26:32 | |
what they've bought. | 0:26:32 | 0:26:33 | |
-Can I start first? -Of course. -Would you mind? | 0:26:35 | 0:26:38 | |
Right, I think you're going to like this. | 0:26:38 | 0:26:40 | |
-Clap your eyes on that. -That is very good. | 0:26:40 | 0:26:43 | |
I think it's amazing that they can reproduce things like this. | 0:26:43 | 0:26:47 | |
Oh, stop it. Stop it! You know 100% that is not a reproduction. | 0:26:47 | 0:26:53 | |
It's a trawler's lamp, for goodness' sake. | 0:26:53 | 0:26:56 | |
Erm, I look inside and I can't see any age to it. | 0:26:56 | 0:27:01 | |
It's this sort of thing here, where's there isn't any workmanship. | 0:27:01 | 0:27:05 | |
-Look, it comes out. -It's a pin. You've just pulled my pin out. | 0:27:05 | 0:27:09 | |
-Final verdict? -I think it's reproduction. | 0:27:09 | 0:27:12 | |
Now, David, what do you think of these? | 0:27:15 | 0:27:17 | |
-What do you think they're for? -Do you know what they're for? -No. | 0:27:17 | 0:27:21 | |
I was hoping you were going to tell me. | 0:27:21 | 0:27:23 | |
But I tell you why I bought them. | 0:27:23 | 0:27:25 | |
First of all they're the Britannia Pottery Company, Glasgow. | 0:27:25 | 0:27:29 | |
-That's good. -Glasgow. -Yeah. | 0:27:29 | 0:27:31 | |
These figures are caricatures of Churchill | 0:27:31 | 0:27:34 | |
and people do collect anything to do with Churchill. | 0:27:34 | 0:27:37 | |
OK, get rid of them. I don't like them. | 0:27:37 | 0:27:39 | |
Hmm! Someone's a little jealous. | 0:27:39 | 0:27:42 | |
Right, David Barby, we've got a set of six 19th-century prints. | 0:27:42 | 0:27:49 | |
Very, very dirty, obviously. | 0:27:49 | 0:27:52 | |
What are your thoughts on those? | 0:27:52 | 0:27:54 | |
-I think they're great social history. -Yeah. | 0:27:54 | 0:27:56 | |
-I do like them. I like anything to do with the countryside. -Yes. | 0:27:56 | 0:28:00 | |
-Good to have six. -And hunting - hunting is very popular. | 0:28:00 | 0:28:04 | |
Right, get your second item, then. | 0:28:04 | 0:28:07 | |
What on earth have you been...? | 0:28:09 | 0:28:11 | |
I don't actually think that I want to touch it. | 0:28:13 | 0:28:16 | |
Oh, it's perfectly clean. | 0:28:16 | 0:28:18 | |
-It smells completely fresh. -Nice. | 0:28:19 | 0:28:21 | |
-Just explain to me... -What? -..exactly what it is. | 0:28:21 | 0:28:25 | |
-This is a douche pan. -What does that mean? | 0:28:25 | 0:28:28 | |
This means that either male or female would sit on it here, | 0:28:28 | 0:28:32 | |
so that the hand could go in there to then wash the... | 0:28:32 | 0:28:36 | |
I haven't tried it. | 0:28:37 | 0:28:39 | |
Thank the Good Lord. | 0:28:39 | 0:28:40 | |
It's a talking piece. | 0:28:40 | 0:28:42 | |
It's good to have visitors to come along to ask you what it is | 0:28:42 | 0:28:45 | |
-and then for you, so eloquently, to explain. -Or possibly demonstrate. | 0:28:45 | 0:28:49 | |
And if you think that's odd, he's teaming it up with a jelly mould. | 0:28:51 | 0:28:55 | |
The only reason I bought this is because it's white, to go with this. | 0:28:55 | 0:28:58 | |
-So that's a fiver's worth? -Yeah. You hit the nail on the head. -Excellent. | 0:28:58 | 0:29:02 | |
Let me get something else. | 0:29:02 | 0:29:04 | |
-What do you think about these? They're one lot. -Yes. | 0:29:04 | 0:29:08 | |
Good shape. Nice heart shape. | 0:29:08 | 0:29:10 | |
Czechoslovakian. | 0:29:11 | 0:29:13 | |
Erm... Probably made, oh, about five years ago. | 0:29:13 | 0:29:17 | |
Based on, let's say, Murano glass. | 0:29:17 | 0:29:20 | |
Well, that's how I described them, as Murano. | 0:29:20 | 0:29:23 | |
-That's not Murano. -OK. Would you say that's Murano? | 0:29:23 | 0:29:26 | |
I think it comes from the same source. | 0:29:26 | 0:29:29 | |
I tell you why I don't think it's Murano | 0:29:29 | 0:29:31 | |
because with this fleck, if it was Murano, | 0:29:31 | 0:29:33 | |
-you'd have a gold element in it. -Ah. | 0:29:33 | 0:29:36 | |
And it has not got that and that always distinguishes it, in my book, | 0:29:36 | 0:29:41 | |
-from, let's say, a host of other glass being produced. -OK. | 0:29:41 | 0:29:46 | |
Well, listen, let's just agree that they're Murano-esque, whatever. | 0:29:46 | 0:29:51 | |
No. They're either Murano or they're not, David, | 0:29:51 | 0:29:55 | |
and I'm thinking the latter. | 0:29:55 | 0:29:57 | |
-OK. Don't say anything. -You'll have to stand up. | 0:29:57 | 0:30:00 | |
Well, it's a stick stand. | 0:30:00 | 0:30:02 | |
Circa 1900. | 0:30:03 | 0:30:05 | |
Might be described as Victorian but it's more 1900, 1910. | 0:30:07 | 0:30:10 | |
They used to sell well. Nice drip pan. | 0:30:10 | 0:30:12 | |
Erm, that is worth £20. | 0:30:12 | 0:30:14 | |
-That's how much I paid for it. -Well done. It's not bad, is it? | 0:30:15 | 0:30:19 | |
I think these are probably Tibetan. They're possibly used for milk. | 0:30:23 | 0:30:29 | |
Now, the lovely chap I bought them off was convinced | 0:30:29 | 0:30:32 | |
that they're Irish and made for the travelling community. | 0:30:32 | 0:30:37 | |
-They're superb quality. -Yes. They're very well made. | 0:30:37 | 0:30:40 | |
-They're flamboyant. -Yes. I rather like those. | 0:30:40 | 0:30:42 | |
-One overlight. -OK. -I think it's George III. -It could be Georgian. | 0:30:43 | 0:30:48 | |
So it would have gone above the door of an important house. | 0:30:48 | 0:30:51 | |
-Borrowed light. -Yeah. -Bring the light in. | 0:30:51 | 0:30:53 | |
Erm, now, these things, architectural antiques, of course, | 0:30:53 | 0:30:56 | |
were very good news, weren't they, when there was a property boom? | 0:30:56 | 0:31:00 | |
-Yeah. But people are still doing renovations. -Yes, yes. | 0:31:00 | 0:31:04 | |
If there was a property boom, you'd get 200 quid for that. | 0:31:04 | 0:31:07 | |
Needs lots of work but a good thing. | 0:31:07 | 0:31:09 | |
And now for the adult portion of our antiques. | 0:31:09 | 0:31:12 | |
OK, Mr Barby, tell me what's going through your mind? | 0:31:12 | 0:31:16 | |
-David? -Yes? -Get on with it. | 0:31:17 | 0:31:19 | |
Well, it is quite an extraordinary image. | 0:31:21 | 0:31:24 | |
-Do you like it? -No. No, I don't like it. | 0:31:24 | 0:31:27 | |
-I can't believe it. -I find this leg awkward. | 0:31:28 | 0:31:31 | |
It's not a natural pose. | 0:31:31 | 0:31:34 | |
I think the breasts are OK. | 0:31:34 | 0:31:37 | |
Oh, yeah, they're OK, I've got to say. They're all right. | 0:31:37 | 0:31:41 | |
But it's modern art and I find it difficult to appreciate modern art. | 0:31:41 | 0:31:44 | |
OK, all right, OK. | 0:31:44 | 0:31:45 | |
She's a beauty. She's a beauty. Get some taste. | 0:31:45 | 0:31:49 | |
HE MOUTHS | 0:31:49 | 0:31:51 | |
Right, David, what do you think of this? | 0:31:51 | 0:31:54 | |
Mm. I like her. | 0:31:54 | 0:31:56 | |
I do. | 0:31:57 | 0:31:59 | |
-I think it's after a Victorian artist called Alma-Tadema. -Yes. | 0:31:59 | 0:32:03 | |
-He painted sort of Pompeian beauties. -1860, 1880, 1890. | 0:32:03 | 0:32:08 | |
But what I like about this | 0:32:08 | 0:32:10 | |
is that the artist has put a Victorian face | 0:32:10 | 0:32:12 | |
and this little bit of eroticism was allowed because of the classical subject. | 0:32:12 | 0:32:17 | |
-You could get away with it. -Yeah. -Absolutely. | 0:32:17 | 0:32:19 | |
I think that, restored, would be several hundreds. | 0:32:19 | 0:32:22 | |
-I paid 40. -40. It's for nothing. It's absolutely for nothing. | 0:32:22 | 0:32:27 | |
That, I'm afraid, is the killer buy. | 0:32:27 | 0:32:30 | |
Now, as if I can't guess, what do our experts really think? | 0:32:30 | 0:32:34 | |
Very surprised, in fact horrified, | 0:32:34 | 0:32:36 | |
that Mr Barby didn't like my painting of a nude lady. | 0:32:36 | 0:32:41 | |
I mean, come on, who can say, hand on heart, they don't fancy her? | 0:32:41 | 0:32:45 | |
She's fantastic. | 0:32:45 | 0:32:46 | |
I think the worst object of all was the painting of the female nude | 0:32:46 | 0:32:51 | |
after O'Neill. | 0:32:51 | 0:32:53 | |
I thought it was absolutely dreadful. | 0:32:53 | 0:32:55 | |
Dreadful. | 0:32:55 | 0:32:57 | |
After starting off in Moy, | 0:32:57 | 0:32:59 | |
David Harper and David Barby end the first leg of their road trip | 0:32:59 | 0:33:03 | |
in county town of Omagh. | 0:33:03 | 0:33:05 | |
One of the oldest towns in Ireland, | 0:33:05 | 0:33:08 | |
Omagh traces its origins back to the year 792, | 0:33:08 | 0:33:12 | |
when all that existed was a single abbey. | 0:33:12 | 0:33:15 | |
Since then, there's been rebellion, war, and, oh, yes, it's also been burned to the ground | 0:33:15 | 0:33:20 | |
in the name of William III. | 0:33:20 | 0:33:22 | |
But right now, it's biggest problem is traffic, | 0:33:22 | 0:33:24 | |
courtesy of guess who? | 0:33:24 | 0:33:27 | |
We're going to have to put our foot down. I know you don't like it. | 0:33:27 | 0:33:31 | |
-Don't you put your foot down! -Hold onto your horses, baby! | 0:33:31 | 0:33:34 | |
-Let's go. -That's fast enough. Oh, my God! | 0:33:34 | 0:33:38 | |
Assuming Barby can cope with speeds in excess of 30mph, | 0:33:39 | 0:33:43 | |
our next stop is Viewback Auctions. | 0:33:43 | 0:33:47 | |
Though before auctioneer Geoffrey Simpson gets things underway, | 0:33:48 | 0:33:51 | |
how does he rate the chances of our two Davids? | 0:33:51 | 0:33:54 | |
I wouldn't book any holidays on the strength of what they're selling | 0:33:54 | 0:33:58 | |
but none the less, I think they'll possibly show a little profit. | 0:33:58 | 0:34:02 | |
The most interesting article for me | 0:34:02 | 0:34:05 | |
is the architectural window, | 0:34:05 | 0:34:07 | |
which is typically Irish Georgian. | 0:34:07 | 0:34:11 | |
It's a pity that's there's only one | 0:34:11 | 0:34:13 | |
but it does show that the guys have an eye for something good. | 0:34:13 | 0:34:16 | |
I'm not so happy with the fox-hunting prints. | 0:34:16 | 0:34:20 | |
They seem to be a little bit too scruffy. | 0:34:20 | 0:34:23 | |
They have potential, perhaps, if they were cleaned up a bit and reframed. | 0:34:23 | 0:34:26 | |
The most exciting lot for me are the pair of Churchillian Britannia Pottery vases | 0:34:26 | 0:34:32 | |
or jugs or whatever they are called. | 0:34:32 | 0:34:35 | |
I think they should do well. They should make a good few pounds. | 0:34:35 | 0:34:39 | |
Our experts began this journey with £200 each | 0:34:39 | 0:34:43 | |
and over the last two highly competitive days, | 0:34:43 | 0:34:45 | |
David Harper has splashed out a total of £190 on five auction lots. | 0:34:45 | 0:34:51 | |
As for David Barby, he's kept a little more in reserve, | 0:34:51 | 0:34:55 | |
spending £135.50, also for five auction lots. | 0:34:55 | 0:35:00 | |
Mark you, he does have a secret weapon, | 0:35:00 | 0:35:02 | |
thanks to his new-found love of car boot sales. | 0:35:02 | 0:35:05 | |
-Can I hold the lucky penny? -No. | 0:35:05 | 0:35:08 | |
-Can I look at it? -No. | 0:35:08 | 0:35:10 | |
-Not even look at it with my eyes? -No. | 0:35:11 | 0:35:13 | |
Well, if you're quite ready, let the auction begin. | 0:35:14 | 0:35:17 | |
First up, it's David Harper's brass tankards, | 0:35:18 | 0:35:21 | |
-finely decorated, with a touch of Gypsy. -Go on, pump them up. | 0:35:21 | 0:35:25 | |
-At 40. At 40. At £40 at the back. -Come on. | 0:35:25 | 0:35:27 | |
At 40. At 45 here at the front. At 45. | 0:35:27 | 0:35:30 | |
-50 at the back, then. At 50, at 50, at 50. -Come on. | 0:35:30 | 0:35:32 | |
At £50. Any advance on 50? And I sell. | 0:35:32 | 0:35:35 | |
Oh, dear. We've stalled already. | 0:35:35 | 0:35:38 | |
-No, no, no, no, no. -At £50. At £50. At £50. | 0:35:38 | 0:35:41 | |
-£50 and it's once, £50 and it's twice. -Don't sell them. | 0:35:41 | 0:35:43 | |
-All finished at £50. Mr X. -Mr X has just nicked them off me. | 0:35:43 | 0:35:49 | |
Needless to say, Mr X has paid a lot less than our Mr Harper | 0:35:49 | 0:35:53 | |
and that's a £10 loss before commission. | 0:35:53 | 0:35:55 | |
-I can't believe it. -I think he knows what they are. | 0:35:55 | 0:35:58 | |
Next, it's the David Barby ceramic collection. | 0:35:58 | 0:36:01 | |
Not available in shops. | 0:36:03 | 0:36:05 | |
It's still a bizarre combination, if you ask me, | 0:36:05 | 0:36:08 | |
a jelly mould and a douche pan. | 0:36:08 | 0:36:10 | |
Who's going to give me £50 on the slipper pan and jelly mould? | 0:36:10 | 0:36:14 | |
40? 30? 20? | 0:36:14 | 0:36:16 | |
-Start me at 10. -No, don't. | 0:36:16 | 0:36:18 | |
-Yes. -Fiver? Fiver bid over here. -A fiver? | 0:36:18 | 0:36:21 | |
At 10, at 15, 15. 20 down here. | 0:36:21 | 0:36:24 | |
-At 20, at 20. -Someone's got taste. -Any advance on 20? | 0:36:24 | 0:36:27 | |
-The lady's bid at 20. -I can't believe it. Give me that penny. | 0:36:27 | 0:36:30 | |
-At 20 and it's twice. -One more go. -All done at £20. Lady's bid at 20. | 0:36:30 | 0:36:35 | |
Well played, Barby, well played. | 0:36:35 | 0:36:37 | |
Maybe there's something to that Irish luck penny after all. | 0:36:37 | 0:36:40 | |
Give me that penny. Let me just hold it for a while. | 0:36:40 | 0:36:43 | |
Actually, David, you may need it. | 0:36:43 | 0:36:46 | |
There's more than a few doubts over your so-called Murano. | 0:36:46 | 0:36:49 | |
We've got a heart-shaped Murano glass dish. | 0:36:49 | 0:36:52 | |
-He's mentioned Murano again. That's strange. -It is. | 0:36:52 | 0:36:55 | |
-Who'll give me £30? -Czechoslovakian. -At 30, at 30, at 30, at 30, at 30. | 0:36:55 | 0:37:00 | |
-At 35. -Yes. -At 40. At £40. At £40. -A bit of profit. Come on. | 0:37:00 | 0:37:04 | |
Give me the penny, give me the penny. | 0:37:04 | 0:37:07 | |
Sir, you realise these may be a little more modern than you think? | 0:37:07 | 0:37:11 | |
-Are you happy enough? At 40. -That's good, that's good. | 0:37:11 | 0:37:14 | |
-At £40 it is, once. -Come on. -At £40 it is, twice. | 0:37:14 | 0:37:17 | |
All finished and done at £40. | 0:37:17 | 0:37:20 | |
Not bad, considering there's no way on earth they were Murano. | 0:37:21 | 0:37:26 | |
-Will you not let me hold the penny on my next...? -No. | 0:37:26 | 0:37:30 | |
That's right, Barby, you hold onto it. | 0:37:30 | 0:37:33 | |
After all, your George III overlight is next. | 0:37:33 | 0:37:36 | |
This piece of glass is unique to this part of the world. | 0:37:36 | 0:37:40 | |
-That is true, that is true. -You never mentioned that. -It's true. | 0:37:40 | 0:37:43 | |
Who'll start me at £100? | 0:37:43 | 0:37:46 | |
-Start me at 50. 40? -£1. | 0:37:46 | 0:37:49 | |
Ladies and gentlemen, 30. 20? £20 bid. | 0:37:49 | 0:37:52 | |
-At 20, at 20, at 20, at 20. At 30, at 30, at 40. -Oh! | 0:37:52 | 0:37:55 | |
It's a pity there wasn't a pair. | 0:37:55 | 0:37:57 | |
We'd be flying into £400, £500. | 0:37:57 | 0:37:59 | |
He's very good. | 0:37:59 | 0:38:00 | |
-At £40 once, twice... All finished. -I'm very disappointed. | 0:38:00 | 0:38:04 | |
-Sold to a gentleman who knows. -You just can't stop making a profit. | 0:38:04 | 0:38:08 | |
Yes, and that's another £10 in the kitty. | 0:38:08 | 0:38:12 | |
But now, perhaps it's David Harper's turn to feel the lurve. | 0:38:12 | 0:38:17 | |
It's his thoroughly modern amateur copy of an Irish nude. | 0:38:17 | 0:38:21 | |
HE GASPS She's so beautiful. | 0:38:21 | 0:38:23 | |
Yeah, all right, calm down. | 0:38:23 | 0:38:25 | |
At £20. At 20, at 20, at 20, at 20. At 30. | 0:38:25 | 0:38:29 | |
-Yes. Come on. -At 30, at 40, at 40, at 40, at £40. | 0:38:29 | 0:38:32 | |
-At £40. Any advance on 40? -Come on. -At 40, at 40, at £40. | 0:38:32 | 0:38:35 | |
-At £40 it is once, at £40 twice... -Come on. | 0:38:35 | 0:38:39 | |
-All finished. -GAVEL BANGS | 0:38:39 | 0:38:40 | |
-Well, she made a bit of profit. -Yes, indeed | 0:38:40 | 0:38:44 | |
but perhaps the people of Omagh like their nudes a little more subtle. | 0:38:44 | 0:38:49 | |
So let's see if Barby can tempt them with a cheeky flash of breast. | 0:38:49 | 0:38:53 | |
-Start me at £100. £100. Anywhere? -That is such a bargain. | 0:38:53 | 0:38:57 | |
£50, then, to start the bidding. 60, there, the gentleman. | 0:38:57 | 0:39:00 | |
At 70. At 70 to the lady. At 70, at 70 to the lady who knows. | 0:39:00 | 0:39:03 | |
-Oh, come on. -At 70, at 70. Will I say 80? | 0:39:03 | 0:39:06 | |
It's that lady's at 90. Are you going to come again, sir? | 0:39:06 | 0:39:09 | |
At 90. It's the lady's bid. At £90 and I sell. | 0:39:09 | 0:39:13 | |
-Oh, Christopher Columbus. -At £90 once, £90 twice. | 0:39:13 | 0:39:17 | |
-Get it sold. -Sold for £90. BA. | 0:39:18 | 0:39:21 | |
Get it done. Well done. Well done. | 0:39:21 | 0:39:23 | |
-Well and truly thrashed. -I didn't have my penny in my hand. | 0:39:23 | 0:39:26 | |
Oh, dear! I feel so awful for you. | 0:39:26 | 0:39:30 | |
Yeah, poor old David. That's only £50 before commission. | 0:39:30 | 0:39:34 | |
Staying in the art world for just a little longer, | 0:39:35 | 0:39:38 | |
let's see if David Harper can lift his sagging profit margins | 0:39:38 | 0:39:41 | |
with these hunting prints. | 0:39:41 | 0:39:43 | |
Come on, now, babies. Six of them. | 0:39:43 | 0:39:46 | |
At £20. At 20, at 20, at 20, at 20, at 20, at 30. | 0:39:46 | 0:39:50 | |
At £30. Any advance on 30? | 0:39:50 | 0:39:51 | |
-At £30, at £30, at £30, at 30, at 30, at 30... -Come on. -..at 30. | 0:39:51 | 0:39:55 | |
At £30, at £30 it is. | 0:39:55 | 0:39:57 | |
So, just to summarise, we're at 30. | 0:39:57 | 0:40:01 | |
At 30, at £30, at 30, at 30, at 40. | 0:40:01 | 0:40:03 | |
-40. Come on. I paid 45. Come on. -At 40, at 40. | 0:40:03 | 0:40:06 | |
-£40 once, £40 twice. -No... -All finished? | 0:40:06 | 0:40:08 | |
-At 40. Mr E. -Oh! £5 loss. | 0:40:08 | 0:40:12 | |
And don't forget the commission. | 0:40:12 | 0:40:15 | |
David Barby's pottery figures now, | 0:40:15 | 0:40:17 | |
which, I'm afraid, are still proving to be something of a mystery. | 0:40:17 | 0:40:21 | |
I'm getting rather anxious about these. | 0:40:21 | 0:40:24 | |
I don't know what they're for, David. | 0:40:24 | 0:40:26 | |
I just bought them because they were Churchill. | 0:40:26 | 0:40:29 | |
We've had quite a lot of interest in these articles on the internet, | 0:40:29 | 0:40:33 | |
so who's going to give me £200? | 0:40:33 | 0:40:35 | |
-What? -Start me at £100. £100 bid. | 0:40:35 | 0:40:37 | |
At £100. 120, 140. | 0:40:37 | 0:40:40 | |
140. 160. 160, 180. | 0:40:40 | 0:40:44 | |
-Come on, come on. -At £180. At £200. | 0:40:44 | 0:40:47 | |
Oh, my! Whatever they are, I love them. | 0:40:47 | 0:40:50 | |
-At £220. -No. -At £240. | 0:40:50 | 0:40:53 | |
-I see a smile. -Not from me. -At £240. That's once. | 0:40:53 | 0:40:58 | |
At £240. Are you all finished and done? At £240. | 0:40:58 | 0:41:01 | |
-GAVEL BANGS -And that's why they call David Barby "The Master". Bravo! | 0:41:01 | 0:41:08 | |
I'm sorry, but I'm going to have to applaud there. Well done. | 0:41:08 | 0:41:11 | |
Well, there you go. | 0:41:11 | 0:41:12 | |
Clearly, Barby's in the lead | 0:41:12 | 0:41:14 | |
but David Harper's hoping his ship's lantern | 0:41:14 | 0:41:17 | |
will finally get the bidders excited. | 0:41:17 | 0:41:19 | |
-Come on, boys. -At £30 bid, at £30, at 40, at 40, at 40, at 40. | 0:41:19 | 0:41:24 | |
-At £40. -I need so much more. -I can't go up to 50 if I can't get no bids. | 0:41:24 | 0:41:27 | |
-Nobody wants the thing. -He's trying hard. -He's very good. | 0:41:27 | 0:41:31 | |
At 50, at 50. At 60! A-ha! | 0:41:31 | 0:41:33 | |
New blood! At 60, at 60, at 70. | 0:41:33 | 0:41:35 | |
-At £70 behind you, sir. At £70, at £70. -You're doing well. | 0:41:35 | 0:41:40 | |
-At £70 it is once. -Your day is here. -At £70 it is twice. | 0:41:40 | 0:41:44 | |
-All finished at £70. Mr E. -I'm delighted with that. | 0:41:44 | 0:41:48 | |
And so you should be, old boy. That's £40 profit before commission. | 0:41:48 | 0:41:52 | |
Mind you, it's a drop in the ocean compared to you know who | 0:41:52 | 0:41:57 | |
and it's time for his final lot, the 19th-century stick stand. | 0:41:57 | 0:42:01 | |
-Get your penny out. -I have. | 0:42:01 | 0:42:02 | |
At 30. £30 bid. At 30, at 30, at 30. At 40, at 40, at £40. | 0:42:02 | 0:42:07 | |
-Who's going to give me 50? -Nobody. -At 40, at 40, at 40. | 0:42:07 | 0:42:11 | |
-At £40. I can't get more. -Sell it, sell it. | 0:42:11 | 0:42:14 | |
-At £40 twice. -Sell it, sell it. | 0:42:14 | 0:42:16 | |
-All finished, all done? At £40. And the code is Mr E. -Gone. £40. | 0:42:16 | 0:42:21 | |
-Well! -Well done, Barby. | 0:42:22 | 0:42:24 | |
Drinks on you, I think, although for some reason, the man's frowning. | 0:42:24 | 0:42:28 | |
-What are you moaning about? -I only made £20 on that. | 0:42:28 | 0:42:31 | |
-I thought you paid 40 for it. -20. | 0:42:31 | 0:42:34 | |
Just to get you worked up. | 0:42:34 | 0:42:35 | |
David Harper started this leg with £200 | 0:42:38 | 0:42:41 | |
and after commission, made a rather modest profit of £6.80, | 0:42:41 | 0:42:45 | |
which means he ends the first leg with £206.80. | 0:42:45 | 0:42:51 | |
David Barby also started with £200 | 0:42:51 | 0:42:53 | |
but after making an exceptional £217.10 at auction, | 0:42:53 | 0:42:58 | |
he now has £417.10 in the coffers and is very much in first place. | 0:42:58 | 0:43:05 | |
But, hey, we've only just begun. | 0:43:05 | 0:43:07 | |
I was well and truly, utterly, hammered, thrashed, killed, | 0:43:07 | 0:43:11 | |
drowned, whatever you want to call it. | 0:43:11 | 0:43:13 | |
Come on, Harper, pull yourself together. | 0:43:13 | 0:43:16 | |
There's still four days to go. | 0:43:16 | 0:43:18 | |
Right, hold on. You are going for a spin. | 0:43:18 | 0:43:20 | |
-Do be careful. -HE LAUGHS MANICALLY | 0:43:21 | 0:43:24 | |
Aargh!! | 0:43:24 | 0:43:25 | |
Join us tomorrow in the sunny Republic of Ireland... | 0:43:25 | 0:43:30 | |
where David Harper gets a grip of the currency. | 0:43:30 | 0:43:34 | |
-I've only got 200 and something euros. -OK, right. | 0:43:34 | 0:43:37 | |
She's not very impressed with me. | 0:43:37 | 0:43:39 | |
And David Barby gets a shock. | 0:43:39 | 0:43:42 | |
HE GASPS | 0:43:42 | 0:43:43 | |
Subtitles by Red Bee Media Ltd | 0:44:05 | 0:44:07 | |
E-mail [email protected] | 0:44:07 | 0:44:08 |