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The nation's favourite antiques experts, £200 each, | 0:48:02 | 0:48:04 | |
and one big challenge. | 0:48:04 | 0:48:06 | |
-I'm here to declare war. -Why? | 0:48:06 | 0:48:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:48:09 | 0:48:13 | |
-It really is very good! -The aim is to trade up | 0:48:13 | 0:48:16 | |
and hope each antique turns a profit. | 0:48:16 | 0:48:19 | |
But it's not as easy as you might think | 0:48:19 | 0:48:21 | |
-and things don't always go to plan. -Push! | 0:48:21 | 0:48:24 | |
Will they race off with a huge profit or come to a grinding halt? | 0:48:24 | 0:48:28 | |
-Do you think I'd believe that? -This is the Antiques Road Trip! | 0:48:28 | 0:48:31 | |
We're in the Republic of Ireland with the two Davids, | 0:48:37 | 0:48:41 | |
David Harper and David Barby. | 0:48:41 | 0:48:43 | |
Together, they're touring the Emerald Isle in a Triumph TR3. | 0:48:47 | 0:48:53 | |
Oh, David! | 0:48:53 | 0:48:55 | |
-You're getting all fired up here! -I'm doing 50 miles an hour. -Come on, baby! | 0:48:55 | 0:48:59 | |
David Harper is a dealer with an infinite knowledge of antiques. | 0:49:00 | 0:49:05 | |
What on earth is that? | 0:49:05 | 0:49:07 | |
While co-driver David Barby is an auctioneer, | 0:49:07 | 0:49:10 | |
well-known for his tact and charm! | 0:49:10 | 0:49:13 | |
-Is that collectable in England? -HE GASPS | 0:49:13 | 0:49:15 | |
It is here. | 0:49:15 | 0:49:17 | |
There's no doubt who's had the best start on this trip. | 0:49:17 | 0:49:20 | |
Yesterday's auction in Northern Ireland was a great success for David Barby... | 0:49:20 | 0:49:25 | |
-I'm getting anxious about these. -All finished at 240. | 0:49:25 | 0:49:29 | |
Someone's got taste. | 0:49:29 | 0:49:30 | |
..but a calamity for David Harper. | 0:49:30 | 0:49:33 | |
-No, don't. -Yes. -Come on! | 0:49:33 | 0:49:36 | |
They began with £200 each, | 0:49:38 | 0:49:40 | |
but David B goes into today with a whopping £417.10. | 0:49:40 | 0:49:46 | |
The other David has made just £6.80 | 0:49:46 | 0:49:50 | |
to add to his starting cash. | 0:49:50 | 0:49:53 | |
Both of these piles have been converted into euros today | 0:49:54 | 0:49:57 | |
as the road trip heads south of the border and into new territory. | 0:49:57 | 0:50:02 | |
This week we're travelling from Northern Ireland, | 0:50:02 | 0:50:05 | |
heading south towards the county of Meath, | 0:50:05 | 0:50:08 | |
then across to the north coast of Wales | 0:50:08 | 0:50:10 | |
and once again heading south, ending our road trip in Llanelli. | 0:50:10 | 0:50:16 | |
Today's show starts out in Athlone and heads for an auction at Kells. | 0:50:16 | 0:50:22 | |
# Half a mile from the county fair And the rain came pouring down... | 0:50:23 | 0:50:28 | |
Slap-bang in the geographical centre of Ireland, | 0:50:28 | 0:50:31 | |
Athlone is famous for its castle and its very strategic bridge over the River Shannon. | 0:50:31 | 0:50:37 | |
Reasons why, over 300 years ago, the city was besieged twice. | 0:50:37 | 0:50:42 | |
# We just stood there getting wet # | 0:50:42 | 0:50:44 | |
Ireland is apparently also noted for its precipitation. That's rain. | 0:50:44 | 0:50:50 | |
-I am wet. -I think you should put the soft top up. -Do you think so? -Yes. | 0:50:51 | 0:50:57 | |
Let's not suffer too much, for goodness sake. That's it. | 0:50:57 | 0:51:00 | |
There you go! That's nice! | 0:51:00 | 0:51:02 | |
When you've got the facilities, you can use a vintage car all year round! | 0:51:02 | 0:51:07 | |
Mm. I'm not sure the Garda would necessarily agree with you, David. | 0:51:08 | 0:51:14 | |
This warm and dry shop, though, is packed with top-quality stuff at prices that match. | 0:51:15 | 0:51:21 | |
Brianna and Thomas are keen to help. | 0:51:21 | 0:51:24 | |
-Who gives the best discounts? -I most certainly do. | 0:51:24 | 0:51:27 | |
-Really? -THEY LAUGH | 0:51:27 | 0:51:30 | |
OK, I'll have the good-looking one! | 0:51:30 | 0:51:32 | |
Ahh, the David Harper charm, tried before but with mixed results. | 0:51:32 | 0:51:37 | |
Do you want to come for a ride in my car? | 0:51:37 | 0:51:39 | |
I'm sure I've heard that line, too. | 0:51:39 | 0:51:42 | |
I wonder what she'll think when she discovers that after yesterday, | 0:51:42 | 0:51:45 | |
he doesn't have much else to offer. | 0:51:45 | 0:51:48 | |
That is a crackling Majolica thing. Is it Majolica? | 0:51:48 | 0:51:51 | |
It's going to be out of my price range, isn't it? | 0:51:51 | 0:51:53 | |
-Bear in mind I've only got 200-and-something euros. -OK! Right! | 0:51:53 | 0:51:57 | |
-She's not very impressed with me now, is she? -We're not fussy here! | 0:51:57 | 0:52:02 | |
I'd love to pay 150 for it. | 0:52:02 | 0:52:04 | |
-I'll see if I would like to give it to you for 150. -I bet you won't. | 0:52:04 | 0:52:08 | |
Ooh. No. I think I might be disowned if I did! | 0:52:08 | 0:52:13 | |
Even David Barby, who has twice as much cash as his namesake, | 0:52:13 | 0:52:17 | |
couldn't afford 750 euros! | 0:52:17 | 0:52:21 | |
There's an interesting piece of some bog oak. | 0:52:21 | 0:52:24 | |
-I mean, it's very difficult to put an age on it. -Ohh! | 0:52:24 | 0:52:28 | |
Now, there can be few things more typically Irish than bog oak, | 0:52:28 | 0:52:33 | |
but the price of 295 euros makes David all shy. | 0:52:33 | 0:52:38 | |
It's timber that's been in a peat bog | 0:52:38 | 0:52:40 | |
-probably for thousands of years. -Absolutely. | 0:52:40 | 0:52:43 | |
And it's soaked in all the sort of peat preservatives, | 0:52:43 | 0:52:47 | |
so it becomes quite hard and it can be carved, | 0:52:47 | 0:52:51 | |
and this is a piece of bog oak. | 0:52:51 | 0:52:54 | |
What would be your discretion on that? | 0:52:54 | 0:52:56 | |
-I'm sure we could do 10 or 15 percent. -Is that all? | 0:52:56 | 0:53:00 | |
Well, we could start at 10 or 15 and see what's the level of your interest, | 0:53:00 | 0:53:05 | |
-and it might be matched by the level of our discretion. -I think that is quite... | 0:53:05 | 0:53:09 | |
-It rolls off your tongue! -It's called blarney! | 0:53:09 | 0:53:13 | |
I know! It's called blarney! My goodness me! | 0:53:13 | 0:53:15 | |
What's this? A carved, signed wooden tray. | 0:53:17 | 0:53:22 | |
I've never seen anything like that before. | 0:53:22 | 0:53:24 | |
It doesn't look terribly practical. | 0:53:24 | 0:53:26 | |
-It hasn't got a huge amount of age, I don't think. A real quirky little number. -It is. | 0:53:26 | 0:53:32 | |
-Would you have that in your house. -I don't think I would! | 0:53:32 | 0:53:37 | |
Refreshingly honest. Now, what's David B up to? | 0:53:37 | 0:53:42 | |
A Victorian... What's a pod saw? | 0:53:42 | 0:53:45 | |
No! Pad saw! | 0:53:45 | 0:53:49 | |
Well, it's all the way through here. | 0:53:50 | 0:53:52 | |
That's a retractable blade that was the forerunner of the Stanley knife, perhaps. | 0:53:52 | 0:53:58 | |
I'd like to know what it is before I buy it. | 0:53:58 | 0:54:00 | |
Finding out what it is after you've bought it is more fun. | 0:54:00 | 0:54:03 | |
There's that blarney again. But David is a bit of a stickler. | 0:54:03 | 0:54:07 | |
Brian, we have a query here from a customer. | 0:54:07 | 0:54:11 | |
Perhaps the shop owner can shave a few of the 48 euros off the price. | 0:54:11 | 0:54:15 | |
Oh, right. So there's a hole in the actual handle, | 0:54:15 | 0:54:19 | |
so you pass the blade all the way through? | 0:54:19 | 0:54:21 | |
So you could adjust it accordingly. | 0:54:21 | 0:54:25 | |
Can you do it at 20? | 0:54:25 | 0:54:27 | |
I'm not tough at all. OK, that's very kind. | 0:54:28 | 0:54:32 | |
I'll put you back to Thomas to confirm the price in case he doesn't believe me. | 0:54:32 | 0:54:36 | |
Hello, Brian. Is that really you that's there | 0:54:36 | 0:54:39 | |
and we're not just talking to a recording? | 0:54:39 | 0:54:42 | |
Oh, you drive such a hard bargain. I can't believe he took so much off! | 0:54:42 | 0:54:46 | |
-He said 20. -He said 20 on that. | 0:54:46 | 0:54:49 | |
So while David B reflects on his first purchase, David H, with plenty to prove, | 0:54:49 | 0:54:54 | |
has finally found something which, at 40 euros, is in his bracket. | 0:54:54 | 0:54:59 | |
-That's an unusual thing. I think it's alabaster. -Yes. | 0:54:59 | 0:55:04 | |
Three naked ladies climbing up a... | 0:55:04 | 0:55:07 | |
-Is it some sort of... -A cliff or...? | 0:55:07 | 0:55:10 | |
What is it? Has it got a religious significance? | 0:55:10 | 0:55:13 | |
-It's a very unusual thing. -It is. -I like that. | 0:55:13 | 0:55:16 | |
I'd love to know what's going on. Whoever carved it carved it for a reason, | 0:55:16 | 0:55:20 | |
he didn't think of this scene and think, | 0:55:20 | 0:55:22 | |
"I'm just going to carve three women climbing up a mountain." | 0:55:22 | 0:55:26 | |
Actually, David, it's inspired by a detail | 0:55:26 | 0:55:29 | |
from Rodin's huge unfinished masterpiece the Gates of Hell. | 0:55:29 | 0:55:33 | |
The original measured six metres by four | 0:55:33 | 0:55:36 | |
and features 186 figures. | 0:55:36 | 0:55:38 | |
That, though, is in the Musee Rodin and is definitely not for sale. | 0:55:38 | 0:55:43 | |
I'd take a chance on that at 20 euros. | 0:55:43 | 0:55:47 | |
20 euros... | 0:55:47 | 0:55:49 | |
-OK, let's make a deal. -Are you sure? -Yes. -Marvellous! Marvellous! | 0:55:49 | 0:55:54 | |
While David Barby dodges the Athlone showers... | 0:55:54 | 0:55:57 | |
Hold on, it's raining. Just thinking of my perm! | 0:55:57 | 0:56:01 | |
..his friend, that's the one in the cap, | 0:56:02 | 0:56:05 | |
has grabbed the keys to the Triumph, | 0:56:05 | 0:56:07 | |
travelling from Athlone to Barley Harbour. | 0:56:07 | 0:56:10 | |
David's making his way through the lowlands | 0:56:11 | 0:56:14 | |
to visit the studio of bog oak artist Michael Casey. | 0:56:14 | 0:56:18 | |
Hello there. David Harper. Nice to meet you. Can I come in? | 0:56:18 | 0:56:22 | |
Oh, my gosh! This is amazing. | 0:56:22 | 0:56:25 | |
Tell me about bog oak. How do we get to that? | 0:56:31 | 0:56:35 | |
When we lift it out, it's covered with clay and peat. | 0:56:35 | 0:56:38 | |
And it's been buried under the earth for six or 7,000 years. | 0:56:38 | 0:56:41 | |
The forests were growing at that time. | 0:56:41 | 0:56:44 | |
They fell, and the bogs have grown on them 30 feet. | 0:56:44 | 0:56:47 | |
When the wood first comes out of the ground, | 0:56:48 | 0:56:50 | |
it's very soggy and needs to be seasoned for a few more years | 0:56:50 | 0:56:54 | |
before Michael can begin his work. | 0:56:54 | 0:56:57 | |
Oh, my goodness me! Michael, what is that? | 0:56:57 | 0:57:00 | |
-This is absolutely as it comes out of the ground? -More or less, yes. | 0:57:00 | 0:57:05 | |
How long has this been weathering for? | 0:57:07 | 0:57:09 | |
Some of the pieces are here 10 or 15 years. | 0:57:09 | 0:57:13 | |
So you might get an inspiration that you want to make a sculpture based on a subject | 0:57:13 | 0:57:18 | |
-and then you would root through looking for something to grab you. -Yes. | 0:57:18 | 0:57:22 | |
You can almost see the human head and the shoulder. | 0:57:22 | 0:57:26 | |
OK. I can see that. | 0:57:26 | 0:57:28 | |
And then other pieces are sitting for years and years | 0:57:28 | 0:57:31 | |
and you might come out with a drink at night or something | 0:57:31 | 0:57:34 | |
-and sit down with it... -Yes. -..and then it suggests itself. | 0:57:34 | 0:57:39 | |
I help it along, you know, the suggestion, just maybe the head and the arms. | 0:57:39 | 0:57:45 | |
When you say you help it along, it's got your direct input, hasn't it? | 0:57:45 | 0:57:49 | |
Things struggled in the bog off of nature | 0:57:49 | 0:57:52 | |
and the handy human hand adds a little to it. | 0:57:52 | 0:57:57 | |
Eventually, the supply of oak | 0:57:58 | 0:58:01 | |
and the rarer yew and pine will run out, | 0:58:01 | 0:58:04 | |
but not any day soon, | 0:58:04 | 0:58:06 | |
because several thousand years ago Ireland was one huge forest. | 0:58:06 | 0:58:11 | |
A monkey could swing from tree to tree. | 0:58:11 | 0:58:15 | |
-This is the River Shannon out here. Now, you only had to swim the Shannon... -You're kidding? | 0:58:15 | 0:58:20 | |
-..and you could go the whole way to Galway. -Without touching the ground? -Yes. | 0:58:20 | 0:58:24 | |
David is fortunate enough to have a lesson in sculpture from the master himself. | 0:58:26 | 0:58:32 | |
So, you're not afraid of the wood at all? I mean, that is serious stuff. | 0:58:33 | 0:58:38 | |
That'll take the skin off. | 0:58:38 | 0:58:40 | |
-Don't go backwards. -Don't go backwards? | 0:58:42 | 0:58:44 | |
-Forwards. -Always forwards? -Yes. -Tell me why. | 0:58:44 | 0:58:48 | |
-Why would you always go forwards? -The teeth are facing that way. | 0:58:48 | 0:58:52 | |
Yes! | 0:58:52 | 0:58:54 | |
I see. I'm getting with it now, Michael. | 0:58:55 | 0:58:57 | |
I think it might take me some time to become like you. | 0:58:57 | 0:59:00 | |
I suppose if you were to make what you might think of as a mistake, | 0:59:00 | 0:59:04 | |
-you'd just work around that? -Yes. | 0:59:04 | 0:59:07 | |
-There's no mistakes in this. -No mistakes. -No. | 0:59:07 | 0:59:09 | |
It's nature telling you exactly what she wants to be. | 0:59:09 | 0:59:13 | |
Whilst David Harper goes with the grain, | 0:59:13 | 0:59:16 | |
David Barby has carried on shopping... | 0:59:16 | 0:59:20 | |
..making his way from Athlone to Mullingar. | 0:59:21 | 0:59:25 | |
The biggest city in the Irish Midlands, | 0:59:25 | 0:59:28 | |
Mullingar was once a great cattle-trading centre and is still famous for its pewter. | 0:59:28 | 0:59:33 | |
James Joyce was very fond of the place, too, | 0:59:33 | 0:59:36 | |
and it gets several mentions in Finnegans Wake and Ulysses. | 0:59:36 | 0:59:42 | |
Speaking of heroes... | 0:59:42 | 0:59:44 | |
-Hello, I'm David Barby. -Dermot Holmes. Pleased to meet you. | 0:59:44 | 0:59:48 | |
-And you own this store? -Yes. Delighted it could bring you to Mullingar. | 0:59:48 | 0:59:52 | |
If David was a bit taken aback by the prices in Athlone this morning, | 0:59:53 | 0:59:58 | |
by Mullingar, he's getting seriously worried. | 0:59:58 | 1:00:01 | |
That's well over what I have to spend. | 1:00:01 | 1:00:04 | |
Well over. | 1:00:04 | 1:00:06 | |
How much is that? Oh, it's coming round. Ohh! | 1:00:06 | 1:00:08 | |
-Er, 495. -HE GASPS | 1:00:08 | 1:00:12 | |
Yes. You pay for the frame. | 1:00:12 | 1:00:16 | |
-It's in its original glass. -HE GASPS | 1:00:16 | 1:00:19 | |
You're in Ireland now. You're not in the UK where there's plenty of volume! | 1:00:19 | 1:00:24 | |
I'm looking at the sort of prices they're asking in Southern Ireland | 1:00:26 | 1:00:30 | |
and I'm thinking, "Ohh! How much would that go for back home?" | 1:00:30 | 1:00:34 | |
I realised the market back home has a long way to go before it gets to these prices. | 1:00:34 | 1:00:40 | |
Luckily, shop-owner Dermot has plenty of suggestions | 1:00:40 | 1:00:43 | |
for what might sell well at the Kells auction. | 1:00:43 | 1:00:46 | |
Like an early Rudyard Kipling collection, various dishes | 1:00:46 | 1:00:50 | |
and even some novelty tableware. | 1:00:50 | 1:00:53 | |
-Is that collectable in England? -HE GASPS | 1:00:53 | 1:00:56 | |
-It is here. -Ohh! -Isn't it extraordinary? | 1:00:56 | 1:01:00 | |
-It's just a cabbage. -Ohh! | 1:01:00 | 1:01:03 | |
-Do you like it? -I don't. -I think it's hideous. | 1:01:03 | 1:01:06 | |
-People are mad about them. They collect them. -35 euro! By God! | 1:01:06 | 1:01:12 | |
Oh, well. Each to his own. | 1:01:12 | 1:01:15 | |
David, for example, really likes this barrel. | 1:01:15 | 1:01:18 | |
-I used to collect Doulton. -Ah, right. | 1:01:18 | 1:01:21 | |
-This is a little Doulton piece. -Yes. | 1:01:21 | 1:01:24 | |
-Salt glaze. -It would've originally had corks in it. | 1:01:24 | 1:01:29 | |
-Yes. Those are gone. You'd have a spigot there. -Yes. | 1:01:29 | 1:01:32 | |
But the very fact it is Doulton indicates that it's quality. | 1:01:32 | 1:01:36 | |
And I love the barrel shape! I think that's quite good. | 1:01:36 | 1:01:40 | |
I see you've got 35 on there. What's the best you can do? | 1:01:40 | 1:01:44 | |
That's the best I can do. We had 45. | 1:01:44 | 1:01:48 | |
30? | 1:01:48 | 1:01:50 | |
25, then. That's the best. Because it's a piece of Doulton. | 1:01:51 | 1:01:56 | |
Ha! But it hasn't got its spigot. And it hasn't got its cork. | 1:01:56 | 1:02:00 | |
-And it hasn't got its proper stand. -No, it hasn't got its proper stand. | 1:02:00 | 1:02:05 | |
You make me an offer. | 1:02:06 | 1:02:08 | |
-I'll say 15. -I'll say 20. | 1:02:08 | 1:02:11 | |
-18. -Right, you're done. | 1:02:11 | 1:02:14 | |
-What have I done? -What have you done? -Yes. | 1:02:14 | 1:02:18 | |
Too late to change your mind now, David. | 1:02:18 | 1:02:20 | |
What else is there to wax lyrical about? | 1:02:20 | 1:02:23 | |
These are Georgian brass candlesticks. | 1:02:23 | 1:02:25 | |
They're out of fashion to a certain extent in England | 1:02:25 | 1:02:28 | |
because people don't like polishing brass. | 1:02:28 | 1:02:30 | |
I remember seeing two of these up at that auction in the north, I think they went for about £12. | 1:02:30 | 1:02:37 | |
So those have got to be round about 10 euro. | 1:02:37 | 1:02:40 | |
I'm saying 12 euro. I'm matching 12 pounds with 12 euro. | 1:02:40 | 1:02:44 | |
-I can't do it. -You can't do it? -No. I know how much the other ones went for. | 1:02:44 | 1:02:48 | |
At the moment, the euro is at parity with the pound! | 1:02:48 | 1:02:52 | |
Near enough. When you go to buy, it's different. | 1:02:52 | 1:02:55 | |
We'll introduce you to these two | 1:02:55 | 1:02:58 | |
and let you make a decision. | 1:02:58 | 1:03:01 | |
-Do we throw the cat among the pigeons? -You have. | 1:03:01 | 1:03:05 | |
-Slightly smaller. -I like those, as well. | 1:03:05 | 1:03:07 | |
Right, so, if I bought those, that would be 20 euro for four? | 1:03:07 | 1:03:11 | |
-For the four? -Yes. -OK. | 1:03:11 | 1:03:15 | |
-Deal done? -Yes. | 1:03:15 | 1:03:18 | |
A modest haul from Mullingar, | 1:03:18 | 1:03:21 | |
but maybe David Barby, as the leader, doesn't have to try too hard. | 1:03:21 | 1:03:26 | |
Day two, and the Davids still seem to be thoroughly enjoying | 1:03:29 | 1:03:33 | |
their Gaelic gallivant. | 1:03:33 | 1:03:35 | |
-You're very suave, aren't you? -No, no. -You are. | 1:03:35 | 1:03:40 | |
-Don't you have a shell suit at home? -Oh, I've got one of those, yes. | 1:03:40 | 1:03:44 | |
-I undo the zip halfway down. -Do you? -To show my hairy chest! | 1:03:44 | 1:03:48 | |
THEY LAUGH | 1:03:48 | 1:03:50 | |
Yesterday, the hirsute David Barby bought three items | 1:03:50 | 1:03:55 | |
at a cost of just 58 euros. | 1:03:55 | 1:03:57 | |
So he still has 394 euros and 30 cents to spend today. | 1:03:57 | 1:04:03 | |
David Harper spent 20 euros on this... | 1:04:03 | 1:04:06 | |
I'd love to know what's going on, because there's a significance here. | 1:04:06 | 1:04:10 | |
..unaware that it's after Rodin's pose. | 1:04:10 | 1:04:13 | |
Mwah. Thank you. | 1:04:13 | 1:04:14 | |
And so he has 204 euros and 25 cents. | 1:04:14 | 1:04:19 | |
-Time to spend, surely? -I need three or four items. | 1:04:19 | 1:04:22 | |
I would like to spend it all, | 1:04:22 | 1:04:25 | |
but so far, I've spent a tiny amount. | 1:04:25 | 1:04:27 | |
I'm not going to blow the money on things just for the sake of spending. | 1:04:27 | 1:04:32 | |
No, quite! | 1:04:32 | 1:04:33 | |
Their triumphal trail will conclude today at an auction in Kells, | 1:04:33 | 1:04:37 | |
but first stop for hot-to-shop Harper | 1:04:37 | 1:04:40 | |
is the little town of Knockdrin. | 1:04:40 | 1:04:42 | |
No mention yet of the prices, but where he finds this sort of eclectic mix, | 1:04:45 | 1:04:50 | |
it behoves him to find a bargain, big or small. | 1:04:50 | 1:04:54 | |
What is that? It's a miniature drum. A metal miniature drum. | 1:04:54 | 1:04:58 | |
Hand-painted. The Gordon Highlanders. | 1:04:58 | 1:05:01 | |
Anything to do with militaria, | 1:05:01 | 1:05:03 | |
there are collectors out there worldwide for things like this. | 1:05:03 | 1:05:07 | |
Hand-painted. Quality. | 1:05:07 | 1:05:10 | |
Let me find Mary and see what she can do on this one. | 1:05:10 | 1:05:14 | |
-Mary? -Yes, David? | 1:05:14 | 1:05:17 | |
-Can I just talk to you about this? -Yes. The drum. | 1:05:17 | 1:05:20 | |
What's it used for? Do you think it's been a box? | 1:05:20 | 1:05:23 | |
-Or is it just a novelty thing? -I think it's a novelty thing. | 1:05:23 | 1:05:26 | |
-What sort of money is it to me? -10 euros to you. | 1:05:26 | 1:05:30 | |
-10? -20 euro? | 1:05:30 | 1:05:33 | |
You don't say ten and then 20. I'm not likely to give you 20! | 1:05:33 | 1:05:36 | |
-10 euros! Right. -10 euros. | 1:05:36 | 1:05:39 | |
-It's a little buy. A good start. I'll have it. Thank you. -Thank you. | 1:05:39 | 1:05:43 | |
These things are not quite what they used to be, but there's a pair, | 1:05:51 | 1:05:55 | |
one there and one in there. Typical green glass. Victorian. | 1:05:55 | 1:06:00 | |
They're good. All hand-painted. Nice bubbles in the glass. | 1:06:00 | 1:06:04 | |
Let me see what she can do on this one. | 1:06:04 | 1:06:07 | |
On the vases, 15 euros. | 1:06:07 | 1:06:09 | |
15 euros for a pair of 120 year old | 1:06:09 | 1:06:13 | |
or 130-year-old glass vases, | 1:06:13 | 1:06:16 | |
absolutely a stonking bargain! | 1:06:16 | 1:06:18 | |
-15 euros? -15 euros. | 1:06:18 | 1:06:21 | |
Goodness me! Cheap enough, isn't it? I mean, it's just crazy. | 1:06:21 | 1:06:26 | |
Why tell her that? I think he thinks they're cheap. | 1:06:26 | 1:06:29 | |
-Do you want 10 euros for them? -No. Not cheap enough, apparently. | 1:06:29 | 1:06:33 | |
Yes. I'll take 10 euros. | 1:06:33 | 1:06:36 | |
It's absolutely pathetic! I am ridiculous. Thank you. That's another one. | 1:06:36 | 1:06:42 | |
That's all very well, but come on, David, | 1:06:42 | 1:06:44 | |
you need to think bigger than that if you're going to catch up with the great David Barby. | 1:06:44 | 1:06:49 | |
-Mary, what on earth is that? -It's a wool winder. | 1:06:49 | 1:06:53 | |
-What do you do with a wool winder? -Wind wool from the spinning wheel. | 1:06:53 | 1:06:57 | |
You might've guessed that, David. | 1:06:57 | 1:06:59 | |
I thought it was a light fitting at first. | 1:06:59 | 1:07:02 | |
-What would you do with it? Could you make it into something? -I honestly don't know. | 1:07:02 | 1:07:07 | |
It works just beautifully. Look at that. | 1:07:07 | 1:07:11 | |
Small wooden items, hand-made, there's a market for it, isn't there? | 1:07:11 | 1:07:15 | |
-I've no idea how to value that. What's that worth? -Make me an offer on it. | 1:07:15 | 1:07:20 | |
15 euros? | 1:07:20 | 1:07:21 | |
Go 20. | 1:07:21 | 1:07:23 | |
-Go 15. -Go 20. -Go 15. -Go 20. | 1:07:24 | 1:07:29 | |
-I'll have it for 20. Do I get another kiss? -You do. -Marvellous. | 1:07:29 | 1:07:33 | |
Oh, not again. He'll wear his lips out! | 1:07:33 | 1:07:36 | |
While his rival accrues an increasingly strange collection, | 1:07:37 | 1:07:42 | |
David Barby is heading back to Mullingar | 1:07:42 | 1:07:45 | |
to visit Belvedere House... | 1:07:45 | 1:07:47 | |
Pretty. | 1:07:47 | 1:07:49 | |
..and investigate some dark doings in the country over 250 years ago. | 1:07:49 | 1:07:55 | |
We really are in the depths of the Irish countryside. | 1:07:56 | 1:08:00 | |
This is wonderful, this overgrowth and the trees. | 1:08:00 | 1:08:04 | |
It makes you think of Arthur Rackham. You expect to see little pixies jump out. | 1:08:04 | 1:08:08 | |
Or should I say little leprechauns! | 1:08:08 | 1:08:10 | |
This 18th-century gem-in-the-woods is now owned by the local council | 1:08:14 | 1:08:19 | |
and open to the public all year round. | 1:08:19 | 1:08:22 | |
David is here to meet the curator | 1:08:23 | 1:08:25 | |
and learn more about Belvedere's history. | 1:08:25 | 1:08:28 | |
-Welcome to Belvedere. -And you are? | 1:08:28 | 1:08:31 | |
-Bartle D'Arcy. -That's very 18th century, isn't it? | 1:08:31 | 1:08:34 | |
-It is. Joycean character! -Lovely name! | 1:08:34 | 1:08:36 | |
The house itself is lovingly preserved | 1:08:39 | 1:08:41 | |
with many of its original mid-18th century features. | 1:08:41 | 1:08:45 | |
Diocletian windows, and all intact. | 1:08:45 | 1:08:49 | |
But most people flock here for just one thing... | 1:08:49 | 1:08:51 | |
Oh, my! Just look at that ceiling! Just look at that ceiling! | 1:08:51 | 1:08:56 | |
The fabulous Rococo ceilings. | 1:08:56 | 1:08:59 | |
You're looking at around 1760 for getting these ceilings done. | 1:08:59 | 1:09:03 | |
The artist would lie on the flat of his back on the scaffold | 1:09:03 | 1:09:06 | |
and would mould them as they were on the ceilings. | 1:09:06 | 1:09:08 | |
The only thing made on the ground would be the grapes. | 1:09:08 | 1:09:11 | |
Very light style, isn't it? What I like about it is, it's not heavy. | 1:09:11 | 1:09:15 | |
It's absolutely fantastic. | 1:09:15 | 1:09:18 | |
But behind the beautiful Georgian architecture... | 1:09:19 | 1:09:24 | |
This is the drawing room. | 1:09:24 | 1:09:25 | |
..is the gothic tale of Belvedere's builder. | 1:09:25 | 1:09:28 | |
This is Robert Rochfort, the Wicked Earl, who built Belvedere House in 1740. | 1:09:28 | 1:09:32 | |
-Did you say wicked earl? -The Wicked Earl. | 1:09:32 | 1:09:36 | |
What do you mean? | 1:09:36 | 1:09:37 | |
He earned the title for locking up his wife, Mary Molesworth, on a spurious charge of infidelity | 1:09:37 | 1:09:43 | |
and he locked her up for 31 years. | 1:09:43 | 1:09:46 | |
Before revealing more of the story, | 1:09:46 | 1:09:49 | |
Bartle needs to show David the view from the master's bedroom. | 1:09:49 | 1:09:53 | |
I'm just going to show you something out the window here. | 1:09:53 | 1:09:57 | |
-What am I looking at? -You're looking at the Jealous Wall. | 1:09:59 | 1:10:02 | |
This is the largest folly in Ireland | 1:10:02 | 1:10:05 | |
and it's a reminder of the relationship where he fell out with his brother, | 1:10:05 | 1:10:09 | |
who had built a much larger house on the far side of that wall. | 1:10:09 | 1:10:12 | |
Why was he so jealous of his brother that he had to build a huge wall? | 1:10:12 | 1:10:17 | |
The jealousy worked on both sides, because George, the brother, was jealous of Robert | 1:10:17 | 1:10:21 | |
-because he had married Mary, who George had his eye on her. -Right. | 1:10:21 | 1:10:26 | |
-What happened to Mary Molesworth? -Mary was accused of having an affair with a younger brother of Robert's | 1:10:26 | 1:10:32 | |
by letters written by George across the way. | 1:10:32 | 1:10:35 | |
Robert ended up believing the allegation | 1:10:35 | 1:10:37 | |
and the poor lady was locked up for 31 years | 1:10:37 | 1:10:41 | |
at Gaulstown, the family estate. | 1:10:41 | 1:10:43 | |
That is beautiful. Terrible story, but quite beautiful. | 1:10:43 | 1:10:47 | |
When poor Mary was freed, she was quite mad, | 1:10:47 | 1:10:51 | |
spending her time talking to paintings. | 1:10:51 | 1:10:55 | |
Sounds like most of the people I know, actually. | 1:10:55 | 1:10:58 | |
There's the Jealous Wall. | 1:10:58 | 1:11:00 | |
I can hear the rooks nesting. That's good! | 1:11:00 | 1:11:03 | |
David is on his way to join David Harper, | 1:11:04 | 1:11:07 | |
who has gone ahead to their final shop at Portlaoise. | 1:11:07 | 1:11:10 | |
No, this isn't another Irish country house, | 1:11:15 | 1:11:18 | |
but an out-of-town industrial unit with a modest exterior | 1:11:18 | 1:11:22 | |
that's been fully furnished inside. | 1:11:22 | 1:11:24 | |
What a place! | 1:11:24 | 1:11:26 | |
It seems to work for antiques and reproductions. | 1:11:26 | 1:11:31 | |
I genuinely have not seen anything like this in the antiques business. | 1:11:31 | 1:11:35 | |
Because that dining table, as fantastic as it looks now, | 1:11:35 | 1:11:39 | |
put it in a dusty antique shop and it wouldn't look much at all. | 1:11:39 | 1:11:42 | |
It's difficult to get your head around. | 1:11:42 | 1:11:44 | |
It's very good. He's very, very good. | 1:11:44 | 1:11:47 | |
David didn't start this leg with much cash, | 1:11:48 | 1:11:52 | |
but most of what he did have is still in his pocket. | 1:11:52 | 1:11:56 | |
That seems surprisingly cheap, | 1:11:56 | 1:11:58 | |
a little desk set made out of papier mache. | 1:11:58 | 1:12:01 | |
If I'd seen this yesterday, I think I would've put it into the kitty. | 1:12:01 | 1:12:05 | |
But it's not going to fly. I really need a flier to catch up with David Barby. | 1:12:05 | 1:12:11 | |
While he continues his desperate search, | 1:12:12 | 1:12:15 | |
who should arrive but David Barby... | 1:12:15 | 1:12:18 | |
-Hello. -Hello. -What a fabulous place! -Thanks. | 1:12:18 | 1:12:21 | |
..equally keen to get the bargain which will trump his rival. | 1:12:21 | 1:12:26 | |
-I can see immediately that hat box. -Certainly. -Can I have a quick look? -Absolutely. | 1:12:26 | 1:12:31 | |
-Have you polished this up? -We have. Just a little bit of cream. -OK. | 1:12:33 | 1:12:38 | |
"Dublin Retail", which is good. | 1:12:38 | 1:12:40 | |
"Charles McDonald. Saddler." | 1:12:40 | 1:12:43 | |
This is nice. People use these to decorate a bedroom. | 1:12:43 | 1:12:48 | |
They use them as waste paper, jardinieres, | 1:12:48 | 1:12:51 | |
er, a multitude of uses. | 1:12:51 | 1:12:53 | |
-What sort of price range are we looking at? -60. | 1:12:53 | 1:12:57 | |
Could you take less than 60? Is that the best you can do? | 1:12:57 | 1:13:01 | |
No, probably not. | 1:13:01 | 1:13:03 | |
I can do it for 50, if you really pressure me. | 1:13:03 | 1:13:07 | |
Can I pressure you even more to 40? | 1:13:07 | 1:13:11 | |
-Meet you in the middle. -IN UNISON: 45. 42. | 1:13:12 | 1:13:15 | |
THEY LAUGH | 1:13:15 | 1:13:17 | |
-45 any good? -42. | 1:13:19 | 1:13:21 | |
-42. -Thank you very much. | 1:13:21 | 1:13:23 | |
Well, that was fast work. | 1:13:24 | 1:13:26 | |
Five minutes after entering the shop, he's the owner of a hat box. | 1:13:26 | 1:13:30 | |
That's lovely. Lovely, lovely, lovely. | 1:13:30 | 1:13:33 | |
I like that. This is a late 19th-century oil lamp. | 1:13:34 | 1:13:40 | |
It's such a nice piece. It's in onyx and gilt metal. | 1:13:40 | 1:13:45 | |
This would've been in an important house. | 1:13:45 | 1:13:47 | |
This is not a cottage piece. These would've gone out of fashion | 1:13:47 | 1:13:51 | |
certainly by 1920 | 1:13:51 | 1:13:54 | |
when they would've installed electric lights in the average home. | 1:13:54 | 1:13:58 | |
But that is such a lovely example. | 1:13:58 | 1:14:00 | |
-This little lamp, missing so much of its originality. -It is, unfortunately. | 1:14:00 | 1:14:06 | |
-Yes. -So we haven't got the shade and we haven't got the chimney. -That's right. | 1:14:06 | 1:14:11 | |
-What sort of price are we looking at? -It's probably pretty much intact after that. | 1:14:11 | 1:14:16 | |
-You can get the globes. Is there a price on it? -Not that I can see. | 1:14:16 | 1:14:19 | |
I suppose since you've bought the top hat...box, | 1:14:19 | 1:14:24 | |
we could... | 1:14:24 | 1:14:26 | |
..do it for 75 euros. | 1:14:26 | 1:14:29 | |
Is that the very best? | 1:14:31 | 1:14:34 | |
Close to it. | 1:14:34 | 1:14:36 | |
Is that the very, very best you can do - 75? | 1:14:36 | 1:14:39 | |
HE SIGHS | 1:14:39 | 1:14:41 | |
-60 OK for you? -50's better. | 1:14:43 | 1:14:46 | |
-Give me a little small bit. -A little. | 1:14:48 | 1:14:51 | |
58. | 1:14:51 | 1:14:53 | |
Let's split the difference at 52. | 1:14:54 | 1:14:57 | |
-BELL RINGS IN BACKGROUND OK. -52. -52. | 1:14:57 | 1:15:01 | |
-TIM WHISTLES -That was tense. | 1:15:01 | 1:15:04 | |
Now, with David B satisfied, | 1:15:04 | 1:15:06 | |
David H has finally uncovered something to spend big on. | 1:15:06 | 1:15:10 | |
A good marble carving can command several hundreds of pounds, even when new, | 1:15:10 | 1:15:15 | |
and several thousands from a known artist. | 1:15:15 | 1:15:18 | |
That is a flier, but all subject to price. | 1:15:18 | 1:15:22 | |
It's not an antique, maybe only 20 years old, | 1:15:22 | 1:15:25 | |
but it may sell well. | 1:15:25 | 1:15:28 | |
-She's not too badly priced. -What sort of money? | 1:15:28 | 1:15:30 | |
-180. -180. -Euros. | 1:15:30 | 1:15:34 | |
Now, she's not dear, but could she be a bit better? | 1:15:34 | 1:15:37 | |
-How much better? -She couldn't be 60 euros less? | 1:15:37 | 1:15:42 | |
Less. Not 60 euros to buy. Sorry! You almost collapsed! | 1:15:42 | 1:15:47 | |
Can she be 120? | 1:15:47 | 1:15:49 | |
-She could be 120 cash. -Done deal. -Yep. -Good man. Thanks, David. | 1:15:49 | 1:15:54 | |
At last, those two have done with shopping. | 1:15:54 | 1:15:58 | |
Time to show off. | 1:15:58 | 1:16:00 | |
David, how did you get on today? | 1:16:00 | 1:16:02 | |
-Very, very well. -Did you? | 1:16:02 | 1:16:04 | |
-Be very, very afraid. -Well, no, I shall be very pleased for you. | 1:16:04 | 1:16:07 | |
Liar. First, the cut-price pad saw... | 1:16:07 | 1:16:11 | |
-Very interesting. -I think it is. | 1:16:11 | 1:16:13 | |
I love it because it is a functional item. | 1:16:13 | 1:16:16 | |
It's very tactile. It could be used. | 1:16:16 | 1:16:18 | |
Mm. And very good quality, too. I think that's worth... | 1:16:18 | 1:16:23 | |
..20 quid. | 1:16:23 | 1:16:25 | |
-I paid 20 euro for it. -I wasn't far away, then, was I? | 1:16:26 | 1:16:30 | |
No. I think that's so little! | 1:16:30 | 1:16:32 | |
Well, it's a bit more than you paid, so be pleased! | 1:16:32 | 1:16:37 | |
Now, now, calm down. | 1:16:37 | 1:16:39 | |
Clap your eyes...on that. | 1:16:39 | 1:16:43 | |
Oh, that is lovely. That is very, very nice. | 1:16:43 | 1:16:48 | |
I think the yellow has been painted on afterwards. | 1:16:48 | 1:16:53 | |
I think that's a bit of restoration where the enamel's chipped off. | 1:16:53 | 1:16:57 | |
-You can see where it's gone over some of the decoration underneath. -Yes. | 1:16:57 | 1:17:01 | |
Next, the barrel, without spigot or stand. | 1:17:01 | 1:17:05 | |
-It's Doulton, obviously, isn't it? -Yep. | 1:17:05 | 1:17:08 | |
-Why "obviously"? -It screams Doulton. -You saw the label. | 1:17:08 | 1:17:11 | |
It hasn't got a label. | 1:17:11 | 1:17:13 | |
Do you not think I could spot a piece of Doulton? | 1:17:13 | 1:17:16 | |
-How many times have I handled Doulton? -Shirty! | 1:17:16 | 1:17:20 | |
-I didn't recognise that immediately. -Why not? | 1:17:20 | 1:17:23 | |
-It didn't come over as Doulton. -It's stone glaze... | 1:17:23 | 1:17:26 | |
-Guess what I paid for it. -I would want to pay, | 1:17:26 | 1:17:29 | |
erm, £15 for that item. | 1:17:29 | 1:17:32 | |
Blast. | 1:17:32 | 1:17:34 | |
-Well, you're bang on. I paid 18. -Euros? -Yes. | 1:17:34 | 1:17:37 | |
The sculpture... | 1:17:37 | 1:17:39 | |
-But after who? -These relate to a certain thing. | 1:17:39 | 1:17:43 | |
-I know, but I don't know what that is. -Ahh. | 1:17:43 | 1:17:45 | |
-Do you know? -Yes. -What? -Childish. -I'm not going to tell you. | 1:17:45 | 1:17:49 | |
You are priceless! | 1:17:49 | 1:17:51 | |
OK, I'm going to test you now. How much did I pay for that? | 1:17:51 | 1:17:55 | |
-40 euro? -20. | 1:17:55 | 1:17:56 | |
-That's very good going. -I think there's profit in that. | 1:17:56 | 1:17:59 | |
Barby's brass bargain next. Or is it? | 1:17:59 | 1:18:03 | |
-Do you want me to take a guess? -You're going to shock and upset me. | 1:18:03 | 1:18:07 | |
-Do I really want to listen? -Do you want to listen? | 1:18:07 | 1:18:10 | |
-Do you want my valuation? -As long as you're nice about it. | 1:18:10 | 1:18:13 | |
I think at auction, £10-20. | 1:18:13 | 1:18:15 | |
-That would be my instinct. -For the pair? -For the four. | 1:18:15 | 1:18:19 | |
-That would be my instinct! -Ooh! I hope they're going to make more. | 1:18:19 | 1:18:23 | |
A little test for David Barby... | 1:18:23 | 1:18:26 | |
Now, please marvel. | 1:18:26 | 1:18:29 | |
Yes! That is superb. | 1:18:29 | 1:18:32 | |
-Do you know what it is? -It's for fixed onto a wall. -Yes. | 1:18:32 | 1:18:36 | |
-And it's for winding wool. -Very clever. I'm impressed. | 1:18:36 | 1:18:40 | |
I didn't know what it was. I had no idea at all. | 1:18:40 | 1:18:44 | |
-That's a very good hat box. -Isn't it nice? | 1:18:44 | 1:18:47 | |
This would've been worn by a dandy! Somebody in fashion of the period. | 1:18:47 | 1:18:51 | |
-You would've worn one of these, wouldn't you? A very large one. -Yes. | 1:18:51 | 1:18:55 | |
-I'd like to see it do round about 80. 80 euro. -It has a chance. | 1:18:55 | 1:19:00 | |
The curiously cheap vases that David was so keen on... | 1:19:00 | 1:19:04 | |
-You love 'em, don't you?! -No. HE MOCK GASPS | 1:19:04 | 1:19:07 | |
You don't love them? Hand-blown, Victorian, hand-painted... | 1:19:07 | 1:19:13 | |
-And cracked. -Yes, I didn't notice that. | 1:19:13 | 1:19:17 | |
-A great crack. -Stop it. Don't. | 1:19:17 | 1:19:19 | |
-All the way round. Terrible crack. -Stop it! | 1:19:19 | 1:19:22 | |
You're enjoying this, David Barby. Sadist. | 1:19:22 | 1:19:25 | |
-It's going all the way round. -I know! | 1:19:25 | 1:19:27 | |
-I know. -HE SIGHS | 1:19:27 | 1:19:30 | |
-What did you pay, 15 euro? -10 euros. | 1:19:30 | 1:19:33 | |
Well, even though one is absolutely shattered, | 1:19:33 | 1:19:36 | |
they're nice! They're nice! | 1:19:36 | 1:19:38 | |
-HE GROANS -Careful, David. | 1:19:39 | 1:19:42 | |
You could do yourself a damage. | 1:19:42 | 1:19:45 | |
-What do you think? -I like it a lot. | 1:19:45 | 1:19:48 | |
It would look fantastic electrified | 1:19:48 | 1:19:51 | |
and it would look even better with a flute, a shade and lit with oil, | 1:19:51 | 1:19:55 | |
because that would just sparkle. | 1:19:55 | 1:19:58 | |
I paid 52 euro. | 1:19:58 | 1:20:00 | |
I think, in a reasonable sale, that would make 1-150. Pounds. | 1:20:00 | 1:20:04 | |
Finally a flier, he hopes. | 1:20:04 | 1:20:08 | |
Very, very nice indeed. | 1:20:08 | 1:20:10 | |
-Isn't she well carved? -Stop stroking the back! Yes, she's beautifully carved. | 1:20:10 | 1:20:14 | |
-How much did you pay for that? -I think you're going to be blown away here. In a bad way. | 1:20:14 | 1:20:19 | |
Let's have a guess. 100 euro? | 1:20:19 | 1:20:22 | |
-Bit more. 120. -I think that's wonderful. | 1:20:22 | 1:20:25 | |
-That is my star item. -I think you've got several, actually. | 1:20:25 | 1:20:30 | |
The best piece I've bought in a very, very long time. | 1:20:30 | 1:20:33 | |
Modest, too. Now, let's find out what they really think. | 1:20:33 | 1:20:37 | |
I am recovering from shock! | 1:20:37 | 1:20:40 | |
I thought I'd done well, but I think David has done brilliantly. | 1:20:40 | 1:20:44 | |
The Corinthian column lamp is absolutely gorgeous. That's a real antique. | 1:20:44 | 1:20:49 | |
What else did he buy? Nothing really memorable, as far as I'm concerned. | 1:20:49 | 1:20:53 | |
The piece I find fascinating is the little piece of alabaster, | 1:20:53 | 1:20:57 | |
from Auguste Rodin's Gates of Hell. | 1:20:57 | 1:21:01 | |
I don't think it's well carved, but he paid so little, it's bound to make a profit. | 1:21:01 | 1:21:05 | |
I think he's the winner. He's the winner on this round | 1:21:05 | 1:21:08 | |
and I think he'll overtake me. | 1:21:08 | 1:21:10 | |
Turn out the lights! I'm going to sleep. | 1:21:10 | 1:21:15 | |
After starting out in the rain at Athlone, | 1:21:15 | 1:21:18 | |
this leg of our road trip will be decided at an auction | 1:21:18 | 1:21:22 | |
in the historic town of Kells. | 1:21:22 | 1:21:24 | |
-It'll be interesting to see if that little Rodin-type alabaster piece - -What? | 1:21:26 | 1:21:31 | |
-What did you call it? You know what that's after, don't you? -Yes! | 1:21:31 | 1:21:35 | |
Who is it, Barby? I want the information so I can pass it on to the auctioneer. | 1:21:35 | 1:21:40 | |
-You little horror! -Yes! | 1:21:40 | 1:21:43 | |
Kells has several early-Christian associations, | 1:21:43 | 1:21:46 | |
like the abbey founded by St Columba, | 1:21:46 | 1:21:48 | |
where the famous manuscript of the New Testament, | 1:21:48 | 1:21:52 | |
known as the Book of Kells, was once kept. | 1:21:52 | 1:21:55 | |
The Gaelic translation of the town's name means "Great Chief Abode", | 1:21:55 | 1:21:59 | |
which makes sense when you consider that Jim Connell, | 1:21:59 | 1:22:02 | |
the writer of The Red Flag, was born here. | 1:22:02 | 1:22:05 | |
There you go, Mr Barbers. Time to have a good look around. | 1:22:05 | 1:22:08 | |
So while the Kells folk take a closer look at the lots, | 1:22:11 | 1:22:15 | |
let's hear what the auctioneer, Oliver Usher, makes of what the Davids have entered. | 1:22:15 | 1:22:20 | |
The modern sculpture should appeal to the gentlemen in the audience. | 1:22:20 | 1:22:24 | |
I would hope it would make a few hundred, maybe 200, | 1:22:24 | 1:22:27 | |
but I don't know if the interest is going to be here this evening. | 1:22:27 | 1:22:31 | |
The candlesticks... Last month, I had a big box which sold for about 30-40 euro. | 1:22:31 | 1:22:36 | |
They wouldn't be my favourite piece. | 1:22:36 | 1:22:39 | |
David Barby has spent 152 euros on five lots, | 1:22:40 | 1:22:43 | |
including a top hat box and a Doulton drinks barrel. | 1:22:43 | 1:22:48 | |
-What have you done? -Yes. | 1:22:48 | 1:22:49 | |
David Harper has spent 180 euros also on five lots, | 1:22:50 | 1:22:55 | |
including several carved naked ladies. | 1:22:55 | 1:22:59 | |
Good man. | 1:22:59 | 1:23:00 | |
OK, eyes down, everyone. | 1:23:00 | 1:23:02 | |
Here we go. You're on. You're on. You're on. | 1:23:02 | 1:23:05 | |
First, the Victorian pad saw. | 1:23:05 | 1:23:07 | |
-Look at the way it's made, ladies and gentlemen. -It's a bit of wood. | 1:23:07 | 1:23:11 | |
-20 bid straight off. -That's good. | 1:23:11 | 1:23:13 | |
30 bid. 30 bid now. | 1:23:13 | 1:23:16 | |
-40 over here. -40? I can't believe it! | 1:23:16 | 1:23:19 | |
40 bid. 45 there. 45. 50 back here. | 1:23:19 | 1:23:24 | |
-50 bid now. 55 out here. -They know what they're buying. | 1:23:24 | 1:23:28 | |
55. 60 over there. 60 bid now. | 1:23:28 | 1:23:31 | |
70 bid now. At 70... | 1:23:31 | 1:23:34 | |
All out now at 70. | 1:23:34 | 1:23:36 | |
80. Just in time. 80 bid now. 80 bid over here. | 1:23:36 | 1:23:40 | |
-Stop it! -90. -No! -90 bid. | 1:23:40 | 1:23:42 | |
95. 100. | 1:23:42 | 1:23:44 | |
-Yes! -At 100. 110. -Ah, for... -110. 120 now. | 1:23:44 | 1:23:50 | |
120 on this side. All out? All done. | 1:23:50 | 1:23:53 | |
-That was really good. -That was fantastic. | 1:23:53 | 1:23:57 | |
Phew! Pad-saw fever! Who saw that coming? | 1:23:57 | 1:24:01 | |
Now, what do they make of David Harper's mini Rodin? | 1:24:02 | 1:24:05 | |
30 bid. 40 bid. 40 bid. | 1:24:05 | 1:24:08 | |
-40 in front. 50 back there. 50 bid now. 60. -Come on! | 1:24:08 | 1:24:11 | |
-70 down here. -Yes! -70 now. | 1:24:11 | 1:24:14 | |
-Don't get overexcited. -Don't touch. | 1:24:14 | 1:24:16 | |
90 up here. 90 bid. | 1:24:16 | 1:24:18 | |
-At 90... 100. -Ohh! | 1:24:18 | 1:24:22 | |
110. At 110 now. Selling at... 120. | 1:24:22 | 1:24:26 | |
-Yes! -120. 130. | 1:24:26 | 1:24:29 | |
-130. 140. -Yes! | 1:24:29 | 1:24:32 | |
-150 here. At 150. -Get a load of that! -160. -Yes! | 1:24:32 | 1:24:36 | |
All out now at 160. All out? All done. | 1:24:36 | 1:24:40 | |
160. Dear, oh, dear! | 1:24:40 | 1:24:44 | |
This is shaping up nicely. | 1:24:45 | 1:24:47 | |
-Is that a cracking result? Give me that pen! -No. | 1:24:47 | 1:24:50 | |
Give me the pen! | 1:24:50 | 1:24:52 | |
-Now for all that brass. -50 for the pair. | 1:24:54 | 1:24:57 | |
50 down here. 50 bid. | 1:24:57 | 1:25:00 | |
50 bid. 60 bid. | 1:25:00 | 1:25:01 | |
60 bid. 60 bid. 70 bid. 70 bid | 1:25:01 | 1:25:04 | |
I'm in shock. I'm in shock. I'm in shock. | 1:25:04 | 1:25:06 | |
80 bid. 80 straight down. 80 bid now. 80 bid. | 1:25:06 | 1:25:11 | |
Selling at 80. All out? | 1:25:11 | 1:25:13 | |
All done. | 1:25:13 | 1:25:15 | |
That was way beyond the auctioneer's estimate. | 1:25:16 | 1:25:19 | |
I sell those for £25 a pair. | 1:25:19 | 1:25:22 | |
-Now you've got to up your price. -I'm going to double the price! | 1:25:22 | 1:25:26 | |
Could the drum beat the stakes? | 1:25:27 | 1:25:30 | |
40 bid. 50 bid. 60 bid. | 1:25:30 | 1:25:32 | |
70 bid. | 1:25:32 | 1:25:34 | |
70 bid at the end. 70 bid now. All finished... 80. New blood. | 1:25:34 | 1:25:38 | |
-80 now. 80 on the right. -Come on, baby! | 1:25:38 | 1:25:41 | |
-At 80. 90 on the other side. -Yes, baby! -90 bid now. | 1:25:41 | 1:25:45 | |
At 90, all out now at 90. | 1:25:45 | 1:25:48 | |
-That's very good. -Marvellous. | 1:25:48 | 1:25:50 | |
Everything is making a profit, especially Harper's lots. | 1:25:50 | 1:25:54 | |
-That's fantastic, isn't it? -It's very good. -We're on a roll! | 1:25:54 | 1:25:59 | |
Roll out Barby's barrel! | 1:26:00 | 1:26:02 | |
40 bid. 40 bid. 50 back there. | 1:26:02 | 1:26:05 | |
50 bid now. 60 we have. | 1:26:05 | 1:26:07 | |
60 bid now. 60 bid. | 1:26:07 | 1:26:09 | |
A unique piece. At 60. All out. | 1:26:09 | 1:26:12 | |
-All done. -Well done. That's amazing! | 1:26:12 | 1:26:16 | |
Will anything fail to make a profit here, I wonder? | 1:26:16 | 1:26:20 | |
-This is a fantastic auction. -It's our best so far. | 1:26:20 | 1:26:24 | |
Next, the wall-mounted wool-winder. | 1:26:24 | 1:26:27 | |
I'm bid 50 with me. 60. 70. 70. | 1:26:27 | 1:26:31 | |
-70 bid. -That's enough. -No, it isn't. -80 bid. 90 bid. | 1:26:31 | 1:26:35 | |
90 bid. 100 all the way. 100 we have. 110. | 1:26:35 | 1:26:40 | |
-110. At 110. Are you coming in? 120 over here. -Ohh! | 1:26:40 | 1:26:45 | |
-120. 120 back this side. 130 we have. -Yes! -130. | 1:26:45 | 1:26:50 | |
-130. 140. 140 now. -Yes, baby! | 1:26:50 | 1:26:53 | |
140 back this way. At 140... | 1:26:53 | 1:26:56 | |
All out? All done. | 1:26:56 | 1:26:58 | |
-Well done. -Well, congratulations. -Thank you! | 1:26:58 | 1:27:02 | |
120 euros profit! I think he's catching up. | 1:27:02 | 1:27:07 | |
-We should do this for a living. Don't you think? -I couldn't stand the strain! | 1:27:07 | 1:27:12 | |
A very sumptuous box. | 1:27:13 | 1:27:16 | |
100 bid straight away. 100 bid. | 1:27:16 | 1:27:19 | |
110. 120. 130. 140. | 1:27:19 | 1:27:22 | |
140 we have. 150 out here. | 1:27:22 | 1:27:25 | |
160 with me. | 1:27:25 | 1:27:27 | |
160. 170 over there. 170. 180 now. | 1:27:27 | 1:27:31 | |
190 over here. | 1:27:31 | 1:27:33 | |
-I knew it was a good one. -190 on the right-hand side. | 1:27:33 | 1:27:36 | |
All out? All done. | 1:27:36 | 1:27:38 | |
-Cheap, wasn't it? -So cheap! David, well done. | 1:27:38 | 1:27:42 | |
David B's still ahead! | 1:27:42 | 1:27:45 | |
Surely David H's vases can't hurt him. | 1:27:45 | 1:27:48 | |
50. 40. 30. 20. | 1:27:48 | 1:27:51 | |
Even 10 to start? | 1:27:51 | 1:27:52 | |
10 bid. 15 bid. 15 bid. 20 bid. At 20, seated here. | 1:27:52 | 1:27:56 | |
Selling at 20 now. 25. 30 bid. | 1:27:56 | 1:27:59 | |
-30 bid now. -What have I done?! | 1:27:59 | 1:28:03 | |
30 bid over here. Selling at 30 now. | 1:28:03 | 1:28:07 | |
-At 30 only. 35. -Yes! -35. 40. | 1:28:07 | 1:28:10 | |
40 bid now. Shaking his head firmly there! 40 bid at this end! | 1:28:10 | 1:28:16 | |
All out? All done. | 1:28:16 | 1:28:18 | |
-40! Get in there! -That was good going. | 1:28:18 | 1:28:22 | |
Four times what he paid! | 1:28:22 | 1:28:24 | |
Now, a Barby favourite. | 1:28:25 | 1:28:28 | |
150 for it. 120. 100 to get it going? | 1:28:28 | 1:28:31 | |
-Come on! -WOMAN: 50! -Oh! She's hard, this woman! | 1:28:31 | 1:28:34 | |
50 bid 50 bid. 60 bid. | 1:28:34 | 1:28:37 | |
70 bid now. 70 bid. 80 down here. 90 on the left. | 1:28:37 | 1:28:42 | |
Selling at 90. 100. 110. 120. 120 now. Telephone bid. | 1:28:42 | 1:28:47 | |
-120. -Yes! -No. -120 now. | 1:28:47 | 1:28:50 | |
-All finished. -I can't believe this! -All done. | 1:28:50 | 1:28:52 | |
I'll take the telephone bid. | 1:28:52 | 1:28:56 | |
-At least it started at 20. -Thanks for that(!) | 1:28:56 | 1:29:00 | |
Cor! Strike a light! Even with quite a bit missing... | 1:29:01 | 1:29:05 | |
You've got to be happy with that. | 1:29:05 | 1:29:08 | |
Yes! | 1:29:08 | 1:29:09 | |
It's neck and neck. | 1:29:09 | 1:29:11 | |
But David Harper's biggest spend may well decide who's victorious. | 1:29:11 | 1:29:17 | |
300? 200? Get at 100. | 1:29:17 | 1:29:19 | |
-Start me at 100. -20. -20?! -100. -Thank you! | 1:29:19 | 1:29:22 | |
100 I'm bid. 100 offered. | 1:29:22 | 1:29:25 | |
-I sell at 120! -No, you don't! There's bidding over there! | 1:29:25 | 1:29:29 | |
-140. 160. -Get it going! | 1:29:29 | 1:29:35 | |
180. 180 there. 200. 220. 220. | 1:29:35 | 1:29:39 | |
-At 220. -Bang! -240. -Yes! -240! | 1:29:39 | 1:29:44 | |
250. 260. 260 here. | 1:29:44 | 1:29:47 | |
-One more! -270. 270. | 1:29:47 | 1:29:50 | |
-270. 280. -Whoa! -280. 280 now. | 1:29:50 | 1:29:55 | |
-Don't sell it at... -290. -Yes! -Make it to three. | 1:29:55 | 1:29:59 | |
-300! -LAUGHTER | 1:29:59 | 1:30:02 | |
300 in front. | 1:30:02 | 1:30:05 | |
-At 300. Thanks very much, lads. -Well done! | 1:30:05 | 1:30:09 | |
Well done! | 1:30:09 | 1:30:11 | |
She's a beauty! | 1:30:13 | 1:30:15 | |
She certainly is. And she's made him 180 euros profit! | 1:30:15 | 1:30:20 | |
-David. -Well done. -Thank you very much. -Well done. -Thank you. Beautiful. | 1:30:20 | 1:30:25 | |
A great day in Kells, especially for David Harper | 1:30:25 | 1:30:29 | |
who's gained on his rival, winning the battle if not the war. | 1:30:29 | 1:30:33 | |
He began today with 224 euros and 25 cents | 1:30:33 | 1:30:37 | |
and made 418 euros and 60 cents, after auction costs. | 1:30:37 | 1:30:42 | |
So after conversion back to sterling, | 1:30:42 | 1:30:45 | |
he has £592.82 to spend tomorrow. | 1:30:45 | 1:30:49 | |
David Barby started this round with 452 euros and 30 cents | 1:30:49 | 1:30:54 | |
and made 315 euros and 40 cents, after auction costs. | 1:30:54 | 1:30:59 | |
So in sterling, he still leads, | 1:30:59 | 1:31:02 | |
with £707.95 to spend tomorrow. | 1:31:02 | 1:31:07 | |
There they go, no doubt for a well-earned pint of the dark stuff | 1:31:07 | 1:31:12 | |
before play resumes with round three in yet another country, | 1:31:12 | 1:31:16 | |
this time Wales. | 1:31:16 | 1:31:18 | |
Whooo! | 1:31:18 | 1:31:20 | |
Join us tomorrow when David Barby gets a shock... | 1:31:20 | 1:31:24 | |
What have I done? | 1:31:24 | 1:31:25 | |
-..David Harper's found a national treasure... -Is Cliff's jacket for sale? | 1:31:25 | 1:31:30 | |
..and the boys are try a new tactic. Star signs. | 1:31:30 | 1:31:33 | |
My horoscope today said I should be fearless and brave! | 1:31:33 | 1:31:37 | |
Subtitles by Red Bee Media Ltd | 1:31:37 | 1:31:41 | |
E-mail [email protected] | 1:31:41 | 1:31:45 |