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'The nation's favourite antiques experts, £200 each and one big challenge...' | 0:48:02 | 0:48:06 | |
I'm going to declare war. | 0:48:06 | 0:48:07 | |
Why? | 0:48:07 | 0:48:09 | |
'Who can make the most money buying and selling antiques as they scour the UK?' | 0:48:09 | 0:48:13 | |
-15 quid? -No! | 0:48:13 | 0:48:15 | |
'The aim is to trade up and hope each antique turns a profit, | 0:48:15 | 0:48:19 | |
-'but it's not as easy as you might think, and things don't always go to plan.' -Push! | 0:48:19 | 0:48:25 | |
-'So will they race off with a huge profit or come to a grinding halt?' -I'm going to go for it. | 0:48:25 | 0:48:29 | |
'This is The Antiques Road Trip.' | 0:48:29 | 0:48:31 | |
This week, Mark Stacey and Anita Manning have travelled through Scotland | 0:48:37 | 0:48:41 | |
to the picturesque north-east of England. | 0:48:41 | 0:48:44 | |
Oh, look at this, Anita. This looks very pretty. | 0:48:44 | 0:48:47 | |
# Summer breeze | 0:48:47 | 0:48:49 | |
# Makes me feel fine | 0:48:49 | 0:48:53 | |
# Blowing through the jasmine in my mind... # | 0:48:53 | 0:48:59 | |
-The sun is shining for us. -The sun is shining, and the sun you know, Anita, only shines on the righteous. | 0:49:01 | 0:49:06 | |
That counts you out, then, Mark. | 0:49:06 | 0:49:08 | |
-Mark, of course, is a valuer and dealer. -What do you think? Is it me? | 0:49:08 | 0:49:12 | |
Oh, I don't know. Mark's penchant for a cheeky question sometimes just goes too far. | 0:49:12 | 0:49:18 | |
-I'm going to ask you a little sneaky favour. -What's that? -Could I just touch it? -See what I mean? | 0:49:18 | 0:49:24 | |
While Anita, an auctioneer-ess, is a woman who takes no prisoners. | 0:49:24 | 0:49:28 | |
Tell me your minimum. No, you tell me... | 0:49:28 | 0:49:31 | |
No, tell me your minimum. | 0:49:31 | 0:49:33 | |
See what I mean again? | 0:49:33 | 0:49:34 | |
They began the week with £200 each, and both have already more than doubled their money. | 0:49:34 | 0:49:40 | |
Mark starts today with £684.86 to spend, | 0:49:40 | 0:49:46 | |
while Anita is trailing with a still-impressive £458.74. | 0:49:46 | 0:49:52 | |
But she's not giving up. Oh, no! | 0:49:52 | 0:49:54 | |
The game isn't over until the fat lady sings. | 0:49:56 | 0:49:59 | |
I hope you're not talking about me! | 0:49:59 | 0:50:02 | |
Well, you did ask the question. | 0:50:02 | 0:50:04 | |
This week, they're travelling from deep in the Cairngorms | 0:50:04 | 0:50:08 | |
via the ancient charms of Edinburgh and Durham to North Yorkshire. | 0:50:08 | 0:50:13 | |
Today's show sees them arrive in Richmond | 0:50:13 | 0:50:15 | |
and work their way through North Yorkshire | 0:50:15 | 0:50:18 | |
to their final auction of the week in Huby, | 0:50:18 | 0:50:21 | |
just north of York. | 0:50:21 | 0:50:23 | |
This is Richmond, a town that is nearly 1,000 years old. | 0:50:24 | 0:50:28 | |
It has one of the largest cobbled marketplaces in England, | 0:50:28 | 0:50:33 | |
and a castle built by a loyal follower of old "Willie the Conk". | 0:50:33 | 0:50:38 | |
Let today's battle commence. | 0:50:38 | 0:50:40 | |
Well, Anita, here we are... | 0:50:40 | 0:50:43 | |
the first of our buying trips. | 0:50:43 | 0:50:45 | |
My last chance to make up that 200 quid with you. | 0:50:45 | 0:50:49 | |
-It's a big ask, Anita, but you're going to spend all your money, are you? -Everything, every single cent. | 0:50:49 | 0:50:54 | |
-Every penny? -Every penny. -Do I believe that? -I want to go for it. | 0:50:54 | 0:50:58 | |
-I want to go for gold. -I think you're going for gold that way, and I'm going downhill. | 0:50:58 | 0:51:02 | |
Oh, well. Maybe that's the way for you. | 0:51:02 | 0:51:05 | |
HE LAUGHS | 0:51:05 | 0:51:06 | |
Anita's first stop is at Richmond Antiques. "Good moaning!" | 0:51:06 | 0:51:11 | |
-Good morning. -Good morning. Can I have a wee look around? -Yeah. | 0:51:11 | 0:51:15 | |
Well, it looks promising to me - | 0:51:17 | 0:51:19 | |
the kind of shop where you just know a priceless relic | 0:51:19 | 0:51:23 | |
-will be lurking in a lost corner, like the 83-year-old owner Harry. -TIM GIGGLES | 0:51:23 | 0:51:29 | |
Of the items actually for sale, though, | 0:51:29 | 0:51:31 | |
the first to catch Anita's eye is this oddity. | 0:51:31 | 0:51:34 | |
Is it a stool or is it a...stool? | 0:51:34 | 0:51:36 | |
This has probably started its life off as a chair. | 0:51:36 | 0:51:39 | |
Someone at some point in its history | 0:51:39 | 0:51:42 | |
has taken the back off and it now exists as a stool. | 0:51:42 | 0:51:47 | |
It's quite nice, Victorian. | 0:51:47 | 0:51:50 | |
Look at these wonderful legs... | 0:51:50 | 0:51:52 | |
with original castors on here. | 0:51:52 | 0:51:55 | |
It's got no price on it, it was tucked away in a corner, | 0:51:55 | 0:51:59 | |
and I quite fancy it. Harry? | 0:51:59 | 0:52:02 | |
See because it's only a bit of something | 0:52:02 | 0:52:05 | |
and the upholstery is not good, it's all falling apart, | 0:52:05 | 0:52:09 | |
are you able to give that to me for a knock-down price? A tenner on that? | 0:52:09 | 0:52:14 | |
-Aye, put a tenner on it. -A tenner on it? -Tenner. -Yeah. | 0:52:14 | 0:52:18 | |
Huh! The stool could be a steal! | 0:52:18 | 0:52:20 | |
As Anita scours the shop for yet more bargains, | 0:52:20 | 0:52:24 | |
Mark is heading into York House Antiques. | 0:52:24 | 0:52:27 | |
Gosh! This is rather full-on, isn't it? | 0:52:27 | 0:52:30 | |
The right place for you to splash your cash, then, Mark. | 0:52:30 | 0:52:34 | |
We'll really have to hunt for any bargains here. | 0:52:35 | 0:52:38 | |
Well, get on with it, then. | 0:52:38 | 0:52:40 | |
But do watch out for Sooty. | 0:52:40 | 0:52:42 | |
It has got a label inside. Yes, it says - | 0:52:42 | 0:52:45 | |
I think it says Stradivarius, but I've a feeling it won't be | 0:52:45 | 0:52:49 | |
Antonius Stradivarius because it would be quite a valuable piece if it was. | 0:52:49 | 0:52:54 | |
Oh, do stop fiddling with your fiddle, Mark. Get shopping, mate! | 0:52:54 | 0:52:59 | |
Anita, time to bring out the big guns. | 0:52:59 | 0:53:01 | |
Probably ornaments for the side of your fire | 0:53:01 | 0:53:04 | |
or they might be for holding pokers. | 0:53:04 | 0:53:07 | |
That wasn't quite what I had in mind. Carry on, though. | 0:53:07 | 0:53:11 | |
If I buy these, would it blast me into profit? | 0:53:11 | 0:53:15 | |
Listen, you leave the jokes to me. | 0:53:15 | 0:53:18 | |
-Harry? -Yeah? -Do you think they're fun? | 0:53:18 | 0:53:20 | |
They're rubbish. | 0:53:20 | 0:53:22 | |
They're rubbish! SHE LAUGHS | 0:53:22 | 0:53:24 | |
Harry says they're rubbish! | 0:53:24 | 0:53:27 | |
Maybe from the 1940s? | 0:53:27 | 0:53:30 | |
They've maybe been there since 1940, I don't know. | 0:53:30 | 0:53:33 | |
I don't think they're things of any great quality, | 0:53:33 | 0:53:36 | |
and you've told me that. I mean, you've told me that they are rubbish. | 0:53:36 | 0:53:41 | |
-They're very nice. -They're nice rubbish? -Oh, without a doubt. | 0:53:41 | 0:53:44 | |
If you've got them on your fireplace, | 0:53:44 | 0:53:46 | |
people will want to buy them off you. | 0:53:46 | 0:53:49 | |
There's some very, very good-quality cobwebs on these as well. | 0:53:49 | 0:53:53 | |
It takes me ages to get them cobwebs on, you see. | 0:53:53 | 0:53:56 | |
If you wipe the cobwebs off, | 0:53:56 | 0:53:58 | |
they think they're reproduction, don't they? So I just leave them on. | 0:53:58 | 0:54:02 | |
-I've trained the spiders to do that. -SHE LAUGHS | 0:54:02 | 0:54:05 | |
Well, it'll be the cost of training the spiders that justifies the £10 price on these quality items. | 0:54:05 | 0:54:12 | |
Come along now, Anita. Have a wee haggle. | 0:54:12 | 0:54:15 | |
Harry, could you sell me this pair of mad cannons for a fiver? | 0:54:15 | 0:54:19 | |
-You're such a nice lady, you can have them for a fiver, dear. -You are a darling. | 0:54:19 | 0:54:23 | |
I'll suffer for the loss, you know. | 0:54:23 | 0:54:26 | |
When I tell my little kids I haven't made a profit today, | 0:54:26 | 0:54:30 | |
-they'll all start weeping. -HE LAUGHS | 0:54:30 | 0:54:33 | |
I think I'm going to have to seal this deal with a kiss. All right? | 0:54:33 | 0:54:36 | |
Without a doubt, dear. | 0:54:36 | 0:54:38 | |
I tell you what... | 0:54:38 | 0:54:41 | |
Oh, look at that. By 'eck! | 0:54:41 | 0:54:44 | |
Well, you've made HIS day anyway, Anita. | 0:54:44 | 0:54:47 | |
Now calm yourself, comb up and concentrate. | 0:54:47 | 0:54:52 | |
What about these glasses? | 0:54:52 | 0:54:54 | |
I quite like them. | 0:54:55 | 0:54:57 | |
They are copies of earlier glasses, continental. | 0:54:57 | 0:55:01 | |
They have a nice little bit of etching here | 0:55:01 | 0:55:04 | |
and they are very pretty. | 0:55:04 | 0:55:07 | |
They don't appear to have a price on them. Time to talk to Harry. | 0:55:07 | 0:55:11 | |
I don't think that they're terribly, terribly old, | 0:55:11 | 0:55:14 | |
but I think a nice set of glasses might be desirable. | 0:55:14 | 0:55:18 | |
-Start at 10 and argue? -£10 for the set? | 0:55:18 | 0:55:21 | |
I got you down a wee bit on these, but I think... | 0:55:21 | 0:55:24 | |
-I'm quite happy to pay that 10 on those. £15, Harry. -Yes, dear, thank you very much. | 0:55:24 | 0:55:31 | |
-Thank you very much. -That's got me off the breadline! -SHE LAUGHS | 0:55:31 | 0:55:34 | |
Nothing funny about that. 25 in total, including the old stool. | 0:55:34 | 0:55:39 | |
Hello! Mark's heard the rustle of money being spent | 0:55:39 | 0:55:42 | |
and is heading in Harry and Anita's direction. | 0:55:42 | 0:55:45 | |
-I'm sure you've found all the bargains. -Oh, this is... -How are you doing? | 0:55:45 | 0:55:49 | |
-It's absolutely lovely and Harry is wonderful. -Is he? -Uh-huh. | 0:55:49 | 0:55:53 | |
-So shall I leave you to it, or do you want me to point you in the right direction? -No, you go off. | 0:55:53 | 0:55:58 | |
-You go off and have a little sit-down. -OK. Happy hunting. -Thank you. | 0:55:58 | 0:56:01 | |
-See you later. -Bye. | 0:56:01 | 0:56:03 | |
Now, sorry to disappoint you, Mark old fruit, | 0:56:04 | 0:56:07 | |
but the cannons have already been sold. | 0:56:07 | 0:56:09 | |
On the other hand, Harry's out of his closet! | 0:56:09 | 0:56:13 | |
No flush. That must be a good sign. | 0:56:13 | 0:56:16 | |
There's quite a nice mixture of pieces in here, isn't there? | 0:56:16 | 0:56:20 | |
This is quite fun. This is a sort of, | 0:56:20 | 0:56:22 | |
you know, for your hallway, for putting your coats on. | 0:56:22 | 0:56:27 | |
You hang your coats on here and then you could have you favourite vase or something there. | 0:56:27 | 0:56:32 | |
It's not terribly old - carved eagle, but he's got rather a cheeky face and I like his glass eye. | 0:56:32 | 0:56:38 | |
That's quite a nice object, actually, if the price is right. | 0:56:38 | 0:56:41 | |
Harry, I think that's quite a fun piece, isn't it? | 0:56:41 | 0:56:44 | |
It's not an antique one, but it's quite a decorative piece, isn't it? | 0:56:44 | 0:56:48 | |
-Oh, yeah. If you like it. -I quite like it, with the little eye there. That's quite nice. | 0:56:48 | 0:56:52 | |
-What price have you got on that? -£20. -£20. | 0:56:52 | 0:56:57 | |
I have to ask, I suppose. | 0:56:57 | 0:56:58 | |
It's quite reasonable enough as it is, | 0:56:58 | 0:57:01 | |
but could you do anything on that? | 0:57:01 | 0:57:04 | |
-Are you poor? -Very poor. -MARK LAUGHS | 0:57:04 | 0:57:07 | |
-15, me lowest. -15? | 0:57:07 | 0:57:09 | |
Yeah, I think I'm going to take that for £15. | 0:57:09 | 0:57:12 | |
I think that's quite reasonable. | 0:57:12 | 0:57:14 | |
That's Harry's fourth sale of the day! | 0:57:14 | 0:57:16 | |
But it seems this place may yet yield even more bargains. | 0:57:16 | 0:57:21 | |
That's quite interesting. | 0:57:21 | 0:57:22 | |
Now, I've found down here this rather intriguing vase | 0:57:22 | 0:57:26 | |
which I think would've had a lid on it originally. | 0:57:26 | 0:57:29 | |
But it's rather fun with these sort of grotesques on the side of it. | 0:57:29 | 0:57:34 | |
And I love the Chinese panels on it. | 0:57:34 | 0:57:37 | |
It's got the odd little chip and things there. | 0:57:37 | 0:57:40 | |
Priced up at £25. | 0:57:40 | 0:57:43 | |
Mind you, I can see... | 0:57:43 | 0:57:44 | |
Yes, the other big thing is the heads are missing. | 0:57:44 | 0:57:48 | |
These should have little sort of lizards' heads or dragons' heads on, | 0:57:48 | 0:57:51 | |
and they're missing. | 0:57:51 | 0:57:53 | |
But it's a heck of a lump for 25 quid, isn't it? | 0:57:53 | 0:57:57 | |
I have seen a couple of things in the other room, Harry. | 0:57:57 | 0:58:01 | |
One of them is the oriental-type piece, pottery, | 0:58:01 | 0:58:04 | |
but it's got the heads missing from it. | 0:58:04 | 0:58:06 | |
You've got 25 on it. | 0:58:06 | 0:58:08 | |
I quite like it, but it's missing its cover | 0:58:08 | 0:58:10 | |
and it's got quite a lot of damage on it. | 0:58:10 | 0:58:13 | |
It'd be worth a fortune, would that? | 0:58:13 | 0:58:16 | |
It would be with the cover and things, wouldn't it? | 0:58:16 | 0:58:18 | |
Go to 20. | 0:58:19 | 0:58:21 | |
Quite interested in it but it is damaged. | 0:58:21 | 0:58:23 | |
Could you do anything on that? | 0:58:23 | 0:58:26 | |
-15. -OK, lovely. Thank you very much. | 0:58:26 | 0:58:28 | |
-That's it. I'll go home broke now. -MARK LAUGHS | 0:58:28 | 0:58:32 | |
You don't look broke to me, Harry. | 0:58:32 | 0:58:35 | |
Still, five items sold, Harry... | 0:58:35 | 0:58:38 | |
-Lovely to meet you. -Cheers. -Bye. | 0:58:38 | 0:58:41 | |
So, a great start to the day, but Anita knows she has | 0:58:41 | 0:58:44 | |
a lot of catching up to do at the final auction and she wants details. | 0:58:44 | 0:58:48 | |
So, did you buy something off Harry? | 0:58:48 | 0:58:50 | |
No, you got all the bargains, Anita. | 0:58:50 | 0:58:52 | |
-What did you buy? -No comment. -What did you buy? -Stop tickling me! | 0:58:52 | 0:58:56 | |
-Did you find any silver? -No comment. | 0:58:56 | 0:58:59 | |
-Did you buy a picture? -No comment. | 0:58:59 | 0:59:01 | |
Did you spend over £10? | 0:59:01 | 0:59:03 | |
Oh, look! Trees. | 0:59:03 | 0:59:04 | |
Are we nearly there yet, Mum? Fortunately for Mark, | 0:59:06 | 0:59:09 | |
it's just an eight-mile drive from Richmond to Scorton, | 0:59:09 | 0:59:13 | |
and the peace and quiet of Kiplin Hall. | 0:59:13 | 0:59:15 | |
Well, I'm running a bit late with all your falderalling about. | 0:59:15 | 0:59:19 | |
-OK, well, I've leave you to it, then. Bye, Anita. -OK, bye-bye. -Bye. | 0:59:19 | 0:59:23 | |
Kiplin Hall was built in the 1620s | 0:59:25 | 0:59:29 | |
by George Calvert, Secretary of State to King James I. | 0:59:29 | 0:59:34 | |
Over the years, the families that have owned the house | 0:59:35 | 0:59:38 | |
have filled it with some spectacular furniture and works of art. | 0:59:38 | 0:59:42 | |
-Hello. -You must be Dawn. -Ah, yes. Nice to meet you, Mark. | 0:59:42 | 0:59:45 | |
Mark is shown round the hall by the curator Dawn Webster. | 0:59:47 | 0:59:51 | |
She has picked out some of the finest pieces in the house to show Mark. | 0:59:51 | 0:59:56 | |
We're up on the second floor now, but this you have to see. | 0:59:56 | 0:59:59 | |
First, a painting of Venice | 1:00:01 | 1:00:04 | |
commissioned by Kiplin Hall's 18th-century owners. | 1:00:04 | 1:00:07 | |
This is St Marks' Square during carnival | 1:00:07 | 1:00:09 | |
and you can see the carnival masks. | 1:00:09 | 1:00:12 | |
It's by Luca Carlevaris who was one of Canaletto's predecessors | 1:00:12 | 1:00:15 | |
and fantastic for painting people, figures, faces, dogs. | 1:00:15 | 1:00:20 | |
Canaletto was mostly architecture in his paintings. Carlevaris filled his architectural spaces | 1:00:20 | 1:00:26 | |
with people, and it's the most exquisite jewel-like painting. | 1:00:26 | 1:00:30 | |
I do love the fact that the people look so identifiable. | 1:00:30 | 1:00:34 | |
It doesn't look like made-up people. | 1:00:34 | 1:00:36 | |
This lady with her fan. I'm not sure whether she's saying, "I love you," or, "My husband is away. | 1:00:36 | 1:00:41 | |
"Come up and see me later tonight." The language of fans. | 1:00:41 | 1:00:44 | |
Oh, I think it might be Anita Manning making sure I'm not getting any bargains. | 1:00:44 | 1:00:48 | |
Maybe it is! How did she get in there? | 1:00:48 | 1:00:50 | |
-Oh, she's been around a long time. -Huh! | 1:00:50 | 1:00:53 | |
Next, to the library and a relic | 1:00:53 | 1:00:55 | |
from one of the country's most famous battleships. | 1:00:55 | 1:00:59 | |
And here I've something very special to show you, Mark. | 1:01:02 | 1:01:05 | |
This is Lord Nelson's chair from on-board Victory and it has a silver plaque to prove it. | 1:01:05 | 1:01:09 | |
I think it's wonderful. Very typical of that period with those scrolling arms | 1:01:09 | 1:01:13 | |
and those sabre legs at the front, isn't it? | 1:01:13 | 1:01:16 | |
-Also, I can see there's something rather nice about this chair, isn't there? -It's metamorphic. | 1:01:16 | 1:01:21 | |
That's one of my favourite antique terms - metamorphic. | 1:01:21 | 1:01:24 | |
Cos it's like a caterpillar, really. | 1:01:24 | 1:01:26 | |
It changes into an even more beautiful butterfly. | 1:01:26 | 1:01:29 | |
-These tip up, don't they? -That's right. | 1:01:29 | 1:01:32 | |
And then you'd have library steps so you could reach the book, | 1:01:32 | 1:01:35 | |
bring it down, put it back and sit there and read your book. | 1:01:35 | 1:01:38 | |
Yes. And I'm told that the cabin on board Victory had a very low ceiling, | 1:01:38 | 1:01:42 | |
so exactly why he needed a metamorphic chair for his cabin, I have no idea. | 1:01:42 | 1:01:46 | |
-But there it is, all part of history. -Absolutely. Part of Kiplin's history as well. | 1:01:46 | 1:01:50 | |
Now part of Kiplin Hall's history. Wonderful. | 1:01:50 | 1:01:53 | |
And so Mark ends his visit to Kiplin Hall, | 1:01:53 | 1:01:56 | |
bringing us to the end of an exceedingly good day. | 1:01:56 | 1:01:59 | |
Day two, and both our experts are looking, and feeling, a bit flush. | 1:02:06 | 1:02:10 | |
Our very, very last day of shopping together. | 1:02:10 | 1:02:15 | |
I can't believe it, can you? I feel very confident, Anita. | 1:02:15 | 1:02:18 | |
I've got lots of money burning a hole in my pocket. | 1:02:18 | 1:02:21 | |
I want to get out there and spend, spend, spend. | 1:02:21 | 1:02:24 | |
Great. Mark has a wallet burning | 1:02:24 | 1:02:26 | |
with £650 in his pocket, | 1:02:26 | 1:02:30 | |
having spent a miserly £30 on two items on the first day. | 1:02:30 | 1:02:34 | |
-I'll go home broke now. -MARK LAUGHS | 1:02:34 | 1:02:36 | |
Anita has spent £25 on three items, | 1:02:36 | 1:02:39 | |
including £5 on a pair of fireside cannons, | 1:02:39 | 1:02:43 | |
and has over £400 in her armoury. | 1:02:43 | 1:02:46 | |
Right now, she's £200 behind Mark. | 1:02:46 | 1:02:50 | |
Maybe today will be the day she gets lucky and catches him up? | 1:02:50 | 1:02:55 | |
Bye-bye, Harry, and thank you again. | 1:02:55 | 1:02:57 | |
Today's journey sees them leave Richmond | 1:02:57 | 1:02:59 | |
and head for Huby near York. | 1:02:59 | 1:03:01 | |
Mark's first stop is Masham | 1:03:01 | 1:03:03 | |
but first, Anita gets dropped off for her shopping in Middleham. | 1:03:03 | 1:03:06 | |
Middleham has sat on this spot in Wensleydale since Roman times. | 1:03:08 | 1:03:14 | |
Its 12th-century castle was home to Richard III | 1:03:14 | 1:03:18 | |
and the royal, loyal and ancient township of Middleham | 1:03:18 | 1:03:22 | |
was once the heart of English life. | 1:03:22 | 1:03:24 | |
Ah, wonderful, wonderful. Have a good time and shop well. | 1:03:24 | 1:03:29 | |
-And you too, Anita. See you later. -OK. | 1:03:29 | 1:03:32 | |
Mark heads nine miles down the road to Masham. | 1:03:34 | 1:03:37 | |
Do you know what's really nice? Being in the car on my own. | 1:03:39 | 1:03:41 | |
The wind in my hair, the sun shining | 1:03:41 | 1:03:44 | |
and no Anita going on and on and on about the "burdies" | 1:03:44 | 1:03:49 | |
and the trees and how WONDERFUL everything is. | 1:03:49 | 1:03:52 | |
Ho-ho! Despite his big lead, he's still a worried man. | 1:03:54 | 1:03:58 | |
If I buy the wrong thing that makes a big loss, | 1:03:58 | 1:04:01 | |
it's all over. | 1:04:01 | 1:04:03 | |
It's called paranoia. | 1:04:03 | 1:04:05 | |
Anita is in the kind of shop she loves, stuffed to the gunnels with | 1:04:05 | 1:04:09 | |
who knows what, and it's not long before something catches her eye. | 1:04:09 | 1:04:14 | |
This is an interesting little album. | 1:04:15 | 1:04:19 | |
We have several of these embroidered postcards | 1:04:19 | 1:04:24 | |
which are, in the main, from the First World War. | 1:04:24 | 1:04:28 | |
And it was the type of things that soldiers would send their wives. | 1:04:28 | 1:04:31 | |
And this one is from someone who was in the Royal Engineers. | 1:04:31 | 1:04:36 | |
"With love from yours." It's from Willie, and this was sent in 1916, | 1:04:36 | 1:04:43 | |
just right in the middle of the First World War. "Good luck, your loving brother." | 1:04:43 | 1:04:47 | |
Postcard collecting is very popular just now. | 1:04:47 | 1:04:50 | |
It's looking back, it's nostalgia, | 1:04:50 | 1:04:53 | |
it's seeing what the world was like at that time. | 1:04:53 | 1:04:57 | |
Very moving... | 1:04:57 | 1:04:59 | |
but not rare. Indeed, it's estimated that | 1:04:59 | 1:05:01 | |
over 10 million were made during the First World War. | 1:05:01 | 1:05:04 | |
This isn't going to make me a fortune if I buy this, | 1:05:05 | 1:05:08 | |
whatever the price, but it's so irresistible! | 1:05:08 | 1:05:11 | |
Mark has arrived at Aura Antiques in Masham. | 1:05:11 | 1:05:15 | |
It sells mainly large items, but in amongst those | 1:05:15 | 1:05:19 | |
there's some quirky little things | 1:05:19 | 1:05:21 | |
that might just make Mark a few quid. | 1:05:21 | 1:05:24 | |
That's quite an interesting jug, isn't it? | 1:05:24 | 1:05:26 | |
It's very brightly decorated. It looks almost modern, doesn't it? | 1:05:26 | 1:05:29 | |
It's a nice thing. I think, looking at the mark, | 1:05:29 | 1:05:32 | |
this is going to be dating to around about | 1:05:32 | 1:05:36 | |
1860, 1870, so a true antique. | 1:05:36 | 1:05:39 | |
I quite like it with Newton on it. | 1:05:39 | 1:05:41 | |
I've never seen that before. | 1:05:41 | 1:05:43 | |
And that's priced up at £25. | 1:05:43 | 1:05:46 | |
Just checking. It's a very good way of checking for restoration | 1:05:49 | 1:05:54 | |
because it feels very soft to your teeth, | 1:05:54 | 1:05:59 | |
whereas, if it's perfect, it feels quite hard and brittle. | 1:05:59 | 1:06:03 | |
I might ask Robert about that, | 1:06:03 | 1:06:06 | |
see if we can get it a little bit lower. | 1:06:06 | 1:06:08 | |
Back in Middleham, shop owner Angela pulls out | 1:06:09 | 1:06:13 | |
something from her secret stash. Steady! | 1:06:13 | 1:06:15 | |
-I've got some more postcards. -Ah, right! | 1:06:15 | 1:06:18 | |
Mostly Raphael Tuck. | 1:06:18 | 1:06:20 | |
As most deltiologists, or postcard collectors, will know, | 1:06:20 | 1:06:24 | |
Raphael Tuck and Sons were publishers to royalty in the 18th and 19th centuries, | 1:06:24 | 1:06:30 | |
and by the First World War they dominated the postcard market. | 1:06:30 | 1:06:33 | |
These two albums won't come cheap, but you just try telling Anita that. | 1:06:33 | 1:06:37 | |
You want a price? Off the top of my head, I'm looking... | 1:06:39 | 1:06:43 | |
Yes, I know, I know. I would be talking 100 for the two. | 1:06:43 | 1:06:47 | |
And that is really... | 1:06:47 | 1:06:49 | |
cos, you know, they are quite rare. | 1:06:49 | 1:06:51 | |
I'll tell you what my estimate would be on it. | 1:06:51 | 1:06:53 | |
If that was coming in, | 1:06:53 | 1:06:56 | |
I would be estimating it somewhere between 60 and 80. | 1:06:56 | 1:07:00 | |
Would you be able to come any nearer to these figures for me? | 1:07:00 | 1:07:04 | |
Simply because I've fallen... | 1:07:04 | 1:07:07 | |
Simply because I've fallen in love with them. | 1:07:07 | 1:07:10 | |
Yeah. 85. | 1:07:10 | 1:07:12 | |
-Really. Cos it's tearing my heart out letting them go. -Could you come to 75? | 1:07:12 | 1:07:16 | |
80. 80. | 1:07:16 | 1:07:19 | |
Could you go to 75? Oh, go on! | 1:07:19 | 1:07:23 | |
75! It'll give me a chance! | 1:07:23 | 1:07:26 | |
75, I'd be happy. | 1:07:26 | 1:07:28 | |
-Go on, then. -Oh, you're a darling! | 1:07:28 | 1:07:31 | |
So Anita has her postcards. | 1:07:31 | 1:07:33 | |
I just love them. I love them. | 1:07:33 | 1:07:36 | |
So do I! | 1:07:36 | 1:07:38 | |
Crikey. But has Mark found anything to write home about? | 1:07:38 | 1:07:43 | |
It's a bit of a wibbly-wobbly, as Anita would call it. | 1:07:43 | 1:07:45 | |
But actually it's quite a fun shape. | 1:07:45 | 1:07:48 | |
It's got a nasty split in the top there and some of the little | 1:07:48 | 1:07:52 | |
cabochons are missing. | 1:07:52 | 1:07:55 | |
I like this little decoration there. | 1:07:55 | 1:07:56 | |
It's got a very sort of odd feel to it. | 1:07:56 | 1:07:58 | |
Now, maybe it's just up here because it's going to be restored. | 1:07:58 | 1:08:02 | |
I might ask and see how much it is. Might be bargain price. | 1:08:02 | 1:08:05 | |
So far, Anita has bought two cannons, eight glasses, | 1:08:05 | 1:08:09 | |
two postcards albums and a stool. Huh! | 1:08:09 | 1:08:13 | |
But still she keeps on shopping. | 1:08:13 | 1:08:16 | |
I want to have a look at the jewellery now. | 1:08:17 | 1:08:20 | |
And sometimes it's the wee unusual pieces that I find most attractive. | 1:08:20 | 1:08:25 | |
What we have here is a wee sort of mixture that I've separated out. | 1:08:25 | 1:08:30 | |
There is nothing there of any great significance, and you probably know that yourself. | 1:08:30 | 1:08:35 | |
I'm going to make you an offer on this stuff and you can say yay or nay. | 1:08:35 | 1:08:39 | |
What I'd be prepared to pay on that would be £8. | 1:08:39 | 1:08:43 | |
Oh, no, I need more. I need more than that. I would want at least 25. At least. | 1:08:43 | 1:08:47 | |
-25? -Yeah. | 1:08:47 | 1:08:50 | |
Mark is also ready to start dealing. | 1:08:50 | 1:08:53 | |
But it's certainly got an interesting appeal. | 1:08:53 | 1:08:56 | |
Although shop-owner Robert seems happy to do most of the work. | 1:08:56 | 1:09:00 | |
So you really don't have any idea in your mind what you'd like to get for it. | 1:09:00 | 1:09:06 | |
If you offered me a tenner, I'd take it. | 1:09:06 | 1:09:09 | |
I'll give you a tenner for it. Done. | 1:09:09 | 1:09:13 | |
Mark, you're such a thoroughbred. But now Anita has to get involved in some real horse-trading. | 1:09:13 | 1:09:19 | |
-Angela, you are going to think that I am mad. -Yeah. | 1:09:21 | 1:09:25 | |
I bought a pair of cannons... | 1:09:25 | 1:09:28 | |
-Like that? -Uh-huh, and I thought it would be quite fun... | 1:09:28 | 1:09:32 | |
-Mmm, to put them together. -To put them together. | 1:09:32 | 1:09:34 | |
What about if I paid £25 for that and that? | 1:09:34 | 1:09:38 | |
-I could do that and it would give me a bit of fun with him. -I know, yes. | 1:09:38 | 1:09:42 | |
-Go on, then. -Will you do 25? | 1:09:42 | 1:09:45 | |
It's a pleasure to do business with you. | 1:09:45 | 1:09:47 | |
Back in Masham, a mysterious force... | 1:09:47 | 1:09:52 | |
Could it be gravity? ..is pulling Mark back to the Isaac Newton jug. | 1:09:52 | 1:09:57 | |
I rather was taken with this little water jug | 1:09:57 | 1:10:01 | |
and I rather liked the fact that this was Newton, which I presume is Isaac Newton. | 1:10:01 | 1:10:06 | |
-Must be. -Must be. I don't think that's Mrs Newton, though, somehow. | 1:10:06 | 1:10:10 | |
I know it's cheeky of me, | 1:10:10 | 1:10:11 | |
cos you haven't priced it very highly, but is there anything you could do on 25? | 1:10:11 | 1:10:15 | |
Yes, yes. Yes, I can. | 1:10:15 | 1:10:18 | |
-£15. -I can't really say no to £15, Robert. | 1:10:20 | 1:10:23 | |
-That's what I thought you'd say. -I really like that. Thanks a lot. I appreciate that. -Thank you. | 1:10:23 | 1:10:28 | |
Well, there we are, another purchase. I love it. | 1:10:28 | 1:10:31 | |
Anita's bought enough items to start her own shop! | 1:10:33 | 1:10:37 | |
OK? That's been a pleasure. | 1:10:37 | 1:10:39 | |
But she can't stop hunting for one last item, bless her. | 1:10:39 | 1:10:44 | |
Yeah, well, it's horse-measuring stick | 1:10:44 | 1:10:46 | |
but it's in the form of a walking stick. | 1:10:46 | 1:10:49 | |
Silver topped, Boyce and Rogers, Newmarket, | 1:10:49 | 1:10:52 | |
so it's very important because probably used in the racing industry. | 1:10:52 | 1:10:55 | |
-So I would think it's a special gift to a vet or a trainer even. -Yeah. | 1:10:55 | 1:10:59 | |
-And it's got... -So what we do is we pull out the measuring stick from the body of the stick | 1:10:59 | 1:11:05 | |
and we can pull out this bar, this brass bar here, and this brass bar would be? | 1:11:05 | 1:11:12 | |
It goes over the withers and that's the point where they measure the horse. | 1:11:12 | 1:11:17 | |
Wee Angela is looking for £80 for this late 19th-century silver-topped measuring stick. | 1:11:17 | 1:11:22 | |
I think we're in a horsey part of the country, aren't we? | 1:11:22 | 1:11:25 | |
Oh, yeah. Well, it's countrified round York. You've got your big race course there and everything. | 1:11:25 | 1:11:30 | |
-Yeah. How about letting it go for 40? -I can't. I'd be glad to take 60. | 1:11:30 | 1:11:34 | |
It's another interesting item. Could you go 50? | 1:11:34 | 1:11:38 | |
Go on, it's cash back in my pocket. Yeah, yeah, yeah. | 1:11:38 | 1:11:43 | |
I think that's Anita finished buying now. Maybe we should have a little recap on what she's bought. | 1:11:43 | 1:11:49 | |
Two cannons, | 1:11:49 | 1:11:51 | |
eight glasses, a stool, | 1:11:51 | 1:11:54 | |
two postcard albums, a pocket watch, | 1:11:54 | 1:11:56 | |
a silver albertina, | 1:11:56 | 1:11:58 | |
two pairs of cufflinks, two tie pins, | 1:11:58 | 1:12:00 | |
the vitreous china horse and cart, and a broken ring of 18-carat gold, and no cuddly toy. | 1:12:00 | 1:12:06 | |
-Thank you very much. -OK, thank you. | 1:12:06 | 1:12:09 | |
Thank YOU! | 1:12:09 | 1:12:11 | |
Meanwhile, Mark has also spotted a last-minute item. | 1:12:11 | 1:12:15 | |
But just as we were going downstairs, this caught me out of the corner of my eye. | 1:12:15 | 1:12:20 | |
Not terribly well carved... sorry to say that... | 1:12:20 | 1:12:23 | |
on the hands and things, but there's just something about him. | 1:12:23 | 1:12:27 | |
-His eyes are quite nicely painted. -Quite nice boots, aren't they? | 1:12:27 | 1:12:31 | |
Yeah, it's a little bit amateurishly done, but there's something rather appealing about him. | 1:12:31 | 1:12:37 | |
What I might do, you know, Robert, | 1:12:37 | 1:12:39 | |
is put him rather sneakily with the jug because he kind of has a little look of Isaac Newton about him. | 1:12:39 | 1:12:45 | |
-Can I make a sneaky offer on that? -Yes. | 1:12:45 | 1:12:47 | |
I mean, could I possibly get him for the same price as the table, a tenner? | 1:12:47 | 1:12:51 | |
Oh, go on, then. | 1:12:54 | 1:12:56 | |
-Yes? -Yes. | 1:12:56 | 1:12:58 | |
That's item three from this shop. Good work, Mark. | 1:12:58 | 1:13:01 | |
Thank you very much indeed. | 1:13:01 | 1:13:03 | |
Our friends reunited, Anita and Mark, head for Northallerton, the county town of North Yorkshire. | 1:13:05 | 1:13:12 | |
Its situation in the Vale of York | 1:13:12 | 1:13:14 | |
means that it's an important market town, attracting traders after a bargain. | 1:13:14 | 1:13:20 | |
Talking of which... | 1:13:20 | 1:13:22 | |
This is the very last shop. | 1:13:22 | 1:13:24 | |
I know, and it's mine. It's all mine! | 1:13:24 | 1:13:27 | |
Oh, well, darling, have the very best of luck. | 1:13:27 | 1:13:31 | |
-Listen, enjoy your last visit. -OK, then, bye-bye. Break a leg. | 1:13:31 | 1:13:35 | |
Mark's last shop is Cobweb Antiques. | 1:13:35 | 1:13:39 | |
As he starts to rummage, Anita heads to Thirsk to visit the vet. | 1:13:39 | 1:13:45 | |
Hmm, she doesn't look unwell. | 1:13:45 | 1:13:47 | |
In 1978, the BBC showed the first of 90 episodes | 1:13:47 | 1:13:50 | |
of All Creatures Great And Small, and viewing figures sometimes reached 13 million. | 1:13:50 | 1:13:55 | |
The series was based on the books of James Herriot, | 1:13:55 | 1:13:58 | |
who wrote about his post-war adventures as a vet in the Yorkshire Dales. | 1:13:58 | 1:14:03 | |
-Hi, I'm Anita. -Jim Wight, Alf Wight's son. | 1:14:03 | 1:14:07 | |
Alf Wight was James Herriot's real name. | 1:14:07 | 1:14:09 | |
Jim, his son, is showing Anita round the World of James Herriot, | 1:14:09 | 1:14:13 | |
a series of exhibits and displays based in his original surgery and home. | 1:14:13 | 1:14:18 | |
This room doubled up as our... best room if you like. | 1:14:18 | 1:14:21 | |
-Best room. -The visitors' room. -That's right, the show-off room. | 1:14:21 | 1:14:25 | |
This is the office where the farmers used to come in and pay their bills. | 1:14:25 | 1:14:29 | |
-They always came in on a Monday when it was market day. -I find it fascinating | 1:14:29 | 1:14:33 | |
that he had the farmers paying the bills in his best room. | 1:14:33 | 1:14:36 | |
It's amazing, isn't it? A lot of them didn't pay their bills, you know. | 1:14:36 | 1:14:40 | |
They'd say, "I was going to pay you, Mr White, but..." | 1:14:40 | 1:14:43 | |
And they'd go, "But, ee, I've forgotten my cheque book. | 1:14:43 | 1:14:46 | |
"But while I'm here, I'll have... " | 1:14:46 | 1:14:48 | |
Cos we had all the drugs on the old shelves. "I'll have a bottle of that and I'll have some of that." | 1:14:48 | 1:14:53 | |
It was market day on Monday when the farmers came in so they'd all had a good skinful as well. | 1:14:53 | 1:15:00 | |
This here is the old dispensary where all the drugs used to be made up, | 1:15:06 | 1:15:11 | |
and it was the days before antibiotics and corticosteroids and the modern drugs, you know. | 1:15:11 | 1:15:16 | |
-It's just like a big pantry. -It is, because they were making their own recipes if you like. | 1:15:16 | 1:15:21 | |
Here's the old scales. They used to weigh out the master ingredients for the cure-all medicines. | 1:15:21 | 1:15:28 | |
You see these things... Embrocations, drink for calves... | 1:15:28 | 1:15:32 | |
-Cleansing drinks... -Calves cordial. -Calves cordial. Fantastic, isn't it? -I wonder what was in that! | 1:15:32 | 1:15:37 | |
The best one was one called Universal Cattle Medicine. | 1:15:37 | 1:15:42 | |
There isn't exactly an example of it here, but it was called UCM. It was in bottles like this. | 1:15:42 | 1:15:47 | |
There was turpentine and ether and arsenic and all sorts of stuff in it, | 1:15:47 | 1:15:51 | |
and you'd whack that down a cow's throat and it cured everything. | 1:15:51 | 1:15:55 | |
After more than 25 years of this bovine tough love, James Herriot's first book was published in 1966. | 1:15:55 | 1:16:03 | |
It wasn't until publication in America six years later | 1:16:03 | 1:16:06 | |
that the books really took off | 1:16:06 | 1:16:08 | |
and he became an international bestselling author. | 1:16:08 | 1:16:12 | |
In the television series, he always seemed such a mild-mannered man. | 1:16:12 | 1:16:17 | |
-He was. -He was like that? | 1:16:17 | 1:16:19 | |
He always regarded himself as the onlooker thrust among a lot of interesting characters. | 1:16:19 | 1:16:24 | |
You could describe him as the archetypal gentleman, my dad. | 1:16:24 | 1:16:27 | |
He was a very gentlemanly guy. | 1:16:27 | 1:16:29 | |
Back in Northallerton, | 1:16:29 | 1:16:32 | |
during Mark's last shopping opportunity of the week, | 1:16:32 | 1:16:34 | |
the All Creatures Great And Small theme continues. Meow! | 1:16:34 | 1:16:39 | |
Hello. Have you come for a bit of attention as well? | 1:16:39 | 1:16:43 | |
Have you? What do you think of this lot? | 1:16:43 | 1:16:46 | |
Yeah, rubbish. | 1:16:46 | 1:16:48 | |
Ruff! Honestly, the quality of customers these days. | 1:16:48 | 1:16:51 | |
No rubbish here. | 1:16:51 | 1:16:52 | |
-You just have to look carefully. -These are lovely. I love wood. | 1:16:52 | 1:16:55 | |
Terribly tactile. | 1:16:55 | 1:16:57 | |
Gosh, you're sounding like Anita Manning. | 1:16:57 | 1:17:01 | |
As long as you weren't going to say Bernard Manning! | 1:17:01 | 1:17:04 | |
I feel that Mark needs some direction. | 1:17:07 | 1:17:10 | |
This is quite fun, actually. | 1:17:10 | 1:17:12 | |
It's a little travelling compass in a nine-carat gold frame. | 1:17:12 | 1:17:17 | |
Now, I'm not sure if the little chain mount on it is gold, but certainly the frame is. | 1:17:17 | 1:17:23 | |
It's rather sweet, actually. | 1:17:23 | 1:17:25 | |
Sweet price? £89. There's a lot of bargaining that needs to be done here. | 1:17:25 | 1:17:30 | |
I quite like the little compass. | 1:17:30 | 1:17:32 | |
-It's rather sweet. -Rather sweet. | 1:17:32 | 1:17:34 | |
89... | 1:17:34 | 1:17:36 | |
-Do that one for 75. -75. | 1:17:36 | 1:17:39 | |
I don't want to pay that. | 1:17:42 | 1:17:44 | |
-But I had to buy it. -Would you lose at 60? | 1:17:45 | 1:17:49 | |
65. That's the death. | 1:17:49 | 1:17:51 | |
-65? -Mm-hm. | 1:17:51 | 1:17:54 | |
Thank you, Susan. You're an angel. Thank you so much for helping me out. | 1:17:54 | 1:17:58 | |
With his gold compass to guide him, Mark heads south to meet up with Anita and reveal all. | 1:17:58 | 1:18:05 | |
-Are you sad? -I am. -You silly, sentimental old softy. -Ohh. | 1:18:05 | 1:18:10 | |
I'd like to show you my first item. | 1:18:10 | 1:18:13 | |
-Please do. -The first of Anita's mixed lots. | 1:18:13 | 1:18:17 | |
She certainly has the quantity, but we all know it's the quality that counts. | 1:18:17 | 1:18:21 | |
-And how much did you pay for this little bundle? -£20. | 1:18:21 | 1:18:25 | |
I think it's an Anita Manning lot. | 1:18:25 | 1:18:28 | |
Well done. My first lot is a little coat rack, quite nicely carved with the little eye there. | 1:18:28 | 1:18:35 | |
I mean, a very practical thing. | 1:18:35 | 1:18:36 | |
You could have it up in your hallway, hang your coats up, | 1:18:36 | 1:18:40 | |
have your favourite vase or top hat on there. | 1:18:40 | 1:18:42 | |
-At last! Somewhere to keep my favourite top hat. -How much? | 1:18:42 | 1:18:47 | |
-£15. -Oh, I think that's a steal. | 1:18:47 | 1:18:49 | |
My second lot is a collection of postcards. This is an Art Nouveau, | 1:18:49 | 1:18:56 | |
turn of the century album which has been made by Raphael Tuck. | 1:18:56 | 1:19:02 | |
-Oh, very nice. -And some of the cards are Raphael Tuck as well. | 1:19:02 | 1:19:06 | |
Further to that, we have an addition with some World War I embroidered cards. | 1:19:06 | 1:19:12 | |
I think I have about eight or ten. | 1:19:12 | 1:19:13 | |
-What did you pay? -I paid 75. | 1:19:13 | 1:19:16 | |
That's not bad. I think there's a jolly good profit in there. | 1:19:16 | 1:19:19 | |
Now, my second lot... | 1:19:19 | 1:19:20 | |
it's a lovely big decorative piece, but if | 1:19:20 | 1:19:23 | |
you look on the actual handles, the heads are missing of the creatures. | 1:19:23 | 1:19:27 | |
Listen, it was £15. | 1:19:27 | 1:19:29 | |
It can't make less than £15. | 1:19:29 | 1:19:31 | |
It can't. Now, my mixed lot is another... | 1:19:31 | 1:19:35 | |
Oh, Anita, have you bought a mixed lot on everything? | 1:19:35 | 1:19:39 | |
We've got one of those, | 1:19:39 | 1:19:40 | |
we've got another one of those... | 1:19:40 | 1:19:43 | |
We seem to have one of everything in this lot. | 1:19:43 | 1:19:46 | |
Tell me, have you fallen in love with it? | 1:19:46 | 1:19:49 | |
No. | 1:19:49 | 1:19:50 | |
No, I haven't. How much did you pay? | 1:19:50 | 1:19:53 | |
-£20. -Take them away, Anita. | 1:19:53 | 1:19:55 | |
-Next, Mark? -I bought a little mixed lot here. | 1:19:55 | 1:20:00 | |
My first part of the lot is that doll, and the second part is this lovely little Victorian jug. | 1:20:00 | 1:20:09 | |
It's marked underneath, it's about 1840, 1860, and I just thought | 1:20:09 | 1:20:12 | |
the little doll was a wee bit of fun and I put it in with that. | 1:20:12 | 1:20:17 | |
-OK, what did you pay for those? -£25. -That's probably all they're worth. | 1:20:17 | 1:20:23 | |
Ha-ha-ha-ha(!) Next, Anita's walking stick with a difference. | 1:20:23 | 1:20:27 | |
-Oh, that's nice. -It's a horse-measuring stick. -Oh, that's lovely, Anita. | 1:20:27 | 1:20:32 | |
-London make, 1890, but inscribed on the silver is Rogers and Boyce, Newmarket. -Oh, lovely. | 1:20:32 | 1:20:41 | |
-So that gives it a further... -A good profit on this. | 1:20:41 | 1:20:45 | |
-..horse-racing connection. -That's lovely. | 1:20:45 | 1:20:47 | |
-Now, what did you pay for that? -I paid £50. | 1:20:47 | 1:20:49 | |
I think that's quite a good buy, Anita. | 1:20:49 | 1:20:52 | |
I think that could double your money. | 1:20:52 | 1:20:55 | |
I bought a little gentleman's fob | 1:20:55 | 1:20:58 | |
-in the form of a compass. It's nine-carat gold. -How much did you pay for it? | 1:20:58 | 1:21:02 | |
Quite a lot. | 1:21:02 | 1:21:04 | |
65. | 1:21:04 | 1:21:06 | |
It's a bit much, isn't it? I think so. What's your last item, Anita? | 1:21:06 | 1:21:10 | |
It's a Victorian stool... | 1:21:10 | 1:21:13 | |
Yes. | 1:21:13 | 1:21:15 | |
Which might have started off life as a chair. | 1:21:15 | 1:21:18 | |
No, I'm not going to let you get away with that, Anita. | 1:21:18 | 1:21:20 | |
I just want to state for the record... | 1:21:20 | 1:21:23 | |
It DID start life as a chair. | 1:21:23 | 1:21:25 | |
There's no might about this, Anita Manning. I think it's a great | 1:21:25 | 1:21:29 | |
little buy, very nice indeed, and I presume you paid very little for it. | 1:21:29 | 1:21:33 | |
-£10. -Well... | 1:21:33 | 1:21:35 | |
Must get my money back on that. | 1:21:35 | 1:21:37 | |
Oh, well, you'll get more than that. £40 or £50 I would've thought. | 1:21:37 | 1:21:41 | |
Now time for Mark's trump card. Or is it a joker? | 1:21:41 | 1:21:43 | |
It's a little wibbly-wobbly table. | 1:21:43 | 1:21:45 | |
It's a hand-made design thing which is going to be very, very rare. | 1:21:45 | 1:21:51 | |
-How much? -£100. | 1:21:51 | 1:21:53 | |
£100? | 1:21:53 | 1:21:56 | |
What do you think? | 1:21:56 | 1:21:58 | |
I think your money was burning a hole in your pocket! | 1:21:58 | 1:22:01 | |
Well, that's just as well, though, cos I paid a tenner for it. | 1:22:01 | 1:22:05 | |
Ohh! You were kidding me on! | 1:22:05 | 1:22:07 | |
-I was kidding you. I paid a tenner. -Good buy for a tenner. -Thank you. | 1:22:07 | 1:22:11 | |
I must say I think you've bought a lot better things than I have. | 1:22:11 | 1:22:14 | |
Well done. | 1:22:14 | 1:22:16 | |
They're being very polite about that mixed lot of mixed lots. Come on, tell us what you really think. | 1:22:16 | 1:22:22 | |
I love the walking cane with the horse-measurer. | 1:22:22 | 1:22:26 | |
Silver topped, good provenance. | 1:22:26 | 1:22:28 | |
I can see that possibly making 100. | 1:22:28 | 1:22:29 | |
As for his big oriental-type vase, it's damaged, the lid's | 1:22:29 | 1:22:34 | |
missing, it's nibbled on the top, the heads are missing on the dragons. | 1:22:34 | 1:22:38 | |
I think he'll have to be lucky to get his money back on that one. | 1:22:38 | 1:22:42 | |
This leg of Mark and Anita's journey started in Richmond and will end in Huby just outside York. | 1:22:44 | 1:22:51 | |
They're taking their assorted antiques to be auctioned | 1:22:51 | 1:22:54 | |
by Summersgills in the local village hall. | 1:22:54 | 1:22:57 | |
I'm really excited now, Anita. | 1:22:57 | 1:22:59 | |
This is our final sale, the day of reckoning. | 1:22:59 | 1:23:02 | |
We cannot do any more, Anita. | 1:23:02 | 1:23:05 | |
The die is cast. | 1:23:05 | 1:23:07 | |
Is cast. | 1:23:07 | 1:23:09 | |
A crowd has gathered to inspect the items in this general sale. | 1:23:09 | 1:23:12 | |
Auctioneer Tim Summersgill has cast his seller's eye over Anita and Mark's lots. | 1:23:12 | 1:23:19 | |
A couple of lots we might struggle with. | 1:23:19 | 1:23:21 | |
The three-legged table, we might be lucky to sell that. | 1:23:21 | 1:23:24 | |
But probably one of the best lots we've got in is the measuring stick. | 1:23:24 | 1:23:29 | |
We've got a lot of interest, quite a few commission bids, so I think it should fly, should that one. | 1:23:29 | 1:23:34 | |
-Mark has spent £130 on six items. -Done. | 1:23:35 | 1:23:40 | |
Anita has spent £175 on... | 1:23:40 | 1:23:45 | |
You know, I think it's twelve items making up five lots. | 1:23:45 | 1:23:48 | |
Oh, you're a darling! | 1:23:48 | 1:23:51 | |
So to the auction, with Anita needing to make up £200. | 1:23:51 | 1:23:56 | |
Are you feeling confident, Mark? | 1:23:56 | 1:23:58 | |
-Anita, I'm very, very nervous, I have to tell you. -Don't be nervous. | 1:23:58 | 1:24:01 | |
I'm sure they'll be entranced by all the junk that you bought. | 1:24:01 | 1:24:07 | |
-First up, Mark's Isaac Newton jug coupled with the doll. -£20 bid here. | 1:24:07 | 1:24:12 | |
£20, 22, 24, 26, 28, 30. | 1:24:12 | 1:24:17 | |
£30 then, on commission at 30. | 1:24:17 | 1:24:19 | |
32 in the room. £32 bid. | 1:24:19 | 1:24:22 | |
For £32, all done at 32? | 1:24:22 | 1:24:24 | |
-Well done! -Well, that is a bit of a profit. | 1:24:26 | 1:24:28 | |
-A slow but steady £7 profit for Mark. -You were lucky, Mark. | 1:24:28 | 1:24:34 | |
Don't be a meanie! It's our last day together. | 1:24:35 | 1:24:38 | |
I'm not being a meanie. | 1:24:38 | 1:24:40 | |
Next are the two cannon, the horse and cart and the eight glasses. | 1:24:40 | 1:24:45 | |
We start at £20 bid on this one. | 1:24:45 | 1:24:47 | |
-It starts at 20. -£20 on commission, 25 anywhere else? | 1:24:47 | 1:24:50 | |
£20 buys it. Just in time. | 1:24:50 | 1:24:52 | |
22, 24 here, 26 there. £26, 28 I'm looking for. | 1:24:52 | 1:24:56 | |
26, lady's bid. | 1:24:56 | 1:25:00 | |
Well, I've managed to wipe my face with that one. | 1:25:00 | 1:25:03 | |
£6 profit, so the cannon didn't misfire completely. | 1:25:03 | 1:25:08 | |
Now, you called me lucky, Anita. | 1:25:08 | 1:25:10 | |
I think you were jolly lucky with that. | 1:25:10 | 1:25:12 | |
Mark is hanging high hopes on his carved-eagle coat rack. | 1:25:12 | 1:25:17 | |
Quite a bit of interest on this one so we start at £30. | 1:25:17 | 1:25:20 | |
-30 straight in. -£35 anywhere else? | 1:25:20 | 1:25:23 | |
35, 38, 40 at the back. | 1:25:23 | 1:25:26 | |
-40, 42, 45, 48, 50... -Yes! | 1:25:26 | 1:25:28 | |
£50 then. In the doorway at £50... | 1:25:28 | 1:25:33 | |
-Oh, that's good. -That was good. That was good. | 1:25:33 | 1:25:36 | |
Sold for £50 minus commission. | 1:25:36 | 1:25:38 | |
Mark's eagle eye for a bargain didn't let him down. | 1:25:38 | 1:25:41 | |
-So you're happy at that? -I am happy at that. | 1:25:41 | 1:25:44 | |
That's a good buy that at £15. | 1:25:44 | 1:25:47 | |
Next, Anita's horse-measuring stick. | 1:25:47 | 1:25:50 | |
Interest on this one so we start it at 130. 140, 150, 160 with you. | 1:25:50 | 1:25:55 | |
-£160. Right at the back at 160. -Yes! | 1:25:55 | 1:25:58 | |
All done at 160? All sure? | 1:25:58 | 1:26:02 | |
-Yes! -Well, done, Anita. | 1:26:02 | 1:26:04 | |
I said you'd make 100 on that, didn't I? | 1:26:04 | 1:26:07 | |
-Yeah. -Well, I never did. £110 profit. | 1:26:07 | 1:26:11 | |
-Much more of this and she'll be catching Mark up. -Congratulations. | 1:26:11 | 1:26:15 | |
-Thank you, darling. -Congratulations. | 1:26:15 | 1:26:17 | |
Next up, it's the lump... | 1:26:17 | 1:26:19 | |
Mark's damaged vase. | 1:26:19 | 1:26:21 | |
-Straight in at £30... -Oh, £30! | 1:26:21 | 1:26:24 | |
35 anywhere else? On commission at £30. | 1:26:24 | 1:26:28 | |
35 I'm looking for. | 1:26:28 | 1:26:29 | |
All done, then, at 30? No-one else? | 1:26:29 | 1:26:33 | |
You got away with murder there! | 1:26:33 | 1:26:36 | |
That's not a bad profit on an item that's missing most of its bits. | 1:26:36 | 1:26:41 | |
Well done, darling. That's put a smile on your face. | 1:26:41 | 1:26:46 | |
Ah, the postcard albums that Anita fought so hard for. | 1:26:46 | 1:26:50 | |
40 in the doorway. 42, 44, 46, 48, is it? | 1:26:50 | 1:26:55 | |
46 the lady. All done at 46? | 1:26:55 | 1:26:57 | |
-Is that mine? -No. -48, 50... | 1:26:57 | 1:27:00 | |
-It is. -No, it's not. -It is. | 1:27:00 | 1:27:02 | |
-Is it? -£50. Lady's bid this time. | 1:27:02 | 1:27:05 | |
Oh. | 1:27:05 | 1:27:07 | |
Come on, team, pay attention! | 1:27:07 | 1:27:09 | |
£25 under the purchase price means the first loss of the day. | 1:27:09 | 1:27:13 | |
-Was it 50? -Was it 50 or 58? | 1:27:13 | 1:27:15 | |
50, Mark. Come on, moving on. | 1:27:15 | 1:27:17 | |
The jewellery's next, items too numerous to mention. | 1:27:17 | 1:27:23 | |
193 are watches et cetera... | 1:27:23 | 1:27:24 | |
-Exactly. -Starting at £40 this lot. | 1:27:24 | 1:27:28 | |
£40, 45, 50, 55, 60, 65, 70... | 1:27:28 | 1:27:32 | |
-Is this mine? -85 with you. | 1:27:32 | 1:27:35 | |
90 there. 95 back with you. | 1:27:35 | 1:27:38 | |
-100 in the doorway. -100! -105. | 1:27:38 | 1:27:41 | |
All done at 105? | 1:27:41 | 1:27:43 | |
That was excellent! | 1:27:43 | 1:27:46 | |
Well, the mixed lot made lots. She's catching up. | 1:27:46 | 1:27:50 | |
105 for my wee mixed lot. I'm delighted with that. | 1:27:50 | 1:27:54 | |
I'm amazed at that, Anita. I was unfair with your price for that. | 1:27:54 | 1:27:57 | |
This'll be interesting. | 1:27:57 | 1:27:58 | |
Remember Mark fought hard to get the compass fob for £65. | 1:27:58 | 1:28:03 | |
Bid here at £20. £20 for this one. | 1:28:03 | 1:28:05 | |
25, 28, 30, five, | 1:28:05 | 1:28:08 | |
40, five, 50, five. | 1:28:08 | 1:28:10 | |
55 then? All done at 55? | 1:28:10 | 1:28:13 | |
-Ah, hard luck. -Ouch! | 1:28:13 | 1:28:16 | |
That's a big smack in the wallet. | 1:28:16 | 1:28:19 | |
-I was expecting that, to be honest. -I know. | 1:28:19 | 1:28:21 | |
Next up, the wibbly-wobbly table. | 1:28:21 | 1:28:24 | |
Bidding starts at an optimistic £20. | 1:28:24 | 1:28:27 | |
-£20, any interest? -Come on! | 1:28:27 | 1:28:29 | |
-15 I'm bid. 15 the lady. -Thank goodness for that. | 1:28:29 | 1:28:33 | |
£15 only. Seems cheap enough at 15. | 1:28:33 | 1:28:36 | |
-No-one else? -Ohh! | 1:28:36 | 1:28:38 | |
Never mind. Well done, you made profit, Mark. | 1:28:39 | 1:28:43 | |
A wibbly-wobbly profit on a wibbly-wobbly table. | 1:28:43 | 1:28:46 | |
Are you upset? | 1:28:46 | 1:28:48 | |
Are you upset? | 1:28:48 | 1:28:50 | |
-Are you upset? -Oh, shut up, Anita! | 1:28:50 | 1:28:52 | |
Come on, you two. Toys back in the pram. | 1:28:52 | 1:28:55 | |
Finally, the stool that was once a chair. | 1:28:55 | 1:28:57 | |
15 then, here to sell. | 1:28:57 | 1:29:00 | |
-15! -£15. 16 anywhere else. | 1:29:00 | 1:29:03 | |
All done at £15? | 1:29:03 | 1:29:07 | |
Well, that was fair, Anita. | 1:29:07 | 1:29:09 | |
Our last two lots made the same amount of money. | 1:29:09 | 1:29:12 | |
£5 profit on that stool. | 1:29:12 | 1:29:14 | |
I'm going to need a little sit-down. | 1:29:14 | 1:29:16 | |
I think it just shows you... what idiots we are. | 1:29:16 | 1:29:19 | |
A good day at auction. | 1:29:21 | 1:29:23 | |
Anita did well and I thought she might have caught him up. | 1:29:23 | 1:29:27 | |
She started today with £458.74 and her mixed-lot policy certainly paid off. | 1:29:27 | 1:29:33 | |
She made a profit of nearly £117 after auction costs, giving her a total for the week of £575.66. | 1:29:33 | 1:29:42 | |
Mark started the day with £684.86 and after auction costs he made a profit of £19.24. | 1:29:42 | 1:29:51 | |
This takes his grand total to £704.10 | 1:29:51 | 1:29:54 | |
and that's a fantastic effort over the week, Mark. Well done! | 1:29:54 | 1:29:59 | |
-Well, Mark, that was a wonderful auction. -Well, for you it was, yes. | 1:29:59 | 1:30:03 | |
-So are you going to drive me off into the sunset? -I am, and then I'm going to leave you there. | 1:30:06 | 1:30:11 | |
Good for you. No more antiques. | 1:30:11 | 1:30:14 | |
-One week is enough! -That's us finished. | 1:30:14 | 1:30:17 | |
And that brings us to the end of Anita and Mark's journey together. | 1:30:17 | 1:30:21 | |
-I'll hold your hand, darling. -Come on, lead the way, darling. | 1:30:21 | 1:30:24 | |
-A bargain! -What a strange trip it's been. | 1:30:24 | 1:30:28 | |
It's here, it's right turn. | 1:30:28 | 1:30:30 | |
Despite a little car trouble, Anita and Mark have crossed the border and occasionally crossed the line. | 1:30:30 | 1:30:36 | |
I've messed around... | 1:30:36 | 1:30:39 | |
Oh, gosh! | 1:30:39 | 1:30:42 | |
-Ohh! -My mind's fried. | 1:30:42 | 1:30:43 | |
# We're doing the mess around | 1:30:43 | 1:30:46 | |
# Everybody's doing the mess around... # | 1:30:46 | 1:30:50 | |
Stop the road trip, I want to get off. | 1:30:50 | 1:30:52 | |
# If you're going to give me good kissin' like that... # | 1:30:55 | 1:30:59 | |
Oh, you are a jammy besom. | 1:30:59 | 1:31:00 | |
This flirtatious twosome have made lots of friends on the way, but we know where their hearts really lie. | 1:31:00 | 1:31:08 | |
Anita, will you marry me? | 1:31:08 | 1:31:10 | |
SHE LAUGHS Will I give you a surprise? | 1:31:10 | 1:31:14 | |
YES! | 1:31:14 | 1:31:15 | |
Oh, my good Lord. | 1:31:16 | 1:31:19 | |
Subtitles by Red Bee Media Ltd | 1:31:37 | 1:31:40 | |
Email [email protected] | 1:31:40 | 1:31:43 |