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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
-I'm going to declare war. -Why? | 0:00:06 | 0:00:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:09 | 0:00:13 | |
-This is hard. -The aim is to trade up and hope each antique turns a profit. | 0:00:13 | 0:00:17 | |
Come on. | 0:00:17 | 0:00:19 | |
But it's not as easy as you might think and things don't always go to plan. | 0:00:19 | 0:00:23 | |
Push. | 0:00:23 | 0:00:25 | |
Will they race off with a profit or come to a grinding halt? | 0:00:25 | 0:00:28 | |
-Whose side are you on? -This is Antiques Road Trip. | 0:00:28 | 0:00:32 | |
In a week that promises glorious weather, stunning scenery | 0:00:35 | 0:00:39 | |
and some of the most eccentric characters you'll ever meet, | 0:00:39 | 0:00:43 | |
let me just start by saying welcome to Scotland. | 0:00:43 | 0:00:47 | |
CATHERINE: You're now in the Highlands. | 0:00:47 | 0:00:51 | |
It's beautiful countryside | 0:00:51 | 0:00:54 | |
that Philip Serrell and Catherine Southon are about to compete. | 0:00:54 | 0:00:58 | |
I love the thought we're now in the Highlands | 0:00:58 | 0:01:01 | |
-and you're sharing it with me. -I know, the love of my life. | 0:01:01 | 0:01:05 | |
Right now they're getting on like a house on fire. | 0:01:05 | 0:01:09 | |
Stick with me, Phil. You'll be fine. | 0:01:09 | 0:01:11 | |
Philip Serrell began his career mucking out the sheep pens for a livestock auctioneer. | 0:01:11 | 0:01:17 | |
Whilst some say he had found his calling then and there, | 0:01:17 | 0:01:20 | |
he's since become a consummate antiques auctioneer. | 0:01:20 | 0:01:24 | |
-What's your cheapest price? -It's usually 50p. | 0:01:24 | 0:01:28 | |
I'll remember that. | 0:01:28 | 0:01:29 | |
Meanwhile, Catherine Southon is the new girl who brings a touch of class to proceedings. | 0:01:29 | 0:01:35 | |
Bet Lynch, eat your heart out. | 0:01:35 | 0:01:38 | |
Formerly the head of scientific instruments at Sotheby's, | 0:01:38 | 0:01:41 | |
she's also an expert in maritime art, though don't be fooled by her abundance of charm. | 0:01:41 | 0:01:47 | |
When it comes to striking a deal, she's a wolf in designer clothing. | 0:01:47 | 0:01:51 | |
-Are you sure you don't want to sell? -Positive. | 0:01:51 | 0:01:54 | |
Philip and Catherine are starting the week with £200 each. | 0:01:54 | 0:01:58 | |
Hoping to turn a very tidy profit at auction. | 0:01:58 | 0:02:01 | |
-I'll be even more excited if I win. -Don't get too competitive on me. | 0:02:01 | 0:02:06 | |
Along with their shiny red Triumph convertible | 0:02:06 | 0:02:09 | |
they're travelling from the North East of Scotland | 0:02:09 | 0:02:12 | |
on to Glasgow and across the border to Carlisle, | 0:02:12 | 0:02:15 | |
passing through the Lake District | 0:02:15 | 0:02:18 | |
and ending their journey in Liverpool. | 0:02:18 | 0:02:20 | |
Today we're starting in Aboyne and ending with an auction in Dundee. | 0:02:20 | 0:02:26 | |
-What gear are you in? -I'm in caught in my jacket. | 0:02:26 | 0:02:30 | |
HE LAUGHS | 0:02:30 | 0:02:33 | |
On the edge of the River Dee you'll find the picturesque village | 0:02:33 | 0:02:37 | |
eof Aboyne, famous for both its proximity to Balmoral | 0:02:37 | 0:02:41 | |
and its own Highland games which have been drawing crowds since 1837. | 0:02:41 | 0:02:47 | |
It's in this ideal setting that Philip and Catherine are on the hunt for antiques. | 0:02:47 | 0:02:52 | |
-What are we doing? -There's an antique fair here. -Antique fair? | 0:02:52 | 0:02:56 | |
-An antique, car boot thing. -There's only five cars. -It's still a car boot. | 0:02:56 | 0:03:01 | |
Stick with me, you'll be all right. Come on. | 0:03:01 | 0:03:04 | |
In fairness, this doesn't seem an obvious place to find a cheeky collectible. | 0:03:04 | 0:03:09 | |
But it's not without its charm. | 0:03:09 | 0:03:11 | |
We're looking to see if we've got any little gems here. | 0:03:11 | 0:03:15 | |
-I like the look of the chutneys. -They look like dog treats. | 0:03:15 | 0:03:18 | |
SHE LAUGHS: You look like Frank Spencer. | 0:03:18 | 0:03:21 | |
Before you can say, "Ooh, Betty," something's caught Philip's eye next door to the doggy treats. | 0:03:21 | 0:03:27 | |
-Is that R2 thingy? -Yes, it's R2D2 and Darth Vader and C3PO. | 0:03:29 | 0:03:34 | |
Don't you think you're a bit old to play with this? | 0:03:34 | 0:03:37 | |
-It's actually my son's. -That's a relief. | 0:03:37 | 0:03:40 | |
I'm more of a Star Trek man myself. | 0:03:40 | 0:03:42 | |
I tell you what I'll do because I'm feeling generous, | 0:03:42 | 0:03:45 | |
-all the toys I'll give you 50 pence for. -That sounds... | 0:03:45 | 0:03:49 | |
We're going to have to deal here, but I've only got 40p in change. | 0:03:49 | 0:03:55 | |
-I feel I'm being swindled. -I'm actually sure you're being swindled. | 0:03:55 | 0:03:59 | |
This is worth 40p on its own. | 0:03:59 | 0:04:02 | |
-You're mad, Philip. -How can I lose money on 40p? | 0:04:02 | 0:04:05 | |
-Come on, give this man some more money. -Whose side are you on? -Not on yours! | 0:04:05 | 0:04:10 | |
-I'm going to go now. -Sir, you're a gentleman. | 0:04:10 | 0:04:14 | |
So says the last of the big spenders. | 0:04:14 | 0:04:18 | |
You'll be pleased to hear our next stop is actually a bona fide antiques shop. | 0:04:20 | 0:04:26 | |
With not a car boot in sight. | 0:04:26 | 0:04:28 | |
Mind you, despite its Aboyne address it feels a tad remote. | 0:04:28 | 0:04:33 | |
I've to go left here. I'll drop you out just here. | 0:04:33 | 0:04:37 | |
-Don't forget me. -I won't, go on, off you go. | 0:04:37 | 0:04:40 | |
-I've got to get out first. -Off you go! | 0:04:40 | 0:04:43 | |
I can't get out. I can't get out! | 0:04:43 | 0:04:47 | |
I'm having a blonde moment. | 0:04:47 | 0:04:50 | |
-OK, here we are, I've done it. -Dear me, honestly. | 0:04:50 | 0:04:54 | |
-Ciao, arrivederci. -It'll be fine, don't worry. | 0:04:54 | 0:04:58 | |
Knowing her, she'll come out | 0:04:59 | 0:05:02 | |
smelling of roses with a Chippendale chair clenched between her teeth. | 0:05:02 | 0:05:07 | |
Funny you should say that because as it happens | 0:05:07 | 0:05:11 | |
the aptly-named "Refined" is a family business | 0:05:11 | 0:05:16 | |
packed with gorgeous things. | 0:05:16 | 0:05:18 | |
Hi, Alex, this is a wonderful shop you've got here. | 0:05:18 | 0:05:21 | |
-Are you going to do me a good deal today? -Of course I am. | 0:05:21 | 0:05:26 | |
I'm very interested in these straight away. I love apothecary jars. | 0:05:26 | 0:05:33 | |
Carboys, very nice. | 0:05:33 | 0:05:35 | |
Carboys have been used as symbols for pharmacists for yonks. | 0:05:37 | 0:05:42 | |
Although it's thought they originate from the Middle East when coloured medicines were often stored. | 0:05:42 | 0:05:48 | |
They're also has something that could do very well at auction. | 0:05:48 | 0:05:52 | |
How much are they? | 0:05:52 | 0:05:54 | |
-You'd be looking at about 150. -For the two? | 0:05:54 | 0:05:59 | |
-For the two. -I think that might be a bit too much. | 0:05:59 | 0:06:03 | |
I'd really need to be under 100. | 0:06:03 | 0:06:06 | |
Ah, well, worth a try. | 0:06:06 | 0:06:10 | |
We've got some nice, Scottish stuff as well over here... | 0:06:10 | 0:06:14 | |
Crikey, I'm going through your floorboards. | 0:06:14 | 0:06:16 | |
Stilettos? | 0:06:16 | 0:06:18 | |
In the neighbouring town, the gateway to the Highlands, | 0:06:18 | 0:06:22 | |
Philip's discovered his own treasure trove - Naughty Nighties. | 0:06:22 | 0:06:26 | |
We've got some excellent stuff here. | 0:06:26 | 0:06:29 | |
It's the Auld Alliance, a rather unusual shop we've been to before. | 0:06:29 | 0:06:34 | |
It's owned by Dave whose compulsive collecting began in France | 0:06:34 | 0:06:38 | |
where he lived in a hut, or in French, "un cabin". | 0:06:38 | 0:06:41 | |
-How are you? -Fine, how are you? -Good to see you. | 0:06:41 | 0:06:44 | |
Is the extent of your shop the ground floor? | 0:06:44 | 0:06:47 | |
It's basically that, but there's loads of junk elsewhere. | 0:06:47 | 0:06:51 | |
I'm into loads of junk elsewhere. | 0:06:51 | 0:06:53 | |
As you can see, Dave never met a collectible he didn't like. | 0:06:53 | 0:06:56 | |
So the shop, the pavement outside, | 0:06:56 | 0:06:59 | |
the backroom, the stockroom and the attic are completely overflowing. | 0:06:59 | 0:07:04 | |
Dave, I think with a bit more effort you could get more stuff up here. | 0:07:04 | 0:07:08 | |
That's silver. The only thing is the face is missing on the movement. | 0:07:08 | 0:07:13 | |
Yeah, which is fairly crucial to a clock. | 0:07:13 | 0:07:17 | |
But amongst all the thousands of objects in the shop, | 0:07:17 | 0:07:21 | |
which one do you think Philip is most likely to go for? | 0:07:21 | 0:07:26 | |
Give yourself 10 points if you said a wind-up bird. | 0:07:26 | 0:07:31 | |
Isn't that just fantastic? | 0:07:31 | 0:07:33 | |
-In technical terms it's an automaton. -Yes. | 0:07:33 | 0:07:38 | |
It's a clockwork-driven toy that does something. | 0:07:38 | 0:07:42 | |
In this case it pecks. | 0:07:42 | 0:07:44 | |
But you can have grand ones that play musical instruments. | 0:07:44 | 0:07:47 | |
With eyes that roll round and that sort of thing. | 0:07:47 | 0:07:51 | |
It would be early 1900s. | 0:07:51 | 0:07:54 | |
-They were adults toys, they weren't children's. -That's why a lot survive. | 0:07:54 | 0:08:00 | |
Toy, "kerching". It would go straight past you. | 0:08:00 | 0:08:04 | |
-I think that's lovely. How much is he, Dave? -£25. | 0:08:04 | 0:08:09 | |
Is this the exchange rate between Sassenachs and the Scots? | 0:08:09 | 0:08:14 | |
It'll be about 20, then. | 0:08:14 | 0:08:15 | |
Dave, you fulfil my goal because my quest is to buy quirky things. | 0:08:15 | 0:08:20 | |
And if you take the birdie, you're off to a flying start. | 0:08:20 | 0:08:24 | |
You should be quacking. | 0:08:24 | 0:08:27 | |
Now Catherine is moving in on Alex's dad, Alan | 0:08:27 | 0:08:30 | |
-hoping he'll be a softer touch. -Tell me about your apothecary. | 0:08:30 | 0:08:35 | |
This actually came off a chemist who'd retired | 0:08:35 | 0:08:39 | |
and these were out of his old shops. | 0:08:39 | 0:08:41 | |
Fabulous. Well, I love this kind of thing. | 0:08:41 | 0:08:44 | |
Especially this, which is a lovely, ceramic, | 0:08:44 | 0:08:48 | |
apothecary jar with the name of the contents. | 0:08:48 | 0:08:52 | |
The profession of apothecary dates back to the 11th century. | 0:08:52 | 0:08:57 | |
It's the precursor to the pharmacist. | 0:08:57 | 0:08:59 | |
As for the words on the jar and the contents, they're abbreviated | 0:08:59 | 0:09:04 | |
and in Latin and apparently for skin complaints. | 0:09:04 | 0:09:08 | |
-It still smells a bit. -It does. | 0:09:08 | 0:09:11 | |
Actually we probably shouldn't do that. That's lovely. | 0:09:11 | 0:09:15 | |
How much do you want for that? | 0:09:15 | 0:09:17 | |
Um, I think the best I can do on that is 85. | 0:09:17 | 0:09:21 | |
-85? -85. | 0:09:21 | 0:09:24 | |
-They're very desirable things. -I'm not going to make any profit on 85. | 0:09:24 | 0:09:29 | |
I'm trying hard, I'll do 70. | 0:09:29 | 0:09:31 | |
I think that's the best I can do, | 0:09:31 | 0:09:33 | |
otherwise I'd be cutting my own throat. | 0:09:33 | 0:09:36 | |
-How much do you want for those two? -I was looking at about £50 each. | 0:09:36 | 0:09:40 | |
50 pounds each? I couldn't do that. | 0:09:40 | 0:09:43 | |
-Are they in perfect condition? -I think they are. | 0:09:43 | 0:09:48 | |
That's cracked. See, I'm finding faults now. | 0:09:48 | 0:09:52 | |
Just to make it easier for you, I'll do the three... Three at 140. | 0:09:52 | 0:09:58 | |
Where's your daughter? Does she give better prices? | 0:09:58 | 0:10:01 | |
LAUGHTER | 0:10:01 | 0:10:03 | |
I think the new girl's beginning to get the hang of this larky. | 0:10:03 | 0:10:06 | |
Philip, meanwhile, is looking for the perfect companion piece | 0:10:06 | 0:10:10 | |
to his wind-up bird, which has inspired Dave to ask... | 0:10:10 | 0:10:13 | |
-Have you got bunions? -Bunions? | 0:10:13 | 0:10:17 | |
If you've got bunions, you put that in your shoe, | 0:10:17 | 0:10:20 | |
and that makes a dent so it doesn't hurt your foot. | 0:10:20 | 0:10:26 | |
-That's got Sarah written all over. I thought it was to do unmentionable things to sheep or cattle. -Exactly. | 0:10:26 | 0:10:32 | |
-How many of these have you sold? -Never. -How do you know its worth? | 0:10:32 | 0:10:35 | |
I gave him quite a lot for it. | 0:10:35 | 0:10:38 | |
"I gave him quite a lot for it." Softening the blow for me. Go on? | 0:10:38 | 0:10:43 | |
-20 quid. -That's a massive amount of money for it. -I know it is. | 0:10:43 | 0:10:48 | |
While the bunion clipper is certainly tempting, | 0:10:48 | 0:10:51 | |
Philip's much more taken with a couple of Matchbox classics. | 0:10:51 | 0:10:55 | |
These just remind me of my childhood. | 0:10:55 | 0:10:57 | |
Do you know why I like that one? | 0:10:57 | 0:10:59 | |
-My grandmother bought me one of these. -They're great. -Yeah. | 0:10:59 | 0:11:04 | |
Needless to say, packaging is all-important here | 0:11:04 | 0:11:06 | |
and a mint condition Matchbox car can be worth up to twice as much | 0:11:06 | 0:11:11 | |
if it comes with the original box. | 0:11:11 | 0:11:13 | |
-Fiver each. -At £5 each, there's room for negotiation, isn't there? -Ooh! | 0:11:14 | 0:11:20 | |
You heard it here first. | 0:11:20 | 0:11:21 | |
If you don't, I'm going to grab you with your bunion nipper. | 0:11:22 | 0:11:25 | |
Threatening violence is an interesting negotiating tactic | 0:11:25 | 0:11:29 | |
but Catherine's opting for divide and rule. | 0:11:29 | 0:11:33 | |
-So for this and these, what's Alex's best price? -140. | 0:11:33 | 0:11:37 | |
You're supposed to be the one that gives me better prices. | 0:11:37 | 0:11:40 | |
He said 140. I love the way he's disappeared and left me on my own. | 0:11:40 | 0:11:45 | |
130, done. | 0:11:45 | 0:11:48 | |
-130? -130. -OK. Thing is, I haven't got enough money. | 0:11:48 | 0:11:52 | |
-How much are the carboys? -They'd have to be 130 the pair. | 0:11:52 | 0:11:55 | |
-Yeah. -I think if you had to choose between the three here, | 0:11:55 | 0:11:59 | |
and the two there... | 0:11:59 | 0:12:01 | |
SHOPKEEPER LAUGHS | 0:12:01 | 0:12:02 | |
-I'm going to take you with me the whole way, actually. -Yes! | 0:12:02 | 0:12:05 | |
Can we do 110 on those? | 0:12:05 | 0:12:11 | |
-You're bullying. -She's so lovely. | 0:12:11 | 0:12:16 | |
-I felt a nod there. I'm sure it was a nod. -115. | 0:12:16 | 0:12:21 | |
Can we do 110? Definite. | 0:12:21 | 0:12:23 | |
Go on. Oh, please, Alex. Go on, 110. | 0:12:23 | 0:12:27 | |
What's a fiver? 110 and they're yours. | 0:12:27 | 0:12:30 | |
-You are the best. -And I'm paying the other fiver. | 0:12:30 | 0:12:33 | |
Thus far, Philip's search for the daft and different has found him | 0:12:36 | 0:12:40 | |
one wind-up bird, two Matchbox cars | 0:12:40 | 0:12:43 | |
and now what might be a wool winder, though there is some debate. | 0:12:43 | 0:12:47 | |
That's got a metal base, which means it's stronger. | 0:12:48 | 0:12:51 | |
You could use these for drying fishing line. | 0:12:51 | 0:12:53 | |
Fishing line, socks. | 0:12:53 | 0:12:55 | |
I think there's probably more potential for salmon fishing line than dirty socks, personally. | 0:12:55 | 0:13:00 | |
All Philip needs to complete the set is... | 0:13:00 | 0:13:04 | |
It's a stag horn three-piece carving set. | 0:13:04 | 0:13:07 | |
-Is it silver or plated? -It could very well be silver. -I like that. | 0:13:07 | 0:13:12 | |
The thing I love about this is if you want to go to a cookshop | 0:13:12 | 0:13:16 | |
and buy a modern knife, it's going to cost you £30 or £40, isn't it? | 0:13:16 | 0:13:22 | |
-Yet you can come to Dave and buy something like this for £15. -Pardon? | 0:13:22 | 0:13:27 | |
You can come to Dave and buy something like this for £15. | 0:13:27 | 0:13:30 | |
I've lost my hearing. | 0:13:30 | 0:13:31 | |
If I bought that, that was 25, and those were five each, | 0:13:31 | 0:13:35 | |
and if I bought those two together they would be? | 0:13:35 | 0:13:38 | |
-30. -30. | 0:13:38 | 0:13:40 | |
-And that was 25? -Yes. -And that was 25? -Yes. | 0:13:40 | 0:13:44 | |
-If I bought those two together, how much would they be? -40. | 0:13:44 | 0:13:47 | |
-40. And if I bought the whole lot together? -60. | 0:13:47 | 0:13:51 | |
Double figures, eh? That's a lot of money for our Phil. | 0:13:51 | 0:13:55 | |
Go on, I'll have it all, Dave. £50, wasn't it? | 0:13:55 | 0:13:57 | |
-Pardon? -50 quid. -What was that? -50 quid. -50? 60. | 0:13:57 | 0:14:03 | |
I tell you what, a fool and his money are soon parted, aren't they? | 0:14:03 | 0:14:07 | |
-It's sticking in your hand. -Get out of here! | 0:14:07 | 0:14:09 | |
With Philip's rather eclectic shopping spree now over | 0:14:11 | 0:14:15 | |
and Catherine in need of a cup of tea and a lie-down | 0:14:15 | 0:14:18 | |
after one very intense negotiation, our next stop is Aberdeen. | 0:14:18 | 0:14:22 | |
Now, this is a city with 8,000 years of history. | 0:14:24 | 0:14:28 | |
It's been ruled by the English. It's been set ablaze and rebuilt, | 0:14:28 | 0:14:32 | |
and it's even helped defeat Napoleon at the Battle of Waterloo. | 0:14:32 | 0:14:35 | |
That's because Aberdeen is home to the Gordon Highlanders, | 0:14:35 | 0:14:39 | |
a Scottish regiment formed in the 18th century to help fight the French. | 0:14:39 | 0:14:44 | |
And this museum celebrates their two centuries of history. | 0:14:44 | 0:14:48 | |
What does it for me on these trips is what I'm going to see. | 0:14:50 | 0:14:52 | |
Today it's going to be VCs, tartan and mess silver. | 0:14:52 | 0:14:57 | |
I hope someone's in. | 0:15:00 | 0:15:01 | |
-How are you doing? -Phil, good to see you. | 0:15:01 | 0:15:04 | |
Don't you worry, Philip. Jesper's the man to show you round. | 0:15:04 | 0:15:09 | |
From firearms to silverware, this regiment has quite a story to tell | 0:15:09 | 0:15:13 | |
and in 1794 it all started with a kiss. | 0:15:13 | 0:15:16 | |
This is the bonnet of Duchess Jean, | 0:15:16 | 0:15:18 | |
the wife of Alexander Duke of Gordon who raised the Gordon Highlanders. | 0:15:18 | 0:15:22 | |
The legend is that new recruits to the Gordons | 0:15:22 | 0:15:25 | |
received not only the King's shilling but a kiss from the fair Duchess. | 0:15:25 | 0:15:29 | |
-Really? -Absolutely. | 0:15:29 | 0:15:30 | |
She was a society beauty so how could any man resist such a wonderful...? | 0:15:30 | 0:15:36 | |
-So she was like the best recruiting machine that you had? -Absolutely. | 0:15:36 | 0:15:40 | |
How many did she get in? How many did she kiss? | 0:15:40 | 0:15:42 | |
When the Gordon Highlanders paraded for the first time | 0:15:42 | 0:15:45 | |
in Aberdeen in June, 1794, there were over 1,000 recruits. | 0:15:45 | 0:15:49 | |
I tell you what, there's mileage in this. They should do this today. | 0:15:50 | 0:15:54 | |
LAUGHING: Definitely! | 0:15:54 | 0:15:55 | |
The collection includes some rather impressive silverware. | 0:15:55 | 0:16:00 | |
But this isn't the only precious material in the museum. | 0:16:00 | 0:16:03 | |
It's also home to 11 of one of the rarest medals in existence. | 0:16:03 | 0:16:09 | |
-That's a VC. -Yes, it is. | 0:16:10 | 0:16:12 | |
Victoria Cross. | 0:16:12 | 0:16:13 | |
The most important, emblematic bravery medal there is to be won. | 0:16:13 | 0:16:18 | |
It is an absolute icon. | 0:16:18 | 0:16:19 | |
These were made from the bronze of a cannon | 0:16:19 | 0:16:22 | |
from the Battle of Sebastopol in the Crimean War, weren't they? | 0:16:22 | 0:16:26 | |
That's right. | 0:16:26 | 0:16:28 | |
It's captured Russian cannon that the medals are still cast from. | 0:16:28 | 0:16:31 | |
This particular VC belonged to a legendary member | 0:16:31 | 0:16:35 | |
of the Gordon Highlanders, Piper George. | 0:16:35 | 0:16:38 | |
He fought on the Northwest Frontier, present-day Pakistan, in 1897. | 0:16:38 | 0:16:43 | |
Gordon charged forward over this open piece of ground | 0:16:44 | 0:16:47 | |
with their pipers playing, urging the men on over the ground. | 0:16:47 | 0:16:51 | |
Five pipers stood up and started playing when the charge began. | 0:16:52 | 0:16:56 | |
Only one of the pipers made it across that open piece of ground unscathed. | 0:16:56 | 0:17:00 | |
One of the wounded was Piper George Findlater. | 0:17:00 | 0:17:04 | |
He was wounded in both ankles | 0:17:04 | 0:17:06 | |
but despite the fact that he was in a great deal of pain, | 0:17:06 | 0:17:09 | |
he had blood seeping into the ground from his ankles, | 0:17:09 | 0:17:12 | |
and he was under constant, murderous fire from the heights above, | 0:17:12 | 0:17:16 | |
he propped himself up against a rock and carried on playing his pipes, | 0:17:16 | 0:17:21 | |
urging his fellow Gordons on, up the heights, and to eventual victory. | 0:17:21 | 0:17:26 | |
There are things that you do in your life | 0:17:29 | 0:17:31 | |
that make the hairs on the back of your neck stand on end, | 0:17:31 | 0:17:35 | |
and this does because it's just like... | 0:17:35 | 0:17:38 | |
It's just... That's a moment, isn't it, really? | 0:17:38 | 0:17:41 | |
To have in your hands a Victoria Cross. | 0:17:41 | 0:17:45 | |
Needless to say, a Victoria Cross isn't that easy to come by | 0:17:45 | 0:17:48 | |
and at auction you can expect to pay upwards of a quarter of a million. | 0:17:48 | 0:17:52 | |
Here I am with a VC in my hand. That's a bit special, that. | 0:17:52 | 0:17:58 | |
Whilst it's a moment Philip doesn't want to and, | 0:17:59 | 0:18:02 | |
I'm afraid there's a contest still to decide | 0:18:02 | 0:18:04 | |
and a fellow competitor very much in need of a lift. | 0:18:04 | 0:18:08 | |
-Hello! -Hello. You all right? | 0:18:08 | 0:18:10 | |
Can I drive? | 0:18:10 | 0:18:12 | |
That's better. | 0:18:13 | 0:18:15 | |
Have to check my insurance first. | 0:18:15 | 0:18:17 | |
-How do you get this into first gear? -Oh, Lord. -OK, Ready? | 0:18:17 | 0:18:21 | |
ENGINE STALLS | 0:18:21 | 0:18:23 | |
THEY LAUGH | 0:18:23 | 0:18:25 | |
Woo! Ha ha! | 0:18:26 | 0:18:29 | |
Legs apart, lift together. | 0:18:29 | 0:18:31 | |
-Left down? -Straight on. -But what indicator? | 0:18:31 | 0:18:35 | |
Catherine, you're doing 22 mph. | 0:18:36 | 0:18:38 | |
Shall we ring the next shop and tell them we'll be there in three days? | 0:18:38 | 0:18:42 | |
Well, they're making their way, slowly, to our next port of call, | 0:18:42 | 0:18:48 | |
the Aberdeen Antiques Centre. | 0:18:48 | 0:18:49 | |
-Here we are. -Let's go. -Be happy. Come on! | 0:18:49 | 0:18:55 | |
Despite Catherine's perky demeanour, | 0:18:55 | 0:18:57 | |
she's a little worried about only having £90 still in the kitty. | 0:18:57 | 0:19:01 | |
As I've eaten into a huge chunk of my money already, | 0:19:01 | 0:19:05 | |
I don't really want to spend much here. | 0:19:05 | 0:19:07 | |
I can only really afford to spend 30, top whack. | 0:19:07 | 0:19:11 | |
So what I'm looking for is something cheap and cheerful | 0:19:11 | 0:19:14 | |
that's going to make me a big profit. | 0:19:14 | 0:19:16 | |
I've got to beat that Serrell, you see. | 0:19:16 | 0:19:18 | |
To add to the pressure, it's almost closing time, so don't dilly dally. | 0:19:18 | 0:19:22 | |
145. That's quite a lot of money. | 0:19:23 | 0:19:26 | |
Could I have a look at that little thing down there, please? | 0:19:26 | 0:19:30 | |
Oh look, Philip's found something | 0:19:30 | 0:19:32 | |
and he's about to dig Doug out for a deal. | 0:19:32 | 0:19:35 | |
This is a shooting butt marker. | 0:19:35 | 0:19:37 | |
These little pegs are ivorine, | 0:19:37 | 0:19:41 | |
They're numbered. | 0:19:41 | 0:19:43 | |
What you would do is arrive at your shoot early in the morning | 0:19:43 | 0:19:47 | |
and mix all those up. There's normally eight guns at a shoot. | 0:19:47 | 0:19:52 | |
The first gun would normally be a guest. You'd offer him one of these | 0:19:52 | 0:19:56 | |
and he'd pick one of these out. His stand is number five. | 0:19:56 | 0:20:00 | |
Then you'd go on to the next gun | 0:20:00 | 0:20:01 | |
until all eight guns have pulled out a number which would give them | 0:20:01 | 0:20:05 | |
their position in the line on the first drive. | 0:20:05 | 0:20:08 | |
It's basically allocating your day for the whole of the shoot by luck. | 0:20:08 | 0:20:13 | |
I just think that's a really nice thing. | 0:20:13 | 0:20:15 | |
I'd need to be brutal on that price. | 0:20:15 | 0:20:18 | |
It's £42, it's marked as. | 0:20:18 | 0:20:20 | |
I was hoping it might be 24 and it was the wrong way round. | 0:20:20 | 0:20:23 | |
-I'll do it for £30 for you. -You're a hard man. | 0:20:23 | 0:20:27 | |
-Can I just take them outside to the light a minute? -Sure | 0:20:27 | 0:20:30 | |
Don't worry, Philip hasn't taken to shoplifting yet. | 0:20:30 | 0:20:33 | |
Natural light really is the best way to view some objects. | 0:20:33 | 0:20:37 | |
I think this is lovely. I really think this is lovely, | 0:20:37 | 0:20:41 | |
but you get them in this light and they look really plasticky. | 0:20:41 | 0:20:44 | |
-£20 for them? -You're a gentleman. Thank you very much. | 0:20:46 | 0:20:49 | |
Let me give you some money. | 0:20:49 | 0:20:51 | |
Here we have it. | 0:20:51 | 0:20:52 | |
Another rare appearance of Philip Serrell's wallet. | 0:20:52 | 0:20:55 | |
-Come on. -Are we going? -Yeah, I've bought something. | 0:20:55 | 0:20:58 | |
Fortunately, Catherine's used her time wisely | 0:20:58 | 0:21:02 | |
and has discovered a matching pair of silver toast racks. | 0:21:02 | 0:21:04 | |
I love the pair of toast racks. They're very cute. | 0:21:04 | 0:21:07 | |
-They're sort of 1930s or something? -I would say so. -I like those. | 0:21:07 | 0:21:11 | |
Now did you happen to know that toast | 0:21:11 | 0:21:14 | |
was invented by the Egyptians 5,000 years ago? | 0:21:14 | 0:21:17 | |
Believe that, you'll believe anything. | 0:21:17 | 0:21:20 | |
You'd have to have a very small piece of toast for these. | 0:21:20 | 0:21:23 | |
I'm not so keen on that price though. What's that? £70. | 0:21:23 | 0:21:27 | |
-I could let them go for 50 for you. -50? -If that helps you. | 0:21:27 | 0:21:31 | |
I really don't think I can go beyond 30 on these. | 0:21:31 | 0:21:33 | |
I don't think I could go lower. | 0:21:33 | 0:21:38 | |
I'm not sure if I'd make a profit on that. | 0:21:39 | 0:21:41 | |
-What if we were to say 35? -35, now you're talking. -I'll split the difference. | 0:21:41 | 0:21:46 | |
-I've got to take them at £35, haven't I? -It's a deal. | 0:21:46 | 0:21:49 | |
You're a lovely, lovely man. Thank you. | 0:21:49 | 0:21:52 | |
If not they make a great pair of earrings! | 0:21:52 | 0:21:54 | |
-Wouldn't they? -Absolutely. -Bet Lynch eat your heart out. | 0:21:55 | 0:21:59 | |
And with the last exchange of cash, so ended day one | 0:21:59 | 0:22:02 | |
of Serrell versus Southon. | 0:22:02 | 0:22:05 | |
Come on, home James. Woo! | 0:22:05 | 0:22:07 | |
As the sun rises on another glory day in Scotland, | 0:22:10 | 0:22:14 | |
our dynamic duo are once again hitting the road, | 0:22:14 | 0:22:17 | |
leaving Aberdeen behind and heading for bonnie Dundee, | 0:22:17 | 0:22:21 | |
where they'll go head-to-head at auction. | 0:22:21 | 0:22:23 | |
-Toads on road. -Eh? | 0:22:23 | 0:22:25 | |
Don't run over any toads, Philip. | 0:22:25 | 0:22:27 | |
So far Philip's quest for the daft and different | 0:22:28 | 0:22:31 | |
has seen him part with £80 for everything from Star Wars figures | 0:22:31 | 0:22:37 | |
to a wind-up bird, leaving him £120 still to play with. | 0:22:37 | 0:22:40 | |
You go out and buy the goodies and I'm left looking like a Lulu. | 0:22:40 | 0:22:44 | |
-I'm going for the sympathy vote. -Oh, come on, Philip. | 0:22:44 | 0:22:47 | |
Catherine, meanwhile, has boldly splashed out £145 | 0:22:47 | 0:22:52 | |
on two carboys | 0:22:52 | 0:22:53 | |
and her rather lovely toast racks, which leaves her just £55. | 0:22:53 | 0:22:58 | |
Your strength is playing this 'I don't know' trick | 0:22:58 | 0:23:02 | |
-and you do so well. -Shut up. -You do so well. | 0:23:02 | 0:23:05 | |
Before more shopping and arguing, | 0:23:05 | 0:23:08 | |
Catherine first has a date with royalty | 0:23:08 | 0:23:11 | |
at the fabulous Glamis Castle in the fertile valley of Strathmore. | 0:23:11 | 0:23:16 | |
Oh, my word. | 0:23:19 | 0:23:21 | |
Oh, I just feel like I'm in a dream. | 0:23:21 | 0:23:25 | |
This is going to be magical. | 0:23:25 | 0:23:28 | |
For more than 600 years, | 0:23:28 | 0:23:30 | |
this has been the ancestral home of the Earls of Strathmore. | 0:23:30 | 0:23:34 | |
But what really stands this beautiful castle apart | 0:23:34 | 0:23:38 | |
is the fact that it was the childhood home of Queen Elizabeth, the Queen Mother. | 0:23:38 | 0:23:43 | |
-Good morning. -Good morning, Catherine. Welcome to Glamis. | 0:23:43 | 0:23:47 | |
And Hamish here is giving us the grand tour. | 0:23:47 | 0:23:51 | |
There's a great deal of history here at Glamis. | 0:23:51 | 0:23:53 | |
What you're looking at here is the original tower house | 0:23:53 | 0:23:56 | |
that was built by the family when they first came here in the 1370s. | 0:23:56 | 0:24:00 | |
-So this is the oldest part. -This, we believe, is the oldest part. | 0:24:00 | 0:24:04 | |
Basically, the family were given the land here by King Robert II | 0:24:04 | 0:24:07 | |
in the 1370s and they've been adding to it ever since. | 0:24:07 | 0:24:10 | |
-Shall we go inside? -Really lovely building. | 0:24:10 | 0:24:14 | |
Oh, this is definitely feeling like a castle. | 0:24:15 | 0:24:18 | |
At age three, the Queen Mother officially took up residence | 0:24:18 | 0:24:22 | |
here at Glamis when her father became the 14th Earl of Strathmore, | 0:24:22 | 0:24:26 | |
so beginning a love affair with this castle that lasted her entire life. | 0:24:26 | 0:24:31 | |
This little staircase here leads to the Queen Mother's sitting-room. | 0:24:31 | 0:24:35 | |
We'll go up. | 0:24:35 | 0:24:37 | |
At age 21, the Queen Mother received a marriage proposal | 0:24:37 | 0:24:40 | |
from George, the then Duke of York. | 0:24:40 | 0:24:42 | |
Though not wishing to live in the public eye, | 0:24:42 | 0:24:46 | |
she turned him down, not once but twice. | 0:24:46 | 0:24:49 | |
Then after a third proposal, two years on, she finally said yes, | 0:24:50 | 0:24:54 | |
and the happy couple spent much of their honeymoon here at Glamis | 0:24:54 | 0:24:58 | |
in a specially designed royal suite. | 0:24:58 | 0:25:01 | |
I can't believe that this is actually the Queen Mother's sitting room. | 0:25:01 | 0:25:05 | |
This is incredible. | 0:25:05 | 0:25:06 | |
It is very much as it always was from the time of their marriage. | 0:25:06 | 0:25:09 | |
In fact there's a photograph on that little table taken in 1935. | 0:25:09 | 0:25:12 | |
It's almost exactly the same then as it is today. | 0:25:12 | 0:25:16 | |
That's not the only photograph you'll find here. | 0:25:16 | 0:25:19 | |
Very nice little one here of their two daughters. | 0:25:19 | 0:25:21 | |
Margaret on the right, aged four. | 0:25:21 | 0:25:23 | |
The Queen has signed her own pet name at the bottom, Lilibet. | 0:25:23 | 0:25:27 | |
Ah, that's lovely, isn't? | 0:25:27 | 0:25:29 | |
Hamish, I love this little enclosed booth | 0:25:29 | 0:25:33 | |
where presumably the Queen Mother would have sat down. | 0:25:33 | 0:25:36 | |
-I presume so. Can you see above the desk? -I can see the phone. | 0:25:36 | 0:25:41 | |
Isn't that wonderful? | 0:25:41 | 0:25:43 | |
I found a piece of headed paper here a few years ago | 0:25:43 | 0:25:45 | |
which said the phone number here was Glamis 4. | 0:25:45 | 0:25:48 | |
-So I wonder who 1, 2 and 3 were. -Yes, exactly! | 0:25:48 | 0:25:51 | |
Needless to say, the Queen Mother's life changed forever | 0:25:51 | 0:25:55 | |
when in 1936 her husband was crowned king, | 0:25:55 | 0:25:58 | |
but along with their daughters, Elizabeth and Margaret, | 0:25:58 | 0:26:01 | |
they never stopped coming to Glamis. | 0:26:01 | 0:26:04 | |
These little chairs here? | 0:26:04 | 0:26:06 | |
We think they were used by the princesses | 0:26:06 | 0:26:08 | |
when they were here on holiday. | 0:26:08 | 0:26:10 | |
For me, that's wonderful. | 0:26:10 | 0:26:12 | |
To think that the then Princess Elizabeth | 0:26:12 | 0:26:15 | |
and Princess Margaret sat on those chairs, | 0:26:15 | 0:26:17 | |
I mean, that's wonderful, isn't it? | 0:26:17 | 0:26:20 | |
-Isn't it? -I just want to stay here. | 0:26:20 | 0:26:22 | |
Sorry, Catherine, but the road trip waits for no man or woman. | 0:26:22 | 0:26:28 | |
As we head down Scotland's eastern coast, our next stop is Montrose, | 0:26:28 | 0:26:32 | |
which sits between the mouths of the North and South Esk Rivers. | 0:26:32 | 0:26:36 | |
-Oh, stop! Stop. Can I take a picture? -Go on. | 0:26:38 | 0:26:42 | |
That is quite amazing, isn't it? | 0:26:42 | 0:26:45 | |
There's a fishing boat, look. | 0:26:45 | 0:26:46 | |
Come on, baby. Get in my car. | 0:26:46 | 0:26:50 | |
As well as boasting uninterrupted views of the North Sea, | 0:26:50 | 0:26:53 | |
Montrose is also home to our most unusual antiques dealer yet. | 0:26:53 | 0:26:58 | |
On a remote farm that seems to be a million miles from anything, | 0:26:58 | 0:27:01 | |
our duo are on the outlook for - wait for it - Steptoe's Yard! | 0:27:01 | 0:27:06 | |
MUSIC: Theme from "Steptoe and Son" | 0:27:06 | 0:27:08 | |
-We could find anything here - some real treasure. -We could find nothing. | 0:27:08 | 0:27:12 | |
-You're always so negative, aren't you? -No, no. My pint glass is just half empty. | 0:27:12 | 0:27:17 | |
Lord above! | 0:27:17 | 0:27:19 | |
Oh, my word! | 0:27:19 | 0:27:22 | |
I think I've died and gone to heaven. | 0:27:22 | 0:27:25 | |
Incredibly, this is just the tip of the iceberg. | 0:27:25 | 0:27:30 | |
While everything you see is permanently displayed outside, | 0:27:30 | 0:27:33 | |
it's just a fraction of Peter's somewhat eclectic collection. | 0:27:33 | 0:27:37 | |
Hi, Peter! I can't believe this place. It's really quite something. Something else, actually. | 0:27:37 | 0:27:43 | |
-It is slightly different. -Can I have a look inside? | 0:27:43 | 0:27:46 | |
Indoors, there's row after row after row of furniture, | 0:27:46 | 0:27:51 | |
glass, china, brassware and seemingly non-stop knickknacks. | 0:27:51 | 0:27:55 | |
Oh, my word! | 0:27:55 | 0:27:59 | |
I'm just completely lost for words. You've got so much here. | 0:28:00 | 0:28:04 | |
It's just vast! | 0:28:04 | 0:28:06 | |
A farmer by trade, it was mad cow disease that inspired Peter to diversify | 0:28:06 | 0:28:11 | |
and he's managed to gather all of this stuff in just six years. Oh, dear! | 0:28:11 | 0:28:15 | |
-Does it ever stop? -It stops when you get to the end! -SHE LAUGHS | 0:28:15 | 0:28:19 | |
Doesn't feel like there is an end. | 0:28:19 | 0:28:22 | |
Peter! Which do you reckon is the best place for me to work? | 0:28:22 | 0:28:25 | |
I'm just completely overwhelmed here. | 0:28:25 | 0:28:27 | |
There are a few things in here. | 0:28:27 | 0:28:29 | |
-I think that's an electric cardiograph in here. -Electric cardiograph? | 0:28:29 | 0:28:33 | |
Call me picky if you like, | 0:28:33 | 0:28:34 | |
but I think the mould on there just puts me off using that a bit. | 0:28:34 | 0:28:39 | |
-We would clean that off for you. -Peter, I'm beginning to worry about you. | 0:28:39 | 0:28:44 | |
Sadly, a cardiograph is too daft and different, even for Philip. | 0:28:44 | 0:28:47 | |
But this 19th-century cartwheel? Just right. | 0:28:47 | 0:28:51 | |
-Make me a sensible offer. -In my eyes, it's 30, 35 quid's worth. That's what I think. | 0:28:51 | 0:28:56 | |
I would disagree a little bit. | 0:28:56 | 0:28:57 | |
Who's going to buy that off me? A bloke with a three-wheeled cart? | 0:28:57 | 0:29:00 | |
-If you were to give me somewhere in the region of 55... -No! | 0:29:00 | 0:29:04 | |
-I'll maybe do a deal with you. -55 quid for a foreign cartwheel? | 0:29:04 | 0:29:09 | |
Someone said to me that they thought it had been used for driving | 0:29:09 | 0:29:14 | |
-possibly ropes are something like that. -Do you know what I think you use it for? | 0:29:14 | 0:29:18 | |
I think you use it for kippering poor Englishmen. | 0:29:18 | 0:29:22 | |
Surprisingly, this is a very sound choice as cartwheels are extremely popular in garden makeovers | 0:29:22 | 0:29:29 | |
and thus go very well at auction. | 0:29:29 | 0:29:31 | |
But Peter's playing hard to get. | 0:29:31 | 0:29:34 | |
This has got to be, what, turn of the last century? 1890, 1900. | 0:29:34 | 0:29:38 | |
-I would reckon so. -And I think it's continental. | 0:29:38 | 0:29:41 | |
As such, it's not worth anything like the amount of money that an English one would be. | 0:29:41 | 0:29:45 | |
-35 quid is my best deal there. -No, come on. A little bit more. | 0:29:45 | 0:29:49 | |
You've got to think of the poor Scotsman. | 0:29:49 | 0:29:51 | |
Unable to strike a deal, the search continues. Though I do believe that amongst all of this, | 0:29:51 | 0:29:58 | |
Catherine's finally found something. | 0:29:58 | 0:30:01 | |
It's got a big split down it. | 0:30:02 | 0:30:05 | |
-Come on... -That adds to the character. I've not seen one that didn't have a split. | 0:30:05 | 0:30:09 | |
Whilst it's seen better days, what does make this trunk interesting | 0:30:09 | 0:30:14 | |
is that it's pine painted to look like oak - | 0:30:14 | 0:30:16 | |
a paint technique that's called scumbling. | 0:30:16 | 0:30:19 | |
But will the bidders of Dundee appreciate the quirk? | 0:30:19 | 0:30:23 | |
How much could that be, before we even think about getting it out? | 0:30:23 | 0:30:26 | |
-You'd be looking round about the 50. -Could it be 20? | 0:30:28 | 0:30:31 | |
No. Not quite! | 0:30:31 | 0:30:34 | |
-25 then? -No, 30. -25, come on. Final offer. | 0:30:34 | 0:30:37 | |
-I was giving you a rock bottom price. -25 or we'll push it back in. | 0:30:37 | 0:30:42 | |
-Go on, Peter. Put it there. -I'll do it for 28 for you. | 0:30:42 | 0:30:46 | |
-25! Come on. -28! Come on. | 0:30:46 | 0:30:49 | |
28. There you go. You'll get a big profit off that one. | 0:30:49 | 0:30:52 | |
I haven't even seen the other side of that. So, I'm hoping that's OK. | 0:30:52 | 0:30:56 | |
Well, you've bought it now. | 0:30:56 | 0:30:58 | |
Now, it may look as if Philip's moved on from that cartwheel, | 0:30:58 | 0:31:02 | |
but nothing could be further from the truth. | 0:31:02 | 0:31:05 | |
-Peter, we're going to have to have a deal on that cartwheel. -I need a little bit more than 35. | 0:31:05 | 0:31:11 | |
-How much is a little? -If you give me 45... -That's not a little, that's a lot! | 0:31:11 | 0:31:17 | |
-That's halfway between... -No, get out of here! | 0:31:17 | 0:31:19 | |
You see, I thought "a little" was 36. | 0:31:19 | 0:31:21 | |
The only reason I would even think about selling it is because it's to a needy case. | 0:31:21 | 0:31:25 | |
-You haven't got any violins around here? -I could start... | 0:31:25 | 0:31:28 | |
-I think there is one, but it's not in very good order! -HE LAUGHS | 0:31:28 | 0:31:32 | |
-This is all I've got. -£40? You've got to admire his cheek. | 0:31:32 | 0:31:36 | |
I'll tell you what I'll do, I'll sell you at for that, | 0:31:36 | 0:31:39 | |
provided I don't half to help you tie it on the roof of your car. | 0:31:39 | 0:31:43 | |
Thank you very much indeed. | 0:31:43 | 0:31:45 | |
Ha ha! Having begged the best deals they can out of old Steptoe, | 0:31:45 | 0:31:49 | |
the moment has finally arrived when Philip and Catherine must reveal all. | 0:31:49 | 0:31:54 | |
MUSIC: Theme from "Steptoe and Son" | 0:31:54 | 0:31:56 | |
I don't know about you, but it's been a fairly hectic two days. | 0:31:56 | 0:31:59 | |
-You can say that again. -Shall I start? -Go on, then. | 0:31:59 | 0:32:02 | |
Well, the first thing, look. | 0:32:02 | 0:32:04 | |
I'm guessing some sort of clamp of some description. Oh! | 0:32:04 | 0:32:08 | |
-Oh, that's not what I thought at all. I like that. -Do you? | 0:32:08 | 0:32:11 | |
I reckon you probably paid about 30/40 quid for it. | 0:32:11 | 0:32:14 | |
-I paid £20 for it, so it's all right, isn't it? -Cheapskate! | 0:32:14 | 0:32:18 | |
-That's a steal. -Do you want another one? -Go on, then. | 0:32:18 | 0:32:21 | |
I thought this was lovely. This is just a little butt marker. | 0:32:21 | 0:32:26 | |
Yeah. I thought they were ivory, but they're not. They're plastic. | 0:32:26 | 0:32:29 | |
-If it was ivory, it's £100. -How much did you pay for those? | 0:32:29 | 0:32:33 | |
There's a recurring theme to this. | 0:32:33 | 0:32:35 | |
-£20!? -£20. -You're a joke, you are. | 0:32:35 | 0:32:38 | |
-OK, your turn. -All right. | 0:32:38 | 0:32:42 | |
-Look! -Oh, wow! | 0:32:42 | 0:32:44 | |
-Actually, that's fantastic. -I've got a pair of these. | 0:32:44 | 0:32:47 | |
Isn't that lovely? The shape of that? | 0:32:47 | 0:32:50 | |
And they are in absolutely tiptop super condition. | 0:32:50 | 0:32:53 | |
-What did you pay for the pair? -I paid 110. | 0:32:53 | 0:32:57 | |
-If you can't get £50 each for those... -£50 each? | 0:32:57 | 0:33:00 | |
I don't think they're worth £50 each. | 0:33:00 | 0:33:02 | |
Who knows, Philip? Time will tell. | 0:33:02 | 0:33:04 | |
-Do you want to see why next one? -Come on, then. Oh, it's a swift. | 0:33:04 | 0:33:07 | |
-What's a swift? -This is a swift. -A swift is a type of... | 0:33:07 | 0:33:11 | |
-Ow, my fingers in it! -Sorry, Philip. -Ouch. | 0:33:11 | 0:33:16 | |
That's not very nice, is it? | 0:33:16 | 0:33:18 | |
All right! A swift is a type of wool-winder. So, spinning wool. | 0:33:18 | 0:33:23 | |
-And you're going to wind your wool... -A skein of wool goes around there, doesn't it? | 0:33:23 | 0:33:28 | |
There's different types of winders. This one is called an umbrella swift. | 0:33:28 | 0:33:32 | |
What a girl. Don't you just love her? What's it worth? Got to be worth my 20 quid. | 0:33:32 | 0:33:36 | |
-40/50 quid. -Cos I was hoping, you see... -Don't tell me you paid 20 again? -Yeah. | 0:33:36 | 0:33:41 | |
-I told you there was a recurring theme to this. -You are... What's next? | 0:33:41 | 0:33:46 | |
Aren't these the dinkiest pair of earrings? Would do you think, Phil? | 0:33:46 | 0:33:51 | |
Absolutely, Bette. | 0:33:51 | 0:33:52 | |
-Birmingham hallmarked. -Yeah. Mappin & Webb. | 0:33:52 | 0:33:55 | |
And they cost you 60 quid? | 0:33:55 | 0:33:58 | |
-35. -For the pair? | 0:33:58 | 0:34:00 | |
-I think you absolutely robbed those. Next thing? -Go on, then. | 0:34:00 | 0:34:04 | |
-Now, there is a recurring theme to this. -Oh, no! | 0:34:04 | 0:34:10 | |
-That's... I don't know what that is. -I'm not sure either. | 0:34:10 | 0:34:14 | |
-And that's a Matchbox Yesteryear Blower Bentley, four and a half litre. -I'll take your word on that. | 0:34:14 | 0:34:19 | |
-That's a model of Burrell Showmans' engine. -OK. | 0:34:19 | 0:34:21 | |
-This is just the business, look. -Oh, sweet! | 0:34:21 | 0:34:26 | |
-Little clockwork... -Yeah. | 0:34:26 | 0:34:28 | |
-Isn't he just the business, look? -That is amazing. | 0:34:29 | 0:34:33 | |
-I love it. -£20... | 0:34:33 | 0:34:36 | |
and 40 pence. | 0:34:36 | 0:34:37 | |
Well, I'd give you at least £30 just for him. | 0:34:38 | 0:34:41 | |
-This is the star of the show. -Have you got another one? Let me guess. | 0:34:41 | 0:34:47 | |
You've bought a thimble! | 0:34:47 | 0:34:49 | |
Actually, it's a lot better box than it looks because it's a pine box, isn't it? | 0:34:49 | 0:34:53 | |
-Yeah, it is. -But it's scumbled. -That was 28 quid. | 0:34:53 | 0:34:56 | |
-I think that's absolutely fine. -Do you? | 0:34:56 | 0:34:57 | |
-I do, honestly. -I hope you're right cos I can't shut it now. | 0:34:57 | 0:35:00 | |
-Do you want to see my last thing? -Go on, then. | 0:35:00 | 0:35:03 | |
Well, this wasn't 20, | 0:35:03 | 0:35:06 | |
-but it was two times 20. -Oh, wow! | 0:35:06 | 0:35:10 | |
-Why have I bought that? -I don't know, but that's impressive, Philip. | 0:35:10 | 0:35:14 | |
-You paid £40 for that? -Yeah. Why? | 0:35:14 | 0:35:16 | |
It's just one of those things that actually could do very well. | 0:35:16 | 0:35:20 | |
What comes around goes around. And wheels go round. | 0:35:20 | 0:35:23 | |
SHE LAUGHS You're right, Philip! | 0:35:23 | 0:35:25 | |
Oh, very droll. | 0:35:25 | 0:35:27 | |
In a contest of the old hand versus the new girl, what do they really think about each other's purchases? | 0:35:27 | 0:35:33 | |
His first item that he showed me was the fork knife set. | 0:35:33 | 0:35:38 | |
It's nice cos it's got Aberdeen on but I don't think it's going to get people particularly excited. | 0:35:38 | 0:35:43 | |
I think her chemist jars, if she can get a London prize for them, | 0:35:43 | 0:35:48 | |
she might get a couple of hundred pounds profit. | 0:35:48 | 0:35:50 | |
I think the danger is we're in Dundee selling these things. | 0:35:50 | 0:35:54 | |
The cartwheel that really had his name written all over it, | 0:35:54 | 0:35:57 | |
nobody else would give it a second glance. | 0:35:57 | 0:35:59 | |
The trunk is undoubtedly her worst item. | 0:35:59 | 0:36:02 | |
She probably panic-bought that at the 11th hour. | 0:36:02 | 0:36:04 | |
I don't know if he was just being kind | 0:36:04 | 0:36:07 | |
or whether he's a sly, old fox and thinks they're going to bomb. | 0:36:07 | 0:36:10 | |
I'm going to have to watch my pocket is a bit over the next five days | 0:36:10 | 0:36:14 | |
cos she's going to be hard to beat. | 0:36:14 | 0:36:18 | |
After kicking off in the village of Aboyne, | 0:36:18 | 0:36:20 | |
the first leg of this road trip comes to an end in sunny Dundee, | 0:36:20 | 0:36:24 | |
the city that's famous for | 0:36:24 | 0:36:26 | |
jam, Jute and journalism. | 0:36:26 | 0:36:28 | |
That's got to be the footy club. | 0:36:28 | 0:36:30 | |
East Fife, four - Forfar, five. | 0:36:30 | 0:36:33 | |
Currently pulling up outside the auction rooms of Curr & Dewar, | 0:36:35 | 0:36:38 | |
Philip and Catherine will soon discover who's in the money | 0:36:38 | 0:36:42 | |
and who's in trouble. | 0:36:42 | 0:36:44 | |
Our first auction. Ooh! Handbrake on! | 0:36:44 | 0:36:46 | |
I'll live in hope that somebody'll nick it. | 0:36:46 | 0:36:48 | |
You're so miserable! | 0:36:48 | 0:36:50 | |
Me, miserable? How could you say such a thing? | 0:36:50 | 0:36:53 | |
-Oh, Philip! -Come on, my lovely. | 0:36:53 | 0:36:55 | |
Already, many a frugal Scot has gathered. | 0:36:55 | 0:36:58 | |
But before auctioneer Steven Dewar raises his gavel, | 0:36:58 | 0:37:01 | |
let's see how he rates the chances of our two competitors. | 0:37:01 | 0:37:04 | |
Quite like the butt markers. They're a quirky lot - not something you see very often. | 0:37:06 | 0:37:10 | |
The trunk, not so should about that one, unfortunately. Condition's a little bit against it. | 0:37:10 | 0:37:15 | |
The cartwheel might show a little bit of interest. | 0:37:15 | 0:37:18 | |
Whoever bought the cartwheel might get a little surprise. | 0:37:18 | 0:37:21 | |
Our experts began this journey with £200 each | 0:37:21 | 0:37:25 | |
and over the past two days Philip has spent | 0:37:25 | 0:37:28 | |
a total of £120.40 on five auction lots. | 0:37:28 | 0:37:32 | |
As for Catherine, our Road Trip newbie, | 0:37:32 | 0:37:34 | |
she spent £173 on just three auction lots. | 0:37:34 | 0:37:39 | |
Time to see who's really in the money. Let the auction begin! | 0:37:39 | 0:37:44 | |
First to go under the hammer are Catherine's fabulous glass vessels. | 0:37:44 | 0:37:48 | |
And to show them off to best effect, | 0:37:48 | 0:37:51 | |
she's even splashed out 68p on cordial. | 0:37:51 | 0:37:54 | |
If they sell for £50, Philip, I'm just going to cry. | 0:37:54 | 0:37:58 | |
-They won't sell for £50. I'll have a wager with you. -Do you promise? -No. | 0:37:58 | 0:38:02 | |
Bonnie looking pieces. | 0:38:02 | 0:38:04 | |
-"Bonnie looking pieces!" -Start me off at £50. | 0:38:04 | 0:38:07 | |
At £50, 60, | 0:38:07 | 0:38:09 | |
80, 100, and 20. | 0:38:09 | 0:38:12 | |
Notional tenner profit, isn't it? | 0:38:12 | 0:38:14 | |
This isn't looking good. Come on, Dundee! Dig deep! | 0:38:14 | 0:38:18 | |
-All done? -Bit more. -Thank you. | 0:38:18 | 0:38:22 | |
Why did I buy those? | 0:38:22 | 0:38:24 | |
Only a £10 profit there and that's before commission. | 0:38:24 | 0:38:28 | |
Next, it's Philip's wool winder - | 0:38:29 | 0:38:32 | |
just one of his many £20 bargains. | 0:38:32 | 0:38:34 | |
I liked it initially. | 0:38:34 | 0:38:36 | |
Now I've looked at it again, I'm really not that keen. | 0:38:36 | 0:38:38 | |
It's horrible, isn't it? Yeah... | 0:38:38 | 0:38:40 | |
Interest starts the offer at £15. | 0:38:40 | 0:38:43 | |
At £15, a bit of vintage-ware there. | 0:38:43 | 0:38:46 | |
-18, 20... -No! -22... | 0:38:46 | 0:38:50 | |
£22. | 0:38:50 | 0:38:52 | |
-I'm sort of pleased to see the back of that. -£2 profit. | 0:38:52 | 0:38:56 | |
-Well done, Philip. -Yeah. | 0:38:56 | 0:38:59 | |
So far, Catherine's ever so slightly in the lead. | 0:38:59 | 0:39:02 | |
But let's see if Philip's Victorian carving set can cut things up. | 0:39:02 | 0:39:07 | |
At £35 it is for the set of carvers. At £35... | 0:39:08 | 0:39:12 | |
40, five, 50, five, 60. | 0:39:12 | 0:39:16 | |
£60. | 0:39:16 | 0:39:17 | |
Five. £65, are you all done? At 65 then... | 0:39:17 | 0:39:22 | |
I'm really really pleased with that. | 0:39:22 | 0:39:25 | |
And so you should be, Philip. So you should, all boy. | 0:39:25 | 0:39:27 | |
Next, Catherine's Victorian trunk. | 0:39:27 | 0:39:31 | |
Let's hope the good people of Dundee are mad keen for a bit of scumbling. | 0:39:31 | 0:39:35 | |
Rare rustic piece there. Interest on it. £10 bid. | 0:39:35 | 0:39:39 | |
At £10, it is - the Victorian trunk. At £10... | 0:39:39 | 0:39:42 | |
Oh, come on! | 0:39:42 | 0:39:44 | |
12. £12. 15. | 0:39:44 | 0:39:45 | |
-£15, any advance on 15? -Come on. | 0:39:45 | 0:39:49 | |
Come on! | 0:39:49 | 0:39:50 | |
Oh, dear. This ain't looking good. | 0:39:50 | 0:39:52 | |
Nobody? Is that our lot? | 0:39:52 | 0:39:55 | |
-At £15, we're all done. -Oh! | 0:39:55 | 0:39:58 | |
£15 it is. | 0:39:58 | 0:40:00 | |
Oh, Catherine! Welcome to the unpredictable world | 0:40:00 | 0:40:03 | |
of the Road Trip. | 0:40:03 | 0:40:06 | |
Moving right along, it's Philip's toy collection next, | 0:40:06 | 0:40:09 | |
including the wind-up bird, | 0:40:09 | 0:40:11 | |
most of which he picked up on the "cheep!" | 0:40:11 | 0:40:14 | |
£30. 35, 40, five, | 0:40:14 | 0:40:19 | |
-50... -Oh, Philip, how do you do this? | 0:40:19 | 0:40:23 | |
-A bit of luck, really. -At £60, are you bidding? | 0:40:23 | 0:40:28 | |
-60. -Jammy old devil! -If they'd have taken | 0:40:28 | 0:40:31 | |
-those Star Wars figures out, it might have had a bit more. -SHE LAUGHS | 0:40:31 | 0:40:35 | |
That's a £40 profit. | 0:40:35 | 0:40:38 | |
But how will the bidders feel about his butt markers in faux ivory, | 0:40:38 | 0:40:42 | |
that's plastic to you and me. | 0:40:42 | 0:40:44 | |
Unusual little lot. 20 bid. | 0:40:44 | 0:40:46 | |
22, 25, 28, 30, | 0:40:46 | 0:40:49 | |
32, 35. 38, 40. | 0:40:49 | 0:40:53 | |
Are you all done at 40? £40. | 0:40:53 | 0:40:56 | |
I have to hand it to you, Philip. | 0:40:56 | 0:40:58 | |
The man's unstoppable. | 0:40:58 | 0:41:00 | |
So let's see what this feisty crowd of Scots make of | 0:41:00 | 0:41:03 | |
his continental car wheel. | 0:41:03 | 0:41:05 | |
I've got a horrible feeling that you might double your money on that. | 0:41:05 | 0:41:09 | |
Vintage metal-rimmed wooden cartwheel. Unusual item. I am bid | 0:41:09 | 0:41:14 | |
£60 for it. At £60 for the cartwheel. At £60... | 0:41:14 | 0:41:19 | |
Are you bidding, sir? 70, 80, 90, 100... | 0:41:19 | 0:41:22 | |
-I don't know. I don't get that. -120, 130. | 0:41:22 | 0:41:25 | |
At 130 now. Any advance at 130? | 0:41:25 | 0:41:29 | |
I don't get that, Philip! | 0:41:29 | 0:41:32 | |
That is a staggering £90 profit. Wow! | 0:41:32 | 0:41:36 | |
I just can't believe that. | 0:41:36 | 0:41:38 | |
Thankfully Catherine has one last ace up her sleeve. | 0:41:38 | 0:41:42 | |
Pair of small silver five bar toast racks, | 0:41:42 | 0:41:45 | |
Birmingham, 1938. Mappin & Webb. | 0:41:45 | 0:41:47 | |
Interest on these starts me off at £40. | 0:41:47 | 0:41:50 | |
At £40, pair of toast racks there. At £40... | 0:41:50 | 0:41:54 | |
Five, 50. 50 bid. Five, 60. | 0:41:54 | 0:41:58 | |
60 bid. | 0:41:58 | 0:42:00 | |
At £60, commission bidder at £60... | 0:42:00 | 0:42:03 | |
It's a good price, Catherine, but unfortunately not good enough. | 0:42:03 | 0:42:08 | |
-Oh, I'm sorry. -No, you're not. -I am because I feel guilty now. | 0:42:08 | 0:42:13 | |
There is no justice in this world. | 0:42:15 | 0:42:16 | |
True. Philip started this leg with £200 | 0:42:16 | 0:42:21 | |
and after auction costs made a profit of £139.54, | 0:42:21 | 0:42:26 | |
which means he ends round one with £339.54. | 0:42:26 | 0:42:30 | |
Catherine also started with £200 but made a loss of £13.10, | 0:42:30 | 0:42:36 | |
leaving her with a total of just £186.90. | 0:42:36 | 0:42:41 | |
But don't worry, my girl, it's only day one and it still anybody's game. | 0:42:41 | 0:42:45 | |
-I haven't liked today, Philip. -Well... -It's been a bad day. -Has it? | 0:42:45 | 0:42:52 | |
-But hats off to you. -It's not going to be a painful journey home, is it? | 0:42:52 | 0:42:55 | |
No. | 0:42:55 | 0:42:57 | |
-Do you know what my plan is next time? -What? | 0:42:57 | 0:43:00 | |
Next place we go to, I'm going to buy five cartwheels. | 0:43:00 | 0:43:03 | |
-Really? -And nothing else. And I'll make a loss! | 0:43:03 | 0:43:06 | |
And we could call them Catherine Wheels! | 0:43:06 | 0:43:09 | |
Next time, we're off to Glasgow where Catherine turns up the charm to maximum... | 0:43:09 | 0:43:13 | |
You'd would make me so happy because I just absolutely love this. | 0:43:13 | 0:43:18 | |
-Philip puts his reputation on the line... -There's a chance people'll think I'm stark raving bonkers. | 0:43:18 | 0:43:24 | |
-What can I say? -Right. -Gone. | 0:43:24 | 0:43:26 | |
And there's tears before bedtime. | 0:43:26 | 0:43:28 | |
You are horrid to me. | 0:43:28 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:52 | |
E-mail [email protected] | 0:43:52 | 0:43:55 |