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The nation's favourite antiques experts, £200 each | 0:48:02 | 0:48:05 | |
-and one big challenge! -I'm here to declare war. -Why? | 0:48:05 | 0:48:09 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:48:09 | 0:48:13 | |
-This is hard. -The aim is to trade up, | 0:48:13 | 0:48:16 | |
-and hope each antique turns a profit. -Come on! | 0:48:16 | 0:48:19 | |
But it's not as easy as you might think, | 0:48:19 | 0:48:21 | |
and things don't always go to plan. | 0:48:21 | 0:48:23 | |
So, will they race off with a huge profit, | 0:48:23 | 0:48:26 | |
-or come to a grinding halt? -Whose side are you on? | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip! | 0:48:29 | 0:48:32 | |
Travelling at speeds of almost 20 miles an hour, | 0:48:35 | 0:48:38 | |
Catherine Southon and Philip Serrell are taking the high road through Scotland. | 0:48:38 | 0:48:43 | |
Just to let you know, Phil, I have absolutely no sense of direction. | 0:48:43 | 0:48:47 | |
Fantastic. That's going to work really well. | 0:48:47 | 0:48:49 | |
-You're going to love having me. -Oh, dear me! | 0:48:49 | 0:48:52 | |
And while yesterday it was all blue skies and glorious countryside, | 0:48:52 | 0:48:56 | |
today we're experiencing a slightly more traditional Scottish summer - | 0:48:56 | 0:49:01 | |
grey skies and intermittent showers. | 0:49:01 | 0:49:04 | |
-I just got some rain on my foot. -No, that's the radiator leaking. | 0:49:04 | 0:49:09 | |
# The sun ain't gonna shine any more # | 0:49:09 | 0:49:12 | |
Still, at least it's not snowing, | 0:49:12 | 0:49:15 | |
and nothing is going to dampen Catherine's desire | 0:49:15 | 0:49:18 | |
to snatch the lead from Philip. | 0:49:18 | 0:49:21 | |
My plan is to do a Phil Serrell. | 0:49:21 | 0:49:23 | |
You have this amazing ability to home in on something pretty trashy, | 0:49:23 | 0:49:27 | |
and you manage to turn it into gold. | 0:49:27 | 0:49:30 | |
Well, she has a point. | 0:49:30 | 0:49:33 | |
Despite being a fine-arts man, | 0:49:33 | 0:49:35 | |
Philip's strategy seems to be "the dafter, the better". | 0:49:35 | 0:49:39 | |
If you've got bunions, you put that in your shoe. | 0:49:39 | 0:49:42 | |
I thought it was for doing unmentionable things to sheep or cattle. | 0:49:42 | 0:49:46 | |
Catherine Southon, on the other hand, has an impeccable knowledge | 0:49:46 | 0:49:50 | |
of scientific instruments and maritime art. | 0:49:50 | 0:49:53 | |
-I haven't even seen the other side of that. -You've bought it now. | 0:49:53 | 0:49:57 | |
But as well as really knowing her stuff, | 0:49:57 | 0:49:59 | |
she's also extremely fond of a hug. | 0:49:59 | 0:50:02 | |
Oh, you're so lovely! | 0:50:02 | 0:50:05 | |
Our esteemed experts started the week with £200 each, | 0:50:05 | 0:50:09 | |
but one auction later, it's a very different story. | 0:50:09 | 0:50:12 | |
Come on! | 0:50:12 | 0:50:14 | |
Having put most of her eggs in one basket, | 0:50:14 | 0:50:17 | |
Catherine made a loss, | 0:50:17 | 0:50:19 | |
and so starts this leg with just £186.90. | 0:50:19 | 0:50:23 | |
I hate the way you're smiling now! | 0:50:23 | 0:50:25 | |
Meanwhile, Philip's love of the daft and the different | 0:50:25 | 0:50:28 | |
is making him a small fortune. | 0:50:28 | 0:50:31 | |
He now has £339.54 to play with. | 0:50:31 | 0:50:35 | |
-Oh, I'm sorry. -No, you're not! -I am, because I feel guilty now. | 0:50:35 | 0:50:38 | |
SHE SIGHS | 0:50:38 | 0:50:41 | |
This week's Road Trip takes us from the northeast of Scotland | 0:50:42 | 0:50:45 | |
on to Glasgow and through the Lake District, | 0:50:45 | 0:50:48 | |
final destination Liverpool. | 0:50:48 | 0:50:50 | |
Today we're kicking off in Perth, | 0:50:51 | 0:50:53 | |
and, all going according to plan, we should wind up in Paisley. | 0:50:53 | 0:50:57 | |
Even without the sun, there's no denying | 0:50:57 | 0:51:00 | |
Perth, on the banks of the River Tay, | 0:51:00 | 0:51:02 | |
is one very striking city. | 0:51:02 | 0:51:05 | |
It's the Parthenon, look! We're in Greece! | 0:51:05 | 0:51:08 | |
I knew we'd been driving for a long time. | 0:51:08 | 0:51:11 | |
It's here the whisky industry flourished, | 0:51:11 | 0:51:13 | |
and the kings of Scotland were crowned, | 0:51:13 | 0:51:16 | |
so, with such a rich history, | 0:51:16 | 0:51:18 | |
you'd expect our next stop to be somewhere very grand indeed. | 0:51:18 | 0:51:22 | |
Hey, here we are! | 0:51:22 | 0:51:23 | |
But...no. | 0:51:23 | 0:51:26 | |
For the second day in a row, we're off to a car-boot sale. | 0:51:29 | 0:51:33 | |
I hope these two know what they're doing. | 0:51:33 | 0:51:35 | |
You always find tomato plants, don't you? | 0:51:35 | 0:51:38 | |
And second-hand foot spas. There we are. | 0:51:38 | 0:51:41 | |
-Well done. -Beautifully placed. | 0:51:41 | 0:51:43 | |
That's a wonderful bit of car parking. | 0:51:43 | 0:51:45 | |
Yeah, nice one. Well, having a quick scout around, | 0:51:45 | 0:51:48 | |
it's not exactly overflowing with antiques and gorgeous collectables. | 0:51:48 | 0:51:52 | |
I told you! You always find a second-hand foot spa at a boot sale. | 0:51:53 | 0:51:59 | |
And as for the tomato plants, they're just over here - | 0:51:59 | 0:52:02 | |
40p each or three for a pound. | 0:52:02 | 0:52:05 | |
Though maybe I've been a bit harsh - | 0:52:05 | 0:52:08 | |
after all, Philip's already uncovered a vintage tea service. | 0:52:08 | 0:52:12 | |
One sugar in mine, please. How much is that, my love? | 0:52:12 | 0:52:16 | |
-£10. -Get out of here, you! | 0:52:16 | 0:52:19 | |
My love, this can't be worth a tenner. This is just lunacy. | 0:52:19 | 0:52:23 | |
This opens up. You can't... I mean, what a performance, | 0:52:23 | 0:52:27 | |
if you want a cup of tea! I mean, look at it. | 0:52:27 | 0:52:29 | |
Looks like Friar Tuck's head, that, doesn't it? | 0:52:29 | 0:52:32 | |
-Does it all match, because... -No, it doesn't. | 0:52:32 | 0:52:35 | |
-Oh, there you are, you see. -Only the teapot and the coffee pot. | 0:52:35 | 0:52:38 | |
I don't know why I'm looking at it. It's horrible. | 0:52:38 | 0:52:41 | |
-What's the best you can do that for? -Ten! | 0:52:41 | 0:52:44 | |
Oh, get out of here! | 0:52:44 | 0:52:46 | |
I think Philip's finally met his match. | 0:52:46 | 0:52:49 | |
Perhaps Catherine's having more luck. | 0:52:49 | 0:52:52 | |
Bush radio. This is a collectable model, from the '60s to the '70s, | 0:52:52 | 0:52:56 | |
and then they reproduced this later on. | 0:52:56 | 0:52:59 | |
This is one of the original ones, but I think it's seen better days. | 0:52:59 | 0:53:04 | |
Without a doubt, the Bush radio is a style icon. | 0:53:04 | 0:53:08 | |
This particular model dates back to 1959, | 0:53:08 | 0:53:11 | |
and owes its phenomenal success | 0:53:11 | 0:53:14 | |
to a then newly identified demographic, the British teenager, | 0:53:14 | 0:53:19 | |
though sadly this isn't a market Catherine can count on today. | 0:53:19 | 0:53:22 | |
-Is it working? -Before the battery ran out, it was working. | 0:53:22 | 0:53:26 | |
And you're asking for ten? | 0:53:26 | 0:53:28 | |
-And that's a bargain. -Could you not do eight on that? | 0:53:28 | 0:53:31 | |
-Ten's my... I'm really, really - -Oh, you are mean! | 0:53:31 | 0:53:35 | |
-No, I'm not mean. I'm just - -It's in a really bad way, | 0:53:35 | 0:53:39 | |
-because it's a bit bashed here. -Well, let's try nine, then. | 0:53:39 | 0:53:43 | |
-How about the nine? -Could you go to five? -No. | 0:53:43 | 0:53:46 | |
-Really? -No, because I've already come down, you see. | 0:53:46 | 0:53:49 | |
-Shall we say seven and be friends? -7.50. | 0:53:49 | 0:53:52 | |
-Ooh, 7.50! -Buying a Bush radio, | 0:53:52 | 0:53:55 | |
-an original Bush radio, for 7.50... -Go on, then. | 0:53:55 | 0:53:58 | |
-This lady knows what she's doing. -There we are. | 0:53:58 | 0:54:01 | |
Oh, my gosh. It's all falling apart. | 0:54:02 | 0:54:04 | |
I'll let you put it back together again before I take it. | 0:54:04 | 0:54:07 | |
Oh, dear! And as for the teapot saga... | 0:54:07 | 0:54:11 | |
-You won't take less than a tenner? -I might, later on in the day. | 0:54:11 | 0:54:15 | |
But I'll be gone then. The moment will have just evaporated. | 0:54:15 | 0:54:19 | |
Ooh! Time to move on, I think, | 0:54:19 | 0:54:21 | |
to four 19th-century box planes being sold as a set | 0:54:21 | 0:54:24 | |
by guess who! | 0:54:24 | 0:54:26 | |
-They're £4 each. -Who gave... | 0:54:26 | 0:54:29 | |
Where does this pricing structure come from? | 0:54:29 | 0:54:31 | |
If you're, you know, a carpenter, | 0:54:34 | 0:54:37 | |
and you're working with something like that, | 0:54:37 | 0:54:39 | |
isn't that a fantastic thing? That bit of wood there | 0:54:39 | 0:54:42 | |
holds this blade in here, | 0:54:42 | 0:54:44 | |
and if you look just where my finger is there, | 0:54:44 | 0:54:47 | |
you can see that there's a maker's name on the blade. | 0:54:47 | 0:54:51 | |
How much for them? | 0:54:51 | 0:54:53 | |
-12. -They're not worth £12, are they? | 0:54:53 | 0:54:57 | |
I was thinking of a fiver for the lot. | 0:54:57 | 0:54:59 | |
Oh, no way! No. | 0:54:59 | 0:55:01 | |
Try again, then. | 0:55:01 | 0:55:04 | |
-£12. -No, no! You've got to move. | 0:55:04 | 0:55:07 | |
There has to be movement in this business. | 0:55:07 | 0:55:10 | |
I'll give you my best deal. I'll give you eight quid for 'em, | 0:55:10 | 0:55:13 | |
and I'll pay you now in hard Scottish cash. | 0:55:13 | 0:55:17 | |
No! | 0:55:17 | 0:55:18 | |
My goodness, they're a tough bunch up here in Perth! | 0:55:18 | 0:55:21 | |
But can they resist a Philip Serrell sob-story? | 0:55:21 | 0:55:24 | |
Listen, if I could tell you about my life... | 0:55:24 | 0:55:27 | |
I'm having a terrible time of it, right? I'm a long way from home. | 0:55:27 | 0:55:30 | |
I'm struggling to find anything. | 0:55:30 | 0:55:33 | |
It's... It's been really tough, really. | 0:55:33 | 0:55:36 | |
If I could buy those for £8, I could just see myself coming out of it. | 0:55:36 | 0:55:40 | |
It would just help me on the way to recovery. | 0:55:40 | 0:55:43 | |
-Oh, you are mean! -I'm not mean. I'm shrewd. | 0:55:44 | 0:55:48 | |
Is she ever! And now Catherine's come to rub salt in Philip's wounds. | 0:55:48 | 0:55:52 | |
He is so mean, this chap. | 0:55:52 | 0:55:54 | |
What you should do, when Philip comes up, is double your prices. | 0:55:54 | 0:55:58 | |
-This lady, trust me... -Stick to your guns! | 0:55:58 | 0:56:01 | |
She needs no advice. I can feel myself getting kippered | 0:56:01 | 0:56:04 | |
-before I start. -You love it! | 0:56:04 | 0:56:06 | |
Right, you... Off you go, you. | 0:56:06 | 0:56:09 | |
There's four of 'em. Four into 12 is £3 each, isn't it? | 0:56:09 | 0:56:13 | |
I'll give you a fiver for two, and I promise I'm going to get out of your life for good. | 0:56:13 | 0:56:18 | |
-OK. -You're an angel! | 0:56:18 | 0:56:20 | |
-There you are, my love. Thank you so much. -Thank you. | 0:56:20 | 0:56:23 | |
You're an angel. | 0:56:23 | 0:56:25 | |
Just when it looks as though Phil's come out on top, | 0:56:25 | 0:56:28 | |
-there's treachery afoot. -Right, where were those planes? | 0:56:28 | 0:56:31 | |
Aha! How much could you sell those two for? | 0:56:31 | 0:56:34 | |
For a bit of fun, could you do them for two? | 0:56:34 | 0:56:37 | |
Oh! | 0:56:37 | 0:56:39 | |
If I can get them at a cheaper price then have a competition, | 0:56:39 | 0:56:42 | |
because they're nowhere near as good, and they're split and damaged... | 0:56:42 | 0:56:46 | |
-Three. -Oh, go on. Two. It would be such fun! | 0:56:46 | 0:56:49 | |
Go on! | 0:56:49 | 0:56:51 | |
Oh, OK, just so I don't have to take them home. | 0:56:51 | 0:56:54 | |
That's good. You don't want these at home. | 0:56:54 | 0:56:56 | |
Thank you so much. Wonderful. Thank you. Love it! | 0:56:56 | 0:57:00 | |
Oh, Catherine, you are awful! But I like you. | 0:57:00 | 0:57:03 | |
Are you ready? Here we go. | 0:57:03 | 0:57:05 | |
Come along, baby. Yay! Whoo! | 0:57:05 | 0:57:09 | |
That was quite smooth, for you. | 0:57:09 | 0:57:11 | |
And with that we say a fond farewell to Perth, | 0:57:11 | 0:57:15 | |
and head towards the coastal village of South Queensferry. | 0:57:15 | 0:57:20 | |
This quaint little place sits at the foot | 0:57:20 | 0:57:23 | |
of one of Scotland's best-known icons, the Forth Railway Bridge, | 0:57:23 | 0:57:27 | |
which officially opened in 1890 | 0:57:27 | 0:57:30 | |
thanks to 4,000 workers, 54,000 tons of steel | 0:57:30 | 0:57:34 | |
and six and a half million rivets. | 0:57:34 | 0:57:36 | |
Look at that! That is magnificent. | 0:57:36 | 0:57:39 | |
So, where does it actually stretch from? | 0:57:39 | 0:57:41 | |
-From here to there. -I knew you'd give me a decent answer. | 0:57:41 | 0:57:45 | |
South Queensferry also boasts a unique collection of buildings, | 0:57:45 | 0:57:50 | |
some of which date back as far as the 15th century. | 0:57:50 | 0:57:53 | |
Oh, sweet! Oh, I like this. | 0:57:53 | 0:57:56 | |
-HE GIBBERS -# I'm all shook up # | 0:57:56 | 0:58:00 | |
-Have a good one, my love. -And you. I'll see you later. Bye! | 0:58:00 | 0:58:03 | |
It's on this cobbled high street | 0:58:03 | 0:58:05 | |
that you'll find Sea Kist, an antiques store | 0:58:05 | 0:58:09 | |
which reflects the village's seafaring past, | 0:58:09 | 0:58:12 | |
and it's owned by Jenny, who has a love of anything | 0:58:12 | 0:58:15 | |
and everything with a nautical connection. | 0:58:15 | 0:58:17 | |
-Can I have a look round? -Certainly. | 0:58:17 | 0:58:19 | |
There's a big maritime theme going on here. | 0:58:19 | 0:58:23 | |
Catherine's first pick, this rather impressive sextant. | 0:58:23 | 0:58:27 | |
Got the filters, and you would use this to find your way at sea. | 0:58:27 | 0:58:32 | |
-How much do you want for this? -That one's £650. | 0:58:32 | 0:58:36 | |
-650. -They're very difficult to get with the lenses in good condition. | 0:58:36 | 0:58:41 | |
Oh, dear. Too much. | 0:58:41 | 0:58:44 | |
Jenny, I do like that. A box for cigarettes. | 0:58:44 | 0:58:48 | |
-How much is that one? -That one's 40. | 0:58:48 | 0:58:50 | |
SHE GASPS £40. That's quite a lot of money. | 0:58:50 | 0:58:53 | |
I don't think I'd pay any more than £15, to be honest, | 0:58:53 | 0:58:56 | |
because it is a cardboard box. | 0:58:56 | 0:58:58 | |
In other words, too risky. | 0:58:58 | 0:59:01 | |
Jenny, I'm interested in this games set here. | 0:59:01 | 0:59:04 | |
Oh, dear. | 0:59:04 | 0:59:06 | |
-How long has that been there for? -A few years, I think. | 0:59:06 | 0:59:10 | |
I know how to spot a bargain, don't I? | 0:59:10 | 0:59:13 | |
And so, too dusty? | 0:59:13 | 0:59:15 | |
Oh, Jenny, I don't think this is going to be a winner. | 0:59:15 | 0:59:18 | |
As it turns out, this South Queensferry girl | 0:59:18 | 0:59:22 | |
is a lifelong collector of anything to do with the Forth Bridge. | 0:59:22 | 0:59:25 | |
She even lives next door to it, | 0:59:25 | 0:59:27 | |
so Catherine, ever on the lookout for a bargain, | 0:59:27 | 0:59:30 | |
has now wangled her way into Jenny's home. | 0:59:30 | 0:59:32 | |
Wow. I am loving your kitchen! | 0:59:34 | 0:59:37 | |
This is funky. | 0:59:37 | 0:59:39 | |
-Different. -It's different, but it's great. | 0:59:39 | 0:59:43 | |
Jenny has more than 200 pieces in her collection, | 0:59:43 | 0:59:47 | |
and claims she can spot a Forth Bridge collectable at 50 paces. | 0:59:47 | 0:59:50 | |
I was born and brought up just along the coast a little bit, | 0:59:50 | 0:59:54 | |
-so it's also always said "home" to me. -Right. | 0:59:54 | 0:59:57 | |
-You know, and... -That's lovely. -Yeah, it's great. | 0:59:57 | 1:00:01 | |
You've got a fantastic view of it from your kitchen window. | 1:00:01 | 1:00:04 | |
You are really passionate about this. | 1:00:04 | 1:00:06 | |
I'm passionate about the bridge, | 1:00:06 | 1:00:08 | |
but I'm passionate about the human aspect of the bridge. | 1:00:08 | 1:00:12 | |
It's more than just the girders. | 1:00:12 | 1:00:14 | |
It's the fact that other people come down here, | 1:00:14 | 1:00:17 | |
they see the bridge, and all these things that I collect | 1:00:17 | 1:00:21 | |
are little things that people want to take away with them. | 1:00:21 | 1:00:24 | |
They want to take something home of the bridge, | 1:00:24 | 1:00:27 | |
with that image on it, and that's the bit that fascinates me. | 1:00:27 | 1:00:31 | |
Jenny's favourite pieces commemorate Thomas Bouch, | 1:00:31 | 1:00:34 | |
who was originally employed to design the Forth Bridge, | 1:00:34 | 1:00:39 | |
but early into construction was fired | 1:00:39 | 1:00:41 | |
when another of his designs, the iconic Tay Bridge, collapsed | 1:00:41 | 1:00:45 | |
and killed 75 people. | 1:00:45 | 1:00:47 | |
He'd started the construction of his Forth Bridge, | 1:00:47 | 1:00:50 | |
and you can just see a small part of it | 1:00:50 | 1:00:53 | |
under the middle cantilever where the little light is. | 1:00:53 | 1:00:57 | |
-That's all that remains of Bouch's bridge. -Oh, really? | 1:00:57 | 1:01:00 | |
As soon as the Tay Bridge disaster happened... | 1:01:00 | 1:01:03 | |
-They moved it on to someone else. -He was taken off the project. | 1:01:03 | 1:01:06 | |
-I'm glad, or this might have... -It would have looked different. | 1:01:06 | 1:01:10 | |
It wouldn't have been the bridge we have. The bridge we see today, | 1:01:10 | 1:01:14 | |
at that time, after that disaster happening, | 1:01:14 | 1:01:17 | |
they had to build something that not only was strong | 1:01:17 | 1:01:22 | |
but had to look strong, so that you had the confidence of the public | 1:01:22 | 1:01:26 | |
to use it. I think it was a much slimmer bridge. | 1:01:26 | 1:01:29 | |
Much slimmer. | 1:01:29 | 1:01:30 | |
Whilst none of this collection is for sale, | 1:01:30 | 1:01:33 | |
Jenny does have a few items | 1:01:33 | 1:01:35 | |
that might satisfy Catherine's desire for something nautical. | 1:01:35 | 1:01:39 | |
This is stuff that is heading towards the shop eventually. | 1:01:39 | 1:01:43 | |
My eye is drawn to these. | 1:01:43 | 1:01:45 | |
Nice iron dividers. I would say they're probably... | 1:01:45 | 1:01:49 | |
for a map or something like that. | 1:01:49 | 1:01:51 | |
Well, unlike Catherine, I'm no maritime expert, | 1:01:51 | 1:01:55 | |
but I can tell you that, simply put, dividers measure distance. | 1:01:55 | 1:02:00 | |
I would say that once upon a time there would have been a screw there, | 1:02:00 | 1:02:04 | |
-but I like them. -Yeah. They're nice. | 1:02:04 | 1:02:07 | |
And then this parallel rule, I love the hinges on that. | 1:02:07 | 1:02:11 | |
They're really nicely made. | 1:02:11 | 1:02:13 | |
I would say that something like this is really, again, for mapping. | 1:02:13 | 1:02:18 | |
I love the way you can see how it's been folded down, | 1:02:18 | 1:02:21 | |
and it's got a lovely mark, a nice sign of wear there. | 1:02:21 | 1:02:24 | |
This particular parallel rule was produced by Captain Fields, | 1:02:24 | 1:02:28 | |
who in the 19th century improved on the 300-year-old design | 1:02:28 | 1:02:31 | |
by marking degrees on its outer edges. | 1:02:31 | 1:02:34 | |
How much are you wanting for these? | 1:02:34 | 1:02:36 | |
I was thinking about £25 each for them. | 1:02:36 | 1:02:40 | |
Each? | 1:02:40 | 1:02:42 | |
Bit of damage there. | 1:02:42 | 1:02:44 | |
Could we do a bit of a deal on these, | 1:02:44 | 1:02:46 | |
-bearing in mind they've both got problems? -They have, yes. | 1:02:46 | 1:02:50 | |
-Um... -Quite major problems. -Quite major problems. | 1:02:50 | 1:02:53 | |
Right, right. | 1:02:53 | 1:02:54 | |
I think we could come down to 35 for the two of them. | 1:02:54 | 1:02:58 | |
Hmm. Would you take 20 on them? | 1:02:58 | 1:03:01 | |
25 would be better. | 1:03:01 | 1:03:04 | |
Can we do 20? | 1:03:04 | 1:03:06 | |
22? | 1:03:06 | 1:03:08 | |
Ooh! | 1:03:08 | 1:03:10 | |
-20? -I think 22 would be fair. | 1:03:10 | 1:03:13 | |
-22 is very fair. -OK. -I'll be happy with that. | 1:03:13 | 1:03:15 | |
Thank you so much. | 1:03:15 | 1:03:17 | |
While Catherine has three auction lots under her polka-dot belt, | 1:03:17 | 1:03:22 | |
Philip is lagging behind with just one. | 1:03:22 | 1:03:25 | |
-Hi, lovely, how you doing? -Lovely. | 1:03:25 | 1:03:28 | |
Look at that. Wing mirrors! They're not for lipstick after all, are they? | 1:03:28 | 1:03:32 | |
SHE LAUGHS | 1:03:32 | 1:03:34 | |
But as they say, tomorrow is another day. | 1:03:34 | 1:03:37 | |
Day two kicks off with what was once reputed to be | 1:03:39 | 1:03:43 | |
the second city of the empire. | 1:03:43 | 1:03:46 | |
Where else but the robust and exciting Glasgow, | 1:03:46 | 1:03:49 | |
where our experts will continue to shop till they drop? | 1:03:49 | 1:03:52 | |
Though currently they're taking a leisurely drive along the Clyde, | 1:03:52 | 1:03:57 | |
which was once home to 38 shipyards and 100,000 working men. | 1:03:57 | 1:04:01 | |
Today it can be just as lively, | 1:04:01 | 1:04:03 | |
as this is where some of the world's most famous musicians come to perform. | 1:04:03 | 1:04:08 | |
-That is amazing, isn't it? -We're not in Sydney, are we? | 1:04:08 | 1:04:12 | |
So far Philip's barely opened his wallet. | 1:04:12 | 1:04:14 | |
So, nothing new there, then! He's spent just £5 | 1:04:14 | 1:04:17 | |
on two box planes, which leaves him with over £330 | 1:04:17 | 1:04:22 | |
burning a hole in his pocket. | 1:04:22 | 1:04:24 | |
I want you to spend a decent amount of money today. | 1:04:24 | 1:04:27 | |
No, you don't. You just want me to lose a decent amount of money. | 1:04:27 | 1:04:30 | |
-Well, that would be quite handy. -Crash And Burn Serrell, that's all you want. | 1:04:30 | 1:04:34 | |
As for Catherine, she's making every penny count | 1:04:34 | 1:04:38 | |
in order to seize the lead. So far she's picked up three auction lots | 1:04:38 | 1:04:42 | |
for just £31.50, | 1:04:42 | 1:04:44 | |
and has £150 still in the kitty. | 1:04:44 | 1:04:46 | |
-Are you going to do some serious buying? -Might do. | 1:04:48 | 1:04:50 | |
Might do? Ooh! | 1:04:50 | 1:04:52 | |
Philip's next port of call is a hidden gem | 1:04:52 | 1:04:56 | |
on a quiet industrial street next to the Clyde. | 1:04:56 | 1:04:59 | |
It's called the Glasgow Antiques Centre. | 1:04:59 | 1:05:01 | |
So you're treading the boards, and I'm off to an antiques centre. | 1:05:01 | 1:05:05 | |
-Aren't you going to drop me off? -No! The walk can keep you warm. | 1:05:05 | 1:05:09 | |
Thanks a lot! Make sure you buy something decent. | 1:05:09 | 1:05:12 | |
-It's up that hill somewhere. -Thanks. | 1:05:12 | 1:05:15 | |
John, how are you? Are you sure this place is big enough? | 1:05:15 | 1:05:19 | |
Blimey O'Riley! | 1:05:19 | 1:05:21 | |
With more than 30 different antique dealers | 1:05:21 | 1:05:24 | |
exhibiting under one roof, there's everything here, | 1:05:24 | 1:05:27 | |
from the finest of Victorian furniture | 1:05:27 | 1:05:29 | |
to a tartan travel blanket. | 1:05:29 | 1:05:31 | |
The girl I'm travelling with is getting very cold in the car, | 1:05:31 | 1:05:34 | |
so this will be great over her knees. Will a fiver buy that? | 1:05:34 | 1:05:38 | |
Cos that's all I've got. | 1:05:38 | 1:05:40 | |
-It would have to be a tenner. -Oh, I can't do that. | 1:05:40 | 1:05:43 | |
She's going to get pneumonia, and that's going to be your fault now. | 1:05:43 | 1:05:47 | |
Suffice to say, our hero is in the right place | 1:05:47 | 1:05:49 | |
to find something unusual. But what to choose, Philip? | 1:05:49 | 1:05:52 | |
What to choose? | 1:05:52 | 1:05:54 | |
Oh, I love that. It's a kettle drum. | 1:05:54 | 1:05:56 | |
But these things make great coffee tables, you know? | 1:05:56 | 1:06:00 | |
But you can imagine that with either a glass top | 1:06:00 | 1:06:03 | |
or even a copper top... It would be fantastic. | 1:06:03 | 1:06:06 | |
And the way you tune it is not by just whacking it in the middle, | 1:06:06 | 1:06:10 | |
but you...go all the way round the outside. | 1:06:10 | 1:06:13 | |
John? | 1:06:13 | 1:06:15 | |
How much is this old thing in the corner? | 1:06:15 | 1:06:18 | |
Would it be as much as a hundred quid? | 1:06:18 | 1:06:20 | |
-Definitely. -It would be? -Yes. | 1:06:20 | 1:06:23 | |
Do you think there's a maker's name on it anywhere? | 1:06:23 | 1:06:26 | |
It looks like Liverpool. This is clearly Ringo Starr's first drum. | 1:06:26 | 1:06:30 | |
-HE LAUGHS -Look. Absolutely clear. | 1:06:30 | 1:06:32 | |
Look. Liverpool! What's the best price you could do for this? | 1:06:32 | 1:06:36 | |
What's the very best? | 1:06:36 | 1:06:38 | |
Bottom? £100. | 1:06:38 | 1:06:40 | |
Is that it? Finished? It's not even worth offering him 90 for it? | 1:06:40 | 1:06:44 | |
No, definitely not. | 1:06:44 | 1:06:45 | |
I think it's a cool thing. The thing is, | 1:06:45 | 1:06:48 | |
there's every chance that everybody else will think I'm stark raving bonkers. | 1:06:48 | 1:06:53 | |
-What can I say? -100 quid. Go on. | 1:06:53 | 1:06:55 | |
Steady, Philip. I think I can see the dust coming out of your wallet. | 1:06:55 | 1:06:58 | |
Having travelled on foot, | 1:07:02 | 1:07:04 | |
Catherine's finally reached her next destination - | 1:07:04 | 1:07:07 | |
the world's oldest surviving music hall, | 1:07:07 | 1:07:10 | |
right here in Glasgow's Merchant City. | 1:07:10 | 1:07:13 | |
This important piece of our history is called the Britannia Panopticon, | 1:07:13 | 1:07:18 | |
although for 60 years it was closed and virtually forgotten. | 1:07:18 | 1:07:21 | |
Wow! Here we are! | 1:07:21 | 1:07:23 | |
So, it all happened here. | 1:07:23 | 1:07:25 | |
Its restoration, even its very survival, | 1:07:25 | 1:07:28 | |
is thanks to this woman, Judith Bowers. | 1:07:28 | 1:07:31 | |
This, all round here, it makes me think of a ship. | 1:07:31 | 1:07:35 | |
This is almost like a galleried stern up here. | 1:07:35 | 1:07:38 | |
It certainly has a lot of shipbuilding behind it, | 1:07:38 | 1:07:41 | |
because it was moonlighting shipbuilders that built the balcony. | 1:07:41 | 1:07:45 | |
Oh, right. Aha! | 1:07:45 | 1:07:47 | |
Founded in 1857, the Britannia was an instant success, | 1:07:47 | 1:07:52 | |
with more than a thousand of Glasgow's east-enders | 1:07:52 | 1:07:56 | |
crammed in four times a day to see saucy dancing girls, | 1:07:56 | 1:08:00 | |
singers and comic turns. | 1:08:00 | 1:08:02 | |
It was closed temporarily in 1905, | 1:08:02 | 1:08:04 | |
because everybody was leaving the old Victorian music halls | 1:08:04 | 1:08:08 | |
to go to the new-fangled variety theatres. | 1:08:08 | 1:08:10 | |
-Right. -And during its closure, they modified the building | 1:08:10 | 1:08:14 | |
by converting the attic into a rooftop carnival, waxworks | 1:08:14 | 1:08:18 | |
and freak show, and the basement under the public house into a zoo. | 1:08:18 | 1:08:22 | |
Oh, right, to try and get a wider audience. | 1:08:22 | 1:08:26 | |
And that's why it become known as Panopticon, | 1:08:26 | 1:08:29 | |
"pan" meaning "everything", "opti", "to see", | 1:08:29 | 1:08:31 | |
-in one building. -That was very clever thinking, wasn't it? | 1:08:31 | 1:08:34 | |
The noisy crowds would make their opinion known of every act, | 1:08:34 | 1:08:38 | |
cheering the good and pelting the bad | 1:08:38 | 1:08:40 | |
with whatever ammunition came to hand, | 1:08:40 | 1:08:42 | |
including fish heads and shipyard rivets, | 1:08:42 | 1:08:45 | |
giving the music hall a reputation for leaving no turn un-stoned. | 1:08:45 | 1:08:49 | |
One third of our audience was boys aged between nine and 13, | 1:08:49 | 1:08:55 | |
and their favourite sport was to try and wee over the top of the balcony | 1:08:55 | 1:08:58 | |
-and hit the comic on the stage below. -Oh, my word! | 1:08:58 | 1:09:02 | |
There's a great story from 1904 about the ladies' orchestra | 1:09:02 | 1:09:05 | |
that used to sit underneath the balcony, | 1:09:05 | 1:09:08 | |
and they used to pray, before going into the orchestra bar, | 1:09:08 | 1:09:11 | |
that the boys above had full bladders, | 1:09:11 | 1:09:13 | |
because if they didn't they didn't have enough pressure to hit the act. | 1:09:13 | 1:09:16 | |
-It would trickle down their... -Oh, that's ghastly! -Pretty rough house. | 1:09:16 | 1:09:20 | |
But one performer not intimidated by this tough Glasgow audience | 1:09:20 | 1:09:25 | |
was the 16 year old Stan Laurel, | 1:09:25 | 1:09:28 | |
who made his world debut right here. | 1:09:28 | 1:09:31 | |
Stan managed to make it through one joke, | 1:09:31 | 1:09:33 | |
and apparently the audience thought it was pretty awful, | 1:09:33 | 1:09:37 | |
so Stan apparently started to make his exit from the stage. | 1:09:37 | 1:09:41 | |
So he took off his dad's best hat to take a bow, | 1:09:41 | 1:09:45 | |
but as he did so, he fumbled it and dropped it | 1:09:45 | 1:09:47 | |
in a kind of familiar-today Stan Laurel fashion, | 1:09:47 | 1:09:51 | |
and the audience started to titter. | 1:09:51 | 1:09:53 | |
He stepped forward to collect the hat, | 1:09:53 | 1:09:55 | |
and kicked it into the orchestra bar. | 1:09:55 | 1:09:57 | |
Audience tittered louder. He's now sidestepping off the stage, | 1:09:57 | 1:10:01 | |
and the stage manager, George, came on with the stage hook | 1:10:01 | 1:10:05 | |
to get the trapeze bar down. | 1:10:05 | 1:10:06 | |
The hook caught in Stan's dad's best frock coat | 1:10:06 | 1:10:09 | |
and tore it clean up the back. | 1:10:09 | 1:10:12 | |
And that was it. The audience was in absolute hysterics, | 1:10:12 | 1:10:16 | |
and the rest, as they say, is history. | 1:10:16 | 1:10:18 | |
By the 1930s, music halls were closing, | 1:10:18 | 1:10:21 | |
and cinema was taking its place. | 1:10:21 | 1:10:24 | |
In fact, Glasgow had more cinemas per head of population | 1:10:24 | 1:10:27 | |
than any other European city. | 1:10:27 | 1:10:30 | |
But 60 years on, Judith began restoring the Britannia, | 1:10:31 | 1:10:34 | |
and soon discovered 3,000 pieces of history | 1:10:34 | 1:10:37 | |
literally under the seats. | 1:10:37 | 1:10:40 | |
I just love these little Edwardian toffee boxes. | 1:10:40 | 1:10:43 | |
You've got someone sitting up there watching the comedy act, | 1:10:43 | 1:10:48 | |
munching away on their cream caramel toffees, | 1:10:48 | 1:10:51 | |
and then just tossing the box behind. It's just wonderful. | 1:10:51 | 1:10:54 | |
Great little piece of history, isn't it? | 1:10:54 | 1:10:57 | |
Now, this is a really nicely pristine cigarette packet, | 1:10:57 | 1:11:02 | |
-but inside there is still... -Oh, a cigarette! -..one left. | 1:11:02 | 1:11:06 | |
So, this was like a real working man's... | 1:11:06 | 1:11:10 | |
You did occasionally get what they called the mashers in | 1:11:10 | 1:11:13 | |
-with their Judys. -The mashers! | 1:11:13 | 1:11:16 | |
The posh men, who would bring in a certain class of lady | 1:11:16 | 1:11:20 | |
-to hide up in the balcony with. -Oh, really? | 1:11:20 | 1:11:23 | |
-Oh, yes. -Say no more! | 1:11:23 | 1:11:24 | |
Having been closed since 1938, the venue finally re-opened its doors | 1:11:24 | 1:11:30 | |
in 2003 as the Britannia Panopticon. | 1:11:30 | 1:11:34 | |
So, really this is all down to you? | 1:11:34 | 1:11:36 | |
Well, and a stalwart bunch of volunteers as well. | 1:11:36 | 1:11:40 | |
You should be extremely proud of this, | 1:11:40 | 1:11:42 | |
because this is a wonderful piece of Glasgow's heritage. | 1:11:42 | 1:11:45 | |
Judith, thank you so much. It's been such a treat. | 1:11:45 | 1:11:49 | |
Our experts' next and final stop on this leg | 1:11:50 | 1:11:54 | |
is Glasgow's west end, and with the auction looming, | 1:11:54 | 1:11:56 | |
they haven't a moment to lose. | 1:11:56 | 1:11:59 | |
Kelvingrove Art Gallery and Museum. That looks pretty impressive. | 1:11:59 | 1:12:04 | |
-How are you feeling? -It's a bit cold. That's how I'm feeling. | 1:12:04 | 1:12:08 | |
Fortunately, Ruthven Mews is 11 individual antique stores | 1:12:08 | 1:12:12 | |
in one arcade, selling a range of collectables | 1:12:12 | 1:12:15 | |
from the last two centuries, | 1:12:15 | 1:12:17 | |
so our duo should be spoiled for choice here. | 1:12:17 | 1:12:20 | |
There's a lot of what I would call vintage stuff in here, | 1:12:20 | 1:12:23 | |
but I'm not sure it's me. | 1:12:23 | 1:12:26 | |
I think I'm probably veteran rather than vintage. | 1:12:26 | 1:12:29 | |
Catherine, on the other hand, wants to spend a maximum of £50 | 1:12:29 | 1:12:33 | |
out of her £150 kitty. | 1:12:33 | 1:12:36 | |
Tell me what you think of this. | 1:12:36 | 1:12:38 | |
Oh, my word, isn't that fabulous? | 1:12:38 | 1:12:40 | |
We sent a picture to Tiffany UK, and they cannot find a design anywhere. | 1:12:40 | 1:12:45 | |
That's brilliant! | 1:12:45 | 1:12:48 | |
So they think it may have been a commission. | 1:12:48 | 1:12:51 | |
-Watch how the light changes. -That is beautiful. | 1:12:51 | 1:12:53 | |
-It could be worth about £1,000. -Here's hoping. | 1:12:53 | 1:12:56 | |
-You sure you don't want to sell that? -Positive. | 1:12:56 | 1:12:59 | |
Now, as for Philip's quest to find something even older than himself, | 1:13:01 | 1:13:06 | |
thanks to Steven here, it seems to be going rather well. | 1:13:06 | 1:13:09 | |
What I wanted to look at was the truncheon, which is that. | 1:13:09 | 1:13:14 | |
I think that's police, because it's had a painted handle. | 1:13:14 | 1:13:18 | |
And it's had VR there, which is Victoria Regina. | 1:13:18 | 1:13:22 | |
In the Victorian era, the policeman's truncheon | 1:13:22 | 1:13:25 | |
was essentially his warrant card, as the royal crest attached to it | 1:13:25 | 1:13:29 | |
indicated his authority, and when said truncheon left official service, | 1:13:29 | 1:13:34 | |
often with the person who used it, the crest was sometimes removed. | 1:13:34 | 1:13:38 | |
I sort of quite like that, really. | 1:13:38 | 1:13:41 | |
But I'm thinking... Can I have a look at the bell as well, | 1:13:43 | 1:13:46 | |
and I'll tell you what I'm thinking. This would be the same date as this. | 1:13:46 | 1:13:51 | |
I think it could be a similar date. 100 years ago, anyway. | 1:13:51 | 1:13:54 | |
-Sort of 1880, something like that? -I would think so. | 1:13:54 | 1:13:57 | |
I think at auction that that is between £15 and £25 worth, | 1:13:57 | 1:14:02 | |
and I think that is between £30 and £50 worth. | 1:14:02 | 1:14:05 | |
I'd like to give you 50 quid the two. | 1:14:05 | 1:14:07 | |
-I wouldn't like to take it, though. -Well, I appreciate that, | 1:14:07 | 1:14:10 | |
but life's full of the imponderable negotiations. | 1:14:10 | 1:14:14 | |
I'll take 55 for the two. | 1:14:14 | 1:14:17 | |
Can I toss you for it? | 1:14:17 | 1:14:19 | |
-Cos I always win if I toss for it. -OK. 50 or 60. | 1:14:20 | 1:14:24 | |
My goodness, Philip's lost for words! | 1:14:25 | 1:14:28 | |
Though not for long. | 1:14:28 | 1:14:30 | |
You and I are in a very lucky position now, | 1:14:30 | 1:14:32 | |
because you don't have to sell, I don't have to buy, | 1:14:32 | 1:14:35 | |
but you'd like to sell and I'd like to buy. | 1:14:35 | 1:14:38 | |
-Does that work out all right? -That sounds right. | 1:14:38 | 1:14:41 | |
I think that's going to make £30 to £50 at auction, | 1:14:41 | 1:14:43 | |
and I think this is going to make between 15 and 25. | 1:14:43 | 1:14:46 | |
So the best I can give you is 50 quid. | 1:14:46 | 1:14:50 | |
I'd love to buy it for that, but I can't give you any more. | 1:14:50 | 1:14:52 | |
Call it 55. It's a good reduction on them. | 1:14:52 | 1:14:56 | |
If you can say 50, I'll have them off you now. | 1:14:56 | 1:14:58 | |
-Go on, then. -You're a gentleman, sir. | 1:14:58 | 1:15:00 | |
Can you count that out? I think there's probably just 50 quid there. | 1:15:00 | 1:15:04 | |
-Exactly. You had it all planned. -Right. Thank you. | 1:15:04 | 1:15:08 | |
Catherine needs something that will absolutely kill at auction, | 1:15:08 | 1:15:12 | |
and thanks to young Bob here, I think she's found it. | 1:15:12 | 1:15:16 | |
Now, I am going straight for this. | 1:15:16 | 1:15:20 | |
This is absolutely gorgeous! | 1:15:20 | 1:15:22 | |
It's a little Gladstone bag, a little doctor's Gladstone bag, | 1:15:22 | 1:15:27 | |
with an inkwell inside. Can you open it up for me, | 1:15:27 | 1:15:30 | |
cos I'm just... | 1:15:30 | 1:15:32 | |
-There you are. -Isn't that cute? | 1:15:32 | 1:15:35 | |
-It's all there. -That is just the sweetest thing. | 1:15:35 | 1:15:38 | |
I love things like this. This is probably - what, late Victorian? | 1:15:38 | 1:15:42 | |
-I've just said 1800s. -1800s, 1890? | 1:15:42 | 1:15:45 | |
So it probably would have belonged to a doctor at one time. | 1:15:45 | 1:15:48 | |
He would have had this on his... Now, on your ticket... | 1:15:48 | 1:15:51 | |
..you are asking a staggering 155 for it. | 1:15:53 | 1:15:56 | |
What would you be able to do on that? | 1:15:56 | 1:15:59 | |
Not an awful lot. It was expensive. | 1:15:59 | 1:16:01 | |
Best I could do would be 130. | 1:16:01 | 1:16:04 | |
I'll be totally honest. I don't think I could pay more than 100. | 1:16:07 | 1:16:10 | |
I don't think I could let it go for that. | 1:16:10 | 1:16:13 | |
-I'd need more than that for it. -It would make me so happy, | 1:16:13 | 1:16:16 | |
because I just absolutely love this. | 1:16:16 | 1:16:20 | |
Genius. It's wonderful. It just... | 1:16:20 | 1:16:23 | |
Ooh! | 1:16:23 | 1:16:25 | |
Nothing compares to this now. | 1:16:25 | 1:16:27 | |
Even at £130, that's almost every penny Catherine has. | 1:16:27 | 1:16:32 | |
It's a bit of a gamble! | 1:16:32 | 1:16:34 | |
Once I've got something in my head, | 1:16:34 | 1:16:37 | |
like the inkwell, something really beautiful, | 1:16:37 | 1:16:40 | |
I find it really hard to think about anything else, | 1:16:40 | 1:16:43 | |
to look at anything else, cos I'm constantly thinking, | 1:16:43 | 1:16:46 | |
"beautiful inkwell", and I can't concentrate on anything else. | 1:16:46 | 1:16:49 | |
But I've got to really focus. | 1:16:49 | 1:16:52 | |
But Catherine's not the only one tempted | 1:16:52 | 1:16:54 | |
by Bob's gorgeous but rather expensive knickknacks. | 1:16:54 | 1:16:58 | |
Philip's gone and found himself a naval sector. | 1:16:58 | 1:17:01 | |
Now, I can't sell ivory unless it's pre-1947. | 1:17:03 | 1:17:07 | |
-It's 19th century. -I would think it's 1850, 1860. | 1:17:07 | 1:17:09 | |
-Something like that. -It's basically where you plot a map. | 1:17:09 | 1:17:13 | |
A 19th-century sailor's satnav, isn't it, | 1:17:13 | 1:17:16 | |
is the simplest way of putting it. You'd have been on your vessel, | 1:17:16 | 1:17:19 | |
going around Cape Horn or wherever, and you'd have had your charts out, | 1:17:19 | 1:17:24 | |
and this would have been used to work out or plot | 1:17:24 | 1:17:28 | |
-where you were and what your route is. -That's right. | 1:17:28 | 1:17:31 | |
It's 75, is it? What's the best you can do on that? | 1:17:31 | 1:17:33 | |
I could do a bit more. I could do it for 45. | 1:17:33 | 1:17:36 | |
For this game, I've got to try and give you 30 quid for it. | 1:17:36 | 1:17:39 | |
-Why don't we split the difference and make it 35? -I'll give you 30, | 1:17:39 | 1:17:43 | |
-cos I think it's fascinating. -OK. -And the real fun thing about this, | 1:17:43 | 1:17:47 | |
it's really Catherine's thing. It'll be quite nice. | 1:17:47 | 1:17:50 | |
It'll be really nice just to whip that from under her nose. | 1:17:50 | 1:17:53 | |
I've only got one worry, and that's, like... | 1:17:53 | 1:17:57 | |
Catherine Southon is a well known expert | 1:17:57 | 1:18:02 | |
in marine and scientific instruments, | 1:18:02 | 1:18:04 | |
and this was six inches under her nose. | 1:18:04 | 1:18:07 | |
Why didn't she buy it? | 1:18:07 | 1:18:09 | |
I hope it's not worrying time. | 1:18:09 | 1:18:11 | |
Thank you ever so much. Bye-bye, now. Bye-bye. | 1:18:12 | 1:18:15 | |
Actually, Catherine has other things weighing heavy on her mind. | 1:18:15 | 1:18:20 | |
I absolutely love that little Gladstone-bag inkwell. | 1:18:20 | 1:18:24 | |
It's beautiful. But I don't know whether to buy it | 1:18:24 | 1:18:27 | |
and gamble with it, or just quit while I'm kind of ahead. | 1:18:27 | 1:18:33 | |
Or you could always buy something else. | 1:18:33 | 1:18:36 | |
Steven, hello. I'm just wondering about this, here. | 1:18:36 | 1:18:40 | |
I'm interested in your little hip flask there. | 1:18:40 | 1:18:43 | |
-Is that silver plate on the top? -I think it is, | 1:18:43 | 1:18:46 | |
but it's a little cup, a telescopic cup. | 1:18:46 | 1:18:49 | |
-That intrigues me. -Quite unusual. -So when you say it's telescopic... | 1:18:49 | 1:18:52 | |
Oh, that's quite nice, isn't it? So you could have more | 1:18:52 | 1:18:56 | |
than you bargained for. THEY LAUGH | 1:18:56 | 1:18:58 | |
-What could you do on that? -£20, if you wanted to get that. | 1:18:58 | 1:19:03 | |
Nice thing, nice condition. | 1:19:03 | 1:19:05 | |
-Can you do 15 on it? -I'll stick on 20. | 1:19:05 | 1:19:09 | |
-Can we meet halfway and say 18? -No, I'll stick on 20 on that. | 1:19:10 | 1:19:14 | |
-It's a nice thing. -I'm happy with that. | 1:19:14 | 1:19:16 | |
-Thank you. -I think that's a fair price. | 1:19:16 | 1:19:19 | |
Thanks, Steven. | 1:19:19 | 1:19:21 | |
Right, then. Time for our experts to reveal to each other | 1:19:21 | 1:19:24 | |
what they've bought. The venue, a former parish church, | 1:19:24 | 1:19:27 | |
now called Oran Mor, which means "the melody of life". | 1:19:27 | 1:19:30 | |
This is a bit left-field, this, | 1:19:30 | 1:19:34 | |
but I bought this kettle drum. | 1:19:34 | 1:19:36 | |
Oh, my word! | 1:19:36 | 1:19:39 | |
And it's by a Liverpool maker, and I just think it's wicked. | 1:19:39 | 1:19:42 | |
My big question was, "Why?" | 1:19:42 | 1:19:45 | |
-I think you can do a hundred and one things with it. -You can play it. | 1:19:45 | 1:19:48 | |
But you can convert it into a table. | 1:19:48 | 1:19:51 | |
I think that's fabulous, Philip. | 1:19:51 | 1:19:53 | |
What I love is that you home in on something | 1:19:53 | 1:19:56 | |
-that nobody else... -In their right mind. | 1:19:56 | 1:19:58 | |
..in the whole world would look at. | 1:19:58 | 1:20:01 | |
I think I pinched it, because it was £100. | 1:20:01 | 1:20:03 | |
-I'd never buy it myself... -Would you not? | 1:20:03 | 1:20:06 | |
-..but I think it's brilliant. -Come on. Show me yours. | 1:20:06 | 1:20:09 | |
Carrying on the music theme, this is an original. | 1:20:09 | 1:20:11 | |
It's not your repro. It's 1960s. It's in terrible condition, | 1:20:11 | 1:20:15 | |
-but for £7.50... -Does it work? -Course it does! | 1:20:15 | 1:20:19 | |
-You mean - -We'll move on. | 1:20:19 | 1:20:21 | |
If we're going to do the car-boot sale... | 1:20:21 | 1:20:23 | |
-Oh, yeah. I saw this. -They're fairly "plane". | 1:20:23 | 1:20:26 | |
-THEY LAUGH -And these were a fiver. | 1:20:26 | 1:20:30 | |
-What do you think they'll make? -Ten to 20 quid. | 1:20:30 | 1:20:33 | |
-Well, that's nice you say that, Phil. -Why's that, my love? | 1:20:33 | 1:20:36 | |
-Because... -Oh, here we go. I think they're quite nice. | 1:20:36 | 1:20:39 | |
What did you pay for these? Let me guess - £4. | 1:20:39 | 1:20:42 | |
-Two, I think. -£2. Yeah, well. | 1:20:42 | 1:20:44 | |
-You bought the better two. -I think I did. | 1:20:44 | 1:20:47 | |
When you're not looking, I'm hoping to swap them over. | 1:20:47 | 1:20:50 | |
-Why does that not surprise me? -Go on, then. What's next? | 1:20:50 | 1:20:53 | |
HE RINGS BELL | 1:20:53 | 1:20:56 | |
-That is loud! -But isn't that a great handle? | 1:20:56 | 1:20:59 | |
If you're going to buy a bell, that's the one to buy. | 1:20:59 | 1:21:02 | |
You are too young to remember, but when I started, | 1:21:02 | 1:21:04 | |
-all auctioneers had a bell. -Oh, gosh! | 1:21:04 | 1:21:07 | |
They'd ring it five minutes before the start of the sale. 20 quid! | 1:21:07 | 1:21:11 | |
I like that. That is a loud clapper, though. | 1:21:11 | 1:21:13 | |
Let's hope it goes like the clappers. What's next? | 1:21:13 | 1:21:16 | |
-I bought these... -Yeah. | 1:21:16 | 1:21:18 | |
..with these. | 1:21:18 | 1:21:20 | |
Those have got "Southon" written all over them. Oh, those are lovely. | 1:21:20 | 1:21:24 | |
-Isn't that nice? -Yeah. -Parallel rule, | 1:21:24 | 1:21:26 | |
-but just look at those lovely hinges. -You're the expert. | 1:21:26 | 1:21:30 | |
-I paid £22 for the two. -You completely robbed this poor person. | 1:21:30 | 1:21:34 | |
-No, I haven't! -How do you sleep at night? | 1:21:34 | 1:21:36 | |
Oh, you are... SHE SIGHS | 1:21:36 | 1:21:38 | |
I bought this primarily because I thought, | 1:21:38 | 1:21:40 | |
-if you do give me any trouble... -You going to whack me round the head? | 1:21:40 | 1:21:45 | |
I'm going to beat you about the head and body with my truncheon. | 1:21:45 | 1:21:48 | |
-OK. That's quite nice, actually. -Yeah. | 1:21:48 | 1:21:51 | |
You probably paid about 40 quid for that. | 1:21:51 | 1:21:53 | |
-I paid 30. -That's lovely. | 1:21:53 | 1:21:55 | |
-You ready for this next one? -Go on, then. | 1:21:55 | 1:21:58 | |
Don't you lean on my thing! It's an ivory sector. | 1:21:58 | 1:22:02 | |
It would be used for plotting a chart if you were a naval officer. | 1:22:02 | 1:22:07 | |
I can't see that there's a name on it. | 1:22:07 | 1:22:09 | |
-Not yet. -Not yet! | 1:22:09 | 1:22:11 | |
Give me time. | 1:22:11 | 1:22:12 | |
-I think I saw this with about £70 on it. -You did. | 1:22:12 | 1:22:15 | |
You saw it with £75 on it. And what bothers me... | 1:22:15 | 1:22:18 | |
-Why did you not buy it? -Because it said £75 on it. | 1:22:18 | 1:22:22 | |
-What do you think that will make? -About 40, 50 quid, probably. | 1:22:22 | 1:22:26 | |
Oh, that's all right. I paid £30 for it. | 1:22:26 | 1:22:28 | |
And you said I robbed this person? | 1:22:28 | 1:22:31 | |
I haven't finished, because this is my favourite thing. | 1:22:31 | 1:22:34 | |
Oh, that's sweet. Little hip flask, and the top opens up. | 1:22:34 | 1:22:37 | |
-I've got one of these at home. -Do you like that? -I do. I love it. | 1:22:37 | 1:22:40 | |
-I loved the quality of that. -What did you pay? 30, 40 quid? | 1:22:40 | 1:22:45 | |
-20. -And I think that's absolutely fantastic. | 1:22:45 | 1:22:48 | |
-But is Paisley ready for that? -Mmm. | 1:22:48 | 1:22:51 | |
It's been a hard-fought contest, but let's take the gloves off | 1:22:52 | 1:22:56 | |
and find out what our experts really think. | 1:22:56 | 1:22:59 | |
The radio - it's not my sort of thing. | 1:22:59 | 1:23:02 | |
I was probably born a bit too soon to appreciate the finer points of the Bush radio. | 1:23:02 | 1:23:06 | |
He's a little bit concerned about the kettle drum. | 1:23:06 | 1:23:10 | |
-It is a completely risky item. -I could be in trouble, | 1:23:10 | 1:23:13 | |
and if it doesn't do well, it's all back to square one. | 1:23:13 | 1:23:16 | |
This could be my chance to take over. | 1:23:16 | 1:23:19 | |
After teeing off in Perth, the second leg of this Road Trip | 1:23:19 | 1:23:22 | |
comes to an end in Paisley. In the 19th century, it was renowned | 1:23:22 | 1:23:27 | |
for being the centre of Britain's weaving industry, | 1:23:27 | 1:23:30 | |
which is where Paisley, the fabric, gets its name. | 1:23:30 | 1:23:32 | |
This is where it was originally produced. | 1:23:32 | 1:23:36 | |
-That is stunning! -Looks like Thunderbird 4 up on the roof. | 1:23:36 | 1:23:40 | |
But our next and final stop is the auction house | 1:23:40 | 1:23:44 | |
of Collins & Paterson. | 1:23:44 | 1:23:46 | |
I know you so well, and I know that with that drum, | 1:23:46 | 1:23:49 | |
somehow that is probably going to double its money. | 1:23:49 | 1:23:53 | |
-Oh, get in! -And then I will cry. | 1:23:53 | 1:23:55 | |
I'll lend you my handkerchief. | 1:23:55 | 1:23:57 | |
With a room full of canny Scots looking for a bargain, | 1:23:57 | 1:24:01 | |
auctioneer Stephen Maxwell is about to kick things off, | 1:24:01 | 1:24:04 | |
but first, how does he rate the chances of our experts? | 1:24:04 | 1:24:08 | |
The star lot, for me, would have to be the kettle drum, | 1:24:08 | 1:24:11 | |
a wee surprise. The most unusual item would be that flask | 1:24:11 | 1:24:14 | |
with the telescopic lid. Haven't seen that one before. | 1:24:14 | 1:24:17 | |
The vintage planes should sell at a price, | 1:24:17 | 1:24:20 | |
albeit I wouldn't go booking a holiday | 1:24:20 | 1:24:22 | |
off the back of the proceeds. | 1:24:22 | 1:24:24 | |
Philip began this leg with £339.54, | 1:24:24 | 1:24:29 | |
and has since spent £185 on five auction lots. | 1:24:29 | 1:24:33 | |
As for Catherine, our Road Trip newcomer, | 1:24:33 | 1:24:37 | |
she's been watching the pennies, and has spent just £51.50 | 1:24:37 | 1:24:41 | |
on four auction lots. | 1:24:41 | 1:24:43 | |
So, without any more ado, let the auction begin. | 1:24:43 | 1:24:46 | |
First up, it's Philip's naval sector. | 1:24:49 | 1:24:51 | |
I got a horrible feeling of impending doom about this. | 1:24:51 | 1:24:54 | |
We'll start here straight in. At £25, I have with me. | 1:24:54 | 1:24:57 | |
That's only losing about eight quid. | 1:24:57 | 1:25:00 | |
£30 with me. 32. 35 with me. | 1:25:00 | 1:25:03 | |
Any advance at £35? We're selling, then. | 1:25:03 | 1:25:07 | |
Fair warning at £35... Gone. | 1:25:07 | 1:25:10 | |
A £5 profit before commission. Not the most promising of starts. | 1:25:10 | 1:25:14 | |
Well done. | 1:25:14 | 1:25:16 | |
-Oh, thanks for that! -SHE LAUGHS | 1:25:16 | 1:25:19 | |
Next, it's Catherine's hip flask. | 1:25:19 | 1:25:22 | |
Has she had a nip, do you think, or is she just dropping off? | 1:25:22 | 1:25:25 | |
-Nice wee item, this. -Nice wee item! | 1:25:25 | 1:25:28 | |
We'll start on commission at £20. I have with me £20. | 1:25:28 | 1:25:31 | |
22. Thank you. 25. 28. 30 with me. | 1:25:31 | 1:25:34 | |
-Come on! -You're out. With me at 30. | 1:25:34 | 1:25:37 | |
-My commission bid at £30. Any advance on £30? -Come on! | 1:25:37 | 1:25:40 | |
At 32 now for the hip flask. At 32. | 1:25:40 | 1:25:42 | |
At £32... | 1:25:42 | 1:25:45 | |
Not quite the price Catherine was hoping for, | 1:25:45 | 1:25:48 | |
but a very respectable start. | 1:25:48 | 1:25:51 | |
Philip's next lot is up, and I have to say, it certainly rings a bell! | 1:25:52 | 1:25:57 | |
£20 I have with me. At £20. | 1:25:57 | 1:25:59 | |
With me at 22. 25's on the net. With me at 28. | 1:25:59 | 1:26:03 | |
28. Well done, Philip! | 1:26:03 | 1:26:05 | |
And we're selling it at £28. | 1:26:05 | 1:26:08 | |
Mmm! Maybe Philip's lucky streak is coming to an end. | 1:26:09 | 1:26:12 | |
Could you wipe that really nasty smile off your face? We're in this together. | 1:26:12 | 1:26:17 | |
Putting Catherine's maritime smarts to the test now, | 1:26:17 | 1:26:21 | |
her dividers and parallel rule are coming up. | 1:26:21 | 1:26:24 | |
A fair age, I would say, to the dividers, I have to say. | 1:26:24 | 1:26:27 | |
We start here, on commission again, at £25. | 1:26:27 | 1:26:30 | |
With me at £25. | 1:26:30 | 1:26:32 | |
-£28 with me. At £28. -Come on! | 1:26:32 | 1:26:35 | |
-It seems cheap at that, at 28. -Very cheap! | 1:26:35 | 1:26:38 | |
£30, thank you. And £32. 35's on the net. | 1:26:38 | 1:26:41 | |
-At £40. 42. -Keep going! | 1:26:41 | 1:26:44 | |
-It's with me at £42. -Any more? Any more? | 1:26:44 | 1:26:48 | |
We're selling, then. Fair warning, at £42... | 1:26:48 | 1:26:52 | |
Ah, well, it's still a profit. So come on, Catherine. | 1:26:52 | 1:26:55 | |
Pull yourself together, love. | 1:26:55 | 1:26:57 | |
Time to see what the crowd make of Philip's truncheon. | 1:26:57 | 1:27:01 | |
-I'm a bit nervous now. -It's nice condition, I have to say. | 1:27:01 | 1:27:04 | |
We'll come straight in here. | 1:27:04 | 1:27:06 | |
One commission at £25. | 1:27:06 | 1:27:09 | |
With me at £25. 30's on there. | 1:27:09 | 1:27:12 | |
32. Back with me. 35 now. | 1:27:12 | 1:27:14 | |
38 with me. £38 here with me for the baton. | 1:27:14 | 1:27:18 | |
At £38... | 1:27:18 | 1:27:20 | |
I give up. | 1:27:20 | 1:27:23 | |
-SHE LAUGHS -You are horrid to me! | 1:27:23 | 1:27:26 | |
Now, this should be interesting. | 1:27:26 | 1:27:29 | |
Both Philip and Catherine have bought a pair of box planes. | 1:27:29 | 1:27:33 | |
But who will make the most money? | 1:27:33 | 1:27:35 | |
Catherine's up first. | 1:27:35 | 1:27:37 | |
I really hope they've got them muddled up, | 1:27:37 | 1:27:39 | |
because yours were far better than mine, the junky ones I bought. | 1:27:39 | 1:27:43 | |
-What can we say about these? -This will be funny. | 1:27:43 | 1:27:45 | |
Do I have £18? Do I have 15? | 1:27:45 | 1:27:47 | |
-18. Come on! -18, thank you. | 1:27:47 | 1:27:49 | |
I'd love it if mine make more than yours. | 1:27:49 | 1:27:52 | |
25's on them. 28 with me. | 1:27:52 | 1:27:55 | |
30 now. That has it, at £30. | 1:27:55 | 1:27:58 | |
At £30... | 1:27:58 | 1:28:00 | |
A £28 profit. Not bad at all, | 1:28:00 | 1:28:03 | |
but can our resident jammy old devil do better? | 1:28:03 | 1:28:06 | |
Watch and learn, Philip Serrell. Watch and learn. | 1:28:06 | 1:28:09 | |
-£20 I have. With me at £20. -I don't want them to make 30. | 1:28:09 | 1:28:14 | |
-Do I have 25? I have £28. -Oh, please don't make 30. | 1:28:14 | 1:28:18 | |
-Back in, £30. -SHE SIGHS | 1:28:18 | 1:28:21 | |
I still make more profit than you. | 1:28:21 | 1:28:23 | |
At £30... | 1:28:23 | 1:28:25 | |
-PHILIP LAUGHS -Don't look at me like that. | 1:28:25 | 1:28:28 | |
-You're really horrible. -Well, you started it. | 1:28:28 | 1:28:31 | |
So far Catherine has the lead at this auction, | 1:28:31 | 1:28:34 | |
but how will the bidders react to her worse-for-wear Bush radio? | 1:28:34 | 1:28:39 | |
-Still in working order... -Working order. | 1:28:39 | 1:28:41 | |
It's in fine condition, as well. With me at £20 on commission. | 1:28:41 | 1:28:45 | |
22. Thank you. 25 with me. | 1:28:45 | 1:28:48 | |
-And 30. With me at 30. -30. Come on, bit more. | 1:28:48 | 1:28:51 | |
-35. At £35. -Well done, love. | 1:28:51 | 1:28:55 | |
At £35... | 1:28:55 | 1:28:57 | |
Well, that's the last time I pooh-pooh a car-boot sale. | 1:28:57 | 1:29:01 | |
Gosh! Before commission, Catherine's just made £27. | 1:29:01 | 1:29:04 | |
-That's good. -You, my love, are right back up there, aren't you? | 1:29:04 | 1:29:09 | |
Last, but certainly not least, it's Philip's quirkiest purchase yet, | 1:29:09 | 1:29:14 | |
the kettle drum. | 1:29:14 | 1:29:16 | |
If your drum does really well, I am just going to be so cross! | 1:29:16 | 1:29:21 | |
-Why? -Because it doesn't deserve to. | 1:29:21 | 1:29:24 | |
How dare you? | 1:29:24 | 1:29:26 | |
A very attractive item here is the kettle drum here. | 1:29:26 | 1:29:31 | |
-Again, a lot of interest here. -A lot?! | 1:29:31 | 1:29:33 | |
310. At £150 with me. | 1:29:33 | 1:29:35 | |
-SHE GROANS -150 I have. | 1:29:35 | 1:29:37 | |
Do I have 160? 160. | 1:29:37 | 1:29:39 | |
-He's going to turn it. -180's on the net. | 1:29:39 | 1:29:42 | |
190's with me. 200 is on the net. | 1:29:42 | 1:29:44 | |
-220 is with me. -How do you do it? | 1:29:44 | 1:29:48 | |
Still with me at 220. I think we're all done. We're selling, then. | 1:29:48 | 1:29:52 | |
-Well done, Philip. -Fair warning at £220... | 1:29:52 | 1:29:56 | |
Cor, Philip Serrell - a man marching to the beat of his own drum, | 1:29:56 | 1:30:00 | |
and making a profit of £120. | 1:30:00 | 1:30:03 | |
Inside I'm crying, but outside I'm smiling. | 1:30:03 | 1:30:08 | |
Well, what an auction, eh? | 1:30:08 | 1:30:10 | |
Catherine started with £186.90, | 1:30:10 | 1:30:13 | |
and after auction costs has made a profit of £62.48, | 1:30:13 | 1:30:18 | |
giving her £249.38 to spend tomorrow. | 1:30:18 | 1:30:23 | |
Philip, meanwhile, started with £339.54, | 1:30:23 | 1:30:27 | |
and after auction costs, he's up £102.82. | 1:30:27 | 1:30:32 | |
So with £442.36 now in the kitty, he's still firmly in the lead. | 1:30:32 | 1:30:39 | |
I would take it off to you, Phil Serrell. | 1:30:39 | 1:30:41 | |
-You are one cool cookie. -Not a gun to shoot me, eh? | 1:30:41 | 1:30:45 | |
-Not a gun. -You'll be fine. | 1:30:45 | 1:30:47 | |
Listen, this can just turn in one moment. | 1:30:47 | 1:30:50 | |
It ain't over till it's over, and there's a long way to go yet. | 1:30:50 | 1:30:53 | |
Well, the fat man hasn't started singing yet. | 1:30:53 | 1:30:56 | |
-Ready? -Left. -Whoo! | 1:30:56 | 1:30:58 | |
-I don't know why I'm so happy. -I don't, either. | 1:30:58 | 1:31:00 | |
You just made mincemeat out of me. | 1:31:00 | 1:31:03 | |
Must be tablet. Next time on the Antiques Road Trip, | 1:31:03 | 1:31:05 | |
we're headed to the Borders, where Phil's watching the pennies. | 1:31:05 | 1:31:09 | |
There's 5p on the floor. I'll toss you for it. | 1:31:09 | 1:31:11 | |
-It's superglued down. -THEY LAUGH | 1:31:11 | 1:31:14 | |
-Catherine's... -SHE MOANS | 1:31:14 | 1:31:17 | |
..paralysed with indecision. | 1:31:17 | 1:31:19 | |
-I might turn away and regret this. -You probably will. | 1:31:19 | 1:31:22 | |
Oh, don't say that! | 1:31:22 | 1:31:24 | |
And the competition reaches fever pitch! | 1:31:24 | 1:31:28 | |
It's mine. I said I'd have it, and I've got it. | 1:31:28 | 1:31:32 | |
Subtitles by Red Bee Media Ltd | 1:31:34 | 1:31:38 | |
E-mail [email protected] | 1:31:38 | 1:31:43 | |
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