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The nation's favourite antiques experts, £200 each and a challenge. | 0:00:02 | 0:00:06 | |
-Do I buy you or don't I? -Who can make the most money buying and selling antiques across the UK? | 0:00:06 | 0:00:12 | |
-What's he up to? -The aim is to trade up and hope each antique turns a profit. | 0:00:12 | 0:00:17 | |
-But it's not as easy as it looks and dreams can end in tatters. -Do I hear 1,500? | 0:00:17 | 0:00:22 | |
Will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
I can't keep this posture up! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the penultimate trip for our pair of respectable gents, Charlie Ross and James Braxton. | 0:00:35 | 0:00:42 | |
James Braxton, believe it or not, is an auctioneer and surveyor with an eye for antiques and fashion. | 0:00:42 | 0:00:49 | |
Seasoned Charlie Ross is an auctioneer of great experience who likes to drive a hard bargain. | 0:00:49 | 0:00:55 | |
-Would you take £100 for it? Or is that being rude? -That's being rude. | 0:00:55 | 0:01:00 | |
James's original £200 has increased to a meagre £234.52 to begin this day's shopping. | 0:01:00 | 0:01:09 | |
After his huge win in the first auction, Charlie's £200 rocketed | 0:01:10 | 0:01:15 | |
and he now has £2,433.40 to flash about. | 0:01:15 | 0:01:20 | |
They're cruising through beautiful Scotland in their classy 1954 Sunbeam Alpine. | 0:01:21 | 0:01:28 | |
-Where are we? Stirlingshire? -Yes...Perthshire! | 0:01:28 | 0:01:33 | |
This road trip sees our experts cruising from Cromarty in the north-east of Scotland | 0:01:33 | 0:01:38 | |
over to the west before finishing up in the coastal town of Ayr. | 0:01:38 | 0:01:42 | |
On this leg, they're heading for auction in Glasgow. | 0:01:45 | 0:01:48 | |
First stop is the beautiful Perthshire town of Blairgowrie. | 0:01:48 | 0:01:52 | |
The redstone towns of Blairgowrie and its sister Rattray lie | 0:01:52 | 0:01:57 | |
on either side of the River Ericht. | 0:01:57 | 0:01:59 | |
Blairgowrie, or Blair as it's known locally, is Perthshire's second largest town. | 0:01:59 | 0:02:05 | |
Its centrepiece is the Blairgowrie and Rattray war memorial. | 0:02:05 | 0:02:09 | |
I want you to spend up. I've thrown the gauntlet down. I want the two and a half on the table. | 0:02:09 | 0:02:16 | |
You are just desperate for me to spend money, aren't you? | 0:02:16 | 0:02:20 | |
Intent on spending big, Charlie is straight to work. | 0:02:20 | 0:02:25 | |
A-ha! | 0:02:28 | 0:02:29 | |
-Are you Mr Roy Sim? -I am, yes. | 0:02:29 | 0:02:32 | |
Greetings. Charlie Ross here. Nice to see you. | 0:02:32 | 0:02:36 | |
To see you nice. Established in 1975, this refurbished showroom is a whopping 5,500 square feet | 0:02:36 | 0:02:44 | |
and is stocked full of fabulous antiques. | 0:02:44 | 0:02:47 | |
I'll take my coat off and have a good look round, if I may. | 0:02:47 | 0:02:50 | |
I see one or two things that take my eye already. | 0:02:50 | 0:02:54 | |
I love the dining table. | 0:02:54 | 0:02:56 | |
Meanwhile, 12 miles west from Blairgowrie finds our poor second-placed expert | 0:02:56 | 0:03:02 | |
about to land in Dunkeld. | 0:03:02 | 0:03:05 | |
My approach to Dunkeld | 0:03:07 | 0:03:08 | |
is to try to find items of sort of under £25. | 0:03:08 | 0:03:13 | |
I've learnt my lesson. There's no reward for big money. It's just too much risk. | 0:03:13 | 0:03:20 | |
So I'm going to go cheap. Cheap, cheap, cheap. | 0:03:20 | 0:03:23 | |
-I'll be keeping my money in my pocket. -What's new? | 0:03:25 | 0:03:29 | |
A small picturesque town, Dunkeld is one of Perthshire's gems. | 0:03:29 | 0:03:34 | |
It lies on the bank of the River Tay which, at 119 miles, is the longest river in Scotland. | 0:03:34 | 0:03:39 | |
Here it is. Let's have a little squint. Oh, that looks promising. | 0:03:39 | 0:03:45 | |
Housed in a converted church, Dunkeld Antiques is run by owner David | 0:03:46 | 0:03:52 | |
and has been established for 25 years. | 0:03:52 | 0:03:54 | |
After James's usual considered browsing, he spots a £30 Schuco clockwork mouse. | 0:03:54 | 0:04:01 | |
-What about your little mouse? -That in the right place might do OK. | 0:04:01 | 0:04:06 | |
But it's a little bit loose and hasn't got a tail on it. | 0:04:06 | 0:04:10 | |
-I'll be a bit loose after 100 years! -It's getting on a bit, isn't it? | 0:04:10 | 0:04:15 | |
-Does it work, Dave? -It should do. -Schuco was a German toymaker founded in 1912. | 0:04:15 | 0:04:20 | |
They produced small felt and plush-covered mechanical tin-plate toys. | 0:04:20 | 0:04:25 | |
-What a lovely motion there. -He's just a big kid! | 0:04:25 | 0:04:29 | |
Meanwhile, back in Blairgowrie, Charlie's found himself a pair of Japanese vases. | 0:04:29 | 0:04:35 | |
They're eastern metal vases | 0:04:35 | 0:04:38 | |
with elephant handles and birds. Well, that's correct. | 0:04:38 | 0:04:43 | |
They're late Japanese. | 0:04:43 | 0:04:47 | |
And they're 20th century. Not earlier than that. | 0:04:50 | 0:04:54 | |
And the decoration of the gilded bronze is not particularly good. | 0:04:54 | 0:05:02 | |
But they are simply bronze, attractive. | 0:05:02 | 0:05:06 | |
They are £185, which... | 0:05:06 | 0:05:10 | |
You know, I don't think I could be that rude to Roy and offer him £50 | 0:05:12 | 0:05:17 | |
because he might show me the door. | 0:05:17 | 0:05:20 | |
There are some little copper jelly moulds, which are quite fun and largely... | 0:05:20 | 0:05:27 | |
I was going to say largely affordable. Possibly. | 0:05:29 | 0:05:32 | |
-Charlie! If anyone should be complaining about affordability it's James! -A-ha! | 0:05:32 | 0:05:38 | |
Amongst all the Mauchline ware, the Scottish souvenir ware, is a bit from nearer my home - | 0:05:38 | 0:05:43 | |
Kent. Tunbridge ware. | 0:05:43 | 0:05:45 | |
Ah, look. From the outside, it's this perspective cube, with all the different woods here. | 0:05:46 | 0:05:53 | |
Sometimes called tumbling cube. | 0:05:53 | 0:05:57 | |
It's quite a simple one. It doesn't look terribly old. | 0:05:57 | 0:06:01 | |
Quite sweet. You'd expect to pay somewhere in the region of £20-£40 for something like that. | 0:06:01 | 0:06:08 | |
After a lot of serious browsing, one of our chaps is finally ready to get down to business. | 0:06:08 | 0:06:15 | |
I did actually look at that pair of bronze vases and then I saw the price, Roy, | 0:06:15 | 0:06:22 | |
-and I closed up your cabinet and did a bit of a runner. -Well, you know, everything's negotiable. | 0:06:22 | 0:06:28 | |
-They may have come in a house clearance. -Em... -On the other hand, they may not. | 0:06:28 | 0:06:34 | |
They came in on a deal. | 0:06:34 | 0:06:36 | |
-I think if they went to auction they would probably make £60-£80. -Well, what's your best? | 0:06:36 | 0:06:42 | |
What's your best? | 0:06:42 | 0:06:44 | |
I would certainly pay... | 0:06:45 | 0:06:48 | |
95? | 0:06:48 | 0:06:49 | |
Oh! Not if they make 60 or 80 at auction! I'm not here to lose money! | 0:06:49 | 0:06:54 | |
But I'm ambitious. | 0:06:54 | 0:06:55 | |
You are. I think I would like to pay you £50 for them. | 0:06:55 | 0:06:59 | |
50 quid. 60, there's a deal. | 0:06:59 | 0:07:02 | |
-60 quid! -Deal. -That's really kind of you. I appreciate that. | 0:07:02 | 0:07:07 | |
-While I'm here, there's some rather pretty copper jelly moulds. -Mm-hm. | 0:07:07 | 0:07:13 | |
-I like a copper jelly mould. They've got no marks on them, but 19th century. -They are. | 0:07:13 | 0:07:18 | |
Victorian jellies were not like the sweet jellies of today. | 0:07:18 | 0:07:22 | |
They were just as likely to use these for blancmanges. | 0:07:22 | 0:07:27 | |
The set of four have a price tag of £48. | 0:07:27 | 0:07:30 | |
-I'm going to make you one offer for these. -Right. -And I'm not even going to be negotiable. | 0:07:30 | 0:07:36 | |
-I'd like to pay 20 quid for them. -Deal done. -I should have said 10! | 0:07:37 | 0:07:41 | |
-Oh! -Right. -I knew you were a man I could do business with. Fantastic. | 0:07:44 | 0:07:49 | |
And now James has found something sporting for £80. | 0:07:49 | 0:07:53 | |
And this one, David, tell me. I don't know much about golf clubs. | 0:07:53 | 0:07:58 | |
There is a resurgence of interest in hickory-shafted golf clubs now. | 0:07:58 | 0:08:02 | |
And they are quite collectable. If you look, they've got the shape | 0:08:02 | 0:08:07 | |
-of what they call the long-nosed putter. It's an Edinburgh maker. -OK. | 0:08:07 | 0:08:13 | |
-And it's a very nice piece. -I'd like to buy that if the price is right. | 0:08:13 | 0:08:18 | |
-OK. -That would be great. -OK. | 0:08:18 | 0:08:19 | |
15 on that, 15 on that, | 0:08:19 | 0:08:23 | |
25 or 30 on that | 0:08:23 | 0:08:26 | |
and 25 on that. | 0:08:26 | 0:08:28 | |
-You don't mess about, do you? -No. | 0:08:28 | 0:08:31 | |
-I go straight in there, David. -You do. -Straight in there. -I can't get close on that one. | 0:08:31 | 0:08:37 | |
-I can't get close. -What can you get close on? -Would you like a parcel price? | 0:08:37 | 0:08:43 | |
How about £60 as a parcel price? I'd see a profit in those for you. | 0:08:43 | 0:08:49 | |
-What about 45 for the three? -That's what you suggested already! -He's as sharp as a tack, David! | 0:08:49 | 0:08:56 | |
-Sharp as a tack. -I tell you what I'll do. -What? | 0:08:56 | 0:09:00 | |
Why don't we actually just say 60 or 45 and I'll toss you for it? | 0:09:00 | 0:09:05 | |
-Oh, blimey, I hate that. -Well, it makes it easy, doesn't it? | 0:09:05 | 0:09:10 | |
-Does it? -Yeah. -OK. -Right. -OK. | 0:09:10 | 0:09:14 | |
-I've got to call, have I? -Yeah. -I'm going to say heads. -OK. | 0:09:14 | 0:09:19 | |
Heads it is! | 0:09:20 | 0:09:23 | |
You're a very kind man. I didn't think it would happen. | 0:09:23 | 0:09:27 | |
-I'm not an audacious gambling man, but you're very kind. -And you can have your 2p back. -Thank you. | 0:09:27 | 0:09:33 | |
While James has been enjoying himself, Charlie is heading east to Rait. Rait's a small village, | 0:09:33 | 0:09:39 | |
barely rating a mention. | 0:09:39 | 0:09:41 | |
To the east is a large farmstead, originally built in 1837. | 0:09:41 | 0:09:45 | |
This has been converted to become an antiques centre with a group of 12 dealers. | 0:09:45 | 0:09:51 | |
Gosh, he does look dashing in that car, doesn't he? | 0:09:51 | 0:09:55 | |
Charlie's been drawn to Alistair McClelland's Antiques, | 0:09:55 | 0:09:58 | |
where a fine figurine at £180 has caught his eye. | 0:09:58 | 0:10:02 | |
I'm hot on Staffordshire at the moment. I had a bit of a tickle with a bit of Staffordshire. | 0:10:02 | 0:10:08 | |
It's Neptune. | 0:10:08 | 0:10:10 | |
That's rather delightful. Very simply modelled, isn't it? | 0:10:10 | 0:10:16 | |
The glazing is nice. Figure's nice. He's a bit doleful. | 0:10:16 | 0:10:20 | |
Did you have to fight for him tooth and nail or did he come in the back of a cupboard? | 0:10:20 | 0:10:25 | |
-Everything in here I have to fight for. -What a terrible tragedy. It really is so unfair, Alistair. | 0:10:25 | 0:10:32 | |
I was rather hoping you'd done a clearance and found this in the back of a cupboard. | 0:10:32 | 0:10:39 | |
-110 to you, Charlie. -Oh, I say! | 0:10:39 | 0:10:42 | |
Would you take £100 for it, Alistair? | 0:10:44 | 0:10:47 | |
-Or is that being rude? -It's rude, but, yes, you can have it for 100. | 0:10:47 | 0:10:51 | |
I'm going to buy that! I like him and the condition of him. | 0:10:51 | 0:10:55 | |
I don't think it's looking £2,000-worth, | 0:10:55 | 0:10:59 | |
-but I could see it making 150, 160? -Yeah. -I really could. | 0:10:59 | 0:11:03 | |
As usual, happy with his purchase, he's popped next door into John Walker Antiques. | 0:11:03 | 0:11:08 | |
Scottish pottery barrel with lid. | 0:11:08 | 0:11:12 | |
19th century. Stoneware barrel. | 0:11:12 | 0:11:15 | |
It says here, "AF", which means "At fault". | 0:11:15 | 0:11:20 | |
It doesn't look too bad to me. Frankly, you'd expect there to be... | 0:11:20 | 0:11:25 | |
What a wonderful barrel! | 0:11:25 | 0:11:28 | |
Oh, it's damaged at the bottom, but you'd never use a barrel like that for putting liquid in, | 0:11:28 | 0:11:35 | |
so what does it matter tuppence if it's damaged? | 0:11:35 | 0:11:38 | |
It's a lovely piece, but at £125 I'm sensing a negotiation. | 0:11:38 | 0:11:43 | |
-Watch out, Brian. -Can you do that for 80 quid? -No. | 0:11:43 | 0:11:48 | |
Well, that's a simple answer. | 0:11:48 | 0:11:51 | |
-Because it's damaged, I could probably bring it down to 100. -Is it the lowest price? -Yes. -90? | 0:11:51 | 0:11:57 | |
-No. -Still show me the door? -I would. | 0:11:57 | 0:12:00 | |
-Sold to the man in the corner. -Thank you very much, sir. -Thank you. | 0:12:01 | 0:12:05 | |
So far, then, a productive shopping day. | 0:12:07 | 0:12:10 | |
But the boys are taking a short breaking and heading west to Perth, | 0:12:10 | 0:12:13 | |
where Charlie has a prior engagement. | 0:12:13 | 0:12:16 | |
-This is rather nice. Look at the river! -Glorious! | 0:12:16 | 0:12:20 | |
Lying on the banks of the River Tay, | 0:12:20 | 0:12:23 | |
the fair city of Perth is located in central Scotland. | 0:12:23 | 0:12:25 | |
Once considered the country's capital, | 0:12:25 | 0:12:28 | |
it's also been known as the Gateway to the Highlands, | 0:12:28 | 0:12:32 | |
and is home to one of Scotland's most famous regiments. | 0:12:32 | 0:12:36 | |
-Museum of the Black Watch, otherwise known as the Royal Highland Regiment. -Here we are. | 0:12:36 | 0:12:42 | |
-In this beautiful spot. -Lovely spot. | 0:12:42 | 0:12:45 | |
-Various memorials here. -Iraq, Afghanistan. | 0:12:45 | 0:12:50 | |
-Very, very sobering, isn't it? -I know. | 0:12:50 | 0:12:54 | |
-I'm in for a history lesson, am I? -You are. Very much. | 0:12:54 | 0:12:57 | |
Scotland's Black Watch is an elite regiment | 0:12:57 | 0:13:00 | |
with members serving most recently in Afghanistan. | 0:13:00 | 0:13:04 | |
The Black Watch has a history | 0:13:04 | 0:13:05 | |
that stretches back almost three centuries. | 0:13:05 | 0:13:07 | |
-Major Proctor, I presume. -Charlie, nice to meet you. | 0:13:07 | 0:13:11 | |
-Thank you very much for letting us in today. -Grateful that you're here. | 0:13:11 | 0:13:16 | |
-I'm looking forward to a history lesson. -Thank you. -Where do we begin? | 0:13:16 | 0:13:21 | |
Let's just go next door here. | 0:13:21 | 0:13:24 | |
The Black Watch was raised in a unique way. | 0:13:24 | 0:13:26 | |
In the wake of the 1715 Jacobite rebellion, | 0:13:26 | 0:13:29 | |
companies of trustworthy highlanders | 0:13:29 | 0:13:32 | |
were raised from loyal clans of Campbells, Frasers, | 0:13:32 | 0:13:36 | |
Grants and Monroes. | 0:13:36 | 0:13:37 | |
The government decided they required to have some form of Highland watch | 0:13:38 | 0:13:43 | |
to try to keep the peace between the Lowlands and the Highlands. | 0:13:43 | 0:13:45 | |
General Wade was the commander of the army in Scotland | 0:13:45 | 0:13:49 | |
and he realised that he would have to have | 0:13:49 | 0:13:52 | |
good intelligence and communications to be effective. | 0:13:52 | 0:13:56 | |
Because of their dark tartan and their job, watching the Highlands, | 0:13:56 | 0:14:01 | |
they were given the Gaelic nickname Am Frieceadan Dubh - Black Watch. | 0:14:01 | 0:14:06 | |
When the First World War started in 1914, | 0:14:06 | 0:14:09 | |
nobody could have foreseen the huge sacrifices of the Black Watch. | 0:14:09 | 0:14:13 | |
Some 50,000 men went through the ranks of the regiment from 1914 to 1918. | 0:14:13 | 0:14:21 | |
Some 25 battalions of one sort or another. | 0:14:21 | 0:14:24 | |
And of that total, 8,000 were killed. | 0:14:24 | 0:14:29 | |
And there on the wall you can actually see the 8,000 names, | 0:14:29 | 0:14:33 | |
but apart from the 8,000 being killed, 20,000 were wounded. | 0:14:33 | 0:14:38 | |
And of that 20,000, there were probably many who died later on, | 0:14:38 | 0:14:42 | |
-when the war finished. -That's virtually 50% casualty rate! -50%. | 0:14:42 | 0:14:48 | |
-That's a one in two chance of being killed or wounded. -Correct. | 0:14:48 | 0:14:51 | |
Here we have some artefacts from World War One. | 0:14:51 | 0:14:55 | |
And some of the most poignant are the French prayer book and the New Testament bible. | 0:14:55 | 0:15:02 | |
And the sergeant's drinking cup. | 0:15:03 | 0:15:06 | |
All received direct hits and saved their owners' lives. | 0:15:06 | 0:15:11 | |
You'd retain a certain belief in religion, wouldn't you, | 0:15:11 | 0:15:16 | |
if your bible had saved your life? | 0:15:16 | 0:15:19 | |
When war broke out with Nazi Germany in September, 1939, the Black Watch were once again called to duty. | 0:15:19 | 0:15:25 | |
Charlie, you'll see in here the Roll of Honour, | 0:15:25 | 0:15:29 | |
much smaller than the Roll of Honour you saw for the First World War. | 0:15:29 | 0:15:35 | |
A change in fighting style and an improvement in war tactics led to fewer deaths among soldiers. | 0:15:35 | 0:15:41 | |
We were in Blairgowrie the other day and the war memorial in the centre, it was very relevant. | 0:15:41 | 0:15:47 | |
The number of names from the First World War and the significantly smaller number from the Second. | 0:15:47 | 0:15:54 | |
And generals had learnt, | 0:15:54 | 0:15:57 | |
-you know, as one said, "I won't have a large butcher's bill with nothing to show for it." -No. | 0:15:57 | 0:16:05 | |
Charlie, you've had a fascinating insight into one of the world's most celebrated regiments. | 0:16:07 | 0:16:11 | |
What a privilege. Meanwhile, on the other side, | 0:16:11 | 0:16:16 | |
-James is heading for Rait Antiques Centre. -We're leaving Perth. | 0:16:16 | 0:16:21 | |
I've got two in the hopper. Three! | 0:16:21 | 0:16:23 | |
Three lovely buys, all at £15 each. | 0:16:23 | 0:16:27 | |
I'm going to stay to my word - nothing over 25. | 0:16:27 | 0:16:30 | |
Fine words, sir. And with that he's straight to work. | 0:16:30 | 0:16:35 | |
-Hello? -Pleased to meet you. Geoffrey Smith. -Very nice to meet you. | 0:16:35 | 0:16:41 | |
Always look up because there might be nice lighting fixtures and look on the top shelf. | 0:16:41 | 0:16:48 | |
Very suitably, we've got this vase. Isn't that lovely? | 0:16:48 | 0:16:53 | |
That is very stylish. We've got Diana the huntress. | 0:16:53 | 0:16:58 | |
She's always depicted bathing or with a bow. | 0:16:58 | 0:17:02 | |
In Roman mythology, Diana was the goddess of the hunt. | 0:17:02 | 0:17:06 | |
Often portrayed with bow and arrow and with a deer or hounds. | 0:17:06 | 0:17:11 | |
This vase has a price tag of £48. | 0:17:11 | 0:17:14 | |
Geoffrey, can you make my day? Would £18 buy that? | 0:17:14 | 0:17:18 | |
-You're being very rude to me. -I know. -£18? | 0:17:18 | 0:17:23 | |
I like to do it with a smile, though. | 0:17:23 | 0:17:27 | |
Double it and we might talk. | 0:17:27 | 0:17:29 | |
-How about... Could you do it for 25? -I'll split it with you. -Oh, no, I don't want splitting. | 0:17:29 | 0:17:36 | |
-Come on. -25, Geoffrey. Come on. -30, come on. | 0:17:36 | 0:17:40 | |
-Come on. 25... -Come on. Goddess of your hunting. | 0:17:40 | 0:17:44 | |
-28, Geoffrey. Can you do 28 for me? -Go on. -28. -We have a deal. | 0:17:47 | 0:17:51 | |
-Thank you. -We have a deal. -I love that. | 0:17:51 | 0:17:55 | |
-Big, stylish fellow. -Happy hunting. -Happy hunting. | 0:17:55 | 0:17:59 | |
Just over £25, but a good purchase all the same. | 0:17:59 | 0:18:03 | |
-That's very kind. -Thank you. | 0:18:03 | 0:18:05 | |
James and Charlie are back on the road. | 0:18:05 | 0:18:08 | |
They're journeying 27 miles south-west to Dunblane. | 0:18:08 | 0:18:13 | |
-What a lovely town! Isn't it? -Lovely. | 0:18:13 | 0:18:15 | |
A small cathedral city and former borough, Dunblane lies on the hills | 0:18:15 | 0:18:19 | |
above the Forth valley and Stirling. | 0:18:19 | 0:18:22 | |
The beautiful cathedral in the centre dates to the 12th century. | 0:18:22 | 0:18:28 | |
-There it is. -Ah, fabulous. | 0:18:28 | 0:18:31 | |
The Old Curiosity Shop. Very Dickens. | 0:18:31 | 0:18:34 | |
It's very Dickens, isn't it? Right, well, good luck. | 0:18:34 | 0:18:39 | |
-Let's get in there. -It's the last shop before the auction. | 0:18:39 | 0:18:44 | |
-It's going to be a bit of a squeeze. -The hare and the tortoise! | 0:18:44 | 0:18:48 | |
-Reminds me of the Black Watch. -But that's more your style, the big fellow, isn't it? | 0:18:50 | 0:18:56 | |
-What a double act! -What's the big fellow? | 0:18:56 | 0:19:01 | |
-Price? -Yeah. -110, I think. -110. My word. | 0:19:01 | 0:19:05 | |
James, you can have the first shot if you want. | 0:19:05 | 0:19:09 | |
-I'd rather go for the big one. -It's probably more commercial. | 0:19:09 | 0:19:14 | |
I like the big one. | 0:19:14 | 0:19:15 | |
It's a very impressive side drum, | 0:19:15 | 0:19:18 | |
but at £110 it's a bit pricey. | 0:19:18 | 0:19:21 | |
-Could I make you a cheeky offer? -You can, but... -35? | 0:19:21 | 0:19:25 | |
-Oh, no. -What do you think on this, David? -The lowest I could do that is 70. | 0:19:25 | 0:19:30 | |
-70? -Yes. -OK. | 0:19:30 | 0:19:32 | |
Fine, fine, fine. And I think that's a fair price. | 0:19:33 | 0:19:37 | |
It's a lovely piece. It's doing lots of things. | 0:19:37 | 0:19:41 | |
Now Charlie has spotted a rather large vase with a ticket price of £200. | 0:19:41 | 0:19:47 | |
-It's very heavy. -I bet it is. | 0:19:47 | 0:19:50 | |
It's a Brannam ware pottery. One of the Staffordshire potteries. | 0:19:50 | 0:19:55 | |
-It's a nice piece. -Give me a bit of your knowledge. It's got a bit of colour. | 0:19:55 | 0:20:00 | |
It's got a good bit of colour. It's that treacly glaze. | 0:20:00 | 0:20:04 | |
-They did a lot of that stuff for conservatories. -Yeah. | 0:20:04 | 0:20:08 | |
-Big old plant stands and things. -Almost like early Doulton Lambeth. -Exactly, exactly. | 0:20:08 | 0:20:14 | |
That is a big fellow. Look at it. | 0:20:14 | 0:20:17 | |
It's three foot something. | 0:20:17 | 0:20:19 | |
Now, what kind of deal can you get? | 0:20:19 | 0:20:22 | |
-160. -Can you do it for 160? -Yeah. -Look at that. | 0:20:22 | 0:20:26 | |
Mr Braxton, I'm going to put my neck on the block here. I'll ask you to make a decision for me. | 0:20:26 | 0:20:32 | |
-I'll buy that for 160 or the small drum for 40. -Right. You've got the budget! Play the game! | 0:20:32 | 0:20:38 | |
-Play the game? Go for it? -Yep. -I'm going for the Brannam. | 0:20:38 | 0:20:43 | |
Another big spend. Well done, Charlie. All that's left is for James to make his move. | 0:20:43 | 0:20:49 | |
-David, may I take the big drum for 65? -You're welcome. -Thank you very much indeed. | 0:20:51 | 0:20:57 | |
James's final purchase brings this shopping trip to a suitable end. | 0:20:57 | 0:21:02 | |
Charlie Ross began with £2,433.40 - ridiculous! - | 0:21:02 | 0:21:09 | |
and spent £440 on five auction lots. | 0:21:09 | 0:21:11 | |
The four Victorian jelly moulds. | 0:21:13 | 0:21:15 | |
A pair of Japanese vases. | 0:21:15 | 0:21:16 | |
A Staffordshire pottery figurine. | 0:21:17 | 0:21:20 | |
A 19th century barrel. | 0:21:20 | 0:21:22 | |
And the large Brannam vase. | 0:21:22 | 0:21:25 | |
James Braxton started with £234.52, and spent £138 on five auction lots. | 0:21:25 | 0:21:33 | |
A 1920s golf club. | 0:21:33 | 0:21:36 | |
The clockwork mouse. | 0:21:36 | 0:21:38 | |
A Tunbridge ware box. | 0:21:38 | 0:21:40 | |
The Art Deco vase. | 0:21:40 | 0:21:41 | |
And a large decorative drum. | 0:21:41 | 0:21:43 | |
Time to hear what you boys really think. | 0:21:44 | 0:21:47 | |
Charlie, I think, has it again. | 0:21:47 | 0:21:49 | |
What a fabulous Staffordshire figure. Neptune. | 0:21:49 | 0:21:52 | |
I don't know. Is it another £2,000-£3,000? | 0:21:52 | 0:21:56 | |
The drum is fab. Love the drum. And the drum will make well over £100 | 0:21:56 | 0:22:01 | |
without any doubt at all in my mind. | 0:22:01 | 0:22:05 | |
It's been a fabulous jaunt from delightful Blairgowrie, | 0:22:05 | 0:22:08 | |
via Dunkeld, Perth, Rait and Dunblane, | 0:22:08 | 0:22:12 | |
with the auction house in Glasgow finally in their sights. | 0:22:12 | 0:22:16 | |
Glasgow is the largest city in Scotland and is on the River Clyde in the west central lowlands. | 0:22:16 | 0:22:23 | |
With its stunning Victorian architecture and lively vibe, it's the perfect spot - | 0:22:23 | 0:22:28 | |
-oops! - for auction number four. -What was that? | 0:22:28 | 0:22:33 | |
-This looks a bit smart for us, Charlie. -Too good for our goods! | 0:22:36 | 0:22:40 | |
Established in 1842, McTear's Auctioneers is one of Glasgow's largest auction houses. | 0:22:40 | 0:22:47 | |
It's the moment of truth. Let the auction begin. | 0:22:48 | 0:22:52 | |
First to go under the hammer is James's 1920s long-nose golf club. | 0:22:52 | 0:22:58 | |
£50 again. 20 again on this one. 10 again, surely. £10. | 0:22:58 | 0:23:02 | |
Got to go at 10, surely. 10 is bid. | 0:23:02 | 0:23:05 | |
-How about that? -All done at 10? 12? | 0:23:05 | 0:23:08 | |
Any advance at 10? Going now at 10. Are you all done? | 0:23:08 | 0:23:12 | |
It's going now. £10 for that lot. And it's away to 6513 for £10. | 0:23:12 | 0:23:18 | |
-You'd have been better off putting that in your golf bag. -Story of my life. | 0:23:18 | 0:23:23 | |
Not a great start, James. And certainly not a hole in one. | 0:23:23 | 0:23:27 | |
This is not boding well for the Schuco mouse, really, is it? | 0:23:27 | 0:23:31 | |
-Now for Charlie's four copper jelly moulds. -Come on. | 0:23:33 | 0:23:37 | |
20 again for the set. 10 again, surely. 10 is bid. | 0:23:37 | 0:23:39 | |
12 I've got here. 15 on my left. | 0:23:39 | 0:23:43 | |
-He's got a commission bid. -Any advance at £15? Going now... | 0:23:43 | 0:23:48 | |
All done? Going at £15. 1935 for that one. | 0:23:48 | 0:23:52 | |
That was bargain of the day. | 0:23:52 | 0:23:54 | |
Oh, dear. Another loss. | 0:23:54 | 0:23:57 | |
Next to face the music is James's clockwork mouse. | 0:23:57 | 0:24:01 | |
30 again? 20 again, surely? 20 bid. | 0:24:01 | 0:24:03 | |
Any advance? 22 bid. 22 on my left. Any advance on that? | 0:24:03 | 0:24:07 | |
-All finished now? -Are you bidding? | 0:24:07 | 0:24:10 | |
On the left at 22. All done? Selling at 22. | 0:24:10 | 0:24:14 | |
-It's a working profit, isn't it? -It is. It's a meagre profit. -A meagre profit! | 0:24:14 | 0:24:20 | |
It very nearly dragged back the loss from the putter. | 0:24:20 | 0:24:23 | |
Well done, James. Finally a profit. | 0:24:23 | 0:24:25 | |
After commission, probably a slim loss! | 0:24:27 | 0:24:30 | |
Yeah, it was a narrow squeak. So far James is slightly in the lead. | 0:24:30 | 0:24:35 | |
Can Charlie's vases shake it up? | 0:24:35 | 0:24:38 | |
20 again, surely. £20 for the pair. | 0:24:38 | 0:24:41 | |
20 is bid. Any advance? At 20. Any advance at 20? | 0:24:41 | 0:24:44 | |
All done now at £20. Going now. 25 is bid now. I'll take 30. | 0:24:44 | 0:24:49 | |
25 is bid now. All done now? Any advance at 25? Going now. | 0:24:49 | 0:24:54 | |
Not quite the result you were looking for. | 0:24:54 | 0:24:57 | |
Ouch. That's two losses out of two. | 0:24:57 | 0:25:01 | |
I think I've come up short! | 0:25:01 | 0:25:03 | |
Next, it's James's Tunbridge ware box. | 0:25:05 | 0:25:09 | |
Start the bidding at £30. 20 we're bid here. Commission. | 0:25:09 | 0:25:13 | |
Commission! | 0:25:13 | 0:25:15 | |
At £20. All done now? Going with the commission at £20. | 0:25:15 | 0:25:20 | |
-Are you all done? Selling at 20. -20. Steady work. | 0:25:20 | 0:25:25 | |
Another small profit. At least one is going in the right direction. | 0:25:25 | 0:25:30 | |
Could history repeat itself with Charlie's Staffordshire figurine? | 0:25:30 | 0:25:34 | |
For the lot, £50 on this one? 30 again? 30 bid. | 0:25:34 | 0:25:39 | |
-Any advance? -30?! | 0:25:39 | 0:25:41 | |
What?! | 0:25:41 | 0:25:43 | |
All finished now? 35 is bid. 40. 45. 50. | 0:25:43 | 0:25:47 | |
55. 60. 65? | 0:25:47 | 0:25:49 | |
No, £60 is bid now. Anyone else? | 0:25:49 | 0:25:52 | |
At £60 for that lot. 65. At 70. | 0:25:52 | 0:25:55 | |
-Come on! -75. 80? No, 75 is bid. | 0:25:55 | 0:25:58 | |
-Left-hand side at 75. -80? | 0:25:58 | 0:26:01 | |
On the left at 75 for that lot. 75. | 0:26:01 | 0:26:04 | |
Oh, dear. This is not looking good. | 0:26:04 | 0:26:07 | |
If you can't get over 100 quid for an 18th-century Staffordshire figure... | 0:26:07 | 0:26:12 | |
-No big spenders in Glasgow today. -That's made a serious dent in my 2½ grand. | 0:26:12 | 0:26:19 | |
Oh! | 0:26:19 | 0:26:20 | |
Constantly reminded. | 0:26:20 | 0:26:22 | |
Stay positive, James! | 0:26:22 | 0:26:24 | |
You're making slow, but steady progress. Next up, your vase. | 0:26:24 | 0:26:28 | |
-Lovely. -Start bidding at £50? | 0:26:28 | 0:26:31 | |
30 again. 20 again. £20 bid. 25. 30. Against you. | 0:26:31 | 0:26:36 | |
Any advance? At £30. Any advance? | 0:26:36 | 0:26:38 | |
-Oh, come on. -All done now? Any advance? -Oh, no... | 0:26:38 | 0:26:42 | |
-All done now. -Oh, Brackers... | 0:26:42 | 0:26:47 | |
£30. That was a wasted opportunity. | 0:26:47 | 0:26:52 | |
Yep, sorry, James. After commission, that £2 profit is, in fact, a loss. | 0:26:52 | 0:26:57 | |
-So instead of gaining money on that, I've lost. -You've lost. | 0:26:57 | 0:27:01 | |
Under the spotlight next is Charlie's 19th century barrel. | 0:27:01 | 0:27:05 | |
Now please hold it up! Come on, hold it up. | 0:27:05 | 0:27:09 | |
He's not doing it. | 0:27:09 | 0:27:11 | |
Start me a £50 on this one. 50 is bid. | 0:27:11 | 0:27:14 | |
-50. -Oh, he's... -50 is bid. -Come on! | 0:27:14 | 0:27:18 | |
-65. -70. -65. | 0:27:18 | 0:27:21 | |
-70. 75. -Come on! | 0:27:21 | 0:27:23 | |
70 is the lady's bid. Any advance? | 0:27:23 | 0:27:28 | |
All done and selling at 70. Any more at 70? | 0:27:28 | 0:27:31 | |
Sold at 70 and away to 415. | 0:27:31 | 0:27:34 | |
Roscoe... | 0:27:34 | 0:27:36 | |
-It could have been worse. -You're absolutely right. Could be less. | 0:27:36 | 0:27:41 | |
Dearie me. That's another big loss, Charlie. It's just not your day. | 0:27:41 | 0:27:47 | |
Now it's James's last stab at a big profit. It's the drum. | 0:27:47 | 0:27:51 | |
It was a risky purchase, but will it play off? | 0:27:51 | 0:27:55 | |
£100 again on this one? 80? 50 bid. | 0:27:55 | 0:27:58 | |
-50 bid! Straight in! -£60 is bid. Right-hand side. | 0:27:58 | 0:28:03 | |
70 here. 80 if you wish. 90, sir. 100. | 0:28:03 | 0:28:06 | |
-110? £100 is bid now. -Brackers is back! | 0:28:06 | 0:28:10 | |
I'll take 110. At £100. Going now. Sold at 100. | 0:28:10 | 0:28:16 | |
-Well done, old bean. -I've broken that three-figure mark. -You've made a profit overall. | 0:28:16 | 0:28:22 | |
You saved the best till last. Well done, James. A great profit. | 0:28:22 | 0:28:27 | |
There's a fortune for me to be made in the dealing world, isn't there? | 0:28:27 | 0:28:31 | |
Last, but not least is Charlie's most expensive lot, | 0:28:31 | 0:28:35 | |
the large stoneware vase. Can it pull him out of despair? | 0:28:35 | 0:28:40 | |
-Lift it up, man! -80 again there? 50 bid. Any advance? At 50. | 0:28:40 | 0:28:45 | |
60 here. Any more? 60. 70 if you wish. 60 is bid. | 0:28:45 | 0:28:49 | |
At 70. 80. 90. 100. 110? | 0:28:49 | 0:28:54 | |
-£100 is bid. -We can do better! | 0:28:54 | 0:28:57 | |
-110 if you wish there. Any advance? -Oh, buying it for £100(!) | 0:28:57 | 0:29:02 | |
-All done at 100? £100. -Roscoe... | 0:29:02 | 0:29:05 | |
-Another arrow! -Cheer up! | 0:29:05 | 0:29:08 | |
Oh, dear, Charlie. Your game plan well and truly backfired on you today. | 0:29:08 | 0:29:14 | |
Well, a comprehensive victory. | 0:29:14 | 0:29:18 | |
James started this leg with £234.52. | 0:29:18 | 0:29:22 | |
After paying auction costs, he made a small profit of £11.24. | 0:29:22 | 0:29:27 | |
Despite being victorious, he has a rather small £245.76 to carry forward. | 0:29:27 | 0:29:34 | |
Charlie, meanwhile, is way out ahead. | 0:29:34 | 0:29:38 | |
He started with £2,433.40 and despite making a devastating loss of £206.30, | 0:29:38 | 0:29:45 | |
he still has a hefty £2,227.10 to spend. | 0:29:45 | 0:29:49 | |
Oh, look at this. This is service. Thank you, my man. | 0:29:51 | 0:29:56 | |
-Thank you. -Such a pleasure to work with you, Mr Braxton, sir. | 0:29:56 | 0:30:00 | |
This Antiques Road Trip has taken our experts from Cromarty | 0:30:03 | 0:30:06 | |
down the stunning north-east of Scotland over to the west, | 0:30:06 | 0:30:09 | |
to their final destination in Ayrshire. | 0:30:09 | 0:30:13 | |
On this last leg, they're heading for the final auction in Ayr. | 0:30:14 | 0:30:18 | |
First stop is the village of Kilbarchan. | 0:30:18 | 0:30:21 | |
SPLUTTERING Oh! My hat's come off. | 0:30:21 | 0:30:24 | |
There must be easier ways to make a living, mustn't there. | 0:30:24 | 0:30:27 | |
A village in the west Central Lowlands, | 0:30:29 | 0:30:32 | |
Kilbarchan's church steeple dominates the village skyline. | 0:30:32 | 0:30:37 | |
Built in 1755, it houses a bronze statue | 0:30:37 | 0:30:40 | |
of Robert 'Habbie' Simpson, | 0:30:40 | 0:30:43 | |
Kilbarchan's famous left-handed piper. | 0:30:43 | 0:30:46 | |
Not a lot of people know that! | 0:30:46 | 0:30:47 | |
(SCOTTISH ACCENT) There's plenty for you to get your teeth into. | 0:30:47 | 0:30:52 | |
Established in 1950, | 0:30:53 | 0:30:55 | |
Gardner's Antiques has a vast array of antiques and collectables. | 0:30:55 | 0:30:58 | |
And with its strict "no haggling" policy, | 0:30:58 | 0:31:02 | |
I wonder how the chaps will get on. | 0:31:02 | 0:31:05 | |
-It goes a long way. -Goodness me. -Look up there! | 0:31:05 | 0:31:08 | |
Oh, oh, oh, God. | 0:31:08 | 0:31:10 | |
-Good luck, Brackers. -Good hunting. | 0:31:10 | 0:31:12 | |
And with that, Charlie gets straight to work with owner, David. | 0:31:12 | 0:31:16 | |
-That's rather a sweet, very sweet little propelling pencil. -Mm-hmm. | 0:31:17 | 0:31:22 | |
Tell me, | 0:31:23 | 0:31:25 | |
it would be too much for me to expect that to be gold, wouldn't it? | 0:31:25 | 0:31:28 | |
-I think probably. -It looks gold to me. -I'll have a look. | 0:31:28 | 0:31:31 | |
-I certainly don't see any marks on it. -It's not priced, no. -It's not priced as gold, certainly. | 0:31:31 | 0:31:35 | |
-It isn't but I was just wondering whether it might be! -I don't see any marks on it. | 0:31:35 | 0:31:40 | |
Perhaps I should be taking a little gamble. | 0:31:40 | 0:31:43 | |
Lets do a bit of Sherlock Holmes work on here. | 0:31:43 | 0:31:45 | |
I think that's absolutely charming. | 0:31:45 | 0:31:48 | |
And the price of that is... | 0:31:50 | 0:31:53 | |
£20. | 0:31:54 | 0:31:56 | |
This would've been kept in a small purse belonging to a lady, | 0:31:56 | 0:32:00 | |
perhaps if she went out dancing and had a little dance card | 0:32:00 | 0:32:03 | |
and wanted to write down the names | 0:32:03 | 0:32:06 | |
of the people that she had been chosen to dance with. | 0:32:06 | 0:32:10 | |
That's the sort of thing you'd find in a smart purse. | 0:32:10 | 0:32:13 | |
I think it's a charming little lot. | 0:32:13 | 0:32:16 | |
-I'd like to make an investment, if I may? -Absolutely welcome to do that. | 0:32:16 | 0:32:20 | |
It's not a big one but hopefully, I'm going to find more. | 0:32:20 | 0:32:22 | |
£20 well spent, Charlie. | 0:32:22 | 0:32:25 | |
David's "no haggling" policy sure makes for speedy negotiations. | 0:32:25 | 0:32:28 | |
This looks interesting. | 0:32:28 | 0:32:31 | |
I'm going to sit down. Look at this! | 0:32:31 | 0:32:33 | |
Oh, 'ello! Ha! | 0:32:33 | 0:32:36 | |
All damages to be paid for. Oh! | 0:32:36 | 0:32:38 | |
Slightly vulnerable to damage, this one. | 0:32:38 | 0:32:41 | |
Erm, but what a piece! | 0:32:41 | 0:32:44 | |
Ahem! Damage caused by you, I think, James. | 0:32:44 | 0:32:47 | |
This is what the impressionists and the Victorians, | 0:32:47 | 0:32:51 | |
that 1850 period to 1900, this is what they love. | 0:32:51 | 0:32:55 | |
We've got some deterioration, like a sort of dry rot, there. | 0:32:55 | 0:32:59 | |
Putting the dry rot, the cracks and the other damage aside, | 0:32:59 | 0:33:04 | |
this is still quite a nice piece, isn't it? | 0:33:04 | 0:33:07 | |
-Yeah, OK then, James. So what is it? -What have we got on this? | 0:33:07 | 0:33:10 | |
£68?! | 0:33:10 | 0:33:13 | |
This is my first purchase. | 0:33:13 | 0:33:15 | |
I love this piece and it's going to make me a large profit. | 0:33:15 | 0:33:19 | |
I really hope so, James. | 0:33:19 | 0:33:21 | |
This rare early Meiji period Japanese container | 0:33:21 | 0:33:23 | |
could've been used to house kimonos or even Japanese jim-jams. | 0:33:23 | 0:33:27 | |
David, can you tell me about this fellow? | 0:33:27 | 0:33:30 | |
It's rather taken me eye. | 0:33:30 | 0:33:32 | |
Erm, Japanese. Probably early 20th century, possibly a bit earlier. | 0:33:32 | 0:33:37 | |
Quite a lot of Japanese import brought into Glasgow. | 0:33:37 | 0:33:40 | |
With it being a bit port city. | 0:33:40 | 0:33:42 | |
A lot of ships' captains and crews bring back, brought things home. | 0:33:42 | 0:33:46 | |
-You haven't got the lid for it? -We don't have the lid to that. | 0:33:46 | 0:33:49 | |
This one's as it stands, I'm afraid. | 0:33:49 | 0:33:50 | |
-A few wee knocks and bumps but a bit unusual. -Yeah. | 0:33:50 | 0:33:55 | |
-I know the terms. There you are, my good man. -Thank you. | 0:33:55 | 0:33:57 | |
I shall take the ticket off it, then. | 0:33:57 | 0:33:59 | |
£68 spent. Well done, James. | 0:33:59 | 0:34:01 | |
What about Charlie? | 0:34:01 | 0:34:04 | |
There's something rather ornate and small. | 0:34:05 | 0:34:10 | |
I imagine an inkwell. | 0:34:10 | 0:34:14 | |
Yes, it is an inkwell. French. | 0:34:14 | 0:34:18 | |
Champleve enamel. | 0:34:18 | 0:34:20 | |
Not brilliant enamelling, but really not bad quality. | 0:34:20 | 0:34:25 | |
And then we've got a little porcelain plaque at the bottom, here. | 0:34:25 | 0:34:30 | |
It's really quite a charming object. It is... £54. | 0:34:30 | 0:34:36 | |
I think this is worth more money than £54. I really do. | 0:34:36 | 0:34:42 | |
Champleve is a technique in which troughs or cells | 0:34:42 | 0:34:46 | |
are carved out with a metal object and filled with enamel. | 0:34:46 | 0:34:50 | |
-I think that's really quite sweet. I'll have that, sir, if I may. -Thank you very much indeed. | 0:34:50 | 0:34:55 | |
So, while Charlie's been enjoying himself, | 0:34:55 | 0:34:58 | |
James has headed 15 miles south-west to Kilbirnie. | 0:34:58 | 0:35:02 | |
Kilbirnie is a small town in North Ayrshire. | 0:35:07 | 0:35:10 | |
Amongst many old buildings stands the Walker Hall, | 0:35:10 | 0:35:14 | |
a memorial hall dedicated to Dr Walker, | 0:35:14 | 0:35:17 | |
one of the first physicians in the town. | 0:35:17 | 0:35:19 | |
But there's no time for sightseeing. | 0:35:19 | 0:35:22 | |
James has got some shopping to do. | 0:35:22 | 0:35:23 | |
Stirrup Cup Antiques opened five years ago | 0:35:23 | 0:35:26 | |
in this rather lovely barn conversion, | 0:35:26 | 0:35:29 | |
and James is hoping owner Greta may have a couple of bargains for him. | 0:35:29 | 0:35:34 | |
-Greta Logan. -Greta. Very nice to meet you. | 0:35:34 | 0:35:37 | |
I like this, though. Very nice art nouveau sort of like a table centre. | 0:35:37 | 0:35:42 | |
It's definitely art nouveau, very continental colouring, the green and the gilt. | 0:35:42 | 0:35:46 | |
So it's definitely French. | 0:35:46 | 0:35:49 | |
Nicely finished underneath. I rather like that. | 0:35:49 | 0:35:52 | |
It's got a good look to it. It's got £45 on it. | 0:35:52 | 0:35:56 | |
Let's see if I can get something off on that. | 0:35:56 | 0:35:59 | |
Before he gets down to the nitty gritty, | 0:35:59 | 0:36:01 | |
something else catches his eye. | 0:36:01 | 0:36:03 | |
-Look at these bottles. -Well they're Drew of Piccadilly, 1905, I think. | 0:36:03 | 0:36:08 | |
-Drew. -Something like 1905. | 0:36:08 | 0:36:11 | |
They look it. They are fittings out of a travelling case, aren't they? | 0:36:11 | 0:36:14 | |
-I would say so. -Yeah. | 0:36:14 | 0:36:16 | |
In your leather travel case, around the edges, | 0:36:16 | 0:36:18 | |
you had these sort of pockets and they fitted into these things. | 0:36:18 | 0:36:23 | |
Those five, there, and I like your stand there, your nouveau stand. | 0:36:23 | 0:36:31 | |
What sort of price could you do for the two sort of lots there? | 0:36:34 | 0:36:39 | |
Well... | 0:36:39 | 0:36:41 | |
-Very difficult... -Yeah, uh-huh! | 0:36:41 | 0:36:44 | |
The two at the back, I had £120 on just on the two. | 0:36:44 | 0:36:47 | |
Good on you, Greta. | 0:36:47 | 0:36:49 | |
For all five silver bottles, James is looking at a total price of £245. | 0:36:49 | 0:36:53 | |
That's £67.24 more than he's got to spend. | 0:36:53 | 0:36:58 | |
Are you going to put your hand in your pocket for over £300, James? | 0:36:58 | 0:37:02 | |
-No, I haven't got 300. -You haven't got 300. Here we go, here we go! | 0:37:02 | 0:37:05 | |
-How much have we got left? -I think she's got the mark of you, James. | 0:37:05 | 0:37:10 | |
£250 on the lot. | 0:37:10 | 0:37:12 | |
I won't buy all of them. | 0:37:14 | 0:37:17 | |
Haven't really got the money and all that sort of thing, | 0:37:17 | 0:37:21 | |
but that's pretty. | 0:37:21 | 0:37:22 | |
Greta, would you take 140 for that, that, that and that? | 0:37:24 | 0:37:30 | |
-160? -160... | 0:37:32 | 0:37:35 | |
-In the middle? -OK, then. -Ha ha ha! | 0:37:37 | 0:37:40 | |
£150 lighter, and James is still spending. | 0:37:40 | 0:37:44 | |
I'll tell you what, I've hardly got a penny left, | 0:37:44 | 0:37:47 | |
and I forgot about these. | 0:37:47 | 0:37:49 | |
I saw your rather nice, your sort of Hercules doorstops. | 0:37:49 | 0:37:54 | |
What do you call these? Is this a Scottish thing? | 0:37:54 | 0:37:57 | |
I think that's got to be for tying a horse. | 0:37:57 | 0:38:00 | |
You'd put them in the field, and it was just for tethering an animal? | 0:38:00 | 0:38:04 | |
-They did come out of a coach house. -How much are you selling these for? | 0:38:04 | 0:38:08 | |
-30 for the two. -30 for the two? -Yeah. | 0:38:08 | 0:38:12 | |
-Greta, would you take a tenner for this one? -20. -20. I can't do 20. | 0:38:13 | 0:38:18 | |
15, then. | 0:38:18 | 0:38:20 | |
Could you do 12? | 0:38:20 | 0:38:23 | |
-OK, James. -12. That's really kind. Thank you. | 0:38:23 | 0:38:27 | |
-Three items! -Are you happy now? -You need some cash! | 0:38:27 | 0:38:31 | |
-I would like some cash, thank you. -Take me to your till. | 0:38:31 | 0:38:33 | |
The road trip is moving us on once more, leaving Kilbirnie | 0:38:33 | 0:38:37 | |
and burning a short 10 miles west to Fairlie, | 0:38:37 | 0:38:40 | |
where James has given himself a little treat. | 0:38:40 | 0:38:44 | |
Here we are. Lovely. Nice big gates. This is more me. | 0:38:44 | 0:38:48 | |
-Ah! -This is more me. -Oh, it's a bit like going home for you! | 0:38:48 | 0:38:52 | |
Situated fairly near Fairlie, | 0:38:52 | 0:38:54 | |
Kelburn Castle is James Braxton's first port of call. | 0:38:54 | 0:38:57 | |
What a great, great morning! This will look superb, won't it? | 0:38:57 | 0:39:01 | |
Originally built in the 13th century, Kelburn Castle is the seat of the Earl of Glasgow, | 0:39:01 | 0:39:07 | |
and is thought to be the oldest castle in Scotland | 0:39:07 | 0:39:09 | |
to have been continuously inhabited by the same family. | 0:39:09 | 0:39:14 | |
The present 10th Earl of Glasgow | 0:39:14 | 0:39:16 | |
is meeting the lucky James Braxton to show him round, | 0:39:16 | 0:39:19 | |
and tell him more about two of his extraordinary relations. | 0:39:19 | 0:39:22 | |
Now, who's your fine fellow here? | 0:39:23 | 0:39:26 | |
Oh, I see. This, in fact is my great-grandfather, | 0:39:26 | 0:39:29 | |
and he was a naval captain, and near the end of his career, | 0:39:29 | 0:39:34 | |
-he was made governor of New Zealand. -Oh, fabulous! | 0:39:34 | 0:39:37 | |
He was loved. He had a huge family and he was loved by the Maoris, | 0:39:37 | 0:39:40 | |
and he went round and visited all these various Maori communities all over New Zealand. | 0:39:40 | 0:39:45 | |
Well, he looks a very splendid fellow, doesn't he? | 0:39:45 | 0:39:47 | |
He does. I think he was painted to look splendid. | 0:39:47 | 0:39:50 | |
-Did he bring anything back from New Zealand? -Yes, he brought a lot back. | 0:39:50 | 0:39:54 | |
One of the most interesting ones was this one, which is a Maori cape. | 0:39:54 | 0:39:58 | |
This is... One of the Maori chiefs gave this to my great-grandfather, | 0:39:58 | 0:40:03 | |
and it actually doesn't look particularly interesting, | 0:40:03 | 0:40:07 | |
but it is unique, and this is all made out of kiwi feathers, | 0:40:07 | 0:40:11 | |
and I don't think you'd be able to do that now. | 0:40:11 | 0:40:13 | |
I think legally, it would be impossible to have a cape like that. | 0:40:13 | 0:40:17 | |
-So this is all feathers? -Absolutely. All kiwi feathers. | 0:40:17 | 0:40:21 | |
A national symbol of New Zealand, the kiwi is a flightless bird | 0:40:21 | 0:40:26 | |
that holds a special significance for the Maori. | 0:40:26 | 0:40:29 | |
It is symbolic of their elder brothers and sisters, | 0:40:29 | 0:40:32 | |
representing protective spirits. | 0:40:32 | 0:40:34 | |
And is this one of many in the world? | 0:40:34 | 0:40:36 | |
There was a Maori who came here to see it, | 0:40:36 | 0:40:39 | |
and he said there were less than a dozen of these in the world. | 0:40:39 | 0:40:42 | |
My great-uncle Alan | 0:40:45 | 0:40:47 | |
was one of those magnificent men in their flying machines, | 0:40:47 | 0:40:50 | |
and he was one of the pioneers of aviation in the very early days, | 0:40:50 | 0:40:54 | |
and he held the record for three weeks when he'd flown his aeroplane | 0:40:54 | 0:40:58 | |
something like 400 yards, and that was the record, | 0:40:58 | 0:41:01 | |
-but the record was broken three weeks later by somebody else who did it better than he did. -Oh, no! | 0:41:01 | 0:41:07 | |
-So they were accumulating... -So he had a glorious three weeks. | 0:41:07 | 0:41:11 | |
Alan Reginald Boyle was born on 8th October 1886, | 0:41:12 | 0:41:16 | |
and was the son of the seventh Earl of Glasgow. | 0:41:16 | 0:41:19 | |
What really fascinates me about it is the fact that | 0:41:19 | 0:41:22 | |
the wheels are just like sort of bicycle wheels. | 0:41:22 | 0:41:25 | |
They're tiny, aren't they? You can see how treacherous they were, | 0:41:25 | 0:41:30 | |
but you can imagine them hitting something and just pitching. | 0:41:30 | 0:41:33 | |
Well, I think that's actually what happened to my great-uncle. | 0:41:33 | 0:41:36 | |
Unfortunately, his aeroplane turned over, and he landed on his head, | 0:41:36 | 0:41:41 | |
and from that moment on, he had a slight memory problem, | 0:41:41 | 0:41:44 | |
so it was jolly dangerous, as you can see, they were hardly protected. | 0:41:44 | 0:41:48 | |
-It must've been a very exciting period if you had the courage. -Yeah. | 0:41:48 | 0:41:52 | |
-Those pioneering Edwardians. -That's right. | 0:41:52 | 0:41:55 | |
The castle is steeped in history, both inside and out, | 0:41:55 | 0:41:59 | |
but one of the more modern aspects is on the south side of the place. | 0:41:59 | 0:42:03 | |
This is a great departure from your normal Scottish castle, isn't it? | 0:42:03 | 0:42:07 | |
Yes, well, it was actually the idea of my son and daughter, | 0:42:07 | 0:42:11 | |
who got to know these Brazilian graffiti artists | 0:42:11 | 0:42:14 | |
who were longing to paint a Scottish castle and do a... | 0:42:14 | 0:42:20 | |
It's a mural, isn't it? We call it graffiti, but it's really a mural. | 0:42:20 | 0:42:23 | |
They came and stayed here. | 0:42:23 | 0:42:25 | |
Anyway, they managed to persuade Historic Scotland to let them do it, | 0:42:25 | 0:42:29 | |
which surprised me. | 0:42:29 | 0:42:30 | |
-Were you rather hoping they might be turned down? -Yeah, I was. | 0:42:30 | 0:42:34 | |
Anyway, he wasn't turned down, and they went ahead with it. | 0:42:34 | 0:42:37 | |
But now that it's been done, | 0:42:37 | 0:42:38 | |
I actually think it's really very, very good. | 0:42:38 | 0:42:40 | |
It's tremendously imaginative. | 0:42:40 | 0:42:42 | |
So, James, a mixture of old and new. | 0:42:42 | 0:42:46 | |
Meanwhile, Charlie is cruising 15 miles south to Kilwinning. | 0:42:46 | 0:42:50 | |
Situated just outside Kilwinning | 0:42:50 | 0:42:53 | |
is the beautiful Dalgarven Mill. | 0:42:53 | 0:42:55 | |
Rising through four floors and powered by a six-metre waterwheel, | 0:42:55 | 0:43:00 | |
this is one of the oldest and tallest grain mills surviving in Scotland. | 0:43:00 | 0:43:05 | |
It's a beautiful rural location, | 0:43:05 | 0:43:07 | |
and it's also home to Byre Antiques And Collectables. | 0:43:07 | 0:43:10 | |
Nice to see you. It's Shane, isn't it? Now, this looks interesting... | 0:43:12 | 0:43:16 | |
What appears to be a leather volume... | 0:43:16 | 0:43:20 | |
I'm going to open it up and see what's what. | 0:43:20 | 0:43:23 | |
Gosh! | 0:43:24 | 0:43:25 | |
Ah, that's good, it's instructions. | 0:43:25 | 0:43:29 | |
This looks a really interesting compendium. | 0:43:29 | 0:43:33 | |
Roulette. | 0:43:33 | 0:43:35 | |
Cribbage boards, chessboard. | 0:43:35 | 0:43:38 | |
Fantastic! | 0:43:38 | 0:43:39 | |
And I suspect here we will have the roulette table. | 0:43:39 | 0:43:45 | |
It's fantastic! And the pack of cards. I think the pack of cards is probably original. | 0:43:45 | 0:43:49 | |
What date is this? | 0:43:49 | 0:43:51 | |
1920s. | 0:43:51 | 0:43:53 | |
I notice, Shane, that it hasn't got a price on it. | 0:43:53 | 0:43:56 | |
It's just in, in actual fact. | 0:43:56 | 0:43:58 | |
-Oh, is it? -It is, it's a new piece in. -What sort of money's that? | 0:43:58 | 0:44:02 | |
My best trade on it for you, Charlie, would be £40. | 0:44:02 | 0:44:06 | |
-And that, the £40 is the absolute death... -Absolutely. | 0:44:06 | 0:44:10 | |
-Leave the door if you don't pay. -Exactly. | 0:44:10 | 0:44:13 | |
-Sold. -Thank you very much. | 0:44:13 | 0:44:14 | |
Thank you very much indeed. I think that's great. | 0:44:14 | 0:44:17 | |
-I love it. -I'm glad you like it. | 0:44:17 | 0:44:18 | |
-I think all your furniture's been restored, hasn't it? -It has. | 0:44:18 | 0:44:22 | |
-I'm a furniture restorer. -Yeah, yeah. | 0:44:22 | 0:44:24 | |
Have you got anything that's waiting to be restored? | 0:44:24 | 0:44:27 | |
The one piece I have got is the Georgian washstand. | 0:44:27 | 0:44:30 | |
-It doesn't really look as if it needs restoration. -Just tidying. | 0:44:30 | 0:44:34 | |
-If you see the beading... -Oh, yes, I can see. | 0:44:34 | 0:44:39 | |
The drawer fronts... | 0:44:39 | 0:44:40 | |
This lovely piece of Georgian mahogany is being sold | 0:44:40 | 0:44:44 | |
without the bowl and the jug. | 0:44:44 | 0:44:46 | |
Well, I'd better ask, I'm not intending to buy any furniture, | 0:44:46 | 0:44:49 | |
-but that might be irresistible. -I could make it very appealing. | 0:44:49 | 0:44:53 | |
-Could you make it very appealing? -I could. | 0:44:53 | 0:44:55 | |
If I could do it for £50? | 0:44:55 | 0:44:57 | |
CHARLIE SIGHS | 0:44:57 | 0:44:59 | |
I... It's... | 0:44:59 | 0:45:01 | |
-I can see you're struggling with it. -It's a great price. | 0:45:01 | 0:45:05 | |
I mean, I would say I'd give you £35 cash for it, | 0:45:05 | 0:45:08 | |
and if it could be done for that... | 0:45:08 | 0:45:10 | |
Well, if I said to you, if you met me halfway | 0:45:10 | 0:45:13 | |
and we do it for £40, for a piece of Georgian furniture? | 0:45:13 | 0:45:16 | |
I couldn't actually say no, could I? | 0:45:16 | 0:45:19 | |
I think it would be rude to say no. | 0:45:19 | 0:45:21 | |
I think it would be very rude to say no! | 0:45:21 | 0:45:24 | |
This has got to be the deal of the day. Well done, Charlie. | 0:45:24 | 0:45:28 | |
With the auction just around the corner, | 0:45:28 | 0:45:30 | |
our chaps are back on the road, heading north to Largs. | 0:45:30 | 0:45:34 | |
This is glorious, isn't it? | 0:45:34 | 0:45:36 | |
Very Scottish Riviera. | 0:45:36 | 0:45:38 | |
A former cinema, Narducci Antiques has been open since 1969 | 0:45:38 | 0:45:44 | |
and is the scene for our final show-stopping showdown. | 0:45:44 | 0:45:47 | |
-Are you feeling lucky, Mr Braxton? -I am. Oh, look, there's a staircase. | 0:45:48 | 0:45:52 | |
Do you think there are things up there? | 0:45:52 | 0:45:55 | |
Oh, that's where the bargains will be! Unseemly rush there. | 0:45:55 | 0:45:59 | |
What have you got for £15.76? | 0:46:01 | 0:46:03 | |
Well, we cater for most pockets so, nothing take your eye? | 0:46:03 | 0:46:07 | |
It hasn't, really. | 0:46:07 | 0:46:08 | |
Well, maybe Franco here can inspire you | 0:46:08 | 0:46:12 | |
with this rather large Ayrshire glazed salt box | 0:46:12 | 0:46:15 | |
with a broken lid. You might even get a deal on it, James. | 0:46:15 | 0:46:18 | |
-I can do that for a tenner, if it's any good? -It's quite fun, isn't it? | 0:46:18 | 0:46:22 | |
You say a salt box. | 0:46:22 | 0:46:23 | |
-Just for keeping the salt dry, keeping the dampness from it. -Yeah. | 0:46:23 | 0:46:28 | |
What about a fiver, Franco? | 0:46:28 | 0:46:31 | |
-Eight quid. I'll meet you in the middle. -Seven and I'll do it. | 0:46:31 | 0:46:34 | |
-On you go, we're here to sell. -Thanks. | 0:46:34 | 0:46:37 | |
Excellent piece of negotiating there, James, and very clever | 0:46:37 | 0:46:41 | |
taking Ayrshire pottery to an Ayrshire auction. | 0:46:41 | 0:46:43 | |
A pair of quite fancy wall brackets over here. | 0:46:43 | 0:46:47 | |
They look as if they're brass. | 0:46:47 | 0:46:50 | |
They are. They're pretty blooming stylish. Chunky! | 0:46:50 | 0:46:58 | |
I think they are originally made for electricity, | 0:46:58 | 0:47:02 | |
but early electricity. They're early 20th century and I like those. | 0:47:02 | 0:47:06 | |
God, I'd love to buy those for less than 100 quid. Ho-ho! | 0:47:07 | 0:47:12 | |
Well, if anyone can seal the deal, you can, Charlie. | 0:47:12 | 0:47:14 | |
-They're nice, aren't they? -Yeah, early 20th century, I suppose. | 0:47:14 | 0:47:17 | |
-What sort of money are they? -£60? | 0:47:17 | 0:47:21 | |
I quite like your opening gambit there. They've got good weight. | 0:47:21 | 0:47:26 | |
-Good look too. -And they're a very good look, aren't they? | 0:47:26 | 0:47:29 | |
If I pulled out 40 Scottish notes, would that do the deal? | 0:47:29 | 0:47:33 | |
-No, but if you put a friendly 50, you can have them. -A nifty 50? | 0:47:33 | 0:47:37 | |
-A nifty 50 and it's a deal. -I think they're fantastic. -Thanks. | 0:47:37 | 0:47:40 | |
-Thank you very much indeed. -Thank you. | 0:47:40 | 0:47:43 | |
-You look spent up. -I am almost spent up. And you? | 0:47:44 | 0:47:48 | |
-You find something? -Yes, I did, and I'm very pleased with what I bought. | 0:47:48 | 0:47:53 | |
And with that, it's time to go, | 0:47:53 | 0:47:55 | |
and see what our two good-natured gents are so pleased about. | 0:47:55 | 0:47:58 | |
James started this last leg of the road trip with £245.76 | 0:47:59 | 0:48:03 | |
and spent £237 on five auction lots. | 0:48:03 | 0:48:07 | |
He bought a lacquered Japanese box, | 0:48:09 | 0:48:11 | |
an art nouveau mirrored platter, | 0:48:11 | 0:48:13 | |
a stone horse tether, | 0:48:13 | 0:48:15 | |
an Ayrshire glazed pottery salt box, | 0:48:15 | 0:48:17 | |
and spent a substantial £110 | 0:48:17 | 0:48:20 | |
on the collection of silver bottles. | 0:48:20 | 0:48:23 | |
Charlie began with £2,227.10. | 0:48:23 | 0:48:27 | |
He spent £204, and also has five final auction lots - | 0:48:27 | 0:48:32 | |
a games compendium, | 0:48:32 | 0:48:35 | |
a pair of brass wall sconces, | 0:48:35 | 0:48:37 | |
a champleve inkwell, | 0:48:37 | 0:48:40 | |
the delicate propelling pencil, | 0:48:40 | 0:48:41 | |
and a Georgian mahogany washstand. | 0:48:41 | 0:48:44 | |
I liked his washstand, and at £40, that was daylight robbery, I think. | 0:48:44 | 0:48:49 | |
You know, dear old Roscoe, | 0:48:49 | 0:48:51 | |
he likes to pretend he's a sort of bumbling old idiot, | 0:48:51 | 0:48:55 | |
but he's on the money, isn't he? | 0:48:55 | 0:48:58 | |
James has bought some really great lots. | 0:48:58 | 0:49:00 | |
I like his stoneware trough. | 0:49:00 | 0:49:03 | |
Cost noth...£7?! Robbery! | 0:49:03 | 0:49:07 | |
It's been an eventful final leg for our two excited experts, | 0:49:07 | 0:49:12 | |
from Kilbarchan via Kilbirnie, | 0:49:12 | 0:49:14 | |
Kilwinning and Largs. | 0:49:14 | 0:49:16 | |
Auction day is here, and it's the final showdown | 0:49:16 | 0:49:19 | |
for James and Charlie in Ayr. | 0:49:19 | 0:49:20 | |
Now, I've been chasing furniture down for some decades now. | 0:49:20 | 0:49:26 | |
Every time I see something, I say I'm never going to buy any more English brown furniture. | 0:49:26 | 0:49:30 | |
Then a piece comes in so cheaply | 0:49:30 | 0:49:33 | |
that you really think that there is a profit, and there never is. | 0:49:33 | 0:49:36 | |
Established in 1933, Thomas R Callan | 0:49:37 | 0:49:40 | |
is a family-run business of auctioneers and valuers, | 0:49:40 | 0:49:45 | |
selling over 25,000 lots every year. | 0:49:45 | 0:49:48 | |
So, for the last time, let the auction begin. | 0:49:50 | 0:49:52 | |
First to go under the hammer is James's Ayrshire lead-glazed bin. | 0:49:52 | 0:49:56 | |
-Look at that. -It looks gorgeous. -Lovely. | 0:49:56 | 0:49:59 | |
Is there 60 for it? £60. | 0:49:59 | 0:50:02 | |
40? £40? | 0:50:02 | 0:50:04 | |
40 I'm bid in the corner. | 0:50:04 | 0:50:06 | |
At 40, any advance? 45. 50. | 0:50:06 | 0:50:09 | |
Cost seven. | 0:50:09 | 0:50:11 | |
Any advance on the 50? Corner at 50. Are we all out at 50? | 0:50:11 | 0:50:14 | |
I think he's over-egging it a bit. | 0:50:14 | 0:50:16 | |
All finished, then, at £50? | 0:50:16 | 0:50:18 | |
-GAVEL BANGS -Well, well, well. -Mr Braxton! | 0:50:18 | 0:50:22 | |
That's very nice. Sensational. | 0:50:22 | 0:50:24 | |
It certainly was, James. | 0:50:24 | 0:50:26 | |
That's a brilliant profit to start on. | 0:50:26 | 0:50:29 | |
-That's wonderful. -That's good, isn't it? | 0:50:29 | 0:50:33 | |
Now for Charlie's inkwell. | 0:50:33 | 0:50:35 | |
Decorative wee piece with a hand-painted porcelain base, | 0:50:35 | 0:50:38 | |
with its cherubs. | 0:50:38 | 0:50:39 | |
30. £30. | 0:50:40 | 0:50:41 | |
30 I'm bid. 35. 40. 45. 50. | 0:50:41 | 0:50:44 | |
55. 60. | 0:50:44 | 0:50:46 | |
At 60. Any advance on 60? | 0:50:46 | 0:50:49 | |
65. 70. | 0:50:49 | 0:50:51 | |
75. 80. 85. 90. | 0:50:51 | 0:50:54 | |
95. At 95, behind me at 95. At £95. | 0:50:54 | 0:50:59 | |
Any advance on 95? All finished, then, at £95. | 0:50:59 | 0:51:03 | |
Well done, well done, my word. | 0:51:03 | 0:51:07 | |
-My word. -95. | 0:51:07 | 0:51:09 | |
I didn't think that was going to happen, did you? | 0:51:09 | 0:51:12 | |
Oh, ye of little faith. | 0:51:12 | 0:51:14 | |
Fantastic result, Charlie. Just £2, now, behind James. | 0:51:14 | 0:51:18 | |
-We've got a battle on today, Brackers, haven't we? -I know. | 0:51:18 | 0:51:21 | |
We are in lot 103, then. A lovely late-19th century propelling pencil. | 0:51:21 | 0:51:26 | |
There you are. For the pencil, 50 for it? | 0:51:26 | 0:51:28 | |
£50? 40? £20? | 0:51:28 | 0:51:31 | |
£20? | 0:51:31 | 0:51:34 | |
20 I'm bid. 25. | 0:51:34 | 0:51:36 | |
30. 35. 40. | 0:51:36 | 0:51:39 | |
At 40, any advance on 40? | 0:51:39 | 0:51:41 | |
# Double your money and try to get rich... # | 0:51:41 | 0:51:44 | |
At 40. Are you all out? All finished, then, at £40. | 0:51:44 | 0:51:48 | |
-GAVEL BANGS -449. -Very good. Very good. | 0:51:48 | 0:51:51 | |
I'm warming to this auctioneer on every lot he sells. | 0:51:51 | 0:51:55 | |
You're on to a winning streak here, Charlie, | 0:51:55 | 0:51:57 | |
and are edging out in front. | 0:51:57 | 0:51:59 | |
Oh, I tell you what - they look the business. | 0:51:59 | 0:52:02 | |
Let's see if James's silver bottles can shake things up. | 0:52:02 | 0:52:05 | |
£100. £100 for three. 100 I'm bid. At 100. | 0:52:05 | 0:52:09 | |
110. 120. 130. | 0:52:09 | 0:52:13 | |
At 130, any advance on 130? | 0:52:13 | 0:52:15 | |
140. | 0:52:15 | 0:52:16 | |
At 140, any advance on 140? | 0:52:16 | 0:52:19 | |
-At 140, any advance? -140 plus the premium... | 0:52:19 | 0:52:22 | |
All finished then, at £140? | 0:52:22 | 0:52:25 | |
GAVEL BANGS You got a profit. Got a profit. | 0:52:25 | 0:52:28 | |
-A couple of quid... -Yeah. -..after commission. | 0:52:28 | 0:52:30 | |
Yes, James. The auction house must take its earnings, | 0:52:30 | 0:52:34 | |
but chin up - it's still a profit. | 0:52:34 | 0:52:36 | |
Lot 177, the games compendium. | 0:52:36 | 0:52:38 | |
Up next is Charlie's games compendium. | 0:52:38 | 0:52:41 | |
80 for it? 80? £60. | 0:52:41 | 0:52:43 | |
£60, compendium? | 0:52:43 | 0:52:45 | |
40? £40? | 0:52:45 | 0:52:48 | |
20, then. 20. 25. 30. At 30. | 0:52:48 | 0:52:53 | |
35, behind me at 35. | 0:52:53 | 0:52:55 | |
40. 45. | 0:52:55 | 0:52:57 | |
At 45, behind at 45. All finished? | 0:52:57 | 0:53:00 | |
-Selling, then, at £45... -GAVEL BANGS | 0:53:00 | 0:53:03 | |
475 at 45. | 0:53:03 | 0:53:06 | |
-Wiped its face. -Yeah, I'm not wildly thrilled about that. | 0:53:06 | 0:53:10 | |
I thought it was a good lot. | 0:53:10 | 0:53:11 | |
What a pity. I really thought that would do better. | 0:53:11 | 0:53:15 | |
Time for your mirrored platter next, James. | 0:53:15 | 0:53:19 | |
This is your chance to race into the lead. | 0:53:19 | 0:53:21 | |
-80 for it. 80? -Ooh, that's lovely. | 0:53:21 | 0:53:23 | |
40? £40? Beautiful condition. £40? | 0:53:23 | 0:53:28 | |
Giving me the heebie-jeebies, this is. | 0:53:28 | 0:53:31 | |
-£20. -But that's ridiculous. | 0:53:31 | 0:53:33 | |
At 20. 25. At 30. | 0:53:33 | 0:53:36 | |
35. At 35, are we all out? | 0:53:36 | 0:53:39 | |
All finished, then, at 35... | 0:53:39 | 0:53:42 | |
-GAVEL BANGS -477, 35. | 0:53:45 | 0:53:47 | |
-James, I'm disappointed with that. -So am I. | 0:53:47 | 0:53:50 | |
Chin up, James. Despite the £5 loss, you're still out in front. | 0:53:50 | 0:53:55 | |
-Cor, it's coming down to the wire, this one, Brackers. -I know. | 0:53:55 | 0:53:59 | |
Next on display are Charlie's brass wall sconces. | 0:53:59 | 0:54:03 | |
80 for them, 80? £40? | 0:54:03 | 0:54:06 | |
40 I'm bid. 40, any advance on 40? | 0:54:06 | 0:54:08 | |
45. 50. | 0:54:08 | 0:54:10 | |
At 50. Corner at 50. Any advance on 50? | 0:54:10 | 0:54:13 | |
At £50 for the pair. | 0:54:13 | 0:54:15 | |
They're cheap, aren't they? | 0:54:15 | 0:54:17 | |
-At £50, it's the corner, 55, new bidder. -55, new bidder. | 0:54:17 | 0:54:20 | |
At 55, any advance on 55? Are we all out? | 0:54:20 | 0:54:22 | |
Middle at 55, finished, then, at £55. | 0:54:22 | 0:54:27 | |
-GAVEL BANGS Oh, dear. I really had confidence in those. -A squandered opportunity. | 0:54:27 | 0:54:31 | |
Another opportunity gone. | 0:54:32 | 0:54:34 | |
And to think, it started off so positively. | 0:54:34 | 0:54:37 | |
Next is James's horse-tetherer. | 0:54:38 | 0:54:41 | |
It's an ancient throwing stone from the Highland Games. | 0:54:41 | 0:54:43 | |
-THEY LAUGH -I'll take 40 for it? £40? | 0:54:43 | 0:54:46 | |
20. £20, a tether? | 0:54:46 | 0:54:50 | |
10. At 10, I'm bid, at 10. | 0:54:50 | 0:54:52 | |
15. | 0:54:52 | 0:54:54 | |
Bidding? 20 in the corner. | 0:54:54 | 0:54:56 | |
25. At 25, lady at 25. Any advance on 25? | 0:54:56 | 0:55:00 | |
-Good investment. -Are you all out? | 0:55:00 | 0:55:03 | |
All finished, then, at £25. | 0:55:03 | 0:55:05 | |
-GAVEL BANGS -Well done, that lady. | 0:55:05 | 0:55:08 | |
-Well done, madam. -Well done. | 0:55:08 | 0:55:10 | |
What are you going to tie on to it? | 0:55:10 | 0:55:13 | |
Your husband? | 0:55:13 | 0:55:15 | |
Behave yourself, Roscoe. James, that was a very good investment. | 0:55:15 | 0:55:19 | |
James is currently in the lead, and his Japanese box is up next. | 0:55:19 | 0:55:23 | |
-Oozes quality. -Oozes quality - it's a bit like its owner. | 0:55:23 | 0:55:27 | |
£100 for it? 100? | 0:55:27 | 0:55:29 | |
80? | 0:55:29 | 0:55:31 | |
£40? | 0:55:32 | 0:55:33 | |
£40? | 0:55:35 | 0:55:37 | |
40 I'm bid, at 40. Any advance on 40? | 0:55:37 | 0:55:40 | |
You're away. 45. | 0:55:40 | 0:55:41 | |
50. 55. 60. | 0:55:41 | 0:55:43 | |
65. | 0:55:43 | 0:55:45 | |
70. | 0:55:45 | 0:55:46 | |
-75. 80. 85. -Brackers! -90. | 0:55:46 | 0:55:50 | |
On my left at 90, any advance on 90? | 0:55:50 | 0:55:53 | |
Keep going. | 0:55:53 | 0:55:54 | |
At £90, any advance on £90? Are we all out? | 0:55:54 | 0:55:58 | |
All finished, then, at £90. | 0:55:58 | 0:56:00 | |
GAVEL BANGS Oh... | 0:56:00 | 0:56:03 | |
It's not a bad result, Brackers, to be honest. | 0:56:03 | 0:56:05 | |
JAMES LAUGHS But compared with your purchase price? | 0:56:05 | 0:56:08 | |
-Come on, it's a profit, old boy. -I know, I know. I'm pleased. | 0:56:08 | 0:56:11 | |
-Chin up, Brackers. -I am pleased. | 0:56:11 | 0:56:14 | |
James, you've ended on a high. With one lot to go, you're in the lead. | 0:56:14 | 0:56:17 | |
Charlie, it all comes down to your washstand, mate. | 0:56:17 | 0:56:20 | |
You'd need to make a profit of £36 | 0:56:20 | 0:56:22 | |
to be able to declare victory in today's show. | 0:56:22 | 0:56:25 | |
80? 50, then. | 0:56:25 | 0:56:28 | |
-50, I'm bid. -£50. -At 50. 55. | 0:56:28 | 0:56:31 | |
60. 65. | 0:56:31 | 0:56:33 | |
At 65. 70. | 0:56:33 | 0:56:35 | |
75. 80. | 0:56:35 | 0:56:38 | |
85. 90. 95. | 0:56:38 | 0:56:39 | |
-Well done. -100. 110. | 0:56:39 | 0:56:42 | |
120. | 0:56:42 | 0:56:43 | |
-130. -Oh, Brackers! -130, any advance on 130? | 0:56:43 | 0:56:47 | |
At £130, any advance? It's the back at 130. | 0:56:47 | 0:56:50 | |
Are you all out? All finished then, at £130. | 0:56:50 | 0:56:55 | |
-GAVEL BANGS -Well done. Well done. £130. | 0:56:55 | 0:56:58 | |
Down to wire, though, Brackers. Absolutely down to the wire. | 0:56:58 | 0:57:02 | |
What a result, Charlie, and a fantastic profit | 0:57:02 | 0:57:05 | |
to end this road trip adventure. | 0:57:05 | 0:57:07 | |
-Well done, Roscoe. A deserved winner. -Gosh. | 0:57:07 | 0:57:12 | |
-Down to the last lot though. Doesn't come closer than that, does it? -No. | 0:57:12 | 0:57:16 | |
James began his last voyage with £245.76. | 0:57:16 | 0:57:21 | |
After paying auction costs, he made a profit of £41.80. | 0:57:21 | 0:57:26 | |
He ends this week with a not-to-be-laughed-at £287.56. | 0:57:26 | 0:57:31 | |
The legendary Charlie Ross | 0:57:31 | 0:57:33 | |
was always going to be a tough nut to beat. | 0:57:33 | 0:57:36 | |
He started this leg with £2,227.10 and made a healthy profit of £95.30. | 0:57:36 | 0:57:42 | |
Charlie wins in spectacular fashion with an enormous £2,322.40, | 0:57:42 | 0:57:48 | |
and all monies raised will go to Children In Need. | 0:57:48 | 0:57:52 | |
-I feel rather deflated now, Brackers. -Where's everybody gone? | 0:57:52 | 0:57:56 | |
-I don't know. -Is it all over? Your last lot was that. | 0:57:56 | 0:58:00 | |
Do you think we can go up to the Black Isle and start again? | 0:58:00 | 0:58:02 | |
JAMES LAUGHS | 0:58:02 | 0:58:04 | |
Yeah, I'll be buying Staffordshire. | 0:58:04 | 0:58:06 | |
THEY LAUGH | 0:58:06 | 0:58:08 | |
Subtitles by Red Bee Media Ltd | 0:58:30 | 0:58:33 |