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-The nation's favourite antiques experts, £200 each, one big challenge. -Well, duck, do I buy you? | 0:00:00 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
-What's my wife up to? -The aim is trade up and hope each antique turns a profit. | 0:00:12 | 0:00:17 | |
It's not as easy as it looks. Dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
Do I hear £1,500? | 0:00:21 | 0:00:22 | |
Will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
-I can't keep this posture up for much longer! -This is the Antiques Road Trip. | 0:00:26 | 0:00:31 | |
We're in Scotland and on the road with two very respectable gentlemen, | 0:00:35 | 0:00:40 | |
Charlie Ross and James Braxton. | 0:00:40 | 0:00:42 | |
# Oh, flower of Scotland... ' | 0:00:42 | 0:00:45 | |
Oh, no! Please! With over 20 years' experience in antique auctioneering, | 0:00:45 | 0:00:51 | |
James Braxton has a soft spot for nice items and shop assistants. | 0:00:51 | 0:00:55 | |
It's nice to see something I like. It's very nice. | 0:00:55 | 0:01:00 | |
It's just a nice item. | 0:01:00 | 0:01:03 | |
Well-known auctioneer Charlie Ross loves a bargain. | 0:01:03 | 0:01:05 | |
And at times, struggles to part with his cash. | 0:01:05 | 0:01:08 | |
I was going to be very rude, but I'd better not. I was going to ask you to knock the ten off! | 0:01:08 | 0:01:13 | |
Charlie may be polite, but his penny-pinching means that his pounds look after themselves. | 0:01:13 | 0:01:18 | |
He bought a Staffordshire elephant for £8 and packed her off for an amazing... | 0:01:18 | 0:01:21 | |
27 for the last time. | 0:01:21 | 0:01:25 | |
That's £2,700! | 0:01:25 | 0:01:28 | |
Crikey! After auction costs, that means Charlie's £200 | 0:01:28 | 0:01:33 | |
has rocketed to a wonderful wad of £2,447.96. Well done, indeed! | 0:01:33 | 0:01:41 | |
Normally, James would have been on cloud nine | 0:01:41 | 0:01:44 | |
when his £200 increased to £256.06, | 0:01:44 | 0:01:47 | |
but his auction profits pale by comparison with Charlie's success. | 0:01:47 | 0:01:52 | |
It's time to talk tactics, as they head off in their classy 1954 Sunbeam Alpine. | 0:01:52 | 0:01:58 | |
I've got a lot of money now. This is something I'm not used to. | 0:01:58 | 0:02:01 | |
As a rival and competitor, I would urge you to go large. | 0:02:01 | 0:02:05 | |
As a friend, I would say keep that £2,000 aside | 0:02:05 | 0:02:10 | |
and go mental with your £450. | 0:02:10 | 0:02:14 | |
Well, he would say that. This week's road trip takes James | 0:02:14 | 0:02:17 | |
and Charlie along the beautiful east coast of Scotland, before heading west, | 0:02:17 | 0:02:22 | |
where they finish up in the coastal town of Ayr. | 0:02:22 | 0:02:25 | |
On today's leg, they're leaving Buckie and heading for auction two in Aberdeen. | 0:02:25 | 0:02:30 | |
First stop is the fishing village of Cullen. | 0:02:30 | 0:02:33 | |
Cullen was established in 1189 and has a long history, | 0:02:35 | 0:02:39 | |
but its main claim to fame is the local speciality that's named after the town, Cullen skink. | 0:02:39 | 0:02:47 | |
Smoked haddock, potato and onion soup. | 0:02:47 | 0:02:49 | |
Sounds delightful, if a little fattening. | 0:02:49 | 0:02:53 | |
Toodle pip. | 0:02:53 | 0:02:54 | |
Charlie's wasting no time. | 0:02:54 | 0:02:57 | |
He's not even in the shop | 0:02:57 | 0:02:59 | |
and he's spotted a pretty little powder compact priced at £65. | 0:02:59 | 0:03:03 | |
It is really interesting. Glasgow Exhibition 1938. | 0:03:03 | 0:03:08 | |
What would be your best price on that? | 0:03:08 | 0:03:11 | |
-I'll make it 50 to you cos I like you. -That's very kind of you. | 0:03:11 | 0:03:14 | |
I really like that. I really like that hugely. | 0:03:14 | 0:03:17 | |
I'm going to continue on round. I can't imagine I'm going to get out of this shop without spending money. | 0:03:17 | 0:03:23 | |
You've got enough to buy the contents and the building, | 0:03:23 | 0:03:26 | |
unlike James, who's hoping to fight back with a £30 pair of cannons. I don't think so. | 0:03:26 | 0:03:32 | |
They're die-cast. They're die-cast metal. Sort of aluminium alloy. | 0:03:32 | 0:03:36 | |
They're more look than substance because these are pretty light fellows. | 0:03:36 | 0:03:42 | |
It's not something I'm going to buy for 8 and make 2,700 on. | 0:03:42 | 0:03:47 | |
There's no time to lick your wounds, James. It's time for hard negotiation with owner Harry. | 0:03:47 | 0:03:51 | |
What if I offered you a compelling £15 for those. | 0:03:51 | 0:03:57 | |
£15? | 0:03:57 | 0:04:00 | |
-For that one? And 15 for that one? -OK, I was a bit cheeky there. £20. | 0:04:00 | 0:04:05 | |
-Erm... -Would you do that for 20? | 0:04:05 | 0:04:08 | |
-What about 25? -25? | 0:04:08 | 0:04:11 | |
-I'd like to do it for 20. -Would you? -Yeah. It would really help me here. | 0:04:11 | 0:04:17 | |
-Could you do it? -As it's a nice day, they're yours. -They're a lovely lot. | 0:04:17 | 0:04:20 | |
Thank you. | 0:04:20 | 0:04:22 | |
Well done, James. That's a great buy. | 0:04:22 | 0:04:24 | |
But be warned, your cheeky competitor has turned to the eerie world of witchcraft! | 0:04:24 | 0:04:30 | |
This is a very, very odd thing. | 0:04:30 | 0:04:34 | |
-What is it? -Well, it's African and I think that it's witch doctor's... | 0:04:34 | 0:04:39 | |
That's my feeling. But it's very odd. I've never seen anything like it before. | 0:04:41 | 0:04:45 | |
What would be your best price on this? These are not bed fellows. | 0:04:45 | 0:04:51 | |
But this and your Glasgow 1938 compact. | 0:04:51 | 0:04:59 | |
Well, the best I can do for you would be 125. | 0:04:59 | 0:05:02 | |
I'll have them both! I like to take a gamble. | 0:05:02 | 0:05:06 | |
Well, you've certainly done that. I just hope it pays off. | 0:05:06 | 0:05:10 | |
And after Charlie's dabbling in black magic, | 0:05:10 | 0:05:13 | |
James is searching for the light. | 0:05:13 | 0:05:15 | |
Travelling 40 miles to the north east corner | 0:05:18 | 0:05:21 | |
of the Aberdeenshire coast and the fishing town of Fraserburgh. | 0:05:21 | 0:05:26 | |
The largest shellfish port in Europe, | 0:05:26 | 0:05:29 | |
Fraserburgh has a busy commercial harbour. | 0:05:29 | 0:05:32 | |
It's also home to Scotland's first mainland lighthouse | 0:05:32 | 0:05:36 | |
and the Museum of Scottish Lighthouses, | 0:05:36 | 0:05:39 | |
which is where the lucky James is spending his afternoon. Showing him round is bright spark Jim. | 0:05:39 | 0:05:45 | |
This is really where it all started. | 0:05:45 | 0:05:50 | |
When the lighthouse service was first formed in 1786, | 0:05:50 | 0:05:54 | |
it was a man called Thomas Smith, a lamp maker in Leith, | 0:05:54 | 0:05:58 | |
and he was given the task of providing lumination for lighthouses. | 0:05:58 | 0:06:04 | |
And this is what he came up with. A mirror reflector. | 0:06:04 | 0:06:09 | |
And the first lighthouse at Kinnaird, these were the type of things that was put on top. | 0:06:09 | 0:06:15 | |
There were 17 of them, set in an array, each with an oil lamp. | 0:06:15 | 0:06:19 | |
And that actually produced a light that was visible 12 miles. | 0:06:19 | 0:06:23 | |
Smith's 17 lamps were positioned on top of this 16th century castle | 0:06:23 | 0:06:28 | |
until 1824 when his stepson, Robert Stevenson, | 0:06:28 | 0:06:31 | |
designed his lighthouse to fit inside the castle. | 0:06:31 | 0:06:35 | |
Maybe on the way up, you'll notice some chains hanging down thing the centre of the tower. | 0:06:35 | 0:06:39 | |
And one of those chains was this big weight. | 0:06:39 | 0:06:42 | |
And it's that weight descending the tower that supplies | 0:06:42 | 0:06:46 | |
the power for the machine upstairs. | 0:06:46 | 0:06:48 | |
All lighthouses were clockwork driven, | 0:06:48 | 0:06:51 | |
but unlike the old long case clocks | 0:06:51 | 0:06:54 | |
which required to be wound every 30 hours or eight days, | 0:06:54 | 0:06:57 | |
these needed to be wound every 30 minutes. | 0:06:57 | 0:07:00 | |
Every half hour as the machine was running, this would ring. | 0:07:00 | 0:07:04 | |
-93 turns of this handle. -93? -Bring the weight back up again. | 0:07:06 | 0:07:11 | |
Give you another half hour's run. | 0:07:11 | 0:07:13 | |
Failure to wind the handle would bring all the machinery | 0:07:13 | 0:07:16 | |
to a standstill and at that point, you had a career change! | 0:07:16 | 0:07:21 | |
Now for the science. | 0:07:22 | 0:07:25 | |
All this is refraction. They take the light coming from the bulb | 0:07:25 | 0:07:28 | |
and they bend it round in parallel to that. | 0:07:28 | 0:07:30 | |
so you've got very little wasted light. | 0:07:30 | 0:07:33 | |
It's a very odd sensation! Slightly out-of-worldly! | 0:07:33 | 0:07:38 | |
But very beautiful. Beautifully constructed. All bronze and glass. | 0:07:38 | 0:07:44 | |
This is superb. | 0:07:44 | 0:07:46 | |
And all from one tiny bulb. Extraordinary! | 0:07:46 | 0:07:50 | |
So while James makes his way back to Cullen, it's time to swap shops. | 0:07:50 | 0:07:55 | |
Charlie's heading to Cullen Collectibles | 0:07:56 | 0:08:00 | |
and still has over £2,300 to spend. So chop-chop! | 0:08:00 | 0:08:04 | |
A very fine Wedgwood casket. | 0:08:05 | 0:08:09 | |
No, it's not. It's tin! | 0:08:12 | 0:08:14 | |
It's a Crawford's biscuit tin | 0:08:14 | 0:08:18 | |
in the form of a Wedgwood casket. | 0:08:18 | 0:08:22 | |
I rather like that. | 0:08:22 | 0:08:24 | |
How much would you like to take for that? | 0:08:24 | 0:08:26 | |
-What about £3? -I think £3... I'm not even going to negotiate. | 0:08:26 | 0:08:31 | |
I think that's a cracker. It's got enough age to excite me. | 0:08:31 | 0:08:36 | |
And it's a statement and it's fab. | 0:08:36 | 0:08:39 | |
At £3, it's mine! | 0:08:39 | 0:08:41 | |
After that purchase, he's still got, yep, over £2,300. | 0:08:41 | 0:08:47 | |
Down the road, James has arrived in Abra Antiques, as in "Cadabra". | 0:08:49 | 0:08:56 | |
It's got a couple of chips. | 0:08:56 | 0:08:58 | |
But after his usual carefully considered browsing, | 0:08:58 | 0:09:03 | |
he's going oriental. | 0:09:03 | 0:09:04 | |
I quite like this, Tom. | 0:09:05 | 0:09:07 | |
So we've got a paperweight here and I'm just having a quick look at it. | 0:09:07 | 0:09:13 | |
And it's nice, isn't it? I haven't really come across these before. | 0:09:13 | 0:09:17 | |
It's a paperweight, rather like we have a paperweight, | 0:09:17 | 0:09:20 | |
but this is a sort of tablet form. It's nice and thin. | 0:09:20 | 0:09:24 | |
And just carries a very nice Chinese mythological scene on it. | 0:09:24 | 0:09:29 | |
It's a dragon and a phoenix. | 0:09:29 | 0:09:31 | |
In China, the dragon and phoenix are symbols of auspiciousness. | 0:09:31 | 0:09:35 | |
Any sightings of a dragon and a phoenix were considered | 0:09:35 | 0:09:38 | |
a lucky sign, said to herald a period of peace and prosperity | 0:09:38 | 0:09:41 | |
for the country, and maybe James Braxton. | 0:09:41 | 0:09:43 | |
£48, Tom. | 0:09:43 | 0:09:45 | |
-The Cullen Chancer, I'll call you! -Oh, dear! | 0:09:47 | 0:09:50 | |
James, I'm not sure insulting Tom is the best way to start negotiations. | 0:09:50 | 0:09:55 | |
Could you do that for me for £20? | 0:09:55 | 0:09:58 | |
Oh, dear. This man's a rogue! | 0:09:58 | 0:10:01 | |
He's a rogue! I don't want to pay £48 for it. | 0:10:01 | 0:10:04 | |
That's for sure. I'd rather like to pay you £20 for it. | 0:10:04 | 0:10:07 | |
-Well, I'd rather you paid me 25. -25? -I'll meet you at 25. | 0:10:07 | 0:10:12 | |
Yeah. I'll have a go at 25. Thank you very much indeed. | 0:10:15 | 0:10:19 | |
Nice purchase, James. But no time to dawdle. | 0:10:19 | 0:10:22 | |
Charlie's waiting with all that cash. | 0:10:22 | 0:10:25 | |
-Ah! -Roscoe! -Comment te? -Fab! | 0:10:25 | 0:10:30 | |
-Fancy a swim? -A swim?! -Yeah, come on! | 0:10:30 | 0:10:32 | |
-Get in, man! -I need a swim. It's been a hard old day! | 0:10:32 | 0:10:36 | |
So how many items? Did you buy quite a few? | 0:10:36 | 0:10:39 | |
-I couldn't spend any money though. -Really? | 0:10:39 | 0:10:43 | |
-Couldn't get in to my two-and-a-half grand! -You want to get that wad out! | 0:10:43 | 0:10:48 | |
-Get spending! Here we go. -I'd rather have a swim. | 0:10:48 | 0:10:51 | |
Go for a swim?! A swim in the North Sea?! | 0:10:54 | 0:10:58 | |
Oh, surely not! | 0:11:00 | 0:11:03 | |
Oh, no! They're serious! | 0:11:04 | 0:11:08 | |
Is this after the watershed? | 0:11:08 | 0:11:13 | |
I can't keep this posture up for much longer! | 0:11:13 | 0:11:16 | |
-I'm breathing in! -My body is normally like this! | 0:11:16 | 0:11:19 | |
And they're going in! I don't believe it! | 0:11:19 | 0:11:22 | |
Beach babes they are not. | 0:11:22 | 0:11:24 | |
Look at them go! Look at that James Braxton. Such a man. | 0:11:24 | 0:11:28 | |
Now Charlie and James have dried off and dressed - well, sort of - | 0:11:36 | 0:11:41 | |
they're heading 25 miles south to Dufftown | 0:11:41 | 0:11:43 | |
-This is Dufftown, is it? -I think it must be. | 0:11:45 | 0:11:48 | |
Located on the banks of the River Fiddich, Dufftown is home to several Scotch whisky distilleries | 0:11:48 | 0:11:54 | |
and as such, promotes itself as the malt whisky capital of the world. | 0:11:54 | 0:11:59 | |
Unfortunately, our boys must resist temptation | 0:11:59 | 0:12:03 | |
and focus on the antiques, as the auction is just around the corner. | 0:12:03 | 0:12:08 | |
-Thank you. -May all your profits be small ones! -Bye. -Bye. | 0:12:08 | 0:12:12 | |
Ha-ha! As Charlie heads off on his own little adventure, | 0:12:12 | 0:12:16 | |
James goes to Collectors Cabin, | 0:12:16 | 0:12:18 | |
an antique shop that also sells Scottish dress. | 0:12:18 | 0:12:22 | |
You've got all your various trench art here. And the Spitfire ashtray. | 0:12:22 | 0:12:27 | |
That's quite nice. I'm surprised that's still there. | 0:12:27 | 0:12:31 | |
There's masses of shells everywhere. Shell casings here. | 0:12:31 | 0:12:35 | |
Everybody smoked in those days, | 0:12:35 | 0:12:37 | |
so there were lots of opportunities | 0:12:37 | 0:12:40 | |
to make ashtrays and various other things. | 0:12:40 | 0:12:42 | |
During the First and Second World Wars, these decorative items, | 0:12:42 | 0:12:47 | |
known as trench art, were made by soldiers, prisoners of war | 0:12:47 | 0:12:51 | |
and civilians out of brass from shell casings. | 0:12:51 | 0:12:55 | |
-May I look at you rather nice white onyx fellow? -Please do. | 0:12:55 | 0:12:59 | |
-What's that? Just painted on? -It's hand painted, yes. | 0:13:01 | 0:13:05 | |
-This presumably would have been a cigarette box. -I think so. | 0:13:05 | 0:13:09 | |
I think it's a charming item. | 0:13:09 | 0:13:11 | |
Onyx is the mineral that often displays different colours in multiple layers. | 0:13:11 | 0:13:16 | |
This beauty is from the 1920s and has a price tag of £125. | 0:13:16 | 0:13:21 | |
Well, time's ticking on, David. | 0:13:21 | 0:13:23 | |
There's a couple of things I quite like the look of, | 0:13:23 | 0:13:26 | |
but it's that nutty problem of price. | 0:13:26 | 0:13:28 | |
Uh-oh! Here we go. | 0:13:28 | 0:13:31 | |
-This was the item that sort of caught my imagination. -Yes? | 0:13:31 | 0:13:35 | |
Your rather nice Spitfire, the ashtray. David, I see that at £25. | 0:13:35 | 0:13:40 | |
Ah, I think I see it at £55! | 0:13:40 | 0:13:43 | |
-I do like these white onyx things. I see that at £50. -Aha. | 0:13:45 | 0:13:51 | |
-I see it at quite a bit more than that. -I know you do! | 0:13:51 | 0:13:55 | |
-Can you help me out here? A package deal. -A package deal? | 0:13:55 | 0:14:00 | |
What would be your package suggestion? | 0:14:00 | 0:14:03 | |
Package suggestion would be £75. | 0:14:03 | 0:14:06 | |
The Spitfire and the onyx come to £180! | 0:14:06 | 0:14:09 | |
You sound like my plumber! I'll go to 30 on that. | 0:14:09 | 0:14:14 | |
-Can we make it 80 for the two? -80 for the two? She's smiling! | 0:14:14 | 0:14:20 | |
-Go on, put there, David! -Shall we? -Well done. Thank you. | 0:14:20 | 0:14:24 | |
Nice bit of negotiating, James, | 0:14:24 | 0:14:26 | |
The boys wave Dufftown goodbye | 0:14:26 | 0:14:29 | |
and continue travelling on 55 miles east to Clola. | 0:14:29 | 0:14:33 | |
Clola is a hamlet in Aberdeenshire. | 0:14:39 | 0:14:41 | |
The neighbourhood extends to a radius of a little over a mile. | 0:14:41 | 0:14:45 | |
It may be small, but it's home to its very own antique emporium. | 0:14:45 | 0:14:49 | |
-Spend, spend, spend. -How many items are you searching for? | 0:14:49 | 0:14:55 | |
I need lots of items, Brackers! | 0:14:55 | 0:14:57 | |
I've still got far too much money left. | 0:14:57 | 0:15:00 | |
Spread over three floors, with a mixture of antiques and collectibles, | 0:15:00 | 0:15:03 | |
this is their final chance before auction to spend big. | 0:15:03 | 0:15:06 | |
James is straight to work with owner Tom | 0:15:06 | 0:15:09 | |
and has found himself a pestle and mortar. | 0:15:09 | 0:15:12 | |
-Where did you find this, Tom? -Inherited during a house clearance. | 0:15:12 | 0:15:16 | |
Oh, right. OK. | 0:15:16 | 0:15:18 | |
Years ago, these sort of things were very popular, | 0:15:18 | 0:15:21 | |
along with pewter, and people love pestles and mortars. | 0:15:21 | 0:15:26 | |
The word mortar derives from Latin mortarium, | 0:15:26 | 0:15:30 | |
meaning receptacle for pounding. | 0:15:30 | 0:15:32 | |
And pestle comes from the Latin pistilum, meaning pounder. | 0:15:32 | 0:15:36 | |
This one's a 45 pounder. | 0:15:36 | 0:15:38 | |
And then you've got... I quite like this. | 0:15:38 | 0:15:41 | |
I spied this earlier, as I was walking round. | 0:15:41 | 0:15:44 | |
-This is a lovely fellow. -Yes, the bushel. -The bushel. | 0:15:44 | 0:15:48 | |
-This was a measure for... -For grain. Wheat or barley. | 0:15:48 | 0:15:52 | |
-Was it level, the bushel? -Yes, it would have been. | 0:15:52 | 0:15:57 | |
Very nice. And...there we are. It's all there. | 0:15:57 | 0:16:00 | |
Now, I'm quite interested in the two. | 0:16:00 | 0:16:02 | |
Could you do me a tremendous deal, Tom? | 0:16:02 | 0:16:06 | |
I could probably offer you a nice deal on it. | 0:16:06 | 0:16:09 | |
-What could you offer me on that? -40? -40. And what about this one? | 0:16:09 | 0:16:14 | |
Could you go as low as say 45 on this? | 0:16:14 | 0:16:18 | |
-No, I'm afraid I couldn't go as low as 45. -What could you do on that? | 0:16:18 | 0:16:23 | |
-How does 60 sound? -60. | 0:16:23 | 0:16:26 | |
Could you either do 50 on this or 35 on that? | 0:16:28 | 0:16:32 | |
Yes, I could do 35, on the pestle and mortar for you. Yes. | 0:16:32 | 0:16:38 | |
What about 50 on that? | 0:16:38 | 0:16:40 | |
-Not quite. -Not quite. | 0:16:40 | 0:16:42 | |
I'm going to go for that one at 35, Tom. | 0:16:44 | 0:16:46 | |
Well done, James. Nice buy. | 0:16:46 | 0:16:48 | |
Downstairs, Charlie still has over £2,300. | 0:16:51 | 0:16:55 | |
But he's on the case. | 0:16:57 | 0:17:00 | |
Hello! A completely knackered garden urn. | 0:17:00 | 0:17:04 | |
Reconstituted stoneware. | 0:17:04 | 0:17:07 | |
I could cement that on to there, couldn't I, | 0:17:07 | 0:17:09 | |
with my immense do it yourself skills. | 0:17:09 | 0:17:14 | |
£10?! Look at that! | 0:17:22 | 0:17:26 | |
If that isn't worth 30 or 40 quid, re-stuck together, I'll eat my hat! | 0:17:27 | 0:17:31 | |
I'd give 40 quid for that if somebody stuck on. | 0:17:34 | 0:17:37 | |
But when I was downstairs, I saw a broken urn. | 0:17:37 | 0:17:40 | |
It says £10 on the label, and I was going to think, | 0:17:40 | 0:17:45 | |
if it came in that condition, it probably came for nothing, didn't it? | 0:17:45 | 0:17:50 | |
Would you like to take a five pound note for it? | 0:17:50 | 0:17:54 | |
-Let's go and have a look at it. -Have a look at it. Shall I lead on? | 0:17:54 | 0:17:58 | |
I'll show you exactly where I found it. This was the object. | 0:17:58 | 0:18:01 | |
-This is the object. -Yeah. | 0:18:01 | 0:18:03 | |
But I stuck the top on the bottom and it looked really nice. | 0:18:03 | 0:18:08 | |
-Nice when it's put together. -I tried you at a fiver. What's the verdict? | 0:18:08 | 0:18:12 | |
-I can meet you half way, sir. -Could you? £7.50! | 0:18:12 | 0:18:16 | |
Fancy getting something to the nearest 50p! | 0:18:16 | 0:18:19 | |
I think that sounds very reasonable, sir. May we shake on that deal? | 0:18:19 | 0:18:23 | |
It's not going to be your biggest sale of the day. | 0:18:23 | 0:18:25 | |
Last of the big spenders, eh, Charlie? | 0:18:25 | 0:18:29 | |
So, with that final purchase Charlie Ross has picked up four auction lots, | 0:18:29 | 0:18:33 | |
and spent a measley £135.50 of his £2,447.96. | 0:18:33 | 0:18:41 | |
He spent a modest £7.50 on the broken garden urn. | 0:18:41 | 0:18:46 | |
He bought a biscuit tin in the style of Wedgwood for a whopping £3. | 0:18:46 | 0:18:51 | |
An enamel and chrome compact from Glasgow's 1938 exhibition | 0:18:51 | 0:18:55 | |
at a more pricey £40. | 0:18:55 | 0:18:58 | |
And his most expensive buy was a witch doctor's mace for £85, | 0:18:58 | 0:19:02 | |
which he hopes will cast a spell at auction. | 0:19:02 | 0:19:05 | |
James Braxton, on the other hand, spend £160, | 0:19:05 | 0:19:09 | |
more than half his wallet, on five auciton lots. | 0:19:09 | 0:19:11 | |
He spent £25 on two die-cast cannons. | 0:19:11 | 0:19:15 | |
£30 on a wonderful World War II spitfire ashtray. | 0:19:15 | 0:19:19 | |
A pretty but chipped white onyx cigarette box. | 0:19:19 | 0:19:23 | |
For £50. An unusual pestle and mortar for £35. | 0:19:23 | 0:19:27 | |
And £25 on an auspicious Chinese paperweight that he hopes | 0:19:27 | 0:19:31 | |
will bring him luck at auction. | 0:19:31 | 0:19:33 | |
He needs it. So, what do they really think of each other's treasures? | 0:19:33 | 0:19:38 | |
That compact - I didn't have Father Roscoe down as a compact man, | 0:19:38 | 0:19:42 | |
and at £40, I think that's a guaranteed loss. | 0:19:42 | 0:19:46 | |
A real chancy item is that Chinese plaque. | 0:19:46 | 0:19:51 | |
That just could make him a few bob. | 0:19:51 | 0:19:53 | |
It's been a spectacular trip from Cullen, via Dufftown and Clola, | 0:19:53 | 0:19:59 | |
and the auction in Aberdeen is in sight. | 0:19:59 | 0:20:02 | |
Aberdeen - what a lovely city. | 0:20:02 | 0:20:04 | |
Scotland's third most populous city, Aberdeen was historically the centre | 0:20:04 | 0:20:09 | |
for the fishing and shipbuilding industries. | 0:20:09 | 0:20:12 | |
However, with the discovery of North Sea oil in the 1970s, | 0:20:12 | 0:20:16 | |
the fishing fleet moved up the coast and the oil industry moved in. | 0:20:16 | 0:20:19 | |
Aberdeen is now famous as being the oil capital of Europe. | 0:20:19 | 0:20:24 | |
But it's auction day as our two experts cruise into town. | 0:20:24 | 0:20:28 | |
It looks like a saloon. Are you sure it's not a pub? | 0:20:28 | 0:20:32 | |
John Milne Auction Room in Aberdeen was founded in 1867 | 0:20:32 | 0:20:36 | |
and is one of the major auction rooms in the northeast of Scotland. | 0:20:36 | 0:20:41 | |
It's the moment of truth. Who will win and who will lose? | 0:20:41 | 0:20:44 | |
Let the auction begin. | 0:20:44 | 0:20:47 | |
First to go under the hammer is Charlie's garden urn. | 0:20:47 | 0:20:50 | |
Will it be an earner? | 0:20:50 | 0:20:51 | |
Stoneware garden urn at 30? | 0:20:51 | 0:20:53 | |
20? | 0:20:53 | 0:20:55 | |
£10? | 0:20:55 | 0:20:57 | |
-Oh. -Garden urn at 10? | 0:20:57 | 0:20:59 | |
-Surely... Ten I'm bid. -Oh, madam. | 0:20:59 | 0:21:02 | |
-Be still, my fluttering heart. -15. 18. | 0:21:02 | 0:21:05 | |
£18. All done at £18? | 0:21:05 | 0:21:09 | |
-All finished at 18? -BANGS GAVEL | 0:21:09 | 0:21:12 | |
-814. -Splendid. -Splendid. Very good. | 0:21:12 | 0:21:15 | |
I'm afraid it's not the £40 you thought, | 0:21:15 | 0:21:18 | |
so are you eating your hat now or later? | 0:21:18 | 0:21:20 | |
Brackers! I'm into a profit. | 0:21:20 | 0:21:24 | |
And after the not-so-expensive garden urn, | 0:21:24 | 0:21:27 | |
it's Charlie's not-so-expensive biscuit tin. | 0:21:27 | 0:21:31 | |
Ten I'm bid, I'm bid ten. | 0:21:31 | 0:21:33 | |
To be sold, one bid at £10. | 0:21:33 | 0:21:37 | |
12. | 0:21:37 | 0:21:39 | |
£12, beside me at 12. | 0:21:39 | 0:21:41 | |
All done at £12? | 0:21:41 | 0:21:43 | |
14. 16. | 0:21:43 | 0:21:46 | |
18. 20. | 0:21:47 | 0:21:49 | |
£20. Beside me at £20, all done at £20? | 0:21:49 | 0:21:52 | |
-Oh, 22, new bid. 24. -LAUGHTER | 0:21:52 | 0:21:55 | |
£24 on my left at 24. | 0:21:55 | 0:21:59 | |
All finished at £24? All done this time? 24? | 0:21:59 | 0:22:03 | |
-BANGS GAVEL -Your bid, sir. 865. Thank you. | 0:22:03 | 0:22:06 | |
Do you know what's most, most pleasurable about that? | 0:22:06 | 0:22:08 | |
-What? Tell me. -I bought that in a shop | 0:22:08 | 0:22:10 | |
-that you had been into immediately before. -Mm. | 0:22:10 | 0:22:13 | |
That's fighting talk, Charlie. | 0:22:13 | 0:22:15 | |
But will James' model cannons blow the bidders away? | 0:22:15 | 0:22:18 | |
-They would grace any home, wouldn't they? -Oh, they're nice. | 0:22:18 | 0:22:22 | |
We have the pair of die-cast model cannons on black metal carriages. | 0:22:22 | 0:22:27 | |
-Uh... -40 quid. -Cannons, | 0:22:27 | 0:22:30 | |
£80? I'm bid 80. | 0:22:30 | 0:22:33 | |
We've got £80. | 0:22:33 | 0:22:35 | |
One bid of 80. | 0:22:35 | 0:22:38 | |
-Going to be sold at that one bid of £80. -Brackers! -Blimey. | 0:22:38 | 0:22:41 | |
All done at 80 for the decorative cannons? All done at £80? | 0:22:41 | 0:22:45 | |
-BANGS GAVEL -That's a fantastic £60 profit, James. Well done. | 0:22:45 | 0:22:50 | |
Braxton is back. | 0:22:50 | 0:22:53 | |
-That two and a half grand is being whittled down. -Yeah. | 0:22:53 | 0:22:56 | |
Let's hope your luck continues. | 0:22:56 | 0:22:59 | |
The pestle and mortar are about to go under the hammer. | 0:22:59 | 0:23:01 | |
-£40. -40. | 0:23:01 | 0:23:04 | |
20? | 0:23:04 | 0:23:06 | |
£10? Ten I'm bid, I'm bid £10 for the mortar and pestle. | 0:23:06 | 0:23:11 | |
-That's too cheap. No. -Too cheap. | 0:23:11 | 0:23:14 | |
18. 20. | 0:23:14 | 0:23:18 | |
22. £22, lady's bid at 22. | 0:23:18 | 0:23:23 | |
-25. -Oh, getting there, getting there. | 0:23:23 | 0:23:26 | |
£25, lady's bid at £25. All done at £25? | 0:23:26 | 0:23:30 | |
-BANGS GAVEL -Your bid. | 0:23:30 | 0:23:33 | |
Oh, dear. Slipped back a bit, there. | 0:23:33 | 0:23:34 | |
Oh, dear, James. that's a £10 loss. not what you needed. | 0:23:34 | 0:23:39 | |
Sorely tempted to bid for it. | 0:23:40 | 0:23:44 | |
Fingers crossed for James' model Spitfire. | 0:23:45 | 0:23:47 | |
£20. | 0:23:47 | 0:23:49 | |
CHARLIE MUTTERS INDISTINCTLY | 0:23:49 | 0:23:51 | |
£10? Ten I'm bid. | 0:23:51 | 0:23:56 | |
12. 15. 18. | 0:23:56 | 0:23:59 | |
20. 25. 30. | 0:23:59 | 0:24:02 | |
£30, far back, at 30. | 0:24:02 | 0:24:05 | |
-Getting your money back. -All done at £30? | 0:24:05 | 0:24:10 | |
-BANGS GAVEL -388. | 0:24:10 | 0:24:11 | |
-Money back... -Yeah, money back. -..but not with commission, of course. | 0:24:11 | 0:24:15 | |
Yup, sorry, James, but the auction house must take its earnings, | 0:24:15 | 0:24:19 | |
so a break-even is, in fact, a loss. | 0:24:19 | 0:24:22 | |
They've decided it IS a witch doctor's mace, | 0:24:23 | 0:24:27 | |
so let's see if it's something the people of Aberdeen are looking for. | 0:24:27 | 0:24:30 | |
£30 for the wooden mace? | 0:24:30 | 0:24:32 | |
-What? -20? -I've got 15 here, Colin. | 0:24:32 | 0:24:34 | |
15, I'm bid 15. | 0:24:34 | 0:24:36 | |
Thanks, Steven. One bid at £15. | 0:24:36 | 0:24:38 | |
One bid at 15, going to be sold at £15. | 0:24:40 | 0:24:42 | |
Oh, madam, you must need a witch doctor's mace. | 0:24:42 | 0:24:45 | |
All finished? | 0:24:45 | 0:24:47 | |
-18. -Bidder over there, sir! | 0:24:47 | 0:24:49 | |
20. | 0:24:49 | 0:24:51 | |
£20, with Steven at 20. | 0:24:51 | 0:24:53 | |
All done at £20 for the mace, all done at 20? | 0:24:53 | 0:24:57 | |
-BANGS GAVEL -825. Thank you. | 0:24:57 | 0:25:00 | |
-Robbed. -Robbed. Desperately undersold | 0:25:00 | 0:25:02 | |
Ouch. Sorry, Charlie. | 0:25:02 | 0:25:05 | |
Witch-doctoring just isn't big in Aberdeen. | 0:25:05 | 0:25:08 | |
That's really made quite a hole in my two and a half grand. | 0:25:08 | 0:25:11 | |
Hopefully, James with have more luck with his Chinese paperweight. | 0:25:12 | 0:25:17 | |
Start me at £60? | 0:25:17 | 0:25:19 | |
40? | 0:25:20 | 0:25:21 | |
£30? | 0:25:23 | 0:25:25 | |
20? | 0:25:25 | 0:25:26 | |
Oh, dear. This isn't looking good. | 0:25:26 | 0:25:29 | |
Five? Five I'm bid. | 0:25:30 | 0:25:33 | |
Six. Eight. £8, in the second row at £8. | 0:25:33 | 0:25:37 | |
All done at eight? | 0:25:37 | 0:25:39 | |
10, 12, 15, 18. | 0:25:39 | 0:25:43 | |
-Now we're going. -£18, seated at £18. | 0:25:43 | 0:25:46 | |
All done? 20. £20. | 0:25:46 | 0:25:49 | |
-You'll get 100 yet, Brackers. -It's a good item. | 0:25:49 | 0:25:52 | |
All done at £20? All done at 20? | 0:25:52 | 0:25:55 | |
-BANGS GAVEL -There. My gut feelings were wrong, there, weren't they? | 0:25:55 | 0:25:58 | |
-Brackers, that was terribly bad luck. -It was bad luck. | 0:25:58 | 0:26:02 | |
I wouldn't be too smug, Charlie. Your final lot's up next. | 0:26:02 | 0:26:06 | |
It's your chrome compact. | 0:26:06 | 0:26:09 | |
20? I'm bid 20. | 0:26:09 | 0:26:11 | |
Here, bid 20, straight in. | 0:26:11 | 0:26:13 | |
-£30 beside me. -Come on. | 0:26:13 | 0:26:17 | |
To be sold at £30. All done at 30? | 0:26:17 | 0:26:21 | |
-35. -Well done, madam. -40. £40 on my left. | 0:26:21 | 0:26:25 | |
At £40. All finished at £40? All done at 40? | 0:26:25 | 0:26:29 | |
-BANGS GAVEL -Lost opportunity there, I'd say. | 0:26:29 | 0:26:32 | |
Mm. | 0:26:32 | 0:26:33 | |
-So what's that bring you up to, then? -I've made a small loss. | 0:26:33 | 0:26:37 | |
I'm surprised at that. | 0:26:37 | 0:26:38 | |
Here we go. | 0:26:41 | 0:26:42 | |
Now it's James' last stab at a big profit. | 0:26:42 | 0:26:46 | |
All we need are two onyx-loving fishermen | 0:26:46 | 0:26:49 | |
to battle over his box and he'll be in with a fighting chance. | 0:26:49 | 0:26:53 | |
Oh. It's quality. | 0:26:53 | 0:26:55 | |
£60. Bid 60, I'm bid 60. | 0:26:55 | 0:27:00 | |
Giving me 65. 70. Five. 80. | 0:27:00 | 0:27:05 | |
-Five. 90. £90, on my right, at £90. -Oh, go on. | 0:27:05 | 0:27:10 | |
-£95. -CHARLIE SIGHS | 0:27:10 | 0:27:13 | |
A gentleman's bid at £95. All done at 95? | 0:27:13 | 0:27:17 | |
-BANGS GAVEL Well done, James. -I know. Thank you. | 0:27:17 | 0:27:20 | |
Brilliant. Absolutely brilliant. | 0:27:20 | 0:27:23 | |
Great profit, James, | 0:27:23 | 0:27:25 | |
and I think it's fair to say, a well-deserved victory. | 0:27:25 | 0:27:28 | |
Summing it up, you are as good as I am bad. | 0:27:28 | 0:27:32 | |
So modest. James started with £256.06, | 0:27:35 | 0:27:40 | |
and after paying auction costs, made a profit of £45. | 0:27:40 | 0:27:45 | |
He's making slow and steady progress and has £301.06 to carry forward. | 0:27:45 | 0:27:51 | |
Charlie, meanwhile, started with a ridiculous £2,447.96 | 0:27:51 | 0:27:57 | |
and made a disappointing loss of £51.86. | 0:27:57 | 0:28:01 | |
Despite his defeat, | 0:28:01 | 0:28:03 | |
he still has a huge £2,396.10. The question is, will he mend his miserly ways | 0:28:03 | 0:28:09 | |
and actually spend it? | 0:28:09 | 0:28:11 | |
-Congratulations. -Thank you, thank you. Steady work. | 0:28:11 | 0:28:14 | |
You've got a little catching up to do, but... | 0:28:14 | 0:28:17 | |
By your calculations, when might I slip into the lead? | 0:28:17 | 0:28:21 | |
I think you'll be in the lead in January 2085. | 0:28:21 | 0:28:26 | |
The boys are now heading to Tarland, | 0:28:26 | 0:28:30 | |
before our second auction showdown in Hamilton. | 0:28:30 | 0:28:35 | |
In the 18th century, Tarland was an important trading centre. | 0:28:35 | 0:28:39 | |
It had a weekly market and six fairs throughout the year. | 0:28:39 | 0:28:43 | |
Tarland may be small, but it's home to our experts' first shop of the day. | 0:28:43 | 0:28:47 | |
What a lovely view! Well driven. | 0:28:49 | 0:28:52 | |
Another chapter, another day. | 0:28:54 | 0:28:57 | |
I've got so much money, I don't know what to do with it, but I want to spend it. | 0:28:57 | 0:29:02 | |
-Remind me, what's the figure, Charlie? -Approximately 2,400. | 0:29:02 | 0:29:06 | |
-Plays £300. -Yeah. | 0:29:06 | 0:29:08 | |
-Shall we go and see what they've got? -Yeah, come on. Let's go. | 0:29:08 | 0:29:11 | |
Tarland Tower Antiques has been open for 18 years | 0:29:11 | 0:29:15 | |
and is run by owner George. | 0:29:15 | 0:29:17 | |
It has a large warehouse and four smaller rooms | 0:29:17 | 0:29:20 | |
stocked full of beautiful furniture and interiors. | 0:29:20 | 0:29:23 | |
Time for our boys to divide and conquer. | 0:29:23 | 0:29:26 | |
Oh, look at that bed! | 0:29:26 | 0:29:28 | |
-You've got the money for that bed. -Isn't this fabulous? | 0:29:28 | 0:29:32 | |
Determined to spend his dosh, Charlie gets tactical. | 0:29:32 | 0:29:36 | |
I'm phoning the auction room, just to find out what they're good at. | 0:29:36 | 0:29:41 | |
What they sell really well. Oh, hello, is that the auction rooms? | 0:29:41 | 0:29:44 | |
It's Charlie Ross. I'm just putting a little call in, | 0:29:44 | 0:29:47 | |
do you have any specific areas which you're strong in, in the saleroom? | 0:29:47 | 0:29:51 | |
He's cheating. | 0:29:51 | 0:29:54 | |
Thanks a lot, OK. Bye-bye. | 0:29:54 | 0:29:58 | |
-Brackers, were you listening in on that? -I was. -You are such a sneaker. | 0:29:58 | 0:30:02 | |
Nothing gets past you, does it? | 0:30:02 | 0:30:05 | |
-Anyway, steer clear of big brown furniture. -All right. | 0:30:05 | 0:30:09 | |
There's a shock. Small pieces of furniture, particularly good. | 0:30:09 | 0:30:12 | |
-And has he got a picture section, in his auction? -I didn't ask him. | 0:30:12 | 0:30:16 | |
Look, we're wasting time. Brackers, I've given you all the information you're going to get. | 0:30:16 | 0:30:21 | |
With that, it's pretty clear that furniture is off the shopping list. | 0:30:21 | 0:30:25 | |
-What exactly are they? -Are they not for sort of sake or something? | 0:30:25 | 0:30:28 | |
He's got a jolly... He looks a little bit like James. | 0:30:28 | 0:30:32 | |
Sake is a Japanese alcoholic drink made from rice. | 0:30:32 | 0:30:36 | |
The Japanese believe that in order to enjoy it to its fullest, | 0:30:36 | 0:30:39 | |
the sake cup you drink from should be as beautiful | 0:30:39 | 0:30:41 | |
or as interesting as possible. | 0:30:41 | 0:30:44 | |
This unique pair are priced at £45 each. | 0:30:44 | 0:30:46 | |
-Could you do 20 quid for the two? -No. -No? | 0:30:48 | 0:30:50 | |
-No, not for the two, but I think you should have a think about it. -Yes. | 0:30:50 | 0:30:55 | |
They are a bit different and the kind of thing you might do well on. | 0:30:55 | 0:30:58 | |
Charlie, while you contemplate spending, | 0:30:58 | 0:31:01 | |
George has taken James to see an interesting 1950s print of Balmoral. | 0:31:01 | 0:31:06 | |
-I think it's an advertising poster that has been over varnished. -Yeah. | 0:31:06 | 0:31:10 | |
-I bought it with a bunch of other stuff. -It's lovely, really lovely. | 0:31:10 | 0:31:14 | |
Here is the artist, Kenneth Steel. | 0:31:14 | 0:31:16 | |
It's very much in the railway tradition of posters, isn't it? | 0:31:16 | 0:31:19 | |
Born in Sheffield in 1906, Kenneth Steel was a watercolour painter | 0:31:19 | 0:31:24 | |
and this is one of his prints from Royal Deeside. | 0:31:24 | 0:31:26 | |
-£25. -£25, you've got a deal. | 0:31:26 | 0:31:29 | |
-I think you'll do OK with that. -Thank you, thank you. | 0:31:29 | 0:31:32 | |
Well done, James, the first purchase of the day. | 0:31:32 | 0:31:35 | |
Unfortunately, Charlie doesn't have the same sense of urgency. | 0:31:35 | 0:31:38 | |
You wouldn't, would you? | 0:31:38 | 0:31:39 | |
Stop sitting on your wallet and get some money out. | 0:31:39 | 0:31:42 | |
After some tough love from James, | 0:31:42 | 0:31:45 | |
Charlie's gone back out in search of a bargain. | 0:31:45 | 0:31:48 | |
Oh, my God! Isn't that wonderful? | 0:31:48 | 0:31:52 | |
The shop IS wonderful. | 0:31:52 | 0:31:54 | |
This is a garage full of brown furniture. | 0:31:54 | 0:31:57 | |
Are the alarm bells not ringing, Charlie? | 0:31:57 | 0:31:59 | |
Hamilton is quite near Glasgow. | 0:31:59 | 0:32:01 | |
I've got an Arts and Crafts overmantle there. Cheap little lot. | 0:32:01 | 0:32:05 | |
-Is that very cheap? -Yes. -By Rennie Mackintosh? | 0:32:05 | 0:32:07 | |
I think it could be. | 0:32:07 | 0:32:09 | |
I think it's more likely to be Jimmy Mackintosh! | 0:32:09 | 0:32:12 | |
-£25, you can't go wrong. -Is that all it is? | 0:32:14 | 0:32:18 | |
George, you're just beginning to come to my way of thinking. | 0:32:18 | 0:32:23 | |
What on earth is going on? | 0:32:23 | 0:32:24 | |
Now James has jumped on the garage bandwagon. | 0:32:24 | 0:32:28 | |
This is an antique assault course. | 0:32:28 | 0:32:31 | |
-Are you sure you boys are fit for this? -That's a big picture frame. | 0:32:31 | 0:32:34 | |
There's two of them. | 0:32:34 | 0:32:37 | |
-£150. -What, for the two of them? -Yes. | 0:32:37 | 0:32:40 | |
-Is that good or bad? -That's good. -I think it's phenomenal. | 0:32:40 | 0:32:43 | |
Go on, George, they're mine. | 0:32:43 | 0:32:44 | |
Very risky buying something you can't properly see, James. | 0:32:44 | 0:32:47 | |
But if you're sure... | 0:32:47 | 0:32:49 | |
In the corner, is that a book case? | 0:32:49 | 0:32:51 | |
-Would it have had a marble top? -Yeah, but I've got the marble top. | 0:32:51 | 0:32:54 | |
Over the top of that bed, you'll see the marble top. | 0:32:54 | 0:32:58 | |
Got it, got it. | 0:32:58 | 0:33:00 | |
-It's an open fronter, is it? -Yes. | 0:33:00 | 0:33:03 | |
-These aren't gilt metal, are they? -No, they're wooden. | 0:33:03 | 0:33:06 | |
-Will you take 100 quid for it? -Yeah. | 0:33:06 | 0:33:09 | |
-I'll have it. -Right. | 0:33:09 | 0:33:11 | |
I'd love to congratulate you on finally making a purchase, | 0:33:11 | 0:33:15 | |
but I think it's a bit of a risk. | 0:33:15 | 0:33:17 | |
Finally, back outside, and Charlie's on a roll. | 0:33:18 | 0:33:21 | |
He's spotted an Edwardian mahogany writing desk. | 0:33:21 | 0:33:23 | |
How much is that? | 0:33:23 | 0:33:26 | |
-I couldn't do it for less than 220. -How much? -220, that would be me. | 0:33:26 | 0:33:30 | |
Let's pull that out. | 0:33:30 | 0:33:32 | |
They did say, the saleroom, small pieces of furniture. | 0:33:32 | 0:33:37 | |
This is a little lady's writing table, | 0:33:37 | 0:33:40 | |
leather top and it's got a little compartment here. | 0:33:40 | 0:33:42 | |
It has two drawers. One and a half? | 0:33:42 | 0:33:46 | |
I wouldn't move, that's a bargain at 220. | 0:33:46 | 0:33:49 | |
Could you do 200? | 0:33:49 | 0:33:50 | |
I could restore this piece, as you know, and I'd sell it no problem. | 0:33:50 | 0:33:55 | |
So I'm going to stick... | 0:33:55 | 0:33:56 | |
Go on, shake on it, I think that's very fair. | 0:33:56 | 0:33:59 | |
I was being a bit of an old cheapskate there. | 0:33:59 | 0:34:02 | |
-I think it's worth every penny. -It is, it's worth it. | 0:34:02 | 0:34:05 | |
And now he's started spending, he just can't stop. | 0:34:05 | 0:34:08 | |
There was an overmantle in the top shed there, got a hint of Mackintosh. | 0:34:08 | 0:34:12 | |
-It does. -A very small hint of Mackintosh. -And it's the right money. | 0:34:12 | 0:34:17 | |
-What was it, I can't remember what you quoted me? -£25. | 0:34:17 | 0:34:20 | |
You did. At 25 quid, even I won't argue with that. | 0:34:20 | 0:34:24 | |
With £2,076.10 still to spend, I should hope not. | 0:34:24 | 0:34:29 | |
What about those unique sake cups? | 0:34:29 | 0:34:33 | |
That is the thing you should be going out of here with. | 0:34:33 | 0:34:36 | |
-I'll do the two for 50 quid. -50?! -For the two. | 0:34:36 | 0:34:40 | |
It's the right time for that oriental stuff at the moment. | 0:34:40 | 0:34:43 | |
They're a bit different, huge characters, just like you. | 0:34:43 | 0:34:45 | |
You're an absolutely wonderful salesman. | 0:34:45 | 0:34:48 | |
I think the two of them, the two of you... | 0:34:48 | 0:34:50 | |
-I'll tell you what, George, let's shake on that. -Sure. -Four things. | 0:34:50 | 0:34:53 | |
-Yes. -It's been an absolute dream here, it's been fantastic. | 0:34:53 | 0:34:57 | |
But the excitement's not over yet. | 0:34:57 | 0:35:00 | |
Charlie is heading 32 miles east, to Blairs, | 0:35:00 | 0:35:03 | |
where he has a prior engagement. | 0:35:03 | 0:35:06 | |
St Mary's College was founded in 1829, | 0:35:09 | 0:35:12 | |
when John Menzies of Pitfodels, | 0:35:12 | 0:35:14 | |
the last member of an old Aberdeen Catholic family, | 0:35:14 | 0:35:17 | |
donated his mansion and estate of 1,000 acres to the Catholic church. | 0:35:17 | 0:35:23 | |
Today, it's known as Blairs Museum | 0:35:23 | 0:35:25 | |
and it gives a unique insight into | 0:35:25 | 0:35:27 | |
Scotland's Catholic history and heritage. | 0:35:27 | 0:35:30 | |
Showing him round is former pupil, teacher and now museum manager Ian. | 0:35:30 | 0:35:35 | |
Well, Blairs is basically what used to be our junior seminary. | 0:35:35 | 0:35:39 | |
So basically, a boarding school for boys of secondary school age | 0:35:39 | 0:35:42 | |
who were thinking about becoming a Catholic priest. | 0:35:42 | 0:35:45 | |
-Right. -I was one of them a long time ago, back in the 1960s. | 0:35:45 | 0:35:48 | |
And that's where your thoughts were at that time? | 0:35:48 | 0:35:51 | |
At that time, yes, but I've now been married for 33 years... | 0:35:51 | 0:35:53 | |
So you obviously took a different course. | 0:35:53 | 0:35:56 | |
It changed. After that, I was actually here | 0:35:56 | 0:35:58 | |
and my wife taught here as well, | 0:35:58 | 0:36:01 | |
for the last nine years before the college closed 25 years ago now. | 0:36:01 | 0:36:04 | |
From its establishment, Blairs College was recognised | 0:36:05 | 0:36:08 | |
as a safe place to receive and preserve artefacts | 0:36:08 | 0:36:12 | |
relating to Scotland's Catholic heritage. | 0:36:12 | 0:36:15 | |
Their collection of paintings spans more than four centuries, | 0:36:15 | 0:36:18 | |
featuring some of Scotland's most renowned historical figures. | 0:36:18 | 0:36:21 | |
Today, Charlie has come to see the highlight of the collection, | 0:36:21 | 0:36:25 | |
a full-length memorial portrait of Mary Queen Of Scots. | 0:36:25 | 0:36:29 | |
Mary had been imprisoned in England for something like 19 years. | 0:36:29 | 0:36:33 | |
-It was basically house arrest in various castles. -Yes. | 0:36:33 | 0:36:36 | |
With no direct heir, Mary was the closest successor to the English throne. | 0:36:36 | 0:36:41 | |
Perceived as a threat, Elizabeth had her arrested, | 0:36:41 | 0:36:44 | |
and after 19 years, she was tried and executed for treason, | 0:36:44 | 0:36:47 | |
a decision that has caused much speculation. | 0:36:47 | 0:36:51 | |
-Some pressure on Elizabeth to have her executed. -Yes. | 0:36:51 | 0:36:54 | |
-Is it true that she didn't want to have her executed? -Yes. | 0:36:54 | 0:36:59 | |
We actually have a copy of the death warrant over here, | 0:36:59 | 0:37:03 | |
You can see Elizabeth's signature there on the top right hand corner. | 0:37:03 | 0:37:06 | |
Some people believe that she was given it in a pile of papers | 0:37:06 | 0:37:10 | |
and signed it, not realising what she had signed. | 0:37:10 | 0:37:13 | |
Other people believe that she meant to sign it, | 0:37:13 | 0:37:15 | |
but she didn't mean it to be carried out immediately. | 0:37:15 | 0:37:18 | |
But then her ministers do exactly that. | 0:37:18 | 0:37:20 | |
Within days, Mary is executed and they come back and tell her | 0:37:20 | 0:37:23 | |
that it's been carried out. Supposedly, Elizabeth was furious | 0:37:23 | 0:37:27 | |
-and, at the same time, in floods of tears. -Yes. | 0:37:27 | 0:37:31 | |
Almost her last act, it's very, very symbolic, because | 0:37:31 | 0:37:35 | |
she is wearing this scarlet underclothing, | 0:37:35 | 0:37:38 | |
and that colour is the same colour of vestments a priest would wear | 0:37:38 | 0:37:42 | |
on the feast day of a martyr. | 0:37:42 | 0:37:44 | |
So Mary, almost in her last act, is saying, I'm being executed | 0:37:44 | 0:37:48 | |
because of my faith and not because I'm a traitor against Elizabeth. | 0:37:48 | 0:37:51 | |
-Strong statement, isn't it? -That's right. | 0:37:51 | 0:37:55 | |
After that religious reflection, Charlie and James are back on the road and on the hunt for antiques. | 0:37:55 | 0:38:00 | |
Have we creeped over to the west coast now? | 0:38:00 | 0:38:03 | |
We can't have got quite to the west coast. | 0:38:03 | 0:38:06 | |
No, sorry, we've crept down the coast, there we are. | 0:38:06 | 0:38:08 | |
They're leaving Tarland behind and travelling 40 miles south | 0:38:08 | 0:38:14 | |
to Montrose, where James hopes to bag himself a bargain. | 0:38:14 | 0:38:18 | |
-Montrose, have you ever been to Montrose before? -I haven't. | 0:38:18 | 0:38:22 | |
Montrose is the northernmost coastal town in Angus and, in 1777, | 0:38:23 | 0:38:28 | |
was the birthplace of doctor | 0:38:28 | 0:38:30 | |
and Radical MP Joseph Hume. | 0:38:30 | 0:38:33 | |
For 30 years, he was a leader of the Radical Party | 0:38:33 | 0:38:36 | |
and became the self-appointed | 0:38:36 | 0:38:37 | |
guardian of the public purse. | 0:38:37 | 0:38:39 | |
-Smoothly done, Brackers. -Slippery smooth. | 0:38:40 | 0:38:43 | |
-I don't even need to get out here, I can just shuffle across. -Can you? | 0:38:43 | 0:38:46 | |
-Good luck, old chum. -Thank you. -Spend, spend, spend. | 0:38:46 | 0:38:50 | |
George Eaton Antiques is James Braxton's first port of call. | 0:38:52 | 0:38:55 | |
Morning. | 0:38:55 | 0:38:57 | |
-Hi. -James. -George. Nice to meet you. -Nice to meet you, George. | 0:38:57 | 0:39:01 | |
This is my sort of shop. It's a foraging shop. | 0:39:01 | 0:39:04 | |
This is lovely, a domino set, | 0:39:04 | 0:39:06 | |
and it's made with bone. | 0:39:06 | 0:39:09 | |
Bone faces, with ebony backing. | 0:39:09 | 0:39:11 | |
Here's a more interesting set. | 0:39:11 | 0:39:13 | |
They're up to nine, | 0:39:13 | 0:39:15 | |
-which is rarer. Usually, they're only up to six. -Oh, I see. | 0:39:15 | 0:39:19 | |
-It's a set and a half. -That's very good. | 0:39:19 | 0:39:21 | |
So you've got another three numbers to conjure with, haven't you? | 0:39:21 | 0:39:24 | |
Generally, the most commonly used dominoes sets are double six | 0:39:24 | 0:39:30 | |
and double nine, although double 12, 15 and 18 | 0:39:30 | 0:39:34 | |
are popular for games involving several players. | 0:39:34 | 0:39:36 | |
-How much are these then, George? -Erm, 25. | 0:39:36 | 0:39:40 | |
Really? That's a lovely lot. | 0:39:40 | 0:39:44 | |
OK, what other curios have you got for me, George? | 0:39:44 | 0:39:48 | |
-Is that a sort of Continental piece, that? -It's WMF. | 0:39:48 | 0:39:51 | |
-Oh, it is WMF? -Yes. -And how much have you got on that, George? | 0:39:51 | 0:39:55 | |
That had 150 on it, but as with everything... | 0:39:55 | 0:40:01 | |
Everything is negotiable in life, isn't it? | 0:40:01 | 0:40:03 | |
It looks as though it has the most beautiful polished glass liner. | 0:40:03 | 0:40:07 | |
Isn't that a lovely piece of glass? | 0:40:07 | 0:40:10 | |
Grr! | 0:40:10 | 0:40:11 | |
Wurttembergische Metallwarenfabrik, or WMF, | 0:40:11 | 0:40:17 | |
is a German Art Nouveau producer specialising in metalwork | 0:40:17 | 0:40:20 | |
from the late 19th and into the 20th century. | 0:40:20 | 0:40:23 | |
A lovely stylised border, sort of beech, almost like a beech leaf. | 0:40:23 | 0:40:28 | |
I suppose it's a stylised vine leaf or something. | 0:40:28 | 0:40:32 | |
-Vine, it's got grapes on it. -Grapes, hasn't it? | 0:40:32 | 0:40:35 | |
Give grapes to somebody in hospital, that would restore their spirit, | 0:40:35 | 0:40:38 | |
wouldn't it? | 0:40:38 | 0:40:40 | |
Lovely, beautifully modelled. That's a lovely item. | 0:40:40 | 0:40:44 | |
Yes, you are modelling it rather beautifully. | 0:40:44 | 0:40:47 | |
And while James continues his search for lovely items, | 0:40:47 | 0:40:50 | |
Charlie is heading | 0:40:50 | 0:40:52 | |
15 miles inland to Letham. | 0:40:52 | 0:40:54 | |
The largest village in Angus, Letham is famous for its Victorian market, | 0:40:54 | 0:40:59 | |
which takes place in early July. | 0:40:59 | 0:41:01 | |
I'm absolutely chipper! | 0:41:02 | 0:41:05 | |
I phoned up the man in the antiques saleroom where we're going to. | 0:41:05 | 0:41:10 | |
He said, don't buy furniture, it doesn't sell very well. | 0:41:10 | 0:41:13 | |
So I ripped straight into buying three pieces of furniture. | 0:41:13 | 0:41:17 | |
Never listen to the experts, that's what Winston Churchill said. | 0:41:17 | 0:41:21 | |
Never listen to the experts. | 0:41:21 | 0:41:24 | |
Time will tell, Charlie. | 0:41:24 | 0:41:26 | |
Let's see what gems you can uncover in Lovejoy Antiques. | 0:41:26 | 0:41:29 | |
-It sounds promising. -Is it Barbara? -Yes, it is. -I'm Charlie. | 0:41:29 | 0:41:33 | |
Housed in a converted stable, | 0:41:33 | 0:41:35 | |
Barbara and her husband have been in the business for over six years. | 0:41:35 | 0:41:40 | |
Barbara, there's an extremely jolly person down here, | 0:41:40 | 0:41:43 | |
-looking at me... -Yes. | 0:41:43 | 0:41:46 | |
..who looks like a Chinese bronze... | 0:41:46 | 0:41:48 | |
-It IS bronze! -Yes. | 0:41:48 | 0:41:50 | |
Look at that, pretty miserable, | 0:41:52 | 0:41:54 | |
laughing, and... | 0:41:54 | 0:41:58 | |
I think that's James Braxton. | 0:41:58 | 0:41:59 | |
-Quite jolly. -Yeah. How much is this object? | 0:41:59 | 0:42:03 | |
-Hundreds and hundreds of pounds? -No, no, just 100. | 0:42:03 | 0:42:06 | |
Would £50 buy him? | 0:42:06 | 0:42:09 | |
No, 70 might. | 0:42:09 | 0:42:12 | |
-You've got me tempted here. -Yes. -I think he's absolutely splendid. | 0:42:12 | 0:42:16 | |
I wish I knew more about these things. | 0:42:16 | 0:42:18 | |
These faces must be the four faces of man, or whatever, | 0:42:18 | 0:42:23 | |
but I don't know quite what they signify. | 0:42:23 | 0:42:26 | |
Actually, the four faces of a Chinese Buddha represent | 0:42:26 | 0:42:31 | |
pleasure, anger, sorrow and joy. | 0:42:31 | 0:42:35 | |
It's believed that a Chinese Buddha will both protect and bring good luck. | 0:42:35 | 0:42:40 | |
-50 won't buy him? -No. 70. | 0:42:40 | 0:42:43 | |
-70 will. -Mm-hm. | 0:42:43 | 0:42:46 | |
-Sold. -Well done. | 0:42:46 | 0:42:48 | |
Sold. I knew I'd find something in the end. | 0:42:48 | 0:42:51 | |
I think that's a cracker. Look at that. | 0:42:51 | 0:42:53 | |
-The four faces of James Braxton. -Oh, Charlie! | 0:42:53 | 0:42:58 | |
Meanwhile, James has been drawn to | 0:42:58 | 0:43:00 | |
art deco...and red trousers. | 0:43:00 | 0:43:02 | |
Where do they come from? Do you remember the building? | 0:43:02 | 0:43:05 | |
They were from Montrose picture house. | 0:43:05 | 0:43:06 | |
A great '30s feel to those flowers, isn't it? | 0:43:06 | 0:43:09 | |
Very art deco. I really like those. | 0:43:09 | 0:43:12 | |
-How much have you got on those? -£30. -£30, and you get the two for 30? | 0:43:12 | 0:43:16 | |
-Yes, it's a sash window. -Sash window. | 0:43:16 | 0:43:19 | |
-Operated, one above the other. -One in front of the other. I see. | 0:43:19 | 0:43:23 | |
In a frame and they slide down. | 0:43:23 | 0:43:24 | |
They look good together, don't they? | 0:43:24 | 0:43:26 | |
I like those. | 0:43:26 | 0:43:28 | |
-George, I'm going to have those. -OK. | 0:43:28 | 0:43:30 | |
Very nice, James! And feeling confident, | 0:43:30 | 0:43:33 | |
he strides on to haggle on the dominoes, priced at £25, | 0:43:33 | 0:43:37 | |
and the WMF grape dish at £150. | 0:43:37 | 0:43:41 | |
Is there any chance, George, I could do those two for £95? | 0:43:41 | 0:43:45 | |
It's a struggle. | 0:43:45 | 0:43:48 | |
-If that's all you've got. -It's all I've got, bar the pence. | 0:43:48 | 0:43:52 | |
George, thank you very much indeed. | 0:43:52 | 0:43:54 | |
Well done, James, that's an amazing £80 saving. | 0:43:54 | 0:43:56 | |
And after spending £95, you've got £1.06 to your name. | 0:43:56 | 0:44:02 | |
I'd like you to have the £1.06 as a bit of luck money. | 0:44:02 | 0:44:05 | |
-Thank you very much. It's been a pleasure. -It's been really great fun. | 0:44:05 | 0:44:08 | |
While James donates his last pennies, | 0:44:08 | 0:44:11 | |
Charlie's making his way to Barry. | 0:44:11 | 0:44:14 | |
A small village in Angus, Barry lies at the mouth of the River Tay. | 0:44:14 | 0:44:17 | |
It's Charlie's last chance to flash his cash | 0:44:17 | 0:44:22 | |
and Anderson High Antiques is his final shop of the day. | 0:44:22 | 0:44:25 | |
Open for two years, it's located in part of a 19th-century school. | 0:44:25 | 0:44:29 | |
Owner Kate and husband Ed have been in the business for 15 years. | 0:44:29 | 0:44:35 | |
After browsing, | 0:44:35 | 0:44:37 | |
Ed shows Charlie a set of six Royal Doulton coffee cups, | 0:44:37 | 0:44:40 | |
handpainted by May Wilson and priced at £48. | 0:44:40 | 0:44:44 | |
MW? Who is...? | 0:44:44 | 0:44:46 | |
MW is May Wilson, who is one of the ladies that | 0:44:46 | 0:44:49 | |
we collectively refer to as the "Scottish lady artists", | 0:44:49 | 0:44:54 | |
who bought the pottery blanks. | 0:44:54 | 0:44:57 | |
They were all artists, mostly associated with | 0:44:57 | 0:45:00 | |
either the Glasgow School of Art or the Edinburgh School of Art. | 0:45:00 | 0:45:02 | |
-How interesting. -They painted these beautiful... | 0:45:02 | 0:45:06 | |
That's interesting. | 0:45:06 | 0:45:09 | |
I think they bought the glazed object, by the looks of things. | 0:45:09 | 0:45:13 | |
-Painted over the glazing? -Precisely. -Why are they so cheap? He said, shooting himself in the foot! | 0:45:13 | 0:45:18 | |
There is one cup which has had a repair on it. | 0:45:18 | 0:45:21 | |
Here it is, here. The little handle has been glued. | 0:45:21 | 0:45:26 | |
It could be better repaired. | 0:45:26 | 0:45:28 | |
-I actually find them really charming. -They are nice, aren't they? | 0:45:28 | 0:45:31 | |
The thing is, in the central belt of Scotland, | 0:45:31 | 0:45:33 | |
people who collect these things will know who that is. | 0:45:33 | 0:45:38 | |
-Fantastic. -Might be quite an interesting one. -Sold. -Excellent. | 0:45:38 | 0:45:41 | |
I said sold without even talking about the price. | 0:45:42 | 0:45:46 | |
I'm happy to do for you what we would do for the trade, basically, | 0:45:46 | 0:45:50 | |
which might be to make it, say, £43. | 0:45:50 | 0:45:53 | |
-£43. -Is that all right? -I think I've probably got £43 for it. | 0:45:53 | 0:45:57 | |
Lovely final buy, Charlie. So, shopping finished, | 0:45:57 | 0:46:00 | |
James has spent his entire £301.06 on five lots. | 0:46:00 | 0:46:04 | |
£25 on the heavily varnished Balmoral print. | 0:46:04 | 0:46:08 | |
£15 on the rare, ebony-backed domino set. | 0:46:08 | 0:46:12 | |
Two arts and crafts style stained glass windows for £30. | 0:46:12 | 0:46:17 | |
An Art Nouveau WMF bowl for £80, and £150 on two large gilt frames. | 0:46:17 | 0:46:23 | |
Charlie's combined the four-faced Buddha, bought for £70, | 0:46:23 | 0:46:27 | |
with the £50 sake cups. | 0:46:27 | 0:46:29 | |
He spent £43 on the May Wilson porcelain set, | 0:46:29 | 0:46:32 | |
£25 on the over mantle mirror, | 0:46:32 | 0:46:35 | |
£100 on the bookcase, and splashed out £220 on the lady's writing desk. | 0:46:35 | 0:46:42 | |
But what do they think of each other's purchases? | 0:46:42 | 0:46:45 | |
I think he's let himself down a bit with the sake cups. | 0:46:45 | 0:46:50 | |
One of them's chipped, £50. | 0:46:50 | 0:46:52 | |
I think Father Roscoe may struggle to get out of that one, | 0:46:52 | 0:46:56 | |
but knowing his luck, he might get away with it. | 0:46:56 | 0:46:59 | |
His best buy - undoubtedly the large frames. | 0:46:59 | 0:47:01 | |
They are great, I think they'll double his money. | 0:47:01 | 0:47:05 | |
Our experts have been on a voyage of discovery | 0:47:05 | 0:47:07 | |
from Tarland to Montrose, | 0:47:07 | 0:47:09 | |
Letham to Barry, | 0:47:09 | 0:47:10 | |
finally crossing to the west | 0:47:10 | 0:47:12 | |
and arriving in Hamilton. | 0:47:12 | 0:47:14 | |
Hamilton is a town in South Lanarkshire, | 0:47:14 | 0:47:17 | |
in the west central lowlands of Scotland, | 0:47:17 | 0:47:20 | |
and it's home to Hamilton auction market, | 0:47:20 | 0:47:23 | |
one of the biggest auctioneers in Lanarkshire. | 0:47:23 | 0:47:26 | |
Do you think, when you see your frames, they'll only be three-sided, | 0:47:26 | 0:47:30 | |
that they will have rotted away? | 0:47:30 | 0:47:33 | |
I don't know how long my bookcase is, because I could only see one end. | 0:47:33 | 0:47:37 | |
You both certainly took a gamble with your rather large purchases, | 0:47:37 | 0:47:41 | |
but it's auction day and we'll soon find out if it's paid off. | 0:47:41 | 0:47:44 | |
LS Smellie & Sons Ltd were established in 1874 | 0:47:44 | 0:47:50 | |
and are a sixth-generation family-run business. | 0:47:50 | 0:47:53 | |
Oh, look! In all their splendour. | 0:47:54 | 0:47:57 | |
Fabulous. And yours. | 0:47:57 | 0:48:00 | |
-Oh, good Lord, so it is! -What a fine piece, what a fine piece. | 0:48:00 | 0:48:04 | |
-A decorator's piece, isn't it? -Very much so. | 0:48:04 | 0:48:08 | |
-Will they appreciate it up here? -Of course they will. | 0:48:08 | 0:48:10 | |
-Shall we find our other things? -Yes, come on. | 0:48:10 | 0:48:13 | |
The boys have left the back room for the auction room, and a nail-biting finale. | 0:48:13 | 0:48:16 | |
-First under the hammer is Charlie's bookcase. -What's it worth, £100? | 0:48:16 | 0:48:20 | |
100, for it now. 100. To get it off, 50... 30 then, for it now. | 0:48:20 | 0:48:25 | |
Oh, dear, this isn't looking good. | 0:48:25 | 0:48:29 | |
30 bid, surely one more? 30 bid. | 0:48:29 | 0:48:33 | |
30, five, 35, and 40. | 0:48:33 | 0:48:36 | |
45. Come on, sir. | 0:48:36 | 0:48:38 | |
45 and 50, 50 bid, 55, and 60 now. | 0:48:38 | 0:48:43 | |
At 60. At 60 bid. | 0:48:43 | 0:48:46 | |
60 bid, it's too cheap. | 0:48:46 | 0:48:49 | |
-At 60 bid, five, 65... -Keep going! | 0:48:49 | 0:48:52 | |
70 bid, 70 bid, | 0:48:52 | 0:48:55 | |
-70 bid, 70 bid. -One more. -70 bid... | 0:48:55 | 0:48:58 | |
All done at £70. | 0:48:58 | 0:49:00 | |
Roscoe. You only fell a little. | 0:49:02 | 0:49:05 | |
Never listen to the experts, eh? | 0:49:05 | 0:49:07 | |
Oh, Brackers! | 0:49:07 | 0:49:10 | |
James, next in the spotlight are your rather large frames. | 0:49:12 | 0:49:16 | |
£100, 100 for them, | 0:49:16 | 0:49:18 | |
for the pair, 100, £50. | 0:49:18 | 0:49:21 | |
Straight in. | 0:49:21 | 0:49:23 | |
50 I'm bid, a 50 bid... | 0:49:23 | 0:49:27 | |
There must be some opposition. | 0:49:27 | 0:49:30 | |
At 55, 60, and five, 65, and 70... | 0:49:30 | 0:49:33 | |
70 bid, 70 bid. | 0:49:33 | 0:49:36 | |
Come on! | 0:49:36 | 0:49:39 | |
-70 bid... -A bit more. | 0:49:39 | 0:49:41 | |
All done at £70. | 0:49:41 | 0:49:44 | |
-A steal, Brackers, a steal. -I thought I had the deal of the century. | 0:49:44 | 0:49:49 | |
Ouch, not what you were expecting, eh? | 0:49:49 | 0:49:52 | |
-Do you know what I am now thinking? -What? | 0:49:52 | 0:49:56 | |
Thank God I let you buy them! | 0:49:56 | 0:49:59 | |
Next in the line of fire is Charlie's lady's writing desk. | 0:49:59 | 0:50:03 | |
150, 100 I'm bid, at 100 I'm bid... | 0:50:03 | 0:50:07 | |
110, at 110... | 0:50:08 | 0:50:10 | |
120, at 120, 130, at 140... | 0:50:10 | 0:50:15 | |
150, 160, 170, 180, 190, 200... | 0:50:15 | 0:50:22 | |
200 I'm bid, at 210. | 0:50:22 | 0:50:25 | |
210, at 210, I'm bid. | 0:50:25 | 0:50:29 | |
220 now, 230. | 0:50:29 | 0:50:31 | |
I'm sort of getting my money back. | 0:50:31 | 0:50:34 | |
-At 230... -Come on! -230... | 0:50:34 | 0:50:38 | |
-230... All done? -Try one more. -230. | 0:50:38 | 0:50:42 | |
-Well done, Roscoe. -Well... -Could have been a lot worse, couldn't it? | 0:50:43 | 0:50:46 | |
-Brave move, wasn't it? -It could have been a picture frame. | 0:50:46 | 0:50:49 | |
Very lucky, Charlie. | 0:50:49 | 0:50:51 | |
Before commission, that's a small £10 profit. | 0:50:51 | 0:50:54 | |
Your turn, James. What will Hamilton make of your 1950s print? | 0:50:54 | 0:50:58 | |
30 for it now. 20, ten, £10, surely now? | 0:50:58 | 0:51:02 | |
-Ten I'm bid. Thank you, sir. -Ten? | 0:51:02 | 0:51:04 | |
-Go on. -There's a lady bidding now. | 0:51:04 | 0:51:07 | |
12, 14, at 14, 16... | 0:51:07 | 0:51:10 | |
At 16, 18. At 18, 20, at 22, five... | 0:51:10 | 0:51:17 | |
At 25 and eight, 30 now, 32, 32 I'm bid. | 0:51:17 | 0:51:22 | |
At 32, 32... | 0:51:22 | 0:51:25 | |
-Another bidder. -Five now. 35 and eight. | 0:51:25 | 0:51:28 | |
Brackers, you're on fire now! | 0:51:28 | 0:51:31 | |
38, eight, 38... | 0:51:31 | 0:51:34 | |
-All done at £38? -38. | 0:51:34 | 0:51:36 | |
I feel as though | 0:51:39 | 0:51:40 | |
I've almost painted it myself! | 0:51:40 | 0:51:42 | |
Well done, James, it might be small, but at least it's a profit. | 0:51:42 | 0:51:47 | |
-13 in the pot. -Charlie, it's time for your overmantle mirror. | 0:51:47 | 0:51:51 | |
£50. 30 then, 30 I'm bid. | 0:51:51 | 0:51:53 | |
Your buyer. | 0:51:53 | 0:51:55 | |
30 bid and five, 40, five, 50... | 0:51:55 | 0:52:00 | |
At 50 bid, five, and 60, 60 bid. | 0:52:00 | 0:52:03 | |
Come on. | 0:52:03 | 0:52:05 | |
60 bid, 60... | 0:52:05 | 0:52:08 | |
Five now, at 65, at 70, at 70 bid. | 0:52:08 | 0:52:11 | |
At 70 bid... | 0:52:11 | 0:52:16 | |
All done at £70? | 0:52:16 | 0:52:18 | |
£45 is a great profit. | 0:52:21 | 0:52:24 | |
James, the pressure's on, can your sash window slash your losses? | 0:52:25 | 0:52:29 | |
£20 for them, ten then, £10. | 0:52:29 | 0:52:32 | |
Your man's at it again. | 0:52:32 | 0:52:34 | |
Ten I'm bid, ten... | 0:52:34 | 0:52:37 | |
12 now, 14, 16, 18, 20... | 0:52:37 | 0:52:42 | |
And two, and five, and eight. At 28. | 0:52:42 | 0:52:47 | |
-Go on. -28 I'm bid. 28 I'm bid... | 0:52:47 | 0:52:50 | |
At £28, at 28, 28... | 0:52:50 | 0:52:55 | |
All done? At £28. 30 now, just in time. | 0:52:55 | 0:52:58 | |
-Oh, 30. -30. -30 bid, two now. | 0:52:58 | 0:53:02 | |
At 32, 35, 38, at 38. | 0:53:02 | 0:53:07 | |
At 38, 38 I'm bid... | 0:53:07 | 0:53:09 | |
Well done, my man. | 0:53:09 | 0:53:11 | |
Brackers, you're working them from behind. | 0:53:11 | 0:53:14 | |
All done at £38... | 0:53:14 | 0:53:16 | |
-Well done, the auctioneer. -You've slipped out of that one. | 0:53:16 | 0:53:19 | |
I did slip out of that one. | 0:53:19 | 0:53:22 | |
I'm afraid, after commission, that's not a whole lot. | 0:53:22 | 0:53:25 | |
Next on show is Charlie's set of | 0:53:26 | 0:53:28 | |
Royal Doulton coffee cups. | 0:53:28 | 0:53:30 | |
£30, 30 for them now. | 0:53:30 | 0:53:33 | |
20, ten. A bid at ten. Ten I'm bid... | 0:53:33 | 0:53:39 | |
12, 14, | 0:53:39 | 0:53:42 | |
16, 18, 20, | 0:53:42 | 0:53:44 | |
two, five, at 25, | 0:53:44 | 0:53:48 | |
eight, at 28, and 30. 30 bid... | 0:53:48 | 0:53:54 | |
-Fresh bidder, two, 32 and five, at 35, and eight, at 38, and 40. -Ooh. | 0:53:54 | 0:54:01 | |
At 40 now. 40 bid... | 0:54:01 | 0:54:03 | |
Nearly getting my money back now. | 0:54:03 | 0:54:05 | |
-Two, at 42, at five. -Come on! | 0:54:05 | 0:54:09 | |
-At 48 and 50, now. -Yes, that's the way. | 0:54:09 | 0:54:12 | |
50 bid... | 0:54:12 | 0:54:15 | |
All done at £50... | 0:54:15 | 0:54:17 | |
Thank you, sir. | 0:54:17 | 0:54:19 | |
-Well, got me out of trouble. -£50, well done. | 0:54:19 | 0:54:22 | |
Another close call, Charlie, but still a profit. | 0:54:23 | 0:54:27 | |
Next to face the music | 0:54:27 | 0:54:28 | |
are James's dominoes. | 0:54:28 | 0:54:30 | |
-Lovely lot. -Unusual set. | 0:54:30 | 0:54:32 | |
-20, £20 for them. -You're in at 20, you're in at a profit. | 0:54:32 | 0:54:36 | |
At £20 I'm bid. At 20, bid, two now. | 0:54:36 | 0:54:39 | |
At 22, and five, 25 and eight, | 0:54:39 | 0:54:42 | |
at 28, at 30 bid, at two, | 0:54:42 | 0:54:45 | |
32, at five, 35 I'm bid. | 0:54:45 | 0:54:48 | |
-At 35... -A result. | 0:54:48 | 0:54:53 | |
Eight now, at 38, at 40, 40 bid... | 0:54:53 | 0:54:58 | |
Brackers, this is stellar galactic. | 0:54:58 | 0:55:01 | |
40 bid, all done at £40... | 0:55:01 | 0:55:05 | |
Well done, mate. You're a canny man, Braxton! | 0:55:05 | 0:55:08 | |
-Canny man. -What a relief, James, you're back in the game. | 0:55:08 | 0:55:12 | |
Time for Charlie's combined lot - | 0:55:12 | 0:55:15 | |
his bronze Buddha and a pair of sake cups. | 0:55:15 | 0:55:19 | |
£80 surely? £50, no less. 50 bid. | 0:55:19 | 0:55:21 | |
Hang on, look. | 0:55:21 | 0:55:24 | |
At 60, and five, and 70, and five. | 0:55:24 | 0:55:28 | |
You see, I told you that lady would be up for it. | 0:55:28 | 0:55:30 | |
100, at 110, at 110, 120, 120, | 0:55:30 | 0:55:36 | |
130, at 140, at 140 bid. | 0:55:36 | 0:55:39 | |
At 140, 140. At 150 now, fresh bidder. | 0:55:39 | 0:55:44 | |
-I'm into a profit. -160. | 0:55:44 | 0:55:45 | |
I'm into a profit! | 0:55:45 | 0:55:46 | |
At 170, 180, at 190. | 0:55:46 | 0:55:50 | |
-You're a money machine. -220, at 220, | 0:55:50 | 0:55:53 | |
240, at 240... | 0:55:53 | 0:55:56 | |
Try one more. | 0:55:56 | 0:55:58 | |
240 I'm bid. At 240... | 0:55:58 | 0:56:01 | |
-Five, at 245. -245. | 0:56:01 | 0:56:05 | |
All done at £245... | 0:56:05 | 0:56:09 | |
Well done, Roscoe, what's that? | 0:56:11 | 0:56:14 | |
That is an amazing price. | 0:56:14 | 0:56:17 | |
Fantastic result, Charlie, | 0:56:17 | 0:56:19 | |
your Buddha certainly brought you | 0:56:19 | 0:56:21 | |
luck and prosperity. | 0:56:21 | 0:56:22 | |
That is very good. Well done, well done. | 0:56:22 | 0:56:26 | |
Thanks, Brackers. | 0:56:26 | 0:56:28 | |
It will take a lot, | 0:56:28 | 0:56:29 | |
but can James's WMF grape dish turn it in his favour? | 0:56:29 | 0:56:32 | |
30 for it now. £30, 30 I'm bid. | 0:56:32 | 0:56:36 | |
30 bid, five, at 35, at 40, | 0:56:36 | 0:56:39 | |
and five, 50, bid of 50. | 0:56:39 | 0:56:43 | |
-Go on. -50 bid. -Come on, come on. | 0:56:43 | 0:56:47 | |
-Five, 55. -55, get in there. | 0:56:47 | 0:56:49 | |
At 55, at 60. | 0:56:49 | 0:56:52 | |
-Well done. -At 60 bid, five, and 70. | 0:56:52 | 0:56:57 | |
-70 bid. -He's working on it. | 0:56:57 | 0:56:59 | |
-Well done. -Working on it. -80, and five, 90. | 0:56:59 | 0:57:03 | |
-Well done. -100... | 0:57:03 | 0:57:07 | |
100, 100, 100... | 0:57:07 | 0:57:11 | |
All done at £100... | 0:57:11 | 0:57:13 | |
I tell you what, I thought it was dying at 50. | 0:57:16 | 0:57:19 | |
-You came with a late burst. -I thought it was dying at 30. | 0:57:19 | 0:57:22 | |
That was a good profit to end on, James, | 0:57:22 | 0:57:25 | |
but I'm afraid it just wasn't enough for auction victory. | 0:57:25 | 0:57:29 | |
To drop 80... | 0:57:29 | 0:57:32 | |
The one thing... And if you'd said, | 0:57:32 | 0:57:35 | |
"No, after you, Father Roscoe, you have the frames," | 0:57:35 | 0:57:38 | |
I would have lost the money and you'd have been all right. | 0:57:38 | 0:57:41 | |
-You're a canny fella! Aye, canny fella. -Pure luck. | 0:57:41 | 0:57:46 | |
-Come on, let's go for a curry. -Good idea! | 0:57:46 | 0:57:49 | |
James started the trip in Tarland with £301.06 | 0:57:49 | 0:57:54 | |
and, after paying auction costs, made a disappointing loss of £66.54. | 0:57:54 | 0:58:02 | |
He's now got £234.52 in his wallet. | 0:58:02 | 0:58:06 | |
Charlie, on the other hand, started today's leg with £2,396.10. | 0:58:06 | 0:58:11 | |
He spent wisely and made a small profit of £37.30 at auction, | 0:58:11 | 0:58:17 | |
meaning he has a sizable £2,433.40 left to spend. | 0:58:17 | 0:58:21 | |
-Well done, Father Roscoe. -I suppose I'm driving? | 0:58:21 | 0:58:25 | |
You are. Winner takes all. It's rather like golf, you're teeing off. | 0:58:25 | 0:58:30 | |
I'm teeing off, yes. | 0:58:30 | 0:58:32 | |
-Well, another one down. -Another one down. It was fun, wasn't it? | 0:58:32 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:47 | 0:58:52 |