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The nation's favourite antique experts, | 0:00:02 | 0:00:04 | |
£200 each and one big challenge. | 0:00:04 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
So will it be the fast lane to success or the slow road to bankruptcy? | 0:00:22 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
We're in a Beetle with Scotland's Anita Manning and England's James Lewis. | 0:00:37 | 0:00:44 | |
The auction score line so far reads England - 4, Scotland - 0. | 0:00:44 | 0:00:49 | |
ANITA LAUGHS | 0:00:50 | 0:00:52 | |
So, on the final leg, will James make it a whitewash | 0:00:52 | 0:00:56 | |
or could Anita stage a thrilling comeback? | 0:00:56 | 0:00:58 | |
I'm never going to catch him. I'll have a blooming good try, though. | 0:00:58 | 0:01:03 | |
Actually, Anita's done not too badly at all. | 0:01:03 | 0:01:07 | |
She began with £200 and now has £496.72 to spend today. | 0:01:07 | 0:01:14 | |
But James Lewis, who also began with £200, | 0:01:14 | 0:01:18 | |
is miles out in front, with £855.72 in his pocket. | 0:01:18 | 0:01:23 | |
-So, tell me, strategy? -I'm not telling you. -Charming(!) | 0:01:25 | 0:01:29 | |
BOTH LAUGH | 0:01:29 | 0:01:31 | |
This road trip started out in Pateley Bridge and head south, | 0:01:31 | 0:01:35 | |
travelling via East Anglia to the Cotswolds | 0:01:35 | 0:01:38 | |
heading for Cirencester. | 0:01:38 | 0:01:41 | |
This last leg kicks off in Bedfordshire at Woburn | 0:01:41 | 0:01:44 | |
and ending up at our final auction for our intrepid pair | 0:01:44 | 0:01:47 | |
in - you guessed it - Cirencester. | 0:01:47 | 0:01:49 | |
This is Woburn's old town hall, now full of antiques. | 0:01:49 | 0:01:53 | |
And Anita has grabbed the dealer Elfyn for a first peek in those cabinets. | 0:01:53 | 0:01:58 | |
In these little albums of photographs, | 0:01:58 | 0:02:01 | |
the men are so solemn looking. | 0:02:01 | 0:02:03 | |
-He's not too bad. -Well... -You wouldn't have turned him down. | 0:02:03 | 0:02:08 | |
-No, I don't think he's my type. -She's definitely not my type! | 0:02:08 | 0:02:12 | |
ANITA LAUGHS | 0:02:12 | 0:02:14 | |
-I quite like that. -Yeah. We're asking £45 for that. | 0:02:14 | 0:02:18 | |
What if I say 35? | 0:02:18 | 0:02:21 | |
Cos I should say 40, but 35. | 0:02:22 | 0:02:24 | |
What I would be looking to pay for that is nearer about 20. | 0:02:24 | 0:02:29 | |
No chance. No chance. | 0:02:29 | 0:02:31 | |
-Is there no chance? -No chance. | 0:02:31 | 0:02:33 | |
I will go to £30 for it, cos I'm feeling that you... | 0:02:33 | 0:02:37 | |
Yeah, because I like it. | 0:02:37 | 0:02:39 | |
I think, at £30, you should make a few quid out of it. | 0:02:39 | 0:02:43 | |
There was another wee thing here which isn't very expensive. | 0:02:43 | 0:02:46 | |
Anita is getting close. | 0:02:46 | 0:02:48 | |
Now, what's James up to in Elfyn's cupboard? | 0:02:48 | 0:02:52 | |
He said he'd bought some new bits and bobs. Oh, that's interesting. | 0:02:52 | 0:02:58 | |
That looks Chinese. | 0:02:58 | 0:03:00 | |
The massive market at the moment in silver is in China. | 0:03:00 | 0:03:04 | |
Chinese silver is so rare that it is making way above scrap. | 0:03:04 | 0:03:10 | |
Look at this little thing. Anita bought one of these earlier on. | 0:03:10 | 0:03:13 | |
A little Georgian toothpick case. | 0:03:13 | 0:03:17 | |
Open it up, there's a little mirror inside | 0:03:17 | 0:03:20 | |
so you can see you haven't got spinach between your teeth, | 0:03:20 | 0:03:23 | |
which, I have to say, is something I should probably use more often! | 0:03:23 | 0:03:27 | |
But there is the original Georgian, little silver toothpick. | 0:03:27 | 0:03:33 | |
And what would you have on the other end of a toothpick | 0:03:33 | 0:03:36 | |
but an ear spatula? | 0:03:36 | 0:03:38 | |
So you would delve that all the way down in your ear | 0:03:38 | 0:03:43 | |
and come out with a great big wodge of wax. | 0:03:43 | 0:03:46 | |
And put it directly back in the box | 0:03:46 | 0:03:50 | |
that you're going to pick your teeth with later on. | 0:03:50 | 0:03:54 | |
I mean, really! | 0:03:54 | 0:03:56 | |
The Georgians were also very fond of their ivory, but, remember, | 0:03:56 | 0:04:00 | |
the trade in ivory has been strictly controlled | 0:04:00 | 0:04:03 | |
by the CITES international agreement of 1947. | 0:04:03 | 0:04:07 | |
That is actually copper or gold. | 0:04:07 | 0:04:12 | |
If you've got something that you're thinking might be gold, | 0:04:12 | 0:04:16 | |
or gold-plated, if you rub it... | 0:04:16 | 0:04:19 | |
the copper starts to smell. So... Oh. That smells of copper. | 0:04:19 | 0:04:25 | |
Unfortunately, it's not gold. It would have been nice. | 0:04:25 | 0:04:28 | |
But, if in doubt, give it a rub. | 0:04:28 | 0:04:31 | |
Let's leave him to it, shall we? | 0:04:31 | 0:04:34 | |
Because Anita's deal seems to have progressed. | 0:04:34 | 0:04:36 | |
Now there's a page turner involved. | 0:04:36 | 0:04:38 | |
We've got 34 on the page turner. | 0:04:38 | 0:04:42 | |
-Say, 50 for the two? -50 for the two's not bad. -It's not bad at all. | 0:04:42 | 0:04:47 | |
They're nice things. You don't have to apologise for them. | 0:04:47 | 0:04:50 | |
Yeah, that's right. And I like them. I'm really tempted. | 0:04:50 | 0:04:53 | |
-I'm really tempted. -Well, there we are. | 0:04:53 | 0:04:57 | |
I'll go for them. I was trying to be modest. | 0:04:57 | 0:05:01 | |
-Is there any further movement? -I'm sorry. | 0:05:01 | 0:05:07 | |
-Is there a tweak of a movement? -I'm... No, I'm very sorry. | 0:05:07 | 0:05:11 | |
-No, I'm going to be very hard. £50. -You're not being very hard, | 0:05:11 | 0:05:14 | |
you're being very generous, and it's a deal. | 0:05:14 | 0:05:17 | |
BOTH: Thank you very much. | 0:05:17 | 0:05:18 | |
Elfyn, go and see what James is rubbing up in your cupboard. | 0:05:18 | 0:05:21 | |
-I see you found the bits and pieces I mentioned? -Thank you. | 0:05:21 | 0:05:24 | |
Obviously, Georgian, 18th-century, nice thing. How much could it be? | 0:05:24 | 0:05:30 | |
Well, I really wanted £35 for it. | 0:05:30 | 0:05:33 | |
You've got a little bit of gold on it, of course. | 0:05:33 | 0:05:36 | |
Well, I think it's brass, or copper, rather. I gave it a good old... | 0:05:36 | 0:05:39 | |
-If you rub... Just smell that, look. -It is, actually, I know. | 0:05:39 | 0:05:43 | |
-It is copper, isn't it? -It's copper! -I'll have to watch you! | 0:05:43 | 0:05:47 | |
-I thought you might fall for it. -How much is the napkin ring? -Chinese one? | 0:05:47 | 0:05:51 | |
-Yeah. -£50. -Is it? Is it that much? -Yeah. | 0:05:51 | 0:05:56 | |
It is Chinese, late 19th, early 20th century. | 0:05:56 | 0:05:59 | |
-And you know what the market is for that sort of thing. -Yeah. | 0:05:59 | 0:06:02 | |
What could you do on it? | 0:06:02 | 0:06:04 | |
-I'll let you have it for 40. -40. -But I'm not going any lower. | 0:06:04 | 0:06:10 | |
Still a bit far for me. | 0:06:10 | 0:06:11 | |
Something else? Is he bulk buying here? | 0:06:11 | 0:06:15 | |
-You can have that for a tenner. -A tenner. | 0:06:15 | 0:06:17 | |
-The silver pencil cover is £10. -What would that be? | 0:06:17 | 0:06:22 | |
25, I would price that. You can have it for 20 if it helps you. | 0:06:22 | 0:06:26 | |
-And the silver match case is £20. -How much is the napkin ring? | 0:06:26 | 0:06:30 | |
-It is a silver one. -Yeah. -A tenner. | 0:06:30 | 0:06:33 | |
So we've got a cheap napkin ring, a silver pencil holder | 0:06:34 | 0:06:37 | |
and a match case plus the Chinese napkin ring and the toothpick case. | 0:06:37 | 0:06:41 | |
-Cor! -It comes to £105, the parcel. -All of that? -Yeah. | 0:06:41 | 0:06:47 | |
£100 if you take them all. I'll give you another fiver. | 0:06:47 | 0:06:50 | |
-The cogs are whirring. -I'm thinking...how about 90 the lot? | 0:06:52 | 0:06:58 | |
-It's against my better judgement, but OK. Yeah. -You've got a deal. | 0:06:59 | 0:07:04 | |
-Thank you. -Thank you. -That was quite something. | 0:07:04 | 0:07:08 | |
Now, time to find Anita and whisk her off. | 0:07:08 | 0:07:13 | |
Beetling from Woburn to nearby Buckingham, | 0:07:13 | 0:07:16 | |
where Anita is heading directly to jail without picking up 200. | 0:07:16 | 0:07:21 | |
-Let's hope they don't keep me in too long! -JAMES LAUGHS | 0:07:21 | 0:07:24 | |
Built in 1748 and later used as a police station, fire station | 0:07:26 | 0:07:31 | |
and even an antique shop, | 0:07:31 | 0:07:33 | |
the Old Gaol has, since the '90s, been a museum. | 0:07:33 | 0:07:36 | |
Anita's here to see the exhibition | 0:07:37 | 0:07:40 | |
dedicated to Flora Thompson, one of the area's finest chroniclers. | 0:07:40 | 0:07:44 | |
Flora Thompson wrote about her life as a child growing up | 0:07:44 | 0:07:48 | |
in the North Oxfordshire countryside in the late 1800s | 0:07:48 | 0:07:52 | |
in Juniper Hill, which is about nine miles from here. | 0:07:52 | 0:07:56 | |
-Could Juniper Hill be Lark Rise? -Juniper Hill IS Lark Rise. | 0:07:56 | 0:08:01 | |
Thompson's semi-autobiographical Lark Rise To Candleford trilogy, | 0:08:01 | 0:08:06 | |
which brilliantly evokes a now-vanished rural life, | 0:08:06 | 0:08:10 | |
wasn't written until the 1940s, which is amazing. | 0:08:10 | 0:08:14 | |
In a way, it's a little bit of a miracle | 0:08:14 | 0:08:16 | |
that a child from a grindingly poor background could aspire to be | 0:08:16 | 0:08:21 | |
one of our country's most celebrated local writers. | 0:08:21 | 0:08:24 | |
Young Flora became an assistant postmistress, | 0:08:24 | 0:08:27 | |
and with the help of the local library, | 0:08:27 | 0:08:29 | |
taught herself to be a writer. | 0:08:29 | 0:08:31 | |
In 1910, she won an essay competition in The Ladies' Companion, | 0:08:31 | 0:08:35 | |
and with the encouragement of her husband, | 0:08:35 | 0:08:38 | |
soon began to earn a living with her stories, articles and poems. | 0:08:38 | 0:08:42 | |
The fictional Candleford was partly based on Buckingham | 0:08:43 | 0:08:46 | |
and also inspired by another local town, | 0:08:46 | 0:08:48 | |
which is where James is heading now, | 0:08:48 | 0:08:51 | |
travelling the short distance from Buckingham | 0:08:51 | 0:08:53 | |
to the market town of Brackley in Northamptonshire. | 0:08:53 | 0:08:58 | |
And in the Brackley Antique Cellar, James has found a cabinet | 0:08:58 | 0:09:02 | |
full of goodies that he just can't take his eyes off. | 0:09:02 | 0:09:05 | |
It's a really good object. | 0:09:08 | 0:09:10 | |
It's silver-topped, nicely hallmarked. | 0:09:12 | 0:09:15 | |
You have the WC, for William Comyns, | 0:09:15 | 0:09:19 | |
which is absolutely fantastic. | 0:09:19 | 0:09:21 | |
A bit of tortoiseshell in the top there, tortoiseshell pique, | 0:09:21 | 0:09:25 | |
where the silver is inlaid into the tortoiseshell top. | 0:09:25 | 0:09:28 | |
A lot of the time you see these called scent bottles, but they're not. | 0:09:28 | 0:09:32 | |
They're for smelling salts. | 0:09:32 | 0:09:33 | |
But the other thing to say, of course, is that, | 0:09:34 | 0:09:37 | |
under the 1976 CITES legislation, trade in tortoiseshell, | 0:09:37 | 0:09:42 | |
new tortoiseshell, is illegal, and rightly so. | 0:09:42 | 0:09:45 | |
This, though, it's been well gone for over 100 years. | 0:09:45 | 0:09:50 | |
-What could that be, do you think? -I'll give him a call. -Thank you. | 0:09:50 | 0:09:57 | |
-Again, it needs to be... -A lot less. -Yeah. -Mmm-hmm. | 0:09:57 | 0:10:00 | |
This is a funny little object. | 0:10:00 | 0:10:03 | |
It's made in just stamped tin, as cheap as you can find, | 0:10:03 | 0:10:08 | |
but it's marked HRH Prince Albert's aromatizer. | 0:10:08 | 0:10:13 | |
Isn't that great? | 0:10:15 | 0:10:17 | |
There's a little sliding thing there that releases a hole, | 0:10:17 | 0:10:20 | |
so I guess it's the equivalent of a 19th-century tic tac box | 0:10:20 | 0:10:26 | |
and you would shake out a little mint to refresh your breath. | 0:10:26 | 0:10:29 | |
All right, then, thank you, bye. | 0:10:29 | 0:10:32 | |
He could do that for 55. | 0:10:32 | 0:10:35 | |
55. | 0:10:35 | 0:10:36 | |
-Do you think he'd take 45 for it? -We can try him. | 0:10:39 | 0:10:42 | |
-Would you give it a go for me, please? -Sure. -Thank you. -OK. | 0:10:42 | 0:10:46 | |
-If he would take 45, that would be... And just... -Ask him what that is. -Yeah. | 0:10:46 | 0:10:49 | |
There doesn't seem to be any price with it. Thank you. | 0:10:49 | 0:10:53 | |
£45 is fine for it. | 0:10:53 | 0:10:55 | |
I mean, it's worth the 55, but, on a bad day, it might make 60. | 0:10:55 | 0:11:01 | |
Right. 45. | 0:11:01 | 0:11:03 | |
-OK. -And he says you can have that. -Really, with it in the deal? -Yes. | 0:11:03 | 0:11:08 | |
Phew, that's enough to make anyone come over all faint. | 0:11:09 | 0:11:13 | |
A nice item at a good price, plus a free gift. | 0:11:13 | 0:11:16 | |
Time for James to give Anita her get out of jail card, as our experts make their way to Woodstock. | 0:11:16 | 0:11:24 | |
Not to be confused with the site of the 1969 rock festival, | 0:11:27 | 0:11:32 | |
Oxfordshire's Woodstock - the name means "clearing in the woods", | 0:11:32 | 0:11:36 | |
is an altogether different sort of place. | 0:11:36 | 0:11:39 | |
Although King Ethelred the Unready did apparently | 0:11:39 | 0:11:42 | |
once hold an assembly here, | 0:11:42 | 0:11:44 | |
no mention ever of any hippies - | 0:11:44 | 0:11:47 | |
or old rockers like Anita. | 0:11:47 | 0:11:50 | |
-Copenhagen. -Copenhagen. | 0:11:57 | 0:12:00 | |
This is a sweet wee figure. I always like this porcelain. | 0:12:03 | 0:12:07 | |
I love it because of the quality of the glaze, | 0:12:07 | 0:12:10 | |
it's always highly glazed. The figures are wonderful. | 0:12:10 | 0:12:14 | |
What I'd like to look for buying it is within | 0:12:14 | 0:12:20 | |
a region of between £20, £25. | 0:12:20 | 0:12:27 | |
You're not going to get it for £25. | 0:12:27 | 0:12:29 | |
I'm not going to get it for 25? | 0:12:29 | 0:12:31 | |
And I'm certainly not going to get it for 22? | 0:12:31 | 0:12:35 | |
That's logical, Anita. You worked that one out pretty well. | 0:12:35 | 0:12:39 | |
I know! I know! I've got to try. I've got to try. | 0:12:39 | 0:12:42 | |
I can do 35 which is pretty good and I will, but that is it. | 0:12:42 | 0:12:47 | |
-Don't come back and say 32. -If you could bring that down to about 30. | 0:12:47 | 0:12:54 | |
What did I say to you? | 0:12:54 | 0:12:56 | |
35, Anita, honestly, believe me. You and I know that is all right. | 0:12:56 | 0:13:02 | |
-If you are able to be persuaded... -Anita, you are shameless. | 0:13:02 | 0:13:07 | |
£32, that's it, all right? I said I wouldn't go to 32. 32. | 0:13:07 | 0:13:13 | |
-Look at you! -I'm tempted on it. | 0:13:13 | 0:13:16 | |
-Could you come to 30? -No. | 0:13:16 | 0:13:20 | |
-32. -Should I take it? -Take a punt. You'll be all right. | 0:13:20 | 0:13:26 | |
OK, I'll take your advice. You're a darling. | 0:13:26 | 0:13:29 | |
You're beautiful. Thank you very much. | 0:13:29 | 0:13:31 | |
Not done with Mike's shop just yet, Anita is taking a keen interest | 0:13:31 | 0:13:36 | |
in some blue plates, and they're not Chinese. | 0:13:36 | 0:13:38 | |
These are German so they're pre-1914. | 0:13:38 | 0:13:42 | |
They're transfer printed and they don't have huge quality. | 0:13:42 | 0:13:46 | |
It's the type of thing that, if you can get it for the right price, | 0:13:46 | 0:13:50 | |
then it may do well in the saleroom. | 0:13:50 | 0:13:53 | |
And we've got a pair. That's important. | 0:13:53 | 0:13:56 | |
I love cabinets like this and I love little figures. | 0:13:58 | 0:14:01 | |
I'm being immediately drawn to that sweet little clown. | 0:14:01 | 0:14:06 | |
Isn't he a wee darling? He's a darling. | 0:14:08 | 0:14:11 | |
Quite nicely moulded, good colour, good condition. Look at these toes. | 0:14:11 | 0:14:17 | |
They are so vulnerable but they are in good condition. | 0:14:17 | 0:14:21 | |
It's Rosenthal. | 0:14:21 | 0:14:23 | |
-Good German make. Probably from about the 1930s. -Watch out, Mike. | 0:14:26 | 0:14:32 | |
Anita's coming back for more. | 0:14:32 | 0:14:35 | |
-We've got three items here. -Yup. | 0:14:35 | 0:14:37 | |
These Victorian or Edwardian, no quality at all, churned out, | 0:14:37 | 0:14:43 | |
-transfer printing. -Absolutely. -We have got a pair there. | 0:14:43 | 0:14:46 | |
Let me see this wee guy. | 0:14:46 | 0:14:49 | |
How's about... Will you sell me him for a tenner? | 0:14:52 | 0:14:56 | |
HE LAUGHS | 0:14:56 | 0:14:59 | |
There I was thinking, "I'm going to say yes to whatever you say, that's fair enough." | 0:14:59 | 0:15:05 | |
A tenner for a Rosenthal clown?! | 0:15:06 | 0:15:08 | |
Rosenthal isn't a big deal. | 0:15:08 | 0:15:11 | |
And the other thing is, see these toes, | 0:15:11 | 0:15:14 | |
they are in perfect condition now. | 0:15:14 | 0:15:17 | |
If I buy these, I have to transport them to the auction. | 0:15:17 | 0:15:22 | |
These are so vulnerable, and there are vulnerable in there | 0:15:22 | 0:15:25 | |
-with all these people going in and out. -I've heard it all now. | 0:15:25 | 0:15:28 | |
So I've got to be responsible for your transporting them?! | 0:15:28 | 0:15:33 | |
I'll chuck in a load of bubble wrap and do his toes up. | 0:15:33 | 0:15:36 | |
You can have these two for a tenner. | 0:15:36 | 0:15:40 | |
There is no damage on them, is there? | 0:15:40 | 0:15:43 | |
No, no, no. | 0:15:43 | 0:15:44 | |
-So you'll sell me them for a tenner? -I will indeed. | 0:15:47 | 0:15:51 | |
Will you give me the two of them for 20 quid? | 0:15:51 | 0:15:56 | |
You're saying 20 and I'm saying... make it 25. | 0:15:56 | 0:16:02 | |
Go on, do the both of them for 20. | 0:16:02 | 0:16:06 | |
-20 quid. -Go on. I can't be bothered. | 0:16:15 | 0:16:20 | |
-It's only because it's my last buy. -Yeah, yeah. | 0:16:20 | 0:16:24 | |
Great stuff, Anita. Look, James is on his way, | 0:16:24 | 0:16:27 | |
hoping to spend some of that pile of his. | 0:16:27 | 0:16:30 | |
I'm looking for the town hall. | 0:16:33 | 0:16:36 | |
Is this it? | 0:16:36 | 0:16:37 | |
The town hall apparently has an antiques fair on. | 0:16:37 | 0:16:41 | |
The great thing about antiques fairs is that many of the dealers | 0:16:41 | 0:16:44 | |
don't have shops - so the stock arrives fresh to the market | 0:16:44 | 0:16:50 | |
and longing for a buyer. | 0:16:50 | 0:16:52 | |
Sometimes, with a bid. | 0:16:52 | 0:16:54 | |
Could I see the mirror, please? | 0:16:59 | 0:17:01 | |
This is a Rococo revival easel dressing table mirror. | 0:17:08 | 0:17:13 | |
It's something I fell in love with because you don't see mirrors of that scale. | 0:17:13 | 0:17:17 | |
What is it, 1900, 1910? | 0:17:17 | 0:17:21 | |
1903, William Comyns. | 0:17:21 | 0:17:24 | |
William Comyns? I've just bought a smelling salts bottle by William Comyns. | 0:17:24 | 0:17:29 | |
-It's a good maker. What could that be? -Well, I've got 695 on it. | 0:17:29 | 0:17:37 | |
I'll be looking for 500. | 0:17:37 | 0:17:40 | |
Gosh, £500. | 0:17:40 | 0:17:42 | |
Is he about to take a huge gamble on the very last day? | 0:17:42 | 0:17:46 | |
What would be your rock bottom on it? | 0:17:46 | 0:17:49 | |
-425. -It's got tiny bits of damage on the edge. | 0:17:49 | 0:17:53 | |
I'd be worried if there wasn't to be honest. | 0:17:53 | 0:17:57 | |
Very good point. It's 100 years old. | 0:17:57 | 0:18:00 | |
400, rock bottom. | 0:18:00 | 0:18:03 | |
Go on, you've got over £700, James. | 0:18:03 | 0:18:06 | |
I'd be looking more around 320, something like that. | 0:18:06 | 0:18:10 | |
Couldn't do it, James. Sorry. | 0:18:10 | 0:18:11 | |
-No? -No. -340 any good? -Sorry, I couldn't. -Can you move a little bit? | 0:18:11 | 0:18:18 | |
No, I've moved considerably on that. | 0:18:18 | 0:18:22 | |
OK. | 0:18:22 | 0:18:26 | |
I don't think were going to get there. | 0:18:26 | 0:18:28 | |
-It's a shame because I like it. -Yeah, so do I. | 0:18:28 | 0:18:31 | |
It's a big lump. | 0:18:31 | 0:18:33 | |
The best maker you're likely to find. | 0:18:35 | 0:18:38 | |
Yeah, it is. There we go. | 0:18:38 | 0:18:40 | |
-It's too much for me. -You'll regret it. | 0:18:42 | 0:18:44 | |
It's such a nice mirror. | 0:18:46 | 0:18:48 | |
Hmm. | 0:18:51 | 0:18:53 | |
I love it. I really do. | 0:18:56 | 0:18:57 | |
Last offer, 380 quid. | 0:19:00 | 0:19:02 | |
-Go on then. -380 quid, you've got a deal. | 0:19:02 | 0:19:06 | |
-Well done! -What have I done?! | 0:19:06 | 0:19:09 | |
Thank you very much. I'm going to have a swift gin and tonic. | 0:19:09 | 0:19:13 | |
But before turning to drink, | 0:19:13 | 0:19:16 | |
he has nipped into the shop that Anita almost emptied earlier. | 0:19:16 | 0:19:19 | |
What's left, James? | 0:19:19 | 0:19:21 | |
They are obviously silver. They're tortoiseshell. They're hallmarked 1913. | 0:19:21 | 0:19:28 | |
They've got a price on them of £65. They could be yours for £30. | 0:19:28 | 0:19:35 | |
£30. | 0:19:35 | 0:19:37 | |
These little silver-mounted clothes brushes aren't going to make me | 0:19:39 | 0:19:44 | |
a huge profit. They're not going to be anything that excites the auction room. | 0:19:44 | 0:19:50 | |
I spent some whacking great money on that mirror | 0:19:50 | 0:19:54 | |
and I think I need to play it a bit safe with the last purchase. | 0:19:54 | 0:19:58 | |
For less than £30, they are worth buying. | 0:19:58 | 0:20:01 | |
You said 30, would you do them at 20? | 0:20:01 | 0:20:03 | |
Silver has just gone up and I've just checked. | 0:20:03 | 0:20:07 | |
-I'll do 25. -There's not a lot of silver on them. | 0:20:07 | 0:20:09 | |
25 for tortoiseshell and silver. They're all right at that. | 0:20:09 | 0:20:13 | |
22 quid and you've got a deal. | 0:20:13 | 0:20:15 | |
-Go on. That's it. -You've got a deal. Thank you very much. Well done, you. | 0:20:15 | 0:20:19 | |
And so, with their final purchases in the bag, let's remind ourselves what our experts have bought. | 0:20:19 | 0:20:24 | |
Anita began with £496.72, and she spent a total of £102 on five auction lots. | 0:20:24 | 0:20:31 | |
The German wall plates, the Rosenthal clown, | 0:20:31 | 0:20:36 | |
the photo album, the Copenhagen ornament, and the page turner. | 0:20:36 | 0:20:41 | |
James started out with £855.72, and he spent £537, also on five lots. | 0:20:41 | 0:20:47 | |
The William Comyns mirror, the bottle for smelling salts, | 0:20:47 | 0:20:52 | |
the mixed lot of silver and mint box | 0:20:52 | 0:20:55 | |
the toothpick and ear spoon, and the pair of clothes brushes. | 0:20:55 | 0:20:58 | |
But what do they think of each other's items? | 0:20:58 | 0:21:01 | |
Anita has done a classic Anita trick. She's been so careful. | 0:21:01 | 0:21:05 | |
There is no risk there whatsoever. | 0:21:05 | 0:21:09 | |
And she's bought some nice little buys. | 0:21:09 | 0:21:11 | |
It may show us that the show isn't over until the fat lady sings. | 0:21:11 | 0:21:17 | |
That sounds like a battle cry if ever I've heard one. | 0:21:17 | 0:21:21 | |
After starting out in Woburn, | 0:21:23 | 0:21:25 | |
this final leg of our trip will conclude in Cirencester. | 0:21:25 | 0:21:29 | |
Anita's hopes may be faint, but because James spent so much on that mirror, | 0:21:29 | 0:21:34 | |
right now she has more cash. | 0:21:34 | 0:21:37 | |
So, James whitewash or Anita comeback? | 0:21:37 | 0:21:40 | |
-Now, she's teeing off. -Righty-ho. | 0:21:40 | 0:21:43 | |
BOTH: Here we go! | 0:21:43 | 0:21:44 | |
The German oval pottery wall plates there. | 0:21:44 | 0:21:48 | |
£30, £40... £20 to get on, got to be £20. | 0:21:48 | 0:21:50 | |
Come on, come on! | 0:21:50 | 0:21:53 | |
-A tenner. £10, got to be £10, surely. -Oh... | 0:21:53 | 0:21:56 | |
Anybody £10? £10 I'm bid there, the lady, at £10. £12 if you like now. | 0:21:56 | 0:22:01 | |
At £12. £15. £18. | 0:22:01 | 0:22:03 | |
£20. At £20. | 0:22:03 | 0:22:06 | |
At £20, right in front of me then still, at £20. You all sure...? | 0:22:06 | 0:22:11 | |
All that adrenaline over 20 quid. | 0:22:13 | 0:22:14 | |
I know... | 0:22:14 | 0:22:16 | |
Well, she won't topple James like that, I can tell you. | 0:22:17 | 0:22:20 | |
-I was a wee bit worried when he started off. -So was I! | 0:22:20 | 0:22:23 | |
Now, what will this little bottle do? | 0:22:23 | 0:22:26 | |
If it makes 80, I'm happy. | 0:22:26 | 0:22:28 | |
If it makes 120, I'm ecstatic. | 0:22:28 | 0:22:31 | |
I can start you here on the book at £40 only, at £40 I have here. | 0:22:31 | 0:22:36 | |
At £45, £50. £55, £60. | 0:22:36 | 0:22:39 | |
£65, £70. At £70 with me, £75 now. | 0:22:39 | 0:22:43 | |
£80. £85, £90. | 0:22:43 | 0:22:45 | |
-£95, £100 now. -Go on. | 0:22:45 | 0:22:48 | |
At £95... £100, thank you. | 0:22:48 | 0:22:50 | |
-£110, sir. -Go on... | 0:22:50 | 0:22:52 | |
£110... | 0:22:52 | 0:22:53 | |
Am I going to be ecstatic? | 0:22:53 | 0:22:55 | |
At £110. £120 to me now, sir. | 0:22:55 | 0:22:58 | |
£120. £130 if you like. | 0:22:58 | 0:23:02 | |
At £120. On my left... £130. | 0:23:02 | 0:23:05 | |
-That's a good result! -At £130, £140 now. | 0:23:05 | 0:23:08 | |
-At £130... -Go on! | 0:23:08 | 0:23:11 | |
-£130 it is. -Ecstatic, James? | 0:23:12 | 0:23:15 | |
That's good. I'm pleased with that. | 0:23:15 | 0:23:17 | |
Yup, that's a great result. Putting him in the lead. | 0:23:17 | 0:23:20 | |
And next...is my favourite of yours. | 0:23:20 | 0:23:25 | |
The Rosenthal figure of a clown. | 0:23:25 | 0:23:29 | |
Ah, it's lovely. | 0:23:29 | 0:23:30 | |
And I can start you on the book here at £50 only. | 0:23:30 | 0:23:33 | |
£55, £60. £65, £70. £75, £80. | 0:23:33 | 0:23:37 | |
At £80 with me. £85, £90. £95, £100. | 0:23:37 | 0:23:41 | |
-At £100... -At the back. | 0:23:41 | 0:23:43 | |
£105, £110. £120... | 0:23:43 | 0:23:45 | |
The book's out at £120 on my right now, £130. | 0:23:45 | 0:23:48 | |
At £130, you all sure now, then, at £130...? | 0:23:48 | 0:23:52 | |
Yes! Brilliant. Well done. | 0:23:52 | 0:23:55 | |
Now, that is a cracking result, isn't it? | 0:23:55 | 0:23:58 | |
Yes! Anita's back in the race. | 0:23:58 | 0:24:01 | |
Next lot is your mixed lot. | 0:24:01 | 0:24:03 | |
Yeah, that... | 0:24:03 | 0:24:05 | |
I don't know. I think... | 0:24:05 | 0:24:07 | |
-Boring, James! -I know. | 0:24:07 | 0:24:09 | |
Where's your confidence, James? | 0:24:11 | 0:24:12 | |
It looks like a nice little collection to me. | 0:24:12 | 0:24:15 | |
At £50 I have here, at £55... | 0:24:15 | 0:24:17 | |
£55, £60. | 0:24:17 | 0:24:19 | |
£65, £70 with me. | 0:24:19 | 0:24:20 | |
At £70, £75 now. £75, £80. | 0:24:20 | 0:24:22 | |
£85, £90. | 0:24:22 | 0:24:24 | |
£95, £100. | 0:24:24 | 0:24:26 | |
£110. | 0:24:26 | 0:24:28 | |
At £110, £120 now. | 0:24:28 | 0:24:30 | |
Here on the book then at £110... | 0:24:30 | 0:24:32 | |
-£110. -Knew it all along. | 0:24:32 | 0:24:35 | |
I'll eat my words! | 0:24:35 | 0:24:37 | |
James is narrowly in the lead. | 0:24:37 | 0:24:40 | |
I think you managed to squirm out of that one. | 0:24:40 | 0:24:44 | |
I'm good at squirming. | 0:24:44 | 0:24:46 | |
Now for Anita's photo album. | 0:24:46 | 0:24:49 | |
Who'll start me? £50. £20? £20 I'm bid there. | 0:24:49 | 0:24:51 | |
£25, £30, £35. | 0:24:51 | 0:24:54 | |
£40, £45. | 0:24:54 | 0:24:56 | |
£50, £55. | 0:24:56 | 0:24:57 | |
At £55 on my left now, £55. £60 now. | 0:24:57 | 0:25:00 | |
At £55, on my left here, then. | 0:25:00 | 0:25:02 | |
-At £55, you all sure...? -Go on. | 0:25:02 | 0:25:06 | |
-There was no persuading them, was there? -Touch-and-go, touch-and-go. | 0:25:06 | 0:25:10 | |
-That's all right, James. -Nothing to get too excited about. | 0:25:10 | 0:25:14 | |
No, I think he did well at £55. I'm happy. | 0:25:14 | 0:25:17 | |
Next, the hygienic ear and tooth picking device. | 0:25:17 | 0:25:20 | |
Toothpick and ear spoon. There we go, a combination ear spoon. | 0:25:20 | 0:25:26 | |
At £30 I'm bid there, at £30. | 0:25:26 | 0:25:28 | |
£35 if you like there, £35. | 0:25:28 | 0:25:29 | |
£40, £45. | 0:25:29 | 0:25:31 | |
£50, £55. £60. | 0:25:31 | 0:25:33 | |
At £60, and selling right in front of me here... £65. | 0:25:33 | 0:25:36 | |
£70, anyone, at £70... | 0:25:36 | 0:25:37 | |
£75. At £75, how could you do without an ear spoon? | 0:25:37 | 0:25:43 | |
At £75, you all sure...? | 0:25:43 | 0:25:46 | |
-£75. -He did well. -That was the right price for it. -It was. | 0:25:46 | 0:25:51 | |
Keeps him out in front. | 0:25:51 | 0:25:52 | |
-Not a bad profit, Mr Lewis. -No, absolutely. Happy with that. | 0:25:52 | 0:25:56 | |
Now, all the way from Copenhagen... | 0:25:56 | 0:25:58 | |
Got to start you at £18 only, at £18 on the book here. | 0:25:58 | 0:26:02 | |
At £18. Take £20 now. | 0:26:02 | 0:26:03 | |
£20. £22, £25. | 0:26:03 | 0:26:06 | |
The book's out at £25, £30 now. £30, £35. | 0:26:06 | 0:26:10 | |
At £35 on my left here, at £35, £40 now anywhere? | 0:26:10 | 0:26:12 | |
At £35, it's on my left, then, at £35... | 0:26:12 | 0:26:17 | |
Told you. Rabbit. Rabbit. | 0:26:18 | 0:26:20 | |
You'd have been better with a rabbit. | 0:26:20 | 0:26:23 | |
A loss, after commission. | 0:26:23 | 0:26:25 | |
Stop rabbiting on! | 0:26:25 | 0:26:27 | |
Will your brushes do much better, James? | 0:26:27 | 0:26:29 | |
£30 to get off. | 0:26:29 | 0:26:32 | |
£20, then. Nice pair of clothes brushes... | 0:26:32 | 0:26:34 | |
-There's no dog owners in here. -A tenner! -Oh, come on! | 0:26:34 | 0:26:38 | |
£10? | 0:26:39 | 0:26:42 | |
At £10 I'm bid there, thank you, madam. £12. | 0:26:42 | 0:26:45 | |
They're worth that! | 0:26:45 | 0:26:47 | |
£18... At £18, £20 if you like now, £20. | 0:26:47 | 0:26:50 | |
At £20. You all sure now? | 0:26:50 | 0:26:52 | |
-Stop laughing! -£25... | 0:26:52 | 0:26:54 | |
At £25, go on, £30 now sir. | 0:26:54 | 0:26:57 | |
-Go on! -£25, you all done? | 0:26:57 | 0:27:00 | |
-£25! -£25. | 0:27:00 | 0:27:03 | |
Disaster. | 0:27:03 | 0:27:04 | |
They were a lot of junk. | 0:27:04 | 0:27:08 | |
She has a point. | 0:27:08 | 0:27:10 | |
Going off you, rapidly. | 0:27:10 | 0:27:12 | |
Anita's back in it, but could she thrash him with this? | 0:27:14 | 0:27:17 | |
Here it is. | 0:27:17 | 0:27:19 | |
£20... £10 to get on, got to be a tenner. | 0:27:19 | 0:27:21 | |
£5, then, £5 I'm bid there, £7. At £7, £10. | 0:27:21 | 0:27:24 | |
£12, £15. | 0:27:24 | 0:27:26 | |
At £15 at the back now, £15. £18 if you like now. | 0:27:26 | 0:27:29 | |
Go on! | 0:27:29 | 0:27:30 | |
-£18. £20, £22. -Yes... | 0:27:30 | 0:27:33 | |
£25. £28. | 0:27:33 | 0:27:35 | |
£28, £30 now. At £28, £30. | 0:27:35 | 0:27:38 | |
£35, £40. | 0:27:38 | 0:27:40 | |
At £40 it is. £45. | 0:27:40 | 0:27:43 | |
At £45. At £50 now. | 0:27:43 | 0:27:45 | |
At £45, you all sure? | 0:27:45 | 0:27:48 | |
-£45 it is. -Well done. | 0:27:48 | 0:27:52 | |
-I think you helped it along, James. -Well... That's double your money. | 0:27:52 | 0:27:56 | |
A good turn. But will it be enough? | 0:27:56 | 0:27:58 | |
Do you know, whatever happens, | 0:27:58 | 0:28:00 | |
this road trip has been the best time ever. I've loved it, you know. | 0:28:00 | 0:28:06 | |
Absolutely loved it. | 0:28:06 | 0:28:07 | |
-It's been great fun. You've got lipstick! -Don't care. | 0:28:07 | 0:28:11 | |
Really enjoyed it. | 0:28:11 | 0:28:13 | |
That's enough canoodling, it's all down to James's biggest ever spend. | 0:28:13 | 0:28:17 | |
Even a modest return on the mirror will give him overall victory. | 0:28:17 | 0:28:21 | |
Start me £305 to get on. | 0:28:21 | 0:28:23 | |
£300. For the mirror, the William Comyns mirror there, for £300 only. | 0:28:23 | 0:28:29 | |
£200... £200 I'm bid, thank you. At £200. | 0:28:29 | 0:28:32 | |
-£220 now if you like, £220. -Go on! | 0:28:32 | 0:28:36 | |
£240 if you like, £240. £260... | 0:28:36 | 0:28:39 | |
At £260 here. £260, £280... | 0:28:39 | 0:28:42 | |
At £280, £300 if you like now. | 0:28:42 | 0:28:44 | |
-At £280. £300 now then, at £280... -No way! | 0:28:44 | 0:28:48 | |
It's selling here. £280, £300. £320. | 0:28:48 | 0:28:51 | |
It's selling here at £320. | 0:28:51 | 0:28:53 | |
£340... £360. | 0:28:53 | 0:28:55 | |
£380. £400. | 0:28:55 | 0:28:58 | |
-At £400, it's selling,, though. -Go on! | 0:28:58 | 0:29:01 | |
You all sure? | 0:29:01 | 0:29:03 | |
£400 it is. | 0:29:03 | 0:29:05 | |
Well, it's a loss... | 0:29:06 | 0:29:08 | |
Yes - after commission, someone has got themselves a huge bargain. | 0:29:10 | 0:29:14 | |
Knew it was a gamble. | 0:29:14 | 0:29:15 | |
James wins the war, but today's little battle goes to Anita. | 0:29:17 | 0:29:21 | |
After paying auction costs, | 0:29:23 | 0:29:24 | |
Anita's made a profit of £131.70, | 0:29:24 | 0:29:28 | |
so she has a very respectable final total of £628.42. | 0:29:28 | 0:29:33 | |
James, on the other hand, made, after auction costs, | 0:29:33 | 0:29:38 | |
just £69.80 today, | 0:29:38 | 0:29:40 | |
but he's finished up with an excellent £925.52 for the whole trip. | 0:29:40 | 0:29:46 | |
And, remember, all those profits go to Children In Need. | 0:29:46 | 0:29:49 | |
-The last auction. Dear me. -It's been great fun. | 0:29:49 | 0:29:52 | |
I've enjoyed every minute, you know. | 0:29:52 | 0:29:55 | |
-Every single minute. -Yeah. | 0:29:55 | 0:29:57 | |
Aw. What a lovely couple they make. | 0:29:57 | 0:30:00 | |
-A cup of tea now, James? -A cup of tea? I could do with a pint! | 0:30:00 | 0:30:05 | |
-Aw, well, I'll take you to the local hostelry, darling. -Come on, then. | 0:30:05 | 0:30:09 | |
As Anita and James head off for a well-deserved tipple, | 0:30:09 | 0:30:12 | |
we join Road Trip veterans and antique experts Charlie Ross and James Braxton | 0:30:12 | 0:30:18 | |
on an exciting new adventure. | 0:30:18 | 0:30:22 | |
I can't see where we are going! | 0:30:22 | 0:30:24 | |
Charlie Ross is the daddy of auctioneering. | 0:30:24 | 0:30:27 | |
He ran his own auction house for over 25 years | 0:30:27 | 0:30:30 | |
and has conducted auctions around the world. | 0:30:30 | 0:30:32 | |
-And this is James Braxton. -Lovely feeling of calm. | 0:30:32 | 0:30:35 | |
A seasoned auctioneer and qualified surveyor, I'll have you know. | 0:30:35 | 0:30:39 | |
Our chaps begin their antique adventure with £200 each | 0:30:39 | 0:30:42 | |
and a rather nice set of wheels. | 0:30:42 | 0:30:44 | |
Do you know, | 0:30:44 | 0:30:46 | |
there is no finer place on earth than the Highlands of Scotland. | 0:30:46 | 0:30:50 | |
It's just gorgeous. | 0:30:50 | 0:30:52 | |
Their sporty 1954 open-top Sunbeam Alpine is the perfect car | 0:30:52 | 0:30:58 | |
for our dashing duo, | 0:30:58 | 0:31:00 | |
but perhaps not the best choice considering their location. | 0:31:00 | 0:31:04 | |
Never had a better view of the Highlands! | 0:31:04 | 0:31:07 | |
James and Charlie will travel over 300 miles down the stunning | 0:31:08 | 0:31:12 | |
east coast of Scotland, before zipping over to the west | 0:31:12 | 0:31:16 | |
and finishing in the seaside town of Ayr. | 0:31:16 | 0:31:20 | |
Today we are kicking things off in the Highlands, | 0:31:20 | 0:31:22 | |
driving from Cromarty, along the Moray Firth coastline | 0:31:22 | 0:31:26 | |
and finishing up with an auction extraordinaire in Buckie. | 0:31:26 | 0:31:31 | |
I knew I was going to enjoy this trip! | 0:31:33 | 0:31:35 | |
It's not long before our Charlie tries his luck with antique shop owner Helen. | 0:31:35 | 0:31:41 | |
You've got an original Monet here. Oh, no, it's Mitchell. | 0:31:41 | 0:31:45 | |
-Doesn't that look like a Monet scene? -I think that's... | 0:31:45 | 0:31:48 | |
It's got that colouring. "An October afternoon (Scotland)." | 0:31:48 | 0:31:53 | |
This beautiful oil painting is by artist Mary Mitchell, from Aberdeen. | 0:31:53 | 0:31:57 | |
And you got that for nothing, didn't you? | 0:31:57 | 0:32:00 | |
-Not exactly nothing. -But very nearly. | 0:32:00 | 0:32:02 | |
-I didn't pay an awful lot for that. -Is that a 20 pounder? | 0:32:02 | 0:32:05 | |
No, I'm afraid it's not a 20 pounder. | 0:32:05 | 0:32:07 | |
Do you know, you took that remarkably well. | 0:32:07 | 0:32:09 | |
Charlie, you cheeky so-and-so. It's priced at £85. | 0:32:09 | 0:32:14 | |
-I'd love to buy that but... -Since I've taken a fancy to you, | 0:32:14 | 0:32:16 | |
you can have that for £65. That's the death. | 0:32:16 | 0:32:19 | |
Oh, Helen, don't tell him that. | 0:32:19 | 0:32:20 | |
Who knows what he'll come out with next! | 0:32:20 | 0:32:23 | |
-Would 30 be any good, Helen? -No, I'm not interested, no. | 0:32:23 | 0:32:27 | |
Glad you've come to your senses, Helen. | 0:32:27 | 0:32:29 | |
Give Charlie an inch and he'll take a mile. And probably kiss you! | 0:32:29 | 0:32:33 | |
-Could you do 40 quid? -No. -Are you sure you couldn't do it? | 0:32:33 | 0:32:35 | |
-I'd give you two crisp £20 notes for that. -No. | 0:32:35 | 0:32:38 | |
But since you've been such good fun, 50 quid. But that's it. | 0:32:40 | 0:32:43 | |
-You are what they call a temptress. -50 quid and it's yours. | 0:32:43 | 0:32:48 | |
My heart tells me buy, my heid tells me put it back on the chair. | 0:32:48 | 0:32:55 | |
But I'm not a head man, I'm a heart man. | 0:32:55 | 0:32:58 | |
So, Charlie, make-your-mind-up time! | 0:32:58 | 0:33:04 | |
-IN BAD SCOTTISH ACCENT: -Frankly, gae with my heart and not my head. | 0:33:04 | 0:33:07 | |
50 notes, now take me out of here. Come on. | 0:33:07 | 0:33:11 | |
What a terrible, terrible Scottish accent. | 0:33:11 | 0:33:14 | |
I thought it was really good. | 0:33:14 | 0:33:16 | |
No, Charlie, it really, really wasn't! | 0:33:16 | 0:33:19 | |
Meanwhile, James is a man on a mission. | 0:33:21 | 0:33:24 | |
Travelling ten miles south, | 0:33:28 | 0:33:30 | |
James has arrived in the Highland town of Fortrose. | 0:33:30 | 0:33:33 | |
Located on the Moray Firth, | 0:33:36 | 0:33:38 | |
Fortrose is known for its ruined 13th century cathedral. | 0:33:38 | 0:33:42 | |
In the Middle Ages, it was the seat of the Bishopric of Ross. | 0:33:42 | 0:33:46 | |
Fortunately, we don't have to see Mr Ross in his robes, | 0:33:46 | 0:33:50 | |
as this is Mr Braxton's shopping debut. | 0:33:50 | 0:33:53 | |
Straight to work, and James has taken a fancy to Patricia's Pakistani rug. | 0:33:53 | 0:33:58 | |
Ethnic again. | 0:33:58 | 0:33:59 | |
-Bukhara. -Yes. | 0:33:59 | 0:34:02 | |
Turkmen in design. | 0:34:02 | 0:34:04 | |
Has it been loved or mothed? | 0:34:04 | 0:34:06 | |
Well spotted, James. | 0:34:06 | 0:34:08 | |
These rugs are beautifully made, with many patterns and colours, | 0:34:08 | 0:34:12 | |
but the most typical is that of the octagonal elephant's footprint | 0:34:12 | 0:34:16 | |
with red background. | 0:34:16 | 0:34:19 | |
That is a nice style. It's nice to see something I like. | 0:34:19 | 0:34:23 | |
I'll put that down there. | 0:34:23 | 0:34:25 | |
It is Chinese rosewood. | 0:34:28 | 0:34:30 | |
It's got this stylised cloud thing, | 0:34:30 | 0:34:33 | |
but it's just a nice item. | 0:34:33 | 0:34:34 | |
Yes, James, there are lots of nice items. | 0:34:36 | 0:34:38 | |
Meanwhile, back in Cromarty, | 0:34:38 | 0:34:40 | |
Charlie's drawn to a lovely pair of silver salts. | 0:34:40 | 0:34:44 | |
Are those salts English hallmark? | 0:34:44 | 0:34:46 | |
I think they are. | 0:34:46 | 0:34:47 | |
They are. Absolutely English. | 0:34:47 | 0:34:51 | |
And they are Victorian. | 0:34:51 | 0:34:53 | |
-Have you dated them? -I haven't. | 0:34:53 | 0:34:55 | |
-They have the Victoria head on them. -I haven't even cleaned them. | 0:34:55 | 0:34:58 | |
They have to be between 1837 and 1891. | 0:34:58 | 0:35:04 | |
In the late 17th century, small individual salt cellars | 0:35:04 | 0:35:08 | |
were created and used by the wealthy to hold their salt. | 0:35:08 | 0:35:12 | |
Get away! | 0:35:12 | 0:35:13 | |
Aren't they sweet? | 0:35:13 | 0:35:14 | |
The good news is they don't have a price on them. | 0:35:14 | 0:35:16 | |
-So if I sell you these for... -60 quid. | 0:35:18 | 0:35:21 | |
-No. -No? 50 quid then. -No. | 0:35:21 | 0:35:23 | |
You're doing yourself down. | 0:35:23 | 0:35:26 | |
-60 quid, they're yours. -60 quid, they're mine? | 0:35:26 | 0:35:28 | |
There's a bargain. 60 quid. | 0:35:28 | 0:35:30 | |
-Could you not really take 50 quid? -No. | 0:35:30 | 0:35:33 | |
You said no so quickly, I couldn't believe it. | 0:35:33 | 0:35:36 | |
I like them. | 0:35:36 | 0:35:37 | |
-Have we got a deal? -Ross likes them. 60 quid. | 0:35:37 | 0:35:41 | |
Thank you very much indeed. I've spent money. | 0:35:41 | 0:35:44 | |
Another great buy, Charlie. | 0:35:44 | 0:35:46 | |
I hope James is making progress. | 0:35:46 | 0:35:49 | |
It's rather nice, it's pressed glass. | 0:35:49 | 0:35:52 | |
It's this diamond cutting here. But it's not cut, it's pressed. | 0:35:52 | 0:35:56 | |
Pressed glass is made using a plunger | 0:35:56 | 0:35:59 | |
to press molten glass into a mould. | 0:35:59 | 0:36:01 | |
Its introduction revolutionised the way in which glass was mass-produced. | 0:36:01 | 0:36:06 | |
It's a celery vase. You'd stick sticks of celery in it. | 0:36:06 | 0:36:10 | |
During the 19th century, celery became incredibly popular. | 0:36:10 | 0:36:13 | |
One problem was retaining freshness, | 0:36:13 | 0:36:15 | |
and immersion in water was the best method before refrigeration. | 0:36:15 | 0:36:21 | |
I love a bit myself with cheese. Talking of which... | 0:36:21 | 0:36:25 | |
I quite like that, a malting shovel. | 0:36:25 | 0:36:27 | |
This malting spade would have been used to turn the malting barley | 0:36:27 | 0:36:31 | |
to release any pockets of heat. | 0:36:31 | 0:36:34 | |
But it has been split and that has been re-glued. Chipped there a bit. | 0:36:34 | 0:36:38 | |
But it's a lovely piece, isn't it? That's fun. | 0:36:38 | 0:36:42 | |
Yes, James, there's lots of nice items. | 0:36:42 | 0:36:45 | |
And while you decide if you're buying today, | 0:36:45 | 0:36:49 | |
back in Cromarty, Charlie's set Helen a bit of an antiques challenge. | 0:36:49 | 0:36:53 | |
Have you got something of any age for a fiver? | 0:36:53 | 0:36:56 | |
-Can I find you something? -Yeah, something for a fiver. | 0:36:56 | 0:36:58 | |
Because you've been such good fun, you can have that for a fiver! | 0:36:58 | 0:37:03 | |
Now, you'll probably make money on that. Perfect. | 0:37:05 | 0:37:09 | |
-To commemorate the investiture. -I'll tell you what, you are such a sport. | 0:37:09 | 0:37:13 | |
-Do I get the two for a fiver? -No, a fiver each. | 0:37:15 | 0:37:17 | |
Oh, well, worth a try! | 0:37:17 | 0:37:20 | |
-Three items bought. -Thank you. -Job done. | 0:37:20 | 0:37:23 | |
£115 lighter, Charlie is off to a great start. | 0:37:23 | 0:37:27 | |
-But what's become of James? -I'd like to make you an offer. -OK. | 0:37:27 | 0:37:33 | |
-So I'd like to buy... -The Chinese table. | 0:37:33 | 0:37:36 | |
The Chinese table, the rug and the shovel. | 0:37:36 | 0:37:40 | |
I'll give you £100 for it. | 0:37:40 | 0:37:42 | |
-You want to give me £100 for...? -For the three. | 0:37:42 | 0:37:46 | |
-The shovel, the table and the rug? -Correct. | 0:37:46 | 0:37:49 | |
-Let me go and get the shovel and bring it. How about that? -Thank you, thank you, thank you. | 0:37:49 | 0:37:54 | |
-And we'll talk about it. -OK. | 0:37:54 | 0:37:57 | |
That sounds ominous. | 0:37:57 | 0:37:58 | |
I have 68 on the shovel. | 0:37:58 | 0:38:01 | |
-I never look at a price tag, Patricia. -Well, I have to. | 0:38:01 | 0:38:04 | |
-It's one of my rules. -OK. -My own personal rules. | 0:38:04 | 0:38:08 | |
-And I've got 68. -68. | 0:38:08 | 0:38:10 | |
Funny enough, there seems to be a running theme in this shop, 68. | 0:38:10 | 0:38:15 | |
-And I said 80 to start with on this. -And I said 30, didn't I? -Well... | 0:38:15 | 0:38:21 | |
-Now, what could you do? -Well, if I took that down to...68. | 0:38:21 | 0:38:27 | |
If I took that down to 45 and 45, that's 90. | 0:38:27 | 0:38:31 | |
Then you're only saying £10 for my rug which I think that's just a little bit... | 0:38:31 | 0:38:36 | |
Light, Patricia? | 0:38:36 | 0:38:38 | |
-Well, what are you thinking for the three? -About 140. | 0:38:38 | 0:38:42 | |
I don't like 140. | 0:38:42 | 0:38:44 | |
You don't like 140? | 0:38:44 | 0:38:45 | |
OK, I'll tell you what I'll do. I'll do it for 120. | 0:38:45 | 0:38:50 | |
-And that really is... -120, 120. | 0:38:50 | 0:38:55 | |
I would very happily do it for 120 if you throw in that. | 0:38:55 | 0:38:59 | |
Cheeky monkey! | 0:38:59 | 0:39:01 | |
-Throw in the celery vase? -So that's the four items for 120. -OK. | 0:39:01 | 0:39:05 | |
That's a great buy, James. | 0:39:05 | 0:39:08 | |
James and Charlie are hopefully heading 40 miles southeast | 0:39:11 | 0:39:13 | |
to the village of Auldearn. | 0:39:13 | 0:39:18 | |
Auldearn Antiques has been a family run business for more than 30 years. | 0:39:18 | 0:39:23 | |
-It looks like there are two distinct areas here. -Are they? | 0:39:23 | 0:39:26 | |
-Are you on the lower rate? -I think so. You go in the chapel. | 0:39:26 | 0:39:29 | |
-I'll go in the chapel. -I'll go in the shop. | 0:39:29 | 0:39:31 | |
# And, I'll be in profit before ye... # | 0:39:31 | 0:39:35 | |
Tip number one, always look up as well as down. | 0:39:41 | 0:39:45 | |
Where to begin? | 0:39:48 | 0:39:49 | |
Be logical, start as far away from the door and work outwards. | 0:39:49 | 0:39:54 | |
While Charlie attempts logical, James has gone | 0:39:54 | 0:39:58 | |
from Pakistan to India. | 0:39:58 | 0:40:00 | |
These are very kind to me, these lovely Indian peacock chairs. | 0:40:00 | 0:40:05 | |
You sit in them. There's a lovely feeling of calm in these. | 0:40:05 | 0:40:09 | |
Oh... I feel nicely cocooned. | 0:40:09 | 0:40:13 | |
It's lovely. Lovely. | 0:40:13 | 0:40:16 | |
They're always quite cheap, they're quite fun. | 0:40:16 | 0:40:19 | |
What is it priced at? | 0:40:19 | 0:40:21 | |
£20, that's tempting. | 0:40:21 | 0:40:22 | |
Let's see if I can secure it for slightly less. | 0:40:22 | 0:40:25 | |
This could be a winner. | 0:40:26 | 0:40:28 | |
Really, James? Well, we'll see at the auction. | 0:40:28 | 0:40:31 | |
I see Braxton lurking outside the door. | 0:40:32 | 0:40:35 | |
You stay out, Braccer's, old boy. | 0:40:35 | 0:40:38 | |
This is Roscoe's domain in here. | 0:40:38 | 0:40:41 | |
Where is that Rossco? Let's hide it around here. | 0:40:41 | 0:40:43 | |
James, while you play hide and seek, | 0:40:43 | 0:40:46 | |
Charlie's found a rather unique looking elephant. | 0:40:46 | 0:40:50 | |
I like that. | 0:40:53 | 0:40:55 | |
I just like Staffordshire. | 0:40:55 | 0:40:57 | |
And, I've never seen anything quite like that. | 0:40:57 | 0:41:00 | |
Staffordshire is a generic modern term for humble earthenware figures | 0:41:00 | 0:41:05 | |
made in the county of Staffordshire in the 18th and 19th centuries. | 0:41:05 | 0:41:09 | |
They often recalled Victorian histories, | 0:41:09 | 0:41:12 | |
scenes of everyday life, from pets to politicians, | 0:41:12 | 0:41:15 | |
to circus performers and their exotic animals. | 0:41:15 | 0:41:17 | |
Some being very much rarer than others. | 0:41:17 | 0:41:21 | |
MUSIC: Nellie The Elephant | 0:41:21 | 0:41:23 | |
It's not a reproduction. | 0:41:26 | 0:41:27 | |
It's definitely 19th century. | 0:41:27 | 0:41:29 | |
It's got damage. | 0:41:29 | 0:41:33 | |
But, you know, Staffordshire is... | 0:41:33 | 0:41:35 | |
crude anyway. I don't think the damage matters too much. | 0:41:35 | 0:41:40 | |
After all, they're only asking £12. | 0:41:40 | 0:41:42 | |
Oh! He's looking at me. | 0:41:42 | 0:41:45 | |
Can I show you something? | 0:41:45 | 0:41:46 | |
This is the item I found, I quite like the look of. | 0:41:46 | 0:41:49 | |
Can I offer you ten? | 0:41:49 | 0:41:51 | |
-I'm afraid not... -Oh, hello. | 0:41:51 | 0:41:53 | |
THEY LAUGH | 0:41:53 | 0:41:55 | |
Oh, it's still intact, that's all right. | 0:41:55 | 0:41:57 | |
That's all right. That's all right. | 0:41:57 | 0:41:59 | |
I thought it was going to be 20, then. | 0:41:59 | 0:42:01 | |
HE LAUGHS | 0:42:01 | 0:42:03 | |
-I could help and meet you in the middle at 15. -15? | 0:42:03 | 0:42:06 | |
What about £12.50? My offer, your offer. | 0:42:06 | 0:42:10 | |
My offer, your price, sorry. | 0:42:10 | 0:42:12 | |
I think I'm pretty tight on the £15. | 0:42:12 | 0:42:16 | |
I think there's still money in that. | 0:42:16 | 0:42:18 | |
-I can't squeeze you? -No. -Are you sure, Roger? -No. | 0:42:18 | 0:42:21 | |
Go on, put your hand there. Put your hand there. | 0:42:21 | 0:42:24 | |
I'm going to give you 15, don't worry. | 0:42:24 | 0:42:26 | |
-Thank you very much, indeed. -Deal done! | 0:42:26 | 0:42:29 | |
Do you know, the trouble is when someone's rude about your purchases, | 0:42:29 | 0:42:32 | |
it puts your off, but... | 0:42:32 | 0:42:34 | |
Oh, nothing ventured, nothing gained. | 0:42:34 | 0:42:37 | |
Very true, Charlie. | 0:42:37 | 0:42:39 | |
And, at £12, it's not exactly breaking the bank, is it? | 0:42:39 | 0:42:42 | |
-Roger... -Yes? -Could I borrow you for a second, sir? -Of course. | 0:42:42 | 0:42:45 | |
May we go in here because Mr Braxton is spying on me today. | 0:42:45 | 0:42:50 | |
HE LAUGHS | 0:42:50 | 0:42:51 | |
There's not much left of it. | 0:42:51 | 0:42:54 | |
I can't find many bits that aren't broken. | 0:42:54 | 0:42:56 | |
-I love the simple... It has to be 19th century. -Yep. | 0:42:56 | 0:42:59 | |
-And it's English and it's Staffordshire. -Mm-hm. | 0:42:59 | 0:43:02 | |
-I'm not sure I've ever seen the like, really. -No. | 0:43:02 | 0:43:04 | |
I mean, Staffordshire clock figures are really quite common | 0:43:04 | 0:43:08 | |
but I've never seen a Staffordshire clock, in the form of a howdah, | 0:43:08 | 0:43:12 | |
on top of an elephant before! | 0:43:12 | 0:43:13 | |
I mean, he's missing his tusk and everything. | 0:43:13 | 0:43:16 | |
It's £12. Presumably it came in a clearance in a box full of something? | 0:43:16 | 0:43:20 | |
Exactly! I'm afraid the back of a cupboard. | 0:43:20 | 0:43:22 | |
Sadly, sadly misused... | 0:43:22 | 0:43:25 | |
I know, but it's got a certain charm. | 0:43:25 | 0:43:27 | |
It's got £12 on it, presumably it cost nothing? | 0:43:27 | 0:43:30 | |
I'd be willing to help you a little bit on it. | 0:43:30 | 0:43:32 | |
Really, it's... it's only a few pounds. | 0:43:32 | 0:43:35 | |
I was going to be very rude, but I better not be very rude, | 0:43:35 | 0:43:38 | |
I was going to ask you to knock the ten off. | 0:43:38 | 0:43:40 | |
-I could do it for £8 for you. -£8, sir? | 0:43:40 | 0:43:42 | |
-Thank you. -Consider it bought. | 0:43:42 | 0:43:45 | |
I like that. Mr Braxton will be extremely rude about it, | 0:43:45 | 0:43:49 | |
but I think we'll have the last laugh. | 0:43:49 | 0:43:52 | |
I think that could make some money at auction. | 0:43:52 | 0:43:54 | |
Back on their merry way, | 0:43:55 | 0:43:57 | |
Charlie wants to sample just one more shop, | 0:43:57 | 0:44:00 | |
so James is dropping him off | 0:44:00 | 0:44:02 | |
while he visits the famous Johnstons of Elgin, | 0:44:02 | 0:44:05 | |
who manufacture the finest cashmere cloth, knitwear and accessories. | 0:44:05 | 0:44:10 | |
Established in 1797, Johnstons of Elgin | 0:44:10 | 0:44:13 | |
is the UK's last remaining vertical woollen Mill, | 0:44:13 | 0:44:16 | |
and the only one still to carry out all the processes | 0:44:16 | 0:44:19 | |
from raw material to finished garment. | 0:44:19 | 0:44:22 | |
Our fabric comes from Inner and Outer Mongolia. | 0:44:22 | 0:44:25 | |
-It comes direct to Johnstons. -All ready to be dyed. | 0:44:25 | 0:44:29 | |
Before the end of the 19th century, dyeing was carried out using natural materials such as | 0:44:29 | 0:44:34 | |
berries, seaweed and even insects. | 0:44:34 | 0:44:37 | |
So you're going to see the raw fibre gets transported into these vats. | 0:44:37 | 0:44:40 | |
They are then lifted into the big stock dyeing pots | 0:44:40 | 0:44:42 | |
and the dyes are then mixed together | 0:44:42 | 0:44:44 | |
to create the vast array of colours that we offer. | 0:44:44 | 0:44:48 | |
The threads are then vertically put on to the warp mill. | 0:44:48 | 0:44:53 | |
-So that is the bones of the garment? -It is, exactly. | 0:44:53 | 0:44:58 | |
Then the threads are inserted horizontally, | 0:44:58 | 0:45:02 | |
so you've got your warp and weft that creates plane weaves, | 0:45:02 | 0:45:06 | |
whatever we want to create. | 0:45:06 | 0:45:08 | |
From the warp, you don't see much of a pattern, do you? | 0:45:08 | 0:45:11 | |
You don't, you see stripes. | 0:45:11 | 0:45:13 | |
Then suddenly, when you start inserting the weft, | 0:45:13 | 0:45:17 | |
suddenly it all becomes clear. | 0:45:17 | 0:45:19 | |
You see the pattern, correct. | 0:45:19 | 0:45:21 | |
It's rather like the bones of the garment and the flesh of the garment. | 0:45:21 | 0:45:24 | |
Steady, James. | 0:45:24 | 0:45:26 | |
Once woven, the cloth is washed to soften | 0:45:26 | 0:45:29 | |
and give it that beautiful cashmere touch | 0:45:29 | 0:45:31 | |
that's loved by people around the world. | 0:45:31 | 0:45:33 | |
What a treat, James, you've been thoroughly indulged. | 0:45:33 | 0:45:37 | |
Quite right. Unlike Charlie, | 0:45:37 | 0:45:39 | |
who's back at Logie, trying to find his last item. | 0:45:39 | 0:45:42 | |
I saw the monocular there, it doesn't look a theatrical piece, does it? | 0:45:42 | 0:45:48 | |
It's a sweet object. | 0:45:48 | 0:45:50 | |
I have to confess, I was a bit put off by the price. | 0:45:50 | 0:45:52 | |
I think it's a charming thing. | 0:45:52 | 0:45:54 | |
£85. | 0:45:54 | 0:45:56 | |
What do I think that would make at auction? | 0:45:56 | 0:45:59 | |
Well, I'd take £40. | 0:45:59 | 0:46:01 | |
Can you take £30 for it? Crispy, Scottish notes? | 0:46:01 | 0:46:04 | |
-Oh, all right, go on then. -Are you sure? | 0:46:04 | 0:46:06 | |
I don't want to walk out of here and you say, | 0:46:06 | 0:46:09 | |
"That miserable Charlie bought my fine object for £30." | 0:46:09 | 0:46:13 | |
-That's fine. -Are you sure? | 0:46:13 | 0:46:17 | |
Great final purchase, Charlie. | 0:46:17 | 0:46:20 | |
With shopping done, let's recap on what the boys are taking to auction. | 0:46:20 | 0:46:25 | |
Our experts began this journey with £200 each. | 0:46:25 | 0:46:28 | |
Charlie has spent a total of £153 on five auction lots: | 0:46:28 | 0:46:31 | |
the Mary Mitchell painting, the Staffordshire elephant, | 0:46:31 | 0:46:37 | |
the silver salts, the monocular and the Prince of Wales tankard. | 0:46:37 | 0:46:42 | |
As for James, he took his £200 allowance | 0:46:42 | 0:46:44 | |
and spent a little bit less: | 0:46:44 | 0:46:46 | |
£135 on five lots, including the Chinese stand, | 0:46:46 | 0:46:51 | |
the wooden shovel, the rug, the celery vase | 0:46:51 | 0:46:55 | |
and the peacock chair. | 0:46:55 | 0:46:56 | |
But what do they think of each other's wares? | 0:46:56 | 0:46:59 | |
I think the peacock chair, frankly, is hugely cheap. | 0:46:59 | 0:47:02 | |
The one item that might fly a bit is the Chinese hardwood stand, | 0:47:02 | 0:47:05 | |
I think it's a nice item and Chinese things sell well at the moment. | 0:47:05 | 0:47:08 | |
His elephant, I think, is superb. | 0:47:08 | 0:47:12 | |
I was being very rude at Roger's place, teasing him, | 0:47:12 | 0:47:16 | |
but it's a lovely item, it's very well painted and should do well. | 0:47:16 | 0:47:20 | |
It's been a cracking first leg. | 0:47:21 | 0:47:24 | |
The Road Trip has brought us from Cromarty | 0:47:24 | 0:47:28 | |
along the beautiful Moray coastline to Buckie. | 0:47:28 | 0:47:30 | |
It's auction day and our experts are cruising to Cluny auction house, | 0:47:30 | 0:47:35 | |
hoping their catch makes their fortune. | 0:47:35 | 0:47:37 | |
-Very smooth! -Are you nervous? | 0:47:37 | 0:47:41 | |
No, I'm looking forward to it. Are you? | 0:47:41 | 0:47:44 | |
-I'm mildly nervous. -You shouldn't be. | 0:47:44 | 0:47:48 | |
-We bought well, at the right prices. -You think we have? -Definitely. | 0:47:48 | 0:47:51 | |
-And are we going to sell at the right price? -Well, I hope so. | 0:47:51 | 0:47:54 | |
Strap yourselves in and hold on tight, | 0:47:54 | 0:47:57 | |
the auction is about to begin. | 0:47:57 | 0:47:59 | |
Are you going to give me a mincing today? | 0:48:00 | 0:48:03 | |
No. I think it's quite the reverse. | 0:48:03 | 0:48:05 | |
First up, it's James's Chinese rosewood stand. | 0:48:05 | 0:48:09 | |
-Oh, that's nice. -I can feel a twitter in the room. | 0:48:09 | 0:48:13 | |
We'll start at £40. 40. £10, then. | 0:48:13 | 0:48:15 | |
Let's get going. | 0:48:15 | 0:48:17 | |
10, bid. 12 bid, at 12 bid. At 12. 15. 18, 18, now. | 0:48:17 | 0:48:21 | |
20. At 22. | 0:48:21 | 0:48:23 | |
22, at 22. Five, 25, I'm bid. 28. | 0:48:23 | 0:48:27 | |
-40. -Profit, Braccers. -Phew. | 0:48:27 | 0:48:31 | |
At £48. One more? £48. | 0:48:31 | 0:48:34 | |
GAVEL FALLS | 0:48:34 | 0:48:36 | |
-I think it was 48. -48, I'm happy with that. | 0:48:36 | 0:48:39 | |
£13 profit, James. | 0:48:39 | 0:48:41 | |
That's not a bad start. | 0:48:41 | 0:48:43 | |
Now it's bottoms-up for one of Charlie's more unusual purchases. | 0:48:43 | 0:48:48 | |
-A tankard. -£10, then. Must be worth 10. | 0:48:48 | 0:48:52 | |
I'll take a bid of five, if you must. Five, I'm bid. Thank you, sir. | 0:48:52 | 0:48:56 | |
Eight online, now. Eight. 10, in the room, now. £12, the lady. | 0:48:56 | 0:49:00 | |
-Well done, madam! -At 12. 15 is online, 18 is in the room. | 0:49:00 | 0:49:06 | |
-18. All done? -Put it down! GAVEL FALLS | 0:49:06 | 0:49:09 | |
-200. Now, now, James. -18. Very good. | 0:49:09 | 0:49:14 | |
Do you know what, for an investment of five, that's a bit of a spanker. | 0:49:14 | 0:49:19 | |
That's very good. | 0:49:19 | 0:49:20 | |
You're both off to a fighting start. | 0:49:20 | 0:49:23 | |
Next up is James's malting spade. | 0:49:23 | 0:49:25 | |
-Ah! -10, I'm bid. 12, bid. | 0:49:25 | 0:49:28 | |
At 15, at 15. 18. | 0:49:28 | 0:49:30 | |
Rush of hands, rush of hands. | 0:49:30 | 0:49:34 | |
32, bid. 35. 38. | 0:49:34 | 0:49:36 | |
42, 45. | 0:49:36 | 0:49:38 | |
-Here you are, he's bidding. -New bidder. 50, I'm bid, now. | 0:49:38 | 0:49:42 | |
-At 50, at £50. All done at 50? -You won't go five? | 0:49:42 | 0:49:46 | |
GAVEL FALLS Well done. Well done, that man. | 0:49:46 | 0:49:49 | |
Good work. Very happy with that. | 0:49:49 | 0:49:52 | |
Great result, James. | 0:49:52 | 0:49:54 | |
Now for your peacock chair. | 0:49:54 | 0:49:56 | |
I think they saw you coming, to be honest. | 0:49:56 | 0:49:59 | |
What was the ticket price? 10? | 0:49:59 | 0:50:01 | |
£20 for a peacock chair. 20, I'll take 10. | 0:50:01 | 0:50:04 | |
-Well done, that man. Phew! -Saved your bacon. | 0:50:04 | 0:50:07 | |
I'm bid 12. | 0:50:07 | 0:50:09 | |
12, I'm bid. 15. Now at 15. | 0:50:09 | 0:50:11 | |
-At 15. 18, I'm bid. -Profit, Braccers! | 0:50:11 | 0:50:15 | |
£18, at 18. Are we all finished? | 0:50:15 | 0:50:17 | |
-Done at £18? -GAVEL FALLS | 0:50:17 | 0:50:21 | |
£18. I think, to coin a phrase, that's washed its face. | 0:50:21 | 0:50:26 | |
It's washed its face. | 0:50:26 | 0:50:28 | |
Great expression, but after commission, | 0:50:28 | 0:50:30 | |
that £3 profit isn't going very far. | 0:50:30 | 0:50:32 | |
Three selling opportunities and they've been, I think, | 0:50:32 | 0:50:36 | |
slightly squandered. | 0:50:36 | 0:50:38 | |
-Next up it's Charlie's big gamble, the Mary Mitchell painting. -£20. | 0:50:39 | 0:50:45 | |
-20, surely. -HE LAUGHS | 0:50:45 | 0:50:49 | |
-They can't see it. -I have you online. -LAUGHTER | 0:50:49 | 0:50:51 | |
Saved online. | 0:50:51 | 0:50:53 | |
LAUGHTER | 0:50:55 | 0:50:58 | |
Sit down, Charlie. That's not auction etiquette and you know it. | 0:50:58 | 0:51:02 | |
LAUGHTER Thank you, sir. | 0:51:02 | 0:51:05 | |
Naughty. Dear, oh dear. | 0:51:05 | 0:51:07 | |
-That should've killed it. -LAUGHTER | 0:51:07 | 0:51:11 | |
Online, at 30. £30, online. | 0:51:11 | 0:51:14 | |
-Are we all done at £30, then? -There's another one. | 0:51:14 | 0:51:19 | |
-32. -Oh! LAUGHTER | 0:51:19 | 0:51:22 | |
32. 35. 38, the lady. | 0:51:24 | 0:51:27 | |
-This man deserves an OBE. -50 is online. 50. At 50. | 0:51:27 | 0:51:32 | |
Don't lose it for a few pounds. | 0:51:33 | 0:51:35 | |
-55. 55. -55! -At 55. | 0:51:35 | 0:51:39 | |
-All finished, now? -GAVEL FALLS | 0:51:39 | 0:51:42 | |
-There we are, 300. -APPLAUSE | 0:51:42 | 0:51:45 | |
Well done, 55. | 0:51:45 | 0:51:47 | |
Sorry, Charlie, after commission, that's not much of a profit. | 0:51:47 | 0:51:52 | |
165 is a small George III brass telescope monocular. | 0:51:52 | 0:51:57 | |
I'll take £10 to start. £10. | 0:51:57 | 0:52:00 | |
12. Online at 15. At 15. | 0:52:00 | 0:52:03 | |
18, now. 18. 20. | 0:52:03 | 0:52:06 | |
There we are. It's warming up, the lady over there, she's loving it. | 0:52:06 | 0:52:09 | |
Do I see 45? | 0:52:09 | 0:52:12 | |
45, now. 48. At 55, then. | 0:52:12 | 0:52:15 | |
Are you all finished and done online at £55? | 0:52:15 | 0:52:18 | |
60, just in time. | 0:52:19 | 0:52:21 | |
-Oh! -£60, just in time. Is that a bid? 65. | 0:52:21 | 0:52:24 | |
The room's my bidder at 65, for the last time, then. | 0:52:24 | 0:52:27 | |
GAVEL FALLS | 0:52:27 | 0:52:29 | |
-Well done. Really pleased with that, James. -I would be. | 0:52:29 | 0:52:34 | |
I think it's a good price. | 0:52:34 | 0:52:35 | |
Well done, Charlie. That's a £35 profit. | 0:52:35 | 0:52:38 | |
Now for your silver salts. | 0:52:38 | 0:52:41 | |
£60. At 60. £60. At 60. At 60. | 0:52:41 | 0:52:45 | |
-Do I see five? -I think you said they were about on the money, didn't you? | 0:52:45 | 0:52:50 | |
65 online, now, at 65. | 0:52:50 | 0:52:52 | |
At 65. And 70. | 0:52:52 | 0:52:54 | |
-That's better. -At 70. | 0:52:54 | 0:52:56 | |
Now at 70. At £70. 75, a new bidder. At 75. | 0:52:56 | 0:53:00 | |
-And 80. -£80. 80! | 0:53:00 | 0:53:02 | |
You are into profit now, Charlie. | 0:53:02 | 0:53:05 | |
£80. 85. Lady is my bid at 85. | 0:53:05 | 0:53:07 | |
-And 90. -It's a good day, this. | 0:53:07 | 0:53:11 | |
-At 90. Are we all done, then? -GAVEL FALLS | 0:53:11 | 0:53:14 | |
Another great profit, Charlie. | 0:53:14 | 0:53:15 | |
Ross has come home, hasn't he? | 0:53:15 | 0:53:18 | |
James, it's over to you and your magic carpet. | 0:53:21 | 0:53:24 | |
-Oh! -Oh! | 0:53:24 | 0:53:26 | |
I can start the bidding at 40, £42. With me at £42. | 0:53:26 | 0:53:31 | |
£45 with me, 45. At 45. 48, now. | 0:53:33 | 0:53:37 | |
48. 50. 52. 55. | 0:53:37 | 0:53:40 | |
58. 60. 60's with me. | 0:53:40 | 0:53:44 | |
-Against you. One more? 65? And 70. -Not bad! | 0:53:44 | 0:53:49 | |
I will take another wee nibble, if you like. £70. At 70. | 0:53:49 | 0:53:53 | |
-And five's with me. -75! -At 75. | 0:53:53 | 0:53:56 | |
He says it's a flying carpet but I've no guarantee with it. | 0:53:56 | 0:54:00 | |
-It's currently grounded. -LAUGHTER | 0:54:00 | 0:54:03 | |
Bid's with me at £75, then. | 0:54:03 | 0:54:05 | |
And 80. £80. | 0:54:05 | 0:54:08 | |
What can I do? £80. | 0:54:08 | 0:54:10 | |
Do I see five? 85. At 85. | 0:54:10 | 0:54:14 | |
At 85, £85. | 0:54:14 | 0:54:16 | |
-Thank you very much, sir. -Result. -At £85. | 0:54:16 | 0:54:19 | |
-GAVEL FALLS -331. | 0:54:19 | 0:54:21 | |
-Very good result. Excellent. -Thank you. | 0:54:23 | 0:54:26 | |
Well done, James. That's a profit of £45. | 0:54:26 | 0:54:30 | |
With one lot each still to go, Charlie is only £7 ahead. | 0:54:31 | 0:54:36 | |
Next up is his Staffordshire elephant | 0:54:36 | 0:54:38 | |
and the auctioneer thinks it could go for a couple of hundred. | 0:54:38 | 0:54:41 | |
£80 is online. Thank you, online. | 0:54:41 | 0:54:43 | |
-80. -Crikey, Charlie! | 0:54:43 | 0:54:46 | |
That's 10 times what you paid for it. | 0:54:46 | 0:54:49 | |
130 online. That's OK. | 0:54:49 | 0:54:51 | |
-At 130. -It's jumped to 130, John! -140 is on the phone. | 0:54:51 | 0:54:56 | |
This is getting really interesting. There are no more bids in the room | 0:54:56 | 0:54:59 | |
but the phone and internet bids are really picking up. | 0:54:59 | 0:55:02 | |
-380. 400. 420. -Sorry? LAUGHTER | 0:55:02 | 0:55:06 | |
-600. -HE GASPS | 0:55:09 | 0:55:11 | |
-Are you hearing this? -I am! | 0:55:11 | 0:55:14 | |
It's quite exciting, isn't it? | 0:55:14 | 0:55:17 | |
-On the phones! -850. -LAUGHTER | 0:55:17 | 0:55:19 | |
This is ridiculous. | 0:55:20 | 0:55:23 | |
-1,000. -1,000! GASPS | 0:55:23 | 0:55:25 | |
1,200, online. | 0:55:26 | 0:55:28 | |
-1,200, Braccers! -It's all over! | 0:55:28 | 0:55:32 | |
This is unbelievable. | 0:55:32 | 0:55:34 | |
-1,800. -1,800! | 0:55:35 | 0:55:38 | |
-1,900. -1,900! -2,000. | 0:55:38 | 0:55:41 | |
A bit ridiculous, now. | 0:55:41 | 0:55:43 | |
At 2,100. | 0:55:43 | 0:55:45 | |
Unheard of on the Road Trip. | 0:55:45 | 0:55:48 | |
2,100, Barbara. | 0:55:48 | 0:55:50 | |
He's going to have a heart attack. | 0:55:50 | 0:55:53 | |
-2,200, 2,300, on the phone. -I'm crying! | 0:55:53 | 0:55:55 | |
2,300. On the phone at 2,300. | 0:55:57 | 0:55:59 | |
Look at this, the magic of the auction. | 0:55:59 | 0:56:02 | |
Who would ever have thought this? | 0:56:03 | 0:56:05 | |
Are we all done online at 2,500? | 0:56:08 | 0:56:10 | |
-Yes? -He told me, this could make a few hundred quid. | 0:56:10 | 0:56:13 | |
-2,600. -I am speechless. | 0:56:13 | 0:56:17 | |
I fear my Road Trip is already over. | 0:56:17 | 0:56:21 | |
2,700. | 0:56:21 | 0:56:22 | |
For the last time, £2,700. | 0:56:22 | 0:56:26 | |
The bid is on the phone at £2,700, then. | 0:56:26 | 0:56:29 | |
Are we all finished online at 2,700? For the last time? | 0:56:30 | 0:56:34 | |
GAVEL FALLS | 0:56:34 | 0:56:36 | |
APPLAUSE | 0:56:36 | 0:56:38 | |
Take a bow, take a bow. | 0:56:38 | 0:56:41 | |
Never in the history of the Road Trip | 0:56:41 | 0:56:43 | |
have we ever had a sale like that. | 0:56:43 | 0:56:45 | |
What an amazing result, Charlie! | 0:56:45 | 0:56:48 | |
I'm leaving. I think my Road Trip is over. | 0:56:48 | 0:56:51 | |
LAUGHTER | 0:56:51 | 0:56:53 | |
Thank you. Thank you, bye! | 0:56:53 | 0:56:56 | |
Please don't go, James, you never know, | 0:56:58 | 0:57:00 | |
your celery vase might just swing it for you. | 0:57:00 | 0:57:04 | |
Shame it was damaged, really! | 0:57:04 | 0:57:06 | |
LAUGHTER | 0:57:06 | 0:57:09 | |
-That's absolutely extraordinary. -That is extraordinary. | 0:57:09 | 0:57:13 | |
There we are, the celery vase, there. £40, for it? | 0:57:13 | 0:57:16 | |
30. £10, then. | 0:57:16 | 0:57:19 | |
£10 for a celery vase. £10. | 0:57:19 | 0:57:21 | |
-Do I hear 1,500? Sorry. -LAUGHTER | 0:57:21 | 0:57:25 | |
Marvellous! | 0:57:27 | 0:57:30 | |
-10, I'm bid. 12. 12 bid, at 12 bid. -We're away. | 0:57:30 | 0:57:33 | |
Come on, Buckie. Dig deep and help James out. | 0:57:33 | 0:57:36 | |
He needs it. | 0:57:36 | 0:57:39 | |
-At 32 for the last time, then. -GAVEL FALLS | 0:57:39 | 0:57:42 | |
-The lady down here. -Well done. | 0:57:42 | 0:57:44 | |
-Well done, Braccers. -On a normal day James, £22 is a good profit. | 0:57:44 | 0:57:49 | |
But today is not a normal day. | 0:57:49 | 0:57:51 | |
That was a good result, that. | 0:57:51 | 0:57:55 | |
You've made a good, working profit today, haven't you? No, you have. | 0:57:55 | 0:57:58 | |
I've made an obscene one but you have made... | 0:57:58 | 0:58:01 | |
You certainly did, Charlie. | 0:58:01 | 0:58:03 | |
After paying auction costs, James has made a healthy profit of £56.06. | 0:58:03 | 0:58:09 | |
He has a respectable £256.06 to carry forward. | 0:58:09 | 0:58:15 | |
Charlie, on the other hand, | 0:58:15 | 0:58:17 | |
we can hardly get his profit to fit in the piggy! | 0:58:17 | 0:58:21 | |
He's had a mighty win. | 0:58:23 | 0:58:26 | |
He has a whopping £2,447.96 to start the next leg. | 0:58:26 | 0:58:32 | |
I think my tactic now should be to put Mr Roscoe into some very | 0:58:33 | 0:58:37 | |
large-ticketed items, | 0:58:37 | 0:58:40 | |
that's the only way he's going to make some substantial losses. | 0:58:40 | 0:58:42 | |
Anyway, Road Trip history has been made. Well done, Mr Ross. | 0:58:42 | 0:58:47 | |
-Bye-bye, Buckie. -Bye-bye, Buckie! -Love you, Buckie! | 0:58:47 | 0:58:51 | |
Love you, Clunie! Love you Staffordshire! | 0:58:51 | 0:58:56 | |
Love you, Braccers! | 0:58:56 | 0:58:58 | |
Subtitles by Red Bee Media Ltd | 0:59:00 | 0:59:03 |