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The nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
£200 each and one big challenge. | 0:00:04 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money | 0:00:08 | 0:00:10 | |
buying and selling antiques as they scour the UK? | 0:00:10 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks, | 0:00:17 | 0:00:18 | |
and dreams of glory can end in tatters. | 0:00:18 | 0:00:21 | |
HONKING | 0:00:21 | 0:00:22 | |
So, will it be the fast lane to success | 0:00:22 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, ladies and gentlemen, auctioneers James Lewis | 0:00:37 | 0:00:40 | |
and Anita Manning are going head-to-head in Norfolk. | 0:00:40 | 0:00:43 | |
And it seems someone's getting a wee bit competitive. | 0:00:43 | 0:00:46 | |
-How much have you got to spend? -I've got... | 0:00:46 | 0:00:49 | |
Not as much as me! | 0:00:49 | 0:00:51 | |
THEY LAUGH | 0:00:51 | 0:00:53 | |
Yet, James, yet! | 0:00:53 | 0:00:55 | |
So far, James has turned his original £200 stake | 0:00:56 | 0:01:01 | |
into a marvellous £428.20. | 0:01:01 | 0:01:04 | |
As for Anita, she's currently sitting on £306.84, | 0:01:04 | 0:01:09 | |
which makes James the undisputed champion so far. | 0:01:09 | 0:01:13 | |
Although, as our experts take their 1970s VW Beetle | 0:01:13 | 0:01:17 | |
on the third leg of their Road Trip, anything is possible. | 0:01:17 | 0:01:21 | |
The best laid plans of mice and men gang aft agley. | 0:01:21 | 0:01:26 | |
-It's Robert Burns. -Robert who? | 0:01:28 | 0:01:31 | |
-ANITA LAUGHS -Oh, James! | 0:01:31 | 0:01:34 | |
This road trip is taking us from Pateley Bridge, Yorkshire, | 0:01:34 | 0:01:37 | |
and heading south via East Anglia and on to the West Country, | 0:01:37 | 0:01:41 | |
ending up, we hope, in Cirencester. | 0:01:41 | 0:01:43 | |
But today, we're kicking off in Fakenham, | 0:01:45 | 0:01:48 | |
and we'll end this leg with an auction in Aylsham. | 0:01:48 | 0:01:51 | |
Situated on the River Wensum, Fakenham owes much of its | 0:01:51 | 0:01:56 | |
good fortune to Henry VIII because when he abolished | 0:01:56 | 0:02:00 | |
the monastery in the neighbouring town of Heston, suddenly this | 0:02:00 | 0:02:03 | |
market town became the stopover of choice for weary pilgrims. | 0:02:03 | 0:02:07 | |
So, what better place for our experts to park the VW | 0:02:07 | 0:02:11 | |
and conduct a little commerce? | 0:02:11 | 0:02:13 | |
-20 dealers, James. -That's 10 each. -OK. | 0:02:13 | 0:02:17 | |
Though, one shop, two experts - things can get messy. | 0:02:17 | 0:02:21 | |
There's only about £100 between James and I, | 0:02:22 | 0:02:25 | |
and it's possible to catch up and go forward, that would be fun. | 0:02:25 | 0:02:30 | |
But James is a formidable opponent. Oh, he's a cracker. | 0:02:30 | 0:02:36 | |
-He's a hard guy to beat. -I'll say. | 0:02:36 | 0:02:38 | |
Already he's found something he likes. | 0:02:38 | 0:02:41 | |
-It's probably French. It's Art Deco. -And a snip at £35. | 0:02:41 | 0:02:46 | |
The inkwell is typically Art Deco. | 0:02:47 | 0:02:51 | |
They're straight lines, very architectural in style. | 0:02:51 | 0:02:56 | |
And inside, a little glass liner. | 0:02:56 | 0:02:59 | |
My problem is, again, I think my heart might be ruling my head. | 0:03:00 | 0:03:04 | |
I'd like to have that on my desk. | 0:03:04 | 0:03:06 | |
James is still at that cabinet down there. | 0:03:06 | 0:03:09 | |
I'm just waiting for him to go away. | 0:03:09 | 0:03:11 | |
I heard that! | 0:03:11 | 0:03:13 | |
-Hello, darling! -Hello! | 0:03:13 | 0:03:15 | |
Not much longer, Anita, he's called Mandy over. | 0:03:15 | 0:03:19 | |
It's got a bit of something about it. | 0:03:19 | 0:03:22 | |
But, a bit of breakage on the top there. | 0:03:22 | 0:03:24 | |
-Yes, it's sad that so many things are damaged, isn't it? -Yeah. | 0:03:24 | 0:03:27 | |
-That would need to be about 20. -25? | 0:03:27 | 0:03:32 | |
I was thinking 15, but 20 would be my max. | 0:03:32 | 0:03:36 | |
Can I split it with you, £22.50? | 0:03:36 | 0:03:38 | |
I can't. I can't, that's... | 0:03:38 | 0:03:41 | |
If I was going to go for it, it would have to be that. | 0:03:41 | 0:03:44 | |
-OK, go on, 20, I'll do that. -OK. | 0:03:44 | 0:03:47 | |
-With the deal done... -Thanks very much. | 0:03:47 | 0:03:50 | |
..and the cabinet finally vacated, | 0:03:50 | 0:03:52 | |
it's Anita's chance to find something gorgeous. | 0:03:52 | 0:03:54 | |
And she's thinking Murano. Not one piece but two. | 0:03:54 | 0:03:59 | |
Here's another piece here. | 0:03:59 | 0:04:01 | |
It's got that nice weight in it, a nice polished base. | 0:04:02 | 0:04:06 | |
And that's rather pretty. | 0:04:06 | 0:04:08 | |
Together, a nice wee lot, | 0:04:08 | 0:04:10 | |
but it all depends on the price I can get it for. | 0:04:10 | 0:04:12 | |
Together, they're priced at £20, but naturally, | 0:04:12 | 0:04:17 | |
Anita's motto is "never pay retail". | 0:04:17 | 0:04:19 | |
I'd be looking to buy the two of them for 10. Would that be possible? | 0:04:19 | 0:04:24 | |
-OK, let me go and make a phone call. -OK. | 0:04:24 | 0:04:27 | |
Not exactly high-stakes negotiation but every penny counts. | 0:04:29 | 0:04:34 | |
-He says the best on those would be 14. -14? -Yes. | 0:04:34 | 0:04:38 | |
-Could you ask him if he'd go to 12? -I could do that for you. | 0:04:40 | 0:04:45 | |
Thank you, Mandy, thank you. | 0:04:45 | 0:04:47 | |
I know he will cos he already told me. | 0:04:49 | 0:04:51 | |
SHE LAUGHS | 0:04:51 | 0:04:52 | |
-He said, "Try 14 and if they won't do it, I'll take 12." -Oh, Mandy! | 0:04:52 | 0:04:56 | |
Right, here we go. | 0:04:58 | 0:05:00 | |
Our next stop on this road trip is Holt, | 0:05:01 | 0:05:04 | |
a small market town with rather a colourful history. | 0:05:04 | 0:05:08 | |
Yep, from the plague of 1348, | 0:05:08 | 0:05:10 | |
which saw the surprising demise of 23 priests, | 0:05:10 | 0:05:13 | |
to the great fire of 1708 which destroyed the entire town, | 0:05:13 | 0:05:18 | |
Holt is no stranger to drama or antique shops. | 0:05:18 | 0:05:21 | |
-I'm James. -Nice to see you. -What a fantastic shop. | 0:05:21 | 0:05:27 | |
-Just how they used to be 20 years ago. -My prices are going down! | 0:05:27 | 0:05:32 | |
-Good, I'll have a wander. -Now, that's a little mercenary, James. | 0:05:33 | 0:05:38 | |
Although, considering you love the old-school nature of the shop, | 0:05:38 | 0:05:42 | |
I'm surprised - have to say delighted - | 0:05:42 | 0:05:44 | |
that you're ultimately drawn to this collection. | 0:05:44 | 0:05:46 | |
Could you tell me about these? | 0:05:47 | 0:05:49 | |
They don't seem to fit in your policy of glass and ceramics. | 0:05:49 | 0:05:52 | |
-My son has joined the business. -OK. | 0:05:52 | 0:05:55 | |
-These are mammoth teeth with the roots here. -That's wonderful. | 0:05:55 | 0:06:01 | |
This is a mammoth tusk. | 0:06:01 | 0:06:02 | |
Now, bones can be highly saleable IF they have the right provenance, | 0:06:03 | 0:06:08 | |
and Richard says this collection's from the late 19th century | 0:06:08 | 0:06:12 | |
and was purchased from a Norfolk country house. | 0:06:12 | 0:06:14 | |
So, given that they're new to the market, | 0:06:14 | 0:06:17 | |
they might stir a bit of interest. | 0:06:17 | 0:06:20 | |
-My son's put 480 on the collection. -Oh, right. -Yes. | 0:06:20 | 0:06:24 | |
Good heavens, that is a lot of interest. | 0:06:24 | 0:06:27 | |
Would you be able to do it for 200? | 0:06:27 | 0:06:29 | |
-Would you be able to phone him and ask? -I'll phone my son, shall I? | 0:06:29 | 0:06:32 | |
-Thank you. Just see what he says. -Right. | 0:06:32 | 0:06:35 | |
Well...I don't know. Maybe I'm mad, offering £200. | 0:06:35 | 0:06:40 | |
It's a collection of old bones, at the end of the day. It's... | 0:06:40 | 0:06:44 | |
But it's different. | 0:06:45 | 0:06:47 | |
In a way, I hope I get the answer, "No, they won't take £200!" | 0:06:47 | 0:06:52 | |
because I think to offer £200 for that lot might be slightly bonkers. | 0:06:52 | 0:06:56 | |
-I've been in touch with my son... -Yes. | 0:06:59 | 0:07:02 | |
..and he said... | 0:07:02 | 0:07:06 | |
..£250 would be the very best. | 0:07:07 | 0:07:10 | |
JAMES SIGHS | 0:07:10 | 0:07:11 | |
It's too much. It's too much for me, I think. | 0:07:11 | 0:07:16 | |
So, the sensible thing to do here is walk away. Right, James? | 0:07:16 | 0:07:20 | |
My right hand is just waiting to come out. | 0:07:20 | 0:07:23 | |
-An extra 10, would it make any difference to him? -220. -Oh, blimey! | 0:07:23 | 0:07:30 | |
The more you hesitate, the more it'll go up. | 0:07:31 | 0:07:34 | |
215 and you've got a deal. | 0:07:34 | 0:07:36 | |
And I am completely insane. | 0:07:37 | 0:07:40 | |
-Well, I think you are making a bad mistake, really. -Do you? -Yes. | 0:07:40 | 0:07:45 | |
In search of a less expensive purchase, | 0:07:51 | 0:07:53 | |
James has moved on to Mews Antiques, | 0:07:53 | 0:07:56 | |
but Peter is proving to be quite the salesman. | 0:07:56 | 0:07:59 | |
-If you can find the name on it, you've got a hell of a piece. -Yeah. | 0:07:59 | 0:08:04 | |
-I've been looking at that for a long time. -I wish. | 0:08:04 | 0:08:08 | |
-It ought to say something, "Glasgow School" or something like that. -Yeah. | 0:08:08 | 0:08:12 | |
-But... -It doesn't. -It doesn't, no. | 0:08:12 | 0:08:17 | |
There's a great big hole, as well. | 0:08:17 | 0:08:19 | |
It's been repaired, it's as I got it, on the bottom there. | 0:08:19 | 0:08:22 | |
And just in case you're wondering, it's an Arts and Crafts log bin, | 0:08:22 | 0:08:27 | |
embossed rather nicely with Viking galleons in choppy seas, circa 1890. | 0:08:27 | 0:08:32 | |
What could that be? | 0:08:32 | 0:08:34 | |
-75's our very best on that. -75, yeah. -It's worth it all day long. | 0:08:34 | 0:08:41 | |
-For me, I'd be looking at about 45. -Can't do. -No. | 0:08:42 | 0:08:48 | |
I don't mind giving you a fighting chance, | 0:08:48 | 0:08:50 | |
but I'm not going to cut my throat. | 0:08:50 | 0:08:53 | |
I don't blame you, I wouldn't want you to. | 0:08:53 | 0:08:55 | |
Yeah, I'd be looking at 50, 55. | 0:08:55 | 0:08:59 | |
-Oh, you're not going to toss a coin for it! Oh, no! -If you're game, I am. | 0:09:00 | 0:09:07 | |
-65 upper, 50 lower. -45 lower. -No, too far out. | 0:09:07 | 0:09:12 | |
You've got to leave me something in it. | 0:09:12 | 0:09:14 | |
-You've got to leave me a chance, too! -Too right. -60-50 then. -Done. | 0:09:14 | 0:09:18 | |
Go on. I'll have heads. | 0:09:18 | 0:09:20 | |
-Tails, my son. -Tails. Oh! You've got a deal, £60. Done. | 0:09:24 | 0:09:30 | |
-I didn't even want it! -Nobody comes in here for anything they want! | 0:09:30 | 0:09:35 | |
-They certainly don't come here for anything they need. -Like a haircut! | 0:09:35 | 0:09:38 | |
And something else James doesn't need is... | 0:09:38 | 0:09:42 | |
-This weird thing here. -Oh, that marvellous device. | 0:09:42 | 0:09:45 | |
Handle him tenderly. | 0:09:47 | 0:09:48 | |
Now, the gong is an ancient Chinese custom used to signal | 0:09:48 | 0:09:53 | |
peasant workers in from the fields. | 0:09:53 | 0:09:56 | |
This one, however, is more ornamental, probably English | 0:09:56 | 0:09:59 | |
and dating back to the 1920s. | 0:09:59 | 0:10:01 | |
-Ticket price - £42. -£20, it needs to be. | 0:10:01 | 0:10:05 | |
Ooh, I really don't know, we'd have to ask. | 0:10:05 | 0:10:09 | |
If we get in touch with the guy, | 0:10:09 | 0:10:11 | |
whether he's remotely going to consider that. | 0:10:11 | 0:10:13 | |
It's a long way short. | 0:10:13 | 0:10:15 | |
-See if you can make him feel sorry for me! -Right, I'll go and ask. | 0:10:15 | 0:10:20 | |
Thank you. | 0:10:20 | 0:10:21 | |
£20 is the absolute limit. | 0:10:21 | 0:10:25 | |
I'm not budging, I'm not tossing a coin. | 0:10:25 | 0:10:28 | |
-Just as well, when the dealer's answer is..."Yes." -Deal. | 0:10:28 | 0:10:32 | |
-There you go. -Deal. | 0:10:32 | 0:10:35 | |
Leaving James and Anita to end the day's shopping | 0:10:35 | 0:10:38 | |
with a game of twenty questions. | 0:10:38 | 0:10:41 | |
-Is it some weird and wonderful, obscure thing? -Yes. -Is it? -Yes! | 0:10:41 | 0:10:46 | |
-Is it lovely to look at? -No. | 0:10:46 | 0:10:49 | |
Am I going to love it or hate it? | 0:10:49 | 0:10:52 | |
-Hate it. -Am I? -Yeah. | 0:10:52 | 0:10:54 | |
Time for James to take his mind off his troubles for a while | 0:10:55 | 0:10:58 | |
as he's dropped off in the village of Thursford. | 0:10:58 | 0:11:01 | |
It's here you'll find the Thursford Collection, | 0:11:01 | 0:11:04 | |
something that started as a hobby for the late George Cushing | 0:11:04 | 0:11:07 | |
and has ended up becoming one of the world's most important | 0:11:07 | 0:11:11 | |
steam and fairground museums, | 0:11:11 | 0:11:13 | |
though these days the man in charge is his son John. | 0:11:13 | 0:11:17 | |
-John, great to see you. -And you. -I've heard so much about this place. | 0:11:17 | 0:11:22 | |
-Let me show you around. -Love to. | 0:11:22 | 0:11:24 | |
The tradition of fairs dates back at least 800 years | 0:11:24 | 0:11:28 | |
and was a chance for traders to sell their wares. | 0:11:28 | 0:11:31 | |
Over time, acrobats, musicians and performers also joined the mix. | 0:11:31 | 0:11:37 | |
But what really revolutionised the experience was steam, | 0:11:37 | 0:11:40 | |
providing everything from the rides to the music. | 0:11:40 | 0:11:43 | |
Oh, look at that! So when was this made? | 0:11:43 | 0:11:47 | |
Well, this would have been made before the war, | 0:11:47 | 0:11:50 | |
this is actually a German organ. It was overhauled | 0:11:50 | 0:11:52 | |
and Father bought it in '62 or '63, I think. | 0:11:52 | 0:11:55 | |
Just because he loved the sound. | 0:11:55 | 0:11:57 | |
It brought back his childhood memories | 0:11:57 | 0:12:00 | |
when he went to the fair and heard nothing but fairground organs. | 0:12:00 | 0:12:03 | |
-Does it still play? -Indeed it does. We'll crank it up. -Come on, then. | 0:12:03 | 0:12:08 | |
FAIRGROUND MUSIC | 0:12:08 | 0:12:10 | |
-That is absolutely incredible, it's so loud, isn't it? -Yeah. | 0:12:18 | 0:12:21 | |
But I suppose, in the hustle and bustle of a fairground, | 0:12:21 | 0:12:24 | |
-it needed that volume to get an attraction. -It did. | 0:12:24 | 0:12:28 | |
Of course, there were many other fairground organs | 0:12:28 | 0:12:31 | |
in the fair at that time, including inside the rides. | 0:12:31 | 0:12:33 | |
In the 1860s, the arrival of the steam-powered merry-go-round | 0:12:33 | 0:12:37 | |
had some people fearing for their children's lives. | 0:12:37 | 0:12:40 | |
But despite their concerns of injury and explosion, | 0:12:40 | 0:12:45 | |
the ride went on to become a classic. | 0:12:45 | 0:12:47 | |
I've never seen one of those. | 0:12:47 | 0:12:50 | |
Well, you wouldn't have done, | 0:12:50 | 0:12:51 | |
-because this is the only one in the world. -Is it, really? | 0:12:51 | 0:12:54 | |
It's really an antique, yes. | 0:12:54 | 0:12:56 | |
-At the time, people would stand 50 deep to watch this. -Really? | 0:12:56 | 0:13:01 | |
Yeah, just going round. | 0:13:01 | 0:13:03 | |
Not only is this penny ride the only one of its kind, | 0:13:03 | 0:13:07 | |
it's also a local, produced in the Norfolk factory of Frederick Savage. | 0:13:07 | 0:13:12 | |
It was always rumoured that when the showmen paid for these things, | 0:13:12 | 0:13:17 | |
they would take sacks of pennies to pay for them. | 0:13:17 | 0:13:20 | |
Wow. | 0:13:20 | 0:13:22 | |
And the people who built them | 0:13:22 | 0:13:24 | |
-obviously had to count all those pennies out. -Yeah. | 0:13:24 | 0:13:27 | |
-Does this still work? -Indeed it does, yes. We run this every day. | 0:13:27 | 0:13:31 | |
-Would you like a ride? -I was hoping you were going to say that! | 0:13:31 | 0:13:34 | |
Come on, lead the way. | 0:13:34 | 0:13:35 | |
Of course, the organ would be playing. | 0:13:38 | 0:13:40 | |
I never went to sea because I got seasick. | 0:13:40 | 0:13:43 | |
The feeling's coming back to me. | 0:13:43 | 0:13:46 | |
HE LAUGHS | 0:13:46 | 0:13:48 | |
Oh, James, you big old girl's blouse! | 0:13:48 | 0:13:51 | |
You just sit back and enjoy the ride. | 0:13:51 | 0:13:54 | |
Anita's headed to the seaside town of Sheringham, | 0:13:58 | 0:14:02 | |
the jewel in the north Norfolk coast | 0:14:02 | 0:14:05 | |
where she's greeted by another classic. | 0:14:05 | 0:14:08 | |
Maybe you could exterminate your competitor with some fine finds in here, Anita! | 0:14:08 | 0:14:12 | |
SHE LAUGHS | 0:14:12 | 0:14:15 | |
-Could be an interesting shop. Love your Dalek. -He's gorgeous, isn't he? | 0:14:15 | 0:14:19 | |
-Is he for sale? -No, no, no! | 0:14:19 | 0:14:23 | |
Perhaps just as well. Best we see what else Glenda has to offer. | 0:14:23 | 0:14:28 | |
There's certainly a diverse range. | 0:14:28 | 0:14:30 | |
And after the most thorough of searches, | 0:14:30 | 0:14:32 | |
Anita's rather keen on this. | 0:14:32 | 0:14:34 | |
Good quality, no name. Probably Italian. Probably Murano glass. | 0:14:34 | 0:14:40 | |
(I quite like that.) | 0:14:40 | 0:14:42 | |
While Murano glass dates back to the 10th century, | 0:14:42 | 0:14:45 | |
this piece practically screams the early '70s. | 0:14:45 | 0:14:49 | |
But not to worry, in the world of antiques and collectables, | 0:14:49 | 0:14:52 | |
glass is hot right now. | 0:14:52 | 0:14:53 | |
Which could explain why there's no price tag, or it's fallen off. | 0:14:53 | 0:14:57 | |
-Could I make an offer? -Yeah. | 0:14:57 | 0:14:59 | |
£20. That's what I'd like to pay on him. | 0:14:59 | 0:15:04 | |
-OK. -Shall we go for it? -We'll go for £20. -But Anita's not done yet. | 0:15:04 | 0:15:09 | |
Something curious has caught her eye. No, not that, this. | 0:15:09 | 0:15:13 | |
-This is a shortbread mould. -Yeah. | 0:15:15 | 0:15:18 | |
-And it's probably late 19th-early 20th century. -Think so? | 0:15:18 | 0:15:22 | |
-It's a country piece. -It is, yes. | 0:15:22 | 0:15:25 | |
Actually, I think that country might be Scandinavia. | 0:15:25 | 0:15:29 | |
And given the size of the mould, | 0:15:29 | 0:15:31 | |
it was probably used by a high-street baker. | 0:15:31 | 0:15:33 | |
But £45? Really? | 0:15:33 | 0:15:37 | |
If I was buying this, | 0:15:37 | 0:15:40 | |
I would be looking to buy it in the region of £12-18. | 0:15:40 | 0:15:46 | |
-Right. I would've liked it as close to 20 as possible. -How about 15? -OK. | 0:15:46 | 0:15:50 | |
-Can we do 15? -We'll do 15. -That's wonderful, thank you very much. | 0:15:50 | 0:15:54 | |
Thank you. | 0:15:54 | 0:15:55 | |
After a slow start yesterday, | 0:15:55 | 0:15:58 | |
Anita now has three auction lots up her sleeve. | 0:15:58 | 0:16:02 | |
AND she's got her determined stride on. | 0:16:02 | 0:16:05 | |
Though things aren't going nearly as well for James, | 0:16:05 | 0:16:08 | |
as I'm afraid there's bad news about the fossil collection. | 0:16:08 | 0:16:12 | |
'I think that yesterday when you were in the shop, you asked my dad | 0:16:12 | 0:16:15 | |
'if they came from a local auction | 0:16:15 | 0:16:17 | |
-'or if they came from a country house.' -Yeah. | 0:16:17 | 0:16:20 | |
'And he got muddled up, they actually came from both. | 0:16:20 | 0:16:24 | |
'They came from the local country house, | 0:16:24 | 0:16:26 | |
'but I bought them at auction.' | 0:16:26 | 0:16:28 | |
Oh, right. Where did you buy them from? | 0:16:28 | 0:16:30 | |
'I bought them from a Keys auction, | 0:16:30 | 0:16:33 | |
'from their antiques sale, which is in Aylsham.' | 0:16:33 | 0:16:36 | |
I know exactly where it is. That's where I'm taking them to. | 0:16:36 | 0:16:41 | |
-'Ah! OK.' -OK. | 0:16:41 | 0:16:44 | |
Even worse, at that auction they sold for £70. | 0:16:44 | 0:16:48 | |
Oh, jeez! | 0:16:48 | 0:16:50 | |
But the good news is Luke's prepared to refund two-thirds | 0:16:50 | 0:16:55 | |
of the £215 James gave him. Wow! | 0:16:55 | 0:16:58 | |
If I give you a fiver profit, and took them to Keys and just... | 0:16:58 | 0:17:04 | |
just because they are the most wacky things I have ever seen, | 0:17:04 | 0:17:07 | |
what would you say? | 0:17:07 | 0:17:09 | |
'Actually, yes, let's do it.' | 0:17:09 | 0:17:12 | |
-Will you? -'Yup. I would be happy to do that because this is a mess that I have made.' | 0:17:12 | 0:17:19 | |
Ah, yes. So that we are all clear here, | 0:17:19 | 0:17:22 | |
as the fossils have recently been bought from | 0:17:22 | 0:17:25 | |
the auction house we are going to, Luke is kindly dropping the price from £215 down to £75. | 0:17:25 | 0:17:31 | |
Which hopefully means all parties are happy. | 0:17:31 | 0:17:34 | |
A very honest mistake made by his dad. | 0:17:34 | 0:17:36 | |
He has been an antiques dealer there for over 40 years | 0:17:36 | 0:17:39 | |
and to still take a much reduced profit. | 0:17:39 | 0:17:41 | |
But at least he has made a fiver, it is a couple of pints in the local pub. | 0:17:41 | 0:17:45 | |
Oh, good, a happy ending, I think, particularly for James. | 0:17:45 | 0:17:49 | |
Our next stop - Cromer - | 0:17:49 | 0:17:53 | |
a popular resort town often referred to as the gem of the Norfolk coast. | 0:17:53 | 0:17:58 | |
Oh, lovely! Lovely! | 0:17:58 | 0:18:00 | |
And there are lovely shops like Brisbane Antiques for Anita to browse. | 0:18:00 | 0:18:05 | |
-BELL RINGS -Hello, it is lovely to meet you and be in this fabulous wee town. | 0:18:05 | 0:18:10 | |
-Yeah, excellent. -This looks nice. | 0:18:10 | 0:18:13 | |
Yes, very nice and before long our canny Scot is finding herself | 0:18:13 | 0:18:19 | |
quite excited by Philip's knick-knacks. | 0:18:19 | 0:18:21 | |
This is rather sweet. It is a little ivory box. | 0:18:21 | 0:18:25 | |
And this cartouche here is probably gold. | 0:18:25 | 0:18:28 | |
I think this is probably Georgian. | 0:18:28 | 0:18:32 | |
It is a period piece. | 0:18:32 | 0:18:33 | |
And, because it is pre-1947, as far as the ivory goes | 0:18:33 | 0:18:37 | |
it is legal and above board. | 0:18:37 | 0:18:39 | |
Inside is a little toothpick. | 0:18:39 | 0:18:43 | |
This is the type of thing that a fine Georgian gentleman would | 0:18:43 | 0:18:48 | |
have in his pocket, and after lunch would take his little ivory box out, | 0:18:48 | 0:18:55 | |
take his little silver toothpick out and make himself lovely again. | 0:18:55 | 0:19:00 | |
And for the ladies, | 0:19:00 | 0:19:02 | |
Anita is thinking this gold brooch - Edwardian and fabulous. | 0:19:02 | 0:19:07 | |
It has a lovely turquoise and little row of seed pearls. | 0:19:07 | 0:19:12 | |
Now, this is in the shape of a wishbone. | 0:19:12 | 0:19:16 | |
Maybe if I buy this brooch I might get my wish to make a profit. | 0:19:16 | 0:19:21 | |
Well, if anyone can twist Philip's arm, it's you, Anita. Watch out! | 0:19:21 | 0:19:25 | |
I quite like the wee ivory box. Could it be sold for £45-£50? | 0:19:25 | 0:19:31 | |
I'd do a straight 50 on that | 0:19:32 | 0:19:34 | |
and that would give you a chance on that. And 60 on that. | 0:19:34 | 0:19:37 | |
I tell you what, what I would like to buy the two for is £100. | 0:19:38 | 0:19:42 | |
-That is what I would like to buy the two for. -I will do 100. | 0:19:42 | 0:19:45 | |
-Would you? -Yeah, that will give you a chance. | 0:19:45 | 0:19:48 | |
Oh, you're a darling! Thank you so much! | 0:19:48 | 0:19:50 | |
As for James, he's in Aldborough, | 0:19:50 | 0:19:53 | |
looking round the village antiques store. | 0:19:53 | 0:19:56 | |
And after a wee bit of looking and some chin-rubbing, | 0:19:58 | 0:20:01 | |
James has found something to get his brain ticking. | 0:20:01 | 0:20:05 | |
As you'd expect for an Arts and Crafts style clock, it is carved in oak. | 0:20:05 | 0:20:08 | |
And at the top here we have these very stylised flag irises. | 0:20:08 | 0:20:14 | |
The whole shape is typical of the Arts and Crafts period - 1870, 1890. | 0:20:14 | 0:20:21 | |
With a very plain dial and the screws are prominent, not hidden. | 0:20:21 | 0:20:28 | |
Because the idea of the Arts and Crafts is you show how it's made. | 0:20:28 | 0:20:32 | |
It is, however, not as early as it looks. | 0:20:32 | 0:20:34 | |
It's 20th century, probably around 1930, | 0:20:34 | 0:20:39 | |
maybe even later than the Arts and Crafts style. | 0:20:39 | 0:20:42 | |
-How much is it? -I could do 30 quid. -I don't think it would make... | 0:20:42 | 0:20:47 | |
-By the time the commission gets taken off. -This is the problem. 25. | 0:20:47 | 0:20:51 | |
I think there is a profit in that one. | 0:20:51 | 0:20:53 | |
OK, that is something to think about. | 0:20:53 | 0:20:55 | |
What is this one, this little chap here? | 0:20:55 | 0:20:58 | |
-Oh, it is not as nice, is it? -No. | 0:20:58 | 0:21:01 | |
I'll do the two for 30 quid. | 0:21:01 | 0:21:03 | |
-Now there must be a profit. -30? | 0:21:03 | 0:21:07 | |
Would 20 buy them? | 0:21:07 | 0:21:10 | |
-By the time they take the commission off. -I know. | 0:21:10 | 0:21:13 | |
-Hang on, I'll get my handkerchief out in a minute. -Go on. | 0:21:13 | 0:21:15 | |
-25. How's that? -That's a deal. -OK. | 0:21:15 | 0:21:20 | |
That's James done and dusted then, and just moments | 0:21:20 | 0:21:23 | |
after his departure, guess who's also in the neighbourhood? | 0:21:23 | 0:21:26 | |
Hi! Are you Terry? | 0:21:26 | 0:21:29 | |
-Lovely to meet you. -What are you doing here? I just seen a friend of yours a while ago. | 0:21:29 | 0:21:34 | |
-Has that big besom James Lewis been here? -Yes, he certainly has. | 0:21:34 | 0:21:38 | |
-Has he bought all the bargains? -Well, he may have done. -Oh, no! | 0:21:38 | 0:21:42 | |
I am not 100 percent sure. | 0:21:42 | 0:21:44 | |
Don't you worry, Anita, | 0:21:44 | 0:21:46 | |
I'm sure Terry will hand you a bargain on a platter(!) | 0:21:46 | 0:21:49 | |
This wee thing here, it's not a thing of any great significance. | 0:21:49 | 0:21:55 | |
Not going to make a lot of money, | 0:21:55 | 0:21:57 | |
BUT I have another two items which I thought | 0:21:57 | 0:22:00 | |
I might put THIS with my other items to make a wee lot. | 0:22:00 | 0:22:04 | |
Well, you're going to tell me you are hard up and you need to make a profit, so three quid? | 0:22:04 | 0:22:09 | |
ANITA LAUGHS | 0:22:09 | 0:22:11 | |
-How's that? -It is a very generous sort of price. But... | 0:22:11 | 0:22:18 | |
I thought there might be. What? | 0:22:18 | 0:22:21 | |
I am looking to put it with another item. | 0:22:21 | 0:22:24 | |
It is just to bulk up the item | 0:22:24 | 0:22:26 | |
and I was wondering if you could give me it for £1? | 0:22:26 | 0:22:29 | |
Oh, take the damn thing! God! | 0:22:29 | 0:22:31 | |
And so, shopping over, let's see what they bought. | 0:22:31 | 0:22:35 | |
James started this leg with a very solid £428.20 | 0:22:35 | 0:22:39 | |
and after paying a reduced price on that fossil collection, | 0:22:39 | 0:22:44 | |
his total spend comes to £200 for five auction lots. | 0:22:44 | 0:22:47 | |
Dem bones... | 0:22:47 | 0:22:50 | |
The Art Deco inkwell... | 0:22:50 | 0:22:52 | |
The ornamental gong... | 0:22:52 | 0:22:53 | |
The log bin... | 0:22:53 | 0:22:55 | |
And two clocks. | 0:22:55 | 0:22:57 | |
Anita meanwhile, began with £306.84 | 0:22:58 | 0:23:01 | |
and has been just as frugal as ever, spending just £148 | 0:23:01 | 0:23:05 | |
also on five auction lots, | 0:23:05 | 0:23:08 | |
consisting of the shortbread mould... | 0:23:08 | 0:23:12 | |
The glass pussycat... | 0:23:12 | 0:23:13 | |
The ivory toothpick box... | 0:23:13 | 0:23:15 | |
The Edwardian brooch... | 0:23:15 | 0:23:17 | |
And the mix of Murano glass and pottery. | 0:23:17 | 0:23:18 | |
But what do our experts really think of each other's items? | 0:23:18 | 0:23:23 | |
James' two clocks might struggle. | 0:23:24 | 0:23:27 | |
They are standard auction fare. | 0:23:27 | 0:23:30 | |
And this type of item has gone down in price. | 0:23:30 | 0:23:34 | |
But the little clock with the enamelled face deserves £25, | 0:23:34 | 0:23:40 | |
but maybe only in a retail situation. | 0:23:40 | 0:23:43 | |
I think he might be lucky to get out of that one. | 0:23:43 | 0:23:46 | |
I don't think Anita's got anything that's going to make big money. | 0:23:46 | 0:23:49 | |
But then again, | 0:23:49 | 0:23:51 | |
I don't think she's got anything there where she's going to lose either. | 0:23:51 | 0:23:54 | |
She's been very canny in the way she's spent, | 0:23:54 | 0:23:57 | |
hasn't spent very much money at all. | 0:23:57 | 0:24:00 | |
Whereas I have spent loads more money. Loads more. | 0:24:00 | 0:24:04 | |
After teeing off in Fakenham, | 0:24:04 | 0:24:06 | |
Anita and James end this leg | 0:24:06 | 0:24:09 | |
with an auction showdown in the country village of Aylsham. | 0:24:09 | 0:24:13 | |
Our experts are taking their wares | 0:24:13 | 0:24:15 | |
to the weekly auction at Keys Auctionners | 0:24:15 | 0:24:18 | |
with James having won the first two legs of this trip. | 0:24:18 | 0:24:21 | |
So, without further ado, let the auction begin! | 0:24:21 | 0:24:25 | |
First up, Anita's 1960s Murano glass pussy. Meow! | 0:24:26 | 0:24:33 | |
At 30 in the middle of the room now. 32 at the back. 32. | 0:24:33 | 0:24:37 | |
35? 35. 38? 38. | 0:24:37 | 0:24:41 | |
40? No encouragement from the front there. 40 there. At 40. | 0:24:41 | 0:24:44 | |
42? 42 now. We will take it then at £42... | 0:24:45 | 0:24:50 | |
We're off to an exciting start! | 0:24:51 | 0:24:52 | |
That's a pre-commission profit of £22. | 0:24:52 | 0:24:56 | |
Well done. | 0:24:56 | 0:24:58 | |
Let's see if James' Arts and Crafts log bin can do better. | 0:24:59 | 0:25:04 | |
£50 start? £30 start? £30. I'm bid at 30. | 0:25:04 | 0:25:08 | |
32, I have in the middle of the room now. 32. | 0:25:08 | 0:25:11 | |
A fresh bid at 35. 38. | 0:25:11 | 0:25:13 | |
At 38, the hammer is up, I shall sell then. At £38... | 0:25:13 | 0:25:18 | |
Well! | 0:25:18 | 0:25:19 | |
That was disappointing. | 0:25:19 | 0:25:21 | |
-I thought it would do more than that. -I mean, really?! | 0:25:21 | 0:25:25 | |
Huge loss. | 0:25:26 | 0:25:27 | |
£22, to be exact, old bean. | 0:25:27 | 0:25:30 | |
Although, on a happier note, if you would like to make the world's | 0:25:30 | 0:25:33 | |
biggest shortbread biscuit, | 0:25:33 | 0:25:35 | |
then look no further than Anita's next lot. | 0:25:35 | 0:25:38 | |
Look at that! How striking! | 0:25:38 | 0:25:41 | |
Opening bid here, beside me at 30. | 0:25:41 | 0:25:43 | |
You are all out in the room, at £30 I have. | 0:25:43 | 0:25:45 | |
At £30. 32. | 0:25:45 | 0:25:49 | |
35? 35. 38? 38? 38. 40? | 0:25:49 | 0:25:53 | |
42. Right-hand side, takes it then at 42... | 0:25:53 | 0:25:57 | |
So far our canny Anita is in the money. | 0:25:57 | 0:26:00 | |
That is another profit of £27. Hooray! | 0:26:00 | 0:26:04 | |
Time for James' collection of early 20th-century clocks. | 0:26:06 | 0:26:09 | |
Which even HE is beginning to doubt. | 0:26:09 | 0:26:12 | |
I like the stylised irises. It is a good heavy solid oak clock. | 0:26:12 | 0:26:17 | |
The other one's an also-ran. | 0:26:17 | 0:26:20 | |
£50 is the opening bid beside me now. | 0:26:20 | 0:26:22 | |
At 50, 50 the opening bed is 50. 55. | 0:26:22 | 0:26:25 | |
-60. 65. -Go on! -He's got a bid on the book. | 0:26:25 | 0:26:28 | |
70, 75. 80. 85. 90. | 0:26:28 | 0:26:32 | |
Right beside me at 90. | 0:26:32 | 0:26:35 | |
All done then at 90. £90 goes to commission. | 0:26:35 | 0:26:38 | |
Bravo, James. That's a sensational profit of £65. | 0:26:38 | 0:26:42 | |
That was good. That was... Stunned into complete silence. | 0:26:42 | 0:26:46 | |
Onto Anita's mixed lot now, | 0:26:46 | 0:26:48 | |
which from Murano glass | 0:26:48 | 0:26:51 | |
to Scandinavian pottery, has it all. | 0:26:51 | 0:26:54 | |
£10. Five for it? Do I hear £5 anywhere for it? | 0:26:54 | 0:26:59 | |
Five pounds. Five. Eight? | 0:26:59 | 0:27:02 | |
Do you want 10, madam? Ten it is now. At 10. | 0:27:02 | 0:27:05 | |
12 in the middle of the room. | 0:27:05 | 0:27:06 | |
At 15. A fresh bidder. At 15. | 0:27:06 | 0:27:10 | |
At 15 then and selling. 15. | 0:27:10 | 0:27:12 | |
I thought they were going to sell it at five for a minute. | 0:27:12 | 0:27:15 | |
I know. Maybe you should have taken that plaque for nothing! | 0:27:15 | 0:27:20 | |
Yap, a poor showing there. But moving on... | 0:27:20 | 0:27:23 | |
it's James' Art Deco desk stand. | 0:27:23 | 0:27:25 | |
Finely adorned | 0:27:27 | 0:27:28 | |
with a family of heffalumps! | 0:27:28 | 0:27:30 | |
Starting me at £50 on this lot here? At 50? 30? £20 start. | 0:27:30 | 0:27:34 | |
20, I'm bid in the middle of the room. | 0:27:34 | 0:27:38 | |
20? 20? 22? | 0:27:38 | 0:27:39 | |
25, 28. 30. 32. | 0:27:39 | 0:27:43 | |
35. 38. 40. 42. 45. | 0:27:43 | 0:27:46 | |
48. 50. 55. 60. 65. | 0:27:46 | 0:27:49 | |
70. 75. No. 75. | 0:27:51 | 0:27:54 | |
At 75. 75 and all done. | 0:27:54 | 0:27:56 | |
Hammer's up and away then at 75. | 0:27:56 | 0:27:59 | |
Well blow me down, that's a result and a half! | 0:27:59 | 0:28:02 | |
Not to mention a £55 profit pre-commission. | 0:28:02 | 0:28:05 | |
Something to trumpet about. | 0:28:05 | 0:28:07 | |
Yup, here is hoping the bidders are just as passionate | 0:28:07 | 0:28:10 | |
when it comes to Anita's Edwardian gold brooch. | 0:28:10 | 0:28:14 | |
-I think we both liked that. -Yeah, the wishbone. -Yeah! | 0:28:14 | 0:28:17 | |
£40 is the bid beside me here. | 0:28:17 | 0:28:20 | |
-Straight in at what you paid. -£40 now. At 40, 42. 45. 48. | 0:28:20 | 0:28:25 | |
50? No. At 50. 55, fresh bidder. 55. | 0:28:25 | 0:28:29 | |
60. 60 beside me. Still at 60. You're out in the room. | 0:28:29 | 0:28:34 | |
60. £60 goes to commission. | 0:28:34 | 0:28:36 | |
Not a bad result. But we were hoping for better. | 0:28:37 | 0:28:41 | |
-Next it's James' rather amusing table gong. -We will start at £50. | 0:28:42 | 0:28:48 | |
50? 30? Is the bid at 30? | 0:28:48 | 0:28:52 | |
32 - I have now. At 35. 38. 38, 40? | 0:28:52 | 0:28:57 | |
£40. Now at 40. | 0:28:57 | 0:28:59 | |
40. 42. 45? | 0:28:59 | 0:29:02 | |
45, 48 at the back now. At 48. | 0:29:02 | 0:29:05 | |
48. The hammer's up, I will sell at £48. £48. | 0:29:05 | 0:29:10 | |
-That is a good profit. -It is. | 0:29:10 | 0:29:12 | |
I am happy with that. | 0:29:12 | 0:29:14 | |
And so you should be, James. | 0:29:14 | 0:29:16 | |
£28, that is not to be sniffed at. | 0:29:16 | 0:29:19 | |
One of my favourites now - | 0:29:21 | 0:29:23 | |
Anita's Georgian ivory toothpick box, | 0:29:23 | 0:29:26 | |
complete with silver toothpick. | 0:29:26 | 0:29:28 | |
That is a lovely classic little Georgian antique. | 0:29:28 | 0:29:31 | |
46 is the opening bid. 46. 46. 46. 48. | 0:29:31 | 0:29:37 | |
48. A fresh bid at 50. 55 now. | 0:29:37 | 0:29:41 | |
At 55. At 55 now. Hammer's up. We will sell then. At 55. | 0:29:41 | 0:29:46 | |
Oh, a bit disappointed at that. | 0:29:46 | 0:29:48 | |
I'll say. That was very surprising. | 0:29:48 | 0:29:52 | |
But the drama isn't over yet. | 0:29:53 | 0:29:55 | |
We are ending with a lot that's | 0:29:55 | 0:29:57 | |
no stranger to this auction house - | 0:29:57 | 0:29:59 | |
it's James' infamous | 0:29:59 | 0:30:00 | |
fossil collection. | 0:30:00 | 0:30:02 | |
Anybody start me here at £100 on this lot here? £100 is the bid. | 0:30:02 | 0:30:07 | |
It is right beside me here. We have an opening bid of £100 now. | 0:30:07 | 0:30:11 | |
The hammer is up at £100 and selling. £100 goes to commission. | 0:30:11 | 0:30:16 | |
Never mind, you made a profit, James. | 0:30:16 | 0:30:18 | |
Yes, against the odds, too. | 0:30:18 | 0:30:20 | |
The story of James' fossils has a happy ending, for James. | 0:30:20 | 0:30:25 | |
Anita, though, started this leg with £306.84. | 0:30:25 | 0:30:29 | |
And has made a modest profit of £27.48. | 0:30:29 | 0:30:32 | |
Giving her a grand total of £334.32 | 0:30:32 | 0:30:37 | |
to spend going forward, bless her. | 0:30:37 | 0:30:41 | |
James, meanwhile, began with £428.20. | 0:30:41 | 0:30:44 | |
And after another cracking auction, | 0:30:44 | 0:30:47 | |
he's made a profit of £87.82, which means the lead is still his | 0:30:47 | 0:30:53 | |
with £516.02 in the kitty. Cheer up! | 0:30:53 | 0:30:58 | |
What a day. Do you know, I will never ever try and predict an auction again. | 0:30:58 | 0:31:05 | |
The things that we thought were going to do well didn't. | 0:31:05 | 0:31:09 | |
And other things that we weren't too sure about went up in price. | 0:31:09 | 0:31:13 | |
-Yeah, completely crazy. -Where are we going, James? -Suffolk. | 0:31:13 | 0:31:18 | |
-That sounds nice. -I've never been to Suffolk. -Neither have I. | 0:31:18 | 0:31:22 | |
-Adventure. -Adventure. | 0:31:22 | 0:31:23 | |
This trip kicked off in Pateley Bridge, Yorkshire | 0:31:26 | 0:31:28 | |
and now heads south, via East Anglia, | 0:31:28 | 0:31:30 | |
and on to the West Country, | 0:31:30 | 0:31:32 | |
reaching its conclusion in Cirencester. | 0:31:32 | 0:31:35 | |
But right now, we're en route to Needham Market in Suffolk | 0:31:36 | 0:31:39 | |
and we'll end this leg with an auction in Bedford. | 0:31:39 | 0:31:43 | |
Back in its day, Needham Market thrived, thanks to wool. | 0:31:48 | 0:31:52 | |
But the plague of 1663 put something of a spanner in the works, | 0:31:52 | 0:31:57 | |
as the town was ultimately chained off | 0:31:57 | 0:31:59 | |
and two thirds of the population perished. Oh, dear. | 0:31:59 | 0:32:03 | |
OK, darling. I'm going on to the next town. Have fun in there. | 0:32:03 | 0:32:09 | |
-I will. -And remember, James... | 0:32:09 | 0:32:12 | |
-spend, spend, spend. -Not a chance! | 0:32:12 | 0:32:15 | |
-You spend if you want to. Not me. -THEY LAUGH | 0:32:15 | 0:32:19 | |
So, as Anita heads off James enters his first shop, | 0:32:19 | 0:32:22 | |
weighed down by his hefty £516. | 0:32:22 | 0:32:25 | |
-Hi. -Hi, how are you? -I'm James, nice to see you. | 0:32:25 | 0:32:27 | |
-Ellie. -Hi, Ellie. Hi. | 0:32:27 | 0:32:30 | |
And here, in the Station Yard Emporium, | 0:32:30 | 0:32:33 | |
there's a little something for everyone. | 0:32:33 | 0:32:36 | |
That's a nice little thing. | 0:32:36 | 0:32:38 | |
Good, practical, useful box. | 0:32:40 | 0:32:43 | |
Bridge written across the front. | 0:32:43 | 0:32:46 | |
Little angles on it, even got the original playing cards | 0:32:46 | 0:32:50 | |
and a drop-down front. | 0:32:50 | 0:32:52 | |
But the great news is that bridge is as fashionable today as it was then. | 0:32:52 | 0:32:57 | |
Anita's hurtling towards | 0:32:57 | 0:33:01 | |
the historic market town of Framlingham | 0:33:01 | 0:33:03 | |
or, as the locals call it, Fram. | 0:33:03 | 0:33:05 | |
This neck of the woods is also where, in 1553, | 0:33:05 | 0:33:09 | |
Mary Tudor took refuge and gathered supporters | 0:33:09 | 0:33:13 | |
in order to campaign for her rightful place on England's throne. | 0:33:13 | 0:33:17 | |
And speaking of campaigns, | 0:33:20 | 0:33:22 | |
Anita is to finally outbuy that old rogue James Lewis with her £334. | 0:33:22 | 0:33:29 | |
-Hi, I'm Anita. -Hello, Anita. | 0:33:29 | 0:33:32 | |
Which brings her to Witchball Antiques, | 0:33:32 | 0:33:34 | |
a shop she is already just a little bit in love with. | 0:33:34 | 0:33:37 | |
-Those, there's two prints, there. -Oh, right. | 0:33:37 | 0:33:41 | |
The National, Grand National. | 0:33:41 | 0:33:46 | |
Nice choice, though these John Beer prints of the 1903 Grand National | 0:33:46 | 0:33:51 | |
are priced at £145 the pair! | 0:33:51 | 0:33:54 | |
-Jill, we're in horsey country. -Yes, definitely. That's for sure. | 0:33:54 | 0:33:59 | |
We're going to an auction in Bedford, which is not too far, | 0:33:59 | 0:34:02 | |
surely there must be interest in horses there? | 0:34:02 | 0:34:05 | |
-Absolutely. -I do like them. | 0:34:05 | 0:34:07 | |
In that case, go on, make Jill an offer. | 0:34:07 | 0:34:10 | |
I dare you. | 0:34:10 | 0:34:12 | |
They're a wee bit dear for me. | 0:34:12 | 0:34:14 | |
Is there anything that we can do on price? | 0:34:14 | 0:34:17 | |
I'll get down to 60, but I can't do any better. | 0:34:18 | 0:34:22 | |
That is actually what I paid for them. | 0:34:22 | 0:34:24 | |
That's what you paid for them. You can't come any lower than that? | 0:34:24 | 0:34:27 | |
I don't want to take a loss. | 0:34:27 | 0:34:30 | |
To tell you the truth, I can't resist them, so it's a deal. Thank you. | 0:34:30 | 0:34:34 | |
Well done, Anita. | 0:34:34 | 0:34:36 | |
Back in Needham Market, James has found something else he likes. | 0:34:36 | 0:34:40 | |
To start with, we've got the city, Worcester, 1902. | 0:34:40 | 0:34:46 | |
Obviously, it tells you exactly what it is. | 0:34:46 | 0:34:48 | |
It's a plate made for the coronation of Edward, | 0:34:48 | 0:34:52 | |
Queen Victoria's son. | 0:34:52 | 0:34:54 | |
But you often get these in Staffordshire pottery | 0:34:54 | 0:34:58 | |
and they're fairly cheaply made most of the time, | 0:34:58 | 0:35:01 | |
but this one is a porcelain. | 0:35:01 | 0:35:03 | |
Turn it over and it has the Royal Worcester mark. | 0:35:03 | 0:35:07 | |
Turn it back and it has the same price tag as the bridge box. | 0:35:07 | 0:35:10 | |
My favourite price of £22.50. | 0:35:10 | 0:35:13 | |
I'll ask what their best is on that. | 0:35:13 | 0:35:17 | |
And I'll see if I can do a deal on that. | 0:35:17 | 0:35:19 | |
See how we go. | 0:35:19 | 0:35:22 | |
The woman to talk to is our Ellie. | 0:35:22 | 0:35:26 | |
What would be, what could you do that for? | 0:35:26 | 0:35:29 | |
Are they very flexible at the front, there? | 0:35:30 | 0:35:33 | |
Well, it would normally be 20. | 0:35:33 | 0:35:37 | |
-18? -18, OK. | 0:35:37 | 0:35:38 | |
The same for that one, I think. | 0:35:38 | 0:35:41 | |
-35 for the two. -35. | 0:35:41 | 0:35:44 | |
-That would probably be the best on them. -OK. | 0:35:44 | 0:35:48 | |
The only thing that's worrying me about that is the fact it's lost a tray inside. | 0:35:48 | 0:35:52 | |
It should have a little tray in there. | 0:35:52 | 0:35:54 | |
If they could be 30, I would take them. | 0:35:56 | 0:35:59 | |
-Yeah. -OK. 30 on those, that's a definite yes, then. | 0:36:01 | 0:36:05 | |
That was easy, wasn't it? | 0:36:05 | 0:36:07 | |
How is Anita getting on? | 0:36:07 | 0:36:10 | |
This is a little miniature microscope. | 0:36:10 | 0:36:14 | |
I like miniature things and they are very appealing to the buyers. | 0:36:14 | 0:36:18 | |
I think we are going into a collectors' sale, so this | 0:36:18 | 0:36:21 | |
is the type of thing which might be of interest to the buyers there. | 0:36:21 | 0:36:25 | |
It would have perhaps been used in maybe the turn of the century, | 0:36:25 | 0:36:29 | |
beginning of the 20th century. | 0:36:29 | 0:36:31 | |
I'm going to ask the price of it and see if I can get a deal on it. | 0:36:31 | 0:36:34 | |
As for the ticket price, £45. | 0:36:34 | 0:36:38 | |
I'd like to be buying it in the region of...15-20. | 0:36:39 | 0:36:46 | |
Is it possible anywhere near that? | 0:36:46 | 0:36:48 | |
I think it would probably have to be about £30. I don't think I can do any better than that. | 0:36:48 | 0:36:55 | |
I don't know if I'd be able to make a profit on that. | 0:36:55 | 0:36:59 | |
OK, I'll continue looking. There was another thing I was looking at. | 0:36:59 | 0:37:04 | |
The clock. The brass clock. | 0:37:04 | 0:37:07 | |
Hmm... Not bad, and by the look of it, | 0:37:07 | 0:37:09 | |
I think we're talking the Arts and Crafts period here. | 0:37:09 | 0:37:12 | |
I like the shape, I like the embossed flowers here. And it's ticking away. | 0:37:12 | 0:37:18 | |
-Your husband's sorted that out. -It does go. | 0:37:18 | 0:37:22 | |
Would I be able to buy that for about 20? | 0:37:22 | 0:37:27 | |
-Can I just...? Maybe 25, but I'd have... -To ask the boss? -Yes! | 0:37:27 | 0:37:33 | |
I thought you were the boss! | 0:37:33 | 0:37:36 | |
The thing is, the many clocks in this shop belong to Jill's husband, who repairs them for a living. | 0:37:36 | 0:37:42 | |
The final say on this goes to him. | 0:37:42 | 0:37:45 | |
-Anita. -How did you get on? -I can do £30 on that for you. | 0:37:47 | 0:37:50 | |
But the other piece, the little microscope, he can do 20. | 0:37:50 | 0:37:54 | |
-He can do 20? -Yes. So does that help? | 0:37:54 | 0:37:58 | |
Ah-ha. It helps... | 0:37:58 | 0:38:01 | |
-What it's given me now is a dilemma, which one do I like the most? -I see. Which one to buy? | 0:38:01 | 0:38:07 | |
If I take two of them, can you knock another wee bit off? | 0:38:07 | 0:38:13 | |
-How about 45 for the two? -45, will we go for it? It's a deal! Thank you so much. | 0:38:13 | 0:38:19 | |
Extremely chuffed with the morning's shopping, | 0:38:19 | 0:38:22 | |
Anita's next stop is what's considered to be | 0:38:22 | 0:38:25 | |
the birthplace of thoroughbred horse racing. | 0:38:25 | 0:38:29 | |
Where else but Newmarket? | 0:38:29 | 0:38:31 | |
After all, they've been racing here as far back as 1622 | 0:38:36 | 0:38:41 | |
and currently, the town is home to more than 50 trainers, | 0:38:41 | 0:38:44 | |
not to mention 3,000 racehorses, | 0:38:44 | 0:38:47 | |
making it the logical location of the National Horseracing Museum. | 0:38:47 | 0:38:53 | |
Alan, how lovely to meet you. | 0:38:53 | 0:38:55 | |
I'm so excited to be in this museum because I am a girl who loves horses. | 0:38:55 | 0:39:01 | |
-Excellent. We've got some wonderful things to show you. -Lead on. | 0:39:01 | 0:39:05 | |
Amongst the many exhibits, there's everything from a skeleton of Hyperion, | 0:39:06 | 0:39:12 | |
considered by some the greatest thoroughbred racer of the 20th century... | 0:39:12 | 0:39:16 | |
He was a small horse, only 15 hands. | 0:39:16 | 0:39:19 | |
But he had a tremendous engine and a wonderful stride. | 0:39:19 | 0:39:23 | |
..to the silks of some of the world's most acclaimed jockeys, | 0:39:23 | 0:39:28 | |
such as local boy Francis Buckle, also known as the Pocket Hercules, | 0:39:28 | 0:39:32 | |
who first raced in 1783 weighing just 3 stone 13 pounds. | 0:39:32 | 0:39:37 | |
Gosh! And then there's the legendary Frankie Dettori | 0:39:37 | 0:39:42 | |
who, in 1996, achieved the miraculous feat of winning seven races on a single day at Ascot. | 0:39:42 | 0:39:49 | |
I was there that day and as each race went on, | 0:39:49 | 0:39:52 | |
it became more incredible - "He can't surely win the next race!" | 0:39:52 | 0:39:57 | |
It came to the seventh race and he was on this not very fancied horse. | 0:39:57 | 0:40:04 | |
But he managed to summon up something and put this horse on the line to win. | 0:40:04 | 0:40:10 | |
If only you had money on that, Anita! | 0:40:10 | 0:40:14 | |
Ah well, never mind. | 0:40:14 | 0:40:16 | |
On to the city of Cambridge she gallops, | 0:40:16 | 0:40:19 | |
home to one of Britain's most famous universities. | 0:40:19 | 0:40:23 | |
Established in the 13th century, | 0:40:23 | 0:40:26 | |
the likes of Francis Bacon, Sir Isaac Newton | 0:40:26 | 0:40:29 | |
and Charles Darwin all received their education right here. | 0:40:29 | 0:40:33 | |
Then, of course, there's the shopping. | 0:40:34 | 0:40:37 | |
-Hi. I'm Anita. -I'm David. Very nice to meet you. | 0:40:43 | 0:40:47 | |
It's lovely to be in Cambridge. | 0:40:47 | 0:40:49 | |
Now, while Gabor Cossa Antiques may not be the biggest shop in town, | 0:40:49 | 0:40:55 | |
it's certainly packed to the gunnels. | 0:40:55 | 0:40:58 | |
And what a range, inspiring Anita to forget her love of jewellery | 0:40:58 | 0:41:02 | |
and glass and opt for something outside the box. | 0:41:02 | 0:41:06 | |
This is a lovely little box of dolls' clothing. | 0:41:06 | 0:41:11 | |
On the top, we have a selection of hats from various periods and styles. | 0:41:11 | 0:41:18 | |
Look at this rather elaborate affair here, | 0:41:18 | 0:41:21 | |
which would probably be worn by a dowager duchess. | 0:41:21 | 0:41:26 | |
A pair of Victorian bloomers. | 0:41:26 | 0:41:28 | |
No girl should be without a pair! | 0:41:28 | 0:41:32 | |
I think I'll have a word with David about this little box. | 0:41:33 | 0:41:37 | |
Because after all, a price tag of £45 is just a little high for our Anita. | 0:41:37 | 0:41:42 | |
I have mixed feelings about this sort of thing. | 0:41:42 | 0:41:46 | |
I find dolls' things actually a little creepy. | 0:41:46 | 0:41:48 | |
But on the other hand, I'm quite attracted to it as well, | 0:41:48 | 0:41:51 | |
not that I want to dress up dolls! | 0:41:51 | 0:41:54 | |
But there's something about little things... | 0:41:54 | 0:41:57 | |
-I thought that this would be fun to buy. -I think it will be 35. | 0:41:57 | 0:42:01 | |
Would it be possible for you to come... | 0:42:01 | 0:42:05 | |
..to nearer the 25 limit? | 0:42:09 | 0:42:11 | |
I will take 27, if that's any good? | 0:42:11 | 0:42:14 | |
That's great. 27, I'm delighted with that. | 0:42:14 | 0:42:18 | |
And I think it's great fun, and it's nice really to have something different. | 0:42:18 | 0:42:23 | |
My thoughts exactly, which is probably why James is now headed back to Fram... | 0:42:23 | 0:42:27 | |
..into the very shop Anita did so well in yesterday. | 0:42:29 | 0:42:33 | |
-Hello. -Hello, James. -Lovely to see you. What a shop! | 0:42:33 | 0:42:38 | |
The only thing to consider is, with so many objects, | 0:42:38 | 0:42:41 | |
how can James possibly decide on just one? | 0:42:41 | 0:42:44 | |
Hmm! | 0:42:44 | 0:42:46 | |
It's, erm... | 0:42:47 | 0:42:49 | |
It's a tribal quiver, which would have been over the shoulder... | 0:42:50 | 0:42:55 | |
That should be tied on. | 0:42:55 | 0:42:58 | |
..with little steel barbed arrows | 0:42:58 | 0:43:03 | |
that are varying according to whatever you're trying to catch. | 0:43:03 | 0:43:09 | |
And do you know what? I'm thinking Amazon Pygmy circa 1895. | 0:43:09 | 0:43:15 | |
Funny old thing. How much is it? | 0:43:15 | 0:43:19 | |
-£20. -£20? -Yes. -Well, that's not going to break the bank. | 0:43:19 | 0:43:23 | |
But will it make a profit? And more importantly, | 0:43:25 | 0:43:28 | |
is James ready to make a decision this soon after lunch? | 0:43:28 | 0:43:32 | |
All right. So £20 for that. That's something to think about. | 0:43:32 | 0:43:36 | |
Righty-oh, then. | 0:43:36 | 0:43:38 | |
Back in Cambridge, Anita's moved on to the local antique centre, | 0:43:38 | 0:43:43 | |
where she's wasting no time in tracking down her next bargain. | 0:43:43 | 0:43:47 | |
-Stephen? -Yes, Anita. | 0:43:49 | 0:43:52 | |
There are a couple of Scottish items on this desk. | 0:43:52 | 0:43:56 | |
Well, I did say we have a complete mixture of merchandise. | 0:43:56 | 0:44:00 | |
Although it's made in Birmingham, I thought it was quite apt, | 0:44:00 | 0:44:05 | |
where we have this lovely thistle, | 0:44:05 | 0:44:08 | |
with the amethyst glass stone atop. | 0:44:08 | 0:44:12 | |
And in case you haven't guessed, | 0:44:12 | 0:44:15 | |
it's a Charles Horner hatpin holder, early 1900s. | 0:44:15 | 0:44:19 | |
Very stylish, and right next to it, | 0:44:19 | 0:44:21 | |
the item that made Charles Horner a household name, the hatpin. | 0:44:21 | 0:44:26 | |
I say...buy them both. | 0:44:26 | 0:44:29 | |
-I have to have a go at that, don't I? -Well, I think you should. | 0:44:29 | 0:44:32 | |
The Scottish connection. | 0:44:32 | 0:44:36 | |
Would it be possible to buy that in the region of...in the 20s? | 0:44:36 | 0:44:43 | |
-20, 25... Would it be possible? -Certainly not 20. -Not 20? | 0:44:43 | 0:44:48 | |
Because I know what it owes me. | 0:44:48 | 0:44:52 | |
-You've paid... -I could certainly do it for 25. | 0:44:52 | 0:44:56 | |
-25. -Which is nearly a 50% reduction. | 0:44:56 | 0:44:59 | |
It's very tempting. | 0:45:00 | 0:45:02 | |
-Are you going to throw that in with it? -I certainly am not! | 0:45:04 | 0:45:08 | |
My goodness gracious me! | 0:45:08 | 0:45:10 | |
Oh, well. It was worth a try. | 0:45:10 | 0:45:13 | |
What if I said you can have them both for a 50 pound note? | 0:45:13 | 0:45:18 | |
That's got to tempt you. | 0:45:18 | 0:45:20 | |
It's certainly tempting me. | 0:45:20 | 0:45:23 | |
It's certainly tempting me! I've got to take that. | 0:45:23 | 0:45:27 | |
-Well, OK. I'll get them wrapped up. -It's a deal. -And good luck with them. | 0:45:27 | 0:45:32 | |
Thank you. I'm very pleased at that. | 0:45:32 | 0:45:35 | |
And so you should be, girl! That's an absolute bargain. | 0:45:35 | 0:45:38 | |
James, on the other hand, loves just about everything he sees. | 0:45:38 | 0:45:43 | |
How about the shells for a group, for the whole lot? | 0:45:43 | 0:45:47 | |
50, OK. | 0:45:47 | 0:45:49 | |
I like that. | 0:45:49 | 0:45:51 | |
It's a good little group. | 0:45:51 | 0:45:54 | |
It's by a very well known factory called Royal Dux, | 0:45:54 | 0:45:59 | |
based in Czechoslovakia. | 0:45:59 | 0:46:01 | |
And the raised pink triangle mark is the earlier mark. | 0:46:01 | 0:46:06 | |
They were well known for doing this... | 0:46:06 | 0:46:10 | |
what's known as a blush ivory glaze, | 0:46:10 | 0:46:13 | |
which is quite matt, and then they would have a dusted gilt. | 0:46:13 | 0:46:18 | |
And in this shop, there's two pieces. | 0:46:18 | 0:46:21 | |
One group of donkeys, very nice, and one goat pulling a cart. | 0:46:21 | 0:46:26 | |
If you wanted the two, I could do them for...55. | 0:46:27 | 0:46:32 | |
-How about that? -55. OK. | 0:46:32 | 0:46:36 | |
Let's see... There's the quiver for £20, | 0:46:37 | 0:46:39 | |
the shells for 50 and the Royal Dux also 50, or 120 the lot. | 0:46:39 | 0:46:46 | |
What sort of deal could you do for all three? | 0:46:46 | 0:46:49 | |
I could take another £10 off, but that's it. | 0:46:49 | 0:46:54 | |
110. | 0:46:54 | 0:46:56 | |
Deal. | 0:46:58 | 0:46:59 | |
Thank you very much. | 0:46:59 | 0:47:01 | |
So, with their shopping done, let's see what they spent it on. | 0:47:01 | 0:47:05 | |
James started this leg with an impressive £516.02 | 0:47:05 | 0:47:11 | |
and has gone on to spend £140 on five auction lots, comprised of - | 0:47:11 | 0:47:15 | |
the collection of shells... | 0:47:15 | 0:47:18 | |
The Worcester commemorative plate... | 0:47:18 | 0:47:20 | |
The silver-mounted box... | 0:47:20 | 0:47:22 | |
The Royal Dux donkeys and goat... | 0:47:24 | 0:47:26 | |
And the unusual quiver and arrows. | 0:47:27 | 0:47:30 | |
Anita meanwhile, kicked off with £334.32 | 0:47:31 | 0:47:37 | |
and has parted with £182, also on five auction lots. | 0:47:37 | 0:47:42 | |
These are the two horse prints... | 0:47:42 | 0:47:45 | |
The brass clock... | 0:47:45 | 0:47:47 | |
The dolls' clothing... | 0:47:47 | 0:47:49 | |
The microscope... | 0:47:49 | 0:47:52 | |
And the Charles Horner hatpin and holder. | 0:47:52 | 0:47:57 | |
But what do our experts really think of each other's items? | 0:48:00 | 0:48:04 | |
The dolls' clothes really leave me totally cold, | 0:48:04 | 0:48:06 | |
but I do know that there is a great market for them. | 0:48:06 | 0:48:10 | |
And textiles, at the moment, are doing really well. | 0:48:10 | 0:48:13 | |
But dolls aren't. So it's going to be an interesting thing to see | 0:48:13 | 0:48:18 | |
whether the doll buyers are still prepared to pay a lot of money for miniature textiles. | 0:48:18 | 0:48:22 | |
The quiver and arrows... Well, is that not a typical James Lewis item? | 0:48:22 | 0:48:29 | |
For ten quid, it's not going to make all that much difference. | 0:48:29 | 0:48:33 | |
Not something I'd have bought, but there'll be somebody out there that wants them. | 0:48:33 | 0:48:38 | |
Here's hoping! | 0:48:38 | 0:48:40 | |
After beginning this leg in Needham Market, | 0:48:42 | 0:48:44 | |
Anita and James now end with an auction showdown | 0:48:44 | 0:48:48 | |
in the town of Bedford. | 0:48:48 | 0:48:50 | |
During World War II, | 0:48:50 | 0:48:52 | |
Bedfordshire effectively became the spy capital of Britain, | 0:48:52 | 0:48:56 | |
possibly due to its central location, | 0:48:56 | 0:48:58 | |
with everything from code-breaking | 0:48:58 | 0:49:00 | |
to the training of secret agents taking place right here. | 0:49:00 | 0:49:04 | |
Though more importantly for us, | 0:49:04 | 0:49:06 | |
it's also home to W&H Peacock, our auctioneers du jour. | 0:49:06 | 0:49:12 | |
Are you looking forward to it, James? | 0:49:12 | 0:49:13 | |
What do you think the answer is to that one? | 0:49:13 | 0:49:17 | |
-No! -We look forward to every auction! -I dread every auction. | 0:49:17 | 0:49:22 | |
-But the room's full. They're flowing out of the door. -Wow! | 0:49:22 | 0:49:25 | |
Doing the honours on the podium today is David Fletcher. | 0:49:30 | 0:49:34 | |
So, without further ado, let the auction begin. | 0:49:37 | 0:49:39 | |
First up, Anita's brass Arts and Crafts mantle clock. | 0:49:41 | 0:49:46 | |
-This is going to do well. -Let's hope so! | 0:49:46 | 0:49:49 | |
£50, may I say? | 0:49:49 | 0:49:50 | |
30? | 0:49:50 | 0:49:53 | |
Straight up. | 0:49:53 | 0:49:55 | |
40 online. | 0:49:55 | 0:49:57 | |
5. | 0:49:57 | 0:49:58 | |
50. 55. | 0:49:58 | 0:50:01 | |
Calm down. It's not you. You're not up there. | 0:50:01 | 0:50:03 | |
Stop it! Stop it! | 0:50:05 | 0:50:07 | |
In the blue shirt. 65, it's you. 70, the blue shirt. At £70. | 0:50:07 | 0:50:11 | |
I'm selling now at £70. | 0:50:13 | 0:50:16 | |
GAVEL BANGS | 0:50:16 | 0:50:18 | |
-Yes! -Well done. Well done. That is fantastic. | 0:50:18 | 0:50:23 | |
Yes, indeed. That's a £45 profit, pre-commission. | 0:50:23 | 0:50:27 | |
On to James's Edward VII commemorative plate. | 0:50:28 | 0:50:32 | |
10 for this. | 0:50:32 | 0:50:33 | |
11, 12. | 0:50:33 | 0:50:35 | |
15, sir? No? At £12. | 0:50:35 | 0:50:38 | |
15. 15, there. | 0:50:38 | 0:50:40 | |
15. 18. | 0:50:40 | 0:50:42 | |
20. In the front row. | 0:50:42 | 0:50:44 | |
22. 25. 28. | 0:50:45 | 0:50:49 | |
30. 35. No? | 0:50:49 | 0:50:52 | |
At £35. Back of the room. All done. | 0:50:52 | 0:50:56 | |
GAVEL BANGS | 0:50:56 | 0:50:57 | |
-That's all right. -I haven't got a clue what that was worth. | 0:50:57 | 0:51:00 | |
-£25. -35! | 0:51:00 | 0:51:02 | |
Oh, sorry. | 0:51:02 | 0:51:04 | |
Are you pinching a tenner off me? | 0:51:04 | 0:51:06 | |
Nicely played, James. We're off to a cracking start. | 0:51:08 | 0:51:11 | |
And next, it's Anita's miniature microscope in polished brass. | 0:51:12 | 0:51:17 | |
20, I'm bid. Thank you, sir. At £20. | 0:51:17 | 0:51:20 | |
-22. 25. 28. -Come on. | 0:51:20 | 0:51:22 | |
-30. -Yes! -At £30. | 0:51:22 | 0:51:26 | |
-Go on! -Come on! | 0:51:26 | 0:51:28 | |
We'll go with 35. | 0:51:28 | 0:51:30 | |
At 35. 40. | 0:51:30 | 0:51:33 | |
45. 50. | 0:51:33 | 0:51:35 | |
At £50. You're about to make a young lady very happy. | 0:51:35 | 0:51:40 | |
-THEY LAUGH -In the middle of the room. At £50. | 0:51:40 | 0:51:43 | |
GAVEL BANGS | 0:51:43 | 0:51:45 | |
Yes! THEY LAUGH | 0:51:45 | 0:51:48 | |
-Well done, well done. -Great auctioneer. | 0:51:48 | 0:51:51 | |
Oh, yes, that's your money doubled, | 0:51:51 | 0:51:54 | |
and then some. | 0:51:54 | 0:51:55 | |
But can our fabulous auctioneer sells James's | 0:51:56 | 0:51:59 | |
seashells from the seashore? Let's find out, shall we? | 0:51:59 | 0:52:04 | |
£30. 35. | 0:52:04 | 0:52:07 | |
40, 5. 50. Five, sir? No? At £50. | 0:52:07 | 0:52:13 | |
55. All done. | 0:52:13 | 0:52:15 | |
GAVEL BANGS | 0:52:15 | 0:52:17 | |
-Oh! -A bit of a disappointment. | 0:52:17 | 0:52:20 | |
Never mind, James. | 0:52:20 | 0:52:22 | |
You'll just have to chalk this one up to experience. | 0:52:22 | 0:52:26 | |
Moving on now to Anita's collection of dolls' clothes. | 0:52:26 | 0:52:30 | |
A specialist lot, to say the least. | 0:52:30 | 0:52:32 | |
But how will it do in a general auction? | 0:52:32 | 0:52:34 | |
20. 22. 25. | 0:52:34 | 0:52:38 | |
28. 30. | 0:52:38 | 0:52:40 | |
35. No? At £35. | 0:52:40 | 0:52:43 | |
Latest bid at 35. All done... | 0:52:43 | 0:52:48 | |
GAVEL BANGS | 0:52:48 | 0:52:49 | |
Oh, well. | 0:52:49 | 0:52:51 | |
No, it's fine, James. It's fine. | 0:52:51 | 0:52:53 | |
Oh, knickers! | 0:52:53 | 0:52:54 | |
So much for textiles. | 0:52:54 | 0:52:56 | |
Next! | 0:52:56 | 0:52:58 | |
Ah, James's silver-mounted bridge box, | 0:53:00 | 0:53:02 | |
the very definition of style. | 0:53:02 | 0:53:05 | |
-30! -Ooh! | 0:53:05 | 0:53:06 | |
30, 5. 40, 5. | 0:53:06 | 0:53:10 | |
50, 5. | 0:53:10 | 0:53:11 | |
60, 5. | 0:53:12 | 0:53:14 | |
70, 5. | 0:53:14 | 0:53:16 | |
80, 5. | 0:53:16 | 0:53:18 | |
90, 5. 100. | 0:53:18 | 0:53:20 | |
At £100. | 0:53:20 | 0:53:23 | |
110. Oh, gone up now. 120. | 0:53:23 | 0:53:25 | |
At 120. All done at 120... | 0:53:25 | 0:53:29 | |
GAVEL BANGS | 0:53:29 | 0:53:31 | |
-Yes. -Thank you. Thank you. | 0:53:31 | 0:53:35 | |
Bravo! That's a £100 profit, pre-commission. | 0:53:35 | 0:53:40 | |
Let's hope there's some money left | 0:53:40 | 0:53:42 | |
for Anita's Grand National prints | 0:53:42 | 0:53:45 | |
by First World War artist John Beer. | 0:53:45 | 0:53:49 | |
At 30. 35. | 0:53:49 | 0:53:51 | |
40, 5. 50, 5. | 0:53:51 | 0:53:55 | |
-At £55. -Come on. | 0:53:55 | 0:53:58 | |
-And £55. -Aah... | 0:53:58 | 0:54:00 | |
GAVEL BANGS | 0:54:00 | 0:54:02 | |
Oh... | 0:54:04 | 0:54:06 | |
-Well... -There was nobody even to look at to encourage. -I know. | 0:54:06 | 0:54:11 | |
It's our first loss of the day, I'm afraid. | 0:54:13 | 0:54:16 | |
And it means James is galloping ahead. | 0:54:16 | 0:54:18 | |
His next item, that cheeky South American quiver. | 0:54:20 | 0:54:24 | |
-I've got £10 on the book. -Ooh! -£10. 12. 15. | 0:54:24 | 0:54:29 | |
18. 20. 22. | 0:54:29 | 0:54:32 | |
At £22, 25, 28. 30. | 0:54:32 | 0:54:36 | |
35. 40, 5. 50. | 0:54:36 | 0:54:40 | |
55, fresh bid. No? At 55. | 0:54:40 | 0:54:45 | |
All done then at 55... | 0:54:45 | 0:54:47 | |
GAVEL BANGS | 0:54:48 | 0:54:49 | |
-That's OK, that's OK. -Absolutely fine. | 0:54:49 | 0:54:54 | |
Though let's not forget, it did make a decent profit. | 0:54:54 | 0:54:58 | |
Looking to regain a little lost ground, | 0:54:59 | 0:55:02 | |
Anita's last great hope | 0:55:02 | 0:55:04 | |
is this charming Charles Horner hatpin and hatpin holder. | 0:55:04 | 0:55:08 | |
Best of luck, old girl! | 0:55:08 | 0:55:10 | |
At 50, 5. 60, 5. 70. At £70. | 0:55:10 | 0:55:16 | |
-Here! -Here! -Online, 80. With me at £80. | 0:55:18 | 0:55:21 | |
-Hello! -Come to you in a minute, | 0:55:21 | 0:55:23 | |
come to you in a minute. £85... | 0:55:23 | 0:55:24 | |
LAUGHTER | 0:55:24 | 0:55:26 | |
Oh, my, this IS exciting! | 0:55:26 | 0:55:28 | |
100. | 0:55:28 | 0:55:30 | |
-110. -Yes! | 0:55:30 | 0:55:32 | |
-110 on online. -Here, here. -I'll take you now. 120. | 0:55:32 | 0:55:36 | |
See, I didn't forget you. | 0:55:36 | 0:55:39 | |
130. 140. 150, may I say? 150. | 0:55:39 | 0:55:43 | |
160. | 0:55:43 | 0:55:44 | |
170? 170. | 0:55:44 | 0:55:48 | |
180. At the back of the room, 180. 190. | 0:55:48 | 0:55:53 | |
-190... -Go on, round it up. One more. -One more. | 0:55:53 | 0:55:57 | |
BOTH: Yes! | 0:55:57 | 0:55:59 | |
210. At 210. | 0:55:59 | 0:56:02 | |
I'm working jolly hard on this lot! 210. It's online. All done... | 0:56:03 | 0:56:08 | |
Sure? Have another go. | 0:56:08 | 0:56:09 | |
GAVEL BANGS | 0:56:09 | 0:56:11 | |
-Oh! -Oh. -Thank you. | 0:56:11 | 0:56:12 | |
Well done. | 0:56:12 | 0:56:14 | |
Well done. Well done. | 0:56:14 | 0:56:16 | |
-Brilliant. -Ah, that was good. | 0:56:16 | 0:56:18 | |
-That is a fantastic result. -I know, but it was so exciting, wasn't it? | 0:56:18 | 0:56:23 | |
And dare I say it? That figure gives Anita the lead in this auction. | 0:56:23 | 0:56:29 | |
But there's one item still to go. | 0:56:29 | 0:56:31 | |
James's slightly damaged Royal Dux. | 0:56:31 | 0:56:34 | |
Mind you, there is no doubting the quality. | 0:56:34 | 0:56:37 | |
They've got everything going for them, | 0:56:37 | 0:56:39 | |
apart from the fact that they're broken. | 0:56:39 | 0:56:41 | |
Now, start me, please, £200. | 0:56:41 | 0:56:43 | |
-Bid, thank you. At 200. 210. -What?! | 0:56:43 | 0:56:47 | |
At 210. 220. 230. 240. 250. | 0:56:47 | 0:56:53 | |
At £250. | 0:56:53 | 0:56:56 | |
-Good Lord! -250, all go? | 0:56:56 | 0:56:58 | |
-260, on the telephone. -Go on! | 0:56:58 | 0:57:01 | |
270. | 0:57:01 | 0:57:02 | |
-280. -Go on! -290. -Go on! Keep going! | 0:57:04 | 0:57:07 | |
300. 320. | 0:57:09 | 0:57:10 | |
350. | 0:57:10 | 0:57:12 | |
LAUGHTER | 0:57:12 | 0:57:15 | |
At 320. | 0:57:15 | 0:57:17 | |
At £320... | 0:57:17 | 0:57:21 | |
GAVEL BANGS | 0:57:21 | 0:57:22 | |
Yeah! | 0:57:22 | 0:57:24 | |
LAUGHTER AND APPLAUSE | 0:57:26 | 0:57:28 | |
Oh, my word! | 0:57:29 | 0:57:31 | |
James Lewis, you old dog. You surprised yourself. | 0:57:31 | 0:57:35 | |
Pre-commission, that's a staggering profit of £270. | 0:57:36 | 0:57:41 | |
When he said 200, I thought he was asking for 200. | 0:57:41 | 0:57:43 | |
When he actually said 200 bid, I thought, oh, what?! | 0:57:43 | 0:57:47 | |
I can't believe that. | 0:57:47 | 0:57:49 | |
That's a great result. Really, really pleased. | 0:57:49 | 0:57:51 | |
Well, what an auction! | 0:57:52 | 0:57:55 | |
Anita started with £334.32 and, after commission, | 0:57:56 | 0:58:00 | |
made a profit of £162.40, | 0:58:00 | 0:58:04 | |
giving her a grand total of £496.72 to spend going forward. | 0:58:04 | 0:58:11 | |
GAVEL BANGS | 0:58:11 | 0:58:13 | |
James, meanwhile, began with £516.02, | 0:58:13 | 0:58:16 | |
and after making a massive £339.70, | 0:58:16 | 0:58:20 | |
that means James has won both auctions | 0:58:20 | 0:58:23 | |
and fills his coffers to £855.72 for the next leg. | 0:58:23 | 0:58:29 | |
-Where are we off to now? -Oxfordshire. -Let's go. -Onwards and upwards. | 0:58:29 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:56 |