Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques, as they scour the UK? | 0:00:08 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks | 0:00:17 | 0:00:18 | |
and dreams of glory can end in tatters. | 0:00:18 | 0:00:21 | |
So will it be the fast lane to success | 0:00:22 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
# Yeah. # | 0:00:33 | 0:00:35 | |
This week we're in the capable hands of a pair of auctioneers. | 0:00:35 | 0:00:39 | |
Anita Manning and James Lewis. | 0:00:39 | 0:00:42 | |
I hate this. | 0:00:42 | 0:00:45 | |
-I'd much rather be up there. -I know. | 0:00:45 | 0:00:47 | |
Anita, from Scotland, is a crafty campaigner who buys with her heart. | 0:00:48 | 0:00:52 | |
Never shy of employing her womanly wiles, though, to bag a bargain. | 0:00:52 | 0:00:57 | |
You're not flirting with me, are you, to try and get it cheaper? | 0:00:57 | 0:01:00 | |
Would I flirt with you?! | 0:01:00 | 0:01:02 | |
Derbyshire lad James Lewis likes to buy quirky and loves nature. | 0:01:02 | 0:01:06 | |
He flirts, too, it just doesn't always work. | 0:01:06 | 0:01:10 | |
-I'll give you 30 for that. But throw that mallet in. -How cheeky! | 0:01:10 | 0:01:14 | |
Our pair begin their road trip with £200 each | 0:01:14 | 0:01:18 | |
and their chariot, a classic 1970s VW Beetle. | 0:01:18 | 0:01:21 | |
-Look at the sky, James. -It's really lovely. | 0:01:21 | 0:01:26 | |
This week's road trip starts in Pateley Bridge, Yorkshire, | 0:01:26 | 0:01:29 | |
and heads south, | 0:01:29 | 0:01:30 | |
travelling via East Anglia to the West Country | 0:01:30 | 0:01:33 | |
and concluding in Cirencester. | 0:01:33 | 0:01:35 | |
Today we're kicking things off in Pateley Bridge | 0:01:35 | 0:01:38 | |
and concluding with an auction showdown in Grimsby. | 0:01:38 | 0:01:41 | |
James, what a beautiful view and what a beautiful day... | 0:01:48 | 0:01:54 | |
-It's amazing, isn't it? -..To start our new adventure. | 0:01:54 | 0:01:58 | |
-The English countryside. -Oh, yes, it's not bad. | 0:01:58 | 0:02:00 | |
We're going through almost the entire English countryside, aren't we? | 0:02:00 | 0:02:04 | |
-Will you be my guide? -I'd love to be. -Lovely. | 0:02:04 | 0:02:07 | |
Let's hope the sun shines on us for the entire journey. | 0:02:07 | 0:02:09 | |
-You know, I think it probably will. -Let's go. | 0:02:09 | 0:02:13 | |
A small market town in the Yorkshire Dales, | 0:02:14 | 0:02:16 | |
Pateley Bridge is famous for having one of the oldest sweet shops in England, | 0:02:16 | 0:02:21 | |
established in 1827. | 0:02:21 | 0:02:24 | |
-Well, there we go. -First shop, James. | 0:02:24 | 0:02:27 | |
Your first shop. | 0:02:27 | 0:02:29 | |
-Wish me luck, darling. -I wish him luck, the owner. | 0:02:29 | 0:02:33 | |
-Do they know what they've let themselves in for? -I'll be gentle. | 0:02:33 | 0:02:38 | |
Well done. Good luck. Find a treasure. | 0:02:38 | 0:02:40 | |
-Bye. -Bye. | 0:02:40 | 0:02:42 | |
-Hello. -Hello, Anita. I'm Derek. | 0:02:47 | 0:02:50 | |
Derek, lovely to meet you. | 0:02:50 | 0:02:52 | |
-This is Aisha. -Lovely to meet you, too. | 0:02:52 | 0:02:56 | |
-The shop looks lovely. -Thank you. | 0:02:56 | 0:02:58 | |
Pleasantries out of the way, Anita goes straight for the jugular. | 0:02:58 | 0:03:01 | |
-Is this your one here? -Yeah, that's one of ours. | 0:03:01 | 0:03:05 | |
This is made by Crown Devon. It's a commemorative jug. | 0:03:05 | 0:03:10 | |
Ordinarily, on these jugs, we tend to have a bit of text | 0:03:10 | 0:03:15 | |
which tells us about the character, and this one is John Peel. | 0:03:15 | 0:03:19 | |
This is our John Peel here. | 0:03:19 | 0:03:21 | |
We've got the handle in the shape of a fox. | 0:03:21 | 0:03:25 | |
John Peel, nothing to do with the great DJ, was a British huntsman | 0:03:28 | 0:03:33 | |
made famous by the 19th-century song, D'ye Ken John Peel. | 0:03:33 | 0:03:37 | |
I quite like these Crown Devon jugs | 0:03:39 | 0:03:41 | |
but I know they've gone off the boil. | 0:03:41 | 0:03:44 | |
I may be looking to buy it around about £20. Is that possible? | 0:03:44 | 0:03:49 | |
Not really. | 0:03:49 | 0:03:51 | |
-I'd go down to no less than 25. -25. | 0:03:51 | 0:03:57 | |
Is it possible to maybe go to 22? | 0:03:57 | 0:04:03 | |
-Actually, it stands me more than that. -Right, OK. | 0:04:03 | 0:04:07 | |
-Can we go to 25 then? -Yes. -OK. | 0:04:07 | 0:04:12 | |
-That's so kind of you, Derek. Ah, that's great. -25. | 0:04:12 | 0:04:14 | |
Thank you very much, that's smashing. | 0:04:14 | 0:04:16 | |
Tally Ho, Anita! And she's not stopping there. | 0:04:16 | 0:04:20 | |
A lamp's caught her eye with a hefty £140 price tag. | 0:04:20 | 0:04:24 | |
Can I take it over and have a wee look? | 0:04:24 | 0:04:26 | |
Go through it all, yes. | 0:04:26 | 0:04:27 | |
I find it interesting because of this base. | 0:04:27 | 0:04:31 | |
Probably from the 1920s or 1930s. | 0:04:31 | 0:04:35 | |
It's made of spelter, not bronze. | 0:04:35 | 0:04:38 | |
What I like about it is the fact that from there down, | 0:04:38 | 0:04:46 | |
where we have the aeroplane, | 0:04:46 | 0:04:48 | |
and it's got almost a sort of art deco motif. | 0:04:48 | 0:04:51 | |
And, up here, we've got this classical figure. | 0:04:51 | 0:04:56 | |
What's the very, very, very best you can do on that? | 0:04:56 | 0:05:01 | |
100. | 0:05:01 | 0:05:03 | |
-Could you come down nearer 70, Derek? -No way, love. | 0:05:03 | 0:05:08 | |
Couldn't do that? | 0:05:08 | 0:05:09 | |
My wife would crucify me. | 0:05:09 | 0:05:11 | |
Can you ask her if she would come down? | 0:05:11 | 0:05:13 | |
-I can maybe get in touch with her. -Say to her that I've offered £80. | 0:05:13 | 0:05:18 | |
And that would be great. | 0:05:19 | 0:05:20 | |
If we could do a deal it would be wonderful. | 0:05:20 | 0:05:23 | |
Fingers crossed! | 0:05:23 | 0:05:25 | |
I would love to buy that. I love the base. | 0:05:25 | 0:05:29 | |
But I'm thinking that if it's not the right sale, | 0:05:29 | 0:05:32 | |
I could make a whacking great loss on it. | 0:05:32 | 0:05:37 | |
So while Derek makes that tricky phone call to his missus, | 0:05:37 | 0:05:40 | |
let's see what James is up to, | 0:05:40 | 0:05:43 | |
as he motors just one mile down the road | 0:05:43 | 0:05:45 | |
to start his shopping in the village of Glasshouses. | 0:05:45 | 0:05:49 | |
-Hi, there. Is it Richard? -It is indeed. | 0:05:55 | 0:05:58 | |
Nice to see you, I'm James. | 0:05:58 | 0:06:00 | |
Situated in an old watermill, Country Oak Antiques has evolved | 0:06:00 | 0:06:05 | |
from over 25 years of collecting and dealing in oak and country furniture. | 0:06:05 | 0:06:10 | |
Sounds expensive, so good luck, James! | 0:06:10 | 0:06:12 | |
A lot of this is going to be... | 0:06:12 | 0:06:14 | |
Too large. | 0:06:14 | 0:06:16 | |
..way out of my price range. | 0:06:16 | 0:06:18 | |
Let's have a look up here. | 0:06:18 | 0:06:20 | |
-How much is a little snuff like that? -That's... | 0:06:20 | 0:06:23 | |
-I'm going to say £35, that's a definite. -35. | 0:06:23 | 0:06:30 | |
A mousetrap. Multi-mousetrap. | 0:06:30 | 0:06:33 | |
Wow, look at that. | 0:06:33 | 0:06:35 | |
That's 35. | 0:06:35 | 0:06:36 | |
You could use it for fingers, couldn't you? | 0:06:36 | 0:06:40 | |
-That's interesting. -What is that? | 0:06:40 | 0:06:42 | |
-A mole trap. -Is it really? | 0:06:42 | 0:06:44 | |
What would that make? It's just... | 0:06:44 | 0:06:46 | |
-How much is that? -20. | 0:06:46 | 0:06:48 | |
Is it? | 0:06:48 | 0:06:51 | |
Such a weird thing, what's it worth? | 0:06:51 | 0:06:52 | |
OK, I think we are going to struggle. | 0:06:52 | 0:06:56 | |
-Don't worry, leave me to it. -I'll leave you to it. | 0:06:56 | 0:06:58 | |
I'll have a wander for five minutes but... | 0:06:58 | 0:07:02 | |
Erm. | 0:07:02 | 0:07:03 | |
(I'm struggling.) | 0:07:05 | 0:07:08 | |
Oh, dear. Poor old James. | 0:07:08 | 0:07:11 | |
Back in Pateley Bridge, | 0:07:13 | 0:07:15 | |
it's the moment of truth for Anita and her expensive lamp. | 0:07:15 | 0:07:19 | |
How are we doing, Derek? | 0:07:19 | 0:07:21 | |
Seeing it's you, £80. | 0:07:21 | 0:07:23 | |
Ah! You're a darling! | 0:07:23 | 0:07:26 | |
Thank you so much, that's lovely. | 0:07:26 | 0:07:28 | |
So that's two items, but it looks like Anita's after even more. | 0:07:28 | 0:07:33 | |
These are rather sweet, and they were very popular, | 0:07:33 | 0:07:37 | |
I would say five, six, seven years ago. | 0:07:37 | 0:07:39 | |
But they're at a reasonable price. They are Tunstall. | 0:07:39 | 0:07:43 | |
Tunstall is one of the six towns that make up the English Potteries, | 0:07:43 | 0:07:47 | |
and the birthplace of several famous potters. | 0:07:47 | 0:07:51 | |
This one is hand-painted. | 0:07:51 | 0:07:54 | |
It's entitled "Luscious." | 0:07:54 | 0:07:57 | |
If I can get them for the right price | 0:07:57 | 0:07:59 | |
then I'm hoping that someone else will like them. | 0:07:59 | 0:08:03 | |
I'm going to see if I can get two for the price of one. | 0:08:03 | 0:08:07 | |
That'll be £6.45 then. Good luck. | 0:08:07 | 0:08:12 | |
I wondered if it was possible to have two for the price of one. | 0:08:12 | 0:08:17 | |
£9 for them both. You'll make money at auction. | 0:08:18 | 0:08:23 | |
-I've got to go for that, haven't I? -Yeah. | 0:08:23 | 0:08:25 | |
I've got to go for that. | 0:08:25 | 0:08:27 | |
You'll make money at auction. | 0:08:27 | 0:08:29 | |
That's the third deal gone there, that's great. | 0:08:29 | 0:08:32 | |
Good going! | 0:08:32 | 0:08:33 | |
Your first shop and you've bagged four items. | 0:08:33 | 0:08:36 | |
How is James doing? Not still struggling, we hope. | 0:08:36 | 0:08:39 | |
Ah, a salt box. | 0:08:39 | 0:08:41 | |
This little box, classic design. Typical of its type. | 0:08:41 | 0:08:46 | |
Made around 1850, something like that. | 0:08:46 | 0:08:52 | |
But the design really didn't change from the early 1700s - | 0:08:52 | 0:08:57 | |
1720 to 1730 - all the way through until the early 20th century. | 0:08:57 | 0:09:01 | |
I have to say, it's a bog standard model | 0:09:01 | 0:09:05 | |
but if I can get it for a good price there might be a profit. | 0:09:05 | 0:09:10 | |
Browsed out, James decides to make a move. | 0:09:10 | 0:09:13 | |
If there's something that you've had for ages that you think, | 0:09:13 | 0:09:17 | |
well, it's interesting but I've had it for a long time and I... | 0:09:17 | 0:09:20 | |
-The mole trap. -Why doesn't that surprise me? | 0:09:20 | 0:09:23 | |
It's not been particularly for sale. | 0:09:23 | 0:09:25 | |
That's 15. | 0:09:25 | 0:09:26 | |
I can't actually remember what I paid for the bloomin' thing! | 0:09:26 | 0:09:29 | |
That's good news. I bet you paid two quid for it. | 0:09:29 | 0:09:32 | |
That could be £10. | 0:09:32 | 0:09:35 | |
10 quid. | 0:09:35 | 0:09:36 | |
-Um... -Well, it's a completely insane object. | 0:09:36 | 0:09:42 | |
-£15 for a mousetrap or something. -£15, OK. £15 for a mousetrap, £10 for a mole trap. | 0:09:42 | 0:09:49 | |
How much could you do one of these boxes for? | 0:09:51 | 0:09:53 | |
The very... The very best on that would have to be 20. | 0:09:53 | 0:09:56 | |
20. All right, OK. | 0:09:56 | 0:10:01 | |
-You've worn me... -You want 20 for that? -Yes. | 0:10:01 | 0:10:04 | |
-You want 15 for that? -Yes. | 0:10:04 | 0:10:06 | |
-35, I'll take the three. -No, it'll have to be 40. | 0:10:06 | 0:10:10 | |
38, you got a deal. | 0:10:10 | 0:10:14 | |
For the sake of £2... to get rid of you! | 0:10:14 | 0:10:18 | |
-Deal! -By gum. -Thanks. -By gum indeed. | 0:10:18 | 0:10:23 | |
Back on the road, and Anita is travelling 15 miles south-east to Knaresborough. | 0:10:27 | 0:10:32 | |
This historic market town on the River Nidd is home | 0:10:35 | 0:10:39 | |
to what's allegedly Britain's oldest tourist attraction. | 0:10:39 | 0:10:43 | |
Since as early as 1538, folk have headed here for what they believed | 0:10:43 | 0:10:47 | |
were the healing powers of the waters, | 0:10:47 | 0:10:49 | |
and to see familiar objects | 0:10:49 | 0:10:51 | |
turned to stone. | 0:10:51 | 0:10:52 | |
# Turn to stone When you are gone | 0:10:52 | 0:10:55 | |
# I turn to stone | 0:10:55 | 0:10:57 | |
# Turn to stone... # | 0:10:59 | 0:11:00 | |
What a strange sight. | 0:11:00 | 0:11:02 | |
Hats here, dolls, a rocking horse. | 0:11:04 | 0:11:07 | |
That's right, we've got some famous ones as well. | 0:11:07 | 0:11:10 | |
-Can you let me have a look? -Have a look. | 0:11:10 | 0:11:12 | |
-Look at this! -Agatha Christie's handbag. -How did that come here? | 0:11:12 | 0:11:16 | |
Well it was actually donated by the Agatha Christie Society. | 0:11:16 | 0:11:19 | |
We've got John Wayne's hat. That's Debbie McGee's rabbit. | 0:11:19 | 0:11:23 | |
I hope it wasn't a live one used in the show, but I'm sure it wasn't. | 0:11:23 | 0:11:27 | |
Meanwhile, back in Pateley Bridge | 0:11:27 | 0:11:28 | |
James is looking to pull an antique out of the hat, | 0:11:28 | 0:11:31 | |
and he's found a desk calendar at £68. | 0:11:31 | 0:11:34 | |
The interesting thing about this is it's made to look like tortoiseshell, | 0:11:34 | 0:11:38 | |
but it's plastic, faux tortoiseshell. | 0:11:38 | 0:11:40 | |
But it's also moulded with the Michelin man to the left, | 0:11:40 | 0:11:45 | |
which is probably the most famous character in advertising. | 0:11:45 | 0:11:49 | |
And just happens to look rather like a certain auctioneer and valuer. | 0:11:49 | 0:11:52 | |
Um, this old chap here, Father Time, | 0:11:52 | 0:11:55 | |
um, is obviously magnifying the date aperture here. | 0:11:55 | 0:12:00 | |
It's quite a smart thing, and it's also the sort of thing | 0:12:00 | 0:12:03 | |
that would appeal to advertising collectors. | 0:12:03 | 0:12:05 | |
But... I don't know. | 0:12:05 | 0:12:09 | |
What would be your best on that? | 0:12:09 | 0:12:12 | |
I think, um, probably... | 0:12:12 | 0:12:16 | |
I can do that for...£40. | 0:12:16 | 0:12:21 | |
If I think it's going to make 30 at auction, that's not going to help me, is it?! | 0:12:21 | 0:12:26 | |
-Well, it's a bit of advertising. -It is, it is, it is, it is. | 0:12:26 | 0:12:29 | |
Mm, think about that. What else has Linda got? | 0:12:29 | 0:12:33 | |
19th century presentation mallet. | 0:12:33 | 0:12:36 | |
"Presented to Anita Manning, to hit over James's head | 0:12:36 | 0:12:41 | |
"when she thrashes him on Antiques Road Trip." | 0:12:41 | 0:12:44 | |
Oh, I think we're getting somewhere. | 0:12:44 | 0:12:47 | |
-That's 40. What's your best? -My absolute best would be 30. | 0:12:49 | 0:12:54 | |
What would be your best on a top hat? | 0:12:57 | 0:12:59 | |
I'll give you 60 for that, I'll give you 30 for that. | 0:12:59 | 0:13:03 | |
But throw that mallet in. How about that? | 0:13:03 | 0:13:07 | |
-How cheeky! -I'm just thinking... | 0:13:07 | 0:13:09 | |
-I might hit you over the head with it yet! -Go on. | 0:13:09 | 0:13:12 | |
Yes, go on, do us all a favour. | 0:13:12 | 0:13:16 | |
-Reluctantly. -Got a deal. Thank you. -OK. | 0:13:16 | 0:13:20 | |
Anita and James are making for an auction in Grimsby, | 0:13:23 | 0:13:26 | |
but calling in first at York. | 0:13:26 | 0:13:28 | |
Situated where the River Ouse meets the Foss, | 0:13:30 | 0:13:33 | |
the city is renowned for its Roman, Viking and medieval heritage. | 0:13:33 | 0:13:38 | |
Iconic York Minster Cathedral in the centre of the city | 0:13:38 | 0:13:42 | |
is one of the largest of its kind in northern Europe. | 0:13:42 | 0:13:44 | |
Plus, there's a former banana warehouse. | 0:13:44 | 0:13:48 | |
This is our guard of honour! | 0:13:50 | 0:13:52 | |
Do you think he will do a deal, James? | 0:13:52 | 0:13:55 | |
I think, Anita, you can get anyone to do a deal! | 0:13:55 | 0:13:59 | |
-Listen, I think we'd better get in and start rummaging. -Hang on, Anita. | 0:13:59 | 0:14:03 | |
-Do you want to go in the main entrance just there? I'll go in the secondary one. -Hey! | 0:14:03 | 0:14:08 | |
Ah, now this is the sort of place where you might get a bargain. | 0:14:09 | 0:14:13 | |
Where, if you ask what's on the telly, they reply, | 0:14:13 | 0:14:17 | |
"A couple of rugs and a bookcase!" | 0:14:17 | 0:14:20 | |
That's got a bit of age to it, hasn't it? | 0:14:20 | 0:14:22 | |
-So how much is that, 20 quid? -Yeah, 20 quid, yeah. | 0:14:22 | 0:14:24 | |
Will you take a tenner for it? | 0:14:24 | 0:14:27 | |
-Go on then. -Yeah? -Yeah. -In that case you have got a deal. You've got a deal. | 0:14:27 | 0:14:32 | |
God knows what I'm going to do with that! | 0:14:32 | 0:14:35 | |
Anita, meanwhile, has gone all '60s. | 0:14:35 | 0:14:37 | |
Groovy, baby. | 0:14:37 | 0:14:39 | |
I like these sort of quirky items from that period. | 0:14:43 | 0:14:46 | |
And I quite like plastic. I think plastic is a very good medium for some things. | 0:14:46 | 0:14:53 | |
-And, of course, perfect for napkin rings. -Yeah. | 0:14:53 | 0:14:56 | |
While she's thinking about those rings, Anita spots something else. | 0:14:56 | 0:15:01 | |
Asking price, £80. | 0:15:01 | 0:15:03 | |
I kind of like him, Dave. I kind of like him. | 0:15:04 | 0:15:07 | |
Can you do a deal on him? | 0:15:07 | 0:15:09 | |
-Try me. -OK. | 0:15:09 | 0:15:12 | |
But don't be cruel, Anita. | 0:15:12 | 0:15:14 | |
I'd like to... I'd like to be paying around 25 for him. | 0:15:14 | 0:15:19 | |
-That's what I'd like to be paying. -You don't want me to earn any profit, do you? -Och, yeah. | 0:15:19 | 0:15:24 | |
-I'll tell you what I will do, I'll take 35 for it. -Right. | 0:15:24 | 0:15:27 | |
But that's it. I won't go down any further. | 0:15:27 | 0:15:29 | |
-I'll tell you what, if I have a wee look at the wee napkin rings... -OK. | 0:15:29 | 0:15:35 | |
..and bring them over, and maybe we can do a wee deal? | 0:15:35 | 0:15:39 | |
-Knocking me down on them as well? -Aw! -Ah, well, it's now or never. | 0:15:39 | 0:15:43 | |
These are sort of funky little things. | 0:15:43 | 0:15:45 | |
What I would like to pay for them is less than 10. | 0:15:45 | 0:15:48 | |
-I reckon if you wanted to bid me 18, you might be... -Aw, that's too much. | 0:15:48 | 0:15:54 | |
I know I wouldn't get that. | 0:15:54 | 0:15:56 | |
-12? -No. 15 will be enough. | 0:15:56 | 0:16:00 | |
That's all right now. Surely, Anita? | 0:16:00 | 0:16:03 | |
Can you give me both of them for 45? | 0:16:03 | 0:16:07 | |
You're an hard bargainer. I mean, I want your money. | 0:16:07 | 0:16:11 | |
You want my money. I want you to give you my money. Go on, 45 for the two? | 0:16:11 | 0:16:16 | |
-Go on. -Aw, you're a darling. -Seeing as it's you. | 0:16:16 | 0:16:18 | |
Not content, Anita continues to look for a last-minute bargain, | 0:16:18 | 0:16:21 | |
when, hey presto, bingo! | 0:16:21 | 0:16:23 | |
I think this is quite good fun. | 0:16:23 | 0:16:25 | |
I don't play bingo myself. | 0:16:25 | 0:16:27 | |
-I wouldn't know, it's too complicated for me. -It's good. | 0:16:27 | 0:16:30 | |
-I think that this is fun. -I think there's about 15 missing. | 0:16:30 | 0:16:34 | |
Do you know what else I like, Dave, I like the fact that we have this label, | 0:16:34 | 0:16:38 | |
which gives it a wee bit of character. | 0:16:38 | 0:16:42 | |
-And it was made in Newcastle-on-Tyne. -Right. -Yeah. | 0:16:42 | 0:16:45 | |
Tell me how much it is. | 0:16:45 | 0:16:48 | |
If you really want to buy it, I'll let you have it at £25, | 0:16:48 | 0:16:51 | |
but that's absolute rock-bottom price. | 0:16:51 | 0:16:53 | |
We're not doing any bidding at that. It's £25. | 0:16:53 | 0:16:56 | |
-Sold. -OK? | 0:16:56 | 0:16:57 | |
Now, shopping done, our experts must get themselves | 0:16:57 | 0:17:01 | |
to auction. But first, let's recap on what they've bought on this trip. | 0:17:01 | 0:17:05 | |
Starting with £200, Anita has spent a total of £184 | 0:17:05 | 0:17:09 | |
on five auction lots. | 0:17:09 | 0:17:10 | |
The lamp. | 0:17:12 | 0:17:13 | |
The napkin rings. | 0:17:16 | 0:17:17 | |
The Elvis bust. | 0:17:18 | 0:17:20 | |
The bingo machine and the Crown Devon jug will be sold together | 0:17:23 | 0:17:27 | |
with the pair of Tunstall pots. | 0:17:27 | 0:17:30 | |
As for James, | 0:17:30 | 0:17:31 | |
he took his £200 allowance and spent a little bit less - | 0:17:31 | 0:17:34 | |
£138, also on five lots. | 0:17:34 | 0:17:37 | |
The mouse and mole catchers. | 0:17:37 | 0:17:39 | |
The salt box and the treen mallet. | 0:17:39 | 0:17:43 | |
The calendar. | 0:17:43 | 0:17:45 | |
The top hat. | 0:17:45 | 0:17:47 | |
And the TV. | 0:17:47 | 0:17:49 | |
So, what do our experts really think about each other's purchases? | 0:17:49 | 0:17:54 | |
A mouse catcher, a mole killer... | 0:17:55 | 0:17:58 | |
I actually think that the guy made that up. | 0:17:58 | 0:18:02 | |
What they'll do in auction is anyone's guess. | 0:18:02 | 0:18:05 | |
The ball machine, that is great fun. | 0:18:05 | 0:18:08 | |
You can imagine anyone from a WI to a bingo caller, | 0:18:08 | 0:18:12 | |
I think there's a profit in that. | 0:18:12 | 0:18:14 | |
After starting out at Pateley Bridge in Yorkshire, | 0:18:16 | 0:18:19 | |
this leg of our trip will conclude in Lincolnshire, at Grimsby. | 0:18:19 | 0:18:23 | |
They have kept a parking space just for us. | 0:18:23 | 0:18:26 | |
Let's hope we're as lucky in the auction, James. | 0:18:29 | 0:18:31 | |
HE LAUGHS | 0:18:31 | 0:18:33 | |
-HE GROANS -How do you feel? | 0:18:33 | 0:18:36 | |
Resigned to it! | 0:18:36 | 0:18:38 | |
-Are you getting a bit rattled? -I don't think I should have bought that top hat, I really don't. | 0:18:38 | 0:18:43 | |
Strap yourself in, and hold on tight - the auction is about to take off. | 0:18:51 | 0:18:54 | |
Our first lot up is that television. | 0:18:56 | 0:19:00 | |
It looks wonderful. | 0:19:00 | 0:19:01 | |
I thought you were going to get a photograph of yourself to stick on the front. | 0:19:01 | 0:19:06 | |
I want it to sell, not bomb! | 0:19:06 | 0:19:08 | |
OK, James, you're on. | 0:19:09 | 0:19:11 | |
£20 with mark. | 0:19:11 | 0:19:13 | |
-Yes, straight into a profit! -22, can I see? | 0:19:13 | 0:19:15 | |
-22, anywhere now? Come on, it's a classic TV. -Come on, come on. | 0:19:15 | 0:19:20 | |
Come on, we're geeing it up. | 0:19:20 | 0:19:22 | |
22, I have. 22. 25 anywhere now? | 0:19:22 | 0:19:26 | |
If not, I'm selling at £22. | 0:19:26 | 0:19:29 | |
-Hurray! -That's not too bad. -That's a good start. | 0:19:29 | 0:19:34 | |
You wouldn't believe | 0:19:34 | 0:19:35 | |
how much passion can be involved in £22. My word! | 0:19:35 | 0:19:39 | |
Hard to imagine a flatscreen fetching that | 0:19:39 | 0:19:42 | |
in about 50 years' time. Still. Now for Anita's combined lot. | 0:19:42 | 0:19:46 | |
And H&K. What shall we say, £40 for them? Come on. | 0:19:47 | 0:19:52 | |
-Come on. -Come on! -20, then. | 0:19:52 | 0:19:56 | |
£20 bid. 22? 22, I have. | 0:19:56 | 0:20:00 | |
-Go on. -Yes! -Sorry, 27. | 0:20:00 | 0:20:03 | |
30 anywhere now? | 0:20:03 | 0:20:05 | |
Come on! Anita's jugs are worth more than that! Come on! | 0:20:05 | 0:20:09 | |
28. | 0:20:11 | 0:20:12 | |
-28. 29. -Ah! | 0:20:12 | 0:20:14 | |
30. Nice one. 31. | 0:20:14 | 0:20:18 | |
I'm selling, then. Oh, 32. Fresh bidder. 33? 33. | 0:20:18 | 0:20:22 | |
-Yes. -34? 34. | 0:20:22 | 0:20:25 | |
-35. -Yes! -36. 37. -Yes! -38. £38 bid. | 0:20:25 | 0:20:31 | |
-40. -Yes! -£40 bid. 42. | 0:20:31 | 0:20:35 | |
Thank you, Grimsby. | 0:20:35 | 0:20:36 | |
£42 bid, with the gentleman on my left. Selling at £42. | 0:20:36 | 0:20:43 | |
-Yes! -934. | 0:20:43 | 0:20:46 | |
I'm very, very pleased with that. | 0:20:46 | 0:20:49 | |
Can you guess that was one of their lots?! | 0:20:49 | 0:20:53 | |
Yup, sorry about that, they do tend to get over-excited. | 0:20:53 | 0:20:56 | |
Well done, Anita, after commission, that's a small profit. | 0:20:56 | 0:20:59 | |
I need a lie down. | 0:20:59 | 0:21:00 | |
Now, a little less conversation, please, it's Anita's Elvis. | 0:21:02 | 0:21:05 | |
£30 for him. 10, then. | 0:21:05 | 0:21:09 | |
£10 bid. | 0:21:11 | 0:21:12 | |
12. 14. 16. | 0:21:12 | 0:21:16 | |
18. 20. | 0:21:16 | 0:21:17 | |
22, fresh bidder. 25. | 0:21:17 | 0:21:20 | |
£25 bid. 27, fresh bidder. | 0:21:20 | 0:21:23 | |
30. 32. 35. | 0:21:23 | 0:21:27 | |
35. 37. £37 bid. | 0:21:27 | 0:21:30 | |
40. £40 bid. 42. | 0:21:30 | 0:21:33 | |
45. 47 anywhere now? | 0:21:33 | 0:21:37 | |
You're not going to be outdone. 47 anywhere? Yes. 47. | 0:21:37 | 0:21:41 | |
50, can I see? If not, I'm selling at £47. | 0:21:41 | 0:21:46 | |
-Yes! -Well done. | 0:21:46 | 0:21:48 | |
I think we can say Elvis has left the building. | 0:21:48 | 0:21:51 | |
-Well done. Brilliant. That's good news. -Yup. | 0:21:51 | 0:21:55 | |
Yup. That £17 profit brings you into the lead, Anita. | 0:21:55 | 0:22:00 | |
Next up is James's combo, the salt box and the treen mallet. | 0:22:00 | 0:22:05 | |
£20, I'm bid. 22. | 0:22:05 | 0:22:08 | |
25. 27. 28. 28. | 0:22:08 | 0:22:13 | |
30. £30, I'm bid. 32, can I see? 32. | 0:22:13 | 0:22:18 | |
£32, I'm bid. 35. 35. | 0:22:18 | 0:22:22 | |
-37. -It's worth more than that. -40. | 0:22:22 | 0:22:24 | |
£40, I'm bid. 42. £42, I'm bid. | 0:22:24 | 0:22:28 | |
43. 44. 45. | 0:22:28 | 0:22:32 | |
Can I see 46? 46, I have. | 0:22:32 | 0:22:34 | |
£46, I'm bid. 47 anywhere now? | 0:22:34 | 0:22:37 | |
If not, I'm selling at £46. | 0:22:37 | 0:22:40 | |
-Yeah, you've made profit, James. -Just. | 0:22:40 | 0:22:44 | |
A profit's a profit and with two lots each, | 0:22:44 | 0:22:46 | |
you're currently edging out in front, James. | 0:22:46 | 0:22:49 | |
Now, time for James's calendar. | 0:22:49 | 0:22:52 | |
The auctioneer said that he had interest in it. | 0:22:52 | 0:22:55 | |
£70. | 0:22:55 | 0:22:56 | |
BOTH: 70! Yes! | 0:22:56 | 0:22:58 | |
-£70. -Straight in at 70. 75, can I see? -It's a good feeling. | 0:22:58 | 0:23:02 | |
£70. 75. £75 bid. | 0:23:04 | 0:23:08 | |
85. 85. 90, can I see? | 0:23:08 | 0:23:11 | |
-£85 bid. -One more, go on! -£85 bid. 90 anywhere now? | 0:23:11 | 0:23:16 | |
If not, I'm selling for £85. | 0:23:16 | 0:23:21 | |
-I'm happy with that. That's good. -That's wonderful. | 0:23:21 | 0:23:24 | |
Phew. It takes the pressure off a bit, doesn't it? | 0:23:24 | 0:23:28 | |
What a great result, James. You're storming into the lead. | 0:23:28 | 0:23:32 | |
-That's a healthy profit. -A good profit. | 0:23:32 | 0:23:36 | |
Right, 145 is the set of six retro napkin rings. £20. | 0:23:36 | 0:23:43 | |
20, straight in. | 0:23:43 | 0:23:45 | |
Can I see 22 anywhere? | 0:23:45 | 0:23:46 | |
22? 22, 25. 27. | 0:23:46 | 0:23:50 | |
28, anywhere? Anyone want to give 28? 28, I have. | 0:23:50 | 0:23:55 | |
29? 29. 30. | 0:23:55 | 0:23:58 | |
32. 33. | 0:23:58 | 0:24:01 | |
£33, I'm bid. 34. | 0:24:01 | 0:24:04 | |
You work on her, I'll work on him. | 0:24:05 | 0:24:07 | |
35. £35, I'm bid. | 0:24:07 | 0:24:09 | |
-36. -Yes! | 0:24:09 | 0:24:11 | |
£36. | 0:24:11 | 0:24:13 | |
Don't feel intimidated! £36, I'm bid. | 0:24:13 | 0:24:16 | |
37 anywhere now? 37. 38. £38, I'm bid. | 0:24:16 | 0:24:22 | |
39 anywhere now? If not, I'm selling at £38. | 0:24:22 | 0:24:27 | |
-Well fought. -Yes! I'm absolutely delighted. -That's a great result. | 0:24:27 | 0:24:32 | |
Yep, fab, keep this up and you'll catch him in no time. | 0:24:32 | 0:24:36 | |
-Bags of style. -Yeah. | 0:24:36 | 0:24:38 | |
I wonder if they'll have enough style | 0:24:38 | 0:24:40 | |
to buy a 19th century mousetrap? | 0:24:40 | 0:24:43 | |
I wonder! | 0:24:43 | 0:24:45 | |
£20. 22, can I see? | 0:24:45 | 0:24:48 | |
£20 bid. 22 anywhere now? | 0:24:48 | 0:24:51 | |
-£20 bid. 22. -There we go. | 0:24:51 | 0:24:53 | |
27. And 30. And 2. | 0:24:53 | 0:24:57 | |
35. And 7. 40. 42. | 0:24:57 | 0:25:01 | |
£42. 45 anywhere? If not, I'm selling at £42. | 0:25:01 | 0:25:06 | |
Thank you so much. | 0:25:08 | 0:25:10 | |
-Miracles happen. -You got away with that. | 0:25:10 | 0:25:12 | |
Great profit, James, and watch out, furry mammals of Lincolnshire. | 0:25:14 | 0:25:18 | |
What did I say? The market loves the weird and the wacky. | 0:25:18 | 0:25:21 | |
And where are you going to find another one? | 0:25:21 | 0:25:23 | |
-That's what I say. -Where would you want to find another one? | 0:25:23 | 0:25:26 | |
SHE LAUGHS True. | 0:25:26 | 0:25:28 | |
Quite. And the same principle | 0:25:28 | 0:25:30 | |
probably applies to your bingo machine. | 0:25:30 | 0:25:33 | |
£40 for it. | 0:25:33 | 0:25:34 | |
-25. -25, straight in. Breaking even straight away. | 0:25:34 | 0:25:39 | |
30. 32. 35. | 0:25:39 | 0:25:42 | |
35. 35. 37. | 0:25:42 | 0:25:45 | |
40. 42. | 0:25:45 | 0:25:47 | |
43. | 0:25:47 | 0:25:49 | |
£43, I'm bid. 45. | 0:25:49 | 0:25:52 | |
£45, I'm bid. Fresh bidder. 47. £47 bid. | 0:25:52 | 0:25:56 | |
I think you're going to be goaded. 50. | 0:25:56 | 0:25:58 | |
£50, I'm bid. 55, I need. | 0:25:58 | 0:26:01 | |
£50, I'm bid. 55. 51. | 0:26:01 | 0:26:04 | |
£51, I'm bid. It's going to be hard. | 0:26:04 | 0:26:07 | |
You're not wrong. We could be here all night if this keeps up. | 0:26:07 | 0:26:10 | |
Where are we, ah, stuck in a tree, 53. | 0:26:10 | 0:26:13 | |
£53. £53, I'm bid. 54, fresh bidder. | 0:26:13 | 0:26:17 | |
55, can I see? 55, yes 55. 56. | 0:26:17 | 0:26:21 | |
57. | 0:26:21 | 0:26:23 | |
57. £57, I'm bid. 58. £58, I'm bid. | 0:26:23 | 0:26:28 | |
59. I'm back in at 59. 60. | 0:26:28 | 0:26:32 | |
£60, I'm bid. £60, I'm bid. Can I see 61? 61. | 0:26:32 | 0:26:37 | |
Can I see 62? Go on. | 0:26:37 | 0:26:39 | |
£62, I'm bid. | 0:26:39 | 0:26:41 | |
I'm selling at £62. | 0:26:41 | 0:26:44 | |
-Yes! Well done. -That's a great result. -I'm pleased with that. | 0:26:44 | 0:26:47 | |
-More than doubled your money. -Yeah. -62, tickety-boo. | 0:26:47 | 0:26:52 | |
Excellent, excellent. | 0:26:52 | 0:26:54 | |
With two lots to go, James is £32 ahead. | 0:26:54 | 0:26:58 | |
His top hat's up next. | 0:26:58 | 0:27:00 | |
-Here it is. -Size 7 5/8, the most popular size, I believe. | 0:27:00 | 0:27:04 | |
And I can start the bidding at £60. | 0:27:04 | 0:27:07 | |
-£60 with me. -60 straight in. | 0:27:07 | 0:27:10 | |
£60 with me. 65 anywhere now? | 0:27:10 | 0:27:13 | |
I think you're going to be goaded somewhere. £60 with me. | 0:27:13 | 0:27:16 | |
They're not looking impressed. | 0:27:16 | 0:27:18 | |
They paid £1,000 for one of these in The Apprentice. | 0:27:18 | 0:27:21 | |
We're selling, then, at £60. | 0:27:21 | 0:27:24 | |
Ah, James, it's wiped its face. | 0:27:24 | 0:27:28 | |
I shouldn't have brought it. | 0:27:28 | 0:27:29 | |
He did his best. If nobody bids, nobody bids. £60, well... | 0:27:29 | 0:27:33 | |
Nobody in the room that goes to Ascot. Can't blame them, either. | 0:27:33 | 0:27:38 | |
Yeah, but after commission, that's a loss. | 0:27:39 | 0:27:41 | |
193, a 20th century spelter lamp with flame shade. | 0:27:41 | 0:27:46 | |
Anita, this is your chance to steal victory. | 0:27:46 | 0:27:49 | |
It all comes down to your most expensive purchase. | 0:27:49 | 0:27:52 | |
-Come on. -Come on, guys. | 0:27:52 | 0:27:55 | |
18. 20. And 2. | 0:27:55 | 0:27:58 | |
25. And 7. £27 bid. | 0:27:58 | 0:28:02 | |
30, fresh bidder. 32. 35. | 0:28:02 | 0:28:05 | |
37. 40. | 0:28:05 | 0:28:07 | |
£40 bid. £40 bid. 2. | 0:28:07 | 0:28:11 | |
42. 45. 47. | 0:28:11 | 0:28:15 | |
£47 bid. | 0:28:15 | 0:28:16 | |
£50, I'm bid. 55 anywhere? | 0:28:16 | 0:28:18 | |
£55, I'm bid. 60 anywhere now? Selling, then, at £55. | 0:28:18 | 0:28:24 | |
Ah! | 0:28:24 | 0:28:26 | |
-Ah. -Well. | 0:28:26 | 0:28:27 | |
It wasn't as bad as it could have been, James. | 0:28:27 | 0:28:30 | |
It could've been worse, couldn't it? | 0:28:30 | 0:28:32 | |
Oh, well, never mind, there's a long way to go. | 0:28:32 | 0:28:34 | |
Today's leg, however, belongs to James Lewis. | 0:28:34 | 0:28:37 | |
-Both up. -Uh-huh. | 0:28:37 | 0:28:40 | |
Our experts started today's show with £200 each. | 0:28:40 | 0:28:44 | |
After paying auction costs, | 0:28:46 | 0:28:47 | |
Anita has made a somewhat small profit of £16.08. | 0:28:47 | 0:28:52 | |
She has £216.08 to carry forward. | 0:28:52 | 0:28:56 | |
James, on the other hand, made a very healthy profit of £71.10. | 0:28:58 | 0:29:02 | |
He has a substantial £271.10 to spend on the next leg. | 0:29:02 | 0:29:07 | |
-Well, James, I enjoyed that. -Well, well done. | 0:29:08 | 0:29:13 | |
-We both came out all right, really. All things considered. -All things considered. | 0:29:13 | 0:29:17 | |
So, as the competition hots up, who's feeling instinctive | 0:29:17 | 0:29:19 | |
and who's going to play it by the book? | 0:29:19 | 0:29:22 | |
If there was ever a time to spend up, it's this one, I think. | 0:29:22 | 0:29:27 | |
There's a wee bit of me that's saying, "Be canny, Anita! | 0:29:27 | 0:29:31 | |
"Be careful with your money! Always keep something for the bank." | 0:29:31 | 0:29:36 | |
-So, James, you've got £270. Give me your tactics, James. -Well... | 0:29:36 | 0:29:43 | |
This road trip started at Pateley Bridge in Yorkshire | 0:29:43 | 0:29:46 | |
and then headed for the market town of Cirencester | 0:29:46 | 0:29:49 | |
in the beautiful, beautiful Cotswolds. | 0:29:49 | 0:29:52 | |
We've reached Lincolnshire at Horncastle, | 0:29:52 | 0:29:55 | |
on our way to another auction at Diss in Norfolk. | 0:29:55 | 0:29:58 | |
South of the Lincolnshire Wolds, the town of Horncastle used to be famous | 0:30:04 | 0:30:09 | |
for its summer horse fair, but these days, it's all about antiques. | 0:30:09 | 0:30:14 | |
Anita may have over £216 in her pocket, | 0:30:18 | 0:30:21 | |
but this establishment has over 40 different dealers selling their wares. | 0:30:21 | 0:30:25 | |
But have faith. Straight away, | 0:30:25 | 0:30:27 | |
she's found a nice little bit of Art Nouveau for 52 smackers. | 0:30:27 | 0:30:31 | |
This is a silver pincushion. | 0:30:31 | 0:30:34 | |
Art Nouveau, started probably in the 1870s, 1880, | 0:30:34 | 0:30:39 | |
so towards the end of the Victorian era. | 0:30:39 | 0:30:44 | |
The patterns almost seem to be freed up with organic shapes. | 0:30:44 | 0:30:49 | |
They were looking to nature for their inspiration. | 0:30:49 | 0:30:52 | |
What I would be thinking about would be between 25 and 30. | 0:30:52 | 0:30:57 | |
-Am I coming anywhere near? -You are getting near. | 0:30:57 | 0:31:01 | |
-Am I near the 25 or am I near the 30, David? -The latter, my dear. | 0:31:01 | 0:31:05 | |
The latter! | 0:31:05 | 0:31:07 | |
-I'll go to 32. -It is good. | 0:31:07 | 0:31:10 | |
-If we came to 30. -That would be less than 32. | 0:31:10 | 0:31:14 | |
-I know! -THEY LAUGH | 0:31:14 | 0:31:16 | |
-£30. -£30? -Done! | 0:31:16 | 0:31:19 | |
Thank you so much. That's wonderful. | 0:31:19 | 0:31:21 | |
Deal done, just as James reaches his first shop, Bric-a-brac. | 0:31:21 | 0:31:26 | |
-Good morning. -Hi. | 0:31:26 | 0:31:28 | |
The term bric-a-brac is French and translates as "odds and ends", | 0:31:28 | 0:31:32 | |
meaning a collection of curios. | 0:31:32 | 0:31:34 | |
-Is it OK if I have a browse around? -Of course, yes, feel free. | 0:31:34 | 0:31:38 | |
What do we need to get rid of? | 0:31:38 | 0:31:40 | |
THEY LAUGH | 0:31:40 | 0:31:41 | |
-Anything you desperately want to get rid of? -The boot pull, we'd like to get rid of that. | 0:31:41 | 0:31:47 | |
It's a good country house look, isn't it? | 0:31:47 | 0:31:50 | |
How much could the boot jack be? | 0:31:50 | 0:31:52 | |
It can be 100. | 0:31:52 | 0:31:53 | |
For 100 quid, I'll kick my boots off myself. | 0:31:53 | 0:31:57 | |
£75. That has got to be the best deal in the world. | 0:31:57 | 0:32:02 | |
-I did pay 195 for it, so I'm losing there. -Did you? | 0:32:02 | 0:32:05 | |
-But you've had it a long time? -Yeah, I have. | 0:32:05 | 0:32:08 | |
When stuff like that was fetching the money. | 0:32:08 | 0:32:10 | |
-They used to make a lot of money? -They're back in fashion now. | 0:32:10 | 0:32:13 | |
-Oh, yeah, good try. -From today! | 0:32:13 | 0:32:15 | |
But there's plenty of stuff they can't wait to get rid of, either. | 0:32:15 | 0:32:19 | |
What about the lampshade? | 0:32:19 | 0:32:22 | |
-Is that quirky enough for you? -This one? -Yeah. | 0:32:22 | 0:32:25 | |
-Try not to pull on it, it'll fall to bits. -That's bonkers, isn't it? | 0:32:25 | 0:32:29 | |
-How much could that be? -That can be 25. | 0:32:29 | 0:32:32 | |
This is very much in the Arts and Crafts style. | 0:32:35 | 0:32:38 | |
It's made out of a solid sheet of copper, | 0:32:38 | 0:32:41 | |
cut and then these little flower designs pushed through. | 0:32:41 | 0:32:45 | |
They've had it a long time and tried 45, now it's been crossed out | 0:32:45 | 0:32:49 | |
and it's now 32. | 0:32:49 | 0:32:51 | |
There's an even older one underneath that. | 0:32:51 | 0:32:53 | |
115. | 0:32:53 | 0:32:56 | |
I don't know. | 0:32:56 | 0:32:57 | |
That's... | 0:33:01 | 0:33:02 | |
-That's my hat. -This is the ransom. | 0:33:02 | 0:33:05 | |
-It looks a darn sight better on you. -You buy something, or the hat gets it! | 0:33:05 | 0:33:09 | |
OK, right. | 0:33:09 | 0:33:11 | |
That one, I see at 15. | 0:33:11 | 0:33:14 | |
-That one, I see at 35. -No, darling. -OK. | 0:33:14 | 0:33:16 | |
-I'm sorry, darling, we couldn't do business. -We couldn't. | 0:33:16 | 0:33:21 | |
-But I have enjoyed your company. -I've enjoyed yours, too, thanks very much. | 0:33:21 | 0:33:24 | |
-Good luck with the rest of the town. -Thank you. Could I have my hat? | 0:33:24 | 0:33:28 | |
Oh, come on. | 0:33:28 | 0:33:31 | |
I might come back. Save it, save it. I might come back. | 0:33:31 | 0:33:34 | |
So while James heads, hatless, onto the streets of Horncastle, | 0:33:34 | 0:33:38 | |
at the antiques centre, Anita is hitting her stride - and the goods. | 0:33:38 | 0:33:43 | |
Back amongst the cabinets, she's sniffed out something else. | 0:33:43 | 0:33:47 | |
Stand by. | 0:33:48 | 0:33:49 | |
The little bottles, they have a bit of quality. They're not moulded glass. | 0:33:56 | 0:34:00 | |
That one's blown and you can see where they've polished the pontile. | 0:34:00 | 0:34:04 | |
The pontile is the part that has been broken off. | 0:34:04 | 0:34:07 | |
It's the type of thing that a lady of some substance and wealth | 0:34:07 | 0:34:13 | |
would take with her when she made her trip to Paris, New York or Lisbon. | 0:34:13 | 0:34:20 | |
It's in a little leather case and there is a little lock here, | 0:34:20 | 0:34:24 | |
which again, tells us that the contents of the bottles would be fairly expensive. | 0:34:24 | 0:34:31 | |
It's priced at £115. I wonder what David can do on that? | 0:34:31 | 0:34:36 | |
I thought it was pretty. What I would be looking to pay, £40-£60. | 0:34:36 | 0:34:42 | |
-The 60's nearer to the figure than the 40. -Could it go to 50? | 0:34:42 | 0:34:46 | |
-No, no chance. Do you want me to come with my figure? -Yes. | 0:34:46 | 0:34:50 | |
-My figure is 75. -75. Is there a wee bit of movement on that? | 0:34:50 | 0:34:56 | |
With the accent on "wee". | 0:34:56 | 0:34:58 | |
THEY LAUGH | 0:34:58 | 0:35:01 | |
70. | 0:35:01 | 0:35:03 | |
-That's it, I'm not going any lower. -Is that it? -Yeah. | 0:35:03 | 0:35:06 | |
OK, I think I'm going to take a chance on it. | 0:35:06 | 0:35:09 | |
Having splashed out £100 here, | 0:35:09 | 0:35:13 | |
the jewellery has now caught her eye. | 0:35:13 | 0:35:15 | |
Can she put together a little Scottish something to appeal at the auction? | 0:35:15 | 0:35:20 | |
There's a group of Charles Rennie Mackintosh-style items. | 0:35:20 | 0:35:26 | |
Charles Rennie Mackintosh is one of the most renowned | 0:35:26 | 0:35:30 | |
architects and designers that Scotland has ever produced. | 0:35:30 | 0:35:35 | |
These little...two brooches and a little pendant, | 0:35:35 | 0:35:39 | |
they're quite nice quality and, although they aren't of the period, | 0:35:39 | 0:35:44 | |
they will be quite sought after. | 0:35:44 | 0:35:47 | |
According to the labels, the set should cost around £35. | 0:35:47 | 0:35:51 | |
Now, can you give me a price on these? | 0:35:51 | 0:35:55 | |
I can. Three for 20. | 0:35:55 | 0:35:58 | |
Three for 20. | 0:35:58 | 0:36:00 | |
Are you able to take £2 off, to make it 18? | 0:36:00 | 0:36:06 | |
I'll go 19, but that would be it. | 0:36:06 | 0:36:09 | |
That's the end. | 0:36:09 | 0:36:11 | |
Let's go for those ones, then, three for 19! Thank you, again. | 0:36:11 | 0:36:15 | |
It's a pleasure. | 0:36:15 | 0:36:16 | |
It's just as well James doesn't know what Anita's up to, | 0:36:19 | 0:36:22 | |
because at Great Expectations, he is struggling. | 0:36:22 | 0:36:25 | |
What is that? | 0:36:25 | 0:36:27 | |
The owner has told him that 10% is the most he can knock off. | 0:36:27 | 0:36:31 | |
There is a bargain section. | 0:36:31 | 0:36:33 | |
What does it say, "30% of all marked prices." | 0:36:33 | 0:36:37 | |
And, in it, a boat lamp. | 0:36:37 | 0:36:39 | |
This funny little boat is not the most exciting thing in the world, | 0:36:39 | 0:36:44 | |
but I'm really struggling to find anything in here, | 0:36:44 | 0:36:48 | |
at all, worth buying. | 0:36:48 | 0:36:49 | |
Erm... They've got 12 quid on it. | 0:36:49 | 0:36:53 | |
It's an absolutely pathetically low amount of money, but... | 0:36:53 | 0:36:58 | |
..I want to be spending something more, | 0:37:00 | 0:37:02 | |
but I just can't find anything... | 0:37:02 | 0:37:04 | |
anything that I actually want to buy. | 0:37:04 | 0:37:07 | |
I don't really want to buy this, either, but... | 0:37:09 | 0:37:12 | |
HE SIGHS | 0:37:12 | 0:37:15 | |
I've seen men walk to the gallows faster than this. | 0:37:16 | 0:37:21 | |
Well, I haven't found anything really exciting. | 0:37:21 | 0:37:24 | |
I was wanting to spend a lot more money with you, but there we go. | 0:37:24 | 0:37:27 | |
What could that be. It was in the 30% off stand upstairs? | 0:37:27 | 0:37:30 | |
It's not your lucky day today. | 0:37:30 | 0:37:32 | |
That's on the left-hand side. The items on the right is 30% off. | 0:37:32 | 0:37:37 | |
So, that can be, erm... | 0:37:37 | 0:37:41 | |
that can be £11. | 0:37:41 | 0:37:43 | |
Oh, well... | 0:37:43 | 0:37:47 | |
God, right underneath the stand that said 30% off? | 0:37:47 | 0:37:49 | |
Yeah, but that's on the right, this is on the left. | 0:37:49 | 0:37:53 | |
Right, do I want it? Not really. OK. | 0:37:55 | 0:37:59 | |
-I'll leave it, thank you very much. -Are you going to leave it? OK. Thank you very much. | 0:37:59 | 0:38:03 | |
Undeterred, James carries on. | 0:38:03 | 0:38:06 | |
As we know, Horncastle does have an awful lot of antique shops, | 0:38:06 | 0:38:10 | |
and this one does look familiar. | 0:38:10 | 0:38:11 | |
I wonder if Anita's overlooked any bargains? | 0:38:11 | 0:38:15 | |
That's nice. Very nice. | 0:38:15 | 0:38:17 | |
These little houses were made from about 1780 and throughout the 19th century. | 0:38:17 | 0:38:24 | |
Made in Staffordshire, made in fairly standard moulds. | 0:38:24 | 0:38:29 | |
You can see by the quality of the moulding, | 0:38:29 | 0:38:31 | |
this sort of thing wasn't for a fine home, it was for working-class people. | 0:38:31 | 0:38:35 | |
Early ones make £400, they can do. | 0:38:35 | 0:38:40 | |
Then, in the last 20 years, the Chinese have been reproducing these | 0:38:40 | 0:38:45 | |
and that's caused the market to plummet. | 0:38:45 | 0:38:47 | |
These things were made for quite a long time. | 0:38:47 | 0:38:50 | |
This one says, "Repro Staffordshire money box." | 0:38:50 | 0:38:54 | |
I've just got a feeling, I don't think it is a repro one. | 0:38:54 | 0:38:57 | |
I think it's quite a late one. | 0:38:57 | 0:38:59 | |
I'll see what he'll take for it. | 0:38:59 | 0:39:02 | |
The ticket says £20. | 0:39:02 | 0:39:04 | |
Tell me what you think to this? | 0:39:04 | 0:39:06 | |
That doesn't look repro to me. | 0:39:06 | 0:39:08 | |
It doesn't look repro. | 0:39:08 | 0:39:10 | |
No, I don't think it is repro. | 0:39:10 | 0:39:12 | |
On a cheapo thing like that, would you take a tenner? | 0:39:12 | 0:39:14 | |
It's 20 on it? 12. | 0:39:14 | 0:39:16 | |
12. OK. | 0:39:16 | 0:39:20 | |
I'm not going to argue with you over two quid. | 0:39:20 | 0:39:22 | |
I'm fed up with messing around. Deal - 12 quid! | 0:39:22 | 0:39:25 | |
-Thank you. -Thank you very much. There we are. -Thank you. | 0:39:25 | 0:39:28 | |
At last! Appropriately, on a money box. | 0:39:28 | 0:39:31 | |
But, hang on, now he's back at Bric-a-brac. | 0:39:31 | 0:39:33 | |
I feel a deal with Carmen coming on. | 0:39:33 | 0:39:36 | |
That, or an aria. | 0:39:36 | 0:39:38 | |
Listen, while James and I talk business, | 0:39:38 | 0:39:40 | |
will you go and play with your toys, please? | 0:39:40 | 0:39:43 | |
Good lad. | 0:39:43 | 0:39:45 | |
So! | 0:39:45 | 0:39:46 | |
We have the lantern and we have the boot pull. | 0:39:46 | 0:39:50 | |
I know you said 50 on that and 20 on that. | 0:39:51 | 0:39:55 | |
-70, but... -65's far better than 70. -65! | 0:39:55 | 0:39:59 | |
-How about 60? -Would you fight me for £5? | 0:40:01 | 0:40:04 | |
-No, I wouldn't. -Just five little pounds. | 0:40:04 | 0:40:06 | |
You've nearly got your hand in your pocket. | 0:40:06 | 0:40:10 | |
-Go on. -Marvellous! I'll tell you what, I'll give you your hat back. | 0:40:10 | 0:40:13 | |
Thanks! That's the deal, then. | 0:40:13 | 0:40:15 | |
HE LAUGHS | 0:40:15 | 0:40:17 | |
-Come on, then, where's my hat? -Erm... | 0:40:17 | 0:40:19 | |
Anita and James are making for an auction in Diss, | 0:40:19 | 0:40:22 | |
but calling in first at the village of Heckington, | 0:40:22 | 0:40:25 | |
where our experts will part company. | 0:40:25 | 0:40:27 | |
This looks interesting. | 0:40:30 | 0:40:32 | |
-I'm going to head straight off. -OK. | 0:40:32 | 0:40:34 | |
-I'm going to have some fun. -Go on! | 0:40:34 | 0:40:38 | |
Anita is being led to a shop, appropriately, called | 0:40:39 | 0:40:44 | |
Up The Garden Path. | 0:40:44 | 0:40:46 | |
Hello, I'm Anita. | 0:40:47 | 0:40:49 | |
-Hello Anita, I'm Vee. -It's lovely to meet you. -Lovely to meet you. | 0:40:49 | 0:40:53 | |
This crowded little shop mixes antiques and quality reproductions with a French feel. | 0:40:53 | 0:40:58 | |
but Vee's also got plenty of solidly British stuff. | 0:40:58 | 0:41:01 | |
-You've got a wonderful array of Doulton there. -I have, yes. | 0:41:01 | 0:41:06 | |
-Of course, your Royal Crown Derby. -The Royal Crown Derby. | 0:41:06 | 0:41:10 | |
-Imari pattern, they call it, don't they? -Yes. -Very beautiful. | 0:41:10 | 0:41:15 | |
Looks good, but it comes with a huge price of £260. | 0:41:15 | 0:41:18 | |
This is something that I could be interested in, Vee. | 0:41:18 | 0:41:22 | |
if I could get a good deal on this one. | 0:41:23 | 0:41:26 | |
The price that I'd be looking at would be... | 0:41:26 | 0:41:30 | |
..in the region of about £80. | 0:41:33 | 0:41:35 | |
Is that at all possible? | 0:41:39 | 0:41:42 | |
Could you manage 90? | 0:41:42 | 0:41:43 | |
-Could we go to 85? -85. I'll do it you for 85. | 0:41:46 | 0:41:51 | |
Oh, that's lovely, thank you very much. | 0:41:51 | 0:41:53 | |
What a bargain, but it means that Anita has just £12.08 left | 0:41:53 | 0:41:58 | |
and one shop still to go. | 0:41:58 | 0:42:01 | |
But what of James and his lucky mascot, Ed? | 0:42:03 | 0:42:06 | |
Well, they've Beetle-d down from Heckington | 0:42:07 | 0:42:11 | |
to nearby Grimsthorpe, | 0:42:11 | 0:42:13 | |
to visit Grimsthorpe Castle. | 0:42:13 | 0:42:15 | |
Grimsthorpe has been the home of the de Eresby family | 0:42:15 | 0:42:19 | |
since it was given to them by Henry VIII in 1516 - | 0:42:19 | 0:42:23 | |
and they still live here. | 0:42:23 | 0:42:25 | |
Hello, James, nice to see you. | 0:42:27 | 0:42:29 | |
Good to see you. Gosh! | 0:42:29 | 0:42:31 | |
What an amazing hall. | 0:42:31 | 0:42:33 | |
And in the splendid Chinese drawing room, Jerry has promised | 0:42:36 | 0:42:41 | |
James a glimpse at one of the castle's greatest treasures. | 0:42:41 | 0:42:45 | |
-Oh, my word. -Tell me all about it, James. | 0:42:45 | 0:42:47 | |
A mahogany George III silver table, with this pierced gallery. Do you know much about it? | 0:42:47 | 0:42:53 | |
I know it's Chippendale. | 0:42:53 | 0:42:55 | |
Thomas Chippendale was THE important Georgian furniture maker | 0:42:55 | 0:43:00 | |
and designer, who, in 1754, published his designs | 0:43:00 | 0:43:04 | |
entitled "The Gentleman And Cabinet-maker's Director". | 0:43:04 | 0:43:08 | |
Everybody knows Chippendale, because there is so much of it about. | 0:43:08 | 0:43:13 | |
Not made BY him, but made by regional cabinet-makers | 0:43:13 | 0:43:17 | |
copying his style throughout the country. | 0:43:17 | 0:43:21 | |
We believe it is by Chippendale. We've got six chairs which match it. | 0:43:21 | 0:43:25 | |
I mean, that is just fabulous. What a piece of furniture. | 0:43:27 | 0:43:31 | |
Not for sale, of course, but incredibly precious. | 0:43:31 | 0:43:36 | |
Time for James to pick up Anita and do a wee bit more shopping. | 0:43:36 | 0:43:40 | |
Travelling from Grimsthorpe to Stamford. | 0:43:42 | 0:43:45 | |
This historic town, with its fine medieval core, | 0:43:49 | 0:43:52 | |
was for 700 years known for its bull-running festival. | 0:43:52 | 0:43:57 | |
Until 1837, that is, when the Society For The Prevention of Cruelty To Animals put a stop to it. | 0:43:57 | 0:44:04 | |
In the 1960s, Stamford became the very first conservation area in England and Wales. | 0:44:06 | 0:44:12 | |
It's a nice shop, | 0:44:15 | 0:44:17 | |
but James and Anita couldn't be in more contrasting positions. | 0:44:17 | 0:44:21 | |
One fairly full wallet, the other, almost empty purse. | 0:44:21 | 0:44:26 | |
This is a terrific place. | 0:44:26 | 0:44:28 | |
And all I've got left is 12 quid! | 0:44:28 | 0:44:32 | |
Although many of the dealers aren't around, | 0:44:34 | 0:44:37 | |
the shop owner Peter can always bargain on their behalf. | 0:44:37 | 0:44:41 | |
And that will light. I must do my little trick. | 0:44:41 | 0:44:44 | |
A binnacle, containing a magnetic compass and light | 0:44:45 | 0:44:49 | |
would have been mounted on the deck of the ship to aid the helmsman. | 0:44:49 | 0:44:53 | |
-It lights up. -How much could that be? Let's have a look... | 0:44:53 | 0:44:58 | |
The price on the label is £230. | 0:44:58 | 0:45:01 | |
I could do that for 150. | 0:45:01 | 0:45:04 | |
-At auction, they'd probably put 50-80 on it. -Really? -I like it, though. | 0:45:04 | 0:45:09 | |
-It's, um... Could you do any better than that? -I'll go to 110. | 0:45:09 | 0:45:15 | |
-It's a good-looking thing, isn't it? -Yes. | 0:45:15 | 0:45:18 | |
I'll do 100. My very best would be 100. | 0:45:18 | 0:45:21 | |
(SIGHING) £100, £100. | 0:45:21 | 0:45:24 | |
Right. OK. Let me have a think. | 0:45:26 | 0:45:30 | |
So, while James ponders a big purchase, | 0:45:30 | 0:45:32 | |
how's Anita doing with her more limited budget? | 0:45:32 | 0:45:35 | |
There's a cocktail shaker there, Art Deco, from the 1930s. | 0:45:35 | 0:45:41 | |
The body of it has an etched glass design. | 0:45:41 | 0:45:47 | |
And I quite like that. | 0:45:47 | 0:45:49 | |
Cocktails are a wee bit exotic | 0:45:49 | 0:45:53 | |
and that item is just the tiniest, wee bit exotic. | 0:45:53 | 0:45:57 | |
The cocktail shaker. | 0:45:57 | 0:45:59 | |
CABINET DOOR OPENS | 0:45:59 | 0:46:01 | |
It's just a piece of fun, isn't it? | 0:46:03 | 0:46:06 | |
-Yes! -But it's quite nicely etched. | 0:46:06 | 0:46:10 | |
These things remind me of palm fronds and grapes. | 0:46:10 | 0:46:15 | |
-Everything is there. -You can have that for 12. | 0:46:17 | 0:46:20 | |
Yes... | 0:46:20 | 0:46:22 | |
Will it make a profit in auction, though? | 0:46:22 | 0:46:24 | |
Well, you'd know better than I. I think it might. | 0:46:24 | 0:46:29 | |
I do like it. It's not an item of any great value, | 0:46:29 | 0:46:31 | |
but I've only got a few quid in my pocket left. | 0:46:31 | 0:46:35 | |
What I'd like is... | 0:46:35 | 0:46:38 | |
if you are able to give me it for less than that? | 0:46:38 | 0:46:41 | |
-What have we got? -Five? | 0:46:41 | 0:46:43 | |
-I'll go seven. -Seven. OK. It's a deal! -Good. | 0:46:43 | 0:46:47 | |
And James and I will fill it with cocktails! | 0:46:47 | 0:46:51 | |
I think James also has something a bit alcoholic lined up in his cabinet. | 0:46:51 | 0:46:55 | |
That's an interesting thing. Known as a tantalus. | 0:46:57 | 0:47:01 | |
The idea is that it would tantalise people that were trying to | 0:47:02 | 0:47:07 | |
get at the whisky. | 0:47:07 | 0:47:10 | |
You can imagine going on a grouse shoot or pheasant shoot | 0:47:10 | 0:47:13 | |
and you wouldn't want the entire massive | 0:47:13 | 0:47:17 | |
tantalus to take with you, but you can imagine the old butler with that in hand. | 0:47:17 | 0:47:22 | |
It's by Mappin and Webb of London, who are good silversmiths. | 0:47:22 | 0:47:27 | |
The lock at the end is a Betjemann's patented lock | 0:47:27 | 0:47:30 | |
and that pushes in and that turns. | 0:47:30 | 0:47:33 | |
And it releases the bottles. | 0:47:33 | 0:47:35 | |
-Pricey, though. £250. -Very unusual. | 0:47:36 | 0:47:40 | |
-Here we are. -That's pretty, isn't it? -It's lovely. | 0:47:40 | 0:47:44 | |
I mean, it's... | 0:47:44 | 0:47:47 | |
It's a bit worn, the bottles are chipped... But...what could that be? | 0:47:47 | 0:47:51 | |
Um, a hundred and...150? | 0:47:53 | 0:47:57 | |
-I rate that the same as the other one! -Really? | 0:48:00 | 0:48:03 | |
-We'll go down to 100, then, on that one. -100. | 0:48:05 | 0:48:09 | |
If I bought two things from you... | 0:48:09 | 0:48:12 | |
would you do a deal on the two? | 0:48:12 | 0:48:15 | |
On the, er... | 0:48:15 | 0:48:16 | |
Yes, we're a bit low anyhow. Um... | 0:48:16 | 0:48:19 | |
Yes, all right, I'll do, er... | 0:48:19 | 0:48:21 | |
I'll do 90 on the ship's binnacle and 90 on this one, then. So 180. | 0:48:22 | 0:48:28 | |
-At £180, you've got yourself a deal. Thank you. -Thank you. | 0:48:28 | 0:48:32 | |
So, most of their cash has been spent, but on what? | 0:48:32 | 0:48:36 | |
Anita began with £216.08, | 0:48:38 | 0:48:41 | |
and she spent a total of £211 on five auction lots. | 0:48:41 | 0:48:45 | |
The Glasgow-style jewellery, | 0:48:45 | 0:48:47 | |
the three scent bottle casket, | 0:48:47 | 0:48:49 | |
the Art Nouveau pincushion, | 0:48:49 | 0:48:51 | |
the Royal Crown Derby Cross, | 0:48:51 | 0:48:53 | |
and the cocktail shaker. | 0:48:53 | 0:48:56 | |
As for James, he started out with £271.10, | 0:48:56 | 0:48:59 | |
and spent £257 also on five lots - | 0:48:59 | 0:49:03 | |
The money box, | 0:49:03 | 0:49:04 | |
the lantern, | 0:49:04 | 0:49:06 | |
the bootjack, | 0:49:06 | 0:49:07 | |
the tantalus, | 0:49:07 | 0:49:09 | |
and the maritime compass. | 0:49:09 | 0:49:10 | |
So what do our experts really think of each other's items? | 0:49:10 | 0:49:13 | |
What I do like is that wonderful tantalus. | 0:49:13 | 0:49:17 | |
It's Mappin and Webb, it's silver-plated | 0:49:17 | 0:49:20 | |
and it was only £90. | 0:49:20 | 0:49:24 | |
The thing I think she might struggle with is that scent casket. | 0:49:24 | 0:49:28 | |
I don't think the central bottle is original. | 0:49:28 | 0:49:32 | |
I think that will be the downfall. | 0:49:32 | 0:49:35 | |
After starting out in Horncastle, | 0:49:38 | 0:49:39 | |
this leg of our trip will conclude in Diss for the auction showdown. | 0:49:39 | 0:49:43 | |
-I'm looking forward to... -It's lovely, actually, isn't it? | 0:49:43 | 0:49:46 | |
-Timber-framed houses. -They're not short of lots! | 0:49:49 | 0:49:54 | |
Not short of buyers, either, and that's the main thing. | 0:49:54 | 0:49:56 | |
-Are you nervous, James? -I'm always nervous, Anita. | 0:49:56 | 0:49:59 | |
-Let's get rid of that. -Well done! | 0:50:01 | 0:50:04 | |
With James leading by one auction to nothing, | 0:50:04 | 0:50:06 | |
I hope he's not getting too complacent. | 0:50:06 | 0:50:08 | |
-Wake up, James. -I don't want to. | 0:50:08 | 0:50:10 | |
Come on, James, buck up. | 0:50:10 | 0:50:12 | |
James, your lots are coming up now. | 0:50:12 | 0:50:14 | |
Starting with one of Anita's. | 0:50:14 | 0:50:15 | |
Lot 147 now, the Art Nouveau silver mounted pin cushion. This is pretty. | 0:50:15 | 0:50:20 | |
Birmingham, 1903. I have interest on the sheets, and I start at £30. | 0:50:20 | 0:50:23 | |
-Straight in at 30. -42, 45, 48 and 50. | 0:50:23 | 0:50:27 | |
55 and 60, five and 70, five, I'm out. 80, new bidder. | 0:50:27 | 0:50:32 | |
-80 at the front, I'll take five. -Come on! -That's a great price. | 0:50:32 | 0:50:36 | |
£80, are you all done? | 0:50:36 | 0:50:39 | |
-Well! -Yes! -Did you think it would make that? | 0:50:39 | 0:50:42 | |
Oh, well...! | 0:50:42 | 0:50:45 | |
No, I don't think she did. | 0:50:45 | 0:50:47 | |
-That was a great start, James. -Brilliant start. | 0:50:47 | 0:50:50 | |
Little bit too good for my liking! | 0:50:50 | 0:50:51 | |
Ah, a bit of competitiveness. | 0:50:51 | 0:50:53 | |
-What can James's money box do? -Start me at 20. | 0:50:53 | 0:50:57 | |
-There should be hands everywhere at that. -£20, surely. Come on. | 0:50:57 | 0:51:01 | |
Thank you, 20 bid. I have 20 now. | 0:51:01 | 0:51:03 | |
-£20, the lady's bid. Looking for two. -Go on. | 0:51:03 | 0:51:06 | |
22. 25. | 0:51:06 | 0:51:08 | |
Lost 28. | 0:51:08 | 0:51:10 | |
Are you sure? Good value still. | 0:51:11 | 0:51:13 | |
-Go on! -30, the lady. -She's charming the bids out. | 0:51:13 | 0:51:18 | |
Gentleman is out. It worked, madam. At £30, anybody else can join in. | 0:51:18 | 0:51:21 | |
At £30, with the lady at £30. | 0:51:21 | 0:51:24 | |
£30 and selling. | 0:51:24 | 0:51:25 | |
-Wow, there we go. -Well done. | 0:51:25 | 0:51:28 | |
That's exactly what we thought it might make. | 0:51:28 | 0:51:31 | |
Another decent profit - minus commission. | 0:51:31 | 0:51:35 | |
-Hurrah! -Good start. | 0:51:35 | 0:51:37 | |
Now, Glasgow-style jewellery, in Norfolk. | 0:51:37 | 0:51:41 | |
Start me at 30. | 0:51:41 | 0:51:42 | |
£30, surely, come on. | 0:51:42 | 0:51:45 | |
-Straight away. -32, 35, 38, 40. | 0:51:45 | 0:51:50 | |
-Where are you at two? Come along, now. -It's a gentleman buyer. | 0:51:50 | 0:51:54 | |
42, 45, 48, 50. Five. | 0:51:54 | 0:51:57 | |
55 is in the corner. | 0:51:57 | 0:51:59 | |
-60, sir? -Go on! | 0:51:59 | 0:52:02 | |
£60, the corner. Where's five? | 0:52:02 | 0:52:04 | |
At 60, the corner bid. Any advance? | 0:52:04 | 0:52:07 | |
Five? No. | 0:52:07 | 0:52:09 | |
£60, thank you. | 0:52:09 | 0:52:12 | |
Well, that trebled your money. | 0:52:12 | 0:52:15 | |
Well done, Anita. | 0:52:15 | 0:52:17 | |
There is nothing to be ashamed of with that. | 0:52:17 | 0:52:20 | |
Quite. | 0:52:20 | 0:52:21 | |
-What will they make of your lantern, James? -An unusual piece, this. | 0:52:21 | 0:52:25 | |
-30, I'll take. -Come on. 30 bid. -Yes, come on, help him out. | 0:52:25 | 0:52:29 | |
30 bid. 32, 35, 38, 40. | 0:52:29 | 0:52:33 | |
Two... Sure? | 0:52:33 | 0:52:37 | |
42 has moved to my front. | 0:52:37 | 0:52:39 | |
42, any advance? 45. | 0:52:39 | 0:52:41 | |
This is what auctions are all about! £45 is bid, where's eight? | 0:52:41 | 0:52:45 | |
Anybody else can join in - at 45, any advance? | 0:52:45 | 0:52:47 | |
Well done. | 0:52:48 | 0:52:50 | |
Gosh, that was close, wasn't it? | 0:52:51 | 0:52:53 | |
You've doubled your money, James. | 0:52:53 | 0:52:56 | |
I hope my stuff does this, as well! | 0:52:56 | 0:52:58 | |
Well, next up is the cross that James was rather envious of. | 0:52:58 | 0:53:02 | |
I do have interest on the sheets and I start at £32. | 0:53:02 | 0:53:06 | |
35, 38, 40, 42, 45, 48, 50, | 0:53:06 | 0:53:10 | |
five, 60, five, 70 bid, 75, | 0:53:10 | 0:53:14 | |
new bidder, 80, five, 90, five. | 0:53:14 | 0:53:17 | |
Gentleman's bid is 95, 100 commission, 110. | 0:53:17 | 0:53:20 | |
120. At 120 now, looking for 30. | 0:53:20 | 0:53:22 | |
Oh, it's worth more than that! | 0:53:22 | 0:53:24 | |
At 120, am I missing anyone else? Are you all done? | 0:53:24 | 0:53:28 | |
-120, thank you. -120. Ach, well. | 0:53:28 | 0:53:31 | |
It's made more than the auctioneer's estimate. | 0:53:31 | 0:53:34 | |
Double. Well, that's a bit of a relief. | 0:53:34 | 0:53:36 | |
I think James thought it might have done a bit better, but Anita | 0:53:36 | 0:53:39 | |
is comfortably in the lead today. | 0:53:39 | 0:53:41 | |
-I'm happy enough with that, James. -And it's made a profit. Good. | 0:53:41 | 0:53:45 | |
Right - next is this brass maritime ship's compass. | 0:53:45 | 0:53:50 | |
-You're under pressure, James. -I'm under pressure. -You're sweating. | 0:53:50 | 0:53:54 | |
I have interest on this one here, and I start at 55. £55 bid. | 0:53:54 | 0:53:59 | |
And 60, five, 70, five, 80, five... | 0:53:59 | 0:54:03 | |
Yes? 90. Five. | 0:54:05 | 0:54:06 | |
Oh, round it up now. | 0:54:06 | 0:54:08 | |
-Go on! -100. And 10. | 0:54:08 | 0:54:11 | |
It's back with me at 110, I've lost the lady. | 0:54:11 | 0:54:15 | |
At 120, she softened at 120. I'm out at 120. 120 bid now. | 0:54:15 | 0:54:19 | |
At 120 in the gallery, any advance on 120? | 0:54:19 | 0:54:23 | |
Well done, Elizabeth! | 0:54:23 | 0:54:25 | |
She got every last pound out of them for that. | 0:54:25 | 0:54:28 | |
Yep, you steered nicely into profit. | 0:54:28 | 0:54:31 | |
That's the sweat over. | 0:54:34 | 0:54:35 | |
Now, golden Cadillac or rusty nail? | 0:54:35 | 0:54:38 | |
What will Anita's shaker make? | 0:54:38 | 0:54:41 | |
I have interest on this one shown and I start at £18. | 0:54:41 | 0:54:44 | |
-£18 bid, and 20, two... -Good start. | 0:54:44 | 0:54:48 | |
-Bit of a stir. -35, 38, 40, two... | 0:54:48 | 0:54:52 | |
-42 with me. I'll take five. -That's a great price! | 0:54:52 | 0:54:56 | |
I have 42. 45, thank you, 48. | 0:54:56 | 0:55:00 | |
It's on commission at 48. | 0:55:00 | 0:55:02 | |
Any advance? | 0:55:02 | 0:55:04 | |
My word. That is a corking profit! | 0:55:05 | 0:55:08 | |
-In percentage terms, that's the best all day. -Yep. Cheers, Anita. | 0:55:08 | 0:55:13 | |
That's a whopper. | 0:55:13 | 0:55:14 | |
-I'm a happy girl! -You SHOULD be a happy girl! | 0:55:14 | 0:55:18 | |
OK, plenty of wellies in Norfolk. | 0:55:18 | 0:55:21 | |
What will James's device make? | 0:55:21 | 0:55:23 | |
I have interest on the sheets and I start at 42. | 0:55:23 | 0:55:26 | |
£42, 45, 48, 50, | 0:55:26 | 0:55:29 | |
five, 60, five, 70, five, 80, | 0:55:29 | 0:55:33 | |
five, 90, five. 100, yes? | 0:55:33 | 0:55:35 | |
100 in the room, I'm out. I'll take the 10. At 110, it's a fine example. | 0:55:35 | 0:55:41 | |
At £100, any advance? | 0:55:41 | 0:55:44 | |
-James! -She of little faith! | 0:55:46 | 0:55:47 | |
I'll have to eat my words! | 0:55:48 | 0:55:50 | |
And that's put them neck-and-neck. | 0:55:52 | 0:55:54 | |
What about Anita's perfume bottles? | 0:55:55 | 0:55:57 | |
That's lovely. Start me at 50. | 0:55:57 | 0:56:01 | |
30 to start, surely. | 0:56:02 | 0:56:04 | |
The lady's bid at 30. She spots quality at 30 there. | 0:56:04 | 0:56:06 | |
May I say two, 32, 35... | 0:56:06 | 0:56:08 | |
-Two ladies bidding. -Yes. | 0:56:08 | 0:56:10 | |
Four, madam, 38? 40. | 0:56:10 | 0:56:13 | |
£40, you've lost a friend there at £40. | 0:56:13 | 0:56:16 | |
At £40, where's two? | 0:56:16 | 0:56:18 | |
At 42 - new bidder. 45... | 0:56:18 | 0:56:21 | |
Oh, go on, sir. | 0:56:21 | 0:56:23 | |
48. | 0:56:23 | 0:56:24 | |
And 50. | 0:56:24 | 0:56:25 | |
Your wife won't mind. 55, go on. | 0:56:25 | 0:56:29 | |
Yes? 55. | 0:56:29 | 0:56:30 | |
60. | 0:56:30 | 0:56:32 | |
She still won't mind! | 0:56:32 | 0:56:33 | |
LAUGHTER | 0:56:33 | 0:56:35 | |
It's 60 and it does sell. | 0:56:35 | 0:56:38 | |
Do you know, I think you came away with that very lightly. | 0:56:41 | 0:56:44 | |
First loss of the day. | 0:56:44 | 0:56:46 | |
But at least James isn't rubbing it in. | 0:56:46 | 0:56:48 | |
That could quite easily have made £40 with that wrong bottle. | 0:56:48 | 0:56:52 | |
Now, if James's tantalus does better, he'll win today. | 0:56:52 | 0:56:57 | |
This is the best thing I've bought on the entire trip. | 0:56:57 | 0:57:01 | |
Start me at 100. | 0:57:01 | 0:57:03 | |
-Oh, it's cheap. -Come on, £100. | 0:57:03 | 0:57:06 | |
-Jeez! -80 to start, surely? | 0:57:06 | 0:57:08 | |
Come on, at £80, surely? 50 bid. | 0:57:09 | 0:57:12 | |
50 I have. A low start at 50. Five. | 0:57:12 | 0:57:14 | |
Lots of bidders, now. | 0:57:14 | 0:57:15 | |
60, five, 70, five, 80, five, | 0:57:15 | 0:57:18 | |
-90, five, 100, 110, new bidder. -It's worth way more than this. | 0:57:18 | 0:57:22 | |
120, 130, 140, 150, 160, 170, | 0:57:22 | 0:57:29 | |
180, 190, | 0:57:29 | 0:57:31 | |
200, and 10. | 0:57:31 | 0:57:33 | |
-Go on! -Any advance on £210? | 0:57:33 | 0:57:37 | |
A good piece at 210. | 0:57:37 | 0:57:39 | |
Brilliant! | 0:57:39 | 0:57:41 | |
Isn't that wonderful? | 0:57:41 | 0:57:43 | |
I could hardly breathe, it was so tense. | 0:57:43 | 0:57:46 | |
Great result, after a shaky start. | 0:57:46 | 0:57:49 | |
-James, that's the excitement of the auction. -That is brilliant. | 0:57:49 | 0:57:52 | |
I'm happy with that. | 0:57:52 | 0:57:54 | |
-All in all, we seem to have both done well. -I think we have. | 0:57:54 | 0:57:57 | |
So you have, Anita, but thanks to that last lot, | 0:57:57 | 0:58:01 | |
James is the winner again and is in the lead. | 0:58:01 | 0:58:04 | |
After paying auction costs, | 0:58:05 | 0:58:06 | |
Anita made a profit of £90.76. | 0:58:06 | 0:58:10 | |
So, she has £306.84 to spend on the next leg. | 0:58:10 | 0:58:14 | |
James, on the other hand, | 0:58:14 | 0:58:16 | |
made £157.10 after auction costs | 0:58:16 | 0:58:19 | |
and so he has a very handy £428.20 to take forward. | 0:58:19 | 0:58:24 | |
But beware - the Anita fightback begins. | 0:58:24 | 0:58:27 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:55 |