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The nation's favourite antiques experts, £200 each and one big challenge... | 0:48:02 | 0:48:06 | |
Well, duck, do I buy you or don't I? | 0:48:06 | 0:48:08 | |
Who can make most money buying and selling antiques, | 0:48:08 | 0:48:10 | |
-as they scour the UK? -Yee-hah! | 0:48:10 | 0:48:13 | |
-The aim is trade up and hope that each antique turns a profit. -Ooh! | 0:48:13 | 0:48:17 | |
But it's not as easy as it looks. Dreams of glory can end in tatters. | 0:48:17 | 0:48:21 | |
Get out of here. | 0:48:21 | 0:48:22 | |
Will it be the fast lane to success or the slow road to bankruptcy? | 0:48:22 | 0:48:26 | |
I want to go and cry! | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip! | 0:48:29 | 0:48:31 | |
Today, it's the last dash down the antiques superhighway | 0:48:35 | 0:48:38 | |
for our pair of aspirational auctioneers, | 0:48:38 | 0:48:42 | |
Philip Serrell and Jonathan Pratt. | 0:48:42 | 0:48:45 | |
And their 1964 Triumph TR4 has served them well. | 0:48:45 | 0:48:50 | |
This shopping trip is going to be around going back to basics, | 0:48:50 | 0:48:54 | |
-what I know best. -Which is what? | 0:48:54 | 0:48:58 | |
Which is...buy it cheap and sell it high! | 0:48:58 | 0:49:02 | |
That's original(!) | 0:49:02 | 0:49:04 | |
But let's not forget Philip Serrell is a hard man to beat, | 0:49:04 | 0:49:07 | |
especially when it comes to price. | 0:49:07 | 0:49:10 | |
Listen, I'm doing you a favour. I'd like to give you ten quid for that. | 0:49:10 | 0:49:14 | |
How much?! | 0:49:14 | 0:49:15 | |
He said a tenner. | 0:49:15 | 0:49:17 | |
-How much?! -Oh, I give up. | 0:49:17 | 0:49:19 | |
The point is, so far, Philip's the undisputed champion | 0:49:19 | 0:49:22 | |
of this road trip. | 0:49:22 | 0:49:24 | |
He's turned his original £200 stake | 0:49:24 | 0:49:27 | |
into a dazzling £382.42. | 0:49:27 | 0:49:31 | |
Which means this is Jonathan Pratt's last chance. | 0:49:33 | 0:49:38 | |
Despite having great hair, he's had a diabolical week at auction, | 0:49:38 | 0:49:43 | |
losing money hand over fist. | 0:49:43 | 0:49:45 | |
# It's the final countdown | 0:49:46 | 0:49:48 | |
# The final countdown... # | 0:49:54 | 0:49:57 | |
I want to go and cry! I can't believe it! | 0:50:00 | 0:50:03 | |
Oh-ho! But if he wants to teach his scarf-wearing nemesis a lesson, | 0:50:03 | 0:50:08 | |
today, every decision, every negotiation, is critical. | 0:50:08 | 0:50:13 | |
After all, his original £200 is now just £152.80, | 0:50:13 | 0:50:18 | |
but just one purchase can change everything. | 0:50:18 | 0:50:24 | |
I'm still under my budget, but I'm going to come back now. | 0:50:24 | 0:50:27 | |
Oh, here we go again! Here we go again! | 0:50:27 | 0:50:30 | |
So far this week, | 0:50:30 | 0:50:32 | |
our chaps have journeyed all the way from Cockermouth in Cumbria | 0:50:32 | 0:50:35 | |
and their road trip ends with one last auction in Wilmslow, | 0:50:35 | 0:50:39 | |
but, today's first shop, big, bad Sheffield. | 0:50:39 | 0:50:43 | |
Like Rome, built on seven hills. | 0:50:43 | 0:50:45 | |
I suppose we ought to find lots of cutlery in Sheffield. | 0:50:45 | 0:50:48 | |
-We've got two footy teams. -Uh-huh. | 0:50:48 | 0:50:51 | |
-We've got The Full Monty. -Uh-huh. -What else have we got? | 0:50:51 | 0:50:54 | |
Antique shops, Philip! | 0:50:54 | 0:50:56 | |
Antique shops - the first of which is Langtons. | 0:50:56 | 0:51:00 | |
Come on, then, matey. Let's go and have a look. | 0:51:00 | 0:51:03 | |
And there's plenty to see, for this family business has been going since 1870 | 0:51:03 | 0:51:07 | |
and displays the wares of more than 50 different dealers. | 0:51:07 | 0:51:12 | |
-Wow, this place is massive, isn't it? -I've got my mojo back, Philip. | 0:51:13 | 0:51:17 | |
Well, Jonathan, I'm glad to hear it, | 0:51:17 | 0:51:19 | |
because the Silver Fox has already spotted something that tickles his fancy. | 0:51:19 | 0:51:24 | |
I love me cricket. | 0:51:24 | 0:51:26 | |
This is the days - 1954. | 0:51:29 | 0:51:31 | |
These are interesting, these - | 0:51:31 | 0:51:33 | |
they're little facsimile cricket bats | 0:51:33 | 0:51:36 | |
and if you went to Lord's, Trent Bridge, the Oval, Headingley, or wherever, | 0:51:36 | 0:51:41 | |
you bought one of these from the shop. | 0:51:41 | 0:51:43 | |
This is by Gunn & Moore in Nottingham, so there's every chance it's from Trent Bridge. | 0:51:43 | 0:51:47 | |
And you might have paid ten shillings, as a souvenir. | 0:51:47 | 0:51:51 | |
There's some fantastic names here. | 0:51:51 | 0:51:54 | |
There's Len Hutton, Peter May, Bill Edrich. | 0:51:54 | 0:51:57 | |
I like those. An auctioneer would estimate those at £30 to £50, | 0:51:57 | 0:52:00 | |
which means I have to buy it for about 20 quid. | 0:52:00 | 0:52:03 | |
Watch out, Ian. The Fox is one very sly negotiator. | 0:52:03 | 0:52:08 | |
I'm looking for £50 on the pair. | 0:52:08 | 0:52:10 | |
I can't get close to that. | 0:52:10 | 0:52:12 | |
I want to buy them off you, but I can't get close to that. | 0:52:12 | 0:52:15 | |
-I really can't. -You're offering me...? -Like...20 quid for the two. | 0:52:15 | 0:52:21 | |
And I can tell just by the way you're scrunching your face there, | 0:52:21 | 0:52:26 | |
-you know it's low. -Oh, it is! | 0:52:26 | 0:52:28 | |
£40. £40, we have a deal. | 0:52:28 | 0:52:30 | |
I can't do that. I'll meet you halfway. | 0:52:31 | 0:52:34 | |
-30 quid, that's my best shout. Really is my best shout. -£30... | 0:52:34 | 0:52:39 | |
-£30 the two and I'll shake your hand now. -I'll shake on that. -You're a gentleman. | 0:52:39 | 0:52:43 | |
So, we're one purchase in. | 0:52:43 | 0:52:46 | |
Like that. Straight bat, left elbow up. | 0:52:46 | 0:52:48 | |
I think Jonathan might just get ready to make another, | 0:52:48 | 0:52:52 | |
but can he persuade Pauline to drop her prices? | 0:52:52 | 0:52:56 | |
I like these little leather hatboxes. There's no hat inside, but... | 0:52:56 | 0:53:01 | |
you've got a nice little liner, which is all padded. | 0:53:01 | 0:53:05 | |
These are actually original and nice condition. | 0:53:05 | 0:53:07 | |
What would be the best price on that, for you? | 0:53:07 | 0:53:11 | |
What have I got on it? | 0:53:11 | 0:53:13 | |
-I think you're asking 50-something. -58. | 0:53:13 | 0:53:15 | |
Um...48? | 0:53:15 | 0:53:18 | |
It needs a bit of work. Um... | 0:53:18 | 0:53:20 | |
I was thinking more along the lines of £35. | 0:53:20 | 0:53:24 | |
All right, 35. | 0:53:25 | 0:53:27 | |
Goodness me, that was easy! Peanut butter legs! | 0:53:27 | 0:53:30 | |
But it's the kind of item that will propel you into the lead, won't it, Jonathan? | 0:53:30 | 0:53:35 | |
-I think, I... -Well, is it? | 0:53:35 | 0:53:39 | |
I think... Yes, I'm going to go for that. I think that's a nice object. | 0:53:39 | 0:53:42 | |
Mm, decisive(!) | 0:53:42 | 0:53:44 | |
And just a few feet away, Philip's exploring his musical side. | 0:53:44 | 0:53:48 | |
So, cover your ears... | 0:53:48 | 0:53:50 | |
round about...now. | 0:53:50 | 0:53:53 | |
DISCORDANT MUSIC | 0:53:53 | 0:53:56 | |
I haven't got a clue what that's worth. Not the first idea. | 0:53:58 | 0:54:01 | |
Not a clue! Can we go and put it down...? | 0:54:01 | 0:54:05 | |
That's a good idea. Now, it may interest you to know | 0:54:05 | 0:54:08 | |
that whilst the accordion was invented in Berlin in 1822, | 0:54:08 | 0:54:12 | |
it actually originates from a Chinese instrument called a sheng, | 0:54:12 | 0:54:16 | |
which is, in fact, 4,000 years old. | 0:54:16 | 0:54:19 | |
-Richard, I think that's £50 to £80. What could buy that? -80 quid? | 0:54:19 | 0:54:23 | |
You're getting closer to it. | 0:54:23 | 0:54:25 | |
70. | 0:54:25 | 0:54:26 | |
I'll give you 50 quid for it. | 0:54:26 | 0:54:29 | |
It's good for 60. | 0:54:29 | 0:54:31 | |
The only reason I'm doing it is I bought a concertina before and it did me proud. | 0:54:31 | 0:54:35 | |
I'll give you £55 and that's my best shot. | 0:54:35 | 0:54:38 | |
-That's fine. -You're a gentleman, Richard. What on Earth have I done?! | 0:54:38 | 0:54:41 | |
Well, you are the king of quirk, Philip. | 0:54:41 | 0:54:43 | |
Why have I...? What have you done, selling me that? | 0:54:43 | 0:54:46 | |
Mind you, if you think the accordion's an unusual choice, | 0:54:46 | 0:54:49 | |
look at what Jonathan wants to buy - | 0:54:49 | 0:54:52 | |
one 1950s mannequin, being sold by young Jill. | 0:54:52 | 0:54:57 | |
-You've ripped her arms off! -I'm sorry, they fell off. | 0:54:57 | 0:55:00 | |
I wasn't so much manhandling her, I was lifting her up to see what the chair was like. | 0:55:00 | 0:55:04 | |
That's my excuse anyway. Anyway, then her arms fell off. | 0:55:04 | 0:55:08 | |
-I think there's a price on her... -There is. It was here. | 0:55:08 | 0:55:12 | |
It was £45. | 0:55:12 | 0:55:13 | |
Seriously, he's not going to buy that, is he?! | 0:55:13 | 0:55:15 | |
-Um... -40 quid. | 0:55:15 | 0:55:18 | |
30? | 0:55:18 | 0:55:19 | |
I'll be happy with 30. | 0:55:21 | 0:55:23 | |
32. | 0:55:23 | 0:55:24 | |
Crikey. Er, 32? | 0:55:24 | 0:55:26 | |
Oh...I'm not going to haggle. Yes, that's fine. | 0:55:26 | 0:55:29 | |
-32. -£32, brilliant. | 0:55:29 | 0:55:31 | |
Now, does she have a name? | 0:55:31 | 0:55:33 | |
Does she have a name? Um, no. | 0:55:33 | 0:55:35 | |
-No, but you can name her. -I was going to. | 0:55:35 | 0:55:37 | |
I thought we could give her a name. Maybe something French, exotic. | 0:55:37 | 0:55:42 | |
-I don't know why, but I thought she was a Clarissa. -Then it's Clarissa. | 0:55:42 | 0:55:46 | |
Just one problem here... | 0:55:46 | 0:55:48 | |
pretty frock not included. | 0:55:48 | 0:55:50 | |
So, Jonathan needs to buy something for Clarissa to wear. | 0:55:50 | 0:55:53 | |
The exact thing for you. This little number. | 0:55:53 | 0:55:56 | |
1960s, baby doll, Marks & Spencer's. | 0:55:56 | 0:55:59 | |
A fiver. | 0:55:59 | 0:56:02 | |
-My word. -She'll look a smart girl in that. -She'll look great. | 0:56:02 | 0:56:07 | |
What do you know about frocks, Jonathan? | 0:56:07 | 0:56:09 | |
Anyway, £37 all in and I just hope he knows what he's doing. | 0:56:09 | 0:56:13 | |
# Just the two of us... # | 0:56:13 | 0:56:15 | |
Ooh, Philip's changed(!) | 0:56:15 | 0:56:18 | |
# Just the two of us... # | 0:56:18 | 0:56:21 | |
It's nicer having you sitting next to me than Phil. You're much better-looking. | 0:56:21 | 0:56:24 | |
Yeah, that's cos she's a dummy, | 0:56:24 | 0:56:26 | |
although, speaking of Phil... | 0:56:26 | 0:56:29 | |
He's off to Bakewell, renowned for its Bakewell pudding | 0:56:29 | 0:56:32 | |
and not, as many people wrongly assume, the Bakewell tart, | 0:56:32 | 0:56:37 | |
even though it's exceedingly good. | 0:56:37 | 0:56:40 | |
But, more to the point, the area is also home to Haddon Hall, | 0:56:40 | 0:56:44 | |
said to be one of the finest medieval manor houses in existence. | 0:56:44 | 0:56:49 | |
Today, Jo's giving Phil the guided tour. | 0:56:49 | 0:56:51 | |
We're coming up to part of the newer part of the building, at the moment. | 0:56:51 | 0:56:55 | |
-This wasn't built till about 1540. -Oh, right. | 0:56:55 | 0:56:59 | |
Dating back to the 11th century, it used to belong to the illegitimate son of William the Conqueror. | 0:56:59 | 0:57:07 | |
Since then, it's passed through the hands of two families - the Vernons and the Manners. | 0:57:07 | 0:57:11 | |
And, today, after more than 900 years, | 0:57:11 | 0:57:14 | |
the house still stands in near-perfect condition. | 0:57:14 | 0:57:17 | |
This is our Great Hall. | 0:57:17 | 0:57:19 | |
It dates back to about 1370, | 0:57:19 | 0:57:21 | |
so it's the oldest part of the domestic building. | 0:57:21 | 0:57:24 | |
Meanwhile, this table dates back to the 1450s | 0:57:24 | 0:57:28 | |
and helps tell the story of a popular saying, "the upper crust". | 0:57:28 | 0:57:33 | |
-People didn't have plates and pewter. They ate off trenchers, didn't they? -They did. | 0:57:33 | 0:57:37 | |
They ate off bread trenchers. | 0:57:37 | 0:57:39 | |
Bread trenchers. You put the bread on the table | 0:57:39 | 0:57:42 | |
and your meat onto the bread, then soaked your gravy into the bread. | 0:57:42 | 0:57:46 | |
-The bottom of the bread is stale, isn't it? -It is. | 0:57:46 | 0:57:49 | |
-The wealthier people had the top of the bread, so they were "the upper crust". -That's right. | 0:57:49 | 0:57:53 | |
After serving its owners for five centuries, | 0:57:54 | 0:57:58 | |
Haddon Hall was abandoned in the early 1700s | 0:57:58 | 0:58:01 | |
and lay dormant for around 200 years, | 0:58:01 | 0:58:04 | |
before the 9th Duke and Duchess of Rutland decided to embark on a full restoration. | 0:58:04 | 0:58:10 | |
This is our dining room, as you can see by the table. | 0:58:10 | 0:58:13 | |
-Fantastic cupboard! -It is. I wanted to show you this closer, | 0:58:13 | 0:58:17 | |
because it is so beautifully carved. | 0:58:17 | 0:58:19 | |
It's one of our collection of dole cupboards, | 0:58:19 | 0:58:22 | |
used to share out the food for the poor. | 0:58:22 | 0:58:24 | |
I think they would be put on bridges, at crossroads, where people would pass by | 0:58:24 | 0:58:28 | |
and any food that was left over would be put in here. | 0:58:28 | 0:58:31 | |
If you couldn't support yourself, you took the food from the dole cupboard, | 0:58:31 | 0:58:35 | |
so you were on the dole. | 0:58:35 | 0:58:36 | |
I hadn't appreciated "dole" and "on the dole" - | 0:58:36 | 0:58:40 | |
-so...D-O-L-E? -Yeah. -Right. | 0:58:40 | 0:58:44 | |
-On the benefits. -Yeah. | 0:58:44 | 0:58:46 | |
Last on the tour is the Long Gallery, | 0:58:46 | 0:58:49 | |
created in the Tudor period, in order to accommodate the latest health fad, | 0:58:49 | 0:58:55 | |
the thing they decided to call "exercise". | 0:58:55 | 0:58:57 | |
Wow. | 0:58:57 | 0:58:59 | |
-Make a fantastic cricket net, this, wouldn't it? -It would! | 0:58:59 | 0:59:03 | |
-You could just... -Bowls. | 0:59:03 | 0:59:06 | |
Skateboarding. | 0:59:06 | 0:59:07 | |
It used to be three rooms. | 0:59:07 | 0:59:09 | |
-This used to be three rooms? -It did. Then they said, "Let's build a long gallery" and knocked them together. | 0:59:09 | 0:59:15 | |
-You say this was an exercise hall? -It was, yes. Shall we? | 0:59:15 | 0:59:18 | |
Go on... How fast did they go? | 0:59:18 | 0:59:21 | |
-Not as fast as this, I don't think. -We've got to go this fast. | 0:59:21 | 0:59:25 | |
Now, while Phil works on achieving the body beautiful - | 0:59:25 | 0:59:29 | |
and it may take some time - | 0:59:29 | 0:59:31 | |
our next stop is Chesterfield, | 0:59:31 | 0:59:35 | |
a destination that began life as a Roman fort, circa 70 AD, | 0:59:35 | 0:59:40 | |
and eventually blossomed into a market town. | 0:59:40 | 0:59:43 | |
Chesterfield is also renowned for its crooked church spire, | 0:59:45 | 0:59:50 | |
a 14th-Century addition which, according to one folklore, | 0:59:50 | 0:59:53 | |
is crooked because a local blacksmith mis-shoed the Devil, | 0:59:53 | 0:59:56 | |
who then leaped over the spire in pain and knocked it out of shape. | 0:59:56 | 0:59:59 | |
Ha! If you believe that, you'll believe anything. | 0:59:59 | 1:00:02 | |
A few miles down the road, young Pratt still has £80 burning a hole in his pocket. | 1:00:02 | 1:00:07 | |
and is thinking of giving it, at least some of it, to our Marlene, in her shop. | 1:00:07 | 1:00:12 | |
-What a lovely shop! -I try and pack it with a lot of things that people could be interested in. -Yeah. | 1:00:12 | 1:00:17 | |
And I like to let them have a look round and a rummage. | 1:00:17 | 1:00:20 | |
Mm. And, after Jonathan's had a bit of a rummage... | 1:00:20 | 1:00:24 | |
..he's happy to report he has several candidates for his next purchase. | 1:00:27 | 1:00:31 | |
I quite like this little chap here. It kind of looks out of place, but... | 1:00:31 | 1:00:35 | |
Little children's food bowl, your A-B-C round the outside. | 1:00:35 | 1:00:40 | |
They can eat all their food and get to the bottom and say, "I can see the doggy, Mummy!". | 1:00:40 | 1:00:44 | |
Oh, yeah? More importantly, it's 1930s and in excellent condition, | 1:00:44 | 1:00:49 | |
so it joins the maybe list, along with one pen and ink drawing | 1:00:49 | 1:00:53 | |
of the Northern locomotive, circa 1920. | 1:00:53 | 1:00:57 | |
Well, maybe. | 1:00:57 | 1:00:58 | |
P'raps? | 1:00:58 | 1:01:00 | |
The only doubt is they haven't signed it. | 1:01:00 | 1:01:02 | |
And, last, but not least, miniature golf, anyone? | 1:01:02 | 1:01:06 | |
I like this. This is Chad Valley. | 1:01:06 | 1:01:07 | |
Chad Valley is one of the big names for making toys | 1:01:07 | 1:01:11 | |
in the early part of the 20th century. | 1:01:11 | 1:01:13 | |
So, you've got nine holes, two putters, | 1:01:13 | 1:01:16 | |
a driver, as well. | 1:01:16 | 1:01:18 | |
I like that a lot, actually. | 1:01:18 | 1:01:20 | |
This and the locomotive and the children's bowl, | 1:01:20 | 1:01:23 | |
I might just buy the lot today. | 1:01:23 | 1:01:25 | |
Well, someone's living dangerously, | 1:01:25 | 1:01:29 | |
though what large sums might we be talking about here? | 1:01:29 | 1:01:32 | |
Um, I think the very best on that would be seven. | 1:01:32 | 1:01:34 | |
-I bought it with other items. -OK. -I think that would be a fair price. | 1:01:34 | 1:01:38 | |
-There's a little way to go in that. -I'm happy with that. £7 is brilliant. | 1:01:38 | 1:01:42 | |
Thank you very much. The next is the Chad Valley miniature golf set. | 1:01:42 | 1:01:46 | |
-Tatty little box, but, um... -Crikey, it's amazing it's still in the box. | 1:01:46 | 1:01:51 | |
-I think I'd like to see £10 for that. -That's brilliant. OK. | 1:01:51 | 1:01:55 | |
Do you know, I can't haggle, cos ten is generous. And seven's good. | 1:01:55 | 1:01:59 | |
-We like to be fair. -Thank you. | 1:01:59 | 1:02:01 | |
Oh, yes. In that case, there's just one more item in the window. | 1:02:01 | 1:02:06 | |
-This one? -Yes, that chap there. -Right. Nice little item. | 1:02:06 | 1:02:10 | |
-What would you do that for? -I'd like to probably realise ten for that. | 1:02:10 | 1:02:14 | |
I really like it and I think £10 is a fair price. | 1:02:14 | 1:02:17 | |
So, in all, I'm going to buy three objects and they'll cost me £27. | 1:02:17 | 1:02:22 | |
-Right. -Which is very good, so thank you. -You haven't broke the bank. -No, I haven't! | 1:02:22 | 1:02:26 | |
And so endeth today's shopping spree, | 1:02:26 | 1:02:30 | |
with both our experts rather pleased with what they'd bought. | 1:02:30 | 1:02:33 | |
The impression, JP, that we're... Are we both chilled at the minute? | 1:02:34 | 1:02:39 | |
Yes. Cos it's the last one. | 1:02:39 | 1:02:41 | |
In for a penny, in for a pound and I want to win. | 1:02:41 | 1:02:43 | |
So, not chilled at all then! | 1:02:43 | 1:02:46 | |
As the sun rises on the last day of the last leg, | 1:02:55 | 1:02:59 | |
our experts are fighting fit and raring to go, | 1:02:59 | 1:03:02 | |
especially young Pratt, who's all too aware that... | 1:03:02 | 1:03:05 | |
# It's the final countdown... # | 1:03:05 | 1:03:08 | |
Hopefully, I've got an overall profit out of it, | 1:03:10 | 1:03:14 | |
-but what I want to find is that one little thing which might be the real... -The gem. -Yeah, the gem. | 1:03:14 | 1:03:19 | |
So far, Jonathan has spent £99 on four auction lots. | 1:03:19 | 1:03:25 | |
With his remaining £54, he vows to give old Serrell a real run for his money. | 1:03:25 | 1:03:29 | |
Philip, on the other hand, has spent just £85 | 1:03:29 | 1:03:32 | |
on two auction lots, which means he still | 1:03:32 | 1:03:35 | |
has £300 secreted somewhere about his person. | 1:03:35 | 1:03:39 | |
Don't think about it(!) | 1:03:39 | 1:03:41 | |
I'd like to buy something daft. | 1:03:41 | 1:03:43 | |
I'd like to buy something like a canoe. Or a... | 1:03:43 | 1:03:46 | |
-A gnu?! -Yeah. | 1:03:46 | 1:03:47 | |
Mm. Today, we're en route to Matlock, source of many a canoe, | 1:03:47 | 1:03:53 | |
which was once not one but four small villages, where not very much tended to happen. | 1:03:53 | 1:03:57 | |
But then in 1698, with the discovery of thermal springs, | 1:03:59 | 1:04:03 | |
suddenly Matlock was a spa town. | 1:04:03 | 1:04:05 | |
The population boomed and 20 hydros opened their doors, using mere water to treat many an ailment. | 1:04:05 | 1:04:12 | |
Although today, the only therapy Phil Serrell's after is retail, | 1:04:12 | 1:04:15 | |
so, currently, he's headed down the high street, | 1:04:15 | 1:04:18 | |
past the cute little doggy, which is not in the window. | 1:04:18 | 1:04:21 | |
Hello, mate. Have you been left outside? | 1:04:21 | 1:04:24 | |
Oh, dear, that's not good, is it? | 1:04:24 | 1:04:27 | |
And on to Matlock Antiques, | 1:04:27 | 1:04:30 | |
where he's discovered something even before he goes into the shop. | 1:04:30 | 1:04:33 | |
You know, you look at something like that... | 1:04:33 | 1:04:37 | |
..and I can hear you asking, "Who's going to buy that?" | 1:04:40 | 1:04:43 | |
You'd want to try and buy that for £20 to £25, really. | 1:04:43 | 1:04:47 | |
But I have seen them at £60, £70. | 1:04:47 | 1:04:50 | |
They're a bit bigger, with much bigger wooden blocks here. | 1:04:50 | 1:04:53 | |
I'm going to go in, see what else I can find. | 1:04:53 | 1:04:56 | |
Well, you say that, but we all know what you really want is... | 1:04:56 | 1:05:00 | |
-The mangle? -Yeah. | 1:05:00 | 1:05:01 | |
It's just a bit hot price-wise, isn't it? | 1:05:01 | 1:05:04 | |
-What price is on it? -I'll tell you what I can get for it at auction. | 1:05:04 | 1:05:07 | |
In a saleroom, that's going to make 30 to 50 quid, cos it's bust, | 1:05:07 | 1:05:11 | |
which means I have to buy it, after commission, between £20 and £25. | 1:05:11 | 1:05:15 | |
I'm sure 30 to 35 would be a lot better. | 1:05:15 | 1:05:19 | |
Who for?! | 1:05:19 | 1:05:20 | |
-Us, of course! -Let's have a think on that. Let me see what else... | 1:05:20 | 1:05:24 | |
-We might be able to block package it. -OK. That's lovely. | 1:05:24 | 1:05:27 | |
Let me see what else I can find. | 1:05:27 | 1:05:29 | |
I quite like that little trophy there, | 1:05:31 | 1:05:33 | |
which is not a snooker trophy. | 1:05:33 | 1:05:35 | |
It's a billiards trophy, cos there's two white balls, one of which has got a spot on. | 1:05:35 | 1:05:40 | |
By the way, billiards was once a game played outdoors, | 1:05:40 | 1:05:43 | |
similar to croquet, and the green felt of a billiards table is supposed to represent the lawn. | 1:05:43 | 1:05:49 | |
I think it's a really cool little trophy. | 1:05:50 | 1:05:52 | |
In that case, it's back to the negotiation table. | 1:05:52 | 1:05:57 | |
Could you do a deal on that and the mangle? | 1:05:57 | 1:06:00 | |
Can you do me £25 the two? | 1:06:00 | 1:06:03 | |
Not really, no. I think if we say 30 for the two, | 1:06:03 | 1:06:07 | |
-that'd be good. -What about if I toss and if it's heads, | 1:06:07 | 1:06:10 | |
it's £25 and if it's tails, it's £30? How does that sound? | 1:06:10 | 1:06:13 | |
-A coin, yes. -Oh, this is good, then. | 1:06:13 | 1:06:16 | |
This man's a chancer and, ladies, I'd check that coin, if I were you. | 1:06:16 | 1:06:20 | |
-If it's a head, it's £30. -It's mine, yes. -And if it's a tail, it's 25. | 1:06:27 | 1:06:31 | |
Get in there! | 1:06:34 | 1:06:36 | |
-I think that's... -Double-headed... | 1:06:36 | 1:06:38 | |
-It's double-tailed! -You said double-headed, you can't have it both ways! | 1:06:38 | 1:06:42 | |
I was fibbing! | 1:06:42 | 1:06:43 | |
THEY LAUGH | 1:06:43 | 1:06:45 | |
-The Silver Fox has done it again. -Thank you. | 1:06:45 | 1:06:49 | |
Now, as for Jonathan, he's motoring on. | 1:06:49 | 1:06:52 | |
His next stop is Stoke-On-Trent, | 1:06:53 | 1:06:56 | |
considered to be the spiritual home of Britain's pottery industry. | 1:06:56 | 1:07:00 | |
Mark you, that's not why we're here. | 1:07:00 | 1:07:03 | |
Oh, no. We're here to see Heath House, a grand, Gothic mansion | 1:07:03 | 1:07:08 | |
with a fascinating past, | 1:07:08 | 1:07:09 | |
one which tells the story of an ambitious young wife, | 1:07:09 | 1:07:12 | |
a family divided, | 1:07:12 | 1:07:14 | |
and the house that used to stand here being completely demolished. | 1:07:14 | 1:07:19 | |
-Good afternoon. -Hi, Jonathan, very nice to see you. Come on in. | 1:07:19 | 1:07:23 | |
Today, the estate is owned by Ben Philips, | 1:07:23 | 1:07:26 | |
the great-great-great grandson of the people who had it built, | 1:07:26 | 1:07:30 | |
John Burton Philips and his flamboyant wife, Joanna. | 1:07:30 | 1:07:35 | |
This is the inner hall and I think my ancestor, Joanna Philips, | 1:07:35 | 1:07:39 | |
when she built the house, she wanted to create an impression for her guests when they walked through, | 1:07:39 | 1:07:43 | |
and here it is! | 1:07:43 | 1:07:46 | |
Now, Joanna was an Essex girl, | 1:07:47 | 1:07:49 | |
who quite fancied having the biggest and grandest home money could buy, | 1:07:49 | 1:07:54 | |
so shortly after her pa-in-law passed away, | 1:07:54 | 1:07:57 | |
she took what was his rather fine Georgian home and demolished it. | 1:07:57 | 1:08:01 | |
In its place, she built this Victorian showpiece, | 1:08:01 | 1:08:05 | |
-with more than 60 rooms. -She was very ahead of her time. | 1:08:05 | 1:08:09 | |
-The old Georgian house was pulled down in 1835. -She didn't like that? | 1:08:09 | 1:08:14 | |
No, she absolutely didn't. | 1:08:14 | 1:08:16 | |
Having been brought up in a Georgian house herself, | 1:08:16 | 1:08:19 | |
she was sick to death of it and she just wanted the most modern, | 1:08:19 | 1:08:22 | |
most fashionable, most avant-garde that she could get hold of. | 1:08:22 | 1:08:27 | |
The tragedy was that most of the furniture and pictures in the old Georgian house, | 1:08:27 | 1:08:31 | |
I think she either gave away or sold. | 1:08:31 | 1:08:33 | |
Though allowing Joanna to raze the family home to the ground proved controversial, to say the least. | 1:08:33 | 1:08:39 | |
The old man died in 1834. | 1:08:39 | 1:08:41 | |
He was scarcely cold in his grave | 1:08:41 | 1:08:43 | |
when Joanna commissioned the other one... | 1:08:43 | 1:08:45 | |
Her sisters-in-law were so furious at what she'd done | 1:08:45 | 1:08:49 | |
-that they never came to the new house, never spoke to her. -Really?! | 1:08:49 | 1:08:53 | |
It caused a real rift in the family, yeah. | 1:08:53 | 1:08:55 | |
-What a lady! -Yes! She knew what she wanted. | 1:08:55 | 1:09:00 | |
The house took four years to complete | 1:09:00 | 1:09:02 | |
and in the 170 years that have passed since then, | 1:09:02 | 1:09:07 | |
many of the rooms have barely changed, | 1:09:07 | 1:09:09 | |
though each generation has added to its interesting history. | 1:09:09 | 1:09:14 | |
For example, it was a military hospital in World War Two, | 1:09:14 | 1:09:17 | |
it's been visited by Florence Nightingale and there's even a connection to Queen Victoria. | 1:09:17 | 1:09:24 | |
These items were given by Queen Victoria to my great aunt, | 1:09:24 | 1:09:27 | |
Countess Blucher. | 1:09:27 | 1:09:28 | |
She had a child who died in infancy. Victoria lost Albert... | 1:09:28 | 1:09:31 | |
-So that's kind of the connection? -Absolutely. The two ladies were bonded in grief, I suppose. | 1:09:31 | 1:09:38 | |
Victoria was a great one for grieving. | 1:09:38 | 1:09:40 | |
Oh, huge, huge. | 1:09:40 | 1:09:41 | |
-Can I have a look at some of this? -Yes. | 1:09:41 | 1:09:43 | |
-So that's Victoria and Albert in the middle there? -Yes. | 1:09:43 | 1:09:47 | |
There's a photograph of Albert on the back there. | 1:09:47 | 1:09:50 | |
"To the Countess Blucher, | 1:09:50 | 1:09:52 | |
"in remembrance of the best and greatest of princes, | 1:09:52 | 1:09:58 | |
-"from his broken-hearted widow, Victoria. December 1861." -Wow. | 1:09:58 | 1:10:03 | |
According to Ben, a visit to this grand old girl isn't complete | 1:10:03 | 1:10:08 | |
without climbing the 80-foot tower that Joanna Philips insisted | 1:10:08 | 1:10:12 | |
be incorporated into the design of the house, | 1:10:12 | 1:10:16 | |
an experience which is breathtaking, in all senses of the word. | 1:10:16 | 1:10:20 | |
I think every house should have one of these. I'd love one at home. | 1:10:23 | 1:10:27 | |
I don't think the neighbours would approve. | 1:10:27 | 1:10:29 | |
I should go for a pergola instead. | 1:10:29 | 1:10:32 | |
Anyway, let's talk about Philip. He's off to his next shop, | 1:10:32 | 1:10:37 | |
where, again, he's found something he likes right on the doorstep. | 1:10:37 | 1:10:41 | |
I like that. | 1:10:43 | 1:10:44 | |
The jammy old devil. | 1:10:44 | 1:10:45 | |
-Morning. -Morning. -How are you, all right? -Not too bad, you? | 1:10:45 | 1:10:48 | |
-Philip, good to see you. -Nice to meet you. | 1:10:48 | 1:10:51 | |
Magpie... | 1:10:51 | 1:10:52 | |
Don't be fooled by this lovable charm. He's only after a discount. | 1:10:52 | 1:10:56 | |
-I found this outside. -Yep. -What do you reckon that is? | 1:10:56 | 1:10:59 | |
-I think it's an old pub sign, made out of aluminium. -Yeah. -And painted up. -Age? | 1:10:59 | 1:11:04 | |
30, 40 years, maybe? Little bit different. | 1:11:04 | 1:11:07 | |
-Where's the price ticket on it? -Just there. Round the eye. -Let's look. | 1:11:07 | 1:11:12 | |
How much?! | 1:11:12 | 1:11:15 | |
-I like it. -Mm-hm. -But what I want to do is have a look round, | 1:11:15 | 1:11:19 | |
-and perhaps do a bit of a bulk buy off you. -OK. | 1:11:19 | 1:11:22 | |
Oh, not that old chestnut! | 1:11:22 | 1:11:24 | |
Then again, there are some nice pieces in this shop. | 1:11:24 | 1:11:27 | |
And what makes it different is there's a mix of old and new. | 1:11:27 | 1:11:32 | |
We've got a lock-up, as well, twice as big as the shop, full of stuff we haven't even been through yet. | 1:11:32 | 1:11:37 | |
-Really? -Really! | 1:11:37 | 1:11:40 | |
-Is it that way or that way? -Turn right, sir. | 1:11:40 | 1:11:43 | |
I've said it before and I'll say it again - | 1:11:43 | 1:11:46 | |
Philip Serrell, you jammy old devil. | 1:11:46 | 1:11:49 | |
Just a few miles away, Jonathan's headed for Cromford, | 1:11:49 | 1:11:54 | |
a town famous for its connection to Richard Arkwright, | 1:11:54 | 1:11:57 | |
one of the forefathers of the Industrial Revolution. | 1:11:57 | 1:12:01 | |
Remarkably, Arkwright's cotton mill, | 1:12:01 | 1:12:04 | |
which, in 1771, was the first to be successfully powered by water, | 1:12:04 | 1:12:08 | |
is still standing and, today, amongst other things, | 1:12:08 | 1:12:12 | |
it's home to Heritage Antiques. | 1:12:12 | 1:12:14 | |
(It's another pair of clogs.) | 1:12:17 | 1:12:19 | |
Can I not escape the clog, | 1:12:19 | 1:12:21 | |
by the end of the week? | 1:12:21 | 1:12:22 | |
As you may recall, several days ago, | 1:12:24 | 1:12:27 | |
Jonathan was extremely keen to buy this pair... | 1:12:27 | 1:12:29 | |
You wouldn't take, I dunno, £25 or something for them? | 1:12:29 | 1:12:32 | |
-No. -Really? | 1:12:32 | 1:12:34 | |
..but was pipped to the post by Philip, who bought them for 30. | 1:12:34 | 1:12:39 | |
-Oh, I love you, you're an angel. -Yes. -You are, ever so kind. | 1:12:39 | 1:12:43 | |
Ah, yes. To add insult to injury, he also made a tidy profit at auction. | 1:12:43 | 1:12:48 | |
Selling at £60. | 1:12:48 | 1:12:50 | |
So, now, perhaps Jonathan can have his revenge? | 1:12:51 | 1:12:55 | |
Well, if you're interested in clogs, | 1:12:55 | 1:12:57 | |
I do have a genuine pair of mill worker's clogs. | 1:12:57 | 1:13:00 | |
There we go, look. | 1:13:00 | 1:13:02 | |
Negotiating on clogs - I'm going to have nightmares about this. | 1:13:02 | 1:13:07 | |
Be gentle with him, Patrick. | 1:13:07 | 1:13:09 | |
If I were to buy a pair of clogs - and I'm not suggesting I really want to go down that route again, | 1:13:09 | 1:13:15 | |
I've only just recovered from it - | 1:13:15 | 1:13:17 | |
what would be your best price, if you're saying £45? | 1:13:17 | 1:13:20 | |
I will do those for £30. | 1:13:20 | 1:13:21 | |
Oh, this is just like groundhog day. | 1:13:21 | 1:13:25 | |
Ground-CLOG day, actually, Jonathan. | 1:13:25 | 1:13:27 | |
Stay strong. | 1:13:27 | 1:13:29 | |
Well, they could do with a polish, I have to say. | 1:13:29 | 1:13:32 | |
His had quite a bit of finish on them. | 1:13:32 | 1:13:34 | |
-But these were working footwear. -I can tell, yes. | 1:13:34 | 1:13:37 | |
-I did resist the urge to polish. -Yeah. | 1:13:37 | 1:13:41 | |
Just so I can exorcise this week's worth of trauma I've had, | 1:13:41 | 1:13:47 | |
post Clog-gate, | 1:13:47 | 1:13:48 | |
I'm going to buy those, if you were to agree to £25. | 1:13:48 | 1:13:52 | |
I don't mean to make you cry, but this is helping me. | 1:13:54 | 1:13:57 | |
Yes, I can understand that. | 1:13:57 | 1:13:59 | |
-OK. -Right, OK. Thank you. | 1:13:59 | 1:14:01 | |
I'll show him! | 1:14:01 | 1:14:02 | |
There we go. | 1:14:04 | 1:14:05 | |
The clog returns. | 1:14:05 | 1:14:08 | |
Back in Matlock, though... | 1:14:09 | 1:14:13 | |
Where's he taking me?! | 1:14:13 | 1:14:14 | |
Welcome to the lock-up. | 1:14:14 | 1:14:17 | |
Cor, he loves it, the old codger. | 1:14:17 | 1:14:19 | |
Philip, poking around all this...stuff. | 1:14:19 | 1:14:22 | |
You ever thought about stocktaking? | 1:14:22 | 1:14:24 | |
No. I don't think we'd have the time. | 1:14:24 | 1:14:27 | |
I wouldn't know where to start. | 1:14:27 | 1:14:29 | |
That's got a few lenses with it. There's no box or anything. | 1:14:29 | 1:14:33 | |
That's exactly how it's come. | 1:14:33 | 1:14:36 | |
-Right. -I don't know anything about it whatsoever. | 1:14:36 | 1:14:39 | |
-You're in good company(!) -Yeah! | 1:14:39 | 1:14:40 | |
Pur-leeze! Allow me. | 1:14:40 | 1:14:43 | |
This is what is called a monocular bench microscope | 1:14:43 | 1:14:47 | |
and it's designed for studying all manner of natural history specimens. | 1:14:47 | 1:14:51 | |
At auction...I think... | 1:14:51 | 1:14:55 | |
I would see that making... | 1:14:55 | 1:14:57 | |
£20 to £40, £30 to £50 - that sort of region. | 1:14:57 | 1:15:00 | |
If it's 20 to 40 quid, I've got to try and buy it for 15 quid, | 1:15:00 | 1:15:03 | |
which is nicking it off you. | 1:15:03 | 1:15:05 | |
-I think I could get more... -I'm sure you could. | 1:15:05 | 1:15:08 | |
-..in scrap for the brass. -Yeah. | 1:15:08 | 1:15:10 | |
That part's brass. That isn't. | 1:15:10 | 1:15:13 | |
-Can we take it back to the shop with us? -Sure. | 1:15:13 | 1:15:16 | |
-Cos I've got that lion, as well. -OK. | 1:15:16 | 1:15:18 | |
And, maybe, Mr Moneybags, you could also rethink that offer. | 1:15:18 | 1:15:22 | |
Do you know what, Matt? | 1:15:22 | 1:15:25 | |
Like a lot of things in life, it looks a lot better in the dark. | 1:15:25 | 1:15:29 | |
Now that is really cheeky. | 1:15:29 | 1:15:31 | |
-Right. -Right, sir. | 1:15:31 | 1:15:34 | |
I was being mean when I bid 15 quid for that. Too mean. | 1:15:35 | 1:15:39 | |
I'd love to buy it for 20 quid, really. | 1:15:39 | 1:15:41 | |
I'm sure you would. And I'd like to sell it for 20, but I think if you could come a little bit more... | 1:15:41 | 1:15:47 | |
Um...and you did quite like the lion? | 1:15:47 | 1:15:49 | |
I think if you come a bit more, I'll chuck the lion in. | 1:15:49 | 1:15:53 | |
OK, I'll tell you what, I'll give you 25 quid for that and the lion. | 1:15:53 | 1:15:57 | |
-Nah. -That's a little bit more. -I was going to say 40 for that... | 1:15:57 | 1:16:01 | |
-How much?! -40, for that and the lion. -No, I couldn't do that. Honestly. | 1:16:01 | 1:16:05 | |
I don't think there's great age to that and I just think it's fun. | 1:16:05 | 1:16:09 | |
-This is my best shot, right - me finished after this. -OK. | 1:16:09 | 1:16:12 | |
I'll give you 30 quid for the two. | 1:16:12 | 1:16:15 | |
-You wouldn't stretch to 35? -No, that's me finished. | 1:16:15 | 1:16:18 | |
-I don't mind if you say no. -Well, I like you | 1:16:18 | 1:16:21 | |
and I want you to win, so £30. | 1:16:21 | 1:16:23 | |
-Oh, you're a good man! Really? -Yeah. | 1:16:23 | 1:16:25 | |
And, with that, this shopping trip is at an end. | 1:16:25 | 1:16:30 | |
I'm going to take those. | 1:16:30 | 1:16:31 | |
So, for the last time this week, | 1:16:31 | 1:16:33 | |
the moment has arrived when our experts must reveal to each other what they've bought. | 1:16:33 | 1:16:38 | |
Do you know, we've made it to the end. | 1:16:38 | 1:16:41 | |
I'm exhausted. | 1:16:41 | 1:16:42 | |
Absolutely exhausted. | 1:16:42 | 1:16:44 | |
-You start, you start. -Shall I start? | 1:16:44 | 1:16:47 | |
-That was in the antiques centre. -Yes. -I looked at that. | 1:16:49 | 1:16:52 | |
-Who's it by? -Pietro. | 1:16:52 | 1:16:54 | |
There's a touch of the old '30s about it, I'd say. | 1:16:54 | 1:16:57 | |
It's that really high Deco feel about it. | 1:16:57 | 1:16:59 | |
It's a bit like the old Wurlitzer, isn't it? | 1:16:59 | 1:17:02 | |
Cost me £55. | 1:17:02 | 1:17:05 | |
To be fair, I have sold them for less, but then they have made more. | 1:17:05 | 1:17:09 | |
In other words, we can safely assume Jonathan's not a great fan. | 1:17:09 | 1:17:13 | |
There again, he is the man who bought this little lady. | 1:17:13 | 1:17:16 | |
Meet Clarissa. | 1:17:16 | 1:17:18 | |
-I'll just cover her legs. Great, isn't it? -Yeah(!) -She also comes with a chair. | 1:17:20 | 1:17:25 | |
I think that I'm actually... My mind is speechless. | 1:17:25 | 1:17:30 | |
I'm not sure the market in Wilmslow is going to be ready for Clarissa. | 1:17:30 | 1:17:34 | |
Yes, quite. | 1:17:34 | 1:17:36 | |
But perhaps the thing to really excite them is this. | 1:17:36 | 1:17:39 | |
-Ha-ha! A mangle! -I thought it was cheap. | 1:17:39 | 1:17:43 | |
How much was it? | 1:17:43 | 1:17:44 | |
20 quid. | 1:17:44 | 1:17:45 | |
What do they make? | 1:17:45 | 1:17:47 | |
The most it can lose me is a tenner. | 1:17:48 | 1:17:51 | |
Right? And, on a good day, it might make me 20 or 30 quid. | 1:17:51 | 1:17:54 | |
That's what I thought. | 1:17:54 | 1:17:56 | |
Excellent. | 1:17:56 | 1:17:57 | |
Well, you know, I like the optimism. | 1:17:57 | 1:17:59 | |
-I mean...mangles... -Can I just stop you? | 1:17:59 | 1:18:02 | |
JP, when we're talking optimism, | 1:18:02 | 1:18:05 | |
you are so far ahead of me in terms of optimism, | 1:18:05 | 1:18:08 | |
you are at the cutting edge of optimism. What's next, JP? | 1:18:08 | 1:18:11 | |
-I really liked that. -That's fun. | 1:18:11 | 1:18:14 | |
-Little child's food bowl. Sort of 1930s. -I think that's fun. | 1:18:14 | 1:18:18 | |
-That cost me a tenner. -Oh, that's profit. | 1:18:18 | 1:18:21 | |
And its companion piece. | 1:18:21 | 1:18:23 | |
There's a little Chad Valley nine-hole golf course. | 1:18:23 | 1:18:27 | |
-I think the dish will get your golf clubs out of trouble. -Do you think? | 1:18:27 | 1:18:32 | |
-Yeah, I do. -I think the golf clubs are worth 15, 20 quid. | 1:18:32 | 1:18:35 | |
Do you not think so? | 1:18:35 | 1:18:36 | |
Um...no. | 1:18:36 | 1:18:38 | |
Ah, well. Beauty is in the eye of the beholder. | 1:18:38 | 1:18:42 | |
Speaking of which... | 1:18:42 | 1:18:43 | |
I really thought this was just so much fun, look. | 1:18:43 | 1:18:47 | |
What do you reckon? | 1:18:47 | 1:18:48 | |
It's a pub sign. | 1:18:48 | 1:18:50 | |
It's kind of fun, a novelty object like this. | 1:18:50 | 1:18:53 | |
People will stick this sort of thing on the wall, | 1:18:53 | 1:18:56 | |
-if their surname's Lyon. -Yeah. | 1:18:56 | 1:18:58 | |
Actually, I bought that and that. | 1:18:58 | 1:19:00 | |
That, I think is fantastic, right? | 1:19:00 | 1:19:02 | |
-It's a toothpick holder? -No, no, no. | 1:19:02 | 1:19:05 | |
It's a little billiards trophy. | 1:19:05 | 1:19:08 | |
That is really sweet. There we go. | 1:19:08 | 1:19:10 | |
Just a little sketch, isn't it? | 1:19:12 | 1:19:14 | |
-But there's so much work involved. -Yeah. | 1:19:14 | 1:19:16 | |
-What, '20s? -'20s to '30s. | 1:19:16 | 1:19:18 | |
-'20s, '30s, and it's worth £10 to £20. -I paid £7 for it. -Well, you're home and hosed, aren't you? | 1:19:18 | 1:19:23 | |
-Ah. -Two little miniature cricket bats. | 1:19:23 | 1:19:26 | |
-You're a bit batty about cricket. -Yeah. | 1:19:26 | 1:19:28 | |
Ashes bats. | 1:19:28 | 1:19:30 | |
And cricket's uber-popular at the minute. | 1:19:30 | 1:19:33 | |
They're worth...£10 to £15 each, | 1:19:33 | 1:19:36 | |
£20 to £20? | 1:19:36 | 1:19:37 | |
I paid £30 for the two | 1:19:37 | 1:19:40 | |
and I think they'll make 30 to 50. | 1:19:40 | 1:19:42 | |
Well, you have to admire his confidence. | 1:19:42 | 1:19:45 | |
This now is my... | 1:19:45 | 1:19:46 | |
penultimate purchase. | 1:19:46 | 1:19:48 | |
Tell me about it. | 1:19:48 | 1:19:49 | |
I don't want to diss my own product, so you can do it for me. | 1:19:49 | 1:19:52 | |
Er, well, it's about 1880-1890s. | 1:19:52 | 1:19:55 | |
It's a leather top-hat box. | 1:19:55 | 1:19:57 | |
Yeah. Not in the finest condition. | 1:19:57 | 1:19:59 | |
But I think it'll clean up, looking rather nice, | 1:19:59 | 1:20:01 | |
-with a bit of saddle soap. -Yeah. | 1:20:01 | 1:20:03 | |
-I've seen them make quite a lot of money. -I've seen them do very well. | 1:20:03 | 1:20:07 | |
To be blunt, Jonathan could really use the profits. | 1:20:07 | 1:20:11 | |
I looked on a website and these are called petrological microscopes. | 1:20:11 | 1:20:14 | |
Realistically, Philip, I think it might make £20 to £30. | 1:20:14 | 1:20:19 | |
Not quite what Philip was hoping to hear. | 1:20:19 | 1:20:22 | |
Can he be right? | 1:20:22 | 1:20:23 | |
My word. Those are lovely, aren't they? | 1:20:23 | 1:20:26 | |
It's a little pair of cotton mill worker's clogs. | 1:20:26 | 1:20:30 | |
They're worker's clogs. | 1:20:30 | 1:20:31 | |
I think these are nice. I like these. | 1:20:31 | 1:20:33 | |
-I'd have bought these. -Would you? -They've got a great social history. | 1:20:33 | 1:20:37 | |
I would think that those are probably £20 to £30 worth. | 1:20:37 | 1:20:41 | |
-I paid £25 for them. -Well, that's all right. -We'll see. | 1:20:41 | 1:20:44 | |
But I do like those. | 1:20:44 | 1:20:46 | |
Well, it's quite an eclectic mix. | 1:20:46 | 1:20:48 | |
But what do our experts really think? | 1:20:48 | 1:20:50 | |
Go on, put the boot in. | 1:20:50 | 1:20:52 | |
He's put a lot of money on the one object, | 1:20:52 | 1:20:54 | |
which is the accordion. | 1:20:54 | 1:20:56 | |
The microscope could be the thing to run away, | 1:20:56 | 1:20:59 | |
so he could have done well with that. | 1:20:59 | 1:21:01 | |
I think the child's bowl is absolutely lovely. | 1:21:01 | 1:21:03 | |
I can see that doing quite well. And as for Clarissa, | 1:21:03 | 1:21:07 | |
I think he's been spending too much time on his own. | 1:21:07 | 1:21:10 | |
After starting this road trip in Sheffield, | 1:21:12 | 1:21:14 | |
the lads end their journey, and the week, in Wilmslow, | 1:21:14 | 1:21:18 | |
one of the most affluent areas in Britain. | 1:21:18 | 1:21:21 | |
And not surprisingly then, it's home to Premiership footballers, | 1:21:21 | 1:21:26 | |
WAGs, actors and multimillionaires, | 1:21:26 | 1:21:29 | |
which could bode well at today's auction at Maxwells of Wilmslow. | 1:21:29 | 1:21:33 | |
Are you feeling confident, JP? | 1:21:33 | 1:21:35 | |
Ohh, dear. | 1:21:35 | 1:21:37 | |
Er...I really had hoped that I was going to find the little gem | 1:21:37 | 1:21:42 | |
-to save my bacon on the last auction. -I thought you brought her with you? | 1:21:42 | 1:21:46 | |
HE LAUGHS | 1:21:46 | 1:21:47 | |
Though before auctioneer Max Blackmore takes to the podium, | 1:21:47 | 1:21:50 | |
what does he think of our experts' choices? | 1:21:50 | 1:21:53 | |
They're all interesting, quirky items | 1:21:53 | 1:21:56 | |
and I'm sure we'll have quite a bit of interest in most of them. | 1:21:56 | 1:22:00 | |
Clarissa - | 1:22:00 | 1:22:01 | |
we don't often get an opportunity to sell such a nice young lady. | 1:22:01 | 1:22:05 | |
I think she'll either fly or flop. | 1:22:05 | 1:22:08 | |
Yes. Philip started this leg with £382.42 | 1:22:08 | 1:22:13 | |
and has gone on to spend £140 on five auction lots. | 1:22:13 | 1:22:18 | |
Jonathan, meanwhile, began with just £152.80, | 1:22:18 | 1:22:23 | |
and has spent £124, also on five auction lots, | 1:22:23 | 1:22:27 | |
all of which he's hoping - nay, praying! - | 1:22:27 | 1:22:29 | |
will bring about a reversal of his fortunes. | 1:22:29 | 1:22:32 | |
JP, this is the beginning of the end, isn't it? | 1:22:35 | 1:22:38 | |
It is, yeah, absolutely. | 1:22:38 | 1:22:39 | |
-Or is it the end of the beginning? -It's the end... -OK, fine. | 1:22:39 | 1:22:44 | |
Yes. And now we've got that sorted, let the auction start. | 1:22:44 | 1:22:48 | |
First up, it's Philip's rather grand accordion. | 1:22:48 | 1:22:52 | |
I can start this at, um, | 1:22:52 | 1:22:55 | |
at £15. | 1:22:55 | 1:22:56 | |
-Ouch. -That's £15 with me. | 1:22:56 | 1:22:58 | |
At £15. | 1:22:58 | 1:22:59 | |
At 20, at 25. At 30. | 1:22:59 | 1:23:02 | |
At £30, commission's out. At 35. | 1:23:02 | 1:23:05 | |
40, 45. | 1:23:05 | 1:23:07 | |
50. | 1:23:07 | 1:23:08 | |
£50. | 1:23:08 | 1:23:10 | |
I think it's a sort of result. | 1:23:10 | 1:23:12 | |
55, we're selling to the 'net. | 1:23:12 | 1:23:14 | |
Anybody else? £55, it is, then. | 1:23:14 | 1:23:17 | |
I've come all that way to not break even! | 1:23:17 | 1:23:20 | |
It could've been a lot, lot worse! | 1:23:20 | 1:23:23 | |
Indeed it could, though, as Philip so rightly points out, | 1:23:23 | 1:23:27 | |
after commission, I'm afraid, it's a loss. | 1:23:27 | 1:23:30 | |
Next, it's Clarissa, the woman who's stolen Jonathan's heart | 1:23:30 | 1:23:33 | |
and, perhaps, his marbles. | 1:23:33 | 1:23:36 | |
-I like that. -What? | 1:23:36 | 1:23:38 | |
"A mannequin, 'Clarissa', | 1:23:38 | 1:23:39 | |
approximately 5'10", GSOH" - | 1:23:39 | 1:23:42 | |
good sense of humour! | 1:23:42 | 1:23:45 | |
WLTM - would like to meet - a young Pratt! | 1:23:45 | 1:23:47 | |
But what the good people of Wilmslow feel? | 1:23:47 | 1:23:51 | |
Start me off, £40 for Clarissa there. | 1:23:51 | 1:23:54 | |
£40. £30. | 1:23:54 | 1:23:55 | |
Come on. | 1:23:55 | 1:23:57 | |
Oh, come on, someone! | 1:23:57 | 1:23:58 | |
-£20? -Oh, dear! Perhaps she'll go home with Jonathan. | 1:23:58 | 1:24:02 | |
His missus will be pleased(!) | 1:24:02 | 1:24:04 | |
Start me at £10. £10 bid, we're off now. £10. | 1:24:04 | 1:24:07 | |
I'll go in twos! | 1:24:07 | 1:24:10 | |
12, 14. | 1:24:10 | 1:24:13 | |
16. | 1:24:13 | 1:24:14 | |
You're together. 18. | 1:24:16 | 1:24:18 | |
20, 22, 25, 28. | 1:24:18 | 1:24:22 | |
We've got a bidding war going on. | 1:24:22 | 1:24:23 | |
Yep, maybe there's some hope yet. | 1:24:23 | 1:24:26 | |
30. 35. | 1:24:26 | 1:24:28 | |
35, in the orange there, at £35, it's the lady's bid. | 1:24:28 | 1:24:32 | |
£35 and we're going, all done and selling... | 1:24:32 | 1:24:35 | |
GAVEL BANGS | 1:24:36 | 1:24:37 | |
-I redeemed myself a little. -I think you got out of jail, mate. | 1:24:39 | 1:24:42 | |
I just knew Clarissa would break Jonathan's heart. | 1:24:42 | 1:24:46 | |
Next, something completely "batty". | 1:24:48 | 1:24:50 | |
Well, two of them. And they're Philip's 1950s jobbies. | 1:24:50 | 1:24:54 | |
Let's start at 15, shall we? 15 bid. | 1:24:54 | 1:24:57 | |
20, 25, 30, | 1:24:57 | 1:24:59 | |
35. £35. | 1:24:59 | 1:25:03 | |
Further bids now? At £35. | 1:25:03 | 1:25:04 | |
All done at £35, then. | 1:25:04 | 1:25:06 | |
On commission... | 1:25:06 | 1:25:09 | |
So, it's all going wonderfully well at the moment, isn't it(?) | 1:25:09 | 1:25:11 | |
This is very unlike you, Philip. | 1:25:11 | 1:25:13 | |
But looking on the bright side, it is our first profit of the day. | 1:25:13 | 1:25:17 | |
And the only way, as they say, is up. | 1:25:17 | 1:25:19 | |
So, let's see what the rather cautious bidders | 1:25:19 | 1:25:23 | |
make of Jonathan's top-hat box? | 1:25:23 | 1:25:25 | |
It does look absolutely knackered, though, doesn't it?! | 1:25:25 | 1:25:28 | |
20 bid, at £20. 30. | 1:25:28 | 1:25:30 | |
-35, seated. -At £35. -Keep going. Keep going. | 1:25:32 | 1:25:35 | |
-At £35. Any further bids now? -Come on, come on! | 1:25:35 | 1:25:38 | |
It's in the room and selling. | 1:25:38 | 1:25:40 | |
-40 bid. -Ooh, there we go. | 1:25:40 | 1:25:42 | |
45. £45. Seated at 45 and selling this time. | 1:25:42 | 1:25:47 | |
Hooray! | 1:25:48 | 1:25:50 | |
-I've never seen anyone get so excited. -£5 profit, that. | 1:25:50 | 1:25:55 | |
You've gone a bit squeaky, JP. | 1:25:55 | 1:25:58 | |
Actually, it's a £10 profit before commission, | 1:25:58 | 1:26:01 | |
but who's counting? | 1:26:01 | 1:26:03 | |
Up next, the Philip Serrell pub collection. | 1:26:03 | 1:26:07 | |
After all, | 1:26:07 | 1:26:08 | |
who wouldn't want their own lion masthead and billiards trophy(?) | 1:26:08 | 1:26:12 | |
30? 25? Come on, start me somewhere. | 1:26:12 | 1:26:15 | |
20? 20 bid in the front there. Thank you very much. £20. | 1:26:15 | 1:26:20 | |
At £20. Any further bids now? The billiard trophy and the pub sign. | 1:26:20 | 1:26:23 | |
Any further bids? | 1:26:23 | 1:26:24 | |
In the front row, selling then, for £20. | 1:26:24 | 1:26:28 | |
-It's a profit. -Yeah, well, it's a 100% profit. | 1:26:28 | 1:26:31 | |
Yes, well done, Philip. That's big money. Especially for you two. | 1:26:31 | 1:26:37 | |
Perhaps Jonathan's locomotive sketch can finally stir some excitement. | 1:26:37 | 1:26:43 | |
Start me somewhere then. 10, if you like. Start me at 10? | 1:26:43 | 1:26:47 | |
10 bid, with the lady. At £10. | 1:26:47 | 1:26:50 | |
Further bids now at 10. | 1:26:50 | 1:26:52 | |
-Any further bids? £10, I have. -Oh, come on! -All done. | 1:26:52 | 1:26:55 | |
You are racing away now, aren't you? | 1:26:55 | 1:26:58 | |
JONATHAN SIGHS | 1:26:58 | 1:27:00 | |
Yep, I won't lie to you. It's not looking good. | 1:27:00 | 1:27:04 | |
But let's see if Philip's mangle from Matlock can make some moolah. | 1:27:04 | 1:27:09 | |
Start me off for it. £30. What about this one, then? | 1:27:09 | 1:27:12 | |
£30 for the mangle? | 1:27:12 | 1:27:14 | |
20. Start me at 10, then. £10 for a cast-iron mangle. | 1:27:14 | 1:27:20 | |
-Go for a fiver. -This is going wonderfully well, isn't it(?) | 1:27:20 | 1:27:23 | |
Sell it for a pound. | 1:27:23 | 1:27:24 | |
-£5 then. -He's getting lower! -Please. | 1:27:24 | 1:27:27 | |
We're in trouble now. | 1:27:27 | 1:27:29 | |
-5 bid. -Yay! | 1:27:29 | 1:27:30 | |
There's no interest on the 'net, apparently. | 1:27:30 | 1:27:33 | |
£5 in the room. | 1:27:33 | 1:27:35 | |
I think that's a result, really, isn't it? | 1:27:35 | 1:27:38 | |
You know, I think we're going to have to lock the doors | 1:27:38 | 1:27:41 | |
and shake the money from the bidders' pockets. | 1:27:41 | 1:27:44 | |
No? | 1:27:44 | 1:27:45 | |
All right then. Moving on. This one's for the kids. | 1:27:45 | 1:27:48 | |
It's Jonathan's alphabet bowl and Chad Valley golf set. | 1:27:48 | 1:27:53 | |
For the children's items, 12. | 1:27:53 | 1:27:55 | |
15, 18, 20. | 1:27:55 | 1:27:58 | |
£20 with me. Somebody over here. We're up to fives now. 25. | 1:27:58 | 1:28:02 | |
£25. We're in fives. Commission's out. | 1:28:02 | 1:28:05 | |
Your bid of 25, madam. | 1:28:05 | 1:28:06 | |
Further bids now for the little child's bowl and game. | 1:28:06 | 1:28:09 | |
Surely worth more. | 1:28:09 | 1:28:10 | |
Any further bids? Up to 25. No interest on the 'net. | 1:28:10 | 1:28:13 | |
It's to the room, then... | 1:28:13 | 1:28:15 | |
I think that was cheap. | 1:28:15 | 1:28:17 | |
-LANCASHIRE ACCENT: -Ah, well, mustn't grumble, eh? | 1:28:19 | 1:28:23 | |
So, Philip's last hope for this auction, | 1:28:23 | 1:28:25 | |
his petrological microscope. | 1:28:25 | 1:28:27 | |
But just quietly, I almost can't bare to look. | 1:28:27 | 1:28:30 | |
£80. | 1:28:30 | 1:28:31 | |
No interest at 80. It must be worth that. | 1:28:31 | 1:28:34 | |
Oh! This is a travesty. | 1:28:34 | 1:28:36 | |
50 bid. At £50. | 1:28:36 | 1:28:38 | |
55, 60, 65, 70. | 1:28:38 | 1:28:42 | |
Ah, that's a bit more like it. | 1:28:42 | 1:28:44 | |
75 now. It's cheap at £75. | 1:28:44 | 1:28:48 | |
Further bids now? At £75. | 1:28:48 | 1:28:52 | |
I'm sort of OK with that, | 1:28:52 | 1:28:53 | |
but I wouldn't know that it was cheap or dear. | 1:28:53 | 1:28:55 | |
It's 50... "I'm OK with a £50 profit." | 1:28:55 | 1:28:58 | |
Yes, come on, Philip, this is cause for celebration. | 1:28:58 | 1:29:01 | |
Anyone care for a sweet sherry, vicar? | 1:29:01 | 1:29:04 | |
Though before we pop the cork, attention, bidders, | 1:29:04 | 1:29:07 | |
there's one last item to go. Yes, Jonathan's fate in this contest | 1:29:07 | 1:29:11 | |
ultimately comes down to a pair of old clogs. | 1:29:11 | 1:29:15 | |
I have a bid 20. Any further bids now? | 1:29:15 | 1:29:18 | |
At £20. We're up to 25 on the' net. | 1:29:18 | 1:29:20 | |
-£30. -Get in there, JP. | 1:29:20 | 1:29:22 | |
They were so cheap that everybody threw them out, | 1:29:22 | 1:29:25 | |
so you don't see them anymore. | 1:29:25 | 1:29:26 | |
We're in the room at 30, it's against the 'net. | 1:29:26 | 1:29:29 | |
-Come on, net. -Selling to the room. Any further bids? | 1:29:29 | 1:29:32 | |
Well, I tickled a fiver out of that one. | 1:29:32 | 1:29:35 | |
-You did. -I feel like I can... I'm at peace with myself now. | 1:29:35 | 1:29:40 | |
That's good because, after commission, it's another loss. | 1:29:40 | 1:29:44 | |
I tell you what, though, it's time for me to buy you a drink. | 1:29:46 | 1:29:49 | |
-Let's go and count our "earnings". -Come on, mate. | 1:29:49 | 1:29:51 | |
Our ill-gotten losses. | 1:29:51 | 1:29:54 | |
Jonathan started this final leg with £152.80 | 1:29:57 | 1:30:01 | |
and, despite it being his last hurrah, | 1:30:01 | 1:30:03 | |
he went on to make yet another loss, this time £5.10, | 1:30:03 | 1:30:08 | |
which mean he ends the week on just £147.70. | 1:30:08 | 1:30:13 | |
Philip, meanwhile, hit the ground running, with £382.42 | 1:30:16 | 1:30:21 | |
and despite a modest profit of £15.80, | 1:30:21 | 1:30:25 | |
he ends up with a fabulous £398.22, making him this week's grand winner. | 1:30:25 | 1:30:31 | |
JP, that's the end, there is no more. | 1:30:33 | 1:30:37 | |
-I know, Philip. -What are we going to do now? | 1:30:37 | 1:30:39 | |
I don't know. I'll have to go back to my family and my life again. | 1:30:39 | 1:30:42 | |
You know, it's been an emotional and financial rollercoaster. | 1:30:42 | 1:30:46 | |
So, where did Jonathan go wrong? | 1:30:46 | 1:30:50 | |
Let's have a review, shall we? | 1:30:50 | 1:30:52 | |
-I'm going to beat you by hundreds of pounds. -Ha! Really? | 1:30:52 | 1:30:56 | |
I'm going to go... | 1:30:56 | 1:30:58 | |
Shouldn't have done that. | 1:30:58 | 1:31:00 | |
I buy whatever I see. | 1:31:00 | 1:31:02 | |
Big mistake. | 1:31:02 | 1:31:03 | |
Oh, no! | 1:31:03 | 1:31:05 | |
And then there's...Clarissa! | 1:31:05 | 1:31:07 | |
You've got beautiful eyes. Yes. | 1:31:07 | 1:31:10 | |
But most of all, I think he underestimated The Silver Fox. | 1:31:10 | 1:31:14 | |
Congratulations, Phil, you played a blinder. | 1:31:14 | 1:31:18 | |
Next week on the Antiques Road Trip, | 1:31:18 | 1:31:20 | |
we meet the ever-so-crafty Anita Manning... | 1:31:20 | 1:31:23 | |
-You're not flirting with me, are you, to try and get it cheaper? -Would I flirt with you? | 1:31:23 | 1:31:28 | |
..and the ever-so-cheeky James Lewis. | 1:31:28 | 1:31:32 | |
-I'll give you 30 for that. But throw that mallet in. -How cheeky! | 1:31:32 | 1:31:36 | |
Subtitles by Red Bee Media Ltd | 1:31:45 | 1:31:48 |