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The nation's favourite antiques experts, £200 each and one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques, as they scour the UK? | 0:00:08 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:00:13 | 0:00:17 | |
But it's not as easy as it looks | 0:00:17 | 0:00:18 | |
and dreams of glory can end in tatters. | 0:00:18 | 0:00:21 | |
So will it be the fast lane to success | 0:00:22 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
# Yeah. # | 0:00:33 | 0:00:35 | |
This week we're in the capable hands of a pair of auctioneers. | 0:00:35 | 0:00:39 | |
Anita Manning and James Lewis. | 0:00:39 | 0:00:42 | |
I hate this. | 0:00:42 | 0:00:45 | |
-I'd much rather be up there. -I know. | 0:00:45 | 0:00:47 | |
Anita, from Scotland, is a crafty campaigner who buys with her heart. | 0:00:48 | 0:00:52 | |
Never shy of employing her womanly wiles, though, to bag a bargain. | 0:00:52 | 0:00:57 | |
You're not flirting with me, are you, to try and get it cheaper? | 0:00:57 | 0:01:00 | |
Would I flirt with you?! | 0:01:00 | 0:01:02 | |
Derbyshire lad James Lewis likes to buy quirky and loves nature. | 0:01:02 | 0:01:06 | |
He flirts, too, it just doesn't always work. | 0:01:06 | 0:01:10 | |
-I'll give you 30 for that. But throw that mallet in. -How cheeky! | 0:01:10 | 0:01:14 | |
Our pair begin their road trip with £200 each | 0:01:14 | 0:01:18 | |
and this week's chariot, a classic 1970s VW Beetle. | 0:01:18 | 0:01:21 | |
-Look at the sky, James. -It's really lovely. | 0:01:21 | 0:01:26 | |
This week's road trip starts in Pateley Bridge, Yorkshire, and heads south, | 0:01:27 | 0:01:32 | |
travelling via East Anglia to the West Country | 0:01:32 | 0:01:34 | |
and concluding in Cirencester. | 0:01:34 | 0:01:37 | |
Today we're kicking things off in Pateley Bridge | 0:01:37 | 0:01:39 | |
and concluding with an auction showdown in Grimsby. | 0:01:39 | 0:01:43 | |
James, what a beautiful view and what a beautiful day... | 0:01:48 | 0:01:54 | |
-It's amazing, isn't it? -..To start our new adventure. | 0:01:54 | 0:01:58 | |
-The English countryside. -Oh, yes, it's not bad. | 0:01:58 | 0:02:01 | |
We're going through almost the entire English countryside, aren't we? | 0:02:01 | 0:02:04 | |
-Will you be my guide? -I'd love to be. -Lovely. | 0:02:04 | 0:02:07 | |
Let's hope the sun shines on us for the entire journey. | 0:02:07 | 0:02:09 | |
-You know, I think it probably will. -Let's go. | 0:02:09 | 0:02:13 | |
A small market town in the Yorkshire Dales, | 0:02:14 | 0:02:16 | |
Pateley Bridge is famous for having one of the oldest sweet shops in England, | 0:02:16 | 0:02:21 | |
established in 1827. | 0:02:21 | 0:02:24 | |
-Well, there we go. -First shop, James. | 0:02:24 | 0:02:28 | |
Your first shop. | 0:02:28 | 0:02:29 | |
-Wish me luck, darling. -I wish him luck, the owner. | 0:02:29 | 0:02:33 | |
-Do they know what they've let themselves in for? -I'll be gentle. | 0:02:33 | 0:02:38 | |
Well done. Good luck. Find a treasure. | 0:02:38 | 0:02:40 | |
Bye. | 0:02:40 | 0:02:42 | |
-Hello. -Hello, Anita. I'm Derek. | 0:02:47 | 0:02:50 | |
Derek, lovely to meet you. | 0:02:50 | 0:02:53 | |
-This is Aisha. -Lovely to meet you, too. | 0:02:53 | 0:02:56 | |
-The shop looks lovely. -Thank you. | 0:02:56 | 0:02:58 | |
Pleasantries out of the way, Anita goes straight for the jugular. | 0:02:58 | 0:03:02 | |
-Is this your one here? -Yeah, that's one of ours. | 0:03:02 | 0:03:05 | |
This is made by Crown Devon. It's a commemorative jug. | 0:03:05 | 0:03:10 | |
Ordinarily, on these jugs, we tend to have a bit of text | 0:03:10 | 0:03:15 | |
which tells us about the character, and this one is John Peel. | 0:03:15 | 0:03:19 | |
This is our John Peel here. | 0:03:19 | 0:03:21 | |
We've got the handle in the shape of a fox. | 0:03:21 | 0:03:25 | |
John Peel, nothing to do with the great DJ, was a British huntsman | 0:03:28 | 0:03:33 | |
made famous by the 19th-century song, D'ye Ken John Peel. | 0:03:33 | 0:03:37 | |
I quite like these Crown Devon jugs | 0:03:39 | 0:03:41 | |
but I know they've gone off the boil. | 0:03:41 | 0:03:44 | |
I may be looking to buy it around about £20. Is that possible? | 0:03:44 | 0:03:49 | |
Not really. | 0:03:49 | 0:03:51 | |
-I'd go down to no less than 25. -25. | 0:03:51 | 0:03:58 | |
Is it possible to maybe go to 22? | 0:03:58 | 0:04:03 | |
-Actually, it stands me more than that. -Right, OK. | 0:04:03 | 0:04:07 | |
-Can we go to 25 then? -Yes. -OK. | 0:04:07 | 0:04:12 | |
-That's so kind of you, Derek. Ah, that's great. -25. | 0:04:12 | 0:04:14 | |
Thank you very much, that's smashing. | 0:04:14 | 0:04:16 | |
Tally Ho, Anita! And she's not stopping there. | 0:04:16 | 0:04:20 | |
A lamp's caught her eye with a hefty £140 pricetag. | 0:04:20 | 0:04:24 | |
Can I take it over and have a wee look? | 0:04:24 | 0:04:26 | |
Go through it all, yes. | 0:04:26 | 0:04:27 | |
I find it interesting because of this base. | 0:04:27 | 0:04:32 | |
Probably from the 1920s or 1930s. | 0:04:32 | 0:04:35 | |
It's made of spelter, not bronze. | 0:04:35 | 0:04:39 | |
What I like about it is the fact that from there down, | 0:04:39 | 0:04:46 | |
where we have the aeroplane, | 0:04:46 | 0:04:48 | |
and it's got almost a sort of art deco motif. | 0:04:48 | 0:04:51 | |
And, up here, we've got this classical figure. | 0:04:51 | 0:04:56 | |
What's the very, very, very best you can do on that? | 0:04:56 | 0:05:01 | |
100. | 0:05:01 | 0:05:03 | |
-Could you come down nearer 70, Derek? -No way, love. | 0:05:03 | 0:05:08 | |
Couldn't do that? | 0:05:08 | 0:05:09 | |
My wife would crucify me. | 0:05:09 | 0:05:11 | |
Can you ask her if she would come down? | 0:05:11 | 0:05:13 | |
-I can maybe get in touch with her. -Say to her that I've offered £80. | 0:05:13 | 0:05:18 | |
And that would be great. | 0:05:19 | 0:05:20 | |
If we could do a deal it would be wonderful. | 0:05:20 | 0:05:23 | |
Fingers crossed! | 0:05:23 | 0:05:25 | |
I would love to buy that. I love the base. | 0:05:25 | 0:05:29 | |
But I'm thinking that if it's not the right sale, | 0:05:29 | 0:05:32 | |
I could make a whacking great loss on it. | 0:05:32 | 0:05:37 | |
So while Derek makes that tricky phone call to his missus, | 0:05:37 | 0:05:40 | |
let's see what James is up to, | 0:05:40 | 0:05:43 | |
as he motors just one mile down the road | 0:05:43 | 0:05:45 | |
to start his shopping in the village of Glasshouses. | 0:05:45 | 0:05:49 | |
-Hi, there. Is it Richard? -It is indeed. | 0:05:55 | 0:05:58 | |
Nice to see you, I'm James. | 0:05:58 | 0:06:00 | |
Situated in an old watermill, Country Oak Antiques has evolved | 0:06:00 | 0:06:05 | |
from over 25 years of collecting and dealing in oak and country furniture. | 0:06:05 | 0:06:10 | |
Sounds expensive, so good luck, James! | 0:06:10 | 0:06:12 | |
A lot of this is going to be... | 0:06:12 | 0:06:14 | |
Too large. | 0:06:14 | 0:06:16 | |
..way out of my price range. | 0:06:16 | 0:06:18 | |
Let's have a look up here. | 0:06:18 | 0:06:20 | |
-How much is a little snuff like that? -That's... | 0:06:20 | 0:06:23 | |
-I'm going to say £35, that's a definite. -35. | 0:06:23 | 0:06:30 | |
A mousetrap. Multi-mousetrap. | 0:06:30 | 0:06:33 | |
Wow, look at that. | 0:06:33 | 0:06:35 | |
That's 35. | 0:06:35 | 0:06:36 | |
You could use it for fingers, couldn't you? | 0:06:36 | 0:06:40 | |
-That's interesting. -What is that? | 0:06:40 | 0:06:42 | |
-A mole trap. -Is it really? | 0:06:42 | 0:06:44 | |
What would that make? It's just... | 0:06:44 | 0:06:46 | |
-How much is that? -20. | 0:06:46 | 0:06:48 | |
Is it? | 0:06:48 | 0:06:51 | |
Such a weird thing, what's it worth? | 0:06:51 | 0:06:53 | |
It's interesting but I hate the thought. | 0:06:54 | 0:06:58 | |
£20. Yeah. | 0:06:58 | 0:07:00 | |
-Those together, they could be 30, 45. -Not even close. | 0:07:00 | 0:07:06 | |
-This is the... -We're not even close. | 0:07:06 | 0:07:08 | |
Erm. | 0:07:08 | 0:07:10 | |
See that at that price, 45 for the two, | 0:07:11 | 0:07:14 | |
is what I see them, high-end retail. | 0:07:14 | 0:07:17 | |
OK, I think we are going to struggle. | 0:07:17 | 0:07:20 | |
-Don't worry, leave me to it. -I'll leave you to it. | 0:07:20 | 0:07:22 | |
I'll have a wander for five minutes but... | 0:07:22 | 0:07:26 | |
Erm. | 0:07:26 | 0:07:27 | |
I'm struggling. | 0:07:30 | 0:07:32 | |
Oh, dear. Poor old James. | 0:07:32 | 0:07:35 | |
Back in Pateley Bridge, | 0:07:37 | 0:07:39 | |
it's the moment of truth for Anita and her expensive lamp. | 0:07:39 | 0:07:43 | |
How are we doing, Derek? | 0:07:43 | 0:07:45 | |
Seeing it's you, £80. | 0:07:45 | 0:07:47 | |
Ah! You're a darling! | 0:07:47 | 0:07:50 | |
Thank you so much, that's lovely. | 0:07:50 | 0:07:53 | |
So that's two items, but it looks like Anita's after even more. | 0:07:53 | 0:07:57 | |
These are rather sweet, and they were very popular, | 0:07:57 | 0:08:01 | |
I would say five, six, seven years ago. | 0:08:01 | 0:08:04 | |
But they're at a reasonable price. They are Tunstall. | 0:08:04 | 0:08:08 | |
Tunstall is one of the six towns that make up the English potteries. | 0:08:08 | 0:08:11 | |
And the birthplace of several famous potters. | 0:08:11 | 0:08:15 | |
This one is hand-painted. | 0:08:15 | 0:08:18 | |
It's entitled "Luscious." | 0:08:18 | 0:08:21 | |
If I can get them for the right price | 0:08:21 | 0:08:23 | |
then I'm hoping that someone else will like them. | 0:08:23 | 0:08:27 | |
I'm going to see if I can get two for the price of one. | 0:08:27 | 0:08:32 | |
That'll be £6.45 then. Good luck. | 0:08:32 | 0:08:36 | |
I wondered if it was possible to have two for the price of one. | 0:08:36 | 0:08:41 | |
£9 for them both. You'll make money at auction. | 0:08:43 | 0:08:47 | |
-I've got to go for that, haven't I? -Yeah. | 0:08:47 | 0:08:50 | |
I've got to go for that. | 0:08:50 | 0:08:51 | |
You'll make money at auction. | 0:08:51 | 0:08:53 | |
That's the third deal gone there, that's great. | 0:08:53 | 0:08:56 | |
Good going! | 0:08:56 | 0:08:57 | |
Your first shop and you've bagged four items. | 0:08:57 | 0:09:00 | |
How is James doing? Not still struggling, we hope. | 0:09:00 | 0:09:03 | |
Ah, a salt box. | 0:09:03 | 0:09:05 | |
This little box, classic design. Typical of its type. | 0:09:05 | 0:09:11 | |
Made around 1850, something like that. | 0:09:11 | 0:09:16 | |
But the design really didn't change from the early 1700s - | 0:09:16 | 0:09:20 | |
1720 to 1730 - all the way through until the early 20th century. | 0:09:20 | 0:09:26 | |
I have to say, it's a bog standard model | 0:09:26 | 0:09:30 | |
but if I can get it for a good price there might be a profit. | 0:09:30 | 0:09:34 | |
Browsed out, James decides to make a move. | 0:09:34 | 0:09:37 | |
If there's something that you've had for ages that you think, | 0:09:37 | 0:09:41 | |
well, it's interesting but I've had it for a long time and I... | 0:09:41 | 0:09:44 | |
-The mole trap. -Why doesn't that surprise me? | 0:09:44 | 0:09:47 | |
It's not been particularly for sale. | 0:09:47 | 0:09:49 | |
That's 15. | 0:09:49 | 0:09:51 | |
I can't actually remember what I paid for the bloomin' thing! | 0:09:51 | 0:09:54 | |
That's good news. I bet you paid two quid for it. | 0:09:54 | 0:09:56 | |
That could be £10. | 0:09:56 | 0:09:59 | |
10 quid. | 0:09:59 | 0:10:00 | |
-Um... -Well, it's a completely insane object. | 0:10:00 | 0:10:06 | |
-£15 for a mousetrap or something. -£15, OK. £15 for a mousetrap, £10 for a mole trap. | 0:10:06 | 0:10:15 | |
How much could you do one of these boxes for? | 0:10:15 | 0:10:17 | |
The very... The very best on that would have to be 20. | 0:10:17 | 0:10:21 | |
20. All right, OK. | 0:10:21 | 0:10:25 | |
-You've worn me... -You want 20 for that? -Yes. | 0:10:25 | 0:10:28 | |
-You want 15 for that? -Yes. | 0:10:28 | 0:10:30 | |
-35, I'll take the three. -No, it'll have to be 40. | 0:10:30 | 0:10:35 | |
38, you got a deal. | 0:10:35 | 0:10:38 | |
For the sake of £2... to get rid of you! | 0:10:38 | 0:10:42 | |
-Deal! -By gum. -Thanks. -By gum indeed. | 0:10:42 | 0:10:47 | |
Back on the road, and Anita is travelling 15 miles south-east to Knaresborough. | 0:10:51 | 0:10:56 | |
This historic market town on the River Nidd is home | 0:10:59 | 0:11:03 | |
to what's allegedly Britain's oldest tourist attraction. | 0:11:03 | 0:11:08 | |
Fiona, this is an area of outstanding beauty. | 0:11:08 | 0:11:11 | |
But tell me, what is that? | 0:11:11 | 0:11:14 | |
Well, it's the largest petrifying well in the country. | 0:11:14 | 0:11:18 | |
It has lots of teddy bears, a lobster hanging there. | 0:11:18 | 0:11:22 | |
-All petrifying. -Tell me, how does this happen? | 0:11:22 | 0:11:25 | |
Well, basically water travels from an underground lake. | 0:11:25 | 0:11:28 | |
And what's unique is the formation of the high mineral contents | 0:11:28 | 0:11:32 | |
is just sufficient to turn things to stone. | 0:11:32 | 0:11:34 | |
Could you tell me what are these two big sort of bumps here in the rock? | 0:11:34 | 0:11:39 | |
They're a Victorian top hat and a bonnet left, um, in the... about 150 years ago. | 0:11:39 | 0:11:46 | |
And they've just petrified over. | 0:11:46 | 0:11:48 | |
I can imagine in the middle ages, people coming here | 0:11:50 | 0:11:56 | |
and seeing this and thinking that it had magical qualities. | 0:11:56 | 0:12:00 | |
-Was that the case? -It was absolutely the case. | 0:12:00 | 0:12:03 | |
They did think the devil lived down here | 0:12:03 | 0:12:06 | |
cos everything literally turned to stone. | 0:12:06 | 0:12:08 | |
That didn't put the tourists off though, | 0:12:08 | 0:12:11 | |
since as early as 1538, folk have headed here for what they believed | 0:12:11 | 0:12:14 | |
were the healing powers of the waters, and to see familiar objects turned to stone. | 0:12:14 | 0:12:20 | |
# I turn to stone | 0:12:20 | 0:12:22 | |
# When you were gone I turn to stone... # | 0:12:22 | 0:12:26 | |
What a strange sight. | 0:12:27 | 0:12:31 | |
Hats here, dolls, a rocking horse. | 0:12:31 | 0:12:34 | |
That's right, we've got some famous ones as well. | 0:12:34 | 0:12:37 | |
-Can you let me have a look? -Have a look. | 0:12:37 | 0:12:39 | |
-Look at this! -Agatha Christie's handbag. -How did that come here? | 0:12:39 | 0:12:43 | |
Well it was actually donated by the Agatha Christie Society. | 0:12:43 | 0:12:46 | |
We've got John Wayne's hat. That's Debbie McGee's rabbit. | 0:12:46 | 0:12:50 | |
I hope it wasn't a live one used in the show, but I'm sure it wasn't. | 0:12:50 | 0:12:54 | |
Queen Mary's shoe, which she came... In the 1920s, she often visited the park. | 0:12:54 | 0:12:59 | |
But it would be lovely to get some more up-to-date shoes from the Royal Family. | 0:12:59 | 0:13:04 | |
And just around the corner is the birthplace of Knaresborough's very own celebrity. | 0:13:07 | 0:13:13 | |
Mother Shipton was born in 1488 in this cave. | 0:13:13 | 0:13:17 | |
And the saying is that when she was born, | 0:13:17 | 0:13:20 | |
there was a thunderstorm and there was a real strong smell of sulphur. | 0:13:20 | 0:13:24 | |
And the baby, when she came out was quite deformed, witchified, crooked features. | 0:13:24 | 0:13:30 | |
And as she grew up, she always had to walk with a stick. | 0:13:30 | 0:13:33 | |
That's when people thought, "Ooh, she's a bit scary looking", I'm sure. | 0:13:33 | 0:13:37 | |
And especially in a sort of creepy place like this. | 0:13:37 | 0:13:41 | |
Young Ursula was soon adopted, but she always was a little odd, | 0:13:41 | 0:13:45 | |
growing up to become a soothsayer who apparently foretold all sorts of inventions and events. | 0:13:45 | 0:13:51 | |
Samuel Pepys wrote a diary. In that she did foretell the Fire of London. | 0:13:51 | 0:13:58 | |
And when it happened, he said, "Mother Shipton's word is out." | 0:13:58 | 0:14:02 | |
They do say that Mother Shipton even prophesised | 0:14:02 | 0:14:06 | |
when the world would end, plumping for 1981. | 0:14:06 | 0:14:11 | |
But she did get quite a lot right. | 0:14:11 | 0:14:13 | |
Also apparently predicted the telephones, um, | 0:14:13 | 0:14:16 | |
that steel would float on water, which obviously it does now. | 0:14:16 | 0:14:20 | |
Um, the potato. You've got lots of fascinating stories being told. | 0:14:20 | 0:14:25 | |
Whether they're true or not, who knows? | 0:14:25 | 0:14:27 | |
Meanwhile, back in Pateley Bridge I predict that James is just about to end an antique shop. | 0:14:28 | 0:14:34 | |
There! What did I tell you? | 0:14:38 | 0:14:42 | |
Whoa! I didn't see that coming though. | 0:14:44 | 0:14:47 | |
So, the hat fits. Good nick, too. But what will it cost him? | 0:14:49 | 0:14:55 | |
-175. -Oh, are they? Oh! | 0:14:55 | 0:14:58 | |
Don't look so shocked! | 0:14:58 | 0:15:00 | |
Oh, well, anything else? | 0:15:00 | 0:15:02 | |
Next up, a little desk calendar with a price of £68. | 0:15:02 | 0:15:07 | |
The interesting thing about this is it's made to look like tortoiseshell, | 0:15:07 | 0:15:12 | |
but it's plastic, faux tortoiseshell. | 0:15:12 | 0:15:14 | |
But it's also moulded with the Michelin man to the left, | 0:15:14 | 0:15:18 | |
which is probably the most famous character in advertising. | 0:15:18 | 0:15:22 | |
And just happens to look rather like a certain auctioneer and valuer. | 0:15:22 | 0:15:25 | |
Um, this old chap here, Father Time, | 0:15:25 | 0:15:28 | |
um, is obviously magnifying the date aperture here. | 0:15:28 | 0:15:33 | |
It's quite a smart thing, and it's also the sort of thing | 0:15:33 | 0:15:36 | |
that would appeal to advertising collectors. | 0:15:36 | 0:15:38 | |
But... I don't know. | 0:15:38 | 0:15:42 | |
What would be your best on that? | 0:15:42 | 0:15:45 | |
I think, um, probably... | 0:15:45 | 0:15:49 | |
I can do that for...£40. | 0:15:49 | 0:15:54 | |
If I think it's going to make 30 at auction, that's not going to help me, is it?! | 0:15:54 | 0:15:59 | |
-Well, it's a bit of advertising. -It is, it is, it is, it is. | 0:15:59 | 0:16:02 | |
Mm, think about that. What else has Linda got? | 0:16:02 | 0:16:06 | |
19th century presentation mallet. | 0:16:06 | 0:16:09 | |
"Presented to Anita Manning, to hit over James's head | 0:16:09 | 0:16:14 | |
"when she thrashes him on Antiques Road Trip." | 0:16:14 | 0:16:17 | |
Oh, I think we're getting somewhere. | 0:16:17 | 0:16:20 | |
-That's 40. What's your best? -My absolute best would be 30. | 0:16:22 | 0:16:27 | |
What would be your best on a top hat? Did you buy it well? | 0:16:30 | 0:16:34 | |
That always helps. A casual nod there! | 0:16:34 | 0:16:39 | |
Jamesie is encouraged! | 0:16:39 | 0:16:42 | |
-Do you want the absolute death? -The absolute. | 0:16:44 | 0:16:46 | |
-With no renegotiation on the price? -Yeah, go on then. | 0:16:46 | 0:16:51 | |
-£60. -Oh! | 0:16:51 | 0:16:53 | |
I am giving it to you, James. | 0:16:55 | 0:16:57 | |
Just about. That's £115 off the original price. | 0:16:57 | 0:17:01 | |
-How many people in Grimsby go to Royal Ascot? -Not many. | 0:17:01 | 0:17:05 | |
OK. Thinking hat on. Will a top deal follow? | 0:17:05 | 0:17:10 | |
I'll give you 60 for that, I'll give you 30 for that. | 0:17:10 | 0:17:14 | |
But throw that mallet in. How about that? | 0:17:14 | 0:17:18 | |
-How cheeky! -I'm just thinking... | 0:17:18 | 0:17:20 | |
-I might hit you over the head with it yet! -Go on. | 0:17:20 | 0:17:23 | |
Yes, go on, do us all a favour. | 0:17:23 | 0:17:27 | |
-Reluctantly. -Got a deal. Thank you. -OK. | 0:17:27 | 0:17:31 | |
Night, night, you two. And do hang on to that topper. | 0:17:31 | 0:17:36 | |
Day two and Anita and James have already got plenty stowed away in the boot of that Beetle. | 0:17:38 | 0:17:44 | |
-So what did you buy yesterday? -Oh, I got these absolutely wonderful things, James, for next to nothing. | 0:17:44 | 0:17:51 | |
-Yeah? Yeah. -I'm only kidding! | 0:17:51 | 0:17:55 | |
So far, Anita has spent £114 on four items, including some jugs and a lamp, | 0:17:55 | 0:18:00 | |
leaving her with £86 to spend today. | 0:18:00 | 0:18:05 | |
I don't know if I'll make or lose on that, but I want to take the chance on it because it's got style! | 0:18:05 | 0:18:10 | |
While James has splashed out £128 on six items, including a salt box, | 0:18:10 | 0:18:16 | |
a mallet, a top hat and various traps... | 0:18:16 | 0:18:19 | |
It's a completely insane object. | 0:18:19 | 0:18:22 | |
..Leaving him with £72 to spend today. | 0:18:22 | 0:18:26 | |
100. Lovely, thank you. There we are. | 0:18:26 | 0:18:28 | |
They're making for an auction in Grimsby, | 0:18:31 | 0:18:33 | |
but calling in first at York. | 0:18:33 | 0:18:36 | |
Situated where the River Ouse meets the Foss, | 0:18:38 | 0:18:41 | |
the city is renowned for its Roman, Viking and medieval heritage. | 0:18:41 | 0:18:46 | |
Iconic York Minster Cathedral in the centre of the city | 0:18:46 | 0:18:49 | |
is one of the largest of its kind in northern Europe. | 0:18:49 | 0:18:52 | |
Plus, there's a former banana warehouse. | 0:18:52 | 0:18:56 | |
This is our guard of honour! | 0:18:57 | 0:19:00 | |
Do you think he will do a deal, James? | 0:19:00 | 0:19:03 | |
I think, Anita, you can get anyone to do a deal! | 0:19:03 | 0:19:06 | |
-Listen, I think we'd better get in and start rummaging. -Hang on, Anita. | 0:19:06 | 0:19:10 | |
-Do you want to go in the main entrance just there? I'll go in the secondary one. -Hey! | 0:19:10 | 0:19:15 | |
Ah, now this is the sort of place where you might get a bargain. | 0:19:16 | 0:19:21 | |
Where, if you ask what's on the telly, they reply, | 0:19:21 | 0:19:24 | |
"A couple of rugs and a bookcase!" | 0:19:24 | 0:19:27 | |
That's got a bit of age to it, hasn't it? | 0:19:27 | 0:19:30 | |
A lot of people bought their TVs for the first time ever when the Queen was crowned. | 0:19:30 | 0:19:35 | |
I bet that's what that was bought for. | 0:19:35 | 0:19:38 | |
Actually, this one dates from a bit later, 1955, | 0:19:38 | 0:19:41 | |
when ITV began broadcasting. Might have been bought | 0:19:41 | 0:19:45 | |
for the first edition of The Benny Hill Show, perhaps. | 0:19:45 | 0:19:48 | |
It's a funny old thing, but I like to buy weird things. | 0:19:48 | 0:19:51 | |
-So how much is that, 20 quid? -Yeah, 20 quid, yeah. | 0:19:51 | 0:19:54 | |
Will you take a tenner for it? | 0:19:54 | 0:19:56 | |
-Go on then. -Yeah? -Yeah. -In that case you have got a deal. You've got a deal. | 0:19:57 | 0:20:01 | |
God knows what I'm going to do that! | 0:20:01 | 0:20:04 | |
Anita, meanwhile, has gone all 60s. | 0:20:04 | 0:20:07 | |
Groovy, baby. | 0:20:07 | 0:20:10 | |
I like these sort of quirky items from that period. | 0:20:12 | 0:20:16 | |
And I quite like plastic. I think plastic is a very good medium for some things. | 0:20:16 | 0:20:22 | |
-And, of course, perfect for napkin rings. -Yeah. | 0:20:22 | 0:20:25 | |
While she's thinking about those rings, Anita spots something else. | 0:20:25 | 0:20:30 | |
Asking price, £80. | 0:20:30 | 0:20:32 | |
I kind of like him, Dave. I kind of like him. | 0:20:33 | 0:20:36 | |
Can you do a deal on him? | 0:20:36 | 0:20:38 | |
-Try me. -OK. | 0:20:38 | 0:20:41 | |
But don't be cruel, Anita. | 0:20:41 | 0:20:43 | |
I'd like to... I'd like to be paying around 25 for him. | 0:20:43 | 0:20:48 | |
-That's what I'd like to be paying. -You don't want me to earn any profit, do you? -Och, yeah. | 0:20:48 | 0:20:53 | |
-I'll tell you what I will do, I'll take 35 for it. -Right. | 0:20:53 | 0:20:56 | |
But that's it. I won't go down any further. | 0:20:56 | 0:20:58 | |
-I'll tell you what, if I have a wee look at the wee napkin rings... -OK. | 0:20:58 | 0:21:04 | |
..and bring them over, and maybe we can do a wee deal? | 0:21:04 | 0:21:08 | |
-Knocking me down on them as well? -Aw! -Ah, well, it's now or never. | 0:21:08 | 0:21:12 | |
These are sort of funky little things. | 0:21:12 | 0:21:15 | |
What I would like to pay for them is less than 10. | 0:21:15 | 0:21:17 | |
-I reckon if you wanted to bid me 18, you might be... -Aw, that's too much. | 0:21:17 | 0:21:23 | |
I know I wouldn't get that. | 0:21:23 | 0:21:25 | |
-12? -No. 15 will be enough. | 0:21:25 | 0:21:29 | |
That's all right now. Surely, Anita? | 0:21:29 | 0:21:32 | |
Can you give me both of them for 45? | 0:21:32 | 0:21:36 | |
You're an hard bargainer. I mean, I want your money. | 0:21:36 | 0:21:40 | |
You want my money. I want you to give you my money. Go on, 45 for the two? | 0:21:40 | 0:21:45 | |
-Go on. -Aw, you're a darling. -Seeing as it's you. -You're a darling! | 0:21:45 | 0:21:49 | |
Thanks very much. | 0:21:49 | 0:21:50 | |
There she goes again. | 0:21:50 | 0:21:51 | |
But whilst Anita gets her latest bargains giftwrapped, | 0:21:51 | 0:21:54 | |
James has split from the banana warehouse and headed elsewhere | 0:21:54 | 0:21:58 | |
in historic York, to see the home of the Lord Mayor, actually. | 0:21:58 | 0:22:02 | |
-Richard. -Hello. -James. Nice to see you. Thank you. | 0:22:10 | 0:22:14 | |
Welcome to the first purpose-built Mansion House for a Lord Mayor in the country. | 0:22:16 | 0:22:20 | |
This one predates London by at least a decade. | 0:22:20 | 0:22:23 | |
Although the Mansion House was built in the 18th century, | 0:22:23 | 0:22:27 | |
there have been Mayors of York since 1147. | 0:22:27 | 0:22:31 | |
The first one was called Mayor Nigel. | 0:22:31 | 0:22:34 | |
And to my right is probably the most famous Lord Mayor. | 0:22:34 | 0:22:37 | |
-Oh really, who was that? -George Hudson, the railway king. -Ah, yes! | 0:22:37 | 0:22:42 | |
Gosh! That's a smart room, isn't it? | 0:22:45 | 0:22:49 | |
Lots of major cities in the UK now have a Lord Mayor. | 0:22:49 | 0:22:53 | |
Just as the Queen symbolically heads up the country, | 0:22:53 | 0:22:56 | |
so the Lord Mayor impresses locally with municipal pomp and circumstance. | 0:22:56 | 0:23:02 | |
This is relatively untouched. And this is why the house is here, | 0:23:02 | 0:23:06 | |
for this one great banqueting space. | 0:23:06 | 0:23:09 | |
This was meant to be the most architecturally perfect, | 0:23:09 | 0:23:12 | |
and really the room to give the wow factor of York. | 0:23:12 | 0:23:15 | |
But it's not just architecture that helps the Lord Mayor of York to impress. | 0:23:15 | 0:23:19 | |
On the wall, we have some important pieces of the city regalia. | 0:23:19 | 0:23:24 | |
The mace is the thing that strikes me first. | 0:23:24 | 0:23:27 | |
This one, interestingly enough, was made in 1647 in the Civil War period. | 0:23:27 | 0:23:32 | |
Civil War, parliamentarian, | 0:23:32 | 0:23:34 | |
Cromwell, rebellion against all the opulence that went with King Charles I. | 0:23:34 | 0:23:39 | |
And then under his watch, they make this. | 0:23:39 | 0:23:42 | |
That's Yorkshire people for you! | 0:23:42 | 0:23:44 | |
-Now the coat of arms at the top... -Look at that! -..is of Charles II. | 0:23:44 | 0:23:48 | |
They still take this on ceremonial...? | 0:23:48 | 0:23:50 | |
Yeah, in front of carriages. One of the swords | 0:23:50 | 0:23:53 | |
-is carried in front of the Lord Mayor. -Wonderful. | 0:23:53 | 0:23:56 | |
Although the fighting mace went out with the use of heavy armour, | 0:23:56 | 0:24:00 | |
this ornamental version could be used as a bludgeon. | 0:24:00 | 0:24:03 | |
-Do you have it insured? -Everything is insured. | 0:24:03 | 0:24:07 | |
Also in the collection is one very special cup from 1672. | 0:24:07 | 0:24:12 | |
Charles II has been returned to the throne of England, Cromwell is dead. | 0:24:12 | 0:24:16 | |
And they are returning to a little bit of pomp and ceremony. | 0:24:16 | 0:24:21 | |
-And... -A bit of frivolity. -A bit of frivolity. | 0:24:21 | 0:24:23 | |
This ceremonial goblet has a Christian origin, | 0:24:23 | 0:24:26 | |
but similar items are found throughout history. | 0:24:26 | 0:24:29 | |
I've never seen a gold chalice, ever, um, like this. | 0:24:29 | 0:24:34 | |
And to see a York one in York, is... is just outstanding. | 0:24:34 | 0:24:39 | |
-I think that's one of the nicest things I've seen in a long time. -Good. -That's lovely. | 0:24:39 | 0:24:44 | |
But the fortunate Lord Mayor of York has one other great symbol of state. | 0:24:44 | 0:24:48 | |
This mighty medieval sword. | 0:24:48 | 0:24:52 | |
What an amazing blade. | 0:24:54 | 0:24:57 | |
-Gosh. -Would you like to.. -Yeah, I'd love to. Yeah. | 0:24:57 | 0:25:00 | |
..have a closer look? | 0:25:00 | 0:25:02 | |
Wow. That is incredible. | 0:25:03 | 0:25:06 | |
What's going on in England in 1416? | 0:25:06 | 0:25:09 | |
-Wars against France. -Yeah. -Henry V and Sigismund are really big friends. | 0:25:09 | 0:25:14 | |
And it seems that Sigismund is actually... JAMES EXHALES SHARPLY | 0:25:14 | 0:25:20 | |
-It's one of... -What an amazing... | 0:25:20 | 0:25:23 | |
It's probably one of the most famous items that we have in the house. | 0:25:23 | 0:25:27 | |
For me, antiques are all about the tingle, that feeling that you get. | 0:25:27 | 0:25:33 | |
Occasionally you pick something up that... Gosh, that's amazing. | 0:25:33 | 0:25:38 | |
Meanwhile, back at the warehouse, Anita has carried on shopping | 0:25:41 | 0:25:45 | |
when, suddenly, bingo! | 0:25:45 | 0:25:48 | |
I think this is quite good fun. | 0:25:48 | 0:25:49 | |
I don't play bingo myself. | 0:25:49 | 0:25:52 | |
-I wouldn't know, it's too complicated for me. -It's good. | 0:25:52 | 0:25:55 | |
-I think that this is fun. -I think there's about 15 missing. | 0:25:55 | 0:25:59 | |
Do you know what else I like, Dave, I like the fact that we have this label, | 0:25:59 | 0:26:03 | |
which gives it a really wee bit of character. | 0:26:03 | 0:26:06 | |
-And it was made in Newcastle-on-Tyne. -Right. -Yeah. | 0:26:06 | 0:26:10 | |
Tell me how much it is. | 0:26:10 | 0:26:13 | |
If you really want to buy it, I'll let you have it at £25, | 0:26:13 | 0:26:16 | |
but that's absolute rock-bottom price. | 0:26:16 | 0:26:18 | |
We're not doing any bidding at that. It's £25. | 0:26:18 | 0:26:22 | |
-Sold. -OK? -SHE LAUGHS | 0:26:22 | 0:26:24 | |
That was a quick sale. I like you, you can come again. | 0:26:24 | 0:26:27 | |
Now, shopping done, who's going first? | 0:26:27 | 0:26:31 | |
A fairly standard, old spelter figure. | 0:26:31 | 0:26:34 | |
Ah. I like him. | 0:26:34 | 0:26:36 | |
Do you?! | 0:26:36 | 0:26:38 | |
It's that contrast between a figure that is inspired by the Art Nouveau, | 0:26:38 | 0:26:42 | |
which normally takes its influences from nature, | 0:26:42 | 0:26:45 | |
and that very harsh, mechanical modernism | 0:26:45 | 0:26:49 | |
that it's compared and contrasting with. | 0:26:49 | 0:26:52 | |
-I like him. -Impressed. But what will Anita make of his first lot? | 0:26:52 | 0:26:56 | |
Mice. | 0:26:56 | 0:26:58 | |
And that was in one corner. It's an old mousetrap. | 0:26:58 | 0:27:01 | |
What is that? | 0:27:01 | 0:27:03 | |
It's a mole-killing device. | 0:27:03 | 0:27:05 | |
James, I'm so happy that you bought that, because it's totally and absolutely crazy. | 0:27:05 | 0:27:10 | |
-And I love it to bits. How much did you pay for it? -They came with this. | 0:27:10 | 0:27:15 | |
-That's a nice little box. -It's OK. I'll put those as one lot. | 0:27:18 | 0:27:24 | |
Absolute junk, mind you, | 0:27:24 | 0:27:26 | |
so if that makes a profit it'll be a miracle. | 0:27:26 | 0:27:30 | |
I'm lost for words. I think they're great. They're curios. | 0:27:30 | 0:27:33 | |
Now for Anita's far-out dining aid. | 0:27:33 | 0:27:36 | |
..Which I quite liked. | 0:27:36 | 0:27:39 | |
It's a little set of 20th-century plastic napkin rings. | 0:27:39 | 0:27:45 | |
These would be '40s, '50s, something like that. | 0:27:45 | 0:27:49 | |
I paid £15 for those. | 0:27:49 | 0:27:51 | |
-I might not make anything on it, but I enjoyed buying them. -They're fun. | 0:27:51 | 0:27:55 | |
-I like those. -Next, James's titfer. | 0:27:55 | 0:27:58 | |
And it is a genuine moleskin hat, | 0:27:58 | 0:28:00 | |
probably caught by the mole trap I had earlier(!) | 0:28:00 | 0:28:03 | |
But, um, that was £60. | 0:28:03 | 0:28:07 | |
£60. Well, good luck to you, darling. | 0:28:07 | 0:28:10 | |
That doesn't sound like a ringing endorsement. What about her jugs? | 0:28:10 | 0:28:14 | |
-John Peel. -Is it a musical one? | 0:28:14 | 0:28:16 | |
It's not a musical one, which is a shame. | 0:28:16 | 0:28:18 | |
And the other two things, from the 1930s, it's Hancock. | 0:28:18 | 0:28:24 | |
The Luscious range, Luscious. | 0:28:24 | 0:28:28 | |
Luscious, like you. | 0:28:28 | 0:28:29 | |
Hand-painted, not a big deal, | 0:28:29 | 0:28:32 | |
but I thought if I put those together as a wee lot. | 0:28:32 | 0:28:36 | |
-That's the nicest one, isn't it? -Yeah. And I paid £34 for them. | 0:28:36 | 0:28:40 | |
-There's got to be a profit there. -A couple of pounds. -More than that. | 0:28:40 | 0:28:43 | |
-I reckon a £20 profit there. -Thank you, darling. | 0:28:43 | 0:28:46 | |
James, you old charmer, let's see what she makes of your calendar. | 0:28:46 | 0:28:49 | |
I like these items, James. I really like them. Tell me about them. | 0:28:49 | 0:28:54 | |
-That, I thought, "I'll have it, just so that I can add it to my box." -Good idea. | 0:28:54 | 0:29:00 | |
That will go with the salt box, so it makes a more interesting lot. | 0:29:00 | 0:29:04 | |
-And that will go on its own. -I think that's a lovely wee thing. | 0:29:04 | 0:29:09 | |
-To me it's Art Deco. -Yeah. -And I love the Michelin Man here. | 0:29:09 | 0:29:15 | |
Looks a little bit like me. | 0:29:15 | 0:29:17 | |
No, he doesn't. And it's in good condition, James. | 0:29:17 | 0:29:21 | |
-I do like that. -Whether there's a profit in it, I don't know. | 0:29:21 | 0:29:25 | |
We'll find out at the auction. | 0:29:25 | 0:29:27 | |
-Lovely. Now show some respect for the King. -It's dear old... | 0:29:27 | 0:29:32 | |
-You know who it is. -Do you know, this little chap and I share a birthday. | 0:29:32 | 0:29:37 | |
-Oh, really? -We're both January 8th. | 0:29:37 | 0:29:40 | |
-You're both good looking. -You are so nice. | 0:29:40 | 0:29:43 | |
-I know. -How much was he? -I paid 30 quid. It's probably miles too much, | 0:29:43 | 0:29:48 | |
but we might get two Elvis fans going for it. | 0:29:48 | 0:29:50 | |
That's all it needs. | 0:29:50 | 0:29:52 | |
Time for the state-of-the-art telly. | 0:29:52 | 0:29:56 | |
SHE LAUGHS | 0:29:56 | 0:29:57 | |
HE GROANS | 0:29:57 | 0:29:59 | |
I think my mum used to have one of those. | 0:30:00 | 0:30:02 | |
Well, I saw this and I just thought, "It's a classic of its time." | 0:30:02 | 0:30:09 | |
-What did you pay for it, James? -Well... | 0:30:09 | 0:30:12 | |
-10 quid. -10 quid. | 0:30:12 | 0:30:15 | |
-That's a bargain, James. -It was a tenner. | 0:30:15 | 0:30:17 | |
At £10. You will make profit. | 0:30:17 | 0:30:21 | |
-Hopefully. It's not going to make less. -That's a great buy, James. | 0:30:21 | 0:30:25 | |
-That is a great buy. -What about Anita's popular pastime? | 0:30:25 | 0:30:29 | |
That is great fun. | 0:30:29 | 0:30:32 | |
-It's an old bingo call, I would imagine. -Yeah. | 0:30:33 | 0:30:38 | |
And we turn this, the balls roll. | 0:30:38 | 0:30:42 | |
I love it. | 0:30:42 | 0:30:43 | |
It's kind of good fun, isn't it? It might even win the lottery. | 0:30:43 | 0:30:47 | |
HE LAUGHS | 0:30:47 | 0:30:48 | |
Do you know...I doubt it. | 0:30:48 | 0:30:51 | |
On that note, it's time to hear what they really think. | 0:30:51 | 0:30:55 | |
A mouse catcher, a mole killer, | 0:30:55 | 0:30:58 | |
I actually think that the guy made that up. | 0:30:58 | 0:31:02 | |
What they'll do in auction is anyone's guess. | 0:31:02 | 0:31:05 | |
The ball machine, that is great fun. | 0:31:05 | 0:31:08 | |
You can imagine anyone from a WI to a bingo caller, | 0:31:08 | 0:31:12 | |
I think there's a profit in that. | 0:31:12 | 0:31:14 | |
After starting out at Pateley Bridge in Yorkshire, | 0:31:16 | 0:31:19 | |
this leg of our trip will conclude in Lincolnshire, at Grimsby. | 0:31:19 | 0:31:23 | |
They have kept a parking space just for us. | 0:31:23 | 0:31:26 | |
Let's hope we're as lucky in the auction, James. | 0:31:28 | 0:31:31 | |
HE LAUGHS | 0:31:31 | 0:31:33 | |
HE GROANS How do you feel? | 0:31:33 | 0:31:36 | |
Resigned to it! | 0:31:36 | 0:31:38 | |
-Are you getting a bit rattled? -I don't think I should have bought that top hat, I really don't. | 0:31:38 | 0:31:43 | |
And so, while the Yellowbellies, | 0:31:43 | 0:31:46 | |
as they sometimes call people from Lincolnshire, take a look, | 0:31:46 | 0:31:49 | |
let's hear what auctioneer Paul Hallam makes of our lots. | 0:31:49 | 0:31:53 | |
The mousetrap, which is dated from the late 19th century, | 0:31:54 | 0:31:59 | |
and a mole catcher, an unusual item to bring to the sale room, | 0:31:59 | 0:32:03 | |
but, for its quirkiness, I can see it doing between £20 and £40. | 0:32:03 | 0:32:08 | |
The ball-draw machine, | 0:32:08 | 0:32:10 | |
the good thing about it is embossed with the maker's label. It's quirky. | 0:32:10 | 0:32:14 | |
I can see someone paying between £30 and £50 for it. | 0:32:14 | 0:32:19 | |
Our experts began this journey with £200 each and, over the last two days, | 0:32:21 | 0:32:25 | |
Anita has spent a total of £184 on five auction lots. | 0:32:25 | 0:32:30 | |
As for James, he took his £200 allowance | 0:32:32 | 0:32:36 | |
and spent a little bit less - £138, also on five lots. | 0:32:36 | 0:32:40 | |
Strap yourself in, and hold on tight, the auction is about to take off. | 0:32:44 | 0:32:47 | |
Our first lot up is that television. | 0:32:50 | 0:32:53 | |
It looks wonderful. | 0:32:53 | 0:32:54 | |
I thought you were going to get a photograph of yourself to stick on the front. | 0:32:54 | 0:32:59 | |
I want it to sell, not bomb! | 0:32:59 | 0:33:01 | |
-OK, James, you're on. -£20. -£20. -22, can I see? | 0:33:02 | 0:33:06 | |
-22, anywhere now? Come on, it's a classic TV. -Come on, come on. | 0:33:08 | 0:33:13 | |
Come on, we're geeing it up. | 0:33:13 | 0:33:15 | |
22, I have. 22. 25 anywhere now? | 0:33:15 | 0:33:19 | |
If not, I'm selling at £22. | 0:33:19 | 0:33:22 | |
-Hurray! -That's not too bad. -That's a good start. | 0:33:22 | 0:33:27 | |
You wouldn't believe | 0:33:27 | 0:33:28 | |
how much passion can be involved in £22. My word! | 0:33:28 | 0:33:32 | |
Hard to imagine a flatscreen fetching that | 0:33:32 | 0:33:35 | |
in about 50 years' time. Still. Now for Anita's combined lot. | 0:33:35 | 0:33:40 | |
And H&K. What shall we say, £40 for them? Come on. | 0:33:40 | 0:33:45 | |
-Come on. -Come on! -20, then. | 0:33:45 | 0:33:49 | |
£20 bid. 22? 22, I have. | 0:33:49 | 0:33:53 | |
-Go on. -Yes! -Sorry, 27. | 0:33:53 | 0:33:56 | |
30 anywhere now? | 0:33:56 | 0:33:58 | |
Come on! Anita's jugs are worth more than that! Come on! | 0:33:58 | 0:34:02 | |
28. | 0:34:04 | 0:34:05 | |
-28. 29. -Ah! | 0:34:05 | 0:34:07 | |
30. Nice one. 31. | 0:34:07 | 0:34:11 | |
I'm selling, then. Oh, 32. Fresh bidder. 33? 33. | 0:34:11 | 0:34:15 | |
-Yes. -34? 34. | 0:34:15 | 0:34:18 | |
-35. -Yes! -36. 37. -Yes! -38. £38 bid. | 0:34:18 | 0:34:24 | |
-40. -Yes! -£40 bid. 42. | 0:34:24 | 0:34:28 | |
Thank you, Grimsby. | 0:34:28 | 0:34:29 | |
£42 bid, with the gentleman on my left. Selling at £42. | 0:34:29 | 0:34:36 | |
-Yes! -934. | 0:34:36 | 0:34:39 | |
I'm very, very pleased with that. | 0:34:39 | 0:34:42 | |
Can you guess that was one of their lots?! | 0:34:42 | 0:34:46 | |
Yup, sorry about that, they do tend to get over-excited. | 0:34:46 | 0:34:49 | |
Well done, Anita, after commission, that's a small profit. | 0:34:49 | 0:34:52 | |
I need a lie down. | 0:34:52 | 0:34:53 | |
Now, a little less conversation, please, it's Anita's Elvis. | 0:34:55 | 0:34:58 | |
£30 for him. 10, then. | 0:34:58 | 0:35:02 | |
£10 bid. | 0:35:04 | 0:35:05 | |
12. 14. 16. | 0:35:05 | 0:35:09 | |
18. 20. | 0:35:09 | 0:35:10 | |
22, fresh bidder. 25. | 0:35:10 | 0:35:13 | |
£25 bid. 27, fresh bidder. | 0:35:13 | 0:35:16 | |
30. 32. 35. | 0:35:16 | 0:35:20 | |
35. 37. £37 bid. | 0:35:20 | 0:35:23 | |
40. £40 bid. 42. | 0:35:23 | 0:35:26 | |
45. 47 anywhere now? | 0:35:26 | 0:35:30 | |
You're not going to be outdone. 47 anywhere? Yes. 47. | 0:35:30 | 0:35:34 | |
50, can I see? If not, I'm selling at £47. | 0:35:34 | 0:35:39 | |
-Yes! -Well done. | 0:35:39 | 0:35:41 | |
I think we can say Elvis has left the building. | 0:35:41 | 0:35:44 | |
-Well done. Brilliant. That's good news. -Yup. | 0:35:44 | 0:35:48 | |
Yup. That £17 profit brings you into the lead, Anita. | 0:35:48 | 0:35:53 | |
Next up is James's combo, the salt box and the treen mallet. | 0:35:53 | 0:35:58 | |
£20, I'm bid. 22. | 0:35:58 | 0:36:01 | |
25. 27. 28. 28. | 0:36:01 | 0:36:06 | |
30. £30, I'm bid. 32, can I see? 32. | 0:36:06 | 0:36:11 | |
£32, I'm bid. 35. 35. | 0:36:11 | 0:36:15 | |
-37. -It's worth more than that. -40. | 0:36:15 | 0:36:17 | |
£40, I'm bid. 42. £42, I'm bid. | 0:36:17 | 0:36:21 | |
43. 44. 45. | 0:36:21 | 0:36:25 | |
Can I see 46? 46, I have. | 0:36:25 | 0:36:27 | |
£46, I'm bid. 47 anywhere now? | 0:36:27 | 0:36:30 | |
If not, I'm selling at £46. | 0:36:30 | 0:36:33 | |
-Yeah, you've made profit, James. -Just. | 0:36:33 | 0:36:37 | |
A profit's a profit and with two lots each, | 0:36:37 | 0:36:39 | |
you're currently edging out in front, James. | 0:36:39 | 0:36:42 | |
Now, time for James's calendar. | 0:36:42 | 0:36:45 | |
The auctioneer said that he had interest in it. | 0:36:45 | 0:36:48 | |
-£70. -BOTH: 70! | 0:36:48 | 0:36:49 | |
-£70. Straight in at 70. 75, can I see? -It's a good feeling. | 0:36:51 | 0:36:55 | |
£70. 75. £75 bid. | 0:36:57 | 0:37:01 | |
85. 85. 90, can I see? | 0:37:01 | 0:37:04 | |
-£85 bid. -One more, go on! -£85 bid. 90 anywhere now? | 0:37:04 | 0:37:09 | |
If not, I'm selling for £85. | 0:37:09 | 0:37:14 | |
-I'm happy with that. That's good. -That's wonderful. | 0:37:14 | 0:37:17 | |
Phew. It takes the pressure off a bit, doesn't it? | 0:37:17 | 0:37:21 | |
What a great result, James. You're storming into the lead. | 0:37:21 | 0:37:25 | |
-That's a healthy profit. -A good profit. | 0:37:25 | 0:37:29 | |
Right, 145 is the set of six retro napkin rings. £20. | 0:37:29 | 0:37:36 | |
20, straight in. | 0:37:36 | 0:37:38 | |
Can I see 22 anywhere? | 0:37:38 | 0:37:39 | |
22? 22, 25. 27. | 0:37:39 | 0:37:43 | |
28, anywhere? Anyone want to give 28? 28, I have. | 0:37:43 | 0:37:48 | |
29? 29. 30. | 0:37:48 | 0:37:51 | |
32. 33. | 0:37:51 | 0:37:54 | |
£33, I'm bid. 34. | 0:37:54 | 0:37:57 | |
You work on her, I'll work on him. | 0:37:58 | 0:38:00 | |
35. £35, I'm bid. | 0:38:00 | 0:38:02 | |
-36. -Yes! | 0:38:02 | 0:38:04 | |
£36. | 0:38:04 | 0:38:06 | |
Don't feel intimidated! £36, I'm bid. | 0:38:06 | 0:38:09 | |
37 anywhere now? 37. 38. £38, I'm bid. | 0:38:09 | 0:38:15 | |
39 anywhere now? If not, I'm selling at £38. | 0:38:15 | 0:38:20 | |
-Well fought. -Yes! I'm absolutely delighted. -That's a great result. | 0:38:20 | 0:38:25 | |
Yep, fab, keep this up and you'll catch him in no time. | 0:38:25 | 0:38:29 | |
-Bags of style. -Yeah. | 0:38:29 | 0:38:31 | |
I wonder if they'll have enough style | 0:38:31 | 0:38:33 | |
to buy a 19th-century mousetrap? | 0:38:33 | 0:38:36 | |
I wonder! | 0:38:36 | 0:38:38 | |
£20. 22, can I see? | 0:38:38 | 0:38:41 | |
£20 bid. 22 anywhere now? | 0:38:41 | 0:38:44 | |
-£20 bid. 22. -There we go. | 0:38:44 | 0:38:46 | |
27. And 30. And 2. | 0:38:46 | 0:38:50 | |
35. And 7. 40. 42. | 0:38:50 | 0:38:54 | |
£42. 45 anywhere? If not, I'm selling at £42. | 0:38:54 | 0:38:59 | |
Thank you so much. | 0:39:01 | 0:39:03 | |
-Miracles happen. -You got away with that. | 0:39:03 | 0:39:05 | |
Great profit, James, and watch out, furry mammals of Lincolnshire. | 0:39:07 | 0:39:11 | |
What did I say? The market loves the weird and the wacky. | 0:39:11 | 0:39:14 | |
And where are you going to find another one? | 0:39:14 | 0:39:16 | |
-That's what I say. -Where would you want to find another one? | 0:39:16 | 0:39:19 | |
-SHE LAUGHS -True. | 0:39:19 | 0:39:21 | |
Quite. And the same principle | 0:39:21 | 0:39:23 | |
probably applies to your bingo machine. | 0:39:23 | 0:39:26 | |
£40 for it. | 0:39:26 | 0:39:27 | |
-25. -25, straight in. Breaking even straightaway. | 0:39:27 | 0:39:32 | |
30. 32. 35. | 0:39:32 | 0:39:35 | |
35. 35. 37. | 0:39:35 | 0:39:38 | |
40. 42. | 0:39:38 | 0:39:40 | |
43. | 0:39:40 | 0:39:42 | |
£43, I'm bid. 45. | 0:39:42 | 0:39:45 | |
£45, I'm bid. Fresh bidder. 47. £47 bid. | 0:39:45 | 0:39:49 | |
I think you're going to be goaded. 50. | 0:39:49 | 0:39:51 | |
£50, I'm bid. 55, I need. | 0:39:51 | 0:39:54 | |
£50, I'm bid. 55. 51. | 0:39:54 | 0:39:57 | |
£51, I'm bid. It's going to be hard. | 0:39:57 | 0:40:00 | |
You're not wrong. We could be here all night if this keeps up. | 0:40:00 | 0:40:03 | |
Where are we, ah, stuck in a tree, 53. | 0:40:03 | 0:40:06 | |
£53. £53, I'm bid. 54, fresh bidder. | 0:40:06 | 0:40:10 | |
55, can I see? 55, yes 55. 56. | 0:40:10 | 0:40:14 | |
57. | 0:40:14 | 0:40:16 | |
57. £57, I'm bid. 58. £58, I'm bid. | 0:40:16 | 0:40:21 | |
59. I'm back in at 59. 60. | 0:40:21 | 0:40:25 | |
£60, I'm bid. £60, I'm bit. Can I see 61? 61. | 0:40:25 | 0:40:30 | |
Can I see 62? Go on. | 0:40:30 | 0:40:32 | |
£62, I'm bid. | 0:40:32 | 0:40:34 | |
I'm selling at £62. | 0:40:34 | 0:40:37 | |
-Yes! Well done. -That's a great result. -I'm pleased with that. | 0:40:37 | 0:40:40 | |
-More than doubled your money. -Yeah. -62, tickety-boo. | 0:40:40 | 0:40:45 | |
Excellent, excellent. | 0:40:45 | 0:40:47 | |
With two lots to go, James is £32 ahead. | 0:40:47 | 0:40:51 | |
His top hat's up next. | 0:40:51 | 0:40:53 | |
-Here it is. -Size 7 5/8, the most popular size, I believe. | 0:40:53 | 0:40:57 | |
And I can start the bidding at £60. | 0:40:57 | 0:41:00 | |
-£60 with me. -60 straight in. | 0:41:00 | 0:41:03 | |
£60 with me. 65 anywhere now? | 0:41:03 | 0:41:06 | |
I think you're going to be goaded somewhere. £60 with me. | 0:41:06 | 0:41:09 | |
They're not looking impressed. | 0:41:09 | 0:41:11 | |
They paid £1,000 for one of these in The Apprentice. | 0:41:11 | 0:41:14 | |
We're selling, then, at £60. | 0:41:14 | 0:41:17 | |
Ah, James, it's wiped its face. | 0:41:17 | 0:41:20 | |
I shouldn't have brought it. | 0:41:20 | 0:41:22 | |
He did his best. If nobody bids, nobody bids. £60, well... | 0:41:22 | 0:41:26 | |
Nobody in the room that goes to Ascot. Can't blame them, either. | 0:41:26 | 0:41:31 | |
Yeah, but after commission, that's a loss. | 0:41:32 | 0:41:34 | |
193, a 20th-century spelter lamp with flame shade. | 0:41:34 | 0:41:39 | |
Anita, this is your chance to steal victory. | 0:41:39 | 0:41:42 | |
It all comes down to your most expensive purchase. | 0:41:42 | 0:41:45 | |
-Come on. -Come on, guys. | 0:41:45 | 0:41:48 | |
18. 20. And 2. | 0:41:48 | 0:41:51 | |
25. And 7. £27 bid. | 0:41:51 | 0:41:55 | |
30, fresh bidder. 32. 35. | 0:41:55 | 0:41:58 | |
37. 40. | 0:41:58 | 0:42:00 | |
£40 bid. £40 bid. 2. | 0:42:00 | 0:42:04 | |
42. 45. 47. | 0:42:04 | 0:42:08 | |
£47 bid. | 0:42:08 | 0:42:09 | |
£50, I'm bid. 55 anywhere? | 0:42:09 | 0:42:11 | |
£55, I'm bid. 60 anywhere now? Selling, then, at £55. | 0:42:11 | 0:42:17 | |
Ah! | 0:42:17 | 0:42:19 | |
-Ah. -Well. | 0:42:19 | 0:42:20 | |
It wasn't as bad as it could have been, James. | 0:42:20 | 0:42:23 | |
It could've been worse, couldn't it? | 0:42:23 | 0:42:25 | |
Oh, well, never mind, there's a long way to go. | 0:42:25 | 0:42:27 | |
Today's leg, however, belongs to James Lewis. | 0:42:27 | 0:42:30 | |
-Both up. -Uh-huh. | 0:42:30 | 0:42:33 | |
Our experts started today's show with £200 each. | 0:42:33 | 0:42:37 | |
After paying auction costs, | 0:42:39 | 0:42:40 | |
Anita has made a somewhat small profit of £16.08. | 0:42:40 | 0:42:45 | |
She has £216.08 to carry forward. | 0:42:45 | 0:42:49 | |
James, on the other hand, made a very healthy profit of £71.10. | 0:42:51 | 0:42:55 | |
He has a substantial £271.10 to spend on the next leg. | 0:42:55 | 0:43:00 | |
-Well, James, I enjoyed that. -Well, well done. | 0:43:01 | 0:43:06 | |
-We both came out all right, really. All things considered. -All things considered. | 0:43:06 | 0:43:11 | |
-Next time on the Antiques Road Trip... -40 to 60. | 0:43:12 | 0:43:16 | |
..Anita risks losing out on a bargain. | 0:43:16 | 0:43:18 | |
-Is there a wee bit of movement on that, a wee bit of movement? -With the accent on "wee". | 0:43:18 | 0:43:23 | |
-And James risks losing a bit more. -That's my hat. | 0:43:24 | 0:43:28 | |
This is the ransom. You buy something, or the hat gets it. | 0:43:28 | 0:43:33 | |
I don't like this game any more! | 0:43:33 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:54 | 0:43:57 |