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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
I'm going to go for it, Joe. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
-There'll be worthy winners and valiant losers. -Goodness gracious me! | 0:00:18 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Not nice to gloat. There we are. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's a brand-new day and we're holding up the buses in Sussex | 0:00:38 | 0:00:42 | |
with a couple of thoroughly sensible, down-to-earth experts - Charlie Ross and Catherine Southon. | 0:00:42 | 0:00:48 | |
-Charlie, what are you wearing on your head? -A fez. -You look completely stupid. | 0:00:48 | 0:00:53 | |
Well, one of them is anyway. | 0:00:53 | 0:00:55 | |
Catherine is both auctioneer and expert in maritime art | 0:00:55 | 0:00:59 | |
-and well known for her dazzling, persuasive charms. -I like the fact that you're stroking my hand. | 0:00:59 | 0:01:05 | |
Charlie ran his own auctioneering business for 25 years, | 0:01:05 | 0:01:08 | |
so should know a thing or two about antiques, | 0:01:08 | 0:01:12 | |
but clearly not enough to get ahead of his competitor so far. | 0:01:12 | 0:01:15 | |
I'm at a hell of a disadvantage being male here! | 0:01:15 | 0:01:18 | |
Our esteemed experts began the week with £200 each, | 0:01:18 | 0:01:22 | |
but two auctions later, the pressure is on because they now have less than they started with! | 0:01:22 | 0:01:29 | |
Charlie made up a little ground yesterday, | 0:01:29 | 0:01:31 | |
but still starts this leg with a rather pathetic £135.30. | 0:01:31 | 0:01:36 | |
Catherine also begins with a loss. | 0:01:37 | 0:01:39 | |
She now has a thoroughly unimpressive £194.96 to play with. | 0:01:39 | 0:01:44 | |
So, both experts really have to make some money on this leg or it could be disastrous. | 0:01:46 | 0:01:51 | |
Thankfully, though, they do have their sprightly little 1966 Austin-Healey | 0:01:51 | 0:01:56 | |
which, although has no roof, does have room for them | 0:01:56 | 0:02:00 | |
and Charlie's utterly ridiculous fez. | 0:02:00 | 0:02:04 | |
This week's road trip takes us eastwards across the south of sunny England, | 0:02:06 | 0:02:11 | |
starting in Corsham, Wiltshire, | 0:02:11 | 0:02:13 | |
and culminating in Rye, East Sussex. | 0:02:13 | 0:02:15 | |
Today, we're kicking off in Birdham, West Sussex, | 0:02:15 | 0:02:19 | |
then gently wending our way along the coast | 0:02:19 | 0:02:22 | |
to an auction showdown in Lewes, East Sussex. | 0:02:22 | 0:02:25 | |
-Oh, oh! -Antiques, left! | 0:02:25 | 0:02:27 | |
-Right, left, left! -Whitestone Farm Antiques. | 0:02:27 | 0:02:30 | |
Oh, this looks just my sort of... Oh, yes. | 0:02:34 | 0:02:37 | |
Oh, yes, this fantastic emporium is, you've guessed it, situated on a farm | 0:02:37 | 0:02:42 | |
and is overflowing with rustic charm. I only hope owner Joe knows what's about to hit him! | 0:02:42 | 0:02:47 | |
-Hello. -Hi. Charlie's the name. | 0:02:47 | 0:02:50 | |
-Don't worry about me. -I was just going to introduce you, Catherine. -I'm Joe. -This is lovely. -Great, Joe. | 0:02:50 | 0:02:56 | |
-How long have you been here? -11 years. It's a bit dusty. | 0:02:56 | 0:02:59 | |
-We like it dusty. -Not displayed. -I don't like it displayed. | 0:02:59 | 0:03:03 | |
While Charlie harnesses Joe for himself, Catherine has spotted something she likes straight away. | 0:03:03 | 0:03:10 | |
We've got fleur-de-lys. | 0:03:10 | 0:03:12 | |
A Scottish emblem with the thistle. | 0:03:12 | 0:03:14 | |
I like those. | 0:03:14 | 0:03:16 | |
Joe, could I ask you a question, please, about these down here? I'd love to know what these are. | 0:03:16 | 0:03:22 | |
Tell me what they are. | 0:03:22 | 0:03:24 | |
I believe they're more than likely out of a chimney | 0:03:24 | 0:03:28 | |
and they were the sort of decorative pieces in it. | 0:03:28 | 0:03:31 | |
How much are they, just out of interest? | 0:03:31 | 0:03:34 | |
Well, they vary between £45 each and £65. | 0:03:34 | 0:03:38 | |
What sort of deal could you do on sort of six of them? | 0:03:38 | 0:03:42 | |
I'll do you a very, very good price. | 0:03:42 | 0:03:44 | |
For six...180. | 0:03:44 | 0:03:46 | |
Catherine, that's nearly your entire budget, darling! | 0:03:46 | 0:03:50 | |
I like them because they're different and I've never seen anything like that. I shall think... | 0:03:50 | 0:03:56 | |
Now, here's something Charlie did very well with in the last auction. | 0:03:56 | 0:04:00 | |
A Silver Jubilee...bottle of beer! | 0:04:00 | 0:04:03 | |
I've got a very, very good track record with buying old booze at the moment. | 0:04:03 | 0:04:09 | |
We've turned 5p into 12 quid already. | 0:04:09 | 0:04:12 | |
-Here is 5p. -That'll do fine, sir. | 0:04:12 | 0:04:14 | |
£12 on the bottle of beer... | 0:04:14 | 0:04:17 | |
We can do that again. Joe, may I monopolise you for a bit? | 0:04:17 | 0:04:20 | |
This was the object that excited me no end. | 0:04:20 | 0:04:23 | |
"Silver Jubilee Ale." I love the top because it's almost pretending to be a bottle of champagne. | 0:04:25 | 0:04:31 | |
The last one I bought was 5p. I don't know if this is 4p or 6p? | 0:04:31 | 0:04:35 | |
-It's a little bit more. -Is it really? | 0:04:35 | 0:04:37 | |
-How much is it? -I think I might have paid £12 in an auction for it. | 0:04:37 | 0:04:41 | |
LAUGHTER | 0:04:41 | 0:04:43 | |
There's no flies on you! | 0:04:43 | 0:04:45 | |
-How much is it? I might as well ask. -£4. -£4? | 0:04:46 | 0:04:50 | |
We have got a torn label here which is very, very important when you're buying rare... | 0:04:50 | 0:04:55 | |
£3 then. LAUGHTER | 0:04:55 | 0:04:57 | |
Quick, find the chip in the bottle! | 0:04:58 | 0:05:01 | |
Will £2 buy it? | 0:05:01 | 0:05:03 | |
Well... | 0:05:03 | 0:05:05 | |
You are a one, Joe. Thank you. | 0:05:05 | 0:05:08 | |
Catherine, meanwhile, just can't get those bricks out of her mind. | 0:05:08 | 0:05:12 | |
They're very risky. It's not safe like four silver serviette rings or something like that. | 0:05:12 | 0:05:19 | |
It's something that could completely die. | 0:05:19 | 0:05:22 | |
It's nice to take a risk though, isn't it? | 0:05:22 | 0:05:25 | |
If I bought two of them, what would you do for that? | 0:05:25 | 0:05:28 | |
-They would have to be 60. -Right. You couldn't do 55 on those? | 0:05:28 | 0:05:32 | |
-She's a hard lady. -Oh, I'm not! I'm just merely... | 0:05:33 | 0:05:37 | |
But I like the fact that you're stroking my hand. | 0:05:37 | 0:05:40 | |
Will she stop at nothing? | 0:05:40 | 0:05:43 | |
She never strokes MY hand! | 0:05:43 | 0:05:45 | |
-It's against the rules? -No, no, I like it. -Oh, right. | 0:05:45 | 0:05:49 | |
I'm at a hell of a disadvantage being male here! | 0:05:49 | 0:05:53 | |
I think I'll probably go for two because I think three is a big part of my budget. | 0:05:53 | 0:05:58 | |
Miss Southon, may I have a little bit of Joe again? | 0:05:58 | 0:06:01 | |
I saw you stroking his hand. | 0:06:01 | 0:06:03 | |
I thought, "Will you stop at nothing when you're trying to buy antiques?" | 0:06:03 | 0:06:08 | |
I just touched his hand and I didn't mean to stroke it like that. | 0:06:08 | 0:06:12 | |
But he was quite all right about it, so I might carry on. | 0:06:12 | 0:06:16 | |
-You're shameless. -Am I? -You are shameless, but I quite like your style. | 0:06:16 | 0:06:20 | |
Hello, what's this with £45 on the ticket? | 0:06:20 | 0:06:24 | |
I was wondering how to play this? | 0:06:24 | 0:06:26 | |
It doesn't make a great sound. | 0:06:27 | 0:06:29 | |
I would never look at one of those... It's like a zither, isn't it? | 0:06:29 | 0:06:34 | |
I never know the difference. It calls itself a "mandolin harp". | 0:06:34 | 0:06:37 | |
What particularly attracted me was all the decoration, the transfer printing, and we've got George V. | 0:06:37 | 0:06:44 | |
This German-made mandolin harp was designed to commemorate the coronation of George V | 0:06:44 | 0:06:49 | |
whose family originated from Saxony. | 0:06:49 | 0:06:51 | |
However, the outbreak of World War One led the King to change his name to Windsor | 0:06:51 | 0:06:56 | |
in an attempt to distance himself from his origins and the enemy. | 0:06:56 | 0:07:00 | |
-I can do a very good price on that. -What, a tenner? | 0:07:00 | 0:07:03 | |
A fiver you were going to say? | 0:07:03 | 0:07:06 | |
Not quite that good, Charlie. | 0:07:06 | 0:07:08 | |
-Ssh, no, no. What...? -45. | 0:07:08 | 0:07:10 | |
When I looked at that, I thought, "If that's 25 quid, I'll have that," | 0:07:10 | 0:07:15 | |
but that's going to be too rude, isn't it? | 0:07:15 | 0:07:19 | |
-Did it cost you more than that? -It did. | 0:07:19 | 0:07:21 | |
Does 30 quid get you out of trouble? | 0:07:21 | 0:07:24 | |
I'm hurting you. What's it going to make at auction? | 0:07:25 | 0:07:29 | |
-I really don't know. -I honestly don't know any more than you do. | 0:07:29 | 0:07:32 | |
35? | 0:07:32 | 0:07:34 | |
I want to buy it and my heart tells me to buy it. | 0:07:34 | 0:07:38 | |
My heid, of course, tells me, "You're a plonker, Rossco," | 0:07:38 | 0:07:42 | |
-but on the other hand, I'm going to buy it. -Well done, Charlie. Well done. | 0:07:42 | 0:07:46 | |
I think that's fab. What Miss Southon will think of that, I do not know, but I don't care. | 0:07:46 | 0:07:52 | |
Two purchases down for Charlie, but Catherine is still wrestling with her chimney bricks. | 0:07:52 | 0:07:58 | |
If I buy three, I've got to spend £85 and I think that's too much to spend, | 0:07:58 | 0:08:02 | |
but I think to buy two of them for 55... | 0:08:02 | 0:08:05 | |
Sensible decision. Go for two. | 0:08:05 | 0:08:07 | |
-Still thinking? -Yes, I am still thinking. | 0:08:07 | 0:08:10 | |
-I would like to buy all of them. -That's two, four, six of them. | 0:08:10 | 0:08:14 | |
Hang on, Catherine. Didn't you say two just a minute ago? | 0:08:14 | 0:08:18 | |
What would 120 be? | 0:08:18 | 0:08:20 | |
-Too low. -Too low? -Hmm. | 0:08:20 | 0:08:23 | |
-150. -Hmm. | 0:08:23 | 0:08:26 | |
Can we say 130, Joe? | 0:08:27 | 0:08:29 | |
140. | 0:08:29 | 0:08:31 | |
Right. | 0:08:31 | 0:08:33 | |
130... | 0:08:33 | 0:08:35 | |
130... | 0:08:35 | 0:08:37 | |
130... I'm going to go for it, Joe. | 0:08:38 | 0:08:41 | |
I think Joe just said 140, didn't he? | 0:08:41 | 0:08:44 | |
-130. -Whoa, whoa, whoa! | 0:08:44 | 0:08:46 | |
-I think I am going to go for them. -Was I on 130 or was I on 140? You've got me confused. | 0:08:46 | 0:08:51 | |
-Where were we? Sorry. -140. -I thought we said 130. | 0:08:51 | 0:08:54 | |
-Nice try, Catherine. -Go on, 130. | 0:08:54 | 0:08:56 | |
-OK. Sorry. I honestly couldn't... -Oh, yeah(!) | 0:08:56 | 0:08:59 | |
-I'm not sure I can stand the indecision any more. -Thank you. I'm not sure I can stand it any more. | 0:08:59 | 0:09:04 | |
I love them and... We'll see what happens. | 0:09:04 | 0:09:08 | |
I expect poor old Joe's quite worn out by that! | 0:09:08 | 0:09:11 | |
Now, out of the frying pan, into the fire! | 0:09:11 | 0:09:15 | |
This may be a shout too much, but could you possibly take a tenner for your fireman's helmet? | 0:09:15 | 0:09:20 | |
I will drive along in it then. | 0:09:20 | 0:09:22 | |
Just to see you wearing that driving along, I think you can have that for a tenner. | 0:09:22 | 0:09:27 | |
You are a gentleman, sir! | 0:09:28 | 0:09:30 | |
I am going to wear that wherever we go now. I feel very at home with this on. | 0:09:30 | 0:09:35 | |
Then when we get to the auction, it might even make more than a tenner. | 0:09:35 | 0:09:39 | |
I don't care if it doesn't. It's so comfortable compared with my fez. | 0:09:39 | 0:09:43 | |
Boy! | 0:09:43 | 0:09:46 | |
So, just to recap, Catherine has bought six chimney bricks for 130 | 0:09:46 | 0:09:50 | |
and Charlie snaffled up a bottle of beer, a mandolin harp and a fireman's helmet for 47. | 0:09:50 | 0:09:56 | |
Gosh! | 0:09:56 | 0:09:58 | |
Our experts are leaving Birdham behind | 0:10:00 | 0:10:03 | |
and heading four and a half miles north to Chichester. | 0:10:03 | 0:10:07 | |
Chichester is a beautiful and bustling market city. | 0:10:07 | 0:10:10 | |
It's towered over by its impressive cathedral, the spire of which once fell down during restoration works. | 0:10:10 | 0:10:16 | |
That's builders for you! Thankfully, Charlie has his helmet on though just in case | 0:10:16 | 0:10:21 | |
as our pair pull up at the next shop. | 0:10:21 | 0:10:24 | |
-Can I come? -No, you can't come. This is all for old Rossco. | 0:10:24 | 0:10:28 | |
-Lesley? -Charlie? -Charlie, it is indeed. Lovely to meet you. | 0:10:32 | 0:10:36 | |
-Lovely to meet you too. -Thank you for letting me in. | 0:10:36 | 0:10:39 | |
May I take my old mac off and reveal my rather outrageous jacket? | 0:10:39 | 0:10:43 | |
Oh, please don't! Wow! | 0:10:43 | 0:10:46 | |
There were a couple of things that really took my eye. | 0:10:46 | 0:10:50 | |
There is something I'll pull out here because it looks rather interesting. | 0:10:50 | 0:10:55 | |
I do like things relating to booze and that's a champagne bottle. | 0:10:55 | 0:10:59 | |
It's got a serrated edge on it. It's a vesta. | 0:10:59 | 0:11:02 | |
So you put your matches in there | 0:11:02 | 0:11:05 | |
and strike 'em there. | 0:11:05 | 0:11:08 | |
Oh, that's fab. It's also a cigar-cutter. | 0:11:09 | 0:11:12 | |
Isn't that a rare object? | 0:11:12 | 0:11:14 | |
Put the end of your cheroot in there or small cigar | 0:11:14 | 0:11:17 | |
and hey, presto, it cuts it. | 0:11:17 | 0:11:20 | |
So you can cut it and then light it. | 0:11:20 | 0:11:23 | |
I love the top where it's absolutely as a champagne cork should be. | 0:11:23 | 0:11:28 | |
I've priced it at 50 which I have to get. | 0:11:28 | 0:11:31 | |
Lesley, you're such a temptress. Can we do anything at all on it, squeeze it? | 0:11:31 | 0:11:36 | |
The only drop I would do would be, just being nice, to 48. And that's it. | 0:11:36 | 0:11:44 | |
-And I bet you don't lose on it. -How much do you bet me? 48 quid? | 0:11:44 | 0:11:48 | |
The two extra I'm taking off. | 0:11:48 | 0:11:51 | |
Charlie, don't forget you've got to make money. | 0:11:51 | 0:11:54 | |
I'm going to spend £48 of my hard-earned money | 0:11:54 | 0:11:58 | |
and I'm going to have your voice ringing in my ears, Lesley, | 0:11:58 | 0:12:04 | |
"You won't lose money on that, Charlie." | 0:12:04 | 0:12:07 | |
It's fresh to the market. I think you'll do well. | 0:12:07 | 0:12:10 | |
-20... -Nicely done, Charlie. | 0:12:10 | 0:12:13 | |
Now, Catherine is busy mastering the art of gear-changing | 0:12:13 | 0:12:17 | |
-while heading to another antiques shop on the other side of Chichester. -I can see it! | 0:12:17 | 0:12:22 | |
With £70 left to spend, let's hope the kind owner can navigate her to something pleasing and profitable. | 0:12:22 | 0:12:28 | |
-Hello there. -Hello. | 0:12:28 | 0:12:30 | |
The problem is Catherine is hard to please. | 0:12:30 | 0:12:33 | |
-Hello. And you're...? -Peter Hancock. -Peter. Hello, Peter. | 0:12:33 | 0:12:37 | |
Right, I'm looking for something special. | 0:12:37 | 0:12:41 | |
I've heard that before. | 0:12:41 | 0:12:43 | |
It's a bit chipped though, Peter. | 0:12:43 | 0:12:46 | |
Isn't that lovely? I love the way it's cut with these flowers here. | 0:12:46 | 0:12:50 | |
-It's very nice. -Very pretty with all the foliage. I haven't got enough money! | 0:12:50 | 0:12:55 | |
-That's 20 quid. -I am looking. I'm really... | 0:12:55 | 0:12:59 | |
-Does it appeal to you? -No. I won't go for that sort of thing. | 0:12:59 | 0:13:03 | |
No, that's fine. How much do you want for that? | 0:13:03 | 0:13:05 | |
£200, you see. | 0:13:05 | 0:13:08 | |
Can I have one last look in that silver cabinet? I think that's probably my best bet. | 0:13:09 | 0:13:15 | |
I'm looking at your perfume bottles because they seem to be quite reasonably priced. | 0:13:16 | 0:13:21 | |
Catherine's picked up a thing of quality, | 0:13:21 | 0:13:24 | |
a perfume bottle made by celebrated silversmiths William Comyns & Sons | 0:13:24 | 0:13:28 | |
-who even made coronets for coronations. -It's very nice. | 0:13:28 | 0:13:32 | |
What can you do that for? | 0:13:32 | 0:13:34 | |
I could do that for 40. | 0:13:34 | 0:13:36 | |
40... | 0:13:36 | 0:13:39 | |
I like the repousse work, the raised relief work on this. | 0:13:39 | 0:13:44 | |
I like, in particular, the bird | 0:13:44 | 0:13:47 | |
and then at the front it's got a place there where the lady would have put her initials. | 0:13:47 | 0:13:53 | |
Luckily, there's no initials there which is quite nice. | 0:13:53 | 0:13:57 | |
I'll take it from you if that can be 30. | 0:13:57 | 0:13:59 | |
OK. | 0:14:01 | 0:14:02 | |
This one here... I'm so sorry that I'm doing this to you. | 0:14:02 | 0:14:06 | |
-That one could be 20. -Do you want to do 15 on this? | 0:14:06 | 0:14:10 | |
-Hmm? -Do you want to do 15 on this? | 0:14:10 | 0:14:12 | |
She's going for it. | 0:14:12 | 0:14:14 | |
PETER LAUGHS | 0:14:14 | 0:14:16 | |
I'll do £45 the two. | 0:14:17 | 0:14:19 | |
45... | 0:14:19 | 0:14:21 | |
-Let's go for them. -Is that the real deal? -That's the real deal. | 0:14:22 | 0:14:26 | |
We'll shake on that then. Thank you very much. | 0:14:26 | 0:14:30 | |
-Payment time? -Yes. | 0:14:30 | 0:14:32 | |
-20... -20. -40... -40. | 0:14:32 | 0:14:35 | |
-50... -50. | 0:14:35 | 0:14:37 | |
Peter, thank you so much for dealing with me. Wonderful. £5 change. Thank you. | 0:14:37 | 0:14:42 | |
-Anything for a fiver? -Anything for a fiver... | 0:14:42 | 0:14:46 | |
While Peter, no doubt, has a well-earned little lie-down | 0:14:46 | 0:14:49 | |
and junior assistant Paul wraps up the deal. | 0:14:49 | 0:14:52 | |
That's lovely. A fantastic little perfume bottle. | 0:14:52 | 0:14:56 | |
And I can have this for a fiver...? | 0:14:56 | 0:14:59 | |
-I'll wrap it for you. -Fantastic. Yeah, quick. He won't mind, will he? I don't want you to get fired! | 0:15:00 | 0:15:06 | |
You're a lucky girl, Miss Southon. | 0:15:06 | 0:15:08 | |
Charlie and Catherine are leaving Chichester behind, | 0:15:08 | 0:15:12 | |
popping into Hampshire and the village of Emsworth. | 0:15:12 | 0:15:15 | |
Emsworth sits at the north end of Chichester harbour. | 0:15:15 | 0:15:18 | |
Back in the 19th century, it was a thriving fishing village, | 0:15:18 | 0:15:22 | |
famed for its oysters, and was home to no less than 30 pubs and beer houses. | 0:15:22 | 0:15:27 | |
Nowadays, there are merely nine pubs | 0:15:27 | 0:15:30 | |
and a rather delightful antiques shop run by the equally delightful Hilary. Look out! | 0:15:30 | 0:15:35 | |
-Good afternoon. -Good afternoon. -Charlie Ross. -Hilary Bolt. -Hilary, nice to meet you. -And you. | 0:15:35 | 0:15:41 | |
-May I have a look round? -Please do. -There is something I saw in the window which is fantastic. | 0:15:41 | 0:15:47 | |
-It's the Silver Jubilee train. -Yes. | 0:15:47 | 0:15:50 | |
-Don't bother to get it out. -Are you sure? -No. It's just not in my range. | 0:15:50 | 0:15:54 | |
-Talking about the Silver Jubilee, we do have a chair from the coronation. -Do you? | 0:15:54 | 0:15:59 | |
-Is it the stool or the chair? -It's the stool. -Oh, the stool. Yes indeed. | 0:15:59 | 0:16:04 | |
Because I believe, after the coronation, you could respond to a newspaper advert | 0:16:04 | 0:16:10 | |
and put your name down for one or more of the chairs or the stools | 0:16:10 | 0:16:15 | |
after the person who had sat on them had had the option of buying it themselves, | 0:16:15 | 0:16:20 | |
so earls and countesses went away with their high-backed chairs | 0:16:20 | 0:16:24 | |
-and choristers could or could not have their stools according to the whim... -Yeah, isn't that fantastic? | 0:16:24 | 0:16:31 | |
And there we are, look - "coronation". I think they're great. | 0:16:31 | 0:16:35 | |
They're such a piece of history, aren't they? Is this yours? | 0:16:35 | 0:16:39 | |
-No. But what have they got on it? -85. | 0:16:39 | 0:16:42 | |
This stool belongs to one of the dealers who sell their wares here. | 0:16:42 | 0:16:46 | |
It's a nice thing to buy in view of where they came from. | 0:16:46 | 0:16:49 | |
-Do you want me to make a phone call? -I don't want to be rude. | 0:16:49 | 0:16:52 | |
We have two types of sellers here. There are the sticklers and the tarts. | 0:16:52 | 0:16:57 | |
-The sticklers, you know you've got 10%... -And that's it, yeah. | 0:16:57 | 0:17:02 | |
-The tarts are there to make sales. They know what they're prepared to let it go for. -A lovely attitude. | 0:17:02 | 0:17:07 | |
I daren't be around when this call is made. | 0:17:07 | 0:17:10 | |
Oh, hello. It's Hilary here from the antiques shop. | 0:17:10 | 0:17:14 | |
We've got somebody who's interested in the coronation stool. | 0:17:14 | 0:17:18 | |
Could you do it, by any chance, for, say, £35? | 0:17:18 | 0:17:25 | |
Hmm... Stickler or tart? | 0:17:25 | 0:17:27 | |
Hold on. | 0:17:27 | 0:17:28 | |
Uh... | 0:17:28 | 0:17:30 | |
They say yes, but only if it's cash. | 0:17:31 | 0:17:34 | |
Oh, it'll be cash. Really? | 0:17:34 | 0:17:36 | |
-You're an absolute angel. -Thank you. -That's really splendid. | 0:17:36 | 0:17:41 | |
-Some real crispies for you. -Whoa! -Not a lot. Don't get too excited... | 0:17:41 | 0:17:45 | |
Well done, Charlie. That's your shopping all finished for today. | 0:17:45 | 0:17:49 | |
Just up the road, Catherine is pulling up to somewhere rather special. | 0:17:49 | 0:17:54 | |
Behind the facade of this unassuming bungalow lies a treat for the ears and eyes. | 0:17:55 | 0:18:01 | |
-Hi. -Hello. -Lester Jones collects and restores Victorian, mechanical music boxes. | 0:18:01 | 0:18:06 | |
Wow! | 0:18:06 | 0:18:07 | |
This is brilliant. So how did you get interested in musical boxes? | 0:18:07 | 0:18:13 | |
It started as a family collection, my grandfather and father, | 0:18:13 | 0:18:17 | |
then the restoration side of it was something that I took on seriously about 25 years ago. | 0:18:17 | 0:18:22 | |
We've got a lovely selection here as well of cylinder boxes. | 0:18:22 | 0:18:26 | |
Can we have a little listen to see how it sounds? I'd love to hear it. | 0:18:26 | 0:18:30 | |
CAN-CAN MUSIC | 0:18:32 | 0:18:35 | |
We know this, don't we? | 0:18:36 | 0:18:39 | |
SHE SINGS ALONG | 0:18:39 | 0:18:41 | |
Developed from 18th century musical snuff boxes, | 0:18:41 | 0:18:44 | |
the very first Victorian, mechanical music boxes feature a metal cylinder covered in pins. | 0:18:44 | 0:18:50 | |
When rotated, the pins catch the teeth of a comb in a specific sequence, | 0:18:50 | 0:18:56 | |
thereby creating the lovely sound exactly as the Victorians would have heard it. | 0:18:56 | 0:19:01 | |
-I buy them in an unrestored condition. -And you like to do it yourself. | 0:19:01 | 0:19:05 | |
The movements and the cases are then all fully restored, | 0:19:05 | 0:19:09 | |
so they look and play like they did when they were new. | 0:19:09 | 0:19:12 | |
-What's over here? -That's a musical chair. -These are quite rare, aren't they? | 0:19:12 | 0:19:17 | |
They're very spindly, so not too many have survived. There's a small cylinder music box under the seat. | 0:19:17 | 0:19:23 | |
When you sit on it, it allows the governor to run. | 0:19:23 | 0:19:26 | |
I always think these are hilarious. Here we go. It's not going to work now. | 0:19:26 | 0:19:31 | |
-TUNE PLAYS -There we are. | 0:19:31 | 0:19:34 | |
I suppose they used to find this quite hilarious, didn't they? | 0:19:34 | 0:19:38 | |
It was a bit of a novelty and a bit of fun, | 0:19:38 | 0:19:41 | |
but I'm not sure I feel terribly comfortable on a chair | 0:19:41 | 0:19:44 | |
where music is being played underneath my bottom. | 0:19:44 | 0:19:48 | |
I think I'll get up. | 0:19:48 | 0:19:50 | |
They were truly into novelties. The Victorians put musical boxes into fruit bowls, steins and chairs. | 0:19:50 | 0:19:58 | |
You name it, you can find a musical version of any household item that they had at the time. | 0:19:58 | 0:20:05 | |
Eventually, the cylinders were replaced by discs | 0:20:05 | 0:20:09 | |
which enabled tunes to be changed quickly and easily. | 0:20:09 | 0:20:12 | |
TUNE PLAYS This is a typical instrument | 0:20:12 | 0:20:15 | |
that would have been in English pubs and cafes just prior to 1900. | 0:20:15 | 0:20:19 | |
So people would have thought these were quite cool things to have at the time. | 0:20:19 | 0:20:24 | |
Today, we have our jukebox, something where we put the money in and we get our selected music. | 0:20:24 | 0:20:29 | |
-That's what they were doing in the 1900s. -In 1900, this was cutting-edge technology. | 0:20:29 | 0:20:34 | |
And now these beautiful machines have become very desirable and valuable. | 0:20:34 | 0:20:40 | |
I'm looking over here at this beautiful automaton. Can I have a look at this? | 0:20:40 | 0:20:45 | |
So by automaton, we're meaning...? | 0:20:45 | 0:20:47 | |
A mechanical, moving figure or a picture, often with a musical movement as well. | 0:20:47 | 0:20:55 | |
Let's see what it does. I'm intrigued to see. | 0:20:55 | 0:20:59 | |
-TUNE PLAYS -Oh, look at that. Oh, look at that! | 0:20:59 | 0:21:02 | |
That is absolutely delightful. | 0:21:02 | 0:21:05 | |
We've got a little train going past. | 0:21:05 | 0:21:08 | |
We've got this little figure walking around the turret | 0:21:08 | 0:21:11 | |
and this rocking ship. | 0:21:11 | 0:21:14 | |
Even that just by itself... | 0:21:14 | 0:21:17 | |
It's so sophisticated. There's so much going on there, | 0:21:20 | 0:21:23 | |
to go up and down on this simulated sea, plus the clock movement. | 0:21:23 | 0:21:27 | |
That is very exciting, I think. | 0:21:27 | 0:21:29 | |
-Thank you very much, Lester. It's been a real privilege and a pleasure. -I'm glad you enjoyed it. | 0:21:30 | 0:21:36 | |
Thank you very much. Fantastic. | 0:21:36 | 0:21:38 | |
Oh, lucky Catherine. But now it's the end of the day - | 0:21:38 | 0:21:41 | |
time for our experts to get some well-earned shuteye. | 0:21:41 | 0:21:45 | |
Night-night. | 0:21:45 | 0:21:47 | |
CRACK OF THUNDER | 0:21:48 | 0:21:50 | |
Day two and...oh, dear! | 0:21:52 | 0:21:55 | |
With no roof, our experts have resorted to shower caps. | 0:21:55 | 0:21:58 | |
Charlie Ross, remind me what we're doing. | 0:21:58 | 0:22:01 | |
Because I feel that I have lost the plot slightly. | 0:22:01 | 0:22:05 | |
I must say, the Lord has blessed us with the most unbelievable weather on this trip. | 0:22:06 | 0:22:12 | |
But thankfully, our experts have both been blessed with a "glass half-full" take on life. | 0:22:12 | 0:22:18 | |
# Always look on the bright side of life | 0:22:18 | 0:22:22 | |
# Do-doo, do-doo, do-doo, do-doo | 0:22:22 | 0:22:25 | |
# Always look on the bright side of life... # | 0:22:26 | 0:22:29 | |
-I just got dripped on by that tree! -'Come on, Brian, cheer up!' | 0:22:29 | 0:22:33 | |
Our competitive pair are leaving Emsworth behind | 0:22:33 | 0:22:37 | |
and heading to Arundel in West Sussex. | 0:22:37 | 0:22:40 | |
So far, Catherine has spent £180 on four items - | 0:22:43 | 0:22:46 | |
three glass and silver perfume bottles and a set of six chimney bricks, | 0:22:46 | 0:22:51 | |
leaving her with a whopping - not - £14.96 to play with. | 0:22:51 | 0:22:56 | |
I'm going to go for it, Joe. | 0:22:56 | 0:22:58 | |
Charlie, meanwhile, has spent £130 on five items - | 0:22:58 | 0:23:02 | |
a bottle of beer, a fire helmet, a coronation stool, a vesta-cigar cutter and a mandolin harp. | 0:23:02 | 0:23:08 | |
That leaves him with £5.30 to splash about. Lovely! | 0:23:08 | 0:23:13 | |
I'm thrilled. | 0:23:13 | 0:23:15 | |
So with very little money left, an expensive antiques shop is probably out of the question. | 0:23:15 | 0:23:20 | |
-An aerodrome? -Car boot sale! -In here? -Yes, turn around. | 0:23:20 | 0:23:24 | |
CATHERINE SCREAMS | 0:23:24 | 0:23:26 | |
Ah, just the ticket! | 0:23:26 | 0:23:28 | |
Come hither. | 0:23:28 | 0:23:30 | |
This huge car boot sale is held on an airfield and is normally teeming with buyers and sellers, | 0:23:30 | 0:23:35 | |
but Catherine and Charlie have arrived a little late. | 0:23:35 | 0:23:39 | |
I rather like this. | 0:23:39 | 0:23:41 | |
I rather expect it's quite a lot of money. It's got a super wheel. | 0:23:41 | 0:23:46 | |
And it's just suitably distressed. | 0:23:46 | 0:23:49 | |
-A bit like me! -Get in and I'll wheel you around. -I'm not sure the gentleman will give us permission. | 0:23:49 | 0:23:55 | |
-You're lighter than I am. You should be in the barrow. -No, I'm not getting my jeans dirty. | 0:23:55 | 0:24:00 | |
-I'm not getting my trousers dirty. -In you get. -No! | 0:24:00 | 0:24:03 | |
How much would you pay for that barrow? | 0:24:03 | 0:24:05 | |
-About a fiver. -Yeah. | 0:24:05 | 0:24:08 | |
It's 50 quid. | 0:24:08 | 0:24:09 | |
No, I would probably pay, realistically, about 15. | 0:24:09 | 0:24:13 | |
Catherine is on her local patch here, but any insider knowledge doesn't help | 0:24:13 | 0:24:18 | |
when nearly everyone has gone home. Huh! | 0:24:18 | 0:24:21 | |
I fear I have missed the boat. | 0:24:21 | 0:24:24 | |
It seems to me that Miss Southon has finally fallen apart. | 0:24:24 | 0:24:28 | |
It's very like her. | 0:24:28 | 0:24:29 | |
It's normally completely full right down to the end here. | 0:24:29 | 0:24:33 | |
Hello! Got anything left? | 0:24:35 | 0:24:38 | |
Charlie has stumbled across a friendly Dutchman - Harry Oolders. | 0:24:38 | 0:24:41 | |
I love your hat. Is that for sale? | 0:24:41 | 0:24:44 | |
-Is that your wife in the car? -Yes. -Hello, my dear! | 0:24:44 | 0:24:47 | |
-How are you, Charlie? -How very... "Charlie" - you know my name! | 0:24:47 | 0:24:51 | |
-How very sensible to stay in the dry... -Yeah. -..while the old man does the business. | 0:24:51 | 0:24:56 | |
I will come straight to the point. | 0:24:56 | 0:24:59 | |
I've been shopping yesterday. I bought a few things. | 0:24:59 | 0:25:03 | |
I am left with £5 in my pocket. | 0:25:03 | 0:25:06 | |
-No more? -No more. I don't have any more. | 0:25:06 | 0:25:10 | |
Oh, look, that must be a Dutch oil painting. | 0:25:11 | 0:25:15 | |
-Wempe. -Wempe, yes. | 0:25:15 | 0:25:17 | |
Pieter Wempe - he's a very famous artist(!) Oh, yes, he is. | 0:25:17 | 0:25:22 | |
Charlie, what are you doing? That painting is total tat! | 0:25:22 | 0:25:25 | |
It's a lovely signature. | 0:25:25 | 0:25:28 | |
-Is that £5? -£5 for you. | 0:25:28 | 0:25:30 | |
I think for a fiver... | 0:25:30 | 0:25:33 | |
It's probably worth two quid, but you're such a lovely man, | 0:25:33 | 0:25:37 | |
I'm going to buy it because I want to buy it. Here we go. | 0:25:37 | 0:25:41 | |
Five of the best, sir. | 0:25:41 | 0:25:43 | |
Charlie's final item, but Catherine can't find anything she wants to buy, | 0:25:43 | 0:25:47 | |
apart from... Remember this? | 0:25:47 | 0:25:49 | |
-How much is your wheelbarrow? -I've got 50 on it. -Oh! -£50. | 0:25:49 | 0:25:54 | |
-But I can move a little bit. -Can you move a lot? | 0:25:54 | 0:25:58 | |
Something like that would look great in a garden filled with... | 0:25:58 | 0:26:02 | |
-Absolutely. -Filled with nice, blooming flowers, it would look wonderful in the summer. | 0:26:02 | 0:26:07 | |
I tell you what. £30, you can buy it. | 0:26:07 | 0:26:09 | |
I would buy it at that, but I promise you, I haven't got that left. | 0:26:09 | 0:26:13 | |
Can I buy it for £14.96? | 0:26:13 | 0:26:16 | |
I could have a lot of fun with that. | 0:26:16 | 0:26:18 | |
I'd love to sell it, make a lot of money and shove Charlie in it and wheel off to success. | 0:26:18 | 0:26:24 | |
-Go on, shake my hand. -Shall I do it? -I've never sold one as cheap. -Have you not? -Never. | 0:26:24 | 0:26:29 | |
-Do you think I should do it? -Shake my hand. -Yeah! | 0:26:29 | 0:26:32 | |
That's a first - a deal done on sheer exuberance! | 0:26:32 | 0:26:35 | |
You've got to hand it to her. | 0:26:35 | 0:26:37 | |
-This is literally it down to the last drop. -I believe you. | 0:26:37 | 0:26:41 | |
-Thank you very much indeed. -£10... | 0:26:41 | 0:26:44 | |
-14 pounds and 96 pence. -I will never forget it. | 0:26:44 | 0:26:47 | |
So that leaves our experts virtually spent up. | 0:26:47 | 0:26:50 | |
While Catherine squeezes the rain out of her socks, Charlie has somewhere rather lovely to go. | 0:26:50 | 0:26:56 | |
He's heading to the West Sussex village of West Hoathly to visit a very old and special house. | 0:26:57 | 0:27:02 | |
It's called The Priest House | 0:27:03 | 0:27:06 | |
and showing him around is the curator who lives in it now - Anthony Smith. | 0:27:06 | 0:27:11 | |
-Hello. -Hello. -Charlie Ross. -Anthony. A pleasure to meet you. -Lovely to meet you. | 0:27:11 | 0:27:17 | |
-Thank you for letting me in today. -Thank you for coming. | 0:27:17 | 0:27:20 | |
All I know is I'm at The Priest House, named after a priest? | 0:27:20 | 0:27:24 | |
It never was the house of a priest. Its name comes from its connection with Lewes Priory. | 0:27:24 | 0:27:29 | |
-This was built to administer the land. It's a church office. -When was it built? -About 1430. | 0:27:29 | 0:27:34 | |
This beautiful, ancient house nearly collapsed from centuries of neglect | 0:27:34 | 0:27:39 | |
until it was finally rescued in the early 20th century by a wealthy and very forward-looking man. | 0:27:39 | 0:27:45 | |
-Who was...? -John Godwin King who lived to the north-west of the village. | 0:27:45 | 0:27:50 | |
-Is this the man? -That's John Godwin King, yes. | 0:27:50 | 0:27:53 | |
He never put the rents up for anyone who lived in his properties. | 0:27:53 | 0:27:57 | |
-How unusual for a landlord! -Very, yes. | 0:27:57 | 0:27:59 | |
John Godwin King bought and restored the house, so that he could use it as a museum | 0:27:59 | 0:28:05 | |
for all the treasures he collected locally and while travelling. | 0:28:05 | 0:28:09 | |
One of these was his Australian wife who founded a local theatre group. | 0:28:09 | 0:28:14 | |
This is Charlotte King who ran the local players | 0:28:14 | 0:28:17 | |
and this is producing their Greek drama in 1913. | 0:28:17 | 0:28:20 | |
The idea was to get as many people from the village involved as possible. | 0:28:20 | 0:28:24 | |
Charlotte and John Godwin King were both ardent Liberals | 0:28:24 | 0:28:27 | |
and these views were reflected in the ethos of Charlotte's theatre company. | 0:28:27 | 0:28:32 | |
-This was performed by village folk? -Partly by villagers, but also they brought their friends from London. | 0:28:32 | 0:28:39 | |
But they might end up playing the part of the maid and servant | 0:28:39 | 0:28:42 | |
and the local shepherd or shopkeeper might play the lord or lady. | 0:28:42 | 0:28:46 | |
It was all very egalitarian and they still do it that way. | 0:28:46 | 0:28:50 | |
We know that some quite famous people came to see it. George Bernard Shaw was probably the most famous. | 0:28:50 | 0:28:55 | |
-Really? -I know a man who is now in his 80s who performed when he was a little boy | 0:28:55 | 0:29:00 | |
and at the end of the performance, he was sat on an old gentleman's knee. | 0:29:00 | 0:29:05 | |
-He said it was a gentleman with a big white beard. -George Bernard Shaw. | 0:29:05 | 0:29:09 | |
And this gentleman said, "Young man, you were quite awful." | 0:29:09 | 0:29:13 | |
This was George Bernard Shaw. | 0:29:13 | 0:29:15 | |
John and Charlotte's daughter Ursula was a Suffragette | 0:29:17 | 0:29:21 | |
and John himself was a member of the Men's League for Women's Suffrage. | 0:29:21 | 0:29:25 | |
Upstairs is an extraordinary memento of that struggle - | 0:29:25 | 0:29:29 | |
a large handkerchief embroidered with the signatures and initials of 68 Suffragettes. | 0:29:29 | 0:29:34 | |
Embroidered by women in Holloway Prison in March 1912. | 0:29:34 | 0:29:37 | |
And they went on hunger strike in there? | 0:29:37 | 0:29:40 | |
A third of the women on the handkerchief went on hunger strike and a third were forcibly fed. | 0:29:40 | 0:29:45 | |
It's a mystery how the handkerchief ended up in West Hoathly. | 0:29:45 | 0:29:48 | |
We don't know why it's in the village, but it turned up at a jumble sale in the 1960s. | 0:29:48 | 0:29:53 | |
It was going to be burned with all the remnants at the end of the day. | 0:29:53 | 0:29:57 | |
It was taken off the bonfire pile by the custodian of the museum here at the time and she cleaned it up. | 0:29:57 | 0:30:03 | |
-There can't be many artefacts more important, relating to that movement. -No, no. | 0:30:03 | 0:30:09 | |
John Godwin King was ahead of his time, | 0:30:09 | 0:30:11 | |
recognising the value of restoration and preserving pieces of history | 0:30:11 | 0:30:16 | |
long before it was fashionable to do so, and thank goodness he did, | 0:30:16 | 0:30:20 | |
but now, Charlie, you have to leave that beautiful cottage garden behind you, | 0:30:20 | 0:30:25 | |
for it's time for our experts to reveal all to each other. | 0:30:25 | 0:30:29 | |
Where better than across the road in beautiful West Hoathly Parish Church where I used to worship? | 0:30:29 | 0:30:34 | |
-Are you ready? -Yeah. | 0:30:34 | 0:30:37 | |
Oh, oh! | 0:30:37 | 0:30:39 | |
What do you think about these? You know where I bought them. | 0:30:39 | 0:30:43 | |
I know exactly where you bought them and they're fantastic and I wanted to buy them. | 0:30:43 | 0:30:48 | |
No, I wanted to buy one of them as I don't have your amount of money. | 0:30:48 | 0:30:52 | |
I was asked £45 for one of them, | 0:30:52 | 0:30:54 | |
so one, two, three, four, five, six...24... | 0:30:54 | 0:30:57 | |
Yes, it's £270. | 0:30:57 | 0:31:00 | |
-Well, I got them for 130. -I don't believe you. | 0:31:00 | 0:31:04 | |
I would have only bought one. In itself, it would have been quirky. | 0:31:04 | 0:31:08 | |
-What would you do with one? -Make a sixth of the loss I would with six. | 0:31:08 | 0:31:12 | |
-Are these one lot? -They are, yes. | 0:31:13 | 0:31:16 | |
Right, I'll tell you what those are worth. | 0:31:16 | 0:31:19 | |
MUTTERS TO HIMSELF | 0:31:19 | 0:31:21 | |
-About £100 to £120. -No, they're not worth that. | 0:31:21 | 0:31:25 | |
-With that embossed top? Come on. -Come on. | 0:31:25 | 0:31:29 | |
-I paid £50 for those. -For the three? -Yes. | 0:31:29 | 0:31:32 | |
I know, it just doesn't seem fair, does it, Charlie? | 0:31:32 | 0:31:36 | |
Now where is she off to? | 0:31:36 | 0:31:38 | |
You haven't bought... You didn't have enough money to buy that. | 0:31:38 | 0:31:42 | |
I saw that at the boot fair. I said, "How much is it?" | 0:31:42 | 0:31:45 | |
The gentleman said, "It's 60 quid, but you can have it for 50." | 0:31:45 | 0:31:49 | |
Now, you told me you only had £14. | 0:31:49 | 0:31:53 | |
And 96 pence, actually. | 0:31:53 | 0:31:55 | |
And I actually paid him £14.96. | 0:31:55 | 0:31:59 | |
-He was quite happy to sell it to me. -I'm sure he was over the moon. | 0:31:59 | 0:32:03 | |
-Oh, dear, here we go. -You're in the money. Profit, profit, gamble. | 0:32:03 | 0:32:08 | |
Do you remember the last auction? | 0:32:08 | 0:32:10 | |
-Yes. -What did I buy for 5p? | 0:32:10 | 0:32:13 | |
-Beer. You haven't bought more, Charlie? -Well, it made 12 quid. | 0:32:13 | 0:32:17 | |
-Ta-da! -That's a very boring stool. | 0:32:19 | 0:32:22 | |
Don't gloat too soon, Catherine. | 0:32:22 | 0:32:24 | |
-It's a coronation stool from Westminster Abbey. -Is it? | 0:32:24 | 0:32:27 | |
Anybody that was at the coronation had the right to buy their chair or their stool. | 0:32:27 | 0:32:33 | |
That was owned by a chorister. | 0:32:33 | 0:32:35 | |
-You burst out laughing because if it wasn't a coronation stool, it is a fiver on a good day. -Yeah. | 0:32:35 | 0:32:41 | |
But they were asking £85 for it and I bought it for 35 quid. | 0:32:41 | 0:32:45 | |
Sticking on the coronation theme, we go to 1911. | 0:32:45 | 0:32:48 | |
A zither? Is it a zither? | 0:32:48 | 0:32:50 | |
It's actually called a mandolin harp. | 0:32:50 | 0:32:53 | |
-Yes. -But it was the transfer of George V and the decoration | 0:32:53 | 0:32:59 | |
that did it for me and obviously not for you and that's absolutely fine. This is going particularly well(!) | 0:32:59 | 0:33:05 | |
-This was about £10, £15? -I paid £35 for that. | 0:33:05 | 0:33:09 | |
I asked a nice Dutchman, "What will you sell me for £5?" He said, "That painting." That, I bought for £2 | 0:33:09 | 0:33:15 | |
simply because the last one made £12, but my favourite item is that. | 0:33:15 | 0:33:19 | |
I thought that was a little knob on there. | 0:33:19 | 0:33:22 | |
-I didn't notice that. -It's a mandolin knob(!) -What is that? | 0:33:22 | 0:33:26 | |
That is a Veuve Clicquot champagne bottle, | 0:33:26 | 0:33:29 | |
vesta, striker | 0:33:29 | 0:33:31 | |
-and...cigar cutter. -That's fantastic. -All in one. | 0:33:31 | 0:33:34 | |
At last, she likes something. Hallelujah! | 0:33:34 | 0:33:38 | |
-48 for it. -I think that's good. -So I've got one out of five! | 0:33:38 | 0:33:42 | |
-Oh, no, hang on! -You've got more? | 0:33:42 | 0:33:45 | |
I'm afraid I broke the rules. You took the mickey out of my fez. | 0:33:45 | 0:33:50 | |
I bought it for a tenner. 135, the lot. | 0:33:50 | 0:33:52 | |
Some mixed reactions there. Now, what do they really think? | 0:33:52 | 0:33:57 | |
Wheelbarrow, quoted to Rossco, £60. Catherine buys it for £14 and a few pence. | 0:33:57 | 0:34:03 | |
She's bought three wonderful silver-top jars, | 0:34:03 | 0:34:06 | |
one by William Comyns, a great maker, which I think is worth 100 quid on its own, | 0:34:06 | 0:34:11 | |
then she looks at my items and bursts out laughing. | 0:34:11 | 0:34:14 | |
The beer, the picture, the helmet - it's just Charlie really, isn't it? | 0:34:14 | 0:34:19 | |
Silly Charlie. | 0:34:19 | 0:34:21 | |
But I think there is a tad of seriousness coming in there | 0:34:21 | 0:34:25 | |
and there's a couple of things there that I'm a little bit jealous of. | 0:34:25 | 0:34:29 | |
The stool, I think is actually rather good. | 0:34:29 | 0:34:32 | |
But between you and me, I do hope that the bricks sink. | 0:34:32 | 0:34:37 | |
Ooh! Well, let the battle commence, eh? | 0:34:37 | 0:34:40 | |
Catherine and Charlie's third leg began in Birdham, West Sussex, | 0:34:40 | 0:34:44 | |
had a little detour into Hampshire, then continued eastwards. | 0:34:44 | 0:34:48 | |
It will conclude at an auction in Lewes, East Sussex. | 0:34:48 | 0:34:51 | |
This is where it's at. | 0:34:53 | 0:34:55 | |
How was that, Miss Southon? Perfectly driven as always. | 0:34:55 | 0:34:59 | |
-Allow me. -What a gent! Gorringes made its name by selling the collections of large country houses | 0:35:02 | 0:35:08 | |
and now has a reputation for auctioning fine antiques and collectables. | 0:35:08 | 0:35:13 | |
So does auctioneer Philip Taylor think our experts' choices make the grade? Philip? | 0:35:13 | 0:35:18 | |
Charlie and Catherine have brought some interesting things for us to look at, | 0:35:18 | 0:35:23 | |
but unfortunately, maybe they didn't realise the day we're offering it is a silver sale. | 0:35:23 | 0:35:28 | |
I'm not sure we're going to have too many buyers for their wheelbarrow on a silver sale | 0:35:28 | 0:35:33 | |
or for the chimney bricks. We'll see. Hopefully, we'll do OK. | 0:35:33 | 0:35:37 | |
The best item is the silver-mounted, cut-glass scent bottle by William Comyns, always a strong seller. | 0:35:37 | 0:35:43 | |
The most undesirable thing, I think, is the completely undrinkable bottle of beer. | 0:35:43 | 0:35:48 | |
Oh, dear, a silver sale. Perhaps a crafty call to the auction house in advance might have been a wise idea. | 0:35:48 | 0:35:55 | |
They'll know for next time, though! | 0:35:55 | 0:35:58 | |
Charlie started this leg with £135.30 | 0:35:58 | 0:36:02 | |
and spent exactly 135 on six auction lots, | 0:36:02 | 0:36:05 | |
not one of which is silver. | 0:36:05 | 0:36:08 | |
Oh, it'll be cash. | 0:36:08 | 0:36:10 | |
Catherine began with £194.96 and spent every penny she had. | 0:36:10 | 0:36:15 | |
She has split the perfume bottles into two separate lots, | 0:36:15 | 0:36:19 | |
so has four auction lots in total. | 0:36:19 | 0:36:21 | |
-14 pounds and 96 pence! -I will never forget it. | 0:36:21 | 0:36:24 | |
This could be disastrous. | 0:36:24 | 0:36:27 | |
Oh, Charlie, I'm actually panicking! | 0:36:27 | 0:36:30 | |
Good luck. You'll need it. | 0:36:30 | 0:36:33 | |
First up is Charlie's coronation stool. | 0:36:33 | 0:36:36 | |
£30 again to start it? £20 for the coronation stool? 20 I'm bid. | 0:36:36 | 0:36:41 | |
25. 25. 30 bid. 35. | 0:36:41 | 0:36:43 | |
£35 only. 40 bid now. At £40. | 0:36:43 | 0:36:46 | |
I need to sell it at 40. Are you all done? Then at £40 it goes... | 0:36:46 | 0:36:50 | |
That's a loss after the auction house takes its well-earned commission. | 0:36:51 | 0:36:56 | |
Ah, here we are. This is my lot, everybody. | 0:36:56 | 0:36:59 | |
Yes, it's Catherine's big gamble next - her chimney bricks. | 0:36:59 | 0:37:03 | |
-Bomb and that's it. -Bomb or not to bomb? That is the question. | 0:37:03 | 0:37:08 | |
Rocket and Rossco is history. | 0:37:08 | 0:37:10 | |
£20 to get them started? £10, surely? | 0:37:10 | 0:37:13 | |
-£10?! -The chimney bricks at £10? | 0:37:13 | 0:37:16 | |
-Oh, no! -I'll give you 10. | 0:37:16 | 0:37:18 | |
-What a man! -£10 bid. At 10. £10 only. 15 now. | 0:37:18 | 0:37:22 | |
-Come along now. At 15. -I don't believe it. -20 in front. | 0:37:22 | 0:37:25 | |
At 25 now. They're unusual, aren't they, at 25, you must say? | 0:37:25 | 0:37:28 | |
Are you all done? At £25 they sell then. | 0:37:28 | 0:37:31 | |
Oh, dear, she's dropped a brick there. Six, actually. Poor girl. | 0:37:31 | 0:37:36 | |
-Are you all right? -No, I'm absolutely heartbroken. | 0:37:36 | 0:37:39 | |
Will Charlie's helmet set the house on fire? | 0:37:39 | 0:37:42 | |
£10 bid me on it? Any bids at 10? 5, will someone say? | 0:37:42 | 0:37:45 | |
Any bids at £5? Thank you, 5 I'm bid. Brave lady at £5. | 0:37:45 | 0:37:48 | |
Thank goodness for the brave lady! | 0:37:48 | 0:37:51 | |
10 I'm bid now at the back. 15, madam? Make it 12 if you wish? | 0:37:51 | 0:37:54 | |
12 I'm bid. Thank you. At £12 only. | 0:37:54 | 0:37:57 | |
-£12 only... -Yes. | 0:37:57 | 0:37:59 | |
It looks like a profit, but sadly, that's a loss after costs. | 0:37:59 | 0:38:04 | |
-You got a profit on that? -No, not after commission. | 0:38:04 | 0:38:07 | |
Next up, Catherine's two perfume bottles. | 0:38:07 | 0:38:10 | |
£30 to get them started? 25 then? 25 I'm bid. The two together now. | 0:38:10 | 0:38:14 | |
-25 only. -I need a bit more than 25, Charlie. | 0:38:14 | 0:38:17 | |
-£30 bid. £30. 35. -Ssh! -35. At 40. | 0:38:17 | 0:38:21 | |
Come on. Come on. They're really good. | 0:38:21 | 0:38:23 | |
-45. 50. -Come on. -At 50. | 0:38:23 | 0:38:26 | |
-At £50 bid. -Come on. -At £50. 55. At 55. 60. | 0:38:26 | 0:38:30 | |
-The two together now at £60. -Please keep going. Please keep going. | 0:38:30 | 0:38:34 | |
-65. At 65. Still yours at 65. -Come on, keep going. | 0:38:34 | 0:38:38 | |
-Keep going. -Last time then, lady's bid in front. At £65 they go... | 0:38:38 | 0:38:42 | |
Look at that! An excellent profit for Catherine. She's edging back. | 0:38:42 | 0:38:46 | |
-To hell with the bricks! Forget the bricks. -No, Charlie, I can't ever forget the bricks. | 0:38:46 | 0:38:51 | |
We'll all have to move on now. It's Charlie's oil painting next. | 0:38:51 | 0:38:56 | |
Anyone seen it? 20? Start me at £20? £10 to get me started, someone? | 0:38:56 | 0:39:00 | |
-Something would be good. -Yes, something would do. £5. | 0:39:00 | 0:39:04 | |
-The gentleman's seen it. £5 only. -Congratulations, sir. | 0:39:04 | 0:39:07 | |
You don't need to see it at this price. At £5. | 0:39:07 | 0:39:10 | |
I'll have to sell it at 5. It goes at £5 only... | 0:39:10 | 0:39:13 | |
And that's broken even. Charlie is struggling to make profits today. | 0:39:14 | 0:39:19 | |
-We're not having a good day. -You're having an absolute stormer! | 0:39:19 | 0:39:23 | |
-Charlie... -You made 40 quid on your bottles. | 0:39:23 | 0:39:26 | |
-£130 bought... -Forget that. -£25 sold. -Just forget that and move on. | 0:39:26 | 0:39:30 | |
That's not a good day in my book. | 0:39:30 | 0:39:32 | |
What you both need is a bit of music to your ears. Will the harp sing? | 0:39:32 | 0:39:37 | |
What will we say? £20 for the zither? | 0:39:37 | 0:39:39 | |
£10 for the zither to get it started? 10 I'm bid. | 0:39:39 | 0:39:42 | |
-Result, frankly! -15 bid. 20 now. 25. £25 for the zither. | 0:39:42 | 0:39:46 | |
-30. -This is a world record for a zither. | 0:39:46 | 0:39:49 | |
In the corner now at 30. You're going to get it, I think, at 30. | 0:39:49 | 0:39:53 | |
-Finished at £30... -You're a wonderful man. | 0:39:53 | 0:39:57 | |
It's another loss. Oh, dear. | 0:39:57 | 0:40:00 | |
Chuffed? | 0:40:00 | 0:40:02 | |
Over the moon(!) | 0:40:02 | 0:40:04 | |
Next, Catherine's rustic wheelbarrow. | 0:40:04 | 0:40:07 | |
£20 I'm bid. At 20 here. Only at £20. 25, I should think so too. At 25. | 0:40:07 | 0:40:12 | |
£30 now, sir. At 30. 35, will you? | 0:40:12 | 0:40:16 | |
At 35, I have. It's on the back wall now at £35. | 0:40:16 | 0:40:19 | |
-Oh! -At £40. At 40. -On the internet. | 0:40:19 | 0:40:22 | |
-At £40 on the desk. -Oh! -£45. | 0:40:22 | 0:40:24 | |
At 45. 50, I have. | 0:40:24 | 0:40:27 | |
-Beside me now at 50. -Thank you. -Sells at £50 on the desk... | 0:40:27 | 0:40:31 | |
Thank you, everybody. | 0:40:31 | 0:40:33 | |
Excellent profit on the wheelbarrow, considering it's a silver sale! | 0:40:33 | 0:40:37 | |
You've got to laugh or you cry. | 0:40:37 | 0:40:40 | |
Next, Charlie's only silver of the auction. Silver Jubilee, that is. | 0:40:40 | 0:40:45 | |
Any bids at £5? Get me started, surely? £2 if you wish? | 0:40:45 | 0:40:48 | |
-£2 on my right. The bid is at £2. -Somebody's bid £2. | 0:40:48 | 0:40:52 | |
-Somebody's bid on the internet. Marvellous. -At £2 only... | 0:40:52 | 0:40:56 | |
Oh, that bottle sank! | 0:40:56 | 0:40:59 | |
I've got to pay a commission on that, Miss Southon. | 0:40:59 | 0:41:02 | |
I've got to pay about 35p commission. | 0:41:02 | 0:41:04 | |
Hopefully, Charlie's champagne plated vesta picks up his profits. | 0:41:04 | 0:41:09 | |
£20 to get it started? £10 if you wish? Thank you, 10 I'm bid. | 0:41:09 | 0:41:13 | |
-15 bid now. Thank you, sir. At £20. -I'm surprised, actually. | 0:41:13 | 0:41:17 | |
-Very cheap, isn't it? -I'm very surprised. That's not on. | 0:41:17 | 0:41:20 | |
25, thank you, sir. At £25. I haven't seen one of these before. | 0:41:20 | 0:41:24 | |
£30, I have. Thank you, sir. At £30. | 0:41:24 | 0:41:26 | |
-35. -It deserves to do well, this, Charlie. -The bid now is at 35. | 0:41:26 | 0:41:30 | |
-Not quite what I expected. -I'm letting it go then at £35... | 0:41:30 | 0:41:35 | |
That really surprises me. | 0:41:35 | 0:41:37 | |
Champagne Charlie loved it, but sadly, no-one else seemed to. | 0:41:37 | 0:41:42 | |
I would have bought that, definitely. | 0:41:42 | 0:41:45 | |
Now it's the last lot of the day - Catherine's embossed perfume bottle. | 0:41:45 | 0:41:50 | |
She sure needs it to make a profit. | 0:41:50 | 0:41:52 | |
Straight in at £50 to start it. | 0:41:52 | 0:41:55 | |
55. 60 now. 65. | 0:41:55 | 0:41:57 | |
£65 bid. At 65... 70 bid. | 0:41:57 | 0:42:00 | |
Are we all done? Any further bidders then? At £70. It sells at 70... | 0:42:00 | 0:42:05 | |
Well done, Catherine. | 0:42:05 | 0:42:07 | |
A great profit for Catherine, | 0:42:07 | 0:42:09 | |
but has it made a dent in her bruising loss on the bricks? | 0:42:09 | 0:42:14 | |
Let's splash out. I'll buy you a glass of water. | 0:42:14 | 0:42:17 | |
Enjoy your bricks, sir. | 0:42:17 | 0:42:19 | |
What a roller-coaster this auction has been! | 0:42:19 | 0:42:22 | |
Charlie started this leg with £135.30 | 0:42:22 | 0:42:26 | |
and has made a loss of £33.32 after auction costs. | 0:42:26 | 0:42:31 | |
That leaves him with a rather meagre total of £101.98 to carry forward. | 0:42:31 | 0:42:36 | |
Don't look so sad! | 0:42:36 | 0:42:38 | |
Catherine had a disaster with her bricks, | 0:42:38 | 0:42:41 | |
but her other profits meant she is still today's winner. | 0:42:41 | 0:42:45 | |
She began this leg with £194.96 | 0:42:45 | 0:42:48 | |
and made a loss of £22.76, | 0:42:48 | 0:42:51 | |
bringing her total to £172.20 to spend next time. | 0:42:51 | 0:42:56 | |
Right, Miss Southon, allow me, oh, most prestigious brick-buyer. | 0:42:59 | 0:43:03 | |
You're not allowed to mention that word! | 0:43:03 | 0:43:06 | |
-Although I just bumped into the buyer who bought the bricks. -Yeah. -£25? -He did. | 0:43:06 | 0:43:13 | |
He's just sold them for 50. | 0:43:13 | 0:43:16 | |
CHARLIE LAUGHS | 0:43:16 | 0:43:18 | |
-Thank you, Lord! -I cannot believe it. -Onwards and upwards. -Off we go! | 0:43:18 | 0:43:23 | |
Next time on the Antiques Road Trip, Charlie is none too pleased. | 0:43:23 | 0:43:29 | |
My budget is s-s-severely limited. | 0:43:29 | 0:43:32 | |
And Catherine ups the ante. | 0:43:32 | 0:43:35 | |
-I think you need to go down the back. -Why? -Because it's the cheaper area. | 0:43:35 | 0:43:39 | |
Subtitles by Red Bee Media Ltd | 0:43:58 | 0:44:01 |