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'It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:06 | |
'a classic car and a goal to scour Britain for antiques.' | 0:00:06 | 0:00:10 | |
-Going, going, gone! -How do I look? | 0:00:10 | 0:00:14 | |
'The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:19 | |
'There'll be worthy winners and valiant losers.' | 0:00:19 | 0:00:22 | |
I'm going to become a bin man. | 0:00:22 | 0:00:24 | |
'Will it be the high road to glory or the slow road to disaster?' | 0:00:24 | 0:00:28 | |
I like it when you're chasing me. | 0:00:28 | 0:00:30 | |
'This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
'Yeah! | 0:00:34 | 0:00:36 | |
'As they hit the road to our nation's capital, | 0:00:39 | 0:00:42 | |
'there's an air of optimism about our duo, Mark Stacey and Will Axon.' | 0:00:42 | 0:00:46 | |
I'm going to buy gold, silver, jewels, diamonds - yeah! | 0:00:46 | 0:00:53 | |
'Gregarious Mark has over 20 years' antiques experience under his belt | 0:00:55 | 0:00:59 | |
'and he's not afraid to expand it!' | 0:00:59 | 0:01:01 | |
Oh, lovely! Oh, I'll come back here again! | 0:01:01 | 0:01:05 | |
'While jolly Will, not known for his prudence, has a clear strategy.' | 0:01:06 | 0:01:10 | |
"Spend it, Will." | 0:01:10 | 0:01:12 | |
'Having started the week on £200, | 0:01:13 | 0:01:16 | |
'an early setback for Mark has still left him under par. | 0:01:16 | 0:01:19 | |
'Despite modest gains in recent auctions, he has £195.10p | 0:01:19 | 0:01:23 | |
'to start this penultimate leg. | 0:01:23 | 0:01:26 | |
'Whereas Will's incredible performance at the last auction | 0:01:27 | 0:01:30 | |
'has sent him into the lead in the road trip. | 0:01:30 | 0:01:33 | |
'He has a bonanza budget of £325.86p. | 0:01:33 | 0:01:36 | |
'In a flash of white lightening, our chaps cut through the London commute | 0:01:36 | 0:01:41 | |
'in a classic 1963 Triumph TR4, | 0:01:41 | 0:01:44 | |
'hoping there will be no more bumps in the road ahead.' | 0:01:44 | 0:01:47 | |
CLANKING | 0:01:47 | 0:01:49 | |
-'Oh, dear!' -Was that you or the car? | 0:01:49 | 0:01:51 | |
It might have been me. Sorry about that! | 0:01:51 | 0:01:54 | |
What did you have for breakfast? | 0:01:54 | 0:01:56 | |
'Charming(!) | 0:01:56 | 0:01:58 | |
'This Road Trip is whisking us through no less than four counties. | 0:01:59 | 0:02:03 | |
'The boys started in Hastings, East Sussex, | 0:02:03 | 0:02:06 | |
'and will visit Kent, Surrey and Essex | 0:02:06 | 0:02:09 | |
'before finishing at an auction finale | 0:02:09 | 0:02:11 | |
'in the leafy London suburb of Ruislip. | 0:02:11 | 0:02:13 | |
'Today, we're kicking off in Crystal Palace in London, | 0:02:13 | 0:02:17 | |
'then heading for Essex and an auction showdown in Southend-on-Sea. | 0:02:17 | 0:02:21 | |
'The area of Crystal Palace | 0:02:21 | 0:02:23 | |
'was named after a magnificent glass building of the same name. | 0:02:23 | 0:02:28 | |
'Originally built in 1851 to house the Great Exhibition in Hyde Park, | 0:02:28 | 0:02:31 | |
'it was rebuilt in south London, | 0:02:31 | 0:02:34 | |
'where it stood until its destruction by fire in 1936. | 0:02:34 | 0:02:38 | |
'The area is now recognised by the sixth tallest structure in London, | 0:02:38 | 0:02:43 | |
'the Crystal Palace transmitter.' | 0:02:43 | 0:02:45 | |
-This looks like it, Will. -Antique Warehouse, I like the sound of that. | 0:02:45 | 0:02:51 | |
-Are we shopping in here together? -I think we are, Mark. | 0:02:51 | 0:02:54 | |
-Is this place big enough for the both of us? -I'm sure it is. | 0:02:54 | 0:02:58 | |
'The boys are starting out at Crystal Palace Antique & Modern. | 0:03:00 | 0:03:04 | |
'With four floors of treasure, it's south London's largest antiques emporium. | 0:03:04 | 0:03:10 | |
'So, Will's starting at the top, to find out what treasures await.' | 0:03:10 | 0:03:14 | |
Very nice. | 0:03:20 | 0:03:22 | |
Little cheese board there. | 0:03:24 | 0:03:27 | |
If I tell you it's got a carved mouse on it, | 0:03:27 | 0:03:29 | |
you'll know who's made it, and Tim's going to tell you all about it. | 0:03:29 | 0:03:33 | |
'If you insist! | 0:03:33 | 0:03:35 | |
'The carved mouse is a trademark of Robert Thompson, the Mouseman. | 0:03:35 | 0:03:39 | |
'Famous for his oak furnishings, | 0:03:39 | 0:03:42 | |
'Thompson featured the creature on almost every piece he made. | 0:03:42 | 0:03:45 | |
'This cheese board is an early example of his work. Will has offered £100.' | 0:03:45 | 0:03:49 | |
Bear with me. | 0:03:49 | 0:03:52 | |
'Dealer Nick is making a phone call to the owner. | 0:03:52 | 0:03:55 | |
'And it looks like it's good news.' | 0:03:56 | 0:03:59 | |
-Are you going to stick a sold sticker on it for me? -I am, indeed. | 0:03:59 | 0:04:03 | |
While you get the cabinet open... | 0:04:03 | 0:04:05 | |
-I've bought it without handling it! -I was quite impressed. -Well... | 0:04:05 | 0:04:09 | |
'He may be buying blind, but deep down, our expert knows the worth of this cracking little piece.' | 0:04:09 | 0:04:15 | |
I'm pleased with that. 100 quid! It's worth a punt. Lovely. | 0:04:15 | 0:04:19 | |
Stick a sold sticker on. Leave it in the cabinet to antagonise Mark! | 0:04:19 | 0:04:24 | |
'While the new kid on the block is buying big, | 0:04:28 | 0:04:30 | |
'our veteran seems to be struggling to find anything to acquire.' | 0:04:30 | 0:04:35 | |
SIGHS: Oh, dear! | 0:04:35 | 0:04:37 | |
'Flush with success, | 0:04:37 | 0:04:39 | |
'Will's already on the scent of his next purchase.' | 0:04:39 | 0:04:43 | |
That's sweet, isn't it? | 0:04:43 | 0:04:45 | |
I mean, it's of no great consequence. | 0:04:45 | 0:04:48 | |
It's a little country house, little pen sketch. | 0:04:48 | 0:04:52 | |
What I love is this frame, this birdseye maple. | 0:04:52 | 0:04:57 | |
You've got this lovely figuring. | 0:04:57 | 0:05:01 | |
I don't know, it just appeals. | 0:05:01 | 0:05:04 | |
Looks like it's been in that frame for ever. | 0:05:04 | 0:05:07 | |
It's only 23 quid! | 0:05:07 | 0:05:09 | |
I could bear that in mind, but I'll hang it up there. | 0:05:09 | 0:05:13 | |
'While Will's in the mood to part with his cash, | 0:05:14 | 0:05:18 | |
'Mark's run into a problem.' | 0:05:18 | 0:05:20 | |
The things that are attracting my attention are sold. | 0:05:20 | 0:05:23 | |
This is really nice. | 0:05:23 | 0:05:25 | |
Even small pieces like this breadboard sell for £150, £200. | 0:05:25 | 0:05:31 | |
But, it says sold. | 0:05:31 | 0:05:33 | |
'Lordy! Wait until he finds out who bought it. Ha!' | 0:05:34 | 0:05:38 | |
This caught my eye. | 0:05:38 | 0:05:40 | |
Obviously, Art Deco. You can tell just by looking at it. | 0:05:41 | 0:05:44 | |
This clock garniture | 0:05:44 | 0:05:47 | |
with this stylish looking woman perched atop this tree stump. | 0:05:47 | 0:05:54 | |
It's got a ticket here. It's had a price on it and it's been reduced. | 0:05:54 | 0:05:59 | |
I was almost tempted to make a cheeky offer of about £100. | 0:05:59 | 0:06:03 | |
I don't know how Nick would feel. | 0:06:03 | 0:06:05 | |
I suspect he'd have to make a phone call. | 0:06:05 | 0:06:08 | |
'Why don't you ask him? He's right behind you.' | 0:06:08 | 0:06:11 | |
-She caught my eye. -A-ha! Yeah. | 0:06:11 | 0:06:14 | |
-This triple clock garniture. -Yes. -I've had a look at the price. | 0:06:14 | 0:06:19 | |
Would you be able to make a phone call for me | 0:06:19 | 0:06:22 | |
-and see if they might be able to come down near £100 for her? -£100? | 0:06:22 | 0:06:26 | |
'Crikey! You like to spend in hundreds, don't you?' | 0:06:26 | 0:06:30 | |
Very best? 120. | 0:06:30 | 0:06:32 | |
'Will's taken over the negotiations, to see if that really is owner Ian's very, very best.' | 0:06:32 | 0:06:38 | |
Could we meet in the middle and say 110? | 0:06:38 | 0:06:40 | |
It's gone and you've got a space on your mantelpiece to fill with more treasure. | 0:06:43 | 0:06:49 | |
110? | 0:06:49 | 0:06:50 | |
Yeah. That's really kind of you, mate. Thanks very much. Cheers. | 0:06:51 | 0:06:55 | |
'Hey, big spender! That's nearly two-thirds of your budget on your first two items.' | 0:06:56 | 0:07:01 | |
Before we get to the office, Nick, this caught my eye. | 0:07:01 | 0:07:05 | |
-Ah. -Sweet, isn't it? -It is. Yes. Let me have a quick look at it. | 0:07:05 | 0:07:10 | |
I'd be inclined to say it could be £20. As a starting thing. | 0:07:12 | 0:07:16 | |
-To round it off. -Yeah? | 0:07:16 | 0:07:18 | |
Well, I think 15. You say 20. | 0:07:18 | 0:07:21 | |
-Let's meet at 18. -I think we can do that. -Let's do it. | 0:07:21 | 0:07:25 | |
-So I've got to settle up for everything now. -Yes, indeed. | 0:07:25 | 0:07:28 | |
In the office? Perfect. | 0:07:28 | 0:07:31 | |
'While Will pays up, it looks like Mark's mood is as grey as the weather. | 0:07:31 | 0:07:36 | |
'Maybe he'll cheer up on his next visit. | 0:07:36 | 0:07:39 | |
'His antique search may have gone to the dogs, | 0:07:39 | 0:07:41 | |
'but he's making his way north into central London, to Piccadilly, | 0:07:41 | 0:07:46 | |
'to the oldest recognised Kennel Club in the world.' | 0:07:46 | 0:07:50 | |
-Hello. -Hello. -I'm Mark. -Hello, I'm Louisa. | 0:07:50 | 0:07:54 | |
-And who's this charming fellow? -This is Louie. | 0:07:54 | 0:07:58 | |
-He's going to show you round the Kennel Club today. -Hello! | 0:07:58 | 0:08:01 | |
-He's shivering. Shall we go in? -Yes. | 0:08:01 | 0:08:04 | |
Oh, isn't he sweet? | 0:08:04 | 0:08:07 | |
'Oh. That's embarrassing. | 0:08:07 | 0:08:10 | |
'From prize-winning pooches to lovable scruffy mongrels, | 0:08:10 | 0:08:14 | |
'Britain's always had a love affair with its four-legged friends. | 0:08:14 | 0:08:18 | |
'With an estimated 28,000 dogs competing each year at Crufts, | 0:08:18 | 0:08:23 | |
'it's not hard to see why a national body had to be set up | 0:08:23 | 0:08:27 | |
'to legislate in canine matters. | 0:08:27 | 0:08:30 | |
'The Kennel Club has its roots in dog shows | 0:08:30 | 0:08:32 | |
'that became popular in the 19th century. | 0:08:32 | 0:08:34 | |
'While initially dogs were only recognised by their kennel names, | 0:08:34 | 0:08:38 | |
'since its formation in 1873, | 0:08:38 | 0:08:41 | |
'the club has identified 211 distinct breeds of dogs. | 0:08:41 | 0:08:45 | |
'Louisa is showing Mark the Club's art gallery, | 0:08:45 | 0:08:48 | |
'which displays Victorian and Edwardian canine art - | 0:08:48 | 0:08:51 | |
'including hundreds of oil paintings, engravings and prints.' | 0:08:51 | 0:08:56 | |
This room has a Victorian feel to me, the pictures and the panelling. | 0:08:56 | 0:09:00 | |
It is very Victorian, and Victorians loved their dogs. | 0:09:00 | 0:09:04 | |
Queen Victoria was a huge dog fan and owned a large number of dogs. | 0:09:04 | 0:09:08 | |
She had at least 28 breeds of dog. | 0:09:08 | 0:09:10 | |
I never knew Queen Victoria loved her dogs so much. | 0:09:10 | 0:09:13 | |
She didn't just have them in kennels. She had lots of pets. | 0:09:13 | 0:09:18 | |
That's quite early. Victoria came to the throne in 1837. | 0:09:18 | 0:09:21 | |
She owned dogs before she was Queen. | 0:09:21 | 0:09:23 | |
When she was Princess she did have a large number of dogs. | 0:09:23 | 0:09:27 | |
-And this book lists her various breeds? -Yes. It does. | 0:09:27 | 0:09:31 | |
This would have been given as a gift, anybody that visited Windsor. | 0:09:31 | 0:09:35 | |
There's some exotic ones in here. | 0:09:35 | 0:09:37 | |
A lot would have been given to her by various people, | 0:09:37 | 0:09:41 | |
other royalty from overseas, things like that. | 0:09:41 | 0:09:45 | |
-Bedouin dogs. -Gosh! That sounds rather exotic. | 0:09:45 | 0:09:49 | |
We also have a Hungarian sheep-dog. We're not sure which breed that is. | 0:09:49 | 0:09:55 | |
That's January 1943, so again, that's very early. | 0:09:55 | 0:10:00 | |
-Did she get involved with the Kennel Club when it was founded? -She did. Yes. | 0:10:00 | 0:10:05 | |
She did show her dogs at Crufts. | 0:10:05 | 0:10:08 | |
She was involved in the dog-showing world. | 0:10:08 | 0:10:10 | |
This medal here was given to Queen Victoria from the Pomeranian Club, | 0:10:10 | 0:10:15 | |
awarded at the Kennel Club in 1891 for her Pomeranian, Windsor Marco. | 0:10:15 | 0:10:19 | |
-He won first in his class at that show. -Wonderful! | 0:10:19 | 0:10:23 | |
It's a bit like our current Queen, who loves Corgis. | 0:10:23 | 0:10:26 | |
I suppose that's led to an increase in interest and ownership of Corgis. | 0:10:26 | 0:10:31 | |
BARKING | 0:10:31 | 0:10:35 | |
'It's estimated today | 0:10:35 | 0:10:37 | |
'that there are approximately 10.5 million dogs owned in the UK, | 0:10:37 | 0:10:41 | |
'accounting for over a third of all the nation's household pets. | 0:10:41 | 0:10:45 | |
'Dogs truly still are our best friends. | 0:10:45 | 0:10:49 | |
'It's time for Mark to say his farewell to his new-found pal.' | 0:10:49 | 0:10:52 | |
Bye bye, Louie. Bye bye. | 0:10:52 | 0:10:55 | |
Look after yourself. | 0:10:55 | 0:10:58 | |
Oh, bless him! I want to take him home with me. | 0:10:58 | 0:11:01 | |
'Paws off, Mark. Louie looks quite happy where he is! | 0:11:01 | 0:11:05 | |
'Who's a good doggy, then? Ruff! | 0:11:05 | 0:11:07 | |
'Meanwhile, Will has decided to do a spot more shopping. | 0:11:07 | 0:11:10 | |
'One of them should! | 0:11:10 | 0:11:12 | |
'He's travelled nine miles east to Chislehurst, looking to spend more | 0:11:12 | 0:11:17 | |
'in Wrattan Antique & Craft Mews.' | 0:11:17 | 0:11:21 | |
They're quite nice, aren't they? | 0:11:23 | 0:11:26 | |
I've got one at home which we use. They're, basically, breadboards. | 0:11:28 | 0:11:31 | |
-Does what it says on the tin! -'A tin of bread?' | 0:11:31 | 0:11:35 | |
I've seen these for sale - | 0:11:35 | 0:11:39 | |
kitchenalia dealers, special dealers. | 0:11:39 | 0:11:42 | |
What's not great about them is the colour. | 0:11:42 | 0:11:45 | |
With anything treen, wood, colour is key. | 0:11:45 | 0:11:49 | |
They've got something about them. | 0:11:52 | 0:11:54 | |
I've gone for a cheese board, haven't I, so why not go for three breadboards as well? | 0:11:54 | 0:12:00 | |
There might be a kitchenalia lot I could get together. | 0:12:00 | 0:12:03 | |
'Oh, no. Not another theme, surely? | 0:12:04 | 0:12:07 | |
'It's time to get Graham and Maureen involved.' | 0:12:07 | 0:12:09 | |
How much leeway? Could you do all three... | 0:12:09 | 0:12:12 | |
..for 15 quid? | 0:12:15 | 0:12:17 | |
Yes. | 0:12:17 | 0:12:19 | |
-You could? -I will, on this occasion. | 0:12:19 | 0:12:22 | |
Have I bought three breadboards? | 0:12:24 | 0:12:26 | |
'That's how it works, Will.' | 0:12:26 | 0:12:28 | |
What can we chuck in to make it a round 20? What about a jelly mould? | 0:12:28 | 0:12:32 | |
'Oh, lordy! He's quite out of control. | 0:12:32 | 0:12:35 | |
'Stop him, before he picks up the...' | 0:12:35 | 0:12:37 | |
And one of those. What is it? | 0:12:37 | 0:12:40 | |
'It looks like a butter press without its mould to me.' | 0:12:40 | 0:12:44 | |
Chuck that in as well and we've got a deal - 20 quid. | 0:12:44 | 0:12:47 | |
I'm a hard man... Oh! It's done! | 0:12:49 | 0:12:52 | |
'So Will's impromptu raid on Graham and Maureen's pantry | 0:12:52 | 0:12:56 | |
'has resulted in three breadboards, a jelly mould and a butter press. | 0:12:56 | 0:13:00 | |
'All for £20. Top marks!' | 0:13:00 | 0:13:02 | |
-It's even aesthetically pleasing stacked. -It is, isn't it? | 0:13:02 | 0:13:06 | |
Would you like a bag? | 0:13:06 | 0:13:08 | |
'As the day draws to a close, Will can sleep easy with four lots in the old bag. | 0:13:08 | 0:13:13 | |
'Poor Mark remains empty-handed. | 0:13:13 | 0:13:16 | |
'Ah, well. Sleep tight. Nighty night. | 0:13:16 | 0:13:19 | |
'A new day has dawned for our intrepid duo. | 0:13:24 | 0:13:27 | |
'Has Mark's failure to buy made him a little paranoid?' | 0:13:27 | 0:13:30 | |
We've just turned into Deadman's Lane! | 0:13:30 | 0:13:33 | |
MARK LAUGHS | 0:13:33 | 0:13:35 | |
I hope it's not a premonition of what's to come. | 0:13:35 | 0:13:39 | |
'Let's hope not, Mark. You've got a lot of catching up to do. | 0:13:39 | 0:13:43 | |
'So far, Mark has only visited one shop. | 0:13:43 | 0:13:45 | |
'He failed to find anything to buy - that Will hadn't already bought. | 0:13:45 | 0:13:51 | |
'He still has all of his £195.10p to part with. | 0:13:51 | 0:13:55 | |
'Whereas, Will shopped till he dropped, | 0:13:57 | 0:13:59 | |
'spending big and picking up four lots for £248. | 0:13:59 | 0:14:04 | |
'Crikey! That still leaves him with £77.86p to spend today. | 0:14:04 | 0:14:09 | |
'The boys are heading into Essex, to the village of Great Baddow. | 0:14:09 | 0:14:14 | |
'With a population of 13,000, | 0:14:14 | 0:14:16 | |
'it's one of the largest villages in the country.' | 0:14:16 | 0:14:19 | |
-Great Baddow? -That's right, antique centre. | 0:14:19 | 0:14:23 | |
Sounds like some sort of '70s rock group! | 0:14:23 | 0:14:26 | |
-The Great Baddow! -The Great Baddow and the Baddettes! | 0:14:26 | 0:14:29 | |
LAUGHS We could be the Baddettes. | 0:14:29 | 0:14:32 | |
'Saddettes, more like! | 0:14:32 | 0:14:34 | |
'Now, this should be interesting. | 0:14:34 | 0:14:37 | |
'Our sparring partners are heading to the same shop, Baddow Antiques. | 0:14:37 | 0:14:41 | |
'Let's hope Will leaves something for Mark to buy.' | 0:14:41 | 0:14:44 | |
-I think you should go that way. -All right. -See you later. | 0:14:46 | 0:14:50 | |
Oh, I love those glasses! | 0:14:55 | 0:14:57 | |
I bet that's not for sale. Yeah. | 0:14:57 | 0:14:59 | |
"Not for sale." They're fab, aren't they? | 0:14:59 | 0:15:03 | |
It's quite interesting, isn't it? It caught my eye, the shape of it. | 0:15:06 | 0:15:11 | |
One or two nibbles on the rim. | 0:15:11 | 0:15:13 | |
On closer inspection, not for me. | 0:15:13 | 0:15:16 | |
Someone will love it. | 0:15:18 | 0:15:20 | |
MARK IN CONVERSATION IN THE BACKGROUND | 0:15:20 | 0:15:23 | |
Another bit of art glass. | 0:15:23 | 0:15:25 | |
It's quite speccy, the art glass, a real up-and-coming market. | 0:15:27 | 0:15:31 | |
I suppose it's a Vaseline glass. | 0:15:31 | 0:15:34 | |
No price on them, of course. | 0:15:38 | 0:15:40 | |
That might be a theme for one of my items, a sort of art glass lot. | 0:15:42 | 0:15:48 | |
'Oh, lordy! Struggling to make his first purchase, | 0:15:48 | 0:15:52 | |
'dealer Ron has pointed Mark in the direction | 0:15:52 | 0:15:54 | |
'of an Edwardian cut-glass ship's decanter.' | 0:15:54 | 0:15:58 | |
-That's rather fun. What's this? -It's a quarter decanter. | 0:15:58 | 0:16:01 | |
It's like a small version of a ship's decanter. | 0:16:01 | 0:16:04 | |
-It would have sat like that and it wouldn't spill over. -Yeah. | 0:16:04 | 0:16:08 | |
-It's a ship's decanter in miniature. -It's rather sweet. | 0:16:08 | 0:16:11 | |
I must admit, I haven't seen one dinky like that for ages. | 0:16:11 | 0:16:15 | |
-That might be a possibility, Ron. Can we reserve that for me? -Yeah. | 0:16:18 | 0:16:21 | |
'At an asking price of £25, | 0:16:21 | 0:16:24 | |
'you could consider letting go of those purse strings, Mark.' | 0:16:24 | 0:16:27 | |
Ron! | 0:16:27 | 0:16:29 | |
'Boy! Ron's being run ragged today. | 0:16:29 | 0:16:32 | |
'Will's found some more glass items for his - dare I say it? - theme.' | 0:16:32 | 0:16:36 | |
That was what caught my eye. | 0:16:36 | 0:16:38 | |
It's the texture and the design. It's got something about it. | 0:16:38 | 0:16:42 | |
It's got a little signature. I don't know what that is. Do you? | 0:16:42 | 0:16:46 | |
It looks like an anchor and an H. | 0:16:46 | 0:16:48 | |
I actually have another piece of glass with the identical mark. | 0:16:48 | 0:16:53 | |
Have you? I'll tell you the other bit I quite liked. | 0:16:53 | 0:16:57 | |
-Unfortunately, it's damaged. -Is it? | 0:16:57 | 0:16:59 | |
-It has a little neck crack. -Yeah. | 0:16:59 | 0:17:02 | |
-So that might be quite affordable with the crack in there. -Absolutely. | 0:17:02 | 0:17:07 | |
It's a good shape, isn't it? | 0:17:07 | 0:17:09 | |
'All this 1960s art glass is making me nostalgic. | 0:17:09 | 0:17:13 | |
'Not.' | 0:17:13 | 0:17:15 | |
Not sure what I'm doing, but let's go with the flow! | 0:17:15 | 0:17:18 | |
-This is the other bit, is it? -Yeah. | 0:17:18 | 0:17:21 | |
-OK, a little sort of... -Remarkably, it still has its lid. | 0:17:21 | 0:17:25 | |
So what have we got? One, two, three, four, five pieces. | 0:17:27 | 0:17:30 | |
-You've seen the programme. I'm on a budget. -35 quid the lot. | 0:17:33 | 0:17:37 | |
30 quid? | 0:17:38 | 0:17:40 | |
-32 and that is the deal. -Let's do it. It's a deal. | 0:17:40 | 0:17:43 | |
'After Ron gave Will another pound off for luck, | 0:17:45 | 0:17:48 | |
'our dapper dealer has got the lot for just £31 and is all shopped-out. | 0:17:48 | 0:17:54 | |
'So he can relax - or gloat.' | 0:17:54 | 0:17:57 | |
-Mr Stacey! -Mr Axon. You're looking rather pleased with yourself. | 0:17:57 | 0:18:02 | |
-I'll be honest with you, Mark, I've bought all my bits and bobs. -No? -Yeah. | 0:18:02 | 0:18:06 | |
I don't know if you're doing it to annoy me or not, | 0:18:06 | 0:18:10 | |
-but I haven't bought a thing yet. -You haven't bought anything? | 0:18:10 | 0:18:13 | |
-What are you going to do? -I don't know. | 0:18:13 | 0:18:16 | |
'No need to panic just yet, Mr Stacey. | 0:18:16 | 0:18:18 | |
'How about that ship's decanter? | 0:18:18 | 0:18:20 | |
'I'm sure there's a deal to be done, if you can remember how to haggle.' | 0:18:20 | 0:18:24 | |
-The fact that it's perfect. -Yes. | 0:18:24 | 0:18:27 | |
I know you don't like £25, but I know your position. | 0:18:27 | 0:18:32 | |
So I will say, money back, £18. | 0:18:32 | 0:18:36 | |
-£18. -And I think you've got... -I think we'll shake hands on 18. | 0:18:36 | 0:18:40 | |
You read my mind. | 0:18:40 | 0:18:42 | |
-LAUGHING: -I'm quite good at that. -You're a very canny dealer, Ron. | 0:18:42 | 0:18:46 | |
'See? It wasn't that hard work, was it? | 0:18:46 | 0:18:48 | |
'One lot down and Mark's got his skates on. | 0:18:48 | 0:18:51 | |
'He's made a dash across the courtyard to see what dealer Steve has to offer.' | 0:18:51 | 0:18:56 | |
-Immediately, what I like about it immediately is the shape. -Yeah. | 0:18:56 | 0:19:00 | |
It's very Chinese, that baluster shape. | 0:19:00 | 0:19:03 | |
-Do you know much about this? -Not at all. | 0:19:04 | 0:19:07 | |
Oh, good. That's a positive sign! STEVE LAUGHS | 0:19:07 | 0:19:10 | |
-You know it's damaged, don't you? -I do. | 0:19:10 | 0:19:13 | |
I don't know if that's the right lid. | 0:19:13 | 0:19:15 | |
It's a little bit on the wobbly jubbly side. | 0:19:15 | 0:19:18 | |
-It doesn't look quite right. -But it is the same type of pattern. | 0:19:18 | 0:19:23 | |
With that little dog on the top. | 0:19:23 | 0:19:26 | |
-This is what we call Cantonese famille-rose ware. -Mm-hm. | 0:19:27 | 0:19:32 | |
'Famille-rose was introduced during the reign of Kangxi, | 0:19:32 | 0:19:36 | |
'possibly around 1720. | 0:19:36 | 0:19:38 | |
'It used mainly pink or purple, | 0:19:38 | 0:19:40 | |
'and remained popular throughout the 18th and 19th centuries.' | 0:19:40 | 0:19:44 | |
How cheap could it be? | 0:19:44 | 0:19:46 | |
EXHALES | 0:19:48 | 0:19:49 | |
I'm thinking really cheap, Steve. | 0:19:49 | 0:19:52 | |
-I was thinking about 12. -MARK LAUGHS | 0:19:52 | 0:19:56 | |
Oh, they do say people of Essex have a sense of humour, don't they? | 0:19:58 | 0:20:02 | |
I'll tell you what, Steve, because I'm in a rush and I like you, | 0:20:02 | 0:20:06 | |
I'll take it off your hands for a fiver. | 0:20:06 | 0:20:09 | |
Then it gives me a little bit of a chance at auction. | 0:20:09 | 0:20:13 | |
-Go on, then. -MARK GASPS | 0:20:13 | 0:20:15 | |
Put it there, quickly. I don't know what I bought there. | 0:20:15 | 0:20:19 | |
But I know old Will Axon likes his Chinese, doesn't he? | 0:20:19 | 0:20:23 | |
And I don't mean takeaway. | 0:20:23 | 0:20:25 | |
'I think you got a real bargain, Mark, damaged or not. | 0:20:26 | 0:20:30 | |
'Happy with his morning's work, Will's headed to Southend-on-Sea, | 0:20:30 | 0:20:35 | |
'where formerly one of the town's biggest employers | 0:20:35 | 0:20:38 | |
'became one of the nation's most popular makers of wireless radios. | 0:20:38 | 0:20:42 | |
'During its golden age, radio captured the hearts and minds | 0:20:46 | 0:20:49 | |
'of listeners up and down the country. | 0:20:49 | 0:20:52 | |
'Radios were more than boxes that transmitted sounds from far away, | 0:20:52 | 0:20:57 | |
'they came to be an important part of family life. | 0:20:57 | 0:21:01 | |
'And Ekco Ltd, | 0:21:01 | 0:21:03 | |
'named after its founder Eric Kirkham Cole, | 0:21:03 | 0:21:07 | |
'produced one of the most revolutionary radio sets. | 0:21:07 | 0:21:10 | |
'Although the Ekco brand and factory are long gone from the area, | 0:21:10 | 0:21:14 | |
'a little part of their legacy can still be found. | 0:21:14 | 0:21:17 | |
'Will's meeting up with curator Ken Crow at the Tickfield Centre | 0:21:17 | 0:21:21 | |
'which houses a collection of these bygone classics.' | 0:21:21 | 0:21:24 | |
Oh, blimey! Look at all this! | 0:21:25 | 0:21:27 | |
It's like Raiders Of The Lost Ark! | 0:21:27 | 0:21:30 | |
-Ah, you must be Ken. -Hello, Will. How are you? -Very well, thank you. | 0:21:30 | 0:21:34 | |
'The Ekco brand burst onto the scene in 1929, | 0:21:34 | 0:21:38 | |
'when they exhibited radios that no longer relied on battery power. | 0:21:38 | 0:21:43 | |
'Coles' invention, the battery eliminator, or transformer, | 0:21:43 | 0:21:47 | |
'was a big step forward from the former two-valve radio version.' | 0:21:47 | 0:21:51 | |
I'm assuming that the radios were very expensive. | 0:21:51 | 0:21:54 | |
They were very expensive, especially when you get to the 1930s, | 0:21:54 | 0:21:58 | |
-when you get radios costing 12, 14 guineas. -Ooh! | 0:21:58 | 0:22:03 | |
-£12, £14 and more. -Yeah. | 0:22:03 | 0:22:05 | |
-Which is equivalent to something like three months' wages. -Wow! | 0:22:05 | 0:22:09 | |
-It really was the preserve of the... -Well-to-do. | 0:22:09 | 0:22:12 | |
'The product was a hit | 0:22:12 | 0:22:14 | |
'and with the orders came the need to rapidly expand the business. | 0:22:14 | 0:22:18 | |
'Moving from a small premises in Leigh-on-Sea, | 0:22:18 | 0:22:21 | |
'the Ekco factory in Southend became | 0:22:21 | 0:22:23 | |
'one of the first purpose-built radio factories in the country. | 0:22:23 | 0:22:27 | |
'Keeping one step ahead of the competition, | 0:22:27 | 0:22:30 | |
'the company began to concentrate on the manufacture of mains-powered radios | 0:22:30 | 0:22:34 | |
'and introduced Bakelite covers for its receivers. | 0:22:34 | 0:22:37 | |
'But then disaster struck in 1932, | 0:22:37 | 0:22:40 | |
'when the factory was devastated by a huge fire.' | 0:22:40 | 0:22:44 | |
The fire destroyed all the following season's designs. | 0:22:44 | 0:22:48 | |
It was potentially disastrous. It could have finished the firm off. | 0:22:48 | 0:22:52 | |
So, after the fire, | 0:22:52 | 0:22:55 | |
they in fact brought out last season's design. | 0:22:55 | 0:22:58 | |
Didn't sell. | 0:22:58 | 0:23:00 | |
They had to rely on the designs that they already had, but no-one wanted them. | 0:23:00 | 0:23:04 | |
'So, in order to reignite the popularity of their radios, | 0:23:04 | 0:23:08 | |
'Ekco launched a competition which invited modernist designers | 0:23:08 | 0:23:12 | |
'to challenge the usual wooden box approach to domestic radio design. | 0:23:12 | 0:23:17 | |
'An entry by renowned architect Wells Coates was the winner. | 0:23:17 | 0:23:22 | |
'Wells Coates' concept | 0:23:22 | 0:23:24 | |
'became the most popular wireless cabinet shape of all time. | 0:23:24 | 0:23:27 | |
'He was interested in form and function | 0:23:27 | 0:23:30 | |
'and wanted his design to follow the shape of the speaker.' | 0:23:30 | 0:23:34 | |
-I understand it was the first round radio in the world. -This design? -Hm. | 0:23:34 | 0:23:38 | |
AD65, that's what the model was called. | 0:23:38 | 0:23:41 | |
You say that he wanted to make something | 0:23:41 | 0:23:43 | |
that was only possible in plastic. | 0:23:43 | 0:23:46 | |
It's that modernist thing, new materials. | 0:23:46 | 0:23:50 | |
Why would you want to use wood? | 0:23:50 | 0:23:52 | |
-That's in the past. We're using plastics and Bakelites. -Yeah. | 0:23:52 | 0:23:58 | |
-It was this that saved Ekco. -Really? -This sold phenomenally well. | 0:23:58 | 0:24:03 | |
'And with plastics came the ability to introduce new colours.' | 0:24:03 | 0:24:07 | |
Of course, what they did | 0:24:07 | 0:24:10 | |
-was to think, "We could make it in brown and black." -Yes. | 0:24:10 | 0:24:13 | |
-"We've got plastic, we could make it in green and ivory." -Really? | 0:24:13 | 0:24:17 | |
"We can make it in lots of different colours." Didn't sell. | 0:24:17 | 0:24:20 | |
-People didn't want ivory and green. -What colour did they want? | 0:24:20 | 0:24:24 | |
-They wanted brown and black cos it matched the furniture! -Of course! | 0:24:24 | 0:24:30 | |
'The firm later became producers of televisions and car radios | 0:24:30 | 0:24:33 | |
'and at its height was employing 8,000 people across various sites. | 0:24:33 | 0:24:38 | |
'After an unsuccessful merger and Cole's decision to retire in 1961, | 0:24:38 | 0:24:43 | |
'the factory closed just five years later. | 0:24:43 | 0:24:46 | |
'By the early 1970s, the brand had all but disappeared. | 0:24:46 | 0:24:50 | |
'Today, Ekco radios, especially those in non-standard colours, | 0:24:50 | 0:24:54 | |
'have become valuable items, fetching up to thousands of pounds. | 0:24:54 | 0:24:58 | |
'Well, a fascinating visit for Will has come to an end. | 0:24:58 | 0:25:02 | |
'It's time to catch up with old Stacey | 0:25:02 | 0:25:05 | |
'who, with two purchases to his name, has some catching up to do. | 0:25:05 | 0:25:09 | |
'Mark's making a short journey south, | 0:25:09 | 0:25:11 | |
'hoping to put up a fight in Battlesbridge. | 0:25:11 | 0:25:15 | |
'Today, the village is best known as a centre for antiques, | 0:25:15 | 0:25:19 | |
'though its appearance owes much to centuries of riverside industry. | 0:25:19 | 0:25:24 | |
'Will the tide turn for Mark within the Battlesbridge Antiques Centre?' | 0:25:24 | 0:25:29 | |
That's quite fun, isn't it? Look at that! That shelf! | 0:25:31 | 0:25:36 | |
Gosh, I really like that. | 0:25:37 | 0:25:40 | |
What I've found is a wall bracket, probably part of a pair or more, | 0:25:40 | 0:25:44 | |
made of pottery then glazed to look like metal. | 0:25:44 | 0:25:48 | |
It's like a suit of armour. | 0:25:48 | 0:25:51 | |
I think that's really nice. | 0:25:51 | 0:25:53 | |
More importantly, I think it's got some age. | 0:25:53 | 0:25:56 | |
I think we're looking at something that was made... | 0:25:56 | 0:26:00 | |
probably around 1900 - 1890, 1900? | 0:26:00 | 0:26:03 | |
I'll tell you what else is making me rather excited. | 0:26:04 | 0:26:08 | |
WHISPERING: It's only marked up at £30. | 0:26:08 | 0:26:12 | |
Ooh! | 0:26:12 | 0:26:14 | |
'But you just know he's not going to offer £30.' | 0:26:15 | 0:26:19 | |
Yeah... | 0:26:19 | 0:26:20 | |
'He's asked Valerie to phone the owner with a bid of £20.' | 0:26:20 | 0:26:24 | |
-It's like being at a job interview. -Thank you very much. -Oh! | 0:26:24 | 0:26:28 | |
-Please say yes. -Bye bye. | 0:26:28 | 0:26:30 | |
-You're in luck. -Am I? -£20. -MARK GASPS | 0:26:31 | 0:26:34 | |
We've got a deal. Thank you SO much. | 0:26:34 | 0:26:37 | |
Thanks for all your help. Things are on the turn. | 0:26:37 | 0:26:40 | |
'Oh! Looks like Mark's got his mojo back. | 0:26:40 | 0:26:43 | |
'He's on a roll and has found this Japanese box with a blue glass liner.' | 0:26:43 | 0:26:48 | |
What would it be estimated at auction? | 0:26:48 | 0:26:51 | |
Probably £20 or £30, as a decorative object. | 0:26:51 | 0:26:54 | |
If two people really like it, it might make 30 or more. | 0:26:54 | 0:26:59 | |
There's no price on it, so I want to try and get it...under £10, really. | 0:26:59 | 0:27:03 | |
I've got to claw my way back here. | 0:27:03 | 0:27:06 | |
I'll go and see if the dealer's around | 0:27:06 | 0:27:08 | |
then come back and let you know what happens. | 0:27:08 | 0:27:11 | |
'And after a quick negotiation with the camera-shy dealer...' | 0:27:11 | 0:27:15 | |
Good news. | 0:27:15 | 0:27:17 | |
I said I wanted to pay around £10-ish for it. | 0:27:17 | 0:27:22 | |
I tried a sneaky £5, but the dealer was having none of it. | 0:27:23 | 0:27:26 | |
So we compromised and settled on £8. | 0:27:26 | 0:27:29 | |
If I knew how to say "I'm very happy" in Japanese, I would, but I can't, so I won't. | 0:27:30 | 0:27:36 | |
'Let's try watashi wa ureshii desu. | 0:27:36 | 0:27:39 | |
'I'm not just a pretty face, you know.' | 0:27:39 | 0:27:41 | |
That's quite fun, isn't it? Have you seen this before? | 0:27:41 | 0:27:46 | |
You might have done, because it's a sliding book rest. | 0:27:46 | 0:27:51 | |
This is lacquered wood. | 0:27:51 | 0:27:53 | |
Quite cheaply done, actually. | 0:27:53 | 0:27:56 | |
Will had one of these previously and made a lot of money on it. | 0:27:56 | 0:28:00 | |
£85 in the room. Anybody else want to come in? | 0:28:00 | 0:28:03 | |
I can sell the lot. | 0:28:03 | 0:28:05 | |
It's only £12, as well. | 0:28:07 | 0:28:09 | |
I don't think this is going to make anywhere near the £85 Will's made. | 0:28:09 | 0:28:14 | |
If I could get that, say, for...a fiver. | 0:28:14 | 0:28:17 | |
Then even if it made £15, it would be quite a good profit margin. | 0:28:17 | 0:28:22 | |
Cos we've got the dragon here | 0:28:22 | 0:28:24 | |
chasing the pearl of wisdom. | 0:28:24 | 0:28:27 | |
Just like I am, but I'm chasing the pearl of profit. | 0:28:28 | 0:28:31 | |
'Ooh! How poetic! But with another cheeky offer of £5, | 0:28:31 | 0:28:35 | |
'it's a wonder Val's not chasing you out of the shop!' | 0:28:35 | 0:28:38 | |
-I tried. -Thank you, Valerie. | 0:28:38 | 0:28:41 | |
-£8 was her best. -Oh, well! £8. What do I do? | 0:28:41 | 0:28:45 | |
The only thing I do like about it, it has the original paper label, | 0:28:45 | 0:28:50 | |
which says, "chung chan hen". | 0:28:50 | 0:28:54 | |
Which I know from my Chinese is, "Please do not buy me." | 0:28:54 | 0:28:58 | |
-Actually, it says, "Please buy me." -MARK LAUGHS | 0:28:58 | 0:29:02 | |
I don't know why I'm even on this show | 0:29:02 | 0:29:05 | |
because I'm too generous to a fault here. | 0:29:05 | 0:29:09 | |
Just for your cheek saying "please buy me", I'm going to say yes to £8. | 0:29:09 | 0:29:14 | |
-That dealer had better buy you a gin and tonic. -I truly hope so, too. | 0:29:14 | 0:29:18 | |
'Phew! You'll need a swift G&T after pulling your five lots out of the bag, Mark. | 0:29:18 | 0:29:23 | |
'So, with the shopping done, the boys meet up to reveal their lots.' | 0:29:25 | 0:29:30 | |
I'm very disappointed with this, Will. | 0:29:30 | 0:29:32 | |
I've had a really tough time buying things this time. | 0:29:32 | 0:29:36 | |
-Oh, they don't look too bad to me. -I'm very disappointed, honestly. | 0:29:36 | 0:29:40 | |
I suddenly found a couple of things that I'm really pleased with. | 0:29:40 | 0:29:44 | |
-I love this. -I was going to say. -It's pottery. -Is it? | 0:29:44 | 0:29:48 | |
-I just love the detail. -I've never seen anything like it. | 0:29:48 | 0:29:53 | |
-It's stunning. -20 quid. I like that. That is very different. | 0:29:53 | 0:29:57 | |
-This is a bit of fun - Japanese box. Eight quid. -Not a lot of money. | 0:29:57 | 0:30:01 | |
The Chinese vase, wrong top, of course. There's a bit of damage. | 0:30:01 | 0:30:06 | |
-Bit of Canton. -It's late 19th century, early 20th century. | 0:30:06 | 0:30:09 | |
-£5. -That's not a lot of money, Mark. | 0:30:09 | 0:30:12 | |
'Go on, Mark! Show him your book slide.' | 0:30:12 | 0:30:14 | |
-I thought if you can do well on a book slide... -I know, I saw! | 0:30:14 | 0:30:19 | |
I couldn't say no at £8. | 0:30:19 | 0:30:22 | |
It's not a lot of money and nicely decorated. Exactly. | 0:30:22 | 0:30:26 | |
A little ship's decanter! Tiny one. | 0:30:26 | 0:30:29 | |
-And it was £18. -18? Not a lot of money is it? | 0:30:29 | 0:30:33 | |
'But what's Will hiding under his cover?' | 0:30:33 | 0:30:36 | |
-There's something alive under there. -It's moving! | 0:30:36 | 0:30:38 | |
-Have you got something physically alive? -I'm going to reveal it now. | 0:30:38 | 0:30:42 | |
It's only a matter of time before it falls on the floor. | 0:30:42 | 0:30:46 | |
Oh, my gosh! | 0:30:46 | 0:30:49 | |
Oh! Oh, my God! I can't believe it. | 0:30:49 | 0:30:52 | |
'The word we're looking for is, "Wow!"' | 0:30:52 | 0:30:54 | |
-Wow! -'There you are.' | 0:30:54 | 0:30:56 | |
-I saw that. It's a pencil drawing. -Maybe a bit of ink in there. | 0:30:56 | 0:31:01 | |
-We haven't got time... -I love this! | 0:31:01 | 0:31:03 | |
'I wondered when he'd spot that.' | 0:31:03 | 0:31:06 | |
-That is wonderful. -I got it for 100. -That's fine. | 0:31:06 | 0:31:09 | |
-If I lose on that, then I'm unlucky. -Very unlucky. | 0:31:09 | 0:31:13 | |
-I can't believe you will. -I've sold worse for £100. | 0:31:13 | 0:31:16 | |
This little lot... I got three breadboards. Look at that one! | 0:31:16 | 0:31:21 | |
Oh, I've never seen that before. | 0:31:21 | 0:31:23 | |
-I think that must be a wheatsheaf. -That's really unusual. | 0:31:23 | 0:31:27 | |
A little jelly mould, I got him to chuck that in. | 0:31:27 | 0:31:31 | |
-I didn't spend a lot. And the clock. -Spelter, 1930s, French. | 0:31:31 | 0:31:36 | |
Pretty girls help sell things. You get them with animals on. | 0:31:36 | 0:31:40 | |
It's nice to have these little side pieces, the garnitures. | 0:31:40 | 0:31:44 | |
-I got it for £110. -'Oh! Sharp intake of breath.' | 0:31:44 | 0:31:47 | |
-And then this Lurtz-type glass. -Oh, yes. It's cheap and cheerful. | 0:31:47 | 0:31:51 | |
-If we turned up at a fair with a table like this... -We'd sell out. | 0:31:51 | 0:31:55 | |
And we'd be having a G&T with our profits in the bar right now. | 0:31:55 | 0:31:59 | |
-Actually, that's not a bad idea. -Shall we? | 0:31:59 | 0:32:02 | |
'Before you have that drink, it's time to find out what they really think.' | 0:32:03 | 0:32:08 | |
Listen, he stands a chance - just as much chance as I do. | 0:32:08 | 0:32:11 | |
We're at the hands of the auctioneer now. Could be the flip of a coin. | 0:32:11 | 0:32:15 | |
The Mouseman breadboard is wonderful. | 0:32:15 | 0:32:18 | |
At £100, I think that's a steal. Absolute steal. | 0:32:18 | 0:32:22 | |
'It's time to get back to Southend and head to today's auction. | 0:32:23 | 0:32:28 | |
'On the fourth leg of their road trip, | 0:32:28 | 0:32:31 | |
'our hardy hagglers have cut a dash across London and into Essex, | 0:32:31 | 0:32:35 | |
'starting in Crystal Palace | 0:32:35 | 0:32:37 | |
'and ending up in Southend-on-Sea for the auction.' | 0:32:37 | 0:32:39 | |
Mark, remind me where we are today. | 0:32:39 | 0:32:42 | |
-I thought we were in Southend, but can you see the sea? -Not yet. | 0:32:42 | 0:32:46 | |
I can't. Where is it? | 0:32:46 | 0:32:48 | |
'Here it is. Southend-on-Sea has seven glorious miles of seafront | 0:32:51 | 0:32:56 | |
'and all the fun of the fair.' | 0:32:56 | 0:32:58 | |
This looks like it. | 0:33:01 | 0:33:03 | |
And I'll just pull up outside here, shall I? | 0:33:03 | 0:33:06 | |
At a jaunty angle. | 0:33:06 | 0:33:08 | |
-Whoa! -How's that? -Perfect. | 0:33:08 | 0:33:11 | |
'Don't worry about the parking bays. Leave the car anywhere you like(!) | 0:33:11 | 0:33:15 | |
'Our experts are going head-to-head at Chalkwell Auctions. | 0:33:17 | 0:33:21 | |
'Established for 25 years, it has grown to be an important saleroom | 0:33:21 | 0:33:26 | |
'in the south of England and on the internet. | 0:33:26 | 0:33:29 | |
'Putting the boys under the hammer is Trevor Cornforth.' | 0:33:29 | 0:33:33 | |
My favourite item that I've seen, | 0:33:33 | 0:33:35 | |
probably because I was aware of them when I was a kid, | 0:33:35 | 0:33:38 | |
is the Mouseman cheese plate. | 0:33:38 | 0:33:41 | |
I think that's brilliant. | 0:33:41 | 0:33:42 | |
The other potential piece would have been the Chinese porcelain vase. | 0:33:42 | 0:33:47 | |
The Chinese is a very strong market at the moment. | 0:33:47 | 0:33:50 | |
The problem is that Chinese international buyers are only buying things that are perfect. | 0:33:50 | 0:33:55 | |
Sadly, that isn't. | 0:33:55 | 0:33:57 | |
'Will Axon set out on this leg with a whopping £325.86p | 0:33:59 | 0:34:04 | |
'and forked out 279 big ones on his five lots. | 0:34:04 | 0:34:09 | |
'Mark Stacey began this leg with £195.10p | 0:34:09 | 0:34:14 | |
'and finally got round to spending a mere £59 of it, also on five lots. | 0:34:14 | 0:34:19 | |
'Mm, those chairs are a bit fancy for you two.' | 0:34:19 | 0:34:23 | |
Oh, I say, Will! This is more like it. | 0:34:23 | 0:34:26 | |
-Feel like Posh and Becks. -I wonder which is Posh and which is Becks. | 0:34:26 | 0:34:31 | |
-Depends on the day of the week. -Could be the Addams Family! | 0:34:31 | 0:34:35 | |
-# Du-du-du-du -Duh duh # | 0:34:35 | 0:34:37 | |
Let's hope Thing doesn't come in and ruin our day. | 0:34:38 | 0:34:41 | |
'Eyes up, Lurch. I mean, Mark. | 0:34:41 | 0:34:45 | |
'The Japanese casket with blue glass liner is up first. | 0:34:47 | 0:34:49 | |
'Will it fester or fly?' | 0:34:49 | 0:34:51 | |
Start me at £10. Ten to start, surely? | 0:34:51 | 0:34:54 | |
-Any interest at £10? -Oh, come on. | 0:34:54 | 0:34:56 | |
I've got a bid of ten at the back. We're in the room at £10. | 0:34:56 | 0:35:02 | |
That's an interesting little item. At £10. All fini... | 0:35:02 | 0:35:06 | |
15. 20? 15 in the front with the lady, then. | 0:35:06 | 0:35:09 | |
At £15. Selling at 15... | 0:35:09 | 0:35:12 | |
20 back in on the net. 20 against you. Are you out? | 0:35:12 | 0:35:16 | |
An internet bid now at £20. 25, fresh place. 25 on the left. | 0:35:16 | 0:35:21 | |
Oh. £25. | 0:35:21 | 0:35:24 | |
Are we done at £25? 30 on the net. | 0:35:24 | 0:35:27 | |
35? All done at 30 on the net. Selling at 30. | 0:35:27 | 0:35:31 | |
-Well done, Mark. -I'm pleased with that, Will. | 0:35:31 | 0:35:34 | |
'"Arigato," says Mr Stacey. | 0:35:34 | 0:35:37 | |
'That's a handsome mark-up to start. | 0:35:37 | 0:35:39 | |
'And it's Mark's next lot, the quarter size ship's decanter. | 0:35:39 | 0:35:43 | |
'It's bound to float someone's boat.' | 0:35:43 | 0:35:46 | |
For an elegant lady to pretend she doesn't drink. | 0:35:46 | 0:35:49 | |
Start me at £20 on it. See what happens. | 0:35:49 | 0:35:52 | |
-20 I'm bid straight away. -Oh! | 0:35:52 | 0:35:55 | |
At 20 seated. Here at £20. | 0:35:55 | 0:35:57 | |
It's a sweet piece. 25. And 30. And 35? | 0:35:57 | 0:36:01 | |
40. 45? 50. | 0:36:01 | 0:36:05 | |
45 at the front. We're selling at £45. | 0:36:05 | 0:36:08 | |
All done at 45? | 0:36:08 | 0:36:10 | |
-I'm happy with that, Will. -Should be. | 0:36:10 | 0:36:12 | |
'You certainly should! Another sturdy profit there.' | 0:36:12 | 0:36:16 | |
Well, Mark, my moment of truth is soon to arrive. | 0:36:16 | 0:36:20 | |
-Oh, Will, I don't think you've got any problems. -Oh, the tension! | 0:36:20 | 0:36:25 | |
'It's Will's first lot. | 0:36:25 | 0:36:28 | |
'Can this selection of kitchenalia serve up a profit?' | 0:36:28 | 0:36:32 | |
I've got £20 bid. 25 in the room. | 0:36:32 | 0:36:35 | |
I've got 25 seated. I need 30. 30 here. | 0:36:35 | 0:36:38 | |
35? It's against you at £30 on the internet. | 0:36:38 | 0:36:41 | |
We're at 35. And 40 now. | 0:36:41 | 0:36:43 | |
-£40 on the internet. -Internet. | 0:36:43 | 0:36:45 | |
At £40. Looking for 45. | 0:36:45 | 0:36:47 | |
At £40 at the moment. We're selling... | 0:36:47 | 0:36:51 | |
-Doubled your money. -Bet you're happy with that. -I'm happy with that. | 0:36:51 | 0:36:56 | |
'Looks like you've got a profit on a platter there. | 0:36:56 | 0:36:59 | |
'It's the Art Deco figural clock next, Will.' | 0:36:59 | 0:37:04 | |
Start me at £30. Let's give it a chance. 30. 35. 40. 45. 50. | 0:37:04 | 0:37:09 | |
60? £50 on my right. In the room at £50. | 0:37:09 | 0:37:13 | |
At £50. We're looking for 60. | 0:37:13 | 0:37:16 | |
£50 bid on the clock set. Must be worth more than that. | 0:37:16 | 0:37:19 | |
60 on the left. 70? | 0:37:19 | 0:37:22 | |
60 with the lady seated, then. In the room at £60. | 0:37:22 | 0:37:26 | |
-We're selling at £60. -BANGS GAVEL | 0:37:26 | 0:37:28 | |
Oh, gosh! | 0:37:28 | 0:37:30 | |
'The clock failed to chime with the bidders.' | 0:37:30 | 0:37:34 | |
Never mind. I'm learning. | 0:37:34 | 0:37:37 | |
'You might be learning, but you're not earning. | 0:37:37 | 0:37:39 | |
'Let's see if Mark's Chinese book slide can be a best-seller.' | 0:37:39 | 0:37:44 | |
Pretty little item, very practical. | 0:37:44 | 0:37:47 | |
Start me at £20 on it. | 0:37:47 | 0:37:49 | |
Nice little piece. £20, surely. 20 I'm bid. In the room at £20. | 0:37:49 | 0:37:53 | |
Surely that's not going to be it at £20? Are you done at 20? | 0:37:53 | 0:37:58 | |
All finished. | 0:37:58 | 0:37:59 | |
-Well, that's fine. -Well done, Mark. | 0:37:59 | 0:38:01 | |
'After auction costs, it's a modest profit, but a profit, nevertheless.' | 0:38:01 | 0:38:07 | |
It's the Chinese vase, which actually is there. | 0:38:07 | 0:38:11 | |
-It looks rather nice on there. -I think someone's given it a polish. | 0:38:11 | 0:38:16 | |
Start me at £50 on it, see what happens. £50 to start. | 0:38:16 | 0:38:20 | |
-Any interest at £50? Must see £50, surely? -Come on! | 0:38:20 | 0:38:24 | |
Start me at £20. I've got to start somewhere. | 0:38:24 | 0:38:27 | |
-50 came in at the last minute. -£50! | 0:38:27 | 0:38:30 | |
-We're at £50. -Come on. You know you want it! | 0:38:30 | 0:38:33 | |
I have a bid of £50. I'm looking for £60. | 0:38:33 | 0:38:36 | |
-It's lovely. -Wonderful news for you. -Finished... | 0:38:36 | 0:38:40 | |
'Cor! You're in the pink, Mark - considering the lid's wrong! | 0:38:40 | 0:38:45 | |
'Can Will get back on track with his next lot? | 0:38:45 | 0:38:48 | |
'It's his maple-framed drawing of a country house.' | 0:38:48 | 0:38:51 | |
Start me at £20 on it. £20 on the little drawing. | 0:38:51 | 0:38:55 | |
It's very sweet. £20 to start? Have to see a start of £20. | 0:38:55 | 0:39:00 | |
It's with me, personally, at £20... | 0:39:00 | 0:39:03 | |
'While unusual, it's not illegal for an auctioneer to bid on an item.' | 0:39:03 | 0:39:09 | |
-..With me on the rostrum at £20. -Not my day today. -25 on the net. | 0:39:09 | 0:39:13 | |
-Oh! -I've got 25. And 30 with me. It's at £30 at the moment. | 0:39:13 | 0:39:17 | |
I'm looking for 35. | 0:39:17 | 0:39:19 | |
-Are we done at £30? All done. -BANGS GAVEL | 0:39:19 | 0:39:22 | |
-Well, that's a fair price. -You were right. | 0:39:22 | 0:39:25 | |
'A picture-perfect buy for our auctioneer. | 0:39:25 | 0:39:28 | |
'He's made you a neat profit, Will. | 0:39:28 | 0:39:31 | |
'How will the bidders react to Mark's biggest purchase? | 0:39:31 | 0:39:35 | |
'At a costly £20, his pottery wall bracket is next under the hammer.' | 0:39:35 | 0:39:40 | |
Start me at £20 on this. I'm starting you low. 20 I'm bid. | 0:39:40 | 0:39:43 | |
In the room at £20. At 20. 25. And 30. And 35? And 40. | 0:39:43 | 0:39:48 | |
£40 in the room at the moment. Any advance on £40? | 0:39:48 | 0:39:52 | |
Come on. It's a lovely thing. | 0:39:52 | 0:39:55 | |
Are we done at 40? At £40. | 0:39:55 | 0:39:57 | |
At 45. And 50? £50 seated. | 0:39:57 | 0:40:01 | |
-Bit more! Come on! Bit more! -I'm selling at 50... | 0:40:01 | 0:40:05 | |
That's all right. | 0:40:05 | 0:40:07 | |
'All right for you, Mark. That's you done. | 0:40:07 | 0:40:10 | |
'You've not had any trouble making a profit today. | 0:40:10 | 0:40:14 | |
'Now, how will the bidding go on Will's lot of five glass items?' | 0:40:14 | 0:40:19 | |
Nice little lot. Start me at £20? See where we go. | 0:40:19 | 0:40:22 | |
20 to start. 20 I'm bid. In the room at £20. At £20 here. | 0:40:22 | 0:40:27 | |
At £20. Surely more than that. | 0:40:27 | 0:40:29 | |
And 25. 30? | 0:40:29 | 0:40:32 | |
-£30 seated. It's at £30. -Small loss. | 0:40:32 | 0:40:36 | |
At £30. All finished? | 0:40:36 | 0:40:38 | |
Do you know what? I'm not surprised any more. | 0:40:38 | 0:40:41 | |
'Maybe you needed more luck money on that, Will. | 0:40:41 | 0:40:44 | |
'Another loss, I'm afraid. | 0:40:44 | 0:40:46 | |
'It's Will's last lot, the Mouseman oak cheese board. | 0:40:46 | 0:40:50 | |
'If that flies, he could still win today's auction.' | 0:40:50 | 0:40:54 | |
Start me at £30 on it straight away. 30. 35. 40. 45. 50. 60. | 0:40:54 | 0:41:00 | |
60 seated in the room. Any advance on £60? | 0:41:00 | 0:41:03 | |
We're at 60. 70. 80? | 0:41:03 | 0:41:05 | |
£70 on the internet. Are you on the telephone on this? | 0:41:05 | 0:41:09 | |
It's 80 with me. I'm bidding now, personally. At £80. | 0:41:09 | 0:41:13 | |
'Gosh! He's at it again!' | 0:41:13 | 0:41:15 | |
I like this little piece. It's a current bid with me of £80. | 0:41:15 | 0:41:19 | |
Any advance on 80? 90 in the room. That's sparked your interest! | 0:41:19 | 0:41:23 | |
-LAUGHTER -90 back in the room. | 0:41:23 | 0:41:25 | |
90 against me now. In the room at £90. | 0:41:25 | 0:41:28 | |
I'm 90. Looking for 100. At £90. All finished? | 0:41:28 | 0:41:33 | |
Will, I'm sorry. I think that was an absolute steal for somebody. | 0:41:33 | 0:41:38 | |
'That's the luck of the auction, though - or lack of it. | 0:41:38 | 0:41:42 | |
'Hard cheese, old fruit.' | 0:41:42 | 0:41:44 | |
It's worth £200 to £300. I know that. You know that. | 0:41:44 | 0:41:46 | |
I've sold them for 300 quid all day long in North Yorkshire. That's what they're worth. | 0:41:46 | 0:41:51 | |
-I would have bought it. -C'est la vie. | 0:41:52 | 0:41:54 | |
-I would have done the same. -You know, I know and Tim knows. | 0:41:54 | 0:41:58 | |
-HEAVENLY CHOIR SINGS -'All I know is Mark's the winner of today's auction. | 0:41:58 | 0:42:03 | |
'Will Axon's lead didn't last long. | 0:42:03 | 0:42:06 | |
'He kicked off this leg with £325.86p, | 0:42:06 | 0:42:09 | |
'but after auction costs, made a shattering loss of £74, | 0:42:09 | 0:42:14 | |
'and starts next time with £251.86p. | 0:42:14 | 0:42:18 | |
'Mark Stacey made an incredible comeback. | 0:42:19 | 0:42:22 | |
'Starting this leg with £195.10p, | 0:42:22 | 0:42:25 | |
'he earned a fantastic £100.90p profit after auction costs, | 0:42:25 | 0:42:29 | |
'giving him exactly £296 to play with on the last leg.' | 0:42:29 | 0:42:35 | |
Well, ups and downs, ups and downs, ups and downs. | 0:42:35 | 0:42:39 | |
-The heavens are going to open. -Oh, no! -Let's go! | 0:42:39 | 0:42:42 | |
-It's hailing, Mark. Ay-ay-ay! -It's your fault, Will. Come on! | 0:42:42 | 0:42:47 | |
Let's go, Will. | 0:42:49 | 0:42:51 | |
'It's onwards and upwards! | 0:42:51 | 0:42:53 | |
'Next time, on the Antiques Road Trip, Mark Stacey finds an admirer.' | 0:42:57 | 0:43:01 | |
-I like you. -I like you, too. | 0:43:01 | 0:43:04 | |
'While Will Axon has a bit of a wobble.' | 0:43:04 | 0:43:07 | |
-Start to nod off, absolutely. -It works! | 0:43:07 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:14 | 0:43:17 | |
E-mail [email protected] | 0:43:17 | 0:43:20 |