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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
With £200 each, a classic car, | 0:00:04 | 0:00:07 | |
and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
Going, going, gone. | 0:00:10 | 0:00:11 | |
I think I've arrived! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:18 | |
There'll be worthy winners, and valiant losers. | 0:00:18 | 0:00:21 | |
Tails. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Argh! Argh! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's Scotland versus England on the third leg of the road trip, | 0:00:36 | 0:00:40 | |
with Englishman David Harper and Scots-born Paul Laidlaw. | 0:00:40 | 0:00:44 | |
When negotiating a bargain, savvy southerner David | 0:00:44 | 0:00:48 | |
likes to leave it to Lady Luck to decide. | 0:00:48 | 0:00:52 | |
What do you want? Heads? | 0:00:52 | 0:00:54 | |
Tails. | 0:00:54 | 0:00:56 | |
Whereas canny Caledonian Paul's buying habits | 0:00:56 | 0:01:00 | |
can only be described as, well... | 0:01:00 | 0:01:02 | |
Quirky, and I'm not ashamed. | 0:01:02 | 0:01:05 | |
OK, I feel slightly dirty. | 0:01:05 | 0:01:08 | |
David started the week with £200, but two auctions later | 0:01:08 | 0:01:11 | |
managed to increase his loot to £214.60. | 0:01:11 | 0:01:15 | |
Not much to live on! | 0:01:15 | 0:01:17 | |
Paul started with the same amount | 0:01:17 | 0:01:19 | |
but his pockets have bulged | 0:01:19 | 0:01:22 | |
to an impressive £369.40. | 0:01:22 | 0:01:25 | |
Better! | 0:01:25 | 0:01:26 | |
It's another glorious day in the British countryside! | 0:01:28 | 0:01:32 | |
Actually, they're battling the elements | 0:01:32 | 0:01:35 | |
in this red 1968 Triumph Herald. | 0:01:35 | 0:01:37 | |
-A moment ago we were in our sunglasses. -Yes. | 0:01:38 | 0:01:41 | |
It was OK, sort of warmish, wasn't it? | 0:01:41 | 0:01:44 | |
-Bracing! -Bracing, but doable. | 0:01:44 | 0:01:47 | |
-Now, suddenly, we've gone to November. -Indeed! | 0:01:47 | 0:01:51 | |
But this is a time-travelling machine, isn't it? | 0:01:51 | 0:01:53 | |
THEY LAUGH | 0:01:53 | 0:01:55 | |
On this route, our fearless compadres | 0:01:58 | 0:02:00 | |
started in Windermere in the Lake District, | 0:02:00 | 0:02:03 | |
travelling a 600-mile journey to the city of Dundee. | 0:02:03 | 0:02:06 | |
Today they're starting in Hexham in Northumberland, | 0:02:09 | 0:02:12 | |
before heading north-west across the Scottish border | 0:02:12 | 0:02:14 | |
for auction in Dumfries. | 0:02:14 | 0:02:17 | |
Located just a few miles south of Hadrian's Wall, | 0:02:20 | 0:02:23 | |
the charming market town of Hexham was once a key border town. | 0:02:23 | 0:02:27 | |
It has played scene to many battles | 0:02:28 | 0:02:31 | |
between the Scots and the English. | 0:02:31 | 0:02:33 | |
Today it's host to another one, | 0:02:34 | 0:02:36 | |
with auction riches and reputations at stake. | 0:02:36 | 0:02:40 | |
-Oh, here we are, Paul. -Hexham, I presume? | 0:02:40 | 0:02:43 | |
First day's shopping. THEY LAUGH | 0:02:43 | 0:02:45 | |
-Are you raring to go? -Good luck, my man. | 0:02:45 | 0:02:47 | |
-I'll see you later. -Have a good one. | 0:02:47 | 0:02:49 | |
Such good sportsmanship, chaps. | 0:02:49 | 0:02:52 | |
Paul is popping into the family-run Ashbourne House Antiques | 0:02:54 | 0:02:58 | |
to bag the first bargain of the trip. | 0:02:58 | 0:03:00 | |
-I better introduce myself, I'm Paul. -Oh, hello, I'm Beryl. | 0:03:02 | 0:03:06 | |
-Good to see you, and this is yours? -Yes, it is, indeed. | 0:03:06 | 0:03:09 | |
This place has a lot of antique militaria, | 0:03:09 | 0:03:12 | |
much from the First and Second World Wars. | 0:03:12 | 0:03:15 | |
As a keen collector, that should be right up Paul's street. | 0:03:15 | 0:03:18 | |
A lamp... | 0:03:18 | 0:03:20 | |
This doesn't look military to me. | 0:03:22 | 0:03:24 | |
I love this. | 0:03:24 | 0:03:26 | |
This is superb. Look, I've got to say it, a horrible word, | 0:03:26 | 0:03:29 | |
"quirky". | 0:03:29 | 0:03:31 | |
Look, I said it. And I'm not ashamed. | 0:03:31 | 0:03:34 | |
OK, I feel slightly dirty. | 0:03:34 | 0:03:36 | |
That's a Wee Willie Winkie-style chamber stick, is it not? | 0:03:36 | 0:03:40 | |
It's a little portable candlestick to get one from chamber to chamber | 0:03:40 | 0:03:43 | |
in the dark hours of the night. | 0:03:43 | 0:03:46 | |
We have light switches for that sort of thing nowadays! | 0:03:46 | 0:03:50 | |
It's battery-operated and possibly from the 1940s, | 0:03:50 | 0:03:53 | |
made from Bakelite plastic. | 0:03:53 | 0:03:56 | |
It's ticketed at £26. | 0:03:57 | 0:04:00 | |
A bit of a problem, | 0:04:00 | 0:04:02 | |
a little breakage. | 0:04:02 | 0:04:03 | |
Never buy anything you're going to have two apologise for. | 0:04:03 | 0:04:06 | |
Golden rule. | 0:04:06 | 0:04:08 | |
But I'm still tempted. | 0:04:09 | 0:04:11 | |
It's great, isn't it? | 0:04:11 | 0:04:12 | |
I don't know! | 0:04:12 | 0:04:13 | |
It might give me sleepness nights if I had to sell that at auction! | 0:04:13 | 0:04:17 | |
Something a bit more weighty has caught Paul's eye. | 0:04:20 | 0:04:23 | |
It's a late 19th, or early 20th century | 0:04:25 | 0:04:27 | |
marine navigational sextant, or quadrant. | 0:04:27 | 0:04:30 | |
Seafarers would use one | 0:04:32 | 0:04:34 | |
to measure the angle between two objects in the sky | 0:04:34 | 0:04:37 | |
and plot their exact position at sea. | 0:04:37 | 0:04:40 | |
It's a good thing. It's a good thing, look at that. | 0:04:41 | 0:04:44 | |
Mmm, but good enough for its £200 ticket price? | 0:04:46 | 0:04:49 | |
If it's going to be two, I can't buy it. | 0:04:49 | 0:04:51 | |
What about 180? | 0:04:51 | 0:04:53 | |
It's not enough. I'll tell you what I want to do, | 0:04:53 | 0:04:56 | |
I want to try and buy something else from you. | 0:04:56 | 0:05:00 | |
-I've picked that up. -I know it's damaged. | 0:05:00 | 0:05:02 | |
What a shame, but isn't it just crazy? Love it. | 0:05:02 | 0:05:06 | |
-A straight 20 would be OK. -Ah, no, no, no. | 0:05:06 | 0:05:09 | |
So I want to give you, so you know where I stand, | 0:05:09 | 0:05:13 | |
I want to give you £10 for that and 150 for that, | 0:05:13 | 0:05:15 | |
but we're not striking a deal now. | 0:05:15 | 0:05:17 | |
-That's where I stand, OK? -Indeed we're not, no. -Right! | 0:05:17 | 0:05:19 | |
Beryl doesn't seem to be budging. | 0:05:21 | 0:05:23 | |
Paul is wandering around, | 0:05:23 | 0:05:25 | |
but isn't particularly keen on much else. | 0:05:25 | 0:05:28 | |
Is this a tactic to soften Beryl up for his final offer? | 0:05:28 | 0:05:34 | |
It could be a good strategy, this. | 0:05:34 | 0:05:36 | |
Are you going to give me that sexton for 150 quid, then? | 0:05:36 | 0:05:39 | |
160 for the sexton and the Bakelite. | 0:05:39 | 0:05:42 | |
It's a wee candlestick for a bit of frivolity | 0:05:42 | 0:05:44 | |
and the sextant is as it is. I know exactly what we're talking about | 0:05:44 | 0:05:48 | |
and I'm happy to take a punt at it. | 0:05:48 | 0:05:50 | |
160? | 0:05:50 | 0:05:51 | |
-Go on, then. -Thanks, Beryl! | 0:05:51 | 0:05:53 | |
Loving your work! | 0:05:53 | 0:05:55 | |
The wandering around seems to have worked. | 0:05:55 | 0:05:58 | |
Beryl seems happy with the price and Paul's secured his first piece | 0:05:58 | 0:06:03 | |
and that Wee Willie Winkie for £160. | 0:06:03 | 0:06:06 | |
Marvellous! | 0:06:06 | 0:06:08 | |
Meanwhile, David has arrived at the nearby Malcolm Eglin Antiques. | 0:06:10 | 0:06:15 | |
This must be Malcolm. Hello, Malcolm. | 0:06:15 | 0:06:18 | |
-Hello, Malcolm, David Harper. -Nice to see you. | 0:06:18 | 0:06:20 | |
-I love those trousers. -I borrowed them for this morning. | 0:06:20 | 0:06:23 | |
Did you really? | 0:06:23 | 0:06:24 | |
It would have been ironic if I'd put mine on, wouldn't it? | 0:06:24 | 0:06:27 | |
THEY LAUGH | 0:06:27 | 0:06:28 | |
I brought a change, just in case! | 0:06:28 | 0:06:30 | |
-Did you? -No, I'm teasing. | 0:06:30 | 0:06:32 | |
Malcolm's a man prepared for any eventuality, | 0:06:32 | 0:06:35 | |
but is he prepared for David's hard bargaining? | 0:06:35 | 0:06:38 | |
His shop is family-owned | 0:06:40 | 0:06:42 | |
and has a nice homely feel to it. | 0:06:42 | 0:06:44 | |
This is really how antique shops are going | 0:06:44 | 0:06:46 | |
and this is how they should be presented. | 0:06:46 | 0:06:49 | |
It gives you an idea | 0:06:49 | 0:06:50 | |
of how an object might look in your house, | 0:06:50 | 0:06:53 | |
rather than just piling stuff in. | 0:06:53 | 0:06:56 | |
It's so well done, everything's clean and fresh | 0:06:56 | 0:06:58 | |
and you could feel it in your own home. | 0:06:58 | 0:07:01 | |
David is £155 behind Paul | 0:07:02 | 0:07:04 | |
so needs something impressive on this trip to bridge the gap. | 0:07:04 | 0:07:09 | |
So, as ever, he has set his eyes to the Orient for inspiration. | 0:07:10 | 0:07:15 | |
This 19th-century Chinese games board | 0:07:15 | 0:07:18 | |
looks like it's made from lacquered wood and papier-mache. | 0:07:18 | 0:07:22 | |
It may have been made for export around the 1880s | 0:07:22 | 0:07:25 | |
and has a ticket price of £165. | 0:07:25 | 0:07:27 | |
But David will want a discount - | 0:07:27 | 0:07:30 | |
of course! | 0:07:30 | 0:07:32 | |
165 on the ticket, how would it be at 110? | 0:07:33 | 0:07:37 | |
-Yeah, I mean, it's nice, it's nice. -Where do you want to be with it? | 0:07:37 | 0:07:41 | |
Oh, I daren't say. | 0:07:41 | 0:07:42 | |
If you daren't say, don't say. | 0:07:42 | 0:07:45 | |
It's not like you to be bashful, David. | 0:07:45 | 0:07:47 | |
There is a photo on the wall, however, | 0:07:49 | 0:07:51 | |
that I think is quite priceless. | 0:07:51 | 0:07:54 | |
Look, please, can I not go anywhere without seeing this character? | 0:07:54 | 0:07:59 | |
No, you cannot. | 0:07:59 | 0:08:01 | |
He gets everywhere! | 0:08:01 | 0:08:03 | |
Yeah, well, somebody's got to keep an eye on you lot. | 0:08:03 | 0:08:06 | |
David's back at the games set again. | 0:08:07 | 0:08:10 | |
He's certainly keen on it. | 0:08:10 | 0:08:12 | |
He's ready to make a new offer, I fancy. | 0:08:12 | 0:08:15 | |
For me to get out of it... | 0:08:15 | 0:08:17 | |
-90. -Yeah, it's... | 0:08:18 | 0:08:21 | |
There's got to be a profit in there, David. | 0:08:21 | 0:08:24 | |
It couldn't be 60? | 0:08:24 | 0:08:25 | |
I'll tell you what, shake on 80. | 0:08:25 | 0:08:27 | |
-I'll do it at 70. -Couldn't. | 0:08:27 | 0:08:29 | |
I'm not going to lose on it, sorry. | 0:08:29 | 0:08:32 | |
I know, I know. I'm being mercenary, | 0:08:32 | 0:08:34 | |
only because I have to be for this one. | 0:08:34 | 0:08:37 | |
Because he's blinking thrashing me, Malcolm, | 0:08:37 | 0:08:39 | |
that's what he's doing, thrashing me. | 0:08:39 | 0:08:41 | |
-MOURNFUL MUSIC -OK, here we go. | 0:08:41 | 0:08:44 | |
It looks like he's playing the sympathy card. | 0:08:44 | 0:08:46 | |
-Come on, 75. -Good man, thank you very much. | 0:08:46 | 0:08:49 | |
-Good man. -No problem. | 0:08:49 | 0:08:51 | |
It worked! Is this a new negotiating tactic from David? | 0:08:53 | 0:08:57 | |
Another string to his bow? | 0:08:57 | 0:08:59 | |
First item bagged, which is just as well, | 0:09:03 | 0:09:06 | |
as Paul is on his way. | 0:09:06 | 0:09:07 | |
-Well, about time, Laidlaw! -Compadre! | 0:09:10 | 0:09:13 | |
The sun is shining | 0:09:13 | 0:09:15 | |
-and here comes... a groin strain. -Whey-hey! | 0:09:15 | 0:09:18 | |
THEY LAUGH | 0:09:18 | 0:09:19 | |
Wait a minute, David, have you stolen something? | 0:09:19 | 0:09:21 | |
Am I technically a getaway driver? | 0:09:21 | 0:09:24 | |
Hang on! | 0:09:24 | 0:09:26 | |
-And...yes! -Boot it! | 0:09:26 | 0:09:28 | |
Oh, crikey! Batman's job's safe. | 0:09:30 | 0:09:32 | |
Paul's driving David 12 miles | 0:09:37 | 0:09:38 | |
to the village of Mickley in Northumberland. | 0:09:38 | 0:09:42 | |
-Here you go! -Thank you very much indeed. This is my treat for the day. | 0:09:45 | 0:09:48 | |
I am looking forward to hearing how this goes. I envy you, this one. | 0:09:48 | 0:09:52 | |
-Do you? -Yeah. -Cracking, have a good shop. | 0:09:52 | 0:09:54 | |
-Enjoy, I know you will. -I will. See you later, Paul. | 0:09:54 | 0:09:57 | |
-See you later. -Bye. | 0:09:57 | 0:09:58 | |
David is visiting the exquisite Cherryburn House, | 0:10:01 | 0:10:04 | |
the birthplace of 18th century naturalist | 0:10:04 | 0:10:06 | |
and trailblazing print artist Thomas Bewick. | 0:10:06 | 0:10:10 | |
David's meeting Emily Bryce from the National Trust. | 0:10:12 | 0:10:16 | |
-You must be Emily. -Hi. Nice to meet you. | 0:10:16 | 0:10:18 | |
Thank you very much and I see you've just been admiring | 0:10:18 | 0:10:20 | |
that wonderful northeastern view there. | 0:10:20 | 0:10:22 | |
Yeah, it's really something quite special, | 0:10:22 | 0:10:24 | |
particularly on a day like today. | 0:10:24 | 0:10:27 | |
Thomas Bewick spent his formative years at the Cherryburn farmhouse. | 0:10:27 | 0:10:30 | |
It's here he developed a passion for ornithology | 0:10:30 | 0:10:33 | |
which, together with his artistic flair, | 0:10:33 | 0:10:36 | |
enabled him to make precise drawings of the wildlife around him. | 0:10:36 | 0:10:40 | |
Aged 14, Bewick became an engraver in Newcastle, | 0:10:42 | 0:10:47 | |
but this museum at Cherryburn still retains examples of his work. | 0:10:47 | 0:10:51 | |
It's a first edition | 0:10:51 | 0:10:54 | |
of The History Of British Birds, which was Bewick's second major work. | 0:10:54 | 0:10:59 | |
And this is the Land Birds version of it. | 0:10:59 | 0:11:02 | |
He also did a Water Birds book. | 0:11:02 | 0:11:05 | |
You can get to see lots of very intricate images | 0:11:05 | 0:11:09 | |
of the birds themselves. | 0:11:09 | 0:11:11 | |
During the day, Bewick engraved business signs, | 0:11:11 | 0:11:14 | |
but in the evenings he would work on great illustrations | 0:11:14 | 0:11:18 | |
that would reveal his true creative craftsmanship. | 0:11:18 | 0:11:21 | |
He started off doing drawings from stuffed birds | 0:11:21 | 0:11:24 | |
but what he decided was that, actually, | 0:11:24 | 0:11:28 | |
the stuffed birds, they were never posed in natural poses, | 0:11:28 | 0:11:30 | |
so he didn't like that. He used to ask people | 0:11:30 | 0:11:34 | |
when they would go shooting or kill a bird, | 0:11:34 | 0:11:36 | |
to either post one to him, | 0:11:36 | 0:11:38 | |
or he got them from a whole range of sources, | 0:11:38 | 0:11:41 | |
so he was getting them through the post. | 0:11:41 | 0:11:43 | |
Bewick developed a method of using engraving machinery | 0:11:43 | 0:11:47 | |
to create complex printed images. | 0:11:47 | 0:11:50 | |
This is a replica of the printing press | 0:11:52 | 0:11:55 | |
that would have featured at Bewick's workshop in Newcastle. | 0:11:55 | 0:11:58 | |
It's operated by historic printing adviser Christopher Bacon. | 0:11:58 | 0:12:02 | |
This is the original wood-engraved block | 0:12:02 | 0:12:05 | |
made by Thomas Bewick, and it's from the picture you've been looking at. | 0:12:05 | 0:12:10 | |
What's interesting about it is you can see that | 0:12:10 | 0:12:12 | |
the block has been relieved to different levels. | 0:12:12 | 0:12:14 | |
This was all part of his technique. | 0:12:14 | 0:12:16 | |
It meant that the lower levels would actually ink more lightly | 0:12:16 | 0:12:19 | |
and the higher levels would take more ink, | 0:12:19 | 0:12:22 | |
and they'd get the pressure first when the platen comes down. | 0:12:22 | 0:12:25 | |
This was a completely new innovation. | 0:12:25 | 0:12:29 | |
Till this point, most printing plates had been flat, | 0:12:29 | 0:12:32 | |
and if you wanted an engraving, | 0:12:32 | 0:12:34 | |
it would need to be done on a copper plate. | 0:12:34 | 0:12:37 | |
But Bewick combined the skills he learned as an engraver | 0:12:37 | 0:12:41 | |
to create something special. | 0:12:41 | 0:12:43 | |
-There you can see the detail. -Oh, my golly gosh. | 0:12:43 | 0:12:47 | |
Thank you very much indeed! | 0:12:47 | 0:12:49 | |
Bewick revolutionised print art in Georgian England, | 0:12:51 | 0:12:54 | |
and Cherryburn House offers a snapshot | 0:12:54 | 0:12:57 | |
of the 18th-century rural life | 0:12:57 | 0:12:59 | |
of perhaps Northumberland's greatest artist. | 0:12:59 | 0:13:02 | |
Whilst David is in Mickley, | 0:13:04 | 0:13:07 | |
Paul has driven to the seaside town of Whitley Bay | 0:13:07 | 0:13:11 | |
to take in some bracing sea air. | 0:13:11 | 0:13:13 | |
The town was simply known as Whitley until the 1880s, | 0:13:17 | 0:13:21 | |
but constant confusion with the town of Whitby in North Yorkshire | 0:13:21 | 0:13:25 | |
led to a re-christening with the simple addition of the word "bay". | 0:13:25 | 0:13:29 | |
One place that has kept the old name, though, | 0:13:33 | 0:13:36 | |
is Whitley Jewellery and Antiques, | 0:13:36 | 0:13:38 | |
and that's where Paul is. | 0:13:38 | 0:13:40 | |
It's parky out there, I'll tell you! | 0:13:40 | 0:13:43 | |
-Nice to meet you. -You are...? -Philip. -Good to see you. | 0:13:43 | 0:13:46 | |
-I'm Paul. -And Linda. -Linda, how are you? -I'm fine, thanks, Paul. | 0:13:46 | 0:13:49 | |
Good to see you. | 0:13:49 | 0:13:50 | |
Formalities out of the way, | 0:13:50 | 0:13:52 | |
Paul likes to make his way around each shop clockwise. | 0:13:52 | 0:13:56 | |
Or is that anticlockwise?! | 0:13:56 | 0:13:58 | |
Now I've deviated, haven't I? | 0:13:58 | 0:14:01 | |
I was clockwise and now I've gone there. | 0:14:01 | 0:14:03 | |
That's all wrong. | 0:14:03 | 0:14:05 | |
It's how you miss stuff. | 0:14:05 | 0:14:07 | |
Easy mistake to make, I guess. | 0:14:07 | 0:14:09 | |
Paul's going for a deep rummage. | 0:14:11 | 0:14:13 | |
His eagle eyes have spotted something, though, | 0:14:13 | 0:14:16 | |
shining on the floor. | 0:14:16 | 0:14:18 | |
How bizarre. | 0:14:18 | 0:14:20 | |
I've never seen the likes. | 0:14:20 | 0:14:23 | |
Tweedledum, Tweedledee | 0:14:23 | 0:14:25 | |
and one with the Queen of Hearts' pages. | 0:14:25 | 0:14:29 | |
These brass plaques | 0:14:29 | 0:14:30 | |
feature the characters from the original novel | 0:14:30 | 0:14:33 | |
Alice's Adventures In Wonderland | 0:14:33 | 0:14:35 | |
and are probably late 19th or early 20th century. | 0:14:35 | 0:14:39 | |
They're too far gone, aren't they? Polished to oblivion. | 0:14:39 | 0:14:43 | |
Someone's had a right good go at cleaning these | 0:14:43 | 0:14:46 | |
and it's taken a bit of the shine off them. | 0:14:46 | 0:14:49 | |
Is there any money on the brass plaques? Are they dear | 0:14:49 | 0:14:52 | |
or are they not dear? | 0:14:52 | 0:14:54 | |
Well, we've got them marked up at £25 each. | 0:14:54 | 0:14:57 | |
-So they're dear in my book! -You think they're dear? -I do. | 0:14:57 | 0:15:00 | |
See if they were sharp? They're worth a punt. | 0:15:00 | 0:15:05 | |
Paul looks like he's deep in thought about Tweedledum and Tweedledee. | 0:15:05 | 0:15:09 | |
Are they really worth £50? | 0:15:11 | 0:15:13 | |
And can he do a deal? | 0:15:13 | 0:15:14 | |
I do want to buy them, to be honest with you. | 0:15:14 | 0:15:18 | |
I want to buy something, | 0:15:18 | 0:15:21 | |
but I'm not a gambler | 0:15:21 | 0:15:23 | |
-and I'm going to make you a puny wee offer... -Right. | 0:15:23 | 0:15:26 | |
..of a tenner. | 0:15:26 | 0:15:28 | |
-Each? -No. -Oh! | 0:15:28 | 0:15:30 | |
He drives a hard bargain. | 0:15:30 | 0:15:32 | |
-I'll see what I can do for you. -Look at all that damage. | 0:15:32 | 0:15:35 | |
Shall we go in the middle? 15? | 0:15:35 | 0:15:38 | |
-I'm offering you a tenner. -Ah, Paul... | 0:15:38 | 0:15:41 | |
Do you know what you need to do next time? | 0:15:41 | 0:15:43 | |
Not have them buried in the corner, | 0:15:43 | 0:15:45 | |
as though you'd given up all hope of getting anything for them! | 0:15:45 | 0:15:48 | |
That is sending me a subliminal message. | 0:15:48 | 0:15:51 | |
That'll be lovely. You can have them for ten. | 0:15:51 | 0:15:53 | |
You, my friend, are a good man. | 0:15:53 | 0:15:55 | |
Thanks very much! | 0:15:55 | 0:15:58 | |
Thank you. | 0:15:58 | 0:15:59 | |
Can there be a better pair of mascots | 0:15:59 | 0:16:02 | |
than Tweedledum and Tweedledee to join our wanderers' road trip? | 0:16:02 | 0:16:06 | |
Having avoided any white rabbits, | 0:16:08 | 0:16:11 | |
Paul's picked up David | 0:16:11 | 0:16:13 | |
and the two seek shelter for the evening, | 0:16:13 | 0:16:16 | |
so night-night. | 0:16:16 | 0:16:18 | |
It's the start of a new day on the road. | 0:16:24 | 0:16:28 | |
-So, you've got a lot of shopping to do today. -I do. | 0:16:28 | 0:16:31 | |
I'm excited. I'm raring to go. | 0:16:31 | 0:16:33 | |
I just want to get on the ground and get buying. | 0:16:33 | 0:16:35 | |
THEY CHUCKLE | 0:16:35 | 0:16:37 | |
-The evil laugh is out. -Just as I had suspected, | 0:16:37 | 0:16:41 | |
he's fallen for my plan! | 0:16:41 | 0:16:43 | |
Oh, Lordy. | 0:16:46 | 0:16:48 | |
Yesterday, David splashed out £75 on a 19th-century Chinese games board, | 0:16:50 | 0:16:55 | |
leaving him £139.60. | 0:16:55 | 0:16:59 | |
Paul pushed the boat out, | 0:17:02 | 0:17:03 | |
spending £170 on the marine navigational aid, | 0:17:03 | 0:17:07 | |
a Bakelite chamber stick | 0:17:07 | 0:17:09 | |
and two brass plaques, | 0:17:09 | 0:17:11 | |
leaving him £199.40 today. | 0:17:11 | 0:17:15 | |
This morning, | 0:17:18 | 0:17:19 | |
the boys are off to the historic coastal borough of Tynemouth. | 0:17:19 | 0:17:23 | |
They're heading straight to Tynemouth Market, | 0:17:25 | 0:17:28 | |
a place that's just about big enough for the two of them. | 0:17:28 | 0:17:31 | |
OK, left or right? | 0:17:31 | 0:17:33 | |
There's nothing that way. You go that way! | 0:17:33 | 0:17:36 | |
PAUL LAUGHS | 0:17:36 | 0:17:38 | |
-Oh, David! -You! You! | 0:17:38 | 0:17:40 | |
It's meant in jest. | 0:17:40 | 0:17:42 | |
Look at all that! | 0:17:42 | 0:17:44 | |
-Good luck! -See you later. | 0:17:44 | 0:17:46 | |
Get on with it, then! | 0:17:46 | 0:17:48 | |
Tynemouth Market is based | 0:17:48 | 0:17:50 | |
at Tynemouth's magnificent railway station. | 0:17:50 | 0:17:54 | |
It's the working railway station for the Tyne and Wear Metro | 0:17:56 | 0:18:00 | |
but, at weekends, it transforms into a bustling marketplace. | 0:18:00 | 0:18:03 | |
They sell just about everything imaginable here. | 0:18:03 | 0:18:06 | |
Cracking pair of boots, eh? | 0:18:06 | 0:18:08 | |
-It was a fine man - a gentleman - that wore those. -Oh, yes. | 0:18:08 | 0:18:12 | |
Gee whizz, can you imagine? | 0:18:12 | 0:18:14 | |
But with so many stalls to choose from, | 0:18:17 | 0:18:20 | |
it's a race to see who bags the best bargains first. | 0:18:20 | 0:18:23 | |
I've not got time to think about what David's up to. | 0:18:23 | 0:18:26 | |
He'll be a man on a mission, a machine, | 0:18:26 | 0:18:28 | |
a bargain-hunting Terminator. | 0:18:28 | 0:18:31 | |
Our David, though, is no Terminator. | 0:18:31 | 0:18:34 | |
He's actually a pussycat. | 0:18:34 | 0:18:36 | |
But he IS on a mission. | 0:18:36 | 0:18:38 | |
1959. Paul will remember that. He would have been... How old is he now? | 0:18:38 | 0:18:41 | |
Paul's 75... He would, I suppose, just be getting married in '59(!) | 0:18:41 | 0:18:44 | |
-He looks good, but he's had a few operations. -Ho-ho-ho! | 0:18:44 | 0:18:48 | |
I didn't think he was as young as that(!) | 0:18:48 | 0:18:50 | |
Speaking of things of a fair age, | 0:18:50 | 0:18:53 | |
David's picked up a silver lady's parasol handle | 0:18:53 | 0:18:56 | |
in the form of a swan. | 0:18:56 | 0:18:57 | |
-It's a novelty thing but missing the eye is a major problem. -It is. | 0:18:57 | 0:19:01 | |
Gosh, that would have been a very fine piece of kit, | 0:19:01 | 0:19:04 | |
so made for a lady of quite some substance. | 0:19:04 | 0:19:07 | |
It's hallmarked 1901, but has a bit of damage. | 0:19:07 | 0:19:09 | |
Silver can sell quite well | 0:19:09 | 0:19:11 | |
but is it worth the £50 dealer Chris is asking for it? | 0:19:11 | 0:19:15 | |
I can't do it. I'd like to own it | 0:19:15 | 0:19:17 | |
because it's an item of quality. | 0:19:17 | 0:19:19 | |
-It has a little bit of damage. -It's got damage. | 0:19:19 | 0:19:22 | |
What's the price that you'd like to buy it at? | 0:19:22 | 0:19:25 | |
-I'd love it at a tenner but I'm not going to get it, am I? -No. -OK. | 0:19:25 | 0:19:28 | |
Anywhere near? | 0:19:28 | 0:19:29 | |
Um... I think the bottom would have to be 30. | 0:19:29 | 0:19:33 | |
Make it 20 and I'll have it. | 0:19:34 | 0:19:37 | |
Let's do some business. | 0:19:37 | 0:19:38 | |
25. | 0:19:38 | 0:19:40 | |
Spin you for it? | 0:19:40 | 0:19:42 | |
-20 or 25? -Yeah. -OK. | 0:19:42 | 0:19:45 | |
Oh, Lordy! | 0:19:45 | 0:19:47 | |
He's not going to try this old trick again, is he? | 0:19:47 | 0:19:50 | |
If he wins, he gets it for 20. | 0:19:50 | 0:19:52 | |
Lose, and it's 25. | 0:19:52 | 0:19:54 | |
-OK, what do you want? -Heads. -Heads? | 0:19:54 | 0:19:56 | |
Tails. | 0:19:58 | 0:19:59 | |
Huh! Fluke! | 0:19:59 | 0:20:02 | |
And for just £20, let's hope he's even luckier at the auction. | 0:20:02 | 0:20:06 | |
First purchase, first stall - this is what I like. | 0:20:06 | 0:20:10 | |
Paul, meanwhile, is on the other side of the concourse | 0:20:10 | 0:20:13 | |
and he's being called towards some vintage phones. | 0:20:13 | 0:20:17 | |
I mean, I'm a man for my vintage technology and instruments. | 0:20:17 | 0:20:20 | |
These are style icons, are they not? | 0:20:20 | 0:20:24 | |
A bit like yourself, Paul, | 0:20:24 | 0:20:26 | |
but are they stylish enough | 0:20:26 | 0:20:27 | |
to pay dealer David £48 for them? | 0:20:27 | 0:20:30 | |
They look magic! | 0:20:30 | 0:20:33 | |
They look absolutely spectacular. | 0:20:33 | 0:20:35 | |
Clearly, you have worked on these, these are good to go, | 0:20:35 | 0:20:38 | |
-plug them in and you're away. -Yes. | 0:20:38 | 0:20:39 | |
Could you sell me one of these at a knockdown price? | 0:20:39 | 0:20:44 | |
It depends on what the knockdown price is. | 0:20:44 | 0:20:47 | |
I don't know. What am I going to buy for 25 quid? Anything? | 0:20:47 | 0:20:51 | |
No, I'm afraid not. | 0:20:51 | 0:20:53 | |
The red and ivory? | 0:20:53 | 0:20:56 | |
I've got that at 48. | 0:20:56 | 0:20:59 | |
And I would take 38. | 0:20:59 | 0:21:01 | |
Is there any way on God's Earth you'd take 30 quid for it? | 0:21:03 | 0:21:07 | |
It's a one-off, so I'd agree to do that. | 0:21:07 | 0:21:10 | |
-You're a good man. I like your style in every regard. -Thank you. | 0:21:10 | 0:21:14 | |
-Thank you. I'll give you some money. -OK. | 0:21:14 | 0:21:16 | |
Whilst Paul secures his first item of the day, | 0:21:16 | 0:21:20 | |
David is still struggling to find something he likes. | 0:21:20 | 0:21:23 | |
So much choice - and, potentially, so little time. | 0:21:23 | 0:21:26 | |
He knows he needs to buy carefully | 0:21:28 | 0:21:30 | |
if he wants to close the £155 lead Paul has on him. | 0:21:30 | 0:21:36 | |
Speaking of which, | 0:21:36 | 0:21:38 | |
Paul is eyeing up these watchmaker's glasses, priced at £40. | 0:21:38 | 0:21:42 | |
Now, if you have a broken glass on an old watch, | 0:21:42 | 0:21:46 | |
it's nearly impossible to ever find a replacement. | 0:21:46 | 0:21:50 | |
An interesting thing, innit? | 0:21:50 | 0:21:53 | |
-You got much money on that? -We try to get about 40 for it. | 0:21:53 | 0:21:56 | |
Have you been trying for long, is the question! | 0:21:56 | 0:21:58 | |
-I've had it about two years. -No! | 0:21:58 | 0:22:01 | |
HE LAUGHS | 0:22:01 | 0:22:03 | |
Let me have another wee look at it, yeah? | 0:22:03 | 0:22:06 | |
The set comes with several rubber tools | 0:22:06 | 0:22:09 | |
and glasses to repair many different types of watches, | 0:22:09 | 0:22:12 | |
however, there is a part missing. | 0:22:12 | 0:22:14 | |
Could dealer David take another offer? | 0:22:16 | 0:22:19 | |
It's like a mandrel that's missing. | 0:22:19 | 0:22:22 | |
Bid you a tenner for it? | 0:22:22 | 0:22:24 | |
Take it off your hands two years later. | 0:22:24 | 0:22:27 | |
-15. -Take the money and run. -15. | 0:22:27 | 0:22:29 | |
-Tenner? -I'll meet you halfway - 12? -Deal. | 0:22:29 | 0:22:32 | |
Cheers, my man. Thanks for that. | 0:22:32 | 0:22:35 | |
The watch glasses join the phone, | 0:22:35 | 0:22:37 | |
making up a £42 haul for Paul. | 0:22:37 | 0:22:40 | |
David, however, is still wandering around | 0:22:42 | 0:22:45 | |
but can't see anything else he fancies. | 0:22:45 | 0:22:47 | |
But with just two items against Paul's five, | 0:22:47 | 0:22:51 | |
and with one more shop to go, | 0:22:51 | 0:22:53 | |
he really needs to start buying. | 0:22:53 | 0:22:56 | |
But it looks like he's decided it's not to be. | 0:22:56 | 0:22:59 | |
Paul, having completed his shopping, is heading north, | 0:23:03 | 0:23:07 | |
up the coast to the former mining town of Ashington. | 0:23:07 | 0:23:11 | |
Woodhorn Museum records the rich mining history of the town, | 0:23:13 | 0:23:17 | |
but that's not the reason he's here today. | 0:23:17 | 0:23:20 | |
Paul has come to hear about one of the key turning points | 0:23:20 | 0:23:22 | |
of the Second World War - | 0:23:22 | 0:23:24 | |
the capture of the German coding machine, Enigma. | 0:23:24 | 0:23:28 | |
Whilst the Enigma isn't here, | 0:23:30 | 0:23:32 | |
Paul is meeting Charles Baker-Cresswell. | 0:23:32 | 0:23:35 | |
His father captured the first Enigma machines | 0:23:35 | 0:23:38 | |
seized during the war. | 0:23:38 | 0:23:40 | |
-Is it Charles? -It's Charles. -Pleased to meet you, I'm Paul. | 0:23:40 | 0:23:43 | |
Great. | 0:23:43 | 0:23:44 | |
Britain required more than a million tonnes of imported material per week | 0:23:44 | 0:23:50 | |
in order to survive the war. | 0:23:50 | 0:23:52 | |
Charles's father, AJ Baker-Cresswell, | 0:23:52 | 0:23:57 | |
was commanding officer of HMS Bulldog. | 0:23:57 | 0:24:00 | |
During the war, he ensured the safe passage of merchant ships | 0:24:02 | 0:24:06 | |
supplying essential materials and food for the war effort. | 0:24:06 | 0:24:11 | |
My word, he cuts quite a fine dash in his naval uniform. | 0:24:11 | 0:24:16 | |
He does. He was a good-looking man. | 0:24:16 | 0:24:18 | |
So this would be, I assume, | 0:24:18 | 0:24:20 | |
-towards the tail end of the First World War? -Yes, I would think so. | 0:24:20 | 0:24:23 | |
On 9th May 1941, | 0:24:26 | 0:24:28 | |
their convoy was fired upon | 0:24:28 | 0:24:30 | |
by German U-boat 110. | 0:24:30 | 0:24:33 | |
They returned fire, | 0:24:33 | 0:24:35 | |
crippling the German U-boat, | 0:24:35 | 0:24:37 | |
forcing them to abandon ship and surrender. | 0:24:37 | 0:24:40 | |
Crucially, the U-boat stayed afloat, | 0:24:40 | 0:24:43 | |
giving Commander Baker-Cresswell's crew | 0:24:43 | 0:24:46 | |
a rare chance to get their hands on the elusive Enigma machine. | 0:24:46 | 0:24:50 | |
And there is a photograph taken by my father | 0:24:51 | 0:24:55 | |
from the bridge. That is HMS Bulldog, | 0:24:55 | 0:24:58 | |
that's U 110, | 0:24:58 | 0:25:00 | |
those are the British sailors on the U-boat. | 0:25:00 | 0:25:03 | |
She's down at the stern already. | 0:25:03 | 0:25:05 | |
She's down at the stern and a Lieutenant Balme, | 0:25:05 | 0:25:08 | |
who was a young man of 19 then, | 0:25:08 | 0:25:10 | |
he went down the hole in the U-boat | 0:25:10 | 0:25:13 | |
and the whole lot went down and started passing stuff up. | 0:25:13 | 0:25:17 | |
Everything, anything, | 0:25:17 | 0:25:19 | |
-including the encoding machine. -My word. | 0:25:19 | 0:25:22 | |
-Knowing that at any point this thing could go under. -Yeah. | 0:25:22 | 0:25:25 | |
-My word, the bravery. -Yeah. | 0:25:25 | 0:25:28 | |
Once in their hands, though, | 0:25:28 | 0:25:30 | |
code-breakers worked to understand the machine. | 0:25:30 | 0:25:32 | |
Within a few months, they were finally able | 0:25:32 | 0:25:36 | |
to decipher top-secret German military instructions. | 0:25:36 | 0:25:39 | |
By capturing this Enigma machine from 110, | 0:25:39 | 0:25:42 | |
it resulted in the saving of countless lives | 0:25:42 | 0:25:45 | |
-because we had broken the Enigma code. -Yes. | 0:25:45 | 0:25:48 | |
And we knew what the Germans were up to. Wow. | 0:25:48 | 0:25:50 | |
Historians believe the capture and cracking of the Enigma code | 0:25:50 | 0:25:54 | |
shortened the war by two years, | 0:25:54 | 0:25:56 | |
saving many lives. | 0:25:56 | 0:25:58 | |
But the Enigma machine wasn't the only treasure | 0:25:58 | 0:26:01 | |
Baker-Cresswell's crew found that day. | 0:26:01 | 0:26:03 | |
This is the chronometer that my father got out. | 0:26:03 | 0:26:06 | |
Being a navigator, he was interested. | 0:26:06 | 0:26:09 | |
This is the actual ship's chronometer from U 110? | 0:26:09 | 0:26:13 | |
Absolutely. | 0:26:13 | 0:26:15 | |
And there is the German sea eagle. | 0:26:15 | 0:26:19 | |
Ownership mark of the Kriegsmarine. | 0:26:19 | 0:26:21 | |
And here's the sextant, | 0:26:21 | 0:26:22 | |
which my father also took star shots from the Bulldog with | 0:26:22 | 0:26:27 | |
that same night. | 0:26:27 | 0:26:28 | |
-My word. Would you believe I bought one of these yesterday? -Did you? | 0:26:28 | 0:26:31 | |
Albeit not a Kriegsmarine example. | 0:26:31 | 0:26:34 | |
Well, I hope it works well. | 0:26:36 | 0:26:38 | |
Addison Joe Baker-Cresswell | 0:26:38 | 0:26:41 | |
played a pivotal role in turning the war around. | 0:26:41 | 0:26:45 | |
Living well into his 90s, a true British hero. | 0:26:45 | 0:26:49 | |
May I thank you sincerely for treating me to that. | 0:26:51 | 0:26:55 | |
Whilst Paul hears about an amazing piece of history, | 0:27:03 | 0:27:07 | |
David is still hunting for a bargain. | 0:27:07 | 0:27:09 | |
He's popped along to the leafy suburbs of Jesmond, | 0:27:09 | 0:27:12 | |
north of Newcastle city centre. | 0:27:12 | 0:27:15 | |
He's now at the Fern Avenue Antiques Centre, | 0:27:15 | 0:27:19 | |
his final shop of this trip. | 0:27:19 | 0:27:21 | |
But with only £119 left and just two items in the bag, | 0:27:23 | 0:27:27 | |
he really needs to do some buying. | 0:27:27 | 0:27:30 | |
-Hello there. -Hi. -David Harper. -I'm Neil, nice to meet you. | 0:27:30 | 0:27:34 | |
Great to meet you, too. What's your position here? | 0:27:34 | 0:27:37 | |
-I'm sort of general manager. -OK. | 0:27:37 | 0:27:40 | |
-OK. Top salesman. -Yes. | 0:27:40 | 0:27:42 | |
-Right, OK. -Hopefully today. | 0:27:42 | 0:27:44 | |
Oh, I see. I like that. Keenness. | 0:27:44 | 0:27:46 | |
This shop has a range of goods from around 12 different dealers. | 0:27:46 | 0:27:52 | |
Oh, gosh, there's so much to look at. | 0:27:52 | 0:27:55 | |
What's this? | 0:27:55 | 0:27:57 | |
What is that? | 0:27:57 | 0:27:59 | |
David's picked up a cast-iron figure of a horse-drawn carriage. | 0:28:00 | 0:28:04 | |
So, what we have here, then, is a child's toy | 0:28:06 | 0:28:09 | |
purporting to be from the very late 19th century, | 0:28:09 | 0:28:14 | |
circa 1900, which, if I was really confident it was from that period, | 0:28:14 | 0:28:18 | |
that would be the cheapest thing I've bought on this road trip so far, | 0:28:18 | 0:28:22 | |
at 20 quid, but it's a funky, funky monkey. | 0:28:22 | 0:28:25 | |
They're not monkeys, they're horses. | 0:28:25 | 0:28:29 | |
Funky perhaps, but tricky to date precisely. | 0:28:29 | 0:28:32 | |
Can you make a call and bid them a tenner? Just for a bit of fun? | 0:28:32 | 0:28:35 | |
I'll go and see. | 0:28:35 | 0:28:37 | |
If I could own that for a tenner... | 0:28:37 | 0:28:39 | |
It's really chancy. | 0:28:39 | 0:28:41 | |
It's the kind of thing, in auction, that could surprise you. | 0:28:41 | 0:28:44 | |
Good fun it may be, | 0:28:44 | 0:28:46 | |
but can you get a few pounds off? | 0:28:46 | 0:28:48 | |
Neil has called the dealer to find out. | 0:28:48 | 0:28:51 | |
-Come on, Neil. -Very best he can do would be £15, David. | 0:28:51 | 0:28:57 | |
-£15? I've got to buy something, Neil. Thank you very much. -Good. | 0:28:57 | 0:29:00 | |
That's good. OK. | 0:29:00 | 0:29:02 | |
A nice addition to David's collection, | 0:29:02 | 0:29:05 | |
but let's hope he won't be flogging a dead horse with this at auction. | 0:29:05 | 0:29:08 | |
He's not stopping there, though. | 0:29:08 | 0:29:11 | |
DISCO MUSIC PLAYS | 0:29:11 | 0:29:13 | |
I quite like that. | 0:29:15 | 0:29:17 | |
Really? I'm sure somewhere there's a disco missing its table. | 0:29:17 | 0:29:21 | |
This one has a ticket price of £40. | 0:29:21 | 0:29:24 | |
-It's a bit greasy. -Well, they do say GREASE is the word. | 0:29:24 | 0:29:27 | |
God only knows what this thing has seen. | 0:29:27 | 0:29:30 | |
Lots of flared trousers and cravats, I guess. | 0:29:30 | 0:29:33 | |
See, this is a 20th-century thing, obviously, | 0:29:33 | 0:29:36 | |
but it's got that kind of bejazzle look, hasn't it? | 0:29:36 | 0:29:39 | |
Bejazzled? What is he on about? | 0:29:39 | 0:29:42 | |
-Bid him 20 quid. Please. -I will. -I'm sorry. | 0:29:42 | 0:29:45 | |
First of all, say I'm very sorry... | 0:29:45 | 0:29:47 | |
-Yes. -..for being horrible. | 0:29:47 | 0:29:50 | |
No, no. No, no. Don't worry. | 0:29:50 | 0:29:52 | |
All right. Bid him 20. | 0:29:52 | 0:29:53 | |
That'll be bonkers if I buy that. | 0:29:56 | 0:29:58 | |
He's very, very, very sorry but it has to be 40. | 0:29:58 | 0:30:02 | |
-Really? -Yes. | 0:30:02 | 0:30:03 | |
-He's very, very, very sorry? -VERY, very, very sorry. -Is he? | 0:30:03 | 0:30:08 | |
If I was even sorrier, he wouldn't come down a bit more? | 0:30:08 | 0:30:11 | |
-No. -No? | 0:30:11 | 0:30:12 | |
It looks like it's not to be. | 0:30:12 | 0:30:15 | |
David wants a better discount than that. | 0:30:15 | 0:30:18 | |
Whilst he mulls it over, | 0:30:18 | 0:30:20 | |
he's spotted a large brass bowl, | 0:30:20 | 0:30:23 | |
possibly 19th century, North African, for burning charcoal. | 0:30:23 | 0:30:27 | |
It has a ticket price for £75. | 0:30:29 | 0:30:32 | |
What can that be? | 0:30:32 | 0:30:34 | |
Um...£40 would be the best we could do on that. | 0:30:34 | 0:30:38 | |
40 quid? | 0:30:38 | 0:30:41 | |
Neil's offering him a whopping £35 discount on that. | 0:30:41 | 0:30:45 | |
It's got the exotic, hasn't it? It's got the exotic feel, | 0:30:46 | 0:30:50 | |
which is fantastic. I think I'm going to have to have it. | 0:30:50 | 0:30:53 | |
-I've got to have it. £40. -Thank you very much. -Thank you. | 0:30:53 | 0:30:57 | |
Purchase number two. | 0:30:57 | 0:30:58 | |
Two purchases in the bag | 0:30:58 | 0:31:00 | |
but David still has THAT table on his mind | 0:31:00 | 0:31:04 | |
and has asked Neil to offer the dealer £30 for it. | 0:31:04 | 0:31:08 | |
-He won't come down below 40. -Seriously? -Yeah. | 0:31:08 | 0:31:13 | |
All right. If you were in my shoes, Neil, | 0:31:13 | 0:31:15 | |
would you take a chance? | 0:31:15 | 0:31:16 | |
I would take a chance. | 0:31:16 | 0:31:18 | |
-Shall I take a chance? -Yes. -Neil, I'm going to take a chance. | 0:31:18 | 0:31:21 | |
-Thanks a lot. -Thank you. -That's a quirky bunch of purchases! | 0:31:21 | 0:31:24 | |
Quirky bunch. Thank you very much indeed. | 0:31:24 | 0:31:27 | |
It certainly is. | 0:31:27 | 0:31:28 | |
£95 conceivably well spent on three items. | 0:31:28 | 0:31:31 | |
And as the shops close on the final day, | 0:31:35 | 0:31:37 | |
it's time for our fellows to reveal their wares. | 0:31:37 | 0:31:41 | |
I think it's my turn to go first. | 0:31:41 | 0:31:43 | |
-Voila! -Yeah, I'll tell you what. | 0:31:43 | 0:31:46 | |
I'd walk up to your stall at a fair. | 0:31:46 | 0:31:48 | |
-Is that cast iron? -It's cast iron. | 0:31:48 | 0:31:51 | |
It looks substantial. | 0:31:51 | 0:31:52 | |
It's a cast-iron, late-19th-century-style piece. | 0:31:52 | 0:31:57 | |
You're hoping it'll make 40 to 80 quid again. | 0:31:57 | 0:31:59 | |
-That's what I'm hoping for. -What did you pay for it? -£15. | 0:31:59 | 0:32:02 | |
-Now... -One, two, three, four... | 0:32:02 | 0:32:04 | |
Have you lost something, David? | 0:32:04 | 0:32:06 | |
I was looking down at my fifth item thinking, | 0:32:09 | 0:32:11 | |
"Someone's put this old, manky table there," but it's mine. | 0:32:11 | 0:32:14 | |
Yes, it is. In all its glory(!) | 0:32:14 | 0:32:17 | |
Think 1980s discotheque. | 0:32:17 | 0:32:20 | |
It's broken and oxidised and ghastly. | 0:32:22 | 0:32:26 | |
I know, it's great, isn't it? It's 20th-century funk. | 0:32:26 | 0:32:29 | |
-It's something that rhymes with "funk". -Junk? A bit harsh, perhaps. | 0:32:29 | 0:32:33 | |
Come on, how much did you pay for it? | 0:32:33 | 0:32:35 | |
-Oh, my Lord, 40 quid. -Behave yourself. | 0:32:35 | 0:32:38 | |
-You paid four quid for it. -I paid £40 for it. | 0:32:38 | 0:32:41 | |
I couldn't help it, Paul, it's different. | 0:32:41 | 0:32:44 | |
It's different from sellable. | 0:32:44 | 0:32:46 | |
I get the feeling Paul doesn't like it. | 0:32:46 | 0:32:50 | |
OK, move on. | 0:32:50 | 0:32:51 | |
-Oh... -That looks rubbish, doesn't it? | 0:32:54 | 0:32:56 | |
No. I love the colours. | 0:32:56 | 0:32:58 | |
-Isn't it magic? -I love the colours. | 0:32:58 | 0:33:00 | |
That's what would draw me to it. A plain red one or a cream one | 0:33:00 | 0:33:04 | |
in a general auction... I've no idea. | 0:33:04 | 0:33:07 | |
20 to 40? 20 to 30? | 0:33:07 | 0:33:08 | |
-I think it's 30 to 50. -Yeah. | 0:33:08 | 0:33:11 | |
-So we're in agreement. -Yeah. | 0:33:11 | 0:33:12 | |
I paid 30 quid for it. | 0:33:12 | 0:33:14 | |
What's in there? | 0:33:14 | 0:33:16 | |
That is a 19th-century marine sextant. | 0:33:16 | 0:33:18 | |
-Oh, my gosh. -Navigation aid. | 0:33:18 | 0:33:21 | |
-That's your one, isn't it? -That's the one. | 0:33:21 | 0:33:24 | |
-Paid 150 squids for that. -OK. Well, you know... | 0:33:24 | 0:33:26 | |
I hope it makes 250. | 0:33:26 | 0:33:28 | |
I think it's got every chance. That's good. That's your star lot. | 0:33:28 | 0:33:31 | |
So, I think a very, very interesting table | 0:33:31 | 0:33:35 | |
-yet again. -I've got another good spread. | 0:33:35 | 0:33:38 | |
-Paul, I look forward to Dumfries. -You joking? | 0:33:38 | 0:33:41 | |
Indeed. But first, I want to hear | 0:33:41 | 0:33:43 | |
what they really think about each other's lots. | 0:33:43 | 0:33:47 | |
Biggest scary number has got to be the sextant. | 0:33:47 | 0:33:49 | |
That could be very meaty. | 0:33:49 | 0:33:52 | |
And it's quite worrying. | 0:33:52 | 0:33:54 | |
The two things I preferred the most | 0:33:54 | 0:33:57 | |
were the Alice In Wonderland plates. In terrible condition, | 0:33:57 | 0:34:00 | |
but pretty rare too, so they may be a surprise. | 0:34:00 | 0:34:03 | |
For me, it's all about the table. | 0:34:03 | 0:34:06 | |
HE CHUCKLES | 0:34:06 | 0:34:08 | |
The table is a hole in his fortunes, | 0:34:08 | 0:34:11 | |
no two ways about it. | 0:34:11 | 0:34:13 | |
The silver parasol handle - | 0:34:13 | 0:34:15 | |
it's a smart thing, it's silver. | 0:34:15 | 0:34:17 | |
It could make him a decent profit. | 0:34:17 | 0:34:20 | |
I personally like the Chinese games box. | 0:34:20 | 0:34:24 | |
You can't call this one. It's a good offering. | 0:34:24 | 0:34:27 | |
It's going to be an interesting sale. | 0:34:27 | 0:34:29 | |
You're right. So let's get on with it. | 0:34:29 | 0:34:32 | |
After shopping in England, the boys are heading across the Pennines | 0:34:34 | 0:34:37 | |
and up to Scotland and Dumfries | 0:34:37 | 0:34:39 | |
for today's auction. | 0:34:39 | 0:34:40 | |
Located near the mouth of the River Nith | 0:34:43 | 0:34:46 | |
into the Solway Firth, | 0:34:46 | 0:34:48 | |
Dumfries has a strong connection with Robert Burns. | 0:34:48 | 0:34:52 | |
It's where the Scots poet spent the final years of his life. | 0:34:52 | 0:34:55 | |
Our very own wee, sleekit cow'rin tim'rous beasties | 0:34:57 | 0:35:02 | |
have finally arrived at Thomson Roddick Scottish Auctions. | 0:35:02 | 0:35:06 | |
It's the scene of today's auction showdown. | 0:35:06 | 0:35:09 | |
Oh, he's going to take the sign out! | 0:35:09 | 0:35:12 | |
-Thank you very much. -I expect nothing less, Driver. -We have landed. | 0:35:12 | 0:35:15 | |
This family-owned auction house | 0:35:17 | 0:35:19 | |
was founded in 1880 | 0:35:19 | 0:35:21 | |
and fifth-generation auctioneer Sybil Thomson | 0:35:21 | 0:35:24 | |
will be at the podium today. | 0:35:24 | 0:35:27 | |
She has some thoughts, though, on the boys' lots, | 0:35:27 | 0:35:30 | |
particularly the sextant. | 0:35:30 | 0:35:32 | |
The sextant's interesting. Unfortunately, | 0:35:32 | 0:35:34 | |
we believe it's actually a quadrant rather than a sextant. | 0:35:34 | 0:35:38 | |
A quadrant's a quarter of a circle, and a sextant's a sixth of a circle. | 0:35:38 | 0:35:43 | |
The umbrella handle has got lovely decoration | 0:35:43 | 0:35:46 | |
and I think it'll hopefully do quite well. | 0:35:46 | 0:35:48 | |
It's a very glitzy-looking mirrored table, | 0:35:48 | 0:35:51 | |
but maybe slightly out of fashion in the present market, | 0:35:51 | 0:35:54 | |
but you never know, with changing tastes... | 0:35:54 | 0:35:56 | |
It looks very much like something | 0:35:56 | 0:35:58 | |
that came out of a 1970s nightclub in Blackpool, or somewhere. | 0:35:58 | 0:36:02 | |
David started this leg with £214.60 | 0:36:03 | 0:36:06 | |
and has gone on to spend £190 | 0:36:06 | 0:36:09 | |
on five auction lots. | 0:36:09 | 0:36:11 | |
Paul, meanwhile, kicked off with £369.40, | 0:36:13 | 0:36:17 | |
and has parted with £212, | 0:36:17 | 0:36:20 | |
also for five lots. | 0:36:20 | 0:36:21 | |
So, let the auction begin. | 0:36:23 | 0:36:26 | |
First up, it's game on for David's Chinese games board. | 0:36:26 | 0:36:32 | |
-Give me a starter at £32. 32. -Off and running. | 0:36:32 | 0:36:35 | |
35. 38. | 0:36:35 | 0:36:36 | |
40. 42. 45. | 0:36:36 | 0:36:39 | |
-Oh, David Harper. -48. 50. 55. | 0:36:39 | 0:36:41 | |
60. 65. 70. | 0:36:41 | 0:36:43 | |
-75. Any advance? -Come on. | 0:36:43 | 0:36:46 | |
£75. 914. | 0:36:46 | 0:36:48 | |
That's exactly what he paid for it. | 0:36:48 | 0:36:51 | |
But after costs, it works out at a loss for David. | 0:36:51 | 0:36:55 | |
That's what I'm here for - to make you look good. | 0:36:55 | 0:36:58 | |
You're my fall guy. | 0:36:58 | 0:37:00 | |
Next, it's high time for Paul's watch glasses. | 0:37:00 | 0:37:05 | |
Start straight in at 10 bid. 10 bid, 10 bid. 12. | 0:37:05 | 0:37:08 | |
-15. 18. -Oh, more than that. -22. 25. | 0:37:08 | 0:37:12 | |
-No, no more. -28. 30. | 0:37:12 | 0:37:14 | |
-£30. -It's horrible. -Any advance on £30? | 0:37:14 | 0:37:18 | |
A great result for Paul's watch glasses - | 0:37:18 | 0:37:21 | |
more than doubling his money. | 0:37:21 | 0:37:22 | |
Not bad, that, Paul. Well done. | 0:37:22 | 0:37:24 | |
Next, will Paul's slightly damaged Bakelite lamp | 0:37:27 | 0:37:32 | |
hold its own in the cold light of day? | 0:37:32 | 0:37:35 | |
£10? 10 bid. 10 bid. | 0:37:35 | 0:37:37 | |
-Damn. -12. | 0:37:37 | 0:37:39 | |
15. 18. 20. | 0:37:39 | 0:37:41 | |
22. 25. | 0:37:41 | 0:37:42 | |
25. Any advance on 25? | 0:37:42 | 0:37:46 | |
25! | 0:37:46 | 0:37:47 | |
The Bakelite has done incredibly well, | 0:37:47 | 0:37:51 | |
delivering £15 profit. | 0:37:51 | 0:37:53 | |
Seriously, well done. | 0:37:53 | 0:37:55 | |
It's time for Paul's retro telephone. | 0:37:55 | 0:37:59 | |
Start at 18 bid. 18. | 0:37:59 | 0:38:01 | |
20. 22. 25. 28. | 0:38:01 | 0:38:04 | |
30. £30. | 0:38:04 | 0:38:06 | |
-Gentleman on my left. At 32. -No! -32. 35. | 0:38:06 | 0:38:10 | |
That is insane. | 0:38:10 | 0:38:12 | |
£35... | 0:38:12 | 0:38:14 | |
A profit, but after costs there won't be much left for Paul. | 0:38:14 | 0:38:18 | |
-Just get out of that. -You've gone red. | 0:38:18 | 0:38:22 | |
David's second item for auction | 0:38:22 | 0:38:25 | |
is the copper and brass charcoal-burner. | 0:38:25 | 0:38:28 | |
10 bid. 12. 12. | 0:38:28 | 0:38:30 | |
15. 18. 20. | 0:38:30 | 0:38:32 | |
22. 25. 28. | 0:38:32 | 0:38:34 | |
-30. -Bobbing along. Bobbing along. -32. | 0:38:34 | 0:38:37 | |
35. 38. 40. | 0:38:37 | 0:38:40 | |
-42. -Yes. -At 45. | 0:38:40 | 0:38:42 | |
At £45... | 0:38:42 | 0:38:46 | |
Again, after costs, | 0:38:46 | 0:38:48 | |
David's just about broken even. | 0:38:48 | 0:38:50 | |
I made a fiver, didn't I? | 0:38:50 | 0:38:52 | |
-On paper. -Before charges. | 0:38:52 | 0:38:54 | |
Horrible Paul. | 0:38:54 | 0:38:56 | |
PAUL CHUCKLES | 0:38:56 | 0:38:59 | |
Will Paul's Alice In Wonderland brass plaques | 0:39:00 | 0:39:03 | |
work wonders for his profits? | 0:39:03 | 0:39:06 | |
20 bid. 20 bid. 22. | 0:39:06 | 0:39:08 | |
-Come on, then. -Oh! -25. 28. | 0:39:08 | 0:39:11 | |
30. 32. | 0:39:11 | 0:39:12 | |
35. 38. 40. | 0:39:12 | 0:39:14 | |
42. 45. 48. | 0:39:14 | 0:39:17 | |
50. 55. The bid's with the lady at 55. | 0:39:17 | 0:39:21 | |
£55... And your number is...? | 0:39:21 | 0:39:24 | |
An incredible profit for Paul. | 0:39:24 | 0:39:27 | |
-Unbelievable! -What?! | 0:39:27 | 0:39:30 | |
-Unbelievable. -Another discerning purchase. | 0:39:30 | 0:39:32 | |
I know. | 0:39:32 | 0:39:34 | |
So far, David has started with a canter. | 0:39:36 | 0:39:39 | |
Could his toy carriage gallop into the lead? | 0:39:39 | 0:39:42 | |
Give me a starter at £45. | 0:39:42 | 0:39:44 | |
48. 50. | 0:39:44 | 0:39:45 | |
55. 60. 65. | 0:39:45 | 0:39:47 | |
70. 75. | 0:39:47 | 0:39:49 | |
75. It's on commission. | 0:39:49 | 0:39:51 | |
-Come on, Dobbs. -You're all at 75. | 0:39:51 | 0:39:53 | |
Anyone else going on? At £75... | 0:39:53 | 0:39:57 | |
A triumph for David, | 0:39:59 | 0:40:01 | |
who's been just about breaking even thus far. | 0:40:01 | 0:40:04 | |
-Well done, man. Well done. -Get in there. -Good buy. | 0:40:04 | 0:40:07 | |
-Thank you. -15 to 75?! -Lovely. | 0:40:07 | 0:40:10 | |
-Get in. -I need that so badly. | 0:40:10 | 0:40:12 | |
It's time for Paul's sextant. | 0:40:12 | 0:40:14 | |
Or is that a quadrant? | 0:40:14 | 0:40:16 | |
Starter at £100. 100. | 0:40:16 | 0:40:19 | |
110. 120. | 0:40:19 | 0:40:21 | |
130. 140. | 0:40:21 | 0:40:22 | |
-150. 160. -Well done. | 0:40:22 | 0:40:25 | |
170. 180. 190. | 0:40:25 | 0:40:27 | |
200. New bidder. 210. | 0:40:27 | 0:40:30 | |
220. 230. | 0:40:30 | 0:40:33 | |
-It's made its money now. -Any advance on £230...? | 0:40:33 | 0:40:36 | |
With £80 profit, Paul will be very happy with that. | 0:40:36 | 0:40:42 | |
-It feels good. -Seriously. -Cheers, man. -Seriously. | 0:40:42 | 0:40:45 | |
Get in! | 0:40:45 | 0:40:47 | |
Agh! Agh! | 0:40:47 | 0:40:48 | |
Next up is David's swan parasol handle. | 0:40:48 | 0:40:52 | |
-20 bid everywhere. -Everywhere. Sea of hands. | 0:40:52 | 0:40:55 | |
30. 32. 35. 38. 40. | 0:40:55 | 0:40:59 | |
-Come on. -42. -Come on, baby. | 0:40:59 | 0:41:00 | |
-45. 45. 48. -Go on. | 0:41:00 | 0:41:04 | |
50. 55. 60. 65. | 0:41:04 | 0:41:06 | |
-She's getting there. -On my left at £65... | 0:41:06 | 0:41:10 | |
A very nice £45 profit for David. | 0:41:10 | 0:41:13 | |
-Last one to go. -You're up. -I'm up. | 0:41:13 | 0:41:16 | |
I could go down. | 0:41:16 | 0:41:18 | |
-You could. -I could. -Could? Will! | 0:41:18 | 0:41:21 | |
It's all down to that final lot - | 0:41:21 | 0:41:24 | |
David's mirrored table. | 0:41:24 | 0:41:27 | |
20 bid. 22. | 0:41:27 | 0:41:28 | |
-25. -What's happening? -28. 30. | 0:41:28 | 0:41:31 | |
-This can't be your lot. -35. 38. 40. | 0:41:31 | 0:41:34 | |
-Oh! -Go on! | 0:41:34 | 0:41:36 | |
42. Can I tempt anybody else? | 0:41:36 | 0:41:38 | |
42. At £42... | 0:41:38 | 0:41:42 | |
Everyone thought it would bomb and although, after costs, it's a loss, | 0:41:42 | 0:41:47 | |
it's a lot less than they had thought. | 0:41:47 | 0:41:49 | |
Pass me a piece of that humble pie! | 0:41:49 | 0:41:52 | |
Well... No, you were right, because I've made a slight loss. | 0:41:52 | 0:41:56 | |
You got out of it! | 0:41:56 | 0:41:58 | |
Unbelievable. | 0:41:58 | 0:41:59 | |
David started this leg with £214.60. | 0:41:59 | 0:42:04 | |
After auction costs, | 0:42:04 | 0:42:06 | |
he made a profit of £57.64, | 0:42:06 | 0:42:09 | |
ending the leg with a total of £272.24. | 0:42:09 | 0:42:16 | |
Paul, meanwhile, started with £369.40 | 0:42:17 | 0:42:21 | |
but after costs made a profit of £95.50, | 0:42:21 | 0:42:25 | |
thereby winning this leg of the road trip | 0:42:25 | 0:42:28 | |
with £464.90. | 0:42:28 | 0:42:31 | |
Sunlight. Give me sunshine! | 0:42:34 | 0:42:37 | |
And a warm glow from within as well, given those results, my man. | 0:42:37 | 0:42:40 | |
-A warmer glow for you! But well done. Well done. -Thank you. | 0:42:40 | 0:42:43 | |
What's wrong with that... | 0:42:43 | 0:42:46 | |
-Three down...two to go. -There's still time. | 0:42:46 | 0:42:48 | |
I don't want this one to end. | 0:42:48 | 0:42:50 | |
Which way are you going? That's the way out. | 0:42:50 | 0:42:53 | |
Onwards and upwards, chaps. | 0:42:53 | 0:42:55 | |
Path of least resistance. | 0:42:55 | 0:42:57 | |
This leg is going to be mine! | 0:42:57 | 0:43:00 | |
Next time on the Antiques Road Trip, | 0:43:00 | 0:43:02 | |
Paul tries to get into the mind of his opponent... | 0:43:02 | 0:43:05 | |
David Harper would buy that. | 0:43:05 | 0:43:07 | |
..whilst David's luck begins to change. | 0:43:07 | 0:43:10 | |
This is the start of the big comeback, Laidlaw. | 0:43:10 | 0:43:15 |