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It's the nation's favourite antiques experts... | 0:00:00 | 0:00:03 | |
-All right, viewers? -..With £200 each, | 0:00:03 | 0:00:05 | |
a classic car, and a goal - to scour | 0:00:05 | 0:00:08 | |
Britain for antiques. | 0:00:08 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold, going, going, gone. | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
50p! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
They're papier-mache buttocks. | 0:00:22 | 0:00:23 | |
Will it be the high road to glory, | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Oh! Oh! | 0:00:27 | 0:00:28 | |
There we go! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah. | 0:00:33 | 0:00:35 | |
We're almost slap-bang in the middle of our | 0:00:37 | 0:00:40 | |
road trip around Bonnie Scotland, | 0:00:40 | 0:00:42 | |
in the company of Charlie Ross... | 0:00:42 | 0:00:44 | |
sounds very Caledonian. | 0:00:44 | 0:00:45 | |
That couldn't be more Scottish, could it, with the thistle? | 0:00:45 | 0:00:48 | |
And Margie Cooper, a bit Scottish, too, don't you think? | 0:00:48 | 0:00:52 | |
Not one of the coopers of Fife, by any chance? | 0:00:52 | 0:00:54 | |
SHE SPEAKS WELSH | 0:00:54 | 0:00:56 | |
Perhaps not. | 0:00:56 | 0:00:58 | |
Charlie was actually born a long way south of the border | 0:00:58 | 0:01:02 | |
in Aylesbury... | 0:01:02 | 0:01:03 | |
Rosco's favourite subject - cricket. | 0:01:03 | 0:01:07 | |
..Although he does own a kilt. | 0:01:07 | 0:01:09 | |
Whilst dealer Margie, from Blackburn in Lancashire, | 0:01:09 | 0:01:12 | |
certainly knows what's under one. | 0:01:12 | 0:01:14 | |
-Aw! -Ooh! | 0:01:14 | 0:01:16 | |
But as they've taken the high road, and the low road, | 0:01:16 | 0:01:19 | |
in their Sunbeam Rapier, | 0:01:19 | 0:01:20 | |
there's been a lot more fun that profits. | 0:01:20 | 0:01:22 | |
-What have you got? -My Lord. | 0:01:22 | 0:01:24 | |
Settle down. | 0:01:24 | 0:01:26 | |
I don't know whether to laugh or cry. | 0:01:26 | 0:01:28 | |
If I were you I'd cry. | 0:01:28 | 0:01:29 | |
THEY LAUGH | 0:01:29 | 0:01:31 | |
Charlie began with £200 and so far he's amassed | 0:01:33 | 0:01:36 | |
a total of £309.42 | 0:01:36 | 0:01:38 | |
to spend today. | 0:01:38 | 0:01:40 | |
Margie, who also started off with £200, | 0:01:40 | 0:01:44 | |
has managed, after two trips to auction, | 0:01:44 | 0:01:48 | |
to increase that by just £1. | 0:01:48 | 0:01:50 | |
What do you do in real life, are you a dealer? | 0:01:50 | 0:01:52 | |
-Is that your job? -Yes. | 0:01:52 | 0:01:54 | |
Do you eat? | 0:01:54 | 0:01:55 | |
SHE LAUGHS | 0:01:55 | 0:01:56 | |
Do you have a home? | 0:01:56 | 0:01:58 | |
Careful, Charlie. What's the Gaelic for Schadenfreude? | 0:01:58 | 0:02:01 | |
Charlie and Margie set out from Jedburgh | 0:02:01 | 0:02:03 | |
in the Borders | 0:02:03 | 0:02:05 | |
before travelling the breadth and length of Scotland | 0:02:05 | 0:02:08 | |
to reach journey's end at Hamilton, South Lanarkshire. | 0:02:08 | 0:02:11 | |
Today they begin in the middle of the country at Perth | 0:02:11 | 0:02:14 | |
and head towards the North Sea coast for an auction in Fife | 0:02:14 | 0:02:17 | |
at St Andrews. | 0:02:17 | 0:02:20 | |
The fair city of Perth, in central Scotland, | 0:02:20 | 0:02:23 | |
used to be known in medieval times | 0:02:23 | 0:02:25 | |
as "St John's Town", | 0:02:25 | 0:02:27 | |
after the parish kirk, | 0:02:27 | 0:02:28 | |
and somewhat confusingly, | 0:02:28 | 0:02:30 | |
the local football team, St Johnstone, | 0:02:30 | 0:02:33 | |
still bears that name. | 0:02:33 | 0:02:34 | |
-Have you ever been to Perth? -No. | 0:02:34 | 0:02:36 | |
-It's lovely. -Is it? -Yeah, I love Perth. | 0:02:36 | 0:02:39 | |
I agree, especially down by the River Tay. | 0:02:39 | 0:02:42 | |
Plus Perth is the birthplace of proper Scottish movie star | 0:02:42 | 0:02:45 | |
Ewan McGregor. | 0:02:45 | 0:02:48 | |
-There we go. -Perfect! | 0:02:48 | 0:02:50 | |
Let's go shopping! | 0:02:50 | 0:02:51 | |
Choose antiques, eh? | 0:02:51 | 0:02:53 | |
After you, darling, look at all this lot. | 0:02:53 | 0:02:56 | |
-Look add all these goodies! -Wow, wow, wow! | 0:02:56 | 0:02:58 | |
Located in an old auction hall, | 0:02:58 | 0:03:01 | |
Love has over 40 stalls | 0:03:01 | 0:03:03 | |
selling a mix of antiques and vintage pieces. | 0:03:03 | 0:03:06 | |
£12? Cheap. | 0:03:06 | 0:03:09 | |
There are quite a few dealers around, too, | 0:03:09 | 0:03:12 | |
as well as the manager, of course. | 0:03:12 | 0:03:14 | |
-And your name is? -Mark. | 0:03:14 | 0:03:16 | |
-I'm going to have a good look round, so you're the man to call? -Yep. | 0:03:16 | 0:03:19 | |
If negotiations are required. | 0:03:19 | 0:03:21 | |
Incidentally, just coming in, | 0:03:21 | 0:03:23 | |
I went past these rather splendid cannons. | 0:03:23 | 0:03:25 | |
I don't think the carriages have much age, do they? | 0:03:25 | 0:03:28 | |
But the barrels look wonderful! | 0:03:28 | 0:03:30 | |
Yeah, they're proper bronze. | 0:03:30 | 0:03:32 | |
-And they appear to be old. -They are. | 0:03:32 | 0:03:34 | |
All for the bargain price of £40. | 0:03:34 | 0:03:36 | |
-What, the pair?! -Yeah. | 0:03:36 | 0:03:38 | |
Could you go wrong? | 0:03:38 | 0:03:40 | |
Oh, he could, Mark. | 0:03:40 | 0:03:42 | |
If I waved £30 in your direction, | 0:03:42 | 0:03:44 | |
would you show me the door or would you say, | 0:03:44 | 0:03:46 | |
"Charlie, take them away." | 0:03:46 | 0:03:49 | |
I'd probably say, "35", and we might... | 0:03:49 | 0:03:52 | |
I thought you might say that, I should have said "20". | 0:03:52 | 0:03:54 | |
THEY LAUGH | 0:03:54 | 0:03:56 | |
I think if I didn't buy those, for 35 quid, | 0:03:56 | 0:03:59 | |
I would be honestly stupid. | 0:03:59 | 0:04:02 | |
Thank you very much indeed. How wonderful! | 0:04:04 | 0:04:07 | |
That's about two yards from the door. | 0:04:07 | 0:04:10 | |
Show's over, damn! | 0:04:10 | 0:04:11 | |
Cheerio... | 0:04:11 | 0:04:13 | |
Oh, no, it's not. Charlie still has plenty of cash | 0:04:13 | 0:04:16 | |
and could easily spend more of it here. | 0:04:16 | 0:04:18 | |
-You got a minute? -Yes, certainly. | 0:04:18 | 0:04:21 | |
Meanwhile, silver expert, Margie, | 0:04:21 | 0:04:23 | |
has found a gem and a fine selection of cabinets. | 0:04:23 | 0:04:26 | |
Ah, that's cute. | 0:04:26 | 0:04:28 | |
-Is this silver? -Yes. | 0:04:28 | 0:04:30 | |
That's a nice little set. | 0:04:30 | 0:04:32 | |
I think it's a butter... | 0:04:32 | 0:04:34 | |
You think it's a cheese knife and a pickle fork? | 0:04:34 | 0:04:36 | |
I don't know, is it? | 0:04:36 | 0:04:38 | |
I think there's a bit of confusion about what exactly that is. | 0:04:38 | 0:04:41 | |
Travelling fruit set, perhaps? | 0:04:41 | 0:04:44 | |
For those who like their fruit on the move. | 0:04:44 | 0:04:46 | |
Price, £85. | 0:04:46 | 0:04:48 | |
Have we got a date on this? | 0:04:48 | 0:04:50 | |
I just love to buy silver... | 0:04:50 | 0:04:53 | |
and I'm in a bit of trouble at the moment. | 0:04:53 | 0:04:57 | |
Let me just take a look at that. | 0:04:57 | 0:04:59 | |
Sometimes they're a year out, aren't they? | 0:04:59 | 0:05:01 | |
Hallmarks. | 0:05:01 | 0:05:02 | |
Yeah. May not to be a matching set. | 0:05:02 | 0:05:04 | |
Hoping to find the same date letter but you don't always find | 0:05:04 | 0:05:06 | |
the same date letter, sometimes it's a year or two | 0:05:06 | 0:05:09 | |
and it's still all right. | 0:05:09 | 0:05:11 | |
It's all right, yeah, it is! | 0:05:11 | 0:05:13 | |
As I say, I like it, | 0:05:13 | 0:05:15 | |
but I'm in desperate trouble | 0:05:15 | 0:05:17 | |
-and it's got to be a lot cheaper than that. -Okey-doke. | 0:05:17 | 0:05:20 | |
Jim's off to call the dealer and Charlie, | 0:05:20 | 0:05:22 | |
flushed with this first buy of the day, | 0:05:22 | 0:05:25 | |
is busy looking for more. | 0:05:25 | 0:05:26 | |
Hello, sir, are you part of the establishment? | 0:05:26 | 0:05:29 | |
Hello, Charlie, yes, I am. | 0:05:29 | 0:05:30 | |
-What's the name? -Donald. | 0:05:30 | 0:05:32 | |
Donald McDougal. | 0:05:32 | 0:05:33 | |
-SCOTTISH ACCENT: -Donald McDougal? | 0:05:33 | 0:05:35 | |
You said that perfectly, Charlie. | 0:05:35 | 0:05:37 | |
-SCOTTISH ACCENT: -I've been practising for years, Donald. | 0:05:37 | 0:05:40 | |
Introductions over, Donald's also got an item he's not sure about. | 0:05:40 | 0:05:43 | |
It's not got a price on it, | 0:05:43 | 0:05:45 | |
cos I really don't know what it is or if it has any value. | 0:05:45 | 0:05:49 | |
It looks old. | 0:05:49 | 0:05:50 | |
Is it a fly swat? | 0:05:50 | 0:05:52 | |
It looks to me like a horse whip. | 0:05:52 | 0:05:56 | |
-The handle there... -Actually, the handle... | 0:05:56 | 0:05:58 | |
would there not be longer thongs | 0:05:58 | 0:06:02 | |
there for whisking the flies? | 0:06:02 | 0:06:04 | |
That's what I imagine. | 0:06:04 | 0:06:06 | |
In a hot African... | 0:06:06 | 0:06:09 | |
This looks more North American Indian to me. | 0:06:09 | 0:06:12 | |
What would they use it for, then? | 0:06:12 | 0:06:15 | |
I don't know, perhaps the medicine man would have it. | 0:06:15 | 0:06:17 | |
That's it, you've got it! | 0:06:17 | 0:06:20 | |
Lordy, let's leave those two to their powwow. | 0:06:20 | 0:06:24 | |
What's Margie been confronted with? | 0:06:24 | 0:06:26 | |
Another mystery object? | 0:06:26 | 0:06:28 | |
-Well, there's a thing. -Are you going to hit me with that? | 0:06:28 | 0:06:30 | |
Let me think - something to do with hair? | 0:06:30 | 0:06:33 | |
No, no. | 0:06:33 | 0:06:34 | |
What's that for? | 0:06:34 | 0:06:36 | |
Just think of the shape and what on earth you would need that for. | 0:06:36 | 0:06:40 | |
Are you piercing something? | 0:06:40 | 0:06:41 | |
Crumpets, actually think of the crumpets | 0:06:41 | 0:06:44 | |
-and the little holes the butter melts into. -I love crumpets! | 0:06:44 | 0:06:47 | |
Hence these spikes. | 0:06:47 | 0:06:49 | |
You just get the dough, boomph, down. | 0:06:49 | 0:06:51 | |
Isn't that sweet? You worked it out! | 0:06:51 | 0:06:53 | |
-Eventually. -You're sure you're right? -Uh-huh. | 0:06:53 | 0:06:56 | |
I'm sure Mark's convinced about its efficacy | 0:06:56 | 0:06:59 | |
as a crumpet tool, but the last time | 0:06:59 | 0:07:01 | |
I made crumpets, the holes appeared | 0:07:01 | 0:07:04 | |
perfectly naturally as the batter cooked. | 0:07:04 | 0:07:06 | |
If I showed it to Charlie and he snapped it up straightaway, | 0:07:06 | 0:07:09 | |
you would think, "Oh, dear." | 0:07:09 | 0:07:11 | |
Oh, playing us off. | 0:07:11 | 0:07:13 | |
-Well... -Normally, I'd say 15. | 0:07:13 | 0:07:15 | |
20 quid would have to be it. | 0:07:15 | 0:07:17 | |
Would it? | 0:07:17 | 0:07:18 | |
It's that or..."muffin". | 0:07:18 | 0:07:20 | |
It's a bit of a hoot, isn't it? | 0:07:20 | 0:07:22 | |
-It is. -Oh, go on. | 0:07:22 | 0:07:24 | |
I have to buy that, | 0:07:24 | 0:07:26 | |
purely because I'm a crumpet girl. | 0:07:26 | 0:07:28 | |
I love a bit of crumpet. | 0:07:28 | 0:07:31 | |
You said it. Great start, Margie, | 0:07:31 | 0:07:33 | |
but didn't Mark's mind games pay off? | 0:07:33 | 0:07:35 | |
I know what this is, Whitefriars glass. | 0:07:35 | 0:07:39 | |
This style, this swirl... | 0:07:39 | 0:07:41 | |
"Swirl", I love the way you say "swurrul". | 0:07:41 | 0:07:44 | |
In England we say "swahl", | 0:07:44 | 0:07:46 | |
which is really boring, isn't it? | 0:07:46 | 0:07:48 | |
-it doesn't have the R. -Doesn't have the feeling. | 0:07:48 | 0:07:50 | |
When you say "swurrul", | 0:07:50 | 0:07:52 | |
it looks like a "swurrul", doesn't it? | 0:07:52 | 0:07:54 | |
He's right, you know, and Whitefriars | 0:07:54 | 0:07:56 | |
was an English glass-makers | 0:07:56 | 0:07:57 | |
which became well-known for stained-glass | 0:07:57 | 0:08:00 | |
during the 19th-century Gothic revival | 0:08:00 | 0:08:02 | |
and then, in the 20th century. | 0:08:02 | 0:08:03 | |
for popularising Art Deco designs. | 0:08:03 | 0:08:06 | |
£95. | 0:08:06 | 0:08:07 | |
Donald, that's fiction. | 0:08:07 | 0:08:09 | |
Is that your wife's price for yours? | 0:08:09 | 0:08:11 | |
I think if that went to auction it would probably make £45. | 0:08:11 | 0:08:14 | |
Which means 45 less commission, | 0:08:14 | 0:08:16 | |
4.50... | 0:08:16 | 0:08:18 | |
You're talking 30 quid, yeah. | 0:08:18 | 0:08:21 | |
I love the way the "swurrul" starts here... | 0:08:21 | 0:08:23 | |
No, "swirrul". | 0:08:23 | 0:08:25 | |
-"swirrul?" Not "swurrul". As in "squirrel?" -Ah, yes! | 0:08:25 | 0:08:28 | |
Aye, like a language class, this, isn't it? | 0:08:28 | 0:08:31 | |
The "swirrul" start here and goes up | 0:08:31 | 0:08:34 | |
and gets wider and wider and draws you in. | 0:08:34 | 0:08:36 | |
It does, lie a "whurlpool". | 0:08:36 | 0:08:38 | |
HE LAUGHS | 0:08:38 | 0:08:40 | |
Hm, I think Charlie is getting sucked into that bowl | 0:08:40 | 0:08:43 | |
and Margie seems to be about to Hoover up another lot, | 0:08:43 | 0:08:46 | |
with the very good news that the dealer | 0:08:46 | 0:08:48 | |
will take a bargain £20 for his silver knife and fork. | 0:08:48 | 0:08:52 | |
That's got to be £20-worth, it's not going to make me a fortune. | 0:08:52 | 0:08:55 | |
More than 20 quid's-worth. | 0:08:55 | 0:08:56 | |
This is my sort of kit. | 0:08:56 | 0:08:58 | |
Let's make sure there's no repairs on this | 0:08:58 | 0:09:00 | |
before I commit myself to this vast sum(!) | 0:09:00 | 0:09:02 | |
Cheeky! | 0:09:02 | 0:09:04 | |
Go on, then, that's fine. | 0:09:04 | 0:09:06 | |
A safe bet, I would say. | 0:09:06 | 0:09:07 | |
Safe bet for a tenner or 15 quid profit. | 0:09:07 | 0:09:10 | |
I think I might be done. | 0:09:10 | 0:09:12 | |
You've never been done in here. | 0:09:12 | 0:09:14 | |
THEY LAUGH | 0:09:14 | 0:09:15 | |
Quite, and just as Margie | 0:09:15 | 0:09:17 | |
was heading for the door, young James | 0:09:17 | 0:09:19 | |
has come up with something else to tempt her. | 0:09:19 | 0:09:21 | |
Ooh, an umbrella with an ivory handle! | 0:09:21 | 0:09:25 | |
Not for everybody, | 0:09:25 | 0:09:27 | |
but under the 1947 CITES agreement, | 0:09:27 | 0:09:29 | |
it is legal to trade ivory items | 0:09:29 | 0:09:32 | |
from before that date. | 0:09:32 | 0:09:33 | |
I won't put it up in here because I'm superstitious. | 0:09:33 | 0:09:36 | |
-Right. -Can I go out? -Yeah! | 0:09:36 | 0:09:37 | |
-Wise. -Let's see what state it's in. | 0:09:37 | 0:09:40 | |
Wahey! It's quite pretty, isn't it? | 0:09:41 | 0:09:45 | |
How old is that? | 0:09:45 | 0:09:47 | |
I think 1930s. | 0:09:47 | 0:09:48 | |
1930s, yeah. | 0:09:48 | 0:09:49 | |
Yeah, but how much is it? | 0:09:49 | 0:09:51 | |
It would cost you a whole £5. | 0:09:51 | 0:09:53 | |
Sounds good, Margie. | 0:09:53 | 0:09:55 | |
With prices like that, even you can be decisive. | 0:09:55 | 0:09:57 | |
Go on, then. Aw, isn't he good? | 0:09:57 | 0:10:00 | |
So I'm going to have your parasol at the bargain price | 0:10:00 | 0:10:03 | |
-of £3.50. -Done. | 0:10:03 | 0:10:05 | |
That WAS cheeky. | 0:10:05 | 0:10:07 | |
I have been! | 0:10:07 | 0:10:08 | |
I was only joking. | 0:10:08 | 0:10:09 | |
No, have it for £3.50. | 0:10:09 | 0:10:11 | |
Go on. | 0:10:11 | 0:10:14 | |
I'm going to give you a kiss now. | 0:10:14 | 0:10:16 | |
So Margie, for a total spend of just £43.50, | 0:10:18 | 0:10:21 | |
leads Charlie by three lots to one. | 0:10:21 | 0:10:24 | |
But he and Donald are still "swirulling" | 0:10:24 | 0:10:26 | |
around that Whitefriars. | 0:10:26 | 0:10:27 | |
-SCOTTISH ACCENT: -"That 30 quid Charlie offered me | 0:10:27 | 0:10:30 | |
"for my Whitefriars is probably a cracking good price." | 0:10:30 | 0:10:34 | |
I think I would need half that again, Charlie. | 0:10:34 | 0:10:37 | |
-SCOTTISH ACCENT: -That's 45! | 0:10:37 | 0:10:38 | |
That just wipes my nose. | 0:10:38 | 0:10:41 | |
-SCOTTISH ACCENT: -The thought of coming up all the way to Perth | 0:10:41 | 0:10:44 | |
simply to wipe your nose | 0:10:44 | 0:10:45 | |
is not one that's foremost in my mind. | 0:10:45 | 0:10:48 | |
Go for 40, Charlie. | 0:10:48 | 0:10:50 | |
Give a boy a break. | 0:10:50 | 0:10:52 | |
It's like the "swirrul" and the skirl of the pipes, | 0:10:52 | 0:10:55 | |
I can hear the pipes at the auction room | 0:10:55 | 0:10:57 | |
as you can with in with it. | 0:10:57 | 0:10:58 | |
BAGPIPES PLAY | 0:10:58 | 0:10:59 | |
There he goes. | 0:10:59 | 0:11:01 | |
# Campbeltown Loch, I wish you were whiskey | 0:11:01 | 0:11:03 | |
# Campbeltown Loch, och, aye... # | 0:11:03 | 0:11:04 | |
I have a wee flask here, Charlie. | 0:11:04 | 0:11:06 | |
Steady, Donald. | 0:11:06 | 0:11:07 | |
# I would drink you dry. # | 0:11:07 | 0:11:09 | |
Go up a wee bit and do a deal, | 0:11:09 | 0:11:11 | |
cos I do want to be shouting, | 0:11:11 | 0:11:13 | |
"Get the police, I've been robbed!" | 0:11:13 | 0:11:15 | |
-35. -37. | 0:11:15 | 0:11:17 | |
HE LAUGHS | 0:11:17 | 0:11:19 | |
Sorry. Excuse me, my nose... | 0:11:19 | 0:11:21 | |
When my nose gets cold, I know I'm getting close to a sale. | 0:11:21 | 0:11:24 | |
This chap's good, you know. | 0:11:24 | 0:11:26 | |
-You're breaking my heart. -Give him the money. | 0:11:26 | 0:11:29 | |
-It's been a pleasure! -Donald, | 0:11:29 | 0:11:31 | |
are you happy with that? | 0:11:31 | 0:11:33 | |
Listen, Charlie, only you, my friend, | 0:11:33 | 0:11:35 | |
could have brought that out of me. | 0:11:35 | 0:11:38 | |
So, £72 spent, | 0:11:38 | 0:11:40 | |
and after a mutually fruitful start to the day, | 0:11:40 | 0:11:43 | |
it is time to leave the fair city... | 0:11:43 | 0:11:45 | |
Margie, no! | 0:11:45 | 0:11:48 | |
..and take this short ride from Perth | 0:11:48 | 0:11:50 | |
to the village of Glencarse. | 0:11:50 | 0:11:53 | |
So here we are. | 0:11:53 | 0:11:54 | |
Don't I bring you to some good places? | 0:11:54 | 0:11:57 | |
You do, I fill a massive profit coming on. | 0:11:57 | 0:11:59 | |
Bye, darling, mwah! | 0:11:59 | 0:12:01 | |
This looks a very fine establishment. | 0:12:01 | 0:12:03 | |
-Hello? -Hello? -Hello. | 0:12:03 | 0:12:04 | |
-Hello. -Charlie Ross is the name. | 0:12:04 | 0:12:06 | |
Pleased to meet you, Michael Young. | 0:12:06 | 0:12:08 | |
-Does it say " Michael Young" above the door? -It certainly does. | 0:12:08 | 0:12:11 | |
But it says "Established 1887". | 0:12:11 | 0:12:12 | |
That's not me, I'm not that old, Charlie. | 0:12:12 | 0:12:15 | |
I'm sure there are plenty of claimants | 0:12:15 | 0:12:17 | |
to Scotland's oldest antiques dynasty, | 0:12:17 | 0:12:20 | |
but Youngs are 127 years old | 0:12:20 | 0:12:22 | |
and the fourth generation seems to be ensuring | 0:12:22 | 0:12:25 | |
that they are still going strong. | 0:12:25 | 0:12:26 | |
There's just fabulous quality. | 0:12:26 | 0:12:29 | |
Regency, William IV, | 0:12:29 | 0:12:32 | |
Georgian furniture. | 0:12:32 | 0:12:33 | |
90% of the things here are things that I love, | 0:12:33 | 0:12:37 | |
-but can't afford. -Relax, Charlie! | 0:12:37 | 0:12:39 | |
Enjoy the surroundings and I'm sure something will turn up. | 0:12:39 | 0:12:42 | |
These are quite interesting. | 0:12:42 | 0:12:44 | |
Do you fancy a crack at those? | 0:12:44 | 0:12:45 | |
I'm not entirely sure of the purpose of them. | 0:12:45 | 0:12:47 | |
I thought they were decorative, rather than practical. | 0:12:47 | 0:12:50 | |
Are these ceremonial or something? | 0:12:50 | 0:12:53 | |
They could be. They almost look like they should be crossed | 0:12:53 | 0:12:56 | |
-in some sort of crest. I don't know. -That's a point. | 0:12:56 | 0:12:58 | |
More mystery objects, eh? | 0:12:58 | 0:13:01 | |
Are they spears or paddles? | 0:13:01 | 0:13:02 | |
I think they're spears because they are too pointed, aren't they? | 0:13:02 | 0:13:05 | |
They're nice and sharp, aren't they? | 0:13:05 | 0:13:08 | |
But they've got this kind of spade end to them. | 0:13:08 | 0:13:11 | |
What fun! | 0:13:11 | 0:13:12 | |
Of course there's always a risk that no-one at the auction will know | 0:13:12 | 0:13:16 | |
what they are either. Anything else? | 0:13:16 | 0:13:18 | |
That's a beautiful...silver... | 0:13:18 | 0:13:20 | |
-Yeah, that's not in my price range. -Chester-hallmarked. | 0:13:20 | 0:13:23 | |
-His face! -He's been a fighting dog, | 0:13:23 | 0:13:25 | |
cos he's lost a little bit round the ear. | 0:13:25 | 0:13:27 | |
HE LAUGHS | 0:13:27 | 0:13:28 | |
I don't know why I'm looking | 0:13:28 | 0:13:29 | |
at this, it's not in my price range, is it? | 0:13:29 | 0:13:31 | |
It's 250. | 0:13:31 | 0:13:33 | |
Yeah, it suits you, you've got to have it. | 0:13:33 | 0:13:35 | |
Looks the part, but he can't afford it, Michael. | 0:13:35 | 0:13:38 | |
There's another nice dog head here, this is an umbrella. | 0:13:38 | 0:13:41 | |
It's a different sort of thing, parasol... | 0:13:41 | 0:13:44 | |
That's actually wood, isn't it? | 0:13:44 | 0:13:46 | |
Yeah, it's wood, it's beech. | 0:13:46 | 0:13:48 | |
But it's nicely carved. It's missing an eye, | 0:13:48 | 0:13:50 | |
but that's reflected in the price, | 0:13:50 | 0:13:51 | |
which would be a bargain at £30, Charlie. | 0:13:51 | 0:13:54 | |
-£30?! -You couldn't not buy it... | 0:13:54 | 0:13:57 | |
Blimey O'Riley, you've rather knocked me sideways there. | 0:13:57 | 0:14:00 | |
He's a whippet, I think. | 0:14:00 | 0:14:03 | |
The greyhound family, isn't it? Very long nose. | 0:14:03 | 0:14:05 | |
We'll settle at that and we'll settle at £30, Charlie. | 0:14:05 | 0:14:08 | |
Hang on, just don't pressurise me. | 0:14:08 | 0:14:10 | |
Be reasonable to an old man. | 0:14:10 | 0:14:13 | |
Don't open it inside, that is bad luck, isn't it? | 0:14:13 | 0:14:16 | |
No, Charlie, not when things were going so well. | 0:14:16 | 0:14:19 | |
If I offered you £25, would you show me the door | 0:14:19 | 0:14:22 | |
I would you say, "Charlie for you, 25 quid"? | 0:14:22 | 0:14:24 | |
Charlie, for you, you can have it for £25. | 0:14:24 | 0:14:27 | |
Put it there. | 0:14:27 | 0:14:29 | |
Just £25 spent | 0:14:29 | 0:14:30 | |
and to Charlie already has three lots for a fraction under £100. | 0:14:30 | 0:14:33 | |
But while Charlie's been buying brollies, | 0:14:37 | 0:14:40 | |
Margie's motored west, | 0:14:40 | 0:14:42 | |
leaving Glencarse and heading deep into the Perthshire countryside | 0:14:42 | 0:14:46 | |
towards the hamlet of Innerpeffray | 0:14:46 | 0:14:49 | |
to seek out Scotland's oldest public library. | 0:14:49 | 0:14:54 | |
What a beautiful place, | 0:14:54 | 0:14:56 | |
but surely not a place to find a library. | 0:14:56 | 0:14:59 | |
Press on, though, because the library at Innerpeffray | 0:14:59 | 0:15:03 | |
is really quite a treasure | 0:15:03 | 0:15:05 | |
and Margie is here to see it in the company of Lara, | 0:15:05 | 0:15:07 | |
the keeper of the books. | 0:15:07 | 0:15:09 | |
-Welcome. -Thank you so much. | 0:15:09 | 0:15:10 | |
What an intriguing place. | 0:15:10 | 0:15:12 | |
The collection and the library upstairs, | 0:15:12 | 0:15:14 | |
-so if you'd like to go on up... -I'd love to. | 0:15:14 | 0:15:16 | |
The library was created by local landowner, | 0:15:16 | 0:15:19 | |
David Drummond, | 0:15:19 | 0:15:21 | |
third Lord Madertie, | 0:15:21 | 0:15:23 | |
in 1680. | 0:15:23 | 0:15:24 | |
A time when lending books to ordinary people free of charge | 0:15:24 | 0:15:27 | |
was unheard of. | 0:15:27 | 0:15:29 | |
Using Drummond's personal supply of books, | 0:15:29 | 0:15:31 | |
it was originally sited in this medieval chapel | 0:15:31 | 0:15:34 | |
and then, in the 18th century, | 0:15:34 | 0:15:36 | |
relocated to a purpose-built space next door. | 0:15:36 | 0:15:39 | |
Wow! | 0:15:39 | 0:15:41 | |
Lovely books. | 0:15:41 | 0:15:42 | |
Yes, yeah. | 0:15:42 | 0:15:44 | |
Are most of these original, 17th-century? | 0:15:44 | 0:15:46 | |
We've got about 5,000 books today | 0:15:46 | 0:15:48 | |
but we started with just 400. | 0:15:48 | 0:15:51 | |
And these all belonged to our founder. | 0:15:51 | 0:15:53 | |
Right, but 400 was a lot of books. | 0:15:53 | 0:15:55 | |
It certainly was, books like this one here. | 0:15:55 | 0:15:58 | |
The book itself was written by Hollingshead | 0:15:58 | 0:16:01 | |
and this is a very famous book. | 0:16:01 | 0:16:03 | |
It's famous because there's a certain story on it concerning | 0:16:03 | 0:16:06 | |
a Lord Macbeth | 0:16:06 | 0:16:08 | |
and his sergeant, | 0:16:08 | 0:16:10 | |
-Banquo... -Really? | 0:16:10 | 0:16:11 | |
..who are travelling towards Forres, | 0:16:11 | 0:16:14 | |
and a conversation they have with three weird sisters. | 0:16:14 | 0:16:17 | |
"The first of them spake and said | 0:16:17 | 0:16:19 | |
"all hail Macbeth, Thane of Glamis." | 0:16:19 | 0:16:22 | |
That's amazing, isn't it? | 0:16:22 | 0:16:24 | |
That's printed in 1577. | 0:16:24 | 0:16:26 | |
-When was Shakespeare? -He wrote Macbeth in 1603, I think. | 0:16:26 | 0:16:30 | |
This could be the inspiration of the Macbeth of... | 0:16:30 | 0:16:32 | |
That's generally what is thought, yeah. | 0:16:32 | 0:16:35 | |
Goodness gracious me, that's unbelievable. | 0:16:35 | 0:16:37 | |
Plagiarism! | 0:16:37 | 0:16:39 | |
Well, we call it that today but that was what people did. | 0:16:39 | 0:16:42 | |
Many of the original 400 volumes are signed by the founder | 0:16:42 | 0:16:46 | |
and they include some very real treasures indeed, | 0:16:46 | 0:16:49 | |
such is the Henry VIII Great Bible from 1539. | 0:16:49 | 0:16:54 | |
So it is the first complete Bible in English. | 0:16:54 | 0:16:57 | |
I just wanted to show you this beautiful front-piece | 0:16:57 | 0:16:59 | |
for the New Testament. | 0:16:59 | 0:17:01 | |
Gracious me. | 0:17:01 | 0:17:03 | |
There he is, the man himself. | 0:17:03 | 0:17:04 | |
A dreadful man, how he could dare connect himself with religion... | 0:17:04 | 0:17:08 | |
This will amuse you, then, because the people | 0:17:08 | 0:17:10 | |
are not praising God... | 0:17:10 | 0:17:13 | |
They're praising him. | 0:17:13 | 0:17:15 | |
"Long live the king." "Vivat Rex." | 0:17:15 | 0:17:17 | |
Honestly, that man... | 0:17:17 | 0:17:20 | |
Astonishingly, up until 1968, | 0:17:20 | 0:17:23 | |
every one of these books was available for the public | 0:17:23 | 0:17:26 | |
to take home, | 0:17:26 | 0:17:27 | |
and they travelled as far as 20 miles each way | 0:17:27 | 0:17:29 | |
just to do so. | 0:17:29 | 0:17:31 | |
It must seem surprising there were so many readers, | 0:17:31 | 0:17:34 | |
but thanks to the Scottish government's enlightened policies, | 0:17:34 | 0:17:38 | |
literacy levels have been healthy here for some time | 0:17:38 | 0:17:41 | |
and perhaps the most fascinating book in the library | 0:17:41 | 0:17:43 | |
is the borrowers' register. | 0:17:43 | 0:17:45 | |
-They didn't have a library card. -No. | 0:17:45 | 0:17:47 | |
They wrote a promise in the book, | 0:17:47 | 0:17:49 | |
a promise to return the book safe. | 0:17:49 | 0:17:51 | |
Ah, isn't that lovely? | 0:17:51 | 0:17:53 | |
So, August 1st, 1788, | 0:17:53 | 0:17:57 | |
"We at Crieff, | 0:17:57 | 0:17:59 | |
"borrowed out of the library of Innerpeffray, | 0:17:59 | 0:18:01 | |
"Locke, volume the third, | 0:18:01 | 0:18:04 | |
"Cowley's Poems and Johnson's Lives, | 0:18:04 | 0:18:06 | |
"which we promise to return safe in a month." | 0:18:06 | 0:18:09 | |
Nowadays, visitors from North America and Australia | 0:18:10 | 0:18:13 | |
are especially interested as they seek out everything they can | 0:18:13 | 0:18:17 | |
about their ancestors, including their reading habits, | 0:18:17 | 0:18:20 | |
something David Drummond could never have envisaged. | 0:18:20 | 0:18:23 | |
Just before you go, | 0:18:23 | 0:18:25 | |
I've got something a little bit different to show you. | 0:18:25 | 0:18:28 | |
Oh, my goodness. What's this? Mugshots? | 0:18:28 | 0:18:30 | |
-It does look like that, doesn't it? -Mugshots! | 0:18:30 | 0:18:33 | |
It is the ancient, highly scientific | 0:18:33 | 0:18:35 | |
-and of course completely accurate... -Yeah? -..guide to metoposcopy. | 0:18:35 | 0:18:39 | |
-Lines on your face? -Lines on your face. | 0:18:39 | 0:18:42 | |
Reading character by the lines on your forehead. | 0:18:42 | 0:18:46 | |
-I think I've found me here. -Oh, brilliant. | 0:18:46 | 0:18:48 | |
-So, what does the book say about you? -It's good. It's very good. | 0:18:48 | 0:18:51 | |
-"Such lines signify riches and good fortune." -Well, I hope so. | 0:18:51 | 0:18:54 | |
I'm not so sure that is right. | 0:18:54 | 0:18:57 | |
Time will tell, Margie. | 0:18:57 | 0:18:58 | |
But that picture looks a bit more like Rosco to me. | 0:18:58 | 0:19:02 | |
Night-night, you two. Be good. | 0:19:02 | 0:19:05 | |
Next morning, Rosco's in a provocative mood. | 0:19:08 | 0:19:11 | |
If you're going to catch me, you've got to spend the lot, girl. | 0:19:11 | 0:19:15 | |
Well, judging by yesterday's performance, Margie has | 0:19:15 | 0:19:17 | |
every intention of hanging onto quite a bit of it, actually, | 0:19:17 | 0:19:21 | |
parting with just £43.50 on three lots... | 0:19:21 | 0:19:25 | |
That's such a funny thing. | 0:19:25 | 0:19:28 | |
..leaving her with almost £160 in her pocket... | 0:19:28 | 0:19:32 | |
whilst Charlie was the biggest spender by far, | 0:19:32 | 0:19:35 | |
splashing out almost £100, also on three lots... | 0:19:35 | 0:19:39 | |
It looks like a "swirrul," doesn't it? | 0:19:39 | 0:19:41 | |
..leaving him with over £200 to spend today. | 0:19:41 | 0:19:45 | |
Now for the next stop in the city of St Andrews. | 0:19:45 | 0:19:48 | |
Although after a bit more road running, | 0:19:48 | 0:19:50 | |
they'll be back there later for the auction. | 0:19:50 | 0:19:52 | |
-We're heading into St Andrews. -I know. -The home of golf. -I know. | 0:19:54 | 0:19:57 | |
I know it doesn't do much for you, | 0:19:57 | 0:19:59 | |
but I can't tell you how excited I am. | 0:19:59 | 0:20:02 | |
And who could blame you, Charlie? Of course, St Andrews bears | 0:20:02 | 0:20:05 | |
that title because the royal and ancient has authority | 0:20:05 | 0:20:08 | |
over the game itself and also because of the famous old course. | 0:20:08 | 0:20:12 | |
A frequent venue for the British Open. | 0:20:12 | 0:20:15 | |
I've got to stop. I've got to stop. This is heaven. | 0:20:15 | 0:20:17 | |
Look at this! Look at this! What club do you think it is, Margie? | 0:20:17 | 0:20:22 | |
-I think it's an 8 iron. -I've not a clue! | 0:20:22 | 0:20:25 | |
-Behave yourself, Charlie. -9 iron? | 0:20:25 | 0:20:27 | |
Will you get back in the car, please? | 0:20:27 | 0:20:30 | |
-Really! -MARGIE LAUGHS | 0:20:30 | 0:20:32 | |
-You're going to be rummaging, aren't you? -I certainly am. | 0:20:32 | 0:20:36 | |
-Oh, that's the right spot for you. Bye, darling. -Bye. | 0:20:36 | 0:20:40 | |
Be lucky! | 0:20:40 | 0:20:42 | |
-Good morning. -Good morning. -And you are...? -I'm Tommy. -Tommy. | 0:20:44 | 0:20:48 | |
-Margie Cooper. -Very pleased to meet you, Margie. -And you too, love. | 0:20:48 | 0:20:51 | |
-I'm going to have a quick spin round... -Of course. | 0:20:51 | 0:20:53 | |
..and see if I can find anything that appeals. | 0:20:53 | 0:20:56 | |
Yesterday, Margie made short work of teeing off, | 0:20:57 | 0:21:00 | |
but I think that rummage may just slow her up. | 0:21:00 | 0:21:04 | |
£250. | 0:21:04 | 0:21:07 | |
My word! | 0:21:07 | 0:21:09 | |
That's a whopping price, isn't it? | 0:21:09 | 0:21:11 | |
There's a mixture of genuine antiques and reproduction | 0:21:11 | 0:21:14 | |
items here, but hopefully Tommy can hustle Margie towards the bargains. | 0:21:14 | 0:21:19 | |
There's an antique to fit all budgets in Rummage. | 0:21:19 | 0:21:23 | |
That's the spirit. Good luck, you two. | 0:21:23 | 0:21:26 | |
Now, what about Charlie? | 0:21:26 | 0:21:28 | |
Elsewhere in St Andrews, | 0:21:28 | 0:21:29 | |
Artisans Antiques boasts quite a lot of vintage, | 0:21:29 | 0:21:33 | |
but Charlie's determined to seek out the older stuff, it seems. | 0:21:33 | 0:21:36 | |
It's got a little bit of pitting, so it could well be the original glass. | 0:21:36 | 0:21:40 | |
But it's a genuine antique and that's what I'm looking for. | 0:21:40 | 0:21:43 | |
This is all getting rather competitive, you know, | 0:21:43 | 0:21:46 | |
what with Margie stuck for a bargain down the road | 0:21:46 | 0:21:48 | |
and now Charlie with a new-found determination. | 0:21:48 | 0:21:52 | |
I've got over £200 left. | 0:21:52 | 0:21:54 | |
My temptation is to just spend, spend, spend but... | 0:21:54 | 0:21:59 | |
perhaps I ought to change the habits of a lifetime | 0:21:59 | 0:22:01 | |
and only buy something that I know has got a profit in it. | 0:22:01 | 0:22:06 | |
Well, your best bet I hear is to head over to Jim's corner. | 0:22:06 | 0:22:10 | |
Ah-ha! | 0:22:10 | 0:22:11 | |
Now, we have had some recent luck, have we not, | 0:22:11 | 0:22:15 | |
-with silver-top jars? -Good point. -That's rather sweet, isn't it? | 0:22:15 | 0:22:19 | |
Hobnail cut jar. | 0:22:19 | 0:22:21 | |
It's got a little dent in it, but that's not too bad, is it? | 0:22:21 | 0:22:24 | |
Cut glass and silver atomiser. How Art Deco is that in design?! | 0:22:24 | 0:22:31 | |
It could well be American. | 0:22:31 | 0:22:33 | |
£24. | 0:22:33 | 0:22:35 | |
I think that's fab. | 0:22:35 | 0:22:36 | |
I don't like the price, but then have I ever seen a price I liked? | 0:22:36 | 0:22:41 | |
Now, we were talking about that atomiser, | 0:22:41 | 0:22:44 | |
that is a traditional atomiser. | 0:22:44 | 0:22:46 | |
There is a plus to this one insomuch that the neck here | 0:22:46 | 0:22:49 | |
is hallmarked silver and it's Birmingham. | 0:22:49 | 0:22:52 | |
I just think that other one is so much more stylish. | 0:22:52 | 0:22:56 | |
-Crikey. There's even more. -Isn't that a beautiful shape? | 0:22:56 | 0:23:00 | |
Lovely. Wrong stopper. | 0:23:00 | 0:23:03 | |
What a shame. | 0:23:03 | 0:23:05 | |
-Is that a magic cupboard? -Nicely done and nicely cut body. | 0:23:05 | 0:23:08 | |
-Very sweet, isn't it? -Time to talk to Jim about those. | 0:23:08 | 0:23:13 | |
-Hello, Jim. I'm Charlie. -How do you do, Charlie? | 0:23:13 | 0:23:15 | |
-I'm admiring your cabinet. -Thank you very much. | 0:23:15 | 0:23:17 | |
If I said to you, "How much would the five pieces be?" | 0:23:17 | 0:23:20 | |
-what would be the answer? -60. That's cheap. | 0:23:20 | 0:23:24 | |
If I offered you a £50 note for the whole lot, | 0:23:24 | 0:23:27 | |
would that do it? | 0:23:27 | 0:23:28 | |
Tell me if... Are you sure? | 0:23:28 | 0:23:30 | |
-Happy? You're not going to regret it? -No. -£50. | 0:23:30 | 0:23:33 | |
Well, that's some lot you've got there, Charlie. | 0:23:33 | 0:23:35 | |
What will Margie make of it? | 0:23:35 | 0:23:37 | |
Margie, guess who's bought more silver? | 0:23:39 | 0:23:41 | |
Any progress down the road, I wonder? | 0:23:43 | 0:23:45 | |
-We've got this nice screen over here. -Hmmm. | 0:23:45 | 0:23:48 | |
-Does that catch your eye? -Oh, the screen. My gosh. Yeah. | 0:23:48 | 0:23:51 | |
-I think that's got 65. -Yeah, yeah, yeah, yeah, yeah. | 0:23:51 | 0:23:55 | |
I think that's a no, no, no, no. | 0:23:55 | 0:23:57 | |
-It's got to register with you, hasn't it? -Of course. Of course. | 0:23:57 | 0:24:01 | |
-And if it doesn't register... -It's not striking a chord? -No, bless you. | 0:24:01 | 0:24:05 | |
-It's not. No, it's not. -Sorry, Tommy. We're used to it by now. | 0:24:05 | 0:24:09 | |
-Moany old thing, aren't I? -Tommy's wisely refraining from commenting. | 0:24:09 | 0:24:15 | |
But Margie does seem to have a real dilemma. | 0:24:15 | 0:24:17 | |
It's a lovely shop, but I'm really trying to make some profit | 0:24:17 | 0:24:21 | |
-and I don't think I'm going to find it here. -Oh, well. | 0:24:21 | 0:24:24 | |
Perhaps it's time to move on, girl. | 0:24:24 | 0:24:27 | |
-Do you want to throw me out? -If that's the way it has to be. | 0:24:27 | 0:24:31 | |
-I feel awful now. -Sling your hook. | 0:24:31 | 0:24:33 | |
So, while Margie takes her business elsewhere... | 0:24:35 | 0:24:38 | |
..Charlie's on the road... | 0:24:40 | 0:24:42 | |
heading into rural Fife... | 0:24:42 | 0:24:44 | |
from the home of golf to the even more splendidly titled | 0:24:44 | 0:24:48 | |
Milton of Balgonie... | 0:24:48 | 0:24:51 | |
to meet Britain's foremost meteorite hunter. | 0:24:51 | 0:24:54 | |
-Hi, Charlie. -Lovely to meet you. Meteorites, is it? -Meteorites. | 0:24:56 | 0:25:00 | |
-Would you like to see some? -I'd love to see some. -Come on in. We'll show you around. | 0:25:00 | 0:25:04 | |
Crikey. This is amazing. What is the definition of a meteorite? | 0:25:09 | 0:25:13 | |
Well, a meteorite is a rock from outer space. | 0:25:13 | 0:25:16 | |
It comes from way out there, beyond the orbit of Mars. | 0:25:16 | 0:25:20 | |
It's a piece of the asteroid belt itself. | 0:25:20 | 0:25:23 | |
A meteorite is called a meteoroid | 0:25:23 | 0:25:26 | |
before it meets the Earth's atmosphere | 0:25:26 | 0:25:28 | |
at which point it generally causes it to disintegrate, | 0:25:28 | 0:25:31 | |
scattering debris. | 0:25:31 | 0:25:33 | |
It hits the atmosphere at 20 miles per second. | 0:25:33 | 0:25:37 | |
At those kinds of speeds, it doesn't stand a chance. | 0:25:37 | 0:25:40 | |
It just fragments. But what you actually get landing on the Earth | 0:25:40 | 0:25:44 | |
are maybe, if you're lucky, the size of something like this. | 0:25:44 | 0:25:47 | |
That would be in an exceptionally large piece. | 0:25:47 | 0:25:50 | |
-Blimey. You wouldn't want that coming through your roof, would you? -No, you wouldn't. | 0:25:50 | 0:25:53 | |
-It's very heavy. -It is. It's got iron in it. | 0:25:53 | 0:25:56 | |
Thankfully, most meteorites have very little impact | 0:25:56 | 0:25:59 | |
on the human population, but they can be extremely valuable, | 0:25:59 | 0:26:03 | |
one of the reasons that Rob has made it his life's work | 0:26:03 | 0:26:06 | |
to track them down, wherever they descend on Earth. | 0:26:06 | 0:26:09 | |
-And where did that land? -Burkina Faso in Africa. | 0:26:09 | 0:26:13 | |
-So, how did you acquire that? -I bought that from the finder. | 0:26:13 | 0:26:17 | |
Some of them are pretty ugly, but occasionally, | 0:26:17 | 0:26:20 | |
you get meteorites which are sculpted... | 0:26:20 | 0:26:23 | |
I love the thought of a beautiful meteorite against an ugly meteorite. | 0:26:23 | 0:26:27 | |
Rob gets out his detector to hunt meteorites in the UK as well. | 0:26:28 | 0:26:32 | |
It's a tiny target from space, so when they do land here, | 0:26:32 | 0:26:36 | |
they're worth quite a bit more. | 0:26:36 | 0:26:37 | |
Rob, a former designer of military control systems, has also been known | 0:26:39 | 0:26:43 | |
to supply the odd celebrity with a meteorite too, | 0:26:43 | 0:26:46 | |
like Michael Jackson. | 0:26:46 | 0:26:48 | |
His team got in touch with me | 0:26:48 | 0:26:50 | |
and said that they wanted a meteorite in the shape of a star. | 0:26:50 | 0:26:54 | |
I said, "Well, I can't do that. I can give you a meteorite," | 0:26:54 | 0:26:57 | |
-and Michael Jackson was very happy. -You couldn't cut a bit into a star? | 0:26:57 | 0:27:01 | |
It seemed like a lot of messing around, so I didn't. | 0:27:01 | 0:27:04 | |
In February, 2013, a meteor made front-page news when it hurtled | 0:27:06 | 0:27:11 | |
towards the Ural Mountains and nobody wants to be hit in the Urals. | 0:27:11 | 0:27:15 | |
This is a piece of the Russian meteorite which caused | 0:27:15 | 0:27:17 | |
-so many problems in the news. -How did you get hold of that? | 0:27:17 | 0:27:20 | |
I offered a reward to the residents of Chelyabinsk | 0:27:20 | 0:27:24 | |
and got them all out hunting. | 0:27:24 | 0:27:26 | |
-Have you been out there? -I couldn't. | 0:27:26 | 0:27:28 | |
I work for the military and Russia wouldn't give me a visa. | 0:27:28 | 0:27:30 | |
-But I could go on your behalf? -You could go. | 0:27:30 | 0:27:32 | |
Yeah, I'll tell you what to look for, | 0:27:32 | 0:27:34 | |
loan you the metal detector and the meteorite... | 0:27:34 | 0:27:37 | |
-Can we go 50-50? -We'd be quids in. -Is there an export licence? -60-40, I think. | 0:27:37 | 0:27:41 | |
-What, in my favour? -Well, I don't know... | 0:27:41 | 0:27:44 | |
Charlie hasn't got the time to head off to Russia, | 0:27:45 | 0:27:48 | |
but he does want to buy one more lot for the auction. | 0:27:48 | 0:27:51 | |
So, does Rob have an affordable meteorite? | 0:27:51 | 0:27:55 | |
This is the same meteorite fall as the Burkina Faso one | 0:27:55 | 0:28:00 | |
-that we discussed. -It's got a lovely sheen to it. | 0:28:00 | 0:28:03 | |
And the age of that? | 0:28:03 | 0:28:05 | |
-The Earth age is... Well, it fell in 1960, but its cosmic age... -Yes? | 0:28:05 | 0:28:10 | |
-..4.5 billion years. -Older than Charlie then. | 0:28:10 | 0:28:14 | |
4.5 billion years old. | 0:28:14 | 0:28:18 | |
How much would that cost an old antique dealer? | 0:28:18 | 0:28:21 | |
-If I was selling that to a collector... -Yeah? | 0:28:21 | 0:28:23 | |
..it would probably be in the hundreds. | 0:28:23 | 0:28:25 | |
But to yourself, what does 30 quid sound like? | 0:28:25 | 0:28:29 | |
Absolutely amazing. I've got no comparison to go with. | 0:28:29 | 0:28:33 | |
-I was wondering whether to negotiate... -Negotiate by all means. | 0:28:33 | 0:28:36 | |
What about 20 quid? | 0:28:36 | 0:28:38 | |
Looks like we've settled on 25. | 0:28:38 | 0:28:41 | |
You're a born negotiator. | 0:28:41 | 0:28:44 | |
Well, that probably makes it the oldest thing that's ever been bought on the Road Trip. | 0:28:44 | 0:28:48 | |
Meanwhile, on Earth in St Andrews, Margie's still on the back nine. | 0:28:50 | 0:28:56 | |
-But Charlie's old shop is around here somewhere. -This must be it. | 0:28:56 | 0:29:00 | |
Now she's found the right place, | 0:29:00 | 0:29:02 | |
let's just hope our Margie heads over to see Jim. | 0:29:02 | 0:29:06 | |
-Oh, well done, Margie! -Thank goodness I didn't break anything. | 0:29:10 | 0:29:13 | |
Yes, quite. Keep in his good books and you might get some bargains. | 0:29:13 | 0:29:17 | |
-The ones that Charlie hasn't already snaffled. -What have we got in here? | 0:29:17 | 0:29:22 | |
I've seen something I like. Are you ready for this? | 0:29:22 | 0:29:24 | |
It's a Capstone inkwell. Silver one. | 0:29:24 | 0:29:27 | |
Quite a nice design. | 0:29:27 | 0:29:31 | |
A little bit bashed. | 0:29:31 | 0:29:33 | |
At least it wasn't by you, I suppose. | 0:29:33 | 0:29:35 | |
It's Deco, really, isn't it? 1930s. | 0:29:35 | 0:29:38 | |
Needs a bit of TLC. | 0:29:38 | 0:29:41 | |
The price has got to be right. | 0:29:41 | 0:29:43 | |
-Jim, can I have some help? -Certainly. | 0:29:43 | 0:29:47 | |
Your little Deco... | 0:29:47 | 0:29:49 | |
Capstone inkwell... | 0:29:49 | 0:29:52 | |
which has had a bit of a life. | 0:29:52 | 0:29:54 | |
65, isn't it? | 0:29:54 | 0:29:56 | |
But you know, can that be... | 0:29:56 | 0:29:59 | |
-a cracking deal? -Ask away. | 0:29:59 | 0:30:02 | |
It all depends what you paid for it | 0:30:02 | 0:30:04 | |
because I don't want you to lose money but... | 0:30:04 | 0:30:07 | |
I was thinking... | 0:30:07 | 0:30:09 | |
35. | 0:30:09 | 0:30:10 | |
-I could do it for 40 and that gives me a little bit. -Does it? | 0:30:10 | 0:30:13 | |
-That gives me a little bit. -If there any chance...? | 0:30:13 | 0:30:17 | |
-Of? -Just easing it a bit. -I'll take another fiver off it. | 0:30:17 | 0:30:21 | |
-My glasses fell off. -Shock! Shock horror. | 0:30:21 | 0:30:25 | |
-I think she's pleased. So, £35. -Well, I've got to have that. | 0:30:25 | 0:30:28 | |
Thank you very much. | 0:30:28 | 0:30:29 | |
But is there anything else, bearing in mind that it's getting late? | 0:30:29 | 0:30:33 | |
Right. Come on. What have you got that I can make it profit on? | 0:30:33 | 0:30:35 | |
You're a good old dealer. I have fallen on my derriere with these. | 0:30:35 | 0:30:40 | |
-It's 20 quid though. -I can do that for five. -Blimey, Jim. | 0:30:40 | 0:30:45 | |
Bargain. | 0:30:45 | 0:30:46 | |
Oh, God. I hate them. | 0:30:46 | 0:30:48 | |
-I hate them. -It's a nice piece of wood. | 0:30:48 | 0:30:52 | |
Yeah, it is a nice piece of wood. My dad used to do that every morning, | 0:30:52 | 0:30:56 | |
tap the thing and annoy me. | 0:30:56 | 0:30:57 | |
This is all a bit like yesterday | 0:30:57 | 0:30:59 | |
when Margie managed to get that parasol for a knock-down price. | 0:30:59 | 0:31:03 | |
Now we have another weather-related item | 0:31:03 | 0:31:05 | |
and she's being a bit sniffy about it. | 0:31:05 | 0:31:07 | |
-£4. -So, the two are... | 0:31:07 | 0:31:11 | |
-38. -Good try! | 0:31:11 | 0:31:13 | |
-No, the two are 39. -Yeah, OK. Let's go for it. | 0:31:13 | 0:31:17 | |
-Can I shake your hand? -You certainly can. Thanks. | 0:31:18 | 0:31:21 | |
Phew. Now that Margie's got her final lot, | 0:31:21 | 0:31:24 | |
it's time to take a look at what they bought. | 0:31:24 | 0:31:27 | |
-Get them off. -Get them off?! OK. I'll get them off. | 0:31:27 | 0:31:32 | |
Oh, everybody who plays the game with me always buys silver | 0:31:32 | 0:31:37 | |
-and I struggle to find any. -Do you? -You've mopped it all up. | 0:31:37 | 0:31:41 | |
-Where did you buy all that? -I bought that in the shop I went to today | 0:31:41 | 0:31:44 | |
-that you followed in afterwards. -Yep, Charlie's mopped it up. | 0:31:44 | 0:31:48 | |
Now, do tell me, how much for the five? | 0:31:48 | 0:31:50 | |
For the five... I paid 50 quid for the lot. | 0:31:50 | 0:31:53 | |
-Tenner apiece. -Yeah, fair enough. | 0:31:53 | 0:31:56 | |
-Is that all right? -Yeah. I like that. -Yeah, look at that. | 0:31:56 | 0:31:59 | |
-Look at that doggie's head. It's beech wood. -Oh, how... | 0:31:59 | 0:32:03 | |
That's really nice. That could make £55-£60. | 0:32:03 | 0:32:08 | |
# I paid 25.. # | 0:32:08 | 0:32:11 | |
-Now, will she be gunning for those? -Tell me what you think. -They're very decorative. | 0:32:11 | 0:32:14 | |
Well, I think the carriages are post-war. They're horrible. | 0:32:14 | 0:32:17 | |
-These are rather nice. -I think these barrels might be a bit earlier. -Do you think so? -Definitely bronze. | 0:32:17 | 0:32:22 | |
-With a bit of verdigris sprayed on. -I like a bit of verdigris sprayed on. And there's my coup de grace. | 0:32:22 | 0:32:27 | |
-Oh, what is that? -It's a meteorite. | 0:32:27 | 0:32:29 | |
-Oh, my... -I brought it from my man. | 0:32:29 | 0:32:32 | |
-How old is that? -Er, about... | 0:32:32 | 0:32:35 | |
five billion years. | 0:32:35 | 0:32:37 | |
That's aged since you bought it, Charlie. | 0:32:37 | 0:32:39 | |
And he sold it to me for £25. | 0:32:39 | 0:32:42 | |
I do not know whether that's going to make £250 or £2.50, | 0:32:42 | 0:32:46 | |
but I love it and if I was allowed to, I'd buy it myself. | 0:32:46 | 0:32:49 | |
-Have you finished? -Yeah. -Time for Margie's inexpensive collection. | 0:32:49 | 0:32:53 | |
-You ready? -Hello! I know where you bought that. -Yeah, James. Jimmy. | 0:32:53 | 0:32:58 | |
-It was in the same cabinet as these. -Oh, I thought there were a lot of gaps in there. | 0:32:58 | 0:33:02 | |
I thought I'd leave you something. | 0:33:02 | 0:33:03 | |
-I hate these. -I loathe them. -But my back's to the wall, is it not? | 0:33:03 | 0:33:07 | |
It certainly is if you bought that! | 0:33:07 | 0:33:10 | |
-You don't know how much I paid for those two together. -I don't. I don't. | 0:33:10 | 0:33:14 | |
I think that at auction will make about 50 quid. | 0:33:14 | 0:33:17 | |
-Mmm. -And that will make 10 to 15. | 0:33:17 | 0:33:21 | |
Four quid... | 0:33:21 | 0:33:23 | |
and 35 make 39. | 0:33:23 | 0:33:25 | |
-You put that for 35? -I did. -You clever clogs, aren't you? | 0:33:25 | 0:33:29 | |
-Clever clogs. What on earth is this?! -This is just for you. | 0:33:29 | 0:33:33 | |
You've got to guess. | 0:33:33 | 0:33:34 | |
-Ooh. -Hey! -Oh! | 0:33:36 | 0:33:38 | |
-It's one of those. -Is it? -Yes. | 0:33:38 | 0:33:40 | |
-Doesn't juice something, does it? -No. You're never going to guess. | 0:33:40 | 0:33:43 | |
Oh, hang on. It's not for crumpets, is it? | 0:33:43 | 0:33:45 | |
Is it a crumpet maker? That's fab. | 0:33:45 | 0:33:47 | |
-How did you guess that? -Because I'm a genius. | 0:33:47 | 0:33:50 | |
Well, I think you're both wrong. | 0:33:50 | 0:33:51 | |
This is about the same sort of genre. | 0:33:51 | 0:33:54 | |
You can actually put that up because it's not damaged. | 0:33:54 | 0:33:57 | |
Like a Scottish thistle. Do you know how much I paid for it? | 0:33:57 | 0:34:01 | |
£3.50. | 0:34:01 | 0:34:03 | |
You've done well, actually. | 0:34:03 | 0:34:05 | |
You're not going to make hundreds, but you're back on the road. | 0:34:05 | 0:34:08 | |
-Back on the road. -Miss Cooper's back on the road. Come on. | 0:34:08 | 0:34:12 | |
But what do they really think? | 0:34:12 | 0:34:14 | |
I think Charlie's playing a very, very good game. | 0:34:14 | 0:34:18 | |
A lovely little knife and fork in the presentation box | 0:34:18 | 0:34:20 | |
at 20 quid is frankly a steal. She'll double her money on that. | 0:34:20 | 0:34:24 | |
I'm quite happy that I've just kept it small | 0:34:24 | 0:34:27 | |
and not spent a lot of money. | 0:34:27 | 0:34:29 | |
But unless I have a complete disaster, I will still be ahead. | 0:34:29 | 0:34:33 | |
After starting out in Perth, today's rumble will wrap up | 0:34:33 | 0:34:37 | |
at an auction in Fife at St Andrews, once they get over the links. | 0:34:37 | 0:34:41 | |
Shall we go across here? Look. | 0:34:41 | 0:34:43 | |
-Let's pretend we're on a golf course. -Patience, Charlie. | 0:34:43 | 0:34:46 | |
-Steady on. -We've got an exhaust pipe to worry about. | 0:34:46 | 0:34:50 | |
That's the least of your worries, your exhaust pipe, I can tell you. | 0:34:50 | 0:34:53 | |
This is not wacky races. | 0:34:53 | 0:34:55 | |
Get back on the road, you two! | 0:34:56 | 0:34:58 | |
-Mind that tuft. -Oh, my goodness! Hang on. | 0:34:58 | 0:35:01 | |
Blimey. Hang on, matron. | 0:35:01 | 0:35:04 | |
Certainly. Welcome to Macgregor's, a St Andrews institution since 1857 | 0:35:04 | 0:35:09 | |
and also a funeral director's. | 0:35:09 | 0:35:11 | |
Charlie and Margie may be a tad disappointed to discover that | 0:35:11 | 0:35:13 | |
Macgregor's has no website or online listing, | 0:35:13 | 0:35:17 | |
but it does have Ian Urie and wife Sandra | 0:35:17 | 0:35:20 | |
who preside in their own unique fashion. | 0:35:20 | 0:35:23 | |
Two. | 0:35:23 | 0:35:25 | |
-Three. -Nice earrings in there. -Four. Five. | 0:35:25 | 0:35:28 | |
Oh, my. | 0:35:28 | 0:35:29 | |
Charlie began with £309.42 | 0:35:29 | 0:35:32 | |
and he spent £172 of it on five auction lots... | 0:35:32 | 0:35:36 | |
Shake me by the hand, sir. | 0:35:36 | 0:35:37 | |
..whilst Margie started out with £201 | 0:35:37 | 0:35:40 | |
and she's parted with a mere £82.50, also on five lots. | 0:35:40 | 0:35:45 | |
-Kiss? -Now, time for Ian Urie to hit them with his auction stick. | 0:35:45 | 0:35:51 | |
-150 people here. -Plenty of people for my things. | 0:35:51 | 0:35:54 | |
I don't think there will be anybody for yours. Lot number five! | 0:35:54 | 0:35:58 | |
Charlie's scent bottles...and much more. | 0:35:58 | 0:36:01 | |
The bid is with me at £16. | 0:36:01 | 0:36:05 | |
-17. -Here we go. | 0:36:05 | 0:36:07 | |
19. 20. | 0:36:07 | 0:36:08 | |
22. 24. | 0:36:08 | 0:36:10 | |
26. 28. | 0:36:10 | 0:36:11 | |
30. 32. | 0:36:11 | 0:36:13 | |
34. | 0:36:13 | 0:36:14 | |
Any advance on £34? | 0:36:14 | 0:36:17 | |
Blimey, Charlie. That's a poor start. | 0:36:20 | 0:36:22 | |
It's not much of a loss. | 0:36:22 | 0:36:24 | |
Charlie? | 0:36:25 | 0:36:27 | |
Charlie! | 0:36:27 | 0:36:29 | |
I'm worried about his Whitefriars now. | 0:36:29 | 0:36:32 | |
Who will start me off at £1? | 0:36:32 | 0:36:34 | |
Hey?! | 0:36:34 | 0:36:35 | |
Any advance on £1? | 0:36:35 | 0:36:37 | |
-You are joking? -Two. Three. | 0:36:37 | 0:36:39 | |
Four. Five. | 0:36:39 | 0:36:42 | |
-Six. Seven. -Slowly does it. | 0:36:42 | 0:36:44 | |
Eight. Nine. | 0:36:44 | 0:36:46 | |
Ten. | 0:36:46 | 0:36:48 | |
Any advance on £10? I hear 11. | 0:36:48 | 0:36:51 | |
-12. 13. 14. -I can't believe this. | 0:36:51 | 0:36:53 | |
-I can't believe this. -It's getting there. It's getting there. -18. 19. | 0:36:53 | 0:36:57 | |
-Any advance on £19? -Please! | 0:36:57 | 0:37:01 | |
-20. -It's going on. -22. 24. | 0:37:03 | 0:37:06 | |
-We're going to be here all afternoon. -26. 28. | 0:37:06 | 0:37:08 | |
30. 32. | 0:37:08 | 0:37:11 | |
Any advance on £32? | 0:37:11 | 0:37:14 | |
-Dear, dear, dear. -Gosh. | 0:37:14 | 0:37:16 | |
Oh, dear. How's the rest of the day going to go? | 0:37:18 | 0:37:22 | |
Well, that's a very reasonable bit of Whitefriars for someone. | 0:37:22 | 0:37:25 | |
-How could you start a Whitefriars bowl at £1? -I know. | 0:37:25 | 0:37:29 | |
-Well, he did. -£1. -I know. -£1. | 0:37:29 | 0:37:32 | |
OK. Margie's barometer can't fail though, can it? Surely? | 0:37:32 | 0:37:35 | |
-I'm bid £6. -Ah, commission bid. | 0:37:35 | 0:37:39 | |
£6. I've made a profit. | 0:37:39 | 0:37:41 | |
Seven. Eight. Nine. | 0:37:41 | 0:37:43 | |
-Any advance? -This is stratospheric. | 0:37:43 | 0:37:46 | |
Ten. 11. 12. | 0:37:46 | 0:37:49 | |
Any advance on £12? | 0:37:49 | 0:37:52 | |
Margie! | 0:37:54 | 0:37:55 | |
Margie's miserly spending could pay off here, you know. | 0:37:55 | 0:37:59 | |
-You've tripled your money. -I've tripled my money! | 0:37:59 | 0:38:02 | |
This is a one-way ticket to success. | 0:38:02 | 0:38:05 | |
How about Margie's even cheaper parasol? | 0:38:05 | 0:38:08 | |
£1 anyone? Two. | 0:38:08 | 0:38:11 | |
He started at £1 again. | 0:38:11 | 0:38:13 | |
Five. Six. | 0:38:13 | 0:38:14 | |
-Seven. Eight. -He's going the entire way in £1 bids. -13. 14. | 0:38:14 | 0:38:19 | |
This is fantastic. 18. 19. 20. | 0:38:19 | 0:38:25 | |
-I am surprised. -Look at that. | 0:38:25 | 0:38:27 | |
£22. 24. | 0:38:27 | 0:38:30 | |
-My little man over there. -This is fantastic. | 0:38:30 | 0:38:33 | |
He's on fire, that auctioneer. | 0:38:37 | 0:38:39 | |
The sun continues to shine on Margie. | 0:38:39 | 0:38:42 | |
Time for Charlie's broadside. | 0:38:43 | 0:38:46 | |
I bet it'll go with a bang! | 0:38:46 | 0:38:47 | |
-Or perhaps a whimper. -£1 anyone? | 0:38:47 | 0:38:50 | |
-Oh, no. -He started at £1! -Two. Three. | 0:38:50 | 0:38:53 | |
-Four. -Please. -It cost £35 and he started with £1. -It'll get there. | 0:38:53 | 0:38:57 | |
-It'll get there. -Ten. 11. 12. | 0:38:57 | 0:39:00 | |
13. 14. | 0:39:00 | 0:39:01 | |
15. 16. | 0:39:01 | 0:39:03 | |
17. 18. | 0:39:03 | 0:39:04 | |
-What an extraordinary auction. -20. | 0:39:04 | 0:39:06 | |
Any advance on £20? | 0:39:08 | 0:39:12 | |
This is definitely not Charlie's day. | 0:39:13 | 0:39:15 | |
He'll need a tablet. | 0:39:15 | 0:39:17 | |
I could have taken it to the scrap merchant | 0:39:17 | 0:39:20 | |
and made more money than that. | 0:39:20 | 0:39:22 | |
What about his whippet-handled parasol? | 0:39:22 | 0:39:24 | |
Give me a pound. | 0:39:24 | 0:39:25 | |
Give me £1. Two. | 0:39:25 | 0:39:27 | |
Three. Four. | 0:39:27 | 0:39:29 | |
Five. Six. | 0:39:29 | 0:39:31 | |
Here we go again. | 0:39:31 | 0:39:32 | |
Eight. Nine. Ten. | 0:39:32 | 0:39:33 | |
That man's buying everything. | 0:39:33 | 0:39:35 | |
Do you know, I thought I'd completely stolen this at 25 quid. | 0:39:35 | 0:39:40 | |
Any advance on £15? | 0:39:40 | 0:39:43 | |
Someone's acquired a bargain brolly. | 0:39:44 | 0:39:47 | |
-I'm feeling a bit sorry... Are you all right, chap? -I'm struggling. | 0:39:47 | 0:39:51 | |
Now for the inkwell that Charlie could have bought. | 0:39:51 | 0:39:55 | |
-The bid is with me at £32. -Look at that! | 0:39:55 | 0:39:58 | |
32 quid and you're off. | 0:39:58 | 0:40:00 | |
38. 40. | 0:40:00 | 0:40:02 | |
42. Any advance on 44? | 0:40:02 | 0:40:05 | |
-46. -Oh, my... -52. | 0:40:05 | 0:40:09 | |
54. 56. 58. | 0:40:09 | 0:40:10 | |
-And to you think I could've bought this? -You could. -But you didn't. | 0:40:10 | 0:40:15 | |
That's a really good price. It just goes to show that I've bought crap | 0:40:17 | 0:40:21 | |
-and you bought good things. -Steady, Charlie. | 0:40:21 | 0:40:23 | |
-I'm not sure you're right, either. -You could come here with | 0:40:23 | 0:40:26 | |
a couple of hundred quid and buy the whole sale. | 0:40:26 | 0:40:28 | |
Another quality item, Margie's little silver set. | 0:40:28 | 0:40:31 | |
Butter knife and butter pat fork. | 0:40:31 | 0:40:35 | |
And the bid is with me at £18. | 0:40:38 | 0:40:41 | |
Any advance? | 0:40:41 | 0:40:42 | |
-There's that lady in the front row, she's such a good buyer. -22. | 0:40:42 | 0:40:46 | |
Any advance on 22? | 0:40:46 | 0:40:50 | |
I'd buy that over and over and over again. £22. | 0:40:50 | 0:40:54 | |
You almost got away with it, Margie. | 0:40:54 | 0:40:57 | |
I mean, it was Edwardian. | 0:40:57 | 0:40:59 | |
Join the world of disappointment. | 0:40:59 | 0:41:03 | |
In perfect condition, in a box with pearl handles. Shut up, Margie. | 0:41:03 | 0:41:07 | |
-You're boring yourself. -Oh, sorry. | 0:41:07 | 0:41:10 | |
Victorian kitchenalia is how they're now describing | 0:41:10 | 0:41:13 | |
the alleged crumpet maker. | 0:41:13 | 0:41:15 | |
It could be a lossmaker. | 0:41:15 | 0:41:16 | |
Lot 84 is the mystery object. | 0:41:16 | 0:41:19 | |
-A mystery object. -Oh! | 0:41:19 | 0:41:22 | |
-I wonder where the bidding will start? -Who wants it for £1? | 0:41:22 | 0:41:25 | |
-There we go. -Two. Three. | 0:41:25 | 0:41:28 | |
Four. Five. | 0:41:28 | 0:41:30 | |
Six. | 0:41:30 | 0:41:31 | |
Any advance on £6? | 0:41:31 | 0:41:33 | |
That's a man of discernment... | 0:41:33 | 0:41:36 | |
of no small wealth. He probably knows what it is! | 0:41:36 | 0:41:39 | |
Any advance on £10? | 0:41:39 | 0:41:42 | |
Hmmm. | 0:41:42 | 0:41:44 | |
That one didn't rise to the occasion, did it? | 0:41:44 | 0:41:48 | |
-I don't care what it is, I've lost £10. -Yeah. | 0:41:48 | 0:41:50 | |
I'm quite pleased, really. | 0:41:50 | 0:41:52 | |
Watch out, Charlie. Heaven knows what will become of your meteorite. | 0:41:52 | 0:41:57 | |
A little piece of heaven on earth. | 0:41:57 | 0:42:00 | |
I've never seen an auctioneer look so excited. | 0:42:00 | 0:42:02 | |
The bid is with me at £22. | 0:42:02 | 0:42:05 | |
Ah, worth something. | 0:42:05 | 0:42:08 | |
-Any advance on £22? -You're joking. | 0:42:08 | 0:42:12 | |
No other bids? | 0:42:12 | 0:42:13 | |
-Nobody else knows what a piece of heaven on earth is. -Quite. | 0:42:13 | 0:42:18 | |
Charlie's lost on every single lot. | 0:42:18 | 0:42:20 | |
Know what I think of this auction? | 0:42:20 | 0:42:23 | |
Here's what I think of the auction. | 0:42:23 | 0:42:25 | |
Well, I've climbed back. | 0:42:25 | 0:42:28 | |
I don't care. | 0:42:28 | 0:42:30 | |
So, it's Margie who's the winner today. | 0:42:30 | 0:42:33 | |
Charlie started out with £309.42 | 0:42:33 | 0:42:36 | |
and after paying auction costs, he's made a loss of £71.14, | 0:42:36 | 0:42:41 | |
leaving him with £238.28 | 0:42:41 | 0:42:44 | |
and a narrow lead. He's not happy. | 0:42:44 | 0:42:47 | |
While Margie began with £201 and after paying auction costs | 0:42:48 | 0:42:52 | |
she made a profit of £20.82, | 0:42:52 | 0:42:55 | |
leaving her with £221.82 to spend next time. | 0:42:55 | 0:43:00 | |
Right. Let's get out of here. Sharpish. | 0:43:02 | 0:43:06 | |
You are brilliant and I'm rubbish. | 0:43:06 | 0:43:09 | |
Next time on the Antiques Road Trip, Charlie hits the net... | 0:43:12 | 0:43:15 | |
-Very good. -Yes! It's a goal! -Well done. -It's a goal! | 0:43:15 | 0:43:19 | |
..but Margie pulls the strings... | 0:43:19 | 0:43:21 | |
-15. -Oh, don't make a profit on this. | 0:43:21 | 0:43:24 |