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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
All right, viewers? | 0:00:04 | 0:00:05 | |
With £200 each, a classic car | 0:00:05 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
-Oh! -50p! | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Oh! | 0:00:27 | 0:00:29 | |
Ow! | 0:00:29 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
On this Road Trip we are catching a lift with two smooth operators - | 0:00:35 | 0:00:40 | |
Philip Serrell and Charles Hanson. | 0:00:40 | 0:00:43 | |
-It's quite leafy, isn't it? -Yeah. | 0:00:43 | 0:00:45 | |
-I think that's got something to do with the trees, Charlie. -Yes, yeah. | 0:00:45 | 0:00:48 | |
Fine art and antiques expert | 0:00:50 | 0:00:51 | |
Philip has an eye for the finer things in life. | 0:00:51 | 0:00:54 | |
"First class only." | 0:00:54 | 0:00:56 | |
That means Hanson wouldn't be allowed to sit on this. | 0:00:56 | 0:00:59 | |
Ooh! Whilst auctioneer Charles likes to think of himself as a man | 0:00:59 | 0:01:02 | |
-of the people. -Would you be open to an offer on the whole lot? | 0:01:02 | 0:01:06 | |
I'll listen, but I won't accept. | 0:01:06 | 0:01:09 | |
Oh, no. Don, I'm your mate. | 0:01:09 | 0:01:11 | |
They're cruising the countryside in a 1969 Triumph GT6 convertible | 0:01:12 | 0:01:17 | |
and whilst Philip's at the wheel, | 0:01:17 | 0:01:18 | |
Charles is providing the music. | 0:01:18 | 0:01:21 | |
# Do, a deer, a female deer | 0:01:21 | 0:01:24 | |
# Re, a drop of golden sun. # | 0:01:24 | 0:01:28 | |
Oh, lordy. But he has got plenty to sing about. | 0:01:28 | 0:01:31 | |
As on the last leg, Charles did very well indeed. | 0:01:32 | 0:01:36 | |
I'm spinning. My head is spinning. | 0:01:36 | 0:01:38 | |
But Philip isn't prepared to take defeat lying down. | 0:01:39 | 0:01:42 | |
-Well done. -What a great result. | 0:01:42 | 0:01:45 | |
Both of our daring duos started the Road Trip with £200, | 0:01:45 | 0:01:49 | |
but after the first auction, Philip saw his cash dwindle | 0:01:49 | 0:01:52 | |
to just £166.46. | 0:01:52 | 0:01:56 | |
Poor old love. | 0:01:56 | 0:01:58 | |
But Charles invested wisely and now has £221.40, | 0:01:58 | 0:02:02 | |
putting him nearly £55 in front. | 0:02:02 | 0:02:06 | |
But on this leg Charles will be shopping in Philip's hometown. | 0:02:06 | 0:02:10 | |
I phoned them all up. | 0:02:10 | 0:02:11 | |
I said to them all, "Charlie Hanson | 0:02:11 | 0:02:13 | |
"is coming here tomorrow, kipper him." | 0:02:13 | 0:02:14 | |
That's what I told them. "Absolutely kipper him." | 0:02:14 | 0:02:17 | |
Now, now, Philip. Play nice. | 0:02:17 | 0:02:19 | |
On this trip they began in the north-west of England | 0:02:21 | 0:02:24 | |
at Southport before winding their way through Wales, across to London | 0:02:24 | 0:02:28 | |
before finally reaching Cirencester in the Cotswolds. | 0:02:28 | 0:02:31 | |
On this second leg of the trip, | 0:02:33 | 0:02:35 | |
they begin their shopping in Stafford in Staffordshire | 0:02:35 | 0:02:37 | |
before crossing the Welsh border for auction in Brecon in Powys. | 0:02:37 | 0:02:42 | |
In the 1800s, Stafford had a thriving shoemaking industry. | 0:02:44 | 0:02:48 | |
Shoes made here were highly sought-after | 0:02:48 | 0:02:50 | |
and exported around the world. | 0:02:50 | 0:02:52 | |
An apt place for Philip to begin his shopping | 0:02:52 | 0:02:55 | |
as he is as tough as old boots when it comes to finding a bargain. Ha! | 0:02:55 | 0:03:00 | |
-Hi, I'm Philip. How are you? -Fine, thanks, Phil. How are you? Ian. | 0:03:00 | 0:03:04 | |
-Ian, good to see you. -Nice to meet you. | 0:03:04 | 0:03:06 | |
You've got some interesting things here by the looks of things. | 0:03:06 | 0:03:09 | |
He has indeed. | 0:03:09 | 0:03:10 | |
Surely enough to inspire your first purchase of the day. | 0:03:10 | 0:03:14 | |
Let me have a look at this thing that I saw in the window. | 0:03:14 | 0:03:16 | |
That, I do like. | 0:03:16 | 0:03:18 | |
I don't know what it's worth and I don't know what it is. | 0:03:19 | 0:03:22 | |
Maybe I can assist. | 0:03:22 | 0:03:23 | |
HMS Essex was a Welsh-built armoured cruiser launched in 1900. | 0:03:25 | 0:03:31 | |
She served for over 20 years, | 0:03:31 | 0:03:32 | |
surviving action in the First World War. | 0:03:32 | 0:03:35 | |
What I think it is, and this is a guess, | 0:03:35 | 0:03:38 | |
is that it is a gift given to someone leaving ship | 0:03:38 | 0:03:40 | |
so maybe the chief engineer, stoker, maybe even the captain. | 0:03:40 | 0:03:44 | |
-But is the price tag a gift too? -Give me the ticket price. | 0:03:44 | 0:03:47 | |
The ticket price is £110. | 0:03:47 | 0:03:49 | |
-£110, OK. Has it been in here long? -A couple of weeks. | 0:03:49 | 0:03:56 | |
-Three or four weeks. -OK, so it's been in a year then, really. | 0:03:57 | 0:04:01 | |
Phil knows your game, Ian. | 0:04:02 | 0:04:04 | |
But with this place packed with all sorts of goodies, | 0:04:04 | 0:04:07 | |
I'm sure he'll find something that will turn a profit. | 0:04:07 | 0:04:11 | |
-What's that? -That's a pencil sharpener. | 0:04:11 | 0:04:13 | |
So you would basically put your pencil in the radiator | 0:04:13 | 0:04:17 | |
of the car, then press the spare tyre at the back like that | 0:04:17 | 0:04:20 | |
and it's just a little pencil sharpener. | 0:04:20 | 0:04:23 | |
How sweet is that? | 0:04:23 | 0:04:24 | |
-And what's the ticket price on that? -£20. | 0:04:24 | 0:04:28 | |
-That might be an option, mightn't it? -A nice little thing. -OK. | 0:04:28 | 0:04:32 | |
One to consider and definitely in Philip's price range. As is this. | 0:04:32 | 0:04:36 | |
Oh, that's quite sweet, isn't it? | 0:04:36 | 0:04:38 | |
This could almost be Del Trotter's because we've got London, Paris. | 0:04:38 | 0:04:41 | |
We haven't got Peckham, but we've got New York, so it could be. | 0:04:41 | 0:04:45 | |
This is a Del Trotter ladies' needle case. Or not needle case. | 0:04:45 | 0:04:48 | |
The ticket price is £20. | 0:04:48 | 0:04:50 | |
He who dares, Philip. He who dares. | 0:04:50 | 0:04:53 | |
So we've got some tweezers, some scissors, | 0:04:53 | 0:04:56 | |
some wax out your ear-hole things, | 0:04:56 | 0:04:57 | |
which never strikes me as being very savoury, | 0:04:57 | 0:05:00 | |
a nail file and another wax out your ear-hole job. | 0:05:00 | 0:05:03 | |
Yeah, I think I'd probably rather a doctor do that, wouldn't you? | 0:05:03 | 0:05:06 | |
Probably for the best. | 0:05:06 | 0:05:08 | |
So far Phil has amassed three possible items, | 0:05:08 | 0:05:11 | |
but he's not finished yet. | 0:05:11 | 0:05:13 | |
What's nice about this, it's a little Tri-ang toy cart | 0:05:13 | 0:05:17 | |
made by the Tri-ang toy company. | 0:05:17 | 0:05:19 | |
It looks like it's scratched but it's actually really nice to | 0:05:19 | 0:05:22 | |
have that little label on a wooden toy. | 0:05:22 | 0:05:26 | |
There is just a nice attention to detail. Lovely wheels, look. | 0:05:26 | 0:05:29 | |
All I need now is to find an avid toy collector | 0:05:29 | 0:05:33 | |
in mid Wales. | 0:05:33 | 0:05:35 | |
This cart with horse might be more Steptoe than Del Boy, | 0:05:35 | 0:05:39 | |
but at £55, could it be too upmarket for Phil? | 0:05:39 | 0:05:43 | |
So, be honest, you're not really going to ever | 0:05:43 | 0:05:45 | |
lose any money on it, are you? | 0:05:45 | 0:05:47 | |
Let me tell you. | 0:05:47 | 0:05:48 | |
I have done this programme for long enough to know I am capable | 0:05:48 | 0:05:52 | |
of disappearing up my own backside without any help from anybody here. | 0:05:52 | 0:05:56 | |
That's not savoury. Phil's four items come to £205. | 0:05:56 | 0:06:00 | |
That's £50 more than he's got. | 0:06:00 | 0:06:02 | |
I was trying to get it for under 100 quid. | 0:06:02 | 0:06:04 | |
-Under £100? -Yeah. | 0:06:04 | 0:06:06 | |
So you twitched there. I hate it when people twitch on me. | 0:06:08 | 0:06:11 | |
-Did you feel any pain at all then? -Yeah, I did, actually. Yeah. | 0:06:11 | 0:06:15 | |
-You could have it for £110. Death. -100 quid, death? | 0:06:15 | 0:06:21 | |
This is always good, this bit. I like this bit. | 0:06:22 | 0:06:25 | |
Two, four, six, eight, ten. | 0:06:25 | 0:06:29 | |
-How does that look, then? -It doesn't normally work. | 0:06:29 | 0:06:32 | |
-This doesn't normally work. You do realise that. -You're a gentleman. | 0:06:32 | 0:06:35 | |
-But as it's you... -Thank you very much. -It's OK. | 0:06:35 | 0:06:37 | |
You have been very, very kind to me. | 0:06:37 | 0:06:39 | |
Philip has spent most of his budget in the first shop - | 0:06:39 | 0:06:43 | |
exactly what he did at the start of the last leg, | 0:06:43 | 0:06:45 | |
where he ended up making a loss. I hope he's not being too hasty here. | 0:06:45 | 0:06:51 | |
Charles, meanwhile, has headed over to Moseley Old Hall in Wolverhampton, | 0:06:51 | 0:06:54 | |
an atmospheric Elizabethan farmhouse that saved a king | 0:06:54 | 0:06:58 | |
and played a key role in royal history. | 0:06:58 | 0:07:01 | |
He is meeting Malcolm Astley, who will be showing him around. | 0:07:01 | 0:07:05 | |
-Good morning. How are you? I'm Charles Hanson. -Malcolm. | 0:07:05 | 0:07:08 | |
Malcolm, good to see you. | 0:07:08 | 0:07:09 | |
-Malcolm, what a wonderful building. -Beautiful. | 0:07:09 | 0:07:12 | |
In the mid-1600s, Parliament had becoming increasingly distrustful | 0:07:13 | 0:07:17 | |
of King Charles I, especially | 0:07:17 | 0:07:19 | |
since his marriage to a Roman Catholic. | 0:07:19 | 0:07:22 | |
In 1642, civil war broke out | 0:07:22 | 0:07:24 | |
led by MP Oliver Cromwell's New Model Army. | 0:07:24 | 0:07:28 | |
The King's forces were crushed and England was declared a republic. | 0:07:28 | 0:07:33 | |
Persecution of Catholics was widespread. | 0:07:33 | 0:07:36 | |
Moseley Hall was home to Thomas Whitgreave | 0:07:36 | 0:07:39 | |
who was not only Catholic but staunchly royalist. | 0:07:39 | 0:07:42 | |
-This round here was in fact known as Little Rome. -Really? | 0:07:42 | 0:07:46 | |
There were more Roman Catholics around here at that time than | 0:07:46 | 0:07:48 | |
many other counties. | 0:07:48 | 0:07:50 | |
After his father's death, Charles II fought to restore the monarchy, | 0:07:50 | 0:07:54 | |
but after another defeat, he went on the run, | 0:07:54 | 0:07:57 | |
sought shelter in an oak tree | 0:07:57 | 0:08:00 | |
before seeking refuge at Moseley Hall. | 0:08:00 | 0:08:03 | |
When Charles arrives, | 0:08:03 | 0:08:04 | |
he comes through a gate in the wall over there, comes across what | 0:08:04 | 0:08:07 | |
-was then the orchard, through here and that is the very door. -Really? | 0:08:07 | 0:08:11 | |
That is the door. | 0:08:11 | 0:08:12 | |
-That is the door. -That is the door that Charles came through. | 0:08:12 | 0:08:15 | |
So Charles I beheaded, Charles II came through that door. | 0:08:15 | 0:08:19 | |
-Yes, he did indeed. -Can I be Charles III | 0:08:19 | 0:08:21 | |
-and take a wander through that door as well? -Yeah. | 0:08:21 | 0:08:24 | |
-Of course. -I'll follow your lead, Malcolm. -Come on, then. Let's go. | 0:08:24 | 0:08:27 | |
Thomas Whitgreave was already helping a local priest who was | 0:08:29 | 0:08:32 | |
-hiding at Moseley Hall at the time. -So, Malcolm, where are we going? | 0:08:32 | 0:08:36 | |
We are going into the priest's bedroom. Father John Huddleston. | 0:08:36 | 0:08:40 | |
-Yes. -He was the resident priest here, | 0:08:40 | 0:08:42 | |
but, of course, he gave up his room. | 0:08:42 | 0:08:43 | |
The priest said, "You have my bedroom." | 0:08:43 | 0:08:45 | |
-So this is the room... -This is the room Charles used. | 0:08:45 | 0:08:48 | |
..that our future King Charles II | 0:08:48 | 0:08:50 | |
stayed in when he was being chased by Cromwell. | 0:08:50 | 0:08:52 | |
Being chased by Cromwell's Parliamentarians. | 0:08:52 | 0:08:54 | |
-And this bed here? -That's the original bed. -That is the bed. | 0:08:54 | 0:08:57 | |
-That is the bed Charles used. -That's amazing. | 0:08:57 | 0:09:01 | |
Charles lived here, confined to two rooms, living under fear | 0:09:01 | 0:09:05 | |
that Cromwell's troops could come knocking at any time. | 0:09:05 | 0:09:08 | |
What would've happened if Cromwell's army had come knocking | 0:09:08 | 0:09:11 | |
-here on the door, looking for the King? -Actually, they did. | 0:09:11 | 0:09:15 | |
They came here hammering at the door and of course Thomas Whitgreave | 0:09:15 | 0:09:18 | |
immediately thought, "Goodness me, they've come for the King." | 0:09:18 | 0:09:21 | |
Whitgreave ushered the King through a secret passageway | 0:09:21 | 0:09:24 | |
and down a priest's hole to hide him from the potential captors. | 0:09:24 | 0:09:28 | |
-So the priest hole is here. -Yes. Down there. | 0:09:30 | 0:09:33 | |
Down there, that is the priest's hole down there. Get down! | 0:09:33 | 0:09:36 | |
-OK, I'm going down. -Down. -So down I go, Malcolm. | 0:09:36 | 0:09:39 | |
So, I go all the way in. So, back in 1651, this is how Charles II... | 0:09:39 | 0:09:45 | |
And I would hide a trap door over it. | 0:09:46 | 0:09:48 | |
-Over there. No candles, nothing. -I'm going down, Malcolm. | 0:09:48 | 0:09:52 | |
-There's no mice, are there? -No. | 0:09:52 | 0:09:54 | |
-Are you sure? No rats, no rodents? -No. | 0:09:54 | 0:09:57 | |
It's so moving that this priest hole was so pivotal to English history. | 0:09:57 | 0:10:02 | |
It really was. A matter of a few hours and a whole thing changes. | 0:10:02 | 0:10:08 | |
Our whole history is based on those few hours down there. | 0:10:08 | 0:10:10 | |
-Have they gone yet? -They've gone, come on. You're OK. -Can I come out? | 0:10:10 | 0:10:13 | |
-You're OK. -Thank you, Mr Whitgreave. | 0:10:13 | 0:10:15 | |
Charles knew he couldn't stay at Moseley Hall indefinitely. | 0:10:18 | 0:10:21 | |
He departed for nearby Bentley Hall, where he met Jane Lane. | 0:10:21 | 0:10:25 | |
She helped him flee England to France. | 0:10:25 | 0:10:28 | |
It was something Charles never forgot | 0:10:28 | 0:10:30 | |
and wrote to her after his restoration to the throne. | 0:10:30 | 0:10:33 | |
Remarkable there, it reads, I can see, | 0:10:33 | 0:10:36 | |
"For it is impossible I can ever forget the great debt I owe you, | 0:10:36 | 0:10:41 | |
"which I hope I shall live to pay in the degree that is worthy of me. | 0:10:41 | 0:10:46 | |
-"Your most affectionate friend..." -"Charles II." | 0:10:46 | 0:10:48 | |
Thank you so much, Malcolm. | 0:10:48 | 0:10:50 | |
It has been a revelation to sit in that hidey hole | 0:10:50 | 0:10:53 | |
and to play King Charles II is one thing I won't forget. | 0:10:53 | 0:10:56 | |
-And I am so grateful. -It's a wonderful place. -Thank you, Malcolm. | 0:10:56 | 0:11:00 | |
It is, but not for too long. | 0:11:00 | 0:11:01 | |
After hearing an inspiring story fit for a king, | 0:11:01 | 0:11:04 | |
Philip's picked up Charles and they're off to Shifnal in Shropshire | 0:11:04 | 0:11:09 | |
and there's only one thing on their mind. | 0:11:09 | 0:11:12 | |
# It's not about the money, money, money | 0:11:13 | 0:11:16 | |
-# It's not about the money, money, money... -# | 0:11:16 | 0:11:18 | |
-JESSIE J: -# We just wanna make the world dance | 0:11:18 | 0:11:21 | |
# Forget about the price tag. # | 0:11:21 | 0:11:24 | |
Gosh, they seem like they're in a jolly good mood. | 0:11:24 | 0:11:26 | |
THEY LAUGH | 0:11:26 | 0:11:29 | |
It must be all that cash in their pockets. | 0:11:29 | 0:11:31 | |
CHARLES LAUGHS | 0:11:31 | 0:11:33 | |
Get out, Charlie. Get out. | 0:11:33 | 0:11:35 | |
-Charlie, you're leaning all over me. -Sorry! | 0:11:35 | 0:11:37 | |
I can't get out the car. | 0:11:37 | 0:11:39 | |
-There we are. -Get out! -I'm going. -Get out! | 0:11:39 | 0:11:43 | |
Behave, you two. | 0:11:43 | 0:11:44 | |
-Go, go, go. -See you later. | 0:11:44 | 0:11:46 | |
What are they like? | 0:11:46 | 0:11:48 | |
Mad, mad, mad, mad, mad. | 0:11:48 | 0:11:50 | |
First stop for Charles is a place called TwoJays. | 0:11:51 | 0:11:55 | |
This place has only been open a week so maybe owner Jacqui has | 0:11:55 | 0:11:58 | |
something that can make a profit at the Brecon auction. | 0:11:58 | 0:12:02 | |
So you want something Welsh? | 0:12:02 | 0:12:03 | |
Welsh, which might just salute the auction house we're going to. | 0:12:03 | 0:12:07 | |
-I've got the perfect things. -Have you really? | 0:12:07 | 0:12:09 | |
The perfect things? That's quite the statement, Jacqui. | 0:12:09 | 0:12:13 | |
-I've got a plan. -Good. | 0:12:13 | 0:12:14 | |
I've got a plan. | 0:12:14 | 0:12:16 | |
What often works well at auction, particularly in Wales, | 0:12:16 | 0:12:19 | |
is when you try and buy a collection of copper lustre | 0:12:19 | 0:12:22 | |
because Welsh collectors, | 0:12:22 | 0:12:25 | |
they like copper lustre and these bits here are very Welsh inspired. | 0:12:25 | 0:12:31 | |
Going to Wales, going to Powys, | 0:12:31 | 0:12:33 | |
I suspect this sort of copper lustre could actually cause a stir. | 0:12:33 | 0:12:37 | |
It looks like Jacqui was right. | 0:12:39 | 0:12:40 | |
The perfect item for a Welsh auction and at £40 for eight pieces, | 0:12:40 | 0:12:45 | |
well within the budget of our man with the plan, Charles. | 0:12:45 | 0:12:49 | |
Jacqui, is there much outside at all? | 0:12:49 | 0:12:51 | |
-There's some garden furniture outside. -Could I have a look? | 0:12:51 | 0:12:53 | |
-Would you mind? -No. -Thank you. | 0:12:53 | 0:12:54 | |
Eh? Garden furniture? I thought you had found the perfect item. | 0:12:54 | 0:12:58 | |
-Jacqui, what are these figures made of? These ladies. -Concrete. | 0:12:58 | 0:13:01 | |
-I think they are just cast concrete. -Yeah, they are. | 0:13:01 | 0:13:05 | |
Not copper lustre then? Do the Welsh love concrete too? | 0:13:05 | 0:13:08 | |
They have a certain weathered look about them. | 0:13:08 | 0:13:11 | |
They're not very old, they're 20 or so years old. | 0:13:11 | 0:13:14 | |
They've got a few knocks, | 0:13:14 | 0:13:15 | |
they've been really quite cheaply put together. | 0:13:15 | 0:13:18 | |
Great hidden in the garden. Under a tree or in a flower bed. | 0:13:18 | 0:13:23 | |
So, they're damaged, they're cheaply put together | 0:13:23 | 0:13:27 | |
and they're not that old. | 0:13:27 | 0:13:28 | |
Why do I feel an offer coming on? | 0:13:28 | 0:13:30 | |
How much are they, Jacqui? What is your best price on them? | 0:13:30 | 0:13:33 | |
-£100. -For all three? That isn't bad, is it? I mean... | 0:13:33 | 0:13:37 | |
-For you, £100. -Really? £100 for them. | 0:13:37 | 0:13:41 | |
What I've also seen on the subject of garden ornaments | 0:13:41 | 0:13:44 | |
are the pair of lions over here. | 0:13:44 | 0:13:47 | |
What was that you said earlier about buying for the Welsh auction? | 0:13:47 | 0:13:50 | |
These are hardly Welsh. HE ROARS | 0:13:50 | 0:13:53 | |
They look wonderful at the edges of drives, don't they? | 0:13:53 | 0:13:55 | |
People have that grandeur and that distinction having a pair of lions. | 0:13:55 | 0:13:59 | |
But you can see the problem is with these, | 0:13:59 | 0:14:02 | |
sadly this right-hand side of the lion, | 0:14:02 | 0:14:05 | |
he has had all of his legs detached from the base. | 0:14:05 | 0:14:09 | |
-So transport must be very careful. -Yes, very careful. | 0:14:09 | 0:14:15 | |
Yes, these lions are badly damaged. | 0:14:15 | 0:14:17 | |
At least they will go well with the three statues. | 0:14:17 | 0:14:20 | |
What is the best price, Jacqui? Between friends. | 0:14:20 | 0:14:23 | |
-£50. -£50. OK. | 0:14:23 | 0:14:26 | |
I'll give it some thought. | 0:14:26 | 0:14:27 | |
Yes, that's a lot to think about, Charles. | 0:14:27 | 0:14:30 | |
£150 for two lots of crumbling garden ornaments | 0:14:30 | 0:14:34 | |
and £40 for the Welsh inspired copper lustre. | 0:14:34 | 0:14:37 | |
I have a bad feeling about all this. | 0:14:37 | 0:14:39 | |
THUNDER RUMBLES | 0:14:41 | 0:14:43 | |
You can hear the thunder outside, can't you? | 0:14:43 | 0:14:45 | |
The thunder is rumbling, saying, "Come on, Hanson, you know. | 0:14:45 | 0:14:47 | |
"You've got to make a decision now." | 0:14:47 | 0:14:49 | |
God, this is exciting. | 0:14:49 | 0:14:50 | |
As the clouds gather, it is make-your-mind-up time, Charles. | 0:14:51 | 0:14:55 | |
I think what I want to do is buy something substantial | 0:14:55 | 0:14:58 | |
that is going to just be my curtain raiser on this | 0:14:58 | 0:15:03 | |
shopping trip and in that regard, | 0:15:03 | 0:15:05 | |
and I know Philip likes the female form, | 0:15:05 | 0:15:07 | |
I quite like your three Graces. | 0:15:07 | 0:15:09 | |
And the lions. And they are the two I would like to buy. | 0:15:09 | 0:15:12 | |
If I bought that whole lot together, what is the best price? | 0:15:12 | 0:15:17 | |
-£80. -It is so tempting. | 0:15:17 | 0:15:19 | |
Because they're modern and haphazard, I'd pay about £50. | 0:15:19 | 0:15:24 | |
Mmm. | 0:15:24 | 0:15:26 | |
-£80 would be better. -Yeah. | 0:15:26 | 0:15:29 | |
This lot might be damaged, | 0:15:29 | 0:15:30 | |
but you can't argue with a £70 discount, can you? | 0:15:30 | 0:15:32 | |
-Yeah, I'll take them. -Yeah? -Yeah, thanks, Jacqui. | 0:15:32 | 0:15:35 | |
Let's give it a go at auction. | 0:15:35 | 0:15:36 | |
-Good luck. -Thank you, Jacqui. | 0:15:36 | 0:15:38 | |
Looks like he might need it. | 0:15:38 | 0:15:39 | |
But for now it's time to call it a day. So night-night, you two birds. | 0:15:39 | 0:15:43 | |
It is the start of a new day | 0:15:48 | 0:15:50 | |
and Charles is feeling inspired by the scenery. | 0:15:50 | 0:15:53 | |
Look at these trees here. | 0:15:53 | 0:15:54 | |
You could just be in the middle of a rainforest. You could be in Brazil. | 0:15:54 | 0:15:57 | |
They could have given me anybody on this Road Trip, | 0:15:57 | 0:16:00 | |
but I end up with him. | 0:16:00 | 0:16:01 | |
Yesterday, Charles spent £80 on three figures and the two lions, | 0:16:02 | 0:16:06 | |
leaving his pockets still bulging with £141.40. | 0:16:06 | 0:16:11 | |
God, this is exciting. | 0:16:11 | 0:16:12 | |
Philip spent a bit more. | 0:16:14 | 0:16:16 | |
£100 on a Navy medal, horse and cart, | 0:16:16 | 0:16:18 | |
pencil sharpener and manicure set. | 0:16:18 | 0:16:21 | |
That leaves him just £66.46. | 0:16:21 | 0:16:24 | |
You have been very, very kind to me. | 0:16:24 | 0:16:27 | |
And having lost the first auction, he is eager to make it count. | 0:16:27 | 0:16:30 | |
Charlie, let me just tell you, | 0:16:30 | 0:16:32 | |
it genuinely doesn't matter who wins, as long as I do. | 0:16:32 | 0:16:35 | |
-CHARLIE LAUGHS -Honestly. | 0:16:35 | 0:16:37 | |
Yeah, right. | 0:16:37 | 0:16:38 | |
They're making their way to the market town of Ludlow in Shropshire. | 0:16:38 | 0:16:42 | |
Charles's first shop of the day is Bayliss Antiques. | 0:16:42 | 0:16:45 | |
-Morning. -How are you? -Very well, thanks. | 0:16:46 | 0:16:48 | |
-I recognise your face. -Yes, you do, yes. | 0:16:48 | 0:16:50 | |
-I've been here before. -You have, yes. -It must be, what? | 0:16:50 | 0:16:53 | |
-Two years ago? -Two years, something like that. -Yeah. | 0:16:53 | 0:16:55 | |
Oh, well, you will have no trouble | 0:16:55 | 0:16:57 | |
finding your way around Don's shop, then. | 0:16:57 | 0:16:59 | |
Some nice silver. | 0:16:59 | 0:17:01 | |
You've got a little bottle stopper of a gent here smoking a pipe | 0:17:01 | 0:17:06 | |
with his parasol in his right hand. | 0:17:06 | 0:17:09 | |
And this one, you have a very neat man | 0:17:09 | 0:17:12 | |
waving, in his left hand, his hat. | 0:17:12 | 0:17:16 | |
They remind me of Charles and Philip, actually. | 0:17:16 | 0:17:18 | |
HE CHUCKLES Speaking of Philip... | 0:17:18 | 0:17:20 | |
..he's made his way to Leominster in Herefordshire | 0:17:22 | 0:17:25 | |
and is popping into the Secondhand Warehouse & Antique Centre. | 0:17:25 | 0:17:29 | |
Well, I've been to this shop many times | 0:17:30 | 0:17:32 | |
and I know the people that run it. | 0:17:32 | 0:17:34 | |
I just hope they don't hold that against me. | 0:17:34 | 0:17:36 | |
Philip is like a man on a mission. A lean, mean, shopping machine. | 0:17:37 | 0:17:41 | |
One thing is for sure, I have got £66 and 46 new pennies. | 0:17:41 | 0:17:48 | |
I am going to spend £66 and 46 new pennies. | 0:17:48 | 0:17:52 | |
Every last one is going. Hmm! | 0:17:52 | 0:17:54 | |
I'm sure dealer Stan will be glad to hear that. | 0:17:54 | 0:17:57 | |
This place has over 12,000 square feet of stock | 0:17:57 | 0:18:00 | |
and I'm sure Philip can find something here to float his boat. | 0:18:00 | 0:18:04 | |
Oh, I think that's a cool thing, isn't it? That is a lovely thing. | 0:18:04 | 0:18:08 | |
That really is an age gone by. | 0:18:08 | 0:18:11 | |
And you've got this - "First class only." | 0:18:11 | 0:18:13 | |
That means Hanson wouldn't be allowed to sit on this. | 0:18:13 | 0:18:16 | |
But that is just a really cool thing. | 0:18:16 | 0:18:17 | |
It is a liner chair and there's a bit of a thing coming up here | 0:18:17 | 0:18:21 | |
because at the minute, that look is absolutely fantastic. | 0:18:21 | 0:18:25 | |
That's the sort of look that people want. | 0:18:25 | 0:18:27 | |
Do they want that in Brecon, though? | 0:18:29 | 0:18:30 | |
Good question. It is priced at £68, so you are £1.64 short. | 0:18:30 | 0:18:36 | |
I think that is a really cool thing. | 0:18:36 | 0:18:38 | |
You've got £68 on that, Stan. What is the best on that? | 0:18:38 | 0:18:42 | |
Well, we could make it £58. | 0:18:42 | 0:18:44 | |
This is what we call... | 0:18:48 | 0:18:50 | |
In the trade, Stan, this is what we call an embarrassing silence now | 0:18:50 | 0:18:52 | |
that is going to ensue. | 0:18:52 | 0:18:53 | |
So let's just practise this embarrassing silence bit. | 0:18:53 | 0:18:56 | |
OK, you be quiet and I'll think of something else. | 0:18:56 | 0:18:58 | |
Uh...£50. | 0:18:58 | 0:19:00 | |
WIND BLOWS | 0:19:00 | 0:19:02 | |
You're still silent. Ooh. | 0:19:02 | 0:19:04 | |
£45. | 0:19:05 | 0:19:06 | |
Oh, dear. This is embarrassing. | 0:19:09 | 0:19:11 | |
WIND BLOWS ON | 0:19:11 | 0:19:13 | |
Did you say £40? | 0:19:13 | 0:19:14 | |
-£45. -£45 for it. What could you do? | 0:19:14 | 0:19:18 | |
I tell you what, you're lovely people here. | 0:19:18 | 0:19:20 | |
Just give me your best shot. | 0:19:20 | 0:19:22 | |
I'm giving you my silence at the moment. | 0:19:22 | 0:19:23 | |
Oh, is it my turn to say something, then? | 0:19:23 | 0:19:26 | |
What is the very best you can do? | 0:19:26 | 0:19:28 | |
-The very best. -Yeah. -And don't ask for any more. | 0:19:28 | 0:19:31 | |
No, I won't go any further than this at all. | 0:19:31 | 0:19:33 | |
-£30. -£30! -£30. | 0:19:33 | 0:19:35 | |
-Quick, I'll get shot. -You're a gentleman. | 0:19:36 | 0:19:38 | |
Honestly, I'm really delighted with that. | 0:19:38 | 0:19:40 | |
Let's hope it doesn't sink at auction. | 0:19:41 | 0:19:43 | |
Philip has got £36.46 left | 0:19:43 | 0:19:46 | |
and is determined to find something that will help him beat Charles. | 0:19:46 | 0:19:50 | |
I should be buying this, really. | 0:19:50 | 0:19:52 | |
Then whenever Hanson bursts into song, | 0:19:52 | 0:19:54 | |
I can whack him round the back of the head with it. | 0:19:54 | 0:19:57 | |
That'll slow him down a bit. | 0:19:57 | 0:19:58 | |
Hey, that's not quite what I had in mind. Huh! | 0:19:58 | 0:20:01 | |
Charles, meanwhile, is still over at Bayliss Antiques | 0:20:02 | 0:20:05 | |
and it looks like Don has unearthed a candidate for his £120. | 0:20:05 | 0:20:09 | |
What are they? Pens? They match your jacket, don't they? | 0:20:10 | 0:20:13 | |
Don is quite sharp because I never saw these pens | 0:20:13 | 0:20:17 | |
and if there's one aspect of the antiques market, | 0:20:17 | 0:20:19 | |
of the collectors market, that is quite bullish, | 0:20:19 | 0:20:22 | |
it is a market for old vintage pens, isn't it? | 0:20:22 | 0:20:25 | |
That is a Conway Stewart pen with lovely Bakelite type of marbled... | 0:20:25 | 0:20:30 | |
This marbling is lovely. 1920s pen. | 0:20:30 | 0:20:33 | |
Conway Stewart are a luxury pen manufacturer founded in 1905. | 0:20:33 | 0:20:39 | |
Their pens can be quite collectable. | 0:20:39 | 0:20:41 | |
Don has also brought over a few more of a similar age | 0:20:41 | 0:20:45 | |
along with a box of assorted silverware. | 0:20:45 | 0:20:48 | |
Here, you've got a tin with just bits and pieces, | 0:20:48 | 0:20:50 | |
an old Victorian florin | 0:20:50 | 0:20:52 | |
Here you've got a lovely collection of silver | 0:20:52 | 0:20:55 | |
and the coinage, it's silver. | 0:20:55 | 0:20:56 | |
The coins are probably worth £30 or so. | 0:20:56 | 0:20:59 | |
-Even that stamp's silver. -Yeah, that stamp's silver as well. | 0:20:59 | 0:21:02 | |
Don misses nothing. There we are. | 0:21:02 | 0:21:05 | |
Could this mixed lot of pens and silver items | 0:21:05 | 0:21:08 | |
put a shine on Charles's fortunes? | 0:21:08 | 0:21:11 | |
Don, the coins aren't... | 0:21:11 | 0:21:13 | |
aren't mega. The pens are pretty standard. | 0:21:13 | 0:21:17 | |
Would you be open to an offer on the whole lot? | 0:21:17 | 0:21:18 | |
Well, I'll listen, but I won't accept. | 0:21:18 | 0:21:21 | |
Oh, no. Don, I'm your mate, Don. Don, I'm your mate. | 0:21:21 | 0:21:25 | |
Yes. Until you make an offer. | 0:21:25 | 0:21:27 | |
There is no price on the pens and silver, | 0:21:27 | 0:21:30 | |
but Don won't let them go cheaply. | 0:21:30 | 0:21:32 | |
For a profit for you, Don, if I bought the whole lot - | 0:21:32 | 0:21:35 | |
the tin, the coins and the pens - what is the best price? | 0:21:35 | 0:21:38 | |
£75. God knows what it's worth, those bits of silver. | 0:21:38 | 0:21:42 | |
If I said to you, Don, £60. | 0:21:42 | 0:21:45 | |
£65, it's yours. | 0:21:45 | 0:21:47 | |
Why don't we go in at £62.50 and meet halfway? | 0:21:47 | 0:21:52 | |
Yeah. | 0:21:52 | 0:21:53 | |
So, I will give you an extra £2.50 for good luck. | 0:21:53 | 0:21:55 | |
-Thanks, mate. -Ooh! -Thanks, Don. | 0:21:55 | 0:21:57 | |
We'll cross fingers and hope for some good luck. | 0:21:57 | 0:21:59 | |
OK. Thanks, Don. That's great. | 0:21:59 | 0:22:02 | |
Luck? I thought this was all skill, Charles. | 0:22:02 | 0:22:04 | |
Philip, meanwhile, | 0:22:04 | 0:22:05 | |
is looking out for something that will appeal to the Brecon auction. | 0:22:05 | 0:22:10 | |
I quite like this porthole. | 0:22:10 | 0:22:11 | |
It's quite nice. Look, it's got the maker's mark here, which is Simpson. | 0:22:13 | 0:22:17 | |
Oh, Simpson Lawrence of Glasgow. | 0:22:17 | 0:22:20 | |
That is fairly local to Brecon, isn't it? If you sort of... | 0:22:20 | 0:22:23 | |
take the long road. | 0:22:23 | 0:22:25 | |
Yeah. Via the scenic route, maybe. | 0:22:25 | 0:22:27 | |
I think this has come off a small yacht | 0:22:27 | 0:22:29 | |
rather than anything that is overly big. | 0:22:29 | 0:22:31 | |
I quite like that. I'm going to have a good look round | 0:22:31 | 0:22:34 | |
and I'll ask Stan if he can put this by for me. | 0:22:34 | 0:22:36 | |
The porthole is priced at £42, | 0:22:36 | 0:22:38 | |
which is more than is left in Phil's pocket. | 0:22:38 | 0:22:42 | |
That doesn't stop him eyeing up more goodies, though. | 0:22:42 | 0:22:45 | |
So, this is a little vegetable ivory. | 0:22:45 | 0:22:48 | |
Vegetable ivory is a root, isn't it? | 0:22:48 | 0:22:49 | |
It's not ivory at all, but it's made to look like it. | 0:22:49 | 0:22:51 | |
Not anything to do with elephants, no. | 0:22:51 | 0:22:53 | |
No, it's got nothing to do with that at all. | 0:22:53 | 0:22:55 | |
The case is actually made from an Amazonian nut. | 0:22:55 | 0:22:59 | |
The thimble could be the work of Charles Horner. | 0:22:59 | 0:23:02 | |
It's got a ticket price of £20. | 0:23:02 | 0:23:05 | |
Lovely. | 0:23:05 | 0:23:07 | |
If you're going to buy a silver thimble, | 0:23:07 | 0:23:09 | |
Charles Horner is the man, isn't he? | 0:23:09 | 0:23:11 | |
Most of his were... | 0:23:11 | 0:23:13 | |
Yes, Chester. Because most of his stuff was assayed in Chester. | 0:23:13 | 0:23:17 | |
So, that might be a possibility. | 0:23:17 | 0:23:19 | |
So, that just fits into there | 0:23:19 | 0:23:21 | |
and then we've got its little case like that. | 0:23:21 | 0:23:23 | |
Right. I think it is time to make your mind up, Philip. | 0:23:23 | 0:23:26 | |
Now, sensibly, going to landlocked Brecon... | 0:23:26 | 0:23:30 | |
so far, I've bought a naval medal, I bought a deckchair | 0:23:30 | 0:23:33 | |
and I think a porthole might be stretching the theme a bit too much. | 0:23:33 | 0:23:36 | |
If I can mention this, Mr Serrell, | 0:23:36 | 0:23:38 | |
I would say that that would look wonderful on a narrow boat | 0:23:38 | 0:23:41 | |
on the Brecon and Monmouth canal. | 0:23:41 | 0:23:43 | |
Jeez, what a salesman, eh? | 0:23:43 | 0:23:44 | |
I want to spend every last penny. This is every last penny, look. | 0:23:44 | 0:23:48 | |
There is £36. | 0:23:48 | 0:23:51 | |
£34, £35, £36. | 0:23:51 | 0:23:54 | |
That is still £26 short of Stan's ticket prices. | 0:23:54 | 0:23:57 | |
Let's hope he is in a good mood. | 0:23:57 | 0:23:59 | |
Well, we could let you have that for your £36. | 0:23:59 | 0:24:02 | |
I'm over the moon with that. | 0:24:02 | 0:24:04 | |
Before I change my mind, shake my hand and let me walk off. | 0:24:04 | 0:24:06 | |
-Thank you very much. -Thank you very much. -Thank you. | 0:24:06 | 0:24:08 | |
-You've been really kind to me. Good to see you. Bye. -Bye. | 0:24:08 | 0:24:11 | |
And with that, he's spent every last penny. | 0:24:12 | 0:24:15 | |
Charles, meanwhile, has made his way over to Worcester in Worcestershire. | 0:24:16 | 0:24:20 | |
He is on the hunt for more goodies to complete his haul. | 0:24:20 | 0:24:23 | |
-Afternoon. -Hello. -What a wonderful shop exterior you have. | 0:24:24 | 0:24:27 | |
-Thank you so much. -I'm Charles Hanson. -Hi, I'm Gabrielle. | 0:24:27 | 0:24:29 | |
Gabrielle, good to see you. | 0:24:29 | 0:24:31 | |
This family-owned business has been established over 100 years. | 0:24:33 | 0:24:36 | |
Can Charles find something timeless here that delivers him a profit? | 0:24:36 | 0:24:41 | |
What I love about this antiques shop is, forget the word vintage, | 0:24:41 | 0:24:46 | |
forget the word retro - | 0:24:46 | 0:24:48 | |
this is real antiques. | 0:24:48 | 0:24:49 | |
If you can't succeed here at buying quality, you never will. | 0:24:49 | 0:24:53 | |
It's that good. | 0:24:53 | 0:24:54 | |
But with less than £80 in your pocket, | 0:24:55 | 0:24:58 | |
might they just be out of reach? | 0:24:58 | 0:25:00 | |
-Charles, you ought to have a look at this. -Oh, yes. | 0:25:00 | 0:25:02 | |
-It's... -I saw that in the cabinet. Yes. -Glad you've got your tartan on. | 0:25:02 | 0:25:05 | |
-Have a look at that. -Oh, yeah. Oh, quite right, quite right. | 0:25:05 | 0:25:09 | |
Oh, how nice. Well, that's interesting. | 0:25:09 | 0:25:11 | |
It reads, | 0:25:11 | 0:25:13 | |
"Lindsay's Mercantile Academy of Glasgow of the year 1856." | 0:25:13 | 0:25:18 | |
And on the reverse, you've got the inscription, | 0:25:18 | 0:25:21 | |
"For the first prize for the best specimen or penmanship." | 0:25:21 | 0:25:25 | |
And the winner is George Buchanan. | 0:25:25 | 0:25:27 | |
It is hallmarked silver and whilst the Academy has long since gone, | 0:25:29 | 0:25:33 | |
this medal is in perfect condition. | 0:25:33 | 0:25:36 | |
And at £65, it is within Charles's budget. | 0:25:36 | 0:25:39 | |
And it is all there. And it is a real work of art. It really is. | 0:25:39 | 0:25:44 | |
I would probably want to really buy it for about £55 | 0:25:44 | 0:25:46 | |
if that obviously left you with a profit and it was worthwhile. | 0:25:46 | 0:25:49 | |
It is a fair price and it is a reasonable offer. | 0:25:49 | 0:25:52 | |
-Give me £55. -Thank you so much. | 0:25:52 | 0:25:54 | |
Now, Philip will go berserk | 0:25:54 | 0:25:56 | |
if I don't spend my entire budget in my last job. | 0:25:56 | 0:25:59 | |
Is there anything? | 0:25:59 | 0:26:01 | |
-Just have a look at this. -Anything which could be £20? | 0:26:01 | 0:26:04 | |
You've actually got £23.90, Charles, | 0:26:04 | 0:26:07 | |
and I'm sure Gabrielle will be able to help you part with that. | 0:26:07 | 0:26:11 | |
Gabrielle, what is that? | 0:26:11 | 0:26:12 | |
-An RAF flag. -Age? | 0:26:12 | 0:26:15 | |
Um... | 0:26:15 | 0:26:17 | |
I don't know. But it is nicely made. | 0:26:17 | 0:26:19 | |
-This is a sewn one, it's not a printed one. -Yes. | 0:26:19 | 0:26:22 | |
So, with my £23.90, what I could do is viably buy this flag. | 0:26:22 | 0:26:26 | |
-It ought to make £25, surely. -Yeah. | 0:26:26 | 0:26:28 | |
-Do you think so? -I would have thought so, yeah. | 0:26:28 | 0:26:30 | |
-It is probably... -It's got a bit of age to it. | 0:26:30 | 0:26:32 | |
Could I call it World War II interest, do you think? | 0:26:32 | 0:26:34 | |
Or is that going a bit too far? | 0:26:34 | 0:26:36 | |
Could it be Second World War in period? | 0:26:36 | 0:26:37 | |
-It's certainly vintage, isn't it? -Vintage, I like your style. | 0:26:37 | 0:26:40 | |
-HE CHUCKLES -I will take it for £23.90. | 0:26:40 | 0:26:43 | |
That is my entire budget blown away and Philip will be delighted. | 0:26:43 | 0:26:46 | |
-Well done. -I'll take it all. | 0:26:46 | 0:26:47 | |
With a flag and a medal for £78.90, | 0:26:47 | 0:26:50 | |
it looks like Charles is ready to do battle at the auction. | 0:26:50 | 0:26:53 | |
Off he hares. | 0:26:54 | 0:26:55 | |
Philip has completed his shopping | 0:26:55 | 0:26:57 | |
and is making his way to | 0:26:57 | 0:26:59 | |
Gotherington in Gloucestershire. | 0:26:59 | 0:27:01 | |
He is visiting | 0:27:01 | 0:27:03 | |
Prescott Speed Hill Climb, which is home to the Bugatti Owners' Club. | 0:27:03 | 0:27:07 | |
But it's not the classic Italian race car itself Philip is here to see. | 0:27:07 | 0:27:11 | |
He's here to find out about a man who, in the 1920s and '30s, | 0:27:11 | 0:27:15 | |
drove these cars into the record books | 0:27:15 | 0:27:17 | |
and became one of the world's most successful racing drivers. | 0:27:17 | 0:27:21 | |
He is meeting Ian Paton from the club to find out more. | 0:27:21 | 0:27:25 | |
-Hi, Ian. How are you? -Hi, Phil. | 0:27:25 | 0:27:26 | |
William Grover-Williams was an extraordinary racing driver. | 0:27:30 | 0:27:34 | |
Son of a well-to-do English horse breeder, | 0:27:34 | 0:27:37 | |
he had an early fascination for automobiles. | 0:27:37 | 0:27:41 | |
At just 26, he entered the inaugural Monaco Grand Prix | 0:27:41 | 0:27:44 | |
driving a Bugatti and won. | 0:27:44 | 0:27:46 | |
If you look closely at these early photographs, | 0:27:48 | 0:27:50 | |
you can just see the thousands of people peering over watching, | 0:27:50 | 0:27:53 | |
all the way up to the casino, watching the race. | 0:27:53 | 0:27:56 | |
And remember, this is not like today, that we do two hours' racing. | 0:27:56 | 0:28:00 | |
It was a 100-lapper. | 0:28:00 | 0:28:03 | |
This race lasted 3 hours 52 minutes. | 0:28:03 | 0:28:05 | |
You look at that photograph and these guys are sat there | 0:28:05 | 0:28:08 | |
with either a leather or, at best, a cork helmet. | 0:28:08 | 0:28:11 | |
Williams raced in a cloth cap. | 0:28:11 | 0:28:14 | |
But wasn't the fear with these guys that if the car did go over, | 0:28:14 | 0:28:17 | |
you got thrown clear? | 0:28:17 | 0:28:18 | |
-That was the idea. -Yeah, that sounds a bit risky in my book. | 0:28:18 | 0:28:21 | |
By 1933, Williams had seven Grand Prix wins under his belt, | 0:28:22 | 0:28:26 | |
cementing his position as one of racing's true greats. | 0:28:26 | 0:28:30 | |
But by the end of the decade, he had retired from racing | 0:28:30 | 0:28:34 | |
and with the outbreak of the Second World War, | 0:28:34 | 0:28:36 | |
he joined the Royal Army Service Corps to help the French Resistance. | 0:28:36 | 0:28:41 | |
And eventually, the Gestapo found out about them. | 0:28:41 | 0:28:43 | |
That led to Williams being caught | 0:28:43 | 0:28:47 | |
and he spent quite a long time in Gestapo headquarters in Paris. | 0:28:47 | 0:28:51 | |
We know he never gave anything away | 0:28:51 | 0:28:53 | |
because that part of the resistance group that he was part of | 0:28:53 | 0:28:57 | |
was never betrayed. | 0:28:57 | 0:28:58 | |
Eventually, they got fed up with him | 0:28:58 | 0:29:00 | |
and they transferred him to a concentration camp in Germany. | 0:29:00 | 0:29:04 | |
And he was shot in the early part of March 1945. | 0:29:04 | 0:29:10 | |
That's awful, isn't it? | 0:29:10 | 0:29:11 | |
Which is even more awful | 0:29:11 | 0:29:13 | |
when you think it was six weeks before the end of the war. | 0:29:13 | 0:29:16 | |
The actual trophy he won at the 1929 Grand Prix | 0:29:17 | 0:29:20 | |
is held by the Bugatti Owners' Club. | 0:29:20 | 0:29:23 | |
It was donated to them by Williams's widow, Yvonne, in the 1960s | 0:29:23 | 0:29:28 | |
and is now the centrepiece of their annual Williams Trophy race. | 0:29:28 | 0:29:32 | |
-Now, are your hands clean? -Oh, that's just fantastic, isn't it? | 0:29:32 | 0:29:35 | |
-Just imagine... -There are certain things in your life that make | 0:29:35 | 0:29:38 | |
the hair on the back of your neck stand on end | 0:29:38 | 0:29:40 | |
and being able to hold that is one of them, really. | 0:29:40 | 0:29:43 | |
Just imagine you've done 100 laps, four hours in a Grand Prix car, | 0:29:43 | 0:29:47 | |
and the Prince of Monaco hands you the trophy. | 0:29:47 | 0:29:50 | |
-You would be so pleased with that, wouldn't you? -Wouldn't you just? | 0:29:50 | 0:29:53 | |
Look at that. That is just fantastic. | 0:29:53 | 0:29:55 | |
And if that doesn't inspire Philip to win the Road Trip, | 0:29:55 | 0:29:58 | |
I don't know what will. | 0:29:58 | 0:30:00 | |
His competition has arrived, though, so it is time to reveal all. | 0:30:00 | 0:30:03 | |
-I like the waistcoat, Charlie. -Thanks, Phil. | 0:30:03 | 0:30:05 | |
-We're going to Wales, not Scotland. -CHARLIE LAUGHS | 0:30:05 | 0:30:07 | |
I'm going to start here, Phil. | 0:30:07 | 0:30:09 | |
And go - voila! | 0:30:09 | 0:30:10 | |
Do you like them? | 0:30:12 | 0:30:14 | |
-No. -Not the best start. | 0:30:14 | 0:30:16 | |
Charlie, those are hideous. | 0:30:16 | 0:30:17 | |
Phil, don't you feel when you live in a big house, | 0:30:17 | 0:30:20 | |
you see lots of people who have these big lions | 0:30:20 | 0:30:22 | |
to inject a bit of pace into their pedigree | 0:30:22 | 0:30:25 | |
and I thought these big lions, | 0:30:25 | 0:30:27 | |
they will roar outside someone's drive in Wales. | 0:30:27 | 0:30:30 | |
I think you're insulting the Welsh. | 0:30:30 | 0:30:32 | |
I think you're insulting Charles, so that makes it even, then. | 0:30:32 | 0:30:34 | |
-They are broken. -The only reason I bought them was because... | 0:30:34 | 0:30:37 | |
Charlie, they're broken everywhere. | 0:30:37 | 0:30:38 | |
Yeah, they are. They're a bit tired, Phil. | 0:30:38 | 0:30:40 | |
But you know, they're like you and I. | 0:30:40 | 0:30:42 | |
They're a pair of well-worn lions. | 0:30:42 | 0:30:43 | |
Charlie, they are smashed. They are rubble. | 0:30:43 | 0:30:46 | |
Yeah. What are they worth? | 0:30:46 | 0:30:47 | |
-I'd rather not go down that road, Charlie. -Really? | 0:30:47 | 0:30:50 | |
I don't want to go down that road because I don't want to upset you. | 0:30:50 | 0:30:52 | |
You're my mate. How much did you pay for them? | 0:30:52 | 0:30:54 | |
-£20. -Really? -Yeah. | 0:30:54 | 0:30:56 | |
-You were robbed. -Do you think so? -Yeah. | 0:30:56 | 0:30:58 | |
That went well, then. | 0:30:58 | 0:30:59 | |
My next ensemble, Phil, is there. | 0:30:59 | 0:31:02 | |
Voila! Take your pick. | 0:31:02 | 0:31:04 | |
Charles's three figures, | 0:31:04 | 0:31:06 | |
who I presume were too busy to make it today. | 0:31:06 | 0:31:09 | |
On the screen, I acquired three concrete ladies, | 0:31:09 | 0:31:14 | |
about 4'5" high, and they probably depict the seasons or the Muses. | 0:31:14 | 0:31:18 | |
They're neoclassical, they are... | 0:31:18 | 0:31:20 | |
-Sorry, can I just stop you just for one minute? -Yes. | 0:31:20 | 0:31:23 | |
-You bought three of them? -Yeah. | 0:31:23 | 0:31:24 | |
I don't want to be really picky here but are there not four seasons? | 0:31:24 | 0:31:28 | |
Well, I was with them, they say... | 0:31:28 | 0:31:31 | |
-Um, yes, there are really, Phil. -I thought there probably was, yeah. | 0:31:31 | 0:31:34 | |
-Um... -So, you've bought three of the four seasons? -Correct. | 0:31:34 | 0:31:37 | |
-Right, OK. -Correct. -Fine. Why did you not buy four? | 0:31:37 | 0:31:41 | |
There was only three available. | 0:31:41 | 0:31:42 | |
All right. So, what have we missed? Autumn? Winter? | 0:31:42 | 0:31:44 | |
-Probably winter, I think. -Spring or summer? -Probably winter. | 0:31:44 | 0:31:47 | |
-Winter is a good one to miss, isn't it? -You think so? | 0:31:47 | 0:31:49 | |
-Cold, wet, miserable. -Exactly. -Yeah, yeah. | 0:31:49 | 0:31:52 | |
It was a bit of a frosty response from Philip, | 0:31:52 | 0:31:55 | |
but what will Charles think of his goodies? | 0:31:55 | 0:31:57 | |
Your turn now. | 0:31:57 | 0:31:58 | |
Make yourself big, puff your chest out, | 0:31:58 | 0:32:00 | |
make a name for yourself. | 0:32:00 | 0:32:02 | |
I do worry about him sometimes, honestly. | 0:32:03 | 0:32:05 | |
Whoa! Oh, Phil. Goodness me. | 0:32:06 | 0:32:09 | |
Oh, wow. What is this here? | 0:32:09 | 0:32:11 | |
HMS Essex. Tell me about that. | 0:32:11 | 0:32:13 | |
I can't really because I don't know anything at all about it. | 0:32:13 | 0:32:15 | |
But it's got Captain Green, dated 1912 around the rim, | 0:32:15 | 0:32:18 | |
and then these bars here. | 0:32:18 | 0:32:20 | |
I have absolutely no idea what it's for. | 0:32:20 | 0:32:22 | |
-Not a clue. -That's quite coincidental. | 0:32:22 | 0:32:23 | |
You go from a 1912-style deckchair, First Class, Titanic, | 0:32:23 | 0:32:27 | |
to the year Titanic sunk | 0:32:27 | 0:32:28 | |
and a real object, which is just pre-First World War. | 0:32:28 | 0:32:32 | |
That is really interesting, Phil. | 0:32:32 | 0:32:34 | |
That is really interesting and if you can do some homework | 0:32:34 | 0:32:37 | |
and maybe substantiate what those clasps | 0:32:37 | 0:32:39 | |
and this captain was all about, | 0:32:39 | 0:32:41 | |
that could be quite a rare thing. | 0:32:41 | 0:32:43 | |
There's a real maritime feel, isn't it? | 0:32:43 | 0:32:44 | |
You've got that, that, and this porthole, which is nice. | 0:32:44 | 0:32:48 | |
-Is it old? -Sorry? -Is it old? | 0:32:48 | 0:32:49 | |
I wasn't sure if you were going to stop to draw breath. | 0:32:49 | 0:32:51 | |
I think you've done really well. | 0:32:51 | 0:32:53 | |
Charles likes what he sees, but I can't say the same for Phil. | 0:32:53 | 0:32:56 | |
Those lions, they're smashed to pieces. | 0:32:56 | 0:32:59 | |
And knowing Charlie, they might go and make £30. | 0:32:59 | 0:33:02 | |
But dear me, they are awful. | 0:33:02 | 0:33:04 | |
He's bought objects which are quite cheap. | 0:33:04 | 0:33:07 | |
I do like his porthole, I like his deckchair as well | 0:33:07 | 0:33:09 | |
and I think all the objects will make small profits. | 0:33:09 | 0:33:12 | |
But he is really keen, he's eager, he's determined | 0:33:12 | 0:33:14 | |
and it really is game on now. | 0:33:14 | 0:33:16 | |
He wants to catch me up. | 0:33:16 | 0:33:17 | |
Feeling quite smug with myself now. | 0:33:17 | 0:33:19 | |
That's normally when it all goes wrong, isn't it? | 0:33:20 | 0:33:22 | |
We'll soon find out as it's time | 0:33:24 | 0:33:25 | |
to cross the Welsh border for auction | 0:33:25 | 0:33:27 | |
in the market town of Brecon | 0:33:27 | 0:33:28 | |
in Powys. | 0:33:28 | 0:33:30 | |
Brecon's lovely cathedral was originally formed as a monastery | 0:33:31 | 0:33:35 | |
and is the final resting place of Norman lords and Welsh princes. | 0:33:35 | 0:33:39 | |
Our own princes of the antique business | 0:33:41 | 0:33:43 | |
have arrived at the venue of today's auction showdown. | 0:33:43 | 0:33:46 | |
Whilst Charles works out how to get out of the car, | 0:33:48 | 0:33:51 | |
auctioneer Chris Jones has some thoughts | 0:33:51 | 0:33:54 | |
on what our discerning experts have bought. | 0:33:54 | 0:33:56 | |
Some mixed bag of items you've brought along. | 0:33:56 | 0:34:00 | |
You've brought some very nice statues. | 0:34:00 | 0:34:02 | |
They do remind us of the Weeping Angels from Doctor Who, | 0:34:02 | 0:34:05 | |
so we are hoping, as Doctor Who was filmed in Wales, | 0:34:05 | 0:34:08 | |
they will find a home in Wales. | 0:34:08 | 0:34:09 | |
Very interested in the medal you've got from HMS Essex, I believe. | 0:34:09 | 0:34:14 | |
It was originally from Wales, | 0:34:14 | 0:34:16 | |
so that'll be interesting to see how that goes. | 0:34:16 | 0:34:18 | |
Philip started this second leg of the Road Trip with just £166.46 | 0:34:19 | 0:34:25 | |
and has spent every last penny on five auction lots. | 0:34:25 | 0:34:29 | |
Thank you very much. You've been really kind to me. | 0:34:29 | 0:34:31 | |
Charles started with a more impressive £221.40 | 0:34:31 | 0:34:35 | |
and he too has parted with it all for five auction lots. | 0:34:35 | 0:34:40 | |
I'll take it all. | 0:34:40 | 0:34:41 | |
But although Charles won the last auction, Philip's feeling confident. | 0:34:41 | 0:34:45 | |
Have you ever lost one of these Road Trips? | 0:34:45 | 0:34:47 | |
I've lost one. To you. | 0:34:47 | 0:34:49 | |
-Oh, was that to me? -Exactly, exactly. | 0:34:49 | 0:34:52 | |
First up, Charles's silver medallions and assorted silverware. | 0:34:53 | 0:34:57 | |
20 I've got, thank you. | 0:34:57 | 0:34:59 | |
At 20, 25, 30, 35, | 0:34:59 | 0:35:01 | |
40, 45, 50, 55. | 0:35:01 | 0:35:03 | |
-Go on. -Go on. -"Go on," he says. | 0:35:03 | 0:35:06 | |
At 55, 60. 60 I've got. | 0:35:06 | 0:35:08 | |
Try a little bit harder, sir. | 0:35:08 | 0:35:09 | |
At 62. 62, 65, 68, 70. | 0:35:09 | 0:35:14 | |
70 I've got. 72. | 0:35:14 | 0:35:16 | |
At 72, for anyone. I sell them, then... | 0:35:16 | 0:35:19 | |
-That gavel looks dangerous. -..at £72. | 0:35:19 | 0:35:23 | |
I want you to know I am getting no pleasure from this, none at all. | 0:35:23 | 0:35:28 | |
Ouch. | 0:35:28 | 0:35:29 | |
Philip knows that opening loss for Charles could bode well for him. | 0:35:29 | 0:35:33 | |
How terribly sad. How awfully sad. | 0:35:33 | 0:35:36 | |
Time to see if Philip can fare better with his pencil sharpener, | 0:35:38 | 0:35:41 | |
manicure set and thimble. | 0:35:41 | 0:35:43 | |
30, 20. Let's have £10, kick it off. | 0:35:43 | 0:35:47 | |
Well, Charlie. | 0:35:47 | 0:35:48 | |
At 10 bid, 10 bid. | 0:35:48 | 0:35:50 | |
10, 15, 20, 25. | 0:35:50 | 0:35:53 | |
25, 30. | 0:35:53 | 0:35:55 | |
-A profit. Well done. -It's not profit. | 0:35:55 | 0:35:58 | |
I sell it at the back, then, at £30. | 0:35:58 | 0:36:01 | |
That's just what we call one step forward, two back, Charlie. | 0:36:01 | 0:36:05 | |
It is another loss, but much less than managed by Charles, | 0:36:05 | 0:36:09 | |
which means the gap between the two is closing. | 0:36:09 | 0:36:13 | |
Next, is the writing on the wall for Charles's early fountain pens? | 0:36:13 | 0:36:17 | |
Do I hear something in the region of £50? | 0:36:17 | 0:36:19 | |
-Come on. -25. -25 I've got. | 0:36:19 | 0:36:22 | |
At 25, 30, 35, 40, 45. | 0:36:22 | 0:36:26 | |
-I'm flabbergasted. -50 I've got. | 0:36:26 | 0:36:29 | |
52, 55, 58. | 0:36:29 | 0:36:31 | |
-Well done, you, Charlie. -Not bad. | 0:36:31 | 0:36:34 | |
62, 65, 68. 68 I've got. | 0:36:34 | 0:36:39 | |
-Well done, Charlie. -One more. -"One more," he says. | 0:36:39 | 0:36:41 | |
68, 70, 72. | 0:36:41 | 0:36:44 | |
At £72, with a tin as well, at £72. | 0:36:44 | 0:36:48 | |
-That's good. -Isn't it? -I'm pleased. | 0:36:48 | 0:36:50 | |
And so you should be - a £42 profit is absolutely marvellous. | 0:36:50 | 0:36:55 | |
I'm just getting really anxious about the rubble now. | 0:36:55 | 0:36:58 | |
-Charlie, if they make profit... -It's a funny old game, isn't it? | 0:36:58 | 0:37:01 | |
No, that won't be funny. | 0:37:01 | 0:37:04 | |
I think someone is feeling nervous. | 0:37:04 | 0:37:05 | |
But first, it is time to see | 0:37:05 | 0:37:07 | |
if there is a profit in Philip's bronze porthole. | 0:37:07 | 0:37:10 | |
£40 we've got. At £30 and selling. | 0:37:10 | 0:37:13 | |
40, 50, 55, 60, 65. | 0:37:13 | 0:37:18 | |
65, 70, 75. 75 I've got. | 0:37:18 | 0:37:22 | |
-At 75. -That's helped, Charlie. | 0:37:22 | 0:37:24 | |
Selling at the back of the room. | 0:37:24 | 0:37:25 | |
78, anyone? | 0:37:25 | 0:37:27 | |
-He's doing a good job, isn't he? -Yes, very good. | 0:37:27 | 0:37:29 | |
-That's a cracking return. -Yes, it's good, isn't it? | 0:37:29 | 0:37:31 | |
At £75. | 0:37:31 | 0:37:33 | |
-Put it there, Phil. That is... -That's about 40 quid profit. | 0:37:33 | 0:37:36 | |
That's a huge profit. | 0:37:36 | 0:37:38 | |
It is closer to £60 than £40 and it means Philip's really catching up. | 0:37:38 | 0:37:42 | |
Phil, I knew, with your expertise, | 0:37:42 | 0:37:44 | |
you would not be down for long, OK? | 0:37:44 | 0:37:46 | |
-And you are back in business. -Just listen to this. | 0:37:46 | 0:37:48 | |
-You know, you are the Godfather of the Road Trip. -Listen to this. | 0:37:48 | 0:37:51 | |
But before he climbs onto his high horse, | 0:37:51 | 0:37:54 | |
will his wooden toy horse and cart pull him into the lead? | 0:37:54 | 0:37:57 | |
15. | 0:37:57 | 0:37:58 | |
£20 somewhere, surely? | 0:37:58 | 0:38:00 | |
-25, 30... -There's loads of hands. | 0:38:00 | 0:38:02 | |
..35, 40, 42, | 0:38:02 | 0:38:06 | |
45, 48, 50. | 0:38:06 | 0:38:08 | |
-Go on. -Phil, you're flying. | 0:38:08 | 0:38:10 | |
55, 58, 60, 62, 65. | 0:38:10 | 0:38:15 | |
I love the way you wink. | 0:38:15 | 0:38:16 | |
-65... -Not you, Philip. | 0:38:16 | 0:38:18 | |
..68, 70. | 0:38:18 | 0:38:20 | |
At 70 bid. Anybody else? | 0:38:20 | 0:38:22 | |
Two lots here together. At £70, cashed and done. | 0:38:22 | 0:38:25 | |
Going, going, gone. Well done. | 0:38:25 | 0:38:28 | |
I'm a little flushed now. | 0:38:28 | 0:38:30 | |
That horse has bolted and returned a healthy profit, | 0:38:30 | 0:38:34 | |
as they are now neck-and-neck. | 0:38:34 | 0:38:36 | |
I'm not wearing a hat, but hats off to you, I mean it. | 0:38:36 | 0:38:39 | |
Philip's penultimate item is the Navy medal. | 0:38:39 | 0:38:42 | |
He needs to put clear blue water between him and Charles | 0:38:42 | 0:38:45 | |
if he's going to win this auction. | 0:38:45 | 0:38:47 | |
Let's have £20 to get it going. | 0:38:47 | 0:38:49 | |
10 I've got. 12, 15, 18. | 0:38:49 | 0:38:52 | |
It's going to run and run and run. | 0:38:52 | 0:38:55 | |
30, 32, 35, 38, | 0:38:55 | 0:38:58 | |
40, 42, 45, 50. | 0:38:58 | 0:39:02 | |
50 I've got. | 0:39:02 | 0:39:04 | |
-At 50 bid. -It's going to run and run and run. | 0:39:04 | 0:39:06 | |
65, 70. At 70 bid. | 0:39:06 | 0:39:09 | |
One more. 75. 75. | 0:39:09 | 0:39:11 | |
-It goes. -Going, going, gone. Well played. | 0:39:11 | 0:39:15 | |
He does a good job, doesn't he? | 0:39:15 | 0:39:17 | |
-Yeah, fantastic. -He does a really good job. | 0:39:17 | 0:39:19 | |
And with that, Philip nudges way ahead of Charles. | 0:39:19 | 0:39:22 | |
Could he be on the verge of victory? | 0:39:22 | 0:39:25 | |
I'm happy as Larry. I'm happy as Larry. | 0:39:25 | 0:39:27 | |
I bet you are. | 0:39:27 | 0:39:29 | |
Auctioneer Richard Gwilliam has taken to the podium | 0:39:29 | 0:39:32 | |
as Charles's three figures, which Philip had a lot to say about, | 0:39:32 | 0:39:35 | |
take centre stage. | 0:39:35 | 0:39:36 | |
Bid 50, bid 50. | 0:39:36 | 0:39:38 | |
50, 60, 70, 80, | 0:39:38 | 0:39:42 | |
90, 100, 110. | 0:39:42 | 0:39:44 | |
110 all done. Sold at 110. | 0:39:44 | 0:39:48 | |
-That's jolly good, isn't it? -The rubble has made £50. | 0:39:48 | 0:39:51 | |
-How has it done that? -It made... I'm sorry, it's made £50. | 0:39:51 | 0:39:55 | |
To Philip's astonishment, the bidders loved Charles's stone figures | 0:39:55 | 0:39:59 | |
and it has given him a small lead. | 0:39:59 | 0:40:01 | |
Charlie, how you've got that for those stone anchors, I don't know. | 0:40:01 | 0:40:06 | |
-They're awful. -I think they were cheap. | 0:40:06 | 0:40:08 | |
It all comes down to the last few items. | 0:40:09 | 0:40:12 | |
Will Charles's RAF flag fly him further into the lead? | 0:40:12 | 0:40:16 | |
Beautiful Air Force flag. | 0:40:16 | 0:40:19 | |
50. 20 to start it. | 0:40:19 | 0:40:22 | |
10. 10. Thank you, 10. | 0:40:22 | 0:40:24 | |
-Thanks. -15, 20. -Thank you. | 0:40:24 | 0:40:26 | |
25, 30, 35, 40. | 0:40:26 | 0:40:29 | |
40 bid, 45. 45, 50. | 0:40:29 | 0:40:33 | |
50 bid, 55... | 0:40:33 | 0:40:34 | |
Yeah, keep going, keep going. | 0:40:34 | 0:40:38 | |
For Queen and country. | 0:40:38 | 0:40:39 | |
65, 70. 70 bid, 72... | 0:40:39 | 0:40:43 | |
-Keep going, boss. -..72, 75, 78... | 0:40:43 | 0:40:46 | |
-Charlie, you've whipped me again. -Keep going, keep going. | 0:40:46 | 0:40:49 | |
-80, 82... -Oh, no. | 0:40:49 | 0:40:53 | |
-How am I going to live this down? -Keep going, boss. | 0:40:53 | 0:40:55 | |
88, two fat ladies. | 0:40:55 | 0:40:57 | |
85. Lady on the right, sold at £85. | 0:40:57 | 0:41:00 | |
-Brilliant. -60 quid profit. -Yes. | 0:41:00 | 0:41:03 | |
Well, about that. | 0:41:03 | 0:41:04 | |
Oh, that is a tremendous result for Charles | 0:41:06 | 0:41:09 | |
and an ocean opens between the two. | 0:41:09 | 0:41:11 | |
But can Philip close it with his first-class liner deckchair? | 0:41:11 | 0:41:15 | |
20. Thank you, 20 opening bid. | 0:41:15 | 0:41:18 | |
20, 30, 40, 50. 50 bid. | 0:41:18 | 0:41:21 | |
At 60. Is that 65? No. 60. | 0:41:21 | 0:41:24 | |
-Sold at 60. -Brilliant. | 0:41:24 | 0:41:26 | |
-I'm pleased with that. -Put it there. -Thanks, Charlie. | 0:41:27 | 0:41:30 | |
A good profit for Philip, but is it enough to overtake Charles? | 0:41:30 | 0:41:34 | |
His final lot are the concrete lions. | 0:41:34 | 0:41:38 | |
The lions, as somewhat damaged. | 0:41:38 | 0:41:40 | |
Somewhat damaged? If you like Longleat, Charlie. | 0:41:40 | 0:41:44 | |
Bid 20 onto the lions. | 0:41:44 | 0:41:46 | |
20, 30, 40, 50. | 0:41:46 | 0:41:49 | |
50 bid the lions. | 0:41:49 | 0:41:50 | |
At 50, 60, 70. | 0:41:50 | 0:41:53 | |
I just don't believe this. | 0:41:53 | 0:41:55 | |
-I just don't believe this. -Give me a roar, give me a roar. | 0:41:56 | 0:41:59 | |
Oh, growl. | 0:41:59 | 0:42:01 | |
70 I'm bid. Sold here at £70. | 0:42:01 | 0:42:03 | |
Charlie, you have absolutely whipped my behind, Charlie. | 0:42:03 | 0:42:07 | |
I think Philip is in shock. | 0:42:07 | 0:42:09 | |
The bidders loved Charles's lions and have given him a £50 profit. | 0:42:09 | 0:42:14 | |
-Go. -OK, let's go. -Just go. | 0:42:14 | 0:42:16 | |
-Let's go back to Blighty. -Go, go, go, go, go. | 0:42:16 | 0:42:18 | |
After a dramatic auction, it is time to do the sums. | 0:42:20 | 0:42:23 | |
Philip started this second leg of the Road Trip with £166.46 | 0:42:25 | 0:42:29 | |
and after a roller coaster of an auction, | 0:42:29 | 0:42:32 | |
made a respectable profit of £87.74 after costs, | 0:42:32 | 0:42:36 | |
ending this leg with a juicy £254.20. | 0:42:36 | 0:42:41 | |
Charles kicked off with £221.40 and, after costs, | 0:42:43 | 0:42:47 | |
coined in a thumping great profit of £113.98, | 0:42:47 | 0:42:52 | |
giving him a tremendous £335.38 | 0:42:52 | 0:42:56 | |
and winning this leg of the Road Trip. | 0:42:56 | 0:42:58 | |
Well done, Charlie boy. | 0:42:58 | 0:43:00 | |
-Well, Charlie. -Yes, Phil? -Where to now? | 0:43:00 | 0:43:02 | |
Um...I think, Phil, Warwickshire. | 0:43:02 | 0:43:05 | |
-Back home. -Back home, Phil. Up the M5, that's the way. | 0:43:05 | 0:43:09 | |
Next time on Antiques Road Trip... | 0:43:10 | 0:43:12 | |
..his name is Hanson, Charles Hanson, | 0:43:13 | 0:43:16 | |
and he has caught Phil's attention. | 0:43:16 | 0:43:18 | |
I love you, Charlie. | 0:43:18 | 0:43:20 | |
PHIL CHUCKLES | 0:43:22 | 0:43:24 |