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-It's the nation's favourite antiques experts. -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
I am on fire! Yes! | 0:00:09 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
50p! | 0:00:17 | 0:00:18 | |
There will be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Come on, then. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Oh, come on, I've got to get to another shop! | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this trip, we've been hitching a ride around Scotland, | 0:00:37 | 0:00:40 | |
with formidable friends and antiques experts Mark Stacey | 0:00:40 | 0:00:44 | |
-and Catherine Southon. -You've loved it, haven't you? | 0:00:44 | 0:00:47 | |
Of course, I have loved it! | 0:00:47 | 0:00:49 | |
THEY MAKE KISSING NOISES | 0:00:49 | 0:00:50 | |
Like a married couple, aren't we? | 0:00:50 | 0:00:52 | |
-We're like an old married couple. -Speak for yourself with the old! | 0:00:52 | 0:00:56 | |
When I get back, I'm filing for divorce. | 0:00:56 | 0:00:59 | |
Do you need the number of a good lawyer? | 0:00:59 | 0:01:03 | |
Catherine Southon is Surrey's First Lady of Antiques | 0:01:03 | 0:01:06 | |
and even after 16 years in the trade, | 0:01:06 | 0:01:08 | |
she still has a fear of large numbers. | 0:01:08 | 0:01:11 | |
Oh! 285! | 0:01:11 | 0:01:15 | |
Whilst Mark Stacey, Brighton's brightest treasure hunter | 0:01:15 | 0:01:19 | |
for over 20 years, has lost none of his charm. | 0:01:19 | 0:01:22 | |
They're a bit like me and Catherine, aren't they, couple of old deers? | 0:01:22 | 0:01:26 | |
I hate it when you're all smiley-smiley to me. | 0:01:26 | 0:01:28 | |
Our pair began their journey with £200 each. | 0:01:28 | 0:01:31 | |
Over the week, Catherine looked to be streaking ahead of Mark, | 0:01:31 | 0:01:34 | |
but he came racing back in the last auction, | 0:01:34 | 0:01:37 | |
to leave it all to play for today. | 0:01:37 | 0:01:39 | |
HORN BLARES | 0:01:39 | 0:01:40 | |
Careful! | 0:01:40 | 0:01:42 | |
-I'm nipping at your heels again. -You really are. | 0:01:42 | 0:01:44 | |
-I am poised to strike. -Oh, you are! | 0:01:44 | 0:01:48 | |
Catherine has a slender lead in Road Trip with the cash pot | 0:01:48 | 0:01:51 | |
of £306.52 to spend today. | 0:01:51 | 0:01:55 | |
While Mark starts just over £15 behind, | 0:01:55 | 0:01:59 | |
with a tidy sum of £291.02. | 0:01:59 | 0:02:02 | |
The MG Midget was produced by the British Motor Corporation | 0:02:03 | 0:02:07 | |
from 1961 to 1979, and for the trip | 0:02:07 | 0:02:11 | |
our experts opted for this racing green, 1968 one. | 0:02:11 | 0:02:16 | |
On this trip, Mark and Catherine | 0:02:16 | 0:02:18 | |
have traversed the length of Scotland, | 0:02:18 | 0:02:20 | |
starting out in New Abbey in Dumfries & Galloway | 0:02:20 | 0:02:23 | |
up to Elgin on the Moray Firth, before looping back down | 0:02:23 | 0:02:28 | |
to finish at an auction finale in the stunning city of Edinburgh. | 0:02:28 | 0:02:32 | |
On this leg, we're kicking off in Rait in Perth and Kinross | 0:02:32 | 0:02:35 | |
and meandering into Dundee and Arbroath, before going to auction | 0:02:35 | 0:02:39 | |
in the Scottish capital of Edinburgh. | 0:02:39 | 0:02:41 | |
Both our experts are heading to the Rait Antiques Centre | 0:02:41 | 0:02:44 | |
neck and neck in this trip. | 0:02:44 | 0:02:47 | |
With a host of shops and dealers to choose from, | 0:02:47 | 0:02:49 | |
one canny buy could make all the difference. | 0:02:49 | 0:02:52 | |
Oh gosh, this looks interesting, Catherine. | 0:02:52 | 0:02:54 | |
This looks posh and expensive. | 0:02:54 | 0:02:56 | |
-Do you think? -It does, but it looks like there's quite a big place. | 0:02:56 | 0:02:59 | |
While Catherine's heading for Julia Drinkhall's Antiques & Interiors, | 0:02:59 | 0:03:04 | |
Mark is trying his luck across the courtyard in The Old Sawmill. | 0:03:04 | 0:03:07 | |
-Morning! -I'm Mark. -Welcome to The Old Sawmill. -Thank you. -I am Lisa. | 0:03:07 | 0:03:11 | |
Gosh, you specialise in all sorts, | 0:03:11 | 0:03:13 | |
but mainly Oriental, by the looks of it. | 0:03:13 | 0:03:15 | |
I love these Satsuma colours and covers. | 0:03:21 | 0:03:25 | |
These are what we'd call Meiji period, | 0:03:25 | 0:03:28 | |
so, from around 1868 to about 1912. | 0:03:28 | 0:03:32 | |
Looking at the type of decoration on them, | 0:03:32 | 0:03:34 | |
they're towards the end of that period. | 0:03:34 | 0:03:36 | |
But they're £1,595. | 0:03:36 | 0:03:40 | |
I have not been that successful, really, have I? | 0:03:40 | 0:03:43 | |
Ha! Well, maybe just a little outside your budget, Mark. | 0:03:43 | 0:03:46 | |
I wanted to have a little look at this. | 0:03:48 | 0:03:50 | |
It's a little shoehorn. | 0:03:52 | 0:03:54 | |
It's beautifully engraved with some little flower heads | 0:03:54 | 0:03:58 | |
here, and then the handle has got those rather nice sort of flowers | 0:03:58 | 0:04:01 | |
and that rather nice crown and crane, | 0:04:01 | 0:04:05 | |
are they called Ibis? | 0:04:05 | 0:04:07 | |
Those exotic cranes? I think so. | 0:04:07 | 0:04:10 | |
The highly endangered Crested Ibis, once thrived in Japan | 0:04:10 | 0:04:15 | |
and this bronze shoehorn dates back to the Meiji period, | 0:04:15 | 0:04:18 | |
from 1868 to 1912. | 0:04:18 | 0:04:21 | |
Priced at a very reasonable £25, that's one to think about, Mark. | 0:04:21 | 0:04:25 | |
Now, while you're on the subject of animals, | 0:04:25 | 0:04:27 | |
dare I ask what's happening with your dog challenge? | 0:04:27 | 0:04:30 | |
Where you both find an item with a dog theme, | 0:04:30 | 0:04:32 | |
until it took a funny turn last leg | 0:04:32 | 0:04:35 | |
when you bought a pig! | 0:04:35 | 0:04:37 | |
And when Catherine found out... | 0:04:37 | 0:04:39 | |
Yes! Hold on, that's not on! | 0:04:39 | 0:04:42 | |
-Look at that, I couldn't find a dog. -That's against the rules! | 0:04:42 | 0:04:44 | |
There are no rules, Catherine! | 0:04:44 | 0:04:47 | |
I suppose, Catherine and I | 0:04:47 | 0:04:49 | |
are keeping on with the poochy purchase, | 0:04:49 | 0:04:51 | |
as well. She wasn't terribly pleased with me earlier on, so, | 0:04:51 | 0:04:55 | |
I'm not going to mention it, unless she mentions it. | 0:04:55 | 0:04:57 | |
Is that fair? I think so. | 0:04:57 | 0:04:59 | |
I had hoped it had gone away, to be honest. | 0:04:59 | 0:05:02 | |
But what's this Catherine has in her hand? | 0:05:02 | 0:05:04 | |
What do you think of this? | 0:05:04 | 0:05:06 | |
-It's quite nice, isn't it? -Yeah. | 0:05:08 | 0:05:11 | |
It's a lovely little wall plaque. | 0:05:11 | 0:05:13 | |
Ivory is not to everyone's taste but the fact is that it predates 1947, meaning it's perfectly legal. | 0:05:13 | 0:05:18 | |
I notice there's a dog in this scene, | 0:05:18 | 0:05:21 | |
and I'm beginning to fear the worst. | 0:05:21 | 0:05:24 | |
Cos if I bought that, would that count as my doggie purchase? | 0:05:24 | 0:05:27 | |
Cos it's got a dog in it, hasn't it? | 0:05:27 | 0:05:30 | |
So, that would be all right, wouldn't it? | 0:05:30 | 0:05:33 | |
I would be playing ball properly, as I have been all along, | 0:05:33 | 0:05:37 | |
and buying a dog-related item. Not like Mark. | 0:05:37 | 0:05:41 | |
Still not forgiven him, eh? | 0:05:41 | 0:05:43 | |
With a ticket price of £95, | 0:05:43 | 0:05:46 | |
it's time to ask Heather the all-important question. | 0:05:46 | 0:05:49 | |
Go on, take a gamble. 55. | 0:05:49 | 0:05:51 | |
Shall we both do it? Shall we? | 0:05:51 | 0:05:54 | |
-You're costing me a fortune. -Oh, I'm not. Shall we? 55? | 0:05:54 | 0:05:59 | |
-Go on, seeing it's you. -Thank you very much indeed. -You're welcome. | 0:06:02 | 0:06:05 | |
-I'm really happy. -Cor, Catherine's quick off the mark. | 0:06:05 | 0:06:08 | |
Her first deal done and already she's sorted out her challenge item. | 0:06:08 | 0:06:12 | |
Meanwhile, Mark's turning Japanese again at Old Timers Antiques. | 0:06:12 | 0:06:16 | |
This is bamboo actually, I think. | 0:06:16 | 0:06:19 | |
Carved bamboo, so it's going to be Oriental. | 0:06:19 | 0:06:22 | |
But look at this wonderful carving here. | 0:06:22 | 0:06:25 | |
If you follow it up from the snake's tail, which moves all the way round... | 0:06:25 | 0:06:30 | |
But what makes it really interesting is it's got a little signature here. | 0:06:30 | 0:06:36 | |
-And would you like to know what it is? -Yes. | 0:06:39 | 0:06:41 | |
-So would I, cos I haven't got the faintest idea! -Ha-ha! | 0:06:41 | 0:06:47 | |
Maybe you could get David in to find out more about it, like the price. | 0:06:47 | 0:06:51 | |
How much is it? Do you know? | 0:06:51 | 0:06:53 | |
It's not my piece, but I've had to ring Tony about it | 0:06:53 | 0:06:57 | |
and he has said that his very best price is £40, I'm afraid. | 0:06:57 | 0:07:02 | |
So, while Mark is left to ponder on another item, | 0:07:02 | 0:07:05 | |
nearby Catherine's ready to spend, spend, spend. | 0:07:05 | 0:07:09 | |
-This time at Carse Antiques. -I like that. Bit of pokerwork. | 0:07:09 | 0:07:15 | |
It's a candle box, essentially. | 0:07:16 | 0:07:19 | |
So, you put all your candles in there, funnily enough. | 0:07:20 | 0:07:23 | |
And this is all... | 0:07:23 | 0:07:26 | |
This design on here is all done by hot pokers. | 0:07:26 | 0:07:28 | |
I love the design on this. This is really nice. | 0:07:28 | 0:07:31 | |
This 1890s candle box is decorated with mythical creatures | 0:07:31 | 0:07:35 | |
but the ticket price is a very real £60. | 0:07:35 | 0:07:39 | |
Let's get dealer Alasdair involved. | 0:07:39 | 0:07:41 | |
-Is this yours, Alasdair? -Yes, yes. -It's quite nice, isn't it? -Yes. | 0:07:41 | 0:07:45 | |
-So, now you want to know... -Yeah. | 0:07:45 | 0:07:47 | |
Well, really, yes. | 0:07:47 | 0:07:50 | |
-What...? -30. -OK. | 0:07:50 | 0:07:53 | |
And it is 30. | 0:07:53 | 0:07:55 | |
-I think I should have that at 30. -Yeah, so do I. | 0:07:55 | 0:07:58 | |
-I think you've got a chance with that. -Yeah. | 0:07:59 | 0:08:01 | |
That's the way to do it, Catherine. Two items down. | 0:08:01 | 0:08:04 | |
Now, has Mark worked himself up to buy the cane yet? | 0:08:04 | 0:08:07 | |
-So, 40 is the final? -I think it has to be. | 0:08:07 | 0:08:10 | |
-I'll shake your hand on that. -Thank you very much. | 0:08:10 | 0:08:13 | |
-Thanks very much. That's £40 for you. -Thanks. | 0:08:13 | 0:08:15 | |
With no movement on the price for the cane, | 0:08:15 | 0:08:17 | |
can Mark find some wiggle room on the shoehorn he looked at earlier? | 0:08:17 | 0:08:21 | |
-What's the best price I can have on that? -I've got it on at 25. | 0:08:21 | 0:08:26 | |
I could do 18. | 0:08:26 | 0:08:28 | |
We're very close. Could we possibly do it for 15? | 0:08:28 | 0:08:33 | |
-OK, seeing as it's you. -Give me a hug. | 0:08:33 | 0:08:36 | |
Well done, Mark. The master haggler is back in business. | 0:08:36 | 0:08:40 | |
But he's facing an uphill battle because I do believe | 0:08:40 | 0:08:43 | |
Catherine's going to buy something else from Alasdair. | 0:08:43 | 0:08:46 | |
Press that, yeah. | 0:08:46 | 0:08:48 | |
-Just like a little snuff. -Yeah, that's right. Yeah. | 0:08:48 | 0:08:51 | |
-Nice to have the heart. -That's nice. That's what I thought. | 0:08:54 | 0:08:57 | |
-How much is that? -45. | 0:08:57 | 0:09:00 | |
-Can you do a bit better on that, Alasdair? -35. | 0:09:00 | 0:09:04 | |
-Do you want me to give it to you? -Go on, then! | 0:09:06 | 0:09:09 | |
-If you insist! -35. | 0:09:09 | 0:09:11 | |
-Oh, 30. -It's wonderful! Keep doing it! | 0:09:12 | 0:09:16 | |
30. £30. That's it. | 0:09:16 | 0:09:18 | |
-We're doing well, aren't we? -Well, you're doing well. | 0:09:19 | 0:09:23 | |
-Not sure about me. -Please may we say 25? And then I won't do any more. | 0:09:23 | 0:09:29 | |
-£25. -Thanks, Alasdair. You're lovely. | 0:09:29 | 0:09:32 | |
-What did I start at? -I don't know. But we won't worry about that. | 0:09:32 | 0:09:35 | |
-Must be stupid. -No, you're not, you're nice. | 0:09:35 | 0:09:37 | |
Now, now, Alasdair. | 0:09:37 | 0:09:39 | |
You're not the first to fall for a bit of Southon charm. | 0:09:39 | 0:09:42 | |
Both our experts are clearly on a mission. | 0:09:42 | 0:09:44 | |
First stop of the morning and they've already amassed five items between them. | 0:09:44 | 0:09:48 | |
But now it's time to leave Rait, heading 30 miles east to Dundee, | 0:09:50 | 0:09:55 | |
where Mark's dropping Catherine off for some more shopping. | 0:09:55 | 0:09:58 | |
-Hop out. -Enjoy your afternoon. | 0:09:58 | 0:10:01 | |
-Enjoy your afternoon shopping. -I will. Bye! -Bye! | 0:10:01 | 0:10:05 | |
Now, I don't know about you but I'm getting a sense of deja vu here. | 0:10:07 | 0:10:11 | |
-Hello. -Hello. -I remember seeing you before. -You certainly did. | 0:10:11 | 0:10:16 | |
-Mark's been here, hasn't he? -He has. -Only a few days ago, I do believe. | 0:10:16 | 0:10:21 | |
Ah, yes. Clepington Antiques, | 0:10:21 | 0:10:24 | |
where Mark did quite well out of the Bakelite telephone | 0:10:24 | 0:10:27 | |
and the doggy decanters he bought from Derek. | 0:10:27 | 0:10:31 | |
And it looks like Catherine has found something equally quirky. | 0:10:31 | 0:10:35 | |
Who's this little fellow? | 0:10:35 | 0:10:37 | |
That is Jonah of Whales. | 0:10:38 | 0:10:41 | |
He's wonderful. I don't think he's very old, is he? | 0:10:42 | 0:10:46 | |
-I don't think it is, no. -But isn't that great? | 0:10:46 | 0:10:48 | |
You haven't seen one before, have you? | 0:10:48 | 0:10:50 | |
No, I haven't seen one before. | 0:10:50 | 0:10:53 | |
I feel I've got to buy that. How much is it? | 0:10:53 | 0:10:55 | |
£25 on it. | 0:10:56 | 0:10:58 | |
-To you...big blue eyes... -Oh! | 0:10:59 | 0:11:02 | |
-£15. -£15. Oh, OK. | 0:11:04 | 0:11:07 | |
My gosh! It looks as if she's a hit with the men today. | 0:11:07 | 0:11:10 | |
-I'm going to have the whale. -Well done. | 0:11:10 | 0:11:14 | |
-And I'm going to give you £15 for it. -OK. | 0:11:14 | 0:11:18 | |
-We'll... -Unless you want to knock off another pound or two, | 0:11:18 | 0:11:21 | |
in which you're very welcome to! HE LAUGHS | 0:11:21 | 0:11:23 | |
No, I'm going to find... | 0:11:23 | 0:11:26 | |
OK, I'll give it for 14 and that will definitely swing the... | 0:11:26 | 0:11:29 | |
Oh, gosh! Right. That's very kind! | 0:11:29 | 0:11:31 | |
I was actually pulling your leg but that's fine. | 0:11:31 | 0:11:33 | |
I'll shake on that before you change your mind! 14! That's fabulous! | 0:11:33 | 0:11:38 | |
-I'd better give you some money. -That's a good idea. | 0:11:38 | 0:11:40 | |
Crikey! She's done it again. There's no messing about with her. | 0:11:40 | 0:11:43 | |
It's safe to say she's keen to beat Mark who, | 0:11:43 | 0:11:46 | |
meanwhile, is motoring further east, | 0:11:46 | 0:11:49 | |
making his way along the coast to Arbroath. | 0:11:49 | 0:11:52 | |
The seaside town is notable not only for its smokies | 0:11:52 | 0:11:56 | |
but also for it football team, Arbroath Football Club, | 0:11:56 | 0:11:59 | |
which holds the world record for the biggest win in a professional game - | 0:11:59 | 0:12:03 | |
36-0 against poor old Aberdeen Bon Accord. | 0:12:03 | 0:12:07 | |
But it's not fish or football that Mark is here for. | 0:12:10 | 0:12:13 | |
Instead he's visiting what is believed to be Scotland's | 0:12:13 | 0:12:16 | |
first school of fine art, as well as one of the most outstanding | 0:12:16 | 0:12:20 | |
country houses in the nation. | 0:12:20 | 0:12:22 | |
-Hello, Graham. -Mark, nice to see you. Welcome to Hospitalfield. | 0:12:26 | 0:12:29 | |
Thank you. It is a lovely house, isn't it? | 0:12:29 | 0:12:31 | |
-Tremendous monument to 19th century skills. -Wonderful. | 0:12:31 | 0:12:35 | |
-What are we going to see first? -Well, come with me. | 0:12:35 | 0:12:37 | |
Hospitalfield House was originally founded in the 1200s by monks | 0:12:37 | 0:12:42 | |
from the nearby Arbroath Abbey as a leprosy and plague hospice. | 0:12:42 | 0:12:47 | |
In the 17th century it was bought by the well-to-do Fraser family | 0:12:47 | 0:12:50 | |
as a rather grandiose family home and in 1843, | 0:12:50 | 0:12:53 | |
Elizabeth, the sole heiress to the estate, fell in love | 0:12:53 | 0:12:58 | |
and married a local artist, Patrick Allan. | 0:12:58 | 0:13:01 | |
This triple portrait really dominates the room, doesn't it? | 0:13:03 | 0:13:06 | |
It does. It's a portrait of Patrick on the left, | 0:13:06 | 0:13:10 | |
-his mother-in-law in the middle... -In the middle? How cosy! | 0:13:10 | 0:13:13 | |
-..and Elizabeth, his wife, on the right. -How did they meet? | 0:13:13 | 0:13:16 | |
There's various stories. | 0:13:16 | 0:13:18 | |
One is that Patrick came out here to make some sketches or drawings | 0:13:18 | 0:13:22 | |
-of Hospitalfield to illustrate a book by Sir Walter Scott. -Really? | 0:13:22 | 0:13:27 | |
And Elizabeth might have been there at that time and so things develop. | 0:13:27 | 0:13:32 | |
In favour of this version of events, | 0:13:32 | 0:13:34 | |
there are several illustrations which hang in the house, | 0:13:34 | 0:13:37 | |
painted by Patrick for Scott's book The Antiquary. | 0:13:37 | 0:13:41 | |
Sir Walter Scott stayed in the house in the early 1800s | 0:13:41 | 0:13:44 | |
and used it as his model for Monkbarns in the novel. | 0:13:44 | 0:13:48 | |
Its purpose as a family home changed in the mid 19th century | 0:13:49 | 0:13:52 | |
when Patrick embarked on a substantial remodelling | 0:13:52 | 0:13:56 | |
of Hospitalfield House. | 0:13:56 | 0:13:58 | |
He worked with local craftsmen to convert an 18th century barn | 0:13:58 | 0:14:02 | |
into a gallery. Having studied art in Edinburgh, Paris and London, | 0:14:02 | 0:14:05 | |
he went on to become president of the British Academy Of Art in Rome. | 0:14:05 | 0:14:10 | |
This is the original studio. | 0:14:11 | 0:14:13 | |
This is the studio that Patrick had built for his own use | 0:14:13 | 0:14:16 | |
and where he was very active, as you have seen by the paintings in Hospitalfield House. | 0:14:16 | 0:14:19 | |
And in some ways, this was the start of the college that now exists to | 0:14:19 | 0:14:23 | |
further art in various forms, which is what Patrick wanted when he died. | 0:14:23 | 0:14:27 | |
With no heirs to the estate, the building was bequeathed | 0:14:27 | 0:14:31 | |
for the promotion of education in the arts in 1890. | 0:14:31 | 0:14:35 | |
On his death our trust was set up under his will, | 0:14:35 | 0:14:38 | |
which was to encourage artists and have them educated, | 0:14:38 | 0:14:41 | |
-trained here at Hospitalfield and fully looked after. -Wonderful. | 0:14:41 | 0:14:45 | |
So it really spawned a legacy. | 0:14:45 | 0:14:47 | |
It has spawned a legacy which is still here | 0:14:47 | 0:14:50 | |
and growing stronger, I think. | 0:14:50 | 0:14:52 | |
Since the early 20th century, | 0:14:52 | 0:14:54 | |
Hospitalfield has hosted resident artists, students and teachers | 0:14:54 | 0:14:59 | |
working within the broad themes of contemporary art and design. | 0:14:59 | 0:15:02 | |
They include pop artist Sir Peter Blake, | 0:15:02 | 0:15:05 | |
Joan Eardley and Peter Howson. | 0:15:05 | 0:15:07 | |
Graham, thank you so much for your time. | 0:15:07 | 0:15:09 | |
I feel we've only scratched the surface of Hospitalfield | 0:15:09 | 0:15:12 | |
and I hope one day to come back again and have a closer look. | 0:15:12 | 0:15:15 | |
It has been a pleasure to have you, Mark. Thank you for coming. | 0:15:15 | 0:15:18 | |
Over 100 years later and Hospitalfield | 0:15:18 | 0:15:21 | |
retains its central and innovative role | 0:15:21 | 0:15:24 | |
in the cultural landscape of Scotland. | 0:15:24 | 0:15:27 | |
Back together, Mark and Catherine are off | 0:15:28 | 0:15:31 | |
to enjoy some of those famous Arbroath smokies | 0:15:31 | 0:15:33 | |
before they get some shut eye. | 0:15:33 | 0:15:36 | |
And as they say in these parts, "Nichty nicht!" | 0:15:36 | 0:15:38 | |
It's a brand-new day and our experts are taking time | 0:15:44 | 0:15:47 | |
to appreciate a marvel of engineering. | 0:15:47 | 0:15:50 | |
Look at the bridge, Mark! Look at the Forth Bridge! | 0:15:50 | 0:15:54 | |
That is a fantastic piece of engineering, isn't it? | 0:15:54 | 0:15:56 | |
It's a wonderful piece of engineering. | 0:15:56 | 0:15:59 | |
I've already said that, thank you. | 0:15:59 | 0:16:01 | |
It also used to be said that painting the Forth Bridge | 0:16:01 | 0:16:05 | |
was a never-ending job, but its most recent paintwork | 0:16:05 | 0:16:08 | |
is expected to last at least 25 years. | 0:16:08 | 0:16:11 | |
When it was built in 1890, | 0:16:11 | 0:16:13 | |
the bridge had the longest cantilever span in the world. | 0:16:13 | 0:16:17 | |
But how far have these two stretched their purse strings on this leg? | 0:16:17 | 0:16:21 | |
Mark's only spent a very conservative £55 on two items - | 0:16:21 | 0:16:26 | |
his Japanese themed shoehorn and walking cane. | 0:16:26 | 0:16:29 | |
That means he has £236.02 left in his coffers. | 0:16:29 | 0:16:34 | |
Catherine, on the other hand, | 0:16:34 | 0:16:36 | |
has splashed out more than double Mark's outgoings, | 0:16:36 | 0:16:39 | |
paying £124 on four lots - a wood and ivory wall plaque, | 0:16:39 | 0:16:43 | |
a candle box, a snuff box and a whale automaton, | 0:16:43 | 0:16:48 | |
which still leaves her with £182.52 to part with. | 0:16:48 | 0:16:53 | |
Our experts have motored 77 miles south | 0:16:56 | 0:16:59 | |
to the stunning city of Edinburgh. | 0:16:59 | 0:17:02 | |
I love Edinburgh. It's such a wonderful city. | 0:17:03 | 0:17:06 | |
-It's quite a colourful city. -It's a very colourful city. | 0:17:06 | 0:17:10 | |
Beautiful architecture. | 0:17:10 | 0:17:12 | |
And it's the beautiful architecture, magnificent castle | 0:17:12 | 0:17:15 | |
and vibrant festival that helps Edinburgh regularly attract | 0:17:15 | 0:17:19 | |
millions of visitors | 0:17:19 | 0:17:20 | |
as the second most popular tourist destination in the UK. | 0:17:20 | 0:17:24 | |
But for our pair, it's the final push to buy their remaining items | 0:17:25 | 0:17:29 | |
to take to the auction finale. | 0:17:29 | 0:17:31 | |
Mark's starting in the compact and bijou Antiques | 0:17:31 | 0:17:35 | |
just off the famous Royal Mile. | 0:17:35 | 0:17:37 | |
He looks a bit of a boar! Ha! | 0:17:39 | 0:17:41 | |
These are quite fun. These are little... | 0:17:41 | 0:17:43 | |
I suppose bonbon dishes. They're modelled as... Not sure, really. | 0:17:44 | 0:17:49 | |
They're some kind of fruit with a stalk handle. | 0:17:49 | 0:17:51 | |
The word bonbon comes from the French word for good | 0:17:51 | 0:17:56 | |
and these Edwardian silver dishes would have been | 0:17:56 | 0:17:59 | |
used for serving or displaying confectionery. | 0:17:59 | 0:18:01 | |
They're priced at a very reasonable £25 | 0:18:01 | 0:18:04 | |
but aren't the only things that have impressed Mark. | 0:18:04 | 0:18:07 | |
I'm probably going to find, in the smallest shop | 0:18:07 | 0:18:09 | |
that I have ever been to in the universe, | 0:18:09 | 0:18:12 | |
more things in this shop than I have in a huge antiques centre yesterday. | 0:18:12 | 0:18:16 | |
-How bizarre and ironic is that? -Well, if that's the case, | 0:18:16 | 0:18:19 | |
you're bound to find a dog purchase in here then. | 0:18:19 | 0:18:23 | |
The poochy purchase is back on, | 0:18:26 | 0:18:28 | |
I was informed by Her Serene Highness last night. | 0:18:28 | 0:18:32 | |
I think she's bought something. So I've got to find a dog. | 0:18:32 | 0:18:36 | |
How ridiculous is that? | 0:18:36 | 0:18:38 | |
What's that they say about dogs resembling their owners again? | 0:18:38 | 0:18:42 | |
I think he's quite fun. They are collectable, aren't they, soft toys? | 0:18:43 | 0:18:47 | |
I think so. | 0:18:47 | 0:18:49 | |
I think that might be my poochy purchase. | 0:18:49 | 0:18:51 | |
Again, with the original dust. | 0:18:51 | 0:18:53 | |
Could have hoovered him off! | 0:18:55 | 0:18:57 | |
Maybe Tony can knock off a few notes from its £12 ticket price. | 0:18:58 | 0:19:03 | |
And don't forget those bonbon dishes, Mark. | 0:19:03 | 0:19:06 | |
-They can be 20, those two. -For the pair? -Yeah. | 0:19:06 | 0:19:09 | |
I think that's reasonable enough. | 0:19:10 | 0:19:12 | |
-Can I make you a really sneaky offer on that? -Go on, yeah. | 0:19:12 | 0:19:15 | |
-Just as a bit of fun. Can he be a fiver? -He can, yeah. That's good. | 0:19:15 | 0:19:19 | |
-Oops. -Oh, hello! Even the dog's surprised at that price! | 0:19:20 | 0:19:26 | |
Thank you so much, Tony. That's wonderful. | 0:19:26 | 0:19:28 | |
I'm really pleased with that. Thanks very much, Tony. | 0:19:28 | 0:19:31 | |
So, a great bit of business, Mark. Now, where's Catherine got to? | 0:19:31 | 0:19:35 | |
The University of Edinburgh is one of the highest rated in the world. | 0:19:35 | 0:19:38 | |
My daughter went there. | 0:19:38 | 0:19:40 | |
And Catherine's made her way to the Writers' Museum to meet | 0:19:40 | 0:19:43 | |
-curator Denise. -Hi, there. Hi. I'm Catherine. | 0:19:43 | 0:19:47 | |
-Nice to meet you. -Good morning. -This is wonderful. Where are we? | 0:19:47 | 0:19:50 | |
The Writers' Museum celebrates the giants of Scottish literature | 0:19:50 | 0:19:54 | |
and we're here to learn about one of the country's greatest writers, | 0:19:54 | 0:19:57 | |
Robert Louis Stevenson, | 0:19:57 | 0:19:59 | |
one of the most translated authors in the world. | 0:19:59 | 0:20:02 | |
I'm very excited about this. Lead the way. | 0:20:03 | 0:20:07 | |
Robert Louis Stevenson was a truly international literary celebrity | 0:20:07 | 0:20:11 | |
in his lifetime, thanks to titles such as Treasure Island, | 0:20:11 | 0:20:15 | |
Kidnapped and The Strange Case Of Dr Jekyll And Mr Hyde. | 0:20:15 | 0:20:20 | |
Born right here in Edinburgh | 0:20:20 | 0:20:22 | |
he was actually baptised Lewis, | 0:20:22 | 0:20:25 | |
but in his teenage years decided Louis was far more stylish. | 0:20:25 | 0:20:30 | |
He was a late reader, first learning at age seven or eight, | 0:20:30 | 0:20:33 | |
but compulsively wrote stories throughout his childhood | 0:20:33 | 0:20:37 | |
and had his first book published at just 16 years of age. | 0:20:37 | 0:20:41 | |
Here at the Writers' Museum they hold many artefacts of his, | 0:20:41 | 0:20:44 | |
including this cupboard with a macabre tale behind it. | 0:20:44 | 0:20:48 | |
One of the star exhibits in this room is this cabinet. | 0:20:48 | 0:20:53 | |
This cabinet was in Stevenson's own home as a child | 0:20:53 | 0:20:59 | |
and it was made by the notorious Deacon Brodie. | 0:20:59 | 0:21:03 | |
Deacon Brodie was a respectable cabinet-maker | 0:21:05 | 0:21:07 | |
and city councillor by day, socialising with the gentry of Edinburgh. | 0:21:07 | 0:21:12 | |
But of course, that gave him access to the homes of the wealthy | 0:21:12 | 0:21:15 | |
for building cabinets and repairing...mending locks. | 0:21:15 | 0:21:20 | |
-Ah! -And he would make wax impressions of the keys and... | 0:21:20 | 0:21:23 | |
I can see a story coming out of that. | 0:21:23 | 0:21:26 | |
And return at night to burgle them to enable him to continue | 0:21:26 | 0:21:34 | |
his life of gambling and to pay for his family and his mistresses. | 0:21:34 | 0:21:40 | |
Do you think that was the influence for Jekyll And Hyde? | 0:21:40 | 0:21:44 | |
Yes, it was certainly a strong influence | 0:21:44 | 0:21:47 | |
and Stevenson was always interested in the idea of the coexistence | 0:21:47 | 0:21:52 | |
of good and evil and dual personalities. | 0:21:52 | 0:21:56 | |
Stevenson wrote the bulk of his best-known works, | 0:21:56 | 0:21:59 | |
including Jekyll And Hyde, in the 1880s. | 0:21:59 | 0:22:03 | |
His most important, however, was undoubtedly Treasure Island, | 0:22:03 | 0:22:06 | |
which has been adapted over 50 times for movies and television shows. | 0:22:06 | 0:22:10 | |
Stevenson had endured ill-health from birth and regularly | 0:22:11 | 0:22:14 | |
travelled to Mediterranean climes to alleviate his symptoms. | 0:22:14 | 0:22:18 | |
It is ironic that he wrote of tropical Treasure Island | 0:22:18 | 0:22:22 | |
while in chilly Braemar near Aberdeen, | 0:22:22 | 0:22:25 | |
long before he and his family crossed the world | 0:22:25 | 0:22:28 | |
to spend his last years in the Pacific islands of Samoa. | 0:22:28 | 0:22:32 | |
They built a house, Vailima, on the Samoan island of Upolu. | 0:22:32 | 0:22:38 | |
The time that he was going to Samoa, this is late Victorian England, | 0:22:38 | 0:22:44 | |
it was quite unusual for somebody to just travel to the South Pacific. | 0:22:44 | 0:22:49 | |
-But I'd love to see some of the items. -Yes. | 0:22:49 | 0:22:53 | |
Many items in this particular room | 0:22:53 | 0:22:55 | |
are associated with his time in the South Seas. | 0:22:55 | 0:23:00 | |
Here we have Stevenson's own riding boots. | 0:23:00 | 0:23:04 | |
-Wonderful, aren't they? -Absolutely. -Gosh, they are. | 0:23:04 | 0:23:08 | |
They're in pretty good condition. Did he do a lot of riding? | 0:23:08 | 0:23:11 | |
He rode on Samoa, yes. | 0:23:11 | 0:23:13 | |
Stevenson was a well loved figure on the island and his influence | 0:23:13 | 0:23:16 | |
spread to the locals, who regularly consulted him for advice. | 0:23:16 | 0:23:20 | |
This ring here is very special. | 0:23:22 | 0:23:24 | |
Stevenson was known by local people as Tusitala, | 0:23:24 | 0:23:29 | |
which means teller of tales, storyteller. | 0:23:29 | 0:23:32 | |
-That's what they called him? That was his nickname? -Yes. -That's lovely. | 0:23:32 | 0:23:35 | |
-Tusitala. -Tusitala. -Tusitala. | 0:23:35 | 0:23:37 | |
And a Samoan chief had this ring made for him. | 0:23:37 | 0:23:42 | |
It's made of tortoiseshell inlaid with silver, | 0:23:42 | 0:23:46 | |
with the word Tusitala. | 0:23:46 | 0:23:49 | |
-That's lovely. -And presented that to him. | 0:23:49 | 0:23:52 | |
It was interesting that he was actually wearing this ring | 0:23:52 | 0:23:56 | |
when he had his fatal collapse. | 0:23:56 | 0:23:58 | |
In fact, we have a picture of his tomb over here. | 0:24:00 | 0:24:05 | |
On his tomb are inscribed the last three lines of his poem, Requiem. | 0:24:06 | 0:24:11 | |
And they are - | 0:24:13 | 0:24:15 | |
Here he lies where he longed to be | 0:24:15 | 0:24:18 | |
Home is the sailor, home from the sea | 0:24:18 | 0:24:21 | |
And the hunter home from the hill. | 0:24:21 | 0:24:24 | |
That's quite poignant, isn't it? | 0:24:24 | 0:24:26 | |
Denise, it's been fascinating learning | 0:24:29 | 0:24:32 | |
so much more about Robert Louis Stevenson. | 0:24:32 | 0:24:34 | |
Thank you very much indeed for having me. | 0:24:34 | 0:24:37 | |
Thank you for visiting the Writers' Museum. | 0:24:37 | 0:24:39 | |
It's time for our little bookworm to carry on with her shopping. | 0:24:39 | 0:24:43 | |
Talking of which, what's old Stacey up to? No good, I fancy. | 0:24:44 | 0:24:48 | |
This little find is a traditional teahouse and antiques store in one. | 0:24:50 | 0:24:53 | |
How very quaint. | 0:24:53 | 0:24:55 | |
I rather like this Victorian cruet set. | 0:24:55 | 0:25:00 | |
It's very nicely done and they all match, the little | 0:25:00 | 0:25:03 | |
containers for the mustard, the salt and the vinegar et cetera. | 0:25:03 | 0:25:07 | |
This set is English Hallmarked, | 0:25:07 | 0:25:09 | |
but priced at £175, maybe you should have a think about those. | 0:25:09 | 0:25:15 | |
Where's he off to? | 0:25:15 | 0:25:16 | |
Oi! There's precious little time for a cake and a cuppa. | 0:25:16 | 0:25:21 | |
Ah, wait a minute. | 0:25:21 | 0:25:22 | |
It looks like Mark is simply buttering up the dapper | 0:25:22 | 0:25:24 | |
Cedric in his pursuit of the pretty cruet set. | 0:25:24 | 0:25:28 | |
Cedric I've been trying to cogitate here, | 0:25:29 | 0:25:32 | |
-because I think this is my favourite piece. -OK. | 0:25:32 | 0:25:34 | |
It's my last shop of the entire series, it's my last auction. | 0:25:34 | 0:25:39 | |
I'm trailing by this much to Catherine, which she | 0:25:39 | 0:25:42 | |
is still gloating about. | 0:25:42 | 0:25:44 | |
And I've got four other really interesting objects | 0:25:44 | 0:25:47 | |
and I think this would round it off. | 0:25:47 | 0:25:49 | |
-Could I be very mean with you? -You can try. | 0:25:52 | 0:25:56 | |
-I would love to buy it for £80. -What about 90? | 0:25:59 | 0:26:03 | |
-Could we say 85? -I knew you would say that. -You did. | 0:26:05 | 0:26:10 | |
Shall we shake hands on 85? | 0:26:10 | 0:26:13 | |
OK, deal. | 0:26:13 | 0:26:15 | |
-Thank you. -You're welcome. -Cedric, you're a gentleman. | 0:26:15 | 0:26:19 | |
And I'm going to try your tea. | 0:26:19 | 0:26:20 | |
-It's absolutely delicious. -I'm glad you're enjoying it. | 0:26:23 | 0:26:26 | |
Now I'm going to put on weight and have that lovely scone. | 0:26:26 | 0:26:29 | |
It's all yours. | 0:26:29 | 0:26:30 | |
-Thank you. -You're welcome. | 0:26:30 | 0:26:32 | |
Mark's all shopped out so we'll leave him to enjoy his scone | 0:26:32 | 0:26:36 | |
while we catch up with Catherine who is meeting a well-known face. | 0:26:36 | 0:26:40 | |
It's George Pirie who we met earlier in the trip, up in Tarland. | 0:26:40 | 0:26:45 | |
I had in mind buying a small... | 0:26:45 | 0:26:50 | |
-Something small and beautiful and unusual. -Uh-huh. -And quirky. -Yes. | 0:26:50 | 0:26:57 | |
-And what else? No pressure. -No. | 0:26:57 | 0:26:59 | |
And what the lady wants the lady shall get. | 0:26:59 | 0:27:04 | |
Or maybe not. | 0:27:08 | 0:27:10 | |
I'm a bit concerned you think I've got more money than I have. | 0:27:10 | 0:27:14 | |
All right. | 0:27:14 | 0:27:15 | |
George seems to have a lot of large pieces of furniture | 0:27:15 | 0:27:18 | |
so he's taking our Catherine behind the scenes. | 0:27:18 | 0:27:21 | |
You are 200 feet below Edinburgh here. | 0:27:21 | 0:27:23 | |
I am not sure I want to go down here. | 0:27:23 | 0:27:25 | |
The lengths she'll go to to beat Mark. | 0:27:25 | 0:27:27 | |
Catherine's having a look at some of George's smaller items, | 0:27:27 | 0:27:32 | |
-like this 19th-century Chinese plate priced at £120. -This... -That's nice. | 0:27:32 | 0:27:37 | |
-Very nice. -That is very nice. | 0:27:37 | 0:27:39 | |
You are quite good with Oriental stuff, I happen to know. | 0:27:39 | 0:27:43 | |
I'm not good at Oriental. | 0:27:43 | 0:27:44 | |
I bought a piece of Oriental earlier on in the week... | 0:27:44 | 0:27:48 | |
-AUCTIONEER: -150. | 0:27:48 | 0:27:49 | |
-CATHERINE: That's amazing. -£110 profit. -That's amazing. | 0:27:49 | 0:27:52 | |
..and I was very lucky with it, but it was chancy. I didn't like it at all. | 0:27:52 | 0:27:56 | |
Here's another chancy piece. | 0:27:56 | 0:27:58 | |
I don't know if my nerves can take chance any more. | 0:27:58 | 0:28:01 | |
-That is... -I'm this close to Mark. I cannot let him win. | 0:28:01 | 0:28:06 | |
Well, this is the piece that is going to get you there. | 0:28:06 | 0:28:09 | |
There's huge profit in this piece. | 0:28:09 | 0:28:12 | |
That all depends on the price, doesn't it, George? | 0:28:12 | 0:28:14 | |
I'll tell you what I'll do. | 0:28:14 | 0:28:16 | |
Because I like you and because I want you to beat Mark, | 0:28:16 | 0:28:20 | |
-but don't tell him I said that... -Bit late now(!) | 0:28:20 | 0:28:23 | |
-..I'll give you it for a straight oner. -Oh. | 0:28:23 | 0:28:27 | |
-You can't go wrong. -Catherine, £100. | 0:28:27 | 0:28:30 | |
This piece could decide the entire road trip. | 0:28:30 | 0:28:34 | |
I would almost guarantee after the sale you'll | 0:28:34 | 0:28:37 | |
be on the telephone to me asking me out for a glass of champagne. | 0:28:37 | 0:28:41 | |
-That's how sure I am you're going to do well with that. -90 quid and I'll shake your hand. | 0:28:41 | 0:28:45 | |
-You've got a deal. There you go. -I'm mad. | 0:28:45 | 0:28:47 | |
Wow, that's a bold promise, George. | 0:28:47 | 0:28:50 | |
But what a finish to our road trip. | 0:28:50 | 0:28:53 | |
Catherine is all done with her shopping, | 0:28:53 | 0:28:55 | |
so it's time to meet up with Mark as they reveal all to each other. | 0:28:55 | 0:28:59 | |
-Catherine... -I know. -..it's the last one. | 0:28:59 | 0:29:02 | |
I do feel quite emotional actually. | 0:29:02 | 0:29:05 | |
-Oh! -Oh! -Shall I? -Go on. Show me what you've got. | 0:29:05 | 0:29:09 | |
-Oh! Right. So we've gone back to the dog. -We've got the dog. -OK. | 0:29:11 | 0:29:16 | |
-Right. -1950s, it squeaks. -Does it? -Yes, when you fondle it. -OK. | 0:29:16 | 0:29:22 | |
This is gorgeous. | 0:29:22 | 0:29:24 | |
This is a snake climbing up here to a tree with | 0:29:24 | 0:29:26 | |
-a monkey picking fruit. -That is beautiful. | 0:29:26 | 0:29:30 | |
These are a little pair of silver, Hallmarked in Chester, | 0:29:30 | 0:29:33 | |
little silver bonbon dishes. | 0:29:33 | 0:29:35 | |
-They were only £20. -Oh! | 0:29:35 | 0:29:37 | |
And I love this. Solid silver, Victorian. | 0:29:37 | 0:29:42 | |
-That was my most expensive purchase. -How much was that? -Quite a lot. | 0:29:42 | 0:29:47 | |
-Was it something like £60? -No, 85. | 0:29:47 | 0:29:49 | |
Oh, Mark. | 0:29:49 | 0:29:51 | |
-But don't you think it's a nice selection? -It is a nice selection. | 0:29:51 | 0:29:55 | |
-I wouldn't expect anything else from you. -Thank you. Thank you. | 0:29:55 | 0:29:57 | |
-Can I see yours? -You can, and you will be as nasty as you always are. | 0:29:57 | 0:30:01 | |
-Are you ready? -Bite your tongue, Mark. | 0:30:01 | 0:30:03 | |
-OK, at least say something! -Well, say something, then! | 0:30:09 | 0:30:13 | |
I'm looking, because I like the late Chinese dish with the dragons on it. | 0:30:13 | 0:30:18 | |
That's rather nice. I love that border. | 0:30:18 | 0:30:20 | |
-Mmm, it's a nice border, isn't it? -Yes. -Is it late? -Well, I think... | 0:30:20 | 0:30:24 | |
-Well, is it not? -Yes. | 0:30:24 | 0:30:26 | |
I'm shaking, because I spent a lot of money on that. A huge amount. | 0:30:26 | 0:30:30 | |
-What's a lot of money? -I got told to buy it. | 0:30:30 | 0:30:33 | |
-Not £200? -No. £90. | 0:30:33 | 0:30:35 | |
-I love him. I think he's lovely. -I mean, it's new. | 0:30:35 | 0:30:39 | |
-It's brand-new, but I love it. -It's not brand, brand-new. | 0:30:39 | 0:30:42 | |
-It's probably got about 20 years age to it or something. -No, it's not brand-new. | 0:30:42 | 0:30:46 | |
Is that a tongue in your cheek, Mark? | 0:30:46 | 0:30:49 | |
-And you've bought a little doggie. I love him. -Mmm. | 0:30:49 | 0:30:51 | |
Yes, that's very nice. | 0:30:51 | 0:30:53 | |
And a little horn snuff box? | 0:30:53 | 0:30:54 | |
Yes, and I bought that purely because of the heart. | 0:30:54 | 0:30:57 | |
-Oh, was that because of me? -Because of you. -Yeah, of course. | 0:30:57 | 0:31:00 | |
-Exactly. -Thought it might be. | 0:31:00 | 0:31:01 | |
Well, I don't want to break your heart, Catherine, | 0:31:01 | 0:31:03 | |
-but I actually rather like your selection. -We'll see. -We will see. | 0:31:03 | 0:31:07 | |
Well, I wish you lots of luck at the last auction. | 0:31:07 | 0:31:09 | |
-And I equally wish you lots of luck. Well done, dear. -And you. | 0:31:09 | 0:31:12 | |
-It's our last, really. -You're patronising. Goodbye! | 0:31:12 | 0:31:16 | |
Oh, my God, Catherine, you are silly! | 0:31:16 | 0:31:18 | |
Well, let's find out what these silly sausages really think. | 0:31:18 | 0:31:22 | |
He may be a little bit worried about my lovely Oriental dish. | 0:31:22 | 0:31:29 | |
Plate. | 0:31:29 | 0:31:30 | |
It's a plate. Plate. | 0:31:30 | 0:31:32 | |
It all hinges, for Catherine, I feel, on the Kangxi-style dish. | 0:31:32 | 0:31:37 | |
It is well painted. I like the pattern. | 0:31:37 | 0:31:40 | |
Chinese items are still hot at the moment. | 0:31:40 | 0:31:42 | |
I'm hoping that the Chinese market in Edinburgh is going to be realistic. | 0:31:42 | 0:31:47 | |
It's time to get back on the road and head to today's auction. | 0:31:47 | 0:31:51 | |
Mark and Catherine have had a dicey final leg of their road trip, | 0:31:53 | 0:31:57 | |
shopping their way through Perthshire, Dundee, Angus | 0:31:57 | 0:31:59 | |
and Lothian. | 0:31:59 | 0:32:01 | |
Now they're en route to their final auction | 0:32:01 | 0:32:03 | |
in the Edinburgh district of Leith. | 0:32:03 | 0:32:06 | |
-I'm so sad, Catherine. -Oh! Are you? -Yeah. | 0:32:06 | 0:32:11 | |
It's raining on our parade, and it's our last auction. | 0:32:11 | 0:32:14 | |
-The weather's really closed in on us, hasn't it? -I know. Is this an omen? | 0:32:14 | 0:32:18 | |
-Do you think so? -Is it all going to end in tears? -No! | 0:32:18 | 0:32:22 | |
Of course it's not. | 0:32:22 | 0:32:23 | |
The venue for today's contest is Ramsay Cornish, | 0:32:23 | 0:32:26 | |
a thriving auction house that's been in business since 2003. | 0:32:26 | 0:32:30 | |
-This is not quite what I was expecting. -No. | 0:32:32 | 0:32:35 | |
Is it actually on today? It doesn't seem like there's anyone around! | 0:32:35 | 0:32:38 | |
It's just us! Are we early, or late? | 0:32:38 | 0:32:40 | |
Don't worry, everyone's waiting for you inside. | 0:32:40 | 0:32:42 | |
And presiding over the proceedings today is senior auctioneer | 0:32:42 | 0:32:46 | |
Martin Cornish. | 0:32:46 | 0:32:47 | |
Let's see what he thinks of our experts' choices. | 0:32:47 | 0:32:50 | |
I like the little snuff box. | 0:32:50 | 0:32:51 | |
I don't think it's necessarily going to make a lot of money, | 0:32:51 | 0:32:54 | |
but it's a lovely little snuff box. | 0:32:54 | 0:32:56 | |
It's in a really good condition as well and they don't often | 0:32:56 | 0:32:59 | |
come up in that sort of format. | 0:32:59 | 0:33:00 | |
They're usually much more cut off on the base. | 0:33:00 | 0:33:03 | |
I think the one thing that might struggle a little bit | 0:33:03 | 0:33:05 | |
is the little carved ivory panel. | 0:33:05 | 0:33:07 | |
Maybe ten, 15 years ago, it would have sold much better. | 0:33:07 | 0:33:10 | |
The market for that type of thing is slightly flat at the moment. | 0:33:10 | 0:33:13 | |
Mark Stacey set out on this leg with £291.02 | 0:33:15 | 0:33:19 | |
and splashed out £165 of that on his five lots. | 0:33:19 | 0:33:23 | |
But will it be enough? | 0:33:23 | 0:33:24 | |
Catherine Southon began with the more impressive £306.52 | 0:33:27 | 0:33:31 | |
and parted with £214 on her five lots. | 0:33:31 | 0:33:34 | |
It's time for the showdown, where any one item could mean | 0:33:36 | 0:33:39 | |
the difference between winning or losing the road trip. | 0:33:39 | 0:33:43 | |
You blend in very nicely with the surroundings. | 0:33:43 | 0:33:45 | |
There's a couple of carpets around. | 0:33:45 | 0:33:47 | |
Yes, I knew there was something coming! | 0:33:47 | 0:33:49 | |
Huh! Looks like the red carpet treatment for you, Mark! Ha! | 0:33:49 | 0:33:53 | |
This is it. | 0:33:53 | 0:33:54 | |
The last auction has started, Catherine. | 0:33:54 | 0:33:57 | |
And up first is Catherine's big gamble, | 0:33:59 | 0:34:02 | |
the 19th-century Chinese plate, painted with a dragon and phoenix. | 0:34:02 | 0:34:06 | |
-Oh, my stomach's going over now. I'm getting nervous. -40 to start it. 30. | 0:34:07 | 0:34:12 | |
-30 I'm bid. £30 I am bid for the Chinese plate. At 35. -Oh, no! -40. | 0:34:12 | 0:34:18 | |
Five. 50. Five. 60. Five. At 65 on my right now. | 0:34:18 | 0:34:23 | |
Oh, no, no, keep going! At 65. Keep going. | 0:34:23 | 0:34:25 | |
-And there's a phone bid coming in. -Oh, there's a phone bid! | 0:34:25 | 0:34:28 | |
70. 75. 80. | 0:34:28 | 0:34:32 | |
-85. 90. 95. -You're in profit. | 0:34:32 | 0:34:38 | |
-100. -Oh! -And ten. -Oh, I thought it was going to sell for 40 there. -120. | 0:34:38 | 0:34:43 | |
130. 140. 150. | 0:34:43 | 0:34:48 | |
160. 170. | 0:34:48 | 0:34:50 | |
180. | 0:34:51 | 0:34:53 | |
190. | 0:34:53 | 0:34:54 | |
At 190. Standing in the room now, on my right, at 190. | 0:34:59 | 0:35:03 | |
-And I'm selling at last call. -You've made £100 on that. -That's amazing. | 0:35:03 | 0:35:07 | |
It took a while to get going, but a fantastic profit to start with. | 0:35:07 | 0:35:11 | |
-So I'll just go along for the ride. -Oh, Mark, don't make me feel bad! | 0:35:11 | 0:35:17 | |
Now, can Catherine extend her lead over Mark with her pokerwork | 0:35:19 | 0:35:22 | |
-candle box, decorated with mythical beasts? -30 for this lot? | 0:35:22 | 0:35:27 | |
-20 to start it. 20 I'm bid for the candle box. -You've got 20. -22. | 0:35:27 | 0:35:32 | |
24. 26. 28. 30. | 0:35:32 | 0:35:35 | |
-Lady's bid at £30. -Come on, a bit more. | 0:35:35 | 0:35:37 | |
-I thought it would make a bit more than that. -40. At £40. | 0:35:37 | 0:35:41 | |
Still the lady's bid in the back. At £40 for the candle box. | 0:35:41 | 0:35:44 | |
-You got a profit out of it, Catherine. -40. | 0:35:44 | 0:35:46 | |
GAVEL BANGS | 0:35:46 | 0:35:47 | |
-I think you should be pleased with that, actually. -Do you? -Yes, I do. | 0:35:47 | 0:35:50 | |
Still, it's a healthy lead before Mark's even had | 0:35:50 | 0:35:53 | |
any of his lots shown. | 0:35:53 | 0:35:55 | |
Here's your chance, Mark. Your first item. The Japanese shoehorn. | 0:35:57 | 0:36:02 | |
30. 20 for this. 20 I'm bid. | 0:36:02 | 0:36:05 | |
20 I'm bid for this lot. 25. 30. Five. 35 here. | 0:36:05 | 0:36:09 | |
-At 35. Last call. 40. -Here we are. -Five. -Here we are. | 0:36:09 | 0:36:14 | |
-45, that's all right. -Very good. That's very good. -Last call. | 0:36:14 | 0:36:17 | |
-And I'm selling it. -Well done. That's a good profit. | 0:36:17 | 0:36:20 | |
-I'm happy with that, that's £30 profit. -Yes, that's very good. | 0:36:20 | 0:36:23 | |
-That's OK, actually. -Another good performer. | 0:36:23 | 0:36:26 | |
This is a promising start. | 0:36:26 | 0:36:28 | |
-I mean, you know... -That's luck, Mark. -No, it's not luck. | 0:36:29 | 0:36:32 | |
It's knowing what to pay, Catherine. | 0:36:32 | 0:36:34 | |
Meow! | 0:36:34 | 0:36:36 | |
Now, staying in Japan, it's Mark's walking cane up next. | 0:36:38 | 0:36:42 | |
-20 for that. Ten to start it. -Oh, no. | 0:36:42 | 0:36:45 | |
-The cane. Ten I'm bid. -Don't worry, it will carry on. -This is ridiculous. | 0:36:45 | 0:36:48 | |
18. 20. 18 here. 18 here. 20. 22. | 0:36:48 | 0:36:53 | |
-24. -It's got a long way to go. -At 28. | 0:36:53 | 0:36:57 | |
On the right at 28. Last call. At 28. 71. | 0:36:57 | 0:37:02 | |
Well, that's it, Catherine. | 0:37:02 | 0:37:05 | |
-Can you believe it? -No, I really don't believe that. | 0:37:05 | 0:37:07 | |
-Someone got a real bargain there. -That's it. | 0:37:07 | 0:37:10 | |
Sometimes the right bidder is just not in the room, Mark. Bad luck. | 0:37:10 | 0:37:14 | |
Let's see if Catherine's next lot will snuff out Mark's chances. Ha! | 0:37:16 | 0:37:21 | |
20 for it. Ten to start it. | 0:37:21 | 0:37:24 | |
Ten I'm bid. 12. 14. 16. 18. 20. Two. 24. | 0:37:24 | 0:37:28 | |
26. Lady's bid now at 28. 28 at the back. At £28, in the back. | 0:37:28 | 0:37:34 | |
-£3. -You got your money back. Wiped your face. | 0:37:34 | 0:37:37 | |
Well, after the auction house takes its well-earned commission, | 0:37:39 | 0:37:43 | |
that will be a loss, I'm afraid, Catherine. | 0:37:43 | 0:37:45 | |
Well, you can just sit back on your huge profit, now. | 0:37:45 | 0:37:48 | |
-I can, actually, can't I? -You don't have to worry about a thing, do you? | 0:37:48 | 0:37:51 | |
No. You can do all the worrying for me! | 0:37:51 | 0:37:54 | |
Well, Catherine, | 0:37:54 | 0:37:55 | |
should you be worried about your dog challenge item? | 0:37:55 | 0:37:58 | |
A German oak wall plaque featuring a hunting dog. | 0:37:58 | 0:38:02 | |
30 for this to start it quickly. | 0:38:02 | 0:38:04 | |
30 I'm bid. £30 I'm bid. 35. 40. | 0:38:04 | 0:38:08 | |
-At £40. At £40. Nobody else now? Last call at £40. -Disappointing. | 0:38:08 | 0:38:14 | |
-Oh, dear. -Well, you win some, you lose some. | 0:38:14 | 0:38:18 | |
-You're still winning. -She may well be, Mark. | 0:38:18 | 0:38:22 | |
But you can win the last dog challenge with your 1950s poodle! | 0:38:24 | 0:38:27 | |
-It is cute, isn't it? And it squeaks. -I know! | 0:38:28 | 0:38:32 | |
-But will I squeak a profit out of it? -Yeah, you will! | 0:38:32 | 0:38:35 | |
-30. 20 for it. 20 I'm bid. -Oh, 20. -On commission at £20 for the poodle. | 0:38:35 | 0:38:41 | |
25. 30. Five. 40. At £40. Last call at 40. | 0:38:41 | 0:38:47 | |
-Well done. -That's all right! | 0:38:47 | 0:38:49 | |
Either I've gone barking mad, or finally, | 0:38:50 | 0:38:53 | |
that's the end of the poochy purchase bit. | 0:38:53 | 0:38:56 | |
When it comes to the dog challenge, Mark's been crowned Best In Show! | 0:38:56 | 0:38:59 | |
-I wish I'd bought four poodles, now! -You should have! | 0:39:01 | 0:39:04 | |
In different colours! | 0:39:04 | 0:39:06 | |
But it's winning the road trip that Mark really wants. | 0:39:07 | 0:39:10 | |
-Can his silver bonbon dishes get him back into contention? -40 for these. | 0:39:10 | 0:39:15 | |
-30 for them. 30 I'm bid. -Oh, well that's a profit. | 0:39:15 | 0:39:19 | |
It's a profit, anyway. | 0:39:19 | 0:39:21 | |
£30 I'm bid. 35. 40. Five. | 0:39:21 | 0:39:25 | |
50. At £50. At £50. | 0:39:25 | 0:39:28 | |
The little bonbons at £50. Nobody else now going on. | 0:39:28 | 0:39:31 | |
Last call at 50. | 0:39:31 | 0:39:33 | |
-Well done. -Well, that's £30 profit. -That's very good. | 0:39:33 | 0:39:37 | |
Another good profit for Mark. This is getting close! | 0:39:37 | 0:39:40 | |
Can Mark turn the trip on its head with a big | 0:39:42 | 0:39:44 | |
profit on his Victorian cruet set? | 0:39:44 | 0:39:47 | |
This is my last lot of the sale. | 0:39:47 | 0:39:49 | |
80. 60 for this. 60 I'm bid. | 0:39:49 | 0:39:52 | |
£60 I'm bid for the cruet set. 65. 70. Five. | 0:39:52 | 0:39:56 | |
-80. Five. At 85. At £85. -90. That's what I paid. -100. At £100. | 0:39:56 | 0:40:03 | |
-Well, there you go. -At 100. Last call. -That's good. -Well... | 0:40:03 | 0:40:07 | |
Very interesting. That's brought our experts almost neck and neck. | 0:40:07 | 0:40:12 | |
But Catherine's still got her last item to go. | 0:40:13 | 0:40:16 | |
If she can get at least £20 for her whale automaton, | 0:40:16 | 0:40:19 | |
that will see her win the road trip. | 0:40:19 | 0:40:22 | |
Have they got a sense of humour here, though? | 0:40:22 | 0:40:24 | |
Well, I think so, Catherine. They bought the poodle. | 0:40:24 | 0:40:27 | |
They bought your poodle! | 0:40:27 | 0:40:29 | |
Swings backwards and forwards and his mouth opens. | 0:40:29 | 0:40:33 | |
-30. 20 for this to start it. 20 I'm bid. -Oh, yes! There we are. -30. | 0:40:33 | 0:40:39 | |
Five. 40. At £40. 45. 50. New bid. | 0:40:39 | 0:40:44 | |
You see, I told you that would fly. | 0:40:44 | 0:40:47 | |
-50. Excellent. Yay! -You see, I said that would fly, because it's fun. | 0:40:47 | 0:40:50 | |
It is fun. | 0:40:50 | 0:40:51 | |
And well-deserved. | 0:40:51 | 0:40:53 | |
After a wonderful trip, Catherine goes out on a whale of a profit. Ha! | 0:40:53 | 0:40:58 | |
-Congratulations, Catherine. -Oh, thank you. You can buy me a drink. | 0:40:58 | 0:41:01 | |
-No, you can buy the drinks! -I've got so much money(!) -Come on. | 0:41:01 | 0:41:07 | |
So, after that exciting decider, | 0:41:07 | 0:41:09 | |
Mark has been pipped at the post. | 0:41:09 | 0:41:11 | |
He started this leg with £291.02 | 0:41:11 | 0:41:14 | |
and battled valiantly to a profit of £50.66 after auction costs. | 0:41:14 | 0:41:20 | |
And so ends the trip with £341.68. Don't look so glum! | 0:41:20 | 0:41:26 | |
Catherine, though, started this final leg with £306.52, | 0:41:26 | 0:41:31 | |
earning a fantastic £71.36 profit after auction costs. | 0:41:31 | 0:41:36 | |
Making her not only today's winner, | 0:41:36 | 0:41:38 | |
but also the winner of this week's road trip. | 0:41:38 | 0:41:40 | |
She's finished with a grand total of £377.88, so well done, Catherine! | 0:41:40 | 0:41:46 | |
-All profits, of course, go to Children In Need. -What can I say? | 0:41:46 | 0:41:50 | |
-Haaaa! -It's all over. And well done. -Ah! Well, thank you! | 0:41:50 | 0:41:54 | |
And what a trip it's been for our two. | 0:41:54 | 0:41:56 | |
They've discovered the wondrous sights of Scotland... | 0:42:02 | 0:42:05 | |
This is actually one of the most spectacular places I've ever been to. | 0:42:05 | 0:42:11 | |
-There's been laughter and fun... -Last shot. | 0:42:11 | 0:42:14 | |
-Onward and downward, as they say! -Onward and upward! | 0:42:16 | 0:42:19 | |
-Squabbles and tantrums... -Hold on! That's not on! -I was waiting for you. | 0:42:19 | 0:42:23 | |
-No, you weren't! -Now, come on, I've got to get to another shop! | 0:42:23 | 0:42:26 | |
But through all its ups and downs... | 0:42:26 | 0:42:29 | |
Oh! Oh! | 0:42:29 | 0:42:30 | |
On fire! Yes! Woohoo! | 0:42:30 | 0:42:33 | |
-Right, you don't have to be so bossy! -I'm not being bossy! | 0:42:33 | 0:42:36 | |
-I'm just pointing it out. -You don't need to, because I can see. | 0:42:36 | 0:42:39 | |
-It says antique centre! -These two will remain the best of friends... | 0:42:39 | 0:42:43 | |
Get your hands off. | 0:42:43 | 0:42:45 | |
-Makes me nervous. -Does it? | 0:42:45 | 0:42:47 | |
As they say in Scotland, "Cheerio the noo"! | 0:42:47 | 0:42:50 | |
Next time on the Antiques Road Trip, | 0:42:56 | 0:42:58 | |
our new recruit Helen Hall ferrets out some bargains... | 0:42:58 | 0:43:01 | |
Oh, sewn together by the mouth. I daren't put that on. | 0:43:01 | 0:43:05 | |
Whilst James Braxton loses his nerve... | 0:43:05 | 0:43:08 | |
I'm going through this sort of buying crisis. | 0:43:08 | 0:43:10 |