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-It's the nation's favourite antiques experts. -All right, viewers?! | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:17 | 0:00:22 | |
Be a good profit. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-Ooh! -Yes! | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
ROCK 'N' ROLL MUSIC | 0:00:36 | 0:00:38 | |
Today sees the start of a brand-new road trip with a brand-new expert. | 0:00:38 | 0:00:42 | |
Helen Hall is the new recruit, | 0:00:43 | 0:00:45 | |
an auctioneer with a forte in rock'n'roll memorabilia | 0:00:45 | 0:00:48 | |
and an uncanny ability to sniff out a bargain. | 0:00:48 | 0:00:51 | |
Doesn't smell too bad either. Some of them are a bit stinky. | 0:00:52 | 0:00:56 | |
James Braxton is a Road Trip veteran. | 0:00:57 | 0:00:59 | |
And is getting into shape to take on his new challenger. | 0:00:59 | 0:01:02 | |
-It's got some weight. -It has. -I can feel upper toning. -Yes. | 0:01:02 | 0:01:06 | |
James is starting out in the driving seat today | 0:01:06 | 0:01:08 | |
as they set off with £200 each | 0:01:08 | 0:01:11 | |
to spend in a very rock'n'roll | 0:01:11 | 0:01:13 | |
1974 E-Type Jaguar convertible. | 0:01:13 | 0:01:16 | |
What's the best thing you've sold at one of your rock'n'roll auctions? | 0:01:16 | 0:01:20 | |
-The drum from the front cover of the Sergeant Pepper album. -Right. | 0:01:20 | 0:01:24 | |
That sold for about £540,000. | 0:01:24 | 0:01:28 | |
You might struggle to match that on the Road Trip, Helen! | 0:01:28 | 0:01:31 | |
But do aim high. | 0:01:31 | 0:01:33 | |
Our two experts will traverse over 500 miles from Oswestry | 0:01:36 | 0:01:39 | |
in Shropshire, through the Welsh valleys, | 0:01:39 | 0:01:41 | |
before heading eastward through southern England, | 0:01:41 | 0:01:44 | |
ending their trip in the county town of Lewes in East Sussex. | 0:01:44 | 0:01:47 | |
On this first leg of the trip, | 0:01:49 | 0:01:51 | |
they're starting in Oswestry in Shropshire, | 0:01:51 | 0:01:53 | |
before crossing the Welsh border | 0:01:53 | 0:01:55 | |
for auction in Carmarthen, Carmarthenshire. | 0:01:55 | 0:01:58 | |
Oswestry was named after King Oswald of Northumbria who died there | 0:02:02 | 0:02:07 | |
in battle in 641 AD and was rather gruesomely nailed to a tree. | 0:02:07 | 0:02:12 | |
Let's hope the locals don't greet our experts in the same way, eh? | 0:02:12 | 0:02:15 | |
-Here we are. -Here you are. | 0:02:15 | 0:02:16 | |
James is dropping Helen off at her first shop, | 0:02:18 | 0:02:20 | |
Cambrian House Emporium. | 0:02:20 | 0:02:23 | |
What's your one tip? | 0:02:23 | 0:02:25 | |
One tip, if you see the opportunity, buy, buy, buy. | 0:02:25 | 0:02:29 | |
Because you never know what your next shop's going to be like! | 0:02:29 | 0:02:32 | |
I'll bear that in mind. James says, "Just buy it." I'll blame you. | 0:02:32 | 0:02:37 | |
-Bye. -Bye. | 0:02:37 | 0:02:38 | |
It's hard to work out if James is giving good advice or bad. | 0:02:40 | 0:02:44 | |
I wonder if Helen will take any notice anyway. | 0:02:44 | 0:02:47 | |
Nice to meet you. Darryl. And this is Kate. | 0:02:47 | 0:02:49 | |
Hi, Kate. Nice to meet you. | 0:02:49 | 0:02:51 | |
27 different dealers have goods on show here, | 0:02:53 | 0:02:56 | |
so plenty to choose from for our Road Trip rookie. | 0:02:56 | 0:03:00 | |
I first worked in an antiques shop another 16. | 0:03:00 | 0:03:04 | |
Every time I got a pay packet, I'd be handing some of it back. | 0:03:04 | 0:03:06 | |
"I'll have one of those. And that. And that." | 0:03:06 | 0:03:08 | |
My mum and dad were always like, | 0:03:08 | 0:03:10 | |
"What have you come back with this time?" | 0:03:10 | 0:03:12 | |
I bet you never brought anything like this home! | 0:03:12 | 0:03:15 | |
Darryl, what's this light? | 0:03:15 | 0:03:17 | |
That is an old German searchlight. | 0:03:17 | 0:03:19 | |
-On top of the search towers. -From the Berlin Wall? | 0:03:20 | 0:03:24 | |
-From the Berlin Wall. -Wow. That's amazing. | 0:03:24 | 0:03:26 | |
So, it would have been on top of the search tower and hand-operated, | 0:03:26 | 0:03:30 | |
so that whoever was guarding | 0:03:30 | 0:03:33 | |
could shine the light wherever they wanted. | 0:03:33 | 0:03:36 | |
-I wonder if you could get it working somehow. -I would have thought so. | 0:03:36 | 0:03:40 | |
You know, mount it onto something. | 0:03:40 | 0:03:41 | |
I would have thought you could quite easily turn that into a nice lamp. | 0:03:41 | 0:03:46 | |
Yeah, yeah. | 0:03:46 | 0:03:47 | |
I mean, from a historical perspective, that's amazing. | 0:03:47 | 0:03:52 | |
I bet that's out of my budget, but I think it's amazing. | 0:03:52 | 0:03:55 | |
You're right on both counts. | 0:03:55 | 0:03:56 | |
This amazing item is £300, so way more than you could afford. | 0:03:56 | 0:04:01 | |
James said to me, | 0:04:01 | 0:04:03 | |
"Go for it here just in case there's nothing at the second place." | 0:04:03 | 0:04:06 | |
So what happens if I just spend all my money here? | 0:04:06 | 0:04:10 | |
Er, you'll be broke! | 0:04:10 | 0:04:12 | |
Unless it's the drum from the cover of a Beatles album, | 0:04:12 | 0:04:15 | |
which you can get for £200, | 0:04:15 | 0:04:17 | |
best find something more within your budget, eh? | 0:04:17 | 0:04:20 | |
Well, I'm a bit of a sucker for old leather suitcases. | 0:04:20 | 0:04:23 | |
But I like this one because it's a Harrods one. | 0:04:23 | 0:04:26 | |
This just says, "Harrods, makers, London, SW." | 0:04:26 | 0:04:30 | |
This has got a nice original interior as well, | 0:04:30 | 0:04:32 | |
which you don't often see. | 0:04:32 | 0:04:34 | |
Often the silk or the fabric inside is ripped or, you know, stained. | 0:04:34 | 0:04:39 | |
And this isn't bad, really. | 0:04:39 | 0:04:41 | |
SHE SNIFFS | 0:04:41 | 0:04:42 | |
Doesn't smell too bad, either. Some of them are a bit stinky. | 0:04:42 | 0:04:45 | |
Yuck! Must you smell the antiques? | 0:04:45 | 0:04:48 | |
They want 55 for it. But... | 0:04:48 | 0:04:51 | |
I wouldn't be able to get that in auction for it, | 0:04:51 | 0:04:54 | |
so we'll have to come down on one. | 0:04:54 | 0:04:57 | |
I think Darryl heard that! | 0:04:57 | 0:04:59 | |
Right... | 0:04:59 | 0:05:00 | |
Don't panic. He seems like a reasonable bloke. | 0:05:00 | 0:05:03 | |
It's one to consider, though, perhaps along with these. | 0:05:03 | 0:05:07 | |
Vintage tape measures. | 0:05:07 | 0:05:08 | |
Kind of his and hers versions. There you go. | 0:05:10 | 0:05:13 | |
That's better for the lady for the handbag. | 0:05:13 | 0:05:16 | |
One's metal, interestingly, and one's cloth. | 0:05:16 | 0:05:19 | |
And they're actually different makers, it looks like. | 0:05:19 | 0:05:22 | |
This one's made in Sheffield, so that's quite nice. | 0:05:22 | 0:05:25 | |
Being as that's where I live. Yeah, that's nice. | 0:05:25 | 0:05:29 | |
No centimetres, of course, cos they'll be before... | 0:05:29 | 0:05:32 | |
before that. | 0:05:32 | 0:05:33 | |
But I like these. I like the leather cases. | 0:05:33 | 0:05:36 | |
In our line of work, | 0:05:36 | 0:05:37 | |
you're always using a tape measure to measure covers... | 0:05:37 | 0:05:40 | |
Now I can't get back it in, can I? | 0:05:40 | 0:05:42 | |
Careful! | 0:05:42 | 0:05:44 | |
Oh! There you go! | 0:05:44 | 0:05:47 | |
Look at that. That's great. | 0:05:47 | 0:05:50 | |
The bigger one is at 28 and the smaller one is at 34. | 0:05:50 | 0:05:55 | |
I like those. | 0:05:55 | 0:05:56 | |
OK, we'll see what we can do on those. | 0:05:56 | 0:05:59 | |
Two measuring tapes then and a trunk. | 0:05:59 | 0:06:02 | |
It's not rock'n'roll, but I like it. | 0:06:02 | 0:06:04 | |
But when will she start talking money, though? | 0:06:04 | 0:06:07 | |
What did James say about being assertive? | 0:06:07 | 0:06:09 | |
Speaking of whom, | 0:06:12 | 0:06:13 | |
he has headed southward, across the Welsh border, | 0:06:13 | 0:06:17 | |
to the town of Welshpool in Powys to start his shopping | 0:06:17 | 0:06:20 | |
at Lamplight Antiques. | 0:06:20 | 0:06:22 | |
-Hello! -Hello there! | 0:06:24 | 0:06:25 | |
-Hello. James. -I'm Heather. | 0:06:25 | 0:06:27 | |
-Really good to meet you. -And you. | 0:06:27 | 0:06:29 | |
Have you got any little treasures around that have newly come in? | 0:06:29 | 0:06:34 | |
What should I be looking at? | 0:06:34 | 0:06:36 | |
As ever, he's on the lookout for fresh goods. | 0:06:36 | 0:06:39 | |
I see a string box looking at me over there. | 0:06:39 | 0:06:42 | |
-Yes, you can have a look at that. -Is that a tin? -It's tin. | 0:06:42 | 0:06:46 | |
Toleware. | 0:06:46 | 0:06:48 | |
Toleware are lacquered metal or tin objects | 0:06:48 | 0:06:52 | |
with a nice picture or design. | 0:06:52 | 0:06:54 | |
What have we got here? | 0:06:54 | 0:06:56 | |
"Toleware, string box, circa 1890." I don't disagree with that. | 0:06:56 | 0:07:01 | |
It's a nice Victorian look to it, isn't it? | 0:07:01 | 0:07:04 | |
Everything years ago was in brown paper, wasn't it? | 0:07:05 | 0:07:10 | |
-And strung up parcels. -And that would cut your string. | 0:07:10 | 0:07:12 | |
And that would cut your string. Bing! | 0:07:12 | 0:07:15 | |
-How much have they got on that one? -He's got 18 on it. | 0:07:15 | 0:07:18 | |
-18, the chancer! -That could be 15. | 0:07:18 | 0:07:21 | |
THEY LAUGH | 0:07:21 | 0:07:22 | |
£15, it's not very expensive, is it? | 0:07:22 | 0:07:26 | |
Really? So that might be a possibility. | 0:07:26 | 0:07:29 | |
Another item placed back on the shelf. | 0:07:29 | 0:07:31 | |
Both of our experts are being so indecisive. | 0:07:31 | 0:07:34 | |
And that's a sort of good country-housey piece, isn't it? | 0:07:34 | 0:07:37 | |
-"Your papers" up there. What's that? -That one? | 0:07:37 | 0:07:41 | |
Just a little... | 0:07:41 | 0:07:42 | |
A little bracket. | 0:07:43 | 0:07:44 | |
That goes on the wall and then you pop your newspapers in there. | 0:07:44 | 0:07:48 | |
Probably, I don't know, about '20s or '30s. | 0:07:48 | 0:07:52 | |
Yeah. Yeah. I think so. | 0:07:52 | 0:07:55 | |
Sort of Arts and Crafts. Possibly slightly earlier than that. | 0:07:55 | 0:07:59 | |
Probably 1890, something like that. | 0:07:59 | 0:08:02 | |
But, interestingly, you'd expect that period to be made of oak, | 0:08:02 | 0:08:06 | |
a good sort of national wood. | 0:08:06 | 0:08:09 | |
But this one looks as though it could still be a walnut. | 0:08:09 | 0:08:13 | |
I think it could be walnut or a mahogany. | 0:08:13 | 0:08:16 | |
So how much is this? | 0:08:16 | 0:08:17 | |
That's got 45 on it. | 0:08:17 | 0:08:20 | |
-That could be 35. -35? | 0:08:20 | 0:08:23 | |
A tenner swiftly knocked off the asking price, but no agreements. | 0:08:23 | 0:08:27 | |
Don't worry, I'm sure he'll buy something eventually. | 0:08:27 | 0:08:30 | |
I did like your elm table outside. | 0:08:30 | 0:08:34 | |
It's not terribly old, is it? | 0:08:34 | 0:08:35 | |
It's not terribly old. It really nice, isn't it? | 0:08:35 | 0:08:37 | |
It's a lovely piece of wood, isn't it? | 0:08:37 | 0:08:40 | |
This unusually-shaped table has a ticket price of £75. | 0:08:40 | 0:08:44 | |
-But I suspect James won't want to pay that. -60. | 0:08:44 | 0:08:47 | |
I like to buy it as cheaply as possible, Heather. I'd love... | 0:08:47 | 0:08:52 | |
55. 20 off. | 0:08:52 | 0:08:55 | |
20 off? God, there's no end to your generosity. | 0:08:55 | 0:08:57 | |
The old charmer! | 0:08:57 | 0:08:59 | |
-Yeah, that's nice, isn't it? -Come on, James! | 0:08:59 | 0:09:02 | |
-Heather's in a generous mood. Buy something. -What did we say? | 0:09:02 | 0:09:05 | |
55, the table. | 0:09:05 | 0:09:07 | |
What did I say for this? 35. | 0:09:07 | 0:09:10 | |
I've got to stick at 35 on that, but the table I'll go 50. | 0:09:10 | 0:09:14 | |
-And I like your string box as well. -That's sweet, yeah. -Isn't it? | 0:09:14 | 0:09:18 | |
-15, I've said for that. -You've said 15 on that, which is very nice. | 0:09:18 | 0:09:23 | |
It's a pretty... It's just got a great shape to it. | 0:09:23 | 0:09:27 | |
I'll take the elm table at 50, I'll take this at 15 | 0:09:27 | 0:09:31 | |
and I'm slightly agonising | 0:09:31 | 0:09:34 | |
whether I should part with more money here, Heather. | 0:09:34 | 0:09:38 | |
-Go on, 30 then. 30, that's it. -30. | 0:09:38 | 0:09:41 | |
You've got a kindly face. £30 it is. | 0:09:41 | 0:09:45 | |
-£95. -Look at that. Easy shopping. Thank you very much indeed. | 0:09:45 | 0:09:48 | |
-Thank you. -Thank you, Heather. Really kind. | 0:09:48 | 0:09:51 | |
Cor, I didn't expect he'd buy all of them! | 0:09:51 | 0:09:54 | |
But James can't resist the bargain. | 0:09:54 | 0:09:56 | |
£95 on the string box, newspaper rack and coffee table. | 0:09:56 | 0:10:01 | |
It's alive! Wood never dies. | 0:10:01 | 0:10:03 | |
He seems happy. | 0:10:03 | 0:10:05 | |
So James has made his first purchases of the road trip, | 0:10:05 | 0:10:09 | |
but Helen still doesn't seem ready to. | 0:10:09 | 0:10:12 | |
This will look great in the back of the E-type. | 0:10:12 | 0:10:14 | |
We can put it in the boot, go off for a little picnic. Very nice. | 0:10:14 | 0:10:19 | |
-You do know you have got to sell these items, right? -£65. | 0:10:19 | 0:10:23 | |
And I do... You know, you can pick them up for half that at auction. | 0:10:23 | 0:10:27 | |
So it's got to be a good bargain on that one, really. | 0:10:27 | 0:10:32 | |
His-and-hers flasks, as well. That's quite nice. | 0:10:32 | 0:10:36 | |
That's great, I love it. I like the colour, too. Perfect. | 0:10:36 | 0:10:40 | |
You've been browsing a while, Helen. | 0:10:40 | 0:10:42 | |
It's time to make your mind up. | 0:10:42 | 0:10:45 | |
The suitcase is priced at £55. | 0:10:45 | 0:10:48 | |
-Shall I tell you what I'd like to pay first? -Shall we? | 0:10:48 | 0:10:51 | |
-I'd like to pay £30 on the Harrods case. -OK. 30, that's fine. | 0:10:53 | 0:10:58 | |
All right, brilliant. | 0:10:58 | 0:11:00 | |
Result! Helen's made her first purchase on the road trip. | 0:11:00 | 0:11:04 | |
OK. Thank you. | 0:11:04 | 0:11:06 | |
The dealers who own the tape measures and hamper are nearby. | 0:11:06 | 0:11:10 | |
Can she get as good a deal from them, too? | 0:11:10 | 0:11:12 | |
I love your tape measures. | 0:11:12 | 0:11:14 | |
-So that is 62 in total that they're at. -Yes. | 0:11:14 | 0:11:17 | |
I'm going to be totally cheeky and say would you take 30 for them? | 0:11:17 | 0:11:21 | |
-Couldn't go quite as low as that. -OK. -No. That is quite cheeky. | 0:11:21 | 0:11:24 | |
-It is quite cheeky. -I forgive you. -It is. What would you do on them? | 0:11:24 | 0:11:28 | |
-Ooh, I think about 40 is the lowest I would go on those. -Right. | 0:11:28 | 0:11:32 | |
38? | 0:11:32 | 0:11:34 | |
-It's a deal. -OK, there we go. | 0:11:34 | 0:11:37 | |
Three items purchased with her head | 0:11:38 | 0:11:40 | |
but her heart seemed to be with the picnic camper. | 0:11:40 | 0:11:43 | |
It's owned by dealer Jo. | 0:11:43 | 0:11:45 | |
So you're asking 65 for it. | 0:11:45 | 0:11:48 | |
I mean, I've seen a lot of these go at auction around the £30 mark, | 0:11:48 | 0:11:52 | |
something like that. So I feel like I want to offer about 30. | 0:11:52 | 0:11:56 | |
-30 is quite low. -What would you like for it? Let's start there. | 0:11:56 | 0:12:01 | |
-I would like to get 50 for it. -Yeah, I just don't know if I can go to 50. | 0:12:01 | 0:12:04 | |
I just don't know if I'll make on it. | 0:12:04 | 0:12:07 | |
Would you meet in the middle at 40? | 0:12:07 | 0:12:09 | |
-Yeah, go on. -Would you? Brilliant, thank you. -OK. -Thank you very much. | 0:12:10 | 0:12:16 | |
-All right. £40 it is. -Thank you. -Sorry about that. | 0:12:16 | 0:12:19 | |
No, that's OK. | 0:12:19 | 0:12:20 | |
Ah, how polite of Helen to apologise but I'm sure she's more than happy. | 0:12:20 | 0:12:25 | |
Her first shop on the road trip is complete | 0:12:25 | 0:12:27 | |
and she's stockpiled an impressive first haul, | 0:12:27 | 0:12:30 | |
spending £108 on three lots. | 0:12:30 | 0:12:32 | |
-Thank you. -Smashing. -I hope to see you again one day. -Yes, definitely. | 0:12:32 | 0:12:35 | |
-Have a great day. -Take care. -And you. -Bye-bye. -Bye, now. | 0:12:35 | 0:12:39 | |
James, meanwhile, is off to hear about | 0:12:39 | 0:12:41 | |
a little bit of India in Wales. | 0:12:41 | 0:12:43 | |
He's meeting William Brown from the National Trust. | 0:12:43 | 0:12:46 | |
Cor, that looks impressive! | 0:12:46 | 0:12:48 | |
The house, not James. | 0:12:48 | 0:12:50 | |
-Hello. James. -Lovely to meet you. William. Welcome to Powys. | 0:12:50 | 0:12:53 | |
Powys Castle was home to Edward Clive, the first Earl of Powys. | 0:12:56 | 0:13:00 | |
Between 1798 and 1803, | 0:13:00 | 0:13:03 | |
he led a distinguished career as Governor of Madras, | 0:13:03 | 0:13:07 | |
playing a key role in expanding the British rule of India. | 0:13:07 | 0:13:11 | |
The family's wealth meant Clive could afford to buy things | 0:13:11 | 0:13:14 | |
from all over the world and bring them back to Powys. | 0:13:14 | 0:13:17 | |
-So here we are. The Long Gallery. -Fabulous. | 0:13:17 | 0:13:21 | |
-So this is where you would exercise, isn't it? -Absolutely. | 0:13:21 | 0:13:24 | |
And play cricket or something, these days. | 0:13:24 | 0:13:26 | |
Perfect, isn't it, the perfect nets. | 0:13:26 | 0:13:27 | |
The floor and the ceiling are both original. 1580s. | 0:13:27 | 0:13:31 | |
-And I notice some fabulous sculptures all over the place. -Absolutely. | 0:13:31 | 0:13:34 | |
Caligula. He has got a great head, hasn't he? Is that antique? | 0:13:34 | 0:13:38 | |
It was delivered here in 1704. | 0:13:38 | 0:13:41 | |
They believe it to be made at the late end of the 1600s. | 0:13:41 | 0:13:44 | |
It's from Rome. It's Carrara marble and Jasper. | 0:13:44 | 0:13:48 | |
And, in fact, a visitor asked not long ago, | 0:13:48 | 0:13:50 | |
"Is that of human proportions?" | 0:13:50 | 0:13:52 | |
And I was thinking, "Gosh, that's a big individual if that was!" | 0:13:52 | 0:13:55 | |
No, it isn't! | 0:13:55 | 0:13:56 | |
Clive was involved in the war between the British | 0:13:58 | 0:14:01 | |
and Tipu Sultan, the ruler of the southern Indian kingdom of Mysore. | 0:14:01 | 0:14:06 | |
The British were victorious | 0:14:06 | 0:14:08 | |
and Clive brought some of the spoils back to Powys. | 0:14:08 | 0:14:12 | |
And here, all plunder and all the bling and all the gold | 0:14:12 | 0:14:17 | |
from the adventures in India. | 0:14:17 | 0:14:20 | |
This is just a small fraction of some of the stuff they brought back. | 0:14:20 | 0:14:24 | |
-So what do we have here? This is splendid. -Well, this here is... | 0:14:24 | 0:14:27 | |
This is a wonderful small, little tiger's head. | 0:14:27 | 0:14:29 | |
A tiger finial. | 0:14:29 | 0:14:30 | |
It actually sat on the throne of Tipu Sultan himself. | 0:14:30 | 0:14:33 | |
There used to be eight of them but only two now survive. | 0:14:33 | 0:14:37 | |
And one of the last stands of the large tiger stands, | 0:14:37 | 0:14:41 | |
and the Queen has that down in Windsor. | 0:14:41 | 0:14:43 | |
It's made of diamonds and rubies and emeralds | 0:14:43 | 0:14:46 | |
and it's got a covering of gold. It's got a wooden core. | 0:14:46 | 0:14:50 | |
So here we are, James, it is the image of the Tipu's throne. | 0:14:50 | 0:14:54 | |
But you can see here dotted around, tiger heads. | 0:14:54 | 0:14:57 | |
So that's what we saw. And the whole wooden throne covered in sheet gold? | 0:14:57 | 0:15:02 | |
-Covered in gold, yeah. -Fabulous. -Yeah. They didn't do half measures! | 0:15:02 | 0:15:05 | |
It's fantastic, I'd love a throne like that! | 0:15:05 | 0:15:09 | |
Tipu Sultan bitterly | 0:15:09 | 0:15:11 | |
and effectively opposed British rule in southern India. | 0:15:11 | 0:15:14 | |
It took almost 40 years before Mysore was added | 0:15:14 | 0:15:17 | |
to the areas of British-ruled India. | 0:15:17 | 0:15:19 | |
-So bright, still, isn't it? -It's fantastic. | 0:15:22 | 0:15:25 | |
This is the campaign tent, | 0:15:25 | 0:15:26 | |
or the summer tent of the Sultan of Mysore, the Tipu Sultan. | 0:15:26 | 0:15:30 | |
-Made in around 1725, would you believe? -Really? -It's massive. | 0:15:30 | 0:15:34 | |
What you see here is only a small section, a tiny section. | 0:15:34 | 0:15:38 | |
-It's so massive it fills the entire courtyard outside. -Really? | 0:15:38 | 0:15:41 | |
It's huge. Absolutely huge. | 0:15:41 | 0:15:43 | |
Powys Castle remained in the family until 1952 when George Herbert, | 0:15:46 | 0:15:51 | |
the great-grandson of Edward Clive and 4th Earl of Powys, | 0:15:51 | 0:15:55 | |
gave the castle to the nation. | 0:15:55 | 0:15:57 | |
William, thank you very much indeed. | 0:15:57 | 0:15:59 | |
I feel enlightened. It's a lovely journey, isn't it? | 0:15:59 | 0:16:02 | |
We came from a Welsh castle on top of a hill | 0:16:02 | 0:16:05 | |
and then into the most beautiful interiors after the antiques | 0:16:05 | 0:16:08 | |
-and now we are here in very exotic India. -All in mid-Wales. | 0:16:08 | 0:16:11 | |
-It's fantastic. -All in mid-Wales. | 0:16:11 | 0:16:14 | |
Whilst James enjoys some real antiques, | 0:16:14 | 0:16:17 | |
Helen is off to find some of her own in the town of Montgomery in Powys. | 0:16:17 | 0:16:21 | |
She's checking out a shop | 0:16:24 | 0:16:25 | |
called the Old Stores Antiques and Interiors. | 0:16:25 | 0:16:28 | |
-Hello. -Hello. -Hi, I'm Helen. -Hi, Helen. I'm Keith. | 0:16:28 | 0:16:32 | |
Hi, Keith. Lovely to meet you. Thank you for having us. | 0:16:32 | 0:16:34 | |
-You're welcome. -So, do you mind if I just have a browse? -No. | 0:16:34 | 0:16:38 | |
Oh, you're so polite, Helen. I'm sure he won't mind. | 0:16:38 | 0:16:41 | |
Especially if you buy something. | 0:16:41 | 0:16:42 | |
Hello, she's at it again. | 0:16:42 | 0:16:45 | |
I like you. "Doris Dietrich, 1925." | 0:16:45 | 0:16:50 | |
At least that gives us a clue as to the exact age of it, doesn't it? | 0:16:50 | 0:16:53 | |
That's helpful! | 0:16:53 | 0:16:54 | |
I think she's getting the hang of this lark, you know. | 0:16:54 | 0:16:57 | |
Nice old bit of wood, there, isn't it? I'll try and lift it up. | 0:16:59 | 0:17:03 | |
-"Answered." It's like an old inbox. -Yeah. | 0:17:04 | 0:17:08 | |
Yeah, from the days before e-mail. | 0:17:08 | 0:17:11 | |
Whereas these days we have plastic trays. | 0:17:11 | 0:17:13 | |
It's a lot nicer to have this sitting on your desk. | 0:17:13 | 0:17:16 | |
This place has lots of pretty things from France. | 0:17:16 | 0:17:20 | |
But also the odd thing from closer to home. | 0:17:20 | 0:17:22 | |
Oh, wow! It is a butter pat. Lovely wooden butter pat. | 0:17:24 | 0:17:28 | |
So the dairy farmers would have these. | 0:17:28 | 0:17:31 | |
They'd make their butter and then, before they're sent off, | 0:17:31 | 0:17:34 | |
they would stamp each pat | 0:17:34 | 0:17:37 | |
with the mark that was peculiar to their farm. | 0:17:37 | 0:17:40 | |
So it's a really nice piece, that. I like it. | 0:17:40 | 0:17:43 | |
And decorative, too. | 0:17:43 | 0:17:45 | |
I think Helen's quite keen on this one. | 0:17:45 | 0:17:47 | |
But is it nice enough for its £25 ticket price? | 0:17:47 | 0:17:51 | |
Would you go... | 0:17:51 | 0:17:53 | |
Would you go as low as 12 on it? | 0:17:53 | 0:17:55 | |
-12? -Yeah. | 0:17:55 | 0:17:57 | |
-Is that a really cheeky offer? -I'll do 15. -Would you do 15? | 0:17:58 | 0:18:03 | |
Right. I kind of like the social history aspect of it. | 0:18:03 | 0:18:07 | |
Um... You know, it is not something | 0:18:07 | 0:18:09 | |
you're going to see any more being used. | 0:18:09 | 0:18:12 | |
And the fact that it's, you know, an historical piece like that | 0:18:12 | 0:18:15 | |
is what I like about it. | 0:18:15 | 0:18:18 | |
15... | 0:18:18 | 0:18:19 | |
It's a bit of a gamble but I like it, | 0:18:21 | 0:18:23 | |
-so it would be nice to have something local. -Yeah? -So, yeah. 15. | 0:18:23 | 0:18:28 | |
-Go on, then. Deal. -Thank you. -Thank you. | 0:18:28 | 0:18:31 | |
£15 spent on a sycamore butter pat. | 0:18:31 | 0:18:34 | |
Let's hope for Helen's sake, it makes an impression - hah! - | 0:18:34 | 0:18:37 | |
on the local buyers at the auction. | 0:18:37 | 0:18:39 | |
That's great. | 0:18:39 | 0:18:40 | |
Thank you very much. A pleasure doing business with you. | 0:18:40 | 0:18:42 | |
As the shops close on day one, we bid our duo good night. | 0:18:42 | 0:18:46 | |
So nighty-night. | 0:18:46 | 0:18:48 | |
It's day two for new kid on the block Helen | 0:18:52 | 0:18:55 | |
and veteran Roadtripper James. | 0:18:55 | 0:18:58 | |
So, how did you get on, yesterday? | 0:18:58 | 0:18:59 | |
Yeah, I've been trying not to go mad with my spending. | 0:18:59 | 0:19:02 | |
My husband will be very surprised! | 0:19:02 | 0:19:04 | |
THEY LAUGH | 0:19:04 | 0:19:06 | |
He'll be expecting me to blow it all on the first day. | 0:19:07 | 0:19:11 | |
You know, I thought you might, too, | 0:19:12 | 0:19:14 | |
because yesterday Helen started her first road trip gallantly | 0:19:14 | 0:19:17 | |
by spending £123 on the picnic hamper, tape measures, | 0:19:17 | 0:19:21 | |
suitcase and the butter pat, leaving her £77. | 0:19:21 | 0:19:26 | |
-Sorry about that. -No, that's OK. | 0:19:26 | 0:19:29 | |
James, however, was somewhat more cautious. | 0:19:29 | 0:19:32 | |
Spending just £95 on the newspaper rack, | 0:19:32 | 0:19:35 | |
string box and the coffee table, leaving him £105 for today. | 0:19:35 | 0:19:40 | |
Look at that. Easy shopping. Thank you very much indeed. | 0:19:40 | 0:19:44 | |
Our delightful duo have made their way | 0:19:45 | 0:19:48 | |
from Welshpool to the town of Machynlleth in Powys. | 0:19:48 | 0:19:52 | |
Helen has dropped James off near the Machynlleth market. | 0:19:53 | 0:19:57 | |
It dates back to 1291 when Edward I granted its Royal Charter. | 0:19:57 | 0:20:03 | |
James has spotted a big sign saying "antiques", so he's straight for it. | 0:20:03 | 0:20:07 | |
There is no messing about for our James, you know! | 0:20:07 | 0:20:10 | |
-Hello. -Hello. -James. -Angela. Nice to meet you. -Nice to meet you, Angela. | 0:20:10 | 0:20:14 | |
Are there some good bargains? Something that owes you very little? | 0:20:14 | 0:20:17 | |
I think they're all bargains in here! | 0:20:18 | 0:20:21 | |
I thought she might say that. | 0:20:21 | 0:20:24 | |
What on earth is this, Angela? | 0:20:24 | 0:20:25 | |
-It's, I suppose, an early calculator. -Isn't that good! | 0:20:25 | 0:20:28 | |
You wouldn't want to carry that around in your satchel! | 0:20:28 | 0:20:31 | |
No, no, this is very desk-bound, isn't it? We have got some good... | 0:20:31 | 0:20:35 | |
-Beautifully made. It's got some weight. -It is, it's heavy, yes. | 0:20:35 | 0:20:39 | |
Now, do you know how to work it? | 0:20:39 | 0:20:41 | |
My 11-year-old grandson worked it out when he was here at the weekend. | 0:20:41 | 0:20:45 | |
Oh, dear God. | 0:20:45 | 0:20:46 | |
An 11-year-old, eh? | 0:20:46 | 0:20:48 | |
Oh, the pressure's now on, James. | 0:20:48 | 0:20:50 | |
-You manually do the things here. -Yes. | 0:20:50 | 0:20:52 | |
And then you get your reading along here. | 0:20:52 | 0:20:55 | |
-An interesting object, isn't it? -It is. -I quite like that. -Yes. | 0:20:55 | 0:20:58 | |
But, at £45, will it add up to a profit, James? | 0:20:59 | 0:21:03 | |
I just wouldn't mind having a quick look around the market | 0:21:03 | 0:21:06 | |
and then coming back...to see... | 0:21:06 | 0:21:10 | |
But you might sell it... | 0:21:10 | 0:21:11 | |
-I might sell it. -..in between, mightn't you? There's the jeopardy. | 0:21:11 | 0:21:14 | |
What could you do on that? Something sensational. | 0:21:14 | 0:21:17 | |
-I'm not a 10% man. -45. Um... | 0:21:17 | 0:21:20 | |
-35. -35. You see, that's quite tempting, isn't it? | 0:21:21 | 0:21:25 | |
A sort of mad device. | 0:21:25 | 0:21:27 | |
Could I squeeze you a little more? | 0:21:27 | 0:21:29 | |
-Could you do it for 30? I'd be happy to buy it for 30. -Yes. Yes. | 0:21:29 | 0:21:34 | |
-To save you going around the market, I'll do it. -Thank you. | 0:21:34 | 0:21:38 | |
With the deal done, | 0:21:38 | 0:21:39 | |
it's time to head to another shop to find something else. | 0:21:39 | 0:21:42 | |
What about these? | 0:21:42 | 0:21:44 | |
Very funny. | 0:21:44 | 0:21:46 | |
All pants to me! | 0:21:46 | 0:21:47 | |
Earlier, James visited a castle rich in history. | 0:21:51 | 0:21:55 | |
Today, Helen is visiting somewhere that looks to the future | 0:21:55 | 0:21:58 | |
for its inspiration. | 0:21:58 | 0:21:59 | |
She is off to hear about a young idealist who, 40 years ago, | 0:21:59 | 0:22:03 | |
set out to prove something that's widely adopted today. | 0:22:03 | 0:22:07 | |
She's meeting Paul Allen, who's showing her around. | 0:22:07 | 0:22:10 | |
Hi, Paul. | 0:22:10 | 0:22:11 | |
Hi. Croeso i Ganolfan y Dechnoleg Amgen. | 0:22:11 | 0:22:14 | |
Welcome to the Centre for Alternative Technology. | 0:22:14 | 0:22:16 | |
I was about to say, same to you. | 0:22:16 | 0:22:18 | |
For generations, the Welsh mines helped fuel British industry. | 0:22:18 | 0:22:23 | |
But with the mines' decline, | 0:22:23 | 0:22:25 | |
a group of environmentalists began to explore another use for them. | 0:22:25 | 0:22:30 | |
Led by entrepreneur Gerard Morgan Grenville, | 0:22:30 | 0:22:34 | |
they took control of a disused slate quarry | 0:22:34 | 0:22:36 | |
and began a series of experiments | 0:22:36 | 0:22:39 | |
into the viability of renewable energy. | 0:22:39 | 0:22:42 | |
Why did he decide to come here, exactly? | 0:22:42 | 0:22:44 | |
Well, Llwyngwern Quarry has closed as a slate quarry in 1950, | 0:22:44 | 0:22:48 | |
so first of all was a space that nobody wanted. | 0:22:48 | 0:22:51 | |
It had a good solar aspect, had a good wind at the top | 0:22:51 | 0:22:55 | |
and there was a reservoir at the back. | 0:22:55 | 0:22:57 | |
So it had all the ingredients Gerard needed for the experiments. | 0:22:57 | 0:23:00 | |
Former entrepreneur Gerard Morgan Grenville was determined | 0:23:01 | 0:23:05 | |
that the centre should function as a self-sustaining community. | 0:23:05 | 0:23:10 | |
Like-minded individuals travelled from far and wide | 0:23:10 | 0:23:13 | |
to live and study on site. | 0:23:13 | 0:23:15 | |
After the first five years of experimenting, | 0:23:16 | 0:23:18 | |
word spread of the ground-breaking work taking place there. | 0:23:18 | 0:23:23 | |
In the mid-70s, they open their doors to the public. | 0:23:23 | 0:23:26 | |
Public access was difficult, | 0:23:26 | 0:23:27 | |
so, of course, they found a sustainable way | 0:23:27 | 0:23:30 | |
to get people up to the centre. | 0:23:30 | 0:23:32 | |
What will happen is, we will get in the carriage then | 0:23:33 | 0:23:35 | |
the carriage will be weighed by looking at the tension in the wire. | 0:23:35 | 0:23:38 | |
And then they'll work out how much water to put in the top carriage | 0:23:38 | 0:23:41 | |
to make it heavier than this carriage plus me and you. | 0:23:41 | 0:23:44 | |
Brilliant, OK. | 0:23:44 | 0:23:45 | |
This carriage is lifted | 0:23:45 | 0:23:47 | |
by the natural flow of water from the quarry. | 0:23:47 | 0:23:49 | |
Oh, we're going up. Hold on tight. | 0:23:49 | 0:23:52 | |
Here we go. | 0:23:52 | 0:23:53 | |
The water fills the large tank underneath the top carriage | 0:23:53 | 0:23:56 | |
and, once it's heavier than the bottom carriage, | 0:23:56 | 0:23:58 | |
gravity pulls it down and the other carriage begins to slowly rise. | 0:23:58 | 0:24:03 | |
Clever, innit? | 0:24:04 | 0:24:05 | |
-So here we are at the top. -Lovely, look at the view. | 0:24:06 | 0:24:09 | |
-The fabulous view of Tarren y Gesail. -Beautiful. | 0:24:09 | 0:24:12 | |
Right across the beautiful Welsh landscape. | 0:24:12 | 0:24:15 | |
There's a ridge that runs right the way across | 0:24:15 | 0:24:17 | |
and then, round here, we have the main site. | 0:24:17 | 0:24:19 | |
The wind pavilion offers a history of wind power. | 0:24:20 | 0:24:24 | |
This turbine is one of the first to be explored at the centre. | 0:24:24 | 0:24:28 | |
It could generate up to 25 watts of power, | 0:24:28 | 0:24:31 | |
but the sails would need to be manually adjusted | 0:24:31 | 0:24:33 | |
according to the strength of the wind. | 0:24:33 | 0:24:36 | |
And behind you is the next iteration in the story. | 0:24:36 | 0:24:39 | |
This is a British design. This would be about 25 watts. | 0:24:39 | 0:24:43 | |
This is 250,000 watts. | 0:24:43 | 0:24:45 | |
And this is an automated wind turbine | 0:24:45 | 0:24:48 | |
from the beginning of onshore wind in the '90s. | 0:24:48 | 0:24:52 | |
So 250,000 watts, what could we do with that? | 0:24:52 | 0:24:56 | |
-We could run a small village with that. -Really? | 0:24:56 | 0:24:59 | |
Wind turbines are getting more efficient and bigger all the time. | 0:24:59 | 0:25:02 | |
We have one over here that's half a million watts. | 0:25:02 | 0:25:05 | |
The centre is still a living laboratory and today | 0:25:07 | 0:25:10 | |
delivers a range of courses in this impressive lecture hall | 0:25:10 | 0:25:13 | |
which builds on the work started by Gerard Morgan Grenville. | 0:25:13 | 0:25:18 | |
In the 1970s, his ideas may have seemed like a pipe dream. | 0:25:18 | 0:25:22 | |
But visitors today can see how his vision has become a reality. | 0:25:22 | 0:25:26 | |
Thank you very much for having us. It's been wonderful. | 0:25:26 | 0:25:29 | |
-Absolute pleasure. -I have learned a lot, so I'm pleased. | 0:25:29 | 0:25:32 | |
I hope to come back one day. | 0:25:32 | 0:25:33 | |
-It's been a pleasure showing you. -Thank you so much. | 0:25:33 | 0:25:35 | |
When it comes to being green, | 0:25:35 | 0:25:37 | |
antiques can be a perfect way to recycle. | 0:25:37 | 0:25:40 | |
Speaking of which, James has popped into another shop in Machynlleth | 0:25:40 | 0:25:45 | |
and it looks like he has found something he likes straight away. | 0:25:45 | 0:25:48 | |
What attracts me to this item | 0:25:48 | 0:25:50 | |
is that it has got this lovely oval section body. | 0:25:50 | 0:25:53 | |
It has got a nice lid to it. There is a lot of damage to it, though. | 0:25:53 | 0:25:57 | |
And then you have got this sort of Cantonese | 0:25:57 | 0:26:01 | |
sort of Famille rose decoration. | 0:26:01 | 0:26:04 | |
So this is the English imitating the very popular Chinese porcelain. | 0:26:04 | 0:26:09 | |
This is a soft paste porcelain. It's got some problems. | 0:26:09 | 0:26:13 | |
We have got a thumping great crack here. | 0:26:13 | 0:26:15 | |
And you'll probably find there's a lot of impurities like bone ash | 0:26:15 | 0:26:18 | |
or something within the body. But it's got some merit. | 0:26:18 | 0:26:22 | |
It's got some charm. It's sound. The spout is actually sound. | 0:26:22 | 0:26:27 | |
The most vulnerable item of all is good. It's interesting. | 0:26:27 | 0:26:31 | |
Could there be a deal brewing? Time to call over shopkeeper Charlie. | 0:26:31 | 0:26:35 | |
-Price, Charlie? -£25. -£25. | 0:26:35 | 0:26:39 | |
Would you take 15 for it, Charlie? | 0:26:39 | 0:26:41 | |
-No, sir. -No? | 0:26:41 | 0:26:43 | |
That you told, then. | 0:26:43 | 0:26:44 | |
-I like it. -You like it? I semi-like it. -Semi-like it. | 0:26:44 | 0:26:49 | |
-You semi-like it up to £20, and it's yours. -£20. -Yeah. | 0:26:49 | 0:26:54 | |
-Yeah. We've got a deal, Charlie. Thank you. -Thank you. | 0:26:54 | 0:26:57 | |
Cheers, thank you. | 0:26:57 | 0:26:58 | |
He seems chuffed to bits about that teapot. | 0:26:58 | 0:27:02 | |
This has been used by somebody probably for the last 200 years. | 0:27:02 | 0:27:06 | |
That is amazing. | 0:27:07 | 0:27:09 | |
With James having completed his shopping, | 0:27:09 | 0:27:11 | |
and no doubt off for a cup of tea, | 0:27:11 | 0:27:13 | |
Helen is still hoping to pick up a bargain | 0:27:13 | 0:27:16 | |
at the Machynlleth Antique Emporium. | 0:27:16 | 0:27:19 | |
This is my last chance to buy something, really. | 0:27:19 | 0:27:23 | |
And I feel like I've got get one more piece, really. | 0:27:23 | 0:27:27 | |
Um... And I was hoping just to get some small little item | 0:27:27 | 0:27:30 | |
so I wouldn't spend all my money. | 0:27:30 | 0:27:31 | |
Luckily, this place is stacked with curious collectables. | 0:27:31 | 0:27:35 | |
So something is bound to catch her eye. | 0:27:35 | 0:27:37 | |
There is a little bit of Clarice Cliff in here. | 0:27:39 | 0:27:42 | |
Which I have always loved. | 0:27:42 | 0:27:45 | |
And the colours are great. | 0:27:45 | 0:27:46 | |
They just sum up the jazz era, some of the patterns. | 0:27:46 | 0:27:50 | |
And some of the styles are very Art Deco. I have always liked them. | 0:27:50 | 0:27:54 | |
Clarice Cliff was a ceramic artist most active in the 1920s and 1930s. | 0:27:55 | 0:28:00 | |
Her Art Deco styling was ground-breaking at the time | 0:28:00 | 0:28:03 | |
and is keenly collected today. | 0:28:03 | 0:28:05 | |
So this is like a sugar sifter. | 0:28:07 | 0:28:09 | |
And the pattern is called "My Garden". | 0:28:09 | 0:28:12 | |
By Clarice Cliff. | 0:28:13 | 0:28:14 | |
So I don't know what date this pattern is, but I suspect it is | 0:28:14 | 0:28:17 | |
more '40s than '30s, judging by the shape and the design. | 0:28:17 | 0:28:23 | |
They want £85 for it, though. | 0:28:23 | 0:28:25 | |
I don't know what that would do at auction. But... | 0:28:25 | 0:28:30 | |
I'd have to drive a hard bargain on it. | 0:28:30 | 0:28:33 | |
But how hard? | 0:28:33 | 0:28:34 | |
Clarice Cliff can be highly sought after. | 0:28:34 | 0:28:37 | |
Will shopkeeper Ian go much lower? | 0:28:37 | 0:28:40 | |
I mean, they have got £85 on it, but obviously | 0:28:40 | 0:28:42 | |
-if I'm going to take this to auction, I need to... -Sure. | 0:28:42 | 0:28:45 | |
..drive a bit of a hard bargain. | 0:28:45 | 0:28:47 | |
-Sure. -Um... I mean, I want to offer... | 0:28:47 | 0:28:51 | |
-I want to offer 40 on it. -Right. | 0:28:52 | 0:28:55 | |
Would you go and see what they'd take for it? | 0:28:55 | 0:28:59 | |
40? That is less than half price! | 0:28:59 | 0:29:01 | |
I hope Ian gets the dealer in a good mood. | 0:29:01 | 0:29:03 | |
I'm being a bit mean, aren't I? | 0:29:03 | 0:29:05 | |
But I've got to think about the auction. | 0:29:05 | 0:29:07 | |
And if I'm going to make any kind of profit. | 0:29:07 | 0:29:10 | |
The dealers need to make a profit, too, love! | 0:29:10 | 0:29:13 | |
Let's get the verdict from Ian. | 0:29:13 | 0:29:14 | |
-Well, I have spoken to Sue, she has come back with a figure of 55. -55. | 0:29:14 | 0:29:19 | |
-OK. Is that her very lowest? -Um... | 0:29:19 | 0:29:21 | |
-Well, at the risk of incurring her wrath, I'll say 50. -Right, OK. | 0:29:23 | 0:29:27 | |
That's a bit of a big decision, that one. | 0:29:27 | 0:29:29 | |
What to do? OK. | 0:29:32 | 0:29:33 | |
Would you go back to her and ask her if she'll take 45? | 0:29:33 | 0:29:36 | |
-I already have. -Did you? -And I'm afraid not, no. -No? | 0:29:36 | 0:29:40 | |
-She's sticking at 50? -She's getting her money back at £50. -Is she? | 0:29:40 | 0:29:44 | |
Oh...! | 0:29:44 | 0:29:47 | |
So I have to make a decision at 50, don't I? | 0:29:47 | 0:29:49 | |
I think I'm too far down the emotional road with it to turn back. | 0:29:50 | 0:29:56 | |
-So, yeah, 50 it is. Yeah. Thank you very much. -Pleasure. -Thank you. | 0:29:56 | 0:30:00 | |
I hope you do all right. | 0:30:00 | 0:30:02 | |
An impassioned purchase. | 0:30:02 | 0:30:03 | |
£50 spent on the Clarice Cliff sugar sifter. | 0:30:03 | 0:30:07 | |
Shopping over, it is time for our friendly foes to reveal their wares. | 0:30:07 | 0:30:11 | |
-Here we are. -I can't wait, Helen. -Be gentle with me, James. | 0:30:11 | 0:30:15 | |
-No, I'm fascinated. -Remember, I'm a newbie. Be gentle. -Fascinated. | 0:30:15 | 0:30:18 | |
Get on with it, then! | 0:30:18 | 0:30:19 | |
Right... Here we go. | 0:30:19 | 0:30:21 | |
-This is great with the car, I'm thinking. -Very good, very good. | 0:30:21 | 0:30:25 | |
-Put it in the back of the car. -Yep. Look at that! | 0:30:25 | 0:30:28 | |
You know, I just loved it because it's totally complete. | 0:30:28 | 0:30:31 | |
And looks like it's hardly been used. | 0:30:31 | 0:30:34 | |
-And how much did you pay for that, Helen? -I paid... | 0:30:34 | 0:30:37 | |
-40 quid for it. -40 quid. Well, as you say, it's totally complete. | 0:30:39 | 0:30:43 | |
-It is. -It looks great, love the orange. | 0:30:43 | 0:30:45 | |
Looks fabulous. Looks fabulous. | 0:30:45 | 0:30:47 | |
And then you've got some measures here. | 0:30:47 | 0:30:49 | |
What is this interesting fellow, here? | 0:30:49 | 0:30:51 | |
-Yes. This, this is a butter pat. -Fabulous. -So your farm... | 0:30:51 | 0:30:55 | |
I kind of envisage it is the farmer's wife doing it, | 0:30:55 | 0:30:58 | |
I don't know why. Maybe it is the farmer. | 0:30:58 | 0:30:59 | |
-Yes. -Make the butter, pop that on the top | 0:30:59 | 0:31:03 | |
and then this is the stamp that would kind of brand their farm. | 0:31:03 | 0:31:07 | |
That is their farm that would have this design. There you go. | 0:31:07 | 0:31:10 | |
-So that, 15 quid. -Very good. | 0:31:10 | 0:31:12 | |
And my emotional purchase was the Clarice Cliff. | 0:31:12 | 0:31:16 | |
I mean, I know it is later period Clarice Cliff | 0:31:16 | 0:31:19 | |
-but the condition is great. -Yes, it looks very stylish. | 0:31:19 | 0:31:22 | |
-And I have always wanted a bit of Clarice Cliff. -That's nice. | 0:31:22 | 0:31:25 | |
-How much did you have to pay for that? -I paid 50. -I think that's good! | 0:31:25 | 0:31:31 | |
I see a theme - a nice hot orange coming through here. | 0:31:31 | 0:31:34 | |
Your picnic, your Clarice... | 0:31:34 | 0:31:36 | |
-Leather and orange! -It's very good, yes. Lovely. | 0:31:36 | 0:31:39 | |
Thumbs up for Helen, then. I think she might have James worried, here. | 0:31:39 | 0:31:43 | |
I must say, Helen, | 0:31:43 | 0:31:44 | |
one thing is, your ceramics are in slightly better condition than mine. | 0:31:44 | 0:31:50 | |
That is a New Hall teapot. From the New Hall factory. | 0:31:51 | 0:31:55 | |
It has got its patent number, 245, which corresponds to 1800. | 0:31:55 | 0:31:59 | |
But the lovely thing about it, I think it's been used. | 0:31:59 | 0:32:03 | |
-It certainly has. -For 210 years. -It's had a life. | 0:32:03 | 0:32:08 | |
-How much was your teapot? I'm intrigued. -Teapot was £20. | 0:32:08 | 0:32:11 | |
Was it? Nice. | 0:32:11 | 0:32:13 | |
A mad sort of early calculator. | 0:32:13 | 0:32:16 | |
I've got a small grasp of how it actually works. | 0:32:16 | 0:32:20 | |
-You move things here and then you take a reading from there. -Yes. | 0:32:20 | 0:32:24 | |
-Elm. I like wood. -It's a lovely burr wood, isn't it? -Yeah. | 0:32:25 | 0:32:29 | |
I do know how coffee tables... | 0:32:29 | 0:32:31 | |
It's hard to get a coffee table right, isn't it? | 0:32:31 | 0:32:34 | |
Whether that's right or wrong, I haven't a clue. But it's lovely elm. | 0:32:34 | 0:32:38 | |
-I like it. -As we both know, as auctioneers, it's | 0:32:38 | 0:32:41 | |
-a lot of rough-and-tumble out there. -Yes. The proof is in the pudding. | 0:32:41 | 0:32:45 | |
-The proof is in the... And I paid £50 for that. -Oh, really? | 0:32:45 | 0:32:48 | |
That's a nice bit of wood, that, isn't it? | 0:32:48 | 0:32:50 | |
-Helen, it's been a pleasure. -It has. -Good luck. -Good luck to you, too. | 0:32:50 | 0:32:55 | |
See what happens at the auction. | 0:32:55 | 0:32:57 | |
-Well, let's go get a cup of tea, shall we? -Yes, or a glass of wine! | 0:32:57 | 0:33:00 | |
Before you go though, tell us what you really think. | 0:33:00 | 0:33:02 | |
He paid £50 for the table, | 0:33:02 | 0:33:04 | |
which he admits himself he wanted to pay less for it, | 0:33:04 | 0:33:07 | |
so that might be a bit of an overpay. | 0:33:07 | 0:33:09 | |
But everything else he's paid fair prices for, so... | 0:33:09 | 0:33:13 | |
You know, I think he'll do well. | 0:33:13 | 0:33:15 | |
The Harrods's suitcase I think was well priced - £20. | 0:33:15 | 0:33:17 | |
It's beautifully made. | 0:33:17 | 0:33:19 | |
It's got a very thin profile, almost like a motoring case. | 0:33:19 | 0:33:24 | |
It's a nice item. | 0:33:24 | 0:33:25 | |
Everybody likes a luxury good and the reassurance of a label. | 0:33:25 | 0:33:28 | |
I'm feeling confident, definitely. | 0:33:28 | 0:33:30 | |
I think I'll be all right. | 0:33:30 | 0:33:32 | |
Good stuff. | 0:33:32 | 0:33:33 | |
It's time for our experts to travel through the lovely Welsh countryside | 0:33:35 | 0:33:39 | |
en route to their first auction of the trip in Carmarthen | 0:33:39 | 0:33:43 | |
in Carmarthenshire. | 0:33:43 | 0:33:44 | |
Local legend has it that Merlin was born | 0:33:45 | 0:33:48 | |
in a cave just outside Carmarthen. | 0:33:48 | 0:33:50 | |
Our chastened cohorts have just arrived | 0:33:52 | 0:33:55 | |
and are set to work their magic, and hopefully bring in a profit. | 0:33:55 | 0:33:58 | |
-What a glorious day, isn't it? -It's gorgeous. Perfect for this car. | 0:33:59 | 0:34:03 | |
Hopefully half our buyers won't be on the beach. | 0:34:03 | 0:34:06 | |
Peter Francis Auctioneers has a company history | 0:34:06 | 0:34:09 | |
dating back over 100 years. | 0:34:09 | 0:34:11 | |
At the podium today is Nigel Hodson, | 0:34:11 | 0:34:14 | |
who's ready to give us his thoughts on James and Helen's items. | 0:34:14 | 0:34:19 | |
Well, it's a real mixed bag that we've got here today. | 0:34:19 | 0:34:22 | |
I was quite interested in one or two of the items. | 0:34:22 | 0:34:25 | |
I was rather dismayed at one or two of the others. | 0:34:25 | 0:34:28 | |
There's a good piece of Clarice Cliff, | 0:34:28 | 0:34:30 | |
which is always a useful seller in our sale rooms... | 0:34:30 | 0:34:33 | |
as it is across the whole country. | 0:34:33 | 0:34:35 | |
I put 80-120 on it... so that should do OK. | 0:34:35 | 0:34:39 | |
The New Hall tea pot is of a type that used to perform really, | 0:34:39 | 0:34:43 | |
really well at auctions over the years, | 0:34:43 | 0:34:46 | |
but New Hall seems to have fallen off a cliff, | 0:34:46 | 0:34:48 | |
like some other things in recent times. | 0:34:48 | 0:34:51 | |
And I just hope they haven't paid too much | 0:34:51 | 0:34:53 | |
for that teapot, nice as it is. | 0:34:53 | 0:34:55 | |
James began his Roadtrip with £200 | 0:34:57 | 0:34:59 | |
and has gone on to spend £145 on five auction lots. | 0:34:59 | 0:35:03 | |
Thank you very much indeed and thanks a lot. | 0:35:03 | 0:35:06 | |
Helen also started with £200 and has parted with £173 for her five lots. | 0:35:08 | 0:35:13 | |
Thank you very much. It was a pleasure doing business with you. | 0:35:13 | 0:35:17 | |
The bidders have arrived, so let the first auction begin. | 0:35:17 | 0:35:20 | |
-Nervous? -A little for my first lot. Be gentle with me. | 0:35:20 | 0:35:25 | |
-It's nothing to do with me. -New kid on the block. | 0:35:25 | 0:35:28 | |
First up, it's Helen's leather suitcase. | 0:35:30 | 0:35:33 | |
What are you saying about £30? | 0:35:33 | 0:35:35 | |
30 on the suitcase. There it is. 10 only. | 0:35:35 | 0:35:38 | |
12, may I say? Add ten on the suitcase. | 0:35:38 | 0:35:40 | |
-Only at £10. -Bah. | 0:35:40 | 0:35:42 | |
12 on my right. | 0:35:42 | 0:35:44 | |
15, the lady's bid. | 0:35:44 | 0:35:46 | |
18, that's better. | 0:35:46 | 0:35:47 | |
Oh, lady on the left. | 0:35:47 | 0:35:49 | |
Selling at £22. | 0:35:49 | 0:35:51 | |
-Oh... -Oh, dear. | 0:35:51 | 0:35:53 | |
Don't worry. Don't worry. It's only the first. | 0:35:53 | 0:35:55 | |
That's not good for the first one, is it? | 0:35:55 | 0:35:58 | |
Her first item on the Roadtrip has sadly made Helen a loss. | 0:35:58 | 0:36:02 | |
Welcome to the world of the Antiques Roadtrip. | 0:36:02 | 0:36:04 | |
You have to hang on to small triumphs, OK? Just keep smiling. | 0:36:04 | 0:36:09 | |
Can she do better with her 1960s picnic hamper? | 0:36:09 | 0:36:14 | |
£30 for the picnic set. | 0:36:14 | 0:36:16 | |
-Surely? 20 to get on. -Oh, there we go. | 0:36:16 | 0:36:18 | |
At 20. 22 against you. At 20. 22, the lady... | 0:36:18 | 0:36:23 | |
I don't know why... Oh, here you are. | 0:36:23 | 0:36:25 | |
26. 26, the lady's bid on the back row | 0:36:25 | 0:36:28 | |
against you on the front. At 26, the lady in the back. | 0:36:28 | 0:36:31 | |
We'll be selling. All done at £26. | 0:36:31 | 0:36:33 | |
Oh, Helen, that seems unjust that. | 0:36:34 | 0:36:38 | |
Oh, dear. That's Helen's second loss. | 0:36:39 | 0:36:42 | |
Ah, never mind. | 0:36:44 | 0:36:45 | |
Next up, is the writing on the wall for James' newspaper rack? | 0:36:47 | 0:36:51 | |
Two commissioned bidders on the books with me at 30. | 0:36:51 | 0:36:54 | |
£35 bid on the book. | 0:36:54 | 0:36:56 | |
35. 40, may I say? | 0:36:56 | 0:36:58 | |
35, 38, 40. | 0:36:58 | 0:37:00 | |
-At 40. -That's a profit. | 0:37:00 | 0:37:02 | |
-£40. -Sold. -Well done. | 0:37:02 | 0:37:06 | |
That's a bit of a profit, isn't it? | 0:37:06 | 0:37:07 | |
A tidy £10 profit. | 0:37:07 | 0:37:10 | |
He's off to a good start. | 0:37:10 | 0:37:12 | |
Nice. That'll do. That's all you need. | 0:37:12 | 0:37:16 | |
Next up, it's James' porcelain teapot. | 0:37:16 | 0:37:19 | |
£50 on the teapot there. | 0:37:19 | 0:37:21 | |
30. There it is, 28. | 0:37:21 | 0:37:22 | |
Oh, here we go. | 0:37:22 | 0:37:24 | |
At 20. Only 22. | 0:37:24 | 0:37:25 | |
25 both together here. | 0:37:25 | 0:37:27 | |
28 on the round. | 0:37:27 | 0:37:29 | |
30, 32 behind. | 0:37:29 | 0:37:32 | |
35. | 0:37:32 | 0:37:33 | |
38. | 0:37:33 | 0:37:34 | |
All done. £38. | 0:37:34 | 0:37:37 | |
-OK. -A new home for the teapot. -A new home for the teapot. | 0:37:37 | 0:37:40 | |
-That's great. -At £38 I would continue to use that. -Yeah. | 0:37:40 | 0:37:44 | |
Another good profit for James. That's how it's done. | 0:37:44 | 0:37:48 | |
You're definitely in profit. I definitely am not. | 0:37:48 | 0:37:52 | |
Can Helen's sugar sifter deliver her first profit? | 0:37:53 | 0:37:58 | |
-I'm feeling the pressure on this one now. -Yeah. | 0:37:58 | 0:38:00 | |
This is your trump card. | 0:38:00 | 0:38:01 | |
-50 for it, the sugar sifter. -Go on. | 0:38:01 | 0:38:04 | |
He's got 50 - good. | 0:38:04 | 0:38:07 | |
Who's got 55 now? | 0:38:07 | 0:38:09 | |
At 50 on the sifter. | 0:38:09 | 0:38:10 | |
55 standing. 60. | 0:38:10 | 0:38:12 | |
65, 70... | 0:38:12 | 0:38:14 | |
Go on. Up it goes. Up, up, up, up. | 0:38:14 | 0:38:16 | |
80. £80, just on my right here. | 0:38:16 | 0:38:20 | |
Anyone? £80. Yes, sir. | 0:38:20 | 0:38:23 | |
That's fine. That's good profit. | 0:38:23 | 0:38:25 | |
That's more like it, Helen. | 0:38:25 | 0:38:27 | |
First profit secured. | 0:38:27 | 0:38:28 | |
-SHE SIGHS -Right. | 0:38:30 | 0:38:32 | |
Auctioneers Charles Hampshire has taken over the podium | 0:38:32 | 0:38:35 | |
and James' string box is next. | 0:38:35 | 0:38:37 | |
£20 straight in for it. | 0:38:37 | 0:38:39 | |
Got to be worth that, the string box. 10 away at 10 only. | 0:38:39 | 0:38:42 | |
£10. 12 do I see? | 0:38:42 | 0:38:44 | |
Come on. Here we go. | 0:38:44 | 0:38:46 | |
We like this buyer to the left of us here. | 0:38:46 | 0:38:49 | |
Lost you both at the back now. 20 is bid. 22. | 0:38:49 | 0:38:53 | |
-25, sir? -Keep going. | 0:38:53 | 0:38:56 | |
-Not giving up. -28. | 0:38:56 | 0:38:59 | |
And one more, sir? No. | 0:38:59 | 0:39:00 | |
£28 front row. All sure? | 0:39:00 | 0:39:03 | |
Final call at 28. | 0:39:03 | 0:39:04 | |
-Well done. 28. -28. Nice. | 0:39:04 | 0:39:07 | |
That's a nice little working profit. | 0:39:07 | 0:39:09 | |
Another good result for James. | 0:39:09 | 0:39:11 | |
So you are totally and utterly in profit. | 0:39:11 | 0:39:14 | |
I think you're fairly safe. | 0:39:14 | 0:39:15 | |
Can Helen find some more profit with her sycamore butter pat? | 0:39:18 | 0:39:23 | |
£10 to start me. | 0:39:23 | 0:39:25 | |
-Straight in. -Thank you, Mr Man. | 0:39:25 | 0:39:28 | |
Come on, give the lady a nudge. | 0:39:28 | 0:39:30 | |
-18. -Well done. -20. | 0:39:31 | 0:39:34 | |
-25. -Well done. | 0:39:34 | 0:39:36 | |
-28. -Keep going. -30. | 0:39:36 | 0:39:38 | |
32, 35, 38, 40... | 0:39:38 | 0:39:42 | |
-42... -Well done. | 0:39:42 | 0:39:44 | |
-Well done. -One more, sir? £45 nearest me. | 0:39:44 | 0:39:47 | |
Final call at 45. | 0:39:47 | 0:39:49 | |
Are we all sure and done? | 0:39:49 | 0:39:51 | |
Well done you, Helen. | 0:39:51 | 0:39:53 | |
Now that is a goodie. | 0:39:53 | 0:39:55 | |
A tremendous result for Helen, actually, | 0:39:55 | 0:39:57 | |
more than doubling her money. | 0:39:57 | 0:39:59 | |
I'm fine about that. | 0:39:59 | 0:40:00 | |
-I'd be very pleased with that. -I'll take a 30 quid profit. | 0:40:00 | 0:40:03 | |
Next up is James' 1920 calculator. | 0:40:05 | 0:40:08 | |
-£40... -Oh, there you go. That'll do. | 0:40:09 | 0:40:13 | |
45, 48, 50, 55... | 0:40:13 | 0:40:17 | |
58 in the room now waving. Is there 60? | 0:40:17 | 0:40:20 | |
£58 right at the back of the room. | 0:40:20 | 0:40:22 | |
Don't worry about the 60. I'm very happy with the 58. | 0:40:22 | 0:40:26 | |
Well done. Hey, there we are. | 0:40:26 | 0:40:28 | |
His calculations were right. | 0:40:28 | 0:40:30 | |
That adds up to a nice £28 profit. | 0:40:30 | 0:40:34 | |
You just don't know what people are going to be interested in, do you? | 0:40:34 | 0:40:38 | |
James' last lot is the elm coffee table. | 0:40:38 | 0:40:42 | |
We start off at 38. | 0:40:42 | 0:40:45 | |
40, 42, 45. | 0:40:45 | 0:40:47 | |
-I can start at £45. -Ooh. | 0:40:47 | 0:40:50 | |
45, 48, 50... Five in the room now. | 0:40:50 | 0:40:53 | |
Standing bid at 55. | 0:40:53 | 0:40:54 | |
-60 fresh bidding. -Another bidder. -65, 70... -Up it goes. | 0:40:54 | 0:40:59 | |
£75 on the cabinet then. Any more? Final call. | 0:40:59 | 0:41:03 | |
All sure at 75. | 0:41:03 | 0:41:06 | |
Yay. Well done. Brilliant. | 0:41:06 | 0:41:09 | |
That is you most definitely in profit. | 0:41:09 | 0:41:12 | |
Me in profit - amazing. | 0:41:12 | 0:41:15 | |
The coffee table has stood James in good stead, | 0:41:15 | 0:41:18 | |
adding a nice £25 profit. | 0:41:18 | 0:41:21 | |
This is a rare situation for me actually, to make profit. | 0:41:21 | 0:41:26 | |
So far, Helen is doing remarkably well against James, | 0:41:26 | 0:41:29 | |
but she's still slightly behind. | 0:41:29 | 0:41:31 | |
Can she push back in front with her final lot, | 0:41:31 | 0:41:34 | |
the leather tape measures? Here they come. | 0:41:34 | 0:41:37 | |
£20 for the two. Ten if you like that. | 0:41:37 | 0:41:41 | |
Oh, God. | 0:41:41 | 0:41:43 | |
Eight if you like that. | 0:41:44 | 0:41:46 | |
-OK, someone's bidding. It's all right. -Second row. | 0:41:46 | 0:41:48 | |
I think he's got a bid on the book as well. | 0:41:48 | 0:41:50 | |
15, do I see? For the two, all sure. | 0:41:50 | 0:41:53 | |
Finished with them, on the second row at 12. | 0:41:53 | 0:41:55 | |
-Oh... -£12. -You don't need that. | 0:41:55 | 0:42:00 | |
Ah, bit of a disaster there for Helen. | 0:42:00 | 0:42:02 | |
She's lost £26 on those. | 0:42:02 | 0:42:05 | |
Don't worry, Helen, | 0:42:05 | 0:42:06 | |
I know you will be a very worthy adversary. You are just warming up. | 0:42:06 | 0:42:10 | |
-Yeah. Might take long to warm up. -HE LAUGHS | 0:42:10 | 0:42:15 | |
First auction over then. Time to tally it up. | 0:42:15 | 0:42:18 | |
Rookie Helen started her first road trip with £200, | 0:42:18 | 0:42:21 | |
but after auction costs made a loss of £21.30, | 0:42:21 | 0:42:25 | |
which means she now only has £178.70. | 0:42:25 | 0:42:31 | |
Better luck next time. | 0:42:31 | 0:42:33 | |
James also started with £200, | 0:42:33 | 0:42:35 | |
but after costs our Roadtrip veteran made a profit of £50.98, | 0:42:35 | 0:42:41 | |
storming into the lead with an impressive £250.98 | 0:42:41 | 0:42:45 | |
and winning this first leg of the Roadtrip. | 0:42:45 | 0:42:47 | |
Well...not too terrible for my first foray. | 0:42:50 | 0:42:54 | |
-I think you did very well. -Yeah. | 0:42:54 | 0:42:56 | |
How much in the end? | 0:42:56 | 0:42:58 | |
Erm, I think I was about a fiver down. | 0:42:58 | 0:43:01 | |
TIM LAUGHS | 0:43:01 | 0:43:02 | |
Actually, more like £21, but let's not quibble, eh? | 0:43:02 | 0:43:05 | |
-BOTH: Off we go. -She's done pretty well, | 0:43:05 | 0:43:07 | |
and I've got a feeling she's going to do even better next time. | 0:43:07 | 0:43:11 | |
Next on Antiques Roadtrip, | 0:43:11 | 0:43:12 | |
-James is spoiled for choice... -It's one big maze. | 0:43:12 | 0:43:16 | |
..and Helen ferrets out a bargain. | 0:43:16 | 0:43:19 | |
I daren't put that on. Oh... | 0:43:19 | 0:43:21 |