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-It's the nation's favourite antiques experts... -All right, viewers? -..with £200 each, a classic car, | 0:00:02 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold, going, going, gone. | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean FEAT. | 0:00:13 | 0:00:18 | |
Oh! 50p! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
It'll be a good profit. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-Oh! Oh! Oooh! -Yesss! | 0:00:28 | 0:00:30 | |
THIS is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
It's the second leg of the road trip for James Braxton | 0:00:36 | 0:00:40 | |
and new kid on the block, Helen Hall. | 0:00:40 | 0:00:42 | |
Are you a saver or a spender? | 0:00:42 | 0:00:44 | |
-I'm a spender, yeah. -Really? -Yeah, yeah. -Join the club. | 0:00:44 | 0:00:47 | |
It burns a hole in my pocket, always has. | 0:00:47 | 0:00:49 | |
Ah. Rookie Helen is a rock'n'roll memorabilia expert prepared | 0:00:50 | 0:00:54 | |
to go out of her comfort zone to bag a bargain. | 0:00:54 | 0:00:57 | |
Oh, sewn together by the mouth. I daren't put that on. | 0:00:57 | 0:01:00 | |
Quite right, too. Whilst seasoned auctioneer James | 0:01:00 | 0:01:03 | |
knows the secret to Road Trip fulfilment. | 0:01:03 | 0:01:06 | |
If I could secure that for a fiver, I would be a happy man. | 0:01:06 | 0:01:11 | |
They're zipping along the Welsh countryside in a very | 0:01:11 | 0:01:13 | |
-nice 1974 E-Type Jaguar. -Oh, it's running very well, isn't it? | 0:01:13 | 0:01:20 | |
It's a pleasure to drive. It's gorgeous. I want one. | 0:01:20 | 0:01:22 | |
-Very silky smooth, isn't it? -It is. I want one. That's it. -Sold. | 0:01:22 | 0:01:27 | |
Newcomer Helen made a loss at her first auction... | 0:01:29 | 0:01:32 | |
-No. -No. -£12! | 0:01:34 | 0:01:35 | |
You don't need that. | 0:01:35 | 0:01:37 | |
..but Road Trip veteran James showed her how it's done. | 0:01:37 | 0:01:40 | |
Now, THAT is a goodie. | 0:01:42 | 0:01:44 | |
James started the trip with £200 and after the first auction | 0:01:44 | 0:01:48 | |
saw his war chest grow to £250.98. | 0:01:48 | 0:01:53 | |
Helen started her first road trip with the same amount, | 0:01:53 | 0:01:56 | |
but has seen her profits wilt to just £178.70, | 0:01:56 | 0:02:01 | |
meaning she has a bit of catching up to do. | 0:02:01 | 0:02:04 | |
-How did you enjoy your first auction? -I did, I loved it! | 0:02:05 | 0:02:08 | |
Yeah, it was fun. Yeah. | 0:02:08 | 0:02:10 | |
Didn't make a profit but, you know, it's not the winning, | 0:02:10 | 0:02:14 | |
-it's the taking part, isn't it, James? -Yeah. | 0:02:14 | 0:02:17 | |
Yes, that, and winning, of course. | 0:02:17 | 0:02:20 | |
Our two peas in a pod are navigating over 500 miles from Oswestry | 0:02:20 | 0:02:24 | |
in Shropshire through the Welsh Valleys before heading | 0:02:24 | 0:02:27 | |
through southern England, | 0:02:27 | 0:02:28 | |
ending their road trip in the county town of Lewes in east Sussex. | 0:02:28 | 0:02:32 | |
On this second leg of the trip, | 0:02:34 | 0:02:35 | |
they begin their travels in Newport in the ceremonial | 0:02:35 | 0:02:39 | |
county of Gwent, before crossing the English border | 0:02:39 | 0:02:41 | |
for auction in Wotton-under-Edge in Gloucestershire. | 0:02:41 | 0:02:45 | |
There may be an advantage by buying in Wales | 0:02:45 | 0:02:48 | |
-and selling in Glossy-possy. -Well, that would be nice, yeah. | 0:02:48 | 0:02:53 | |
Glossy-possy? What's he going on about? | 0:02:53 | 0:02:55 | |
The Cathedral city of Newport is the third largest | 0:02:56 | 0:02:59 | |
city in Wales, after Cardiff and Swansea. | 0:02:59 | 0:03:02 | |
During the Civil War of 1648, Oliver Cromwell's troops camped | 0:03:02 | 0:03:07 | |
overnight on the nearby hills before attacking the next day. | 0:03:07 | 0:03:11 | |
With not too dissimilar determination, | 0:03:11 | 0:03:13 | |
our duo are ready to do battle for the best bargain. Stand by. | 0:03:13 | 0:03:17 | |
First shop for James is a place called | 0:03:17 | 0:03:20 | |
the Strawberry Water Junk Company, an interesting | 0:03:20 | 0:03:23 | |
name for a place with an equally interesting array of antiques. | 0:03:23 | 0:03:27 | |
Here we are. Sheffield, Helen's county, top of Derbyshire there. | 0:03:27 | 0:03:31 | |
Could be useful for the trip home. | 0:03:31 | 0:03:34 | |
After his victory at the last auction, | 0:03:34 | 0:03:36 | |
James' pockets are bulging with cash and he's eager to spend it. | 0:03:36 | 0:03:41 | |
I made a profit on every single item, | 0:03:41 | 0:03:43 | |
but they were tiny profits, there was nothing sensational, | 0:03:43 | 0:03:46 | |
so I don't really want to be spending £20, | 0:03:46 | 0:03:48 | |
-I want to be spending £50-£100 and that's where the profits lie. -Quite. | 0:03:48 | 0:03:54 | |
So, it sounds like he's prepared to spend big on this leg of the trip. | 0:03:54 | 0:03:59 | |
Is this the sort of thing James is after? | 0:03:59 | 0:04:01 | |
Quite a nice dress set, isn't it? | 0:04:01 | 0:04:03 | |
When people wore a lot of, sort of, evening dress and things, | 0:04:03 | 0:04:06 | |
you would have here... | 0:04:06 | 0:04:07 | |
These were buttons, | 0:04:09 | 0:04:10 | |
and you would put it through and they were dress studs. | 0:04:10 | 0:04:14 | |
So, evening dress for dinner jackets and everything. | 0:04:14 | 0:04:17 | |
-That's rather fetching on you, James. -You've got six here. | 0:04:17 | 0:04:21 | |
Sometimes they came with cufflinks, so for your cuffs, | 0:04:21 | 0:04:26 | |
but it's just a nice little set of dress studs there. | 0:04:26 | 0:04:29 | |
They're nice, aren't they? Not the most glamorous of cases. | 0:04:29 | 0:04:33 | |
It's cloth. | 0:04:33 | 0:04:35 | |
You know, the better ones would be nice leather, | 0:04:35 | 0:04:37 | |
but it's got a nice velvet interior with the silk. | 0:04:37 | 0:04:40 | |
Beautiful how they used to make these boxes. | 0:04:40 | 0:04:43 | |
BUT before you get too carried away, | 0:04:43 | 0:04:45 | |
there's the small matter of the £49 dealer John wants for them. | 0:04:45 | 0:04:49 | |
-Could you do it for £25? -I'd do it for £35. -They're rather nice. | 0:04:49 | 0:04:53 | |
-Price, John. It's that nutty thing, isn't it? -I know, terrible. | 0:04:54 | 0:04:57 | |
-Dear, oh, dear. Wouldn't it be lovely if there was no prices? -Oh! | 0:04:57 | 0:05:01 | |
-Wishful thinking, eh, James? -Could you get near my £25? | 0:05:01 | 0:05:05 | |
-I'll do £30. -£30? They're rather nice. £30. | 0:05:06 | 0:05:10 | |
John, thank you, that's very kind of you, thank you. | 0:05:10 | 0:05:13 | |
Not quite the extravagant item he was looking for, | 0:05:13 | 0:05:16 | |
but it's a start and they are gorgeous. | 0:05:16 | 0:05:18 | |
Whilst James pays the good man, | 0:05:18 | 0:05:20 | |
Helen has made her way eastward to the town of Chepstow. | 0:05:20 | 0:05:24 | |
-She's beginning her shop at St Mary's Street Collectables. -Hello! | 0:05:25 | 0:05:29 | |
-Hello, good morning. -Are you Dawn? -Yes, I am. -Good morning. Helen. | 0:05:29 | 0:05:34 | |
This place is well stocked with all manner of things, | 0:05:34 | 0:05:37 | |
-but can Helen find something here she likes? -I saw that. | 0:05:37 | 0:05:41 | |
My eyes are drawn to that, being an entertainment memorabilia specialist. | 0:05:41 | 0:05:45 | |
My eyes are drawn to that but it's... Yeah, it's a reprint. | 0:05:45 | 0:05:47 | |
It's not an original. | 0:05:47 | 0:05:49 | |
Of all the antique shops in Chepstow, you walk into this one? | 0:05:49 | 0:05:52 | |
Helen's doing a lot of browsing. | 0:05:54 | 0:05:56 | |
-Nothing seems to have captured her attention. -Oh, look, a crystal ball. | 0:05:56 | 0:06:01 | |
What does the future hold? Will I make a profit? | 0:06:01 | 0:06:05 | |
Not unless you buy something, love. | 0:06:07 | 0:06:09 | |
Yeah, you know, I'm thinking I might save my money. | 0:06:09 | 0:06:12 | |
I went all out on the first shop last time and bought, sort of, four items. | 0:06:12 | 0:06:18 | |
I'm thinking I might save myself. | 0:06:18 | 0:06:21 | |
-Well, hang on, because I had one item in yesterday that might interest you. -Right. | 0:06:21 | 0:06:25 | |
-So, come and have a look. -Go on, then. | 0:06:25 | 0:06:29 | |
Oh, she's a good saleswoman, that Dawn. | 0:06:29 | 0:06:32 | |
This could be interesting. Does Dawn have something put aside that might | 0:06:32 | 0:06:36 | |
bring Helen a bit of luck? Then again... | 0:06:36 | 0:06:39 | |
THEME FROM THE OMEN PLAYS | 0:06:39 | 0:06:42 | |
-What on earth is this? -There you are. -Aww, isn't she sweet? | 0:06:43 | 0:06:47 | |
-She's a little bit sad. -She's a little bit scary! | 0:06:47 | 0:06:51 | |
A doll! What will James say if I come back with a doll? | 0:06:59 | 0:07:03 | |
-You need to catch him first, Helen. -She's not unpleasant. | 0:07:03 | 0:07:06 | |
Some dolls are very scary, but... | 0:07:06 | 0:07:09 | |
They are very scary, but she's got quite a sweet face. | 0:07:09 | 0:07:12 | |
-I think she's pretty. -THAT is a matter of opinion. | 0:07:12 | 0:07:17 | |
The one thing that can't be argued though is that old dolls | 0:07:17 | 0:07:19 | |
can be highly collectable, even in poor condition. | 0:07:19 | 0:07:23 | |
This one is a German Heubach model, | 0:07:23 | 0:07:26 | |
made some time between the First and Second World Wars and since | 0:07:26 | 0:07:29 | |
it still has all its parts, it could prove attractive to a restorer. | 0:07:29 | 0:07:34 | |
I mean the good thing about her is that she has got all | 0:07:35 | 0:07:38 | |
the original clothes. I mean they look like they're original to me. | 0:07:38 | 0:07:41 | |
And you know, this lovely little lace bonnet as well, which is | 0:07:41 | 0:07:44 | |
in really great condition considering the age. | 0:07:44 | 0:07:47 | |
So, you know, if someone restored that, it could be a really nice little thing. | 0:07:47 | 0:07:50 | |
-What are you going to say on it then? -The very, very, very best is £5. | 0:07:50 | 0:07:55 | |
-Really? -It's a bargain. -Yeah. | 0:07:55 | 0:07:57 | |
Oh, lordy, she's not really going to buy it, is she? | 0:07:57 | 0:08:02 | |
Oh, do you know what? I'm going to take a punt on her. | 0:08:02 | 0:08:04 | |
-Yeah, £5, can't go wrong, really. -You can't go wrong. | 0:08:04 | 0:08:07 | |
Yup, Helen's just spent £5 on a somewhat dishevelled doll. | 0:08:07 | 0:08:11 | |
I guess it has a certain charm, | 0:08:11 | 0:08:12 | |
and of course it's worth a good deal more than that. | 0:08:12 | 0:08:16 | |
James, meanwhile, | 0:08:16 | 0:08:17 | |
is heading to the town of Blaenavon in Torfaen to find out about | 0:08:17 | 0:08:21 | |
an industry that was once one of the cornerstones of the Welsh economy. | 0:08:21 | 0:08:25 | |
He's visiting the Big Pit National Coal Museum | 0:08:25 | 0:08:28 | |
-and meeting former miner, Kerry Thompson. -Hello, James Braxton. | 0:08:28 | 0:08:33 | |
-Hello, Kerry Thompson, curator. -Hello, very nice to be here. | 0:08:33 | 0:08:37 | |
At the end of the 19th century, Wales was one of the most | 0:08:37 | 0:08:40 | |
important coal-producing countries in the world. | 0:08:40 | 0:08:43 | |
In 1913, one in ten Welsh people were employed in the industry, | 0:08:43 | 0:08:47 | |
with many more dependent upon it. | 0:08:47 | 0:08:49 | |
The Big Pit at Blaenavon had a wider shaft than any other | 0:08:51 | 0:08:55 | |
pit in the area, allowing much more coal to be extracted. | 0:08:55 | 0:08:59 | |
And how many people would actually work at this colliery? | 0:08:59 | 0:09:02 | |
With all the pits and shafts you would have associated with | 0:09:02 | 0:09:05 | |
the Blaenavon company, there was probably about 2,000 men working. | 0:09:05 | 0:09:08 | |
2,000 men? Goodness! What does this coal do? | 0:09:08 | 0:09:10 | |
It wasn't just for people's fireplaces. | 0:09:10 | 0:09:12 | |
-We're talking about the age of steam, aren't we? -Yeah. | 0:09:12 | 0:09:15 | |
And of course coal was found to be the best way of raising steam. | 0:09:15 | 0:09:18 | |
There was coaling stations right across the world, | 0:09:18 | 0:09:21 | |
Falklands, Egypt, you know, all sorts of places where Welsh coal | 0:09:21 | 0:09:24 | |
was stocked for ships to come in so they could go somewhere else. | 0:09:24 | 0:09:29 | |
So, the big liners for both passengers and cargo... | 0:09:29 | 0:09:32 | |
And the biggest and the best known of course is Titanic. | 0:09:32 | 0:09:35 | |
That was run on Welsh steam coal. | 0:09:35 | 0:09:37 | |
There's a good image of this here to show | 0:09:37 | 0:09:39 | |
sort of the scale of the industry. | 0:09:39 | 0:09:41 | |
That's just one dock in Cardiff, and that's the Roath Basin, and each | 0:09:41 | 0:09:45 | |
one of these of course is a wagon which holds up to about ten tonne. | 0:09:45 | 0:09:49 | |
Really? Ten tonnes of coal?! | 0:09:49 | 0:09:50 | |
There's thousands of tonnes of coal there just waiting | 0:09:50 | 0:09:52 | |
and that's just one moment in time. | 0:09:52 | 0:09:54 | |
More than three billion tonnes of coal have been | 0:09:55 | 0:09:58 | |
extracted from Welsh coal fields, | 0:09:58 | 0:10:00 | |
but as the 1877 Tynewydd disaster showed, that came at a human cost. | 0:10:00 | 0:10:07 | |
Kerry, what are we standing in front of? | 0:10:07 | 0:10:08 | |
Well, this is one of the most famous mining disasters in Wales. | 0:10:08 | 0:10:11 | |
It wasn't the greatest mining disaster, | 0:10:11 | 0:10:13 | |
because there was only actually five people killed in it. | 0:10:13 | 0:10:16 | |
But this became world news, in fact, | 0:10:16 | 0:10:18 | |
because of the way the accident happened. | 0:10:18 | 0:10:21 | |
The pit flooded, it trapped people in two places, | 0:10:21 | 0:10:25 | |
they got the first bunch of five men out quite quickly, | 0:10:25 | 0:10:29 | |
but the second took nine days to get out, without food, | 0:10:29 | 0:10:33 | |
without water, in freezing conditions. | 0:10:33 | 0:10:35 | |
Obviously where they were, you know? | 0:10:35 | 0:10:37 | |
And they were actually trapped in a bubble basically of compressed air. | 0:10:37 | 0:10:40 | |
So, to dig into them, they had to be very, very careful cos if they'd | 0:10:40 | 0:10:44 | |
gone straight in, of course, | 0:10:44 | 0:10:45 | |
it's like shooting a gun in an aeroplane, isn't it? | 0:10:45 | 0:10:48 | |
-I see, yeah. -Compressed air shoots you out. | 0:10:48 | 0:10:52 | |
Thankfully, most of the miners were rescued safe and well. | 0:10:52 | 0:10:55 | |
Those rescuers who saved them were honoured with Albert Medals, | 0:10:55 | 0:11:00 | |
25 in total, usually awarded for saving life at sea, this was | 0:11:00 | 0:11:04 | |
the first time such a medal had been awarded for saving life on land. | 0:11:04 | 0:11:09 | |
The mandrel there... Actually it was owned by Isaac Pride, who won a medal, | 0:11:09 | 0:11:14 | |
and this was the mandrel he used to cut through the last | 0:11:14 | 0:11:17 | |
couple of feet of coal. | 0:11:17 | 0:11:19 | |
In the 1930s, around a quarter of a million men | 0:11:19 | 0:11:22 | |
worked in the South Wales mines, | 0:11:22 | 0:11:24 | |
but after decades of declining demand and a protracted | 0:11:24 | 0:11:27 | |
strike in the 1980s, nothing could halt the industry's slide. | 0:11:27 | 0:11:32 | |
And by 2012, there were just over 1,000 workers in the industry | 0:11:32 | 0:11:37 | |
across the whole of Wales, mainly in open-cast mines. | 0:11:37 | 0:11:41 | |
Whilst the Big Pit may never return to its glory days, | 0:11:41 | 0:11:44 | |
it's still here as a reminder of how Wales was built. | 0:11:44 | 0:11:48 | |
Iechyd da! | 0:11:48 | 0:11:49 | |
Whilst there's still an abundance of coal in Wales, | 0:11:51 | 0:11:54 | |
time IS running out to find a bargain. | 0:11:54 | 0:11:56 | |
That's why Helen's still in Chepstow | 0:11:56 | 0:11:58 | |
and has popped around the corner to Halfway Trading Antiques. | 0:11:58 | 0:12:02 | |
This place has all manner of things on sale, | 0:12:04 | 0:12:07 | |
-from antiques to modern jewellery. -These are nice. | 0:12:07 | 0:12:10 | |
Oh, you've got some lovely things. | 0:12:10 | 0:12:12 | |
Oh, a bit of flattery to soften dealer Kelly up for a discount, eh? | 0:12:12 | 0:12:17 | |
Erm, this is a nice little chair with the caned seat. | 0:12:17 | 0:12:20 | |
I mean it's unusual to get that cane intact | 0:12:20 | 0:12:23 | |
and it does look quite original. | 0:12:23 | 0:12:24 | |
It's got to be sort of... | 0:12:24 | 0:12:26 | |
'30s or something like that from the style of it. | 0:12:26 | 0:12:30 | |
Yep, so it does look like the original seat on it. | 0:12:30 | 0:12:33 | |
-Possibly. -Yeah, it's unusual. I like that. It's sweet. | 0:12:33 | 0:12:37 | |
-How much are you asking for it? -I was looking for somewhere around £75. | 0:12:37 | 0:12:41 | |
-OK. We'll think about that one. -Hmm, she seems quite interested in that. | 0:12:41 | 0:12:46 | |
Well, that would be fun for Gloucestershire. A cider...pourer? | 0:12:46 | 0:12:51 | |
A cider pourer, I guess? Kind of like this. This is quite fun. | 0:12:51 | 0:12:56 | |
But you know, copper, I don't want to pay too much for it. | 0:12:56 | 0:13:00 | |
-Essentially, I don't want to pay too much for it. -Surprise, surprise. | 0:13:00 | 0:13:04 | |
-Would you take a tenner for it? -Yeah, go on, then, yes. -Would you? | 0:13:04 | 0:13:07 | |
-Did I start too high? She said that too easily. -Too late now! | 0:13:07 | 0:13:13 | |
It's yours for just a tenner. | 0:13:13 | 0:13:14 | |
Her second item is secured, although I don't think she's done yet. | 0:13:14 | 0:13:18 | |
I still keep thinking about that chair though. I do think it's nice. | 0:13:18 | 0:13:22 | |
I've got to be careful, though. | 0:13:22 | 0:13:23 | |
I've got to save my pennies a little bit for tomorrow. | 0:13:23 | 0:13:26 | |
I don't want to spend everything today. So you said £75? | 0:13:26 | 0:13:30 | |
I couldn't go anywhere near that, really. | 0:13:30 | 0:13:32 | |
I'll do it for you for £40. | 0:13:32 | 0:13:34 | |
That's nearly half of what I expected for it. | 0:13:34 | 0:13:37 | |
Erm... yeah... | 0:13:37 | 0:13:40 | |
I'm in two minds about it. Would you do it for £35? | 0:13:40 | 0:13:44 | |
-Cor! She's driving a hard bargain. That's less than half price. -£35? | 0:13:44 | 0:13:50 | |
So £35 for the chair, tenner for the cider ladle, £45 altogether. | 0:13:50 | 0:13:57 | |
-Go on, then. -Yeah! All right, I'll do it then. -Well done. | 0:13:58 | 0:14:02 | |
The cider pourer and the oak chair for just £45. | 0:14:02 | 0:14:06 | |
Right, I'd better carry this chair now. Very carefully. | 0:14:06 | 0:14:10 | |
Mind how you go then, Helen. As the sun sets, I bid thee nighty-night. | 0:14:10 | 0:14:15 | |
So, nighty-night. | 0:14:15 | 0:14:16 | |
-It's day two on our Welsh road trip. -Well, Helen, this is Cardiff. | 0:14:20 | 0:14:26 | |
Cardiff Castle on our left, beautiful. | 0:14:26 | 0:14:28 | |
Yeah, it is fabulous, isn't it? | 0:14:28 | 0:14:30 | |
Yesterday, James spent a measly £30 on just one item, | 0:14:32 | 0:14:36 | |
the six gold studs, leaving him £220.98 today. | 0:14:36 | 0:14:41 | |
-Thank you, that's very kind of you. -Helen's spent a tad more. | 0:14:41 | 0:14:46 | |
£50 total on the doll, cider pourer and the oak chair, | 0:14:46 | 0:14:50 | |
-leaving her £128.70. -Thank you, deal. | 0:14:50 | 0:14:55 | |
It's their final day of shopping in Wales before the auction | 0:14:55 | 0:14:59 | |
in England, and they've made their way to the Welsh capital of Cardiff. | 0:14:59 | 0:15:03 | |
Well, Cardiff's really on the up, isn't it? | 0:15:03 | 0:15:06 | |
And more importantly for them, | 0:15:06 | 0:15:07 | |
they've got a very good rugby team. | 0:15:07 | 0:15:09 | |
The national squad play at the 74,000 capacity | 0:15:09 | 0:15:13 | |
Millennium Stadium, which has also played host to Cardiff's very own | 0:15:13 | 0:15:18 | |
distinguished diva, Shirley Bassey. | 0:15:18 | 0:15:21 | |
Whilst diamonds ARE forever, time to shop is definitely finite. | 0:15:21 | 0:15:26 | |
Our two both start the day at the pumping station | 0:15:26 | 0:15:28 | |
and it's not for fuel. | 0:15:28 | 0:15:30 | |
-Lovely. -Brilliant. Well done, well driven. | 0:15:30 | 0:15:32 | |
-That was a nice drive, wasn't it? -Glorious drive, wasn't it? -Yeah. | 0:15:32 | 0:15:36 | |
-I don't want to get out of it actually. -Oh, buck up, you two. | 0:15:36 | 0:15:39 | |
This place used to be an old Victorian waterworks | 0:15:40 | 0:15:43 | |
and it's now home to about 50 dealers. Nice. | 0:15:43 | 0:15:47 | |
With three floors to choose from, the question is, | 0:15:48 | 0:15:51 | |
which of our cohorts will bag a bargain from dealer Keith first? | 0:15:51 | 0:15:56 | |
-I literally could spend a fortune in here. -It's one big maze. -There we go. | 0:15:56 | 0:16:01 | |
Nice military cap. Does it suit me? | 0:16:01 | 0:16:04 | |
-Yet again, what I'm looking for is a bargain. -What about these? -Oh, look. | 0:16:06 | 0:16:12 | |
They're lovers. There's one hanging off the back there. | 0:16:14 | 0:16:18 | |
Three's a crowd and all that. Oh, sewn together by the mouths. | 0:16:18 | 0:16:22 | |
I daren't put that on. Ew! | 0:16:22 | 0:16:25 | |
-If you think they're frightening, wait until you see this. -Wow. | 0:16:25 | 0:16:28 | |
Simba, the film and television lion. | 0:16:31 | 0:16:35 | |
Simba is the world's largest lion | 0:16:35 | 0:16:37 | |
in the Guinness Book Of Records and was Elizabeth Taylor's bodyguard | 0:16:37 | 0:16:41 | |
in Cleopatra? | 0:16:41 | 0:16:42 | |
And he's been stuffed for posterity. Look at him. | 0:16:42 | 0:16:45 | |
-I would not mess with that. -Yeah, wise move, Hels. | 0:16:46 | 0:16:50 | |
Yesterday, James said he wanted to spend big to maximise his profits. | 0:16:50 | 0:16:54 | |
I wonder if he's found something to really sink his teeth into. | 0:16:54 | 0:16:58 | |
I like this table. Now, why do I like this table? | 0:16:58 | 0:17:02 | |
For all intents and purposes, it's just an occasional table, | 0:17:02 | 0:17:06 | |
not a particularly interesting shape, | 0:17:06 | 0:17:08 | |
but the interesting thing, the thing that catches my eye, | 0:17:08 | 0:17:11 | |
is it's got something extra to it, and that extra are these. | 0:17:11 | 0:17:16 | |
Now, there is absolutely no reason to have these, because structurally, | 0:17:16 | 0:17:23 | |
they're all supported by this secondary tier, | 0:17:23 | 0:17:26 | |
this platform tier below. | 0:17:26 | 0:17:28 | |
But these are just extenuating the design. | 0:17:28 | 0:17:32 | |
It is after a chap called Edward William Godwin. | 0:17:32 | 0:17:38 | |
Godwin was an architect designer in the mid-1800s who not only | 0:17:40 | 0:17:43 | |
designed great public buildings, | 0:17:43 | 0:17:45 | |
but also the furniture that would've gone in them. | 0:17:45 | 0:17:48 | |
And although this table isn't one of his, | 0:17:48 | 0:17:50 | |
the maker has been influenced by Godwin's neo-Japanese work. | 0:17:50 | 0:17:55 | |
And what's it priced at? £55. | 0:17:56 | 0:17:59 | |
It doesn't seem expensive, | 0:17:59 | 0:18:01 | |
£55, for something that is after such a famous designer. | 0:18:01 | 0:18:05 | |
So if I can get that, if I can get it for £35, I think | 0:18:05 | 0:18:09 | |
-there might be a good profit. -I think he likes it. | 0:18:09 | 0:18:12 | |
James has spotted the dealer's phone number on the wall. | 0:18:12 | 0:18:15 | |
Hello, Jackie, it's James Braxton. | 0:18:15 | 0:18:18 | |
You've got a rectangular two-tier occasional with | 0:18:18 | 0:18:21 | |
the ring-turned legs. What could you do it for? | 0:18:21 | 0:18:24 | |
Is there some movement there? | 0:18:24 | 0:18:26 | |
OK, well thank you very much indeed, £35 it is. | 0:18:26 | 0:18:30 | |
Thank you, bye. | 0:18:30 | 0:18:31 | |
Very good. In fact, funnily enough, I thought I was going to offer £35. | 0:18:33 | 0:18:37 | |
£55 to £35 and sold. | 0:18:37 | 0:18:43 | |
He seems happy with it. | 0:18:43 | 0:18:45 | |
Helen, meanwhile, is still browsing upstairs. | 0:18:45 | 0:18:48 | |
This cranberry glass sugar sifter. | 0:18:48 | 0:18:50 | |
This type of sort of pinky-red glass is called cranberry glass | 0:18:50 | 0:18:53 | |
because of the colour. | 0:18:53 | 0:18:54 | |
These are nice because they're silver hallmarked lids. | 0:18:54 | 0:18:58 | |
Might go down quite nicely at auction. | 0:18:58 | 0:19:00 | |
Helen did well selling one of these at the last auction. | 0:19:00 | 0:19:04 | |
Is she thinking it's a safe bet then? | 0:19:04 | 0:19:06 | |
-So that one's nicer because it is hallmarked silver. -Yeah, yeah. -Do you know your hallmarks off by heart? | 0:19:06 | 0:19:12 | |
-Erm, most. -Do you? Brilliant. You're the man. -Looks like a Birmingham one. | 0:19:12 | 0:19:18 | |
-It's going to be solid silver, that would be. -Yep. | 0:19:18 | 0:19:20 | |
-So it's got £38 on it. -Yeah. I'm sure we could come to a decision. | 0:19:20 | 0:19:27 | |
-I'd like to make a really cheeky offer. -Right. | 0:19:27 | 0:19:31 | |
And say £18 and see what they say. See what they can come back with. | 0:19:31 | 0:19:37 | |
-Erm... It's a bit tight. -It is a bit tight. -Helen's looking for £20 off. | 0:19:37 | 0:19:43 | |
She's not shy, is she? Keith has to run it past the dealer who owns it. | 0:19:43 | 0:19:48 | |
-I wonder if they'll take Helen's offer? -£20 and it's yours. | 0:19:48 | 0:19:52 | |
OK, all right, OK. I'll think about that. | 0:19:52 | 0:19:55 | |
I'll put it on hold while I...because I haven't seen | 0:19:55 | 0:19:57 | |
the rest of the store, but thank you, I appreciate that. | 0:19:57 | 0:20:00 | |
Hmm. Clearly the extra £2 the dealer wants is crucial to Helen. | 0:20:02 | 0:20:06 | |
While she considers it, James is still browsing, | 0:20:06 | 0:20:09 | |
presumably still looking to make that big purchase he's after. | 0:20:09 | 0:20:13 | |
Feel the weight of this. This is a real slab of earthenware. | 0:20:16 | 0:20:22 | |
Known as an encaustic tile. | 0:20:22 | 0:20:24 | |
Encaustic tiles are ceramic tiles actually inlaid with | 0:20:24 | 0:20:29 | |
patterns in different coloured clays so that | 0:20:29 | 0:20:31 | |
when the body of the tile is worn, the design remains. | 0:20:31 | 0:20:35 | |
The great race of the 19th century was churches, | 0:20:35 | 0:20:38 | |
so it was the race between the Catholic Church | 0:20:38 | 0:20:42 | |
and the Anglican Church and people built these fabulous churches | 0:20:42 | 0:20:47 | |
and people like Pugin, | 0:20:47 | 0:20:49 | |
the great designer, was very much at the forefront. | 0:20:49 | 0:20:52 | |
He was building masses of Catholic churches and these were | 0:20:52 | 0:20:57 | |
used for the pavements, for the thoroughfares of churches. | 0:20:57 | 0:21:01 | |
But this is a lovely design. A great repeat design. | 0:21:01 | 0:21:04 | |
Something that Pugin would have designed. | 0:21:04 | 0:21:06 | |
Just really nice detail here. | 0:21:06 | 0:21:08 | |
You turn it over here, clearly marked | 0:21:08 | 0:21:11 | |
Minton and Co Patent, Stoke-upon-Trent. | 0:21:11 | 0:21:13 | |
Centre of the ceramics industry, a great item. | 0:21:13 | 0:21:16 | |
-If I could secure that for a fiver, I would be a happy man. -A fiver?! | 0:21:18 | 0:21:22 | |
What happened to your strategy of spending big then, James? | 0:21:22 | 0:21:26 | |
But we do want to see you happy. | 0:21:26 | 0:21:28 | |
-Question is, can Keith make it happen? -Keith, this is the baby. | 0:21:28 | 0:21:33 | |
Right, OK. It's unmarked, hasn't got a price on it. | 0:21:33 | 0:21:36 | |
I'm rather hoping I can get it for a fiver, but we'll see. | 0:21:36 | 0:21:41 | |
Terracotta tile, yeah, it is, yeah. | 0:21:41 | 0:21:43 | |
He's interested to know if he can buy it for £5. £5 is fine. | 0:21:43 | 0:21:48 | |
-Great, thank the man. Fiver for that and also I rang Jackie. -Right, OK. | 0:21:48 | 0:21:54 | |
-And she agreed £35 for the table so... -OK, thank you very much. | 0:21:54 | 0:21:58 | |
-£40 in all, that's really kind, thank you. -There's that happy face. | 0:21:58 | 0:22:02 | |
My goodness, that man likes a bargain. | 0:22:02 | 0:22:04 | |
Now, can Helen find something to put a smile on her face? | 0:22:04 | 0:22:07 | |
Oh, that's pretty. | 0:22:07 | 0:22:10 | |
Love that. Is that heavy? Let's see if I can get it out. | 0:22:10 | 0:22:14 | |
This is a gorgeous fire screen. But look at the design of it. | 0:22:14 | 0:22:20 | |
It's gorgeous. It's typical Arts and Crafts style, you know, very much | 0:22:20 | 0:22:24 | |
hanging onto the Art Nouveau movement a little bit. | 0:22:24 | 0:22:28 | |
I'm a big fan of Arts and Crafts things. | 0:22:28 | 0:22:30 | |
It was very much sort of in the British tradition, you know. | 0:22:30 | 0:22:34 | |
Going back to craftsmanship and quality and working with wood | 0:22:34 | 0:22:39 | |
and copper and natural materials | 0:22:39 | 0:22:41 | |
and I really like that sort of Britishness of it as well, you know. | 0:22:41 | 0:22:46 | |
Decent condition, doesn't look | 0:22:46 | 0:22:48 | |
like it's had any bits welded back on or anything. | 0:22:48 | 0:22:51 | |
I like that a lot. | 0:22:51 | 0:22:52 | |
What are they asking for it? | 0:22:53 | 0:22:56 | |
£78, so, ooh, yeah, I think I'd want to try | 0:22:56 | 0:23:00 | |
and get it for about £50 if I can. | 0:23:00 | 0:23:02 | |
You can only ask, but it looks like Keith might already know the answer. | 0:23:03 | 0:23:07 | |
-My buyer made a phone call... -Right, OK. | 0:23:07 | 0:23:10 | |
..to Mandy and apparently the price she wouldn't take lower than £60. | 0:23:10 | 0:23:15 | |
Really? OK, what are we going to do? | 0:23:15 | 0:23:20 | |
-No lower than £60. She's not budging, is she? -No. | 0:23:20 | 0:23:23 | |
It's a bit high. It really is a bit high, | 0:23:23 | 0:23:26 | |
-but if she's not here then we can't have that conversation, can we? -No. | 0:23:26 | 0:23:30 | |
-I think I'm just going to go for it because I like it. -OK. | 0:23:30 | 0:23:32 | |
And I'll keep my fingers firmly crossed. £60, all right, it's a deal. | 0:23:32 | 0:23:37 | |
Thank you very much. | 0:23:37 | 0:23:38 | |
And then the sugar sifter as well, I think I'll go for that too. | 0:23:38 | 0:23:41 | |
-Right, OK. -So that's £60 plus £20 so I owe you £80. -Right. | 0:23:41 | 0:23:46 | |
-Thank you very much. -Thank you very much. -Brilliant, thank you. | 0:23:46 | 0:23:50 | |
James is still shopping and has made his way to Avalon Antiques. | 0:23:50 | 0:23:54 | |
-Hello, how are you? -Very well, I'm James. -Nice to meet you, I'm Gitty. | 0:23:54 | 0:23:58 | |
Gitty, very nice to meet you too. Gitty, I need to buy two items. | 0:23:58 | 0:24:03 | |
-Right. -Taking them to auction in Gloucestershire, and... | 0:24:03 | 0:24:06 | |
-Hoping to make some money. -Hoping to make some money. | 0:24:06 | 0:24:09 | |
I think she knows the game. | 0:24:09 | 0:24:11 | |
I've watched this programme occasionally on the television. | 0:24:11 | 0:24:14 | |
-A fan, hey? Isn't that nice? -Not very often. -Oh, maybe not. | 0:24:14 | 0:24:19 | |
There's no business like show business, eh, James? | 0:24:19 | 0:24:22 | |
-Can I look at your Delft bits? -You can. | 0:24:22 | 0:24:25 | |
I thought you might want to look at those. There are three of those. | 0:24:25 | 0:24:28 | |
-Three of them. -Well, they're different. | 0:24:28 | 0:24:30 | |
I mean there's not a pair. | 0:24:30 | 0:24:33 | |
Delftware is typically blue and white decorated pottery made in | 0:24:33 | 0:24:38 | |
or around Delft in the Netherlands from the 16th century onwards. | 0:24:38 | 0:24:42 | |
These look like they're a bit later. Probably 19th century. | 0:24:42 | 0:24:46 | |
Actually they're quite alike, aren't they? | 0:24:46 | 0:24:48 | |
They are quite alike, aren't they? With this moulded detail. | 0:24:48 | 0:24:51 | |
You've got the sort of moulded cartouche and then the peonies. | 0:24:51 | 0:24:55 | |
There's bits of damage on both of them | 0:24:55 | 0:24:57 | |
but they are that age, I mean they are the age that they are, | 0:24:57 | 0:25:00 | |
-they're going to have a bit of damage, aren't they? -They are. | 0:25:00 | 0:25:02 | |
-And sometimes with Delft... -It doesn't really matter. -It doesn't. | 0:25:02 | 0:25:06 | |
-It sort of slightly reassures you that it's of a... -Genuine. -Quite. | 0:25:06 | 0:25:10 | |
It's got some age, hasn't it? It's suffered the rigours of time. | 0:25:10 | 0:25:14 | |
Something I think we can all relate to, eh, James? | 0:25:14 | 0:25:17 | |
Rather nice, aren't they? The insets there. I quite like those. | 0:25:17 | 0:25:22 | |
-Well, that's a possible candidate. -Right, that's a possible candidate. OK. | 0:25:22 | 0:25:26 | |
One to consider, but James doesn't seem quite ready to commit | 0:25:26 | 0:25:29 | |
and he doesn't seem too keen on anything else. | 0:25:29 | 0:25:32 | |
With the shop closing soon, would he find something he likes? | 0:25:32 | 0:25:35 | |
You can go and have a large gin and tonic shortly. | 0:25:35 | 0:25:38 | |
-I'll need it after the prices you're charging. -Oh! | 0:25:38 | 0:25:42 | |
Aw, James, I know you didn't really mean that. | 0:25:42 | 0:25:44 | |
I'm sure you've got something out at the back, Gitty, go on, | 0:25:44 | 0:25:48 | |
-let's go and rootle. -You can't rootle in the back. | 0:25:48 | 0:25:53 | |
-Of course we can. -There's no space! | 0:25:53 | 0:25:54 | |
-There's always room for rootling. -Yeah, get rootling, as you do. | 0:25:54 | 0:25:59 | |
I feel like a mole down here. | 0:25:59 | 0:26:02 | |
I like these portraits. | 0:26:03 | 0:26:05 | |
-Shall we have a quick look at that? -Yes. | 0:26:05 | 0:26:07 | |
I do love a successful rootling, | 0:26:07 | 0:26:09 | |
but I suppose it all depends on the price. | 0:26:09 | 0:26:12 | |
Built in the 1960s. | 0:26:12 | 0:26:14 | |
-I quite like this sort of title plaque here. -Yes. | 0:26:14 | 0:26:18 | |
-Trent Maritime Company Limited - London. -It is rather nice, isn't it? | 0:26:18 | 0:26:22 | |
Isn't it? | 0:26:22 | 0:26:23 | |
This painting of the cargo ship Duke of Mistra is by George Wiseman. | 0:26:25 | 0:26:30 | |
Wiseman was a pierhead artist who painted many ships in the 1950s | 0:26:30 | 0:26:34 | |
and '60s, often working from shipyard plans to ensure accuracy. | 0:26:34 | 0:26:39 | |
A nice watercolour. It's just a really nice, clean item. | 0:26:40 | 0:26:45 | |
It's all framed, exactly as it would have been done. | 0:26:45 | 0:26:49 | |
Nicely held down, really well protected, | 0:26:49 | 0:26:51 | |
so that's the way to keep a watercolour. | 0:26:51 | 0:26:53 | |
Don't let your backing get exposed, | 0:26:53 | 0:26:56 | |
-and they've got a great bit of marine ply on it, haven't they? -Yes. | 0:26:56 | 0:26:59 | |
You know, beautifully over-engineered as you'd | 0:26:59 | 0:27:02 | |
expect a shipbuilder to do. | 0:27:02 | 0:27:05 | |
-Now, is this £80, £100? Is that the... -No, no, I don't think so. | 0:27:05 | 0:27:09 | |
-Isn't it? -This is £230, but I'm sure we could do a bit better than that. | 0:27:09 | 0:27:15 | |
-You'd have to do a lot better than that. -I thought I might. | 0:27:15 | 0:27:19 | |
You HAVE been watching the show. | 0:27:19 | 0:27:21 | |
James still has £180.98 left which is clearly burning | 0:27:21 | 0:27:25 | |
a hole in his pocket, but it looks like he's keen to do | 0:27:25 | 0:27:28 | |
a deal for the painting and the vases, which are priced at £98 each. | 0:27:28 | 0:27:34 | |
See, Gitty, I'm still drawn to these. | 0:27:34 | 0:27:37 | |
I might be making the most terrible mistake here. | 0:27:37 | 0:27:40 | |
-That's all right, I'll let you. -All this damage. | 0:27:40 | 0:27:43 | |
I would do the two for £140. And I think you'll make on that. | 0:27:43 | 0:27:48 | |
-How near to £80 could you get on that? -I can't do £80, no. | 0:27:48 | 0:27:52 | |
-I could do £120. -£120. | 0:27:52 | 0:27:54 | |
Well, if you have that for £120, I will do those for £120. How is that? | 0:27:54 | 0:28:00 | |
-So that's £240 in all? -Yes. | 0:28:00 | 0:28:03 | |
And I know I haven't got the budget for that, | 0:28:03 | 0:28:06 | |
-but I could buy something cheaper I suppose. -£180. Go on. -What? | 0:28:06 | 0:28:13 | |
-For the two items? -Yes. | 0:28:13 | 0:28:15 | |
So that would be £90 for that and £90 for that. | 0:28:16 | 0:28:19 | |
I think you've been very fair and I'll very definitely do it. | 0:28:19 | 0:28:23 | |
-Thank you very much indeed, Gitty. -Thank you very much. -Fair?! | 0:28:23 | 0:28:26 | |
That's nearly £200 off and almost all his cash gone. | 0:28:26 | 0:28:29 | |
Not a bad way of rounding off James' shopping though. | 0:28:29 | 0:28:33 | |
-And I'm all spent up. -That's good. -Bar 98p. | 0:28:33 | 0:28:36 | |
Earlier, James was hearing about how coal once drove the Welsh economy. | 0:28:39 | 0:28:44 | |
Helen's now off to hear how the subsequent increase in trade | 0:28:44 | 0:28:47 | |
helped Cardiff grow from a tiny village into a major city. | 0:28:47 | 0:28:51 | |
She's visiting Butetown History & Arts Centre. | 0:28:51 | 0:28:55 | |
-Hi, Neil. -Yes, Neil Sinclair. -Hi, I'm Helen. Lovely to meet you. | 0:28:55 | 0:28:59 | |
Oh, pleased to meet you too, Helen. | 0:28:59 | 0:29:02 | |
At the start of the 1800s, | 0:29:02 | 0:29:04 | |
Welsh coal was in demand throughout the UK and the world. | 0:29:04 | 0:29:08 | |
However, most Welsh ports were small | 0:29:08 | 0:29:10 | |
and ill equipped for international trade. | 0:29:10 | 0:29:13 | |
Rich landowner John Crichton-Stuart saw an opportunity. | 0:29:13 | 0:29:18 | |
And so who was John Crichton-Stuart? | 0:29:18 | 0:29:20 | |
He was the second Marquess of Bute, he owned the land. | 0:29:20 | 0:29:23 | |
This was waterlogged marshland or tidal in some way | 0:29:23 | 0:29:27 | |
so hardly anybody lived here, | 0:29:27 | 0:29:29 | |
but it was on this land that the Marquess decided to build a large | 0:29:29 | 0:29:33 | |
dock to export the coal that was coming from the South Wales valleys. | 0:29:33 | 0:29:38 | |
Only a few thousand people lived in Cardiff at the time, | 0:29:38 | 0:29:41 | |
and they struggled to find local labourers to do the work so decided | 0:29:41 | 0:29:44 | |
-to bring over 200 men from Ireland to build the port. -So here we are. | 0:29:44 | 0:29:48 | |
-Here are the docks. -Yes, down at the seafront. | 0:29:48 | 0:29:51 | |
When the West dock opened in 1839, Cardiff's global trade links grew. | 0:29:53 | 0:29:58 | |
The arriving trade ships brought people | 0:29:58 | 0:30:01 | |
from all over the world, some of whom settled within the community. | 0:30:01 | 0:30:05 | |
The ships were going as far away as China. | 0:30:05 | 0:30:08 | |
And when the ships returned, there would be Chinese crews on board. | 0:30:08 | 0:30:11 | |
And then they would, you know, | 0:30:11 | 0:30:13 | |
after they did whatever it was they were doing on the dock, | 0:30:13 | 0:30:15 | |
they would come into the community, | 0:30:15 | 0:30:17 | |
but many of those seamen that came from every country you can | 0:30:17 | 0:30:20 | |
imagine married locally and so this was their home port. | 0:30:20 | 0:30:25 | |
The rich merchants | 0:30:25 | 0:30:26 | |
and business owners who depended on the port initially lived | 0:30:26 | 0:30:30 | |
right beside it, but as the dock expanded, | 0:30:30 | 0:30:33 | |
so did the levels of dirt and pollution. | 0:30:33 | 0:30:36 | |
They abandoned their dockside homes for places further away, | 0:30:36 | 0:30:39 | |
leaving their homes to the new emerging community. | 0:30:39 | 0:30:43 | |
Well, now, Helen, we're down at Windsor Esplanade. | 0:30:43 | 0:30:46 | |
And fortunately for us, these houses are still intact, | 0:30:46 | 0:30:49 | |
but this is where the sea captains | 0:30:49 | 0:30:52 | |
and the bosuns lived back in the sea-going days of Cardiff docks. | 0:30:52 | 0:30:56 | |
Tiger Bay became a melting pot of people from all over the world. | 0:30:58 | 0:31:02 | |
It was one of the first truly multi-ethnic cities in the UK. | 0:31:02 | 0:31:07 | |
Neil's grandfather, James Augustus Headley, was born in Barbados, | 0:31:07 | 0:31:12 | |
but came to the bay in about 1897. | 0:31:12 | 0:31:15 | |
The bay became his home and, two generations later, | 0:31:15 | 0:31:18 | |
is still home to Neil. | 0:31:18 | 0:31:19 | |
So what was it like to live here in the docks, because you grew up here? | 0:31:21 | 0:31:25 | |
It was the most wonderful experience now that I look back on my life, | 0:31:25 | 0:31:29 | |
I wouldn't trade it for anything. | 0:31:29 | 0:31:31 | |
I lived on a street which had many nationalities. | 0:31:31 | 0:31:35 | |
Despite our disparate ethnic backgrounds, we were all Welsh. | 0:31:36 | 0:31:42 | |
Since the mid-1800s, | 0:31:44 | 0:31:46 | |
Tiger Bay has been welcoming people from all over the world. | 0:31:46 | 0:31:49 | |
Today, it's been completely transformed | 0:31:50 | 0:31:53 | |
and is now known as Cardiff Bay, a centre for leisure and commerce. | 0:31:53 | 0:31:58 | |
150 years after it was first built, | 0:31:58 | 0:32:00 | |
it's still finding new ways to bring people to the area. | 0:32:00 | 0:32:04 | |
-Thank you for having me. -It's a pleasure to meet you too. -All right. | 0:32:04 | 0:32:07 | |
As the day draws to a close, | 0:32:07 | 0:32:09 | |
it's back to the history centre to reveal all. | 0:32:09 | 0:32:12 | |
Da-da-dah! | 0:32:12 | 0:32:15 | |
A bit of colour here, so I thought it was wholly appropriate - | 0:32:15 | 0:32:18 | |
we're going to a land-locked county to buy a marine scene. | 0:32:18 | 0:32:23 | |
-Excellent, OK, yeah. Very appropriate. -So there we are. | 0:32:23 | 0:32:27 | |
So, what's the ship? | 0:32:27 | 0:32:29 | |
The ship is just a shipping ship, it's just a cargo shipping ship. | 0:32:29 | 0:32:34 | |
I think that means he has no idea. | 0:32:34 | 0:32:36 | |
But it's a cargo ship and commissioned by the then owners. | 0:32:36 | 0:32:41 | |
It's got a nice sort of title plaque here telling you all about it. | 0:32:41 | 0:32:45 | |
-1960 going past Dover Castle. -Nice. | 0:32:45 | 0:32:49 | |
-And I'm all in! 98p left. -Really? | 0:32:49 | 0:32:52 | |
-What did you pay for those? -£90 for those two. -£90 for the two. | 0:32:52 | 0:32:57 | |
They're nice though, aren't they? | 0:32:57 | 0:32:59 | |
-Helen seems impressed, but what will James think of her lots? -OK, Helen. | 0:32:59 | 0:33:02 | |
Right, OK. | 0:33:02 | 0:33:04 | |
Da-da-dah! | 0:33:04 | 0:33:05 | |
-Look at this! She looks quite a nice doll. -Well... -Good eyes. -Yeah. | 0:33:05 | 0:33:12 | |
-I was coerced into buying her. -Don't you mean possessed? | 0:33:12 | 0:33:16 | |
But actually, she's all there, her legs | 0:33:16 | 0:33:19 | |
and head aren't attached to the body, but she's all there, | 0:33:19 | 0:33:22 | |
the hair is there, the clothes are there, | 0:33:22 | 0:33:23 | |
and she's a Heubach doll that if she was complete | 0:33:23 | 0:33:27 | |
-and in nice condition, they can make about £200 or £300. -Really? | 0:33:27 | 0:33:30 | |
-The good ones. So... -And how much did you buy it for? -A fiver. -Oh! | 0:33:30 | 0:33:34 | |
-That's a good profit. That's good. -Yeah. -That's very good. | 0:33:34 | 0:33:38 | |
And seeing as we're going to Gloucestershire, | 0:33:38 | 0:33:41 | |
this is a cider ladle. | 0:33:41 | 0:33:43 | |
-OK. -With, you know, "cider" on the front. -Very good. Very good, cider. | 0:33:44 | 0:33:48 | |
Paid a tenner for it which was probably a bit much, but never mind. | 0:33:48 | 0:33:51 | |
Helen, it has been hot, hot in Wales. | 0:33:51 | 0:33:55 | |
Let's hope the weather's not so good as last week | 0:33:55 | 0:33:57 | |
-so it brings the bidders out. -I know, we need that. | 0:33:57 | 0:33:59 | |
-Anyway, in the meantime, ice cream? -Yep. On you. -With 98p. | 0:33:59 | 0:34:03 | |
Before you go and chill out, tell us what you really think. | 0:34:03 | 0:34:07 | |
Erm, difficult to know, really who's got the best kit. | 0:34:07 | 0:34:10 | |
I think he paid quite a lot for his boat picture, you know, | 0:34:10 | 0:34:14 | |
-it's not that vintage a piece. It's fairly recent. -Uh, the doll. | 0:34:14 | 0:34:19 | |
I think that could make some money, that. | 0:34:19 | 0:34:21 | |
Only a £5 note and the eyes look great from where I was standing. | 0:34:21 | 0:34:26 | |
Just how close were you standing? | 0:34:26 | 0:34:28 | |
After shopping in Wales, it's time to head to England | 0:34:29 | 0:34:32 | |
for auction glory in the town of | 0:34:32 | 0:34:34 | |
Wotton-under-Edge in Gloucestershire. | 0:34:34 | 0:34:36 | |
The town sits in the Cotswold Area of Outstanding Natural Beauty. | 0:34:40 | 0:34:44 | |
The question is, will it bring an outstanding profit to our jolly chums? | 0:34:44 | 0:34:48 | |
-This looks very good, good omens. -Great building. | 0:34:50 | 0:34:53 | |
It's quite hard getting out of that in a skirt, you know! | 0:34:53 | 0:34:56 | |
-You should try it sometime. -What, skirts or cars? | 0:34:56 | 0:34:59 | |
The scene for today's auction is the Wotton Auction Rooms. | 0:35:01 | 0:35:04 | |
The company has been in business since the mid-19th century | 0:35:04 | 0:35:07 | |
and at this wonderfully restored church for over 30 years. | 0:35:07 | 0:35:11 | |
Auctioneer and all-round good egg Philip Taubenheim | 0:35:13 | 0:35:16 | |
is in the podium today. | 0:35:16 | 0:35:17 | |
What does he think about our team's items? | 0:35:17 | 0:35:21 | |
The dismembered doll has actually been giving the staff | 0:35:21 | 0:35:23 | |
a bit of a heebie-jeebie moment, but she will string back together. | 0:35:23 | 0:35:27 | |
There are girls out there that will string dolls back to life | 0:35:27 | 0:35:30 | |
so I think we've got a chance with that | 0:35:30 | 0:35:32 | |
but it's in the worst condition you can possibly imagine | 0:35:32 | 0:35:35 | |
but the head is sound so that's the important thing. | 0:35:35 | 0:35:37 | |
James' shipping portrait is good. | 0:35:37 | 0:35:40 | |
I wish it was 1860 rather than 1960 but it's well produced | 0:35:40 | 0:35:43 | |
so we'll see on that one. | 0:35:43 | 0:35:45 | |
If I were a betting man, who would I put my money on? | 0:35:45 | 0:35:47 | |
I think it's going to be a very tight-run race. | 0:35:47 | 0:35:49 | |
I think there will be just a few pounds between it. | 0:35:49 | 0:35:52 | |
It's a cop-out, really, but I think it will be a very tight race. | 0:35:52 | 0:35:55 | |
James began this leg of the Road Trip with £250.98 | 0:35:58 | 0:36:02 | |
and has gone on to spend £250 on five auction lots. | 0:36:02 | 0:36:05 | |
Yet again, what I'm looking for is a bargain. | 0:36:07 | 0:36:10 | |
Helen started with £178.70 and has parted with £130, | 0:36:11 | 0:36:16 | |
-also for five lots. -Thanks for that, it was nice to meet you. | 0:36:16 | 0:36:20 | |
It's one of the hottest days of the year | 0:36:20 | 0:36:23 | |
and it's going to get even hotter as the auction begins. | 0:36:23 | 0:36:26 | |
Hold on to your hats. | 0:36:28 | 0:36:29 | |
First up is James' encaustic tile. | 0:36:29 | 0:36:33 | |
What do we say? £10 to start for it. £10 to start. £10. £5 I'm bid. | 0:36:33 | 0:36:36 | |
Thank you at £5 I'm bid and £5 I'm bid, £10 I'm bid, £15 I'm bid. | 0:36:36 | 0:36:41 | |
At £15 I'm bid. At £15, at £15, it's sold at £15. | 0:36:41 | 0:36:46 | |
-That's a profit. -Got away with it. | 0:36:46 | 0:36:48 | |
An opening profit of a tenner straightaway for James. | 0:36:49 | 0:36:53 | |
It's a profit, James. | 0:36:53 | 0:36:55 | |
It is a profit. I'm not going to argue with that. | 0:36:55 | 0:36:57 | |
Can Helen do better with her cider ladle? | 0:36:57 | 0:37:01 | |
-The £10 lot, £10 to start. -Oh, come on, let's start at £10, come on. | 0:37:01 | 0:37:05 | |
-At £5 I'm bid, at £5 I'm bid at £5. At £10 I'm bid... -Yes! Come on. | 0:37:05 | 0:37:09 | |
At £10 I'm bid. At £10, at £10, £15 anywhere? | 0:37:09 | 0:37:11 | |
At £10 bid, cheap enough little lot going through. Are you sure? | 0:37:11 | 0:37:15 | |
-At £10, this time at £10. -Ah. -£10. -Well... -So, no major loss for Helen. | 0:37:15 | 0:37:21 | |
Can James entice the bidders with his mahogany table? | 0:37:24 | 0:37:27 | |
£30 I'll start, at £30 I'm bid for the table, at £30 I'm bid, | 0:37:27 | 0:37:30 | |
-£35 I'm bid. -The bid for the table above £30. | 0:37:30 | 0:37:33 | |
£35 I'm bid, £40 I'm bid... at £45 you're out now, at £45, | 0:37:33 | 0:37:38 | |
£50 on the wings I'm bid. | 0:37:38 | 0:37:40 | |
We're all finished then at £50. | 0:37:40 | 0:37:43 | |
There you go, another small profit, there you go. | 0:37:43 | 0:37:45 | |
There's a healthy £15 profit for James. | 0:37:45 | 0:37:49 | |
-Someone's got a bargain, I reckon. -Someone's got a bargain. -Yeah. | 0:37:49 | 0:37:54 | |
Can Helen make her first profit of the auction with her screen? | 0:37:54 | 0:37:57 | |
£40? £20? £20 you bid me, thank you, at £20 I'm bid, at £20... | 0:37:57 | 0:38:01 | |
-Oh, my, £20, OK. -It'll buy you a bottle of wine then. | 0:38:01 | 0:38:05 | |
Oh, it's going up, it's going up. | 0:38:05 | 0:38:07 | |
£50 I'm bid, £5 I'm bid, on commission here at £55 I'm bid. | 0:38:07 | 0:38:11 | |
-At £55 I'm bid. At £55, and it's sold then. -Tantalisingly close. | 0:38:11 | 0:38:15 | |
-Someone's got a very nice thing there. -A great bargain, haven't they? | 0:38:15 | 0:38:19 | |
Just a fiver short, but there's still time to make that back. | 0:38:19 | 0:38:22 | |
Can James increase his profits with the pottery vases? | 0:38:25 | 0:38:28 | |
£30 for the two. At £30 I'm bid | 0:38:28 | 0:38:29 | |
for the two, at £30, my only bid for the two of them there. | 0:38:29 | 0:38:32 | |
At £30, I'm bid, £35 I'm bid, thank you, madam... | 0:38:32 | 0:38:34 | |
Come on! Come on, up it goes. | 0:38:34 | 0:38:36 | |
At £45, at £50, and £5, and £60? | 0:38:36 | 0:38:41 | |
At £60 I'm bid, your bid, sir, at £60, I'm bid, at £60 I'm bid. | 0:38:41 | 0:38:44 | |
£5 anywhere now at £60? And at £60 and they've sold. | 0:38:44 | 0:38:48 | |
-No, oh. -£60. Oh, I'm sorry, James. -Don't worry. | 0:38:48 | 0:38:53 | |
-It was slightly expected I think, unfortunately. -Oh, dear. | 0:38:53 | 0:38:57 | |
A bit of a blow for James there but he can still make it | 0:38:57 | 0:39:00 | |
up if he does well with the rest of the items. | 0:39:00 | 0:39:03 | |
Revenue is so hard to earn, but it quickly goes, doesn't it? | 0:39:03 | 0:39:08 | |
The heat is on for Helen's chair next. | 0:39:08 | 0:39:11 | |
At £10, early bid, thank you. | 0:39:11 | 0:39:13 | |
At £10 for the chair I'm bid at £10, at £15 I'm bid, | 0:39:13 | 0:39:16 | |
-£20 I'm bid, £25 I'm bid, £30 I'm bid... -No, bit more, bit more. | 0:39:16 | 0:39:19 | |
At £35 I'm bid, at £35 I'm bid. Pretty little chair there. | 0:39:19 | 0:39:22 | |
-One more, one more. -At £35 I'm bid, £35 then. | 0:39:22 | 0:39:24 | |
-Oh. -Oh. -Broken even, and sadly therefore no profit. | 0:39:25 | 0:39:31 | |
I think you're keeping your powder dry, Helen. | 0:39:31 | 0:39:33 | |
As people succumb to the heat, new auctioneer Joe Trinder has | 0:39:33 | 0:39:37 | |
taken over and he looks like he's wilting already. | 0:39:37 | 0:39:40 | |
Helen's cranberry glass goes up next. | 0:39:42 | 0:39:44 | |
-Right in at £30, do I see £30?... -Yay! Yes! | 0:39:44 | 0:39:46 | |
..at £30, £35 I have thank you, sir, | 0:39:46 | 0:39:49 | |
and £40 and £5 for you now? £45 I have and £50, and £5 for you? | 0:39:49 | 0:39:52 | |
-No, selling on the book at £50... -Come on! -Do I see £5 anywhere now? | 0:39:52 | 0:39:56 | |
-Selling for £50 to be sure. -Well done. -Yay! | 0:39:56 | 0:40:00 | |
-You needed that, Helen, well done. -I did. -A nice £30 profit. | 0:40:00 | 0:40:05 | |
That more than makes up for Helen's losses so far. | 0:40:05 | 0:40:08 | |
-Wow, that's a great profit. £40. £20 in the bin, eh? -Nice! | 0:40:08 | 0:40:14 | |
Next to set sail is James' shipping picture. | 0:40:14 | 0:40:17 | |
Do you want to start me at £60? Do I see for the lot, now... | 0:40:17 | 0:40:19 | |
Come on, £60. | 0:40:19 | 0:40:21 | |
-£60 for me now, sir? £60 I have. -Telephone bidder. | 0:40:21 | 0:40:25 | |
Do I see £5 anywhere now? Selling for £60, £5 I have, thank you. | 0:40:25 | 0:40:29 | |
-£70 with you now, sir? -£70. -£70 I have and £5 and £80 for you now? | 0:40:29 | 0:40:34 | |
£80 I have and £5 for you now? £85 and £90 to come back in now, sir. | 0:40:34 | 0:40:39 | |
£90 and selling on the phone at £90, | 0:40:39 | 0:40:43 | |
£90 and selling, anyone to come back in at £5. | 0:40:43 | 0:40:45 | |
-Thank the Lord! -£100 do I have? Selling at £100. | 0:40:45 | 0:40:48 | |
-Wow, brilliant, well done. -Oh, a result, a result. | 0:40:49 | 0:40:54 | |
The good ship has found its port, giving James a welcome profit. | 0:40:56 | 0:41:00 | |
The auctioneer has changed again, this time Nicholas Ewing is on. | 0:41:00 | 0:41:04 | |
-James' last item is next, the six gold studs. -£20's bid. | 0:41:06 | 0:41:10 | |
-Someone's on them. -£35, £40? £45? £40's bid. £45 anywhere? | 0:41:10 | 0:41:16 | |
£40 to go, nice little set, £40, | 0:41:16 | 0:41:19 | |
£45 anywhere? On my left at £40. | 0:41:19 | 0:41:21 | |
-All done at £40. -Well done. | 0:41:21 | 0:41:24 | |
-£40, so another tenner in the bin. -£40. Well, there you go. | 0:41:24 | 0:41:28 | |
After costs, there's a small bit of profit there for James. | 0:41:28 | 0:41:33 | |
I'd say you're slightly in the lead at the moment. And everything to play for. | 0:41:33 | 0:41:36 | |
Everything to play for, | 0:41:36 | 0:41:37 | |
and it's all riding on that crazy little squished up doll. | 0:41:37 | 0:41:40 | |
That's right, it is, but will it enchant today's bidders? | 0:41:42 | 0:41:45 | |
-So, £20 for this doll. -I think he's saying £20. -£10 then. | 0:41:45 | 0:41:49 | |
-Give me £10 for the doll. Surely. £10, 10 for it? -Seriously. | 0:41:49 | 0:41:54 | |
£15? £15 anywhere? £10 only. £15? £10 and going, £15 sir, £20 now? | 0:41:54 | 0:42:02 | |
-£15 to the gentlemen there. £15, all done, seated at £15. -Just there. | 0:42:02 | 0:42:07 | |
-Oh, that was a bargain. -That was a bargain, wasn't it? -A bargain! | 0:42:07 | 0:42:11 | |
You're not kidding. A tenner profit for Helen on the broken doll. | 0:42:11 | 0:42:15 | |
Well, I think I'm just about even-stevens, | 0:42:15 | 0:42:18 | |
we'll have to do the sums. | 0:42:18 | 0:42:20 | |
It seems close. Time to tot it all up. | 0:42:20 | 0:42:22 | |
James started this leg of the road trip buoyantly with £250.98, | 0:42:23 | 0:42:28 | |
but after auction costs, he made a loss of £32.70, | 0:42:28 | 0:42:32 | |
leaving a meagre £218.28. | 0:42:32 | 0:42:36 | |
Helen, meanwhile, started this leg of the trip with £178.70 | 0:42:39 | 0:42:44 | |
but after auction costs, gallantly made a profit of £5.30, | 0:42:44 | 0:42:49 | |
thereby winning this second leg of the road trip with £184. | 0:42:49 | 0:42:54 | |
-So, not too bad for me. -Diabolical for me, I'm afraid. | 0:42:54 | 0:42:59 | |
I think you definitely took that leg. | 0:42:59 | 0:43:01 | |
-OK, are you ready? -Better had be! | 0:43:03 | 0:43:06 | |
Good on, Helen, her first win of the Road Trip. | 0:43:06 | 0:43:09 | |
Things are looking up, and with three auctions to go, | 0:43:09 | 0:43:12 | |
this could be close. | 0:43:12 | 0:43:14 | |
Next on the Antiques Road Trip, James works up a sweat. | 0:43:14 | 0:43:17 | |
-And the heat is on for Helen. -I'm feeling the pressure. | 0:43:20 | 0:43:23 | |
I'm feeling the pressure. | 0:43:23 | 0:43:25 |