Selby Antiques Roadshow


Selby

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This week we're in Yorkshire and the town of Selby, 12 miles south of York.

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The immediate landscape is dominated by three enormous power stations -

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the largest of them, with a name favoured by Ian Fleming for one of James Bond's early enemies, is Drax.

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There's no bigger coal-fired power station in Western Europe.

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The coal that Drax consumes at a rate of 36,000 tons per day, comes mostly from Selby coalfields,

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and that in itself is no antique - it was discovered only as recently as 1967 - recent for some of us.

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It is a gigantic undertaking.

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To give you an idea of the scale, each of Drax's 12 cooling towers is taller than St. Paul's Cathedral.

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The River Ouse supplies three tonnes of water a day for the cooling process.

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The river played a crucial part in one of Selby's colourful legends.

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It involves monk Benedict of Auxerre

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who in 1069 had a vision of a place where a great abbey would stand.

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Years later, he was sailing up the River Ouse when suddenly three swans settled on the water,

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and Benedict recognised the area as the one he'd seen in his vision.

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He planted a cross and he staked his claim.

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Selby Abbey survived the dissolution of the monasteries and the odd natural disaster,

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and contains some fabulous stained glass.

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The most famous feature is the 14th-century Washington window.

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John de Washington was a prior in the region.

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He shared a family tree with George Washington.

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The family crest of stars and stripes shown in the window, served as the basis for the American flag.

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Selby was heavily involved in the English Civil War - there was the Battle of Selby in 1644.

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Lord Fairfax stormed the town and recaptured it from the Royalists.

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700 years before that, it was the home of the Archbishops of York.

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This gatehouse, now owned by the Landmark Trust, is all that remains of the great palace at Cawood.

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King John and Henry VIII were guests here.

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It was here in 1530 that Cardinal Wolsey was lying sick when they came and arrested him for treason.

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He was a popular man in these parts. It's said that as he was led away, there wasn't a dry eye in the house.

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It's an event that's been enshrined in legend and song.

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"And all the king's horses and all the king's men, never ever did restore Wolsey again."

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And so to the show. Our academy of experts is installed at the Abbey Leisure Centre -

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hoping fervently there'll be no falls or breakages.

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Let's see what the people of Selby have brought us - quite a lot!

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Look, there's the Queen.

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Bet that's the first time she's been in the back of a car!

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A whisky flask, in the olden days - have a nip of whisky on the road.

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Well, that kept the deer safe.

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I'm sure nobody could fire a decent shot after that. We'll get some things taken in.

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-Really is a socking great pedestal, isn't it?

-Very heavy.

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Yes, it certainly is, all walnut -

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solid walnut baluster there, which I think is really nice.

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This frame - very gently scalloped all the way around, I like that too.

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-It gives the top of the table a lot of weight.

-Yes.

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Now I'm going to go underneath here because this is a tilt-top table. Let's see if I can do this.

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I might need help. That sounds good. Here we go.

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Now, that is pretty spectacular. Can you tell me anything about this?

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Well, I got it from my father,

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and it was given to him by his mother,

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and it belonged to her auntie and uncle.

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I believe my grandma's uncle was a mace bearer of Pontefract.

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I'm given to understand that it came from the Lord Mayor's parlour.

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So it may have a very grand provenance?

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Yes, it came into my uncle's possession about 60 years ago.

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The date of the table would go back quite a long way further than that.

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And the style of the base and the really incredibly decorative character of the front,

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would suggest the third quarter, say, of the 19th century.

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-So it's showing a lot of French influence, and the French style was very popular at that time.

-Right.

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Walnut veneer as a ground, into which are set all these different shapes and cartouches.

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The middle bit's almost too cute.

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These musical trophies you've got there and here,

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a really lovely violin there and a tambourine and a horn.

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So four musical trophies interspersed with flower sprays.

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-Fantastic colour in this table.

-Yes.

-And it's kept its greens.

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-There is a problem with the surface of this table.

-Yes. We stripped the polish off about seven years ago.

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Why?

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Our daughter - who was three - drew on it with her felt-tip pens.

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-Ah.

-So to remove the colour, we removed the polish.

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-Right.

-We've never had it redone.

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It's a shame as there are bits of polish left and you can see the richness,

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it'd be worth having that polished again.

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You ought to consider an insurance valuation of around £6,000.

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-Because if something happened to it, you wouldn't forgive yourselves.

-No!

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She's lost her earrings and the top of her crown, but even with those defects,

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-she'd probably be worth about £150, maybe more.

-Oh, yes.

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Now this object here is rather interesting.

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-We've got a little stoneware thing, and do you know what this is?

-I think it's a handwarming pot.

-Yes.

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-And a hot water bottle.

-Yes, yes.

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And you can see there's a registration mark here - and that was registered in 1929.

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-Oh, yes.

-And you acquired this from another relative?

-From a relative.

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You've done well from relatives.

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This is not very valuable, £80 to £100 perhaps, but it's interesting.

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And then this big - what we could rather poshly call a jardiniere.

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-In Yorkshire, you'd call it an Aspidistra pot.

-That's it, yes.

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It's a well-known piece made by the Minton firm,

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probably round about 1868.

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It's typical of what's called majolica.

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Majolica introduced by Minton as a result of experiments by a Frenchman, Leon Arnoux,

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who was their art director.

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and he had this way of making these opaque colours to decorate what's really a terracotta pot.

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You've got something which is well known and very collectable, really.

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Unfortunately it's got a chip.

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-Yes, it has.

-You can see the little chip, but otherwise, it's in good condition.

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They're extremely fashionable in America. I would think £2,000.

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-Would it?

-Yeah, so of the items we've picked out from all those you brought today,

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I found these extremely interesting, so thank you for bringing them.

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Every so often, you get a rare treat on the Roadshow.

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And I've never seen a brass kettle on stand of exactly this form.

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Where did you get it from?

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Well, I inherited it from my father's family who were very local and were farmers in the area.

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My grandmother said

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that it was used as the... at the Sunday School teas.

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I think it dates from about 1820.

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It's got the original turned ebony handle on the top of the kettle

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which matches the turned ebony on the stand. If you turn it up,

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inside is the tinned interior, which is what you should have.

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And the rare thing is having this stand which, although it looks black, is made of brass too.

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I didn't know that the stand was made of brass. I assumed it was iron or...

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No, if you look carefully, particularly up at this top end,

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-you can see the original brass underneath this black patination.

-Yes.

-And the heat in the fireplace,

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standing in the ashes is what has made it go completely black, and inside, this wonderful pig of iron.

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So for your family's Sunday School teas - that would have been in the fire

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and would have gone into this stand, would have radiated the heat into the bottom of the kettle

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and it's remained as it was in those days.

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Yes. Well, in my living memory it's never been used.

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And I've never cleaned the back of this kettle,

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because I think if you do clean old brass you're losing part of its history.

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I think this colour remaining on the stand is very attractive.

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Now a kettle like this,

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ordinarily would perhaps be worth £100 to £150.

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To have the kettle on the stand from this period,

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translates it rather excitingly into an object that's worth perhaps £600 to £800.

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that's just by keeping it together.

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Yes, that's rather a surprise really.

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What we've got here is a small collection of the typical type of watches that turn up every Roadshow.

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The problem is that everybody had a granny and a grandpa,

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and most have watches, and although they're marvellous pieces of work,

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this little one here is a typical granny watch of 1900, beautifully engraved, probably still working,

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but £50 or less.

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So this is a very handsome collection and some of these to my eye look terribly expensive,

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what would you advise people to do to avoid disappointment?

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It's difficult to say, because there isn't an easy way of looking on the bottom and saying -

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it's marked like this so i's £50. One just has to bring them along

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and one has a look, because there's a chance it may be valuable.

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Always that chance.

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-Yes.

-It's travelled well.

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Oh, very nice, can I give it a...

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Nice one.

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It's been passed down the family on my husband's side,

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from his great aunt - the lady in the picture there.

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It originally belonged to her five-year-old sister which she got as a Christmas present.

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Unfortunately, six weeks later, she died of diphtheria

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and this was the last thing she was holding with the doll when she died.

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-Her elder sister has kept it in memory of her sister.

-Was that an orange, do you think?

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-Yes, yes.

-Well, it's a tragic story and, as I always say,

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valuable things haven't been played with, and usually it's because of a sad story like this.

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She's been put away in her original box in superb, pristine condition,

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and the fact that it's a British doll - because we don't have many British dolls in this country...

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She's a "shoulder-head" - all in one with the shoulder plate, lovely original silk satin dress,

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and little overcoat, original shoes,

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her own bag and this photograph of the original owner,

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all go to push up her value to - I would say somewhere in the region of £200 to £300, possibly more.

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-So...

-Lovely. Thank you.

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Well, this is really psychedelia, isn't it? Fantastic bit of optical art, but from when?

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Not from the flower-power age of the 1960s,

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but look at that one,

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that's fantastic too.

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This is, if you like, psychedelia from a century before that.

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These are 19th-century kaleidoscopic slides.

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And there's another rather fun one of somebody looking in the mirror

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and they see the donkey's face instead of their own.

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Now these slides obviously go with something much more extravagant -

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this wonderful magic lantern. How far can you trace it back yourself?

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It belonged to my wife's uncle.

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-So he was as a projectionist?

-No, he was a plumber.

-Very good.

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This particular magic lantern is a very good quality one. It's a good mahogany body, brass fittings,

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and on the front here is the name of the manufacturer.

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The Hughes company was working from the 1870s all the way through until the early 20th century.

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There are two distinct parts to this - one is the lantern itself.

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I would say we're talking about perhaps £400 to £600, that sort of figure,

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and then we come to the slides.

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I would have said that we've probably got about £300, perhaps £350-worth of slides.

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So put it all together, and on a good day it could be just edging up towards £1000.

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-The marks are confusing because it's stamped there "Nevada silver".

-Yes.

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There is actually not a gram of silver in this.

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It's actually a manufacturer in Sheffield in the 19th century who was stamping all these names on.

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Today, there's no you could put that on, because it would be...

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-..Illegal.

-Trades Descriptions Act.

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It's made more confusing by these marks which give the impression of a set of hallmarks.

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But when you look at them, they're spurious and are made to give you that idea of a set of hallmarks.

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So the whole thing is set out to confuse.

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-It's a fraud.

-Well, yes. In a nutshell, I think you've got it.

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In 1906, Selby Abbey was destroyed by fire,

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and a stonemason at that time retained so much wood from the abbey,

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and over the next 10 or 15 years used it for carving walking sticks for special people.

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-You had to be important to get one?

-That's right, yes.

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This is an earlier one which he carved for one of his workmates, but this belongs to Selby Abbey archives.

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-This is a later model, probably around 1920.

-But both made from wood from the timbers...

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..The timbers from the old abbey.

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And they're marked, "Old oak, 1069, Selby Abbey".

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-1069, wonderful.

-Before we were born.

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-And how many of these are there?

-Probably 12.

-In the world?

-That's it, yes.

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It's in a pretty platinum case, probably French,

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but its value is commensurate with the diamonds and metalwork.

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-So it's worth, in auction, something in the region of £400.

-Oh, really?

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What we have here is something else.

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-We have a compact.

-Yes. It was given to me fairly recently by - I'd better not say an elderly lady -

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a mature lady, and she'd inherited it from an even older lady that had died, and she gave it to me,

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-for safe keeping.

-Well, this jet black is quite severe looking, but it's very typical of the 1930s.

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Let's have a look inside.

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Inside you've got the mirror and these two little doors, rather like wardrobe doors.

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-and as the lid flips up, it slightly releases the handles of these doors.

-Dinky.

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-And you can see it's a powder compact. Inside there you've got a little hallmark.

-Yes.

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-And it's not gold, it's silver-gilt.

-Oh, right.

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And it's black enamel on the surface. If I turn it,

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you can see the full extent that it has been black enamelled.

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-Lovely diamonds that form this flash on the front.

-Are those initials?

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Yes. If you think about the 1930s,

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it was fashionable to put a monogram in a very linear look.

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There's a tiny inscription there on the edge.

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-I didn't see, but my daughter saw it, and there's a number.

-That's right, because it's by Cartier, London.

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And if you look in the hallmark, it's 1934,

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-and that makes it quite valuable.

-Oh.

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-Now it ought to be worth something approaching £1000.

-Really?

-Yes.

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-I was going to keep my pills in it.

-You still can.

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I still might, on special occasions.

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It's appropriate being in Yorkshire we should be looking at this piece of embroidery which depicts archery,

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because of the important association that Yorkshire as a county has had with the history of archery.

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-Oh.

-Now, this sampler was worked by Sarah Enson who finished this in her 11th year, 1802.

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So she would have done this just at the beginning of the major part of the Napoleonic wars.

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If we start from the top, there's this wonderful scene of an archery match and you can see two gentlemen.

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One of them has just loosed his arrow,

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winging its way to the butts, and the two chaps are the scorers.

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They're quite brave fellows to stand there.

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One thing that is very important about the whole aspect of archery

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is that it was the first sport in which both men and women could compete equally in an outdoor sport.

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And we have a lady, very fashionably attired.

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The detail is beautiful. She really has observed things and I think she's been inspired by them.

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My favourite bit is this person coming to church in a sedan chair.

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-Now that's got to be style.

-Yes, I love that.

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You gets lots of formal painting of people with their bow and arrow,

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but there's very little folk art, and yet archery was so important in the history of Yorkshire.

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There's a match now that's still known as the York Round.

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So it's wonderful that we've got it here and in beautiful condition, with just the odd little hole in it.

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I paid for that and another sampler which you - a friend of yours had -

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-and I paid £1,000 for the two.

-Well, I think it was a good buy.

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I think that this is worth about £1,500 because of its clarity and its unusual subject as well.

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-How did you come by it?

-It was a gift.

-A fabulous gift.

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-You know it's Japanese, obviously?

-I presumed so.

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-What do you think he is?

-A samurai.

-In fact, he's a little bit more complicated than that.

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In fact he's a sort of renegade samurai warrior, he's a Yamabushi.

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Yamabushi were priest samurai figures.

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-Was he a bad warrior?

-Yes, he would have been, but he is a sort of renegade

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who left the official samurai clan for whatever reason, went into the mountains

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and became a priest samurai. But he didn't turn out to be a good figure.

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They would descend from the heights of the mountains around Kyoto into Kyoto

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and cause havoc, so they're not at all popular.

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This figure is by one of the most well known of the Japanese bronze makers.

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This is a sort of travelling box, and let's take his conch shell off.

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You can see he's blowing it, by his rounded cheeks - I suppose it's a sort of mobile phone of its day.

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-He would call his companions from the mountains.

-Or to announce the arrival.

-Indeed.

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But this piece has a signature by quite a well-known maker called Miyao,

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who was the most well known of the Japanese bronze makers.

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This is post-1868, when the habit of wearing swords was forbidden and people turned to western dress -

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and thus metalworkers made animals and bronze figures.

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Some are extremely fine and can be large. Large Miyao ones are worth tens of thousands of pounds.

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This is not of that calibre, it'd be worth something like £1,500,

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-probably more like £2,000 to £3,000. I hope that's a good surprise.

-Lovely.

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-Good.

-Amazing.

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That one's Dopey.

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-And this one looks - he looks a bit bashful.

-Yes, that's him, shy.

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-Actually, he's Grumpy.

-Grumpy.

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He's Grumpy, so maybe this one is...he's Bashful.

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Well, you've got a lovely group of Snow White and the Seven Dwarves.

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And where did you get them from?

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-I've been collecting since I was young.

-And how old were you when you started?

-About two.

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Very good. Can you see on the bottom there's a name which says "Wade"?

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It's been cast out of pottery and it's been painted on afterward.

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So this paint is a little bit fragile, so you can see on places that it's...

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-It's chipped.

-It is a bit chipped, yeah. But no, it's a nice early set dating from probably the 1930s.

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I think it's worth a lot of money.

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It could be worth about £500.

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It's all right, isn't it?

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It was done by a private in the regiment of Captain Oates

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after the Scott of the Antarctic where he went out to the snow to die. It was done with Army darning wool.

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-Because it looks very coarse woolwork.

-Yes.

0:24:390:24:43

The Army darning wool makes it kind of triply interesting.

0:24:430:24:48

Here we have "a gallant gentleman" -

0:24:480:24:52

the absolute emotional epitaph here.

0:24:520:24:55

-It's very beautifully done. It's in jolly good condition.

-Yes.

0:24:550:25:01

-I think it's a really super object and it would be incredibly popular were it ever to be sold.

-Really?

0:25:010:25:08

If this comes onto the market,

0:25:080:25:10

-I think you'd be likely to get between £1,000 and £1,500 for it.

-Really?

-Mmm.

-Good heavens!

0:25:100:25:18

-It's a very rare object.

-Amazing.

-Thanks for bringing it in.

-Thank you.

0:25:180:25:23

My great-grandfather got this as a wedding present.

0:25:230:25:28

and he was a barrister, so the connection's quite apt when you think of the history.

0:25:280:25:34

-The title "Laying Down the Law".

-Yes.

-"Trial by Jury" is the other.

-Yes.

0:25:340:25:40

-Well, it's one of the most famous images by Landseer.

-Yes.

0:25:400:25:44

One of the greatest animal painters in the 19th century.

0:25:440:25:47

At that time, judicial reform was very very topical and the artist was trying to give us a message.

0:25:470:25:54

This is satiring the very fact that possibly animals and dogs could do a better job than humans.

0:25:540:26:01

I do understand that Landseer saw the dogs sitting at the table and said it reminded him of a judge.

0:26:010:26:09

-We better say now that it's not the original.

-Oh yes, yes.

-But it's a very good version of the picture.

0:26:090:26:15

It was either bought or commissioned by the Duke of Devonshire, and it was painted about 1840.

0:26:150:26:23

Yes, that's right, yes.

0:26:230:26:26

-This spaniel was in fact the Duke of Devonshire's dog.

-Yes.

0:26:260:26:31

It was engraved in 1841/42,

0:26:310:26:34

-and in the engraving he doesn't appear.

-Yes.

-And in fact, the dog was actually painted in later.

0:26:340:26:40

Yes, so I understand.

0:26:400:26:43

Artists magnified their income by having the paintings engraved

0:26:430:26:48

and selling them across the country.

0:26:480:26:51

Look at this wonderful poodle.

0:26:510:26:53

The poodle belonged to Count D'Orsay, and he's the most wonderful, imposing figure.

0:26:530:26:59

With a copy - and it's a very good copy - you ought to say £2,000 - £3,000 and insure for a bit more.

0:26:590:27:07

Yes, right. Thank you.

0:27:070:27:09

Some are of incredible rarity.

0:27:090:27:11

Wonderful things.

0:27:130:27:15

That's a terribly rare one, that's this little chappie on the front, it's a Worcester one.

0:27:150:27:22

A lot of them are incredibly rare. By golly!

0:27:220:27:25

There's one or two that are probably a little bit wrong.

0:27:250:27:30

1790 is wrong. It's a later French piece. They often put phoney dates on them.

0:27:300:27:36

And this one, the Dutch decorated one, that's here on the table, isn't it?

0:27:360:27:42

They belong, in fact, to the Lodge, not to us personally.

0:27:420:27:49

We just brought them along today for you to have a look at.

0:27:490:27:54

-And how did they come into being?

-They're all donated,

0:27:540:27:59

principally by two members of the Lodge who were quite wealthy and knowledgeable about this.

0:27:590:28:05

-Yes. This is extraordinary. This is a Worcester one.

-Yes.

0:28:050:28:09

Terribly rare, with the Freemasons on the front and the emblems.

0:28:090:28:14

Engraved by James Ross who was a great Worcester engraver, a pupil of Hancock,

0:28:140:28:20

the originator of transfer printing.

0:28:200:28:23

This is marvellous, about 1780 something like that, this one.

0:28:230:28:28

I mean, some of these - I mean, this super Leeds pot, must be, I don't know £1,500 to £2,000.

0:28:280:28:35

-Really?

-Yes, this little Worcester mug is splendid.

0:28:350:28:39

I mean, here we're £1,500 - £2,000.

0:28:390:28:43

Some of the glass - especially these lemon squeezer bases -

0:28:430:28:47

are worth up to £2, 000 each.

0:28:470:28:49

-Gosh.

-So on this table, just these few pieces from the collection...

0:28:490:28:55

-Yes.

-There must be what,

0:28:550:28:58

£17,000 - £18,000 or more.

0:28:580:29:01

-I've had just a little flipsy through this collection, it's mind-bending.

-Yes.

0:29:020:29:09

And one must be looking at something like £250,000 or more.

0:29:090:29:14

Take great steps to get them all itemised and all insured,

0:29:140:29:18

and perhaps enable the public to come and see it one day.

0:29:180:29:23

-We would welcome people to take an interest.

-That's wonderful to know. Thank you so much.

0:29:230:29:29

Thank you very much, Mr Sandon.

0:29:290:29:31

Very good.

0:29:400:29:42

-That just proves that it's got a good tone.

-Yes.

0:29:440:29:48

-Now, this is a cornopean.

-Oh, yes.

0:29:480:29:51

Because at the date that this was made, that is between about 1830 and 1860,

0:29:510:29:57

they weren't called cornets, they were called cornopeans.

0:29:570:30:02

I know that it's most likely been handed down through the family,

0:30:020:30:07

and possibly played by my wife's grandfather in the Salvation Army.

0:30:070:30:12

-In a Salvation Army band?

-Oh, yes.

0:30:120:30:14

Very good. It's very attractive. I love the curlicues round here.

0:30:140:30:19

You also think there's something dodgy with the valves.

0:30:190:30:23

The invention of valves to get the notes only came in the 1820s.

0:30:230:30:29

-And in 1838, a man called Shaw invented this particular...

-That system.

0:30:290:30:34

-..system which must have worked very well, because although finally it's died out now...

-Yes.

0:30:340:30:42

It was actually used for many many years.

0:30:420:30:45

-Now have you played both types?

-Yes.

-And what's the difference?

0:30:450:30:50

Well, this is a much slower movement than the valve movement now.

0:30:500:30:56

So that decided the future of the Shaw system.

0:30:560:31:00

-There's something that I love about it, which is you haven't cleaned it.

-I was going to ask you about that.

0:31:000:31:06

There are two schools of thought, particularly with an instrument that's used in public performances.

0:31:060:31:13

People think a brass wind should be shiny.

0:31:130:31:15

-Should be shiny and clean.

-But to me, I bang on about this all the time,

0:31:150:31:20

something that's old should look it.

0:31:200:31:23

-And it's got this wonderful patina, this golden colouring.

-That's right.

0:31:230:31:28

It lightens the grey which is wonderful to see.

0:31:280:31:31

Here we have the maker - Kohler - of Henrietta Street - here it is.

0:31:310:31:36

-That's right, yes.

-In London, obviously of German extraction.

0:31:360:31:41

The instrument itself is a rarity and cornopeans are very desirable.

0:31:410:31:46

-If one was talking about auction value today, we'd be thinking about perhaps £1,000 - £1,500.

-Really?

0:31:460:31:53

-Yes, quite a surprise.

-Had you had its case, that might have pushed it over £2,000.

-Would it really?

-Yes.

0:31:530:32:00

-So that makes a difference, but it's a wonderful instrument.

-It is.

-And go on using it.

0:32:000:32:06

I've not seen anything like that before, it's extraordinary.

0:32:060:32:11

Well, generally, if you brought me a bit of Zsolnay, I would say "gosh that's grotesque and not very nice."

0:32:110:32:19

And they made these very complex, slightly Turkish-inspired pieces.

0:32:190:32:24

-This one is the only bit of Zsolnay I have seen that works.

-Oh, right.

0:32:240:32:29

-The painting is simply lovely. It's beautiful.

-Is it hand painted?

0:32:290:32:34

Hand painted, very well.

0:32:340:32:36

-It's a sort of faiency material.

-Mm.

-These colours - typical of 1875- 1890.

-Really?

0:32:360:32:43

It's worth about £600 or £700 but I haven't seen anything of this quality.

0:32:430:32:48

-Did you know anything about this?

-No. I've liked it ever since my father bought it for my mother.

0:32:480:32:55

I've always said I would like that one day.

0:32:550:32:59

And then when it came to me, I was really pleased to have it, and we love it. It's extraordinary.

0:32:590:33:07

-You're very lucky.

-Thank you so much.

0:33:070:33:11

-I'll touch it for luck.

-Yes.

-It's a nice thing.

-Thank you.

0:33:110:33:15

It's a strange thing about the Roadshow, some days we never see the same thing,

0:33:150:33:21

others, the same thing occurs again and again - this is our second cornet.

0:33:210:33:27

All my life I've wanted to play the cornet. I'm completely unmusical.

0:33:270:33:31

I'll never do it, but it's always been the instrument I loved. So why have you got this one?

0:33:310:33:37

-It belonged to my husband. He played in a colliery band.

-Ah, in this area?

-In the Wakefield area.

0:33:370:33:45

-Right.

-I think he bought it a few years after he started playing.

0:33:450:33:50

-It was an Echo cornet and he always wanted one.

-Now, this is the interesting thing about it.

0:33:500:33:57

This is a very unusual instrument as most cornets, obviously as most trumpets, have three valves.

0:33:570:34:03

-Yes.

-This has got a fourth valve.

0:34:030:34:06

That allows sound to pass through an extra tube extension here...

0:34:060:34:12

-Yes.

-..into this shaped extension which looks like a sort of motorcycle exhaust pipe.

0:34:120:34:19

-Yes.

-When listening to brass bands, when the cornet's playing,

0:34:190:34:23

there is this wonderful echo behind the note.

0:34:230:34:27

I've never known how it was made because I haven't seen one of these.

0:34:270:34:31

Seeing one, I understand it, that you get that extra effect on top of your main fingering

0:34:310:34:37

through the fourth valve. It was made in London by a company called Besson.

0:34:370:34:43

We've got the box here and you can see there's their label, and made in about 1900.

0:34:430:34:49

-So it was quite old when he bought it.

-Was it?

0:34:490:34:52

-An instrument like this, in this condition, with the box by Besson, should be £800 to £1,000.

-Really?

0:34:520:34:59

-Yeah.

-I just kept it because it was his.

0:34:590:35:02

Which is the best reason for keeping it.

0:35:020:35:06

It's a memory of him, and of colliery bands, which are nearly a thing of the past.

0:35:060:35:11

Yes, they are now, yes.

0:35:110:35:13

This is a sort of sideboard vitrine. What else have you got?

0:35:130:35:19

We've got what we call a dessert or chiffonier, which is much smaller but it goes with this.

0:35:190:35:26

-I'd say this is a French piece.

-It is, yes.

0:35:260:35:30

It's a Majorelle and it was bought the last year of the war

0:35:300:35:34

in an auction room in a little town in the Massif Central by my parents, among other things.

0:35:340:35:41

Ah, right. Now, Majorelle, Majorelle is a magic name, really.

0:35:410:35:47

Majorelle - associated with the great period of French Art Nouveau furniture -

0:35:470:35:52

who came to real prominence at the 1900 exhibition, with very flamboyant curvelinear work,

0:35:520:35:59

and lots of marquetry and lots of gilt bronze, but this doesn't have a lot of those features.

0:35:590:36:07

There is a mark which says "Majorelle, Nancy" down here.

0:36:070:36:11

He didn't sign all his pieces, but the better quality pieces were usually signed.

0:36:110:36:17

-I love these handles, I must say, absolutely tremendous. These have got grapes on them too.

-Yes.

0:36:170:36:24

And we've got grapes carved into the wood in the middle there,

0:36:240:36:30

also a very Majorelle feature. And let's look at the drawers.

0:36:300:36:34

The dovetails here - very tight,

0:36:340:36:37

very evenly spaced, which suggests machine dovetailing.

0:36:370:36:41

And - oh, this is great - because at the back - you hardly ever see this,

0:36:410:36:46

if you can see the characteristic features of machine-cut dovetails with these scallops -

0:36:460:36:52

this suggests that it is indeed a machine-made piece,

0:36:520:36:57

even though it's of high quality.

0:36:580:37:00

The other thing that perhaps goes with your idea of it being Majorelle

0:37:010:37:07

is the use of this wrought-ironwork and this is to me what really makes the piece of furniture.

0:37:070:37:14

I think this is really fantastic.

0:37:140:37:17

You've got vine leaves, grapes,

0:37:170:37:20

and behind it, a panel of glass which sets the whole thing off.

0:37:200:37:26

Lorraine, which is where Nancy is, where Majorelle worked,

0:37:260:37:32

became very famous for its ironwork in the late 19th century,

0:37:320:37:36

-and Majorelle picked up and really exploited that.

-Ah.

0:37:360:37:41

I think, for an insurance value,

0:37:420:37:45

you should be looking at around £9,000.

0:37:450:37:49

£9,000?

0:37:500:37:52

-Very good, lots of money, I am surprised.

-I hope that comes as a nice surprise.

0:37:520:37:59

-Very nice surprise.

-It is a handsome piece.

-We love it very much.

0:37:590:38:05

Here we have a limited edition of "The Fairy Caravan", one of the later books by Beatrix Potter.

0:38:070:38:14

and she's signed it. "For Fred Satterthwaite and Metal with kind regards from Beatrix Heelis."

0:38:140:38:22

We all know that she was married to William Heelis, the solicitor,

0:38:220:38:26

and in this later book she actually calls herself Beatrix Heelis.

0:38:260:38:31

So what is the connection with Fred Satterthwaite and Beatrix Potter?

0:38:310:38:36

Fred Satterthwaite was portrayed in the book as Metal, his dog,

0:38:360:38:42

because Beatrix Potter always turned her characters from people that she knew.

0:38:420:38:49

-So she wrote about people but turned them into characters.

-Wonderful.

-So Metal was his dog and...

0:38:490:38:56

Lovely. And if I turn to this picture of a smithy...

0:38:560:39:00

-In the middle - is that Metal?

-That's Metal.

0:39:010:39:05

-Wonderful story.

-All his dogs were called Metal.

0:39:050:39:09

-What, all at the same time?

-No! They were Lakeland terriers.

0:39:090:39:14

-All Lakeland terriers?

-Yes.

0:39:140:39:17

Presumably when one passed away...

0:39:170:39:20

-the next one was called Metal.

-Very convenient.

-Easy to remember.

0:39:200:39:25

-Absolutely lovely. Now, have you any idea of value?

-Not really.

0:39:250:39:30

-I do know he was offered £5 for it a number of years - well, a lot of years ago - and...

-Really?

-Yes.

0:39:300:39:37

-Amazing.

-And he gave it to me and said if ever I was short of money, I could sell it.

0:39:370:39:44

Right... Aare you short of money?

0:39:440:39:47

Well I COULD be!

0:39:470:39:49

Well would it surprise you to know that this is worth £5,000?

0:39:490:39:54

-Gosh! A bit better than £5.

-I think so, by a few thousand.

-Yes, yeah.

-Thank you very much for bringing it.

0:39:540:40:02

-A lovely story.

-That's wonderful.

0:40:020:40:05

I trained as a needlework teacher. and my husband had this bright ide. to start a needlework collection,

0:40:050:40:12

So being in London, we could go and buy things.

0:40:120:40:16

You bought this a long time ago?

0:40:160:40:19

About 17 years. Yes, I think so.

0:40:190:40:22

I know that it came, because it says so, from the Shepherd Collection -

0:40:230:40:28

which was THE collection in 1982 or so.

0:40:280:40:32

And it's the most wonderful piece of mahogany. It's a niddy noddy.

0:40:320:40:37

It is for measuring skeins of wool, and it's highly collectable - early 19th century.

0:40:370:40:45

and probably worth as much as £300.

0:40:450:40:47

-Oh, but it's a bit of stick!

-No it's not. It's turned and specially made...

0:40:470:40:55

I don't know what to take out next! ..I've NEVER seen one of these!

0:40:550:41:01

I've seen lots of needlework dolls, but never one with all its limbs, made of...what you see!

0:41:010:41:08

Probably made in Germany, this actual doll, and sent over here.

0:41:080:41:13

That again, for a needlework collector...

0:41:130:41:17

-I suppose we're talking about £60, £80...?

-Wow!

0:41:170:41:22

And...

0:41:230:41:25

This is known as a goose wing.

0:41:280:41:31

-Oh, yes?

-And it actually is an early 19th-century fruitwood knitting sheath.

0:41:310:41:38

in here... you put in a knitting needle.

0:41:380:41:42

-Right...

-And you go round the house knitting with one hand, while you do your chores!

0:41:420:41:50

-A goose wing.

-Oh.

-Highly collectable.

0:41:500:41:53

Wwe're talking about around...

0:41:530:41:56

-£150 for that.

-No! 150...!?

0:41:560:41:59

I like this one! The original mirrored interior...

0:42:020:42:07

tiny little scissors!

0:42:070:42:11

Wonderful, lovely little box! Leather. Possibly the first part of the 19th century.

0:42:110:42:18

Again up to £100 for that.

0:42:180:42:21

Some Tunbridge ware.

0:42:210:42:23

-That's my favourite is this.

-Is it?

-Yes.

-Why's that?

-Well, I know they're quite rare.

0:42:230:42:30

These were for holding narrow spools of thread.

0:42:300:42:34

It's absolutely wonderful. A lovely piece in very good condition.

0:42:340:42:39

-That's probably worth about £200 on its own.

-Wow!

-And so...

0:42:390:42:44

One more little doll. Again, they're collectable.

0:42:440:42:49

-Probably 1890 something like that.

-That early?

-£80 or so for that,

0:42:490:42:54

So what have we got here? We've got...getting on for £2,000.

0:42:550:43:01

-Boy...!

-Wonderful collection.

-Just there?

-Yes.

0:43:010:43:06

-Absolutely splendid.

-Wow!

0:43:060:43:09

Well, Selby has certainly dug deep, but I think that wood has definitely been the star of the day.

0:43:090:43:16

That French sideboard, that lovely marquetry table...

0:43:160:43:21

and these walking sticks made from the beams of the abbey.

0:43:210:43:27

So, to the people of Selby, thank you for a warm welcome. Until next week, goodbye.

0:43:270:43:34

Subtitles by Graeme Dibble BBC Scotland 2000

0:43:430:43:48

E-mail us at [email protected]

0:43:480:43:51

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