Rochdale Town Hall Antiques Roadshow


Rochdale Town Hall

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The idea of civic pride isn't exactly all the rage these days,

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but there was a time when cities and towns across the land

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wanted everyone to know they were special.

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"If you've got it, flaunt it", was the cry.

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The best way to do that was to dazzle the world with your public buildings.

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Our venue this week is a perfect example - it's a masterpiece of Gothic revival architecture.

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And it has the lot - magnificent stained glass windows,

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vaulted ceilings, grand stairways, wonderful Minton tiled floors,

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stone and wood carvings worthy of a stately home.

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There's even a great organ.

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Is this another of our great cathedrals?

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In fact it's a town hall.

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We're in Rochdale, Lancashire, home of the Co-op Movement and once an industrial boom town.

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In the Victorian era the town's leaders wanted to prove

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they had enough brass and "chutzpah" to turn a functional building into a work of art.

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Rochdale's old coat of arms hints at where the brass came from.

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A woolsack and a ram suggest a woollen industry.

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But the crest also features a large garland of cotton buds.

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In the 19th century the cotton mill chimneys of Rochdale were smoking for England.

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The population exploded as workers, many of them women, poured in from

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the countryside to the factories to operate steam-driven power looms like this one.

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Lancashire became the cotton goods capital of the world.

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The mill workers themselves lived in atrocious conditions.

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Some of Rochdale's councillors opposed the plan to build a grand town hall

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because they felt the money would be better spent on decent sanitation.

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Half the streets in town didn't have the luxury of a sewer.

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But by 1866 the budget was approved and the foundation stone was laid, although the building ended up

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costing nearly eight times Crossland's original estimate of £20,000.

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Rochdale eventually got a decent sewage system too.

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Designed for public meetings and concerts, the Great Hall is the setting for today's Roadshow.

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Above our heads, an enormous hammer beam ceiling based on one at Westminster.

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And on all sides, stained glass windows that depict every monarch of England,

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from William the Conqueror to Queen Victoria.

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Now that's flaunting it!

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And it's time for the people of Rochdale to do a bit of showing off for our experts.

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What a nice little group of pieces, aren't they?

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How did you come by them?

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My mum's aunt left my mum £500 in her will when she died.

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I've got two brothers and two sisters, so my mum decided to give us £100 each.

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My brothers and sisters were all given £100 to go and do what they wanted with.

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Whereas I was only quite young, there's quite a big difference in our ages,

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so my mum decided that it would be better if we went to an antique shop.

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It might be quite nice to go and spend the money on some antiques.

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Hence, I've still got my £100.

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-You've got yours still. Your brothers and sisters spent it on wine, women and song.

-I think they squandered.

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It's remarkable for a youngster to want to buy these things.

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-Did you like them at the time? Did you fall in love with them?

-I did. It was between us what we chose.

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-The girls are pretty.

-They're fascinating things, aren't they?

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The two figures are French.

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The two girls, a pair, nice to have the pair, they're Jean Gille

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of Paris, in bisque.

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That's an unglazed body which lets the flesh show very beautifully.

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I think they're absolutely lovely and in remarkable condition.

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The pot here is Doulton of Lambeth,

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with a pattern called "Chine" -

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this sort of lovely little shining gold decoration on the top.

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Chine decoration, about 1900.

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Whereas the French figures

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are about 1870, something like that.

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The little tiny group,

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these little three girls, seated on there, on the top of a box,

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they've put the thing on top of a box.

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-Right.

-They're made by a firm called Conta & Boehme of Germany.

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So little fairings, things somebody bought when they went to Brighton

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or to, I suppose, Blackpool, or something locally here, wasn't it?

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And brought it back and gave it to mother.

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So those aren't complete but I think they're wonderful.

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Thinking of value, your £100, do you think it might have increased a bit?

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Well over 30 years, maybe it would have gone up a little bit, perhaps.

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We'll see.

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-The little figures, I suppose they're going to be £20, £30.

-Right.

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They lack their box underneath.

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-Yes.

-The chine vase, should be one of a pair.

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-You haven't got the pair?

-No.

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£80 to £100.

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-Really?

-So that's nearly your...

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I've nearly got my £100.

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-You've got your £100 there, haven't you?

-Right.

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But the French figures are very nice.

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I think, probably in value, they're going to be say £600 or £700.

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-Really?

-So your £100 has multiplied alarmingly!

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-Wow!

-That's jolly nice, and instead of wine, women and song, you've got these.

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-That shows them, doesn't it?

-Yes, yes.

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Have you got any marine background to the family?

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None at all, none at all.

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My uncle was in the Merchant Navy but apart from that, none at all, no.

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-So this hasn't come down through the family?

-No.

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This is the only antique my father ever bought, I think.

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My mother, she got plenty, but this is the only one he bought.

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Right. It's a very well designed barometer

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-and the chap who invented it, he didn't make the barometer, this man, Admiral Fitzroy.

-No.

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He was really the world's, certainly this country's, first meteorologist.

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And the whole weather forecasting system that we now use, basically owes a huge amount to his work.

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-Yes.

-And he's an interesting man.

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I think he was born about 1805 and committed suicide in 1865.

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-Did he?

-And in the meantime he was a Member of Parliament,

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I think he sat in the Houses of Parliament,

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he was associated with Darwin, and he came up with the barometer.

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But he came up with a very advanced system of how you could actually predict and forecast the weather.

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Whereas before that they simply had the scales and perhaps a few simple instructions.

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Well, although Admiral Fitzroy died in 1865, the vast majority of barometers were made after his death.

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-This one dates from somewhere about 1880.

-Yeah.

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And, as I'm sure you know, the way this one works

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is you have two knobs here that can adjust the needles.

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-Yes.

-The pointers, depending upon what, set for yesterday, set for today.

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And you have two sets of scales - the winter and summer.

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So, if you set it today,

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apparently it's hot and raining, or it could be much rain and snow!

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Now they come in various qualities.

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It's not signed. I don't know who the exact maker was.

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But this is quite a superior one because the scales are all enamelled.

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And some of them are in cardboard, printed paper.

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So this is a rather good one.

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Quite a nice size, decorative carving, well-made.

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Do you know what he paid?

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No, I don't.

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-He wouldn't have paid a lot.

-No, I don't think so.

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-25 years ago...

-Well, no, longer than that.

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About the '30s, I think he probably bought it. In the '30s.

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They weren't very popular then. People didn't understand the significance.

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He had it in the porch, he used it daily. He followed it daily.

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Yep, well he's done all right, I think.

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Nowadays, £1,500.

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£1,500 to £1,800.

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That is a surprise, that.

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It's a lovely hall. Have you been here before?

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Yes, it's beautiful. Yes, I've been to you know, dances in there.

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-Oh, really?

-When I was younger, you know.

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What, ballroom dancing?

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Oh, yes, ballroom, dinner dances and things like that.

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And who did you come here with?

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-Me cousins, actually.

-Oh, right, not your husband?

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Oh, no, I hadn't met him then.

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Anyway, these boxes, why did you bring them along today?

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Because they've been in the family for years and years.

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I don't know how far they go back at all, you know.

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-So, that's really the question, isn't it?

-Yeah.

-How old are they?

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And there are a couple of clues here.

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This one is dated 1616.

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-Yeah.

-And the other is dated in a very similar place, right down.

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Right at the bottom.

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1542.

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-So the suggestion is that they're 16th and 17th century.

-That's right.

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This is a very standard form of piece of furniture around that date.

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-Right.

-People used coffers to store everything from textiles...

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-That's the proper name for them, coffers?

-Coffers, yes, or little joined chests.

-Yes.

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So the question is, do we believe the date or not?

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-Well.

-What do you think?

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I haven't a clue, I haven't a clue.

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Well, the problem with them really is that they're a bit of everything.

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-Right.

-And so, whilst there are some old pieces of timber within them,

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they've almost certainly been constructed or made in the 19th century.

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And on this one it's very clear that the whole box has been constructed out of various sections of timber.

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But in order to match all these different bits of timber from different dates together,

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they've put a nice thick glare of dark staining over the top.

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Yes, to make it look authentic.

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Exactly. This, I think, is really quirky. Where does this live?

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It doesn't fit in anywhere at all.

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-I had a cover made for it to match the bedroom.

-You cover it up?!

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Cover over it, so that it blends in with the bedroom.

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Blends in with the bedroom, right.

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Well, one of the things that's wrong with this is the top.

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-You daren't touch it.

-Well, I can see that you, was it you who put the Blu Tack on

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to try to keep the whole thing together?

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I've seen all sorts of restoration, but I don't think I've seen...

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I was told I hadn't to put nails in it.

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-So you went for the Blu Tack option instead?

-Yeah.

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I am going to attempt to lift it.

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And again here, now that's a very good example of where...

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-Peeling off.

-..the dark staining, exactly.

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-You can see it's almost like a black paint that's been applied to it.

-Yes.

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They're just decorative boxes.

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-Yeah.

-Little sort of 19th-century creations.

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Taking a bit perhaps from earlier centuries, putting all the pieces together.

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-Yes.

-As far as value goes, because they're 19th century pieces...

-Not worth anything.

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-I wouldn't say nothing.

-Oh.

-But a piece like this would be around, I suppose, £80 to £120.

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And a small chest like this, around perhaps £150 to £200.

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Oh, right. So I can get rid of them?

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-You can't, or you can?

-I can, I can.

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Well, yes. I mean, if it's just covered up in your...

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Well, you just keep holding on thinking well, well, well.

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Now I know, they can go.

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Now when I first saw this little gold pencil,

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I could see it was a very, very good thing.

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And there's an inscription here that suggested that it was made by a firm called Sampson Mordant.

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And it was. But you know more about it than that, don't you?

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Well, it was given to the wife of a friend of mine.

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Apparently it was an old gentleman who she used to take care of.

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But he used to live in London, from what I gather,

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-and he worked for the government. That's about all I know.

-That's all.

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But we can find out a bit more, because when we read this inscription,

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it says, "The gift of His Majesty George IV, 25th December,"

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"Christmas Day, 1825".

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-I think that's a bit of a belter, don't you?

-I think so, yes.

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A gold pen by Sampson Mordan set with an amethyst in the end.

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A propelling pencil, given by King George IV.

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He's a very fascinating character because

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he missed the genetic gene bank rather conspicuously.

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He had 15 intimate friendships in his life.

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The upshot of those is that he's said to have had as many as 14 illegitimate children.

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He acknowledged very far fewer than that.

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And he had one legitimate child who died in childbirth, Princess Charlotte.

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And the upshot of that was, the succession went to the Duke of Kent, who'd just given birth

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to what was to become Queen Victoria.

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So, it's just a sort of inch away from an enormously powerful situation.

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And fate would not have it that the giver of this pencil

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was to be the father of the next generation of monarch.

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And so, I think it's a rather powerful thing.

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He was a rather full figure. Do you know about King George IV?

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-Not a lot.

-No, a very, very big man.

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Had a home in Brighton which is the Brighton Pavilion.

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Huge sense of design and discrimination, without doubt.

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I think that's a very quietly beautiful thing.

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I think what is exciting about it is that the royal inscription's very tiny.

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It takes a while to find it.

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But anyway, something from a king's hand, not bad, eh?

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What do you reckon it's going to cost to buy something from a king's hand to somebody?

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Oh, I wouldn't have a clue.

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No. Heaven only knows what it was.

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Maybe it was to one of the ladies of the 15 intimate friendships, I don't know.

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Anyway, I'd be jolly pleased to pay £600 or £700 for it, I really would.

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-Really?

-Would you?

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Probably.

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What a fascinating bit of furniture.

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It is fascinating for several reasons to me -

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first off, it's been used,

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but not in a home, it's too dusty.

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-Yeah.

-But it has the warmth of use.

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So, you tell me if I'm right, where has it been -

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in a garage or an office?

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It's been in a garage as the office desk.

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It belonged to me father and his father.

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-His father took it as a debt.

-Really?

-Yeah. I don't know how much the debt was,

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but I believe the office it came from was in the Corn Exchange Buildings in Manchester.

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-Right, OK.

-That's about as much as I know.

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Well, I mean that makes sense.

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First of all, I think it reflects several periods of social history.

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-First of all it's a Chinese piece of furniture.

-Yeah.

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It's very, very flamboyant, very elaborate, which makes it late 19th century.

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But the interesting thing is that when this was bought,

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probably in London from Liberty's or somewhere like that, major store,

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maybe in the north, but it was a huge amount of money and it had to look like a lot of money.

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So when it came here, like this hall, I mean money was no object in the late 19th century.

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It was a display of huge wealth.

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And this is typical. This was the most luxurious thing you could buy,

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not only an English decorated piece, something from China.

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Something from the Far East was magical and looked wonderful,

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and looked a lot of money. Then it went out of fashion.

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I'm ashamed to say now that pieces like this were broken up and thrown away.

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I was partially guilty.

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I mean, you know, this was not saleable in the 1950s.

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You couldn't sell it, couldn't give it away.

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Now, gradually it's coming back.

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Now I'll tell you something about it.

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Why I'm interested as a piece of furniture -

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a little detail means nothing to most people -

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to me is magic, is that handle and that little escutcheon.

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Those you would find on a piece of Chinese furniture made in the English style from 1780 onwards.

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This man was using the same old dyes, the same casting

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as his family had used to make furniture for a hundred years.

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That's why that is totally out of date to this.

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Looks great though, it worked.

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So I think probably between £4,500 and £5,000 would be reasonable at the moment.

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But it will go up.

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There's no question that one day this will be the equivalent of what

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it cost when it was new, which would have been probably £20,000 or £30,000 in the same money.

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-But it will come up to that.

-Yeah.

-Perhaps not in my time, but certainly in theirs.

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-Thank you very much.

-Thank you.

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Now for this week's most addicted collector.

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The love of his life is one that dare not speak its name.

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We're referring to cigarette packets.

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Chad Irwin, your collection started long before there were health warnings on cigarettes.

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That's right, I was collecting for about ten years.

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It was an area which people were just, were just ignoring.

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I decided to collect up as many of the old packets as I could find.

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-Have you any idea how many you've got?

-I've got quite a few thousand.

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It seems like a whole lot of smoking was going on there.

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I've never seen such an array. And this is only a tiny representation.

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I mean how many cigarette companies were there?

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There was, um, literally every town had its own cigarette company, or there used to be three or four

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in each town. I mean Chester alone had five manufacturers, Liverpool probably had about 60 manufacturers.

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Turn of the century was the heyday for cigarette packets.

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In those days they were very, very pictorial as you can see.

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And were there any from, from Rochdale?

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Did Rochdale have a manufacturer?

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Rochdale with the start of the Co-op, with Rochdale Specials.

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On the back it says, "Rochdale Pioneer Society Ltd."

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And some very interesting names as well.

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Nimble Dick, five Nimble Dicks there.

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They were mostly sold to the miners in South Wales.

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They were small packets because they were able to put them inside their top pockets when they were working.

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Do you have a favourite? Is that a silly question?

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My favourite packet is called Tit-Bits,

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which is made by a company from Manchester called B Muratti.

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I believe this is about 1892.

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And the reason you love that so much?

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It's very, very pictorial.

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It's just got everything that you would want in a cigarette packet.

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And do you come across packets with the cigarettes still in them?

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About every 50 packets I find, I usually find one with the cigarettes still in.

0:18:550:19:01

And those particular type of packets, we call them "live packets".

0:19:010:19:04

-Live?

-Live packets.

-Like ammunition, they're live.

0:19:040:19:06

-Yes.

-Some of them are very grand.

0:19:060:19:09

This has got the royal touch here, what's the story behind that box?

0:19:090:19:12

This is Lambert & Butler and it's their New Reign cigarettes.

0:19:120:19:17

They're 22-carat-gold-tipped

0:19:170:19:20

-and they're from about 1902, coronation.

-Are they all there?

0:19:200:19:24

They're pretty well all there, yes.

0:19:240:19:27

I think maybe one or two have been sneaked out and smoked I'm afraid.

0:19:270:19:30

-They were even sold by chemists.

-That's right.

0:19:300:19:34

We've got a few examples here of cigarettes sold by chemists,

0:19:340:19:38

which was Boots asthma cigarettes and catarrh

0:19:380:19:40

and on the back it tells you how to actually use these cigarettes -

0:19:400:19:45

"Inhale the smoke, keep it into the lungs as long as possible to get the maximum benefit".

0:19:450:19:51

-Boots the Chemist.

-Boots the Chemist, I'm afraid.

0:19:510:19:53

There's another company from Wigglesworth, Fumora, they also did,

0:19:530:19:57

"for asthma, catarrh and bronchitis."

0:19:570:19:59

Then another company, Kinsman.

0:19:590:20:01

But there was quite a lot of companies producing asthma cigarettes.

0:20:010:20:05

Some were recommended by doctors as well.

0:20:050:20:08

What stopped the huge production, the huge number of companies?

0:20:080:20:11

Basically, lots of these companies were swallowed up by the big combines.

0:20:110:20:16

That was the decline and the end of really nice pictorial packets.

0:20:160:20:21

Now that smoking is so politically incorrect, does that add a certain flavour to you as a collector?

0:20:210:20:26

Yes, well I like to collect them

0:20:260:20:28

because it's a part of our social history which has been ignored.

0:20:280:20:33

It's a shame that if somebody doesn't collect these things,

0:20:330:20:36

in the future people won't realise you know, how pictorial, and how much art work there was.

0:20:360:20:41

GENTLE TINKLING

0:20:410:20:45

Makes the most phenomenal sound, doesn't it?

0:20:490:20:52

-Yes.

-What a lovely thing. Have you got this in your front room at home? Where does it live?

0:20:520:20:57

It's in the public lounge in a public house.

0:20:570:21:01

-You run a public house?

-Yes, yes.

-Is it a draw for the people coming into your pub?

0:21:010:21:05

-Very much so, yes.

-And have you had it for a long time?

0:21:050:21:08

-We've had it for, well it's been in my husband's family for 60, 70, 80 years.

-Has it really?

0:21:080:21:13

-Yes.

-Because they're brilliant things these.

-Yes.

0:21:130:21:16

I mean the tradition of making music mechanically

0:21:160:21:19

using a machine goes back right to the 18th century.

0:21:190:21:23

But in the 19th century they made music out of a solid bar, a cylinder music box.

0:21:230:21:28

It wasn't until one particular moment in the 1880s that they developed this type of music player.

0:21:280:21:35

On the top here it says "Polyphon".

0:21:350:21:37

-Yes.

-That's the trade name for this type of player.

0:21:370:21:41

It's peculiar because they made all the music on these tin discs.

0:21:410:21:46

-Shall we have a demo?

-Yes.

0:21:460:21:48

All right, so out comes the Mikado.

0:21:480:21:51

-Yes.

-Which has got all these brilliant holes in it which tie up

0:21:510:21:57

with the mechanism, which is playing the music on a series of teeth.

0:21:570:22:00

-Which is brilliant, isn't it?

-Yes.

0:22:000:22:02

-But in this extraordinary, vertical format.

-Yes.

0:22:020:22:05

And what I like about them

0:22:050:22:08

is where you get the CD storage disc, down underneath here.

0:22:080:22:12

So if I file that one

0:22:120:22:15

and we take that chap out,

0:22:150:22:19

which is a lovely waltz,

0:22:190:22:21

insert the disc on top of the machine like that.

0:22:210:22:26

It's a great piece of kit.

0:22:260:22:28

The whole thing died a death in 1905.

0:22:280:22:32

Between 1905 and 1907 these things were completely obsolete,

0:22:320:22:37

just like a CD player coming along and being

0:22:370:22:40

in fashion for a few years and then being superseded by something else.

0:22:400:22:44

A very tight time frame really, 1880-1907.

0:22:440:22:48

But it's a great survival.

0:22:480:22:50

They're very sought after, particularly in America because these people, Polyphon,

0:22:500:22:54

started a factory in America, and in America these players are called Regina players.

0:22:540:23:00

Particularly the coin-op ones, they love them.

0:23:000:23:03

I think you could get at auction, say between £4,000 and £5,000.

0:23:030:23:07

-Are you going to play us a tune?

-Yes.

-Yes.

0:23:070:23:09

TINKLING

0:23:130:23:16

What an extraordinary pair of plates. Did you buy them or not?

0:23:250:23:29

No, they belonged to me mother.

0:23:290:23:31

I inherited them from her.

0:23:310:23:33

-Clumsy, was she?

-No, not really.

-Did she make them?

0:23:330:23:37

She made them, yes.

0:23:370:23:39

And where did she get all these shards and remnants of porcelain and pottery from?

0:23:390:23:43

I believe they're from the local tip.

0:23:430:23:46

So she went to the local tip,

0:23:460:23:47

found all these bits and pieces and made a couple of plates.

0:23:470:23:51

Let's have a look at them. They're heavy, aren't they?

0:23:510:23:54

They are.

0:23:540:23:55

And the fascinating thing is, from my point of view,

0:23:550:23:58

is to try and see how many factories one can see

0:23:580:24:01

in the porcelain and pottery that you've got here.

0:24:010:24:04

You've got a bewildering example, it's wonderful.

0:24:040:24:07

I mean, if we take the girl's head,

0:24:070:24:09

-that's probably German bisque porcelain.

-Really?

0:24:090:24:13

-Dating from about 1880-1890.

-Yeah.

0:24:130:24:16

Here, what looks like the border of a Staffordshire blue and white,

0:24:160:24:20

perhaps willow pattern plate

0:24:200:24:22

dating from the 1850s.

0:24:220:24:24

You've got a bit of cranberry glass here.

0:24:240:24:27

All this porcelain dates from the 1850s to the 1920s.

0:24:270:24:32

-Really?

-So that sort of period.

0:24:320:24:35

Well, I should imagine she's made them after 1900 up to 1920,

0:24:350:24:40

-something like that.

-Yes, yeah.

0:24:400:24:43

-And I must ask you, do you have them hanging on the wall?

-Yes.

0:24:430:24:47

And you find them attractive?

0:24:470:24:48

-Oh, yes, they're in the hall.

-Well, they are unique, aren't they?

0:24:480:24:52

-Yeah.

-And they're extremely colourful.

0:24:520:24:54

I think they're terrific.

0:24:540:24:56

I suppose if they were in a shop, I would expect, as a novelty item

0:24:560:25:00

for them to be priced at perhaps £100 or £150 for the pair.

0:25:000:25:05

-Really?

-But good for your mother, is all I can say.

0:25:050:25:07

-Yeah.

-It must've taken her a long time to make them. Very much a one-off but I think they're great.

0:25:070:25:12

-So thanks for bringing them in.

-Right, thank you very much.

0:25:120:25:15

It's a pity that not all children are this well behaved.

0:25:150:25:18

-Look at them, they're very attentive, they're doing exactly as they're told.

-Wonderful.

0:25:180:25:23

I find them very interesting because not only are they very large dolls,

0:25:230:25:28

it's a very interesting kind of contradiction with these two dolls.

0:25:280:25:32

Which one's the prettier to you?

0:25:320:25:34

Which one do you most like?

0:25:340:25:35

If they were children I couldn't really say, could I?

0:25:350:25:39

-But I think she's the prettiest.

-You think she's prettier?

-Yes.

-Now that's interesting in itself.

0:25:390:25:44

I think she's the prettier but I have a little bit of inside knowledge, I suppose, as well.

0:25:440:25:50

What we have are two very different strata of dolls.

0:25:500:25:55

She's a German doll.

0:25:550:25:56

Looking at this doll here, I know she's a French doll.

0:25:560:25:59

Now in order to reveal more,

0:25:590:26:01

I really have to look at the backs of their heads.

0:26:010:26:04

Can you tell me while I'm doing this, how did you come across large dolls like this?

0:26:040:26:10

Did you purchase them at auction? Are they something you collected?

0:26:100:26:13

-This one here, belonged to a lady who was emigrating to New Zealand.

-Right.

0:26:130:26:18

She was such a large doll, she couldn't take her along.

0:26:180:26:21

Right.

0:26:210:26:23

Knowing my interest in dolls, she asked me if I'd like to buy her.

0:26:230:26:26

-So I bought her from the lady.

-I see right, OK.

0:26:260:26:29

Well, on the back of her head she's marked "AM" with a 1-5 in the middle.

0:26:290:26:33

-AM for Armand Marseille.

-Yes.

0:26:330:26:35

Very well known manufacturer

0:26:350:26:38

who basically specialised in producing an enormous range of dolls.

0:26:380:26:42

The 1-5 mould is relatively common in many respects.

0:26:420:26:47

If we stand her back up, pop her there.

0:26:470:26:50

Looking at this doll, if we turn around,

0:26:500:26:54

we're into a different ball game.

0:26:540:26:57

Here we're talking about a doll which is regarded as being the Rolls-Royce of manufacturers.

0:26:570:27:02

And if we look here, we can see the words "Tete Jumeau", which in doll terms is an absolute magic word.

0:27:020:27:10

Jumeau, one of the best doll manufacturers that people like to collect, to be honest with you.

0:27:100:27:15

Now that's why I was interested to see which one you liked most.

0:27:150:27:18

You didn't go for what I regard as the expensive doll as being the best-looking.

0:27:180:27:22

Which is wonderful in many ways because this doll here

0:27:220:27:28

is probably worth at auction maybe around about £250 to £350.

0:27:280:27:33

-What did you pay for her, can you remember?

-I paid £200.

-How long ago?

0:27:330:27:37

-Last year.

-Last year.

-Yes.

0:27:370:27:39

-We're not far off then.

-No, that's about it.

0:27:390:27:41

We're about on the mark. Now this beauty is a different matter.

0:27:410:27:46

I'd like to know what you paid for her

0:27:480:27:50

and how long ago you paid it?

0:27:500:27:53

I think it was about £800 and it was over 20 years.

0:27:530:27:56

Now £800 is quite a lot of money.

0:27:560:27:58

-It was.

-And 20 years ago, it wasn't a small amount of money.

-Yes, my heart was pounding.

0:27:580:28:03

The price was going up and there was one other lady bidding with me, against me.

0:28:030:28:07

-Right.

-And I'd got £500 in me mind.

0:28:070:28:10

-Once it gets to £500 I'll have to stop.

-And you got auction fever.

0:28:100:28:13

I continued and continued until...

0:28:130:28:15

-And you couldn't stop. I bet you've never regretted it, have you?

-No I haven't. I'm very pleased.

0:28:150:28:19

That's the thing with auction buys. In spite of going that extra mile, you've never regretted it.

0:28:190:28:24

-No.

-You'll be pleased to know that essentially,

0:28:240:28:27

in the present market because she's a Jumeau, she's worth up to £2,000.

0:28:270:28:31

-So after all that heartache, I think you did all right in the end.

-Yes, thank you.

0:28:310:28:36

A cracked Chinese porcelain bowl from the 1920s.

0:28:390:28:43

Essentially not of any real value at all but why have you brought it to show us?

0:28:430:28:47

Well, it was my uncle's, who was a Japanese prisoner of war.

0:28:470:28:51

He had nothing to drink from, and a Malay prisoner gave him that.

0:28:510:28:56

When I asked him where he was, he said he was on the river building a bridge.

0:28:560:29:00

So the bridge would be the River Kwai?

0:29:000:29:03

So this sustained him all his time while he was there.

0:29:030:29:07

All the time he was in... Just over four years.

0:29:070:29:10

-And then he brought it back.

-He brought it back to England

0:29:100:29:13

when he was released.

0:29:130:29:15

So the piece, as humble as can be, yet given a very different meaning

0:29:150:29:21

because it was passed on to your uncle

0:29:210:29:23

-to save his life almost.

-Yes.

0:29:230:29:27

People who lived during the Second World War and in the 1950s

0:29:270:29:31

and '60s would know the name Albert Pierrepoint.

0:29:310:29:34

He was one of Great Britain's official executioners and one who did execute a great number of people.

0:29:340:29:42

Can you tell me how you got this interesting archive?

0:29:420:29:45

Yes, he gave it to me over the years and the books are signed to me.

0:29:450:29:49

We were very great friends.

0:29:490:29:51

We went to each other's homes, shared holidays and what have you.

0:29:510:29:54

We had a really good time, and he was a very kind man, very kind.

0:29:540:29:58

A lot of people would think that it's macabre owning material like this.

0:29:580:30:02

Did you find it in any way makes you uncomfortable or unpleasant?

0:30:020:30:06

-Nothing whatsoever, no. It's part of history, it's part of life.

-Yes.

0:30:060:30:09

And you know, people make fortunes out of stories about criminals today.

0:30:090:30:14

Albert really believed he was put on this earth from a higher being

0:30:140:30:19

to actually carry out this job.

0:30:190:30:21

And he believed it was vengeance on behalf of the state,

0:30:210:30:24

because murder will never stop.

0:30:240:30:26

People will always commit murder. He really believed that.

0:30:260:30:29

People say, "Oh, he didn't believe in hanging". Not true.

0:30:290:30:32

Albert said it never solved it.

0:30:320:30:35

That's very clear, because I can remember reading this book when I was a boy at school.

0:30:350:30:39

I was absolutely fascinated by it.

0:30:390:30:42

At the end of it, his conclusion that it acted as no deterrent, you know, I found very, very interesting.

0:30:420:30:48

-And this has got a dedication in it.

-That's right.

0:30:480:30:52

-That's his signature on it.

-That's it.

-How wonderful.

0:30:520:30:56

Now I understand these are the little diaries or records that he kept of all the people that he executed.

0:30:560:31:03

-Yeah.

-With their age, height, weight and the amount of drop that

0:31:030:31:08

they gave them. Presumably he would have got the

0:31:080:31:11

drops from the table here which was officially issued by the Home Office.

0:31:110:31:16

Yeah, because when somebody's in custody for a long while,

0:31:160:31:20

as you know, they lose a huge amount of weight with the worry.

0:31:200:31:23

And also with a death sentence over you.

0:31:230:31:25

So even when they go into prison, they're weighed and then obviously

0:31:250:31:29

the day before the execution he looks at them again.

0:31:290:31:32

So there was that last bit of personal discretion

0:31:320:31:34

on the professional judgement of the executioner.

0:31:340:31:37

Yeah, and Albert was, without a doubt, an expert on it.

0:31:370:31:40

I'm very interested in this entry here.

0:31:400:31:43

William Joyce. I think a lot of people will know that he was far better known as Lord Haw-Haw.

0:31:430:31:48

-That's right.

-And he was executed for treason.

0:31:480:31:51

There's Derek Bentley - very, very controversial case.

0:31:510:31:54

Is Ruth Ellis in here?

0:31:540:31:56

Yes, she's in there, yes, 53.

0:31:560:31:58

That was again a very, very controversial execution

0:31:580:32:02

-and she was of course the last woman to be executed.

-That's right.

0:32:020:32:05

I suspect that probably pushed the death penalty on the slope downwards towards abolition.

0:32:050:32:10

But this is an absolutely fascinating and very important archive.

0:32:100:32:15

It's a very difficult thing to put a value on.

0:32:150:32:17

It's a very, very limited market and there are not many instances when you

0:32:170:32:22

see material like this coming up for sale.

0:32:220:32:25

My view is that it would make between £3,000 to £5,000 if it were to come to auction.

0:32:250:32:31

It could do very much more if you've got the right people there on the right day.

0:32:310:32:35

Whatever its monetary worth is, I think it's got a far greater worth because of its historical importance.

0:32:350:32:42

I hope that it's going to be preserved for posterity because it is part of our history.

0:32:420:32:47

I believe it is, also.

0:32:470:32:48

Now, what have we got in here? Let's have a look.

0:32:480:32:50

Brushes. Any significance in the brushes?

0:32:530:32:57

Well, I happen to know that the brushes belonged to LS Lowry.

0:32:570:33:01

Fascinating. Right.

0:33:010:33:03

And my parents were friends of Lowry's.

0:33:030:33:07

It was a friendship that was established in the 1960s and went on until his death in 1976.

0:33:070:33:15

I don't know the circumstances for the brushes being handed over,

0:33:150:33:21

but they were given to my father.

0:33:210:33:23

Well, I think this is absolutely remarkable.

0:33:230:33:26

Here in Rochdale, and almost on Lowry territory,

0:33:260:33:30

we are handling the tools of one of the modern masters of British painting in the 20th century.

0:33:300:33:38

They're remarkably tactile objects, aren't they?

0:33:380:33:41

-Yeah.

-And also, you almost feel there's an

0:33:410:33:45

organic quality, as if it's an extension of the artist himself. It's a link between the artist.

0:33:450:33:49

Very much so. It's the way the paint goes all the way down to the bottom.

0:33:490:33:52

The value of these objects is a very difficult one to speculate on.

0:33:540:33:59

To someone who's an avid collector of Lowry, someone who wants to

0:33:590:34:04

possess not only his paintings but the tools of his trade,

0:34:040:34:09

a broad estimate and a comfortable estimate would probably be somewhere

0:34:090:34:13

-in the region of £500 to £1,000.

-Right.

0:34:130:34:18

Somewhere in between.

0:34:180:34:19

-I had no idea of that.

-They're very beautiful.

0:34:190:34:22

-They're just lovely instruments of his trade.

-I know.

0:34:220:34:26

-It's a thrill to see them.

-And it's a good job they were never cleaned.

-Indeed.

0:34:260:34:29

Henry, I want you to look deep into my eyes -

0:34:310:34:35

-I'm taking you back to Rochdale 1991.

-Oh, God, yes.

0:34:350:34:40

The worst day of my life.

0:34:400:34:42

I was down there on a table and this chap brought in a beautiful vase made by Minton, decorated by Solon,

0:34:420:34:50

worth, oh, I don't know £6,000 to £8,000.

0:34:500:34:53

I said, "I want to record it"

0:34:530:34:54

and he wouldn't do it. We argued a bit about it, and he agreed finally.

0:34:540:34:58

Then I had a tap on my shoulder - would I go off and see the producer.

0:34:580:35:02

So I said, "Excuse me," to the chap. "I won't be long".

0:35:020:35:05

He put the lid back on the box, off I went, to be met by a

0:35:050:35:09

detective chief superintendent from the serious crime squad.

0:35:090:35:12

-DETECTIVE:

-The gentleman with the vase, is somebody who's of interest to us.

0:35:120:35:17

Oh, I see. Might be a stolen piece?

0:35:170:35:19

The thing is, if you can press him a little bit,

0:35:190:35:22

he might reveal a few facts, a few connections.

0:35:220:35:25

Something we haven't got, is that OK?

0:35:250:35:27

So I went back, the lid was on the box and we sat there, we chatted and I was scared stiff.

0:35:270:35:32

I thought he might have a gun.

0:35:320:35:34

Then eventually a uniformed bobby burst his way through the crowd

0:35:340:35:38

and said to this man, "I'm arresting you".

0:35:380:35:40

The fellow jumped up, knocked onto the floor this box which smashed.

0:35:400:35:45

I could hear the smash. I sat there staggered and frightened stiff.

0:35:450:35:50

He went tearing off down the town hall and this policeman said, "I think it's broken, sir".

0:35:500:35:57

I said, "I think it is". He picked up the box, starts rattling it and I said, "Don't do that!".

0:35:570:36:02

I turned and looked at him, it was Noel Edmonds.

0:36:020:36:04

I'd been stitched up for a Gotcha Oscar. I've never ever forgotten it.

0:36:040:36:09

I found out afterwards they'd switched the box so they hadn't broken this precious pot.

0:36:090:36:14

And only last year, this pot was sold in London for £35,000.

0:36:180:36:24

Oh, thank God they didn't smash it.

0:36:240:36:27

But it was horrible shock.

0:36:270:36:29

-But a happy ending for someone.

-A happy ending for somebody.

0:36:290:36:31

-But not you.

-Not me, no.

0:36:310:36:34

I don't want you to get the wrong impression, but I've been willing you to come in today.

0:36:380:36:43

-Now we've never met before, have we?

-No.

0:36:430:36:45

But anybody who collects Pilkington pottery, let's say that again,

0:36:450:36:49

Pilkington's Lancastrian pottery, is my sort of person.

0:36:490:36:54

First of all Pilkington's Royal Lancastrian pottery is based at Swinton, at Clifton Junction.

0:36:540:37:00

-Which is how many miles away from here?

-About 12.

-About 12 miles away.

0:37:000:37:03

-12 mile, yes.

-OK.

0:37:030:37:04

And for my money

0:37:040:37:06

it's the premier art pottery of the late 19th, early 20th century.

0:37:060:37:12

I'm biased because I'm a Lancastrian, you'll forgive me that, won't you?

0:37:120:37:16

-I am meself.

-Ah, I'm glad to hear it.

0:37:160:37:18

Let's start with the earliest one.

0:37:180:37:20

The plate at the end is dated 1906.

0:37:200:37:24

Now it's interesting because it's actually been signed

0:37:240:37:27

by somebody called Foy Evans.

0:37:270:37:29

To be frank with you,

0:37:290:37:30

I don't know who that is because I'm still learning.

0:37:300:37:33

The plate's Pilkington because on the back it's got an impressed "P"

0:37:330:37:37

which is a mark you'll get on pots which tend to be late 19th, early 20th.

0:37:370:37:43

Now because it has the possibility of being an outside decorated piece, it's difficult to value.

0:37:430:37:49

So, I could only hazard that you know, a collector

0:37:490:37:54

may venture somewhere in the region of round about £150 for it.

0:37:540:37:58

-Am I on safe territory?

-Yeah.

0:37:580:38:01

-What did it cost you?

-£115.

0:38:010:38:03

Right, OK.

0:38:030:38:05

Let's get to these because they are jewels.

0:38:050:38:08

What is it that attracts you to Pilkington's pottery?

0:38:080:38:11

Let's see, the style and the layers on it.

0:38:110:38:15

Let's give it a twirl because the thing with Lancastrian pots is that they change colour,

0:38:150:38:21

almost in different light - artificial light, strong daylight, evening light.

0:38:210:38:27

The control of this lustre decoration was something they really specialised in.

0:38:270:38:32

This particular vase

0:38:320:38:35

has been decorated, and the great thing is he's put his monogram underneath there,

0:38:350:38:39

William Salter Mycock.

0:38:390:38:41

Yes.

0:38:410:38:42

A great servant to the Pilkington pottery.

0:38:420:38:46

I mean he's there in the early days.

0:38:460:38:48

The golden age is really just before the First World War.

0:38:480:38:51

So that's William Salter Mycock.

0:38:510:38:53

Um...

0:38:530:38:55

value, well I'd go in there today and say that's around about £1,500.

0:38:550:39:01

-Yeah?

-Are we quids in here so far?

-Yeah.

0:39:010:39:04

Good. And then this little fella.

0:39:040:39:06

Let's just give it a twirl because you've got that lovely frieze,

0:39:060:39:09

that lovely band and this fabulous ruby lustre.

0:39:090:39:13

The maker, or should I say the decorator, what have we got? RJ -

0:39:130:39:17

-Richard Joyce.

-Richard Joyce, yes.

0:39:170:39:19

And again another great servant to the Pilkington dynasty.

0:39:190:39:24

It's a great pot and today, if I want to buy that, around about £800 to possibly £1,000.

0:39:240:39:32

And then finally, another pot.

0:39:320:39:34

I've got to look under it right away just to see who's responsible.

0:39:340:39:38

Again, Richard Joyce.

0:39:380:39:40

I think the combination of this gold lustre and this lovely

0:39:400:39:45

rich sort of honey glaze underneath is just magical.

0:39:450:39:49

I wouldn't hesitate to say a pot like that could quite easily have an asking price of around £2,000.

0:39:490:39:57

Oh.

0:39:570:39:59

So, quids in?

0:39:590:40:01

-Certainly is.

-Well, you haven't told me, how much did this one cost you?

0:40:010:40:05

About £550.

0:40:050:40:08

-This one?

-£400, £700.

0:40:080:40:13

See, and you were buying these how long ago?

0:40:130:40:15

The '80s.

0:40:150:40:17

Have you ever bought a crystal ball?

0:40:170:40:20

-No.

-I don't think you need one.

-No.

0:40:200:40:23

Now this is one of those objects where I think, and hope, I know what I'm going to see before I open it.

0:40:250:40:30

But before we do that, do you know what the case is made of?

0:40:300:40:33

I haven't a clue.

0:40:330:40:36

I have always treated this almost like a toy.

0:40:360:40:38

Well, it's what we call shagreen

0:40:380:40:40

which is a fish skin, normally that of a shark.

0:40:400:40:43

-Right.

-So it's probably shark skin and inside we find a pocket globe.

0:40:430:40:49

-And it's perfectly normal for them to be in shagreen cases.

-Right.

0:40:490:40:53

Normally with a globe like this, you can find a maker's mark on it.

0:40:530:40:58

Oh, yes, we've got one here,

0:40:580:41:00

"Cary's Pocket Globe."

0:41:000:41:02

That's great because John Cary was working in London,

0:41:020:41:05

and the firm was in London, in the late 18th and early 19th century.

0:41:050:41:09

-Oh, right.

-They were one of the best globe makers of the time.

0:41:090:41:13

It's probably dated. Have you any idea of the age?

0:41:130:41:16

I have no idea at all.

0:41:160:41:18

Yes, we have a date there, 1791.

0:41:180:41:20

My goodness.

0:41:200:41:22

So it's from the reign of George III.

0:41:220:41:24

How did it come into your family?

0:41:240:41:26

It belonged to my grandfather.

0:41:260:41:30

He had various knick-knacks from around the world

0:41:300:41:33

and it was always something that I used to play with, but never

0:41:330:41:37

attached any particular respect to it, because as a globe it wasn't actually particularly useful.

0:41:370:41:43

The idea was they're called pocket globes

0:41:430:41:46

because you walked around with them in your coat pocket, or in your jacket,

0:41:460:41:50

-and you discussed the latest developments that were going on in the world.

-Oh.

0:41:500:41:55

And it might be difficult for us to appreciate these days,

0:41:550:41:58

but the great excitement in the 18th and early 19th century when ships came back from abroad

0:41:580:42:04

-and had discovered new towns, and new countries even.

-Right.

0:42:040:42:07

And so the world was very evolving and people got frightfully excited about it.

0:42:070:42:11

Australia's always an interesting one to see what it was called.

0:42:110:42:15

If we look at this in the 1790s, Australia was called "New Holland".

0:42:150:42:19

-Oh, right.

-That was the name for Australia.

0:42:190:42:22

It's actually very fortunate to be here because it's been high up on

0:42:220:42:26

the list for jettison on several occasions.

0:42:260:42:29

-Well, I'm glad you didn't.

-No, so am I.

0:42:290:42:32

Any idea of values?

0:42:340:42:35

Well, up till now I'd always imagined it was worthless, but obviously it's not.

0:42:350:42:40

-No.

-But I haven't a clue, I wait with interest.

0:42:400:42:44

Well, I'm glad you didn't jettison it.

0:42:440:42:47

Because there's a great following for globes.

0:42:470:42:49

Recently there's been an increase in prices.

0:42:490:42:52

If this came up at auction today,

0:42:520:42:55

I guess it would probably fetch £2,500 to £3,000.

0:42:550:42:59

Oh!

0:42:590:43:01

I'm very glad I didn't jettison it.

0:43:010:43:03

-Perhaps you'll treat it more respect from now on.

-It will now get great respect.

0:43:030:43:08

There have been a lot of people in the Great Hall today, and

0:43:120:43:15

not surprisingly, since Rochdale is the birthplace of the Co-operative Movement, we all got on rather well.

0:43:150:43:21

In fact, the mayor has just invited me to step into the parlour for a cup of tea.

0:43:210:43:25

So, if you'll excuse me, until the next time, goodbye.

0:43:250:43:29

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