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Welcome to Cash In The Attic. Today's show has got quite a political leaning, | 0:00:02 | 0:00:06 | |
so we're hoping any items we find will get the casting vote | 0:00:06 | 0:00:09 | |
when we go to auction. | 0:00:09 | 0:00:11 | |
Coming up on Cash In The Attic, a Victorian telescope reminds us of an old adage. | 0:00:30 | 0:00:36 | |
Just because something's old doesn't mean it has a value, strangely. | 0:00:36 | 0:00:40 | |
Indeed. You're looking at one. | 0:00:40 | 0:00:42 | |
We scrutinise a settee from the reign of William IV. | 0:00:42 | 0:00:45 | |
It is actually very comfortable. | 0:00:45 | 0:00:47 | |
I'm begin to wonder whether I want to get rid of it. | 0:00:47 | 0:00:51 | |
And we experience the wisdom of hindsight when we get to auction. | 0:00:51 | 0:00:54 | |
-It hurts a bit, doesn't it? -It does, yes. | 0:00:54 | 0:00:56 | |
You should've put the reserve up. | 0:00:56 | 0:00:58 | |
THEY LAUGH | 0:00:58 | 0:01:01 | |
But is it too little too late? Find out when the final hammer falls. | 0:01:01 | 0:01:05 | |
Today I'm in Hampshire to meet a family | 0:01:07 | 0:01:09 | |
who've decided to call in the Cash In The Attic team | 0:01:09 | 0:01:12 | |
to help them raise some funds for an artistic installation. | 0:01:12 | 0:01:16 | |
Meet Sally Leach, an animal lover who has no less than six cats. | 0:01:18 | 0:01:22 | |
She's travelled the globe pursuing her love of wildlife | 0:01:22 | 0:01:26 | |
and bird-watching, but she's also passionate about politics. | 0:01:26 | 0:01:29 | |
Following her career as a social worker | 0:01:29 | 0:01:31 | |
and as a mother of two daughters, Sally is now a borough councillor. | 0:01:31 | 0:01:35 | |
She's inherited a wealth of collectables over the years, | 0:01:35 | 0:01:39 | |
so she's looking to send some of them to auction. | 0:01:39 | 0:01:42 | |
Her daughter Kate, soon to be a mother herself, | 0:01:42 | 0:01:44 | |
is joining our team today to lend a helping hand. | 0:01:44 | 0:01:48 | |
'One man who can always count on my support | 0:01:49 | 0:01:52 | |
'when it comes to antique hunts is Jonty Hearnden. | 0:01:52 | 0:01:55 | |
'He has a lifetime of experience in the world of collectables, | 0:01:55 | 0:01:59 | |
'so, while he gets started, I'll meet the ladies.' | 0:01:59 | 0:02:02 | |
-Oh, good morning! -Good morning! -You must be Sally. | 0:02:03 | 0:02:06 | |
-Yes, I am. -And your daughter Kate. -Yep, that's right. | 0:02:06 | 0:02:10 | |
I'm interested to see you feeding the birds. | 0:02:10 | 0:02:12 | |
-Haven't you got six cats? -I've got six cats, yes. | 0:02:12 | 0:02:15 | |
-Is this not a form of entrapment? -Well... | 0:02:15 | 0:02:18 | |
That's one way of looking at it. | 0:02:18 | 0:02:20 | |
Fortunately the cats on the whole prefer catching mice. | 0:02:20 | 0:02:23 | |
-Do they leave you little presents? -They do. I dread coming down | 0:02:23 | 0:02:27 | |
-in the morning sometimes. -Really? You've called in Cash In The Attic, | 0:02:27 | 0:02:30 | |
-so what do you want us to do? -I've got this window space | 0:02:30 | 0:02:33 | |
in the living room, which I've for a long time wondered what I can do | 0:02:33 | 0:02:37 | |
to make that look more attractive. Then I had this bright idea | 0:02:37 | 0:02:40 | |
of having a stained-glass panel there. | 0:02:40 | 0:02:43 | |
And what sort of money will that cost? | 0:02:43 | 0:02:45 | |
The estimate at the moment is round about £800. | 0:02:45 | 0:02:48 | |
Kate, tell me about the items we're going to be looking at. | 0:02:48 | 0:02:51 | |
-Where have they come from? -We've got various bits and pieces | 0:02:51 | 0:02:54 | |
left by my grandma, and they're gathering dust really, | 0:02:54 | 0:02:58 | |
sitting around in drawers, so I think time to move them on. | 0:02:58 | 0:03:02 | |
Jonty's already having a good look round, | 0:03:02 | 0:03:04 | |
-so shall we see if he's found anything we can sell? -Good idea. | 0:03:04 | 0:03:08 | |
It sounds as if there'll be plenty of family heirlooms | 0:03:09 | 0:03:12 | |
for us to dig out, and a quick glance around Sally's home | 0:03:12 | 0:03:16 | |
suggests we'll be looking high and low, | 0:03:16 | 0:03:19 | |
because there are things everywhere. That could be just what we need, hey, Jonty? | 0:03:19 | 0:03:23 | |
-Hello! Look what I've found! -You've found my telescope. | 0:03:25 | 0:03:28 | |
-I have indeed. That's yours, is it? -It is, actually, yes. Yes. | 0:03:28 | 0:03:32 | |
It has been since my childhood, when I discovered it. | 0:03:32 | 0:03:35 | |
-I used to play with it quite a lot. -Hence the dents down at the bottom. | 0:03:35 | 0:03:40 | |
I don't think I'd do that. THEY LAUGH | 0:03:40 | 0:03:43 | |
So, does it have a bit of a family history as well? | 0:03:43 | 0:03:46 | |
-It does a bit. Some of it is in the realms of myth... -What do you mean? | 0:03:46 | 0:03:50 | |
..rather than reality. | 0:03:50 | 0:03:52 | |
I was told it belonged to a great-grandfather | 0:03:52 | 0:03:55 | |
or a great-great-grandfather who was a sea captain, | 0:03:55 | 0:03:57 | |
-but since most of my mother's family were farmers... -Right. OK. | 0:03:57 | 0:04:02 | |
..I find that hard to believe. | 0:04:02 | 0:04:04 | |
I can understand clearly why most people want to associate | 0:04:04 | 0:04:07 | |
a lovely brass telescope like this, belonging to a sea captain, | 0:04:07 | 0:04:11 | |
but more often than not, it probably belonged to somebody | 0:04:11 | 0:04:15 | |
-on the land. -Oh, really? -What would they use it for? | 0:04:15 | 0:04:18 | |
For hunting, for surveying, for recreational purposes. | 0:04:18 | 0:04:22 | |
Presumably, back in the good old days, you could see the stars too, | 0:04:22 | 0:04:26 | |
whereas in the south now, with the light pollution, it's hard to. | 0:04:26 | 0:04:29 | |
So, Jonty, what sort of value are we talking about? | 0:04:29 | 0:04:32 | |
With telescopes, it helps if you've got a good maker's name, | 0:04:32 | 0:04:35 | |
so if you've got a name like George Adams on a telescope like this, | 0:04:35 | 0:04:39 | |
it would be worth a lot of money. But I've had a jolly good look, | 0:04:39 | 0:04:42 | |
and there's no maker's name here at all, | 0:04:42 | 0:04:44 | |
so it'll be sold simply as a lovely decorative object. | 0:04:44 | 0:04:47 | |
-We're looking in the region of £40 to £60. -Oh, right. | 0:04:47 | 0:04:51 | |
-Are you a bit disappointed in that? -I am a bit disappointed, yes. | 0:04:51 | 0:04:54 | |
When Jonty said it was a nice-looking item, | 0:04:54 | 0:04:56 | |
I thought it might be worth a bit more. | 0:04:56 | 0:04:59 | |
One thing you learn very quickly in this business is, | 0:04:59 | 0:05:02 | |
just because something's old doesn't mean it has a value, strangely. | 0:05:02 | 0:05:05 | |
-Indeed. You're looking at one. -You're priceless, Jonty, priceless. | 0:05:05 | 0:05:10 | |
Come on. Let's find something else. | 0:05:10 | 0:05:12 | |
Possibly not the valuation Sally was expecting, | 0:05:12 | 0:05:16 | |
but she shouldn't be too disappointed. | 0:05:16 | 0:05:18 | |
Anything can, and often does, happen at auction. | 0:05:18 | 0:05:22 | |
Most importantly, we have our first contribution | 0:05:22 | 0:05:25 | |
towards the stained-glass panel. | 0:05:25 | 0:05:26 | |
'As we split up and start a thorough search | 0:05:26 | 0:05:29 | |
'of this charming house, Sally heads to the lounge.' | 0:05:29 | 0:05:32 | |
The back of a bureau offers up a collection of bronze powder flasks | 0:05:33 | 0:05:37 | |
and a hip flask. Powder flasks were popular | 0:05:37 | 0:05:40 | |
in the mid-to-late 1800s, when they were used by huntsmen | 0:05:40 | 0:05:44 | |
to store and carry their gunpowder. | 0:05:44 | 0:05:46 | |
Sally's not sure if these and the telescope | 0:05:46 | 0:05:48 | |
make up part of her ancestor's hunting kit, | 0:05:48 | 0:05:51 | |
but one thing's for sure - they're highly collectable, | 0:05:51 | 0:05:54 | |
and Jonty packs them off to auction with a £50 to £75 estimate. | 0:05:54 | 0:05:58 | |
Now, do you know what this is called? | 0:06:01 | 0:06:03 | |
We've always known it as a pole screen, | 0:06:03 | 0:06:05 | |
but I don't know if that's the correct term. | 0:06:05 | 0:06:07 | |
You're right. It is a pole screen. | 0:06:07 | 0:06:09 | |
A lot of people call it a fire screen, | 0:06:09 | 0:06:12 | |
but understandably so, because more often than not, | 0:06:12 | 0:06:14 | |
these were designed to sit beside a fireplace, | 0:06:14 | 0:06:18 | |
often in pairs, but here we have a single pole screen. | 0:06:18 | 0:06:22 | |
It adjusts like so. We've got a little button on the back here. | 0:06:22 | 0:06:25 | |
-You unscrew that... Go up or down. -Oh, right. Yeah. | 0:06:25 | 0:06:28 | |
And really the whole idea is, screens like this were designed | 0:06:28 | 0:06:32 | |
to, I suppose, make, first of all, your fireplace look | 0:06:32 | 0:06:35 | |
a little bit more impressive, but it also had a practical use. | 0:06:35 | 0:06:39 | |
It was important for the middle classes and upper classes | 0:06:39 | 0:06:41 | |
to have a very pure, porcelain-white complexion. | 0:06:41 | 0:06:45 | |
They needed to differentiate between those people | 0:06:45 | 0:06:48 | |
that had to work and live outside, so the peasant, the working classes. | 0:06:48 | 0:06:53 | |
So these screens were placed in strategic parts of a room | 0:06:53 | 0:06:58 | |
so that it could reflect the heat from the fire. | 0:06:58 | 0:07:01 | |
That's the reason why it adjusts up and down. | 0:07:01 | 0:07:03 | |
So, what kind of age would you say this one was? | 0:07:03 | 0:07:06 | |
Well, this is very late 19th century, | 0:07:06 | 0:07:09 | |
and if you look at the base there, that's the giveaway. | 0:07:09 | 0:07:12 | |
The intricate work here is 1860, 1880. | 0:07:12 | 0:07:15 | |
So is this an object that's now going to the auction sale? | 0:07:15 | 0:07:19 | |
Yeah, I think so. It just kind of sits in the lounge. | 0:07:19 | 0:07:22 | |
It doesn't really add anything new. It's time for a change, really, | 0:07:22 | 0:07:26 | |
-so, yeah. -OK. Well, it's certainly worth selling, | 0:07:26 | 0:07:29 | |
-and we're looking at between £100 and £150. -Right. OK. | 0:07:29 | 0:07:32 | |
-Great. -Sounds good. -Excellent. I shall leave that there, | 0:07:32 | 0:07:35 | |
-and shall I follow you? -OK, yeah. | 0:07:35 | 0:07:38 | |
A promising valuation, but will the sparks fly | 0:07:39 | 0:07:42 | |
when the pole screen goes under the hammer at auction? | 0:07:42 | 0:07:45 | |
80 if you like. I don't mind. There's 80 at the back of the room. | 0:07:45 | 0:07:49 | |
Find out if the bidders have plenty of money to burn later. | 0:07:49 | 0:07:53 | |
Five... | 0:07:53 | 0:07:55 | |
'Our search is going well, and I soon find a collection | 0:07:56 | 0:07:59 | |
'of three meat platters by famous porcelain manufacturer | 0:07:59 | 0:08:02 | |
'Copeland Spode. They're all from the company's Peplow range, | 0:08:02 | 0:08:06 | |
'designed in the early 1900s | 0:08:06 | 0:08:08 | |
'exclusively for the world-famous London store, Harrods.' | 0:08:08 | 0:08:12 | |
They're in excellent condition, and Jonty thinks they could bring in | 0:08:12 | 0:08:15 | |
£40 to £60 at auction. | 0:08:15 | 0:08:17 | |
-Jonty, could you take a look at this barometer here in the hall? -OK. | 0:08:20 | 0:08:24 | |
Yeah. That's rather handsome, isn't it? | 0:08:24 | 0:08:26 | |
-So, where is this from? -Again, it's... | 0:08:26 | 0:08:29 | |
I think my mother actually bought that in her lifetime. | 0:08:29 | 0:08:32 | |
I don't think it is a family heirloom as such, | 0:08:32 | 0:08:35 | |
-but I could be wrong. -OK. This is a banjo barometer. | 0:08:35 | 0:08:37 | |
-You're aware of that? -No, I didn't know what it was called. | 0:08:37 | 0:08:40 | |
-I can see your point there. -You can see why they're called that. | 0:08:40 | 0:08:44 | |
And this shape and form became very popular | 0:08:44 | 0:08:47 | |
in the mid-18th century, but before that, | 0:08:47 | 0:08:50 | |
mahogany-cased barometers like this were in vertical boxes, effectively, | 0:08:50 | 0:08:56 | |
known as stick barometers. But they all house a tube | 0:08:56 | 0:09:01 | |
of vacuum-packed mercury, | 0:09:01 | 0:09:03 | |
which in turn controls this dial here. | 0:09:03 | 0:09:07 | |
But this is of classic proportion. If you look at the top there, | 0:09:07 | 0:09:10 | |
we've got that swan pediment. We have a dial here | 0:09:10 | 0:09:13 | |
which says "dry" or "damp", but there we have a convex mirror, | 0:09:13 | 0:09:16 | |
and that is probably decoration apart from anything else. | 0:09:16 | 0:09:20 | |
-Ah, yes. -Doesn't really have very much function | 0:09:20 | 0:09:22 | |
other than that. But prior to weather forecasts, | 0:09:22 | 0:09:26 | |
this was the only way of telling what was going to happen outside, | 0:09:26 | 0:09:29 | |
so very important for the English gent, | 0:09:29 | 0:09:32 | |
in the 18th and 19th century, to have one of these. | 0:09:32 | 0:09:35 | |
Date-wise, this particular barometer is not 18th century | 0:09:35 | 0:09:38 | |
but more 19th century, so it's probably 1820, 1830 in date, | 0:09:38 | 0:09:44 | |
and we're looking at, on a fair day, | 0:09:44 | 0:09:47 | |
£100 to £150. | 0:09:47 | 0:09:49 | |
-Right. -How do you feel about that? | 0:09:49 | 0:09:51 | |
I think that's reasonable, yes. I might want... I'm quite fond of it, | 0:09:51 | 0:09:55 | |
-so I might want to put a reserve on it... -OK. | 0:09:55 | 0:09:58 | |
-..maybe of £100, something like that. -That's absolutely fine. | 0:09:58 | 0:10:02 | |
We can do that. Not a problem. | 0:10:02 | 0:10:04 | |
I can quite understand Sally not wanting the barometer to sell | 0:10:05 | 0:10:09 | |
for anything less than £100. | 0:10:09 | 0:10:11 | |
There's clearly also a sentimental attachment to it. | 0:10:11 | 0:10:14 | |
The same cannot be said about the family's copper coal scuttle. | 0:10:14 | 0:10:17 | |
This was handed down through the generations, | 0:10:17 | 0:10:20 | |
but Kate can't remember when her mum last used it, if ever. | 0:10:20 | 0:10:23 | |
There is a still a collecting market for these once-essential items, | 0:10:23 | 0:10:27 | |
especially if they're complete with their original coal scoops, like this one. | 0:10:27 | 0:10:31 | |
As a result, Jonty thinks we could get £30 to £50 for it. | 0:10:31 | 0:10:35 | |
We're making good progress toward our £800 target | 0:10:38 | 0:10:41 | |
for that stained-glass panel. It's a good opportunity, I think, | 0:10:41 | 0:10:44 | |
to learn more about Sally's extensive global exploits. | 0:10:44 | 0:10:48 | |
Now, I saw this earlier, Sally. | 0:10:49 | 0:10:53 | |
Oh, yes. That's my map of the world. | 0:10:53 | 0:10:56 | |
-Are the stars where you've been? -Yes, they are. | 0:10:56 | 0:10:58 | |
How fantastic! And I see you've got a silver star here on Antarctica. | 0:10:58 | 0:11:03 | |
-You've really been there? -I really have been, | 0:11:03 | 0:11:05 | |
and set foot on the mainland of Antarctica. | 0:11:05 | 0:11:07 | |
-Is it as good as they say it is? -Brilliant. | 0:11:07 | 0:11:10 | |
I went to South Georgia, as well, in the Falklands. | 0:11:10 | 0:11:13 | |
I think South Georgia was probably the most stunning part we went to. | 0:11:13 | 0:11:17 | |
So, tell me, Katy, have you always had adventurous holidays | 0:11:17 | 0:11:21 | |
-when you were young? -Growing up, it was more France | 0:11:21 | 0:11:24 | |
and more local holidays, so nothing too adventurous. | 0:11:24 | 0:11:27 | |
I wasn't very keen on travelling as a child, | 0:11:27 | 0:11:30 | |
so I think Mum waited until we'd all left home | 0:11:30 | 0:11:33 | |
and got out the way before she could indulge her travelling bug. | 0:11:33 | 0:11:36 | |
What do you think of the things your mum gets up to? | 0:11:36 | 0:11:39 | |
-We're not talking about a trip to the Costas. -A bit scary sometimes, | 0:11:39 | 0:11:43 | |
all these far-flung places, but yeah, | 0:11:43 | 0:11:45 | |
good on her for getting out there and doing it. | 0:11:45 | 0:11:48 | |
Is there anywhere left you want to go to? | 0:11:48 | 0:11:50 | |
The next holiday I've got planned is going to the Amazon | 0:11:50 | 0:11:54 | |
to try and see jaguars in the Pantanal. | 0:11:54 | 0:11:56 | |
I think I've got enough money for that, | 0:11:56 | 0:11:59 | |
but obviously any extra would be welcome. | 0:11:59 | 0:12:01 | |
Talking of wildlife, we're getting a bit more... This is England. | 0:12:01 | 0:12:06 | |
Yes. That's the stained-glass panel that I'm having made. | 0:12:06 | 0:12:10 | |
Did you come up with this design, or did someone come up with it for you? | 0:12:10 | 0:12:14 | |
I came up with the idea of green woodpeckers, | 0:12:14 | 0:12:17 | |
yes, as being what I'd like to see depicted, | 0:12:17 | 0:12:20 | |
because we get woodpeckers here, | 0:12:20 | 0:12:22 | |
and I thought they would show off to quite good effect | 0:12:22 | 0:12:25 | |
-on stained glass. -If we're going to make the £800 | 0:12:25 | 0:12:28 | |
you need for this glass, and fill the hole in the wall, | 0:12:28 | 0:12:31 | |
we'd better find Jonty, see if he's got anything else to sell. Come on. | 0:12:31 | 0:12:35 | |
No sign of the green woodpecker in the garden at the moment, | 0:12:37 | 0:12:40 | |
but upstairs there's the ever-pleasing sight | 0:12:40 | 0:12:42 | |
of an antiques expert hard at work. | 0:12:42 | 0:12:45 | |
He's got his hands on a pair of Victorian prints | 0:12:45 | 0:12:48 | |
which belonged to Sally's grandmother. | 0:12:48 | 0:12:50 | |
Jonty's rather taken with them. They show 19th-century-style caricatures, | 0:12:50 | 0:12:54 | |
not the work of anyone well known, but still lots of fun. | 0:12:54 | 0:12:58 | |
The estimate is £40 to £60 towards our ever-growing total. | 0:12:58 | 0:13:01 | |
I wondered, Jonty and Lorne, if you'd like to look at this sofa. | 0:13:06 | 0:13:09 | |
Wow! That's not just any old sofa, is it? | 0:13:09 | 0:13:14 | |
Where's this from? Is this the family piece? | 0:13:14 | 0:13:16 | |
This again, my mother's side of the family, but this has been in the family... | 0:13:16 | 0:13:20 | |
I can remember it while I was growing up. | 0:13:20 | 0:13:23 | |
Is this the original upholstery? | 0:13:23 | 0:13:25 | |
No. My mother reupholstered it for me back in the 1970s. | 0:13:25 | 0:13:30 | |
So, is it something you're thinking of selling? | 0:13:30 | 0:13:33 | |
I think so, yes, if Jonty thinks it's worth something. | 0:13:33 | 0:13:36 | |
How old do you think it is? | 0:13:36 | 0:13:38 | |
I've always assumed it's Victorian, sort of mid-Victorian. | 0:13:38 | 0:13:42 | |
-It's actually older than that. -Oh, really? | 0:13:42 | 0:13:44 | |
It's actually made in the reign of Queen Victoria's uncle, | 0:13:44 | 0:13:47 | |
William IV, and he was on the throne between 1830 and 1837. | 0:13:47 | 0:13:52 | |
Isn't William IV furniture quite sought-after? | 0:13:52 | 0:13:54 | |
There's not much of it because he wasn't on the throne very long. | 0:13:54 | 0:13:58 | |
Well, it's not because it's rare. | 0:13:58 | 0:14:00 | |
It's simply because they made robust and very stylish furniture, | 0:14:00 | 0:14:04 | |
just like this. If we look at the detailing, look at the back there, | 0:14:04 | 0:14:07 | |
that scrollwork, and have a look at this fan decoration | 0:14:07 | 0:14:11 | |
on the front here, that's very typical. | 0:14:11 | 0:14:13 | |
-Now, is it comfortable? -I find it quite comfortable. | 0:14:13 | 0:14:16 | |
-Shall I sit down? -You can demonstrate. | 0:14:16 | 0:14:18 | |
Yes. It is actually very comfortable. | 0:14:18 | 0:14:21 | |
I'm beginning to wonder whether I want to get rid of it. | 0:14:21 | 0:14:25 | |
-THEY LAUGH -Well, the estimate in the catalogue | 0:14:25 | 0:14:28 | |
for this would be between £200 and £400. | 0:14:28 | 0:14:31 | |
-What do you think of that? Is that better than you were thinking? -Yes. | 0:14:31 | 0:14:35 | |
That was more in the region I thought it was going to be valued at. | 0:14:35 | 0:14:39 | |
Well, don't get too comfortable. Hopefully we will be selling this. | 0:14:39 | 0:14:43 | |
Shall we see if we can find anything else? Come on. Off you go. | 0:14:43 | 0:14:46 | |
Ooh! Yes, you're right, it's very comfortable! Keep looking! | 0:14:49 | 0:14:53 | |
I have a feeling the settee is going to be pretty popular | 0:14:56 | 0:14:59 | |
with the bidders, who are always looking for something to sit on comfortably during the auction. | 0:14:59 | 0:15:04 | |
No rest for us, though. We still have plenty of searching ahead. | 0:15:04 | 0:15:07 | |
Kate's still working away. In the study, | 0:15:07 | 0:15:10 | |
she pulls out a pair of framed maps. | 0:15:10 | 0:15:12 | |
They're copies of originals by Robert Morden, | 0:15:12 | 0:15:15 | |
a famous British cartographer. They show the British Isles | 0:15:15 | 0:15:18 | |
and Cumberland. They're collectable, but, being reproductions, | 0:15:18 | 0:15:22 | |
they're not hugely valuable, so their auction price tag | 0:15:22 | 0:15:25 | |
is £20 to £30. Now, watch out, Jonty - | 0:15:25 | 0:15:28 | |
it looks like Sally means business. | 0:15:28 | 0:15:30 | |
Agh! OK. | 0:15:31 | 0:15:34 | |
What have we got? Flintlock pistol! Has this been hidden under the bed? | 0:15:34 | 0:15:38 | |
No. I found it in the study, actually, tucked away in a drawer. | 0:15:38 | 0:15:42 | |
-An heirloom from my mother's side of the family. -Do you want to sell it? | 0:15:42 | 0:15:46 | |
Yes, certainly. Yes, I think so. I'm not really into guns. | 0:15:46 | 0:15:50 | |
Well, a lot of people are when it comes to guns like this, | 0:15:50 | 0:15:53 | |
cos this is a lovely Flintlock pistol. | 0:15:53 | 0:15:56 | |
Flintlock pistols first came into being | 0:15:56 | 0:15:59 | |
around 1610, so really the beginning of the 17th century, | 0:15:59 | 0:16:03 | |
and it was the firearm of choice from that time | 0:16:03 | 0:16:08 | |
till the end of the 18th century. | 0:16:08 | 0:16:10 | |
Do you know how it actually operates? | 0:16:10 | 0:16:13 | |
Not really. I think you have to fill them with gunpowder or something. | 0:16:13 | 0:16:16 | |
That's right, and then the lead shot is loaded, | 0:16:16 | 0:16:19 | |
and here is your ramrod, which you then compact. | 0:16:19 | 0:16:22 | |
Then you pull the hammer all the way back. | 0:16:22 | 0:16:25 | |
The trigger is squeezed. Boom, hey presto, you've fired your gun. | 0:16:25 | 0:16:29 | |
So it's quite a long-winded process, as you can imagine. | 0:16:29 | 0:16:33 | |
At auction, we're still looking at, what - £100 to £150? | 0:16:33 | 0:16:37 | |
-Right. That's pretty good. -Yeah. | 0:16:37 | 0:16:40 | |
-Shall we hunt out more antiques? -I think that's a good idea. Great. | 0:16:40 | 0:16:44 | |
'I wonder what family heirlooms we'll unearth next | 0:16:46 | 0:16:49 | |
'from the depths of Sally's pristine home? | 0:16:49 | 0:16:51 | |
'Do bear in mind there are guidelines in place | 0:16:51 | 0:16:53 | |
'concerning the buying and selling of firearms at auction, | 0:16:53 | 0:16:57 | |
'for obvious reasons. Old Flintlock pistols like Sally's | 0:16:57 | 0:17:00 | |
'are deemed safe and legal to sell, so, fingers crossed, | 0:17:00 | 0:17:03 | |
'we'll find that there are some militaria collectors | 0:17:03 | 0:17:06 | |
'at our auction.' | 0:17:06 | 0:17:08 | |
While the others carry on the search, | 0:17:11 | 0:17:13 | |
I wanted to ask you about your family history, | 0:17:13 | 0:17:15 | |
because I understand there's strong political connections. Tell me about that. | 0:17:15 | 0:17:20 | |
The political involvement that I know about | 0:17:20 | 0:17:22 | |
goes back to the beginning of the 1900s, | 0:17:22 | 0:17:26 | |
when my great-great-grandfather was a Liberal MP | 0:17:26 | 0:17:30 | |
in the Five Towns, Burslem, Stoke-on-Trent, | 0:17:30 | 0:17:33 | |
the pottery towns. He actually started his career off as a miner. | 0:17:33 | 0:17:37 | |
That wasn't a particularly pleasant place to work, Stoke-on-Trent. | 0:17:37 | 0:17:41 | |
-They were working out of the bottle kilns and what have you. -Yes. | 0:17:41 | 0:17:45 | |
-A lot of them died young, didn't they? -Yes, indeed. Yes. | 0:17:45 | 0:17:48 | |
-How did it work out from there? -It developed from there | 0:17:48 | 0:17:51 | |
in that his son, my grandfather, became a Liberal agent, | 0:17:51 | 0:17:56 | |
then it missed a generation a bit | 0:17:56 | 0:17:59 | |
because my father, although interested in politics, | 0:17:59 | 0:18:02 | |
and a Liberal sympathiser throughout his life, | 0:18:02 | 0:18:05 | |
actually worked in local government, so was not allowed to have any overt political allegiances. | 0:18:05 | 0:18:10 | |
My mother was a Conservative, so whenever there was a general election | 0:18:10 | 0:18:14 | |
or even a local election, my father would put his Liberal posters up | 0:18:14 | 0:18:17 | |
in the living-room window, and as soon as my mother had seen | 0:18:17 | 0:18:22 | |
that he was safely off to work, she would whip them down again | 0:18:22 | 0:18:25 | |
-and put up the Tory ones. -Oh, how funny! | 0:18:25 | 0:18:27 | |
Tell me about the items we've been seeing here today. | 0:18:27 | 0:18:30 | |
-What side of the family are they from? -Most from my mother's side, | 0:18:30 | 0:18:34 | |
because my mother was the person in our family | 0:18:34 | 0:18:37 | |
who was most interested in antiques, | 0:18:37 | 0:18:39 | |
liked to think she'd got a bit of an eye for them. | 0:18:39 | 0:18:42 | |
Will you regret selling any of them? | 0:18:42 | 0:18:44 | |
I don't feel you need to sort of warehouse antiques | 0:18:44 | 0:18:48 | |
and things that belonged to others. I've got memories of my parents | 0:18:48 | 0:18:52 | |
and further back, so I'm quite happy to let most of those go, | 0:18:52 | 0:18:57 | |
and celebrate some of my own memories, if you like. | 0:18:57 | 0:18:59 | |
I think memories are far more important. | 0:18:59 | 0:19:02 | |
But if we're going to make memories for you, we better crack the whip | 0:19:02 | 0:19:05 | |
and go and find Jonty. Come on. | 0:19:05 | 0:19:07 | |
It's been fascinating to hear about Sally's family history, | 0:19:07 | 0:19:11 | |
but with time almost up on our day in Hampshire, | 0:19:11 | 0:19:14 | |
we still need a few more finds if we're going to reach that £800 target. | 0:19:14 | 0:19:19 | |
Jonty has taken rather a shine to Sally's mahogany desk. | 0:19:19 | 0:19:22 | |
It is a reproduction, but even so, | 0:19:22 | 0:19:24 | |
its popular style makes it a very saleable piece. | 0:19:24 | 0:19:28 | |
The great news is that Sally is happy for it to go, | 0:19:28 | 0:19:31 | |
as it's been relegated to the spare room for quite some time. | 0:19:31 | 0:19:34 | |
It joins our list of items heading to auction | 0:19:34 | 0:19:37 | |
for a very pleasing £200 to £300 estimate. | 0:19:37 | 0:19:39 | |
And you know what? The desk isn't the last of the family heirlooms. | 0:19:39 | 0:19:43 | |
Sally has plenty more that she's keen to part with. | 0:19:43 | 0:19:46 | |
Hello, guys. Do you think this might be worth anything? | 0:19:49 | 0:19:52 | |
-What have you got there? -This piece is from my father's side of the family. | 0:19:52 | 0:19:56 | |
I think it must have been bought or acquired by my grandfather, | 0:19:56 | 0:20:01 | |
who was Liberal agent in the Northeast of England, | 0:20:01 | 0:20:04 | |
round about the Lloyd George time, I suppose, | 0:20:04 | 0:20:07 | |
or the 1920s, something like that. | 0:20:07 | 0:20:09 | |
I've got the British prime minister Lloyd George staring at me. | 0:20:09 | 0:20:13 | |
-Can I have a look at him? -Course you can, yeah. -Wow! | 0:20:13 | 0:20:15 | |
This is interesting. All the information's on the underside. | 0:20:15 | 0:20:19 | |
This is from the Ashtead Pottery in Surrey, | 0:20:19 | 0:20:22 | |
and it was set up to help ex-servicemen to find employment, | 0:20:22 | 0:20:28 | |
those ones that were particularly wounded during the Great War. | 0:20:28 | 0:20:31 | |
There were many of those that survived the Great War. | 0:20:31 | 0:20:34 | |
So it was a pottery purely for them, but it closed in 1935, | 0:20:34 | 0:20:39 | |
and they did many different kinds of wares. | 0:20:39 | 0:20:42 | |
They were very prolific, lots of table wares, | 0:20:42 | 0:20:45 | |
and commemorative wares just like this. Can we put him to the sale? | 0:20:45 | 0:20:49 | |
-Oh, definitely, yes. -You don't want to get your hands on it? | 0:20:49 | 0:20:52 | |
I don't know. It's a bit more interesting | 0:20:52 | 0:20:54 | |
now I know the background about it, but I think it can probably go. | 0:20:54 | 0:20:58 | |
It's definitely worth putting into the auction sale. | 0:20:58 | 0:21:01 | |
-We're looking at £30 to £40. -Yes, OK. That's good. | 0:21:01 | 0:21:05 | |
Now, you wanted £800 to plug the gap up there, didn't you? | 0:21:05 | 0:21:08 | |
Yes. Well, the value of everything going to auction | 0:21:08 | 0:21:11 | |
actually comes to £950. | 0:21:11 | 0:21:13 | |
Oh, excellent! That's really good. | 0:21:13 | 0:21:15 | |
So there's £150 more there than you need for the glass window, | 0:21:15 | 0:21:20 | |
-so that can go towards your holiday. -It could indeed, yes. | 0:21:20 | 0:21:23 | |
Now, that's what I call a good day's work. | 0:21:23 | 0:21:27 | |
And we've unearthed a real mix of items to take with us to auction. | 0:21:27 | 0:21:31 | |
Among the lots that will fund the stained-glass panel are... | 0:21:31 | 0:21:34 | |
the late-19th-century pole screen. | 0:21:34 | 0:21:37 | |
We're hoping the detailed carvings will spark plenty of interest | 0:21:37 | 0:21:40 | |
in the saleroom, and help her to achieve every penny | 0:21:40 | 0:21:43 | |
of the £100 to £150 estimate. | 0:21:43 | 0:21:45 | |
The stunning William IV settee, a fine piece of furniture, | 0:21:45 | 0:21:49 | |
and so comfortable! I wonder if the bidders will keep off it long enough | 0:21:49 | 0:21:53 | |
for any potential buyers to see it! | 0:21:53 | 0:21:55 | |
If so, it should breeze through its £200 to £400 price tag. | 0:21:55 | 0:21:59 | |
And who could forget Sally's Flintlock pistol? | 0:22:00 | 0:22:03 | |
We hope it will stand out in the saleroom and deliver us a profit. | 0:22:03 | 0:22:07 | |
Asking price, £100 to £150. | 0:22:07 | 0:22:10 | |
Still to come on Cash In The Attic, Jonty thinks he knows which bidders | 0:22:11 | 0:22:14 | |
may have an appetite for our collectables. | 0:22:14 | 0:22:17 | |
-The other map is of Cumberland, isn't it? -Yes, it is. | 0:22:17 | 0:22:21 | |
Let's hope lots of people in the room like sausages. | 0:22:21 | 0:22:24 | |
But are we fighting a losing battle? | 0:22:25 | 0:22:27 | |
Your bangers have put the mockers on that, I think. | 0:22:27 | 0:22:31 | |
Find out when the final hammer falls. | 0:22:31 | 0:22:33 | |
It's been a few weeks since we met cat-lover Sally | 0:22:38 | 0:22:42 | |
and her daughter Kate. We had a good look through Sally's home | 0:22:42 | 0:22:45 | |
and we found lots of interesting and varied items | 0:22:45 | 0:22:48 | |
which we've brought to Martin Pole auction house here in Wokingham in Berkshire. | 0:22:48 | 0:22:53 | |
Remember, Sally wanted to raise £800 so she that could commission | 0:22:53 | 0:22:56 | |
a special stained-glass panel for her living room. | 0:22:56 | 0:23:00 | |
So let's just hope, when the items go under the hammer today, | 0:23:00 | 0:23:03 | |
that the buyers are ready to smash Jonty's estimates. | 0:23:03 | 0:23:07 | |
This busy saleroom holds an antiques auction once a month. | 0:23:08 | 0:23:12 | |
There's a mixture of private buyers and dealers. | 0:23:12 | 0:23:15 | |
Jonty's arrived early, keen to see what our family's lots are up against. | 0:23:15 | 0:23:19 | |
Also here are Sally and Kate. It doesn't take them long | 0:23:19 | 0:23:23 | |
to spot one of their favourite collectables on display. | 0:23:23 | 0:23:26 | |
There he is, Mr George, all ready and waiting to be sold. | 0:23:26 | 0:23:29 | |
Without wishing to wanting to cause offence, you're looking bigger | 0:23:29 | 0:23:32 | |
-than when we saw you last. How is the baby? -One too many cakes. | 0:23:32 | 0:23:36 | |
No, it's growing nicely, thank you. | 0:23:36 | 0:23:39 | |
-And how's the panel coming on? -That's pretty well advanced, | 0:23:39 | 0:23:42 | |
so I look forward to taking possession of that. | 0:23:42 | 0:23:44 | |
If it's pretty well advanced, there's going to be a bill to pay, | 0:23:44 | 0:23:48 | |
so shall we go make some money towards it? | 0:23:48 | 0:23:50 | |
-Come on, then. -Go for it. | 0:23:50 | 0:23:53 | |
I wonder which will come first - the bill for the window | 0:23:54 | 0:23:57 | |
or Kate's baby. Either way there's no time to waste, | 0:23:57 | 0:24:00 | |
as the auctioneer's in position and ready to kick off. | 0:24:00 | 0:24:03 | |
The first of our lots to go under the hammer | 0:24:03 | 0:24:05 | |
is the rather splendid mahogany desk. | 0:24:05 | 0:24:08 | |
Well, it used to be my father's, | 0:24:10 | 0:24:13 | |
and I was remembering that he wrote the definitive text book | 0:24:13 | 0:24:17 | |
-on the 1959 Mental Health Act... -Good grief! -..at that desk. | 0:24:17 | 0:24:21 | |
And you don't feel like inheriting it, Kate? | 0:24:21 | 0:24:25 | |
No, I don't think so. It did spend a bit of time at our house, | 0:24:25 | 0:24:28 | |
but with a modern house it's just a bit too big. | 0:24:28 | 0:24:31 | |
-What do we want in terms of money? -I've put £200 to £300 on it, | 0:24:31 | 0:24:34 | |
and it's worth every penny, so let's hope we can get there and some. | 0:24:34 | 0:24:38 | |
£120 is bid against you. £120. 30. | 0:24:38 | 0:24:43 | |
-40. 50. 60. 70. -It's passed the reserve. | 0:24:43 | 0:24:47 | |
80. 190. | 0:24:47 | 0:24:49 | |
-Come on, more! -Back of the room, then, and selling, | 0:24:49 | 0:24:52 | |
-if you're all done. 200. -Oh, excellent. | 0:24:52 | 0:24:54 | |
220. 220. Still on my left at 220. | 0:24:54 | 0:24:58 | |
HE BANGS HAMMER Excellent! | 0:25:00 | 0:25:02 | |
Are you happy? I was hoping for more than that, | 0:25:02 | 0:25:04 | |
because it's such a lovely desk, but we got there. | 0:25:04 | 0:25:07 | |
I hoped we wouldn't have to hump the great big thing home again. | 0:25:07 | 0:25:11 | |
So, mixed feelings about the price for the desk, | 0:25:13 | 0:25:16 | |
despite it achieving its lower estimate. | 0:25:16 | 0:25:18 | |
It does prove that there are some furniture buyers in the saleroom, | 0:25:18 | 0:25:22 | |
which is good news, as it's another substantial piece up next. | 0:25:22 | 0:25:25 | |
It's the William IV settee, which Sally has decided to protect | 0:25:25 | 0:25:29 | |
with a £150 reserve. | 0:25:29 | 0:25:31 | |
-After Jonty described it... -What, in such flowery terms? | 0:25:33 | 0:25:36 | |
-Yes. -You fell back in love with it? -It's all my fault. | 0:25:36 | 0:25:39 | |
It is your fault, yes. I grew fonder of it, | 0:25:39 | 0:25:43 | |
and I certainly wouldn't want to see it go for a very cheap price. | 0:25:43 | 0:25:47 | |
Good-looking piece. Where may I start here? £150, may I say? | 0:25:47 | 0:25:52 | |
-150 is bid. Thank you. At 150. -It's sold. -Oh, that's good. | 0:25:52 | 0:25:56 | |
-Maiden bid. Is there any further? At £150. -Come on. Bit more. | 0:25:56 | 0:25:59 | |
Surely... 160. Thank you. | 0:25:59 | 0:26:01 | |
170. 180. | 0:26:01 | 0:26:04 | |
190. £190. My original bidder at 190. | 0:26:04 | 0:26:07 | |
He's squeezing it up, you see. | 0:26:07 | 0:26:09 | |
190, then... | 0:26:09 | 0:26:11 | |
-Thank you. -HE GROANS | 0:26:11 | 0:26:14 | |
How do you feel about that? | 0:26:14 | 0:26:16 | |
Well, I'd like it to have fetched more than that, really, | 0:26:16 | 0:26:19 | |
-but there you go. -It did fetch more than the reserve, | 0:26:19 | 0:26:23 | |
so in that respect he's done his job. | 0:26:23 | 0:26:26 | |
It's £10 less than the lower estimate. | 0:26:26 | 0:26:28 | |
£10 to my lowest estimate, and I put 200 to 400, | 0:26:28 | 0:26:31 | |
so it hurts a bit, doesn't it? It does. | 0:26:31 | 0:26:33 | |
-You should've put the reserve up. -I should have. | 0:26:33 | 0:26:36 | |
THEY LAUGH | 0:26:36 | 0:26:38 | |
Thanks for those words of wisdom, Kate, | 0:26:38 | 0:26:41 | |
although perhaps a little too late. This is our second sale | 0:26:41 | 0:26:44 | |
to fall short of our expectations. Will the performance of our next lot | 0:26:44 | 0:26:48 | |
put the smiles back on our faces? | 0:26:48 | 0:26:51 | |
It's the family's 19th-century pole screen. | 0:26:51 | 0:26:54 | |
It's got a £100 reserve. The auction house think it's worthy of a photo. | 0:26:54 | 0:26:58 | |
There it is. So that's nice to see, isn't it? | 0:26:58 | 0:27:01 | |
-We won't need that, though. -Exactly. | 0:27:01 | 0:27:04 | |
Pretty little Victorian pole screen. | 0:27:04 | 0:27:06 | |
Where may I start, please? | 0:27:06 | 0:27:09 | |
-100 for it? 80 if you like. -Oh, no! | 0:27:09 | 0:27:13 | |
There's 80 at the back of the room. Thank you. £80 bid. And five. | 0:27:13 | 0:27:17 | |
-Thank you. -90. And five. 100. | 0:27:17 | 0:27:20 | |
There's ten. | 0:27:20 | 0:27:22 | |
20. 30. 140. | 0:27:22 | 0:27:25 | |
140 at the back. 140. | 0:27:25 | 0:27:28 | |
£140, then, the back of the room. If you're all done at 140... | 0:27:28 | 0:27:32 | |
-Perfect. -140. | 0:27:33 | 0:27:35 | |
-Good! -You happy with that? -It's getting better. | 0:27:35 | 0:27:38 | |
-It's going in the right direction. -They are. | 0:27:38 | 0:27:41 | |
That's more like it! Just £10 shy of Jonty's top estimate. | 0:27:42 | 0:27:46 | |
A few more results like that would be most welcome. | 0:27:46 | 0:27:49 | |
Kate found our next lot in the study. | 0:27:49 | 0:27:51 | |
It's the pair of maps. They're early prints of originals | 0:27:51 | 0:27:55 | |
by the famous British cartographer Robert Morden. | 0:27:55 | 0:27:58 | |
So, where did you get those maps from? | 0:28:00 | 0:28:02 | |
I think we bought those when I was with my parents, | 0:28:02 | 0:28:06 | |
when we went on holiday somewhere, possibly a holiday to Scotland. | 0:28:06 | 0:28:10 | |
Was that so you could find your way home again? | 0:28:10 | 0:28:13 | |
Probably. | 0:28:13 | 0:28:15 | |
I've always felt I've not really displayed it very much, | 0:28:15 | 0:28:18 | |
because you have to display it with Great Britain on its side, | 0:28:18 | 0:28:21 | |
-and I find that rather disorientating. -Yes. | 0:28:21 | 0:28:24 | |
It's funny, maps like that on their side. It completely throws you. | 0:28:24 | 0:28:27 | |
Quite extraordinary. And the other map is of Cumberland. | 0:28:27 | 0:28:31 | |
-Yes. -Let's hope there's lots of people in the room | 0:28:31 | 0:28:34 | |
-that like sausages. -THEY LAUGH | 0:28:34 | 0:28:37 | |
Now, framed and glazed early map, | 0:28:37 | 0:28:40 | |
British Isles, after Robert Morden, | 0:28:40 | 0:28:43 | |
another of the county of Cumberland. | 0:28:43 | 0:28:46 | |
He didn't mention sausages. | 0:28:46 | 0:28:48 | |
Two of the lots on 165. May I say £20, please? | 0:28:48 | 0:28:51 | |
-£20? -Outrageous! -Oh, come on! | 0:28:51 | 0:28:54 | |
15, if you like. | 0:28:54 | 0:28:55 | |
£10. I don't mind. Nobody wants it? | 0:28:55 | 0:28:58 | |
There's ten. Ten is bid. Thank you. Any further? | 0:28:58 | 0:29:02 | |
At £10 only. I think I shall sell at ten. | 0:29:02 | 0:29:04 | |
I'll have them back. | 0:29:04 | 0:29:06 | |
Thank you. 528. | 0:29:08 | 0:29:09 | |
Your bangers have put the mockers on that, I think! | 0:29:09 | 0:29:13 | |
Oh, dear, that really is disappointing. | 0:29:13 | 0:29:15 | |
With so little interest, the maps only just found their way | 0:29:15 | 0:29:19 | |
out of the saleroom. Will our pair of Victorian prints | 0:29:19 | 0:29:22 | |
fare any better? Jonty's a fan. | 0:29:22 | 0:29:24 | |
Let's hope he's not alone in his admiration. | 0:29:24 | 0:29:27 | |
-You like these, don't you? -They're really unusual. | 0:29:30 | 0:29:32 | |
-Very unusual. -You think so? -I think they're a lot of fun. | 0:29:32 | 0:29:35 | |
-Where were they from? -I think they were my mother's mother's, | 0:29:35 | 0:29:39 | |
as in my grandmother, and I think I can remember seeing them | 0:29:39 | 0:29:43 | |
-on the walls in her house. -They're almost like caricatures, | 0:29:43 | 0:29:46 | |
halfway between a cartoon and real life. Not quite sure. | 0:29:46 | 0:29:52 | |
You might have liked them, but you've only put £40 to £60 on them. | 0:29:52 | 0:29:55 | |
Well, they're fun, but not definitely high value. | 0:29:55 | 0:29:59 | |
That's the great thing about being in this business. | 0:29:59 | 0:30:02 | |
Certain items aren't necessarily expensive, | 0:30:02 | 0:30:04 | |
to get a lot of enjoyment out of them. | 0:30:04 | 0:30:06 | |
Interest on the books. Starts with me at £20. | 0:30:06 | 0:30:09 | |
20 is bid. 22, thank you. And five. | 0:30:09 | 0:30:12 | |
25. 28. | 0:30:12 | 0:30:15 | |
-30. -Come on! -It's here at 30 against you all. | 0:30:15 | 0:30:18 | |
I shall sell at 30 if there's no further. | 0:30:18 | 0:30:20 | |
-Little bit more? -At £30, then, if we're done. | 0:30:20 | 0:30:23 | |
-Oh, dear. -£30. You're quite happy with that, | 0:30:24 | 0:30:26 | |
because you don't particularly like them. | 0:30:26 | 0:30:29 | |
-That was within estimate. -No. I put £40 to £60. | 0:30:29 | 0:30:32 | |
-Oh, did you really? -It was just under. | 0:30:32 | 0:30:34 | |
Oh, I'm disappointed now, then. | 0:30:34 | 0:30:36 | |
There were a few bidders who shared Jonty's enthusiasm | 0:30:38 | 0:30:41 | |
for the prints, unfortunately not enough to reach his lower estimate. | 0:30:41 | 0:30:44 | |
Still, Sally's not going to miss them, | 0:30:44 | 0:30:47 | |
and it's another much-needed addition | 0:30:47 | 0:30:49 | |
to our slowly growing fund. | 0:30:49 | 0:30:51 | |
Let's see if we can finish off the first half of the sale | 0:30:51 | 0:30:54 | |
on a real high. It's the shiny copper coal scuttle, | 0:30:54 | 0:30:57 | |
with its all-important matching scoop. | 0:30:57 | 0:31:01 | |
OK, we've got £30 to £50 on it. Are you happy with that, | 0:31:01 | 0:31:04 | |
-or have you put a reserve on this? -No. | 0:31:04 | 0:31:07 | |
It would be nice to get a bit more after all those hours I spent | 0:31:07 | 0:31:10 | |
-polishing it to make it look nice. -Yes. OK. | 0:31:10 | 0:31:13 | |
That is a bit of a problem with a lot like this. | 0:31:13 | 0:31:16 | |
People don't like polishing any more. | 0:31:16 | 0:31:18 | |
You don't have to clean it ever again if we sell it. | 0:31:18 | 0:31:21 | |
-Let's see if we can get it. -Er, £30 to start, please. | 0:31:21 | 0:31:24 | |
-Come on. -Bit more. | 0:31:24 | 0:31:26 | |
20 if you like. I don't mind. All over the place. There's 20. | 0:31:27 | 0:31:30 | |
Two with the lady. Five now. 28. 30. | 0:31:30 | 0:31:33 | |
-32. -Bit more. -With the lady on the aisle at 32. | 0:31:33 | 0:31:37 | |
If you're all done, I'll sell it at 32. | 0:31:37 | 0:31:39 | |
-Yes. -513. | 0:31:39 | 0:31:41 | |
-32. -£32. Right. | 0:31:41 | 0:31:44 | |
We've still got quite a lot of items to sell, | 0:31:44 | 0:31:46 | |
but quite a break before we do that. You don't look very confident | 0:31:46 | 0:31:50 | |
-about how much we've made so far. -Oh, well, some and some. | 0:31:50 | 0:31:53 | |
-Bit of a mixed bag, isn't it? -Well, your target's £800. | 0:31:53 | 0:31:56 | |
We're at the halfway stage, and you've made £622! | 0:31:56 | 0:32:00 | |
Oh, that's good, isn't it? Yes, that's not too bad at all. | 0:32:00 | 0:32:04 | |
Jonty, there's something you wanted to have a look at. | 0:32:04 | 0:32:07 | |
-I think we'll go and have a sit down, and baby too. -Yep. | 0:32:07 | 0:32:10 | |
Well, that news has cheered us all up. | 0:32:12 | 0:32:14 | |
Not only is our target very much in sight, | 0:32:14 | 0:32:17 | |
but, with some interesting lots still to sell, | 0:32:17 | 0:32:20 | |
it's looking very achievable. If, like Sally, | 0:32:20 | 0:32:23 | |
you're thinking of heading to auction, | 0:32:23 | 0:32:25 | |
do remember that fees such as commission and other charges will be added to your bill. | 0:32:25 | 0:32:30 | |
Please check the details with the auction house first to avoid any unwelcome surprises. | 0:32:30 | 0:32:35 | |
Now, what's the item of interest that's got Jonty's attention | 0:32:36 | 0:32:39 | |
in today's sale? | 0:32:39 | 0:32:42 | |
I sometimes like a little gamble, a little flutter in an auction room, | 0:32:42 | 0:32:45 | |
and I often have a look at items like this | 0:32:45 | 0:32:48 | |
and think, "Shall I, shan't I? Not quite sure." | 0:32:48 | 0:32:51 | |
This little fella here is known as a slot machine. | 0:32:51 | 0:32:54 | |
It's also known as a fruit machine and a one-arm bandit, | 0:32:54 | 0:32:57 | |
and it was first invented in America in 1895 | 0:32:57 | 0:33:01 | |
by a car mechanic in San Francisco known as Charles Fey, | 0:33:01 | 0:33:05 | |
and his first machine was called the Liberty Bell. | 0:33:05 | 0:33:09 | |
Fey was very clever, insofar that he did a 50-50 split | 0:33:09 | 0:33:13 | |
with all the profits with all the gambling halls, | 0:33:13 | 0:33:16 | |
the pubs and clubs that he lent his machines to, | 0:33:16 | 0:33:18 | |
and as a consequence, people wanted to copy him, | 0:33:18 | 0:33:21 | |
and in 1907, a Herbert Mills invented his machine, | 0:33:21 | 0:33:26 | |
which was a copy of the Liberty Bell known as the Original Bell, | 0:33:26 | 0:33:30 | |
and Mills still produce machines like this today. | 0:33:30 | 0:33:35 | |
This is a relatively contemporary machine. | 0:33:35 | 0:33:37 | |
I suppose it's copying those 1930s, 1950s, | 0:33:37 | 0:33:41 | |
very iconic machines, but I suspect that this is a lot later than that, | 0:33:41 | 0:33:46 | |
maybe 1970s, 1980s, that sort of date. | 0:33:46 | 0:33:50 | |
Now, are these popular in auction rooms? | 0:33:50 | 0:33:52 | |
Are they collectable? Are they saleable? Of course they are. | 0:33:52 | 0:33:55 | |
People are always looking for novelty items | 0:33:55 | 0:33:58 | |
to have in their homes. So what's it worth? | 0:33:58 | 0:34:00 | |
Here on the ticket, it's got the estimate of £200 to £300. | 0:34:00 | 0:34:03 | |
It's going to be a gamble, seeing if it's going to make that price. | 0:34:03 | 0:34:07 | |
When the slot machine takes its turn in front of the room, | 0:34:07 | 0:34:11 | |
-it sells... -180. Here we are, on the right. | 0:34:11 | 0:34:14 | |
Selling if you're done. | 0:34:14 | 0:34:16 | |
..just short of its estimate. Still, it proves the popularity | 0:34:16 | 0:34:20 | |
of Charles Fey's iconic invention lives on. | 0:34:20 | 0:34:23 | |
We have very high hopes of achieving every one of our estimates | 0:34:23 | 0:34:27 | |
in the second half of the sale. The next family heirloom | 0:34:27 | 0:34:31 | |
under the hammer is the telescope, which, as the catalogue states, | 0:34:31 | 0:34:34 | |
is now missing its eyepiece cover. It was sadly lost in transit. | 0:34:34 | 0:34:38 | |
Is that going to make any difference as far as you're concerned, Jonty? | 0:34:40 | 0:34:44 | |
It might do. It's still a very decorative object. | 0:34:44 | 0:34:47 | |
This is a very good place to sell, this part of the world, so I hope it'll get there. | 0:34:47 | 0:34:51 | |
Now, early-19th-century three-drawer brass telescope. | 0:34:51 | 0:34:55 | |
Eyepiece slide cover is missing, so the lot is as viewed. | 0:34:55 | 0:35:00 | |
I can start the bidding here at £25 against you. | 0:35:00 | 0:35:03 | |
Is there any advance? At £25. | 0:35:03 | 0:35:06 | |
25. 28. Thank you. 30 here. | 0:35:06 | 0:35:09 | |
-32. 35. -Come on, come on. -38. | 0:35:09 | 0:35:12 | |
Takes me out. £38. It's on the aisle. | 0:35:12 | 0:35:15 | |
38. | 0:35:15 | 0:35:17 | |
-£38. -Oh! | 0:35:17 | 0:35:20 | |
-Happy with that? -£2 below estimate. | 0:35:20 | 0:35:22 | |
THEY LAUGH | 0:35:22 | 0:35:24 | |
-Well, it's not too bad, is it? -No, not too bad. | 0:35:24 | 0:35:27 | |
Considering the missing part, I think that's a respectable result, | 0:35:27 | 0:35:32 | |
and we were so close to achieving Jonty's lower estimate. | 0:35:32 | 0:35:36 | |
Nothing missing with our next lot. It's the banjo barometer, | 0:35:36 | 0:35:39 | |
which comes complete with a £100 reserve. | 0:35:39 | 0:35:43 | |
Now, I remember from all the different barometers we've seen | 0:35:43 | 0:35:46 | |
over the years, these ones with the small convex mirrors | 0:35:46 | 0:35:50 | |
are quite popular, because you don't see those mirrors on all of them. | 0:35:50 | 0:35:54 | |
It's just a nice little decorative touch to them, | 0:35:54 | 0:35:56 | |
and when people are looking at barometers, | 0:35:56 | 0:35:59 | |
often you will have a choice, so if you're a dealer | 0:35:59 | 0:36:01 | |
and you're trying to sell, you're just looking for something | 0:36:01 | 0:36:05 | |
with a touch of the unusual, and this might make the difference. | 0:36:05 | 0:36:08 | |
-OK, here we go. -May I say £80 to start, please? | 0:36:08 | 0:36:11 | |
80 for it. | 0:36:11 | 0:36:14 | |
60 if you will. I don't mind. On the right I'm bid 60. Five in the front. | 0:36:14 | 0:36:19 | |
-70. Five. -Five. -80. Five. | 0:36:19 | 0:36:22 | |
90. Five. | 0:36:22 | 0:36:24 | |
100. And ten. 120. | 0:36:24 | 0:36:27 | |
130. 140. | 0:36:27 | 0:36:29 | |
140, to the right. | 0:36:29 | 0:36:31 | |
Selling at 140, then, if you're done. | 0:36:32 | 0:36:35 | |
-140. -Oh, that's not bad. | 0:36:35 | 0:36:37 | |
It's £10 under the high estimate, so it's pretty good, I think. | 0:36:37 | 0:36:41 | |
That's much more like it. | 0:36:41 | 0:36:43 | |
We've yet to exceed any of Jonty's top estimates today, | 0:36:43 | 0:36:46 | |
but we're edging ever closer to doing so. | 0:36:46 | 0:36:49 | |
Maybe our next lot could be the one. | 0:36:49 | 0:36:51 | |
It's the once-exclusive Copeland Spode meat platters. | 0:36:51 | 0:36:54 | |
Did you ever bring them out to serve Christmas lunch? | 0:36:57 | 0:37:00 | |
Yes. We used them for turkey, Christmas turkey, a few times. | 0:37:00 | 0:37:04 | |
-Yes, we did. -You might be using them again, of course, | 0:37:04 | 0:37:07 | |
if they don't sell. Let's see what happens. | 0:37:07 | 0:37:10 | |
I have to say, in pristine condition. | 0:37:10 | 0:37:12 | |
They look, er... Scarcely been out of the box. | 0:37:12 | 0:37:15 | |
Interest here. I will start the bidding at £40. | 0:37:15 | 0:37:18 | |
-Straight in at 40. -Any further? A maiden bid of £40. | 0:37:18 | 0:37:22 | |
-My mum thought they were worth about 500 quid. -Bless her! Did she? | 0:37:22 | 0:37:26 | |
-Are we all done? £40. -Oh, come on! | 0:37:26 | 0:37:29 | |
-They went for 40? -£40, I'm afraid. | 0:37:29 | 0:37:32 | |
Oh, it's a bit sad. Never mind. | 0:37:32 | 0:37:34 | |
-At least I had some use out of them. -You did! | 0:37:34 | 0:37:37 | |
Well, thank goodness for the commission bid! | 0:37:37 | 0:37:40 | |
In spite of the auctioneer's best efforts, | 0:37:40 | 0:37:42 | |
the meat platters failed to gain any further interest. | 0:37:42 | 0:37:46 | |
Today's sale is proving to be very unpredictable. | 0:37:46 | 0:37:50 | |
It's anyone's guess how a character jug | 0:37:50 | 0:37:52 | |
of the UK's first Welsh prime minister will fare | 0:37:52 | 0:37:55 | |
here in Berkshire. We're looking for £30 to £40 for it. | 0:37:55 | 0:37:59 | |
-Are you going to be sad to see this one go? -Not really, no. | 0:38:00 | 0:38:04 | |
David Lloyd George is probably not my favourite politician. | 0:38:04 | 0:38:07 | |
Well, there are a few to choose from now, aren't there? | 0:38:07 | 0:38:10 | |
There are indeed, yes. | 0:38:10 | 0:38:12 | |
Interesting lot, this. Start the bidding here with me at £50 against you. | 0:38:12 | 0:38:17 | |
-Is there any further? At 50 now. Against you all. -That's good. | 0:38:17 | 0:38:21 | |
At five. Thank you. 60 here. 60 I have. | 0:38:21 | 0:38:25 | |
-Are you all done at 60? -It's slow, isn't it? Come on. | 0:38:25 | 0:38:29 | |
£60. I think I'll have to sell it at 60. | 0:38:29 | 0:38:32 | |
All done? Thank you. | 0:38:32 | 0:38:34 | |
Well, Sally, the jug might have created a bit more interest | 0:38:34 | 0:38:37 | |
in the room, but it did at least exceed Jonty's top estimate. | 0:38:37 | 0:38:41 | |
'I think that's a terrific result for such a specialist piece.' | 0:38:41 | 0:38:46 | |
More neat collectables now, with Sally's assortment | 0:38:46 | 0:38:48 | |
of antique hunting essentials. | 0:38:48 | 0:38:50 | |
These include a gunpowder flask and a hip flask. | 0:38:50 | 0:38:53 | |
-Where were these from? -Great-great grandfather, | 0:38:55 | 0:38:57 | |
-something like that. -So definitely antique. | 0:38:57 | 0:39:00 | |
-With a pistol. -Ever used? | 0:39:00 | 0:39:02 | |
-No. -But it could be, Jonty. | 0:39:02 | 0:39:05 | |
-Always a first time for everything. -Unless you get your estimate right. | 0:39:05 | 0:39:09 | |
Nice little lot. £30 is bid against you. | 0:39:09 | 0:39:13 | |
-Come on! -At 30. | 0:39:13 | 0:39:16 | |
32. Thank you. 35. 38. 40. | 0:39:16 | 0:39:19 | |
-42. -It's going up. -It is, yes. | 0:39:19 | 0:39:23 | |
45, new place. 48. | 0:39:23 | 0:39:25 | |
50. £50. Front row here. | 0:39:25 | 0:39:28 | |
Are you all done at 50? | 0:39:28 | 0:39:31 | |
Oh, £50. That's all right. | 0:39:31 | 0:39:34 | |
The estimate was 50 to 75. We got in there at 50. | 0:39:34 | 0:39:38 | |
So everyone's a winner. But will the new owner of the powder flasks | 0:39:38 | 0:39:42 | |
need an antique pistol to go with their purchase? | 0:39:42 | 0:39:45 | |
If so, this could be their lucky day. | 0:39:45 | 0:39:48 | |
It's one of our star items now. It's the Flintlock pistol. | 0:39:49 | 0:39:53 | |
I'm hoping that we're going to get a good sale out of this one. | 0:39:53 | 0:39:57 | |
I've put £100 to £150, but I'm quietly confident | 0:39:57 | 0:40:00 | |
we should be able to go above that, but it's all a question of who's in the room. | 0:40:00 | 0:40:04 | |
A lot of interest here on the book. I can start the bidding, £240. | 0:40:04 | 0:40:08 | |
260, thank you. 280 here. 280. | 0:40:08 | 0:40:12 | |
-280! -Any further? 300 in the front. | 0:40:12 | 0:40:15 | |
-Oh, lovely. -320 with me. 340. | 0:40:15 | 0:40:17 | |
Takes me out. It's £340. | 0:40:17 | 0:40:20 | |
-360, new place. -Wow! | 0:40:20 | 0:40:23 | |
-380. -That's great. -380 here. | 0:40:23 | 0:40:25 | |
-Hey! -380! -380! | 0:40:27 | 0:40:28 | |
We did have the right buyers in the room. | 0:40:28 | 0:40:31 | |
That's fantastic, isn't it? | 0:40:31 | 0:40:32 | |
That's well over double Jonty's top estimate. | 0:40:32 | 0:40:36 | |
It's the perfect way to finish off what's been quite a day at auction. | 0:40:36 | 0:40:40 | |
So, just how much have we raised overall? | 0:40:40 | 0:40:43 | |
So, bearing in mind that we wanted to raise £800, | 0:40:44 | 0:40:48 | |
-do you think we've done that? -Er... Fingers crossed! | 0:40:48 | 0:40:51 | |
-What about you, Kate? -Yeah. I hope so. | 0:40:51 | 0:40:54 | |
OK. Would you be really pleased, then, | 0:40:54 | 0:40:56 | |
-if I told you that we'd made £1,330? -Yes, definitely! | 0:40:56 | 0:41:00 | |
-Great, then, because that's exactly how much you have made. -Oh! | 0:41:00 | 0:41:05 | |
-Did you enjoy it as well, Kate? -Yeah, it was good fun. | 0:41:05 | 0:41:07 | |
-Would you go to auction again? -I think so, yeah. | 0:41:07 | 0:41:10 | |
-Quite addictive. -THEY LAUGH | 0:41:10 | 0:41:13 | |
After what turned out to be such a terrific result, | 0:41:18 | 0:41:22 | |
Sally has wasted no time in settling payment | 0:41:22 | 0:41:24 | |
for the now-finished stained-glass panel. | 0:41:24 | 0:41:27 | |
The day has come for the hole in the wall | 0:41:27 | 0:41:29 | |
to become a feature at last. | 0:41:29 | 0:41:31 | |
Sally designed the window herself, being a passionate birdwatcher. | 0:41:31 | 0:41:36 | |
It's perhaps no surprise that she would choose | 0:41:36 | 0:41:38 | |
her favourite visitor to the garden, the green woodpecker. | 0:41:38 | 0:41:42 | |
Well, it went much more smoothly than I expected, really. | 0:41:43 | 0:41:46 | |
He'd obviously done a good, professional job | 0:41:46 | 0:41:49 | |
with the measurements. The only time I was a little bit nervous | 0:41:49 | 0:41:53 | |
was when he was hammering. | 0:41:53 | 0:41:55 | |
I think it looks absolutely stunning. I'm really delighted with it. | 0:41:57 | 0:42:01 | |
I love the vibrant colours and the way the light shines through them. | 0:42:01 | 0:42:05 | |
I think there's going to be a lot of gazing gormlessly | 0:42:05 | 0:42:08 | |
with a great smile on my face. | 0:42:08 | 0:42:11 | |
Well, that stained-glass panel looks fantastic, | 0:42:14 | 0:42:17 | |
and how nice to see an original piece of art like that! | 0:42:17 | 0:42:20 | |
If you've got some antiques and collectables to sell at auction | 0:42:20 | 0:42:24 | |
to raise the money for a special project you've got in mind, | 0:42:24 | 0:42:27 | |
why not apply to come on Cash In The Attic? | 0:42:27 | 0:42:29 | |
You'll find more details at our website, which is... | 0:42:29 | 0:42:32 | |
..and I'll see you again next time. | 0:42:33 | 0:42:35 | |
Subtitles by Red Bee Media Ltd | 0:42:35 | 0:42:39 | |
E-mail [email protected] | 0:42:39 | 0:42:43 | |
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