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Hello. Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
the show that helps you raise money for a special treat. | 0:00:03 | 0:00:06 | |
Now today, we're going to be meeting a husband and wife | 0:00:06 | 0:00:08 | |
who are ready to put some of their unwanted possessions to better use, | 0:00:08 | 0:00:12 | |
to help them see someone very dear to them. | 0:00:12 | 0:00:14 | |
Coming up on Cash In The Attic... | 0:00:33 | 0:00:36 | |
What can I do to keep warm while we're rummaging? | 0:00:36 | 0:00:39 | |
-Fantastic. Excellent. -Your hands are cold! -I've always got cold hands. Sorry! | 0:00:39 | 0:00:43 | |
'Destined for auction. | 0:00:43 | 0:00:45 | |
'A conquistador who's much loved by his owners.' | 0:00:45 | 0:00:48 | |
I fell in love with him. Even Marian liked him. | 0:00:48 | 0:00:50 | |
Even Marian likes him. Is that the acid test? | 0:00:50 | 0:00:53 | |
No-one interested? 120. | 0:00:53 | 0:00:56 | |
And at the auction, will both our contributors embrace the worst of all outcomes? | 0:00:56 | 0:01:00 | |
-What are you going to do if it doesn't sell? -Take it home. -Oh, no! | 0:01:00 | 0:01:04 | |
Be there when the hammer falls. | 0:01:04 | 0:01:07 | |
We're here near Exeter in Devon, and we're going to meet a couple | 0:01:07 | 0:01:10 | |
whose stash of antiques and collectables will hopefully | 0:01:10 | 0:01:13 | |
raise enough cash to get them halfway round the world. | 0:01:13 | 0:01:17 | |
John and Marian's spacious home | 0:01:17 | 0:01:19 | |
and well-tended garden are the ideal setting for them to indulge their interests, | 0:01:19 | 0:01:24 | |
which include looking after rescue dogs like Barney. | 0:01:24 | 0:01:27 | |
John was stationed all over the world during his time in the forces, | 0:01:27 | 0:01:30 | |
and he's had a variety of jobs since. | 0:01:30 | 0:01:33 | |
For a while, he ran a business trading in brass, | 0:01:33 | 0:01:36 | |
while Marian has been a secretary and a carer. | 0:01:36 | 0:01:39 | |
At one time, three generations lived together in this rambling house, | 0:01:39 | 0:01:42 | |
but now Marian and John are thinking of moving somewhere smaller. | 0:01:42 | 0:01:47 | |
They've called us in to help raise funds for a long-distance trip. | 0:01:47 | 0:01:49 | |
It's huge! | 0:01:49 | 0:01:52 | |
'We're all depending on the wisdom of our expert, John Cameron, | 0:01:52 | 0:01:55 | |
'who's had more than 20 years' experience in antiques. | 0:01:55 | 0:01:58 | |
'He's off to begin searching, while I go to meet our hosts.' | 0:01:58 | 0:02:02 | |
-Good morning. -Hi. -Hello. John. -Lovely to see you. -Marian. | 0:02:04 | 0:02:07 | |
-That's Barney. -Hello, Barney. Hello. | 0:02:07 | 0:02:10 | |
He's lovely. | 0:02:10 | 0:02:11 | |
He's a beautiful dog. | 0:02:11 | 0:02:12 | |
I tell you what, this is a fantastic house. | 0:02:12 | 0:02:15 | |
It's huge, and I love big houses because it means there's lots of places to rummage. | 0:02:15 | 0:02:19 | |
-How many rooms are there? -Six bedrooms, lots of rooms and lots of things to look at. | 0:02:19 | 0:02:23 | |
Which of you two is the collector, or the hoarder, should I say? | 0:02:23 | 0:02:27 | |
Definitely me. | 0:02:27 | 0:02:28 | |
I see something I like and I've got the money, I generally buy it. | 0:02:28 | 0:02:31 | |
-And it's all full, is it, every room full? -Pretty well. -Excellent. | 0:02:31 | 0:02:35 | |
-I think you're going to be teaching us a thing or two. You're obviously an expert at this. -I'm not! | 0:02:35 | 0:02:40 | |
-I buy things because I like them. -How much do you think we might raise? | 0:02:40 | 0:02:43 | |
Hopefully just over £1,000. | 0:02:43 | 0:02:45 | |
OK, so we'll set the target at 1,000. | 0:02:45 | 0:02:47 | |
-Yes. -And what's the money for? | 0:02:47 | 0:02:50 | |
-Me and Marian are hoping to go to New Zealand to visit my son. -Oh, how lovely. | 0:02:50 | 0:02:54 | |
-What's he doing out there, naughty boy? -At the moment he's working. | 0:02:54 | 0:02:58 | |
His girlfriend and Andrew are over there for a year | 0:02:58 | 0:03:00 | |
so it would be nice to go over and see them. | 0:03:00 | 0:03:03 | |
Well, we've got a big day ahead of us. | 0:03:03 | 0:03:06 | |
John's already started, so why don't we go up and join him? | 0:03:06 | 0:03:08 | |
-Do you want to start downstairs, rummaging? -Right. OK. -OK. Here we go. -Come on then. | 0:03:08 | 0:03:13 | |
In a house this size, and with an avid collector like John, | 0:03:13 | 0:03:16 | |
we'll hopefully be spoilt for choice. | 0:03:16 | 0:03:19 | |
If our John is on his usual good form, | 0:03:19 | 0:03:22 | |
he'll already be onto something worthwhile to begin our list. | 0:03:22 | 0:03:26 | |
John boy, what you found? He's started! | 0:03:26 | 0:03:28 | |
Well, I have discovered this rather showy reproduction brass clock garniture | 0:03:28 | 0:03:33 | |
in the early-19th-century French style. | 0:03:33 | 0:03:36 | |
-Garniture, what does that mean? -You have the clock in the centre. | 0:03:36 | 0:03:39 | |
When you have ensuite pieces that go with them, they're referred to as garniture. | 0:03:39 | 0:03:43 | |
-You probably knew this, that you had a garniture. -No, I didn't. | 0:03:43 | 0:03:46 | |
-We've taught you something already! -I only bought them because I liked them. | 0:03:46 | 0:03:50 | |
At a glimpse, it does look like an early-19th-century French ormolu garniture. | 0:03:50 | 0:03:55 | |
Ormolu is a term that's given to gilt bronze. | 0:03:55 | 0:03:57 | |
But on closer inspection, I can see it's actually gilt brass, | 0:03:57 | 0:04:01 | |
and it is one of the modern reproductions. | 0:04:01 | 0:04:04 | |
Had it been original again, the porcelain panels, | 0:04:04 | 0:04:07 | |
pilasters and these urns would have been Sevres porcelain or Paris porcelain, | 0:04:07 | 0:04:12 | |
and painted and gilded by the leading painters of the day. | 0:04:12 | 0:04:16 | |
These have been transfer printed. | 0:04:16 | 0:04:17 | |
The case is plainly cast. | 0:04:17 | 0:04:19 | |
What was it about these pieces that really attracted you to them? | 0:04:19 | 0:04:24 | |
I liked the way they were decorated and the brass effect. In the '80s I was well into brass. | 0:04:24 | 0:04:28 | |
Well, things like this were made in huge quantities in the 1980s | 0:04:28 | 0:04:32 | |
to satisfy demand for Victorian and gilt antiquey-looking things. | 0:04:32 | 0:04:37 | |
Demand has shifted a bit today, so prices have come down considerably. | 0:04:37 | 0:04:40 | |
If I had it in auction today, | 0:04:40 | 0:04:42 | |
I'd probably estimate it at about £100, £150. | 0:04:42 | 0:04:45 | |
Something like that. | 0:04:45 | 0:04:46 | |
I would be pleased with that. I've had 20 years of admiring them. | 0:04:46 | 0:04:50 | |
Now they can go to another home that might admire them even more than me. | 0:04:50 | 0:04:55 | |
What a lovely man you are! Excellent. | 0:04:55 | 0:04:58 | |
-Your hands are cold! -I've always got cold hands, I know. Sorry about that. | 0:04:58 | 0:05:01 | |
You'll have to warm me up. | 0:05:01 | 0:05:03 | |
No, Marian's always cold. | 0:05:03 | 0:05:05 | |
-And I'm always roasting. -You are, you're nice and warm. | 0:05:05 | 0:05:08 | |
I think we need to go rummaging, that will warm her up. | 0:05:08 | 0:05:10 | |
Well, you know what they say, cold hands, warm heart! | 0:05:10 | 0:05:15 | |
Marian has also struck lucky downstairs, | 0:05:15 | 0:05:17 | |
with this workbox in which she keeps sewing materials. | 0:05:17 | 0:05:20 | |
It's made of teak, grown in the Far East, | 0:05:20 | 0:05:22 | |
and is an ideal wood for this brass inlay work, as it doesn't rot. | 0:05:22 | 0:05:26 | |
Our expert values it at £50-£80, | 0:05:27 | 0:05:29 | |
and so Marian will have to find a new home for her needlework. | 0:05:29 | 0:05:33 | |
It's not the only quality piece tucked away around here, I'm sure. | 0:05:33 | 0:05:37 | |
Look at what the other John wants us to check out, guarding the staircase. | 0:05:37 | 0:05:41 | |
John, I've just got my little knight to show you. | 0:05:43 | 0:05:46 | |
Little? | 0:05:46 | 0:05:48 | |
Let's have a look, John. Pop him on here. | 0:05:48 | 0:05:50 | |
There's some fantastic detail. | 0:05:50 | 0:05:52 | |
Right. Well, he does look impressive. | 0:05:54 | 0:05:56 | |
Where did he come from? | 0:05:56 | 0:05:58 | |
I saw this chap and I really fell in love with him. | 0:05:58 | 0:06:00 | |
-When I brought him home, even Marian liked him. -Even Marian likes him! | 0:06:00 | 0:06:04 | |
Is that the acid test? | 0:06:04 | 0:06:06 | |
That is definitely the acid test! | 0:06:06 | 0:06:09 | |
So has he always taken pride of place at the bottom of the stairs there? | 0:06:09 | 0:06:13 | |
-Definitely, yeah. -OK. | 0:06:13 | 0:06:15 | |
Judging by the way you put him down with relative ease, | 0:06:15 | 0:06:19 | |
I would say he was spelter, isn't he, which is an alloy containing zinc and lead and copper. | 0:06:19 | 0:06:25 | |
It's relatively soft and cheaper to cast than bronze. | 0:06:25 | 0:06:29 | |
So it was used for clock cases and figures and things like that, | 0:06:29 | 0:06:32 | |
and architectural items, and it was used well into the 20th century. | 0:06:32 | 0:06:36 | |
In the Art Nouveau period, it was used heavily, | 0:06:36 | 0:06:38 | |
and through the Art Deco period of the '20s and '30s, | 0:06:38 | 0:06:41 | |
you'd see a lot of clock mountings and figures in patinated spelter imitating bronze. | 0:06:41 | 0:06:48 | |
So looking at him, | 0:06:48 | 0:06:50 | |
he looks like he should be somewhere in the late 1400s, doesn't he? | 0:06:50 | 0:06:53 | |
He's almost like a conquistador. With his poleaxe there | 0:06:53 | 0:06:57 | |
and his sword out of its scabbard, | 0:06:57 | 0:07:00 | |
you've got to think he would probably slightly predate the common use of gunpowder. | 0:07:00 | 0:07:06 | |
He is a bit Spanish-y, especially with the hat. | 0:07:06 | 0:07:09 | |
Yeah. He is in nice condition, he is a decorative piece with a bit of impact, | 0:07:09 | 0:07:13 | |
so if I were putting him in auction today, | 0:07:13 | 0:07:15 | |
I think I'd be hoping for something like 150-200. | 0:07:15 | 0:07:18 | |
-I'd be very pleased with that. -OK? -Yeah. | 0:07:18 | 0:07:21 | |
Well, he may well turn out to be our knight in shining armour, | 0:07:21 | 0:07:24 | |
-we'll have to wait and see! -Thanks very much. -After you! | 0:07:24 | 0:07:27 | |
From the 15th century on, | 0:07:27 | 0:07:28 | |
the conquistadors brought much of the Americas under the control of Spain, | 0:07:28 | 0:07:32 | |
gathering up in the process all that Aztec and Inca gold. | 0:07:32 | 0:07:36 | |
So let's hope he brings us plenty of riches. | 0:07:36 | 0:07:39 | |
I wanted to have a little break, a little sit down, | 0:07:39 | 0:07:42 | |
because I wanted to learn more about you two as a couple. | 0:07:42 | 0:07:45 | |
A long-standing couple, I gather! | 0:07:45 | 0:07:47 | |
How old were you, Marian, when you met him? | 0:07:47 | 0:07:49 | |
17. | 0:07:49 | 0:07:51 | |
You were a child! How did you meet? | 0:07:51 | 0:07:55 | |
We met in Honiton when I was in the Army. | 0:07:55 | 0:07:58 | |
We went to a local dance. | 0:07:58 | 0:08:00 | |
We won first prize in the draw as well. We've been together ever since! | 0:08:00 | 0:08:04 | |
You mentioned you were in the Army. I suppose that meant long periods of separation. | 0:08:04 | 0:08:08 | |
-Less than a year later, I went off to Hong Kong for over two years. -So that meant leaving you behind? | 0:08:08 | 0:08:13 | |
Yes. We corresponded by letter. | 0:08:13 | 0:08:16 | |
Most days, we wrote letters to one another. | 0:08:16 | 0:08:18 | |
Where did he propose? | 0:08:18 | 0:08:20 | |
Well, I went out to Hong Kong, and he proposed to me | 0:08:20 | 0:08:24 | |
-on the Peak in Hong Kong. -It overlooks the Bay of Hong Kong. | 0:08:24 | 0:08:28 | |
-Was it a one-knee job? -Oh, yes! -Oh! Very romantic! | 0:08:28 | 0:08:31 | |
After the Army, you went into the brass business, didn't you? | 0:08:31 | 0:08:34 | |
I used to sell brass and copperware. | 0:08:34 | 0:08:37 | |
We've got a little foundry, a distant cousin, sort of thing, | 0:08:37 | 0:08:42 | |
and he makes sundials and door knockers, and we built a small business up from that. | 0:08:42 | 0:08:47 | |
-Is that where you learnt about antiques and collectables, and wheeling and dealing? -Yes. | 0:08:47 | 0:08:51 | |
-You know a lot about it, don't you? -I'm no expert in any field, but I enjoy buying and selling. | 0:08:51 | 0:08:58 | |
Tell me, Marian, did he ever come home with some real shocking buys? | 0:08:58 | 0:09:02 | |
Oh, yes! Definitely! | 0:09:02 | 0:09:05 | |
Do you suspect he ever has had a secret hoard of things he's brought home? | 0:09:05 | 0:09:11 | |
He could well have had a secret hoard somewhere! | 0:09:11 | 0:09:14 | |
-We've got plenty of buildings for him to store them somewhere. -It's time for the truth! | 0:09:14 | 0:09:18 | |
I used to come home with little bits, little trinkets, | 0:09:18 | 0:09:21 | |
and I used to put them in cupboards. | 0:09:21 | 0:09:24 | |
And eventually, Marian used to say, "Where did that one come from?!" | 0:09:24 | 0:09:27 | |
Why don't we go and look through some more drawers and cupboards, | 0:09:27 | 0:09:30 | |
and see if we can find some long-forgotten trinkets, eh? | 0:09:30 | 0:09:33 | |
Come on! | 0:09:33 | 0:09:34 | |
Our expert has just found this oak side table, | 0:09:34 | 0:09:38 | |
bought by John as part of a £250 job lot from a house clearance. | 0:09:38 | 0:09:43 | |
It's an early-20th-century reproduction, | 0:09:43 | 0:09:46 | |
with carvings made in the late-17th-century style. | 0:09:46 | 0:09:50 | |
It can be difficult to realise the original sale price | 0:09:50 | 0:09:52 | |
of things like this, as it's not an antique. | 0:09:52 | 0:09:55 | |
Accordingly, it's valued at £100-£200. | 0:09:55 | 0:09:57 | |
Marian is up in her daughter Julie's old bedroom, | 0:10:00 | 0:10:03 | |
and she's found another very intriguing family heirloom. | 0:10:03 | 0:10:06 | |
-So what's the story behind it, Marian? -It was my grandfather's, and it was handed down to my father, | 0:10:06 | 0:10:11 | |
and then eventually it's come down to me. | 0:10:11 | 0:10:14 | |
As far as I know, it's my grandfather's initials on the outside, | 0:10:14 | 0:10:17 | |
and the coin inside I've always known as a half sovereign. | 0:10:17 | 0:10:23 | |
-That's a lovely story and a nice unbroken provenance. -Right! -That's what we like. | 0:10:23 | 0:10:27 | |
-So it was left to you as a half sovereign. -Yes. | 0:10:27 | 0:10:29 | |
What you've got here is a half pond, | 0:10:29 | 0:10:32 | |
which is a South African gold coin issued in... | 0:10:32 | 0:10:35 | |
This one says 1895. They only started issuing these in 1892. | 0:10:35 | 0:10:38 | |
-Right. -But it's the equivalent in terms of its finest. | 0:10:38 | 0:10:42 | |
It's 22 carat fine gold. | 0:10:42 | 0:10:44 | |
It weighs about four grams, which is the same as our half sovereign. | 0:10:44 | 0:10:48 | |
-Right. -So it would fit snugly and perfectly in that little case there. | 0:10:48 | 0:10:52 | |
So we've had a look at that. Let's pop that back in there. | 0:10:52 | 0:10:55 | |
The case will be nine-carat gold. | 0:10:55 | 0:10:58 | |
That is attached to this part watch chain, which very typically, | 0:10:58 | 0:11:02 | |
in the 19th century, people wore about their person. | 0:11:02 | 0:11:06 | |
The watch on one end, the little hook there | 0:11:06 | 0:11:08 | |
and a T-bar to fix it around one's person. | 0:11:08 | 0:11:10 | |
And they had all manner of things suspended from these watch chains, | 0:11:10 | 0:11:15 | |
but quite commonly, a little case for emergency gold coins, | 0:11:15 | 0:11:19 | |
which, no matter where you were in the world, | 0:11:19 | 0:11:21 | |
would always get you out of trouble! | 0:11:21 | 0:11:23 | |
But what I find is often when somebody dies | 0:11:23 | 0:11:26 | |
and leaves things to people, they often get split up, | 0:11:26 | 0:11:29 | |
if they've only got one item. | 0:11:29 | 0:11:30 | |
So this probably had a gold watch at some point. | 0:11:30 | 0:11:33 | |
So somewhere down the line, your father ended up with this part, | 0:11:33 | 0:11:36 | |
but somebody else got the watch. | 0:11:36 | 0:11:38 | |
I'd put this into auction, and I'd expect this to make £200-£300. | 0:11:38 | 0:11:42 | |
-Will that be OK? -Yes, smashing! | 0:11:42 | 0:11:44 | |
We won't have to wait long to see what the bidders think of it. | 0:11:44 | 0:11:47 | |
210. 220. 230. | 0:11:47 | 0:11:50 | |
240. 250. 260. | 0:11:50 | 0:11:53 | |
But will it raise enough money to help John and Marian make their trip to New Zealand? | 0:11:53 | 0:11:59 | |
So as we carry on trawling around this grand old house in Devon, | 0:11:59 | 0:12:03 | |
by my reckoning, we've found enough artefacts so far | 0:12:03 | 0:12:06 | |
to make around £600 at auction. | 0:12:06 | 0:12:09 | |
And that bodes well for our final total. | 0:12:09 | 0:12:11 | |
John. | 0:12:15 | 0:12:16 | |
-I want to ask you about this rather impressive roll-top bureau. -Yeah. | 0:12:16 | 0:12:21 | |
What can you tell me about it? Where did it come from? | 0:12:21 | 0:12:24 | |
I bought it in the '80s, and it was my first piece that I bought with a brass inlay, | 0:12:24 | 0:12:29 | |
this beautiful brass inlay, but I've now got four or five other pieces of the same quality. | 0:12:29 | 0:12:36 | |
That's interesting. I remember when this stuff was being sold, | 0:12:36 | 0:12:39 | |
because as you know, it's imported. | 0:12:39 | 0:12:42 | |
-Yep. -It comes from Malaysia. | 0:12:42 | 0:12:44 | |
I see a lot of this furniture. Brass inlay tends to be the giveaway. | 0:12:44 | 0:12:48 | |
It's a popular type of decorative technique. | 0:12:48 | 0:12:50 | |
This will be teak, a very popular and indigenous timber out there, | 0:12:50 | 0:12:54 | |
in plentiful supply. | 0:12:54 | 0:12:56 | |
Very expensive wood to work with, but they produce huge quantities | 0:12:56 | 0:12:59 | |
of household and garden furniture from those areas. | 0:12:59 | 0:13:02 | |
The quality does vary in this type of furniture. However, I've had a look at it. | 0:13:02 | 0:13:07 | |
The roll-top works perfectly. | 0:13:07 | 0:13:09 | |
They can get jammed because people try to force them. | 0:13:09 | 0:13:12 | |
I think it's a piece of furniture that will appeal largely to a private buyer, | 0:13:12 | 0:13:16 | |
somebody that will see it and see a place in their home for it. | 0:13:16 | 0:13:19 | |
The trade would be tempted if it's priced correctly, | 0:13:19 | 0:13:22 | |
so I want to put an estimate of 200-300 on it. | 0:13:22 | 0:13:26 | |
-Yeah, fine. -Are you OK with that? -Yeah. | 0:13:26 | 0:13:28 | |
-Jolly good. You say it's full up? -Yeah. | 0:13:28 | 0:13:31 | |
Well, before you and I have to lift this, | 0:13:31 | 0:13:33 | |
-I think somebody has to empty that. Maybe we'll get Marian in on that little job! -I think so! | 0:13:33 | 0:13:37 | |
OK, let's see what else we can find. | 0:13:37 | 0:13:40 | |
Let's hope that's not too optimistic, | 0:13:40 | 0:13:42 | |
because I'm told that bureaux can be tough to sell at auction. | 0:13:42 | 0:13:46 | |
We'll have to hope there's a dealer in the room come the big day. | 0:13:46 | 0:13:49 | |
John's found some gleaming brass weights which belonged to Marian's dad, who was a butcher. | 0:13:51 | 0:13:56 | |
Marked up with pounds and ounces, | 0:13:56 | 0:13:59 | |
they were used to weigh the meat | 0:13:59 | 0:14:01 | |
before seeing later service as doorstops. | 0:14:01 | 0:14:04 | |
Our John values them at a hefty £50-£80. | 0:14:04 | 0:14:09 | |
In the second lounge, he's found some large character jugs | 0:14:09 | 0:14:12 | |
from Royal Doulton's great composers collection. | 0:14:12 | 0:14:15 | |
Tchaikovsky and Beethoven here were just two of the eight issued between 1996 and 2001. | 0:14:15 | 0:14:23 | |
Together with this Aynsley porcelain garniture, our new buzzword, | 0:14:23 | 0:14:27 | |
as a joint lot, we could realise between £80 and £120 at auction. | 0:14:27 | 0:14:33 | |
Well, this is a little bonus, to be able to get outside, a breath of fresh air. | 0:14:34 | 0:14:39 | |
-I get exhausted rummaging, don't you? -Yes! | 0:14:39 | 0:14:42 | |
I bet it's more tiring than you expected! | 0:14:42 | 0:14:44 | |
Yes, it is. It's a big house to do it in. | 0:14:44 | 0:14:47 | |
It certainly is. But you also have a rather large and lovely garden. | 0:14:47 | 0:14:51 | |
-Who does all the work out here? -That's John. | 0:14:51 | 0:14:54 | |
What are you going to make of the flora and fauna in New Zealand when you get there? | 0:14:54 | 0:14:58 | |
Probably very similar to what we've got here, but probably a bit diverse. | 0:14:58 | 0:15:02 | |
So, John, when was it you saw Andrew last? | 0:15:02 | 0:15:05 | |
More than a year ago. | 0:15:05 | 0:15:06 | |
So we're looking forward to seeing him some time in the new year hopefully now. | 0:15:06 | 0:15:12 | |
-You've got a daughter as well, haven't you? -Yes, she's Julie, and she's very happy living in London. | 0:15:12 | 0:15:18 | |
We see her three or four times a year | 0:15:18 | 0:15:20 | |
when she manages to come down here. | 0:15:20 | 0:15:22 | |
I gather Julie also had a bit of a travel bug some time ago, | 0:15:22 | 0:15:24 | |
and you kind of took advantage of it? | 0:15:24 | 0:15:26 | |
Yes, she went off to China to teach for a year. | 0:15:26 | 0:15:29 | |
It was our 30th anniversary, so we went off to China to meet her, | 0:15:30 | 0:15:34 | |
and then back to Hong Kong where we were engaged in 1970. | 0:15:34 | 0:15:39 | |
What a nostalgic trip! | 0:15:39 | 0:15:41 | |
What did you think of China, Marian? | 0:15:41 | 0:15:43 | |
Fascinating. Diverse. | 0:15:43 | 0:15:45 | |
She was out in the rural country teaching, and it was an eye-opener. | 0:15:45 | 0:15:51 | |
It really was. To see how the other half lives, really. | 0:15:51 | 0:15:54 | |
I bet it was. So you had your 30th wedding anniversary in China, | 0:15:54 | 0:15:58 | |
and with any luck, you might have something approaching your 40th in New Zealand? | 0:15:58 | 0:16:02 | |
-Yes! -Let's get back to work and see if we can make it real. | 0:16:02 | 0:16:05 | |
Here we go. | 0:16:05 | 0:16:07 | |
Well, while we've been chatting, | 0:16:07 | 0:16:09 | |
John seems to have got a little distracted. | 0:16:09 | 0:16:11 | |
But in the main lounge, in this little chest of drawers, | 0:16:14 | 0:16:17 | |
I find some gold jewellery passed down to Marian. | 0:16:17 | 0:16:21 | |
This lovely nine-carat rose gold bracelet was a 21st birthday present | 0:16:21 | 0:16:25 | |
from her grandfather. | 0:16:25 | 0:16:27 | |
There are also several of her grandmother's gold rings, | 0:16:27 | 0:16:30 | |
which should mean the lot will probably go for around £140-180. | 0:16:30 | 0:16:37 | |
Since flights to New Zealand aren't cheap, | 0:16:37 | 0:16:40 | |
Marian's willing to say goodbye to these precious heirlooms. | 0:16:40 | 0:16:43 | |
RINGS LIKE A BELL | 0:16:45 | 0:16:48 | |
Hey, what a lovely sound! | 0:16:48 | 0:16:50 | |
What a lovely find. | 0:16:50 | 0:16:51 | |
-They are nice. It's a lovely pair of brass candlesticks. -Where are they from? | 0:16:51 | 0:16:56 | |
I bought them from a collection of brass and copperware in Tiverton many years ago. | 0:16:56 | 0:17:01 | |
Oh, right. | 0:17:01 | 0:17:02 | |
The lady suffered arthritis. | 0:17:02 | 0:17:05 | |
She told me they came from a bombed church in Plymouth, | 0:17:05 | 0:17:08 | |
and they'd been handed down through the family ever since. | 0:17:08 | 0:17:11 | |
That's interesting because they have an ecclesiastical look about them. | 0:17:11 | 0:17:15 | |
They look like they wouldn't look out of place in any church, | 0:17:15 | 0:17:19 | |
especially with this wonderful crenulated, cut-card, galleried drip pan at the top there, | 0:17:19 | 0:17:25 | |
and these stems down to the spreading foot. | 0:17:25 | 0:17:27 | |
When you turn them upside-down, you can see they've been machine made. | 0:17:27 | 0:17:32 | |
This has been spun on a lathe. But also, if you have a look on the bottom here, there's a little mark. | 0:17:32 | 0:17:37 | |
-Can you make that out? -Yes, I can barely see it. | 0:17:37 | 0:17:40 | |
Well, it actually says C Farris, that's Charles Farris, of London. | 0:17:40 | 0:17:44 | |
And that's a firm that have been around for over 150 years, | 0:17:44 | 0:17:47 | |
specialising in metalware for churches. | 0:17:47 | 0:17:50 | |
I'm going to say £40-60 for them, | 0:17:50 | 0:17:53 | |
-which I think is a very tempting estimate. -Really? | 0:17:53 | 0:17:56 | |
Well, I think that's a bit mean, actually. Don't you? | 0:17:56 | 0:17:59 | |
Hopefully they'll go a little bit higher. | 0:17:59 | 0:18:01 | |
-John's still shocked there's a name on there he hadn't seen. -I hadn't seen! | 0:18:01 | 0:18:05 | |
It's a pity it wasn't a bullion mark. | 0:18:05 | 0:18:06 | |
Oh, come on! | 0:18:06 | 0:18:08 | |
-That would be nice. -That's a good find. | 0:18:08 | 0:18:10 | |
I think they'll fetch more, but we need more so come on. | 0:18:10 | 0:18:13 | |
Several churches in Plymouth were badly damaged by bombs | 0:18:13 | 0:18:17 | |
during the Second World War. | 0:18:17 | 0:18:18 | |
The manufacturers of these, Charles Farris, are still going strong. | 0:18:18 | 0:18:23 | |
A similar pair today could set you back well over £1,000. | 0:18:23 | 0:18:27 | |
Marian's upstairs in the spare bedroom. | 0:18:27 | 0:18:31 | |
Her father collected these coins in the 1970s | 0:18:31 | 0:18:33 | |
and here we have over a dozen sets, from various Commonwealth countries, | 0:18:33 | 0:18:38 | |
including Ceylon and Zambia. | 0:18:38 | 0:18:41 | |
John gives them an estimate of £40-£60. | 0:18:41 | 0:18:45 | |
We've almost finished here today in Devon, | 0:18:45 | 0:18:47 | |
but not before John has one last question for John. | 0:18:47 | 0:18:51 | |
John, what about the actual piece of furniture here, as something to go to auction? | 0:18:51 | 0:18:55 | |
-Is it something you'd consider selling? -We have, because it's too big for a normal house. | 0:18:55 | 0:19:00 | |
When I first bought it, it actually fits this corner, up to the windowsill, perfectly. | 0:19:00 | 0:19:07 | |
It was obviously made to go there! | 0:19:07 | 0:19:09 | |
But I think it's about 7'2" high, and I think offhand it's 7'2" long. | 0:19:09 | 0:19:13 | |
It's not going to fit in an average-sized house, | 0:19:13 | 0:19:17 | |
so it's got to go, I'm afraid. | 0:19:17 | 0:19:19 | |
I can certainly see why you fell in love with it. | 0:19:19 | 0:19:21 | |
It is a big, impressive piece of furniture | 0:19:21 | 0:19:23 | |
and having looked inside and out of this piece, | 0:19:23 | 0:19:26 | |
it is a good-quality piece of reproduction, and that's what it is, | 0:19:26 | 0:19:29 | |
a reproduction breakfront bookcase in the classic mid-Georgian style. | 0:19:29 | 0:19:34 | |
We're talking around about 1760s, here. | 0:19:34 | 0:19:38 | |
Known as a breakfront because going along that top line, the centre section breaks forward. | 0:19:38 | 0:19:43 | |
-Yep. -And it has all the classical elements that were favoured in that Georgian period. | 0:19:43 | 0:19:47 | |
You've got these astragal glazed doors, and these are quality. | 0:19:47 | 0:19:51 | |
These are individual panels and individual glazing bars. | 0:19:51 | 0:19:55 | |
So each piece has been cut and glazed in, | 0:19:55 | 0:19:58 | |
as opposed to a cheaper alternative, which is a single pane of glass | 0:19:58 | 0:20:02 | |
with a network of frames laid over the top. | 0:20:02 | 0:20:05 | |
That's cheaper. So that's a good sign of quality. | 0:20:05 | 0:20:07 | |
Right down, you've got a double bank of drawers and those lovely OG bracket feet. | 0:20:07 | 0:20:11 | |
Really, a nice and sympathetic reproduction, I do like it. | 0:20:11 | 0:20:15 | |
So did you pay a lot of money for it? | 0:20:15 | 0:20:18 | |
I paid about £1,100. I saw it, fell in love with it. | 0:20:18 | 0:20:22 | |
You're sure this is something you'd consider taking to auction? | 0:20:22 | 0:20:25 | |
-Yes. -Yeah? -It's just too big to go in a normal house. | 0:20:25 | 0:20:29 | |
We are rummaged out! Do I hear you've found something else to take to the auction? | 0:20:29 | 0:20:33 | |
Well, I'm hoping we're going to take this rather large, | 0:20:33 | 0:20:35 | |
impressive breakfront mahogany bookcase, here. | 0:20:35 | 0:20:38 | |
This whole thing?! I was kind of looking in there, but...no! | 0:20:38 | 0:20:41 | |
-It's the whole shooting match! It's a monster! -Well, they want to downsize. | 0:20:41 | 0:20:46 | |
-Do you want it to go? -Yes, I do. It's too big | 0:20:46 | 0:20:48 | |
and there's an awful lot of things in it that need to be got rid of. | 0:20:48 | 0:20:51 | |
Is it worth taking to the auction? | 0:20:51 | 0:20:54 | |
It's a big piece of furniture, and I know it's worth something | 0:20:54 | 0:20:58 | |
if you had to have this commissioned now. | 0:20:58 | 0:21:01 | |
I would suggest at auction 400-600 as an estimate. | 0:21:01 | 0:21:03 | |
How would that sound, John? | 0:21:03 | 0:21:05 | |
Yes, I'd be happy to go to auction, but I think with a lower estimate. | 0:21:05 | 0:21:11 | |
-So a reserve of £400? -Yep. | 0:21:11 | 0:21:14 | |
Well, I certainly wouldn't quibble at that. I think it's got to be worth £400, or keep it. | 0:21:14 | 0:21:18 | |
I think we will call it a day there. I don't know if I've been through your house. It's so vast! | 0:21:18 | 0:21:23 | |
But I've certainly rummaged a great deal. You all have, haven't you? | 0:21:23 | 0:21:27 | |
All right. I'm going to tell you what we might make. | 0:21:27 | 0:21:30 | |
So that's 400-600, OK... | 0:21:30 | 0:21:31 | |
We started out saying you wanted £1,000, | 0:21:31 | 0:21:34 | |
to try and get you over there to New Zealand to visit Andrew. | 0:21:34 | 0:21:39 | |
We reckon, and we always take the lowest estimates that John's given, | 0:21:39 | 0:21:42 | |
you should make... | 0:21:42 | 0:21:44 | |
£1,550. | 0:21:44 | 0:21:47 | |
Goodness! | 0:21:47 | 0:21:49 | |
-You may not be going business class that way, but you'll be there. -Yes. | 0:21:50 | 0:21:54 | |
We'll see you on sale day then? | 0:21:54 | 0:21:55 | |
-Yes! -And good luck with getting this to the auction, ha! | 0:21:55 | 0:21:59 | |
Let's hope that bookcase is worth the effort. | 0:21:59 | 0:22:01 | |
Joining it at auction, the Spanish conquistador. | 0:22:03 | 0:22:08 | |
Will he raise his lance - and the bids - to around £150-£200? | 0:22:08 | 0:22:13 | |
What about the South African gold pound coin, | 0:22:13 | 0:22:16 | |
with its holder and chain, at £200-£300? | 0:22:16 | 0:22:21 | |
And the brass butcher's weights. | 0:22:21 | 0:22:23 | |
Could they deliver £50-£80 for us in the sale? | 0:22:23 | 0:22:25 | |
Let's hope so! | 0:22:25 | 0:22:27 | |
Still to come, will John have to make good his promise about that bookcase? | 0:22:29 | 0:22:34 | |
If it doesn't sell, I'll give you a hand downstairs with it. | 0:22:34 | 0:22:37 | |
Will I get over my obsession with this new terminology? | 0:22:37 | 0:22:40 | |
Garniture? I'm getting used to this word, garniture. What's garniture again? | 0:22:40 | 0:22:44 | |
Be there when the final hammer falls! | 0:22:44 | 0:22:47 | |
Well, it's been just over a month now | 0:22:52 | 0:22:54 | |
since we rummaged around John and Marian's enormous house in Devon, | 0:22:54 | 0:22:58 | |
and some of the pieces we found should set pulses racing | 0:22:58 | 0:23:01 | |
here at Lyme Bay Auctions. | 0:23:01 | 0:23:03 | |
So let's hope the bidders have brought along their wallets and a great big van! | 0:23:03 | 0:23:07 | |
Here on the Devon coast, auctions are held every month. | 0:23:09 | 0:23:13 | |
It's a dull old day, but here's something to cheer us up. | 0:23:13 | 0:23:17 | |
John and Marian have managed to get that huge bookcase to the sale. | 0:23:17 | 0:23:21 | |
That must have been a job and a half! | 0:23:21 | 0:23:23 | |
Hello, John, Marian. | 0:23:23 | 0:23:26 | |
-Hello! -Hello, nice to see you again. | 0:23:26 | 0:23:28 | |
You got it here! Hey! | 0:23:28 | 0:23:31 | |
-So who did the lifting? -Me. -Ah, John, you poor thing! | 0:23:31 | 0:23:35 | |
So how did you get it here? | 0:23:35 | 0:23:36 | |
We came over in the van, | 0:23:36 | 0:23:38 | |
but the poor auction house had to carry it up the stairs! | 0:23:38 | 0:23:42 | |
Gosh! Well, what do you think now you've seen it here? | 0:23:42 | 0:23:45 | |
It looks magnificent, doesn't it? | 0:23:45 | 0:23:47 | |
You like this, don't you? | 0:23:47 | 0:23:48 | |
-Yeah, I do. -Yes, yes. -I've always liked it. -Have you put a reserve on? | 0:23:48 | 0:23:52 | |
-Yes, we have. -What's the reserve? -400. -400. | 0:23:52 | 0:23:55 | |
Based on my bottom estimate. | 0:23:55 | 0:23:57 | |
You know, I look at the piece now, good quality. It's a reproduction, but I think it's a nice piece. | 0:23:57 | 0:24:02 | |
-What are you going to do if it doesn't sell? -Take it home. -Oh, no! | 0:24:02 | 0:24:06 | |
You're going to have a domestic, I think! | 0:24:06 | 0:24:08 | |
And how are you feeling about selling all your other items? | 0:24:08 | 0:24:12 | |
Some of the things have got to go, and it's for a good cause. | 0:24:12 | 0:24:15 | |
It is, isn't it? All right then, well, I think the auction's about to start | 0:24:15 | 0:24:18 | |
-so shall we go and find a good spot? -Right! | 0:24:18 | 0:24:21 | |
The punters have gathered and the auctioneer is already hard at work. | 0:24:21 | 0:24:26 | |
As we take our places, we see the first of our lots going under the hammer. | 0:24:26 | 0:24:29 | |
It's the pair of brass candlesticks which were once in a church in Plymouth. | 0:24:29 | 0:24:34 | |
Now, these are quite common at auctions, | 0:24:34 | 0:24:36 | |
so will they struggle to attract a flicker of interest today? | 0:24:36 | 0:24:39 | |
I'm intrigued by what they'll do. They might fly out of the room! | 0:24:39 | 0:24:42 | |
Especially, John, as you discovered the name, didn't you? | 0:24:42 | 0:24:45 | |
Yes. Charles Farris, a firm with a long history of ecclesiastical brass and metalware. | 0:24:45 | 0:24:50 | |
-And they were from a bombed-out church. -From a church not far from here. | 0:24:50 | 0:24:54 | |
So how are you feeling about them? | 0:24:54 | 0:24:56 | |
They might light up! | 0:24:56 | 0:24:57 | |
Oh, my gosh! | 0:24:57 | 0:24:59 | |
He's on form today! | 0:24:59 | 0:25:00 | |
I can't bear someone else who does puns as well! | 0:25:00 | 0:25:04 | |
Oh, dear. | 0:25:04 | 0:25:05 | |
-Let's see how we go. £40-60, I think they're worth more. -Definitely. | 0:25:05 | 0:25:09 | |
I have several bids on this one, I'm going to start straight in at £105. | 0:25:09 | 0:25:13 | |
-Ooh! -£105 I have on the book, £105 I've got. | 0:25:13 | 0:25:17 | |
110... 115... | 0:25:17 | 0:25:19 | |
It's still on the book at £115. | 0:25:19 | 0:25:21 | |
120... 125... | 0:25:21 | 0:25:24 | |
130, 135, it's off the book now. | 0:25:24 | 0:25:26 | |
£130 I've got. 135 anywhere? | 0:25:26 | 0:25:30 | |
140... 145... 150. | 0:25:30 | 0:25:33 | |
155... 160... | 0:25:33 | 0:25:36 | |
£155 I've got. | 0:25:36 | 0:25:38 | |
Sold for £155. | 0:25:38 | 0:25:41 | |
-£155! -Goodness me. | 0:25:41 | 0:25:43 | |
-Wow, that's wonderful! -Amazing! | 0:25:43 | 0:25:46 | |
That's an encouraging start to our day, | 0:25:46 | 0:25:49 | |
with a sale price massively exceeding our expectations. | 0:25:49 | 0:25:53 | |
Now for our second lot, the collection of coins | 0:25:55 | 0:25:58 | |
assembled by Marian's father more than three decades ago. | 0:25:58 | 0:26:02 | |
Very popular collecting area in the '70s. Not so much these days. | 0:26:02 | 0:26:06 | |
A lot of them come on the market. I haven't put a huge sum on them - £40-60 for seven sets. | 0:26:06 | 0:26:10 | |
-What's the story behind them? -My father used to collect them in the 1970s. | 0:26:10 | 0:26:15 | |
And he decided that he would probably give them to us. | 0:26:15 | 0:26:19 | |
So he did eventually leave them to my husband John. | 0:26:19 | 0:26:22 | |
-Quite right too. Yes. And all we want is £40. -£40-£60. | 0:26:22 | 0:26:26 | |
We just need a few numismatists in the rooms now. | 0:26:26 | 0:26:29 | |
Ooh! Let's see if we can get £40 at least. | 0:26:29 | 0:26:33 | |
What shall we say for that - £40-£50? | 0:26:33 | 0:26:35 | |
£30 then. No-one interested? | 0:26:35 | 0:26:39 | |
£30? | 0:26:39 | 0:26:41 | |
25? No. | 0:26:41 | 0:26:44 | |
Put that down as not sold, OK. Thank you. | 0:26:44 | 0:26:46 | |
Well, not a single bid, so obviously no collectors in the rooms there. | 0:26:46 | 0:26:50 | |
But just a reflection of how that market has changed. | 0:26:50 | 0:26:53 | |
-People couldn't get enough of these in the '70s. -What a shame. | 0:26:53 | 0:26:57 | |
Well, we don't want too many like that today. | 0:26:57 | 0:27:00 | |
Next, it's time for our 19th-century French clock, | 0:27:01 | 0:27:04 | |
with the urns which go either side. Now what are they called again? | 0:27:04 | 0:27:09 | |
John bought these many years ago from a dealer in the Midlands for about £400. | 0:27:09 | 0:27:14 | |
-How do you feel about selling them? -We have a lot of clocks, so... | 0:27:16 | 0:27:19 | |
-Yes. -..this one's got to go. -What do you think of them, John? | 0:27:19 | 0:27:23 | |
Gilt brass and porcelain garniture, I said 100-150. | 0:27:23 | 0:27:28 | |
It's a question of whether they're fashionable or not. | 0:27:28 | 0:27:31 | |
They're still popular with certain sections of the community. | 0:27:31 | 0:27:34 | |
Hopefully we've got some buyers here. | 0:27:34 | 0:27:36 | |
-Well, they certainly looked good on our mantelpiece, didn't they? -They looked nice. | 0:27:36 | 0:27:41 | |
-They'll sell. -They will. | 0:27:41 | 0:27:43 | |
What shall we say for that, a couple of hundred pounds? | 0:27:43 | 0:27:46 | |
150? 100 then? | 0:27:46 | 0:27:50 | |
£100? £100 I've got, and 10 I've got. | 0:27:50 | 0:27:54 | |
120 I've got. 130 anywhere? | 0:27:54 | 0:27:57 | |
130 anywhere? No. | 0:27:57 | 0:28:00 | |
It's got to make a little bit more than this. Not sold. | 0:28:00 | 0:28:03 | |
-Anyway, you're taking them home, I'm afraid. -Oh, well. That's good in a way. | 0:28:03 | 0:28:07 | |
The auctioneer used his discretion not to sell them | 0:28:07 | 0:28:10 | |
at a price below their real worth. That's very decent of him. | 0:28:10 | 0:28:14 | |
But with two no-sales, I'm getting worried about our final total. | 0:28:14 | 0:28:18 | |
Let's keep our fingers crossed that the next lot can deliver. | 0:28:18 | 0:28:21 | |
It's those butcher's brass weights, which also got pressed into service wedging open doors. | 0:28:21 | 0:28:26 | |
They came from my father's butcher's shop. | 0:28:26 | 0:28:29 | |
When he died, we bought them from his estate. | 0:28:29 | 0:28:32 | |
And they've been in the family for a long time. | 0:28:32 | 0:28:35 | |
I bet you had some good meat then in your childhood? You ate well. | 0:28:35 | 0:28:38 | |
Yes, we did. But we also had to eat what we called the orts. | 0:28:38 | 0:28:42 | |
Oh, I can imagine what you're talking about, yes! | 0:28:42 | 0:28:45 | |
Let's change the subject quickly. | 0:28:45 | 0:28:47 | |
I said £50-£80, but they could do well here today. | 0:28:47 | 0:28:50 | |
They're a good piece of kitchenalia. | 0:28:50 | 0:28:52 | |
This auction house is famed for its sale of kitchen equipment, | 0:28:52 | 0:28:55 | |
so it might be a nice decorative effect for someone. | 0:28:55 | 0:28:58 | |
Start straight in at £110. £110 I've got. | 0:28:58 | 0:29:03 | |
120. 130. 140. 150. | 0:29:03 | 0:29:06 | |
-Oh, dear. -160. 170. | 0:29:06 | 0:29:08 | |
180. 190. | 0:29:08 | 0:29:11 | |
Still on the book at £190. | 0:29:11 | 0:29:13 | |
200 anywhere? 200. | 0:29:13 | 0:29:15 | |
210. | 0:29:15 | 0:29:16 | |
-Goodness me! -230. 240? | 0:29:16 | 0:29:20 | |
Now off the book at £240. | 0:29:20 | 0:29:22 | |
250 anywhere? I shall sell for £240. | 0:29:22 | 0:29:26 | |
-Brilliant! -Well done! -Excellent. | 0:29:26 | 0:29:29 | |
And they've just been sat in the kitchen. My goodness! | 0:29:29 | 0:29:32 | |
-I suppose it's a little bit special because they were your dad's. -Yes, yeah. | 0:29:32 | 0:29:36 | |
It's good they made such a price. And they're going to our holiday, which is great. | 0:29:36 | 0:29:42 | |
That's more like it. At nearly five times our lower estimate, | 0:29:42 | 0:29:47 | |
they proved a real hit with the bidders, | 0:29:47 | 0:29:49 | |
more than making up for the previous couple of non-sales. | 0:29:49 | 0:29:52 | |
Marian's needlework box is next under the hammer. | 0:29:52 | 0:29:55 | |
It was part of a set bought by John from an oriental importer. | 0:29:55 | 0:29:59 | |
Got your teak work box coming up now. | 0:30:02 | 0:30:05 | |
Where's that from? | 0:30:05 | 0:30:06 | |
I've had it since about 1980, actually. | 0:30:06 | 0:30:09 | |
-I bought it out of a warehouse. -Did you? | 0:30:09 | 0:30:11 | |
Yeah, I liked it. | 0:30:11 | 0:30:12 | |
Actually, I bought quite a lot of inlay brass furniture, and that's one of the nicer pieces. | 0:30:12 | 0:30:17 | |
How is the market for it now? | 0:30:17 | 0:30:19 | |
A little bit hit and miss. | 0:30:19 | 0:30:20 | |
As John said, it is modern, it's a reproduction, so you're looking for private buyers for these things. | 0:30:20 | 0:30:25 | |
The condition of this is exceptional, | 0:30:25 | 0:30:27 | |
so £50 as a bottom estimate isn't unreasonable. | 0:30:27 | 0:30:30 | |
£30, 35, | 0:30:30 | 0:30:32 | |
40, 45. | 0:30:32 | 0:30:33 | |
It's gone. | 0:30:33 | 0:30:35 | |
£45 in front of me here. | 0:30:35 | 0:30:37 | |
-50 anywhere? -Sold for £45. | 0:30:37 | 0:30:39 | |
£45? | 0:30:39 | 0:30:41 | |
OK, well, we said 50-80. | 0:30:41 | 0:30:43 | |
-£45, are you OK with that? -Yeah. That's good. | 0:30:43 | 0:30:46 | |
A little bit lower than the bottom estimate, | 0:30:46 | 0:30:49 | |
but a welcome £45 towards that trip to New Zealand. | 0:30:49 | 0:30:52 | |
Talking of trips, this four-feet-tall spelter figure is of a Spaniard, | 0:30:53 | 0:30:58 | |
a very well-travelled soldier. | 0:30:58 | 0:31:00 | |
-Miss this already? -I've got the other knight to put in his place. | 0:31:00 | 0:31:03 | |
Oh, you've put one in already. Do you have a lot of these in the shed? | 0:31:03 | 0:31:07 | |
I'd like it myself, I must say. £150-£200. | 0:31:07 | 0:31:11 | |
Yes, nice thing, excellent condition, good patination on it. | 0:31:11 | 0:31:15 | |
I hope...I think it's worth £150. | 0:31:15 | 0:31:17 | |
Are you going to miss it? Actually, has he got a name? | 0:31:17 | 0:31:20 | |
-George. -George? -George, yes. -That's a good name. | 0:31:20 | 0:31:22 | |
-Even though he might be Spanish, he's still George. -OK. Let's hear it for George. | 0:31:22 | 0:31:26 | |
Let's say for that one there £200? | 0:31:26 | 0:31:28 | |
150, then? | 0:31:30 | 0:31:33 | |
No-one interested? 120. | 0:31:33 | 0:31:34 | |
100? | 0:31:36 | 0:31:37 | |
No-one interested? No. | 0:31:37 | 0:31:39 | |
We'll put that down as not sold. Sorry. | 0:31:39 | 0:31:41 | |
Well, that's disappointing. Absolutely no bids whatsoever. | 0:31:41 | 0:31:44 | |
I thought he was worth the money. I know you did too, John. | 0:31:44 | 0:31:47 | |
We're not too worried because I'd rather take him home. | 0:31:47 | 0:31:51 | |
He'll fight another battle another day. | 0:31:51 | 0:31:53 | |
George the conquistador will have to head back home | 0:31:53 | 0:31:57 | |
and resume his rightful place on the stairs. | 0:31:57 | 0:32:00 | |
Now, with six items gone, I wonder how close we are to the £1,000 goal. | 0:32:00 | 0:32:05 | |
We're halfway through, it's been quite heart-stopping at times, hasn't it? | 0:32:05 | 0:32:09 | |
-Bit up-and-down, hasn't it? -It has been. | 0:32:09 | 0:32:12 | |
We've had a couple of unsold items, which has obviously hit our ambitions. | 0:32:12 | 0:32:16 | |
You want £1,000 to help you to New Zealand. | 0:32:16 | 0:32:18 | |
Not quite halfway there, I must say. | 0:32:18 | 0:32:20 | |
-You've got £440. -That's all right. | 0:32:20 | 0:32:23 | |
I think we've got you to the airport. | 0:32:23 | 0:32:25 | |
Good, at least we might find the plane, then! | 0:32:25 | 0:32:27 | |
-Let's have a cup of tea in the meantime, shall we? -We need it. | 0:32:27 | 0:32:30 | |
The half-time break is a good opportunity | 0:32:32 | 0:32:34 | |
to examine what other people have brought to the auction today. | 0:32:34 | 0:32:38 | |
And John has clearly been moved by this impressive | 0:32:38 | 0:32:40 | |
collection of medals and memorabilia. | 0:32:40 | 0:32:43 | |
Oh, aren't they wonderful, John? They really are. | 0:32:45 | 0:32:49 | |
-Sadly, not mine. -They make me feel, I don't know, | 0:32:49 | 0:32:51 | |
full of admiration, bit of sadness, nostalgia. | 0:32:51 | 0:32:56 | |
That's why collectors find them fascinating - they have stories to go with them. | 0:32:56 | 0:33:00 | |
And here we've got a father and son group. | 0:33:00 | 0:33:02 | |
One's First World War, and then the group of Second World War. | 0:33:02 | 0:33:05 | |
This one at the bottom, that's a Distinguished Conduct Medal. | 0:33:05 | 0:33:08 | |
First World War, issued on 4th June 1916. | 0:33:08 | 0:33:11 | |
Second only to a Victoria Cross. | 0:33:11 | 0:33:13 | |
-Really? -Interesting, isn't it? | 0:33:13 | 0:33:15 | |
It's possible to trace the citation to see what the medal was awarded for. | 0:33:15 | 0:33:18 | |
The second lot here, Second World War medal, | 0:33:18 | 0:33:21 | |
five in a group and the miniatures, that's the son. | 0:33:21 | 0:33:24 | |
Now, not as valuable as First World War medals and they weren't issued names, | 0:33:24 | 0:33:28 | |
so on this one here you'll have his regiment and everything. On this one, | 0:33:28 | 0:33:32 | |
if there's no documentation, you wouldn't have a clue who it belonged to, | 0:33:32 | 0:33:36 | |
but we've got everything here, his discharge papers, his diaries, | 0:33:36 | 0:33:39 | |
photographs of him, so that does enhance the value. | 0:33:39 | 0:33:42 | |
-Is it worth investing in these? -Certainly the Second World War medal groups are increasing in value, | 0:33:42 | 0:33:47 | |
but it is important to have that documentation. Don't separate them. | 0:33:47 | 0:33:50 | |
So what do you reckon these might fetch today? | 0:33:50 | 0:33:53 | |
Well, this one alone I would expect to make around £500. | 0:33:53 | 0:33:56 | |
The Second World War group, not so valuable. | 0:33:56 | 0:33:59 | |
On their own, you could probably pick them up for under £100. | 0:33:59 | 0:34:02 | |
However, with all that documentation, it really does enhance them. | 0:34:02 | 0:34:05 | |
Together as a group, difficult thing to predict, | 0:34:05 | 0:34:08 | |
but I wouldn't be surprised if it makes up to £1,000. | 0:34:08 | 0:34:10 | |
Fantastic. Well, we'll see how they go. | 0:34:10 | 0:34:13 | |
It turns out that John's estimate was close. £950. | 0:34:13 | 0:34:17 | |
Very respectable. | 0:34:17 | 0:34:19 | |
So a good tip if you're selling service medals | 0:34:19 | 0:34:22 | |
is to throw in as much provenance as you can about the original owner. | 0:34:22 | 0:34:26 | |
And please bear in mind that auction houses charge various fees, such as commission. | 0:34:26 | 0:34:30 | |
Your local saleroom will advise you on these. | 0:34:30 | 0:34:33 | |
We still have plenty to come. | 0:34:34 | 0:34:36 | |
For instance, this carved oak side table. | 0:34:36 | 0:34:39 | |
It's 17th-century-style. | 0:34:39 | 0:34:41 | |
I'm quite sure it should be worth £100-£200, don't you think? | 0:34:41 | 0:34:44 | |
Yes, that should definitely make the money. | 0:34:44 | 0:34:47 | |
-We'd be surprised to take that one home. -OK, here we go. | 0:34:47 | 0:34:49 | |
£70 I've got. 75 anywhere? | 0:34:49 | 0:34:51 | |
-75 I've got. 80. -Someone on the phone... | 0:34:51 | 0:34:54 | |
90. 95 is offered. | 0:34:54 | 0:34:56 | |
100. | 0:34:56 | 0:34:57 | |
105, 110. | 0:34:57 | 0:34:58 | |
115, 120, 125, 130, | 0:34:58 | 0:35:02 | |
135, 140, 145, | 0:35:02 | 0:35:04 | |
150, 155, 160, | 0:35:04 | 0:35:07 | |
170, 180, 190, | 0:35:07 | 0:35:10 | |
200, 210, 220, | 0:35:10 | 0:35:13 | |
230, 240. | 0:35:13 | 0:35:14 | |
Fantastic! | 0:35:14 | 0:35:15 | |
£240 I've got, sold for £240. | 0:35:15 | 0:35:20 | |
That's not bad at all, because it's actually 17th-century-style, | 0:35:20 | 0:35:23 | |
it's a 19th-century piece, so it's 200 years later. | 0:35:23 | 0:35:26 | |
So that's not bad at all. | 0:35:26 | 0:35:27 | |
£240, very happy with that. | 0:35:27 | 0:35:29 | |
And so were the Pardoes. | 0:35:29 | 0:35:31 | |
That table has brought them another £240 closer | 0:35:31 | 0:35:35 | |
to visiting their son in New Zealand. | 0:35:35 | 0:35:37 | |
Now, gold like this will fetch at least scrap value at auction. | 0:35:37 | 0:35:41 | |
But I'm still surprised Marian's thinking of selling such precious heirlooms. | 0:35:41 | 0:35:45 | |
Any story with these, Marian? | 0:35:45 | 0:35:47 | |
The bracelet was given to me by my grandfather on my 21st birthday. | 0:35:47 | 0:35:52 | |
And the rings were given to me when my father died. | 0:35:52 | 0:35:57 | |
And they were passed down to me | 0:35:57 | 0:35:59 | |
and I wear some of them some of the time, but not all the time. | 0:35:59 | 0:36:03 | |
So, why did you let us take it to auction? | 0:36:03 | 0:36:06 | |
-Well, gold should do well. -Well, I've put 140-180 on it, | 0:36:06 | 0:36:09 | |
we should get somewhere within our estimate, if not a bit over. | 0:36:09 | 0:36:12 | |
£100 I've got. £100 I've got. | 0:36:12 | 0:36:15 | |
110, 120, | 0:36:15 | 0:36:16 | |
130, 140, | 0:36:16 | 0:36:19 | |
150, 160... | 0:36:19 | 0:36:20 | |
£150, 160, | 0:36:20 | 0:36:23 | |
170, 180, 190, | 0:36:23 | 0:36:27 | |
200, 210, 220, | 0:36:27 | 0:36:29 | |
230, 240, 250, | 0:36:29 | 0:36:32 | |
26... £240 I've got in front of me. | 0:36:32 | 0:36:35 | |
250, 260? | 0:36:35 | 0:36:37 | |
£250 I've got. | 0:36:37 | 0:36:40 | |
260 anywhere? I'm going to sell it for £250. | 0:36:40 | 0:36:44 | |
-How do you feel about that, then? -Good. | 0:36:44 | 0:36:46 | |
Great. Yes. | 0:36:46 | 0:36:48 | |
-Did better. -Yeah. | 0:36:48 | 0:36:49 | |
Well, whatever is gold seems to do well now. | 0:36:49 | 0:36:53 | |
£250 is another staggeringly good result | 0:36:53 | 0:36:56 | |
which helps redress those few disappointments earlier. | 0:36:56 | 0:37:00 | |
Our expert has always had a penchant for well-made pieces of furniture | 0:37:00 | 0:37:03 | |
like this teak roll-top desk, which he valued at £200-£300. | 0:37:03 | 0:37:08 | |
But is the auctioneer having some trouble? | 0:37:08 | 0:37:12 | |
What shall we say for that? £200 or £300? | 0:37:12 | 0:37:14 | |
250 then? | 0:37:14 | 0:37:15 | |
-This is nervous. -200? | 0:37:15 | 0:37:17 | |
No? | 0:37:17 | 0:37:19 | |
Start me 150? | 0:37:19 | 0:37:21 | |
Oh, come on! | 0:37:21 | 0:37:22 | |
No? | 0:37:22 | 0:37:23 | |
No. 140? | 0:37:23 | 0:37:24 | |
OK, 140 I've got. | 0:37:24 | 0:37:26 | |
150 anywhere? No. | 0:37:26 | 0:37:28 | |
Can't sell this one. Sorry. | 0:37:28 | 0:37:30 | |
THEY SIGH | 0:37:30 | 0:37:32 | |
That's such a shame. | 0:37:32 | 0:37:34 | |
I really thought these pieces were good and would sell. | 0:37:34 | 0:37:36 | |
It's a functional piece of furniture | 0:37:36 | 0:37:38 | |
and for £200, you couldn't even buy the teak hardwood for it, | 0:37:38 | 0:37:42 | |
but there we are. | 0:37:42 | 0:37:44 | |
The auctioneer felt uncomfortable | 0:37:44 | 0:37:46 | |
letting the desk go at that low price | 0:37:46 | 0:37:48 | |
so he refused to sell. | 0:37:48 | 0:37:50 | |
That's disappointing and a blow to our target. | 0:37:50 | 0:37:53 | |
We need another gilt-edged cert to bring us back on course. | 0:37:54 | 0:37:58 | |
How about the next lot? | 0:37:58 | 0:38:00 | |
Next up is our gold South African half pond, | 0:38:01 | 0:38:04 | |
which is the equivalent of a half sovereign in this country. | 0:38:04 | 0:38:07 | |
It's about four grams and 22-carat gold. | 0:38:07 | 0:38:10 | |
People kept sovereigns for that rainy day. | 0:38:10 | 0:38:13 | |
The sun's shining outside, but there's been some rain towards our target | 0:38:13 | 0:38:18 | |
so let's hope it comes out and gives us some sunshine. | 0:38:18 | 0:38:22 | |
£200 at least? | 0:38:22 | 0:38:23 | |
-200-300 is our estimate. -Okey dokey. | 0:38:23 | 0:38:26 | |
£210 I've got. | 0:38:26 | 0:38:28 | |
210. 220? | 0:38:28 | 0:38:30 | |
230. 240. | 0:38:30 | 0:38:31 | |
250. | 0:38:31 | 0:38:32 | |
260. 270. | 0:38:32 | 0:38:34 | |
280. | 0:38:34 | 0:38:36 | |
Absolutely brilliant. | 0:38:36 | 0:38:38 | |
290 anywhere? | 0:38:38 | 0:38:39 | |
I'm going to sell it for £280. | 0:38:39 | 0:38:42 | |
£280. | 0:38:42 | 0:38:44 | |
-Yay! -Very good! | 0:38:44 | 0:38:45 | |
It's creeping up! | 0:38:45 | 0:38:46 | |
It's astonishing how well gold has been selling recently. | 0:38:46 | 0:38:50 | |
And we're thankful for it because it may make all the difference. | 0:38:50 | 0:38:54 | |
Next we have three pieces of decorative pottery | 0:38:54 | 0:38:57 | |
along with a pair of classical composers - | 0:38:57 | 0:39:00 | |
Tchaikovsky and Beethoven, | 0:39:00 | 0:39:01 | |
rendered as Royal Doulton character jugs. | 0:39:01 | 0:39:04 | |
They don't look very happy, do they? | 0:39:04 | 0:39:07 | |
Garniture. I'm getting used to this word - garniture. | 0:39:08 | 0:39:11 | |
What's garniture again? | 0:39:11 | 0:39:13 | |
We've got the two character jugs. | 0:39:13 | 0:39:15 | |
The garniture - three pieces of pottery, | 0:39:15 | 0:39:18 | |
two vases and another piece, | 0:39:18 | 0:39:19 | |
all painted in the Royal Worcester style, | 0:39:19 | 0:39:22 | |
with the still lives of fruit all over them. | 0:39:22 | 0:39:25 | |
So three vases together all matching - we call that a garniture. | 0:39:25 | 0:39:29 | |
OK. We reckon £80-£120. | 0:39:29 | 0:39:32 | |
-Confident? -No! | 0:39:32 | 0:39:33 | |
I have several bids on this one. I've got to start in at £90. | 0:39:34 | 0:39:38 | |
Oh, brilliant! There we are! | 0:39:38 | 0:39:40 | |
95 anywhere? 95 anywhere? | 0:39:40 | 0:39:43 | |
Then I shall sell it to the book bid for £90. | 0:39:43 | 0:39:46 | |
-£90. Happy with that. -Great! | 0:39:46 | 0:39:48 | |
I was worried that our composers would leave a flat note | 0:39:48 | 0:39:51 | |
in the auction room, but they've done it. | 0:39:51 | 0:39:53 | |
Fantastic! | 0:39:53 | 0:39:54 | |
Nicely within our estimate at £90, the Dalton jugs with garniture, | 0:39:54 | 0:39:59 | |
the last time we mention that word today, are off to a new home. | 0:39:59 | 0:40:03 | |
Now for our largest item, which was such a struggle to bring here. | 0:40:03 | 0:40:08 | |
At between £400 and £600, the fate of that huge mahogany bookcase | 0:40:08 | 0:40:13 | |
hangs in the balance. | 0:40:13 | 0:40:15 | |
You've got a reserve of £400. | 0:40:15 | 0:40:17 | |
You couldn't buy the mahogany for that money. | 0:40:17 | 0:40:20 | |
If it doesn't sell, I'll give you a hand downstairs with it. | 0:40:20 | 0:40:23 | |
-It'll take more than me and you! -Oh, will it?! | 0:40:23 | 0:40:26 | |
That very big bookcase down the end. | 0:40:26 | 0:40:28 | |
What shall we say for that one there? | 0:40:28 | 0:40:30 | |
£500 or £600? | 0:40:30 | 0:40:32 | |
500 then? | 0:40:32 | 0:40:34 | |
400? No-one interested? | 0:40:34 | 0:40:36 | |
No? 350? | 0:40:36 | 0:40:38 | |
Anyone interested at £350? | 0:40:38 | 0:40:43 | |
No. OK. | 0:40:43 | 0:40:44 | |
Not sold. OK. | 0:40:44 | 0:40:47 | |
Not even a bid in the room, which is disappointing. | 0:40:47 | 0:40:51 | |
What are you going to do? | 0:40:51 | 0:40:52 | |
Will you leave it here for another day? | 0:40:52 | 0:40:54 | |
-No. -It's coming home! | 0:40:54 | 0:40:57 | |
We'll have to rearrange the furniture again! | 0:40:57 | 0:40:59 | |
Rather them than me. | 0:40:59 | 0:41:02 | |
We've had some real ups and downs today here at Seaton in Devon | 0:41:02 | 0:41:06 | |
so it's very hard to tell quite how well we've done. | 0:41:06 | 0:41:09 | |
We want to get you to New Zealand | 0:41:09 | 0:41:11 | |
because that's your destination, that's what this is about, | 0:41:11 | 0:41:14 | |
and I have to tell you that at the end of the day, | 0:41:14 | 0:41:17 | |
your target was 1,000 and you've made... | 0:41:17 | 0:41:19 | |
1,300. | 0:41:19 | 0:41:20 | |
LAUGHTER | 0:41:20 | 0:41:22 | |
Oh, it's not half as bad as I expected! | 0:41:22 | 0:41:25 | |
-It's great. -That's nice. | 0:41:25 | 0:41:26 | |
So when might you set off for New Zealand? | 0:41:26 | 0:41:29 | |
Hopefully some time very soon when we get things organised. | 0:41:29 | 0:41:32 | |
Wonderful! Will you send us a postcard? | 0:41:32 | 0:41:34 | |
We will, yes. | 0:41:34 | 0:41:36 | |
The auction house is going to try to sell that huge bookcase again another day | 0:41:39 | 0:41:45 | |
and the £1,300 that John and Marian raised has been invested in those travel plans. | 0:41:45 | 0:41:50 | |
Our trip to New Zealand will be coming up in the new year | 0:41:50 | 0:41:53 | |
thanks to Cash In The Attic. | 0:41:53 | 0:41:55 | |
It's been really, really good. | 0:41:55 | 0:41:57 | |
We're looking forward to a bit of warmer weather | 0:41:57 | 0:42:00 | |
and actually going to see Andrew. | 0:42:00 | 0:42:03 | |
We're going to tour the North and South Islands before we actually see Andrew. | 0:42:03 | 0:42:08 | |
We like to go out and visit different places. | 0:42:08 | 0:42:11 | |
We're not sit-on-the-beach people. | 0:42:11 | 0:42:15 | |
It's a long way to go just to go and say hello | 0:42:15 | 0:42:19 | |
so while we're over that way, we're going to have a good trip. | 0:42:19 | 0:42:23 | |
We've got an organised tour. | 0:42:23 | 0:42:25 | |
I'm sure Andrew's really looking forward to seeing his parents, too. | 0:42:25 | 0:42:30 |