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Welcome to Cash In The Attic. Downsizing is a difficult job at the best of times. | 0:00:02 | 0:00:06 | |
You've got to decide what to keep, what's got to go, and of course, | 0:00:06 | 0:00:09 | |
you're leaving behind a house full of memories. | 0:00:09 | 0:00:12 | |
And for the lady we're going to meet today, she certainly has more memories than most. | 0:00:12 | 0:00:16 | |
'Coming up on Cash In The Attic, | 0:00:35 | 0:00:38 | |
'good vibrations for John's valuation of some military drums.' | 0:00:38 | 0:00:42 | |
That's amazing. I can't believe it. | 0:00:42 | 0:00:45 | |
'Our host makes some poignant discoveries, including some old notes left by her mum.' | 0:00:45 | 0:00:51 | |
"Always useful for a point of no return. Love you, Mum." | 0:00:51 | 0:00:55 | |
Well, I believe now is my point of no return because I have to move. | 0:00:55 | 0:00:59 | |
'On auction day, some old gold turns out to be a great investment.' | 0:00:59 | 0:01:04 | |
I don't know about rainy day, the sun's definitely shining. | 0:01:04 | 0:01:07 | |
'Find out if John's forecast is correct when the hammer falls.' | 0:01:07 | 0:01:12 | |
Well, today I'm in Middlesex and I've come to meet a lady | 0:01:12 | 0:01:15 | |
who's called in the Cash In The Attic team | 0:01:15 | 0:01:17 | |
to help her raise the funds she needs to turn her life around | 0:01:17 | 0:01:21 | |
and to reward a very special friend. | 0:01:21 | 0:01:24 | |
'Judy Young has decided to move out of the bungalow her mother Carol left her eight years ago. | 0:01:25 | 0:01:31 | |
'Both Carol and her husband Geoff, who was an auctioneer, were avid collectors. | 0:01:31 | 0:01:35 | |
'There are lots of their possessions still left in the house, which Judy is slowly sorting through.' | 0:01:35 | 0:01:41 | |
-And I've collected the various... -'Her cousin Pauline will lend a helping hand today. | 0:01:41 | 0:01:47 | |
'Also joining us is John Cameron. He's keen to get started with his valuing. | 0:01:47 | 0:01:52 | |
'I can't wait to meet our host.' | 0:01:52 | 0:01:54 | |
-I shall be sorry to see it go. -Ah, good morning! -Hello. | 0:01:55 | 0:01:59 | |
-Hello, Lorne! Nice to see you! -And you. This is fantastic. What a wonderful garden you've got. | 0:01:59 | 0:02:03 | |
Thank you. It's my pride and joy. | 0:02:03 | 0:02:05 | |
Well, actually, it was, before my time, my parents' pride and joy. | 0:02:05 | 0:02:08 | |
But I thoroughly enjoy being here. | 0:02:08 | 0:02:10 | |
-But I understand you're selling the bungalow now. -I am, unfortunately. | 0:02:10 | 0:02:15 | |
Been in the family for 38 years. | 0:02:15 | 0:02:17 | |
But, sadly, I was made redundant seven months ago | 0:02:17 | 0:02:20 | |
and I've been unable to find another job and I can't pay my mortgage and bills. | 0:02:20 | 0:02:25 | |
-So, unfortunately, I have to sell. -So, Pauline, what do you think of the house move? | 0:02:25 | 0:02:29 | |
Well, it's sad in some ways, cos I know Judy loves it, | 0:02:29 | 0:02:32 | |
but at the same time, I think it's a nice new chapter in her life. | 0:02:32 | 0:02:36 | |
A new start, to get on with things. I think it'll be good. | 0:02:36 | 0:02:39 | |
-You need to see these things as an opportunity, don't you? -Yes. | 0:02:39 | 0:02:42 | |
-Where's the stuff come from, Judy? -Most of, if not all, from my parents. | 0:02:42 | 0:02:46 | |
And in fact, I didn't know 90% of it existed | 0:02:46 | 0:02:50 | |
until I started clearing my loft about ten weeks ago. | 0:02:50 | 0:02:54 | |
I've read so many notes my mother has left which I didn't know about. | 0:02:54 | 0:02:57 | |
So it's been very fascinating. | 0:02:57 | 0:03:00 | |
-And have you any idea how much money you'd like to make? -£2,000 would be very nice, thereabouts. | 0:03:00 | 0:03:06 | |
-And is that going towards the move? -It is. It's to help with the moving costs, which are fairly steep. | 0:03:06 | 0:03:12 | |
And I'd also like to treat Pauline. We'd like to go to the theatre. | 0:03:12 | 0:03:16 | |
Right, so we need to raise £2,000, then. It sounds like you've got some very interesting items there. | 0:03:16 | 0:03:21 | |
-I'm sure John's found some of them already. Shall we go and meet him? -Yes. | 0:03:21 | 0:03:25 | |
'Judy's parents moved into this bungalow in 1972. And each room contains memories of them both.' | 0:03:27 | 0:03:33 | |
So what have you found now, John? | 0:03:38 | 0:03:40 | |
Well, I certainly had no idea I was going to see a collection quite as remarkable as this. | 0:03:40 | 0:03:44 | |
-Is this your mum again, collecting phonecards? -It is indeed. | 0:03:44 | 0:03:48 | |
She loved her phonecards. | 0:03:48 | 0:03:49 | |
She became an avid collector, as you can see. | 0:03:49 | 0:03:52 | |
And now I have a huge collection and I don't really know what to do with them. | 0:03:52 | 0:03:58 | |
So do you know how many there are altogether? | 0:03:58 | 0:04:01 | |
In excess of 700, certainly, here. | 0:04:01 | 0:04:03 | |
There are others that have been distributed around the family. | 0:04:03 | 0:04:07 | |
Strangely enough, last week I was in the loft and I came across an envelope. | 0:04:07 | 0:04:13 | |
And she says, "Dear Judith, I have rescued these special phonecards | 0:04:13 | 0:04:17 | |
"as they are all to do with your friend the hedgehog." So shall I open these and see what... | 0:04:17 | 0:04:21 | |
-You haven't opened that yet? -No. -If you're happy to. | 0:04:21 | 0:04:24 | |
Mum died eight years ago and I've just come across it, | 0:04:24 | 0:04:27 | |
as I'm coming across lots of what you're seeing today that I didn't know about. | 0:04:27 | 0:04:31 | |
-Yes. -They're lovely! | 0:04:34 | 0:04:35 | |
Yeah, she knew I'd like those. | 0:04:35 | 0:04:37 | |
-They are fascinating. -Are you going to keep these separate from everything else? | 0:04:37 | 0:04:41 | |
-I would definitely not part with those. They're special. -Don't mix them up with the others. | 0:04:41 | 0:04:45 | |
I'll keep those with Diana. | 0:04:45 | 0:04:47 | |
And I've also got Status Quo and George Michael and Prince, | 0:04:47 | 0:04:50 | |
and I do love pop music. | 0:04:50 | 0:04:52 | |
But the rest can go. | 0:04:52 | 0:04:54 | |
John, what do you make of all of this? | 0:04:54 | 0:04:56 | |
Phonecards themselves are quite iconic and they really are a phenomenon of the 1980s. | 0:04:56 | 0:05:01 | |
They were developed earlier than that but they really reached their peak in the '80s and '90s. | 0:05:01 | 0:05:06 | |
So the onset of mobile phones, whilst it put an end to phonecards, | 0:05:06 | 0:05:10 | |
-it hasn't made a difference to people collecting them? -Not at all. | 0:05:10 | 0:05:14 | |
Much like cigarette cards, although smoking is on the decline, there are still people collecting them. | 0:05:14 | 0:05:20 | |
But you've said you want to take some out of the collection. | 0:05:20 | 0:05:23 | |
-Yeah. -So we need to establish that. | 0:05:23 | 0:05:25 | |
But even at 10p a card, | 0:05:25 | 0:05:27 | |
you're looking at £70 to £100 there. | 0:05:27 | 0:05:29 | |
But I haven't seen a collection | 0:05:29 | 0:05:31 | |
so extensive or in mint condition. | 0:05:31 | 0:05:34 | |
'Well, that's a pretty good figure for us to start off with. | 0:05:34 | 0:05:38 | |
'But we're still a long way off that huge target. | 0:05:38 | 0:05:41 | |
'I sense a big search is about to get underway. | 0:05:41 | 0:05:44 | |
'Carol's life revolved around the house and the garden. | 0:05:46 | 0:05:50 | |
'But being an auctioneer, Judy's dad Geoff | 0:05:50 | 0:05:52 | |
'had a pretty good idea what would make a good investment. | 0:05:52 | 0:05:56 | |
'He must have bought these five | 0:05:56 | 0:05:58 | |
'full sovereigns and two half ones | 0:05:58 | 0:06:00 | |
'with the future in mind. | 0:06:00 | 0:06:02 | |
'Judy didn't know anything about them until recently, | 0:06:02 | 0:06:05 | |
'but being solid gold, they get a whopping £750 to £1,000 estimate. | 0:06:05 | 0:06:10 | |
'Pauline's search has paid off, too.' | 0:06:10 | 0:06:13 | |
John, I found these in the bedroom. | 0:06:13 | 0:06:16 | |
I don't think Judy would have a problem getting rid of these. | 0:06:16 | 0:06:19 | |
Let's sit down and have a look then, Pauline. | 0:06:19 | 0:06:22 | |
We've got a couple of carriage clocks. | 0:06:22 | 0:06:24 | |
-This has got a carriage clock in, I assume? -Yes, it has. | 0:06:24 | 0:06:27 | |
You think Judy would be happy to sell these. | 0:06:27 | 0:06:29 | |
What's the story behind them? | 0:06:29 | 0:06:30 | |
One of them came from our grandfather | 0:06:30 | 0:06:34 | |
and the other from a great uncle. | 0:06:34 | 0:06:36 | |
So they've got quite a bit of history. | 0:06:36 | 0:06:38 | |
Yes, they go back a long way. | 0:06:38 | 0:06:40 | |
Well, very much a Victorian item, | 0:06:40 | 0:06:42 | |
developed in France at the beginning of the 19th century | 0:06:42 | 0:06:45 | |
by, it's believed, Abraham Louis Breguet. | 0:06:45 | 0:06:48 | |
The lovely thing about these two is the case of this one here, | 0:06:48 | 0:06:52 | |
which would've been original. | 0:06:52 | 0:06:54 | |
It came like that. | 0:06:54 | 0:06:55 | |
They were carriage clocks, they were meant to be transported. | 0:06:55 | 0:06:59 | |
And this little case here | 0:06:59 | 0:07:01 | |
would protect the actual clock on the inside. | 0:07:01 | 0:07:03 | |
We can see that the clock fits snugly right inside there. | 0:07:03 | 0:07:06 | |
They always have these velvet linings and this leather case | 0:07:06 | 0:07:09 | |
on the outside. | 0:07:09 | 0:07:10 | |
But what this enabled you to do, if you were travelling on a steam train or on a ship, | 0:07:10 | 0:07:14 | |
you could set your clock up, | 0:07:14 | 0:07:17 | |
take out this little panel in the front and then close it back up, | 0:07:17 | 0:07:21 | |
which enabled you to view the time, but also protected the clock. | 0:07:21 | 0:07:24 | |
If it fell off the side, it would have a degree of protection there, which is quite nice. | 0:07:24 | 0:07:29 | |
These, because they're made of leather and they're not as durable as the brass carriage clock cases, | 0:07:29 | 0:07:34 | |
they tend to get worn and perish and get thrown away. | 0:07:34 | 0:07:37 | |
So it's nice to see that you've got one here. | 0:07:37 | 0:07:39 | |
-Any idea what they're worth? -I wouldn't have a clue, no. | 0:07:39 | 0:07:43 | |
Well, certainly two clocks like this, together with the case, | 0:07:43 | 0:07:47 | |
I'd be expecting about £150 to £200. | 0:07:47 | 0:07:51 | |
An auction house might split them up | 0:07:51 | 0:07:53 | |
but I think this one with its original case about £100, | 0:07:53 | 0:07:56 | |
and around about £50 for this one. | 0:07:56 | 0:07:58 | |
-Excellent. Judy will be pleased. -Well, we're here to please her. | 0:07:58 | 0:08:01 | |
'Pauline knows the house so well, | 0:08:03 | 0:08:05 | |
'she goes straight for a collection of paperweights in the hall, | 0:08:05 | 0:08:08 | |
'which Judy's dad collected. | 0:08:08 | 0:08:10 | |
'Wherever he travelled for work, he'd always bring one back. | 0:08:12 | 0:08:15 | |
'There are about a dozen here. | 0:08:15 | 0:08:17 | |
'Some of them are by Whitefriars, | 0:08:17 | 0:08:18 | |
'who produced some of the best quality glass in Britain. | 0:08:18 | 0:08:22 | |
'John values the lot at £120 to £200. | 0:08:22 | 0:08:26 | |
'Going by John's lowest estimates so far, | 0:08:26 | 0:08:29 | |
'we stand to make £1,090 when we go to auction. | 0:08:29 | 0:08:33 | |
'Now that's not at all bad. | 0:08:33 | 0:08:34 | |
'So I think we can afford to take a little fresh air.' | 0:08:34 | 0:08:38 | |
Now, tell me how involved you've been with this house over time. | 0:08:40 | 0:08:44 | |
Very involved. My parents moved here two days after my wedding. | 0:08:44 | 0:08:49 | |
And the whole family have been here. It's been a big part of our lives. | 0:08:49 | 0:08:53 | |
All the grandchildren, it's the first place they came to after they were born. | 0:08:53 | 0:08:57 | |
We had every family event here, birthday, Christmas, and it's been a brilliant, brilliant home. | 0:08:57 | 0:09:03 | |
Tell me a little bit about the family history. You've had a lot to deal with, haven't you? | 0:09:03 | 0:09:08 | |
The early 1980s were particularly difficult for my parents because | 0:09:08 | 0:09:12 | |
both my sisters were diagnosed with terminal diseases, | 0:09:12 | 0:09:16 | |
and my husband had left me. | 0:09:16 | 0:09:17 | |
So it was a really hard time for them. | 0:09:17 | 0:09:21 | |
And I think, really, they were the ones who had to suffer the most, really. | 0:09:21 | 0:09:26 | |
And I found myself in 2002 the sole survivor of my family. | 0:09:26 | 0:09:31 | |
And my mother's dying wish was for me to live here, | 0:09:31 | 0:09:34 | |
which I have done for eight years and I've had the most wonderful time here. | 0:09:34 | 0:09:39 | |
It sounds to me like you've dealt with more in your lifetime than three people's lifetimes. | 0:09:39 | 0:09:45 | |
So how have you managed to get through that? | 0:09:45 | 0:09:48 | |
Well, I am actually a really positive person. I don't really let things get to me. | 0:09:48 | 0:09:53 | |
And I do feel that, although it has been really tough, I'm very, very lucky because I have my health, | 0:09:53 | 0:10:00 | |
I have three super children. | 0:10:00 | 0:10:02 | |
I have four wonderful grandchildren. | 0:10:02 | 0:10:04 | |
And I thank God that I have good health, and I have my family around me. | 0:10:04 | 0:10:10 | |
So, how do you feel now about this change? | 0:10:10 | 0:10:13 | |
One door closes, another door opens. I've just had a lot of doors closing, I think. | 0:10:13 | 0:10:19 | |
I'm just looking forward to the future. | 0:10:19 | 0:10:21 | |
'Judy's optimistic outlook and courage is an inspiration, | 0:10:23 | 0:10:26 | |
'and I'm determined to help her make the £2,000 target today. | 0:10:26 | 0:10:30 | |
'The next good find is a boxed, limited edition paperweight, | 0:10:31 | 0:10:35 | |
'another from Geoff's collection. | 0:10:35 | 0:10:37 | |
'It's made by the French fine crystal company Baccarat | 0:10:37 | 0:10:41 | |
'and was a Christmas present from Carol. | 0:10:41 | 0:10:43 | |
'It has a hefty valuation of £150 to £250.' | 0:10:43 | 0:10:47 | |
-Would you like to come through and see what I have out here? -Look at those! -Ah, boys' toys. | 0:10:50 | 0:10:56 | |
Now, see what you make of those then, John. | 0:10:56 | 0:10:59 | |
Because they were a huge surprise to me when I found them in the loft. | 0:10:59 | 0:11:04 | |
They were tucked in as far as I could go into the eaves of the loft. | 0:11:04 | 0:11:08 | |
I didn't know what they were, I had no idea. | 0:11:08 | 0:11:11 | |
I brought two of the small ones down, cleaned them up, | 0:11:11 | 0:11:15 | |
realised these were brass drums, | 0:11:15 | 0:11:19 | |
went back in the loft last week and brought down these wooden drums, military drums. | 0:11:19 | 0:11:25 | |
My great uncle founded the East Berkshire Boys' Brigade in 1952. | 0:11:25 | 0:11:31 | |
-Right. -And these drums were presented to him | 0:11:31 | 0:11:36 | |
for use of the Boys' Brigade. | 0:11:36 | 0:11:38 | |
And they have a date on them of 1916. | 0:11:38 | 0:11:42 | |
I think they sound absolutely lovely. Do you want to try? | 0:11:42 | 0:11:46 | |
DRUMS BOOM | 0:11:46 | 0:11:48 | |
-Isn't that lovely? -They are wonderful. | 0:11:48 | 0:11:51 | |
-You don't need a drumstick. -No, no. | 0:11:51 | 0:11:53 | |
Fantastic. They are a collectable. | 0:11:53 | 0:11:56 | |
Militaria collectors love this sort of thing. | 0:11:56 | 0:11:59 | |
They collect them for the regiments they're attached to. | 0:11:59 | 0:12:01 | |
One has the Royal Hibernian Military School. | 0:12:01 | 0:12:04 | |
This one is the Royal Irish Regiment | 0:12:04 | 0:12:06 | |
which, fantastically, | 0:12:06 | 0:12:07 | |
around the crest | 0:12:07 | 0:12:08 | |
has a list of all the different battles | 0:12:08 | 0:12:11 | |
they've been in over the years. | 0:12:11 | 0:12:12 | |
And collectors are looking for | 0:12:12 | 0:12:14 | |
interesting things about regiments that are no longer around. | 0:12:14 | 0:12:17 | |
Many of them were amalgamated and ceased to exist after the First World War. | 0:12:17 | 0:12:23 | |
So that is where your collectors | 0:12:23 | 0:12:25 | |
will really get their interest - the history around them. | 0:12:25 | 0:12:28 | |
-Are you happy for these to be sold? -I am, because I have no room for them. | 0:12:28 | 0:12:32 | |
-So, valuation? -I have no hesitation putting a loose estimate | 0:12:32 | 0:12:36 | |
of £200 to £400 on them. | 0:12:36 | 0:12:37 | |
Never. That's amazing. | 0:12:37 | 0:12:39 | |
I can't believe it. | 0:12:39 | 0:12:41 | |
'How close to the mark will John's estimate prove to be?' | 0:12:41 | 0:12:44 | |
210. 220. 230. | 0:12:44 | 0:12:47 | |
240. 250. 260. 270. | 0:12:47 | 0:12:49 | |
'They're sure to march out in style. This could be exciting.' | 0:12:49 | 0:12:52 | |
340. 350. 360... | 0:12:52 | 0:12:56 | |
'Our host continues to search high and low around the bungalow, a family home for almost 40 years. | 0:12:59 | 0:13:05 | |
'In the spare room, John has come across this very collectable Corgi model of a Morris Mini Minor. | 0:13:05 | 0:13:12 | |
'It belonged to Judy's brother, Tim. | 0:13:12 | 0:13:14 | |
'It's in mint condition, complete with its original box. | 0:13:14 | 0:13:17 | |
'John reckons it could easily make between £20 and £50 at auction.' | 0:13:17 | 0:13:21 | |
John, I wonder what you might think of this. | 0:13:23 | 0:13:25 | |
I was just admiring your collection of royal commemorative mugs. | 0:13:25 | 0:13:29 | |
There's more in the loft but I couldn't fit them on the shelf. | 0:13:29 | 0:13:32 | |
So they're still up there. | 0:13:32 | 0:13:33 | |
You've got quite a few there. So what's this? | 0:13:33 | 0:13:36 | |
This was purchased by my father, | 0:13:36 | 0:13:38 | |
many years ago, and I have had it on display | 0:13:38 | 0:13:42 | |
but as it gets tarnished, I decided to put it away. | 0:13:42 | 0:13:46 | |
If you don't clean silver, it does tarnish. | 0:13:46 | 0:13:48 | |
But for me, the best bit | 0:13:48 | 0:13:49 | |
is this wonderful scene on the front from the Pickwick Papers. | 0:13:49 | 0:13:52 | |
Probably the original plates. | 0:13:52 | 0:13:54 | |
We can see the artist's name there, Phiz, who was Halbot Browne. | 0:13:54 | 0:13:57 | |
Phiz was his pseudonym. | 0:13:57 | 0:13:58 | |
The actual Pickwick Papers were the first in the series of Dickens' novels. | 0:13:58 | 0:14:03 | |
Published in 1836, 37, something like that, | 0:14:03 | 0:14:06 | |
-and they were issued weekly, as little paper magazines. -Right. | 0:14:06 | 0:14:11 | |
So the very first editions that were ever seen were issued in weeklies | 0:14:11 | 0:14:15 | |
and then bound up. | 0:14:15 | 0:14:17 | |
It was only later that, | 0:14:17 | 0:14:18 | |
due to his success, they were then issued as books | 0:14:18 | 0:14:22 | |
-and reproduced timelessly, over and over again. -OK. | 0:14:22 | 0:14:25 | |
Let's look at the plate. We can see it is silver, nice and heavy, too. | 0:14:25 | 0:14:29 | |
And we've got its hallmark there. | 0:14:29 | 0:14:30 | |
Certainly something we can sell. | 0:14:30 | 0:14:32 | |
You have the original box and the certificate of Roberts and Dore. | 0:14:32 | 0:14:36 | |
-Good firm of silversmiths from Hatton Garden. -Mm-hm. | 0:14:36 | 0:14:39 | |
So nice quality thing. | 0:14:39 | 0:14:40 | |
Today, I think we'd be looking around a couple of hundred for it. | 0:14:40 | 0:14:44 | |
I'd probably estimate about £180 to £220, something like that. | 0:14:44 | 0:14:48 | |
-Would that be OK? -Yeah, excellent. | 0:14:48 | 0:14:50 | |
-So you don't have any more? -No. Thank you, Dad. | 0:14:50 | 0:14:54 | |
'Judy's dad Geoff collected lots of lovely things. | 0:14:54 | 0:14:57 | |
'For instance, these porcelain figures I noticed in the lounge. | 0:14:57 | 0:15:01 | |
'Six of them are Royal Doulton and one is Royal Worcester. | 0:15:01 | 0:15:05 | |
'They were gifts from Judy's mum Carol, who really loved them. | 0:15:05 | 0:15:08 | |
'They're all pre-1987 | 0:15:08 | 0:15:10 | |
'and get an estimate for the saleroom | 0:15:10 | 0:15:13 | |
'of £150 to £200. | 0:15:13 | 0:15:15 | |
'There's just two days difference in age between Judy and her cousin Pauline | 0:15:17 | 0:15:21 | |
'and I wonder if they've always been good friends.' | 0:15:21 | 0:15:24 | |
So were you brought up together? | 0:15:24 | 0:15:27 | |
We were, actually. We both lived in the same area. | 0:15:27 | 0:15:31 | |
In fact, when I was a year, just over a year, I went to live with Pauline and her mum, | 0:15:31 | 0:15:37 | |
cos my mother was in hospital having my sister, having a bad time and I needed to be looked after. | 0:15:37 | 0:15:42 | |
-Right. -So we became twin girls, really. For three months. -We shared a cot and a pram. | 0:15:42 | 0:15:47 | |
We used to sit in the pram together. | 0:15:47 | 0:15:49 | |
-Share baths? -Yeah, and toys. THEY LAUGH | 0:15:49 | 0:15:53 | |
I wondered how you remained so close because not everyone growing up | 0:15:53 | 0:15:56 | |
with a friend or family member stays that close to them, do they? | 0:15:56 | 0:16:00 | |
I think our lives have mirrored each other in a way, because we're both divorced, | 0:16:00 | 0:16:04 | |
which is a bit unfortunate, so we have that in common. | 0:16:04 | 0:16:08 | |
And we're both on our own. And we just get on, don't we? | 0:16:08 | 0:16:12 | |
We are very similar, aren't we? | 0:16:12 | 0:16:14 | |
-We are. -Maybe that's not good. -THEY LAUGH | 0:16:14 | 0:16:17 | |
So Pauline, I know you're cousins, but how exactly? What's the family connection? | 0:16:17 | 0:16:22 | |
My father was the brother of Judy's mum. | 0:16:22 | 0:16:25 | |
They were both avid collectors. | 0:16:25 | 0:16:29 | |
That's where we are different. I throw things away. | 0:16:29 | 0:16:32 | |
So tell me a little bit about this evening out up to London. | 0:16:32 | 0:16:35 | |
-I'm a theatre buff. I love the musicals. -I love them but I haven't had a great deal of chance, really. | 0:16:35 | 0:16:40 | |
-We went to see Hairspray a few months ago. -Mm-hm. | 0:16:40 | 0:16:42 | |
And Pauline liked that. | 0:16:42 | 0:16:44 | |
And I think Pauline would really enjoy going up there and seeing a show. | 0:16:44 | 0:16:49 | |
She can choose because I wouldn't know what to choose. | 0:16:49 | 0:16:53 | |
-How do you feel about the move now? -I've come to terms with it now. | 0:16:53 | 0:16:56 | |
And I think what has helped, strangely, is clearing out the loft. | 0:16:56 | 0:17:01 | |
It's been very therapeutic doing that. | 0:17:01 | 0:17:03 | |
Actually, I do feel better and I am ready to move on. | 0:17:03 | 0:17:07 | |
'Well, this decluttering exercise is certainly going to help. | 0:17:07 | 0:17:11 | |
'But there are a few things here that are too precious to part with. | 0:17:11 | 0:17:15 | |
'Judy has found something in a cupboard though, | 0:17:15 | 0:17:18 | |
'and she needs an expert opinion.' | 0:17:18 | 0:17:19 | |
-Hi, John. I've found a couple of these. -Ah, you said you had some more silverware. | 0:17:21 | 0:17:27 | |
Yeah, I have. In fact, these are two of seven that I have, all different. | 0:17:27 | 0:17:31 | |
-But all a similar sort of theme. -Where do they come from? | 0:17:31 | 0:17:35 | |
These were part of my father's collection, and before my mother died | 0:17:35 | 0:17:39 | |
she told me there was a treasure-trove, in her words, | 0:17:39 | 0:17:42 | |
in the loft, in a suitcase that Dad had put away, | 0:17:42 | 0:17:45 | |
which contained seven of these similar commemorative plates, | 0:17:45 | 0:17:49 | |
plus lots of other goodies. | 0:17:49 | 0:17:51 | |
And that was Dad's treasure. | 0:17:51 | 0:17:53 | |
They certainly look in very good condition. | 0:17:53 | 0:17:55 | |
I'm guessing they're all a variation on this theme, | 0:17:55 | 0:17:57 | |
with this, what we refer to as an Armada dish, | 0:17:57 | 0:18:00 | |
with a crown set in the middle? | 0:18:00 | 0:18:01 | |
-Absolutely, yes, they are. -OK. Well, these were very common in the 1970s. | 0:18:01 | 0:18:07 | |
They tend to issue them around a commemorative date, | 0:18:07 | 0:18:11 | |
such as the centenary of Winston Churchill's birth, Charles and Di's wedding, things like that. | 0:18:11 | 0:18:16 | |
This one here is reversible. | 0:18:16 | 0:18:18 | |
We've got the Churchill crown. We can see it both sides. | 0:18:18 | 0:18:21 | |
This one here is for the Queen's Silver Jubilee. | 0:18:21 | 0:18:24 | |
Although a lot of people bought these as investments, | 0:18:24 | 0:18:29 | |
I don't think, in the long term, they've proved great investments. | 0:18:29 | 0:18:33 | |
You tend to find these days they're worth little more than their weight in silver, their bullion weight. | 0:18:33 | 0:18:38 | |
-Mm-hm. -You say you've got eight in total? | 0:18:38 | 0:18:41 | |
-Seven. -Seven in total. | 0:18:41 | 0:18:42 | |
I think you'll be looking at | 0:18:42 | 0:18:44 | |
around a couple of hundred pounds for those in total. | 0:18:44 | 0:18:47 | |
And estimate-wise, I'd probably say £180 to £220, something like that. | 0:18:47 | 0:18:52 | |
-Excellent. -Would that be all right? | 0:18:52 | 0:18:53 | |
Yeah, thank you. | 0:18:53 | 0:18:55 | |
'The exploration of Judy's house has proved really productive, and fascinating, too. | 0:18:55 | 0:19:00 | |
'And we're all having one last thorough search of the lounge again before we pack up for the day.' | 0:19:00 | 0:19:05 | |
-That's interesting, isn't it? -Have you found something? -Yes, I have. | 0:19:05 | 0:19:09 | |
This is something quite special. I've just taken it out of my safe. | 0:19:09 | 0:19:12 | |
This was actually given to me by my mother before she died. | 0:19:12 | 0:19:16 | |
And I am quite attached to them because of the sentiment involved. | 0:19:16 | 0:19:21 | |
In fact, there's a couple of notes that Mum has written to me about them. | 0:19:21 | 0:19:25 | |
This note, that I didn't know about, | 0:19:25 | 0:19:28 | |
she obviously put in just before she died. | 0:19:28 | 0:19:30 | |
"Judith, I'd like you to have this gift for being such a help to me. | 0:19:30 | 0:19:34 | |
"I love you, Mum." | 0:19:34 | 0:19:36 | |
So that was very nice. But this note I did know about and she's put, | 0:19:36 | 0:19:41 | |
"I bought these for Father about 1980. | 0:19:41 | 0:19:44 | |
"These cost from the Royal Mint £1,000. So they're very valuable. | 0:19:44 | 0:19:49 | |
"Always useful for a point of no return. Love you, Mum." | 0:19:49 | 0:19:53 | |
Well, I believe now is my point of no return because I have to move. | 0:19:53 | 0:19:57 | |
Well, I think, about the point of no return, it's a good time to sell them, | 0:19:57 | 0:20:01 | |
most definitely, because they are a collector's set | 0:20:01 | 0:20:04 | |
of four solid gold coins. | 0:20:04 | 0:20:06 | |
A really nice set, too. 1982. | 0:20:06 | 0:20:08 | |
They're in absolute mint condition, | 0:20:08 | 0:20:10 | |
because they all come in these handy plastic containers, | 0:20:10 | 0:20:13 | |
which prevent you from handling them. | 0:20:13 | 0:20:15 | |
What gold are we talking about here, though? Is it nine carat? | 0:20:15 | 0:20:18 | |
They're 22 carat fine gold. | 0:20:18 | 0:20:21 | |
So that's pretty good. And each one has a wonderful portrait bust there, | 0:20:21 | 0:20:25 | |
of Her Majesty the Queen. | 0:20:25 | 0:20:27 | |
Look at the detail. Isn't it fantastic? | 0:20:27 | 0:20:30 | |
And then on the obverse side here, | 0:20:30 | 0:20:32 | |
we've got the very iconic portrait here of St George on horseback, | 0:20:32 | 0:20:38 | |
slaying the dragon. | 0:20:38 | 0:20:39 | |
That was designed by Benedetto Pistrucci in around 1812, 1813, something like that. | 0:20:39 | 0:20:44 | |
We have the £5 piece, the £2 there, | 0:20:44 | 0:20:47 | |
the full sovereign and the half sovereign here at the end. | 0:20:47 | 0:20:51 | |
For this collection today, well, | 0:20:51 | 0:20:53 | |
I guarantee they wouldn't sell for less than £1,000. | 0:20:53 | 0:20:56 | |
My estimate would be £1,000 to £1,500. | 0:20:56 | 0:20:58 | |
I'd be surprised if they weren't pushing that upper estimate. | 0:20:58 | 0:21:01 | |
-So how do you feel about selling them? -I'm happy with that valuation. | 0:21:01 | 0:21:05 | |
Had they been less than Mum would have paid, | 0:21:05 | 0:21:08 | |
I might have felt a bit more guilty about it. | 0:21:08 | 0:21:10 | |
But I will let them go quite happily. | 0:21:10 | 0:21:13 | |
-At the start of the day, can you remember how much you wanted to raise? -Looking hopefully to £2,000. | 0:21:13 | 0:21:20 | |
-OK. And that's towards the move and also for the show. -Take Pauline out. | 0:21:20 | 0:21:24 | |
I think you can have quite a blow-out in London, actually, | 0:21:24 | 0:21:27 | |
because the value of everything going to auction comes to £2,970! | 0:21:27 | 0:21:32 | |
-No! Does it really? -Yes. | 0:21:32 | 0:21:34 | |
That's amazing, isn't it? Well, thank you, Mum and Dad. | 0:21:34 | 0:21:37 | |
Yes. And particularly all her handy notes, which have certainly guided us on our way. | 0:21:37 | 0:21:44 | |
-They are priceless. -Yes. | 0:21:44 | 0:21:46 | |
'What a fantastic result for Judy. I'm so pleased and have high hopes for all her items in the saleroom. | 0:21:46 | 0:21:53 | |
'There's those amazing military drums, | 0:21:53 | 0:21:56 | |
'which came from her uncle, who founded a Boys' Brigade. | 0:21:56 | 0:22:00 | |
'They should make some noise with the bidders at £200 to £400. | 0:22:00 | 0:22:04 | |
'This boxed Corgi Morris Mini Minor is in mint condition. | 0:22:04 | 0:22:09 | |
'At just £20 to £50, I'm sure there'll be a collector | 0:22:09 | 0:22:11 | |
'in the saleroom who'll want to snap it up. | 0:22:11 | 0:22:14 | |
'And mum Carol's huge collection of phonecards. | 0:22:15 | 0:22:18 | |
'Judy wants to keep hold of a few, | 0:22:18 | 0:22:20 | |
'but John reckons they could easily make £70 to £100 on the day. | 0:22:20 | 0:22:24 | |
'Still to come on Cash In The Attic, we're on hand with health and safety advice.' | 0:22:26 | 0:22:31 | |
-Breathe deeply through your nose. -680. 700... | 0:22:31 | 0:22:34 | |
'And does our luck depend on something Judy has asked the auctioneer to use?' | 0:22:34 | 0:22:39 | |
-It's Dad's gavel. -It's Dad's lucky gavel? -I think you could be right there. | 0:22:39 | 0:22:43 | |
'Find out if it does bring us good luck when it finally falls.' | 0:22:43 | 0:22:47 | |
Now, Judy had a lot of items that we had to look at on rummage day | 0:22:53 | 0:22:57 | |
and most of them had a very strong sentimental connection, being purchased by her mum or dad, | 0:22:57 | 0:23:02 | |
who also left her the bungalow. | 0:23:02 | 0:23:04 | |
Now, times have changed quite dramatically for her | 0:23:04 | 0:23:07 | |
and she found herself in a position of having to sell these items and also the family bungalow. | 0:23:07 | 0:23:12 | |
But we were there to help and we found lots of lovely items. | 0:23:12 | 0:23:15 | |
We had a great day and brought everything here to Chiswick Auction Rooms in West London. | 0:23:15 | 0:23:19 | |
She wants to raise £2,000 towards her house move | 0:23:19 | 0:23:22 | |
and also to treat her friend to a great night out in the West End. | 0:23:22 | 0:23:26 | |
So let's just hope that today, when the items go under the hammer, the buyers are ready to spend. | 0:23:26 | 0:23:32 | |
'This auction house holds general sales once a week every Tuesday. | 0:23:34 | 0:23:38 | |
'As John and I go in search of Judy and Pauline, | 0:23:38 | 0:23:41 | |
'I can see today's auctioneer Tom is already getting into position. | 0:23:41 | 0:23:45 | |
'Now then, about that gavel...' | 0:23:45 | 0:23:48 | |
It was my father's. He was an auctioneer | 0:23:48 | 0:23:51 | |
and this used to take pride of place in his office on a stand. | 0:23:51 | 0:23:54 | |
So I thought today it would be quite nice if I could ask Tom if he would use it in the auction. | 0:23:54 | 0:24:00 | |
-It might bring luck. -Tom might like that. | 0:24:00 | 0:24:02 | |
Although, auctioneers can be a bit sensitive about their gavels. | 0:24:02 | 0:24:06 | |
I think, in these circumstances, he'd be happy to use it. | 0:24:06 | 0:24:09 | |
I've had a look around to try and familiarise myself with your items | 0:24:09 | 0:24:13 | |
but I've noticed one lot I can't see. | 0:24:13 | 0:24:15 | |
-The phonecards. -No. The valuation didn't reflect the passion | 0:24:15 | 0:24:21 | |
and dedication my mother put into collecting | 0:24:21 | 0:24:25 | |
and so I've decided to leave them and the family can have them. | 0:24:25 | 0:24:30 | |
But everything else is here? | 0:24:30 | 0:24:32 | |
-Yes. -Are there any items you're apprehensive about selling? | 0:24:32 | 0:24:35 | |
The drums. I've bonded with them in a strange way. | 0:24:35 | 0:24:39 | |
I think it's because I now know the history of them | 0:24:39 | 0:24:43 | |
and they remind me of childhood and they're fascinating. | 0:24:43 | 0:24:46 | |
Pauline, have you ever been to an auction before? | 0:24:46 | 0:24:48 | |
No. This is my first time, so I don't know what to expect but I'm really looking forward to it. | 0:24:48 | 0:24:54 | |
How do you think Judy's going to stand up to today? | 0:24:54 | 0:24:57 | |
-Cos a lot of them are sentimental items. -Yes. I think there could be a bit of emotion, | 0:24:57 | 0:25:01 | |
but I think she'll keep going and she'll be fine. | 0:25:01 | 0:25:05 | |
I'm hoping the emotion is for all the right reasons, in other words we made lots of money. | 0:25:05 | 0:25:09 | |
-Otherwise we'll be crying, too. Shall we get in position and sell some items? -Yep. | 0:25:09 | 0:25:13 | |
-Follow me this way. -Right, thank you. | 0:25:13 | 0:25:17 | |
'If you'd like to try buying or selling at auction, bear in mind that there are charges to be paid, | 0:25:17 | 0:25:22 | |
'including commission. They vary from one saleroom to another, | 0:25:22 | 0:25:25 | |
'so it's always worth enquiring well in advance.' | 0:25:25 | 0:25:27 | |
Right, now, our first lot is the boxed Corgi die-cast model | 0:25:30 | 0:25:34 | |
of a Morris Minor in purple, | 0:25:34 | 0:25:36 | |
which is why John is in purple today, to complement our lots. | 0:25:36 | 0:25:40 | |
Remind me where this is from. | 0:25:40 | 0:25:42 | |
This is from a box in the attic marked "Tim's Toys," | 0:25:42 | 0:25:45 | |
who is my brother born in 1963, | 0:25:45 | 0:25:48 | |
and it was all his little toy cars. | 0:25:48 | 0:25:51 | |
I think my mother must have put it in there for safekeeping. | 0:25:51 | 0:25:54 | |
Miss Young has asked me to use this gavel in memory of her father, an auctioneer. | 0:25:54 | 0:25:58 | |
Nice rosewood one. Hope we can bring her a bit of luck. Lot number 208. | 0:25:58 | 0:26:03 | |
£20 for it. Thank you, bid at 20. At 20. 22? | 0:26:03 | 0:26:06 | |
-Come on. -£20. 22 there. 25? 25. | 0:26:06 | 0:26:10 | |
-28. 30. 32. -Yes, that's what I like to see. | 0:26:10 | 0:26:13 | |
40. 42. 45. At £42 now. | 0:26:13 | 0:26:16 | |
I'll take 45. £42, are we done? At £42. 42 and going. | 0:26:16 | 0:26:21 | |
-£42. -Lovely. | 0:26:21 | 0:26:23 | |
-Are you happy with that? -Yes, lovely. | 0:26:23 | 0:26:25 | |
'That's a great result for our first lot. | 0:26:27 | 0:26:29 | |
'I hope Geoff's gavel continues to bring us luck. | 0:26:29 | 0:26:32 | |
'Let's see what happens now with the collection of paperweights.' | 0:26:32 | 0:26:36 | |
Was it your mum who collected all of these? | 0:26:38 | 0:26:40 | |
No, my father. He enjoyed collecting them. Each time they went to Scotland, he bought one. | 0:26:40 | 0:26:45 | |
That would make perfect sense, because we've got names like Caithness and Strathearn, | 0:26:45 | 0:26:50 | |
very Scottish. | 0:26:50 | 0:26:51 | |
A nice collection. Some big names in there. Webbs, Whitefriars. | 0:26:51 | 0:26:54 | |
I've put the 14 together at £120 to £200, | 0:26:54 | 0:26:58 | |
which is a reasonable estimate. | 0:26:58 | 0:27:00 | |
Should get some bidding going. | 0:27:00 | 0:27:01 | |
-Are they to your taste? -Yes, I love them. Very nice indeed. | 0:27:01 | 0:27:05 | |
£100 start me. | 0:27:05 | 0:27:07 | |
£80 for them. Thank you, £80. 85 there. 90. | 0:27:07 | 0:27:10 | |
5. 100. 110. 120. | 0:27:10 | 0:27:14 | |
130. 140. | 0:27:14 | 0:27:17 | |
150. 160. 170. | 0:27:17 | 0:27:20 | |
-Bid's in front of me at 160. You out? -170. | 0:27:20 | 0:27:23 | |
At 160, selling. All done? At 160, then. Finished at 160 and gone. | 0:27:23 | 0:27:26 | |
170, new bidder. 180. 180. 190? | 0:27:26 | 0:27:29 | |
180, your bid. In the chair at 180. Last shot, at 180 and going. | 0:27:29 | 0:27:34 | |
-All finished? 180. -Wow! Excellent! | 0:27:34 | 0:27:38 | |
'The gavel is still working well for us | 0:27:38 | 0:27:41 | |
'and I can't help wondering if the winning bidder has bought these | 0:27:41 | 0:27:44 | |
'to add to an existing collection. | 0:27:44 | 0:27:47 | |
'The two carriage clocks are up next. | 0:27:47 | 0:27:49 | |
'They belonged to Judy's step-grandfather and great-uncle.' | 0:27:49 | 0:27:52 | |
-What have we got on this? -We've put them together. The auctioneers haven't split them. | 0:27:54 | 0:27:58 | |
We've got £150 to £200. | 0:27:58 | 0:28:01 | |
I've rated the one with its original case as the better | 0:28:01 | 0:28:04 | |
at £100 to £150 and the other one as £50 to £100. | 0:28:04 | 0:28:08 | |
So they just put those estimates together as one lot. | 0:28:08 | 0:28:10 | |
-Are you happy with that price? -Yes, fine, thank you. | 0:28:10 | 0:28:13 | |
We'll be happy if we make it, of course. Hopefully a bit extra. | 0:28:13 | 0:28:16 | |
£100. £80. | 0:28:16 | 0:28:19 | |
£80. £80. 85. 90. | 0:28:19 | 0:28:22 | |
95. 100. 110. 120. | 0:28:22 | 0:28:27 | |
130. 120 bid. At 120. At 120. 130. | 0:28:27 | 0:28:31 | |
140. New bidder at 130 there. | 0:28:31 | 0:28:33 | |
140. At 130. Are we done for 130? Last chance. Going. All done? | 0:28:33 | 0:28:37 | |
-Bid's there. 130. -GAVEL BANGS | 0:28:37 | 0:28:39 | |
-Well... -130. Little bit less. | 0:28:39 | 0:28:40 | |
I'm slightly disappointed | 0:28:40 | 0:28:42 | |
because I know carriage clocks aren't as fashionable as they once were, | 0:28:42 | 0:28:46 | |
but they were nice examples, good condition and original case. | 0:28:46 | 0:28:49 | |
Goes to show that people aren't putting them on display. | 0:28:49 | 0:28:52 | |
'I don't think they did too badly, though, | 0:28:52 | 0:28:55 | |
'so we shouldn't be too downhearted. | 0:28:55 | 0:28:57 | |
'Now it's the turn of the porcelain figures, | 0:28:57 | 0:29:00 | |
'something Judy's dad collected for her mum. | 0:29:00 | 0:29:02 | |
'Most of them are Royal Doulton and one is Royal Worcester.' | 0:29:02 | 0:29:06 | |
-Judy, you've retained one or two, haven't you? -I have. | 0:29:07 | 0:29:11 | |
From the original collection, I decided to keep three. | 0:29:11 | 0:29:15 | |
But the rest I'm happy to part with. | 0:29:15 | 0:29:17 | |
We've still got the same estimate on them | 0:29:17 | 0:29:19 | |
so hopefully you taking those out | 0:29:19 | 0:29:21 | |
won't have done too much damage. | 0:29:21 | 0:29:23 | |
Hopefully we'll get the 150. | 0:29:23 | 0:29:24 | |
£100. £80 to go. | 0:29:24 | 0:29:27 | |
£80 in two places. 85. 90. | 0:29:27 | 0:29:30 | |
95. 100. 110. 120. | 0:29:30 | 0:29:33 | |
130. 140. | 0:29:33 | 0:29:36 | |
130. Bid at 130. 140. At 130. Take 140. At 130, are we done? | 0:29:36 | 0:29:39 | |
-Hard times, I'm going to sell at 130. At 130. -GAVEL BANGS | 0:29:39 | 0:29:42 | |
-130. -Not bad seeing as you took three out, I think. | 0:29:42 | 0:29:47 | |
Only £20 under our lower estimate. | 0:29:47 | 0:29:48 | |
-They didn't even know. -I don't think they noticed. | 0:29:48 | 0:29:51 | |
'It just goes to show that these graceful | 0:29:51 | 0:29:54 | |
'and pretty porcelain figurines are still popular. | 0:29:54 | 0:29:57 | |
'Maybe they'll be off to join an existing collection. | 0:29:57 | 0:30:00 | |
'The silver commemorative plates are coming up next | 0:30:00 | 0:30:03 | |
'with examples from the Queen's Silver Jubilee, | 0:30:03 | 0:30:06 | |
'Princess Anne's wedding | 0:30:06 | 0:30:08 | |
'and Prince Charles's marriage to Lady Diana Spencer. | 0:30:08 | 0:30:10 | |
'Judy told John she had seven, | 0:30:10 | 0:30:12 | |
'but she's managed to find | 0:30:12 | 0:30:14 | |
'another one to add to the set. | 0:30:14 | 0:30:16 | |
'The estimate stays the same, | 0:30:16 | 0:30:17 | |
'though, at £180 to £220.' | 0:30:17 | 0:30:20 | |
I don't know the origins because I just found them in a treasure-trove, | 0:30:23 | 0:30:26 | |
described by my mother, after her death, in a suitcase in the loft. | 0:30:26 | 0:30:31 | |
I had no idea they existed before then. | 0:30:31 | 0:30:34 | |
£100. Thank you. Bid £100. I'll take 110. At £100. | 0:30:34 | 0:30:37 | |
110 I'm bid. 110. 120. 120. | 0:30:37 | 0:30:40 | |
130. 140. 150. 160. | 0:30:40 | 0:30:43 | |
170. 180. 190. 200. 210. | 0:30:43 | 0:30:46 | |
-LORNE GASPS -220. 230. 240. | 0:30:46 | 0:30:48 | |
230 bid. At 230. Take 240. At 230. | 0:30:48 | 0:30:51 | |
At 230. The bid's here at 230. Are we done? | 0:30:51 | 0:30:54 | |
-Last chance, 230. Going at 230. All out. -GAVEL BANGS | 0:30:54 | 0:30:57 | |
-£230! That's good, isn't it? -Excellent. | 0:30:57 | 0:31:01 | |
'That's a great return on her dad's investment after all these years.' | 0:31:01 | 0:31:05 | |
-Right, you must be pleased with that silver result. -Very. | 0:31:07 | 0:31:10 | |
Actually, I think it's been very strong this morning. | 0:31:10 | 0:31:12 | |
-It has. -Any disappointments? | 0:31:12 | 0:31:14 | |
No, none at all. It's all been very good. Excellent. | 0:31:14 | 0:31:17 | |
-What did you think of it all, Pauline? -Brilliant. | 0:31:17 | 0:31:20 | |
And we've still got some lovely lots coming up this afternoon. | 0:31:20 | 0:31:23 | |
The drums, a lot of gold. | 0:31:23 | 0:31:25 | |
Gold is doing very well. And that beautiful Baccarat paperweight. | 0:31:25 | 0:31:30 | |
If we can't make money with that selection, I don't think we've got a chance anywhere! | 0:31:30 | 0:31:34 | |
But the good news so far is, the pressure's slightly off us, | 0:31:34 | 0:31:37 | |
because so far we've banked £712! | 0:31:37 | 0:31:39 | |
-Wow! -Well done. | 0:31:39 | 0:31:40 | |
That's excellent. | 0:31:40 | 0:31:42 | |
-So you can really enjoy it this afternoon. -Thank you. | 0:31:42 | 0:31:45 | |
And, better still, we've got a bit of a break now, so shall we? | 0:31:45 | 0:31:48 | |
-You got something you wanted to look at, John? -You've got a break. I'm looking at something a bit special. | 0:31:48 | 0:31:54 | |
Let him do the work. Come on. | 0:31:54 | 0:31:56 | |
'While we take a break, John's keen to check out | 0:31:58 | 0:32:00 | |
'the best buys in the saleroom. | 0:32:00 | 0:32:02 | |
'Maybe something here will make a great investment, too. | 0:32:02 | 0:32:05 | |
'How about this clock ensemble?' | 0:32:05 | 0:32:07 | |
There's this wonderful little dual | 0:32:09 | 0:32:12 | |
aneroid barometer and carriage clock | 0:32:12 | 0:32:14 | |
in this beautiful brass case | 0:32:14 | 0:32:15 | |
with some wonderful cloisonne work to the front. | 0:32:15 | 0:32:18 | |
And in the top, you also have the benefit of this compass, | 0:32:18 | 0:32:20 | |
so when you're below deck in your cabin, | 0:32:20 | 0:32:23 | |
you can tell the time, see how the weather will fare | 0:32:23 | 0:32:25 | |
and tell what direction you're sailing in. | 0:32:25 | 0:32:28 | |
I think this could be a real bargain today. | 0:32:28 | 0:32:31 | |
The estimate on this piece is £200 to £300. | 0:32:31 | 0:32:35 | |
I think if you can buy it within that estimate, | 0:32:35 | 0:32:37 | |
the weather will certainly be sunny all day. | 0:32:37 | 0:32:40 | |
'Clearly there was no-one in the room who wanted a carriage clock | 0:32:40 | 0:32:43 | |
'with built-in compass and cloisonne decoration. | 0:32:43 | 0:32:47 | |
'Have people got no taste? | 0:32:47 | 0:32:49 | |
'Overly customised carriage clocks may not be to the bidders' liking, | 0:32:49 | 0:32:53 | |
'but we do know that they have a taste for paperweights. | 0:32:53 | 0:32:56 | |
'The collection earlier sold for just under the top of the estimate | 0:32:56 | 0:33:00 | |
'so we have high hopes for the next one, | 0:33:00 | 0:33:02 | |
'a boxed limited-edition Baccarat paperweight, | 0:33:02 | 0:33:04 | |
'which has a serpent in the glass. | 0:33:04 | 0:33:07 | |
'It's up for £150 to £250.' | 0:33:07 | 0:33:09 | |
I absolutely love this piece. I think it is stunning. | 0:33:11 | 0:33:14 | |
Firstly, it's one of the best glassmakers, Baccarat. | 0:33:14 | 0:33:18 | |
Rivalled only really by Lalique. | 0:33:18 | 0:33:20 | |
And, of course, it's a serpent paperweight. | 0:33:20 | 0:33:22 | |
Limited edition of 300, so we know that there's a finite amount produced. | 0:33:22 | 0:33:26 | |
How did you get hold of this? | 0:33:26 | 0:33:29 | |
My mother bought it for my father as a special present | 0:33:29 | 0:33:32 | |
because she knew he loved his paperweights and this is a particularly special one. | 0:33:32 | 0:33:36 | |
-You said you liked the paperweights. Is this one of your favourites? -Yeah, I think that one is, probably. | 0:33:36 | 0:33:41 | |
-There's just something about it that says it's good quality. -It's very unusual. | 0:33:41 | 0:33:46 | |
£100 for it. Thank you. I'm bid £100. | 0:33:46 | 0:33:49 | |
£100. Take 110 for it. £100. Take 110. | 0:33:49 | 0:33:52 | |
110 there. Do you want 120? | 0:33:52 | 0:33:56 | |
130. 140. | 0:33:56 | 0:33:59 | |
150. At 140. 140, all done? | 0:33:59 | 0:34:02 | |
At 140. Going to go out the door at 140... | 0:34:02 | 0:34:04 | |
140. | 0:34:04 | 0:34:06 | |
140. That's a bit of a disappointment, actually. | 0:34:06 | 0:34:08 | |
-Yeah. A snake in the grass somewhere. -Yes. | 0:34:08 | 0:34:10 | |
Never mind. We've still got the gold to come. | 0:34:10 | 0:34:13 | |
'Yes, must be positive. After all, | 0:34:13 | 0:34:15 | |
'it was only slightly under the lower estimate. | 0:34:15 | 0:34:18 | |
'We're back to some silver now. It's the Pickwick Papers Christmas plate | 0:34:18 | 0:34:22 | |
'which has an estimate of £180 to £220. | 0:34:22 | 0:34:26 | |
'It's made by a renowned silver maker, Roberts & Dore, | 0:34:26 | 0:34:31 | |
'so let's hope that impresses the silver buyers, who are clearly out in force today.' | 0:34:31 | 0:34:36 | |
£100 for it. £100 for it. | 0:34:36 | 0:34:39 | |
A bid at £100. In front of me at £100. I'll take 110. 110. 120. 130. | 0:34:39 | 0:34:43 | |
140. 150. 160. | 0:34:43 | 0:34:46 | |
170. 180. 190. 200. | 0:34:46 | 0:34:49 | |
190. Bid at 190. Take 2 now. 190. Give me 2 for it. | 0:34:49 | 0:34:52 | |
At 190. Done at 190? All out at 190? | 0:34:52 | 0:34:55 | |
At 190. 200 in. 210. | 0:34:55 | 0:34:58 | |
220. At £210. Seated at £210. Take 220. At 210, selling. All done? 210. | 0:34:58 | 0:35:03 | |
-£210. -Happy with that? -Yeah, that's good. Good old Mr Pickwick. | 0:35:03 | 0:35:09 | |
'I wonder if its new owner is a Charles Dickens fan | 0:35:09 | 0:35:12 | |
'or whether they'll just melt it down for scrap. | 0:35:12 | 0:35:15 | |
'Next the early-20th century military drums | 0:35:15 | 0:35:17 | |
'which have impressed us all so much. | 0:35:17 | 0:35:19 | |
'They were given to Judy's uncle who ran a Boys' Brigade. | 0:35:19 | 0:35:22 | |
'Five of them come from the now-disbanded | 0:35:22 | 0:35:25 | |
'3rd Battalion Royal Irish Regiment, | 0:35:25 | 0:35:27 | |
'which makes them highly collectable.' | 0:35:27 | 0:35:30 | |
You want £200 to £400 cos you don't want to take them home. | 0:35:30 | 0:35:33 | |
I don't want to take them home, but I want to get at least what they're worth. | 0:35:33 | 0:35:37 | |
Start me at £200. They'll make more. £200. Thank you. | 0:35:37 | 0:35:41 | |
£200 there. 210. 220. | 0:35:41 | 0:35:43 | |
230. 240. 250. 260. 270. | 0:35:43 | 0:35:47 | |
280. 290. 300. 310. 320. | 0:35:47 | 0:35:50 | |
330. 340. 350. 360. 370. | 0:35:50 | 0:35:54 | |
380. 390. 400. | 0:35:54 | 0:35:57 | |
420. 440. 460. 480. 500. | 0:35:57 | 0:36:01 | |
480. 480. Will take 5 now. 500, new bidder. | 0:36:01 | 0:36:04 | |
520. 540. 560. 580. 600. | 0:36:04 | 0:36:08 | |
Breathe deeply through your nose. We haven't even stopped yet. | 0:36:08 | 0:36:12 | |
750. 780. | 0:36:12 | 0:36:15 | |
-750. -I love those drums. | 0:36:15 | 0:36:17 | |
At 750. | 0:36:17 | 0:36:18 | |
750 for the drums. Are we done at 750? Last chance for a bid. | 0:36:18 | 0:36:22 | |
At 750. Last chance. | 0:36:22 | 0:36:24 | |
£750! | 0:36:24 | 0:36:26 | |
Can you believe it? | 0:36:26 | 0:36:28 | |
APPLAUSE | 0:36:28 | 0:36:30 | |
Are you pleased? | 0:36:30 | 0:36:32 | |
'Judy is understandably completely overwhelmed. | 0:36:32 | 0:36:36 | |
'What an absolutely incredible result there.' | 0:36:36 | 0:36:40 | |
Sad to see them going away, but really pleased that somebody wanted them that much. | 0:36:40 | 0:36:44 | |
'And Judy has just about recovered from that excitement when it's her last two lots, | 0:36:44 | 0:36:49 | |
'which should also do well because they're both gold.' | 0:36:49 | 0:36:52 | |
Our next lot is the five gold sovereigns. | 0:36:52 | 0:36:55 | |
Oh, no! This is another one I'll probably get very upset about. | 0:36:55 | 0:36:58 | |
My father always felt that life would be safe | 0:36:58 | 0:37:02 | |
if he had a few sovereigns put by. | 0:37:02 | 0:37:04 | |
I don't think we'll have too much to worry about with these. Pretty safe. | 0:37:04 | 0:37:08 | |
£700. Start the bid at £700. 750. | 0:37:08 | 0:37:12 | |
800. And 50. 900. | 0:37:12 | 0:37:15 | |
And 50. £1,000. 950, then. | 0:37:15 | 0:37:19 | |
950. Take 1,000. At 950. | 0:37:19 | 0:37:21 | |
Give me 1,000. At 950. 1,000. | 0:37:21 | 0:37:24 | |
Bid at 1,000. And 50. | 0:37:24 | 0:37:26 | |
£1,000. £1,000. Take 50. £1,000. | 0:37:26 | 0:37:29 | |
50 or not? At £1,000. And 50. 1,100. | 0:37:29 | 0:37:33 | |
Whoa! | 0:37:33 | 0:37:34 | |
Bid's there at £1,050. Take 11 now. £1,050. Are we all done? | 0:37:34 | 0:37:38 | |
At £1,050. We done? Last chance and going. All out? | 0:37:38 | 0:37:41 | |
They were put by for a rainy day, and this is my rainy day. | 0:37:41 | 0:37:45 | |
OK. Well, it's a good amount. | 0:37:45 | 0:37:47 | |
I don't think you could get a better time to sell. | 0:37:47 | 0:37:49 | |
-I don't know about rainy day. The sun's definitely shining. -It's Dad's gavel! | 0:37:49 | 0:37:53 | |
-It's Dad's lucky gavel. -You could be right. | 0:37:53 | 0:37:56 | |
-I'm absolutely sure. -Definitely. | 0:37:56 | 0:37:58 | |
'Well, whatever it is, let's hope it stays with us for the final lot, | 0:37:58 | 0:38:02 | |
'the 1982 boxed Royal Mint coins.' | 0:38:02 | 0:38:06 | |
Now, tell me what your mother had to say about this. | 0:38:07 | 0:38:10 | |
When my mother died, she left them to me and there was a note inside | 0:38:10 | 0:38:13 | |
saying that she hoped that I would keep them safely | 0:38:13 | 0:38:17 | |
but to feel free to sell them if I reached a point of no return. | 0:38:17 | 0:38:22 | |
And I have reached that point of no return, | 0:38:22 | 0:38:24 | |
so I think it's nice that somebody who can appreciate the collection hopefully will buy them. | 0:38:24 | 0:38:29 | |
The great thing about these is that they are in absolute mint condition. | 0:38:29 | 0:38:32 | |
They've been in those plastic cases, | 0:38:32 | 0:38:35 | |
so a coin collector can really study the detail | 0:38:35 | 0:38:37 | |
in the George and Dragon and the Queen's portrait, | 0:38:37 | 0:38:40 | |
so I think they're superb. | 0:38:40 | 0:38:41 | |
If you had a close look, you'd really see the detail. | 0:38:41 | 0:38:45 | |
A fantastic set. | 0:38:45 | 0:38:46 | |
£800 for this, see how it goes. | 0:38:46 | 0:38:48 | |
£800 in about five places. £800. | 0:38:48 | 0:38:50 | |
850. 900. And 50. £1,000. | 0:38:50 | 0:38:54 | |
-And 50. -We're over the reserve. | 0:38:54 | 0:38:56 | |
And 50. 1,200. | 0:38:56 | 0:38:59 | |
1,250. 1,300. | 0:38:59 | 0:39:02 | |
1,250 bid. 1,300 there. | 0:39:02 | 0:39:04 | |
1,350. 1,400. | 0:39:06 | 0:39:09 | |
At 1,350. Do you want 1,380? | 0:39:09 | 0:39:12 | |
At 1,350. 1,380 over there? | 0:39:12 | 0:39:14 | |
1,380, new bidder. 1,400. 1,420. | 0:39:14 | 0:39:18 | |
1,420. 1,450. | 0:39:19 | 0:39:22 | |
At 1,420. Are we done? Your last chance at 1,420. Going... | 0:39:22 | 0:39:26 | |
£1,420! | 0:39:27 | 0:39:29 | |
That's stunning. Really stunning. | 0:39:30 | 0:39:33 | |
-You must be pleased with that. -I'm thrilled. | 0:39:33 | 0:39:35 | |
I think Mum would be quite happy. | 0:39:35 | 0:39:38 | |
I think your mum would be delighted, wouldn't she? | 0:39:38 | 0:39:40 | |
Your parents just bought at the right time, | 0:39:40 | 0:39:43 | |
and now is the right time to sell, | 0:39:43 | 0:39:44 | |
no matter what the circumstances are. | 0:39:44 | 0:39:46 | |
We're never going to have a time like this again when you're able to make so much money | 0:39:46 | 0:39:51 | |
on gold and silver items. | 0:39:51 | 0:39:53 | |
-And that's what they were bought for, as an investment. -Exactly. | 0:39:53 | 0:39:56 | |
And it worked. I mean, we're talking 28 years ago, and it worked. | 0:39:56 | 0:40:02 | |
'It certainly did, Judy. | 0:40:02 | 0:40:04 | |
'And I think the day has been one | 0:40:04 | 0:40:05 | |
'we'll all remember for a very long time.' | 0:40:05 | 0:40:09 | |
I'm not a superstitious kind of person, but I'm going to ask you this. | 0:40:09 | 0:40:12 | |
What role did you think your dad's gavel may have played in our success today? | 0:40:12 | 0:40:17 | |
When I took it out of the loft in its box, I just thought, "I'd like to use that just to tie it all up," | 0:40:17 | 0:40:23 | |
because they were Dad's investments, and I think it brought me great luck. | 0:40:23 | 0:40:27 | |
I shall treasure that for the rest of my life. | 0:40:27 | 0:40:30 | |
Can you remember how much you were looking to raise? | 0:40:30 | 0:40:33 | |
I optimistically said £2,000. | 0:40:33 | 0:40:36 | |
Well, we've done quite a lot better than that. | 0:40:36 | 0:40:40 | |
-You've actually banked £4,282! -No! | 0:40:40 | 0:40:46 | |
No! No! | 0:40:46 | 0:40:48 | |
-£4,282. -That's a good afternoon's work, isn't it? | 0:40:48 | 0:40:53 | |
-And you get to keep your telephone card collection, as well. -Oh, yes! | 0:40:53 | 0:40:58 | |
-Does that make you feel a bit more optimistic about the future? -I'm really excited about my move. | 0:40:58 | 0:41:03 | |
I know it's the right thing and Mum and Dad will be with me wherever I am. | 0:41:03 | 0:41:08 | |
And so will the gavel, cos I promise you'll get it back. | 0:41:08 | 0:41:11 | |
'A few weeks later, Judy is in London's West End to celebrate her success.' | 0:41:15 | 0:41:21 | |
Today I changed contracts on my new apartment, which I'm excited about. | 0:41:21 | 0:41:25 | |
And I'm going to purchase new furniture, which is a real treat. | 0:41:25 | 0:41:30 | |
And obviously the treat for this evening, coming to see Les Miserables for the 12th time. | 0:41:30 | 0:41:36 | |
I've brought my cousin Pauline, who has never seen it before, so it's a real treat for her. | 0:41:36 | 0:41:41 | |
'And after the show, Judy and Pauline had an extra treat | 0:41:41 | 0:41:45 | |
'when they met two of the stars. | 0:41:45 | 0:41:47 | |
'So, did they enjoy the show?' | 0:41:48 | 0:41:51 | |
Today's performance was wonderful. Just as wonderful as all the other times. | 0:41:51 | 0:41:56 | |
I think every time I see it, I just realise that I need to come back again and again. | 0:41:56 | 0:42:01 | |
Absolutely brilliant. Thoroughly enjoyed it. I'm looking forward to coming back more than once! | 0:42:01 | 0:42:07 |