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-Some of the nation's favourite celebrities... -Sensational! -..one antiques expert each... | 0:00:02 | 0:00:08 | |
Look at this, look at this. | 0:00:08 | 0:00:10 | |
..and one big challenge - who can buy the best antiques at the very best prices? | 0:00:11 | 0:00:18 | |
I really have got to win. | 0:00:19 | 0:00:22 | |
And auction them for a big profit further down the road? | 0:00:22 | 0:00:27 | |
Yes! | 0:00:27 | 0:00:29 | |
Who will spot the good investments? Who will listen to advice? | 0:00:29 | 0:00:32 | |
And who will be the first to say, "Do you know who I am?"? | 0:00:32 | 0:00:37 | |
Time to put your mettle to the pedal. | 0:00:38 | 0:00:42 | |
This is the Celebrity Antiques Road Trip, yeah! | 0:00:42 | 0:00:46 | |
Roaring through this Road Trip challenge in a 1939 Jaguar SS | 0:00:52 | 0:00:57 | |
are two fiery dragons who have left their dens for the unfamiliar world of antiques. | 0:00:57 | 0:01:02 | |
- Know anything about antiques? - Not a lot. | 0:01:02 | 0:01:05 | |
I couldn't tell the difference between a Staffordshire piece of pottery and a bull terrier! | 0:01:05 | 0:01:12 | |
But you know what pottery is. I'm not sure I believe you. | 0:01:12 | 0:01:16 | |
Gambling her multi-million-pound business reputation is Dragons' Den's Deborah Meaden, | 0:01:16 | 0:01:23 | |
who got rich from the holiday business. Watch out for that famous on-screen scowl. | 0:01:23 | 0:01:29 | |
I am out. | 0:01:29 | 0:01:32 | |
But really she's human like the rest of us. | 0:01:32 | 0:01:35 | |
-There's a fiver missing. -I've lost £5! You can't trust me with money! | 0:01:35 | 0:01:40 | |
# Money, money, money... # | 0:01:40 | 0:01:43 | |
Deborah's going head-to-head with fellow Dragon and arch-rival Theo Paphitis, | 0:01:43 | 0:01:48 | |
who made his millions turning round failing companies like Ryman, the stationers. | 0:01:48 | 0:01:54 | |
You have just snatched defeat out of the jaws of victory. I'm out. | 0:01:54 | 0:02:00 | |
But this straight-talking retail magnate is a man who knows his own mind. | 0:02:00 | 0:02:05 | |
-I've told Thomas... -You want a profit. -I want a 100% turn. | 0:02:05 | 0:02:10 | |
Now the Dragons are masters in their field, but with antiques they'd be lost without some experts. | 0:02:10 | 0:02:17 | |
So joining them in a Triumph Vitesse are two very responsible helpers! | 0:02:17 | 0:02:23 | |
There's Mark Stacey, veteran valuer and auctioneer with an eye for quality and a confession to make. | 0:02:25 | 0:02:31 | |
I've got a secret crush on Deborah Meaden. | 0:02:31 | 0:02:34 | |
-I'll be putty in her hands! -This is a turn-up! | 0:02:34 | 0:02:38 | |
And Thomas Plant, also an auctioneer, who loves jewellery and is partial to a bit of bling. | 0:02:38 | 0:02:45 | |
I'm excited, actually. I hope some of their glitter comes off on me and I can make some money for once! | 0:02:45 | 0:02:52 | |
That's not going to happen, Tom. | 0:02:52 | 0:02:55 | |
The Dragons are used to dealing with hundreds of thousands, | 0:02:55 | 0:02:59 | |
but here they've got a new mission - to turn a profit on just £400. | 0:02:59 | 0:03:04 | |
So hang on to your vintage car seats because the Dragons are a-coming! | 0:03:07 | 0:03:12 | |
Their Antiques Road Trip starts in Honiton in Devon and goes through Taunton and up to Dunster, | 0:03:15 | 0:03:21 | |
before finishing up at the auction in Crewkerne, Somerset. | 0:03:21 | 0:03:25 | |
And as luck would have it, this gives Deborah the upper hand as she's a local lass | 0:03:27 | 0:03:32 | |
-and this is her patch. -I do come to Honiton. | 0:03:32 | 0:03:37 | |
- Why? - For antiques. And the cheese shop. | 0:03:37 | 0:03:42 | |
In fact, Honiton has become a centre for antiques shops and antiquarian books, | 0:03:42 | 0:03:48 | |
but originally it was best known for its lace and glove making. | 0:03:48 | 0:03:52 | |
So it should be a treasure trove, but before a penny can be spent the Dragons need to hook an expert. | 0:03:52 | 0:04:00 | |
Here they are. I can't believe it. They're here. | 0:04:00 | 0:04:03 | |
- I'll race you! - Hold on! I've got traffic here! | 0:04:03 | 0:04:07 | |
-Oh, go, Deborah, go! -I'm winning. He's trapped in the car. | 0:04:07 | 0:04:12 | |
Dear, oh, dear. | 0:04:12 | 0:04:14 | |
-Hello! I'm Deborah. -I'm Thomas. Very nice to meet you. | 0:04:14 | 0:04:18 | |
-What are you good at, Mark? -I'm good at it all. Suddenly, I feel like I'm in the Dragons' Den! | 0:04:18 | 0:04:24 | |
-Do we have to toss a coin? -No, Mark should go with Deborah. Mark's slightly in love with you. | 0:04:24 | 0:04:31 | |
-We can't possibly deny him! -He's been going on about you all morning! -I'm going red now! | 0:04:31 | 0:04:39 | |
-Deborah this, Deborah that! -You ARE going red! It's a match made in heaven. -I hope so. | 0:04:39 | 0:04:46 | |
-You two lovebirds go that way... -Oh, stop it! -Off you go. -Come on. -Let's hold hands. | 0:04:46 | 0:04:52 | |
# Love is in the air... # | 0:04:52 | 0:04:55 | |
Ahh. Sweet. | 0:04:57 | 0:04:59 | |
So, boys and girls, the shops await. What's the game plan? | 0:05:00 | 0:05:05 | |
-Deborah, have you got any ideas about what you would like to find? We've got £400. -Yes. | 0:05:05 | 0:05:11 | |
-We can buy up to five items and we do want to beat them. -Oh, absolutely we do! | 0:05:11 | 0:05:17 | |
-No, we're going to. -I like that. | 0:05:17 | 0:05:21 | |
Well, that's simple enough. Theo? | 0:05:21 | 0:05:24 | |
-I am a magpie. -So you like shiny things. What else? | 0:05:24 | 0:05:28 | |
Mechanical. I like things that are mechanical. | 0:05:28 | 0:05:31 | |
I even like wind turbines, windmills. | 0:05:31 | 0:05:34 | |
Mm. Windmills. This isn't going to be easy. | 0:05:34 | 0:05:37 | |
-I like that. -Yeah? | 0:05:37 | 0:05:40 | |
-You're not giving it any love, are you? -I tell you what, it's not got enough detail. | 0:05:44 | 0:05:50 | |
-It's too basic. -Nice try, Thomas. | 0:05:50 | 0:05:54 | |
But it sounds like he's a man who knows what he wants. | 0:05:54 | 0:05:58 | |
I thought that looked like something with its original box and of an age, | 0:05:58 | 0:06:03 | |
but it's much younger than it looks. | 0:06:03 | 0:06:05 | |
I like your definiteness about things. I like that. | 0:06:05 | 0:06:10 | |
You had a look - no. Snap. | 0:06:10 | 0:06:12 | |
-I got to charity shops. -Why? -Why does a millionaire go to a charity shop? | 0:06:12 | 0:06:18 | |
-Because you want to support the charity? -Obviously. -Naturally. | 0:06:18 | 0:06:22 | |
-What else do I go in there for? -Er... -I look for one thing only. | 0:06:22 | 0:06:27 | |
-Go on, tell me. -45s. -Really? -Vinyls for my jukebox. | 0:06:27 | 0:06:32 | |
Ah, of course. Records. It's obvious, innit? | 0:06:32 | 0:06:36 | |
I've got that one. Look. Got that. You get these from people's houses? | 0:06:36 | 0:06:41 | |
-The Wurzels! Here we are. -I Am A Cider Drinker! | 0:06:41 | 0:06:45 | |
- This was a local home, was it? - Somerset. | 0:06:45 | 0:06:50 | |
Put the records down, Theo. This isn't Desert Island Discs. | 0:06:50 | 0:06:54 | |
Thankfully, up the road, our love birds Deborah and Mark are taking things more seriously | 0:07:00 | 0:07:07 | |
-and the talk is all about the opposition. -You know him quite well. -Yeah. -Will he be good at this? | 0:07:07 | 0:07:13 | |
He's definitely a good negotiator. He drives a very hard bargain. | 0:07:13 | 0:07:18 | |
-And he claims not to know anything about antiques, but that doesn't mean anything. -I'm glad he's with Thomas, | 0:07:18 | 0:07:24 | |
-who doesn't know anything! -I have so got the best expert! | 0:07:24 | 0:07:30 | |
And maybe, Deborah, Mark has the best Dragon. | 0:07:30 | 0:07:33 | |
-What are you looking at? -That cross. -Beautiful. -Adjustable book stand. | 0:07:33 | 0:07:39 | |
That's how it looks interesting. What do you think? | 0:07:39 | 0:07:43 | |
It's ivory. That's the only thing. I'm not sure I could touch it. | 0:07:43 | 0:07:47 | |
Before plastic was invented, many items like piano keys and cutlery handles | 0:07:47 | 0:07:53 | |
were made of ivory. Even so, Deborah will need convincing that it's fine to buy this book rest. | 0:07:53 | 0:08:00 | |
Anything like that is controversial. | 0:08:01 | 0:08:04 | |
It's fine... It's legal to sell these pieces if they're before 1947. | 0:08:04 | 0:08:10 | |
This certainly is 19th century. | 0:08:10 | 0:08:12 | |
-Try it on a table? -So it's portable. | 0:08:12 | 0:08:15 | |
-It is, almost. You can have it as low as that. -Or flat, I guess. | 0:08:15 | 0:08:20 | |
Yes, you can fold that up. Isn't that neat? | 0:08:20 | 0:08:24 | |
-Again, I can see it in my house. I would buy that. -I can as well. | 0:08:24 | 0:08:29 | |
Right, well, it's £75. So what do you think? | 0:08:31 | 0:08:35 | |
-Are you going to make me an offer? -I'd love to, but I don't know how rude I can be. | 0:08:35 | 0:08:41 | |
-Could we go to 50? -I was rather hoping we'd get it for 40. I like working in round numbers. | 0:08:41 | 0:08:47 | |
-So do I. -Four is Deborah's favourite number. And zero is mine. | 0:08:47 | 0:08:52 | |
-I've just adopted four. -Is that right? -If you let us have it for 40, four is definitely my favourite. | 0:08:52 | 0:08:58 | |
-I can't let that go for 40. -You can't? -45? | 0:08:58 | 0:09:03 | |
-I think we've got to say yes. -Yes. It's got a four on the front. | 0:09:04 | 0:09:09 | |
-That's wonderful. -So with a united front and one in the bag, | 0:09:09 | 0:09:13 | |
Team Meaden head out of town in search of pastures new. | 0:09:13 | 0:09:18 | |
Meanwhile, their rivals are still empty-handed. | 0:09:18 | 0:09:23 | |
And there's not a wind turbine in sight. | 0:09:23 | 0:09:26 | |
So they're also trying their luck in the Grove Antique Shop. | 0:09:26 | 0:09:31 | |
Maybe here Thomas can find something to turn Theo on. | 0:09:31 | 0:09:36 | |
It's not going to be easy. | 0:09:36 | 0:09:38 | |
Good, strong design, that. Very much my type of thing. | 0:09:38 | 0:09:42 | |
How's it going with Theo, Thomas? | 0:09:42 | 0:09:45 | |
Very definite! Likes what he likes. If he doesn't like it, not a chance. | 0:09:45 | 0:09:50 | |
I'm going to suggest a few things and, you never know, he might quite like them. | 0:09:50 | 0:09:56 | |
-There's good things. -This room's interesting, is it? -The Arts and Crafts clock is nice. | 0:09:56 | 0:10:03 | |
Still not getting awfully excited. | 0:10:03 | 0:10:06 | |
-I love this Indian table. -Hm. | 0:10:06 | 0:10:09 | |
-No. It's a bit tense. -Everything here is absolutely tops, tops, tops. | 0:10:09 | 0:10:14 | |
I'm not giving up just yet, Theo. I'm not going to be beaten. | 0:10:14 | 0:10:18 | |
Oh, dear. He's not keen to put his hand in his pocket, is he? | 0:10:18 | 0:10:23 | |
# Money, money, money Must be funny... # | 0:10:23 | 0:10:27 | |
That's a lot for a print. | 0:10:27 | 0:10:30 | |
# Money, money, money Always sunny... # | 0:10:30 | 0:10:35 | |
-That's what you wanted. -Silverised bronze Spirit of Ecstasy. Is that a limited edition? | 0:10:36 | 0:10:43 | |
It's new. You can see from the base. | 0:10:43 | 0:10:45 | |
It's a new thing. | 0:10:45 | 0:10:47 | |
And it sounds tinny, doesn't it? | 0:10:48 | 0:10:51 | |
Silvered bronze, Spirit of Ecstasy. That's about as bronze as I am. That's not very old. | 0:10:51 | 0:10:57 | |
-But... -She's good. | 0:10:57 | 0:11:00 | |
Owners of Rolls-Royces will know exactly what this is. | 0:11:03 | 0:11:07 | |
It's called the Spirit of Ecstasy and a much smaller version sits as a mascot | 0:11:07 | 0:11:13 | |
on the bonnet of every Rolls-Royce. | 0:11:13 | 0:11:16 | |
The image of a woman leaning forwards with her arms outstretched behind her is modelled | 0:11:17 | 0:11:23 | |
on Eleanor Velasco Thornton, secret lover of automobile pioneer Lord Montagu of Beaulieu. | 0:11:23 | 0:11:29 | |
It's the first thing you've picked up and it's grabbed you. | 0:11:29 | 0:11:33 | |
Someone will put that on their desk. It's decorative. | 0:11:33 | 0:11:37 | |
Not at that price they won't! £175? | 0:11:37 | 0:11:41 | |
-Hello. -Hello. What have we found? -Come here. | 0:11:42 | 0:11:47 | |
-Someone's made a mistake and put a 1 in front of the 75. -I don't think that's a mistake. | 0:11:47 | 0:11:54 | |
I think it is a mistake. | 0:11:54 | 0:11:56 | |
-I would like... -To take the 1 off. -No, I can't do that. | 0:11:56 | 0:12:02 | |
It seems the dealer's not here, so it's a phone call. | 0:12:03 | 0:12:07 | |
I've got Theo from Dragons' Den. They want you to take the 1 off. | 0:12:07 | 0:12:12 | |
They're prepared to give you 75. | 0:12:12 | 0:12:15 | |
Come on. What's your very best? | 0:12:15 | 0:12:18 | |
Give him here. | 0:12:18 | 0:12:20 | |
-Neil, you're a very, very nice man. -I think that's a yes. | 0:12:20 | 0:12:25 | |
Would you believe it? The owner's knocked £100 off the price and Theo's found something he likes. | 0:12:25 | 0:12:31 | |
Miracles do happen! | 0:12:31 | 0:12:33 | |
Well, onwards and upwards, Road Trippers. | 0:12:33 | 0:12:37 | |
With Honiton behind them, | 0:12:38 | 0:12:41 | |
Team Paphitis hits the road north-east to Hele near Exeter, | 0:12:41 | 0:12:46 | |
giving the boys some "me" time together. | 0:12:46 | 0:12:49 | |
-Do you think you are a glass half empty or half full? -I'm always half full. That's the way I am. | 0:12:49 | 0:12:56 | |
-And Deborah's the same? -Deborah's fabulous. -Is Duncan the grumpiest? | 0:12:56 | 0:13:01 | |
"Duncan!" He's a nice fella. | 0:13:01 | 0:13:03 | |
He's a nice bloke, does some wonderful things and contributes to this world. | 0:13:03 | 0:13:09 | |
But my God he needs to brighten up. | 0:13:09 | 0:13:12 | |
-Do you meet socially? -We do all get together. | 0:13:12 | 0:13:16 | |
Myself and Deborah are good friends and I'm sure will remain so. | 0:13:16 | 0:13:21 | |
Friends they may be, but the Dragons are the last thing on Deborah's mind just now. | 0:13:21 | 0:13:27 | |
She's come north to Dunster in Somerset for a spectacular trip down memory lane. | 0:13:27 | 0:13:34 | |
This area holds a load of memories for me. My parents lived in Dunster, my younger sisters went to school | 0:13:34 | 0:13:40 | |
and my older sister got married at the church in Dunster, | 0:13:40 | 0:13:45 | |
so there's a lot of memories I'm about to walk into. | 0:13:45 | 0:13:49 | |
Apart from the church, | 0:13:49 | 0:13:51 | |
this medieval village also has this strange looking yarn market, | 0:13:51 | 0:13:56 | |
erected in 1590, when the village was a centre of clothing production, | 0:13:56 | 0:14:01 | |
for wool traders to shelter from the rain. | 0:14:01 | 0:14:05 | |
But it's not here, it's up there that Deborah and Mark are heading. | 0:14:06 | 0:14:11 | |
-There's the castle. -Yes. | 0:14:11 | 0:14:14 | |
Dunster Castle, with its eye-catching red sandstone and turrets, has sat high up on the hill | 0:14:14 | 0:14:21 | |
overlooking the town for hundreds of years. It was the home of the Luttrell family | 0:14:21 | 0:14:28 | |
and while all seems peaceful, this belies the drama and turmoil that is etched into its history. | 0:14:28 | 0:14:35 | |
Oh, it's beautiful, isn't it? | 0:14:35 | 0:14:38 | |
Isn't that beautiful? | 0:14:38 | 0:14:40 | |
Martin Harman has agreed to take our team through the highlights. | 0:14:41 | 0:14:45 | |
-Hello there! Welcome. I'm Martin. -Pleased to meet you. | 0:14:45 | 0:14:50 | |
Throughout its long history, Dunster Castle has been no stranger to sieges. | 0:14:52 | 0:14:59 | |
First the Celts and Vikings, then the forces of King Stephen in 1138 | 0:14:59 | 0:15:03 | |
and, most memorably, the Parliamentarians during the English Civil War of 1645. | 0:15:03 | 0:15:10 | |
Upstairs there's still evidence of the castle's royalist roots. | 0:15:10 | 0:15:14 | |
We call this our King Charles bedroom. It's in this room that the future Charles II, | 0:15:14 | 0:15:22 | |
when he was Prince of Wales, a young boy of 15, | 0:15:22 | 0:15:26 | |
came here to drum up support for the royalist cause. | 0:15:26 | 0:15:30 | |
-So the royal person has lain here? -You can almost see the aura. | 0:15:30 | 0:15:35 | |
-Well, steady on! And did he get the castle to support the monarchy? -He did. The castle became royalist. | 0:15:35 | 0:15:43 | |
But when Parliamentary forces laid siege to the castle, hope of a royalist victory faded. | 0:15:44 | 0:15:50 | |
Five months later, the castle and its owner, the Luttrells, surrendered | 0:15:56 | 0:16:01 | |
and Cromwell exacted his revenge. | 0:16:01 | 0:16:04 | |
All the walls were demolished, the tower was demolished, | 0:16:07 | 0:16:12 | |
and they were about to demolish the whole building, everything here. | 0:16:12 | 0:16:17 | |
But the Luttrells of the day went up to see Cromwell, swore allegiance to the new parliament, | 0:16:17 | 0:16:23 | |
-which was most important, paid a huge fine of millions... -In today's money. -In today's money. | 0:16:23 | 0:16:29 | |
And came back with his letter and they stopped knocking it down. | 0:16:29 | 0:16:34 | |
But the main fortifications had gone and that ended Dunster as a castle. | 0:16:34 | 0:16:38 | |
Its fighting days may have been over, but the castle's place as home for the Luttrells wasn't. | 0:16:40 | 0:16:47 | |
They set about modernising it with stunning results. | 0:16:47 | 0:16:51 | |
-What I'd like to show you in the dining room... Look up at the ceiling. -Look at that. | 0:16:51 | 0:16:57 | |
That is probably one of the most spectacular ceilings in the country. It was done by Edward Goodge. | 0:16:57 | 0:17:03 | |
He was one of the top craftsmen and it was done in 1681. | 0:17:03 | 0:17:08 | |
-This is carved wood? -No, it's plaster. -Plaster! -It's actually a suspended ceiling. | 0:17:08 | 0:17:14 | |
They were so good, he knew if he put plaster straight onto a ceiling, | 0:17:14 | 0:17:18 | |
the room upstairs would flex the floor and it would crack. | 0:17:18 | 0:17:22 | |
So he built a lower ceiling, put the plasterwork on it and built it all up in layers | 0:17:22 | 0:17:28 | |
-so it doesn't crack. -Do we know how long it took? | 0:17:28 | 0:17:32 | |
-A year. -A year? | 0:17:32 | 0:17:34 | |
We have all sorts of little animals and creatures on the ceiling. | 0:17:34 | 0:17:39 | |
We've got lots of pigs. There's even a unicorn. Lots of cherubs. | 0:17:39 | 0:17:44 | |
-Any dragons? -Unfortunately, no dragons. -That was nearly a perfect ceiling, but it's incomplete. | 0:17:44 | 0:17:51 | |
The Luttrell family continued to make changes to the castle over the following centuries. | 0:17:55 | 0:18:01 | |
Some even a little self-indulgent. | 0:18:02 | 0:18:05 | |
-It's a particularly unusual room. -Like a home. -It is, absolutely. | 0:18:05 | 0:18:11 | |
-But why is that? Why is it so different? -Because in the 1930s, | 0:18:11 | 0:18:16 | |
Alice Luttrell, the last Lady Luttrell, inherited £400 | 0:18:16 | 0:18:20 | |
and she decided to spend it entirely on herself and her room. | 0:18:20 | 0:18:24 | |
So she did this room how she wanted it. Her colours, her furniture. This became her room. | 0:18:24 | 0:18:30 | |
On £400? | 0:18:30 | 0:18:32 | |
-For the same amount that we... she furnished this? -Everything. -Everything in this room was £400?! | 0:18:32 | 0:18:40 | |
-I find it such a calm room. -And intimate somehow. | 0:18:40 | 0:18:43 | |
In a huge castle, to find a little tranquil, intimate room like this is lovely. | 0:18:43 | 0:18:49 | |
In 1976, after 600 years of stewardship, | 0:18:49 | 0:18:54 | |
the Luttrells handed the keys of the castle to the National Trust. | 0:18:54 | 0:18:58 | |
So the family may be long gone, but the history of Dunster Castle lives on. | 0:18:58 | 0:19:04 | |
Now that's all well and lovely, but it's time to get back to reality and build that working relationship. | 0:19:09 | 0:19:16 | |
I cannot tell you the joy of doing what we're doing today with you. | 0:19:16 | 0:19:21 | |
Because normally I've got my husband sitting there going, "One more place, then we're going. One more place." | 0:19:21 | 0:19:27 | |
If I can't walk in and spot the exact thing I want to buy immediately, we leave. | 0:19:27 | 0:19:32 | |
So as this couple head south to the village of Hele in Devon, | 0:19:34 | 0:19:38 | |
for a rendezvous with Fagin's Antiques, rivals Theo and Thomas are already there rooting about. | 0:19:38 | 0:19:46 | |
Frankly, if they can't find something in this massive emporium, I'll eat my hat. | 0:19:47 | 0:19:54 | |
-Rod Stewart, Nana Mouskouri... -Not records again, Theo(!) | 0:19:55 | 0:20:00 | |
Thomas sure has got his work cut out here. | 0:20:00 | 0:20:03 | |
-Phil Collins! No Jacket Required. -No, that's it! | 0:20:03 | 0:20:08 | |
Phil Collins, come on. Mention his name and it's over. | 0:20:08 | 0:20:12 | |
-Hello, Chris. -How are you? -Very well. -Hello! Nice to meet you, Chris. | 0:20:15 | 0:20:22 | |
-Where does he get most of his stuff from? -Burglary. | 0:20:22 | 0:20:27 | |
Burglaries! | 0:20:27 | 0:20:29 | |
-This is quite fun. Is it one of those carousel horses? -Absolutely. It is, yeah. | 0:20:31 | 0:20:38 | |
Cast iron. It weighs a ton! | 0:20:38 | 0:20:41 | |
It's a good doorstop. | 0:20:41 | 0:20:43 | |
This cast-iron beast may have come from a playground, | 0:20:45 | 0:20:49 | |
but it's more likely to be from a fairground carousel or merry-go-round. | 0:20:49 | 0:20:55 | |
What is this? A painted ostrich egg? Or emu's egg. | 0:20:55 | 0:20:59 | |
"Merry... Merry Natives." Eh? | 0:20:59 | 0:21:03 | |
Oh, yes. | 0:21:03 | 0:21:05 | |
Merry natives. "SA" it says, so that must be South Africa. | 0:21:05 | 0:21:10 | |
It may look fragile, but this painted ostrich egg is as tough as old boots. | 0:21:10 | 0:21:16 | |
Because of its strength and size, it's perfect for the age-old art of egg decoration. | 0:21:16 | 0:21:22 | |
Apparently, one 60,000 years old was found in South Africa, but I don't think this is it. | 0:21:22 | 0:21:29 | |
-It's different, isn't it? -It is. -This I think is.. -But I think it's doable. -I agree with you. | 0:21:31 | 0:21:37 | |
-If I was putting that into one of the general sales, I'd put £30-£50 on it. -Yeah. | 0:21:37 | 0:21:44 | |
-If we could get it for 30, there's a chance. But that's just come in also, apparently. -Right. | 0:21:44 | 0:21:51 | |
Again, he's got quite a cheeky face, hasn't he? | 0:21:51 | 0:21:55 | |
-You can have it at cost price. -Which is? -40. | 0:21:55 | 0:21:59 | |
-65. -Oh, no, that's too... | 0:21:59 | 0:22:01 | |
-We like the egg as well. -We do. | 0:22:01 | 0:22:04 | |
-80 quid for the two. -No. -Oh, I thought we had a deal then. | 0:22:04 | 0:22:09 | |
-So... -Go on, then. | 0:22:09 | 0:22:11 | |
-Do that. -80 quid? -Yeah. And you'll double up on it. | 0:22:11 | 0:22:16 | |
-Good man! -All right? A good cause. | 0:22:16 | 0:22:19 | |
So another two investments in the bag for Team Meaden and a couple of oddities to boot. | 0:22:19 | 0:22:26 | |
Meanwhile, fellow Dragon Theo is upstairs, but he's not happy. | 0:22:30 | 0:22:35 | |
-The other team have found things and are haggling. We, on the other hand, are... -Faffing? | 0:22:35 | 0:22:41 | |
What about those books? | 0:22:41 | 0:22:44 | |
This is Midsummer Night's Dream. Shakespeare. | 0:22:45 | 0:22:50 | |
-Who's illustrated it? -Arthur Rackham. | 0:22:50 | 0:22:52 | |
They used to rip all these out and just frame them. | 0:22:52 | 0:22:57 | |
Chris is right. And Arthur Rackham's work is no exception. | 0:22:57 | 0:23:01 | |
He was a Victorian illustrator known for his pen and ink drawings, who famously illustrated classics | 0:23:01 | 0:23:07 | |
like Alice in Wonderland and this, Midsummer Night's Dream. | 0:23:07 | 0:23:13 | |
So what do you think, boys? Worth a punt? | 0:23:13 | 0:23:17 | |
-What can you do this for? -You can have that for 80 quid and make a profit. Rackham fetches money. | 0:23:17 | 0:23:24 | |
It's the Rackham I'm going for. At £40, I'd be really happy. | 0:23:24 | 0:23:28 | |
-I'll split it with you - 45. -What do you think? 42. | 0:23:28 | 0:23:33 | |
-45. -42. | 0:23:33 | 0:23:36 | |
-Aw, listen, he's... I've told Thomas. -You want profit. -I want a 100% turn on the money. | 0:23:36 | 0:23:42 | |
No pressure, Thomas. | 0:23:42 | 0:23:44 | |
Peter Pan. That's not Rackham, is it? | 0:23:44 | 0:23:47 | |
-Mother Goose. It's nursery rhymes. -What, more Arthur Rackham? | 0:23:47 | 0:23:51 | |
Could this help the master plan? | 0:23:51 | 0:23:54 | |
I'll do that for a fiver for you. | 0:23:54 | 0:23:57 | |
Time to pay some cash to this man. 20, 40. And look at this. | 0:23:57 | 0:24:03 | |
-Well done. -A £5 note. -Pleasure. -Thank you very much, sir. Well done. | 0:24:03 | 0:24:08 | |
So after a wobbly start | 0:24:09 | 0:24:12 | |
our celebrities have succeeded in splashing some cash. Now that's worth celebrating! | 0:24:12 | 0:24:18 | |
And, as luck would have it, there's some local scrumpy at hand to end the day with. | 0:24:22 | 0:24:28 | |
-- Here's to the end of a lovely day. - Fabulous day. -Another one tomorrow! | 0:24:28 | 0:24:32 | |
It's early to rise and the Dragons are on the road again, | 0:24:41 | 0:24:45 | |
crossing the county lines into Somerset. It's Meaden country. | 0:24:45 | 0:24:50 | |
They're Taunton bound and Thomas is still grappling with his Dragon. | 0:24:50 | 0:24:56 | |
Theo is desperate to make money, so anything I show him, he's not interested. | 0:24:56 | 0:25:01 | |
It's got to be big, brassy and showy. And he wants it for nothing. | 0:25:01 | 0:25:06 | |
So I'm quite pleased with our negotiating tactics. | 0:25:06 | 0:25:10 | |
But we need to buy more. I need to buy more. | 0:25:10 | 0:25:14 | |
Yes, you do, Thomas, because you and Theo have only parted with £120 | 0:25:14 | 0:25:21 | |
and bought just two lots - the Spirit of Ecstasy | 0:25:21 | 0:25:25 | |
and the Arthur Rackham books. So with £280 left, | 0:25:25 | 0:25:29 | |
there's still work to be done. | 0:25:29 | 0:25:32 | |
Meanwhile, Deborah and Mark have spent £125 on three items - | 0:25:35 | 0:25:40 | |
the ostrich egg, the cast-iron horse head and the ivory folding book rest - | 0:25:40 | 0:25:46 | |
leaving them £275 to trade with. | 0:25:46 | 0:25:50 | |
And Taunton awaits. | 0:25:50 | 0:25:54 | |
This urban centre gets its name from the River Tone and was once known as Tone Town. | 0:25:56 | 0:26:03 | |
It's been the county town of Somerset since 1935 after snatching the title | 0:26:03 | 0:26:09 | |
from Weston-super-Mare. | 0:26:09 | 0:26:12 | |
Likewise, Team Paphitis is keen to get the upper hand in this Dragons challenge. | 0:26:12 | 0:26:17 | |
But thankfully there's one antiques emporium here which has rules against any monkey business. | 0:26:17 | 0:26:24 | |
This is in incredibly good nick. It's a Wilkinson sword. | 0:26:25 | 0:26:30 | |
-I don't know about the dating or... -It's George V. -Yeah. | 0:26:30 | 0:26:35 | |
-A good, manly object. -This dress sword dates from 1910 | 0:26:35 | 0:26:40 | |
and would have been used by soldiers on parade. | 0:26:40 | 0:26:44 | |
So, 100 years on, it's no surprise they're still sought after for those formal occasions. | 0:26:44 | 0:26:50 | |
So, at £220, time for the Dragon to cut a deal. | 0:26:50 | 0:26:55 | |
David, what's your best on this one? | 0:26:55 | 0:26:57 | |
-180 would be the best on that. -Really? -We'd struggle to get that. | 0:26:57 | 0:27:01 | |
-Yeah, I think... -If I did 150, that's the absolute... the absolute bottom line. | 0:27:01 | 0:27:07 | |
That seems like a 125 deal to me. At more than 125, I might as well just blow in the wind. | 0:27:07 | 0:27:14 | |
-Oh, he's a hard man. -Go on, David, 125. | 0:27:14 | 0:27:18 | |
-The other stallholders will crucify me. -Look at this. | 0:27:18 | 0:27:23 | |
-Good man! -Well, he's certainly a man who gets what he wants. | 0:27:25 | 0:27:30 | |
Meanwhile, more gentle natured Dragon Deborah and expert Mark | 0:27:33 | 0:27:38 | |
are down the road at the Cider Press meeting up with Norman. | 0:27:38 | 0:27:41 | |
-Do have a good look round and if you want to go into any of the cabinets, help yourself. -Thanks. | 0:27:41 | 0:27:48 | |
-It is a lovely thing. -Magnificent thing. -Oh, yes. | 0:27:50 | 0:27:54 | |
This is called a tig, a three-handled mug. | 0:27:54 | 0:27:58 | |
-It would certainly be £300-£500. -Oh. -It is delightful. -Yeah. | 0:27:58 | 0:28:04 | |
-But I don't think, even with our legendary skills at negotiating... -He did say, "Help yourself." | 0:28:04 | 0:28:11 | |
I distinctly remember Norman saying that. Norman, cheers! | 0:28:11 | 0:28:16 | |
Thank you. | 0:28:16 | 0:28:18 | |
Er, now what about something a bit more affordable, like that strange-looking bit of silver? | 0:28:20 | 0:28:28 | |
Oh, that, I think, is a wager cup. | 0:28:28 | 0:28:31 | |
They tend to be continental. Normally Dutch. | 0:28:31 | 0:28:36 | |
Silver-plated. Well, loving cup it says here. | 0:28:36 | 0:28:40 | |
In fact, this is known as both a wager cup and a loving cup. | 0:28:40 | 0:28:44 | |
The wager is to drink from the larger cup, the lady's skirt, | 0:28:44 | 0:28:49 | |
whilst balancing the small cup below so you don't spill anything. | 0:28:49 | 0:28:54 | |
And in marriage the bride would drink from the small cup and the groom from the larger one. | 0:28:54 | 0:29:01 | |
Doesn't seem fair really, does it? | 0:29:01 | 0:29:03 | |
-Do you like it? -I... I do. -It's interesting. | 0:29:04 | 0:29:09 | |
As we walked past, it caught my eye. | 0:29:09 | 0:29:11 | |
At the moment it's saying £125. | 0:29:11 | 0:29:14 | |
That's a bit of a wager for us. | 0:29:14 | 0:29:17 | |
Boom-boom! | 0:29:17 | 0:29:20 | |
It looks like a little lady's slipper to me. | 0:29:22 | 0:29:26 | |
Oh, how... What is it? | 0:29:26 | 0:29:28 | |
-I don't know. There's something interesting about it. -It's very, very pretty. | 0:29:28 | 0:29:33 | |
This silver slipper is a wall pocket, a decorative item usually filled with scent or dried flowers | 0:29:33 | 0:29:39 | |
that was an interior design must-have for your wall in the 1940s and '50s. | 0:29:39 | 0:29:45 | |
A must-have then and I sense a must-have now. | 0:29:45 | 0:29:49 | |
-I like this. -You do? -More than the wager cup. | 0:29:50 | 0:29:53 | |
Norman, £165? | 0:29:53 | 0:29:56 | |
-Yes... -How cheeky can we be with you? | 0:29:56 | 0:29:59 | |
I think you can be quite cheeky. | 0:29:59 | 0:30:01 | |
Actually, even better, stop us being cheeky. What's the most amazing thing you can do on that? | 0:30:01 | 0:30:07 | |
As you're honorary members and anybody that's a member of Cider Press gets 20% automatically, | 0:30:07 | 0:30:13 | |
but we are double that for you. | 0:30:13 | 0:30:16 | |
-That's £100. -100 quid. | 0:30:16 | 0:30:19 | |
-Norman, you've been very generous. I completely get that. -Yes. | 0:30:19 | 0:30:23 | |
-There's a "but". -There is a "but" because we really have to make a profit and I really have to win. | 0:30:23 | 0:30:29 | |
-£80. I couldn't do it for any better than that. -Norman... -We'll try that. | 0:30:29 | 0:30:34 | |
And the wager cup? | 0:30:34 | 0:30:36 | |
As for you, we'll do it for £50 because we'd like you to win. | 0:30:36 | 0:30:40 | |
I won't kiss you, but I'll shake your hand, Norman. | 0:30:43 | 0:30:47 | |
Wow, £130 for both! Good work, Deborah. | 0:30:47 | 0:30:52 | |
Back down the road, Thomas seems to be bringing Theo round to his way of thinking. | 0:30:53 | 0:30:59 | |
I like it because it's Art Deco, but that's a centrepiece bowl just for a table. | 0:30:59 | 0:31:05 | |
This is what we call opalescent. | 0:31:05 | 0:31:07 | |
And it's £114. Wow! | 0:31:07 | 0:31:10 | |
-Very stylish. -You wouldn't want to be paying that for it. It's not new, is it? -No, it's not new, no. | 0:31:11 | 0:31:17 | |
That was a Del Boy moment. | 0:31:17 | 0:31:19 | |
I want to have it for £60, but they're not here. | 0:31:19 | 0:31:23 | |
-I don't know, where's my mate Dave? -Where's Dave? -Dave! | 0:31:23 | 0:31:27 | |
Poor old Dave. He's back for another grilling. | 0:31:27 | 0:31:30 | |
Get a phone call on. Say, "There's a handsome young man...and me who are prepared to offer 50 quid for it." | 0:31:30 | 0:31:37 | |
-I don't think that will be acceptable. -But it's cash. -Let me see if I can get her on the phone. | 0:31:37 | 0:31:43 | |
The French bowl, £114, you know? | 0:31:43 | 0:31:47 | |
-'114?' -Yeah. -'Right.' | 0:31:47 | 0:31:49 | |
Do you want to take £50 cash for it? | 0:31:49 | 0:31:52 | |
-'70?' -Hang on a minute. | 0:31:52 | 0:31:55 | |
-70? -It won't work. It just won't work. | 0:31:55 | 0:31:57 | |
-She's sweet, she's having a hard time... -I know she's lovely and she's a lovely lady. -Give her £60. | 0:31:57 | 0:32:04 | |
We're meant to be making a profit. | 0:32:04 | 0:32:06 | |
-I tell you what. Can we do it for 50 or not? -50 quid in my hand, darling. | 0:32:06 | 0:32:10 | |
-'All right, if you can get any more, get it.' -I'll try. | 0:32:10 | 0:32:14 | |
-Thank you, girl. Love you! -Bye-bye. | 0:32:14 | 0:32:16 | |
I don't think she loves YOU, Theo. | 0:32:16 | 0:32:18 | |
So with our Dragons replete from the morning shop, they hit the road once more, | 0:32:23 | 0:32:29 | |
this time heading west through scenic Somerset to the small village of Williton, | 0:32:29 | 0:32:34 | |
another one of Deborah's old stamping grounds. | 0:32:34 | 0:32:37 | |
-I have a little bit of history in Williton. -Yes. | 0:32:37 | 0:32:40 | |
That little cottage there... | 0:32:40 | 0:32:42 | |
-That's the first house I ever owned. -Gosh! | 0:32:42 | 0:32:45 | |
One room downstairs, two bedrooms upstairs | 0:32:45 | 0:32:48 | |
-and a tiny little bathroom. I had to work blinking hard to keep that going. -I bet you did. | 0:32:48 | 0:32:53 | |
Well, I'm guessing she's gained a few more bedrooms since then. | 0:32:53 | 0:32:58 | |
So, with the final shop beckoning, it's off round the corner to West Somerset Antiques. | 0:32:59 | 0:33:05 | |
A galvanised bin. | 0:33:05 | 0:33:07 | |
Well, there we are. | 0:33:07 | 0:33:09 | |
-You could probably put an old watering can with it. -True. Then you've got a collection of garden... | 0:33:09 | 0:33:15 | |
That's 28 as well, a nice watering can. | 0:33:15 | 0:33:19 | |
That sounds perfect for the auction in rural Somerset. | 0:33:19 | 0:33:23 | |
And would you believe it? Outside, there are a couple of old scales for weighing sacks of potatoes. | 0:33:23 | 0:33:30 | |
This could be the seed of an idea. | 0:33:30 | 0:33:33 | |
-They'd make a wonderful feature in the garden. -I would buy them for my garden. | 0:33:33 | 0:33:38 | |
We've got a vegetable garden and there's something about potato pots in a vegetable garden. I'd buy them. | 0:33:38 | 0:33:44 | |
Bearing in mind we're in my back yard and I have got to win this challenge... | 0:33:44 | 0:33:51 | |
Look at me, this is a pleading Dragon. You do not see a Dragon pleading very often. | 0:33:51 | 0:33:56 | |
When was the last time you saw me plead? | 0:33:56 | 0:33:59 | |
Rarer than hen's teeth, I'd say. | 0:33:59 | 0:34:02 | |
It's got to be worth a considerable... a considerably good deal, surely! | 0:34:02 | 0:34:08 | |
-£45. -So that's 90 quid, isn't it, for the pair? | 0:34:08 | 0:34:12 | |
-Or would we just go for one? -Or just go for one? | 0:34:12 | 0:34:16 | |
There's something crazy about them. | 0:34:16 | 0:34:18 | |
-There's something absolutely wacky about them. -They're high risk. | 0:34:18 | 0:34:22 | |
It's the difference between someone in business and an entrepreneur. | 0:34:22 | 0:34:26 | |
This is the risky side of buying something. | 0:34:26 | 0:34:29 | |
-I wondered whether we shouldn't try, just to be completely wacky... -Yeah? | 0:34:29 | 0:34:34 | |
-And to really make Tim work for his money... -Yeah? | 0:34:34 | 0:34:38 | |
What about that galvanised thing and the watering can and making it a little group lot? | 0:34:38 | 0:34:46 | |
A whole little garden collection. | 0:34:46 | 0:34:48 | |
-Sounds great. -Well, we need a price. | 0:34:48 | 0:34:51 | |
And it's not just the scales they're after | 0:34:52 | 0:34:55 | |
or that galvanised bin | 0:34:55 | 0:34:57 | |
or the watering can. | 0:34:57 | 0:35:00 | |
It turns out they want a sort of agricultural job lot | 0:35:00 | 0:35:04 | |
and that includes this sprinkler and the two augers for drilling holes. | 0:35:04 | 0:35:08 | |
No, they don't do things by halves, these two. | 0:35:08 | 0:35:12 | |
I want Theo Paphitis to think, "You are barking, you are going to make no money on that whatsoever," | 0:35:13 | 0:35:19 | |
and I want them to go for a lot of money at the auction. | 0:35:19 | 0:35:23 | |
What's your budget and how close can you get? | 0:35:23 | 0:35:26 | |
This seriously is every last penny we've got left | 0:35:26 | 0:35:30 | |
and we'd love to buy them, we want your support, | 0:35:30 | 0:35:33 | |
and we've got left... | 0:35:33 | 0:35:36 | |
£145. | 0:35:36 | 0:35:39 | |
-Go on then. -Are you sure, Tim? -Yeah, that's fine. -Deborah, are you happy with this? | 0:35:39 | 0:35:44 | |
-I'll be happy with it. Tim? -I'll be happy. -Promise, Tim? -Yeah. | 0:35:44 | 0:35:48 | |
-It's a deal. -Thank you very much. | 0:35:48 | 0:35:51 | |
With the agricultural hoard secure and the money spent, | 0:35:51 | 0:35:55 | |
Deborah and Mark can, well, drive off into the sunset together. | 0:35:55 | 0:36:00 | |
Meanwhile, Thomas and Theo are taking a break from antique shopping | 0:36:01 | 0:36:05 | |
to visit one of Williton's prime tourist attractions - | 0:36:05 | 0:36:09 | |
the Bakelite Museum, which happens to be housed in the town's old water mill. | 0:36:09 | 0:36:14 | |
-Pleased to meet you. Fantastic day. -Thomas Plant. -Hello. -And your name is? -Patrick Cook. -Patrick Cook. | 0:36:14 | 0:36:20 | |
-Of the Bakelite Museum. -Show us what's in here. I'm intrigued. | 0:36:20 | 0:36:25 | |
This museum is packed to the roof with every type of domestic product made from Bakelite. | 0:36:25 | 0:36:31 | |
Wow! | 0:36:31 | 0:36:33 | |
Wow! | 0:36:34 | 0:36:36 | |
An early plastic, | 0:36:36 | 0:36:38 | |
developed by Belgian scientist Leo Baekeland in 1907. | 0:36:38 | 0:36:43 | |
Indeed, the plastic proved so versatile that inventors and designers just leapt on it. | 0:36:43 | 0:36:49 | |
They used it | 0:36:51 | 0:36:53 | |
to make just about every domestic appliance you could think of | 0:36:53 | 0:36:57 | |
from hair-dryers and televisions to telephones and heaters. | 0:36:57 | 0:37:02 | |
And by the 1930s, appliances were mimicking the prevailing Art Deco style. | 0:37:02 | 0:37:07 | |
A lot of streamlined, wonderful objects. | 0:37:07 | 0:37:11 | |
-That piece looks very much like... -Oh, it's heavy. | 0:37:11 | 0:37:15 | |
Like a satellite or something that should be flying, a bit Dan Dare. | 0:37:15 | 0:37:19 | |
-Absolutely. A bit Dan Dare, a bit "spaceshippy". -Doesn't that top get hot? | 0:37:19 | 0:37:24 | |
It doesn't get very hot at all. | 0:37:24 | 0:37:26 | |
I remember when I was a student, I used to sit on these. | 0:37:26 | 0:37:30 | |
I did get a huge bill as well because it cost a fortune to run. | 0:37:30 | 0:37:34 | |
And from the ordinary to the extraordinary, nothing escaped the Bakelite treatment. | 0:37:34 | 0:37:41 | |
And this is a rather intriguing device. | 0:37:41 | 0:37:44 | |
As you've recognised, it is a hot-water bottle, a traditional, rubber hot-water bottle. | 0:37:44 | 0:37:50 | |
-No, it's not rubber. -It isn't. | 0:37:50 | 0:37:52 | |
-It is an electric hot-water bottle. -It's got a switch. | 0:37:52 | 0:37:55 | |
-Normally with a cable... -Ah! -Exactly. | 0:37:55 | 0:37:59 | |
-Do you know that many a person tried to fill it up with water and then they would... -Die! | 0:37:59 | 0:38:04 | |
-Well, it would be a very lively night. -So how old is this? | 0:38:04 | 0:38:08 | |
Um, 19... Just post-war, '46, '48. | 0:38:08 | 0:38:12 | |
-It probably... -It's a good idea. -Yes, because you could have warmed up the bed before you got in. | 0:38:12 | 0:38:18 | |
-Then took it out. You wouldn't want that in your bed. -That's exactly what I do every night. | 0:38:18 | 0:38:23 | |
Every night, you warm up your bed with your Bakelite... | 0:38:23 | 0:38:27 | |
-Don't tell me you've got one of these which works! -I do have, yes. It was a bad winter. | 0:38:27 | 0:38:33 | |
Patrick, what I want to know is, people ask me all the time, | 0:38:33 | 0:38:37 | |
"What's your best investment in the Den? What's your worst investment in the Den?" | 0:38:37 | 0:38:43 | |
-I've asked you those questions. -You've done all that. That was you. | 0:38:43 | 0:38:47 | |
What I want to know is - what is, in your opinion, the worst ever use of Bakelite? | 0:38:47 | 0:38:53 | |
Yes, you've guessed it. | 0:38:56 | 0:38:59 | |
It was a coffin. | 0:38:59 | 0:39:01 | |
How many of these were made? | 0:39:01 | 0:39:03 | |
Not a lot! | 0:39:03 | 0:39:05 | |
-96. -96? | 0:39:05 | 0:39:08 | |
How well does it burn? | 0:39:09 | 0:39:12 | |
-Terrible. -Terrible. | 0:39:12 | 0:39:15 | |
-Bodies decompose underground. -Yes. | 0:39:15 | 0:39:18 | |
TAPS COFFIN | 0:39:18 | 0:39:20 | |
This will last...? | 0:39:20 | 0:39:22 | |
-An infinity. -Infinity. | 0:39:22 | 0:39:25 | |
But some Bakelite products weren't quite so long-lasting. | 0:39:25 | 0:39:30 | |
Are these really Bakelite teeth? | 0:39:30 | 0:39:32 | |
Intriguingly, it might be casein which is a variation on the theme. | 0:39:32 | 0:39:37 | |
And in fact, they are every variation of a tooth possible. | 0:39:37 | 0:39:42 | |
So you can imagine everyone has a colour... | 0:39:42 | 0:39:46 | |
And all different shapes. They've all got a number. | 0:39:48 | 0:39:51 | |
-But it's "Breakalite"? It would break? -Yes. -But you'd get another one. They don't cost a lot. | 0:39:51 | 0:39:57 | |
-You'd get them from the "Gnashional" Health. -"Gnashional" Health! | 0:39:57 | 0:40:01 | |
You can see, when you've got a product that's so usable, | 0:40:03 | 0:40:07 | |
joking apart, why people would want to use it and try it for everything. | 0:40:07 | 0:40:12 | |
-Yeah. -And then some just would not get it. | 0:40:12 | 0:40:15 | |
They may not shake Theo's boat, but even today, Bakelite still has its commercial uses | 0:40:15 | 0:40:21 | |
and for collectors, it remains an iconic part of 20th century design. | 0:40:21 | 0:40:27 | |
-Brilliant. Thank you very much. -Thank you very much, Patrick. -Thank you. -Take care. Bye-bye. | 0:40:28 | 0:40:34 | |
With the day drawing to an end, Theo and Thomas have one more stop to make in Williton | 0:40:36 | 0:40:42 | |
and Theo seems keen to bare his soul. | 0:40:42 | 0:40:46 | |
You know I told you that I am the world's worst loser? | 0:40:46 | 0:40:50 | |
-I think I under-egged it. I'm much worse than that. -Oh, really? | 0:40:50 | 0:40:55 | |
-Yes. And I've got £105 left. -Yes. -And we need to spend it. | 0:40:55 | 0:40:59 | |
I don't want to take any chances. | 0:40:59 | 0:41:02 | |
-No. -So we need to go and buy at least one, if not two more products that will double that 105 quid. | 0:41:02 | 0:41:10 | |
He's not making it easy, is he? | 0:41:10 | 0:41:13 | |
Why not try West Somerset Antiques? It worked for Mark and Deborah. | 0:41:13 | 0:41:17 | |
But hey, we're talking about Theo here! | 0:41:17 | 0:41:20 | |
-Pleased to meet you. -Tim, I'm Theo. Pleased to meet you. -And you. -How are you? -Very good. | 0:41:20 | 0:41:25 | |
-We're looking for a bargain of all bargains. -Have a look round and see what you can find. | 0:41:25 | 0:41:31 | |
-Silver, silver... -Put your finger on that. | 0:41:35 | 0:41:38 | |
Well, I feel a Theo moment coming on. | 0:41:38 | 0:41:42 | |
I'm struggling. I would have loved to have bought something mechanical, but I'm not seeing anything. | 0:41:42 | 0:41:48 | |
If Deborah was here, she would buy something like this. | 0:41:48 | 0:41:52 | |
This is what she would buy. | 0:41:52 | 0:41:54 | |
Vintage Staffordshire-style dogs. | 0:41:55 | 0:41:58 | |
Nope, she wouldn't. | 0:41:58 | 0:42:00 | |
What would this have been made for? | 0:42:00 | 0:42:03 | |
It's hand-made, I think. | 0:42:03 | 0:42:05 | |
-Copper and brass. It's, um... -Hand-made. | 0:42:05 | 0:42:09 | |
For what? | 0:42:09 | 0:42:11 | |
It's hot, so it's got to be hot for hot water of some description. | 0:42:11 | 0:42:15 | |
-What would you keep hot? -Hot water or a tea of some description like a samovar, but it's not that big. | 0:42:15 | 0:42:21 | |
Unless it was going to be a punch, some hot wine. | 0:42:21 | 0:42:24 | |
-Yeah, hot wine, mulled wine? -Something like that maybe. -On the cooker? | 0:42:24 | 0:42:29 | |
Guys, let's face it, you don't know. | 0:42:29 | 0:42:32 | |
That copper and brass barrel in the other room with the tap on, what's it for? | 0:42:32 | 0:42:37 | |
I think it's hot water. | 0:42:37 | 0:42:40 | |
Tim doesn't sound so sure either. | 0:42:41 | 0:42:43 | |
It's not going to give us a profit. | 0:42:43 | 0:42:45 | |
Well, not unless it's a really reduced fee. | 0:42:45 | 0:42:49 | |
Well, it's £55, so what are you thinking? | 0:42:49 | 0:42:53 | |
-I like things like that. -I know you like it. I can see you like it. | 0:42:53 | 0:42:58 | |
-Because it's got uses. -It's unique as well. You're not going to find another ten of those. | 0:42:58 | 0:43:03 | |
I doubt if you'd find another one, never mind ten. | 0:43:03 | 0:43:06 | |
I want to give you 30 quid for it. That's what I want to give you. | 0:43:06 | 0:43:11 | |
I'd meet you at 35. | 0:43:11 | 0:43:13 | |
I'd be happy at 30, honestly. | 0:43:13 | 0:43:15 | |
-30 works. -Go on then. | 0:43:15 | 0:43:18 | |
-Oh! -Go on then. -What a man! Thank you very much. | 0:43:18 | 0:43:21 | |
The shopping is over, so it's time for our Dragons to reveal their hardware to each other. | 0:43:21 | 0:43:28 | |
Thomas, let the lady loose. | 0:43:28 | 0:43:30 | |
-What is it, Thomas? A reproduction? -Yes, it is. -There's nothing old about it. -No. | 0:43:32 | 0:43:38 | |
-It's aspirational, it's got a good look. -It's a decorative piece. -Absolutely. | 0:43:38 | 0:43:43 | |
-It's a big decorative piece. How much did you pay? -£75. | 0:43:43 | 0:43:47 | |
-That was only £70 too much. -Oh, listen to this rubbish! | 0:43:47 | 0:43:51 | |
Ooh! So how about the merry-go-round piece? | 0:43:51 | 0:43:55 | |
-Right... -Cast-iron and painted and we think it's from the 1930s. | 0:43:55 | 0:44:00 | |
It's a big piece, it's a great big piece. | 0:44:00 | 0:44:03 | |
It's showy, a bit like our Spirit of Ecstasy. | 0:44:03 | 0:44:06 | |
-It's that kind of thing. -Yeah... | 0:44:06 | 0:44:08 | |
I think that's a "no", don't you? | 0:44:08 | 0:44:10 | |
Please pass it over. | 0:44:10 | 0:44:12 | |
I could have this in my bed | 0:44:12 | 0:44:15 | |
or a horse's head. LAUGHTER | 0:44:15 | 0:44:18 | |
-You make the choice. -No, listen... Theo... | 0:44:18 | 0:44:21 | |
What about the two Rackham illustrated books? | 0:44:21 | 0:44:25 | |
I love the cover. The cover looks like one of those lovely samplers. | 0:44:25 | 0:44:29 | |
-Yeah, absolutely. -I just adore that. -It's lovely. -It's of its period, I love it. | 0:44:29 | 0:44:34 | |
-I would put them in at £50 to £80. -£45 paid. | 0:44:34 | 0:44:38 | |
You should double your money. It's good to work on a principle - we'll see what happens on the day. | 0:44:38 | 0:44:44 | |
Fair enough. Now, what about this curio? | 0:44:44 | 0:44:48 | |
-Theo, do you like it? Would you buy it? -I wouldn't buy it. | 0:44:48 | 0:44:51 | |
It just doesn't do it for me. It's just an odd... | 0:44:51 | 0:44:55 | |
I've seen millions of ostrich eggs painted. | 0:44:55 | 0:44:59 | |
It's not your cup of tea and not necessarily our cup of tea, | 0:44:59 | 0:45:03 | |
but a collector might like that. | 0:45:03 | 0:45:06 | |
So can the same be said about the sword? | 0:45:06 | 0:45:10 | |
-What I want you to look at is the quality and the condition of this fine instrument. -Good condition. | 0:45:10 | 0:45:16 | |
-As I pull the blade... -Oh, don't slay the dragon just yet! | 0:45:16 | 0:45:20 | |
You'll be fine, you'll be fine. It's pretty blunt. | 0:45:20 | 0:45:23 | |
-So look at that... -What is it exactly? Is it a dress sword? -It's a dress sword. | 0:45:23 | 0:45:28 | |
It's in excellent condition, made by Wilkinson. Wilkinson Sword, you remember the...? | 0:45:28 | 0:45:35 | |
-Yeah. -If you had two like that? -They're not rare, are they? | 0:45:35 | 0:45:39 | |
-No, you see them in most sales. They have a collectorship appeal. -Yeah. -The scabbard is in good condition. | 0:45:39 | 0:45:45 | |
A lot of army officers like to buy the second-hand ones. | 0:45:45 | 0:45:49 | |
-What do you think, Deborah? Do you like it? -I like it. | 0:45:49 | 0:45:52 | |
You're looking puzzled, boys. | 0:45:54 | 0:45:57 | |
-Theo, what do you think? -It just doesn't attract me. | 0:45:57 | 0:46:00 | |
-The slipper is very girly. -I've not seen something like this for a long time. | 0:46:00 | 0:46:06 | |
-The slipper is quite sweet. -You see wager cups occasionally, but they're not everyday objects. | 0:46:06 | 0:46:11 | |
My prediction is you might scrape the 130 you paid. I don't know if you'll make a profit on those. | 0:46:11 | 0:46:18 | |
We'll see. Thoughts on the opalescent bowl, anybody? | 0:46:18 | 0:46:23 | |
-Pretty. -Pretty. -I thought, "I really like the opalescence." | 0:46:23 | 0:46:27 | |
-That's very "me". I love Art Deco. -I know you like Art Deco. -It's very "me". | 0:46:27 | 0:46:32 | |
That is pretty and I'd put it in my home. | 0:46:32 | 0:46:35 | |
Again that's the point. If I would buy it, somebody would want to sell it to me. | 0:46:35 | 0:46:40 | |
Fair point. Now, boys, a book rest. | 0:46:40 | 0:46:43 | |
-It's ivory? -It is ivory. -It's going to be obviously... -It's ivory and late 19th century. | 0:46:44 | 0:46:50 | |
The simplicity of the design is actually quite something. | 0:46:50 | 0:46:55 | |
It's antique ivory, but it's ivory. | 0:46:55 | 0:46:57 | |
-So I probably wouldn't have given it time to spend on it... -OK. | 0:46:58 | 0:47:03 | |
-We did exactly have that discussion. -We discussed that very idea. | 0:47:03 | 0:47:07 | |
-It was your initial reaction. -It was absolutely my initial reaction. | 0:47:07 | 0:47:12 | |
-It's lovely. It'll make up for your losses on the cup and the silver. -That'll do us. -That will do us. | 0:47:12 | 0:47:18 | |
-The barrel itself is really nicely made. -It is. -It's well balanced, it's of nice quality. | 0:47:18 | 0:47:24 | |
-This will appeal to a country market. -I think so. -It really will. | 0:47:24 | 0:47:28 | |
If I saw that and it was around about the £30 mark, then I might have been tempted as a punt on it. | 0:47:28 | 0:47:35 | |
We paid... | 0:47:35 | 0:47:37 | |
-£30. -£30. -There we are. -Well done, Mark. Well done. | 0:47:37 | 0:47:42 | |
And now for the ultimate job lot. | 0:47:42 | 0:47:44 | |
-Can I just ask a question? Have you ever picked potatoes? -No. | 0:47:44 | 0:47:49 | |
Those are instruments of torture in my life. I would never want to see those again. | 0:47:49 | 0:47:54 | |
-Calm down. -For too long on my father's farm... | 0:47:54 | 0:47:58 | |
-Shall I show you how they work? -No, don't. | 0:47:58 | 0:48:02 | |
-RATTLING -That sound, that sound! | 0:48:02 | 0:48:06 | |
-We loved them, didn't we, Deborah? -I think that is a great collection of garden miscellanea. | 0:48:06 | 0:48:13 | |
So what do they really think about each other's lots? Go on, Theo, let rip! | 0:48:13 | 0:48:19 | |
Their stuff lacks imagination. | 0:48:19 | 0:48:21 | |
I think they're going to lose definitely on the silver. | 0:48:21 | 0:48:25 | |
-They are. That horse's head? -Lose. | 0:48:25 | 0:48:28 | |
-They've got a lot of risks. -That's a dangerous game to play at auction. -It could be classed as reckless. | 0:48:28 | 0:48:35 | |
To me, I wouldn't have touched it if it had been £20, | 0:48:35 | 0:48:40 | |
the Spirit of Ecstasy, because it's a reproduction. | 0:48:40 | 0:48:44 | |
I suspect anybody who looks at it is going to feel disappointed in the way I felt disappointed. | 0:48:44 | 0:48:50 | |
Will Theo's game plan of doubling his money pay off | 0:48:50 | 0:48:55 | |
or will Deborah's potato scales tip the balance? Ha! | 0:48:55 | 0:48:58 | |
It's the final showdown for our fire-breathing celebrities | 0:49:04 | 0:49:08 | |
as the teams head 25 miles east to Lawrences Auctioneers in Crewkerne. | 0:49:08 | 0:49:14 | |
Team Meaden started today's road trip with £400 | 0:49:16 | 0:49:21 | |
and spent every penny on five auction lots. | 0:49:21 | 0:49:25 | |
Team Paphitis also started the day with £400 and spent £325 also on five lots. | 0:49:26 | 0:49:34 | |
The auction house is located in Linen Yard in Crewkerne, once a thriving centre for cloth-making. | 0:49:39 | 0:49:46 | |
So with the spirit of entrepreneurship in the air, our Dragons should feel right at home. | 0:49:46 | 0:49:52 | |
The anticipation of it all! | 0:49:52 | 0:49:54 | |
This is the moment. This is the moment! Can you say that word? > | 0:49:54 | 0:49:58 | |
-There's only going to be one result. -I fancy your chances. It's the sort of place that tat sells really well. | 0:49:58 | 0:50:04 | |
Does that include your stuff too, Theo? | 0:50:04 | 0:50:08 | |
Thankfully, the auctioneer Richard Kay is putting a brave face on things. | 0:50:09 | 0:50:14 | |
The thing that catches my eye is the silvered bronze statue of the Spirit of Ecstasy. | 0:50:14 | 0:50:20 | |
And I think that's a very stylish piece of 1930s artwork. | 0:50:20 | 0:50:26 | |
The most bizarre item, I think, in the sale | 0:50:26 | 0:50:29 | |
is this painted, cast-iron head for a seesaw, possibly from a fairground. | 0:50:29 | 0:50:34 | |
It's got great novelty appeal, it's eye-catching and it could make £60 or £70 or so. | 0:50:34 | 0:50:40 | |
So there's all to play for. | 0:50:41 | 0:50:43 | |
The Dragons are used to calling the shots, but now the tables have turned. | 0:50:43 | 0:50:48 | |
Who's going to be in and who's going to be out of this Dragons' Den? | 0:50:48 | 0:50:53 | |
Let the bidders decide. | 0:50:53 | 0:50:56 | |
First up, at the starting gates, the horse's head. | 0:50:56 | 0:51:00 | |
- It'll either not sell at all... - Is there much value in scrap? | 0:51:00 | 0:51:04 | |
- It's not scrap. - You bought it by weight? | 0:51:04 | 0:51:07 | |
It's a decorative antique. | 0:51:07 | 0:51:09 | |
-I'm bid £40 here. £40 I have. -Come on. | 0:51:09 | 0:51:12 | |
45. 50. 55. | 0:51:12 | 0:51:14 | |
Are you bidding? 60. 65. | 0:51:14 | 0:51:17 | |
70. No? £70 seated. 75... | 0:51:17 | 0:51:21 | |
No, £75, the gentleman's bid, standing. | 0:51:21 | 0:51:24 | |
I'm selling at 75. Are we done at £75...? | 0:51:24 | 0:51:28 | |
-80 just in time. -Oh, 80. -85. 90. -Yes! | 0:51:28 | 0:51:32 | |
-I don't believe it! -Come on. -95? £95, the gentleman standing. | 0:51:32 | 0:51:36 | |
-At £95 and I'm selling. -One more! -Last time... | 0:51:36 | 0:51:39 | |
Yes! I'm sorry. | 0:51:39 | 0:51:41 | |
LAUGHTER So we were a bit excited then? | 0:51:41 | 0:51:45 | |
Well, it's a galloping start for Deborah. | 0:51:46 | 0:51:50 | |
But can Theo really double his money | 0:51:50 | 0:51:52 | |
on the Spirit of Ecstasy? | 0:51:52 | 0:51:55 | |
The bids start me here at £60 on this one. 65. 70. 5. | 0:51:55 | 0:52:00 | |
80. 5. 90. 5. 100. | 0:52:00 | 0:52:02 | |
And 10 now. At £110. | 0:52:02 | 0:52:05 | |
120, new bidder. 130. | 0:52:05 | 0:52:08 | |
140. 150. | 0:52:08 | 0:52:10 | |
It's 150. Standing at £150 | 0:52:10 | 0:52:12 | |
and I'm selling at £150 now, last time... | 0:52:12 | 0:52:16 | |
Well, who'd have thought it? | 0:52:16 | 0:52:19 | |
-Yes! -Doubled money. -Doubled our money. | 0:52:20 | 0:52:23 | |
Next, the wager cup and silver wall pocket. | 0:52:23 | 0:52:27 | |
This is the risky one. | 0:52:27 | 0:52:29 | |
The bids start me on this at £60. | 0:52:29 | 0:52:32 | |
-That's not good, is it? -No. | 0:52:32 | 0:52:34 | |
£60 is bid. 65. 70. 5. 80. | 0:52:34 | 0:52:38 | |
5. 90. 5. 100. | 0:52:38 | 0:52:40 | |
And 10. 120. No, it's 120 nearer the door. | 0:52:40 | 0:52:43 | |
-Come on, a bit more. -I'm selling at £120 for the last time... | 0:52:43 | 0:52:49 | |
That's a bit disappointing. | 0:52:49 | 0:52:51 | |
-But it could have been worse. -It could have been worse. | 0:52:51 | 0:52:54 | |
Oh, dear. Oh, dear. | 0:52:54 | 0:52:57 | |
Next, the Art Deco bowl | 0:52:57 | 0:53:00 | |
and another test for the Theo game plan. | 0:53:00 | 0:53:03 | |
The bids start me here at £30. | 0:53:03 | 0:53:06 | |
£30. 35. 40. | 0:53:06 | 0:53:08 | |
45. 50. | 0:53:08 | 0:53:10 | |
55 now. At £55. | 0:53:10 | 0:53:12 | |
- At 55. I'm selling at £55... - Oh, come on! | 0:53:12 | 0:53:16 | |
-It's a profit. -Yes, but hardly the double you wanted. | 0:53:16 | 0:53:21 | |
Still, it gives Theo a £45 lead. | 0:53:21 | 0:53:25 | |
Time for a fightback, Deborah, and it's down to the ostrich egg. | 0:53:27 | 0:53:32 | |
I'm bid £30 for this. £30. | 0:53:32 | 0:53:35 | |
35. 40. 45. 50. | 0:53:35 | 0:53:37 | |
-55 and I'm out. -55. We paid 30. -55 now. | 0:53:37 | 0:53:41 | |
To my right and I'm selling at 55. Any more? | 0:53:41 | 0:53:44 | |
It's 55. For the last time at £55... Thank you. | 0:53:44 | 0:53:47 | |
-You made a profit on that. -Nearly doubled it - £25 profit. | 0:53:47 | 0:53:51 | |
But Mark, that's Theo's plan. Get your own! | 0:53:51 | 0:53:55 | |
Still ahead in the competition, the sword could deliver the fatal blow. | 0:53:57 | 0:54:01 | |
Oh, this could be bloody! | 0:54:01 | 0:54:04 | |
£80 starts me here. | 0:54:04 | 0:54:06 | |
£80 I have. 85. 90. 5. 100. | 0:54:06 | 0:54:09 | |
110 and I'm out. It's £110. | 0:54:09 | 0:54:12 | |
-I'm selling in the room at 110. -More, more! | 0:54:12 | 0:54:16 | |
Are we done at £110...? | 0:54:16 | 0:54:19 | |
-Oh, Theo, sorry about that. -We went down... -Sorry about that. | 0:54:19 | 0:54:24 | |
A loss, by Jove, but only a flesh wound. | 0:54:24 | 0:54:27 | |
That puts the Dragons virtually neck and neck, | 0:54:29 | 0:54:33 | |
so can the controversial ivory book rest tip the scales for Deborah? | 0:54:33 | 0:54:38 | |
The bids start me here at £60 on this one. £60 is bid. | 0:54:38 | 0:54:42 | |
At £60... | 0:54:42 | 0:54:44 | |
65. 70. 75. 80. | 0:54:44 | 0:54:47 | |
85 now. To my right, I'm selling at £85. | 0:54:47 | 0:54:50 | |
At 85, the bid's in the room | 0:54:50 | 0:54:52 | |
and I'm selling at £85. Last time at 85... | 0:54:52 | 0:54:56 | |
-That's disappointing. -What do you mean, it's disappointing? | 0:54:56 | 0:54:59 | |
-You paid 45 for it. -It should have made more. | 0:54:59 | 0:55:02 | |
A profit catapulting Team Meaden into the lead! | 0:55:02 | 0:55:07 | |
The boys will need a prayer to get out of this one. | 0:55:09 | 0:55:13 | |
The book of A Midsummer Night's Dream | 0:55:13 | 0:55:15 | |
and also a nursery rhymes book. The bids start me here at £20. | 0:55:15 | 0:55:20 | |
-Illustrated by Rackham. -And written by somebody called Shakespeare. | 0:55:20 | 0:55:24 | |
-I know. -The less important part(!) -Well, you know... | 0:55:24 | 0:55:28 | |
£20 I'm bid for it. | 0:55:28 | 0:55:30 | |
£20 I'm bid. £20 I have. | 0:55:30 | 0:55:33 | |
-It's on commission at 20. -No, more! | 0:55:33 | 0:55:36 | |
At £20 and I'm selling if you're all done in the room? Last time, £20. | 0:55:36 | 0:55:40 | |
You see, you put them off, you put them off! | 0:55:40 | 0:55:43 | |
- That'll teach you. - That's a disaster. | 0:55:43 | 0:55:46 | |
Oh, disaster! | 0:55:46 | 0:55:49 | |
This Dragon's on his knees. | 0:55:49 | 0:55:52 | |
So can Deborah snatch victory | 0:55:53 | 0:55:55 | |
with her agricultural bits and pieces? | 0:55:55 | 0:55:58 | |
I'm bid £110. | 0:55:58 | 0:56:00 | |
120. 130. 140. 150. | 0:56:00 | 0:56:03 | |
160. 170. 180. | 0:56:03 | 0:56:05 | |
190. No, 190, lady's bid by the pillar. | 0:56:05 | 0:56:09 | |
Selling at £190... At 190. | 0:56:09 | 0:56:12 | |
200. 210. | 0:56:12 | 0:56:14 | |
-220. -Yes! | 0:56:14 | 0:56:16 | |
-230. -What?! -Yes! | 0:56:16 | 0:56:19 | |
-One more! -240... | 0:56:19 | 0:56:21 | |
No, lady's bid seated at £240 and I'm selling. | 0:56:21 | 0:56:25 | |
For the last time at 240... Thank you very much. | 0:56:25 | 0:56:28 | |
Deborah... | 0:56:28 | 0:56:30 | |
Hold the celebrations. Theo's got one more offer up his sleeve, | 0:56:32 | 0:56:37 | |
but he needs to make £166 to win. | 0:56:37 | 0:56:40 | |
I'm bid £20 on this. £20 I have. | 0:56:41 | 0:56:45 | |
-More, more! -At £20, at £20. It's on commission. | 0:56:45 | 0:56:48 | |
An absentee bidder at £20 and I'm selling. Are you all done? | 0:56:48 | 0:56:53 | |
£20. For the last time then at £20... | 0:56:53 | 0:56:55 | |
Oh, no, it's a wash-out for Theo's plan, | 0:56:57 | 0:57:00 | |
but a victory for Deborah. | 0:57:00 | 0:57:02 | |
It was a jolly good effort, Mr Paphitis. | 0:57:03 | 0:57:07 | |
-If only you kept more money in your pocket. -Congratulations, Deborah. Congratulations. -Well done. | 0:57:07 | 0:57:13 | |
So both teams started today's road trip with a £400 budget. | 0:57:15 | 0:57:21 | |
After paying auction costs, | 0:57:21 | 0:57:23 | |
Theo and Thomas have lost £33.90, | 0:57:23 | 0:57:26 | |
giving them £366.10 at the finishing line. | 0:57:26 | 0:57:31 | |
Deborah and Mark had a late surge, | 0:57:35 | 0:57:38 | |
making a valuable £87.90 profit after auction costs, | 0:57:38 | 0:57:43 | |
crossing the finishing line with a winning £487.90. | 0:57:43 | 0:57:48 | |
Well done, everyone, and all the money our celebrities and experts raise will go to Children In Need. | 0:57:52 | 0:57:58 | |
Deborah, if I had to lose to somebody, I wish it wasn't you! | 0:57:58 | 0:58:02 | |
Theo, if I had to win to somebody, I'm so glad it was you! | 0:58:02 | 0:58:07 | |
-LAUGHTER -Yes! | 0:58:07 | 0:58:09 | |
So another Antiques Road Trip draws to a close and our Dragons can return to their Den, | 0:58:10 | 0:58:16 | |
Deborah having vanquished her foe and Theo with this tail between his legs. | 0:58:16 | 0:58:21 | |
Subtitles by Subtext for Red Bee Media Ltd 2011 | 0:58:45 | 0:58:49 | |
Email [email protected] | 0:58:49 | 0:58:52 |