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-Some of the nation's favourite celebrities... -Sensational! | 0:00:02 | 0:00:06 | |
..one antiques expert each... | 0:00:06 | 0:00:08 | |
This is Ch'ien-Lung. | 0:00:08 | 0:00:10 | |
Well done. | 0:00:10 | 0:00:11 | |
..and one big challenge. Who can seek out and buy the best antiques | 0:00:13 | 0:00:17 | |
at the very best prices... | 0:00:17 | 0:00:19 | |
I am going to kill him. | 0:00:19 | 0:00:21 | |
-..and auction for a big profit... -A new bidder, thank you. | 0:00:21 | 0:00:25 | |
..further down the road? | 0:00:25 | 0:00:27 | |
Who will spot the good investments? | 0:00:28 | 0:00:30 | |
Who will listen to advice? | 0:00:30 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:34 | 0:00:38 | |
Time to put your mettle to the pedal. | 0:00:38 | 0:00:41 | |
This is the Celebrity Antiques Road Trip. Yeah! | 0:00:41 | 0:00:45 | |
Joining us on the road trip, we have a headline act. | 0:00:51 | 0:00:55 | |
The lions of the newsroom face their biggest challenge yet. | 0:00:55 | 0:01:00 | |
Tonight, 48 hours before the G8 Summit, | 0:01:00 | 0:01:03 | |
he's threatened to train Russian missiles on Europe | 0:01:03 | 0:01:06 | |
-unless -he -drops plans to put a defence shield in Russia's back yard. | 0:01:06 | 0:01:10 | |
She's the queen of political interviewing. | 0:01:10 | 0:01:13 | |
She tackled everyone, | 0:01:13 | 0:01:15 | |
from Alex Salmond to Margaret Thatcher to Madonna. | 0:01:15 | 0:01:18 | |
You know, the pop singer? | 0:01:18 | 0:01:20 | |
She's Newsnight's Kirsty Wark. | 0:01:20 | 0:01:23 | |
We won't let you starve. I'll give you profit on these and I'll buy you a bag of chips. | 0:01:23 | 0:01:28 | |
In a few moments, Her Majesty the Queen and the Duke of Edinburgh will arrive. | 0:01:28 | 0:01:32 | |
Then it's Tonight's co-anchor and co-pilot, | 0:01:32 | 0:01:35 | |
"Lights Camera Action | 0:01:35 | 0:01:38 | |
"Stop, Police!", | 0:01:38 | 0:01:40 | |
it's ITN's Alastair Stewart. | 0:01:40 | 0:01:42 | |
I'm biddable, as they say in the trade. | 0:01:42 | 0:01:44 | |
Before they get competitive, | 0:01:44 | 0:01:46 | |
they fight over the driver's seat in this sporty 1960 Daimler Dart. | 0:01:46 | 0:01:50 | |
Heads you drive, tails you sit. | 0:01:50 | 0:01:54 | |
I mostly use a ten-pence coin. These celebrities! Honestly! | 0:01:54 | 0:01:58 | |
Lending Kirsty and Alastair a hand, | 0:01:58 | 0:02:01 | |
we have our pair of roving reporters from the world of antiques | 0:02:01 | 0:02:05 | |
driving in this 1967 Triumph Vitesse... | 0:02:05 | 0:02:08 | |
The lovely Catherine Southon, an expert in scientific and medical instruments, amongst other things, | 0:02:10 | 0:02:15 | |
but she also likes the simple things in life. | 0:02:15 | 0:02:18 | |
Pig scraper? What's a pig scraper? | 0:02:18 | 0:02:21 | |
Now, I know what you're thinking. "Ooh, would you like my seat, sir?" | 0:02:21 | 0:02:26 | |
But actually, he's as fit as a fiddle. | 0:02:26 | 0:02:29 | |
He's an auctioneer, an ex-teacher, he's Philip Serrell. | 0:02:29 | 0:02:32 | |
You're an angel! Mwah! | 0:02:32 | 0:02:34 | |
Drawing on expert advice, and testing their powers of negotiation, | 0:02:38 | 0:02:42 | |
Kirsty and Alastair have £400 each, two days of shopping, | 0:02:42 | 0:02:46 | |
one upcoming auction and a lot to learn. Fast. | 0:02:46 | 0:02:49 | |
I quite like to have the money in my hand. What about you? | 0:02:49 | 0:02:52 | |
I think we have to admit that, given what we do for a living, we do quite like to be in charge. | 0:02:52 | 0:02:57 | |
I have to say, that is a problem. Therefore, it's our mistakes. | 0:02:57 | 0:03:02 | |
I think if it goes well, it's our victory | 0:03:02 | 0:03:04 | |
-and if it goes badly, we blame the experts. -Exactly! | 0:03:04 | 0:03:07 | |
You know, I always do. | 0:03:07 | 0:03:10 | |
But before anyone puts their career on the line, let's look at the road ahead. | 0:03:10 | 0:03:15 | |
Scotland lays out its antique treasures for us | 0:03:16 | 0:03:19 | |
before heading to a make-or-break auction | 0:03:19 | 0:03:22 | |
way down south in Sheerness, Kent. | 0:03:22 | 0:03:25 | |
First stop is Kirsty's former university town | 0:03:27 | 0:03:30 | |
where our experts and celebrities can meet - Edinburgh. | 0:03:30 | 0:03:33 | |
I think they're going to be a lot better at buying antiques than we'd be at news reading. | 0:03:33 | 0:03:38 | |
-You'd be hilarious at it! -I wouldn't take it seriously. -There'd be this miserable face - | 0:03:38 | 0:03:43 | |
-What do you mean, miserable? -"This is Phil Serrell." -Are you trying to say something? | 0:03:43 | 0:03:48 | |
-I didn't kill us. -No, you didn't. | 0:03:48 | 0:03:51 | |
More importantly, you didn't scratch the paintwork. | 0:03:51 | 0:03:55 | |
Now, go and grab yourselves an antiques expert each. | 0:03:55 | 0:03:59 | |
We're arguing already! ALL TALK AT ONCE | 0:03:59 | 0:04:02 | |
-I'm Catherine. -Good to see you. | 0:04:02 | 0:04:04 | |
I had thought it could be us against you, | 0:04:04 | 0:04:07 | |
but you might win and that wouldn't do our cred any good. | 0:04:07 | 0:04:10 | |
-Let's be absolutely clear, this is Kirsty Wark, this is Scotland. -Yes! -This is Alastair, up from England. | 0:04:10 | 0:04:15 | |
You've got an advantage. You can come with me! | 0:04:15 | 0:04:18 | |
-That leaves us! -I think that worked perfectly. | 0:04:18 | 0:04:21 | |
-I hope that's OK! -Delusions of grandeur! | 0:04:21 | 0:04:24 | |
The shops are open, the dealers are waiting | 0:04:24 | 0:04:27 | |
and that £400 won't spend itself. Let's get cracking! | 0:04:27 | 0:04:30 | |
This is burning a hole in my hand. 400 quid. You keep it. | 0:04:30 | 0:04:34 | |
-This comes easy to me. We've got to be mean. -Yes. -I am very mean. | 0:04:34 | 0:04:38 | |
-OK, so good-cop, bad-cop? -Yes, yes. | 0:04:38 | 0:04:42 | |
Whatever it takes to win is worth a try. | 0:04:42 | 0:04:45 | |
Bit of tactics and strategy first. | 0:04:45 | 0:04:47 | |
Let me tell you something about Philip. Philip is mean! He doesn't spend a lot of money. | 0:04:47 | 0:04:53 | |
And he's got a great eye for curious, wacky items. | 0:04:53 | 0:04:58 | |
I think Kirsty is very knowledgeable about anything that is Edinburgh. | 0:04:58 | 0:05:02 | |
-Do you think she's going to spend a lot of money? -I think she will. | 0:05:02 | 0:05:05 | |
So they'll have a falling out. | 0:05:05 | 0:05:07 | |
-We shall agree. -We shall agree on everything! | 0:05:07 | 0:05:11 | |
I like your style. | 0:05:11 | 0:05:12 | |
Let's hope this here Courtyard Antiques | 0:05:12 | 0:05:16 | |
can provide an arsenal for your big autumn campaign. | 0:05:16 | 0:05:19 | |
Things like this are sometimes interesting. | 0:05:19 | 0:05:22 | |
1916. It's pretty brutal First World War stuff, isn't it? | 0:05:22 | 0:05:27 | |
There's the Kaiser. "How I deal with the small fry" it says. | 0:05:27 | 0:05:31 | |
-Menacing, isn't it? -Absolutely. | 0:05:31 | 0:05:33 | |
A clever dealer is going to cruelly destroy that, | 0:05:33 | 0:05:36 | |
take the plates out and frame them? No? | 0:05:36 | 0:05:40 | |
-Quite possibly. -But we're not priced. | 0:05:40 | 0:05:42 | |
-We want to go quite low on these, don't we? -Yes. | 0:05:42 | 0:05:46 | |
-30 to 60? -I was going to say 20 to 30. | 0:05:48 | 0:05:51 | |
-I don't think we want to pay more. -For the set? | 0:05:51 | 0:05:53 | |
Local proprietor Lewis is on hand to help. | 0:05:53 | 0:05:57 | |
What do you, hand on heart, believe to be the best that you can do on these magazines? | 0:05:57 | 0:06:03 | |
15 each. | 0:06:03 | 0:06:05 | |
-15 each. -So 45. | 0:06:05 | 0:06:07 | |
There's damp and a spine damaged. | 0:06:07 | 0:06:09 | |
-If you said 30 for the three... -I think we need to go lower. -Do you? | 0:06:09 | 0:06:13 | |
I don't think we should pay any more than £20. | 0:06:13 | 0:06:17 | |
-What do you think the best is that you can do? -30. | 0:06:17 | 0:06:20 | |
Would you be able to meet in the middle at 25 or..? | 0:06:20 | 0:06:24 | |
I started off at 45 | 0:06:24 | 0:06:27 | |
and we're now at 30, so I'm kind of in the middle. | 0:06:27 | 0:06:31 | |
More in our middle? | 0:06:31 | 0:06:34 | |
25 quid for the three. | 0:06:34 | 0:06:37 | |
-I think that's good. -I do, too. | 0:06:37 | 0:06:39 | |
I think there's a market for these and I think they're absolutely fascinating. | 0:06:39 | 0:06:43 | |
A lightning-quick purchase in Alastair's fast-moving antique-shopping story. | 0:06:43 | 0:06:48 | |
Stay with us for full coverage of this and other buying tales as they unfold. | 0:06:48 | 0:06:53 | |
Now for Kirsty and Phil's first shop. | 0:06:53 | 0:06:57 | |
Sadly, the owner is rather shy, | 0:06:58 | 0:07:01 | |
but we have an idea of what he may look like. | 0:07:01 | 0:07:04 | |
Oh, I quite like these. | 0:07:04 | 0:07:06 | |
What it's trying to be is somewhere between 1780 and 1820, and it's not that. | 0:07:06 | 0:07:11 | |
Not overly PC, the hunting, shooting, fishing thing. | 0:07:11 | 0:07:15 | |
But the actual execution of these is quite nice. | 0:07:15 | 0:07:17 | |
Oh, unfortunate choice of words, Kirsty. | 0:07:17 | 0:07:21 | |
Cock fighting is not fashionable or indeed pleasant. | 0:07:21 | 0:07:25 | |
However, these have a strange appeal as rural sporting themes. | 0:07:25 | 0:07:31 | |
-Mr Shop Man! Your cock fighting... -They're £50. -50. | 0:07:31 | 0:07:35 | |
For four? I'd say more 20 for four. 10 for four. | 0:07:35 | 0:07:39 | |
You'd be hard-pressed to get rid of them in Edinburgh at the moment. | 0:07:39 | 0:07:42 | |
-I think he'd do well to get his money back. -I do. | 0:07:42 | 0:07:45 | |
Sorry, sir, there's no hiding from hard-haggling Philip Serrell. | 0:07:45 | 0:07:49 | |
Believe me, I've tried. | 0:07:49 | 0:07:52 | |
You can be the voice. | 0:07:52 | 0:07:54 | |
You can be the international man of mystery. The Antique Man Of Mystery is you. | 0:07:54 | 0:07:59 | |
-He's very handsome. -Isn't he ever? | 0:07:59 | 0:08:01 | |
-He should've put some clothes on. -No, no, he's got a sporran on. -That's all right. | 0:08:01 | 0:08:05 | |
We're looking at this little one here. | 0:08:05 | 0:08:08 | |
-That's 30 squid. -It starts at 30. Let's think about this. | 0:08:08 | 0:08:13 | |
-I do like your style. -We'll just check... | 0:08:13 | 0:08:16 | |
-It's nice to see a pro at work. -This is a rather nice little table. | 0:08:16 | 0:08:19 | |
-It's Edwardian. It's made out of mahogany. -It's got a really nice inset here. | 0:08:19 | 0:08:23 | |
-This is... -Boxwood. -She's good, isn't she? | 0:08:23 | 0:08:27 | |
Let me tell you something. These things have crashed in value. | 0:08:27 | 0:08:31 | |
On a bad day, in a bad auction, this is like 20 quid. | 0:08:31 | 0:08:35 | |
-Get out? -Yes. -But I would take that home. | 0:08:35 | 0:08:38 | |
You might have to! | 0:08:38 | 0:08:40 | |
It's a crying shame, | 0:08:40 | 0:08:43 | |
but a solid wood Edwardian table is just not modern taste. | 0:08:43 | 0:08:48 | |
Like a Black Forest gateau, it's gorgeous and delicious, | 0:08:48 | 0:08:51 | |
but deeply unfashionable. | 0:08:51 | 0:08:53 | |
-Let's take it upstairs. -I suppose we've got to be hard-headed. | 0:08:53 | 0:08:57 | |
-The things I like are not necessarily going to sell. -You've got to be mega hard-headed. | 0:08:57 | 0:09:02 | |
He wants 30 for the table and 20 for these. | 0:09:02 | 0:09:05 | |
I think £30 all in or 35. | 0:09:05 | 0:09:09 | |
Hello? | 0:09:09 | 0:09:10 | |
-Hello. -We like these prints and we also like the table, | 0:09:10 | 0:09:14 | |
but we think you're asking too much. | 0:09:14 | 0:09:16 | |
-There's a recession. -There is. -Doom and gloom! | 0:09:16 | 0:09:19 | |
We'd like to offer you £35 for the table and the prints. | 0:09:19 | 0:09:23 | |
I can't do it. | 0:09:23 | 0:09:25 | |
-You can't? -He said that with such a lovely smile on his face! | 0:09:25 | 0:09:28 | |
-Shall we split the difference? -What's the difference? -£47.50. | 0:09:28 | 0:09:32 | |
No, no! £45, woman! Just shh! | 0:09:32 | 0:09:35 | |
We've got 45 for the prints and the table. That's it. | 0:09:35 | 0:09:38 | |
-Just to get you out of the shop... -Just to get us out, 45? Done! | 0:09:38 | 0:09:42 | |
A final triumph with Edinburgh's mystery shopkeeper. | 0:09:42 | 0:09:46 | |
And now, Team Wark is swapping shops with Team Stewart. | 0:09:46 | 0:09:51 | |
Let's hope Alastair and Catherine can get a good deal from Mr Bashful. | 0:09:51 | 0:09:56 | |
Nut basher, nut cracker. It's not brand new, is it? | 0:09:57 | 0:10:01 | |
-It has seen a few nuts cracked in its time. -It certainly has. | 0:10:01 | 0:10:05 | |
-Bit of kitchenalia. -Beautifully described. | 0:10:05 | 0:10:08 | |
-Would you have that at home? -I would. | 0:10:08 | 0:10:11 | |
-In your kitchen? -I would. What are we looking for? | 0:10:11 | 0:10:14 | |
£5. | 0:10:14 | 0:10:16 | |
Er... | 0:10:16 | 0:10:18 | |
-Can we go - -I'm going to buy it. -Oh! -I'm sorry! | 0:10:18 | 0:10:21 | |
-I've got to barter. Would you take three? No. Would you take five? -BOTH: Yes! | 0:10:21 | 0:10:26 | |
This is going to be used to bash you round the head! | 0:10:27 | 0:10:31 | |
-A fiver. Very nice to meet you. -Nice to meet you. | 0:10:31 | 0:10:35 | |
Really nice to meet you, whoever you are. | 0:10:35 | 0:10:38 | |
What is it with Edinburgh today? | 0:10:38 | 0:10:41 | |
We won't bite. Much. | 0:10:41 | 0:10:42 | |
-Let's go round the bend. -Let's go round here. | 0:10:42 | 0:10:47 | |
Look at this fabric. It is absolutely glorious. | 0:10:53 | 0:10:56 | |
-I'm not really an expert on dresses. -Why not? | 0:10:56 | 0:10:59 | |
DRAMATIC NEWS-STYLE MUSIC | 0:10:59 | 0:11:02 | |
I love her to bits because she's got a real hard eye. | 0:11:08 | 0:11:11 | |
The thing that bothers me is, a shopping trip could turn into... | 0:11:11 | 0:11:15 | |
..a shopping trip. | 0:11:15 | 0:11:17 | |
-Do you know what you could do with this? -Hang it up. -It would make a great skirt. | 0:11:17 | 0:11:22 | |
I can feel one of my headaches coming on. | 0:11:22 | 0:11:25 | |
I might take it, if that's OK. | 0:11:25 | 0:11:26 | |
Of course, you're not really supposed to shop for yourself on this road trip, | 0:11:26 | 0:11:31 | |
but it's your money. | 0:11:31 | 0:11:33 | |
I'm powerless to stop you. | 0:11:33 | 0:11:35 | |
-There are more dresses upstairs. -Fantastic! I can barely wait. | 0:11:35 | 0:11:39 | |
I like this! | 0:11:39 | 0:11:41 | |
That propeller over there, the far one... | 0:11:41 | 0:11:44 | |
-The one with the little red engine. -What's the very best on that? | 0:11:44 | 0:11:47 | |
Is there any way we can get that under £100? | 0:11:47 | 0:11:50 | |
-Are you buying something else? -Yes. -We might be. | 0:11:50 | 0:11:53 | |
Several things, we're not sure what, but that it's a component. | 0:11:53 | 0:11:56 | |
-This propeller could be 30. -Oh, I like that! | 0:11:56 | 0:12:00 | |
I've got a certain affinity with it because it has seen better days. | 0:12:00 | 0:12:04 | |
It's probably been in the water for a long time. | 0:12:04 | 0:12:06 | |
Perhaps we can create a story of a First World War pilot | 0:12:06 | 0:12:10 | |
who was shot down over the Channel. | 0:12:10 | 0:12:13 | |
-Am I just going on again? -Yes. -OK. | 0:12:13 | 0:12:15 | |
I think we're looking at two propellers here. | 0:12:15 | 0:12:18 | |
Kirsty likes this highly polished one for £90 | 0:12:18 | 0:12:21 | |
and Phil likes this scruffy old thing for £30. | 0:12:21 | 0:12:25 | |
Funny what we all gravitate towards, isn't it? | 0:12:25 | 0:12:28 | |
I think you might like this, Kirsty, these pressed flowers. | 0:12:28 | 0:12:31 | |
I noticed it out the corner of my eye. | 0:12:31 | 0:12:34 | |
I wondered if it'd sell, but I do think they're wonderful. | 0:12:34 | 0:12:37 | |
Bird's-foot Trefoil. These are lovely. | 0:12:37 | 0:12:40 | |
A lot of these wild flowers are hard to see out there. | 0:12:40 | 0:12:43 | |
Brooklimes... Someone's put a lot of effort into this. | 0:12:43 | 0:12:46 | |
So they've given us £400 | 0:12:46 | 0:12:49 | |
and we're going to buy 80-year-old dead weeds? | 0:12:49 | 0:12:52 | |
But they are beautiful. | 0:12:52 | 0:12:54 | |
-£35 for them all. -OK, I'm thinking about that, but... | 0:12:54 | 0:12:58 | |
-I think we should put that with our propellers. -OK. | 0:12:58 | 0:13:02 | |
-Ooh, I love that. -Oh, yes, that's an old one! | 0:13:04 | 0:13:08 | |
It's a butcher's block. They just came on a stand | 0:13:08 | 0:13:11 | |
and then people sand them down, wax them and use them in kitchens. | 0:13:11 | 0:13:15 | |
These hard-wearing cutting blocks should be on legs and were originally used for meat processing. | 0:13:15 | 0:13:21 | |
Now, of course, they're terribly fashionable in the home. | 0:13:21 | 0:13:25 | |
How much is your butcher's block? Have you got legs for it? | 0:13:25 | 0:13:28 | |
No. I did have. I used them for something else, which has now gone. | 0:13:28 | 0:13:32 | |
-Which is good for you because you can have it cheaper. -How cheap? | 0:13:32 | 0:13:36 | |
-It's like... -£60? | 0:13:36 | 0:13:38 | |
25. We're buying a few things - | 0:13:38 | 0:13:40 | |
-OK, you can have it for 20! -Thanks! -OK, fine. Excellent. Thanks! | 0:13:40 | 0:13:45 | |
You don't really need me. Why don't I give you the keys and... | 0:13:45 | 0:13:48 | |
..you can let me know how it all went? | 0:13:48 | 0:13:52 | |
Thanks, Lewis, but we're doing fine for absent shopkeepers so far today. | 0:13:52 | 0:13:56 | |
However, it allows us a moment to catch up with Alastair's exciting story. | 0:13:56 | 0:14:02 | |
He's rocking! | 0:14:02 | 0:14:03 | |
I know exactly what Phil Serrell would say about this. | 0:14:03 | 0:14:06 | |
-What would he say? -"It's firewood." | 0:14:06 | 0:14:09 | |
That's very harsh. | 0:14:09 | 0:14:11 | |
-I like the legs. -They look like little duck feet! | 0:14:11 | 0:14:14 | |
There's an awful lot of woodworm. | 0:14:14 | 0:14:16 | |
But wouldn't a two year old just love to sit and rock in this? | 0:14:16 | 0:14:21 | |
It's wonderful! I'm loving it more and more! | 0:14:21 | 0:14:25 | |
-You can have it for ten. -Would we want it for ten? | 0:14:25 | 0:14:28 | |
-I'm tempted at that price. -That's a steal! | 0:14:28 | 0:14:31 | |
-Do you think we should go for it? -Yes. -It's a deal. | 0:14:31 | 0:14:34 | |
Well, Alastair Stewart is today's top story so far. | 0:14:34 | 0:14:38 | |
Those lightening-fast purchases are starting to stack up. | 0:14:38 | 0:14:42 | |
In other news, Kirsty Wark is trying to coax Philip out of a rather comfy chair. | 0:14:42 | 0:14:48 | |
-I've been sat in my thinking chair here. -Yes. | 0:14:48 | 0:14:51 | |
Leave the butcher's block out of the equation. | 0:14:51 | 0:14:53 | |
I'm thinking about £110 for the propellers and the flowers. | 0:14:53 | 0:14:58 | |
-That's what I'm thinking. -I think £115. | 0:14:58 | 0:15:01 | |
As much as that? Lewis, what's the best you can do? | 0:15:01 | 0:15:04 | |
130. | 0:15:04 | 0:15:06 | |
-Including the butcher's block? -Did we mention the butcher's block? -No, but I'm about to. | 0:15:06 | 0:15:10 | |
140, including the butcher's block? It's nothing without the legs. | 0:15:10 | 0:15:14 | |
-20 for the butcher's block - -That would make it 150. We genuinely can't afford it. | 0:15:14 | 0:15:19 | |
I'd like to buy the two propellers and that. | 0:15:19 | 0:15:23 | |
Yes, but I like the butcher's block. | 0:15:23 | 0:15:26 | |
So for anyone else who's confused, | 0:15:26 | 0:15:28 | |
Kirsty and Phil are still interested in each other's propellers, | 0:15:28 | 0:15:33 | |
as well as the book of Edwardian pressed flowers. | 0:15:33 | 0:15:37 | |
However, the butcher's block is still a definite. Maybe. | 0:15:37 | 0:15:41 | |
Is that any clearer? | 0:15:41 | 0:15:42 | |
I'm 100 percent confused here. What we've got is... | 0:15:42 | 0:15:46 | |
-He's giving you the whole thing... -£150 for the lot? -150 is good. | 0:15:46 | 0:15:50 | |
It's a deal. | 0:15:50 | 0:15:51 | |
-Yes. -Oh, gosh! | 0:15:51 | 0:15:53 | |
That's a huge purchase to digest, | 0:15:53 | 0:15:56 | |
so let's find a little light relief back with Alastair and Catherine. | 0:15:56 | 0:16:01 | |
Can we just ask you about your Edwardian letter stationery box? | 0:16:01 | 0:16:05 | |
-I have 125 on it. -Mm. -But you can make me an offer. | 0:16:05 | 0:16:11 | |
You should never say that to me. | 0:16:11 | 0:16:13 | |
-I've just said it. -I'm very cruel and very mean. | 0:16:13 | 0:16:16 | |
-Is that the original dividers? -Yes. | 0:16:16 | 0:16:19 | |
That's quite unusual, because very often these dividers have gone with wear and tear. | 0:16:19 | 0:16:24 | |
-That... -Is lovely. -Just look at that. -It's a lovely colour. -Rosewood. | 0:16:24 | 0:16:29 | |
-That has not been hammered by the sun. -Exactly. | 0:16:29 | 0:16:33 | |
I have a very beautiful box, mahogany box, | 0:16:33 | 0:16:36 | |
-with a lovely little bit of inlay on it. -Yes. | 0:16:36 | 0:16:39 | |
And I lost the key! SAD VIOLIN MUSIC | 0:16:39 | 0:16:41 | |
And it had all of my old passports, | 0:16:41 | 0:16:43 | |
going back to when I first went abroad for ITN! | 0:16:43 | 0:16:47 | |
I had to pay the locksmith to come out and do it. | 0:16:47 | 0:16:49 | |
Great story, Alastair. | 0:16:49 | 0:16:52 | |
You worry me. I've got this feeling that all of a sudden you'll go, "OK!" | 0:16:52 | 0:16:57 | |
-No, no. -Like you've done before! | 0:16:57 | 0:17:00 | |
I could do it at 60. | 0:17:00 | 0:17:01 | |
I'm going to give you £60 for it and expect her to kick me in the shins. | 0:17:01 | 0:17:05 | |
Excellent. | 0:17:05 | 0:17:07 | |
Alastair! | 0:17:07 | 0:17:08 | |
Alastair! | 0:17:08 | 0:17:10 | |
Straight in. No negotiation. No expert consultation. And outrage. | 0:17:10 | 0:17:15 | |
I can't believe you've just done that! | 0:17:15 | 0:17:19 | |
Two, four, six. | 0:17:19 | 0:17:21 | |
-Can we just negotiate the 50? -No. Because that wasn't going to happen. | 0:17:21 | 0:17:25 | |
I can't believe you've done that. I can't believe it. | 0:17:25 | 0:17:29 | |
And on that bombshell, | 0:17:29 | 0:17:30 | |
this mammoth Edinburgh shopping exercise is finally over. | 0:17:30 | 0:17:34 | |
We can at last move on to... Oh, hang on a minute. | 0:17:34 | 0:17:38 | |
That's glass. That's beautiful. | 0:17:38 | 0:17:41 | |
I like that. Come on. | 0:17:43 | 0:17:45 | |
Probably 19th century. | 0:17:45 | 0:17:48 | |
It would've probably held a lobster pot. It's effectively a buoy, isn't it? | 0:17:48 | 0:17:52 | |
Norway first used these big glass balls from the 1840s. | 0:17:52 | 0:17:57 | |
But they were soon used all over the world | 0:17:57 | 0:18:00 | |
to stretch out enormous fishing nets for a big catch. | 0:18:00 | 0:18:04 | |
It's glass and it's rather lovely now I see it, so... | 0:18:04 | 0:18:08 | |
Here we go! | 0:18:08 | 0:18:09 | |
Why couldn't you make that an attractive proposition with the propeller? | 0:18:09 | 0:18:13 | |
120 on the ticket, but what would you do it for? | 0:18:13 | 0:18:16 | |
It says 45. | 0:18:16 | 0:18:17 | |
Oh, it's lovely. Would you do it for 40? | 0:18:17 | 0:18:22 | |
Oh, no! No. No. No. No. | 0:18:22 | 0:18:24 | |
-Yes. -Thank you so much! | 0:18:24 | 0:18:25 | |
This is going horribly wrong. Let me have a look. | 0:18:25 | 0:18:29 | |
Do you like it? | 0:18:29 | 0:18:31 | |
-I love it! God, look at it. This is your fault. -I know. | 0:18:31 | 0:18:34 | |
-I think we can leave all this gunk on there. -It's beautiful. Look. | 0:18:34 | 0:18:38 | |
It looks like a stamp of ownership. Like two ferns or something. | 0:18:38 | 0:18:43 | |
-Do you really like this? -I think it's a wonderful thing. I'm excited about it. | 0:18:43 | 0:18:49 | |
-Philip, pay the man, please. -OK, fine. | 0:18:49 | 0:18:51 | |
And with this lovely maritime novelty, | 0:18:51 | 0:18:55 | |
the Edinburgh shopping is finally over? | 0:18:55 | 0:18:58 | |
-Is that a little bit of silver? -It's Victorian. I think it's about 1880. | 0:18:58 | 0:19:04 | |
There's a hallmark there, a leopard's head, Victoria's head, | 0:19:04 | 0:19:08 | |
so we know it's all right. That's really lovely. | 0:19:08 | 0:19:11 | |
It is pretty, isn't it? I think it's a tenner. | 0:19:11 | 0:19:14 | |
-Would £10 be all right? -Yes. -Are you sure? -Thank you. -That's really sweet. | 0:19:14 | 0:19:18 | |
This is our betrothal ring to say that we're bound together! | 0:19:18 | 0:19:22 | |
That's now lots 1 to 400 in the sale are down to Kirsty and Phil. | 0:19:22 | 0:19:28 | |
I'm taking you home before you buy anything else. There's a lampstand you haven't seen yet. | 0:19:28 | 0:19:33 | |
And there's a carpet, a table... | 0:19:33 | 0:19:36 | |
Sadly, Edinburgh shopping is done | 0:19:36 | 0:19:38 | |
and it's time to evacuate our news teams from this hotspot. | 0:19:38 | 0:19:43 | |
-Did you have a good day? -Catherine was absolutely wonderful. | 0:19:43 | 0:19:46 | |
She was very indulgent of some of my occasional quirkiness. | 0:19:46 | 0:19:50 | |
What about Alastair? He strikes me as being a real card. | 0:19:50 | 0:19:54 | |
I thought he was going to really barter and negotiate hard. | 0:19:54 | 0:19:58 | |
And did he? | 0:19:58 | 0:20:00 | |
Not in the way I thought he would, to be honest! | 0:20:00 | 0:20:04 | |
Phil is really good. You just see a look in his eyes | 0:20:04 | 0:20:07 | |
where he says, but doesn't say, "That's a ridiculous idea." | 0:20:07 | 0:20:11 | |
-ALASTAIR LAUGHS -Look at that! -Fan-bloody-tastic! | 0:20:11 | 0:20:15 | |
If shopping was an Olympic sport... | 0:20:15 | 0:20:18 | |
-She'd have wonderful a gold medal. -Galactic class, she is. | 0:20:18 | 0:20:21 | |
Good girl. That's what I like to hear. | 0:20:21 | 0:20:24 | |
The rolling-news road trip rumbles on. | 0:20:24 | 0:20:27 | |
Leaving this royal throne behind, | 0:20:27 | 0:20:30 | |
our celebrities lead their expert squires onto the kingdom of Fife, | 0:20:30 | 0:20:35 | |
38 miles north of Edinburgh to the town of Falkland. | 0:20:35 | 0:20:40 | |
Hard-shopping Team Wark has decided upon a small indulgence, | 0:20:41 | 0:20:46 | |
visiting a kind of historical forerunner | 0:20:46 | 0:20:49 | |
to the great British holiday camp. | 0:20:49 | 0:20:52 | |
Falkland Palace was a summer haunt | 0:20:52 | 0:20:54 | |
of one of Kirsty's favourite historical ladies. | 0:20:54 | 0:20:58 | |
And if you can't quite guess, she's Scottish and called Mary. | 0:20:58 | 0:21:02 | |
The lands around Falkland, some 4,000 acres, | 0:21:02 | 0:21:07 | |
have hosted exclusive hunting, falconry | 0:21:07 | 0:21:09 | |
and outdoor leisure activities for over half a millennia. | 0:21:09 | 0:21:14 | |
All we need now is lovely local tour guide Pam. | 0:21:14 | 0:21:18 | |
-ALL: Good morning! -I'm Kirsty. -I'm Philip. How are you? | 0:21:18 | 0:21:21 | |
-Welcome to Falklands. -BOTH: Thank you. | 0:21:21 | 0:21:24 | |
This is the gatehouse, finished by James V of Scotland. | 0:21:24 | 0:21:28 | |
When they came here to entertain and to hunt, | 0:21:28 | 0:21:32 | |
would they come for six weeks at a time? | 0:21:32 | 0:21:34 | |
We think something like that. Six weeks to two months. | 0:21:34 | 0:21:37 | |
Hygiene was the thing that dictated when they left | 0:21:37 | 0:21:42 | |
and the whole place was then cleared and cleaned. | 0:21:42 | 0:21:45 | |
-We'd better go and have a look. -I think I'd love to. -Yes. | 0:21:45 | 0:21:49 | |
First built between 1502 and 1541, | 0:21:49 | 0:21:53 | |
Falkland Palace has mostly been a holiday home | 0:21:53 | 0:21:57 | |
for the Scottish monarchs. | 0:21:57 | 0:21:59 | |
James V transformed the interiors | 0:21:59 | 0:22:02 | |
in a stunning French Renaissance style, | 0:22:02 | 0:22:04 | |
and died here in 1542 | 0:22:04 | 0:22:07 | |
after hearing of the birth of his daughter Mary Queen of Scots. | 0:22:07 | 0:22:11 | |
As Pam's tour begins, | 0:22:11 | 0:22:13 | |
the first port of call is the most popular game at Falkland, | 0:22:13 | 0:22:17 | |
the torture of the Englishman. | 0:22:17 | 0:22:20 | |
JOLLY MUSIC Fantastic. | 0:22:20 | 0:22:23 | |
You wouldn't think a sweet lady like Pam | 0:22:23 | 0:22:26 | |
could have quite the sadistic tendencies she's got, would you? | 0:22:26 | 0:22:30 | |
-HE SHUDDERS -Oh! | 0:22:30 | 0:22:32 | |
-Kirsty, I don't like this very much. -Ohh! | 0:22:32 | 0:22:36 | |
-Ohh! -Nothing can happen to you, Phil. Look at this height of this wall. | 0:22:36 | 0:22:40 | |
Fantastic, Kirsty, fantastic! It's like walking on fresh air. | 0:22:40 | 0:22:44 | |
-It's solid stone. -I don't care. | 0:22:44 | 0:22:46 | |
Where are we going? Do you really want me to come up there? | 0:22:46 | 0:22:49 | |
I'm afraid you have to. | 0:22:49 | 0:22:51 | |
But the parapet, I'm afraid, isn't quite as good up here. | 0:22:51 | 0:22:54 | |
-Now we can see for miles and miles. -That's... | 0:22:54 | 0:22:58 | |
HE SHUDDERS | 0:22:58 | 0:22:59 | |
-If I stand here - -Don't! Come away from there! | 0:22:59 | 0:23:03 | |
-No! -Are you going on your own, then? -I'm not! -You're not going anywhere? | 0:23:03 | 0:23:07 | |
Don't you dare tell anybody about this, Pam! | 0:23:07 | 0:23:10 | |
Philip, get a grip. | 0:23:10 | 0:23:13 | |
Sadly, much of Falkland Palace was destroyed by Cromwell's forces during the Civil War | 0:23:14 | 0:23:19 | |
and fell into disrepair, until bought in 1887 | 0:23:19 | 0:23:23 | |
by John Crichton-Stuart, Third Marquis of Bute. | 0:23:23 | 0:23:27 | |
Today, the grounds and buildings are maintained in conjunction with the National Trust. | 0:23:27 | 0:23:33 | |
However, much of the hunting lands are no longer part of the estate. | 0:23:33 | 0:23:38 | |
This is the palace orchard. | 0:23:38 | 0:23:40 | |
Beyond that, practically to the foot of the hills in the distance, | 0:23:40 | 0:23:44 | |
was hunting forest. | 0:23:44 | 0:23:46 | |
Can we stop down there and look up rather than come up here and look down? | 0:23:46 | 0:23:50 | |
Fortunately, there's fun to be had, | 0:23:50 | 0:23:53 | |
and more Philip's kind of fun, down on ground level. | 0:23:53 | 0:23:57 | |
Anyone for slightly peculiar tennis? | 0:23:57 | 0:23:59 | |
This original real tennis court | 0:23:59 | 0:24:02 | |
is the oldest surviving useable court in the world, | 0:24:02 | 0:24:06 | |
built in 1539, | 0:24:06 | 0:24:08 | |
100 years before its more famous cousin | 0:24:08 | 0:24:11 | |
in Hampton Court Palace. | 0:24:11 | 0:24:14 | |
How amazing. I've never been in a real tennis court. | 0:24:14 | 0:24:18 | |
Today's umpire is Bob, secretary of Falkland's real tennis court. | 0:24:18 | 0:24:23 | |
-Very nice to meet you. -Hello. | 0:24:23 | 0:24:25 | |
I can't believe I'm standing on a court that James V played on. | 0:24:25 | 0:24:28 | |
And Mary Queen of Scots, we believe. | 0:24:28 | 0:24:32 | |
Well, she was a tall woman. She was probably quite athletic. | 0:24:32 | 0:24:36 | |
-Do you love it more than lawn tennis? -Oh, yes! | 0:24:36 | 0:24:39 | |
Much more interesting. | 0:24:39 | 0:24:41 | |
And you don't have to be 19 and serve at 150 miles an hour. | 0:24:41 | 0:24:46 | |
Good news for Phil. | 0:24:46 | 0:24:47 | |
Real or royal tennis is the forerunner to lawn tennis, | 0:24:47 | 0:24:52 | |
with some quirky, antiquated game play. | 0:24:52 | 0:24:55 | |
-The service takes place from this end only. -Right. | 0:24:55 | 0:24:59 | |
The ball must hit the roof, | 0:24:59 | 0:25:01 | |
the penthouse roof, on the far side of the net. | 0:25:01 | 0:25:05 | |
Your serving is always onto the roof? | 0:25:05 | 0:25:08 | |
Yes. So your forehand is there. | 0:25:08 | 0:25:11 | |
All four walls are in play here, a bit like squash, | 0:25:11 | 0:25:14 | |
but at a slower pace for ladies in cumbersome attire. | 0:25:14 | 0:25:18 | |
It's not just "if" your opponent faults which wins the points, | 0:25:18 | 0:25:23 | |
but where on the court, hence all the lines. | 0:25:23 | 0:25:27 | |
-I think we should give this a go. -OK. This is war. | 0:25:27 | 0:25:29 | |
This is England versus Scotland. | 0:25:29 | 0:25:33 | |
-A good tip... -Yes? -This bit is always above that bit. | 0:25:35 | 0:25:40 | |
-A-ha. OK. Right. -Excuse me! Don't I get any coaching? | 0:25:40 | 0:25:44 | |
Quiet, please! Especially you, Serrell. | 0:25:44 | 0:25:47 | |
-WIMBLEDON THEME TUNE -Miss Wark to serve. | 0:25:47 | 0:25:50 | |
-OK. -You just take it steady! | 0:25:51 | 0:25:54 | |
-Excellent! -Right. | 0:26:00 | 0:26:02 | |
SHE SQUEALS | 0:26:06 | 0:26:08 | |
-Yes! -That wasn't very good. | 0:26:08 | 0:26:11 | |
SHE LAUGHS He's good! | 0:26:14 | 0:26:17 | |
He is, isn't he? | 0:26:17 | 0:26:18 | |
That'll please the crowds up on Serrell Summit. | 0:26:18 | 0:26:22 | |
-SHE LAUGHS -You are good! | 0:26:24 | 0:26:26 | |
Phil is a complete ringer. He plays squash every single day. | 0:26:26 | 0:26:32 | |
Didn't Murray say the same about Nadal? | 0:26:32 | 0:26:35 | |
Sadly, that's all of today's highlights | 0:26:35 | 0:26:38 | |
and we now say goodbye to the wonderful Jacobean theme park that is Falkland Palace. | 0:26:38 | 0:26:43 | |
As there are no more shopping minutes to the day, | 0:26:44 | 0:26:47 | |
this part of Fife's kingdom must provide shelter for the night. | 0:26:47 | 0:26:52 | |
Sweet dreams. | 0:26:52 | 0:26:54 | |
Wakey-wakey. | 0:26:55 | 0:26:56 | |
Bright and early, the road trip calls our drivers to their cars once more. | 0:26:56 | 0:27:01 | |
I think you are a professional shopper, aren't you? | 0:27:01 | 0:27:04 | |
No, no. I shop with purpose. I'm like an exocet. | 0:27:04 | 0:27:08 | |
-You are. -I am. | 0:27:08 | 0:27:10 | |
BOMBASTIC MUSIC | 0:27:10 | 0:27:13 | |
So far, Kirsty and Phil have bought seven separate items - | 0:27:16 | 0:27:20 | |
the Edwardian table, the cock-fighting prints, | 0:27:20 | 0:27:23 | |
a pair of propellers, the pressed flowers, the butcher's block... | 0:27:23 | 0:27:26 | |
Phew! | 0:27:26 | 0:27:28 | |
..the Victorian glass float and the bargain silver napkin ring. | 0:27:28 | 0:27:31 | |
And Kirsty bought a dress for herself. Honestly! | 0:27:31 | 0:27:35 | |
Kirsty and Phil have only £90 left to spend. | 0:27:35 | 0:27:39 | |
Not now. I can't. It's profligate. | 0:27:39 | 0:27:42 | |
-What does that mean? -I've spent too much. -OK. | 0:27:42 | 0:27:45 | |
Meanwhile, the opposition has moved fast. | 0:27:46 | 0:27:48 | |
NEWS-AT-TEN BONGS | 0:27:48 | 0:27:50 | |
Alastair Stewart spends just £100 on three items. | 0:27:50 | 0:27:55 | |
Day begins with World War One cartoons. | 0:27:55 | 0:27:58 | |
Proceeds cautiously with child's rocking chair. | 0:27:58 | 0:28:02 | |
Then goes mad with impulse stationery box. | 0:28:02 | 0:28:06 | |
Alastair and Catherine begin a second day's rummaging | 0:28:06 | 0:28:09 | |
with a healthy £300. | 0:28:09 | 0:28:11 | |
Alastair, I have to ask you this question. | 0:28:12 | 0:28:16 | |
What do you talk about at the end of the news when you're shuffling the papers?! | 0:28:16 | 0:28:22 | |
Sometimes it will be, "Well, we got away with that!" | 0:28:22 | 0:28:25 | |
if something particularly hairy has happened. | 0:28:25 | 0:28:27 | |
I'm going to lip-read now. You will feel my presence. | 0:28:27 | 0:28:31 | |
The searching eyes of Catherine! | 0:28:31 | 0:28:33 | |
In true maverick style, Alastair and Catherine are going on ahead, | 0:28:33 | 0:28:38 | |
their delicate feet barely touching the ground, | 0:28:38 | 0:28:41 | |
whisking the road trip 11 miles north-east from Falkland | 0:28:41 | 0:28:45 | |
to the wonderful town of Cupar. | 0:28:45 | 0:28:48 | |
I'm sure I don't need to remind anyone here in Fife | 0:28:49 | 0:28:52 | |
that time is of the essence on this final day of shopping. | 0:28:52 | 0:28:56 | |
-So I won't. -Time is against us. | 0:28:56 | 0:28:58 | |
It really is. | 0:28:58 | 0:29:00 | |
I quite like these. | 0:29:00 | 0:29:02 | |
-What do you think? -They definitely suit you. -Do they? | 0:29:04 | 0:29:07 | |
They're spring-loaded, aren't they? I'll let you in case I break it. | 0:29:07 | 0:29:11 | |
-What are you looking for for those? -We have £50 on them. | 0:29:11 | 0:29:16 | |
But Catherine will probably make me a counter offer. | 0:29:16 | 0:29:20 | |
I will if they work! | 0:29:20 | 0:29:22 | |
Because I'm watching you fiddle! | 0:29:22 | 0:29:25 | |
-There we are. -I think they're elegant. | 0:29:25 | 0:29:27 | |
And I quite like the 1920s style. Quite Deco, isn't it? | 0:29:27 | 0:29:32 | |
What would that make at auction, though, in Kent? | 0:29:32 | 0:29:35 | |
I think they would probably make about £60. | 0:29:35 | 0:29:38 | |
But I wouldn't want to give any more. | 0:29:38 | 0:29:41 | |
I have to make a profit, at the end of the day. | 0:29:41 | 0:29:44 | |
That's what drives me. | 0:29:44 | 0:29:46 | |
-I would want to pay 15. -You would? | 0:29:54 | 0:29:57 | |
As it's you, I'll accept £15 for them, | 0:29:57 | 0:30:00 | |
and you have to make a profit. | 0:30:00 | 0:30:03 | |
You're not convinced, are you? | 0:30:03 | 0:30:04 | |
I'm convinced on the potential for margin on that, | 0:30:04 | 0:30:08 | |
but I'm also conscious of where it sits | 0:30:08 | 0:30:10 | |
in the overall set of lots that we're going to have. | 0:30:10 | 0:30:14 | |
Alastair, you're very tricky to please. | 0:30:14 | 0:30:17 | |
Now, you want something that will look good with spectacles... | 0:30:17 | 0:30:21 | |
Mm. | 0:30:21 | 0:30:23 | |
They look right through you, don't they? | 0:30:23 | 0:30:27 | |
-I like the glass eyes, too. -Mm. | 0:30:28 | 0:30:30 | |
-But there's no market for glass eyes. -There is! | 0:30:30 | 0:30:33 | |
What is the potential for improvement on glass eyes? | 0:30:33 | 0:30:36 | |
-£20 each. -Each?! | 0:30:36 | 0:30:39 | |
We can do better than that. A lot better. | 0:30:39 | 0:30:42 | |
This conversation may conclude... | 0:30:42 | 0:30:44 | |
-Mm-hm. -..a financial transaction, not at one level of activity | 0:30:44 | 0:30:49 | |
but potentially of four. | 0:30:49 | 0:30:53 | |
Therefore, your answer to her next question is crucial. | 0:30:53 | 0:30:58 | |
TENSE QUIZ SHOW-STYLE MUSIC | 0:30:58 | 0:31:01 | |
And your question is? | 0:31:03 | 0:31:06 | |
Well, just how much you'd sell them for really? | 0:31:06 | 0:31:09 | |
Is that it? | 0:31:09 | 0:31:10 | |
I do not know the man or woman who is going to pay a significant amount | 0:31:10 | 0:31:14 | |
for these three very strange eyes. | 0:31:14 | 0:31:17 | |
But you're the expert. You're a scientific instruments expert, | 0:31:17 | 0:31:21 | |
so you're the nearest out of the three of us to medical stuff. | 0:31:21 | 0:31:25 | |
-You are putting so much pressure on me! -No. | 0:31:25 | 0:31:27 | |
-I'm almost trembling! -Why? -Because it's that look! | 0:31:27 | 0:31:31 | |
25 for the glasses and the eyes. Is that what we're saying? | 0:31:31 | 0:31:34 | |
-What do you think? -Done. | 0:31:34 | 0:31:36 | |
-Look, that's how tense I am! -See how laidback I am. | 0:31:38 | 0:31:42 | |
There's 20. | 0:31:42 | 0:31:45 | |
And there's a five somewhere in... | 0:31:45 | 0:31:47 | |
..in that crumpled... crumpled stack of money! | 0:31:47 | 0:31:51 | |
The eyes have it. But I wish they'd stop staring. | 0:31:51 | 0:31:55 | |
Oh! | 0:31:55 | 0:31:57 | |
-That's spooky! -You're telling me. | 0:31:57 | 0:32:01 | |
Back down the road, your optically-challenged opponents | 0:32:01 | 0:32:05 | |
are still looking hard at the delights of Falkland. | 0:32:05 | 0:32:09 | |
Do you think he's on the fiddle?! | 0:32:09 | 0:32:11 | |
Snappy dresser Bob owns this wonderful emporium of Scottish antiques. | 0:32:13 | 0:32:18 | |
But can Kirsty find anything with downsize appeal? | 0:32:18 | 0:32:22 | |
This is actually quite pretty. | 0:32:23 | 0:32:26 | |
You've got a really good eye. I think that's absolutely beautiful. | 0:32:26 | 0:32:30 | |
Tell me about Scottish pottery. | 0:32:30 | 0:32:33 | |
-They were made in Kirkcaldy. -Kirkcaldy. -From Methven. -Medvens? | 0:32:33 | 0:32:38 | |
M-E-T-H-V-E-N. | 0:32:38 | 0:32:41 | |
-Look at it. Can we set this aside? We're building up a portfolio. -That's what's worrying me again. | 0:32:41 | 0:32:46 | |
Scottish pieces don't do so well in England | 0:32:46 | 0:32:49 | |
and some English pieces don't do so well up here. It's just the way the cookie crumbles. | 0:32:49 | 0:32:54 | |
Well, let's try and remain positive, shall we? | 0:32:54 | 0:32:58 | |
-I'm looking at this. -See this illustrated... | 0:32:58 | 0:33:01 | |
We don't like things that are illustrated. They cost more. | 0:33:01 | 0:33:05 | |
It's a wee bit collectable. | 0:33:05 | 0:33:07 | |
-How old is that? -That'll be from about 1890. | 0:33:07 | 0:33:10 | |
-1890? -We're in Kirsty's patch now. This is Scottish pottery? | 0:33:10 | 0:33:14 | |
This is Scottish pottery, but not as I would imagine it. | 0:33:14 | 0:33:18 | |
This is what I would call like a terracotta farmer's pot. | 0:33:18 | 0:33:24 | |
Seaton Pottery manufactured in Aberdeen | 0:33:24 | 0:33:28 | |
for the best part of a century. | 0:33:28 | 0:33:31 | |
This bespoke piece from 1894 is certainly catching Kirsty's eye. | 0:33:31 | 0:33:37 | |
-I think it's a thing of beauty. -That's quite primitive. It would look good on a glass table. | 0:33:38 | 0:33:43 | |
I'm going to ask you two questions. How much is that? | 0:33:43 | 0:33:47 | |
-£100. -And what's it worth? | 0:33:47 | 0:33:50 | |
-Probably 400. -Yes... | 0:33:50 | 0:33:53 | |
-My problem is... -Would it sell in Kent? | 0:33:53 | 0:33:55 | |
Would you buy a piece of Kentish pottery | 0:33:55 | 0:33:59 | |
and bring it to Aberdeen to flog? | 0:33:59 | 0:34:01 | |
-We'd have to hope there was somebody from Aberdeen. -We don't like "hope". | 0:34:01 | 0:34:05 | |
So much for remaining positive. | 0:34:05 | 0:34:07 | |
At least Kirsty and Phil are still working. | 0:34:07 | 0:34:10 | |
I just like that sort of thing! | 0:34:10 | 0:34:13 | |
I'm not even going to propose it to Catherine. I'll put it away! | 0:34:13 | 0:34:17 | |
I really like those leather gloves. | 0:34:17 | 0:34:20 | |
-Who'd buy them? -Nobody. -I'm being brutal. | 0:34:20 | 0:34:23 | |
-They do have the cute factor. -Aren't they lovely? -Very sweet. | 0:34:23 | 0:34:26 | |
Cut to the chase, you could buy these for £8. | 0:34:26 | 0:34:30 | |
-It's the kind of size that a child... -Yes. | 0:34:30 | 0:34:33 | |
-We could put the gloves on the rocking chair and have it as an item. -Have it as a lot. | 0:34:33 | 0:34:39 | |
-So that... -Perfect. You're a genius. | 0:34:39 | 0:34:42 | |
-That makes an item. -I think that would be quite nice. | 0:34:42 | 0:34:45 | |
-Fiver for the gloves? -That's a good... Oh, no! | 0:34:45 | 0:34:48 | |
-He said eight. -You're doing it again! -I'm in a hurry. | 0:34:48 | 0:34:51 | |
Catherine Southon, will you please get a handle on your celebrity? | 0:34:51 | 0:34:56 | |
-You and your mouth. -I know. | 0:34:56 | 0:34:58 | |
-Alastair offered five. -I didn't. -Five is way below. -Don't listen to Alastair. | 0:34:58 | 0:35:03 | |
-She is the boss. -Come on, we've bought a couple of things. | 0:35:03 | 0:35:06 | |
-£2? -All right. | 0:35:06 | 0:35:08 | |
-We're done. -We're done! | 0:35:08 | 0:35:10 | |
-I think that's really good! Strange but good! -Good! | 0:35:11 | 0:35:15 | |
Strange? | 0:35:15 | 0:35:17 | |
Everything about this shopping trip is a little peculiar, frankly. | 0:35:17 | 0:35:22 | |
-Bob's got a secret room. -The little rascal! | 0:35:24 | 0:35:27 | |
How many violins have you got, Bob? | 0:35:29 | 0:35:31 | |
There must be close on 100. | 0:35:31 | 0:35:33 | |
-Do you play the violin? -No, I don't. | 0:35:33 | 0:35:37 | |
-What do you...? -The flamenco and the guitar. -Give us a tune. I'll try. | 0:35:37 | 0:35:41 | |
Whose is that handwriting? | 0:35:41 | 0:35:43 | |
"My dear friend, with love..." | 0:35:43 | 0:35:46 | |
Rosanne Cash. Johnny Cash's daughter. Friend of mine. | 0:35:46 | 0:35:50 | |
-Oh! -The Cash family traced their ancestry here to Royal Borough Falkland. | 0:35:50 | 0:35:55 | |
-Really? -Ahh! Gosh! | 0:35:55 | 0:35:57 | |
HE PLAYS UPBEAT TUNE | 0:35:57 | 0:35:59 | |
-Ohh! -I love that. -Thank you! -That's really good, Bob. | 0:36:05 | 0:36:08 | |
Delightful. | 0:36:08 | 0:36:10 | |
Now, get a move on. | 0:36:10 | 0:36:12 | |
Can I have another look at that bowl? What do you think that'd make? | 0:36:12 | 0:36:16 | |
I think that could make 90 or 100. | 0:36:16 | 0:36:19 | |
-Where? Here or in Kent? -In Kent. It would more here if it was in an Aberdeen auction. | 0:36:19 | 0:36:24 | |
I can see that making 30 or 40. | 0:36:24 | 0:36:28 | |
So we'd lose money. We've got to be realistic. I love it and I love the decoration. | 0:36:28 | 0:36:32 | |
Would £50 buy that? HE SIGHS | 0:36:32 | 0:36:36 | |
-Do you want to pull up a chair, Bob? -I think I'm gonnae faint! -OK. | 0:36:36 | 0:36:40 | |
Aye, £50 would buy it. | 0:36:40 | 0:36:42 | |
I do want to buy it. | 0:36:42 | 0:36:43 | |
-But £50... -Yes. -..and the plate and that's us done. | 0:36:43 | 0:36:48 | |
-Yes. -The plate's 20. Would you take 15? 65 for both? -Yes. You've caught me on a good day. | 0:36:48 | 0:36:53 | |
-Bob, I'm going to pay you before she changes her mind. -No. | 0:36:53 | 0:36:57 | |
I'll be framing this. It'll remind me of the biggest mistake I made in my life! | 0:36:57 | 0:37:01 | |
Sadly, Bob, you're not alone in that feeling. | 0:37:01 | 0:37:05 | |
That's what they all say. | 0:37:05 | 0:37:07 | |
I don't know if we're heading north, south, east or west. Do you? | 0:37:09 | 0:37:13 | |
Fife is fast running out of kind-hearted dealers | 0:37:13 | 0:37:16 | |
and the shopping trip is fast running out of road. | 0:37:16 | 0:37:20 | |
But there's just enough left in the tank to get us another ten miles eastwards, | 0:37:20 | 0:37:25 | |
beyond Cupar, way out to the coast at St Andrews, | 0:37:25 | 0:37:30 | |
a place of great beauty, intriguing history and sometimes romance, | 0:37:30 | 0:37:35 | |
where William first had his head turned | 0:37:35 | 0:37:37 | |
by Kate's natural high-street style. | 0:37:37 | 0:37:41 | |
I'm really excited to be here. I've never been to St Andrews. | 0:37:41 | 0:37:45 | |
This is going to be fantastic. | 0:37:45 | 0:37:48 | |
Our celebrities have learned much from their trusty antiques experts | 0:37:48 | 0:37:52 | |
and the road-trip experience. | 0:37:52 | 0:37:55 | |
Now, gap year behind them, Alastair and Catherine are going back to university. | 0:37:55 | 0:37:59 | |
-Good morning. Alastair Stewart. How do you do? -Hello. Ian Carradice. | 0:37:59 | 0:38:03 | |
Welcome to MUSA. | 0:38:03 | 0:38:04 | |
MUSA is the fascinating historical museum | 0:38:04 | 0:38:07 | |
of Scotland's oldest university, | 0:38:07 | 0:38:10 | |
the amazing 600-year-old seat of learning, here at St Andrews. | 0:38:10 | 0:38:15 | |
The vast collection of over 100,000 artefacts | 0:38:15 | 0:38:18 | |
has been lovingly curated from departmental archives | 0:38:18 | 0:38:23 | |
and open to the public since 2008. | 0:38:23 | 0:38:25 | |
The school was founded officially by the Bishop of St Andrews in 1411, | 0:38:25 | 0:38:30 | |
but it became a university when authorisation was received from the Pope. | 0:38:30 | 0:38:34 | |
And the Pope that authorisation was asked from | 0:38:34 | 0:38:38 | |
is Benedict XIII, Pedro de Luna. | 0:38:38 | 0:38:40 | |
He was the Antipope, the Great Schism, based at Avignon. | 0:38:40 | 0:38:44 | |
During a 15th-century blip, two sets of bishops voted in two different men as Pope. | 0:38:44 | 0:38:51 | |
Pedro de Luna was based in France | 0:38:51 | 0:38:53 | |
and briefly enjoyed Scotland's full support, | 0:38:53 | 0:38:56 | |
hence this cast of his skull here. | 0:38:56 | 0:38:59 | |
Pedro ultimately lost the top job to the other guy, based in the Vatican. | 0:38:59 | 0:39:05 | |
The first graduates were qualified to teach throughout the Christian world, | 0:39:05 | 0:39:10 | |
so a church-approved Bull of Foundation was essential. | 0:39:10 | 0:39:15 | |
When was this officially made a university? | 0:39:15 | 0:39:18 | |
When this bull foundation was issued in 1413 by Pedro de Luna. | 0:39:18 | 0:39:22 | |
-70 years before Bosworth, the end of the War of the Roses? -Yes. | 0:39:22 | 0:39:26 | |
Two years before Agincourt. | 0:39:26 | 0:39:29 | |
The Battle of Agincourt was celebrated | 0:39:29 | 0:39:32 | |
for the prowess of its archers and their famous hand signals. | 0:39:32 | 0:39:36 | |
As military technology moved on, | 0:39:36 | 0:39:38 | |
archery became a popular sport for the wealthy and powerful. | 0:39:38 | 0:39:41 | |
From 1612, a most prestigious student contest | 0:39:41 | 0:39:46 | |
was staged on the beach at St Andrews. | 0:39:46 | 0:39:49 | |
The Silver Arrow Competition was an annual competition | 0:39:49 | 0:39:52 | |
to establish the champion archer of the university amongst the students. | 0:39:52 | 0:39:56 | |
The prize for the winner was to have a medal made, which would have his coat of arms | 0:39:56 | 0:40:01 | |
that would be added to the trophy, which was the silver arrow. | 0:40:01 | 0:40:04 | |
These are the original arrows on which all these medals hung. | 0:40:04 | 0:40:08 | |
It was a public competition. It was a real town event. | 0:40:08 | 0:40:12 | |
-The participants were teenage boys. -Yes. | 0:40:12 | 0:40:15 | |
Because the students would matriculate at the age of 13 | 0:40:15 | 0:40:19 | |
and depart at the age of 17. | 0:40:19 | 0:40:21 | |
They might've been young, but many were already wealthy and powerful | 0:40:21 | 0:40:25 | |
and often none-too-shy when fashioning their own archery award. | 0:40:25 | 0:40:30 | |
We begin with a modest-looking medal at the end there | 0:40:30 | 0:40:33 | |
from a laird's son in Fife | 0:40:33 | 0:40:37 | |
-and they progress, getting gradually larger as you go along. -Yes. | 0:40:37 | 0:40:41 | |
And suddenly, they stop. | 0:40:41 | 0:40:43 | |
These are solid silver, as well, these last two. | 0:40:43 | 0:40:46 | |
The university intervened and said, "This is getting out of hand. | 0:40:46 | 0:40:51 | |
"These boastful boys are wanting to outdo their predecessors | 0:40:51 | 0:40:54 | |
-by producing a more flamboyant medal." -Bigger and better. | 0:40:54 | 0:40:57 | |
"And the poorer students can't take part any more." | 0:40:57 | 0:41:00 | |
So they decided they'd put a weight limit of one ounce. | 0:41:00 | 0:41:03 | |
The winners were the students who could afford the equipment, the practice, | 0:41:03 | 0:41:07 | |
and so we're generally looking at the better-off students. | 0:41:07 | 0:41:12 | |
I'm interested to know what happened to this poor chap. There's a big hole there! | 0:41:12 | 0:41:16 | |
Did one of his fellow students afterwards say, | 0:41:16 | 0:41:19 | |
"I think I should've won that medal!"? | 0:41:19 | 0:41:22 | |
Each year, the winners' medals were all hanging. | 0:41:22 | 0:41:27 | |
It's not impossible that it could've been hit by a stray arrow. | 0:41:27 | 0:41:30 | |
Of course, it's always good to know who you're aiming at, | 0:41:30 | 0:41:34 | |
especially in this here antiques game. | 0:41:34 | 0:41:37 | |
And with our upcoming contest in mind, | 0:41:37 | 0:41:40 | |
it's time to reveal the rather considerable amount of items they've all been buying. | 0:41:40 | 0:41:45 | |
Call your loved ones. It's going to be a long night! | 0:41:45 | 0:41:50 | |
-Tails. We go first. -OK. | 0:41:50 | 0:41:54 | |
These are three magazines, | 0:41:55 | 0:41:58 | |
and they are articles and illustrations | 0:41:58 | 0:42:01 | |
from the First World War. | 0:42:01 | 0:42:03 | |
-It's quality illustration. -Oh, yes! -We paid £25 for the three. | 0:42:03 | 0:42:08 | |
-Anything that you can do... -We can certainly do better. | 0:42:08 | 0:42:11 | |
Well, pressed flowers are the obvious antidote to war. | 0:42:11 | 0:42:15 | |
We have bought a number of rather lovely and unusual... | 0:42:15 | 0:42:20 | |
-And slightly damaged. -Not yet. -LAUGHTER | 0:42:20 | 0:42:23 | |
The thing that worries me is that it lends itself to the idea of somebody buying the lot | 0:42:23 | 0:42:27 | |
and then spending quite a bit of money framing them | 0:42:27 | 0:42:31 | |
and then they would sell. | 0:42:31 | 0:42:33 | |
Alastair is learning this game fast. What's next? | 0:42:33 | 0:42:36 | |
-Ha-ha! The walnut... -Cracker. | 0:42:36 | 0:42:40 | |
What I like about it is that it's perfectly obvious that it's been used. | 0:42:40 | 0:42:45 | |
And the nut's been in there and that's happened, and I like that. | 0:42:45 | 0:42:49 | |
Sold. | 0:42:49 | 0:42:50 | |
-Oh, is it a set of four? -Well done. I've got a set at home, as well. | 0:42:50 | 0:42:57 | |
PHIL: Would you like four more? The problem with these is, | 0:42:57 | 0:43:00 | |
they're marked and the artwork's not great. | 0:43:00 | 0:43:03 | |
I think the artwork's good. You're just making this up. | 0:43:03 | 0:43:06 | |
Oh, I like that. That's lovely. | 0:43:07 | 0:43:09 | |
Now for Alastair's stationery box | 0:43:09 | 0:43:11 | |
which, maybe, could've been a bit cheaper. | 0:43:11 | 0:43:15 | |
-How old do you think it is? -Edwardian? | 0:43:15 | 0:43:17 | |
I do think it's Edwardian. I'd put an estimate of 60 to 90 quid. | 0:43:17 | 0:43:21 | |
If it made 120, it wouldn't surprise me. | 0:43:21 | 0:43:23 | |
Lovely. Well done. | 0:43:23 | 0:43:25 | |
Look out. It's Kirsty's propellers next. | 0:43:25 | 0:43:28 | |
I like that and Kirsty liked this, so we thought we'd buy them both. I think this is a real gamble. | 0:43:28 | 0:43:33 | |
-It's got to be 100, 150. -No. No. | 0:43:33 | 0:43:37 | |
-You think that's too high? -Yes. | 0:43:37 | 0:43:39 | |
Now, let's take a closer look at the potential for profit here. | 0:43:39 | 0:43:43 | |
-Are these Art Deco? -A night at the opera. | 0:43:43 | 0:43:46 | |
-PHIL: Can you see? -Yes. They're proper lenses. | 0:43:46 | 0:43:49 | |
It was when you pointed out the amount of work in them... | 0:43:49 | 0:43:53 | |
And that's very pretty. That's very Art Deco. | 0:43:53 | 0:43:56 | |
CATHERINE: I think they're very elegant. | 0:43:56 | 0:43:59 | |
-Hallmark silver... -Napkin ring. | 0:43:59 | 0:44:02 | |
-But with it... -ALISTAIR: A napkin? | 0:44:02 | 0:44:04 | |
..you get a table. Look at the look on Catherine's face! | 0:44:04 | 0:44:09 | |
ALISTAIR: I like the napkin ring. BOTH: I'm like the table. I don't see the connection. | 0:44:09 | 0:44:13 | |
-Did we rehearse that? -We didn't! | 0:44:13 | 0:44:16 | |
We liked the table and we thought we'd got it for a good price. If we get 50, we'll be delighted. | 0:44:16 | 0:44:21 | |
There's a profit there. | 0:44:21 | 0:44:22 | |
-OK... -Those are fantastic. -KIRSTY: Those are beautiful. | 0:44:22 | 0:44:26 | |
I love that! | 0:44:26 | 0:44:29 | |
Look! The chair. | 0:44:29 | 0:44:30 | |
I know exactly what you're thinking about! | 0:44:30 | 0:44:33 | |
-I do! -No, you don't. -KIRSTY: Tell her. -No. | 0:44:33 | 0:44:36 | |
-They're firewood. -No. Flipping disgusting, perhaps, but... | 0:44:36 | 0:44:40 | |
It's yummy mummy. They are desperate to buy a duck-shaped rocking chair. | 0:44:40 | 0:44:46 | |
We have met their every need. | 0:44:46 | 0:44:47 | |
Let's hope there are yummy mummies at auction! | 0:44:47 | 0:44:50 | |
Is that lovely? ALASTAIR: I like that. | 0:44:50 | 0:44:52 | |
This is Scottish pottery. | 0:44:52 | 0:44:54 | |
The yellow and the black of the birds is fantastic. That's my favourite so far. | 0:44:54 | 0:44:59 | |
-This complements it ideally... -This is Scottish pottery. -It's a fishing float! | 0:44:59 | 0:45:04 | |
-It's still got the sand on it. -I might pay 40 or £50. | 0:45:04 | 0:45:08 | |
You little belter! | 0:45:08 | 0:45:09 | |
Three glass eyes. Why do people want them? | 0:45:09 | 0:45:13 | |
-What do they do with them? -PHIL: Why did you buy them? -She told me to. -OK. | 0:45:13 | 0:45:17 | |
-I didn't tell you to! I merely advised! -Sorry, "advised". | 0:45:17 | 0:45:20 | |
-They're a good bit of fun. -KIRSTY: What did you pay? | 0:45:20 | 0:45:23 | |
-10. -You pinched them! Absolutely pinched them. | 0:45:23 | 0:45:26 | |
-Aye-aye. -Aye-aye! | 0:45:26 | 0:45:28 | |
This was made at Seaton Pottery outside Aberdeen. | 0:45:28 | 0:45:33 | |
-This obviously is very weathered. -CS: It's lovely. | 0:45:33 | 0:45:35 | |
-It's naive and that's what I like about it. -Primitive. | 0:45:35 | 0:45:38 | |
But we actually bought it and decided it would go with something we bought yesterday. | 0:45:38 | 0:45:44 | |
Would you like to stand up? | 0:45:44 | 0:45:47 | |
It's... | 0:45:48 | 0:45:50 | |
OK, it's a chopping block. PHIL: It's a butcher's block. | 0:45:50 | 0:45:53 | |
On legs, those are worth 150, 250. | 0:45:53 | 0:45:58 | |
We gave a tenner for it. | 0:45:58 | 0:46:00 | |
-That could sit on that. -Exactly. | 0:46:00 | 0:46:03 | |
I'll concede that. | 0:46:03 | 0:46:04 | |
Great. But how would our anchors spin each other's shopping stories? | 0:46:04 | 0:46:09 | |
-What about the propeller? -I think that will crash from the sky. | 0:46:09 | 0:46:14 | |
The magazines are fascinating. I wouldn't put them to auction. | 0:46:14 | 0:46:17 | |
-It's not something I'd buy. -They're a bit macabre. | 0:46:17 | 0:46:20 | |
What did you make of what Philip said about the box? | 0:46:20 | 0:46:23 | |
I was really hoping you wouldn't bring that up. | 0:46:23 | 0:46:27 | |
I don't mind whether they win or we win, as long as it's us. | 0:46:27 | 0:46:31 | |
With that great generosity of spirit, | 0:46:31 | 0:46:34 | |
it's time for us to move on towards the ultimate test of antiques prowess. | 0:46:34 | 0:46:40 | |
-With Kent, you think vegetables. -Big, old houses. -Absolutely. | 0:46:40 | 0:46:43 | |
And the garden of England, but this is industrial Kent. | 0:46:43 | 0:46:46 | |
This is ports and ships and breaking yards. | 0:46:46 | 0:46:50 | |
I went to school with a chap whose father had a ship-broking business | 0:46:50 | 0:46:55 | |
and I asked if that was like insurance brokerage | 0:46:55 | 0:46:57 | |
and he said, "No, we break ships!" HE LAUGHS | 0:46:57 | 0:47:00 | |
Here he goes again. | 0:47:00 | 0:47:02 | |
Eastern Scotland has done our celebrities proud, | 0:47:03 | 0:47:07 | |
from handsome Edinburgh, | 0:47:07 | 0:47:09 | |
through the hidden treasures of Fife. | 0:47:09 | 0:47:12 | |
Now we take a dramatic leap, | 0:47:12 | 0:47:15 | |
landing up a whopping - wait for it - 522 miles south, | 0:47:15 | 0:47:20 | |
here at lovely Sheerness, on the east Kent coast. | 0:47:20 | 0:47:24 | |
You've changed, I notice! | 0:47:24 | 0:47:27 | |
I've changed into my dress that I bought for £40. | 0:47:27 | 0:47:31 | |
Things like your fisherman's ball, | 0:47:31 | 0:47:34 | |
that should do well here in what is very much maritime Kent. | 0:47:34 | 0:47:38 | |
Absolutely. And think how many sailors and pirates only had one eye! | 0:47:38 | 0:47:42 | |
HE LAUGHS | 0:47:42 | 0:47:45 | |
This is lovely, isn't it?! | 0:47:45 | 0:47:47 | |
-Very picturesque. -Really beautiful. | 0:47:47 | 0:47:49 | |
I can't understand why more people don't come here. | 0:47:49 | 0:47:52 | |
It's finally auction day. | 0:47:52 | 0:47:55 | |
We want our celebrity teams hungry for the challenge. | 0:47:55 | 0:47:59 | |
You're looking very elegant and raring to go! | 0:47:59 | 0:48:04 | |
Partner in crime. | 0:48:04 | 0:48:07 | |
Shall we propel ourselves? Enough puns already! | 0:48:07 | 0:48:10 | |
More than enough, thank you. | 0:48:10 | 0:48:14 | |
Frederick Andrews Ltd opened their doors to auction hopefuls in 2004. | 0:48:14 | 0:48:18 | |
Resident auctioneer Michael Walkling has taken a very good look | 0:48:18 | 0:48:22 | |
at Kirsty and Alastair's combo lots for sale. | 0:48:22 | 0:48:26 | |
The World War memorabilia I think is going to struggle, if I'm honest. | 0:48:26 | 0:48:31 | |
The glass eyes! Yes! | 0:48:31 | 0:48:32 | |
An attractive lot. We should find somebody to buy them. | 0:48:32 | 0:48:35 | |
I've no idea what they'll do with them, but I suspect they'll make £20 to £30. | 0:48:35 | 0:48:40 | |
A very eclectic mixes of some items, where the napkin ring goes with the table and such like. | 0:48:40 | 0:48:45 | |
We may struggle with that. | 0:48:45 | 0:48:47 | |
So abandon all hope, perhaps! | 0:48:47 | 0:48:50 | |
Kirsty and Alastair started their antiques adventure with £400 each. | 0:48:50 | 0:48:55 | |
Kirsty side-stepped austerity to go shopping mad, | 0:48:57 | 0:49:01 | |
spending a wonderful £310 on ten items, | 0:49:01 | 0:49:04 | |
combined now in six auction lots. | 0:49:04 | 0:49:08 | |
Alastair was bold and decisive, yet actually spent very little - | 0:49:09 | 0:49:12 | |
a mere £127 on seven items, | 0:49:12 | 0:49:16 | |
now also in six auction lots. | 0:49:16 | 0:49:19 | |
Well done! | 0:49:19 | 0:49:21 | |
So hold the front page and smoke 'em if you've got 'em. The auction is about to begin. | 0:49:21 | 0:49:27 | |
This is very cosy, isn't it? | 0:49:27 | 0:49:30 | |
-Sorry! -No, you're fine! | 0:49:30 | 0:49:32 | |
First to spoil for a fight | 0:49:32 | 0:49:35 | |
are Kirsty and Phil's vibrant sporting prints. | 0:49:35 | 0:49:39 | |
-£25 cost. They will make...? -50. -Good girl! | 0:49:39 | 0:49:42 | |
-Alastair? -Fighting cocks up first. | 0:49:42 | 0:49:44 | |
Shall we say for those £30 for the set of four? | 0:49:44 | 0:49:48 | |
Nice set of four prints. £30. | 0:49:48 | 0:49:51 | |
20, then. 20 I've got. Five anywhere now? | 0:49:51 | 0:49:54 | |
22? 25? 28? 30. £30 bid. | 0:49:54 | 0:49:58 | |
Selling at 30, then. | 0:49:58 | 0:50:01 | |
You just made 50 pence. | 0:50:01 | 0:50:04 | |
-We made £5. -No, we have to pay commission. | 0:50:04 | 0:50:07 | |
OK, we made 50 pence. I am so disappointed. | 0:50:07 | 0:50:10 | |
There's plenty of time for disappointment. | 0:50:10 | 0:50:14 | |
Let's get on with the rest of it first. | 0:50:14 | 0:50:16 | |
Alastair and Catherine's nursery combo is next. | 0:50:16 | 0:50:21 | |
I feel you're not feeling sentimental about this? | 0:50:21 | 0:50:24 | |
No, I think that the chair would do better somewhere else! | 0:50:24 | 0:50:30 | |
..and a pair of kid gloves. | 0:50:30 | 0:50:32 | |
-Gloves and chair! -£30 somewhere? | 0:50:32 | 0:50:36 | |
Easily worth £30. 30 I've got. | 0:50:36 | 0:50:39 | |
32 bid. 35. 35 bid. | 0:50:39 | 0:50:41 | |
38? Done at 35! | 0:50:41 | 0:50:46 | |
Ah, but it's worth much more than that. | 0:50:46 | 0:50:49 | |
-Be thankful for small mercies. -Be thankful for small gloves! | 0:50:49 | 0:50:54 | |
Whilst Alastair complains about doubling his money, | 0:50:54 | 0:50:57 | |
the eyes have it next. | 0:50:57 | 0:50:59 | |
I think the eyes are going to be a winner. | 0:50:59 | 0:51:02 | |
There's a lot of people in here with just one eye. | 0:51:02 | 0:51:05 | |
-Unusual lot. £30 for the three somewhere? -Come on! | 0:51:06 | 0:51:10 | |
£20, then? Easily worth 20. 20 I've got. | 0:51:10 | 0:51:13 | |
-20! -Can I bid on these? | 0:51:13 | 0:51:15 | |
25? 28? 30? | 0:51:15 | 0:51:19 | |
£30. 32. | 0:51:19 | 0:51:21 | |
Selling at 32! | 0:51:21 | 0:51:23 | |
-Yay! -What did you pay for them? -A tenner. | 0:51:23 | 0:51:27 | |
Cheer up, Phil. Your unusual but handsome | 0:51:28 | 0:51:32 | |
table/napkin-ring combo is next. | 0:51:32 | 0:51:35 | |
Furniture has been going quite well. | 0:51:35 | 0:51:38 | |
We'll probably put a stop to that. | 0:51:38 | 0:51:42 | |
I can start on commissions at £20. | 0:51:42 | 0:51:45 | |
-Ooh, commissions! -30 here. 35. | 0:51:45 | 0:51:48 | |
40 here. Five. 50 bid. Five. 55. 60 anywhere? | 0:51:48 | 0:51:54 | |
There at 55! | 0:51:54 | 0:51:56 | |
-Well done. -Oh, my God. | 0:51:56 | 0:51:59 | |
-That's good. -I feel a bit happier now. | 0:51:59 | 0:52:02 | |
Alastair bought this in Edinburgh, much to Catherine's disdain. | 0:52:02 | 0:52:06 | |
Can his haste be vindicated today, in Kent? | 0:52:06 | 0:52:09 | |
A very pretty lot, that one. | 0:52:09 | 0:52:11 | |
65, I'm bid. 70 anywhere? Disappointing price, though. | 0:52:11 | 0:52:14 | |
65 with me. | 0:52:14 | 0:52:16 | |
70 in the room. Five here. 80? Five here. 90? | 0:52:16 | 0:52:20 | |
85 in. 90 where? | 0:52:20 | 0:52:22 | |
Here at 85. Are you all done at 85? | 0:52:22 | 0:52:26 | |
Robbery with violence! | 0:52:26 | 0:52:27 | |
With Alastair complains about another decent profit, | 0:52:27 | 0:52:31 | |
perhaps Kirsty and Phil's pretty pressed flowers can quell his rage. | 0:52:31 | 0:52:36 | |
I can feel the Edwardian flowers tanking! | 0:52:36 | 0:52:41 | |
What shall we say? £30 for those? | 0:52:41 | 0:52:43 | |
20, then? Easily £20, surely? £10? | 0:52:43 | 0:52:49 | |
10 I have. 12 anywhere? | 0:52:49 | 0:52:51 | |
12 I have. 15? £12 bid. | 0:52:51 | 0:52:54 | |
15 where? There at 12, then. | 0:52:54 | 0:52:57 | |
I don't think Kent is ready for pressed flowers yet. | 0:52:57 | 0:53:02 | |
But they've got lots of marshes. | 0:53:02 | 0:53:04 | |
Ouch! I think we all expected that delightful collection to do better. | 0:53:04 | 0:53:09 | |
Rough justice in Kent today. | 0:53:09 | 0:53:13 | |
We don't get bogged down in a sad lot. | 0:53:13 | 0:53:15 | |
Your butchers block and dairy bowl | 0:53:15 | 0:53:18 | |
offer a chance to claw back some money. | 0:53:18 | 0:53:21 | |
-You're fairly relaxed about it all, aren't you? -No! Not in the slightest! | 0:53:21 | 0:53:25 | |
How can you say that? She's sitting on the edge of her seat! | 0:53:25 | 0:53:28 | |
Start me somewhere round about £100. Start me at 80, then. | 0:53:28 | 0:53:33 | |
80 anywhere? Easily worth that, I would've that. | 0:53:33 | 0:53:36 | |
-50 I've got. 55 anywhere? -Come on. | 0:53:36 | 0:53:38 | |
55. 60. Five. 70. 75. 80. | 0:53:38 | 0:53:43 | |
85. 90. 95. 100. | 0:53:43 | 0:53:47 | |
-And five. 110. -It's beautiful. | 0:53:47 | 0:53:49 | |
Here at 105. Are you all done at 105? | 0:53:49 | 0:53:53 | |
-Good. -That's all right. | 0:53:53 | 0:53:56 | |
Much better for Team Wark there. | 0:53:56 | 0:53:59 | |
Next up, we've got... Has anybody seen the...? | 0:53:59 | 0:54:04 | |
They've got to find them first. | 0:54:04 | 0:54:06 | |
-They were in the cabinet. -Because they're very valuable! That's why! | 0:54:06 | 0:54:11 | |
Ahh, here you go. | 0:54:11 | 0:54:13 | |
There we are there. Nice pair, there. | 0:54:13 | 0:54:16 | |
What are they worth? £40. | 0:54:16 | 0:54:18 | |
30 anywhere? | 0:54:18 | 0:54:20 | |
-Come on! -25, I'll take. | 0:54:20 | 0:54:22 | |
25 bid. 28 anywhere? 28 bid. | 0:54:22 | 0:54:26 | |
30, sir? 30 bid. 32. £32 bid. | 0:54:26 | 0:54:29 | |
35 anywhere? 32, then. | 0:54:29 | 0:54:32 | |
Excellent. I'm sure that double-money profit | 0:54:32 | 0:54:35 | |
will lift Alastair and Catherine's spirits. Finally! | 0:54:35 | 0:54:39 | |
Ahh... | 0:54:39 | 0:54:41 | |
I'm really disappointed with those. I thought they might make more. I thought they'd go about 50. | 0:54:41 | 0:54:46 | |
Well, let's keep Kirsty and Phil buoyant at least. | 0:54:47 | 0:54:51 | |
The next one, rather unusual lot. It's the oversized fishing float | 0:54:51 | 0:54:56 | |
and the Scottish Spongeware plate. | 0:54:56 | 0:54:59 | |
Start me at 40. | 0:54:59 | 0:55:00 | |
40 anywhere? | 0:55:00 | 0:55:03 | |
£30, start me. Anybody at £30? | 0:55:03 | 0:55:06 | |
-I can't believe that. -20, I have. | 0:55:06 | 0:55:08 | |
20, I have. 25 anywhere now? | 0:55:08 | 0:55:10 | |
30 bid. 35, sir? | 0:55:10 | 0:55:12 | |
At 30.. | 0:55:12 | 0:55:14 | |
Gutted. Gutted, gutted, gutted. | 0:55:14 | 0:55:17 | |
I'm really, really upset by that. | 0:55:17 | 0:55:20 | |
Gutted. | 0:55:20 | 0:55:21 | |
Honestly, what can we do to cheer this room up? | 0:55:21 | 0:55:25 | |
How about some First World War cartoons? | 0:55:25 | 0:55:28 | |
-Just waiting to be cut out and framed, to be honest. -Yes! | 0:55:28 | 0:55:33 | |
Probably about one pound each for the plates. £30 for the lot. | 0:55:33 | 0:55:36 | |
-Come on! -£20 somewhere. | 0:55:36 | 0:55:38 | |
-15 I have. 18? 18. 20. -That's what we paid. -22? | 0:55:38 | 0:55:43 | |
20, I'm bid. Two anywhere? At 20... | 0:55:43 | 0:55:46 | |
-Oh, Alastair! -Are you going to buy those back? | 0:55:46 | 0:55:49 | |
-I can't believe that. -It's a cruel world. | 0:55:49 | 0:55:53 | |
It is a cruel world. | 0:55:53 | 0:55:55 | |
Oh, dear. Well, let's give Alastair and Catherine | 0:55:55 | 0:55:59 | |
one last crack at success, shall we? | 0:55:59 | 0:56:02 | |
I can't bear the tension! Pressure. | 0:56:02 | 0:56:05 | |
You could turn it over and have it as a gavel, any budding auctioneers! | 0:56:05 | 0:56:09 | |
£10 for this one. Who wants that for a tenner? | 0:56:09 | 0:56:12 | |
-Keep going. -Lady at 10. 12 anywhere? 12 here. 15 where? | 0:56:12 | 0:56:16 | |
-£12 here. 15 where? -Come on! | 0:56:16 | 0:56:18 | |
-There at £12. -This is our last thing! | 0:56:18 | 0:56:21 | |
-You made a profit. -PHIL: How much was it? | 0:56:21 | 0:56:24 | |
-£7 profit, less VAT and... -Commission. -Commission. | 0:56:24 | 0:56:27 | |
-Declarations of war... -Christmas presents... | 0:56:27 | 0:56:29 | |
PHIL: You've doubled your money. Poor old you! | 0:56:29 | 0:56:34 | |
Last, for a sky-high ending, Kirsty and Phil's fine propellers. | 0:56:34 | 0:56:38 | |
I think the propellers are going to go big style. | 0:56:38 | 0:56:41 | |
-I've got a feeling. -Which way? -Up the way. -You think so? | 0:56:41 | 0:56:45 | |
Absolutely. There's the kind of people in here that like propellers! | 0:56:45 | 0:56:49 | |
£100 for the two somewhere? Easily worth that, I would've thought. | 0:56:49 | 0:56:53 | |
50's all I'm bid. Five anywhere now? 50 I'm bid for the two. | 0:56:53 | 0:56:56 | |
-55 anywhere? -Shall I start the car? -Cheap lot. No real interest. | 0:56:56 | 0:57:00 | |
Here at £50. 50... | 0:57:00 | 0:57:04 | |
I think there's only one thing to do, | 0:57:04 | 0:57:06 | |
which is be grown up about it and go and sulk somewhere. | 0:57:06 | 0:57:11 | |
Difficult to know what to say, isn't it? | 0:57:11 | 0:57:14 | |
Our celebrities began with £400 each. | 0:57:14 | 0:57:18 | |
After auction costs were removed, | 0:57:18 | 0:57:21 | |
Kirsty and Phil's sad loss turned into a devastating £78.76. | 0:57:21 | 0:57:26 | |
Kirsty and Phil end their trip with just £321.24. | 0:57:26 | 0:57:32 | |
Despite disappointment, | 0:57:34 | 0:57:36 | |
Alastair and Catherine made a flourishing profit of £50.12, | 0:57:36 | 0:57:41 | |
finishing their road trip with, yep, £450.12! | 0:57:41 | 0:57:46 | |
All the money our celebrities and experts make will go to Children In Need. | 0:57:48 | 0:57:53 | |
So well done, everyone, especially today's victors, | 0:57:53 | 0:57:56 | |
Alastair Stewart and Catherine Southon. | 0:57:56 | 0:57:59 | |
-KIRSTY GROANS -Crash and burn. | 0:58:02 | 0:58:05 | |
-Well done. -Oh! -HE LAUGHS | 0:58:05 | 0:58:07 | |
I am gutted. They had so many bargains in there from us. | 0:58:07 | 0:58:11 | |
I was going to say "Back to the day job" but worryingly, that's what I do! | 0:58:11 | 0:58:16 | |
It's too late for regrets, Philip! | 0:58:16 | 0:58:18 | |
-I think it's time to start the car. -No. Come on! | 0:58:18 | 0:58:22 | |
-No, I'm sorry. -We'll go and have a drink. | 0:58:22 | 0:58:24 | |
That's my girl! | 0:58:24 | 0:58:26 | |
-Toot-toot! -She may have lot the action... -Bye! -..but she's won the driving seat. | 0:58:26 | 0:58:31 | |
It's shotgun for Alastair and road ahead for everyone. | 0:58:31 | 0:58:35 | |
Farewell. | 0:58:35 | 0:58:38 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:43 | |
E-mail [email protected] | 0:58:43 | 0:58:47 |