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-Some of the nation's favourite celebrities... -Sensational! | 1:01:02 | 1:01:06 | |
..one antiques expert each... | 1:01:06 | 1:01:08 | |
-This is Qianlong. -Qianlong? Well done. | 1:01:08 | 1:01:11 | |
..and one big challenge - who can seek out and buy | 1:01:12 | 1:01:15 | |
the best antiques at the very best prices... | 1:01:15 | 1:01:18 | |
I am going to kill him. | 1:01:19 | 1:01:21 | |
-..and auction them for a big profit... -55. Thank you. | 1:01:21 | 1:01:25 | |
..further down the road. | 1:01:25 | 1:01:26 | |
Who will spot the good investments? | 1:01:26 | 1:01:29 | |
Who will listen to advice? | 1:01:30 | 1:01:33 | |
THEY LAUGH | 1:01:33 | 1:01:34 | |
And who will be the first to say, "Don't you know who I am?" | 1:01:34 | 1:01:38 | |
Time to put your mettle to the pedal. | 1:01:38 | 1:01:41 | |
This is the Celebrity Antiques Road Trip! Yeah! | 1:01:41 | 1:01:45 | |
Hello and welcome to our star-studded antiques extravaganza. | 1:01:52 | 1:01:56 | |
Seat belts on, please! | 1:01:56 | 1:01:58 | |
Good morning, everyone. Welcome to the exciting new sound of Radio 1. | 1:01:58 | 1:02:02 | |
We've got Tony Blackburn, the man who first put needle to vinyl | 1:02:02 | 1:02:06 | |
on Radio 1's inaugural pop show way back in... | 1:02:06 | 1:02:09 | |
Well, it was a while ago. | 1:02:09 | 1:02:12 | |
That's Cherry, and she's going to be dancing with Pan's people | 1:02:12 | 1:02:15 | |
all the way through 1973. | 1:02:15 | 1:02:17 | |
And this lovely lady is Toyah Wilcox - | 1:02:17 | 1:02:21 | |
you know, from the '80s. | 1:02:21 | 1:02:23 | |
She's had more New Romantic hit records | 1:02:23 | 1:02:25 | |
than I've had old romantic evenings. | 1:02:25 | 1:02:28 | |
He says that, but I'm going to spank his bottom. | 1:02:29 | 1:02:31 | |
Hmm! Lovely as they are, these entertainers have no idea | 1:02:31 | 1:02:35 | |
what they're doing on an antiques road trip all by themselves. | 1:02:35 | 1:02:38 | |
They'll be driving in this rather splendid 1978 Morgan, | 1:02:38 | 1:02:41 | |
and we've given them this fine pair of antiques experts, | 1:02:41 | 1:02:44 | |
auctioneers Charlie Ross and Charles Hanson. | 1:02:44 | 1:02:47 | |
-Six pounds? -Yes, surely, Ross! | 1:02:47 | 1:02:50 | |
Oh, Dick Turpin, you are! | 1:02:50 | 1:02:52 | |
You ought to wear a mask! | 1:02:52 | 1:02:54 | |
With his hair cut especially for us, | 1:02:56 | 1:02:58 | |
Charlie Ross is an expert who knows what he's doing - | 1:02:58 | 1:03:01 | |
well, most of the time. | 1:03:01 | 1:03:02 | |
He carries on buying and buying, | 1:03:02 | 1:03:05 | |
and why? Why? | 1:03:05 | 1:03:07 | |
Why? | 1:03:07 | 1:03:09 | |
Why? Then there's Charles Hanson, | 1:03:09 | 1:03:12 | |
with a fine short back and sides, and just a little off the top. | 1:03:12 | 1:03:16 | |
He's also rather charming. | 1:03:16 | 1:03:18 | |
-I'm going. -Nice to meet you. | 1:03:18 | 1:03:19 | |
And I'm...gone. | 1:03:19 | 1:03:22 | |
Our celebrities have £400 each to get out there and get shopping, | 1:03:23 | 1:03:27 | |
with the express task of making a profit at a bona-fide auction. | 1:03:27 | 1:03:31 | |
Can they spot a great item and get an even better deal? | 1:03:31 | 1:03:35 | |
So, are you into antiques? | 1:03:35 | 1:03:37 | |
I'm an armchair TV expert, | 1:03:37 | 1:03:39 | |
in that I watch every programme on telly. | 1:03:39 | 1:03:42 | |
-How about you? -I'm... I don't know nothing about antiques. | 1:03:42 | 1:03:46 | |
-I am one now. -Oh, bless you. | 1:03:46 | 1:03:48 | |
If I can't find anything over the value of £30, I'm selling you. | 1:03:48 | 1:03:52 | |
Our two new friends are about to become competitors, | 1:03:53 | 1:03:56 | |
so let's hope the experts are ready to lend a hand. | 1:03:56 | 1:04:00 | |
Charlie, I really can't wait, and what we must remember is, | 1:04:00 | 1:04:03 | |
no matter who our wing men or wing ladies are, | 1:04:03 | 1:04:06 | |
-it's a battle between you and I. -Absolutely! | 1:04:06 | 1:04:10 | |
That's the spirit, Carlos. | 1:04:10 | 1:04:12 | |
Tony and Toyah, Charlie and Charles | 1:04:14 | 1:04:16 | |
will travel a whopping 250 miles down the east of England | 1:04:16 | 1:04:20 | |
towards the auction in Stansted. | 1:04:20 | 1:04:22 | |
But our celebrities and experts first need to meet and greet | 1:04:22 | 1:04:26 | |
in grand old York. | 1:04:26 | 1:04:28 | |
Look! There they are. | 1:04:29 | 1:04:31 | |
THEY CHEER | 1:04:31 | 1:04:33 | |
Let me get you out, madam. Are you Toyah? | 1:04:34 | 1:04:37 | |
-Yes! -I'm Charlie. -Oh, hello, darling. | 1:04:37 | 1:04:39 | |
THEY LAUGH I'm in love. | 1:04:39 | 1:04:41 | |
-I love your car! -Hello, Tony. Nice to see you. | 1:04:41 | 1:04:45 | |
So, are you an antique collector? | 1:04:45 | 1:04:47 | |
Furniture, paintings, china... | 1:04:47 | 1:04:49 | |
And what about you? | 1:04:49 | 1:04:51 | |
Well, I'm not really a great antique... | 1:04:51 | 1:04:53 | |
Well, I am a great antique. If I go into a shop, | 1:04:53 | 1:04:56 | |
-I have to keep moving, or someone will buy me. -Let's go shopping. | 1:04:56 | 1:04:59 | |
Go on. Off you go shopping. | 1:04:59 | 1:05:02 | |
-Antiques, furniture... -Toy boy, come here. -Bye, dears. | 1:05:02 | 1:05:05 | |
-Bye! -Bye! | 1:05:05 | 1:05:07 | |
It's sad, really, isn't it? They think they're going to win. | 1:05:07 | 1:05:10 | |
We'll let them knock themselves out, then we'll go in there | 1:05:10 | 1:05:13 | |
-and buy the right stuff, because I think you are the one. -I think so. | 1:05:13 | 1:05:17 | |
Now our new partnerships must head off on their first... | 1:05:17 | 1:05:20 | |
well, not date, exactly. | 1:05:21 | 1:05:23 | |
I'm a lucky man, Toyah. You and I in York! | 1:05:23 | 1:05:27 | |
-Are we going to be lucky today? -Yes. I hope so. | 1:05:27 | 1:05:29 | |
I've got my best three-piece suit on. | 1:05:29 | 1:05:32 | |
-It's dead on trend. -Thanks very much, Toyah. | 1:05:32 | 1:05:35 | |
-Mind the cyclist. -Sorry. | 1:05:35 | 1:05:38 | |
-I think you'd stand a better chance negotiating. -You think so? | 1:05:38 | 1:05:41 | |
They'll say, "That nice Mr Blackburn!" | 1:05:41 | 1:05:43 | |
-"We'll let him have it for nothing." -Yeah. I'll plead insanity. | 1:05:43 | 1:05:47 | |
That'll do it, cos nobody's going to argue with that one. | 1:05:47 | 1:05:51 | |
Do you have a sort of favourite period? | 1:05:51 | 1:05:54 | |
-Art Deco, Art Nouveau? -Anything you say! | 1:05:54 | 1:05:57 | |
THEY LAUGH | 1:05:57 | 1:05:59 | |
So, there's clearly no beginning to Tony's antiques knowledge. | 1:05:59 | 1:06:03 | |
How about his celebrity rival? | 1:06:03 | 1:06:05 | |
We're quite a quirky pair, aren't we? | 1:06:05 | 1:06:08 | |
I think something quirky, a bit unusual, | 1:06:08 | 1:06:11 | |
-a bit different. -Also we are interested in Japan | 1:06:11 | 1:06:14 | |
and China, and there's some really interesting things there. | 1:06:14 | 1:06:17 | |
Slightly above our price range, but I think we should have a look | 1:06:17 | 1:06:21 | |
-and take everything... -I agree. | 1:06:21 | 1:06:23 | |
-I love that cigarette box. -No. Who wants a cigarette box | 1:06:25 | 1:06:29 | |
-in this day and age? -But don't you think it takes us back | 1:06:29 | 1:06:32 | |
to a golden age, a jazz age, dimly lit interiors and smoke - | 1:06:32 | 1:06:35 | |
-How old are you? -Um... | 1:06:35 | 1:06:37 | |
-You're much younger than me. -34. 34. -You're 34. OK. | 1:06:37 | 1:06:40 | |
-I'm 34, yeah. -Charles, you're a baby. | 1:06:40 | 1:06:43 | |
-That's OK. I shall follow your lead. -We're not buying cigarette boxes | 1:06:43 | 1:06:46 | |
unless they're solid silver or solid gold. | 1:06:46 | 1:06:49 | |
Sounds like Toyah has a plan, and one or two ideas! | 1:06:49 | 1:06:54 | |
Tony might have to learn fast, or seek out further assistance. | 1:06:54 | 1:06:59 | |
This is really interesting, this little nut there. | 1:06:59 | 1:07:02 | |
19th century, Black Forest. Don't see too much Black Forest around, | 1:07:02 | 1:07:06 | |
-and it's an inkwell. -Oh, it's an inkwell? Oh, yeah! | 1:07:06 | 1:07:09 | |
It would have had a little glass liner inside, | 1:07:09 | 1:07:12 | |
otherwise the ink would soak through the wood. | 1:07:12 | 1:07:15 | |
-So would that reduce its value? -Um, it could do, | 1:07:15 | 1:07:18 | |
but it's still an interesting little piece. | 1:07:18 | 1:07:21 | |
-How much are you... -That one is 45. | 1:07:21 | 1:07:23 | |
-45? Can you do a deal on that one? -Yes, I'm sure we can. | 1:07:23 | 1:07:27 | |
-You can? -Yes. I think we could do 35 on that. | 1:07:27 | 1:07:29 | |
35? Yeah, I like that. | 1:07:29 | 1:07:32 | |
Mr Blackburn! What are you doing on your knees... | 1:07:32 | 1:07:34 | |
TONY LAUGHS ..with a young lady? | 1:07:34 | 1:07:36 | |
She's just shown me this, which I think might be quite nice. | 1:07:36 | 1:07:40 | |
I have to say, I like that. | 1:07:40 | 1:07:42 | |
Did you spot that, or were you led there by Claire? | 1:07:42 | 1:07:45 | |
I can't remember. It's for £45, but Claire's very kindly said - | 1:07:45 | 1:07:49 | |
-She'd do it for a tenner? -35. | 1:07:49 | 1:07:51 | |
Oh! THEY LAUGH | 1:07:51 | 1:07:53 | |
Our celebrities have really got cracking, | 1:07:53 | 1:07:56 | |
but that £400 won't spend itself. | 1:07:56 | 1:07:59 | |
Who will be the first to grasp the nettle | 1:07:59 | 1:08:02 | |
and actually buy something for auction? | 1:08:02 | 1:08:05 | |
-Oh, I love that. -Chinese, Song Dynasty. | 1:08:05 | 1:08:09 | |
13th century. | 1:08:09 | 1:08:11 | |
The Song Dynasty is often referred to as the Chinese Renaissance, | 1:08:13 | 1:08:17 | |
between 960 and 1279 AD, | 1:08:17 | 1:08:21 | |
a time of relative peace and great leaps forward | 1:08:21 | 1:08:23 | |
in technology and design. | 1:08:23 | 1:08:25 | |
The market for old and ancient Chinese wares is huge right now. | 1:08:25 | 1:08:30 | |
However, items need to be in tip-top condition | 1:08:30 | 1:08:33 | |
to make the money. | 1:08:33 | 1:08:35 | |
The joy of handling, Toyah, antiques, | 1:08:35 | 1:08:38 | |
is when you imagine where it's been. | 1:08:38 | 1:08:41 | |
-It's just... -I love the colour of the glaze. | 1:08:41 | 1:08:43 | |
-It's just beautiful. -Toyah, feel it. | 1:08:43 | 1:08:46 | |
-Believe it. -I want to own it. -Feel the history, OK? | 1:08:46 | 1:08:50 | |
-Is it saying to you, "Buy me"? -It is saying to me, "Buy me," | 1:08:50 | 1:08:54 | |
and I'd like to have it personally. I absolutely adore it. | 1:08:54 | 1:08:57 | |
But look at that break! Michael, in your experience, | 1:08:57 | 1:09:00 | |
would a break like that put a buyer off, with something this old? | 1:09:00 | 1:09:04 | |
Not necessarily, bearing in mind the age of the item. | 1:09:04 | 1:09:07 | |
-How much? -It could be yours for 195. | 1:09:07 | 1:09:11 | |
And your best offer, Michael? | 1:09:11 | 1:09:14 | |
£175 would be the best. | 1:09:14 | 1:09:16 | |
150? It's just that crack... | 1:09:16 | 1:09:18 | |
-That's why it's at the price it is. -It's one hell of a break. | 1:09:18 | 1:09:22 | |
-I like it a lot. -I love it. -150 would be our offer. Agreed? | 1:09:22 | 1:09:26 | |
I'll make the phone call and we'll see what he says. | 1:09:26 | 1:09:29 | |
Whilst Toyah and Charles wait for the green light | 1:09:29 | 1:09:33 | |
on this fascinating piece, | 1:09:33 | 1:09:35 | |
Tony and Charlie have found their own peculiar slice of history. | 1:09:35 | 1:09:39 | |
Now, I had a look at an object in here. | 1:09:39 | 1:09:41 | |
It's a bronze plaque. Have a look at that, Tony. | 1:09:41 | 1:09:45 | |
-Enamelled... -Yeah. -1936, Olympiade Berlin. | 1:09:45 | 1:09:49 | |
-It's not a medal. -No, I'm sure it's not a medal. | 1:09:49 | 1:09:53 | |
But it could have been a plaque given to somebody | 1:09:53 | 1:09:55 | |
-merely for competing. -Yeah. | 1:09:55 | 1:09:57 | |
But it's such a high-quality item. | 1:09:57 | 1:10:00 | |
It can't have been given to everybody. There is a bit of damage. | 1:10:00 | 1:10:03 | |
If it wasn't damaged, I would think, "Is this a repro?" | 1:10:03 | 1:10:06 | |
Yes. What does it say? It's all in German, isn't it? | 1:10:06 | 1:10:09 | |
"Fur Verdienste um die 'nine' Olympiade, | 1:10:09 | 1:10:13 | |
Berlin, 1936." | 1:10:13 | 1:10:16 | |
You must have read and heard a lot about the 1936 Olympic Games | 1:10:16 | 1:10:20 | |
-in Germany... -Yes. -..which was the great... | 1:10:20 | 1:10:23 | |
Hitler's great showpiece, and this black man from America came over, | 1:10:23 | 1:10:27 | |
-Jesse Owens. -Yes, yeah. Jesse Owens. | 1:10:27 | 1:10:29 | |
Won the 100 metres, the 200 metres, I think the 400 metres, | 1:10:29 | 1:10:33 | |
and, I think, the relay. And Hitler got so angry about this, | 1:10:33 | 1:10:37 | |
he got up and stormed out. | 1:10:37 | 1:10:39 | |
The 1936 Olympics became a public humiliation for Hitler | 1:10:39 | 1:10:44 | |
on a worldwide stage. Black American athlete Jesse Owens | 1:10:44 | 1:10:48 | |
broke 11 world records, and won four gold medals. | 1:10:48 | 1:10:52 | |
Many antique dealers steer clear of trading in Nazi items. | 1:10:52 | 1:10:57 | |
However, for collectors of sporting memorabilia, | 1:10:57 | 1:11:00 | |
the Berlin Olympics are a reminder | 1:11:00 | 1:11:03 | |
that sport can triumph over politics. | 1:11:03 | 1:11:06 | |
-And how much is this? -Well, they're asking 135. | 1:11:06 | 1:11:09 | |
Now, I'd love to pay about £75 for it. | 1:11:09 | 1:11:13 | |
-Right. -Would you try? | 1:11:13 | 1:11:15 | |
-I can contact him. -Would you try him? | 1:11:15 | 1:11:18 | |
Reiterate what a nice man Mr Blackburn is, | 1:11:18 | 1:11:20 | |
-and how little money he's got. -Yes. | 1:11:20 | 1:11:22 | |
We're not here to twist your arm and for you to lose money, are we? | 1:11:22 | 1:11:26 | |
-Yes, we are. -Oh. THEY LAUGH | 1:11:26 | 1:11:28 | |
-Yes, we are. -I like your attitude. | 1:11:28 | 1:11:31 | |
-You're warming to this, aren't you? -I'll go and give the dealer a call. | 1:11:31 | 1:11:35 | |
-Thank you very much indeed. -No problem. | 1:11:35 | 1:11:37 | |
Unfortunately the seller is momentarily unavailable, | 1:11:37 | 1:11:40 | |
and our Olympic hopefuls must press on with their shopping. | 1:11:40 | 1:11:44 | |
Now, I've got to leave you my telephone number. | 1:11:44 | 1:11:46 | |
-Yes. -Charlie Ross...is my name. | 1:11:46 | 1:11:49 | |
One last-ditch effort - what do you think about that nut? | 1:11:49 | 1:11:53 | |
-I do like that nut. -I think 35 you offered the nut for, didn't you? | 1:11:53 | 1:11:56 | |
-We can't get it down a little bit lower than that, can we? -30? | 1:11:56 | 1:12:00 | |
-Oh... -Your call. | 1:12:00 | 1:12:02 | |
25. Let's say 25, and we got a bargain. We got a deal there on 25. | 1:12:02 | 1:12:08 | |
-Well, seeing as it's you, Tony. -Yeah? -You're such a lovely man. | 1:12:08 | 1:12:12 | |
Blackburn, my old socks! You've done a deal! | 1:12:12 | 1:12:15 | |
I think Mr Blackburn might have found his secret weapon - charm. | 1:12:17 | 1:12:21 | |
Perhaps this lovable-senior appeal | 1:12:21 | 1:12:24 | |
can compensate for his fairly worrying lack of antiques knowledge. | 1:12:24 | 1:12:28 | |
Now, where are we? | 1:12:28 | 1:12:30 | |
About £150 on the Chinese vase, wasn't it? | 1:12:30 | 1:12:34 | |
I wonder if this was an equivalent of a tourist piece from Blackpool? | 1:12:34 | 1:12:38 | |
I almost wonder, you know, if it was made for burial. | 1:12:38 | 1:12:42 | |
-SHE GASPS -If it's something quite ceremonial. | 1:12:42 | 1:12:44 | |
-Hello. I have some very good news. -Very, very good news? | 1:12:44 | 1:12:48 | |
-It's even cheaper? -He's accepted £150. | 1:12:48 | 1:12:51 | |
Fantastic. I think that's great. How shall we pay? | 1:12:51 | 1:12:54 | |
-What do you mean? -Shall we pay in 20s or tens? | 1:12:54 | 1:12:57 | |
-Oh, 20s, fusspot. -OK, 20s. There you go. | 1:12:57 | 1:12:59 | |
Sorry. Many thanks. | 1:12:59 | 1:13:01 | |
That's a great start for Toyah and Charles. | 1:13:01 | 1:13:03 | |
I think the signs are good for the road ahead. | 1:13:03 | 1:13:06 | |
When is the world going to end? | 1:13:07 | 1:13:09 | |
Soon? That could be any time, though. | 1:13:09 | 1:13:13 | |
PHONE RINGING May I help you? Hello. | 1:13:13 | 1:13:16 | |
It is Charlie. Yeah. | 1:13:16 | 1:13:17 | |
What are you, my dear? | 1:13:17 | 1:13:20 | |
You are a legend! | 1:13:20 | 1:13:22 | |
We'll head on back and we'll give you 75 quid. | 1:13:22 | 1:13:25 | |
-Got it? -What a legend! -Fantastic! | 1:13:25 | 1:13:27 | |
Blackburn, you and I are cooking on gas. | 1:13:27 | 1:13:30 | |
While Tony tries to remember what they've just bought, | 1:13:30 | 1:13:34 | |
Charlie is delighted to get the Olympic plaque | 1:13:34 | 1:13:37 | |
for their asking price of just £75. | 1:13:37 | 1:13:39 | |
Meanwhile, in a cheeky break from their shopping, | 1:13:39 | 1:13:43 | |
our New Romantics are about to go all Gothic. | 1:13:43 | 1:13:46 | |
-This is York Minster, by the way. -I know it's York Minster! | 1:13:47 | 1:13:50 | |
-Sorry. -Oh, hello! | 1:13:50 | 1:13:52 | |
-Hello! -I'm Toyah. | 1:13:52 | 1:13:54 | |
I'm John. Welcome to York Minster. I'm a carilloneur. | 1:13:54 | 1:13:58 | |
I play bells, but not the sort where you swing on the ropes. | 1:13:58 | 1:14:01 | |
Glad to hear it! | 1:14:01 | 1:14:03 | |
York Minster is a magnificent Gothic edifice, | 1:14:03 | 1:14:07 | |
on the same site as the first wooden structure | 1:14:07 | 1:14:10 | |
hurriedly built here in 627 AD | 1:14:10 | 1:14:13 | |
to baptise Edwin, King of Northumbria. | 1:14:13 | 1:14:16 | |
Since then it's been built, destroyed, rebuilt, | 1:14:16 | 1:14:19 | |
damaged and repaired more times | 1:14:19 | 1:14:22 | |
than Charles Hanson's had light suppers. | 1:14:22 | 1:14:24 | |
The current structure, largely intact since the mid-13th century. | 1:14:24 | 1:14:29 | |
Wow! It's great. | 1:14:30 | 1:14:33 | |
Wow! | 1:14:33 | 1:14:35 | |
And here we are in the south transept, | 1:14:35 | 1:14:37 | |
which is the oldest part of the present building. | 1:14:37 | 1:14:40 | |
-Dates from 1220. -30 years before our Chinese vase. | 1:14:40 | 1:14:44 | |
-Oh! That's incredible. -History, isn't it? | 1:14:44 | 1:14:46 | |
And this is now the largest Gothic cathedral north of the Alps. | 1:14:46 | 1:14:50 | |
It has the largest amount of medieval stained glass | 1:14:50 | 1:14:53 | |
-anywhere in this country... -Still existing. | 1:14:53 | 1:14:56 | |
..possibly in the world. | 1:14:56 | 1:14:58 | |
In 2008, a huge restoration project began, | 1:14:58 | 1:15:02 | |
to remove every single piece of stained glass, | 1:15:02 | 1:15:06 | |
repaint, re-set and re-lay it - no mean feat, | 1:15:06 | 1:15:09 | |
when there's two million individual pieces around the building. | 1:15:09 | 1:15:13 | |
This is our famous bell window. | 1:15:13 | 1:15:15 | |
It was made round about the year 1330, | 1:15:15 | 1:15:19 | |
and it was given by a man called Richard Tunnock, | 1:15:19 | 1:15:22 | |
who lived just across the road in Stonegate, | 1:15:22 | 1:15:24 | |
and he was a York bell-founder. | 1:15:24 | 1:15:26 | |
This stunning medieval window graphically depicts | 1:15:26 | 1:15:30 | |
the craft of casting a church bell from a wax mould. | 1:15:30 | 1:15:33 | |
The bells for York Minster were made by local bell-founder Richard Tunnock, | 1:15:33 | 1:15:38 | |
who died in 1330. | 1:15:38 | 1:15:40 | |
In the central panel, | 1:15:40 | 1:15:42 | |
we have Richard Tunnock himself, | 1:15:42 | 1:15:45 | |
and above his hands is actually a picture of this window, | 1:15:45 | 1:15:49 | |
which he's presenting to St William of York. | 1:15:49 | 1:15:53 | |
Absolutely stunning! A great, uplifting work of human achievement. | 1:15:53 | 1:15:59 | |
Now, can our antiques shoppers reach their own summit? | 1:15:59 | 1:16:02 | |
-We can have a break on the way up. -OK. | 1:16:02 | 1:16:05 | |
-I must admit, I usually do. -When you say break, | 1:16:05 | 1:16:07 | |
-do you mean a cup of tea and a piece of cake? -Yeah. | 1:16:07 | 1:16:10 | |
Yeah, OK. | 1:16:10 | 1:16:12 | |
Ooh, it's beautiful! It's light and sunny! | 1:16:13 | 1:16:16 | |
-Isn't it wonderful? -If we touch one of these, | 1:16:16 | 1:16:19 | |
-we'll shoot through the roof. -I'd prefer it if you didn't. | 1:16:19 | 1:16:22 | |
How hard do you pull? Really hard? | 1:16:22 | 1:16:24 | |
Hanson, that goes for you too! Behave yourself. | 1:16:24 | 1:16:28 | |
These bells are the fourth-heaviest peal of bells in the country, | 1:16:28 | 1:16:32 | |
so if you pull one of those, | 1:16:32 | 1:16:35 | |
the rope will go up through that little hole, | 1:16:35 | 1:16:38 | |
but you won't. | 1:16:38 | 1:16:40 | |
-We're here to see the carillon, which is... -Carillon? | 1:16:40 | 1:16:43 | |
Carillon, yeah. It's a French word which just means bells. | 1:16:43 | 1:16:46 | |
According to the English dictionary, | 1:16:46 | 1:16:48 | |
a carillon is a stationary set | 1:16:48 | 1:16:51 | |
of chromatically tuned bells in a tower. | 1:16:51 | 1:16:54 | |
York Minster's carillon is separate | 1:16:54 | 1:16:57 | |
to the pulled church bells, and is the only one of its kind | 1:16:57 | 1:17:01 | |
in England. John has the very privileged position | 1:17:01 | 1:17:04 | |
as its keyboardist, or carilloneur. | 1:17:04 | 1:17:06 | |
BELLS CHIME MELODICALLY | 1:17:06 | 1:17:09 | |
-And we play it that way. -And can the whole of York hear that? | 1:17:10 | 1:17:14 | |
Yes. It's a very public instrument. | 1:17:14 | 1:17:16 | |
-I know a tune. -You do? -Yeah. Excuse me. | 1:17:16 | 1:17:19 | |
HE PLAYS "CHOPSTICKS" | 1:17:19 | 1:17:21 | |
"CHOPSTICKS" RESOUNDING, OFF-KEY | 1:17:26 | 1:17:29 | |
-Like that, yeah? -Something like that. | 1:17:29 | 1:17:31 | |
Half of York now think that the monks have been on the fortified wine. | 1:17:31 | 1:17:36 | |
THEY LAUGH | 1:17:36 | 1:17:38 | |
Where are the bells for this? Are they upstairs here? | 1:17:38 | 1:17:41 | |
Yeah. The bells are two floors above this ringing chamber. | 1:17:41 | 1:17:44 | |
Why don't you play, and I'll go upstairs and listen. | 1:17:44 | 1:17:47 | |
That would be great. OK, thanks. | 1:17:47 | 1:17:50 | |
The bells aren't that big, really. | 1:17:53 | 1:17:56 | |
Er, Charles, did you see the, er... Never mind. | 1:17:56 | 1:18:00 | |
BELLS RING LOUDLY | 1:18:03 | 1:18:06 | |
BELLS RESOUND | 1:18:16 | 1:18:19 | |
HE LAUGHS | 1:18:20 | 1:18:22 | |
That is absolutely brilliant. | 1:18:22 | 1:18:25 | |
-Was it loud? -What you saying? | 1:18:28 | 1:18:30 | |
THEY LAUGH Was it loud? | 1:18:30 | 1:18:32 | |
Yes, it was very, very loud. My ears are ringing. | 1:18:32 | 1:18:35 | |
Oh, I've been so mean to you! | 1:18:35 | 1:18:39 | |
You just can't take him anywhere. | 1:18:39 | 1:18:41 | |
As York's wonderful treasures fall on deaf ears, | 1:18:41 | 1:18:45 | |
the bell tolls for our other celebrity-auctioneer combo, | 1:18:45 | 1:18:50 | |
still keeping it real on this prestigious shopping trip. | 1:18:50 | 1:18:53 | |
Good grief! They've got some odd things in here. | 1:18:53 | 1:18:56 | |
What's that? Tony, I think the best thing | 1:18:56 | 1:18:59 | |
is to do what we did before. You have a look, I'll look, | 1:18:59 | 1:19:01 | |
because I trust your eye now. You've got a good eye. And what is more, | 1:19:01 | 1:19:05 | |
I trust your powers of bargaining. They're much better than mine. | 1:19:05 | 1:19:09 | |
-Just spotted two fans. -Oh, dear! | 1:19:09 | 1:19:11 | |
More than you've had all your life. THEY LAUGH | 1:19:11 | 1:19:15 | |
-TIM SIGHS -Luckily, this day's nearly over. | 1:19:15 | 1:19:19 | |
Just let's get on with it, shall we? | 1:19:19 | 1:19:20 | |
That weather vane... Can you see? With the horse attached to it? | 1:19:20 | 1:19:24 | |
It's got a bit of age. I don't think it's Victorian, | 1:19:24 | 1:19:28 | |
but I think it's probably 1920s, 1930s. | 1:19:28 | 1:19:31 | |
-I think that's got a bit of... -They've got big bottoms, haven't they? | 1:19:31 | 1:19:34 | |
-What, horses? -Horses, yeah. -THEY LAUGH | 1:19:34 | 1:19:36 | |
Phil, could you hold this ladder? I'm going to go up and look at the price. | 1:19:36 | 1:19:41 | |
For God's sake make sure it doesn't come away from the wall. | 1:19:41 | 1:19:44 | |
I've done some silly things to find a price in my time, | 1:19:46 | 1:19:49 | |
but... 90 quid. | 1:19:49 | 1:19:51 | |
I tell you what, I'd pay 40 quid for it. | 1:19:51 | 1:19:54 | |
That is the sort of thing that sells, is it? | 1:19:54 | 1:19:56 | |
In my experience, a reasonable weather vane will sell. | 1:19:56 | 1:20:00 | |
-OK. -I'll hide. If you get the deal, Tone, | 1:20:00 | 1:20:03 | |
I'll buy you a drink tonight. | 1:20:03 | 1:20:06 | |
-30 quid? -Yeah. -All right. | 1:20:06 | 1:20:08 | |
-How about 40? He'll go to 40. -Now, Tony, don't start. | 1:20:08 | 1:20:10 | |
-All right. 30 quid, all right. -Ram home that 30. | 1:20:10 | 1:20:13 | |
-Sorry. I forgot to hold the ladder. -I can't get down. | 1:20:13 | 1:20:17 | |
Mr Blackburn has clearly impressed Charlie | 1:20:17 | 1:20:20 | |
with his powers of persuasion. | 1:20:20 | 1:20:22 | |
Could this be Tony's moment to go it alone | 1:20:22 | 1:20:26 | |
with a cold, hard haggle? | 1:20:26 | 1:20:29 | |
This weather vane up here... £30. How does that sound to you? | 1:20:29 | 1:20:32 | |
-It's been up there a little while. -It has. -It's got cobwebs on it. | 1:20:32 | 1:20:36 | |
-What has it got on it? -Want me to tell you? 90. | 1:20:36 | 1:20:39 | |
90. But you're such a lovely guy. Could you do it for 30 quid? | 1:20:40 | 1:20:44 | |
-Yes, go on. I'll do it at £30. -Really? Fantastic. | 1:20:44 | 1:20:47 | |
-Charlie? -Yeah? | 1:20:47 | 1:20:50 | |
-You know that weather vane there? -Yeah, yeah. | 1:20:50 | 1:20:53 | |
I got it for £200. | 1:20:53 | 1:20:55 | |
Don't be stupid. That's more than the ticket price! | 1:20:55 | 1:20:59 | |
-You said 30. -I said try them at 30. -I managed to get it for 30. | 1:20:59 | 1:21:02 | |
Tony, if only I'd said 20! | 1:21:02 | 1:21:06 | |
Charlie Ross now has a new policy. | 1:21:06 | 1:21:09 | |
If in doubt, unleash Blackburn! | 1:21:09 | 1:21:11 | |
Blackburn, we're cooking on gas here. | 1:21:11 | 1:21:14 | |
We've just been horsing around, haven't we? | 1:21:14 | 1:21:17 | |
Oh, no! | 1:21:17 | 1:21:18 | |
-"Neigh", that's not too cheap. -OK, that's enough of that. Let's go. | 1:21:18 | 1:21:22 | |
What a day it's been! Between plucky celebrities | 1:21:25 | 1:21:28 | |
and responsible antiques experts, we've all run this town ragged. | 1:21:28 | 1:21:33 | |
Shopping time is done, so York must provide warm bedding | 1:21:33 | 1:21:36 | |
and clean towels for our weary gang of four. | 1:21:36 | 1:21:39 | |
Bonne nuit! | 1:21:39 | 1:21:41 | |
As the new day dawns, our celebrities and experts | 1:21:44 | 1:21:48 | |
are still more than enamoured with the delights of York. | 1:21:48 | 1:21:51 | |
This could be quite useful. Look. If it starts raining... | 1:21:51 | 1:21:55 | |
THEY LAUGH | 1:21:55 | 1:21:57 | |
So far, Tony and Charlie have spent £130 | 1:21:58 | 1:22:01 | |
on three auction lots - the Black Forest carved inkwell, | 1:22:01 | 1:22:05 | |
the Olympic Games plaque, and the equestrian weather vane. | 1:22:05 | 1:22:08 | |
Team Blackburn-Ross has £270 for the day ahead, | 1:22:08 | 1:22:14 | |
and still plenty of life in those old dogs! | 1:22:14 | 1:22:16 | |
OK, Mr Blackburn! I'll take you to heaven. | 1:22:18 | 1:22:20 | |
-And back. -And back. | 1:22:20 | 1:22:22 | |
Long as we come back. | 1:22:22 | 1:22:24 | |
Toyah and Charles, meanwhile, | 1:22:24 | 1:22:26 | |
took the first day's shopping easy, | 1:22:26 | 1:22:29 | |
spending a cool £150 | 1:22:29 | 1:22:32 | |
on just one lot - the Chinese burial jar or vase. | 1:22:32 | 1:22:36 | |
Team Wilcox-Hanson still has £250 left | 1:22:36 | 1:22:39 | |
-to show us they mean business. -60... | 1:22:39 | 1:22:42 | |
So, our celebrities are finding that actual antiques buying | 1:22:44 | 1:22:48 | |
is often harder than it looks. | 1:22:48 | 1:22:50 | |
However, one man has lived through real tumultuous times | 1:22:50 | 1:22:54 | |
and made them his own, from pirate-ship broadcasting | 1:22:54 | 1:22:57 | |
to purveyor of pop on Radio 1. | 1:22:57 | 1:23:00 | |
I read an advertisement in the New Musical Express | 1:23:00 | 1:23:04 | |
wanting disc jockeys for Radio Caroline, | 1:23:04 | 1:23:06 | |
-and I'd seen a programme - -Which was the ship. -Yeah. | 1:23:06 | 1:23:09 | |
-Out on the North Sea. -And considered illegal at the time? | 1:23:09 | 1:23:12 | |
Yeah, it was. We flew under the Panamanian flag, | 1:23:12 | 1:23:15 | |
so if anybody came on board, you were, in effect, | 1:23:15 | 1:23:18 | |
-declaring war on Panama. -Oh, really? THEY LAUGH | 1:23:18 | 1:23:22 | |
Ah, the glory days! | 1:23:22 | 1:23:25 | |
Our pair of old groovers are taking a break from shopping | 1:23:25 | 1:23:28 | |
to visit an exhibition down at York Castle Museum, | 1:23:28 | 1:23:32 | |
all about a much-loved decade. | 1:23:32 | 1:23:35 | |
SONG: "A Whiter Shade Of Pale" by Procul Harum | 1:23:35 | 1:23:37 | |
-Did you have a scooter? -Yes, I had a Lambretta. | 1:23:37 | 1:23:41 | |
-Oh, gee. -Do you remember that? | 1:23:41 | 1:23:44 | |
I was about 17, and I was so in love with Marianne Faithfull. | 1:23:44 | 1:23:47 | |
-Have you ever met her? -Er, I have, yes. | 1:23:47 | 1:23:50 | |
Oh, you rotter! THEY LAUGH | 1:23:50 | 1:23:52 | |
It was Top Of The Pops. I met everybody at Top Of The Pops. | 1:23:52 | 1:23:55 | |
She was female, and had just come out of a convent. | 1:23:55 | 1:23:57 | |
I mean, it all got very exciting for me. | 1:23:57 | 1:24:00 | |
Did you have drainpipe trousers? | 1:24:00 | 1:24:02 | |
-Yeah. -Long hair? You've still got most of yours. | 1:24:02 | 1:24:05 | |
-It's quite impressive. -I had a terrific crush on Petula Clark. | 1:24:05 | 1:24:08 | |
-Never went out with her? -No. -You're just saying that. | 1:24:08 | 1:24:12 | |
No other decade in living memory garners such passionate nostalgia | 1:24:13 | 1:24:18 | |
as the 1960s, especially for the younger old duffers. | 1:24:18 | 1:24:22 | |
It was a decade that witnessed great accelerations in design, | 1:24:22 | 1:24:26 | |
technology, liberty, social mobility | 1:24:26 | 1:24:29 | |
and just plain old freedom, man. | 1:24:29 | 1:24:32 | |
What have we got here? I don't think it's the actual capsule. | 1:24:32 | 1:24:36 | |
-No. -At the end of the '60s, man landed on the moon. | 1:24:36 | 1:24:39 | |
-Yeah. -Neil Armstrong, | 1:24:39 | 1:24:41 | |
-"one small step for man". -Mankind, or something like that. | 1:24:41 | 1:24:45 | |
One large... Oh, I can't remember the words! | 1:24:45 | 1:24:47 | |
-It was amazing, wasn't it? -Well, it was a long time ago, | 1:24:47 | 1:24:50 | |
but I believe Mr Armstrong mentioned a great leap for mankind. | 1:24:50 | 1:24:56 | |
NASA's moon landing was arguably the most unforgettable moment | 1:24:56 | 1:25:00 | |
from the 1960s, for those who remember it. | 1:25:00 | 1:25:04 | |
I wonder what the first record was that you played the next morning. | 1:25:04 | 1:25:08 | |
Because everybody was talking about it. | 1:25:08 | 1:25:10 | |
Everybody was talking about the moment. | 1:25:10 | 1:25:13 | |
Well, I'll tell you. I can't remember. | 1:25:13 | 1:25:15 | |
THEY LAUGH | 1:25:15 | 1:25:17 | |
In fact, Tony, you weren't working that morning. | 1:25:17 | 1:25:20 | |
Radio 1 and 2 played a moon-landing special of news and updates. | 1:25:20 | 1:25:25 | |
Still, you know what they say - if you can remember the '60s, | 1:25:25 | 1:25:29 | |
then, you weren't really there. | 1:25:29 | 1:25:31 | |
-What did you like playing most of all? -Old Motown. | 1:25:31 | 1:25:34 | |
When I went to Radio 1, I would make sure we had Motown, | 1:25:34 | 1:25:37 | |
Diana Ross & The Supremes, black soul music. | 1:25:37 | 1:25:39 | |
It doesn't sound dated. It had that unique sound. I loved it. | 1:25:39 | 1:25:42 | |
I've always been an awful dancer. The only thing I can dance to | 1:25:42 | 1:25:46 | |
is the twist. Do you remember the twist? | 1:25:46 | 1:25:48 | |
You're not going to do the twist for me, Mr Blackburn. | 1:25:48 | 1:25:51 | |
-I'm hoping you'll dance with me. -THEY LAUGH | 1:25:51 | 1:25:54 | |
MUSIC: "Let's Twist Again" by Chuck Berry | 1:25:54 | 1:25:58 | |
# Clap your hands, we're going to do the twist... | 1:25:58 | 1:26:00 | |
# And it goes like this | 1:26:00 | 1:26:02 | |
-# Come on, let's twist again... -Hang on. | 1:26:02 | 1:26:05 | |
# Like we did last summer | 1:26:05 | 1:26:08 | |
-# Yeah -# Let's twist again | 1:26:08 | 1:26:10 | |
# Like we did last year | 1:26:10 | 1:26:13 | |
# Do you remember when | 1:26:13 | 1:26:16 | |
# We did the twist last summer... | 1:26:16 | 1:26:19 | |
You're a better mover than I am, Blackburn. | 1:26:19 | 1:26:21 | |
Are you getting slightly embarrassed by this? | 1:26:21 | 1:26:24 | |
# Oh, round and round and round # | 1:26:24 | 1:26:26 | |
Thank goodness this is a private viewing! | 1:26:26 | 1:26:29 | |
Still, if you're looking for icons from an iconic decade, | 1:26:29 | 1:26:34 | |
you don't need to look too far. | 1:26:34 | 1:26:37 | |
HE LAUGHS | 1:26:37 | 1:26:39 | |
THEY LAUGH | 1:26:40 | 1:26:42 | |
I don't believe it. Have you had that made up for the occasion? | 1:26:42 | 1:26:45 | |
-Certainly not. This actually... -Are you being serious? | 1:26:45 | 1:26:48 | |
This is the cornerstone of this museum. | 1:26:48 | 1:26:51 | |
-Who is that? -Well, it's me with Johnny Beerling. | 1:26:51 | 1:26:55 | |
-He was my first producer on Radio 1. -How... | 1:26:55 | 1:26:57 | |
And he eventually became the controller of Radio 1, | 1:26:57 | 1:27:02 | |
-and didn't renew my contract. -THEY LAUGH | 1:27:02 | 1:27:05 | |
-Sensational! -Sensational! -Doesn't that make you feel proud? | 1:27:06 | 1:27:10 | |
-It does. It does. -It jolly well should do. | 1:27:10 | 1:27:12 | |
-You are part of the '60s. -Good Lord! -I think that's phenomenal. | 1:27:12 | 1:27:15 | |
Come on! | 1:27:15 | 1:27:17 | |
Charlie Ross, you fortunate fellow! Who else would get to stroll | 1:27:17 | 1:27:21 | |
through an iconic era with one of its leading lights? | 1:27:21 | 1:27:25 | |
However, it's about time we got this road trip back on the road. | 1:27:25 | 1:27:29 | |
Our celebrities have sought out a bit of me-time, | 1:27:29 | 1:27:33 | |
and, to be perfectly honest, I think everyone fancies a bit of a goss. | 1:27:33 | 1:27:37 | |
Charlie made me deal with the negotiations, | 1:27:39 | 1:27:41 | |
and I managed to knock down the price considerably. | 1:27:41 | 1:27:44 | |
Who's going to argue with a national institution, Tony Blackburn? | 1:27:44 | 1:27:49 | |
I mean, anyone that argues with you is a criminal. | 1:27:49 | 1:27:52 | |
The lady in front I'm following now is up my... | 1:27:52 | 1:27:55 | |
up my... What's the phrase? Up my... | 1:27:55 | 1:27:58 | |
Street? Anyhow, York is finally departed, | 1:27:58 | 1:28:03 | |
and our combative duos are heading on, 28 miles northeast | 1:28:03 | 1:28:08 | |
to glittering Pickering. | 1:28:08 | 1:28:10 | |
Pickering is properly, properly old, | 1:28:10 | 1:28:14 | |
first founded in 207 BC. | 1:28:14 | 1:28:17 | |
Any more for this train, please? | 1:28:17 | 1:28:19 | |
Some time later, in 1832, | 1:28:19 | 1:28:22 | |
that great man of railways, George Stephenson, | 1:28:22 | 1:28:25 | |
received his desired £130,000 to build a rail link | 1:28:25 | 1:28:30 | |
between Pickering and Whitby. This wonderful steam-driven line | 1:28:30 | 1:28:33 | |
is still operated by enthusiasts today. | 1:28:33 | 1:28:36 | |
-Oh! -It's great. Pickering Castle, parish church... | 1:28:39 | 1:28:42 | |
-Oh, this is beautiful. -Team Wilcox-Hanson | 1:28:42 | 1:28:45 | |
have still got a lot of money to burn, | 1:28:45 | 1:28:47 | |
and a fairly empty swag bag for auction. | 1:28:47 | 1:28:50 | |
Time to get a wriggle on! | 1:28:50 | 1:28:52 | |
What's our plan today? We've bought one item. | 1:28:52 | 1:28:55 | |
We've got one expensive, speculative item. | 1:28:55 | 1:28:58 | |
-Yes. -We now have to find something that we know is rock-solid. | 1:28:58 | 1:29:02 | |
Indeed. Those auction profits won't make themselves. | 1:29:02 | 1:29:06 | |
So let's see what fine items are waiting for you | 1:29:06 | 1:29:09 | |
at Pickering's JSC Collectables. | 1:29:09 | 1:29:11 | |
So, Toyah, this is a marrow scoop here. | 1:29:13 | 1:29:15 | |
It was a fine delicacy in the 17th century, 18th century, | 1:29:15 | 1:29:19 | |
-to take bone marrow out of... -Oh, bone marrow! | 1:29:19 | 1:29:22 | |
Yes, that's it. You would scoop it out. | 1:29:22 | 1:29:25 | |
This is a later one. The later ones had a spoon on one end | 1:29:25 | 1:29:28 | |
which you could eat it from, and a thin end like that. | 1:29:28 | 1:29:30 | |
-Does it have a practical use today? -I think it takes us back | 1:29:30 | 1:29:34 | |
to the delicacies that our ancestors used to enjoy taking. | 1:29:34 | 1:29:38 | |
Whilst Charles dodges Toyah's question, | 1:29:38 | 1:29:42 | |
the practical use would have been to scoop out marrow | 1:29:42 | 1:29:46 | |
from large cattle bones - a particular fine food of yesteryear. | 1:29:46 | 1:29:51 | |
But today it may potentially offer a profit at auction. | 1:29:51 | 1:29:56 | |
-Do you eat marrow? -No! -Ever tried it? | 1:29:56 | 1:29:59 | |
-I'm sure I have. -I'm sure you have. | 1:29:59 | 1:30:01 | |
But I'd find it a bit too gruesome to have an instrument to eat it with. | 1:30:01 | 1:30:05 | |
At £220, it might be a bit risky. | 1:30:05 | 1:30:08 | |
Perhaps there's a less gruesome investment opportunity elsewhere. | 1:30:08 | 1:30:12 | |
But would this be the right team to find it? | 1:30:12 | 1:30:15 | |
I think Charles is excellent. | 1:30:15 | 1:30:17 | |
I have to keep an eye on his quirky choices. | 1:30:17 | 1:30:20 | |
I think he's not as competitive as me, | 1:30:20 | 1:30:24 | |
and he thinks quirkiness is always going to be a winning gamble. | 1:30:24 | 1:30:28 | |
But I think I've got the best partner. | 1:30:28 | 1:30:30 | |
I'm so chuffed to be with him! | 1:30:30 | 1:30:33 | |
Toyah's knowledge is fantastic, | 1:30:33 | 1:30:35 | |
and she's so driven to find a bargain. | 1:30:35 | 1:30:37 | |
She's great. I'm so pleased it's Hanson and Toyah together. | 1:30:37 | 1:30:41 | |
Great! But can our antiques contenders deliver a knockout punch? | 1:30:41 | 1:30:46 | |
-We like your boxer dog. -Let's see if it's a limited edition. | 1:30:46 | 1:30:50 | |
"It's A Knockout". | 1:30:50 | 1:30:52 | |
I did the royal It's A Knockout. I helped organise it, for my sins. | 1:30:52 | 1:30:55 | |
Yes. Difficult to know what to say, isn't it? | 1:30:58 | 1:31:01 | |
Possibly, to the untrained eye, this boxing boxer | 1:31:01 | 1:31:04 | |
might look - well, a bit undesirable for £28. | 1:31:04 | 1:31:08 | |
However, these Beswick collectable figures | 1:31:08 | 1:31:11 | |
can be very collectable and profitable. | 1:31:11 | 1:31:14 | |
Made in around 1999, so he's not overly old, | 1:31:16 | 1:31:19 | |
but he's a good ten-year-old man, isn't he? I quite like him. | 1:31:19 | 1:31:22 | |
-You think he's sellable? -Very saleable. | 1:31:22 | 1:31:25 | |
-You want to buy him for about £20, in my opinion. -Do it for 22. | 1:31:25 | 1:31:28 | |
All is fair in love and war, OK? Will you take £20 for it? | 1:31:28 | 1:31:32 | |
-Go on, then. -Yes! -Fantastic. Oh, thanks, Caroline. | 1:31:34 | 1:31:37 | |
How can we fail with that? | 1:31:37 | 1:31:40 | |
Well done, Team Toyah. | 1:31:40 | 1:31:42 | |
However, I'd have gone with the silver marrow scoop, personally. | 1:31:42 | 1:31:46 | |
-And speaking of old bones... -Look at this Sooty! | 1:31:46 | 1:31:50 | |
-Oh, don't do that! -THEY LAUGH | 1:31:50 | 1:31:52 | |
-Here's Sweep. -A Sweep? Oh, I don't believe it! | 1:31:52 | 1:31:55 | |
-Sooty and Sweep. -Sooty! Oh! -Bye-bye, everybody. | 1:31:55 | 1:31:59 | |
-Bye-bye! -Oh, don't do that. | 1:31:59 | 1:32:02 | |
Sooty, don't do that! | 1:32:02 | 1:32:04 | |
Come on, muppets! Time to get on with some serious work! | 1:32:04 | 1:32:08 | |
-Do you know what this is? -Just a spoon. | 1:32:09 | 1:32:12 | |
-Yes. -Isn't it? -But what for? | 1:32:12 | 1:32:14 | |
-Yeah. No, you're going well. -Um... -It's a caddy spoon. | 1:32:14 | 1:32:17 | |
-You've heard of a tea caddy. -Yeah. | 1:32:17 | 1:32:19 | |
A shell shape, which is very nice. Now, I suspect this is Georgian. | 1:32:19 | 1:32:23 | |
This is going to be an 18th-century spoon. | 1:32:23 | 1:32:25 | |
Isn't it amazing, when you handle something like this, | 1:32:25 | 1:32:28 | |
-you think, 17... -'88, yeah. | 1:32:28 | 1:32:31 | |
-How many people have used that? -Yeah. Yeah. | 1:32:31 | 1:32:34 | |
The history behind that. How many people have... | 1:32:34 | 1:32:37 | |
-Amazing. -It's incredible, isn't it? | 1:32:37 | 1:32:39 | |
Tony's got it. Provenance is one of the many joys of antiques. | 1:32:39 | 1:32:43 | |
Another one is negotiation. | 1:32:43 | 1:32:45 | |
What can you do on £110? | 1:32:45 | 1:32:49 | |
What would you say about £35? | 1:32:49 | 1:32:52 | |
-SHE LAUGHS -35? No. | 1:32:52 | 1:32:54 | |
If you can go up a little bit more, we'll see what we can come to. | 1:32:54 | 1:32:58 | |
-40 would be... -40... | 1:32:58 | 1:33:00 | |
I'd be happy to buy it for 40. Mr Blackburn, you're not wildly happy. | 1:33:00 | 1:33:04 | |
-We'll do it for 40. -Will you really? | 1:33:04 | 1:33:07 | |
-Janet, are you seriously happy with that? -That's fine. | 1:33:07 | 1:33:09 | |
-Thank you. -You're welcome. | 1:33:09 | 1:33:11 | |
And you get a kiss from Tony Blackburn! | 1:33:11 | 1:33:13 | |
-Oh, there you go! -That is worth...20 quid in itself. | 1:33:13 | 1:33:17 | |
If she knew that was going to happen, it would have gone up to 50. | 1:33:17 | 1:33:21 | |
-Bye! -Thank you very much. | 1:33:21 | 1:33:23 | |
What a lovely lady, wasn't she? | 1:33:23 | 1:33:25 | |
Wasn't she? You have a way with the women. | 1:33:25 | 1:33:28 | |
Tony Blackburn certainly knows how to haggle, | 1:33:28 | 1:33:31 | |
and turn on the charm. However, it's competitive Toyah | 1:33:31 | 1:33:35 | |
who has the drive, and a bit of an eye for antiques. | 1:33:35 | 1:33:38 | |
What do you think of this pepper shaker? | 1:33:39 | 1:33:42 | |
Really nice. That's Birmingham, 1901. | 1:33:42 | 1:33:45 | |
What I love about it is the delightful Dutch scene | 1:33:45 | 1:33:49 | |
of figures, maybe at some sort of fete. Lovely. | 1:33:49 | 1:33:52 | |
-Fete? -Don't you go to fetes? | 1:33:52 | 1:33:54 | |
-This is springtime fertility. -Is it? | 1:33:54 | 1:33:57 | |
This is the coming of summer, the bringing of children into the world. | 1:33:57 | 1:34:01 | |
-I thought it was a fete. -Fete? -That's very nice. | 1:34:01 | 1:34:04 | |
-165. What do you think? -What do you think we can bring it down to? | 1:34:04 | 1:34:08 | |
-Can I help? -Yeah. We just quite like the dredger, | 1:34:09 | 1:34:12 | |
very, very much. | 1:34:12 | 1:34:14 | |
Um... I'll do that for 125 for you. | 1:34:14 | 1:34:17 | |
And between friends? | 1:34:17 | 1:34:19 | |
I thought we were. | 1:34:19 | 1:34:21 | |
THEY LAUGH | 1:34:21 | 1:34:23 | |
Toyah, is it heavy? Has it got some weight to it? | 1:34:23 | 1:34:26 | |
-It's delicate. It feels beautiful. -Yes. | 1:34:26 | 1:34:29 | |
-Is it quite light? -That's gorgeous. -It is. Absolute very best? | 1:34:29 | 1:34:32 | |
Bearing in mind it'll be heavier when you get the pepper in, 125. | 1:34:32 | 1:34:36 | |
125. Thanks, mate. Thanks, mate. Thanks for coming. | 1:34:36 | 1:34:39 | |
-But does it come with the pepper? -Well, it can do, for that price. | 1:34:39 | 1:34:43 | |
Well done. | 1:34:43 | 1:34:45 | |
Well, you pair certainly "condiment" each other. | 1:34:45 | 1:34:48 | |
Sorry. I'll leave the jokes to Blackburn. | 1:34:48 | 1:34:50 | |
But I think we're heading in the right direction | 1:34:50 | 1:34:53 | |
with a nice bit of silver. Anything else? | 1:34:53 | 1:34:56 | |
They're modern, but they're a full set. | 1:34:56 | 1:34:59 | |
-What are they, napkin rings? -They're napkin rings. | 1:34:59 | 1:35:02 | |
I think they're very stylish, and if it's not silver, | 1:35:02 | 1:35:05 | |
if it's not pedigree, if it's not provenance, | 1:35:05 | 1:35:07 | |
another really important factor is novelty and style. | 1:35:07 | 1:35:12 | |
I think they're something which are worth speculating with. | 1:35:12 | 1:35:16 | |
-I really do. They're nice. -Dan? | 1:35:16 | 1:35:18 | |
-Yeah? -Can I ask you something? -You can. | 1:35:18 | 1:35:21 | |
-What period do you think these are? -I don't think there's massive age | 1:35:21 | 1:35:25 | |
to those, to be honest with you. But they're really nice quality, | 1:35:25 | 1:35:29 | |
-and they're just fun. -What's the best you could offer? | 1:35:29 | 1:35:31 | |
-What have we got on there? -45. -How about a straight 30 quid? | 1:35:31 | 1:35:35 | |
And between friends, between a very stylish lady... | 1:35:35 | 1:35:38 | |
-25? -We are indeed between... | 1:35:38 | 1:35:40 | |
-THEY LAUGH -Er, go on. I'll do 25 quid, | 1:35:40 | 1:35:44 | |
-and make sure you get a profit. -What do you think? | 1:35:44 | 1:35:46 | |
-That's good. -That's really good. -You can't lose on that. | 1:35:46 | 1:35:50 | |
They're certainly novel, and ticking Hanson's quirky box. | 1:35:50 | 1:35:53 | |
Any chance you might - oh, I don't know - buy some antiques today? | 1:35:53 | 1:35:58 | |
-We still need that big star buy. -Yes. -Is that for me to decide? | 1:35:58 | 1:36:01 | |
-I think it is, cos you're the expert. -Thanks. Follow me, OK? | 1:36:01 | 1:36:05 | |
THEY LAUGH | 1:36:05 | 1:36:07 | |
We'd all love a star buy. | 1:36:07 | 1:36:09 | |
But are you sure you haven't passed one already? | 1:36:09 | 1:36:12 | |
-So, what is this, Caroline? -A marrow spoon. | 1:36:12 | 1:36:15 | |
-Will this impress Charlie, if I get this? -Oh, yeah. | 1:36:15 | 1:36:18 | |
-It will? -Oh, here we go again. | 1:36:18 | 1:36:20 | |
Toyah and Charles have already dismissed this lovely marrow scoop | 1:36:21 | 1:36:25 | |
at £220. | 1:36:25 | 1:36:27 | |
-Can we do that for 100? -On your knees, Blackburn! | 1:36:27 | 1:36:29 | |
Yeah. All right. | 1:36:29 | 1:36:31 | |
This is something I thought I'd never see! | 1:36:31 | 1:36:34 | |
Can we please have this for £100? | 1:36:34 | 1:36:36 | |
-Yeah. -Oh, thank you! -Yes! Blackers! | 1:36:36 | 1:36:38 | |
Thank you! | 1:36:38 | 1:36:40 | |
Hats off again! It must be the amazing allure | 1:36:40 | 1:36:44 | |
of the Celebrity Antiques Road Tripper that's simply irresistible! | 1:36:44 | 1:36:48 | |
-This lady's saying flea market. -Have you been to the flea market? | 1:36:48 | 1:36:51 | |
With all sorts of things being sold? Vintage, everything? | 1:36:51 | 1:36:55 | |
Now, that sounds your style, girl. | 1:36:55 | 1:36:57 | |
Oh, this is our sort of place. Look, Toyah! | 1:36:57 | 1:37:00 | |
Oh, wow! Toyah, were lava lamps at your time? | 1:37:00 | 1:37:03 | |
Goodness sakes! We're looking for antiques! | 1:37:03 | 1:37:06 | |
-Well, since your time. -I am going to kill him. | 1:37:06 | 1:37:09 | |
I know the feeling. But please let Charles find some antiques first, | 1:37:09 | 1:37:13 | |
or at least a profitable collectable. | 1:37:13 | 1:37:15 | |
-You put it on the floor like that... -And then you push it along. | 1:37:15 | 1:37:19 | |
It will... Oops! It will play the drum, won't it, like that? | 1:37:19 | 1:37:23 | |
TOY RATTLES | 1:37:23 | 1:37:25 | |
Instinctively to you, how old do you think that is? 1950? | 1:37:25 | 1:37:29 | |
I think it's probably Japanese, and probably 1960s. | 1:37:29 | 1:37:33 | |
He's really great. Love him. | 1:37:33 | 1:37:35 | |
It's £12, | 1:37:35 | 1:37:37 | |
and I think someone's going to pay a bit more for it than that. | 1:37:37 | 1:37:41 | |
What's the best price? £8? | 1:37:41 | 1:37:43 | |
No. £10. | 1:37:43 | 1:37:46 | |
-I think it's worth doing. -Yeah. | 1:37:46 | 1:37:48 | |
-And between friends? -10. | 1:37:48 | 1:37:51 | |
£10. Well, I should think we get it. Do you? | 1:37:51 | 1:37:53 | |
-I think that's really worth trying. -Yeah. I think... I like it. | 1:37:53 | 1:37:57 | |
There's £10. We're a bit short of time, OK? | 1:37:57 | 1:38:00 | |
What's he like? It's like being in a Keystone Cop movie. | 1:38:01 | 1:38:04 | |
I'm with Hanson, wholeheartedly. | 1:38:06 | 1:38:08 | |
This is just the kind of frantic, impassioned antique shopping I like! | 1:38:08 | 1:38:13 | |
Come on! Keep this fire burning. | 1:38:13 | 1:38:15 | |
-This is quite a nice cane. -Malacca cane. -How early is it? | 1:38:17 | 1:38:20 | |
-Turn of the century, would you say? -Not hallmarked at all, is it? | 1:38:20 | 1:38:24 | |
It isn't, but I believe it is silver. | 1:38:24 | 1:38:26 | |
It's just nice quality. What's the very best, out of interest, at £45? | 1:38:26 | 1:38:30 | |
-32. -And between really good friends? -Honestly, I can't - | 1:38:31 | 1:38:35 | |
-£32? -30. | 1:38:35 | 1:38:37 | |
OK, 30. I like it! | 1:38:37 | 1:38:39 | |
Very, very best, Will, is... | 1:38:39 | 1:38:41 | |
Don't keep doing this to me. My very, very best on that is £28. | 1:38:41 | 1:38:46 | |
Protest if you like, sir, but this pair won't stop pushing. | 1:38:46 | 1:38:50 | |
-I don't know how old he is, Will. -He's not old at all, | 1:38:50 | 1:38:53 | |
but he's an artist's bear, handmade. | 1:38:53 | 1:38:55 | |
I think he's great. Auctions are all about romance, | 1:38:55 | 1:38:59 | |
-theatre, drama... -But is it about modern things? | 1:38:59 | 1:39:02 | |
-Yes and no. -I'd say more no than yes, Charles. | 1:39:02 | 1:39:05 | |
He might sell, and he might be quirky, | 1:39:05 | 1:39:08 | |
but antique he ain't. Please try and find something old today! | 1:39:08 | 1:39:13 | |
If we bought the cane and the bear as a twosome, | 1:39:13 | 1:39:17 | |
what's the best price for the two together? | 1:39:17 | 1:39:20 | |
-45 quid. -Between friends, 45? -Yeah. -That's great, Will. | 1:39:20 | 1:39:23 | |
Well, at least this lovely walking cane has some age. | 1:39:23 | 1:39:26 | |
Wilcox-Hanson's swag bag is full, just in the nick of time | 1:39:26 | 1:39:29 | |
to catch up on all the gossip. | 1:39:29 | 1:39:32 | |
My relationship with Charles is naughty schoolboy | 1:39:35 | 1:39:40 | |
and his first older-woman crush. | 1:39:40 | 1:39:43 | |
I think our relationship has a lot of chemistry. | 1:39:43 | 1:39:46 | |
Well, our relationship is obviously not quite the same as yours, | 1:39:46 | 1:39:50 | |
but I like Charlie very much indeed. | 1:39:50 | 1:39:53 | |
We've just had a good laugh all day. | 1:39:53 | 1:39:54 | |
But there is no sexual chemistry between us. | 1:39:54 | 1:39:57 | |
I think he was the original Austin Powers. | 1:39:57 | 1:40:00 | |
Yeah, baby! | 1:40:00 | 1:40:01 | |
Our rival teams have an engagement to reveal their purchases. | 1:40:01 | 1:40:05 | |
So, the road trip continues on, 14 miles southwest | 1:40:05 | 1:40:10 | |
to make ready in the well trimmed grounds of Castle Howard. | 1:40:10 | 1:40:14 | |
Temporarily unleashed from their experts, | 1:40:14 | 1:40:19 | |
our celebrities have decided to take a quick squint inside. | 1:40:19 | 1:40:23 | |
Even more drive! How much land have these people got? | 1:40:24 | 1:40:28 | |
You might recognise this superior exterior | 1:40:30 | 1:40:34 | |
from such illustrious entertainment as Brideshead Revisited, | 1:40:34 | 1:40:38 | |
Barry Lyndon, and even Garfield 2, A Tail of Two Kitties. | 1:40:38 | 1:40:43 | |
I say, Tony, let's just drop in and offer them £10,000. | 1:40:44 | 1:40:49 | |
I'm so glad you could come to my house. | 1:40:49 | 1:40:51 | |
Designed by the renowned English architect John Vanbrugh | 1:40:51 | 1:40:56 | |
in a similar Baroque style to Blenheim Palace, | 1:40:56 | 1:40:59 | |
the house was built from 1699 to 1712, | 1:40:59 | 1:41:02 | |
as a family home for Charles Howard, the third earl of Carlisle. | 1:41:02 | 1:41:06 | |
Charles inherited his title and went on to acquire more wealth | 1:41:06 | 1:41:10 | |
by skilfully and repeatedly changing sides | 1:41:10 | 1:41:13 | |
during the English Civil War. | 1:41:13 | 1:41:15 | |
-Nice to meet you. I'm Chris. -I'm Tony. Hello. | 1:41:17 | 1:41:20 | |
-Pleased to meet you. -What a lovely place! | 1:41:20 | 1:41:22 | |
You're seeing it at its best on an evening like this. | 1:41:22 | 1:41:25 | |
Inside, this amazing family home reveals its many treasures. | 1:41:29 | 1:41:33 | |
Charles Howard's son, Henry, the fourth earl, | 1:41:33 | 1:41:36 | |
toured continental Europe twice in the early 18th century, | 1:41:36 | 1:41:40 | |
buying up pretty much any beautiful object that caught his eye, | 1:41:40 | 1:41:44 | |
and even got a few bargains. | 1:41:44 | 1:41:47 | |
This is a figure of Bacchus or Silenus. | 1:41:47 | 1:41:50 | |
You can see he's got grapes in his hair, | 1:41:50 | 1:41:53 | |
and he's sort of celebrating the delights of wine. | 1:41:53 | 1:41:57 | |
-TONY LAUGHS -And we know that he was here, | 1:41:57 | 1:42:01 | |
brought back from that trip, because we actually have the bill for him. | 1:42:01 | 1:42:05 | |
-How much was he? -I think he was about 150 scudi. | 1:42:05 | 1:42:09 | |
And I've spent a long time trying to work out | 1:42:09 | 1:42:11 | |
what a scudi would be worth today, | 1:42:11 | 1:42:13 | |
and a scudi would be worth about £1.50, I think. | 1:42:13 | 1:42:17 | |
So he was probably about the equivalent of £400. | 1:42:17 | 1:42:20 | |
-So a bargain, really! -How long ago was that? | 1:42:20 | 1:42:23 | |
-That was in the 1740s. -That was quite a lot of money then. | 1:42:23 | 1:42:26 | |
Thanks to Henry's Euro trips and obvious haggling abilities, | 1:42:26 | 1:42:31 | |
Castle Howard is stunningly furnished with ancient sculptures, | 1:42:31 | 1:42:35 | |
Italian paintings and works by the Old Masters. | 1:42:35 | 1:42:38 | |
However, Henry's sisters, perhaps, | 1:42:38 | 1:42:41 | |
led the most diverse and unusual lives. | 1:42:41 | 1:42:44 | |
Those three ladies are the three daughters | 1:42:44 | 1:42:47 | |
of the man who built Castle Howard - Ann, Elizabeth and Mary. | 1:42:47 | 1:42:51 | |
The nice thing about those girls is, in their later life, | 1:42:51 | 1:42:54 | |
they wrote to their father regularly, | 1:42:54 | 1:42:56 | |
so if you look at their letters, one of them was in Bath one day, | 1:42:56 | 1:43:00 | |
and she was chased through the streets by a bull. | 1:43:00 | 1:43:02 | |
-As would happen. -As would happen! -In Bath. | 1:43:02 | 1:43:05 | |
Exactly. And then the third daughter was the crazy one. | 1:43:05 | 1:43:09 | |
Lost huge sums of money gambling, | 1:43:09 | 1:43:12 | |
tried to take her own life by swallowing laudanum... | 1:43:12 | 1:43:16 | |
Well, don't we all love a bit of historical gossip? | 1:43:16 | 1:43:20 | |
Fortunately, no lives were entirely ruined | 1:43:20 | 1:43:23 | |
in the acquisition of fine items for this house, | 1:43:23 | 1:43:26 | |
be they bought, acquired, or, in some cases, gratefully received. | 1:43:26 | 1:43:29 | |
MUSIC: "Bittersweet Symphony" by The Verve | 1:43:29 | 1:43:33 | |
-Any idea what this is? -It's a container of sorts. | 1:43:33 | 1:43:36 | |
Looks like a big soup bowl. | 1:43:36 | 1:43:38 | |
Made out of wood... | 1:43:38 | 1:43:40 | |
Yeah. It's a casket that was presented | 1:43:40 | 1:43:42 | |
to the seventh earl of Carlisle in 1841, | 1:43:42 | 1:43:46 | |
when he lost his seat in the Yorkshire election. | 1:43:46 | 1:43:50 | |
-It is, in fact, a wine cooler. -Aha! | 1:43:50 | 1:43:53 | |
So the lid, which I'm not going to attempt to take off, | 1:43:53 | 1:43:56 | |
because it's very heavy, but you have a lead-lined container | 1:43:56 | 1:43:59 | |
-in there, and you can stand bottles of wine... -How modern! | 1:43:59 | 1:44:03 | |
I've got £200. I think we could make a profit on this. | 1:44:03 | 1:44:06 | |
I think you could, but this one isn't for sale. | 1:44:06 | 1:44:09 | |
-Oh, well. It was worth a try. -THEY LAUGH | 1:44:09 | 1:44:11 | |
It's the way he tells 'em! | 1:44:11 | 1:44:14 | |
Sadly we must leave this majestic interior | 1:44:14 | 1:44:17 | |
for a moment of reckoning in the garden. | 1:44:17 | 1:44:19 | |
It's time to put shyness aside and show each other our wares. | 1:44:19 | 1:44:23 | |
I can't wait! | 1:44:23 | 1:44:25 | |
-Good time? -We've had a wonderful time. | 1:44:25 | 1:44:27 | |
-Look at this. Do you like it? -Oh! | 1:44:27 | 1:44:30 | |
Oh! THEY LAUGH | 1:44:30 | 1:44:33 | |
I'm not trying to be rude or anything. | 1:44:33 | 1:44:35 | |
It's not something I would have gone for. | 1:44:35 | 1:44:37 | |
Considering where we are going to be selling, | 1:44:37 | 1:44:40 | |
-which is close to the centre of the boxing fraternity... -Cost us £20. | 1:44:40 | 1:44:44 | |
-I think that's fine. -This is something I spotted, | 1:44:44 | 1:44:48 | |
-and it's something that's just different. -OK. | 1:44:48 | 1:44:51 | |
-It's, er, my nut. It's walnut... -Clever. | 1:44:51 | 1:44:54 | |
-..and it is actually an inkwell. -That is very clever. | 1:44:54 | 1:44:57 | |
It's novel. To me, it's probably a century old. | 1:44:57 | 1:45:01 | |
-Exactly. -Oh, that's good. | 1:45:01 | 1:45:03 | |
Tony, you've hit the antique on the head. | 1:45:03 | 1:45:06 | |
-You quite like it, then? -It's growing on me. | 1:45:06 | 1:45:08 | |
I like it, Tony. We are now going forward. | 1:45:08 | 1:45:12 | |
Oh, they're wacky! | 1:45:12 | 1:45:14 | |
I've never seen a set like this before. | 1:45:14 | 1:45:17 | |
-I'm not surprised, really. -Excuse me? | 1:45:17 | 1:45:19 | |
THEY LAUGH No, I like them! I like them. | 1:45:19 | 1:45:22 | |
I like your adventurous spirit, because they could make £75 | 1:45:22 | 1:45:26 | |
-or they could make £20. -But they cost less than £5 each. | 1:45:26 | 1:45:28 | |
Now, we've got something larger for you here. | 1:45:28 | 1:45:31 | |
-Look at that. -Oh, no! | 1:45:31 | 1:45:34 | |
That's "Oh, no, I'm trembling". | 1:45:34 | 1:45:36 | |
We want that to go on top of somebody's stable. | 1:45:36 | 1:45:40 | |
The price on it was £90. | 1:45:40 | 1:45:42 | |
And I unleashed Blackburn, | 1:45:42 | 1:45:44 | |
and I said, "Go get it, my man. Start at 30." | 1:45:44 | 1:45:47 | |
-"If you have to, go up to 40." -I bet it cost 50. | 1:45:47 | 1:45:50 | |
-He came back a minute later and said, "Bought it for 30." -30. | 1:45:50 | 1:45:53 | |
-You did good. -I found this. | 1:45:53 | 1:45:56 | |
It's just a quality, lightweight dandy cane. | 1:45:56 | 1:45:59 | |
-Let's have a look. -It's silver, but it's not hallmarked. | 1:45:59 | 1:46:02 | |
-What do you think we'll get for this? -I would put it at about £30. | 1:46:02 | 1:46:06 | |
-Well, it cost us £28. -£28? -He's a good valuer, isn't he? | 1:46:06 | 1:46:10 | |
-I know. Where's this guy from? -I like a caddy spoon. | 1:46:10 | 1:46:13 | |
Oh, that's charming. I hope you haven't paid £10 for it. | 1:46:13 | 1:46:17 | |
No. They were wanting best part of £100 for it, | 1:46:17 | 1:46:19 | |
-but...Monsieur Blackburn. -Oh, no! | 1:46:19 | 1:46:23 | |
The lady melted when he said, "£40 with a kiss." | 1:46:23 | 1:46:26 | |
-SHE GASPS -No! | 1:46:26 | 1:46:27 | |
Toyah, it's now time to unleash our secret weapon, | 1:46:27 | 1:46:31 | |
which really is an antique, about five, six, seven times over. | 1:46:31 | 1:46:34 | |
Look at that! | 1:46:34 | 1:46:36 | |
Dare I say something? I find it a little ugly. | 1:46:38 | 1:46:41 | |
It's almost 1,000 years old, Tony! It cost us... | 1:46:41 | 1:46:44 | |
-Was it £100? -And £50. | 1:46:44 | 1:46:46 | |
It's speculating to really, really accumulate, | 1:46:46 | 1:46:50 | |
-so we're going for it. -I admire you. -Yes. | 1:46:50 | 1:46:53 | |
Very brave. Well done. | 1:46:53 | 1:46:55 | |
If you put a few daffodils in the top of it, | 1:46:55 | 1:46:57 | |
-just to make it look better... -There's always one, isn't there? | 1:46:57 | 1:47:01 | |
-Always one. -From your gamble to our gamble. | 1:47:01 | 1:47:04 | |
Think Olympics. What would be the most famous Olympics? | 1:47:04 | 1:47:08 | |
-Munich? -1936. -Germany, 1936. | 1:47:08 | 1:47:10 | |
It's a bronze plaque. Got the swastika on the top. | 1:47:10 | 1:47:13 | |
I have to be honest - I would not touch that with a bargepole. | 1:47:13 | 1:47:17 | |
-Because of the swastika? -Because of the swastika. | 1:47:17 | 1:47:20 | |
I know exactly what you mean. | 1:47:20 | 1:47:22 | |
We're not condoning anything that went on there, Toyah. | 1:47:22 | 1:47:26 | |
We're not saying anything other than, this was an Olympic Games, | 1:47:26 | 1:47:29 | |
-and a turning point, was it not? -It is a bit of history, isn't it? | 1:47:29 | 1:47:33 | |
All I can say is, you've actually bought very, very well. | 1:47:33 | 1:47:37 | |
-Oh, wonderful! -Look at that. | 1:47:37 | 1:47:39 | |
-Wonderful! -Look at that. -I love it. | 1:47:39 | 1:47:42 | |
-So, was this a tenner? -Charlie, it was something which... | 1:47:42 | 1:47:45 | |
-was a tenner. -THEY LAUGH | 1:47:45 | 1:47:47 | |
You hate it when I'm right, don't you? | 1:47:47 | 1:47:50 | |
This is one we're really looking forward to you seeing. | 1:47:50 | 1:47:54 | |
Oh, no! | 1:47:54 | 1:47:56 | |
-THEY LAUGH -I can't believe it! | 1:47:56 | 1:47:58 | |
-I give you Monsieur le Marrow Scoop! -Oh, good for you! | 1:47:58 | 1:48:02 | |
-How much were they asking for it? -The label had 220 on it. -220. | 1:48:02 | 1:48:06 | |
And it was at this moment I unleashed Mr Blackburn. | 1:48:06 | 1:48:09 | |
And I went down on my knees, and we got it for £50. | 1:48:09 | 1:48:12 | |
-Oh, you didn't! -Are you serious? | 1:48:12 | 1:48:15 | |
Well, I'm not absolutely serious. No. It was 100. We got it for £100. | 1:48:15 | 1:48:20 | |
-You've gone for the negotiator. -I've gone for the emotion. | 1:48:20 | 1:48:23 | |
Our finale, which people get emotional about - | 1:48:23 | 1:48:26 | |
-they love a good teddy bear. -Oh, I think he's charming! | 1:48:26 | 1:48:30 | |
-Love him. We've got a serious competition on our hands. -Mmm. | 1:48:30 | 1:48:34 | |
So, that's everything. Now, let's see what they really think. | 1:48:34 | 1:48:38 | |
I don't think the walnut's going to get that much. | 1:48:38 | 1:48:41 | |
I don't think the weathercock is going to get that much. | 1:48:41 | 1:48:44 | |
-I think it's half a hanging basket. -It's not nice. | 1:48:44 | 1:48:48 | |
You did not like that Beswick figure, did you? | 1:48:48 | 1:48:50 | |
I thought it looked very cheap. We wouldn't have bought any of that. | 1:48:50 | 1:48:54 | |
That's a really, really good... HE LAUGHS | 1:48:54 | 1:48:58 | |
We're slightly anxious, but at the same time | 1:48:58 | 1:49:02 | |
there's a few falls for them, as well. | 1:49:02 | 1:49:04 | |
I think we can be a little bit smug. | 1:49:04 | 1:49:06 | |
Well, I like the sound of that! | 1:49:07 | 1:49:09 | |
Our novice celebrities have come on leaps and bounds | 1:49:09 | 1:49:12 | |
in the last two days, bless 'em. | 1:49:12 | 1:49:15 | |
Now let's take this newfound confidence on the road | 1:49:15 | 1:49:18 | |
just one more time. | 1:49:18 | 1:49:20 | |
Wouldn't it be amazing if you got up on the stand | 1:49:20 | 1:49:23 | |
and you ran the auction for your bits yourself? | 1:49:23 | 1:49:27 | |
-Are you allowed to do that? -Tony, you are a rebel of the '60s. | 1:49:27 | 1:49:31 | |
I am a rebel of the '80s. | 1:49:31 | 1:49:33 | |
We just take over. Anarchy. | 1:49:33 | 1:49:36 | |
Castle Howard is consigned to the past | 1:49:36 | 1:49:39 | |
as this monumental celebrity road trip thunders on, | 1:49:39 | 1:49:42 | |
a whopping 198 miles due south | 1:49:42 | 1:49:45 | |
all the way to Stansted Mountfitchet in glorious Essex. | 1:49:45 | 1:49:50 | |
THEY ALL SING # Oh, what a beautiful morning | 1:49:52 | 1:49:56 | |
# Oh, what a beautiful day | 1:49:56 | 1:50:00 | |
# I've got a beautiful feeling | 1:50:00 | 1:50:05 | |
-# Everything's going my way # -Going my way. -Going MY way! | 1:50:05 | 1:50:10 | |
Auction day is finally upon us, | 1:50:10 | 1:50:13 | |
as our eager celebrities and experts arrive | 1:50:13 | 1:50:15 | |
-at Sworders Auctioneers. -You look gorgeous! -Thank you! | 1:50:15 | 1:50:18 | |
-Allow me to take you to the sale room. -Oh, come on! | 1:50:18 | 1:50:22 | |
-Look, she's my partner. Come on! -I feel a little bit left out here. | 1:50:22 | 1:50:26 | |
Come on, Blackers. You'll be all right. Stick with Charlie. | 1:50:26 | 1:50:29 | |
I bet you say that to all the celebs. | 1:50:29 | 1:50:31 | |
Sworders Auctioneers began flogging gear | 1:50:31 | 1:50:34 | |
way, way back in 1782, | 1:50:34 | 1:50:37 | |
long before these rooms began selling fine arts. | 1:50:37 | 1:50:40 | |
Today it's the antiques and collectables sale, | 1:50:40 | 1:50:43 | |
with auctioneer Guy Schooling here to get things going. | 1:50:43 | 1:50:46 | |
£50. Five anywhere? | 1:50:46 | 1:50:49 | |
-We bought one big item. -It's a Chinese vase. | 1:50:49 | 1:50:53 | |
The problem I would have with it, and the Chinese may have with it, | 1:50:53 | 1:50:57 | |
-is the damage. -The problem I have with it is that it looks so hideous. | 1:50:57 | 1:51:01 | |
-It is quite boring. -THEY LAUGH | 1:51:01 | 1:51:04 | |
I have to ask you - there's a really horrible weather vane. | 1:51:04 | 1:51:07 | |
Please tell me it'll fetch 20p. | 1:51:07 | 1:51:10 | |
-I would have thought, again, 100 to 150. -Oh! | 1:51:10 | 1:51:13 | |
All I want to say is, no matter what happens, | 1:51:16 | 1:51:19 | |
it's been enormous fun, so when we have this massive win, | 1:51:19 | 1:51:23 | |
and you have a chip on your shoulder, | 1:51:23 | 1:51:25 | |
-I want you to forget about it. -Thank you, Tony. -All right, Tony. | 1:51:25 | 1:51:29 | |
Charlie and Tony started today's show with their full £400, | 1:51:29 | 1:51:33 | |
and spent £270 on five auction lots. | 1:51:33 | 1:51:36 | |
Team Toyah also began with £400, and spent just £250 on six lots. | 1:51:40 | 1:51:45 | |
Experts and celebrities get themselves settled. | 1:51:49 | 1:51:52 | |
Citizens whisper then fall silent, | 1:51:52 | 1:51:55 | |
as this most prestigious auction is about to begin. | 1:51:55 | 1:51:59 | |
First up, Toyah's pugilist puppy is spoiling for a fight. | 1:52:00 | 1:52:04 | |
-Lot 155, Beswick figure, £50. -Have a go. | 1:52:04 | 1:52:08 | |
-20. -Have a go! | 1:52:08 | 1:52:10 | |
Ten. 12. 15. 18. | 1:52:10 | 1:52:13 | |
20. Two. Five. | 1:52:13 | 1:52:16 | |
-One more! -28. -Yes! Go on! | 1:52:16 | 1:52:18 | |
It's the only boxing dog you'll ever get the chance to buy. | 1:52:18 | 1:52:22 | |
HE LAUGHS Over here! Over here! | 1:52:22 | 1:52:25 | |
I've got her, I've got her! Calm down! | 1:52:25 | 1:52:27 | |
Thank you. | 1:52:27 | 1:52:29 | |
32. £32 in the centre of the room. | 1:52:29 | 1:52:33 | |
It's a knockout for Wilcox-Hanson. | 1:52:35 | 1:52:38 | |
-That's great! Excellent. Thank you, lady in pink. -Thank you. | 1:52:38 | 1:52:41 | |
And now, a tough nut to crack - | 1:52:41 | 1:52:44 | |
tenacious Tony's hard-haggled inkwell. | 1:52:44 | 1:52:46 | |
Unusual little Black Forest inkwell. 20 I'm bid. | 1:52:46 | 1:52:51 | |
At £20. 22. Five. | 1:52:51 | 1:52:53 | |
Eight. 30. At 32. | 1:52:53 | 1:52:56 | |
-Tony, you have made a profit on your debut. -Come on! | 1:52:56 | 1:53:00 | |
Works with biros as well, you know. | 1:53:00 | 1:53:02 | |
-£40. -40! | 1:53:02 | 1:53:04 | |
Good job. Good purchase! Finally, a potential new career | 1:53:05 | 1:53:08 | |
for Tony Blackburn. | 1:53:08 | 1:53:10 | |
-Wow! -I hereby... -Congratulations. | 1:53:10 | 1:53:13 | |
-Thank you. -..confirm you as an authorised antique dealer. | 1:53:13 | 1:53:17 | |
Who'd like a cuddle? The not-so-old teddy bear gets his chance. | 1:53:18 | 1:53:22 | |
£50. 20. Ten. | 1:53:22 | 1:53:25 | |
-Come on. Let's go. -Ten, I'm bid. 12. | 1:53:25 | 1:53:28 | |
-15. 18. -Profit! Good man. | 1:53:28 | 1:53:30 | |
20. 22. | 1:53:30 | 1:53:33 | |
-25. -Yes! Good man. Thank you very much. | 1:53:33 | 1:53:36 | |
-28. 30. -Oh, he's gone for it! | 1:53:36 | 1:53:38 | |
-Oh! -Keep going. One more. | 1:53:38 | 1:53:41 | |
For 32... | 1:53:41 | 1:53:43 | |
Ah, bless! A lovely profit. | 1:53:43 | 1:53:47 | |
Now, let's see which way the wind of chance is blowing. | 1:53:47 | 1:53:50 | |
-40 I'm bid. -It's a profit! Straight in! | 1:53:50 | 1:53:53 | |
-45... -45! | 1:53:53 | 1:53:55 | |
Five. 60. Five. In the room, the bid for the weather vane. | 1:53:55 | 1:54:00 | |
70 anywhere? | 1:54:00 | 1:54:02 | |
Selling, then, at £65... | 1:54:02 | 1:54:05 | |
Hard-haggle Blackburn has done it again, making Charlie proud. | 1:54:06 | 1:54:11 | |
I'm amazed. Absolutely. | 1:54:11 | 1:54:14 | |
And another modern item from Toyah's swag bag - | 1:54:14 | 1:54:17 | |
funnily enough, from the 1980s. | 1:54:17 | 1:54:20 | |
Er, £50. 20. | 1:54:20 | 1:54:22 | |
Ten to start. 12. 15. 18. | 1:54:22 | 1:54:26 | |
20. I shall sell them at 20. | 1:54:26 | 1:54:29 | |
And that'll teach you for buying modern collectables | 1:54:30 | 1:54:33 | |
on the Antiques Road Trip. Shocking! | 1:54:33 | 1:54:36 | |
Now, Charlie and Tony await their Olympic dreams. | 1:54:36 | 1:54:40 | |
At 25. 30 anywhere? | 1:54:40 | 1:54:43 | |
Piece of history. 30. Five. | 1:54:43 | 1:54:45 | |
40. Five. | 1:54:45 | 1:54:48 | |
50 anywhere? It's cheap yet. | 1:54:48 | 1:54:50 | |
-At 45. -Oh, come on! -50. | 1:54:50 | 1:54:52 | |
-Five. 60. -Slow down. | 1:54:52 | 1:54:54 | |
-Five. 70. -Slow down. Stop there. | 1:54:54 | 1:54:56 | |
-Selling at £70... -Stop! | 1:54:56 | 1:54:59 | |
Ouch! A slight loss, and no gold medal for Charlie and Tony. | 1:54:59 | 1:55:04 | |
Let's get some swagger into Charles' and Toyah's auction fortunes. | 1:55:04 | 1:55:09 | |
£50. 20. | 1:55:09 | 1:55:11 | |
25. 30. Five. | 1:55:11 | 1:55:14 | |
40. One more. At 45. | 1:55:14 | 1:55:16 | |
-Come on. -Come on! Yes! | 1:55:16 | 1:55:19 | |
-At £50. -One more! -55 anywhere? | 1:55:19 | 1:55:21 | |
-One more. -Over here! Over here! | 1:55:21 | 1:55:24 | |
-We got her! We got her! -60. -It's not very good. | 1:55:24 | 1:55:27 | |
Come on! | 1:55:27 | 1:55:29 | |
At £60... | 1:55:29 | 1:55:32 | |
-Ooh, double and then some! -Thank you, madam. | 1:55:32 | 1:55:35 | |
-Well done, madam. -Thank you very much! You're a star. | 1:55:35 | 1:55:38 | |
And now another genuine antique, | 1:55:38 | 1:55:40 | |
authentically bought by that charmer, Blackburn. | 1:55:40 | 1:55:44 | |
At £20. 22. Five. | 1:55:44 | 1:55:47 | |
-Eight. 30. Two. -Sell it. | 1:55:47 | 1:55:49 | |
-Sell! -Don't sell it yet. | 1:55:49 | 1:55:51 | |
Two. 45. 48. 50, sir? | 1:55:51 | 1:55:56 | |
-No? £48 on my left. -I want to bid for it. | 1:55:56 | 1:56:00 | |
Slim profit. | 1:56:00 | 1:56:02 | |
A profit, but nothing to shout about, frankly. | 1:56:02 | 1:56:05 | |
Meanwhile, back at the retro-collectables sale, | 1:56:05 | 1:56:08 | |
the drumming panda is looking for someone to play with. | 1:56:08 | 1:56:11 | |
£50. 20. | 1:56:11 | 1:56:13 | |
-Double the money! -What did it cost? | 1:56:13 | 1:56:16 | |
-£10. -Five. Eight. 30. | 1:56:16 | 1:56:19 | |
-Ooh! -Five. Eight. 40. | 1:56:19 | 1:56:21 | |
Commission bid. Can I say two anywhere? | 1:56:21 | 1:56:24 | |
I shall sell at £40... | 1:56:24 | 1:56:26 | |
And it looks like 20th-century tin toys are the things to buy. | 1:56:27 | 1:56:31 | |
I'll eat my hat now. | 1:56:31 | 1:56:33 | |
-Well done. Well done. -That was really good! | 1:56:33 | 1:56:37 | |
But not before this lovely kosher-antique marrow scoop | 1:56:37 | 1:56:40 | |
goes before the bidders. | 1:56:40 | 1:56:42 | |
35 I'm bid. At 35. 40. | 1:56:42 | 1:56:45 | |
Five. 50. Five. | 1:56:45 | 1:56:48 | |
60. Five. 70. Five. | 1:56:48 | 1:56:51 | |
-At £80. -Stop! -£80? | 1:56:51 | 1:56:53 | |
-90. 100. -Stop! | 1:56:53 | 1:56:55 | |
110. 120. 130. | 1:56:55 | 1:56:57 | |
-Up, up! -It's a profit, but it's paltry. | 1:56:57 | 1:57:00 | |
A profit, but a slightly disappointing one. | 1:57:00 | 1:57:04 | |
-That was all right! -And it should have been ours! | 1:57:04 | 1:57:07 | |
And, as the final lot waits in the wings, | 1:57:07 | 1:57:09 | |
there's a solid £50 separating our two celebrities' fortunes, | 1:57:09 | 1:57:14 | |
with Wilcox team out in front. | 1:57:14 | 1:57:17 | |
Now the long-awaited Chinese burial jar finally takes the stage. | 1:57:17 | 1:57:23 | |
-So, let's start £100. -Come on. -50. | 1:57:23 | 1:57:26 | |
20. 20 I'm bid. | 1:57:26 | 1:57:29 | |
Ouch! That's rather an insult to an 800-year-old piece. | 1:57:29 | 1:57:33 | |
Maiden bid will take it. At 25. 30. Five. 40. | 1:57:33 | 1:57:38 | |
-Here it goes. -Five. 50. Five. | 1:57:38 | 1:57:41 | |
60. It's commission bid. You're out in the room. | 1:57:41 | 1:57:43 | |
-At £60. -Commission bid! -Selling, then, | 1:57:43 | 1:57:46 | |
-on commission, at £60... -Come on, come on! | 1:57:46 | 1:57:50 | |
Sold at 60. | 1:57:50 | 1:57:52 | |
Heavens to Betsy, that's appalling! | 1:57:52 | 1:57:55 | |
And a rather sad end to the fortunes of Wilcox-Hanson. | 1:57:55 | 1:58:00 | |
Oh, dear, what a shame! | 1:58:00 | 1:58:02 | |
THEY LAUGH | 1:58:02 | 1:58:04 | |
Sadly, after paying auction costs, | 1:58:07 | 1:58:09 | |
second-placed Toyah and Charles have made a loss | 1:58:09 | 1:58:12 | |
and limped to the finish line with just £362.38. | 1:58:12 | 1:58:18 | |
Tony and Charlie made a modest yet debonair profit, | 1:58:25 | 1:58:28 | |
finishing their road trip with - you guessed it - £411.46. | 1:58:28 | 1:58:33 | |
Jolly well done, everyone! | 1:58:35 | 1:58:36 | |
All the money our celebrities and experts make | 1:58:36 | 1:58:40 | |
will go to Children In Need. | 1:58:40 | 1:58:42 | |
-Can't win 'em all, can we? Well, it was fun. -For us. | 1:58:42 | 1:58:46 | |
-Stop it! -Mr Blackburn is something of a legend, is he not? | 1:58:46 | 1:58:49 | |
-He started there and ended up there. -I've really enjoyed it. | 1:58:49 | 1:58:52 | |
I haven't really known what I've been buying, | 1:58:52 | 1:58:55 | |
but it's been fantastic, and we made a profit. | 1:58:55 | 1:58:57 | |
-That has shown, actually, Tony, but luck was on your side. -Ooh! | 1:58:57 | 1:59:02 | |
We took a gamble. We were brave. We entered into the arena | 1:59:02 | 1:59:07 | |
-with speculation. -I've never known two such bad losers. | 1:59:07 | 1:59:10 | |
-I know. Dreadful. Dreadful! -I tell you what we'll do. | 1:59:10 | 1:59:13 | |
-What's that? -Get in the car. -Fantastic. | 1:59:13 | 1:59:15 | |
-Toyah, will you come home with me? -I will. -Fantastic. | 1:59:15 | 1:59:18 | |
-Best offer I've had all day. -Really? | 1:59:18 | 1:59:21 | |
Oh, come on, Toyah. Your auction wasn't THAT bad. | 1:59:21 | 1:59:24 | |
In fact, it seems as if celebrities really can spot and buy antiques | 1:59:25 | 1:59:30 | |
for themselves, even when hampered by Charles Hanson. | 1:59:30 | 1:59:33 | |
Farewell, Charles and Toyah! | 1:59:33 | 1:59:36 | |
Farewell, Charlie and Tony. Bye-bye, everyone. Bye-bye. | 1:59:36 | 1:59:41 | |
Subtitles by Red Bee Media Ltd | 1:59:41 | 1:59:45 | |
E-mail [email protected] | 1:59:45 | 1:59:49 | |
. | 1:59:49 | 1:59:49 |