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-Some of the nation's favourite celebrities... -Sensational! | 0:01:02 | 0:01:05 | |
..one antiques expert each... | 0:01:05 | 0:01:08 | |
-It's middle class. -Darling, aren't we all? | 0:01:08 | 0:01:10 | |
..and one big challenge - | 0:01:10 | 0:01:13 | |
who can seek out and buy the best antiques at the very best prices... | 0:01:13 | 0:01:18 | |
-Do I start laughing now? -You can if you like. | 0:01:18 | 0:01:21 | |
..and auction for a big profit... | 0:01:21 | 0:01:24 | |
-55, thank you. -..further down the road? | 0:01:24 | 0:01:26 | |
Who will spot the good investments? | 0:01:28 | 0:01:32 | |
Who will listen to advice? | 0:01:32 | 0:01:34 | |
And who will be the first to say, "Don't you know who I am?!" | 0:01:34 | 0:01:39 | |
Time to put your pedal to the metal - | 0:01:39 | 0:01:41 | |
this is Celebrity Antiques Road Trip - yeah! | 0:01:41 | 0:01:45 | |
Now, if you ask me, there's very little to beat a summer's day | 0:01:49 | 0:01:53 | |
in the glorious British Isles - | 0:01:53 | 0:01:55 | |
dappled light resting gracefully on our grand old architecture, | 0:01:55 | 0:02:01 | |
the majestic countryside, and then... | 0:02:01 | 0:02:05 | |
there's days like this. | 0:02:05 | 0:02:07 | |
Good job tonight's Celebrity Road Trippers are made of stern stuff. | 0:02:07 | 0:02:13 | |
Welcome aboard, journalist and presenter Katie Derham | 0:02:13 | 0:02:16 | |
and star of stage and screen Mr Tom Conti! | 0:02:16 | 0:02:20 | |
-Do you know anything about this car at all? -This car? No. | 0:02:20 | 0:02:24 | |
Best known for presenting ITV News, | 0:02:24 | 0:02:26 | |
the lovely Katie Derham began her career at the Beeb. | 0:02:26 | 0:02:30 | |
And can I just say, we love her work - especially the early stuff. | 0:02:30 | 0:02:35 | |
But what can any investor in a club like Millwall really expect? | 0:02:35 | 0:02:40 | |
Probably best not to take too much notice of those tax-cut promises... | 0:02:40 | 0:02:44 | |
Now, that's not exactly a snappy headline... | 0:02:44 | 0:02:46 | |
More recently, Katie is ensconced in the arts, presenting the Proms, | 0:02:46 | 0:02:50 | |
the Classical BRIT Awards, even competing to be a maestro. | 0:02:50 | 0:02:54 | |
MUSIC BUILDS TO A CLIMAX | 0:02:54 | 0:02:58 | |
Gosh! | 0:02:58 | 0:03:00 | |
What a frock! | 0:03:00 | 0:03:03 | |
As you know, Katie's competition is the dashing Tom Conti, | 0:03:03 | 0:03:06 | |
and right now, he'll be playing the driver | 0:03:06 | 0:03:09 | |
of this 1952 Jowett Jupiter. | 0:03:09 | 0:03:13 | |
-OK, here we go, are you ready? -I'm ready. -Hold on! | 0:03:13 | 0:03:16 | |
I'm holding on! Don't... Agh! You just ran over the cameraman! | 0:03:16 | 0:03:20 | |
Is he... Is he dead? | 0:03:20 | 0:03:23 | |
Because if he's dead, we ought to stop. | 0:03:23 | 0:03:27 | |
While his driving may be a little hit and miss, | 0:03:27 | 0:03:30 | |
Tom's acting career spans more than 50 years. In theatre, | 0:03:30 | 0:03:33 | |
film and television, he's been wowing audiences in everything | 0:03:33 | 0:03:37 | |
from Shirley Valentine to Miranda - such fun! | 0:03:37 | 0:03:40 | |
And his latest project - well, at the time of filming, | 0:03:40 | 0:03:44 | |
it's all a bit hush-hush, but I'll give you a clue - | 0:03:44 | 0:03:47 | |
it's Batman - The Dark Knight Rises. | 0:03:47 | 0:03:51 | |
A great qualification for a Road Tripper! | 0:03:51 | 0:03:54 | |
Do we have, erm, indicators? | 0:03:54 | 0:03:56 | |
An indicator? It's better to surprise them, I think. | 0:03:56 | 0:03:59 | |
Our celebs may be taking each other on, | 0:03:59 | 0:04:03 | |
but they won't be doing it alone. | 0:04:03 | 0:04:06 | |
Guiding them are two absolute veterans, | 0:04:06 | 0:04:09 | |
James Braxton and James Lewis, | 0:04:09 | 0:04:11 | |
currently enjoying all that an open-top MG Midget has to offer. | 0:04:11 | 0:04:16 | |
How are you feeling in your jacket, then, James? | 0:04:16 | 0:04:19 | |
Yeah... I'm feeling a tad wet, and even more stupid. | 0:04:19 | 0:04:24 | |
Could this be an omen? | 0:04:24 | 0:04:25 | |
James Braxton's 25 years in antiques began | 0:04:25 | 0:04:29 | |
when he dropped out of a Business Studies course and became a porter | 0:04:29 | 0:04:32 | |
at an auction house. The rest, as they say, is history. | 0:04:32 | 0:04:36 | |
-Shall I carry it, sir? -Oh, yes, I really wish you would. -OK. | 0:04:36 | 0:04:41 | |
James Lewis, meanwhile, has two great passions - | 0:04:41 | 0:04:44 | |
antiques and animals. | 0:04:44 | 0:04:46 | |
He claims he made his first auction bid at the age of six. | 0:04:46 | 0:04:50 | |
The collectible in question, a birdcage for his budgie. | 0:04:50 | 0:04:55 | |
So, drawing on the advice of our esteemed experts, | 0:04:55 | 0:04:59 | |
Tom and Katie have £400 each, | 0:04:59 | 0:05:02 | |
two days of shopping and one auction | 0:05:02 | 0:05:05 | |
to prove that they can buy low, sell high with the best of 'em. | 0:05:05 | 0:05:09 | |
-Do you know anything about them at all? -About antiques? | 0:05:09 | 0:05:13 | |
-Yeah. -Not much. That's the old ones, isn't it? The older stuff? | 0:05:13 | 0:05:17 | |
Yes... | 0:05:17 | 0:05:18 | |
Before they risk their reputations, let's look at the journey ahead. | 0:05:18 | 0:05:23 | |
We're kicking off this Celebrity Road Trip in Lewes, Sussex, | 0:05:23 | 0:05:27 | |
and for the most part we're headed north, | 0:05:27 | 0:05:30 | |
ending with an auction showdown in Wandsworth, South London. | 0:05:30 | 0:05:34 | |
First stop, the charming town of Lewes, | 0:05:34 | 0:05:38 | |
which has quite a bloody and exciting history. | 0:05:38 | 0:05:41 | |
What started as a Roman settlement | 0:05:41 | 0:05:45 | |
was invaded by the Saxons, then the Danes, and finally the Normans, | 0:05:45 | 0:05:49 | |
which is what prompted William The Conq's brother-in-law | 0:05:49 | 0:05:53 | |
to build Lewes Castle in the first place, in 1069 - | 0:05:53 | 0:05:57 | |
and doesn't it look great in the sunshine? | 0:05:57 | 0:05:59 | |
Well, for a minute or two, because... | 0:05:59 | 0:06:02 | |
# Let it rain, let it rain... # | 0:06:02 | 0:06:06 | |
Although as our celebrities rendezvous, | 0:06:06 | 0:06:08 | |
it is of course a very different story. | 0:06:08 | 0:06:12 | |
-Hello. -Hello! | 0:06:12 | 0:06:15 | |
-Katie, nice to meet you. -James. | 0:06:15 | 0:06:17 | |
-Glorious, isn't it? -This is Katie, and I'm Katie, too, just to... | 0:06:17 | 0:06:20 | |
THEY LAUGH | 0:06:20 | 0:06:21 | |
You don't look like a Katie, Tom. | 0:06:21 | 0:06:24 | |
It's like an exchange on a bridge in Berlin in the old days, you know! | 0:06:24 | 0:06:28 | |
Do we go off with one of you, or what happens? | 0:06:28 | 0:06:31 | |
-That's the idea. -Hopefully, we're going to guide you. | 0:06:31 | 0:06:34 | |
-Do you know much about antiques? -Not a lot. I think it'll be, | 0:06:34 | 0:06:38 | |
"I like the look of that," and you just shake your head... | 0:06:38 | 0:06:42 | |
-Right, James, you can have Katie! -You said you wanted Tom! | 0:06:42 | 0:06:45 | |
It's bric-a-brac, isn't it? | 0:06:45 | 0:06:49 | |
I'll just try and educate this man! | 0:06:49 | 0:06:51 | |
Au revoir. I hope to see you in the not-too-distant future. | 0:06:51 | 0:06:55 | |
Certainly will. | 0:06:55 | 0:06:56 | |
-Have fun. Which way are you guys going? -This way. | 0:06:56 | 0:06:59 | |
-Towards the antique shops! -It's a park up there. | 0:06:59 | 0:07:02 | |
-Pub! -Excellent, excellent. | 0:07:02 | 0:07:05 | |
Now, whilst there isn't a moment to lose, | 0:07:06 | 0:07:09 | |
apparently there is time for a cheeky latte | 0:07:09 | 0:07:12 | |
in order to talk tactics. | 0:07:12 | 0:07:14 | |
Are you a competitive person, Tom? | 0:07:14 | 0:07:17 | |
No, no, I'm not, but are you, against your namesake, James? | 0:07:17 | 0:07:21 | |
Not against anybody else bar James Lewis. | 0:07:22 | 0:07:26 | |
He is a man who needs to be beaten, I think. | 0:07:26 | 0:07:29 | |
Right, he is your bete noire? | 0:07:29 | 0:07:31 | |
I know we're all friends, but we are wanting to win. | 0:07:31 | 0:07:35 | |
-Yeah, it would be nice. -How do we go about this? What do we do? | 0:07:35 | 0:07:38 | |
Well, James is lovely, and he's a true gentleman, is James. | 0:07:38 | 0:07:41 | |
I don't think he's a hard-nosed negotiator, | 0:07:41 | 0:07:45 | |
so that is somewhere we might have an advantage. | 0:07:45 | 0:07:48 | |
Brilliant! Because we're underhand...?! | 0:07:48 | 0:07:52 | |
Well, I, me, I will have a good old haggle. | 0:07:52 | 0:07:55 | |
Right, then, let's go, shall we? | 0:07:55 | 0:07:58 | |
Tom and James's first shop of the day is Cliffe Antiques, | 0:08:01 | 0:08:05 | |
where it's clear you can tell a lot about a person | 0:08:05 | 0:08:08 | |
from their choice of collectibles. | 0:08:08 | 0:08:11 | |
Oh, that's nice! HE LAUGHS | 0:08:11 | 0:08:13 | |
Oh, yes? And what do you love about it, Tom? | 0:08:13 | 0:08:16 | |
The bum. | 0:08:16 | 0:08:18 | |
Don't be fooled, I think Conti has an eye for a...bargain. | 0:08:18 | 0:08:22 | |
I like that. | 0:08:22 | 0:08:24 | |
That's a fabulous mirror, isn't it? | 0:08:24 | 0:08:26 | |
Should we dismiss something so readily | 0:08:26 | 0:08:28 | |
because it's very plastic, and broken? | 0:08:28 | 0:08:32 | |
And broken, but we could tell them that it isn't broken and it's silver! | 0:08:32 | 0:08:37 | |
-You see, I'm learning the trade! -There we are! | 0:08:37 | 0:08:39 | |
I think you'll make an excellent antique dealer. Excellent! | 0:08:39 | 0:08:43 | |
At the other end of the High Street, | 0:08:43 | 0:08:45 | |
the competition are having a poke around Emporium Antiques. | 0:08:45 | 0:08:49 | |
Do you want to have a wander and have a bit of freedom | 0:08:49 | 0:08:51 | |
and just pick up anything that you like? | 0:08:51 | 0:08:54 | |
If you want an idea of value, bring it over and we'll have a natter. | 0:08:54 | 0:08:57 | |
James, perhaps this is a little soon for Katie to fly solo? | 0:08:57 | 0:09:02 | |
This is made in Los Angeles - that can't... Is that good? | 0:09:02 | 0:09:05 | |
It's early days. I'm sure she'll get the hang of it. | 0:09:05 | 0:09:09 | |
James, what would this be? | 0:09:09 | 0:09:10 | |
Would this be some sort of regimental jam pot or something? | 0:09:10 | 0:09:14 | |
-It's a stein. -It is, is it? With a lid? -German drinking. | 0:09:14 | 0:09:20 | |
Oh, I see, oh, right, OK. A jam pot! Sorry! I'm far too twee, aren't I?! | 0:09:20 | 0:09:24 | |
It's lovely that you don't know | 0:09:24 | 0:09:27 | |
what goes on in these drinking dens of inner Germany! | 0:09:27 | 0:09:31 | |
-I'm terribly innocent! -The funny thing is, | 0:09:31 | 0:09:34 | |
traditionally, this is very practical. | 0:09:34 | 0:09:37 | |
Remember in all those ancient days | 0:09:37 | 0:09:39 | |
when you would be sitting in your pub, | 0:09:39 | 0:09:41 | |
you'd be having a very quiet jug of ale, | 0:09:41 | 0:09:44 | |
Somebody would slip a little bit of drugs in there | 0:09:44 | 0:09:46 | |
and take you off, press-gang you and take you on board a ship. | 0:09:46 | 0:09:49 | |
The idea of having a cover was so that nobody could put anything | 0:09:49 | 0:09:53 | |
in your beer that you didn't want in your beer. | 0:09:53 | 0:09:56 | |
So, that's one German stein/regimental jam pot | 0:09:56 | 0:09:59 | |
on the maybe list. Maybe. | 0:09:59 | 0:10:02 | |
As for Team Conti, they're leaving no stone unturned, | 0:10:02 | 0:10:07 | |
and so far have several candidates for purchase numero uno. | 0:10:07 | 0:10:11 | |
Look, here's a bit of... That's quite fun. | 0:10:11 | 0:10:16 | |
-That's a nice bit of satsuma. -I thought that was a tangerine! | 0:10:16 | 0:10:18 | |
This is an area of Japan which was famous for its pottery. | 0:10:18 | 0:10:22 | |
-Beautifully done, this. -Isn't it? What is the gold stuff? -It is gold. | 0:10:22 | 0:10:26 | |
-It is gold? -It is gold. But the damage to this piece... | 0:10:26 | 0:10:30 | |
It's been sanded down, hasn't it? | 0:10:30 | 0:10:32 | |
Someone's certainly sanded it down a bit. | 0:10:32 | 0:10:35 | |
But we might come back to that one. | 0:10:35 | 0:10:38 | |
Well, that's one possibility. | 0:10:38 | 0:10:40 | |
And strangely, so is this. | 0:10:40 | 0:10:43 | |
I think that's very unusual. | 0:10:43 | 0:10:45 | |
It's a double saddle, so warrior and missus behind. | 0:10:45 | 0:10:48 | |
Yeah, it would be a very curiously-shaped beast. Wouldn't it? | 0:10:48 | 0:10:52 | |
-Yeah, it's quite a long beast, isn't it? -A very long horse. -Long horse. | 0:10:52 | 0:10:56 | |
-Do you think it's maybe not a horse? -Well, I think it could have... | 0:10:56 | 0:11:00 | |
What else do you ride? | 0:11:00 | 0:11:01 | |
Or, these tails might have been slightly, do you think, | 0:11:01 | 0:11:05 | |
rather like a luggage rack? | 0:11:05 | 0:11:06 | |
It could be decoratively combined into a contemporary interior. | 0:11:06 | 0:11:10 | |
To be considered for later, is it? | 0:11:10 | 0:11:12 | |
I think it is consider for later. | 0:11:12 | 0:11:16 | |
I think we may be very lucky in here. It's a rich seam, I think. | 0:11:16 | 0:11:20 | |
James, I do believe your competitive side is coming out to play. | 0:11:20 | 0:11:26 | |
Marvellous. | 0:11:26 | 0:11:28 | |
A £1,000 note. How interesting! | 0:11:28 | 0:11:31 | |
Ha ha. Although I'm worried about Katie - | 0:11:31 | 0:11:33 | |
she's still trying to go it alone in the dark. | 0:11:33 | 0:11:36 | |
I would have spent hours when I was a kid - | 0:11:36 | 0:11:38 | |
my grandma used to have something like this. | 0:11:38 | 0:11:41 | |
It's a dressing set. | 0:11:41 | 0:11:42 | |
I assume this would have been little pots for rouge and perfume. | 0:11:42 | 0:11:45 | |
Ah, well, at least she doesn't think it's a jam pot. | 0:11:45 | 0:11:49 | |
-We're making progress! -James. | 0:11:49 | 0:11:52 | |
Look, a dressing box. | 0:11:52 | 0:11:55 | |
But is the fact that it's not in very good nick, is this...? | 0:11:55 | 0:11:58 | |
-It's been well-loved, hasn't it? -Loved, you see, loved. | 0:11:58 | 0:12:01 | |
-Let's put it down somewhere and... Shall we put it on here? -Yeah. -OK. | 0:12:01 | 0:12:05 | |
-Cormack Brothers, isn't that lovely, Ludgate Hill. -Yes. | 0:12:05 | 0:12:09 | |
But look, look. I can't open it, but look, | 0:12:09 | 0:12:11 | |
-it's got a secret compartment! -Have you lifted this? -Oh, no. | 0:12:11 | 0:12:14 | |
Go on, give it a go. There we are. | 0:12:14 | 0:12:16 | |
For pearls, probably. Pearls and watches, necklaces. | 0:12:16 | 0:12:20 | |
These are for face creams and face powders. | 0:12:21 | 0:12:23 | |
The very best ones are solid silver. These are plated. | 0:12:23 | 0:12:27 | |
So this could be one of your more common or garden, | 0:12:27 | 0:12:30 | |
nice but not so nice? | 0:12:30 | 0:12:32 | |
-Yeah. Its middle-class. -OK. | 0:12:32 | 0:12:35 | |
-Darling, aren't we all?! -I aspire to be! | 0:12:35 | 0:12:40 | |
-So, what's that worth? I think that will make £60 at auction. -Really? | 0:12:40 | 0:12:46 | |
So, us spending 180 on it wouldn't be a very good deal?! | 0:12:46 | 0:12:49 | |
While Katie's yet to get into her groove, baby, | 0:12:49 | 0:12:53 | |
a certain movie star is in his element, | 0:12:53 | 0:12:56 | |
and currently he's getting into women's clothing, so to speak! | 0:12:56 | 0:13:00 | |
Wasn't it a token of affection, gloves? | 0:13:00 | 0:13:03 | |
Didn't you give your sweetheart gloves? | 0:13:03 | 0:13:07 | |
That's where I went wrong! | 0:13:07 | 0:13:08 | |
HE LAUGHS | 0:13:08 | 0:13:10 | |
Sorry, Tom, I'm talking at a slightly earlier age than you! | 0:13:11 | 0:13:14 | |
Actually, Braxton is bang on. | 0:13:14 | 0:13:17 | |
A chivalrous gentleman of the 17th century might indeed send | 0:13:17 | 0:13:21 | |
a pair of gloves to his true love. | 0:13:21 | 0:13:23 | |
Then, if she wore them to church on a Sunday, | 0:13:23 | 0:13:26 | |
it would signal her acceptance of his proposal. | 0:13:26 | 0:13:30 | |
And we could buy one of those stretchers to go along with it, | 0:13:30 | 0:13:35 | |
-so you get the stretcher... -And the gloves. -Yeah. | 0:13:35 | 0:13:37 | |
Yeah. Nice one, Tom. | 0:13:37 | 0:13:39 | |
Up here for thinking, down there for dancing. | 0:13:39 | 0:13:42 | |
Oh, my goodness, yes. | 0:13:42 | 0:13:44 | |
-These are ivory. And they're... -Yes. -..Chinese. | 0:13:44 | 0:13:49 | |
-With this fabulous relief carving. -Right. | 0:13:49 | 0:13:52 | |
Although ivory, it's not to everyone's taste. | 0:13:52 | 0:13:55 | |
Fortunately, this piece is pre-1947, and therefore legal. | 0:13:55 | 0:14:00 | |
-So, on a day like today. -Yes. -Come home... Saturated. | 0:14:00 | 0:14:05 | |
-Your umbrella hand's all right. But the other one is very... -Yeah. | 0:14:05 | 0:14:10 | |
-So you put the stretcher all the way in. -In need of attention. | 0:14:10 | 0:14:15 | |
-And you just do that. -And you get its shape back. -Yes. Lovely. -Very clever. | 0:14:15 | 0:14:22 | |
-Well, I think... -Do you think that's a nice little tableau? -Yes. | 0:14:22 | 0:14:27 | |
-Can I leave you to sort of negotiate a bit? -Absolutely. Sure. And, er... | 0:14:27 | 0:14:33 | |
-Sure. OK. -I tell you what, it might be worth asking the man, | 0:14:33 | 0:14:36 | |
if you buy those successfully, it might be quite cheeky, you know. | 0:14:36 | 0:14:40 | |
He's obviously been burdened by that satsuma item. | 0:14:40 | 0:14:43 | |
He might like to throw that in for free? Anyway, I'll leave you to it. | 0:14:43 | 0:14:47 | |
MUSIC: Rocky Theme | 0:14:47 | 0:14:48 | |
This is the true test of an antiques geezer, or geezerette. | 0:14:48 | 0:14:52 | |
Tom. Two pairs of gloves, £4 each. | 0:14:52 | 0:14:56 | |
The glove stretcher, 29. | 0:14:56 | 0:14:59 | |
Now. Meet your opponent. | 0:14:59 | 0:15:01 | |
They call him Mark. | 0:15:01 | 0:15:04 | |
-The gloves which are four each. -£4 each. -Yeah. | 0:15:04 | 0:15:07 | |
-So I'll do the pair for seven. -Yeah. -And this can be, erm... 22. | 0:15:07 | 0:15:15 | |
The whole lot at £29. Huh, I don't think so. Go in low, Tom, now! | 0:15:15 | 0:15:21 | |
-Erm, how about the whole thing for 28. -No! | 0:15:21 | 0:15:25 | |
-Lower, Tom. -Lower? No, we've done the deal now. | 0:15:25 | 0:15:27 | |
We've... | 0:15:27 | 0:15:29 | |
-28 for the whole thing? -28, yeah. | 0:15:29 | 0:15:32 | |
-Do you think he might throw in the satsuma? -I will. | 0:15:32 | 0:15:35 | |
-Ooh. -To help you. | 0:15:35 | 0:15:37 | |
-We might have a bit of fun with that. -OK, right. | 0:15:37 | 0:15:41 | |
Thanks very much indeed. | 0:15:41 | 0:15:43 | |
Thanks to Braxton, that's £5 saved on the dish. | 0:15:43 | 0:15:45 | |
Conti, you must try harder! See me later. | 0:15:45 | 0:15:49 | |
So, imagine this is what you are blowing. | 0:15:49 | 0:15:52 | |
Now, working as a team, thank goodness | 0:15:52 | 0:15:55 | |
Katie and James Lewis have finally found a few pieces of interest. | 0:15:55 | 0:15:59 | |
-Both Chinese, both of them are bronze. -Yeah. | 0:16:00 | 0:16:03 | |
That's had a pagination applied to make it look duller. | 0:16:03 | 0:16:06 | |
-The idea, these are censers. -Right. | 0:16:06 | 0:16:09 | |
So they would fill them with sand and they would put incense to burn. | 0:16:09 | 0:16:13 | |
Erm, Chinese market, very buoyant. | 0:16:13 | 0:16:16 | |
The problem is, because they are doing so well, | 0:16:16 | 0:16:18 | |
-it attracts the fakers. -Yeah? -And these are fake. | 0:16:18 | 0:16:21 | |
Well, that is a problem. | 0:16:21 | 0:16:23 | |
But James, old sausage, are you absolutely sure? | 0:16:23 | 0:16:26 | |
It's a remarkably good one. | 0:16:26 | 0:16:28 | |
You are telling yourself, it's a fake, it's a fake. | 0:16:28 | 0:16:32 | |
-But... -I mean, could you be fooled, do you think? I mean, could you be double bluffing yourself? | 0:16:32 | 0:16:36 | |
Everything in my heart and soul is telling me, | 0:16:36 | 0:16:39 | |
"James, it's wrong, it's wrong, it can't be." | 0:16:39 | 0:16:43 | |
-I've seen these, exactly this model, imported. -Yeah? | 0:16:43 | 0:16:47 | |
I've seen on the markets in Shanghai, | 0:16:47 | 0:16:49 | |
but they don't look as if they have that sort of age to them. | 0:16:49 | 0:16:53 | |
-Oh, I don't know. -Unable to make a decision, so, onto the maybe list it goes. Now, Katie, | 0:16:53 | 0:16:58 | |
-ten points if you can get this one. -Is it for a lady? Oh look, yes. | 0:16:58 | 0:17:01 | |
-Powder? -Jewellery. -Jewellery, OK. | 0:17:01 | 0:17:03 | |
Jewellery. Because it's silk lined. | 0:17:03 | 0:17:05 | |
-They would have been used for powder as well. The thing is, with these silver things... -Excuse me. Sorry. | 0:17:05 | 0:17:11 | |
-The ultimate professional. -It's the rain. Darling, it's all over. | 0:17:11 | 0:17:14 | |
I don't even want to look. | 0:17:14 | 0:17:16 | |
Come on, focus, team, focus. | 0:17:16 | 0:17:18 | |
-It's silver. -Is it? Right, OK. | 0:17:18 | 0:17:21 | |
-But, the thing that attracted me to it was that. -Er... -Ricketts. | 0:17:21 | 0:17:25 | |
-Oh, Ricketts? -Ricketts. -OK. | 0:17:25 | 0:17:27 | |
And Ricketts was one of the leading fruit painters at the Royal Worcester factory. | 0:17:27 | 0:17:32 | |
-Really? -So, although the panel, you can't see a mark, that's Royal Worcester porcelain. | 0:17:32 | 0:17:36 | |
In other words, forget the jewellery box. | 0:17:36 | 0:17:38 | |
This piece of porcelain could be worth a fortune just on its own. | 0:17:38 | 0:17:41 | |
Oh, Steve? Are you free? | 0:17:41 | 0:17:44 | |
How much could that be, please? | 0:17:45 | 0:17:48 | |
I think, bearing in mind the condition, £75. | 0:17:51 | 0:17:55 | |
75. | 0:17:55 | 0:17:56 | |
-Thank you. -OK. -Yeah, thank you. -Is there a little bit of movement there? | 0:17:58 | 0:18:01 | |
-A little bit. -A little bit of movement. | 0:18:01 | 0:18:04 | |
-I think it's got potential. -Shall we hold onto this? | 0:18:04 | 0:18:07 | |
What would be, what could you do with that? | 0:18:09 | 0:18:13 | |
Very best, £60. | 0:18:13 | 0:18:15 | |
-60. -£60, yeah. | 0:18:15 | 0:18:17 | |
-He's coming down. -Almost half price. | 0:18:17 | 0:18:19 | |
Oh! | 0:18:21 | 0:18:23 | |
How about 50 and you've got a deal, yes? | 0:18:23 | 0:18:25 | |
Would you go with it? I've got a partner. | 0:18:25 | 0:18:29 | |
Yes, clearly an expert in the field! | 0:18:29 | 0:18:31 | |
-Would you go with it? -Yeah, I'd spend £50, definitely. -Would you take 50? | 0:18:31 | 0:18:35 | |
You would. Yes? | 0:18:35 | 0:18:37 | |
-Yes! -Yes. | 0:18:37 | 0:18:39 | |
-Thank you very much. -Thank you. -Got a deal, thank you. 50 quid. | 0:18:39 | 0:18:42 | |
It's got a good chance. Good artist, good ceramic. | 0:18:42 | 0:18:45 | |
Bit of silver. Useful. Brilliant. | 0:18:45 | 0:18:48 | |
-One down. -Excellent, well done, you. | 0:18:48 | 0:18:50 | |
Great. Well done, you. | 0:18:50 | 0:18:51 | |
-Yes, I know! -I need a bit of moral support. | 0:18:51 | 0:18:54 | |
I worked very hard finding this, bringing my expertise to bear! | 0:18:54 | 0:18:57 | |
And if you are quite finished with the lurve-in, | 0:18:57 | 0:19:01 | |
there's still a question of whether the Chinese bowl is a bargain or a fake. | 0:19:01 | 0:19:05 | |
-What's the story behind it, where did it come from? -It came in from a private house. | 0:19:05 | 0:19:09 | |
-If it was reproduction, it wouldn't be in that state. -No. | 0:19:09 | 0:19:12 | |
I'm convinced it's not. I thought it was. | 0:19:12 | 0:19:14 | |
I immediately said, "Oh yes, it's a fake." Then thought, "Actually, no." | 0:19:14 | 0:19:19 | |
-What could that be? -£40, maybe 35. | 0:19:19 | 0:19:23 | |
You'd knock a bit more off, if we took the two, wouldn't you? | 0:19:23 | 0:19:26 | |
30 quid, that's your lot, yeah? | 0:19:26 | 0:19:29 | |
So, that's £80 for both. Not bad. | 0:19:29 | 0:19:33 | |
What do you think? | 0:19:33 | 0:19:34 | |
Well, I like it. I like the fact that you got excited about it. | 0:19:34 | 0:19:37 | |
But, for that, for something 100 years old of that type at the moment, that's a good price. | 0:19:37 | 0:19:42 | |
-Oh yeah. Great. -We're intrigued. | 0:19:42 | 0:19:44 | |
-£80. Deal? -Deal. -Deal. Thank you very much. -Thank you. | 0:19:44 | 0:19:48 | |
Thank you. Well, after a slow start, Katie and her mentor now have two auction lots. | 0:19:48 | 0:19:54 | |
Has the rain stopped? Ish. | 0:19:54 | 0:19:57 | |
-It has. -Ish. -Brilliant. Oh yes. | 0:19:57 | 0:20:00 | |
Conti and Braxton, meanwhile, only have one. | 0:20:00 | 0:20:04 | |
But they've crossed the threshold of the Lewes Antiques Centre, | 0:20:04 | 0:20:08 | |
and I'm sure it's only a matter of time. | 0:20:08 | 0:20:10 | |
You see now, this, I want to bring these back into fashion. | 0:20:10 | 0:20:14 | |
Because, we are driven mad where I live | 0:20:14 | 0:20:18 | |
by mechanical devices cutting hedges, and leaf blowers. | 0:20:18 | 0:20:22 | |
People who invented the leaf blower should be hanged. | 0:20:22 | 0:20:26 | |
Oh, Tom! | 0:20:26 | 0:20:28 | |
In with anger, out with love. | 0:20:28 | 0:20:30 | |
Speaking of which, I love this. | 0:20:30 | 0:20:33 | |
-95% of these tables would have been made with four legs, wouldn't they? -Yes, I suppose so. | 0:20:33 | 0:20:37 | |
And then somebody's taken, had a bit of fun, and they've produced, | 0:20:37 | 0:20:41 | |
they've overcomplicated the whole thing and they've produced six legs. | 0:20:41 | 0:20:47 | |
-And I think that's rather nice. -So do I. | 0:20:47 | 0:20:51 | |
And it hasn't been butchered. | 0:20:51 | 0:20:53 | |
It's a lovely item. Six legs is so unusual. I like that. | 0:20:53 | 0:20:56 | |
Me too, definitely. I think it will sell. | 0:20:56 | 0:20:59 | |
I think it's good, yeah. | 0:20:59 | 0:21:01 | |
And, are you going to be a bit harder this time? | 0:21:01 | 0:21:04 | |
-None of this... -I thought we did terribly well the last time. | 0:21:04 | 0:21:07 | |
What have we got? £44. | 0:21:07 | 0:21:09 | |
-I think if you could get that for 30, 30. -Yes. | 0:21:09 | 0:21:11 | |
MUSIC: Rocky Theme | 0:21:11 | 0:21:13 | |
It's round two. Conti's back in the ring, | 0:21:13 | 0:21:16 | |
and this time, can he save more than £1? Go for it. | 0:21:16 | 0:21:20 | |
What we can afford for this table is about 28 quid. | 0:21:20 | 0:21:25 | |
-Do I start laughing now? -You can, if you like. | 0:21:25 | 0:21:29 | |
I don't know much good it'll do either of us. | 0:21:29 | 0:21:32 | |
Be gentle with him, Alison. | 0:21:32 | 0:21:34 | |
-I want higher. -You want higher? | 0:21:34 | 0:21:36 | |
They all say that. | 0:21:36 | 0:21:38 | |
It should be 40. But I'll meet you halfway. | 0:21:38 | 0:21:41 | |
35 cash, and it's yours. | 0:21:41 | 0:21:44 | |
How about 33? | 0:21:44 | 0:21:47 | |
-34. -33 and a half. -34. | 0:21:47 | 0:21:52 | |
-34. -Great. It's yours. | 0:21:52 | 0:21:54 | |
Ah well, he's getting a bit better. | 0:21:54 | 0:21:58 | |
Though maybe James should do the negotiating from now on. Just a thought. | 0:21:58 | 0:22:03 | |
What a car, look at that. | 0:22:03 | 0:22:05 | |
The next destination is the town of Uckfield, | 0:22:06 | 0:22:08 | |
which has been a stopping-off point | 0:22:08 | 0:22:11 | |
for weary travellers for at least 700 years. | 0:22:11 | 0:22:13 | |
Uckfield's also home to the magnificent Oak Hall, | 0:22:15 | 0:22:17 | |
which today houses the biggest collection of Gilbert and Sullivan memorabilia in the world. | 0:22:18 | 0:22:24 | |
Celebrating a partnership that brought us HMS Pinafore, | 0:22:24 | 0:22:28 | |
the Pirates Of Penzance, and of course, The Mikado. | 0:22:28 | 0:22:31 | |
# Three little maids from school are we | 0:22:31 | 0:22:33 | |
# Pert as a schoolgirl well can be | 0:22:33 | 0:22:35 | |
# Filled to the brim with girlish glee | 0:22:35 | 0:22:37 | |
# Three little maids from school... # | 0:22:37 | 0:22:39 | |
The man who's spent 50 years putting together this collection, | 0:22:39 | 0:22:44 | |
which you can now view by appointment only, is Melvyn Tarran. | 0:22:44 | 0:22:48 | |
-Hello, Mel. -Lovely to see you. Do come in. | 0:22:48 | 0:22:51 | |
Oh, my goodness! | 0:22:58 | 0:22:59 | |
Gosh. | 0:23:01 | 0:23:03 | |
Yes, exactly. | 0:23:03 | 0:23:04 | |
And much of what you see comes from the D'Oyly Carte Opera Company, | 0:23:04 | 0:23:08 | |
founded by one Richard D'Oyly Carte, who, in the 1870s, | 0:23:08 | 0:23:13 | |
brought together composer Arthur Sullivan and writer William Gilbert | 0:23:13 | 0:23:17 | |
who used his background in drama to write those famously quirky lyrics. | 0:23:17 | 0:23:23 | |
As a fellow collector, Melvyn, | 0:23:23 | 0:23:25 | |
what possessed you to sort of suddenly catch the bug? | 0:23:25 | 0:23:28 | |
It started off when I worked in London, in a hotel. | 0:23:28 | 0:23:33 | |
And one of the chefs there had been | 0:23:33 | 0:23:36 | |
the first trombone in the D'Oyly Carte Orchestra. | 0:23:36 | 0:23:39 | |
Good heavens! How do you get from a trombone to a chef?! | 0:23:39 | 0:23:42 | |
THEY LAUGH | 0:23:42 | 0:23:44 | |
And he was telling me about the various operas, | 0:23:44 | 0:23:47 | |
so when they came to Golders Green hippodrome, I took myself off to see them. | 0:23:47 | 0:23:51 | |
And that was it. I thought, wow. | 0:23:51 | 0:23:54 | |
Little did I know, years later, I would know these people and become friends, | 0:23:54 | 0:23:58 | |
or that I'd have some of the dresses that I was seeing on the stage. | 0:23:58 | 0:24:02 | |
Melvyn's passion for Gilbert and Sullivan | 0:24:04 | 0:24:06 | |
eventually inspired him to open a themed restaurant, | 0:24:06 | 0:24:09 | |
where the staff were dressed in Victorian costume. | 0:24:09 | 0:24:13 | |
But as his collection continued to grow, he kept running out of space. | 0:24:13 | 0:24:17 | |
Which eventually brought him here to Oak Hall, | 0:24:17 | 0:24:20 | |
as it's just down the road from his house. | 0:24:20 | 0:24:23 | |
One of the things that I really love is this little decanter. | 0:24:24 | 0:24:28 | |
And this was what Gilbert used to put his nightcap in, | 0:24:28 | 0:24:32 | |
and take to bed. | 0:24:32 | 0:24:34 | |
-It's a whiskey noggin. -Ah, right, right. -A wee noggin. | 0:24:34 | 0:24:38 | |
And at very smart dinners, you'd have a white wine glass, | 0:24:38 | 0:24:42 | |
and you'd have a red wine glass, | 0:24:42 | 0:24:44 | |
and there would be a whiskey noggin there. | 0:24:44 | 0:24:47 | |
So you could have whiskey with your dinner and pass away on the wine. | 0:24:47 | 0:24:51 | |
-Why is it called a noggin, do you know? -I think it's just a rather nice colloquial measure. | 0:24:51 | 0:24:55 | |
Onomatopoeic, yes. | 0:24:55 | 0:24:57 | |
And here's another fun fact. | 0:24:57 | 0:25:00 | |
Despite their 25 year partnership, | 0:25:00 | 0:25:03 | |
Gilbert and Sullivan didn't actually get on. | 0:25:03 | 0:25:05 | |
Their very different personalities | 0:25:05 | 0:25:07 | |
made them a great professional pairing but not great friends. | 0:25:07 | 0:25:12 | |
I don't know if you've seen the film Topsy Turvy, Mike Leigh's film. | 0:25:12 | 0:25:16 | |
Yes, of course, I did see it. | 0:25:16 | 0:25:19 | |
Of course, Jim Broadbent took the part of Gilbert. | 0:25:19 | 0:25:21 | |
A wonderful actor. | 0:25:21 | 0:25:23 | |
This is his underwear that he wore in the film. | 0:25:23 | 0:25:26 | |
This is the sort of thing you collect, you see! | 0:25:26 | 0:25:28 | |
-This is... -It's not the sort of thing I collect! | 0:25:28 | 0:25:32 | |
-I don't want Jim's underwear, really, at all! -You're on your own here! | 0:25:32 | 0:25:38 | |
Thanks a million, Melv! | 0:25:38 | 0:25:40 | |
And on this happy note, it's time that our two maids should be off. | 0:25:41 | 0:25:47 | |
Determined to pick up one more auction lot before the day is done, | 0:25:53 | 0:25:57 | |
Katie and James are visiting the same shop their competitors were in earlier on. | 0:25:57 | 0:26:02 | |
And guess what they've fallen in love with? | 0:26:02 | 0:26:05 | |
You see, when I first saw that, I thought it was some sort of sledge. | 0:26:05 | 0:26:09 | |
-It looks like a sledge, doesn't it? -It's actually a double saddle. | 0:26:09 | 0:26:13 | |
Everybody wants one! You know, you go down the high street... | 0:26:13 | 0:26:16 | |
You could hang it on your wall. | 0:26:16 | 0:26:18 | |
-You told me you only need two bidders. -You do. Oh, help. | 0:26:18 | 0:26:22 | |
-Where do we find two bidders for that? -All right, fair enough! | 0:26:22 | 0:26:26 | |
Excellent question. | 0:26:26 | 0:26:28 | |
But rather than ponder the answer, | 0:26:28 | 0:26:31 | |
these two are instead off to negotiate the £45 ticket price. | 0:26:31 | 0:26:36 | |
-Tell me. -£30. -£30. | 0:26:37 | 0:26:41 | |
I think it's got a chance at 30, but I think it's got a slim chance. | 0:26:41 | 0:26:46 | |
-If it helps you, it can be £20. -20, OK, that certainly helps. | 0:26:46 | 0:26:50 | |
-Do you want to do it? -Yep. -Do the deal, then. | 0:26:50 | 0:26:53 | |
-I think I might have 20 quid in my pocket. Hold on. -We'll shake on it. | 0:26:53 | 0:26:57 | |
-Ooh, look what I have in my pocket! -Thank you very much. | 0:26:57 | 0:27:00 | |
That's your change from earlier! | 0:27:00 | 0:27:02 | |
While the price is definitely right, | 0:27:02 | 0:27:05 | |
Katie and James still have their doubts. | 0:27:05 | 0:27:08 | |
So what better way to reassure themselves than to try the saddle out? | 0:27:08 | 0:27:12 | |
That's ridiculous. | 0:27:13 | 0:27:15 | |
-Stop! -On a passing tourist! | 0:27:15 | 0:27:17 | |
So that's definitely what it's not for! | 0:27:17 | 0:27:20 | |
Oh, God, you poor thing, are you all right? | 0:27:20 | 0:27:22 | |
Perhaps now might be a good time to leave town fast, | 0:27:22 | 0:27:26 | |
and I'm thinking it might be fastest to take the MG. | 0:27:26 | 0:27:30 | |
Maybe not! | 0:27:30 | 0:27:32 | |
As the sun rises in England's picturesque South, | 0:27:36 | 0:27:40 | |
the pressure is on for our celebs and experts alike to find | 0:27:40 | 0:27:44 | |
that special something and make a bucket-load of mullah. | 0:27:44 | 0:27:47 | |
It's very nice, all this dappled sunlight, isn't it? | 0:27:47 | 0:27:51 | |
-It's going to be a corking day. -Yes. | 0:27:51 | 0:27:54 | |
So far, both teams have barely touched their original £400 stake, | 0:27:55 | 0:28:00 | |
though they have spent a small fortune on lattes. | 0:28:00 | 0:28:03 | |
We've got a bit of money to splash around today. | 0:28:03 | 0:28:05 | |
We could go crazy, James, we could go crazy. | 0:28:05 | 0:28:07 | |
Yeah, stir crazy. | 0:28:07 | 0:28:10 | |
Katie and James have parted with £100 for three auction lots. | 0:28:10 | 0:28:13 | |
Mark you, one of them could be a fake. | 0:28:13 | 0:28:15 | |
God, is it right? | 0:28:15 | 0:28:17 | |
Oh, I don't know. | 0:28:17 | 0:28:19 | |
As for Tom and James, well, | 0:28:19 | 0:28:22 | |
they've spent even less than their competitors, the skinflints. | 0:28:22 | 0:28:27 | |
Just 62 smackers. Also for three auction lots. | 0:28:27 | 0:28:32 | |
I'm hoping that we might find something kind of spiffing today. | 0:28:32 | 0:28:36 | |
-It would be nice. -Yes. | 0:28:36 | 0:28:37 | |
Yeah, just hold that thought. | 0:28:37 | 0:28:39 | |
As our first stop this morning | 0:28:39 | 0:28:41 | |
is the lovely town of Westerham in Kent, | 0:28:41 | 0:28:44 | |
where the shopping really is quite something. | 0:28:44 | 0:28:46 | |
Westerham has always been famous for its antique shops, | 0:28:46 | 0:28:49 | |
-there's quite a few here. -I see. | 0:28:49 | 0:28:51 | |
-Of course, Winston Churchill used to live near here. -Ah, yes. | 0:28:51 | 0:28:54 | |
Indeed he did, James, in the fabulous Chartwell Manor. | 0:28:54 | 0:28:58 | |
And this neck of the woods was also home to Alice Liddell, | 0:28:58 | 0:29:03 | |
the girl who inspired Lewis Carroll's Alice in Wonderland. | 0:29:03 | 0:29:07 | |
Now, enough of this encyclopaedic stuff. Your next shop awaits. | 0:29:09 | 0:29:15 | |
Oh, look at that! Ah, now. | 0:29:15 | 0:29:18 | |
Here's something from my past. HE CHUCKLES | 0:29:20 | 0:29:23 | |
These things here are called Marcel waving irons. | 0:29:23 | 0:29:28 | |
And you heated them in a gas flame, | 0:29:28 | 0:29:32 | |
and then you spun them round to cool them. | 0:29:32 | 0:29:34 | |
I came from a family of ladies' hairdressers. So I know all this. | 0:29:34 | 0:29:38 | |
And then you curled the hair. | 0:29:38 | 0:29:40 | |
My father was a great hairdresser, he won prizes all over the place. | 0:29:40 | 0:29:44 | |
-Really? -Yes. | 0:29:44 | 0:29:45 | |
And apparently he wouldn't have been a great fan of Tom's current hairdo. | 0:29:45 | 0:29:50 | |
This catastrophe at the moment is because of a movie called Batman. | 0:29:50 | 0:29:54 | |
-And they cut all my hair off. -Really? What, really close? | 0:29:54 | 0:29:58 | |
Yeah, really close, much closer than this. | 0:29:58 | 0:30:00 | |
-And so it's just slowly growing back. -Growing back! | 0:30:00 | 0:30:04 | |
People do double takes. | 0:30:04 | 0:30:05 | |
My wife screams every time she sees me. | 0:30:05 | 0:30:08 | |
So, while the girls talk about their hairdo and do their nails, | 0:30:08 | 0:30:12 | |
team Derham headed north-west. | 0:30:12 | 0:30:15 | |
-Any idea where we're going? -No! -No, it is the Wacky Races. | 0:30:15 | 0:30:18 | |
I am Penelope Pitstop. You could be either Dastardly or Muttley. | 0:30:18 | 0:30:23 | |
I'm more Muttley! | 0:30:23 | 0:30:25 | |
Despite having no sense of direction, | 0:30:25 | 0:30:27 | |
Katie and James are en route to Goudhurst, | 0:30:27 | 0:30:30 | |
which is old English for "Battle Hill". | 0:30:30 | 0:30:32 | |
And it's in this locale that they're about to discover | 0:30:34 | 0:30:37 | |
Finchcocks Musical Museum. | 0:30:37 | 0:30:39 | |
Housed in this fine Georgian manor, and boasting a fabulous collection | 0:30:41 | 0:30:46 | |
of more than 100 of history's most important keyboards, | 0:30:46 | 0:30:51 | |
this musical journey begins with the harpsichord. | 0:30:51 | 0:30:54 | |
Take it away, Alistair! | 0:30:54 | 0:30:56 | |
This is the harpsichord room. | 0:30:56 | 0:30:58 | |
The oldest, in fact, is this one here from the late 1600s. | 0:30:58 | 0:31:02 | |
-Wow. -Made in Naples. | 0:31:02 | 0:31:04 | |
The interesting think about Italian instruments | 0:31:04 | 0:31:06 | |
is the instrument itself was removable, so in other words, | 0:31:06 | 0:31:10 | |
all this here you can take out of the box. | 0:31:10 | 0:31:13 | |
Normally you take it out with other string players or wind players, | 0:31:13 | 0:31:18 | |
and you play it in the room, and when you'd finished | 0:31:18 | 0:31:21 | |
you'd put it back in the box, close up the front and close the top. | 0:31:21 | 0:31:25 | |
-Oh my word! -Which is equally decorated there. | 0:31:25 | 0:31:28 | |
-That is amazing. -Is this original? -Yes. | 0:31:29 | 0:31:33 | |
Now, as their appearance might suggest, | 0:31:33 | 0:31:35 | |
these exquisite-looking instruments were at the time | 0:31:35 | 0:31:38 | |
considered quite the status symbol, | 0:31:38 | 0:31:41 | |
often boasting elaborate painting and the highest standards of craftsmanship. | 0:31:41 | 0:31:45 | |
The harpsichord was an instrument for the extremely well-off. | 0:31:45 | 0:31:49 | |
Nobility and aristocracy. | 0:31:49 | 0:31:51 | |
For the average person, | 0:31:51 | 0:31:53 | |
you'd have to work for five years just to pay for one of these. | 0:31:53 | 0:31:57 | |
Curiously, the harpsichord was designed to be played standing up. | 0:31:57 | 0:32:02 | |
And as it happens, someone in this room is no stranger to the keyboard. | 0:32:02 | 0:32:07 | |
I'll give you a hint. It's not James. | 0:32:07 | 0:32:10 | |
Did you learn to play the piano originally? | 0:32:10 | 0:32:12 | |
Yes, I learned to play the piano from when I was about five. | 0:32:12 | 0:32:15 | |
I wanted to beat my big brother, usual story, | 0:32:15 | 0:32:19 | |
he was having lessons so I wanted them too. | 0:32:19 | 0:32:21 | |
I played a lot as a kid, but like all of us, | 0:32:21 | 0:32:23 | |
you're busy with jobs and families and don't play as much. | 0:32:23 | 0:32:26 | |
I think the last time was probably when my daughter | 0:32:26 | 0:32:29 | |
wanted me to accompany her singing songs from Glee. | 0:32:29 | 0:32:33 | |
-Lovely! -So not really harpsichord style! | 0:32:33 | 0:32:35 | |
# Just a small-town girl | 0:32:35 | 0:32:38 | |
# Living in a lonely world... # | 0:32:38 | 0:32:41 | |
Actually, we don't have any sheet music for Glee, | 0:32:41 | 0:32:45 | |
but how about a bit of Bach? | 0:32:45 | 0:32:47 | |
We could do a mash-up. | 0:32:47 | 0:32:49 | |
-That's the hard one. -Is it? Well, Katie's good. | 0:32:49 | 0:32:52 | |
Famous last words. The complete cycle. | 0:32:54 | 0:32:56 | |
Ahh! | 0:33:04 | 0:33:06 | |
Wow. | 0:33:07 | 0:33:09 | |
I'd love to be able to do that, just go and see some music and do that. | 0:33:09 | 0:33:13 | |
-Only play it properly! -Is it very different? | 0:33:14 | 0:33:18 | |
Oh, it's a complete... it feels completely different. | 0:33:18 | 0:33:21 | |
-You did pick up quite a hard piece! -I'm sorry! | 0:33:21 | 0:33:24 | |
-That's one of the hardest pieces. -Is it really the hardest bit? | 0:33:24 | 0:33:28 | |
Where's the Bach equivalent of Chopsticks?! | 0:33:28 | 0:33:31 | |
Sorry, it was just the one that was there! | 0:33:31 | 0:33:33 | |
By the 19th century, the harpsichord was very much out of fashion. | 0:33:35 | 0:33:39 | |
Suddenly the piano was all the go. | 0:33:39 | 0:33:42 | |
Thanks in part to one key breakthrough. | 0:33:42 | 0:33:45 | |
Rather than plucking strings as the harpsichord did, it strikes them with a hammer. | 0:33:45 | 0:33:49 | |
This one was made in Vienna. | 0:33:49 | 0:33:51 | |
And unlike modern piano which just has two pedals, this has six. | 0:33:51 | 0:33:56 | |
Oh, good Lord! | 0:33:56 | 0:33:58 | |
And even more unusual, it has its own built-in percussion. | 0:33:58 | 0:34:02 | |
DRUM POUNDS ALONG WITH MUSIC | 0:34:02 | 0:34:05 | |
-Geez! Where did that hit? -Well, it did all sorts of things. | 0:34:06 | 0:34:11 | |
What it did, a drum head hit the soundboard underneath. | 0:34:11 | 0:34:16 | |
Under the strings here. These bells were activated. | 0:34:16 | 0:34:19 | |
Nobody wrote for that, though, did they? | 0:34:19 | 0:34:21 | |
Was that just an added extra, if you were feeling a bit virtuosic, | 0:34:21 | 0:34:26 | |
you bring in a bass drum? | 0:34:26 | 0:34:27 | |
All these kind of gimmicks were something the English didn't approve of. | 0:34:27 | 0:34:31 | |
But for some unknown reason, they were very popular in Vienna. | 0:34:31 | 0:34:34 | |
They were used essentially for dancing. | 0:34:34 | 0:34:37 | |
So when you had this piano and you had your friends round for a dance, | 0:34:37 | 0:34:41 | |
you had the built-in percussion section. | 0:34:41 | 0:34:43 | |
So this is the piano you'd have had in the dance hall? | 0:34:43 | 0:34:46 | |
-That's right. -Great. | 0:34:46 | 0:34:47 | |
Although, if you were looking to party in the 1760s, | 0:34:47 | 0:34:51 | |
then perhaps this chamber organ, | 0:34:51 | 0:34:54 | |
which stands 12.5 feet high, would be just the job. | 0:34:54 | 0:34:58 | |
It is a two-person job. | 0:34:58 | 0:34:59 | |
In other words, you have the player, who was the squire, | 0:34:59 | 0:35:02 | |
and then the poor lackey, the servant, | 0:35:02 | 0:35:05 | |
would have the job of pumping the wind at the side. | 0:35:05 | 0:35:08 | |
-Pumping the wind? -Yes. -You know what's coming, don't you? | 0:35:08 | 0:35:12 | |
-Poor lackey! -Go on! | 0:35:12 | 0:35:15 | |
As the lackey, I'll pump the wind. | 0:35:15 | 0:35:18 | |
And on the keyboard, it's Katie Derham. | 0:35:18 | 0:35:21 | |
So, what's it to be this time? Bach? Mozart? Chopin? | 0:35:21 | 0:35:25 | |
SHE PLAYS "I DO LIKE TO BE BESIDE THE SEASIDE" | 0:35:25 | 0:35:29 | |
Actually, Katie, poppet, maybe it's time to stop believing | 0:35:32 | 0:35:36 | |
and give someone else a go. | 0:35:36 | 0:35:38 | |
I can play it with one finger. You can do better than that, Alistair! | 0:35:38 | 0:35:41 | |
-I'll try the chords if you want. -Try the chords, go on. | 0:35:41 | 0:35:45 | |
-Are you OK? -Yes, I'm happy. | 0:35:45 | 0:35:47 | |
He's about to have a heart attack and I'm about to be upstaged! | 0:35:47 | 0:35:50 | |
So, once again, take it away, Alistair. | 0:35:50 | 0:35:53 | |
HE PLAYS TUNE MORE PROFESSIONALLY | 0:35:53 | 0:35:55 | |
It's normally water. | 0:36:03 | 0:36:04 | |
Keep going! | 0:36:06 | 0:36:08 | |
Oh, dear, that's awkward. Get the oxygen. | 0:36:08 | 0:36:11 | |
Unable to find that special something in Westerham, | 0:36:14 | 0:36:18 | |
Braxton and Conti are headed in a leisurely fashion yet further north. | 0:36:18 | 0:36:22 | |
-I wonder what the others have bought? -Yes, I haven't a clue. | 0:36:22 | 0:36:27 | |
James plays things quite close to his chest. | 0:36:27 | 0:36:32 | |
I was about to say... | 0:36:32 | 0:36:34 | |
I'm not going to say anything about Katie's chest! | 0:36:34 | 0:36:38 | |
Oh, no. We don't want any of that. This is a family show! | 0:36:38 | 0:36:43 | |
Our next stop on this celebrity road trip | 0:36:43 | 0:36:45 | |
is the small village of Brasted. | 0:36:45 | 0:36:47 | |
It's here you'll find Courtyard Antiques, | 0:36:47 | 0:36:51 | |
which, as it suggests on the tin, is three separate buildings | 0:36:51 | 0:36:55 | |
surrounding one central courtyard, | 0:36:55 | 0:36:57 | |
and it's home to 23 different dealers. | 0:36:57 | 0:36:59 | |
So that could make negotiations a tad complicated. | 0:36:59 | 0:37:04 | |
Thank you, Hopkins. Very well done. | 0:37:07 | 0:37:10 | |
Great shades! | 0:37:10 | 0:37:11 | |
Mark you, the lads seem to be quite taken | 0:37:11 | 0:37:14 | |
by the first thing they've seen, this rather striking bust. | 0:37:14 | 0:37:18 | |
Though I have just one question. Who on earth is it? | 0:37:18 | 0:37:21 | |
Lenin, isn't it? Is it Lenin? | 0:37:21 | 0:37:24 | |
No. Vladimir Lenin? | 0:37:24 | 0:37:26 | |
Russian revolutionary and creator of the Soviet Communist Party? | 0:37:26 | 0:37:30 | |
It is certainly not him. | 0:37:30 | 0:37:32 | |
I love these big busts. | 0:37:32 | 0:37:35 | |
Who is it, Tom, do you know? | 0:37:35 | 0:37:36 | |
-Signed by artist, but it doesn't say. French plaster, it's plaster. -Yes. | 0:37:36 | 0:37:43 | |
-Given a sort of bronze finish. I can't resist busts. -Really(?) | 0:37:43 | 0:37:47 | |
I like them myself! LAUGHTER | 0:37:47 | 0:37:50 | |
What? Oh, God! James, you're so naive. | 0:37:50 | 0:37:56 | |
You see, I'm such a nice innocent. | 0:37:56 | 0:37:59 | |
Much as I love a little double entendre, | 0:37:59 | 0:38:01 | |
the boys need to get a wiggle on because the competition is just next door, literally. | 0:38:01 | 0:38:05 | |
-That's lovely. -Sweet little thing. 18th century mahogany pot cupboard. | 0:38:05 | 0:38:09 | |
-We know what kind of pot they're talking about. -Yes, the potty pot. | 0:38:09 | 0:38:13 | |
How much? | 0:38:13 | 0:38:15 | |
-985! -Geez! | 0:38:15 | 0:38:18 | |
I've got 300 smackers in here, but not 985. | 0:38:18 | 0:38:21 | |
You could get a proper toilet for that. | 0:38:21 | 0:38:23 | |
Just as well there's plenty more to see, then. | 0:38:25 | 0:38:28 | |
And before long, James is once again drawn to the Orient. | 0:38:28 | 0:38:32 | |
Though he's not a huge fan of the price tag, £195. | 0:38:33 | 0:38:38 | |
Would this be a sort of copy of a Chinese style? | 0:38:38 | 0:38:41 | |
Yeah, Chinese, but the styles were traditionally taken | 0:38:41 | 0:38:46 | |
from one generation to another. | 0:38:46 | 0:38:50 | |
So whereas, we often say today, a lot of the Chinese are faking things, | 0:38:50 | 0:38:55 | |
in earlier periods, the fact that it had an 18th century mark | 0:38:55 | 0:38:59 | |
but was made in the 19th century wasn't necessarily to fool, | 0:38:59 | 0:39:03 | |
it was just in homage. | 0:39:03 | 0:39:05 | |
But this really is late 19th, early 20th century. | 0:39:05 | 0:39:09 | |
Let's just find out how much it is. | 0:39:09 | 0:39:12 | |
-Has it got a price on it? -What's the best that could be? | 0:39:14 | 0:39:17 | |
I'm looking for a fabulous deal here. | 0:39:18 | 0:39:21 | |
-Something to make us jump up and down with joy. -165? | 0:39:21 | 0:39:24 | |
-That's not fabulous! -160, I guess. | 0:39:24 | 0:39:28 | |
-160. -The best I could do. -160, 160. | 0:39:28 | 0:39:30 | |
What was it marked as? | 0:39:30 | 0:39:32 | |
Mm. | 0:39:32 | 0:39:34 | |
OK, all right. | 0:39:34 | 0:39:36 | |
So, in other words, let the search continue. | 0:39:36 | 0:39:40 | |
-Oh, you're not going to buy that, are you? -Oh! | 0:39:40 | 0:39:43 | |
It's a catastrophe. No, I wouldn't advise that. | 0:39:43 | 0:39:46 | |
Don't worry, we're not! | 0:39:46 | 0:39:48 | |
-You are now an expert, like me. -Absolutely. | 0:39:48 | 0:39:50 | |
I know everything there is to know. | 0:39:50 | 0:39:52 | |
-Did you buy anything this morning? -No, we can't find a damn thing. Oops! | 0:39:52 | 0:39:56 | |
No, we have not. | 0:39:56 | 0:39:58 | |
It's a worry, it's a worry. | 0:39:58 | 0:40:00 | |
-We can't stand around chatting. -Tom, shall we leave them to it? | 0:40:00 | 0:40:05 | |
Braxton has an agenda. | 0:40:07 | 0:40:08 | |
He still wants to get his hands on that bust, | 0:40:08 | 0:40:11 | |
despite the fact no-one, including me, knows exactly who it is. | 0:40:11 | 0:40:16 | |
Most busts tend to be of monarchs, politicians or...composers. | 0:40:17 | 0:40:22 | |
-It's very interesting how... -That's just a bust of a bloke. | 0:40:22 | 0:40:26 | |
It's a bust of a bloke. | 0:40:26 | 0:40:28 | |
How would we go about identifying it, if it is someone of any note? | 0:40:28 | 0:40:32 | |
Erm, you would... National Portrait Gallery would be probably the first. | 0:40:32 | 0:40:38 | |
-It's French, though. -Well, it's quite an exciting thought, isn't it? | 0:40:38 | 0:40:41 | |
-Yeah. -It'd be quite good fun. -It's a race against time. | 0:40:41 | 0:40:44 | |
But if our chappie here turns out to be someone famous, | 0:40:44 | 0:40:48 | |
well, there could be good money to be made! | 0:40:48 | 0:40:51 | |
So what have we got on the back? | 0:40:51 | 0:40:54 | |
We've got a sculptor's name here, signed, and dated 1887. | 0:40:54 | 0:40:58 | |
Look, there's the opposition. They're looking at a vase. | 0:40:58 | 0:41:01 | |
Well, let's buy that quickly before they do! | 0:41:01 | 0:41:04 | |
-What did Flaubert look like? -I don't know. I don't know. | 0:41:04 | 0:41:08 | |
He does look of that era, though, doesn't he? | 0:41:08 | 0:41:11 | |
Slightly more comfortable... What era? 2010? | 0:41:11 | 0:41:14 | |
-2010! I hope not. -It's a real antique. Very old. | 0:41:14 | 0:41:19 | |
Uh-oh. Ignore those two. The important questions now are - | 0:41:19 | 0:41:22 | |
can you put a name to this face before the auction? | 0:41:22 | 0:41:27 | |
And - have you seen the price tag? It says £395. | 0:41:27 | 0:41:31 | |
Well, it would be an adventurous purchase. | 0:41:31 | 0:41:35 | |
-It would be a bit of fun. -Mm. | 0:41:35 | 0:41:37 | |
Shall we ask Tom what... Fingers crossed, shall we ask what... | 0:41:37 | 0:41:41 | |
-What his best price is? -Well, it'll be... | 0:41:41 | 0:41:43 | |
I did tell you there are 23 dealers based in this antiques centre, | 0:41:43 | 0:41:47 | |
and it seems most of them are here today. | 0:41:47 | 0:41:51 | |
But which one will it be to give our boys the best price? Let's see. | 0:41:51 | 0:41:56 | |
Hmm, not her. She definitely won't. | 0:41:57 | 0:42:01 | |
Not her. | 0:42:01 | 0:42:02 | |
Not him. | 0:42:02 | 0:42:04 | |
The man in the cap! Yes! It's him! | 0:42:04 | 0:42:08 | |
-Put it up for 395. -Yeah. | 0:42:08 | 0:42:12 | |
25%'s about...about me limit on that. | 0:42:12 | 0:42:15 | |
Er, love to be able to help you, but...it's what it cost me. | 0:42:15 | 0:42:18 | |
-Don't drive yourself into a corner, sir. -I... I'm pretty... -LAUGHTER | 0:42:18 | 0:42:22 | |
I'll be honest, I'm pretty much in that corner at the moment. | 0:42:22 | 0:42:24 | |
-It's a gamble for us. -It's a gamble, yeah. | 0:42:24 | 0:42:27 | |
We'd like to do a sort of quick scramble tomorrow | 0:42:27 | 0:42:30 | |
and try and identify it. | 0:42:30 | 0:42:32 | |
-Yeah. -It would be lovely... | 0:42:32 | 0:42:34 | |
if you could do 250. | 0:42:34 | 0:42:37 | |
That's a very short profit. | 0:42:37 | 0:42:39 | |
I'll push it down to 280. That's really...my limit. | 0:42:39 | 0:42:42 | |
-We can just do that...can we? -If you can do 280. | 0:42:42 | 0:42:46 | |
Ooh, James. You don't look too sure, mate. | 0:42:46 | 0:42:49 | |
OK. Yep. | 0:42:49 | 0:42:52 | |
I hope I've done the addition. | 0:42:52 | 0:42:54 | |
-No, we can, Tom. That's fine. -Are you OK with that? -Yeah. Well done. | 0:42:54 | 0:42:59 | |
-Thank you. -Thanks very much. -Thank you. | 0:42:59 | 0:43:03 | |
Excuse me, I'm just going to pop out and have a cry. I won't... | 0:43:03 | 0:43:06 | |
So, now it's a race against time, | 0:43:06 | 0:43:09 | |
as Braxton and Conti try to discover the identity of our mystery man, | 0:43:09 | 0:43:14 | |
and at £280...I sure hope it's worth the gamble. | 0:43:14 | 0:43:18 | |
Now...in this shop at least, news travels fast. | 0:43:20 | 0:43:25 | |
-They've been buying! -Oh, have they? -They bought the bust. -Do you think they did? | 0:43:25 | 0:43:30 | |
They did, yeah. Right, the pressure's on now. | 0:43:30 | 0:43:33 | |
Yes, James, it is. But you do have £300 in the coffers. | 0:43:33 | 0:43:38 | |
So don't be afraid to spend it, eh? | 0:43:38 | 0:43:41 | |
Oh, £160! | 0:43:41 | 0:43:43 | |
-Lot of money for a ladle, isn't it? -It... | 0:43:43 | 0:43:45 | |
Maybe it's a special magic ladle, I don't know. | 0:43:45 | 0:43:48 | |
It's quite heavy. | 0:43:48 | 0:43:50 | |
A bit of weight to it. Isn't that what you say? | 0:43:50 | 0:43:52 | |
Yeah. Absolutely. That's what we're looking for. Ooh. | 0:43:52 | 0:43:57 | |
-It's possibly the ugliest clock I've ever seen in my life! -That is vile! | 0:43:57 | 0:44:01 | |
Whuh... Whuh... | 0:44:01 | 0:44:04 | |
-210. -Oh! | 0:44:04 | 0:44:06 | |
I looked at these. Tinsel pictures. But, believe it or not, | 0:44:08 | 0:44:12 | |
these are really quite collectible. Erm... | 0:44:12 | 0:44:14 | |
Phew, it's a lot of money. | 0:44:14 | 0:44:16 | |
So, after much consideration, | 0:44:16 | 0:44:18 | |
what big-ticket item are Katie and James going to go for? | 0:44:18 | 0:44:24 | |
-What's this bronze lion here? -Oh, yes. Yes. -How much is that? | 0:44:24 | 0:44:28 | |
-I'll do that for 55. -Can we have a look? -Yeah, sure. | 0:44:28 | 0:44:31 | |
£55. Is that it, then? | 0:44:31 | 0:44:33 | |
-He is quite a handsome fellow, isn't he? -I think so. -He's smiling at us. | 0:44:33 | 0:44:37 | |
And I think it's one of those, | 0:44:37 | 0:44:40 | |
-"What are we going to get our godson for his 21st?" type items. -I can... | 0:44:40 | 0:44:44 | |
-Know what I mean?! -I can imagine it in one of those very fine, | 0:44:44 | 0:44:48 | |
-big country houses as a desk weight. -Yeah. | 0:44:48 | 0:44:52 | |
-So, OK, go on, then. -I'll sell it for 40. -40? -Yeah. | 0:44:52 | 0:44:56 | |
-40. -I'm happy with that. | 0:44:56 | 0:44:58 | |
-And I clearly am the expert here! So... -I think that's fair enough. | 0:45:01 | 0:45:05 | |
-35 and you've got a deal! -You're screwing me, it's got to be 40. It's GOT to be 40. -What do you think? | 0:45:05 | 0:45:10 | |
-You heard me already, I... -If the auctioneer's going up in fives, | 0:45:10 | 0:45:14 | |
give us a pound off for luck, and we might make a pound out of it. | 0:45:14 | 0:45:18 | |
-Got it for 39? -Yeah. Deal? Sounds better, that's all. | 0:45:18 | 0:45:22 | |
Well, let's hear it for the last of the big spenders! | 0:45:22 | 0:45:25 | |
Right, then. With the shopping done, | 0:45:30 | 0:45:32 | |
let's motor on, as it's time to reunite our contestants. | 0:45:32 | 0:45:36 | |
-There's great ambient heat in this car, isn't there? -Yes. | 0:45:37 | 0:45:41 | |
Is it on fire? LAUGHTER | 0:45:41 | 0:45:43 | |
Team Conti and Team Derham, | 0:45:43 | 0:45:46 | |
please reveal to each other what you bought. | 0:45:46 | 0:45:50 | |
What do you think to that? | 0:45:50 | 0:45:52 | |
Look at that, isn't that special? | 0:45:52 | 0:45:54 | |
-Fine bit of painting. -This is what you got very excited about. | 0:45:54 | 0:45:58 | |
I thought it was all right, but I think it's probably Worcester. | 0:45:58 | 0:46:01 | |
I think it should be Worcester. | 0:46:01 | 0:46:03 | |
-Ah, I see! -A little ring box. Isn't that pretty? | 0:46:03 | 0:46:08 | |
I would say...around 150. | 0:46:08 | 0:46:10 | |
We paid 50. Well done. > | 0:46:10 | 0:46:12 | |
-That's a terrific profit, if that's the case. -If it... If it... Whoo. | 0:46:12 | 0:46:16 | |
As for Tom and James's mystery man, no news yet, I'm afraid. | 0:46:16 | 0:46:22 | |
-Hello! -Yes... | 0:46:22 | 0:46:23 | |
-HE LAUGHS -Do you recognise it? | 0:46:23 | 0:46:25 | |
We like this gentleman. | 0:46:25 | 0:46:27 | |
"How much is that?" "I'm afraid it's sold," was the response. | 0:46:27 | 0:46:30 | |
So who do you think is going to bid for him? Tomorrow. | 0:46:30 | 0:46:33 | |
-Probably no-one. -Obviously a lady or a gentleman of taste. | 0:46:33 | 0:46:37 | |
Someone who's looking for something imposing to put on the hall table. | 0:46:37 | 0:46:42 | |
-Yes, and pretend it's their great-grandfather. -Exactly! -Exactly! | 0:46:42 | 0:46:45 | |
And then there's this. What do you think, James? | 0:46:45 | 0:46:49 | |
Is it real or a very good fake? | 0:46:49 | 0:46:52 | |
I think it's 19th-century. | 0:46:52 | 0:46:53 | |
19th-century, yeah. That's what I thought it was. | 0:46:53 | 0:46:58 | |
As opposed to...2005, that most of them are! | 0:46:58 | 0:47:01 | |
The Chinese are quite... They're after certain things, aren't they? | 0:47:01 | 0:47:06 | |
They love their jade and things like that. | 0:47:06 | 0:47:09 | |
To what extent they're busily buying their 19th-century bronze, I don't know. | 0:47:09 | 0:47:14 | |
-Yeah, this was our second item! -Oh, good Lord! -Ooh! | 0:47:14 | 0:47:17 | |
-Ooh, matron, what's that? -They're good! | 0:47:17 | 0:47:21 | |
Oh, that's a hair ornament, isn't it? | 0:47:21 | 0:47:23 | |
Oh, Katie. And you were making such good progress. | 0:47:23 | 0:47:25 | |
-The clue is in the gloves. -Stretching fingers? -Yeah. | 0:47:25 | 0:47:29 | |
Altogether I would say...£80. | 0:47:29 | 0:47:32 | |
-I think they're worth that at least. -Hope so. | 0:47:33 | 0:47:37 | |
-We paid 28. -Did you?! | 0:47:37 | 0:47:40 | |
I think that, so far, is the best out of all of them. | 0:47:40 | 0:47:43 | |
< Righty-ho. Are you ready? | 0:47:43 | 0:47:46 | |
What you need to remember with this is you don't realise how much every home needs one of these. | 0:47:46 | 0:47:51 | |
Are you ready to be ridden? | 0:47:51 | 0:47:53 | |
There we go. | 0:47:56 | 0:47:57 | |
Apparently it's an Afghan saddle. Afghan saddle. | 0:47:57 | 0:48:00 | |
When I saw this I suddenly had this vision of all sorts of people | 0:48:00 | 0:48:04 | |
with wonderful sort of expensive loft apartments | 0:48:04 | 0:48:07 | |
-wanting interesting things. -Mm. | 0:48:07 | 0:48:09 | |
And somebody might spot that and think, "Great towel rack." | 0:48:09 | 0:48:12 | |
-Towel rack, absolutely! -You know! Or perhaps a plant holder. | 0:48:12 | 0:48:15 | |
A certain curiosity, really. "What the heck is that?" | 0:48:16 | 0:48:19 | |
It would be a good talking point, wouldn't it, in your flat? | 0:48:19 | 0:48:24 | |
We've gone for a bit of Oriental. It is the most... | 0:48:24 | 0:48:28 | |
Ooh, that's pretty. | 0:48:28 | 0:48:29 | |
-< That's lovely. But broken. -It is broken. -> | 0:48:29 | 0:48:33 | |
If you shoved that in a tank | 0:48:33 | 0:48:35 | |
and extracted the 22-carat gold, | 0:48:35 | 0:48:37 | |
there is more than £22 of gold on there. | 0:48:37 | 0:48:41 | |
And that's the attitude I love to hear from an antiques expert. | 0:48:41 | 0:48:45 | |
-Soak it down. -There's a couple of grams of gold in there. | 0:48:45 | 0:48:48 | |
Look at this fella. | 0:48:48 | 0:48:50 | |
-He looks as though he's got a bit of age. -> < He looks Regency. | 0:48:50 | 0:48:53 | |
It would make a nice paperweight. | 0:48:53 | 0:48:56 | |
It would. | 0:48:56 | 0:48:57 | |
-It's really nice. -Imagine that in a big country house, on a smart desk. | 0:48:57 | 0:49:01 | |
Go on, what do you think? | 0:49:01 | 0:49:03 | |
-40 quid? -I think they're quite crafty. | 0:49:03 | 0:49:05 | |
Yeah, I was going to go 30 to 50 they paid for it. | 0:49:05 | 0:49:09 | |
-How much did you pay? -They're a bit good today. | 0:49:09 | 0:49:11 | |
-40 quid. No, 39! -39. -39. -Well done, Tom! | 0:49:11 | 0:49:16 | |
That's very good. > | 0:49:16 | 0:49:18 | |
-And the last one. > -And the last one. | 0:49:19 | 0:49:22 | |
Oh, this is such a trick. | 0:49:22 | 0:49:23 | |
Look at this. That's a really good trick. | 0:49:23 | 0:49:26 | |
Oh, well done. | 0:49:26 | 0:49:28 | |
Very good. | 0:49:28 | 0:49:29 | |
Do you know, we should have dropped that lion, shouldn't we?! | 0:49:29 | 0:49:33 | |
Very sweet. | 0:49:33 | 0:49:35 | |
I just love everything that's slightly over-engineered. | 0:49:35 | 0:49:38 | |
Now, 99... | 0:49:38 | 0:49:40 | |
Why? Why is that, James? | 0:49:41 | 0:49:43 | |
99% of occasional tables have four legs. | 0:49:43 | 0:49:47 | |
-This one, six. -What's happened to this leg here? | 0:49:47 | 0:49:51 | |
Don't worry about that. Don't you worry about that. > | 0:49:51 | 0:49:54 | |
That leg's been off. | 0:49:54 | 0:49:56 | |
Has it? Yeah. | 0:49:56 | 0:49:57 | |
-They've had his leg off. -Well, good job it's got another five! | 0:49:57 | 0:50:01 | |
Well, QUITE a positive reception there. | 0:50:01 | 0:50:05 | |
But what do our competitors really think? | 0:50:05 | 0:50:07 | |
You see, if I walked into a house and saw a bust, | 0:50:07 | 0:50:10 | |
-I'd say, "Who's that?" -Yeah. | 0:50:10 | 0:50:12 | |
-We don't know. -No. -Yet. Maybe we'll find out. But we don't know. | 0:50:12 | 0:50:16 | |
And, yes, he's a handsome and serious-looking fellow, | 0:50:16 | 0:50:19 | |
but unless you're going to lie and say, "That was my great-grandfather, he was a mill owner, you know," | 0:50:19 | 0:50:24 | |
or, "He was a composer..." Yeah... | 0:50:24 | 0:50:26 | |
I like it actually, I like it, but it was an awful lot of money. | 0:50:26 | 0:50:29 | |
I like it, I think it's striking, but I think it's too much. | 0:50:29 | 0:50:33 | |
-It's great fun to have bought that saddle thing. -It is funny, isn't it? -They had more guts than we. | 0:50:33 | 0:50:38 | |
I must say, his enthusiasm, I think, for the Chinese incense is a bit misplaced. | 0:50:38 | 0:50:44 | |
In my experience they haven't... | 0:50:44 | 0:50:46 | |
You know, the Chinese are after certain things. The ordinary they tend to skirt over. | 0:50:46 | 0:50:51 | |
After kicking off in Lewes, | 0:50:52 | 0:50:56 | |
sadly our Celebrity Road Trip comes to an end | 0:50:56 | 0:50:59 | |
in Wandsworth, South London. | 0:50:59 | 0:51:01 | |
And it's here at Criterion Auctions that Katie Derham and James Lewis, | 0:51:01 | 0:51:06 | |
Mr Tom Conti and James Braxton now gather, | 0:51:06 | 0:51:09 | |
each team hoping to fetch London prices | 0:51:09 | 0:51:13 | |
and of course be declared the winner. | 0:51:13 | 0:51:16 | |
-This is your first auction? -It's the first one in about 20 years. | 0:51:16 | 0:51:20 | |
First time I've ever tried to sell anything. | 0:51:20 | 0:51:23 | |
And hopefully it won't be the last. | 0:51:23 | 0:51:25 | |
Both teams began this journey with £400 in their pocket, | 0:51:26 | 0:51:30 | |
and two days later Team Conti has spent | 0:51:30 | 0:51:33 | |
an impressive £342 on four auction lots. | 0:51:33 | 0:51:37 | |
Team Derham, meanwhile, has been a little frugal, | 0:51:37 | 0:51:40 | |
parting with just £139, also for four auction lots. | 0:51:40 | 0:51:46 | |
Now, it may look like no-one's actually turned up for the auction, | 0:51:47 | 0:51:51 | |
but the bidders are here, they're just hiding. | 0:51:51 | 0:51:54 | |
So, let the auction begin. | 0:51:54 | 0:51:56 | |
First up it's James and Katie's Chinese incense burner, | 0:51:56 | 0:51:59 | |
which we're now all convinced is 19th-century. | 0:51:59 | 0:52:04 | |
At 50. 30. | 0:52:04 | 0:52:07 | |
-20 if you like. -Come on. -Ten? | 0:52:07 | 0:52:10 | |
Ten is bid. | 0:52:10 | 0:52:11 | |
-At £10, and we're away. -Oh, not 10. -15. 20. Five. | 0:52:11 | 0:52:15 | |
30. Five. | 0:52:15 | 0:52:19 | |
-At 35. -No! -At £35. | 0:52:19 | 0:52:21 | |
-Come on, come on. -GAVEL BANGS | 0:52:21 | 0:52:24 | |
The good news is, that's a £5 profit. | 0:52:24 | 0:52:27 | |
And the bad news? There's still commission to pay. | 0:52:27 | 0:52:30 | |
-That's poor. -That was our big hope. | 0:52:30 | 0:52:33 | |
HE SNIGGERS | 0:52:33 | 0:52:34 | |
Next it's Team Conti's inspired lot of ladies' gloves | 0:52:35 | 0:52:39 | |
and a pair of Cantonese glove stretchers. | 0:52:39 | 0:52:42 | |
Interest at 40 and 5. | 0:52:42 | 0:52:45 | |
-At £45. -45? | 0:52:45 | 0:52:47 | |
50 now, well done. | 0:52:47 | 0:52:49 | |
-Come on, come on. -Keep going. Come on. -At £50, are we all done for 50? | 0:52:49 | 0:52:54 | |
That's all right, there's a profit. | 0:52:56 | 0:52:58 | |
Steady little work, though. | 0:52:58 | 0:53:01 | |
Come on, cheer up, Tom. | 0:53:01 | 0:53:02 | |
That's still a £22 profit, pre-commission. | 0:53:02 | 0:53:06 | |
Meanwhile, Team Derham's next great hope | 0:53:06 | 0:53:09 | |
is this Venetian brass paperweight. | 0:53:09 | 0:53:11 | |
At £20 somewhere? Tenner? Ten is bid. 15. | 0:53:11 | 0:53:14 | |
-Ohh, what?! -20. Five. 30. | 0:53:14 | 0:53:16 | |
Five. 40. One more. | 0:53:16 | 0:53:20 | |
-Five. At £45 now. -Come on. -At £45. -Come on. | 0:53:20 | 0:53:26 | |
At £45, are we done? At 45. | 0:53:26 | 0:53:29 | |
I won't lie... it's not looking good. Is it? | 0:53:32 | 0:53:37 | |
So, on we go to that six-legged table. | 0:53:37 | 0:53:41 | |
An Edwardian inlaid-mahogany occasional table... SHOUTING | 0:53:41 | 0:53:46 | |
Which James Braxton is now risking a small hernia to display. | 0:53:47 | 0:53:51 | |
-He's a desperate man. -Yes, it's true. -A tenner if you like. Ten is bid. 15. | 0:53:51 | 0:53:56 | |
At £15, are we all done? Six legs, have a look. | 0:53:57 | 0:54:00 | |
-At £15, are we all done for 15? -Ooh, lovely and heavy it is. | 0:54:00 | 0:54:05 | |
Lovely and heavy. He's a strong lad. At 15. | 0:54:05 | 0:54:09 | |
Away we go, at 15, and gone. | 0:54:09 | 0:54:10 | |
Oh, don't worry, James. There's a medicinal brandy on the way. | 0:54:11 | 0:54:15 | |
See, that's why you should never hold up items. | 0:54:15 | 0:54:18 | |
I killed that one. | 0:54:18 | 0:54:19 | |
And, despite the excruciating pain, I'm afraid that's still a loss, | 0:54:19 | 0:54:25 | |
putting Team Derham into first place. | 0:54:25 | 0:54:28 | |
And now these two are hoping that the Royal Worcester inlay | 0:54:28 | 0:54:32 | |
of their jewellery box will finally get this lot excited. | 0:54:32 | 0:54:37 | |
Again with interest, 55 gone. At £55, are we all done for 55? | 0:54:37 | 0:54:41 | |
60, I'm out. Five. | 0:54:41 | 0:54:43 | |
70. Five. 80. | 0:54:43 | 0:54:46 | |
Five. Don't stop. | 0:54:46 | 0:54:48 | |
85, we're at the back now, 85, are we done? 90. | 0:54:48 | 0:54:52 | |
Five. 100. Ten. | 0:54:52 | 0:54:55 | |
110 way back, at 110. | 0:54:55 | 0:54:58 | |
Oh, my. Look at that. This party's off the hook! | 0:54:58 | 0:55:01 | |
40. 140, telephone's money. | 0:55:01 | 0:55:06 | |
Are we all done at 140? | 0:55:06 | 0:55:08 | |
-Well done. Well done. -That's OK, isn't it? | 0:55:12 | 0:55:14 | |
It's more than OK, Katie. | 0:55:14 | 0:55:16 | |
You've just made £90 profit before commission. Wow. | 0:55:16 | 0:55:20 | |
Mind you, this satsuma dish can't fail to make a profit, | 0:55:20 | 0:55:25 | |
as James and Tom didn't pay a penny for it. | 0:55:25 | 0:55:28 | |
50 if you like. And here to go. 20, then. 20 is bid. | 0:55:28 | 0:55:33 | |
At £20... That's not bad. | 0:55:33 | 0:55:36 | |
At 20. Five. 25, new place, we're sure? | 0:55:36 | 0:55:40 | |
At £25, then. Are we all done at 25? | 0:55:40 | 0:55:44 | |
It is a profit. Because we bought it for zero. | 0:55:46 | 0:55:49 | |
A much-needed win for Team Conti. But they're still on the back foot. | 0:55:49 | 0:55:54 | |
And next it's the item | 0:55:54 | 0:55:55 | |
Katie and James believed loft-living Londoners will go crazy for. | 0:55:55 | 0:56:01 | |
It's the Afghan saddle. | 0:56:01 | 0:56:04 | |
And £100, frame. At 100. 50. | 0:56:04 | 0:56:08 | |
-40. -No! No! | 0:56:08 | 0:56:10 | |
30... 30 is bid. At £30 now. At £30. | 0:56:10 | 0:56:15 | |
-Are we all done for 30? -Come on! | 0:56:15 | 0:56:18 | |
Come on! | 0:56:18 | 0:56:19 | |
Help the cause... At £30 somewhere. | 0:56:19 | 0:56:22 | |
At 30. Ooh, five, in competition now. | 0:56:22 | 0:56:25 | |
-40. -Come on! -Thank you. | 0:56:25 | 0:56:28 | |
-At £40, come on, please. -That's better! | 0:56:28 | 0:56:30 | |
-Are we all done at 40? -It has to be more than that. | 0:56:30 | 0:56:33 | |
GAVEL BANGS | 0:56:33 | 0:56:34 | |
Ah, well. | 0:56:34 | 0:56:36 | |
Perhaps London's not quite ready for Katie's interior design tips. | 0:56:36 | 0:56:40 | |
Finally it's Tom and James's bust. | 0:56:40 | 0:56:44 | |
And, in case you're wondering, the research has been done, | 0:56:44 | 0:56:46 | |
-so we can now reveal the mystery man is... -DRUMROLL | 0:56:46 | 0:56:51 | |
Augustine Gilsen. | 0:56:51 | 0:56:53 | |
A not-so-well-known Belgian bloke | 0:56:53 | 0:56:56 | |
who was high up in the tram business. Ha! So, any takers? | 0:56:56 | 0:57:00 | |
Interesting deed. 150 I have. | 0:57:00 | 0:57:04 | |
-It's in at 150! -160 here. 160. 70. 80. 90. | 0:57:04 | 0:57:08 | |
190 now. Five I'll take. 200. | 0:57:08 | 0:57:12 | |
-Go on! -At 200. Don't stop, at 200. | 0:57:12 | 0:57:14 | |
20. | 0:57:16 | 0:57:17 | |
Hello. Someone's on the blower. | 0:57:17 | 0:57:19 | |
Perhaps to Belgium. | 0:57:19 | 0:57:21 | |
240... | 0:57:21 | 0:57:23 | |
Oh, no. Wrong number. | 0:57:23 | 0:57:25 | |
-That was much better than it could have been. -Much better. | 0:57:25 | 0:57:29 | |
It wasn't such a catastrophic loss. | 0:57:29 | 0:57:32 | |
That's right. Still, at least you haven't gone...bust. | 0:57:32 | 0:57:35 | |
-TSSSSH! -Thank you. Too kind. | 0:57:35 | 0:57:37 | |
-Well, that's it. -That is it. -That's the last lot, folks. -I think we're up...as a group. | 0:57:37 | 0:57:41 | |
-Aren't we? -I don't know. | 0:57:41 | 0:57:44 | |
Oh, dear. Well, allow me. | 0:57:44 | 0:57:47 | |
Both teams began with £400 | 0:57:47 | 0:57:49 | |
and, after commission, Tom Conti's foray into the world of antiques | 0:57:49 | 0:57:54 | |
has seen him make an overall loss of £71.40. | 0:57:54 | 0:57:57 | |
So Tom and James end their road trip with £328.60. | 0:57:57 | 0:58:02 | |
Such a dirty shame. | 0:58:02 | 0:58:04 | |
As for the lovely Katie Derham, | 0:58:04 | 0:58:07 | |
the cautious approach has obviously paid off. | 0:58:07 | 0:58:10 | |
After commission, she and James have made a profit of £74.20, | 0:58:10 | 0:58:13 | |
giving them a grand and winning total of £474.20 | 0:58:13 | 0:58:17 | |
and enough time for another hair flick. Ooh. | 0:58:17 | 0:58:21 | |
What do you think? | 0:58:24 | 0:58:26 | |
Well...I hate auctions. | 0:58:26 | 0:58:30 | |
I hate them! | 0:58:30 | 0:58:31 | |
-But you're an auctioneer. -I know, it's not good, is it? | 0:58:31 | 0:58:36 | |
Well, that old phrase, "He who dares wins." | 0:58:36 | 0:58:39 | |
Well, you dared with that bronze, or the bust. And you didn't win. | 0:58:39 | 0:58:44 | |
We didn't win. We did! | 0:58:44 | 0:58:46 | |
We're all right, Jack! And off we go! Hey! | 0:58:46 | 0:58:49 | |
Come on, let's go for a beer. | 0:58:49 | 0:58:52 | |
Oh, yes. What a steep learning curve it's been. | 0:58:54 | 0:58:58 | |
We found out all about precious metals. | 0:59:01 | 0:59:03 | |
-What is the gold stuff? -It is gold. | 0:59:03 | 0:59:06 | |
We discovered Afghan towel rails aren't as much fun as you'd think. | 0:59:06 | 0:59:10 | |
Stop! | 0:59:10 | 0:59:12 | |
And of course we now know to beware of strange men from Belgium. | 0:59:12 | 0:59:17 | |
I love these big busts. | 0:59:17 | 0:59:18 | |
Me too. The money our celebrities and experts raise in this series | 0:59:18 | 0:59:23 | |
will go to Children in Need, | 0:59:23 | 0:59:25 | |
so thank you, everyone, | 0:59:25 | 0:59:26 | |
especially today's winners, Katie Derham and James Lewis. | 0:59:26 | 0:59:30 | |
Bye. | 0:59:30 | 0:59:32 | |
Subtitles by Red Bee Media Ltd | 0:59:51 | 0:59:53 | |
E-mail [email protected] | 0:59:53 | 0:59:56 |