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-Some of the nations favourite celebrities. -Sensational! | 0:00:02 | 0:00:06 | |
One antiques expert each. | 0:00:06 | 0:00:08 | |
-Don't worry. -I'm just having a wobble. | 0:00:08 | 0:00:10 | |
-Don't have a wobble! -Ha ha! | 0:00:10 | 0:00:11 | |
And one big challenge - who can seek out and buy the best antiques | 0:00:11 | 0:00:16 | |
at the very best prices? | 0:00:16 | 0:00:19 | |
I'm such a baby when it comes to all this. | 0:00:19 | 0:00:21 | |
An auction... | 0:00:21 | 0:00:23 | |
-55, a new bidder, thank you. -..for a big profit further down the road. | 0:00:23 | 0:00:28 | |
Who will spot the good investments? | 0:00:28 | 0:00:31 | |
Who will listen to advice? | 0:00:31 | 0:00:34 | |
And who will be the first to say, "Don't you know who I am"? | 0:00:34 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is the Celebrity Antiques Road Trip, yeah! | 0:00:42 | 0:00:45 | |
The heady mix of celebrity power and intense antiques bargaining continues. | 0:00:51 | 0:00:56 | |
Two icons of stage and screen prepare to take on the road trip. | 0:00:56 | 0:01:00 | |
Oh, a joy to be here. A joy, joy, joy. I must be mental. | 0:01:02 | 0:01:07 | |
Less bonkers, more quirky, I'd say. | 0:01:07 | 0:01:09 | |
She's the chastened princess of comedy, first lady to win the Edinburgh Fringe comedy award, | 0:01:09 | 0:01:15 | |
and she's still touring her one-woman shows. | 0:01:15 | 0:01:18 | |
With age comes cunning. | 0:01:18 | 0:01:22 | |
She's raring to go. She's Jenny Eclair. | 0:01:22 | 0:01:25 | |
A bit close, by the way. | 0:01:25 | 0:01:27 | |
And this fine stout yeoman is Brian, Blessed be his name. | 0:01:30 | 0:01:34 | |
He's done an awful lot of acting, | 0:01:36 | 0:01:39 | |
even famously as the father of TV's Edmund Blackadder. | 0:01:39 | 0:01:43 | |
And he was in that film... You know the one I mean. | 0:01:43 | 0:01:47 | |
# Flash! Ahhh! # | 0:01:47 | 0:01:48 | |
Gordon's alive! | 0:01:48 | 0:01:51 | |
That's the one. | 0:01:51 | 0:01:52 | |
But Brian has another life as revered mountaineer and adventurer. | 0:01:52 | 0:01:56 | |
He's even climbed Mount Everest. | 0:01:56 | 0:01:59 | |
Honestly! He did make it! | 0:01:59 | 0:02:02 | |
I don't think I can get in. | 0:02:02 | 0:02:04 | |
-And he's got into a car. -It's a kind of size 8 car. I'd say Brian's a 16. | 0:02:04 | 0:02:10 | |
-I'm a cautious driver. -Really? | 0:02:11 | 0:02:15 | |
-I do tend to drive a little bit like an old lady. -Are you braking all right? | 0:02:15 | 0:02:19 | |
I haven't got my foot on the brake at all! | 0:02:19 | 0:02:22 | |
I tend to now look at everything as an adventure. I look on this as an adventure. | 0:02:22 | 0:02:27 | |
JENNY LAUGHS | 0:02:27 | 0:02:29 | |
So we've given our celebrities £400 each for their buying expedition, | 0:02:30 | 0:02:35 | |
but this isn't acting and this isn't comedy. Not on my watch. | 0:02:35 | 0:02:40 | |
So, we've cast a pair of antiques understudies to guide them. | 0:02:40 | 0:02:45 | |
This lovely lady is an auctioneer and antiques businesswoman. | 0:02:45 | 0:02:48 | |
-15 quid? -No! -She's one to watch. She's Anita Manning. | 0:02:48 | 0:02:53 | |
Oh, you're a hard man. | 0:02:53 | 0:02:55 | |
Now, enough of that. | 0:02:56 | 0:02:57 | |
I know what you're thinking - who does he think he is in those trousers? | 0:02:57 | 0:03:02 | |
But the rouge slacks mask a fine mind. | 0:03:05 | 0:03:08 | |
He's a surveyor, an auctioneer, he loves great British design, he's James Braxton. | 0:03:08 | 0:03:13 | |
Another winner secured, another winner secured. | 0:03:13 | 0:03:16 | |
And what would an antiques road trip be without a pair of lovely motors? | 0:03:16 | 0:03:21 | |
A suave 1959 Austin Healey 3000 for our celebrities, | 0:03:21 | 0:03:27 | |
and a cute 1967 Triumph Vitesse for Anita and James. | 0:03:27 | 0:03:33 | |
-Do Jenny or Brian know anything about antiques? -I'm not too sure. | 0:03:33 | 0:03:36 | |
-Do you think we know enough? -I sincerely hope so. | 0:03:36 | 0:03:40 | |
I think Brian might give us a rigorous examination, I think. | 0:03:40 | 0:03:45 | |
That's in the spirit of the man, isn't it? Jenny will be very kind. | 0:03:45 | 0:03:48 | |
But before we can get going, we need to know where we're going. | 0:03:50 | 0:03:55 | |
We start the trip in Cockermouth and head south through Cumbria, | 0:03:56 | 0:04:01 | |
ending up in Runcorn for the auction. | 0:04:01 | 0:04:03 | |
Cockermouth is the rather damp meeting point for our thespian, | 0:04:03 | 0:04:09 | |
comedian, | 0:04:09 | 0:04:11 | |
auctioneer, | 0:04:11 | 0:04:12 | |
and fashion icon. | 0:04:12 | 0:04:14 | |
-Hiya! How lovely! -Hello, hello. So what's the plan? | 0:04:14 | 0:04:19 | |
We'll put the two big guys together | 0:04:19 | 0:04:21 | |
and the two beautiful wacky women together. | 0:04:21 | 0:04:26 | |
-We'll win, obviously. -We'll win, obviously, yeah. | 0:04:26 | 0:04:29 | |
You guys go that way, we'll go this way. | 0:04:29 | 0:04:31 | |
-Is that where the best shops are? -And may the best women win. -We're off! Bye, Brian. | 0:04:31 | 0:04:36 | |
We've got the brollies, too. | 0:04:36 | 0:04:39 | |
Good luck to you all. | 0:04:39 | 0:04:41 | |
Our celebrities have their money and their experts, now they each need a plan. | 0:04:41 | 0:04:45 | |
Important not to peak too early, I presume. | 0:04:47 | 0:04:50 | |
Well, if you see something you like and you can get it for the right price, then we go for it. | 0:04:50 | 0:04:55 | |
-Have you never been here before? -No. -So this is all new to you. | 0:04:55 | 0:04:58 | |
It's all new, but antique shops are my bread and butter. We love them. | 0:04:58 | 0:05:03 | |
Indeed, James has much to teach if you'll lend him your ear, Brian. | 0:05:03 | 0:05:08 | |
-How do you choose things? I mean... -Very easy, Brian. | 0:05:08 | 0:05:13 | |
Two guidelines - quality of materials, quality of design. | 0:05:13 | 0:05:18 | |
The rest is all subjective. | 0:05:18 | 0:05:20 | |
So always a good thing to look for is the material. | 0:05:20 | 0:05:23 | |
Is it made of gold, is it made of silver, or wood? What sort of wood? | 0:05:23 | 0:05:26 | |
Well, I'm totally ignorant. I'll be guided by you. | 0:05:26 | 0:05:30 | |
I'm not leaving this shop without one item at least. | 0:05:30 | 0:05:34 | |
We're determined. | 0:05:34 | 0:05:36 | |
-Oh, what a team. -Brollies down! -Brollies down. Bonnets off! | 0:05:36 | 0:05:40 | |
Colin Graham antiques offers Jenny her first stab at this new buying game, | 0:05:43 | 0:05:50 | |
-attended by the owner himself. -How are you? -Very well, thank you. | 0:05:50 | 0:05:55 | |
-I've seen you somewhere before. -I've got a very common face. | 0:05:55 | 0:05:58 | |
Right, there's something in the window that did catch my eye, | 0:05:58 | 0:06:03 | |
it's the optician's box. | 0:06:03 | 0:06:05 | |
Well now, no wonder this caught Jenny's eye. | 0:06:05 | 0:06:10 | |
It looks like a turn of the 20th century optician's testing kit, | 0:06:10 | 0:06:16 | |
complete with sight testing text. | 0:06:16 | 0:06:18 | |
There's something rather beautiful and poetic about... | 0:06:18 | 0:06:22 | |
"We had not long been travelling, air is sudden tempest." | 0:06:22 | 0:06:24 | |
-That's an eye test and a half, isn't it? -Yes. | 0:06:24 | 0:06:28 | |
I'd think it's sort of 1910, 1920s, | 0:06:28 | 0:06:30 | |
although you could still use it today for eye testing. | 0:06:30 | 0:06:34 | |
I'm minus 5 in my left eye, so I wonder whether this is | 0:06:34 | 0:06:39 | |
on the same... | 0:06:39 | 0:06:41 | |
No! | 0:06:44 | 0:06:45 | |
LAUGHTER | 0:06:45 | 0:06:46 | |
-Do you think these suit me? -It's good. -Are these good? | 0:06:46 | 0:06:51 | |
Erm, well, maybe! | 0:06:51 | 0:06:52 | |
I don't know why, it's the sort of thing you'd see in one of those gastropubs, | 0:06:52 | 0:06:57 | |
you know where they have to have lots of stuff all over the place. | 0:06:57 | 0:07:00 | |
And if you had a gastropub called The Optician's... | 0:07:00 | 0:07:06 | |
I'm thinking ahead here! I don't know why. | 0:07:06 | 0:07:08 | |
Interesting idea, and really quite specific. | 0:07:08 | 0:07:12 | |
-I think this is rather beautiful. -You love it? -Yeah, I do. I don't know how much is it? -265. | 0:07:12 | 0:07:18 | |
Yes, it's out of our price range. | 0:07:18 | 0:07:20 | |
-Negotiable. -Negotiable? -A little. -You don't like the price, I know. | 0:07:20 | 0:07:24 | |
But Colin said... | 0:07:24 | 0:07:26 | |
I haven't been in the back room yet. | 0:07:26 | 0:07:28 | |
Miss Eclair, one doesn't flirt with a Cumbrian man | 0:07:28 | 0:07:32 | |
and then say one wishes to see the back room! | 0:07:32 | 0:07:35 | |
This was all exported from the Port of Canton so we all call it Cantonese. | 0:07:37 | 0:07:41 | |
Of course I was master of ceremonies for the Hong Kong handover. | 0:07:41 | 0:07:45 | |
-Oh, were you? -Yes, I did the whole ceremony. | 0:07:45 | 0:07:48 | |
"Today the eyes of the world are upon us," | 0:07:48 | 0:07:50 | |
and afterwards I was the kind of toast of Hong Kong and I met the Chinese people. | 0:07:50 | 0:07:55 | |
And when I'm in the Far East anywhere, I can't bargain. | 0:07:55 | 0:07:59 | |
I'm a sucker. I always pay top whack for it. | 0:07:59 | 0:08:02 | |
The fun of these antique shops is nobody really knows the price. | 0:08:02 | 0:08:06 | |
We can look at that and we think, well, if that was £20 we'd probably put it back, | 0:08:06 | 0:08:12 | |
but if it was five pounds we might think about buying it. | 0:08:12 | 0:08:16 | |
I'd find it embarrassing making an offer four or five pounds less. | 0:08:16 | 0:08:20 | |
These shop owners here will be loving that, won't they? | 0:08:20 | 0:08:23 | |
Oh dear, Brian, you'll have to get over that fear. | 0:08:23 | 0:08:28 | |
It's hard work, this antiques road tripping. | 0:08:28 | 0:08:31 | |
-What you do is you run, doing that. -Yes. | 0:08:31 | 0:08:36 | |
And then you ffft! Whack! | 0:08:36 | 0:08:39 | |
It's a great game, and you can play it with eggs! | 0:08:39 | 0:08:43 | |
Wow, what a wacky television set, and who's not terribly handsome - not - young man | 0:08:43 | 0:08:49 | |
- not - filling the screen? | 0:08:49 | 0:08:50 | |
Colin, this woman is our telly star, | 0:08:52 | 0:08:56 | |
and we're looking at that star of a telly. | 0:08:56 | 0:08:59 | |
We'd like to know the price. | 0:08:59 | 0:09:01 | |
-£100. -£100. | 0:09:01 | 0:09:05 | |
-But it's sold as a decorative item because it is electrical. -In other words it doesn't work. | 0:09:05 | 0:09:09 | |
Well, yes, it will work but it does need alterations for digital. | 0:09:09 | 0:09:14 | |
-Shall we go and whisper in the back? -Aha. Is it all right if we have a wee...? | 0:09:14 | 0:09:19 | |
-Go right through. -We'll go and count our money. I think I've lost the money. | 0:09:19 | 0:09:23 | |
Find the money, quick! Remember I've got a wife and six kids. | 0:09:23 | 0:09:27 | |
Really? You've been busy! | 0:09:27 | 0:09:30 | |
And it's been a very busy morning. | 0:09:30 | 0:09:32 | |
This vision testing kit has caught Jenny's eye so far, | 0:09:32 | 0:09:36 | |
and now the cool discovery space helmet TV is asking for our girls to look to the stars. | 0:09:36 | 0:09:43 | |
But what's hoving in to view for Brian Blessed? | 0:09:43 | 0:09:47 | |
My father was a coal miner, he lived till he was 98. | 0:09:47 | 0:09:51 | |
He died a short while ago, the oldish Yorkshire coal miner. | 0:09:51 | 0:09:55 | |
All of my uncles were coalminers, and of course he used to carry his Davy lamp. | 0:09:55 | 0:10:00 | |
-And what do I see just there? -Ah! Yes, the Davy lamp. | 0:10:00 | 0:10:04 | |
Sir Humphrey Davy invented his safety lamp in 1815 | 0:10:04 | 0:10:08 | |
to help deal with hazardous flammable gases in mines. | 0:10:08 | 0:10:12 | |
The gauze layers prevented flames from turning any gas into an explosion. | 0:10:12 | 0:10:18 | |
Today they have a socio historical interest and appeal. | 0:10:18 | 0:10:21 | |
I expected my father to die any day in Hickleton Main. | 0:10:21 | 0:10:25 | |
The sirens went off all the time. | 0:10:25 | 0:10:27 | |
-Really? -It was a terrible sound. I had to leave school at 14 | 0:10:27 | 0:10:30 | |
and work as an undertaker and then a plasterer. | 0:10:30 | 0:10:33 | |
-Really? -He was crushed in a roof fall. | 0:10:33 | 0:10:36 | |
He almost died. It took him about 18 months to recover. | 0:10:36 | 0:10:39 | |
-I haven't talked about that before. -No. -All because of a lamp! | 0:10:39 | 0:10:42 | |
-All because of a lamp! -Yeah. | 0:10:42 | 0:10:45 | |
Oh yes. Antiques can be incredibly powerful things, | 0:10:45 | 0:10:48 | |
portals to many points in history, sometimes our own. | 0:10:48 | 0:10:51 | |
I'm getting very serious. I'll have to put a definite offer in for that. | 0:10:52 | 0:10:56 | |
-What price have they got on that? -They've got 75. -75. | 0:10:56 | 0:11:01 | |
If we buy a number of items, I think we may strengthen our position on getting that. | 0:11:01 | 0:11:07 | |
I'm all for strengthening your position, | 0:11:07 | 0:11:10 | |
sometimes boldly and sometimes quite quietly. | 0:11:10 | 0:11:14 | |
WHISPERING: If we say the optician's case for 200... | 0:11:14 | 0:11:18 | |
-No, no, no. -Remember, I'm from London, I'm an idiot! | 0:11:18 | 0:11:22 | |
I've been ripped off the last 30 years. | 0:11:22 | 0:11:24 | |
I think we're looking at the telly for around about 30 quid, | 0:11:24 | 0:11:28 | |
and the opticians I think we're looking for about 100 quid. | 0:11:28 | 0:11:33 | |
But this movement is called bargaining. | 0:11:33 | 0:11:36 | |
Yes, but he's going to think we're taking the... | 0:11:36 | 0:11:38 | |
-No, no! What I want you to do is... -I'll back you up. | 0:11:38 | 0:11:41 | |
Back me up, and I want big lovely smiles. | 0:11:41 | 0:11:46 | |
-Like that? -Excellent! | 0:11:46 | 0:11:48 | |
I've got my pitch! | 0:11:48 | 0:11:50 | |
If you'd like more information on Anita's negotiation techniques, | 0:11:50 | 0:11:54 | |
then please watch and learn. | 0:11:54 | 0:11:56 | |
Now, here she comes. | 0:11:56 | 0:12:00 | |
Colin, you've got an Aladdin's cave in here. | 0:12:00 | 0:12:03 | |
It just seems to go on and on forever. | 0:12:03 | 0:12:06 | |
We've had the best time here actually, it's like a fun park. | 0:12:06 | 0:12:09 | |
Well, make it a fun time and buy something off me! | 0:12:09 | 0:12:12 | |
Yeah, Jenny, quit stalling and get haggling. | 0:12:12 | 0:12:16 | |
You've got to start somewhere so how about that lovely optician's set? | 0:12:16 | 0:12:20 | |
-The case is in need of some... -It's scratched, badly scratched. | 0:12:20 | 0:12:24 | |
-Character, madam, character. -But... -We'd like it. | 0:12:24 | 0:12:30 | |
Shh! She loves it. | 0:12:30 | 0:12:32 | |
-I quite like it. -She quite likes it. -Quite likes it, yes. | 0:12:34 | 0:12:38 | |
That's better, Jenny, | 0:12:38 | 0:12:40 | |
but you've still got the retro TV to be nonchalant about. | 0:12:40 | 0:12:43 | |
Now, once more, with feeling. | 0:12:43 | 0:12:46 | |
This would need work if anybody was to want to use it as a television, | 0:12:46 | 0:12:51 | |
and this is a very scratched box. | 0:12:51 | 0:12:53 | |
-Can I make you an offer? -Yep, make us an offer. We won't fall out. | 0:12:55 | 0:12:58 | |
Are we able to buy the two of these things for £150? | 0:12:58 | 0:13:04 | |
Cos I'm thinking - I've got my auctioneer's hat on now. | 0:13:04 | 0:13:07 | |
-I've got my auctioneer's hat, and I'm thinking... -Cash. -Cash. | 0:13:07 | 0:13:11 | |
-We're struggling at that. -We're struggling? See, what I'm thinking... | 0:13:11 | 0:13:14 | |
-We're not far away. But we -are -struggling. | 0:13:14 | 0:13:17 | |
-Right, do you want to hear -my -best price? How's that? | 0:13:17 | 0:13:20 | |
-Then you can work away from that. -Yes. -180. | 0:13:20 | 0:13:22 | |
-And the ball's in your court. -Right, OK. | 0:13:22 | 0:13:26 | |
It's... I mean, you're really giving us a good... you're trying. | 0:13:28 | 0:13:33 | |
I can't remember what he said! | 0:13:33 | 0:13:36 | |
LAUGHTER | 0:13:36 | 0:13:38 | |
You should be doing this for a living! | 0:13:38 | 0:13:40 | |
-I can't - this is making me tense. -He said 180. | 0:13:40 | 0:13:42 | |
I don't like it! | 0:13:42 | 0:13:44 | |
What do you reckon they're saying? | 0:13:44 | 0:13:47 | |
We'd like to offer £155 cash, in your hand. | 0:13:47 | 0:13:50 | |
I've got to make some money out of it. | 0:13:50 | 0:13:53 | |
Could you squeeze 160? | 0:13:53 | 0:13:55 | |
Because we would love to buy them. We think that these are items... | 0:13:55 | 0:13:59 | |
I'll meet you at 170. | 0:13:59 | 0:14:01 | |
Could we come to... | 0:14:01 | 0:14:02 | |
-165. -165. | 0:14:02 | 0:14:05 | |
-Hey, hey! -Done! | 0:14:05 | 0:14:08 | |
The first star purchase of the day. | 0:14:08 | 0:14:11 | |
Go, Jenny! | 0:14:11 | 0:14:12 | |
-Bye bye. -Bye bye. -See you both. Bye. | 0:14:12 | 0:14:14 | |
A good shop. What do you think? I think we've done well. | 0:14:14 | 0:14:19 | |
I hope we've not peaked too early. That's what's worrying me slightly. Come on! | 0:14:19 | 0:14:23 | |
Jenny now has serious auction ammunition. | 0:14:23 | 0:14:28 | |
So there's work to do back at Cockermouth Antiques, | 0:14:28 | 0:14:32 | |
with Sean and his father Gerard in attendance. | 0:14:32 | 0:14:35 | |
Brian has a mountain to climb, | 0:14:35 | 0:14:37 | |
if he can possibly get out of that chair. | 0:14:37 | 0:14:40 | |
-This has -you -written all over it. | 0:14:40 | 0:14:43 | |
-That's a 1920s photograph. -Yeah. | 0:14:43 | 0:14:47 | |
Of the ridge of the Allerhorn. And it's so easy to fall from there. | 0:14:47 | 0:14:51 | |
He will have used techniques where he uses his hand, both hands, that way. | 0:14:51 | 0:14:56 | |
And leaned his body over here, and gone against gravity like that. | 0:14:56 | 0:14:59 | |
Oddly enough, he'll have kept his boots in here. | 0:14:59 | 0:15:03 | |
But his whole body would be over here. | 0:15:03 | 0:15:05 | |
He'd be leaning back, leaning back, leaning back, | 0:15:05 | 0:15:08 | |
and holding with his hands like that. | 0:15:08 | 0:15:10 | |
It definitely looks pretty tricky. | 0:15:10 | 0:15:12 | |
Of course, Brian would be the man to know about climbing technique. | 0:15:12 | 0:15:16 | |
Let's see if he can reach a negotiation summit soon. | 0:15:16 | 0:15:21 | |
We should go for your lovely miner's lamp. 75. | 0:15:21 | 0:15:25 | |
But the last one I sold at auction was £45. | 0:15:25 | 0:15:30 | |
So the chances of us actually making any money are slim. | 0:15:30 | 0:15:34 | |
This is a mining area, so...they are high priced. That one could be 58. | 0:15:34 | 0:15:40 | |
-I think we'll take it. -Do you want to take that? -My soul feels it. | 0:15:40 | 0:15:44 | |
I think we've got a chance with the mountaineering picture. | 0:15:44 | 0:15:48 | |
-So £28 on that? -We can do that for 20 quid. -What about a tenner? | 0:15:48 | 0:15:51 | |
-Oh, I can't do that! -Why not? -There's 28 on it. | 0:15:51 | 0:15:54 | |
I'm such a baby when it comes to all this! | 0:15:54 | 0:15:58 | |
I'm an absolute, total coward. | 0:15:58 | 0:16:00 | |
-Well, you can always chin them, Brian. -They're very sweet. | 0:16:00 | 0:16:05 | |
They're very, very sweet. | 0:16:05 | 0:16:07 | |
However, even the suggestion of fisticuffs has seemingly worked. | 0:16:07 | 0:16:11 | |
So, it's £10 for the picture, and £58 for the Davy lamp. | 0:16:13 | 0:16:18 | |
I just hope there are no consequences. | 0:16:18 | 0:16:20 | |
Have you seen The House of Horrors? The film with Peter Cushing? | 0:16:20 | 0:16:24 | |
People come in, and they see things, and they don't pay the proper price for it. | 0:16:25 | 0:16:31 | |
And they go out, and each item they've bought | 0:16:31 | 0:16:36 | |
brings the most terrible kind of vengeance on them, and karma. | 0:16:36 | 0:16:39 | |
And they all die horribly. | 0:16:40 | 0:16:42 | |
-There's only one thing I would -love -to ask. | 0:16:46 | 0:16:48 | |
Do you have a toilet? | 0:16:48 | 0:16:51 | |
Thank you. | 0:16:51 | 0:16:53 | |
I'm not like the Queen - I have to go! | 0:16:53 | 0:16:56 | |
Well, I wouldn't want to be the man to try and stop you, Brian. | 0:16:56 | 0:16:59 | |
And with your first plucky purchases under your belt, | 0:16:59 | 0:17:04 | |
how does James fancy your chances? | 0:17:04 | 0:17:06 | |
Brian is hysterical. | 0:17:06 | 0:17:07 | |
You know, he's a wealth of experience, | 0:17:07 | 0:17:09 | |
and all that exploration is such fun. | 0:17:09 | 0:17:12 | |
And I think we'll do well. You know, | 0:17:12 | 0:17:15 | |
if I can keep him off the violence and the ginny, we're going to win! | 0:17:15 | 0:17:18 | |
I think it's too soon to tell, frankly. | 0:17:18 | 0:17:22 | |
We've all had a good first shop, haven't we? | 0:17:22 | 0:17:25 | |
And now it's time to swap about a bit. | 0:17:25 | 0:17:27 | |
-Oh no! -Hi, guys! How are you doing? | 0:17:27 | 0:17:30 | |
Brian's been sitting on the step holding court. | 0:17:30 | 0:17:32 | |
-And he's been talking... -Has he been doing anecdotes? | 0:17:32 | 0:17:35 | |
Yes... anecdotes?! | 0:17:35 | 0:17:37 | |
-You'll need to do stand-up in there. -Oh, don't put pressure on me! | 0:17:37 | 0:17:41 | |
-Don't feel pressurised! They'll win, they'll win. -Don't trust us. Don't trust us at all. | 0:17:41 | 0:17:47 | |
I don't trust them at all. She's very sweet and charming. | 0:17:47 | 0:17:50 | |
But she's a liar! | 0:17:50 | 0:17:51 | |
I can't let the Blessed win. | 0:17:51 | 0:17:54 | |
-You can't let the Blessed win? -No, no. | 0:17:54 | 0:17:57 | |
He's climbed Everest, he's been in Z-Cars. | 0:17:57 | 0:17:59 | |
He's already beaten me, on certain things. | 0:17:59 | 0:18:02 | |
-He's not going to win on this one. -Right. | 0:18:02 | 0:18:04 | |
Well, at least you're still on your feet and fighting, Jenny. | 0:18:04 | 0:18:09 | |
Brian, meanwhile, has found Colin's antique shop and, well - | 0:18:09 | 0:18:13 | |
another comfy chair. | 0:18:13 | 0:18:15 | |
Here you are, Brian. | 0:18:15 | 0:18:17 | |
Oh, look at that! Thank you very much. | 0:18:17 | 0:18:20 | |
I accept this. | 0:18:21 | 0:18:23 | |
I... I... | 0:18:23 | 0:18:25 | |
I want to thank my mother. | 0:18:25 | 0:18:28 | |
And my father, and my brother - and his wife. And all the family. | 0:18:28 | 0:18:32 | |
That's about as close as I'm going to get to an Oscar award, an Oscar! | 0:18:32 | 0:18:36 | |
Congratulations, Brian. | 0:18:36 | 0:18:38 | |
No, don't get up! | 0:18:38 | 0:18:40 | |
When you've all quite finished, | 0:18:40 | 0:18:43 | |
-please remember what we're -really -looking for here. | 0:18:43 | 0:18:47 | |
-Colin, where are your winners? -What are you looking for? -A profit! | 0:18:47 | 0:18:51 | |
What do you like? What do you want? | 0:18:51 | 0:18:53 | |
What about your sort of funny '30s display cabinet down here? | 0:18:53 | 0:18:57 | |
Yeah, we can have a good deal on that. | 0:18:57 | 0:18:59 | |
It's quite a nice item, that. | 0:18:59 | 0:19:01 | |
-Could we have an -outrageous -deal on that, Colin? | 0:19:01 | 0:19:05 | |
-Sort of...25 quid? -Oof! That -is -outrageous! | 0:19:05 | 0:19:09 | |
I've got to make a crust! 50 quid. | 0:19:09 | 0:19:12 | |
It's a bargain at that. | 0:19:12 | 0:19:13 | |
-It's lovely, isn't it? -Colin, what about 30 on that? | 0:19:13 | 0:19:18 | |
-Can I squeeze you a bit? -Meet you halfway - 40. -40? | 0:19:18 | 0:19:22 | |
You know you want it. | 0:19:22 | 0:19:25 | |
He certainly does. | 0:19:25 | 0:19:27 | |
But can James talk Brian into buying it? | 0:19:27 | 0:19:30 | |
I think it's quite a good buy, because it's a great shape. | 0:19:30 | 0:19:34 | |
And it's a great price at £40, I think. | 0:19:34 | 0:19:37 | |
-You got that for 40 quid? -Yeah. | 0:19:37 | 0:19:39 | |
I think it could easily make 100, 150. | 0:19:39 | 0:19:42 | |
Wow. I'm all for it. | 0:19:42 | 0:19:44 | |
-So we'd make a profit. -It's a bold idea. It's got a bold style. | 0:19:44 | 0:19:48 | |
-And Art deco, which I love... -Yeah, yes. | 0:19:48 | 0:19:51 | |
And it's coming back more and more. It's a find. Let's buy it. | 0:19:51 | 0:19:54 | |
-Let's buy it. -Good idea, Brian. Although you sort of took a back seat in the negotiations. | 0:19:54 | 0:20:01 | |
No, don't get up. | 0:20:01 | 0:20:02 | |
There you are, Brian. You can do the honours! | 0:20:02 | 0:20:06 | |
Still, the money keeps flowing. | 0:20:06 | 0:20:10 | |
And everyone's getting the antiques bug now. | 0:20:10 | 0:20:13 | |
I'm sniffing bargains. | 0:20:13 | 0:20:15 | |
-Are you? -God, I'm - yeah. My waters are running. Come on! | 0:20:15 | 0:20:19 | |
-Let's have a wee look at this. -Yeah, I can see something. | 0:20:19 | 0:20:23 | |
-You like that? -I -really -like it. | 0:20:23 | 0:20:25 | |
-I used to -be -a reclining nude. | 0:20:25 | 0:20:28 | |
I used to be a life model at Camberwell Art School. | 0:20:28 | 0:20:31 | |
-I've done that pose. -Did you enjoy that? | 0:20:31 | 0:20:33 | |
Well, I liked it when you were lying down, not standing up. | 0:20:33 | 0:20:36 | |
The hardest was when the leg starts to shake like that. | 0:20:36 | 0:20:39 | |
Starts to go a bit Shakin' Stevens. | 0:20:39 | 0:20:42 | |
Oh, that's very interesting. | 0:20:42 | 0:20:44 | |
So, we really fancy that strongly? But it all depends on the price. | 0:20:44 | 0:20:48 | |
Come on. | 0:20:48 | 0:20:50 | |
Jenny loves the reclining nude in the window. | 0:20:50 | 0:20:54 | |
-I think it's 1920s/30s Art deco. -Can I have a wee look at it? | 0:20:54 | 0:20:58 | |
Why not? | 0:20:58 | 0:21:00 | |
Art deco was all about elegance, modernity, and glamour. | 0:21:00 | 0:21:04 | |
Just look at all these succulent naked curves. | 0:21:04 | 0:21:09 | |
She's lovely but she's also £120. Time to get to work, Anita. | 0:21:09 | 0:21:12 | |
-So it's a model? A cast? -It's a ceramic. | 0:21:14 | 0:21:17 | |
It's in good condition. I don't think we've got any damage on it. We like it. | 0:21:17 | 0:21:22 | |
I mean, it's not a thing of high quality. | 0:21:22 | 0:21:25 | |
But it's an item which is expressing a time. | 0:21:25 | 0:21:29 | |
How much do you like it? | 0:21:29 | 0:21:32 | |
We like it £18 worth. | 0:21:32 | 0:21:34 | |
Oh, no, I suppose we would let it go for, what, 95, wouldn't we? | 0:21:34 | 0:21:39 | |
But that is really. That would be the absolute rock-bottom. Yes. | 0:21:39 | 0:21:46 | |
I might have to have a little lie-down, a little weep. | 0:21:46 | 0:21:48 | |
-It's taking her back. -Making me feel young again. | 0:21:48 | 0:21:51 | |
Making her feel young again. | 0:21:51 | 0:21:53 | |
Dearie me! These celebrities are really letting | 0:21:53 | 0:21:57 | |
their hearts rule their heads. There may just be trouble ahead. | 0:21:57 | 0:22:01 | |
Do you like this type of thing, highly coloured and it's Poole. | 0:22:01 | 0:22:06 | |
-I think that's Poole Pottery. -Is that '70s? -Yeah. | 0:22:06 | 0:22:09 | |
Poole Pottery hit its stride after World War II with popular | 0:22:09 | 0:22:14 | |
hand-painted ceramics and from the 1960s, designs and colours went wild | 0:22:14 | 0:22:19 | |
creating striking exotic beauties such as this one priced at £65. | 0:22:19 | 0:22:26 | |
This is talking to me more and more loudly. | 0:22:27 | 0:22:30 | |
Because it's a turtle or a tortoise? | 0:22:30 | 0:22:32 | |
-Yeah. -OK? -There's a picture emerging there. I like it. I do like it. | 0:22:32 | 0:22:36 | |
-So will we talk about these ones? -You can. I'm going to slink off. | 0:22:36 | 0:22:39 | |
This is, this I can't stand. OK. Do I have to? | 0:22:39 | 0:22:45 | |
This is a double act. | 0:22:45 | 0:22:47 | |
Now, a nice big smile at this point. | 0:22:47 | 0:22:49 | |
If we bought both of these things, Sean, could you give us | 0:22:51 | 0:22:56 | |
a better deal? | 0:22:56 | 0:22:58 | |
-We are not paying by credit card, what are we paying by? -Cash. -Cash? | 0:22:58 | 0:23:01 | |
Uh-huh. | 0:23:01 | 0:23:02 | |
Oh, cash! You've found a word Sean likes. Keep going. | 0:23:02 | 0:23:07 | |
Cash is king. | 0:23:07 | 0:23:10 | |
It certainly is. | 0:23:10 | 0:23:12 | |
Now, that's really the bottom line on that's 50 and this one would be £95. | 0:23:12 | 0:23:18 | |
-I only like it a bit. -You only like it a bit? | 0:23:18 | 0:23:24 | |
I'm trying my hardest. | 0:23:24 | 0:23:26 | |
-Jenny, you're doing very well. -Sean, how about 130 for the two? | 0:23:26 | 0:23:31 | |
Well, 135 and you've got a deal. | 0:23:31 | 0:23:35 | |
I think that we should go for that. | 0:23:35 | 0:23:38 | |
-Yes, I'm really happy. -I think so. | 0:23:38 | 0:23:41 | |
-Lovely boy. -Thank you very much. -Well done, everyone. -Good pickings. | 0:23:42 | 0:23:47 | |
I guess! Do you know, I can't help feeling our celebrities are taking | 0:23:47 | 0:23:51 | |
a bit of a back seat. | 0:23:51 | 0:23:53 | |
Especially Brian. | 0:23:53 | 0:23:55 | |
Luckily, it's time to go. The road trip is calling everyone to their cars. | 0:23:55 | 0:24:00 | |
If you'd like to keep to your side of the road. | 0:24:00 | 0:24:04 | |
Are you a back seat driver? | 0:24:04 | 0:24:05 | |
I'm a front seat driver and I'm feeling quite anxious. | 0:24:05 | 0:24:09 | |
Could you slow down, you maniac! | 0:24:09 | 0:24:11 | |
We're only going at 15 miles an hour and you're squeaking | 0:24:11 | 0:24:14 | |
and skwitching and squealing. | 0:24:14 | 0:24:16 | |
For God's sake, woman. Calm down! | 0:24:16 | 0:24:19 | |
Top Gear's got nothing like this. This is far superior to Top Gear. | 0:24:21 | 0:24:25 | |
They're very Nancy. They boob and scream! It sounds very sexual. | 0:24:25 | 0:24:30 | |
SCREAMING | 0:24:30 | 0:24:31 | |
-I find it very, very, very poofy. -Oh, I wouldn't say that. | 0:24:33 | 0:24:36 | |
But onwards we ride. | 0:24:36 | 0:24:39 | |
Celebrity and expert alike going 30 miles east from Cockermouth | 0:24:39 | 0:24:44 | |
to the intriguing estate of Hutton in the Forest. | 0:24:44 | 0:24:48 | |
I'm enjoying it without the roof. | 0:24:50 | 0:24:52 | |
I wonder if it would drive better without the engine? | 0:24:52 | 0:24:56 | |
It's been a frenetic and emotional morning | 0:24:56 | 0:25:00 | |
for Brian, bless him, so he's asked James for a little treat | 0:25:00 | 0:25:04 | |
here in a Hutton-in-the-Forest. | 0:25:04 | 0:25:06 | |
-Fantastic. -Amazing. | 0:25:08 | 0:25:10 | |
Hutton-in-the-Forest is an amazing cobbled together ancestral home | 0:25:12 | 0:25:16 | |
with tales of myth, murder and mayhem to reveal. | 0:25:16 | 0:25:21 | |
Valiant cultural defender and head tour guide, Edward, | 0:25:21 | 0:25:26 | |
is waiting to welcome our boys. | 0:25:26 | 0:25:29 | |
-Welcome to Hutton-in-the-Forest. -What's your name? -Edward. | 0:25:29 | 0:25:32 | |
-Hello, I'm James. -I'm the King from Blackadder. | 0:25:32 | 0:25:35 | |
Oh, right, I thought I'd seen you somewhere before. | 0:25:35 | 0:25:37 | |
-Did you see Edward, or eh? -Edward, yes. -Not Egbert? | 0:25:37 | 0:25:41 | |
-Not Egbert or... -So I can call you Enid? | 0:25:41 | 0:25:45 | |
As you wish, Brian. I'm sure Edward won't be offended. | 0:25:45 | 0:25:49 | |
Around this vast courtyard are five very different | 0:25:49 | 0:25:52 | |
periods of English housebuilding joined together | 0:25:52 | 0:25:55 | |
from Medieval to Tudor to Victorian. | 0:25:55 | 0:25:59 | |
This 1830s tower was the last edition from the famous | 0:25:59 | 0:26:04 | |
architect Anthony Salvin. | 0:26:04 | 0:26:07 | |
-Are we allowed in, Egbert?! -Yes. | 0:26:07 | 0:26:10 | |
Sorry, Edward. He's new. | 0:26:10 | 0:26:13 | |
Well, new to the Road Trip. | 0:26:13 | 0:26:16 | |
Strangely, this part of the world was, for centuries, | 0:26:16 | 0:26:20 | |
neither England nor Scotland in any real sense. | 0:26:20 | 0:26:24 | |
Feuding families robbed, plundered, built castles | 0:26:24 | 0:26:29 | |
and curried favour with both sides of the border. | 0:26:29 | 0:26:32 | |
The 13th century de Hoghton family savoured their ill-gotten gains | 0:26:32 | 0:26:35 | |
and built the defensive peel tower to built it all in. | 0:26:35 | 0:26:40 | |
Then found other intriguing ways to protect what they'd gained. | 0:26:42 | 0:26:47 | |
This end of Inglewood Forest was a royal hunting forest | 0:26:47 | 0:26:51 | |
so the animals would belong to the King. | 0:26:51 | 0:26:53 | |
To stop the poachers, we'd need quite a few of these. | 0:26:53 | 0:26:58 | |
-Oh, dear, you cannot believe that! -And so, this would be set. | 0:26:58 | 0:27:02 | |
Covered with leaves and grass. | 0:27:02 | 0:27:03 | |
And in the dusk, when the poachers do their stuff, | 0:27:03 | 0:27:06 | |
they would come in contact. | 0:27:06 | 0:27:08 | |
-Wow! -Wow. -Oh! God. | 0:27:08 | 0:27:13 | |
I mean, the state of your leg. | 0:27:13 | 0:27:15 | |
-That would break the leg, wouldn't it? -Yes, oh yes. | 0:27:15 | 0:27:19 | |
And there would be nobody passing. It would be a lonely part of forest. | 0:27:19 | 0:27:22 | |
So, blood poisoning, gangrene, | 0:27:22 | 0:27:25 | |
you wouldn't last very long afterwards. | 0:27:25 | 0:27:28 | |
What a ghastly contraption. | 0:27:29 | 0:27:31 | |
This was found in the surrounding grounds in the 1640s, | 0:27:31 | 0:27:36 | |
after the estate was sold from the de Hoghtons | 0:27:36 | 0:27:39 | |
to the Fletchers in 1605. | 0:27:39 | 0:27:42 | |
These devices would have been forged in their hundreds | 0:27:42 | 0:27:45 | |
and littered in the estate forests to catch the desperate and hungry. | 0:27:45 | 0:27:50 | |
A rather extreme method of preventing the locals from having game pie. What? | 0:27:50 | 0:27:55 | |
There would be so many starving people around the forests that the poachers would really be driven | 0:27:55 | 0:28:00 | |
to steal the king's animals. | 0:28:00 | 0:28:02 | |
Well, that sounds very good. Food. | 0:28:02 | 0:28:04 | |
I think it's time. Let's go off to one of the great big rooms | 0:28:04 | 0:28:08 | |
and have a wonderful big lunch! | 0:28:08 | 0:28:10 | |
-What do you say to that? -If only! -Woo hoo! | 0:28:10 | 0:28:13 | |
Later, Brian, later. | 0:28:13 | 0:28:16 | |
There's still more to see in this marvellous historical hodgepodge. | 0:28:16 | 0:28:20 | |
With many tales to tell here, but not all are necessarily true. | 0:28:21 | 0:28:27 | |
In these mythical surroundings, it's thought the Arthurian legend | 0:28:29 | 0:28:33 | |
of Sir Gawain and the Green Knight | 0:28:33 | 0:28:37 | |
took place where the Round Table regular met | 0:28:37 | 0:28:39 | |
his ultimate trial of chivalry and bravery against an immortal foe. | 0:28:39 | 0:28:44 | |
Well, there is the myth that this might have been | 0:28:44 | 0:28:47 | |
the Green Knight's castle from the days of King Arthur. | 0:28:47 | 0:28:50 | |
Gawain and the Green Knight? | 0:28:50 | 0:28:52 | |
Yes, but that's if you believe Carlisle was Camelot. | 0:28:52 | 0:28:55 | |
This castle was in an ancient forest, Inglewood Forest, | 0:28:55 | 0:28:58 | |
which stretched all the way from Penrith up to Carlisle. | 0:28:58 | 0:29:02 | |
It's in about the right relationship to Camelot if it was Carlisle. | 0:29:02 | 0:29:05 | |
Gosh. I think, if you wouldn't mind, Egbert? | 0:29:05 | 0:29:11 | |
-Edward! -Edward! | 0:29:11 | 0:29:12 | |
Yes, yes, yes, yes. Ethel! Show us a bit more, then. | 0:29:12 | 0:29:16 | |
Well done, Egbert. | 0:29:16 | 0:29:20 | |
-Apologies again, Edward. -What is this? | 0:29:20 | 0:29:24 | |
This is the Cupid's staircase. The Fletchers, owners of the house, | 0:29:24 | 0:29:27 | |
their coat of arms has got arrow heads on it. | 0:29:27 | 0:29:30 | |
Well, cupids have got arrows as well | 0:29:30 | 0:29:32 | |
so they used cupids as a decorative theme. | 0:29:32 | 0:29:35 | |
This is totally unrestrained. | 0:29:37 | 0:29:38 | |
It's got huge acanthus scrolls going on. | 0:29:38 | 0:29:41 | |
-Very chubby sort of Rubens-like cherubs, isn't it? -Yes. | 0:29:41 | 0:29:44 | |
Pink and fluffy and fat. | 0:29:44 | 0:29:46 | |
Cherubs are first mentioned in the bible as sword-wielding | 0:29:46 | 0:29:51 | |
defenders of heaven. | 0:29:51 | 0:29:53 | |
Possibly another threat to would-be thieves and poachers, eh? | 0:29:53 | 0:29:57 | |
However, some things are thankfully designed to be unthreatening. | 0:29:57 | 0:30:01 | |
-Do you know why classical figures were given small willies? -No. | 0:30:02 | 0:30:06 | |
So that they didn't detract from the whole sculpture. | 0:30:06 | 0:30:10 | |
Because it was felt that if they gave them large willies, | 0:30:10 | 0:30:14 | |
everybody would look at the willie! | 0:30:14 | 0:30:16 | |
A lot of men have lost confidence since that. | 0:30:16 | 0:30:18 | |
Because they all thought, "My chopper's bigger than that"! | 0:30:18 | 0:30:22 | |
Wonderful Hutton-in-the-Forest is a family home today. | 0:30:23 | 0:30:26 | |
Still owned by descendants of the Fletchers | 0:30:26 | 0:30:30 | |
and open to the visiting public. | 0:30:30 | 0:30:32 | |
Although I'm not entirely sure they'd allow | 0:30:32 | 0:30:34 | |
Brian Blessed a second visit. | 0:30:34 | 0:30:36 | |
Where are you, Edward?! It's time for dinner! | 0:30:36 | 0:30:41 | |
Cheswick! Fresh horses! | 0:30:41 | 0:30:45 | |
Bring me some horses! | 0:30:45 | 0:30:47 | |
(LAUGHS) | 0:30:47 | 0:30:49 | |
Oh, dear. Do you think it's time? | 0:30:49 | 0:30:52 | |
I think it's time to leave! | 0:30:52 | 0:30:55 | |
It certainly is. | 0:30:55 | 0:30:57 | |
The weather's closing in and Cumbria must provide shelter | 0:30:57 | 0:30:59 | |
for one and all. | 0:30:59 | 0:31:01 | |
Good night, road trippers. Good night, Egbert. | 0:31:01 | 0:31:05 | |
An ill-timed yawn from Brian wakes us all so it's straight back | 0:31:12 | 0:31:17 | |
in the cars for more adventure. | 0:31:17 | 0:31:20 | |
-James, have you had a good day? -Great day. | 0:31:20 | 0:31:23 | |
-I've managed to get in two words. -What were they? | 0:31:23 | 0:31:27 | |
I've always admired you, Jenny. | 0:31:27 | 0:31:30 | |
What I detect always in you, is there's this gravitas and stillness. | 0:31:30 | 0:31:35 | |
-Oh, wow, me? -Yes. -I've got such gravitas! -You do. | 0:31:35 | 0:31:39 | |
-Which I find fascinating. -So, tell me about your wife. | 0:31:39 | 0:31:43 | |
Ooh, enough of that! | 0:31:43 | 0:31:45 | |
So far then, Jenny "Cream Centered" Eclair, | 0:31:45 | 0:31:48 | |
fought her natural timidity to spend a healthy £300 on four items. | 0:31:48 | 0:31:52 | |
The fine optician's set, the cool 1980s TV, | 0:31:54 | 0:31:59 | |
the Art Deco reclining nude. | 0:31:59 | 0:32:02 | |
(COUGHS) Whoah! | 0:32:02 | 0:32:03 | |
-And the lovely Poole Pottery dish. -Thank you very much indeed. | 0:32:03 | 0:32:08 | |
Jenny and Anita have £100 left to fight on with. | 0:32:09 | 0:32:12 | |
You go to your brutal Glaswegian mode | 0:32:13 | 0:32:17 | |
and just beat him down and beat him down. | 0:32:17 | 0:32:20 | |
-But I'm not as bad as some people. -True enough. | 0:32:21 | 0:32:26 | |
Brian "Mad Dog" Blessed | 0:32:26 | 0:32:28 | |
just made it into the shops and into a few comfy chairs | 0:32:28 | 0:32:31 | |
but still spent £108 on three items. | 0:32:31 | 0:32:35 | |
The '30s mining lamp, | 0:32:36 | 0:32:38 | |
the heroic mountaineering photograph | 0:32:38 | 0:32:40 | |
and the handsome Art Deco cabinet. | 0:32:40 | 0:32:43 | |
Brian and James begin day two sky-high with £292. | 0:32:45 | 0:32:51 | |
No end to my talents. And I'm not remotely vain. | 0:32:51 | 0:32:55 | |
Look at that view! I've got to get my camera out, I'm afraid. | 0:32:58 | 0:33:01 | |
It would be nice if you could see it. | 0:33:01 | 0:33:05 | |
Hutton-in-the-Forest has been lost in the mist, | 0:33:05 | 0:33:08 | |
consigned to myth as we head southeast along the open road | 0:33:08 | 0:33:13 | |
to lovely Penrith. | 0:33:13 | 0:33:14 | |
I must say, there is quite a lot of heat coming off this engine. | 0:33:18 | 0:33:22 | |
There's that much heat, we're going to be rare cooked! | 0:33:22 | 0:33:25 | |
It's the best ride I've had in years! | 0:33:25 | 0:33:27 | |
These shopping moments will fast be behind us | 0:33:30 | 0:33:33 | |
so make haste to the nearest antiques purveyor forthwith. | 0:33:33 | 0:33:39 | |
-Make haste. -Make haste. -Make haste! That's a nice table. | 0:33:39 | 0:33:43 | |
And who is that good lady hiding in the corner? Is that a ghost? | 0:33:43 | 0:33:46 | |
Be not shy! Come here, for...! | 0:33:46 | 0:33:49 | |
For God's sake, darling! She's lovely. | 0:33:49 | 0:33:55 | |
She's glamorous. This is a... | 0:33:55 | 0:33:57 | |
It's why I like doing programmes like this. | 0:33:57 | 0:34:00 | |
Because you can get all the glamorous ladies. | 0:34:00 | 0:34:03 | |
I love kissing ladies. | 0:34:03 | 0:34:04 | |
Clearly. | 0:34:06 | 0:34:07 | |
But you might consider if they really, really, really, | 0:34:07 | 0:34:10 | |
want a big, wet, sloppy, hairy kiss, Brian. | 0:34:10 | 0:34:12 | |
So, please keep a safe distance from lovely, helpful Sylvia here. | 0:34:12 | 0:34:18 | |
Are you a fisherman? It's a fish set. I think it's lovely. | 0:34:19 | 0:34:25 | |
-It's so unusual. -Absolutely fantastic. | 0:34:25 | 0:34:28 | |
-I've never seen anything like them. -It came from a lady | 0:34:28 | 0:34:31 | |
that used to cook for the Fish Marketing Board. | 0:34:31 | 0:34:35 | |
But you've got to find room for that, haven't you? | 0:34:35 | 0:34:37 | |
You cannot move for fishermen while...their carp. | 0:34:37 | 0:34:40 | |
I've bred koi carp all my life, but I think that that could be an ace. | 0:34:40 | 0:34:46 | |
Our winner? | 0:34:46 | 0:34:47 | |
80% of people who have gardens have koi in the garden. | 0:34:47 | 0:34:52 | |
Mmmm. I'm not sure that's right. | 0:34:52 | 0:34:55 | |
Maybe 80% of people who have ponds in their garden have koi carp. | 0:34:56 | 0:35:02 | |
However, fish and fishing are massive in Britain. | 0:35:03 | 0:35:07 | |
Could Brian be talking James into a shrewd investment here? | 0:35:07 | 0:35:11 | |
-Fishing, isn't it the largest hobby in the UK? -Absolutely. | 0:35:11 | 0:35:16 | |
-It appeals to the soul of the British fisherman. -Ah, ha, ha, sole! | 0:35:16 | 0:35:22 | |
Anyone? No. | 0:35:22 | 0:35:23 | |
What do you think we should offer her, Brian? | 0:35:23 | 0:35:26 | |
Well you're the expert. I'm hopeless at striking a bargain. | 0:35:26 | 0:35:29 | |
-I'm a coward. -Sylvia, how much for all this lot? | 0:35:29 | 0:35:34 | |
-They're £95, aren't they? So, £70 for all that. -What about 50? Sylvia? | 0:35:34 | 0:35:39 | |
60, I'll meet you halfway and that's my last bid. | 0:35:39 | 0:35:42 | |
-That's really... -You get a lot for your money. | 0:35:42 | 0:35:45 | |
-You really do. -You've got a bargain. | 0:35:45 | 0:35:47 | |
-I think that's awfully good. -And it's very unusual. | 0:35:47 | 0:35:50 | |
-Shake the lady's hand, Brian. -Goodness me! And a kiss! | 0:35:50 | 0:35:53 | |
Give it all for the camera! Come here. | 0:35:53 | 0:35:57 | |
-Oh! A whiskery kiss! -That's why I'm doing the programme. | 0:35:57 | 0:36:00 | |
Sorry, Sylvia, you'll recover, eventually. | 0:36:02 | 0:36:05 | |
On a positive note, our boys have seized the day. Carpe diem, Brian. | 0:36:06 | 0:36:12 | |
Jenny and Anita, however, frankly, they've just stopped shopping. | 0:36:14 | 0:36:18 | |
No brakes! | 0:36:18 | 0:36:20 | |
Who do they think they are, eh? | 0:36:20 | 0:36:23 | |
I would have enjoyed buying things more if I was buying for me. | 0:36:23 | 0:36:26 | |
I like buying things. | 0:36:26 | 0:36:28 | |
Do you want them, do you lust after material objects? | 0:36:28 | 0:36:30 | |
I have that London thing of wanting stuff. Buying it, then feeling sick. | 0:36:30 | 0:36:34 | |
So you go from extremes to extremes? | 0:36:34 | 0:36:38 | |
What you're doing just now is extreme antique hunting. | 0:36:38 | 0:36:42 | |
-Not touristy taking photographs. -I'm a tourist! | 0:36:42 | 0:36:46 | |
So long, rainswept Penrith. See you in our dreams. | 0:36:46 | 0:36:50 | |
This fine road tripping escapade continues, | 0:36:52 | 0:36:55 | |
lurching southwesterly to lovely, lovely Hawkshead. | 0:36:55 | 0:37:00 | |
In fact, our ladies have not only selfishly shirked their | 0:37:02 | 0:37:07 | |
shopping duties, they're actually en route to their own little treat. | 0:37:07 | 0:37:11 | |
Unbelievable, isn't it? | 0:37:11 | 0:37:14 | |
What a shame, that weather. What a crying shame. | 0:37:14 | 0:37:18 | |
All those families | 0:37:18 | 0:37:20 | |
having holidays at home, all stuck in playing Monopoly. | 0:37:20 | 0:37:23 | |
Screaming at each other. Children misbehaving. | 0:37:23 | 0:37:26 | |
Stuffing their faces full of sweeties to keep them quiet | 0:37:26 | 0:37:29 | |
and then they're sick. | 0:37:29 | 0:37:30 | |
Well, what a cheerful travelling pair you are! | 0:37:30 | 0:37:34 | |
Beautiful scenery surrounds the now world-famous Hill Top House. | 0:37:38 | 0:37:42 | |
Not just a home, but once a source of great inspiration | 0:37:42 | 0:37:46 | |
for the famous Potter of children's literature. | 0:37:46 | 0:37:49 | |
No, not him! Beatrix Potter. | 0:37:49 | 0:37:52 | |
Jenny and Anita are heading for a world of imagination, | 0:37:55 | 0:37:59 | |
of well-mannered, well-dressed woodland creatures | 0:37:59 | 0:38:03 | |
who've been loved by successive generations of young readers. | 0:38:03 | 0:38:08 | |
-Hello. -Hello. -Hello, I'm Anita. And this is Jenny. -Hello. | 0:38:08 | 0:38:13 | |
Hello, nice to meet you. | 0:38:13 | 0:38:14 | |
Would you like to come and have a look round Beatrix Potter's house? | 0:38:14 | 0:38:17 | |
-I would love to. -Very much. | 0:38:17 | 0:38:19 | |
-Can we leave our brollies here? -Absolutely. | 0:38:19 | 0:38:22 | |
Beatrix Potter bought Hill Top House, | 0:38:22 | 0:38:25 | |
moving her life here from London in 1905, | 0:38:25 | 0:38:28 | |
after the success of her first published books - | 0:38:28 | 0:38:33 | |
The Tale Of Peter Rabbit, The Tale Of Benjamin Bunny, | 0:38:33 | 0:38:36 | |
and The Tale Of Two Bad Mice. | 0:38:36 | 0:38:38 | |
In all, Beatrix produced 23 successful, well-loved books | 0:38:40 | 0:38:44 | |
between 1902 and 1930. | 0:38:44 | 0:38:48 | |
Today, Liz works here as the house and collections manager. | 0:38:48 | 0:38:52 | |
So this is the kitchen which is probably the most well-known | 0:38:52 | 0:38:56 | |
room in the house. | 0:38:56 | 0:38:58 | |
In terms of the Beatrix Potter stories, it features in quite a few. | 0:38:58 | 0:39:02 | |
So, The Tale Of Samuel Whiskers, | 0:39:02 | 0:39:04 | |
Anna Maria runs along here to get to her rat hole. | 0:39:04 | 0:39:06 | |
THEY LAUGH | 0:39:06 | 0:39:08 | |
-Is the rat hole still there? -It's still there, that's right. | 0:39:08 | 0:39:12 | |
We've also got the range that Tom Kitten disappears up | 0:39:12 | 0:39:15 | |
-when he's escaping from his mother. -Isn't that lovely? | 0:39:15 | 0:39:18 | |
These tales were unusual for their time. | 0:39:18 | 0:39:22 | |
Self-illustrated with skills learned from a solitary childhood. | 0:39:22 | 0:39:26 | |
Beatrix was educated at home, away from other children | 0:39:27 | 0:39:32 | |
and with an over-protective mother terrified of London's germs. | 0:39:32 | 0:39:36 | |
Fresh-aired family holidays here in the Lake District | 0:39:36 | 0:39:41 | |
provided further inspiration. | 0:39:41 | 0:39:43 | |
Behind us here, we can also see some of the trivets that Beatrix painted | 0:39:43 | 0:39:49 | |
using Victorian books which instructed you on how to draw | 0:39:49 | 0:39:54 | |
-as the inspiration. -What age would she have been, Liz? | 0:39:54 | 0:39:57 | |
-She was just 14 when she produced these. -She's got a natural talent. | 0:39:57 | 0:40:01 | |
But there is technique in there as well. | 0:40:01 | 0:40:03 | |
The technique came from just hours and days and weeks of practice. | 0:40:03 | 0:40:08 | |
Being left to get on with it, really. | 0:40:08 | 0:40:11 | |
She said, she was so glad that she didn't have any more instruction | 0:40:11 | 0:40:15 | |
because she thought it would have rubbed off the originality. | 0:40:15 | 0:40:19 | |
Great success would follow years after these first illustrations, | 0:40:19 | 0:40:23 | |
with most of Beatrix Potter's books | 0:40:23 | 0:40:26 | |
written or completed around Hill Top House. | 0:40:26 | 0:40:28 | |
We've got this wonderful bureau bookcase here. | 0:40:30 | 0:40:33 | |
Another bureau here and another little writing desk. | 0:40:33 | 0:40:37 | |
She's totting up how much all this is worth! | 0:40:37 | 0:40:40 | |
-Did she write in this room, Liz? -Absolutely, she did. | 0:40:40 | 0:40:43 | |
And we know that because one of the illustrations from | 0:40:43 | 0:40:45 | |
The Tail Of Samuel Whiskers actually features | 0:40:45 | 0:40:48 | |
the view from this window. | 0:40:48 | 0:40:51 | |
Beatrix Potter's first tales came from an unlikely combination | 0:40:51 | 0:40:54 | |
of bad weather, a lack of news and a poorly penpal. | 0:40:54 | 0:40:58 | |
An almost accidental foray into literature. | 0:41:00 | 0:41:04 | |
A copy of the original source material is here | 0:41:04 | 0:41:07 | |
for all visitors to read, bespectacled or otherwise. | 0:41:07 | 0:41:12 | |
"My dear Noel, I don't know what to write to you, | 0:41:12 | 0:41:15 | |
"so I will tell you a story about four little rabbits whose names are..." | 0:41:15 | 0:41:22 | |
-And we've got...the drawing. -Flopsy, Mopsy, Cotton-tail and Peter. | 0:41:22 | 0:41:27 | |
-There. -So this is how it all started off. -That's right. | 0:41:27 | 0:41:31 | |
Who's Noel? | 0:41:31 | 0:41:32 | |
Noel was the son of her last governess and he was suffering from | 0:41:32 | 0:41:36 | |
polio and was in bed, she wanted to write to him, but on this particular | 0:41:36 | 0:41:42 | |
day it was raining which is why she didn't know what to write to him. | 0:41:42 | 0:41:45 | |
And it wasn't until quite a few years later that she borrowed | 0:41:45 | 0:41:48 | |
the letter back to copy it. | 0:41:48 | 0:41:49 | |
Gave Noel his original, and from her copy | 0:41:49 | 0:41:52 | |
she wrote the manuscript for The Tale Of Peter Rabbit. | 0:41:52 | 0:41:55 | |
In this first literary outing, Peter Rabbit | 0:41:55 | 0:41:59 | |
and his sisters sport human attire in their make-believe world. | 0:41:59 | 0:42:03 | |
Mother has banned them from playing next door in Mr McGregor's | 0:42:03 | 0:42:07 | |
garden following their father's bad luck | 0:42:07 | 0:42:10 | |
and untimely inclusion in Mr McGregor's savoury pie. | 0:42:10 | 0:42:14 | |
Harsh for the times they lived in. | 0:42:16 | 0:42:18 | |
"They lived with their mother in a sandbank under the roof of a... | 0:42:18 | 0:42:22 | |
-"Big fir tree." -Was that 1893? | 0:42:22 | 0:42:25 | |
Must be, it can't be 1993. | 0:42:25 | 0:42:27 | |
That's Harry Potter! | 0:42:29 | 0:42:31 | |
-Don't forget your brolly. -That was great. Right, into the rain! | 0:42:32 | 0:42:37 | |
Alluding Mr McGregor's crosshairs, | 0:42:37 | 0:42:39 | |
our road trip bunnies hurry to the car. | 0:42:39 | 0:42:43 | |
A savoury end in sight as it's finally time for Brian and Jenny's | 0:42:43 | 0:42:48 | |
-tales of antique shopping. -And now... | 0:42:48 | 0:42:52 | |
DRUMROLL | 0:42:52 | 0:42:54 | |
-Da-ra! -Wow! | 0:42:54 | 0:42:57 | |
I just thought, you know | 0:42:57 | 0:42:59 | |
there are all these gastropubs now that have nick-nacks hanging around? | 0:42:59 | 0:43:02 | |
-Yeah. -I thought maybe somebody would have one called The Optician that could buy this. | 0:43:02 | 0:43:07 | |
It's original, it's visionary, it's imaginative. | 0:43:07 | 0:43:11 | |
And though I profoundly would want to hate you. That's a piece of magic. | 0:43:11 | 0:43:15 | |
A compliment of sorts from the miner's son. | 0:43:15 | 0:43:19 | |
My father worked at Hickleton Main which is one of the | 0:43:19 | 0:43:21 | |
biggest pits in Yorkshire. | 0:43:21 | 0:43:23 | |
And my father was down there with a Davy lamp and he did sense | 0:43:23 | 0:43:27 | |
the air was very bad and he told them all to lie flat on their faces. | 0:43:27 | 0:43:31 | |
If they had not, these 300 miners would have all died instantly. | 0:43:31 | 0:43:35 | |
You die instantly from gas. | 0:43:35 | 0:43:37 | |
And it cost the Coal Board an awful lot of money | 0:43:37 | 0:43:40 | |
but saved many lives. | 0:43:40 | 0:43:41 | |
The Hickleton Main colliery discovered the vast | 0:43:41 | 0:43:44 | |
Barnsley seam in 1894, where Brian's father worked, | 0:43:44 | 0:43:49 | |
unearthing large quantities of coal for Britain | 0:43:49 | 0:43:52 | |
until it closed for good in 1970. | 0:43:52 | 0:43:56 | |
It's part of social history and I think that these things | 0:43:56 | 0:43:59 | |
are very important to remind us of what these guys did. | 0:43:59 | 0:44:04 | |
Oh, a telly! | 0:44:04 | 0:44:07 | |
It's not just an ordinary TV. | 0:44:07 | 0:44:09 | |
It's a Sputnik television. It's called Discovery, isn't it? | 0:44:09 | 0:44:12 | |
It's made to look like a spaceman's helmet. | 0:44:12 | 0:44:16 | |
You could buy a pub, a gastropub, called The Astronaut! | 0:44:16 | 0:44:21 | |
But you'd have that sitting in the corner. | 0:44:21 | 0:44:23 | |
I think we're being outclassed. | 0:44:23 | 0:44:25 | |
I just, I just think that's a divine choice. | 0:44:25 | 0:44:29 | |
That's Hermann Buhl. | 0:44:29 | 0:44:31 | |
Rankles with Messner and Doug Scott and with | 0:44:31 | 0:44:36 | |
Mallory as one of the greatest climbers ever. | 0:44:36 | 0:44:38 | |
How do you know that's Hermann Buhl? It says Viceless. | 0:44:38 | 0:44:42 | |
No, no, that's just the photographer. | 0:44:42 | 0:44:44 | |
I've never heard so much "Buhl" in all my life! | 0:44:44 | 0:44:47 | |
No, no, Jenny, this was meant for Brian to buy. | 0:44:47 | 0:44:52 | |
For Brian's sake, let's hope this is Hermann Buhl. | 0:44:53 | 0:44:57 | |
That legendary climber and Blessed kindred spirit. | 0:44:57 | 0:45:01 | |
Buhl achieved great fame for his pioneering style. | 0:45:01 | 0:45:04 | |
His 1953 ascent of the Himalayan Nanga Parbat peak is still | 0:45:04 | 0:45:10 | |
considered one of the greatest climbs of all time. | 0:45:10 | 0:45:14 | |
If you want to have a wee look at a bonnie lassie. | 0:45:14 | 0:45:18 | |
What we have is a very beautiful 1930s Art Deco nude | 0:45:20 | 0:45:25 | |
and Jenny loved this | 0:45:25 | 0:45:26 | |
because she was a live model at Camberwell Art School. | 0:45:26 | 0:45:31 | |
-Right. -Not in the '30s! | 0:45:31 | 0:45:33 | |
-Cheeky! -And we think that sex sells. | 0:45:33 | 0:45:37 | |
I agree. | 0:45:37 | 0:45:40 | |
-However, let's try and raise the tone, shall we? -Do you like it? | 0:45:40 | 0:45:45 | |
Oh yes, I'm sorry, I really like it. There's a shelf missing! | 0:45:45 | 0:45:49 | |
-Yeah, no, we have the shelf. -Ah! | 0:45:49 | 0:45:52 | |
I'm going to guess you paid about 300 quid for it. | 0:45:53 | 0:45:58 | |
How much did we pay for it? I've forgotten. Five quid? What was it? | 0:45:58 | 0:46:02 | |
40. | 0:46:02 | 0:46:03 | |
-£40. -She's feeling sick. She's crying. -You mustn't, Jenny. | 0:46:03 | 0:46:08 | |
I don't really want to play this game any more. | 0:46:08 | 0:46:11 | |
-I know we've got one more item to show you. -That's lovely. | 0:46:11 | 0:46:15 | |
-Bull's blood. -James will know what this is worth. | 0:46:15 | 0:46:19 | |
Did you pay £22 for that? | 0:46:19 | 0:46:23 | |
-Sorry, have I been really mean? -Quite rude, actually! | 0:46:23 | 0:46:26 | |
It's like going round someone's house and saying, | 0:46:26 | 0:46:29 | |
"Oh, look at that table, what did you buy that for, five pounds or something?" | 0:46:29 | 0:46:33 | |
-We paid £45 for it. -£45? -Ah, but it's great. -I was jesting with you. | 0:46:33 | 0:46:39 | |
A well-timed backtrack, James. Best not to swim against the tide. | 0:46:39 | 0:46:44 | |
-Fishy, fishy, fishy, swimmy, swimmy. -They're all carp, you see? | 0:46:44 | 0:46:50 | |
And there's a whole dinner set and tea set. | 0:46:50 | 0:46:52 | |
But 80% of people in this country are now mad on carp. | 0:46:52 | 0:46:56 | |
Hold on, 80% of people in this country are mad on carp? | 0:46:56 | 0:47:00 | |
No, no, it's huge! | 0:47:00 | 0:47:02 | |
That still doesn't sound quite right, does it? 80%? | 0:47:02 | 0:47:06 | |
(MAKES POPPING NOISE) | 0:47:06 | 0:47:08 | |
Still, enough of what I think. What do they think? | 0:47:08 | 0:47:12 | |
I love the ladies. | 0:47:12 | 0:47:14 | |
-And they started very strongly. -They did. | 0:47:14 | 0:47:16 | |
And they thought they were doing so well. | 0:47:16 | 0:47:18 | |
But gradually, it got less and less, didn't it? | 0:47:18 | 0:47:21 | |
They didn't reckon with Hermann Buhl. | 0:47:21 | 0:47:23 | |
They've got a black and white snap in a grotty little frame. | 0:47:23 | 0:47:28 | |
It might be Buhl! | 0:47:28 | 0:47:30 | |
She'll go to bed tonight cursing Hermann Buhl. | 0:47:31 | 0:47:34 | |
She'll wake up during the night going, "Hermann Buhl. | 0:47:34 | 0:47:37 | |
"Hermann Buhl, Hermann Buhl!" | 0:47:37 | 0:47:40 | |
Know what my biggest nightmare is? | 0:47:40 | 0:47:42 | |
If that hideous carp dinner service pulled more money in | 0:47:42 | 0:47:46 | |
than our beautiful reclining nude. | 0:47:46 | 0:47:48 | |
Jenny has taken it to heart. | 0:47:48 | 0:47:50 | |
She will end up like Edward was, in that manner. Edward! | 0:47:50 | 0:47:57 | |
She's going to end up not knowing whether she is Egbert, Ethel, | 0:47:57 | 0:48:01 | |
Enid, Blackadder or Black-udder. | 0:48:01 | 0:48:04 | |
Actually, I think we are all quite discombobulated after that. | 0:48:07 | 0:48:12 | |
Whatever that means. | 0:48:12 | 0:48:13 | |
So let's distract ourselves with another blast on the open road. | 0:48:13 | 0:48:17 | |
Here comes your big task. A hump-backed bridge. | 0:48:17 | 0:48:19 | |
-Hump-backed bridge! -Keep it in second gear. In second. | 0:48:19 | 0:48:22 | |
-I'm not going into third. -That's it. That's it. -Room for one, coming over. | 0:48:22 | 0:48:27 | |
That's it. You're doing fine. | 0:48:27 | 0:48:30 | |
The many pleasures of Cumbria are far behind us now. | 0:48:30 | 0:48:35 | |
As destiny approaches, | 0:48:36 | 0:48:37 | |
the road trip heads 101 miles due south to Cheshire's own Runcorn. | 0:48:37 | 0:48:43 | |
Auction day is once more upon us | 0:48:43 | 0:48:45 | |
and all eyes turn to the fate of celebrity antique shoppers. | 0:48:45 | 0:48:49 | |
We have got an adventure ahead of us, Brian. We've got the auction. | 0:48:50 | 0:48:55 | |
Yes, I've never been to an auction. | 0:48:55 | 0:48:57 | |
Well, I don't think I have, when I think about it! | 0:48:57 | 0:49:00 | |
I don't know what to expect. | 0:49:00 | 0:49:01 | |
Here we come, Runcorn! | 0:49:01 | 0:49:03 | |
This is lovely, isn't it? Open-top motoring at its finest. | 0:49:06 | 0:49:10 | |
Here we are, we're following you! | 0:49:10 | 0:49:12 | |
-Stop! -Brian can't wait to get out. I don't know why! | 0:49:12 | 0:49:16 | |
Let's do it when it's raining! They made us do it in the rain. | 0:49:16 | 0:49:20 | |
Runcorn's auction centre has been selling antiques | 0:49:21 | 0:49:25 | |
and collectables since 2006. | 0:49:25 | 0:49:27 | |
Today's auctioneer is Michael Bain with his own thoughts on Brian | 0:49:28 | 0:49:32 | |
and Jenny's best offerings. | 0:49:32 | 0:49:34 | |
Well, the ophthalmic set, | 0:49:34 | 0:49:36 | |
they could sell for anywhere between 50 on a bad day, 200 on a good day. | 0:49:36 | 0:49:40 | |
Let's hope it's a good day today. | 0:49:40 | 0:49:42 | |
Brian's bought an interesting mountaineering lot. | 0:49:42 | 0:49:45 | |
I do know that Brian takes an interest in mountaineering. | 0:49:45 | 0:49:48 | |
Yes, I think that's got chances as well. | 0:49:48 | 0:49:50 | |
If you're asking me who's going to win today, | 0:49:50 | 0:49:53 | |
I think it's a day for the ladies. But that's just my opinion. | 0:49:53 | 0:49:56 | |
Well, there's optimism for you! | 0:49:56 | 0:49:59 | |
Bread and butter. Calm down. | 0:49:59 | 0:50:02 | |
Our celebrities began with £400 each. | 0:50:02 | 0:50:04 | |
Jenny and Anita shopped with great passion, spending £300 on four lots. | 0:50:05 | 0:50:10 | |
-Hello! -Hey! | 0:50:11 | 0:50:13 | |
Brian and James shopped with great, um, gusto?! | 0:50:13 | 0:50:18 | |
And many a tale to tell. But only spent £168. | 0:50:20 | 0:50:24 | |
Also on four auction lots. | 0:50:24 | 0:50:27 | |
Give us a kiss! | 0:50:27 | 0:50:29 | |
So, hold fast, man the barricades and prepare for glory. | 0:50:30 | 0:50:34 | |
The auction is about to begin. | 0:50:34 | 0:50:36 | |
And up first, the mining lamp that's dear to Brian's heart. | 0:50:36 | 0:50:40 | |
However, there's actually a few of them on sale today. | 0:50:40 | 0:50:44 | |
What could be done to make yours special? | 0:50:44 | 0:50:48 | |
Oh, that's mine! My father was a coal miner in Yorkshire. | 0:50:48 | 0:50:51 | |
-So was his mother! -So was me mother! | 0:50:51 | 0:50:54 | |
My father, using that lamp, closed the Barnsley seam, saving 300 lives. | 0:50:54 | 0:51:00 | |
Well, it wasn't actually THAT lamp, was it, Brian? | 0:51:00 | 0:51:03 | |
I think it's overrated, the truth. Who wants the truth? Tell me lies! | 0:51:03 | 0:51:07 | |
Tell me I'm handsome, tell me I'm sexy! | 0:51:07 | 0:51:10 | |
OK, Brian, you're very... | 0:51:10 | 0:51:12 | |
Oh, get on with it. | 0:51:12 | 0:51:14 | |
A first-class provenance goes with this lamp. | 0:51:14 | 0:51:16 | |
So I can start this off at... £28 on commission with me. | 0:51:16 | 0:51:21 | |
Where's the 30 on the net? | 0:51:21 | 0:51:22 | |
-30...30 on the net. -BRIAN: Oh, brilliant. | 0:51:22 | 0:51:25 | |
Come on, me old sons! Come on, lovelies! | 0:51:25 | 0:51:28 | |
The internet... | 0:51:28 | 0:51:30 | |
Otherwise I'll subject you to more vocal power! | 0:51:30 | 0:51:33 | |
Boy! | 0:51:33 | 0:51:35 | |
Don't feel pressurised. | 0:51:35 | 0:51:37 | |
The bid is on commission at £30. | 0:51:37 | 0:51:39 | |
It's 32 now on the internet. The hammer goes down at 32, then. | 0:51:39 | 0:51:42 | |
-Brian, I think that could have been a lot worse. -It could. | 0:51:42 | 0:51:46 | |
Sadly, this happens when your heart rules your head. | 0:51:46 | 0:51:50 | |
Now, for Brian and James's sake, let's hope that there are at least | 0:51:51 | 0:51:55 | |
two people from the alleged 80% of nationwide carp lovers here today. | 0:51:55 | 0:52:00 | |
This one is a rather nice one, not at all tacky. | 0:52:00 | 0:52:03 | |
JENNY LAUGHS | 0:52:03 | 0:52:05 | |
It's absolutely bloody marvellous! | 0:52:05 | 0:52:08 | |
Do you want to start at 20? | 0:52:08 | 0:52:09 | |
20 I've got, 22 at the front. 22 at the front. 25. | 0:52:09 | 0:52:13 | |
28. 30. 32. | 0:52:13 | 0:52:17 | |
-There's lots of pieces, it's wonderful! -There's 7,000 pieces. | 0:52:17 | 0:52:21 | |
-At 35. -LAUGHTER | 0:52:21 | 0:52:23 | |
£35 for the lady. | 0:52:23 | 0:52:26 | |
-Don't worry, Brian, we're only 50 down. -We're only 50 down. | 0:52:26 | 0:52:30 | |
That's the spirit. Now for Jenny and Anita's retro TV. | 0:52:31 | 0:52:36 | |
-It's demanding our full attention, look. -Oh, here we go! | 0:52:36 | 0:52:40 | |
Ladies and gentlemen, let's all sit up in our chairs now. | 0:52:40 | 0:52:44 | |
I can start this off at £80 with me. | 0:52:44 | 0:52:47 | |
-Yes! Yes! Come on! -80 I've got, and 85 comes next. | 0:52:47 | 0:52:51 | |
85 in the gallery. 90 still with me. | 0:52:51 | 0:52:54 | |
Look at this! The success has gone to her head! > | 0:52:54 | 0:52:57 | |
-Oh, God, no! -Oh, yes! | 0:52:57 | 0:52:59 | |
Thank you very much! | 0:52:59 | 0:53:01 | |
Fantastic. Double money for the girls, | 0:53:01 | 0:53:04 | |
and they've shot into an early lead. | 0:53:04 | 0:53:06 | |
Whilst their Poole Pottery stunner waits in the wings. | 0:53:06 | 0:53:10 | |
Fingers crossed. | 0:53:10 | 0:53:12 | |
This is a lovely piece. This is a lovely piece, everybody. | 0:53:12 | 0:53:15 | |
22. 25. 28. | 0:53:15 | 0:53:17 | |
Yes? 30. 30 there. 32. | 0:53:17 | 0:53:21 | |
35. Do you want to go back in? | 0:53:21 | 0:53:23 | |
No, it's 32 with the young gentleman. | 0:53:23 | 0:53:25 | |
Goodness. | 0:53:25 | 0:53:26 | |
Either I'm getting older or these auction bidders are getting younger. | 0:53:26 | 0:53:30 | |
£38. All done at 38? | 0:53:30 | 0:53:33 | |
-You did all right, girls! -You did all right, girls. | 0:53:33 | 0:53:36 | |
-That was lovely! -We've lost two quid on that! | 0:53:36 | 0:53:39 | |
Actually, you've lost £7. | 0:53:39 | 0:53:42 | |
These young bidders, they're not very generous. | 0:53:42 | 0:53:45 | |
And, if anyone else wants a nice gift for their nan, | 0:53:45 | 0:53:49 | |
Brian and James's lovely Art Deco cabinet is up next. | 0:53:49 | 0:53:54 | |
50 bid. 50 I've got. Thank you, sir. 55 comes next. | 0:53:54 | 0:53:57 | |
55. 60. £60 I have. | 0:53:57 | 0:54:00 | |
-It's a steal! -All done at 60? > | 0:54:00 | 0:54:01 | |
And I sell at £60, all done? | 0:54:01 | 0:54:04 | |
-Oh, useless. -You still made, you still made. You've made £20. | 0:54:04 | 0:54:09 | |
-But we've lost 50 already. -But we've lost 15,000 quid on the other things. | 0:54:09 | 0:54:13 | |
If I can just remind everyone, there are no prizes today for moaning. | 0:54:13 | 0:54:18 | |
So, chin up, and let's get to the lads' last lot today. | 0:54:18 | 0:54:23 | |
I'm afraid it's down to Hermann Buhl. He'll save the day. | 0:54:23 | 0:54:26 | |
Assuming, of course, that that is Hermann Buhl in the picture. | 0:54:26 | 0:54:31 | |
You can be a bit economical with the truth, Brian. | 0:54:31 | 0:54:35 | |
20 bid, thank you, sir. £20 I've got, and 22 comes next. | 0:54:35 | 0:54:38 | |
25. 28. 30. 32. | 0:54:38 | 0:54:42 | |
35. 38. 40. 42. | 0:54:42 | 0:54:46 | |
42 at the back. | 0:54:46 | 0:54:47 | |
-Keep going! -All done at £42? | 0:54:47 | 0:54:49 | |
Are we all done at £42? | 0:54:49 | 0:54:51 | |
Yeeeeeeee-hoo! Marvellous! | 0:54:51 | 0:54:54 | |
Crackers or what? | 0:54:54 | 0:54:57 | |
He's on top of the world. | 0:54:57 | 0:54:59 | |
We're up £48, guys. How much are you up? | 0:54:59 | 0:55:02 | |
-Er...a pound. -A pound. | 0:55:02 | 0:55:05 | |
And that was a fast descent. | 0:55:05 | 0:55:09 | |
Still, keep 'em peeled for Jenny and Anita's big hopeful contender. | 0:55:09 | 0:55:14 | |
Feast your eyes, ladies and gentlemen, feast your eyes. | 0:55:14 | 0:55:17 | |
Right, what shall we say for this? | 0:55:17 | 0:55:19 | |
There are bids on the book, so I can start this at 35, | 0:55:19 | 0:55:22 | |
38 with me and 40 with me. | 0:55:22 | 0:55:25 | |
40 I've got. 42. 45. 48. 50, and 55. | 0:55:25 | 0:55:29 | |
60 comes next. 60. | 0:55:29 | 0:55:31 | |
Five. 70. | 0:55:31 | 0:55:32 | |
Five? What do you mean, "No"? | 0:55:32 | 0:55:34 | |
Oh, Jenny. There's not a dry eye in the house. | 0:55:34 | 0:55:37 | |
70 I've got. Selling at 70, then. | 0:55:37 | 0:55:39 | |
All done at 70? | 0:55:39 | 0:55:41 | |
Ohh! | 0:55:41 | 0:55:44 | |
-WOMAN: Is that good? -No, it's awful. | 0:55:44 | 0:55:46 | |
Never mind, Jenny, let's just try and focus on... | 0:55:46 | 0:55:50 | |
Sorry, not "focus", that was misjudged. | 0:55:50 | 0:55:52 | |
Erm, let's look to, er, the lovely Art Deco nude, | 0:55:52 | 0:55:55 | |
which is last to offer our ladies an auction spectacle... | 0:55:55 | 0:56:00 | |
Sorry, not "spectacle". | 0:56:00 | 0:56:02 | |
Oh, she's lovely. Isn't she? It's very stylish. | 0:56:02 | 0:56:06 | |
Start me at 30. | 0:56:06 | 0:56:07 | |
Oh, dear. | 0:56:07 | 0:56:09 | |
This auction is not about who's going to win, | 0:56:09 | 0:56:12 | |
but who's going to lose the least. | 0:56:12 | 0:56:14 | |
35 with me. 38 in the front row. 40 at the back. 42. | 0:56:14 | 0:56:19 | |
42 at the front. All done at 45? The hammer is going down. At 45... | 0:56:19 | 0:56:24 | |
I genuinely, genuinely wish that I'd bought it for myself | 0:56:26 | 0:56:31 | |
and taken it home and... kept it for myself. | 0:56:31 | 0:56:35 | |
Genuinely... | 0:56:35 | 0:56:37 | |
I feel a bit weepy about it. | 0:56:37 | 0:56:39 | |
Runcorn has not been kind today. | 0:56:40 | 0:56:43 | |
And our girls have snatched defeat from the jaws of victory. | 0:56:43 | 0:56:47 | |
But at least Jenny has taken it well. | 0:56:47 | 0:56:50 | |
I can't stay. I'm sorry, everybody, but I've got to go. | 0:56:50 | 0:56:53 | |
I'm far too disappointed to stay. Come on. | 0:56:53 | 0:56:57 | |
It's terrible. | 0:56:57 | 0:56:59 | |
It's really tragic and I do feel for them. | 0:56:59 | 0:57:02 | |
BRIAN WHEEZES WITH LAUGHTER It's terrible! | 0:57:02 | 0:57:06 | |
Brian Blessed, that is not funny. | 0:57:06 | 0:57:08 | |
Anyway, our celebrities at least began well, with £400 each. | 0:57:09 | 0:57:15 | |
After auction costs were deducted, | 0:57:17 | 0:57:21 | |
Jenny and Anita made a very, very sad loss of £100.74, | 0:57:21 | 0:57:26 | |
ending their road trip with just £299.26. | 0:57:26 | 0:57:31 | |
Blackadder and Baldrick, meanwhile, fared slightly better, | 0:57:32 | 0:57:38 | |
with a mildly nagging loss of £29.42. | 0:57:38 | 0:57:41 | |
Brian and James end their road trip with £370.58. | 0:57:41 | 0:57:47 | |
Losses or not, all the monies generated by our Celebrity Antique Road Trippers in this series | 0:57:47 | 0:57:53 | |
will go to Children in Need, so thank you, at least, for trying your hardest. Well done. | 0:57:53 | 0:58:00 | |
-Well, I'm starting to recover. -I know, and we started so well. | 0:58:00 | 0:58:04 | |
-And we ended so badly, Anita. -That's what can happen. | 0:58:04 | 0:58:08 | |
We have to say congratulations to the boys. We actually have to. | 0:58:08 | 0:58:11 | |
-Ah, thank you, thank you. -Thank you. | 0:58:11 | 0:58:13 | |
Next time I'm going to put the £400 on the roulette wheel. That's what I'm going to do! | 0:58:13 | 0:58:19 | |
Well, it's all a game of chance, dear friends. | 0:58:19 | 0:58:22 | |
Oh, and it's raining! | 0:58:22 | 0:58:23 | |
There are no certainties on the Road Trip. | 0:58:23 | 0:58:26 | |
Here we go. Here we go. | 0:58:26 | 0:58:28 | |
-Yeah, go on, me old son. -I'm a bit worried about that blue car. | 0:58:29 | 0:58:33 | |
It's a long road back to stage and screen for our celebrities. | 0:58:33 | 0:58:37 | |
So, just for now, adventure is out there. | 0:58:37 | 0:58:40 | |
Subtitles by Red Bee Media Ltd | 0:59:04 | 0:59:07 | |
E-mail [email protected] | 0:59:07 | 0:59:09 |