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'The nation's favourite celebrities, one antiques expert each... | 1:01:02 | 1:01:07 | |
Ha-ha-ha-ha. Ha-ha-ha-ha. | 1:01:07 | 1:01:10 | |
'..and one big challenge - | 1:01:11 | 1:01:14 | |
'who can seek out and buy the best antiques at the very best prices?' | 1:01:14 | 1:01:18 | |
Have you got a part in panto yet? | 1:01:18 | 1:01:21 | |
'An auction for a big profit further down the road. | 1:01:22 | 1:01:28 | |
'Who will spot the good investments? Who will listen to advice? | 1:01:28 | 1:01:31 | |
'And who will be the first to say, "Don't you know who I am?" | 1:01:31 | 1:01:37 | |
'Time to put your pedal to the metal. | 1:01:37 | 1:01:40 | |
'This is the Celebrity Antiques Road Trip, yeah!' | 1:01:40 | 1:01:44 | |
'Joining us on the Celebrity Road Trip tonight | 1:01:50 | 1:01:53 | |
'are two legends of the sporting world, currently hurtling through East Sussex in a 1961 Ford Zephyr.' | 1:01:53 | 1:02:01 | |
-Has it got an electric button to put the roof up? -Yes! | 1:02:01 | 1:02:05 | |
It's called me, is it? | 1:02:05 | 1:02:08 | |
'Allow me to introduce a man some call the bad boy of English cricket. | 1:02:08 | 1:02:13 | |
'He's spin-bowling god, Phil Tufnell - | 1:02:13 | 1:02:17 | |
'Tuffers, to his friends. | 1:02:17 | 1:02:19 | |
'Phil's gone on to dominate the airwaves. | 1:02:19 | 1:02:23 | |
'Everything from being a team captain on A Question Of Sport...' | 1:02:23 | 1:02:28 | |
Have I heard of Johnny Moustache? That can't be right! | 1:02:28 | 1:02:32 | |
'..to donning sequins, sparkles and spray tan | 1:02:32 | 1:02:36 | |
'in order to go Strictly Come Dancing. | 1:02:36 | 1:02:39 | |
'Phil's opponent on this leg is sports presenter Chris Hollins.' | 1:02:43 | 1:02:47 | |
-Do you know about antiques? -I'm not bad. | 1:02:47 | 1:02:50 | |
-I know what doesn't work. -What doesn't work? | 1:02:50 | 1:02:53 | |
-Massive bits of furniture. -Brown furniture. -It can be any colour! | 1:02:53 | 1:02:59 | |
'Chris comes from a footballing family. | 1:02:59 | 1:03:01 | |
'After playing for Queen's Park Rangers, | 1:03:01 | 1:03:04 | |
'he opted for a career on the telly. | 1:03:04 | 1:03:07 | |
'As well as being on BBC Breakfast, | 1:03:07 | 1:03:10 | |
'he's also gone head-to-head with Tuffers on Strictly. | 1:03:10 | 1:03:14 | |
'On that occasion, | 1:03:14 | 1:03:16 | |
'Chris was ultimately crowned the winner. | 1:03:16 | 1:03:19 | |
'Today, it's time for the rematch. | 1:03:19 | 1:03:22 | |
'We've given them £400 each and two days | 1:03:22 | 1:03:25 | |
'to turn as much profit as possible. | 1:03:25 | 1:03:27 | |
'Fear not, our experts will be showing them the ropes. | 1:03:27 | 1:03:31 | |
'Welcome aboard, Phil Serrell and Thomas Plant, | 1:03:32 | 1:03:36 | |
'who love this 1967 Triumph Vitesse.' | 1:03:36 | 1:03:40 | |
Tom, it might now be time to put the windscreen wipers on. | 1:03:40 | 1:03:44 | |
-Or are they on? -I don't know where they are! | 1:03:44 | 1:03:48 | |
No. That's the indicator. | 1:03:48 | 1:03:50 | |
I don't know what this is. | 1:03:50 | 1:03:52 | |
-That's the ejector seat. Don't press that. -OK. | 1:03:52 | 1:03:56 | |
'Philip Serrell started his working life as a geography and PE teacher, | 1:03:59 | 1:04:03 | |
'and freely admits his skills were even worse than his jokes. | 1:04:03 | 1:04:07 | |
'Thus, the move into antiques.' | 1:04:07 | 1:04:10 | |
-It's a glorious summer's day. -Oh! We're so lucky! | 1:04:10 | 1:04:14 | |
It could be REALLY raining, as opposed to JUST raining. | 1:04:14 | 1:04:18 | |
Being a Plant, I love the rain. | 1:04:18 | 1:04:20 | |
'Ha! Thomas Plant is a fount of all knowledge, | 1:04:20 | 1:04:24 | |
'but did you know he's also a lifelong fan of James Bond? | 1:04:24 | 1:04:28 | |
'Which is reflected in his hobbies - skiing, fencing | 1:04:28 | 1:04:32 | |
'and carrying out secret missions for the government. | 1:04:32 | 1:04:37 | |
'We made the last bit up, | 1:04:37 | 1:04:39 | |
'although it IS time to get today's mission under way. | 1:04:39 | 1:04:43 | |
'We're kicking off this road trip on Britain's southeast coast. | 1:04:43 | 1:04:47 | |
'After a bit of to-ing and fro-ing, we're going to auction in Chiswick. | 1:04:47 | 1:04:52 | |
'Oh, no! First stop, the historic town of Hastings, | 1:04:52 | 1:04:56 | |
'which is, of course, synonymous with the year 1066 and all that. | 1:04:56 | 1:05:01 | |
'Although, truth be told, the Battle of Hastings | 1:05:01 | 1:05:05 | |
'actually happened six miles down the road at Senlac Hill. | 1:05:05 | 1:05:10 | |
'Though it was here the Normans set up camp | 1:05:10 | 1:05:13 | |
'for what would be the last invasion of the British Isles to succeed. | 1:05:13 | 1:05:18 | |
'Since then, the invaders have mainly been tourists.' | 1:05:18 | 1:05:23 | |
-I'm looking forward to this. I love the seaside. -Do you? -Yeah. | 1:05:23 | 1:05:27 | |
-Will you buy me a stick of rock? -Really? -Yeah. -Eugh. I hate rock. | 1:05:27 | 1:05:32 | |
'Hang on, Thomas. The worst is yet to come. | 1:05:32 | 1:05:36 | |
'Philip also likes romantic walks along the beach.' | 1:05:36 | 1:05:39 | |
-Is that David Hasselhoff? -It is. -That means Pamela Anderson's here. | 1:05:39 | 1:05:44 | |
'Settle down, boys. Maybe in series two. | 1:05:44 | 1:05:47 | |
'Right now, it's up to you to mentor Tuffers and Chris Hollins | 1:05:47 | 1:05:51 | |
'on how best to spend their £400. | 1:05:51 | 1:05:54 | |
'Who's going to be with whom?' | 1:05:54 | 1:05:56 | |
Nice to see you. How are you, mate? | 1:05:56 | 1:05:59 | |
-We need to be educated! -You've got the wrong blokes! | 1:05:59 | 1:06:03 | |
Really got the wrong blokes. | 1:06:03 | 1:06:05 | |
-We need to make money. -Might have the right blokes there. | 1:06:05 | 1:06:09 | |
Who's going with who? | 1:06:09 | 1:06:11 | |
-I'm a bit of a cricket fan. -Phil. | 1:06:11 | 1:06:14 | |
You've picked the right man! | 1:06:14 | 1:06:16 | |
-And why are we together? -THOMAS: You're a dancer. | 1:06:16 | 1:06:20 | |
-Yes. -My old man's a dancer, a tango man. | 1:06:20 | 1:06:23 | |
-He's not a bad dancer, either! -Leave me out of this. | 1:06:23 | 1:06:27 | |
-See ya later. -Bye. | 1:06:27 | 1:06:30 | |
'Now that's sorted, | 1:06:30 | 1:06:32 | |
'let's get this party started.' | 1:06:32 | 1:06:35 | |
LAUGHTER | 1:06:37 | 1:06:40 | |
How are you at dealing, doing a deal? Are you hard? | 1:06:40 | 1:06:44 | |
-Do you want me to play good cop or bad cop? -It's up to you. | 1:06:44 | 1:06:48 | |
-I'll try and get nasty. -Really? You want to play bad cop? | 1:06:48 | 1:06:52 | |
"No. Sorry. NO!" | 1:06:52 | 1:06:55 | |
'As for the two Phils, they're not mucking about, either. | 1:06:56 | 1:07:00 | |
'They have £400 and are determined to spend it.' | 1:07:00 | 1:07:04 | |
-I like that. -That's nice. | 1:07:04 | 1:07:06 | |
'Well, that was fast.' | 1:07:08 | 1:07:10 | |
-The little trolley in the front, how much is that? -That is 350. > | 1:07:10 | 1:07:15 | |
350? Do you know what it is? | 1:07:15 | 1:07:18 | |
-Some sort of porter's wagon. -A nut trolley. | 1:07:18 | 1:07:21 | |
'Truly, it is. It's from an American nut factory. | 1:07:21 | 1:07:24 | |
'David says he sells one a week as they make a nice coffee table.' | 1:07:24 | 1:07:29 | |
You can't do a lot better than that? | 1:07:29 | 1:07:32 | |
We're poor. He's from Surrey. I'm from Worcestershire. | 1:07:32 | 1:07:35 | |
When you walked in, I felt sorry for you. You can have it for 300. | 1:07:35 | 1:07:40 | |
-It is a bit barmy. I like the barmy stuff. -I do. | 1:07:40 | 1:07:43 | |
'Me too. Though at £300, it's a bit of a gamble.' | 1:07:43 | 1:07:47 | |
Are you going to shoot me? At auction, it'll make 150, 250? | 1:07:47 | 1:07:52 | |
-Well, we've sent one to auction. -Where'd it go? -450. -Really? -Yeah. | 1:07:52 | 1:07:56 | |
-Where'd it go? -Battle. | 1:07:56 | 1:07:58 | |
-But you see, we're not going there. -I can't help that, though, can I? | 1:07:58 | 1:08:02 | |
'Uh-oh. They're tough in Hastings. | 1:08:02 | 1:08:05 | |
'Time for Phil to pull something out of his negotiating bag of tricks.' | 1:08:05 | 1:08:10 | |
-Shame you're not into jewellery. > -We might have a look in a minute. | 1:08:10 | 1:08:15 | |
What was the v... If we could do that for one and a half? | 1:08:15 | 1:08:20 | |
-How much cash have we got? -Turn round a minute. | 1:08:20 | 1:08:24 | |
-We've got to buy two or three. -Hold on a minute. | 1:08:24 | 1:08:28 | |
-40 quid, we've got. -40 quid. | 1:08:28 | 1:08:31 | |
-Jewellery's where you've got to go. > -Not trolleys? | 1:08:31 | 1:08:35 | |
I can get four and a half at auction for them. Have a look here. > | 1:08:35 | 1:08:39 | |
We want the trolley. | 1:08:39 | 1:08:41 | |
'Thomas and Chris have just arrived at Coach House Antiques.' | 1:08:41 | 1:08:45 | |
-Uniform. I like a... -You like a uniform do you? -Not in that way! | 1:08:45 | 1:08:50 | |
'Naughty.' | 1:08:50 | 1:08:51 | |
-Hello. -Ah, hello. -I'm Thomas. -I'm Richard. | 1:08:51 | 1:08:54 | |
-I'm Chris. -Hello, Chris. | 1:08:54 | 1:08:57 | |
-Can we look round? -You're very welcome. | 1:08:57 | 1:08:59 | |
'So, as bad cop and, um...good cop...' | 1:09:01 | 1:09:04 | |
Ello, 'ello, 'ello! | 1:09:04 | 1:09:07 | |
'..investigate the merchandise, | 1:09:07 | 1:09:09 | |
'they find themselves strangely drawn to this offender.' | 1:09:09 | 1:09:15 | |
-You've got to shake his hand but squeeze it. -Right. | 1:09:15 | 1:09:18 | |
Jealous! | 1:09:20 | 1:09:22 | |
'OK, then. Thomas's turn.' | 1:09:22 | 1:09:24 | |
Go for it. | 1:09:24 | 1:09:26 | |
-It's quite a tough handshake. -It is. | 1:09:26 | 1:09:29 | |
Cold fish! LAUGHS | 1:09:29 | 1:09:31 | |
'Nonsense, Thomas. I would have said you're at least tepid. | 1:09:31 | 1:09:35 | |
'But let's talk about the two Phils, | 1:09:35 | 1:09:39 | |
'who are having a hard time walking away from that £300 nut trolley.' | 1:09:39 | 1:09:44 | |
-I could see that in some swanky... -Yeah. | 1:09:44 | 1:09:48 | |
Couple of glasses of champagne on it, a few Vogue magazines. | 1:09:48 | 1:09:52 | |
I agree with you wholeheartedly, | 1:09:52 | 1:09:55 | |
but you've got to look at this in a saleroom, on the floor, | 1:09:55 | 1:10:00 | |
underneath a trestle table. | 1:10:00 | 1:10:02 | |
Could you see that taking off? | 1:10:02 | 1:10:05 | |
A couple of people really wanting it? | 1:10:05 | 1:10:08 | |
If a few people really fancy that as a coffee table, | 1:10:08 | 1:10:11 | |
you can see it making 400, 420, can't you? | 1:10:11 | 1:10:14 | |
But the issue is, if they're not there, that's 120 quid. | 1:10:14 | 1:10:19 | |
'So, the moral of this story - | 1:10:19 | 1:10:21 | |
'forget the trolley and look for something else.' | 1:10:21 | 1:10:25 | |
We're going to make you an offer. | 1:10:25 | 1:10:27 | |
-£200. Can we buy it off you for 200 quid? -I cannot do it? | 1:10:27 | 1:10:32 | |
That is my bottom line. > | 1:10:34 | 1:10:37 | |
-Do you like it? -I do like it. | 1:10:37 | 1:10:41 | |
Well, look... | 1:10:41 | 1:10:43 | |
-220. -That's me going off on one. 220. | 1:10:43 | 1:10:46 | |
220. No. Can't do it. | 1:10:46 | 1:10:48 | |
I'll tell you what I will do. | 1:10:48 | 1:10:51 | |
That's it. No less. | 1:10:51 | 1:10:54 | |
What are we at? There's 230 there. | 1:10:54 | 1:10:57 | |
-Come on. Tuffers, come on. -I can't do it. | 1:10:57 | 1:11:00 | |
Come on. | 1:11:00 | 1:11:02 | |
-We'd love you for ever. -You wouldn't. You'll forget about me. | 1:11:02 | 1:11:07 | |
-We won't. -This is ingrained in our memory. | 1:11:07 | 1:11:10 | |
-Who wants the sweaty hand? -He can. | 1:11:10 | 1:11:12 | |
'Thank goodness for that! | 1:11:12 | 1:11:15 | |
'Trust those two to make a big production of it all and flimflam. | 1:11:15 | 1:11:22 | |
'Thomas and Chris, on the other hand, are thinking military theme.' | 1:11:26 | 1:11:30 | |
These are First World War death plaques, | 1:11:30 | 1:11:33 | |
or the death penny. | 1:11:33 | 1:11:35 | |
These are awarded to the family, actually. | 1:11:35 | 1:11:39 | |
The soldier got his medals. | 1:11:39 | 1:11:42 | |
These were sent with the medals to the next of kin. | 1:11:42 | 1:11:47 | |
"He died for freedom and honour." | 1:11:47 | 1:11:49 | |
The really valuable ones are when they say "she" instead of "he". | 1:11:49 | 1:11:54 | |
-Cos nurses died as well. -Sure. | 1:11:54 | 1:11:57 | |
The interest in the First World War has gone stratospheric. | 1:11:57 | 1:12:01 | |
It's only going to carry on going stratospheric, | 1:12:01 | 1:12:05 | |
I'd say, for the next good six, eight years, definitely. | 1:12:05 | 1:12:09 | |
And beyond, because we're coming up to the 100 year anniversary. | 1:12:09 | 1:12:13 | |
'World War I was also the last campaign | 1:12:13 | 1:12:17 | |
'when memorial plaques such as these were inscribed | 1:12:17 | 1:12:20 | |
'with the recipient's name. | 1:12:20 | 1:12:22 | |
'And with all this choice, with detailed research on each soldier, | 1:12:22 | 1:12:27 | |
'the boys have a hard decision to make.' | 1:12:27 | 1:12:30 | |
This guy is called Fred Hagger, in the Cheshire Regiment, | 1:12:30 | 1:12:34 | |
died Flanders, 29th March 1917. | 1:12:34 | 1:12:37 | |
-Have we got his age? -Yes. 35. -35. | 1:12:37 | 1:12:40 | |
-He's married. -A year younger than me. | 1:12:40 | 1:12:43 | |
He's a carpenter. | 1:12:43 | 1:12:45 | |
He had three children. Dear, oh, dear. | 1:12:45 | 1:12:48 | |
From Hertfordshire, and says Flanders. | 1:12:48 | 1:12:52 | |
1917, Flanders - Ypres, Battle of Passchendaele. Pretty hard core. | 1:12:52 | 1:12:58 | |
-I feel as if I know him now. -To have all that, I think is quite nice. | 1:12:58 | 1:13:02 | |
-Do you want to go for that? -I would like to go for that. -I think so. | 1:13:02 | 1:13:07 | |
It's sombre, but worth a punt. | 1:13:07 | 1:13:10 | |
'There's no doubting these plaques are highly collectable, | 1:13:10 | 1:13:15 | |
'so it comes down to price which, on the ticket, | 1:13:15 | 1:13:18 | |
'is at least £75.' | 1:13:18 | 1:13:20 | |
There is always potential profit in these, | 1:13:20 | 1:13:24 | |
but it all depends on what you can do movement-wise. | 1:13:24 | 1:13:28 | |
-Well, I've seen them sell for £100. -Yeah, so have I. | 1:13:28 | 1:13:32 | |
Obviously, I'm looking for a really good deal. | 1:13:32 | 1:13:35 | |
-LAUGHS -£60 is the best. | 1:13:35 | 1:13:39 | |
-Really? -Yes. -50? -No. | 1:13:39 | 1:13:41 | |
-Go on! -No! -Halfway. -No. 65, then. | 1:13:41 | 1:13:44 | |
No, don't be like that! Don't be like that! | 1:13:44 | 1:13:48 | |
-55, then. That's the death. -Is that the death? | 1:13:48 | 1:13:51 | |
-That is the death on the death plate. -I've been to Wimbledon. | 1:13:51 | 1:13:56 | |
I've watched tennis and I've been back and forth, watching that. | 1:13:56 | 1:14:01 | |
That was like watching the final. My neck's gone. | 1:14:01 | 1:14:04 | |
I actually, really, really like those. | 1:14:04 | 1:14:07 | |
There's a story behind it. I love a bit of history. | 1:14:07 | 1:14:11 | |
I've been to quite a few auction houses | 1:14:11 | 1:14:14 | |
and I've never seen one - makes me excited. | 1:14:14 | 1:14:17 | |
'Having bought all of one item, | 1:14:19 | 1:14:21 | |
'the Phils are taking a break and heading east. | 1:14:21 | 1:14:24 | |
'The next stop is the town of Hove, | 1:14:24 | 1:14:27 | |
'often described by visitors as Brighton, | 1:14:27 | 1:14:31 | |
'which is followed with the locals' catchphrase, | 1:14:31 | 1:14:35 | |
'"Hove, actually." | 1:14:35 | 1:14:37 | |
'Not only is England's southeast coast the birthplace of cricket, | 1:14:37 | 1:14:42 | |
'in Hove, you'll also find world renowned cricket bat makers Newbery, | 1:14:42 | 1:14:47 | |
'where the bats are still finished by hand. | 1:14:47 | 1:14:49 | |
'Naturally, these two can't resist a visit.' | 1:14:49 | 1:14:52 | |
I'm really, really looking forward to this. | 1:14:52 | 1:14:55 | |
'While cricket dates back | 1:14:55 | 1:14:58 | |
'to at least the year 1300, this story begins with John Newbery, | 1:14:58 | 1:15:02 | |
'who learned from his father, Len, how to make the perfect cricket bat, | 1:15:02 | 1:15:06 | |
'then passed those skills on to Tim Keeley, who now runs the show.' | 1:15:06 | 1:15:11 | |
-Hello, mate. -Hello, Phil. Nice to see you. | 1:15:11 | 1:15:15 | |
-I'm not arguing with you! -This is for testing the bats. | 1:15:15 | 1:15:19 | |
-Come in and have a look, boys. -I will. | 1:15:19 | 1:15:22 | |
'Not only is Tim the master bat-maker, | 1:15:22 | 1:15:25 | |
'he's personally made an incredible half a million bats! Must be batty!' | 1:15:25 | 1:15:30 | |
I used to be a really bad cricketer. | 1:15:30 | 1:15:33 | |
-Same here! -No, bad batter! | 1:15:33 | 1:15:35 | |
I was told that the test or the gauge of a good bat | 1:15:35 | 1:15:39 | |
is you count the number of grains in the face. | 1:15:39 | 1:15:42 | |
Generally, if cricket bats have got nice tight grains, | 1:15:42 | 1:15:46 | |
they perform a lot better - that's what this hammer's for in my pocket. | 1:15:46 | 1:15:51 | |
If you pick up a cricket bat and listen to the sound of it. | 1:15:51 | 1:15:55 | |
THUDS That's a good sound. | 1:15:55 | 1:15:58 | |
Beautiful sound. Mellow. | 1:15:58 | 1:16:00 | |
Listen to this one. Little higher pitched. | 1:16:00 | 1:16:04 | |
The other one would be a better bat. | 1:16:04 | 1:16:07 | |
'As for the most important question, how is a cricket bat made? | 1:16:07 | 1:16:12 | |
'Well, allow me. | 1:16:12 | 1:16:14 | |
'First step, saw down a willow tree. | 1:16:14 | 1:16:16 | |
'Then, place in the drying kiln and wait 12 weeks.' | 1:16:16 | 1:16:21 | |
CLOCK TICKS AND ELEVATOR MUSIC PLAYS | 1:16:21 | 1:16:25 | |
'Once the willow is dry, | 1:16:25 | 1:16:28 | |
'it needs to be shaped.' | 1:16:28 | 1:16:30 | |
I'm ready! I'm ready! I'm ready! | 1:16:30 | 1:16:33 | |
'Speaking of which, up until the 18th century, | 1:16:33 | 1:16:36 | |
'a cricket bat used to be shaped like a hockey stick. | 1:16:36 | 1:16:40 | |
'I'm a mine of information! I can read.' | 1:16:40 | 1:16:44 | |
-Beautiful. Look at the grain on this! -That's a good stick. | 1:16:46 | 1:16:50 | |
These are both beautiful sticks. | 1:16:50 | 1:16:52 | |
'Next, it's compressed, to make the timber tougher.' | 1:16:52 | 1:16:56 | |
-This machine is squashing the fibres down. -Yeah. | 1:16:56 | 1:16:59 | |
-This gives it its performance. -Afterwards, what happens next? | 1:16:59 | 1:17:04 | |
'Well, Philip, then it's time for the handle, | 1:17:04 | 1:17:06 | |
'which is a combination of Manila cane and rubber, | 1:17:06 | 1:17:10 | |
'making it utterly flexible. | 1:17:10 | 1:17:12 | |
'Then it's spliced together, requiring animal glue and a hammer.' | 1:17:12 | 1:17:17 | |
There you go, Phil. | 1:17:17 | 1:17:19 | |
-Look at that. -Ready to go. | 1:17:19 | 1:17:21 | |
A little tacky. It'll be ready tomorrow for bat-making. | 1:17:21 | 1:17:25 | |
-That's where the proper work starts. -When the hand-making comes in, yeah. | 1:17:25 | 1:17:29 | |
'That's because the key to a modern cricket bat is weight distribution, | 1:17:29 | 1:17:34 | |
'something John Newbery helped pioneer in the 1970s.' | 1:17:34 | 1:17:38 | |
-Look at that! -Not sure what sort of shape you want, lads. | 1:17:40 | 1:17:43 | |
If I emphasise the shape on this bat | 1:17:43 | 1:17:46 | |
to take some of the weight out of the toe, so the bat picks up better. | 1:17:46 | 1:17:50 | |
That's how we do that. | 1:17:50 | 1:17:52 | |
-Would you like a go, Phil? -Love to. | 1:17:52 | 1:17:54 | |
Take some weight out. Mind those edges. | 1:17:54 | 1:17:58 | |
I used to be a silversmith. I like working with my hands. | 1:17:58 | 1:18:02 | |
-Little bit down the middle? -Take a little bit out the middle. | 1:18:02 | 1:18:06 | |
'And if you thought it looked easy, Tuffers clearly demonstrates... | 1:18:06 | 1:18:12 | |
'..that it isn't.' | 1:18:12 | 1:18:14 | |
It's one of those fantastic English skills, like coracle making. | 1:18:14 | 1:18:19 | |
-This would take some years to learn, the process of cricket bat making. -Who follows you? | 1:18:19 | 1:18:25 | |
Phil's going well. I've got my eye on him. He can come back any time. | 1:18:25 | 1:18:29 | |
-You need to keep your eye on him. -I'm done there. Not a bad job. | 1:18:29 | 1:18:33 | |
We could have done with a little bit lighter but this will suit somebody. | 1:18:33 | 1:18:37 | |
-We'll leave it like that. -There's someone with their name on it. | 1:18:37 | 1:18:41 | |
'Perhaps someone with a wood burner. | 1:18:41 | 1:18:44 | |
'Back in Hastings, Thomas and Chris have done the deal, | 1:18:44 | 1:18:49 | |
'but haven't decided which memorial plaque to buy. | 1:18:49 | 1:18:52 | |
'Now they're going off on a tangent. Uh-oh.' | 1:18:52 | 1:18:55 | |
That's a Christmas box from the First World War, | 1:18:55 | 1:18:58 | |
given by Princess Mary to the troops. | 1:18:58 | 1:19:01 | |
These are the sort of things I absolutely love. | 1:19:01 | 1:19:05 | |
Not in a morbid way. This is a box that every single soldier would get? | 1:19:05 | 1:19:10 | |
Every single soldier got, Christmas 1914. | 1:19:10 | 1:19:14 | |
-In here, you'd have a pouch of rolling tobacco. -Yeah. | 1:19:14 | 1:19:19 | |
A pouch of cigarettes, fags. | 1:19:19 | 1:19:21 | |
Some of them had a pencil in there, which was a 303 round. | 1:19:21 | 1:19:25 | |
You take off the shell and it's got a pencil in. | 1:19:25 | 1:19:30 | |
And a card from Princess Mary. | 1:19:30 | 1:19:33 | |
'There was another item - chocolate. | 1:19:33 | 1:19:35 | |
'If you ask me, the Christmas tin is well worth considering.' | 1:19:35 | 1:19:40 | |
-That's extraordinary. -It is. | 1:19:40 | 1:19:42 | |
It's a nice thing to add with it, if you want to add it on to the lot. | 1:19:42 | 1:19:46 | |
'Good idea, but there's still debate over which one to buy.' | 1:19:46 | 1:19:52 | |
Chris is quite keen on this one here. | 1:19:52 | 1:19:55 | |
This is Lance Corporal James Patterson Tinning from Durham. | 1:19:55 | 1:20:00 | |
He enrolled at 17. | 1:20:00 | 1:20:03 | |
-And sadly died at 19. -That's so unfair. | 1:20:03 | 1:20:09 | |
-13th November, he dies two days after the Armistice. -That's right. | 1:20:09 | 1:20:15 | |
The trouble is, because it's become a personal story, | 1:20:15 | 1:20:18 | |
I almost don't care about value | 1:20:18 | 1:20:20 | |
because I'm getting to know these individuals. | 1:20:20 | 1:20:24 | |
-You could have two for 100. -Well, that's a good deal, isn't it? | 1:20:24 | 1:20:28 | |
-If we had them both, would you throw that in? -No! -Yes! -No! | 1:20:28 | 1:20:32 | |
Two for 100 and that for a tenner. | 1:20:32 | 1:20:35 | |
Do the whole lot for 100 quid. | 1:20:35 | 1:20:38 | |
In the middle. 105, that's it. | 1:20:38 | 1:20:41 | |
-I've ended up on your side. -Why's that? -I got confused halfway through. | 1:20:41 | 1:20:46 | |
£100. | 1:20:46 | 1:20:48 | |
-And five. -And... | 1:20:48 | 1:20:50 | |
Argh! ..five pounds. | 1:20:50 | 1:20:53 | |
105. Done. | 1:20:53 | 1:20:55 | |
-Thank you very much, indeed. -CHUCKLING: -OK. | 1:20:55 | 1:20:59 | |
'And with that, good cop and bad cop are ready to call it a day. | 1:20:59 | 1:21:04 | |
'With everything to play for, day two sees our experts... | 1:21:09 | 1:21:14 | |
'Hang on. That's not them! | 1:21:14 | 1:21:17 | |
'There they are. ..and our celebrities raring to go. | 1:21:17 | 1:21:20 | |
'Believe me, the boys are full of competitive spirit.' | 1:21:20 | 1:21:24 | |
Spent quite a few quid on our first item. | 1:21:24 | 1:21:27 | |
-Have you? -So it could be shot down in flames or do well. | 1:21:27 | 1:21:33 | |
-You like a bit of a gamble. -I like a bit of a gamble! | 1:21:33 | 1:21:38 | |
I learnt a lot yesterday. | 1:21:38 | 1:21:40 | |
Every time I pick up something, Thomas gives me one of those looks. | 1:21:40 | 1:21:45 | |
-"Put it down, you fool!" -Yeah. | 1:21:45 | 1:21:47 | |
What I like about him, he really tries to strike a hard bargain. | 1:21:47 | 1:21:51 | |
THOMAS: We're playing this good cop, bad cop thing. | 1:21:51 | 1:21:55 | |
I'm quite hard a negotiator and he's quite soft. | 1:21:55 | 1:22:00 | |
Tuffers and I have a different approach. We're bad cop, bad cop. | 1:22:00 | 1:22:05 | |
-Neither of us know what we're doing. -THOMAS CHUCKLES | 1:22:05 | 1:22:09 | |
'Well, Philip, that explains everything as, so far, | 1:22:09 | 1:22:13 | |
'you and Tuffers have spent £230 on one lot, | 1:22:13 | 1:22:16 | |
'the infamous nut trolley-cum-coffee table.' | 1:22:16 | 1:22:20 | |
Get on there! Tuffers! | 1:22:22 | 1:22:25 | |
'Chris and Thomas have held the purse strings a little tighter, | 1:22:25 | 1:22:29 | |
'parting with £105 for their World War I collection.' | 1:22:29 | 1:22:34 | |
105. Done! | 1:22:34 | 1:22:36 | |
'So, it's still anybody's game, and round two starts now.' | 1:22:36 | 1:22:40 | |
-Thomas, you just stroked my thigh. -Did you like it? -It was rather nice. | 1:22:40 | 1:22:45 | |
'Enough of that, thanks. | 1:22:45 | 1:22:47 | |
'Having begun in Hastings and moved on to Hove, | 1:22:47 | 1:22:51 | |
'we're meant to be en route to the town of Rye. | 1:22:51 | 1:22:55 | |
'Instead, Thomas and Chris are headed back to Hastings. | 1:22:55 | 1:22:59 | |
'Confused? Don't be. | 1:22:59 | 1:23:01 | |
'After all, how can the boys resist a visit to the Hastings museum | 1:23:01 | 1:23:06 | |
'which celebrates a British hero, | 1:23:06 | 1:23:08 | |
'John Logie Baird, the man who invented television?' | 1:23:08 | 1:23:12 | |
-Hello. I'm Thomas. -Pleased to meet you, Thomas. | 1:23:12 | 1:23:15 | |
-I'm Chris. -Hi, Chris. -Nice to see you. | 1:23:15 | 1:23:18 | |
'Originally from Scotland, Baird moved to Hastings to convalesce | 1:23:20 | 1:23:25 | |
'after a long bout of ill health. | 1:23:25 | 1:23:27 | |
'Despite being strapped for cash, he began to experiment, | 1:23:27 | 1:23:32 | |
'building the world's first working television | 1:23:32 | 1:23:35 | |
'out of a hatbox, a pair of scissors and a used tea chest.' | 1:23:35 | 1:23:39 | |
This is how it all came together? | 1:23:39 | 1:23:42 | |
This is a replica of the machine | 1:23:42 | 1:23:44 | |
he was playing with when he got it to work, in Hastings. | 1:23:44 | 1:23:48 | |
People say, "He made it from hatboxes and knitting needles." | 1:23:48 | 1:23:53 | |
-And he did. You can see there's a bicycle gear. -Yeah! | 1:23:53 | 1:23:57 | |
He had very little money. | 1:23:57 | 1:23:59 | |
A guy in London, a Mr Day, was a cinema and radio entrepreneur. | 1:23:59 | 1:24:03 | |
He sent lots of bits and pieces that Baird needed, | 1:24:03 | 1:24:06 | |
including a secret light cell, a really important part of equipment. | 1:24:06 | 1:24:11 | |
'Sure enough, on October 2 1925, Baird successfully transmitted | 1:24:11 | 1:24:16 | |
'the first TV picture - | 1:24:16 | 1:24:19 | |
'the head of a ventriloquist's dummy, named Stookey Bill.' | 1:24:21 | 1:24:26 | |
-How did people react to it? -They loved it. They were intrigued by it. | 1:24:26 | 1:24:31 | |
Within a couple of years of leaving Hastings, he was demonstrating it in Selfridges department store. | 1:24:31 | 1:24:36 | |
People would queue up to see themselves on TV. | 1:24:36 | 1:24:39 | |
It made me laugh when you said people were fascinated that they could see themselves on television. | 1:24:39 | 1:24:46 | |
It still happens! I'm broadcasting and people in the background go...! | 1:24:46 | 1:24:50 | |
"I'm on telly!" It still happens! | 1:24:50 | 1:24:53 | |
'Baird's next move was seeking publicity on a national scale. | 1:24:53 | 1:24:57 | |
'When he approached the Daily Express, | 1:24:57 | 1:25:00 | |
'the editor assumed him to be a lunatic. | 1:25:00 | 1:25:03 | |
'The canny Scot was undeterred | 1:25:03 | 1:25:05 | |
'and within two years, he achieved another first - | 1:25:05 | 1:25:09 | |
'transmitting a television signal long distance. | 1:25:09 | 1:25:12 | |
'It seemed like all things were possible.' | 1:25:12 | 1:25:14 | |
-I think I know what it is. Just confirm it. -It's the first telly. | 1:25:14 | 1:25:18 | |
It's dated on here, 1930. When did he do his first experiment? | 1:25:18 | 1:25:24 | |
1924, he's starting to succeed, so it's just a few years. | 1:25:24 | 1:25:28 | |
So, six years, and we're in production. | 1:25:28 | 1:25:32 | |
-Absolutely. -Made by...? | 1:25:32 | 1:25:34 | |
A professional company who'd taken over his work by then. | 1:25:34 | 1:25:39 | |
They were selling these for about £30. | 1:25:39 | 1:25:42 | |
You might be earning £3 or £4 a week, so quite a big investment. | 1:25:42 | 1:25:47 | |
You say he was an entrepreneur. | 1:25:47 | 1:25:49 | |
He invented one of the most popular things to hit the modern world. | 1:25:49 | 1:25:54 | |
-Did he make any money out of it? -Baird, not really. | 1:25:54 | 1:25:58 | |
To go from that to the next step up required a huge investment. | 1:25:58 | 1:26:02 | |
That's when the investors moved in. It becomes Baird Television Ltd. | 1:26:02 | 1:26:07 | |
There was a point when he was thrown off the board. He wasn't moving in the direction they wanted to go. | 1:26:07 | 1:26:13 | |
'With the outbreak of war in 1939, television broadcasting in Britain | 1:26:13 | 1:26:18 | |
'was completely shut down and Baird's company went bankrupt. | 1:26:18 | 1:26:23 | |
'But he continued to refine the technology up to his death in 1946.' | 1:26:23 | 1:26:29 | |
He'd experimented with and demonstrated colour television, | 1:26:29 | 1:26:33 | |
-high resolution television and even 3-D television. -No? | 1:26:33 | 1:26:37 | |
-No way? -Successful. | 1:26:37 | 1:26:39 | |
So he saw the whole thing. He saw it happen. | 1:26:39 | 1:26:43 | |
-3-D TV. No way! -Absolutely. | 1:26:43 | 1:26:45 | |
'Without a doubt, John Logie Baird was a man ahead of his time. | 1:26:45 | 1:26:50 | |
'Not only are his innovations still shaping our favourite entertainment, | 1:26:50 | 1:26:55 | |
'but thanks to him, I'm on at least five nights a week! Ha-ha! | 1:26:55 | 1:26:59 | |
'Our next stop - the ancient town of Rye, | 1:27:01 | 1:27:05 | |
'which from the Middle Ages, was one of Britain's most historic ports. | 1:27:05 | 1:27:09 | |
'For more than 300 years, from this vantage point | 1:27:09 | 1:27:13 | |
'England defended its borders against everyone from Viking invaders to the French. | 1:27:13 | 1:27:20 | |
'When the war ships moved out, the smugglers moved in. | 1:27:20 | 1:27:23 | |
'What better place to send this group of rogues...' | 1:27:23 | 1:27:27 | |
-Are we ready to go? Round two. -We'll go this way, you go that way. | 1:27:27 | 1:27:31 | |
'..who will plunder the many antique shops? | 1:27:31 | 1:27:35 | |
'Starting with Strand Quay Antiques, | 1:27:35 | 1:27:38 | |
'where the two Phils are all about strategy.' | 1:27:38 | 1:27:42 | |
-What's our plan then, Phil? -The plan, Tuffers, is we haven't got a plan. | 1:27:42 | 1:27:48 | |
'Told you so.' | 1:27:48 | 1:27:50 | |
-Silver forks! -Really? -I used to be a silversmith. | 1:27:50 | 1:27:54 | |
My first job I got was, I went down into the workshop | 1:27:54 | 1:27:59 | |
and there must have been about 2,000 of these, | 1:27:59 | 1:28:03 | |
all with the prongs bent. | 1:28:03 | 1:28:05 | |
My old man said, "First job, you've got to straighten all the prongs, | 1:28:05 | 1:28:10 | |
"then file the ends, | 1:28:10 | 1:28:12 | |
"then put a file across the top." | 1:28:12 | 1:28:15 | |
-We don't want them. -I'm interested. -I've had my fill of silver forks. | 1:28:15 | 1:28:20 | |
'Fair enough. As Phil Serrell scans the shelves of this lovely store, | 1:28:20 | 1:28:25 | |
'the neurons begin firing.' | 1:28:25 | 1:28:27 | |
-I've just come up with a plan. -Yeah. -We should buy something sporting. | 1:28:27 | 1:28:32 | |
Have you got anything sporting, my love? Cricket bats? | 1:28:32 | 1:28:36 | |
Footballs, rugby balls. | 1:28:36 | 1:28:38 | |
-I've got some bowls. -Bowls. -Bowls? Bowls! | 1:28:38 | 1:28:42 | |
'Bowls! Thank goodness for Kim!' | 1:28:42 | 1:28:45 | |
-Let's plonk them on here. -I like those. | 1:28:45 | 1:28:48 | |
-These are lignum vitae. -Sorry? | 1:28:48 | 1:28:51 | |
Lignum vitae, "tree of life". | 1:28:51 | 1:28:53 | |
Now, there's a story. | 1:28:53 | 1:28:56 | |
They used to scrape the bark off this tree and drink it as tea. | 1:28:56 | 1:29:00 | |
The natives used to reckon it cured certain antisocial diseases | 1:29:00 | 1:29:04 | |
-that sailors took there. -Oh, OK. | 1:29:04 | 1:29:07 | |
-Have you got the white, the jack? -No. | 1:29:07 | 1:29:10 | |
I'll tell you what the real pity is. This is only half a set. | 1:29:10 | 1:29:14 | |
That's number one. | 1:29:14 | 1:29:16 | |
That's number two, three and four. | 1:29:16 | 1:29:20 | |
-There should be two ones, two twos... -I have got the others. | 1:29:20 | 1:29:24 | |
-Where are they? -In the other shop. -The other shop? -Yes. | 1:29:24 | 1:29:28 | |
How much are these? | 1:29:28 | 1:29:30 | |
Ouch! "£48, basket not included." | 1:29:30 | 1:29:33 | |
'Yes, indeed. And the rest of the set... | 1:29:33 | 1:29:37 | |
'Cue Kim's husband, Richard.' | 1:29:37 | 1:29:39 | |
Thank you, darling. Lovely. | 1:29:39 | 1:29:42 | |
'Something he's laid earlier. | 1:29:42 | 1:29:44 | |
'And we're looking at around £100, | 1:29:44 | 1:29:46 | |
'which means it's once again time for Philip Serrell's bag of tricks.' | 1:29:46 | 1:29:50 | |
-It's all down to price for us. -These ones were 65. | 1:29:50 | 1:29:55 | |
So £100 for the five. We couldn't do that. | 1:29:55 | 1:29:58 | |
-We could do half that. -Oh, no! I've got to make something on them. | 1:29:58 | 1:30:04 | |
Um... | 1:30:04 | 1:30:05 | |
What about... | 1:30:05 | 1:30:07 | |
80? | 1:30:07 | 1:30:09 | |
-We'll make you our best shot, one-off deal. -Go on. | 1:30:09 | 1:30:13 | |
Best shot. This is a one-off deal. | 1:30:13 | 1:30:15 | |
-Once and only! -There's two. | 1:30:15 | 1:30:17 | |
There's four. And I'm afraid, that's going to be it. | 1:30:17 | 1:30:21 | |
-That's going to be it? -60 quid. | 1:30:21 | 1:30:24 | |
Oh, dear! | 1:30:24 | 1:30:26 | |
'No. Not "dear". Expensive. | 1:30:26 | 1:30:28 | |
'It may be time for the old | 1:30:28 | 1:30:30 | |
'"I know you've got to make a profit but..." speech.' | 1:30:30 | 1:30:34 | |
I know you've got to make a profit, but honestly, I think... | 1:30:34 | 1:30:38 | |
Where I'm coming from is this. | 1:30:38 | 1:30:40 | |
I think, if we pay 60 for them | 1:30:40 | 1:30:42 | |
and we put them into auction at 80 to 120. | 1:30:42 | 1:30:46 | |
If they make £80, by the time you've taken the commission off, | 1:30:46 | 1:30:51 | |
if they make £80, we've made £6. | 1:30:51 | 1:30:53 | |
I know that's of no relevance to you. | 1:30:53 | 1:30:56 | |
-We're up against... -All right. All right. You've convinced me. | 1:30:56 | 1:31:00 | |
-Is that all right, my love? -Yes. -Aw! Thank you very much! | 1:31:00 | 1:31:04 | |
Thank you very much, my love. | 1:31:04 | 1:31:07 | |
-Thank you very much. -I suppose you want something to carry them in. | 1:31:07 | 1:31:12 | |
I hadn't thought about that. | 1:31:12 | 1:31:14 | |
-You might as well take the baskets. -Ooh. You are an angel! | 1:31:14 | 1:31:18 | |
'As for the competition, their game plan is... | 1:31:20 | 1:31:24 | |
'look for the wow factor.' | 1:31:24 | 1:31:27 | |
-We want wow factor. -We do. We've got to think outside the box. | 1:31:27 | 1:31:32 | |
I've just found the FA Cup. | 1:31:32 | 1:31:34 | |
-It's actually a tankard with all the FA Cup winners on it. -Hm. No. | 1:31:34 | 1:31:39 | |
'Chris is currently finding out what we've known for years.' | 1:31:39 | 1:31:44 | |
-The Cheery Bowler. -It's a lot of money. No. | 1:31:44 | 1:31:47 | |
'Thomas Plant is a very difficult man to please.' | 1:31:47 | 1:31:51 | |
-What about that thing there? -No. | 1:31:51 | 1:31:53 | |
See? "No. No." | 1:31:53 | 1:31:56 | |
Supposedly, according to Tom, | 1:31:56 | 1:31:58 | |
we are looking for something with the wow factor. | 1:31:58 | 1:32:03 | |
I keep picking up stuff with the "Eugh" factor, according to him. | 1:32:03 | 1:32:07 | |
No, no, no. | 1:32:07 | 1:32:09 | |
'No.' | 1:32:09 | 1:32:10 | |
'So with Chris's spirits suitably crushed, it's off to Halcyon Days.' | 1:32:10 | 1:32:15 | |
-What's that? -No. | 1:32:15 | 1:32:17 | |
'He means yes. | 1:32:17 | 1:32:19 | |
'Thomas has fallen in love with an anchor. Chris hates it.' | 1:32:19 | 1:32:23 | |
-Bit of fun. -It says, "Not from Titanic." -Doesn't matter. | 1:32:23 | 1:32:27 | |
That is a bit of fun. What do you think? | 1:32:27 | 1:32:30 | |
Um... | 1:32:32 | 1:32:33 | |
'I told you. He hates it.' | 1:32:33 | 1:32:35 | |
Let's have a look at it. | 1:32:35 | 1:32:37 | |
Big old heavy cast iron anchor. | 1:32:40 | 1:32:43 | |
-It's very, very heavy. -You seem surprised! | 1:32:43 | 1:32:47 | |
That an anchor's heavy. That's what I'm worried about. | 1:32:47 | 1:32:50 | |
-Well... -You're supposed to be the knowledgeable one. -Am I really? | 1:32:50 | 1:32:55 | |
It's got a bit of age. | 1:32:55 | 1:32:58 | |
It's not brand new, I don't think. | 1:32:58 | 1:33:01 | |
-No. -You know. It's... | 1:33:01 | 1:33:03 | |
It's a bit mad. | 1:33:04 | 1:33:06 | |
-Mad or bad? -You've got to buy the maddest thing. | 1:33:08 | 1:33:12 | |
-It's got to appeal. It's got to be... -Yeah. -Showy. | 1:33:12 | 1:33:16 | |
-Do you know what I mean? -I get showy. | 1:33:16 | 1:33:19 | |
'Thomas's next move - ignore everything Chris has just said.' | 1:33:19 | 1:33:23 | |
-I'm quite keen on the anchor. -Yes. -Quite keen on the anchor. | 1:33:23 | 1:33:27 | |
But not keen on the price tag on it. | 1:33:27 | 1:33:29 | |
'And, of course, make Maureen an offer.' | 1:33:29 | 1:33:32 | |
-£8 off. 45. -Couldn't you do any more than that? | 1:33:32 | 1:33:36 | |
-Well, it isn't mine. -Right, OK. | 1:33:36 | 1:33:39 | |
-You wouldn't do it for 35? -No. Definitely not. No. | 1:33:39 | 1:33:43 | |
-What about 40, then? -Possibly 40. -Possibly 40? | 1:33:43 | 1:33:47 | |
-For 40, you're getting a bargain. -Do you think so? -I do, indeed. | 1:33:47 | 1:33:52 | |
-Let me look at your eyes. Are you trustworthy? -I am trustworthy! | 1:33:52 | 1:33:56 | |
-I am very trustworthy. -She is trustworthy. | 1:33:56 | 1:34:00 | |
What do you think? | 1:34:00 | 1:34:02 | |
It has grown on me, I must admit. I didn't like it originally. | 1:34:03 | 1:34:07 | |
But it has grown on me. | 1:34:07 | 1:34:09 | |
-It's a showy thing. -It is. And it is unusual. | 1:34:09 | 1:34:12 | |
There's not going to be another one in the auction. | 1:34:12 | 1:34:15 | |
I want to go for it. Do you want to go for it? | 1:34:15 | 1:34:19 | |
-WE want to go for it. -You want to go for it. -I'm there. | 1:34:19 | 1:34:23 | |
'So, in summary, I think they're going to go for it. Right, Chris?' | 1:34:23 | 1:34:28 | |
Wasn't the wow factor I'm looking for. | 1:34:28 | 1:34:31 | |
It has worked on me. | 1:34:31 | 1:34:33 | |
Still not convinced, but I've got to believe in him, haven't I? | 1:34:34 | 1:34:38 | |
'Yup, and now the boys have got their little piece of wow, | 1:34:38 | 1:34:42 | |
'as chosen and approved by Thomas, it's off to Strand Quay Antiques.' | 1:34:42 | 1:34:46 | |
A-ha! | 1:34:46 | 1:34:48 | |
-TUFFERS: Here we go! -Hello, boys! | 1:34:48 | 1:34:51 | |
How have you got on? | 1:34:51 | 1:34:53 | |
-Oooh! -He's got an itchy nose! | 1:34:53 | 1:34:56 | |
Have you bought anything? We may have made a purchase! | 1:34:56 | 1:35:01 | |
-You know you said you'd made a big gamble? -Yes. | 1:35:01 | 1:35:04 | |
We've seen yours and we've raised you one! | 1:35:04 | 1:35:08 | |
We're going to go for it now. | 1:35:08 | 1:35:10 | |
-Have you done this shop? -Tuffers, let's go. | 1:35:10 | 1:35:14 | |
-Good luck. -We don't want your rejects! | 1:35:14 | 1:35:17 | |
Tuffers, show me the glide again, the Come Dancing glide! | 1:35:17 | 1:35:21 | |
Sensational! | 1:35:21 | 1:35:24 | |
-Sev-en! -TUFFERS LAUGHING: Sev-en! | 1:35:24 | 1:35:27 | |
'Coast now clear, Chris has spotted something he likes.' | 1:35:28 | 1:35:32 | |
Look at that! | 1:35:32 | 1:35:33 | |
'But what, we all ask, will Thomas say?' | 1:35:33 | 1:35:37 | |
You can either go... # Putting on my top hat! # | 1:35:37 | 1:35:40 | |
Or this. | 1:35:40 | 1:35:42 | |
-AS TOMMY COOPER: -Ha-ha-ha! | 1:35:42 | 1:35:45 | |
THOMAS LAUGHS | 1:35:45 | 1:35:47 | |
-What do you think? -You look rather fetching. | 1:35:47 | 1:35:50 | |
-That is quite good. -You reckon? -I like that, yeah. | 1:35:50 | 1:35:53 | |
'But how will it fare at an auction in Chiswick?' | 1:35:53 | 1:35:57 | |
So, 1961. | 1:35:57 | 1:35:59 | |
I don't recognise that name. | 1:36:01 | 1:36:04 | |
-I mean, there are no famous fez makers, are there? -No. | 1:36:04 | 1:36:08 | |
But the arrow means that it's military. | 1:36:08 | 1:36:12 | |
Does that not make it more collectable? | 1:36:12 | 1:36:15 | |
Hugely more collectable. | 1:36:15 | 1:36:17 | |
And we've already got that military theme running through our purchases. | 1:36:17 | 1:36:22 | |
I think it's twenty...something pounds. | 1:36:22 | 1:36:26 | |
£28. | 1:36:26 | 1:36:28 | |
I want it for nothing. | 1:36:28 | 1:36:30 | |
Do you want to do a bad cop thing? | 1:36:31 | 1:36:34 | |
-I'll give it a go. -Do you want to give it a go? You're not that keen. | 1:36:34 | 1:36:38 | |
Well, I'm not that good at being a bad cop. You do it VERY well. | 1:36:38 | 1:36:43 | |
I'm normally the nice guy. | 1:36:43 | 1:36:45 | |
-I'd hate to see the bad cop! -THOMAS LAUGHS | 1:36:45 | 1:36:49 | |
'Well, Thomas, if the shoe fits.' | 1:36:49 | 1:36:51 | |
I would like to give you a figure. | 1:36:51 | 1:36:53 | |
Now, you don't have to take it. | 1:36:53 | 1:36:55 | |
I'd like to start you somewhere. Then we could finish somewhere. | 1:36:55 | 1:37:00 | |
-How does £15 sound? -No. | 1:37:00 | 1:37:04 | |
-A good price. -OK. | 1:37:04 | 1:37:06 | |
We've got 28. You're offering me 15. | 1:37:06 | 1:37:09 | |
-I'll compromise. I'll do it for 18. -£18? -Yeah. -What do you think? | 1:37:09 | 1:37:14 | |
-That's cash. -It WILL be cash. | 1:37:14 | 1:37:16 | |
-Cash. -Fine. -We haven't got any credit anywhere, have we? | 1:37:16 | 1:37:20 | |
-LAUGHTER -It's got to be cash. | 1:37:20 | 1:37:23 | |
-I think that is a wonderful gesture, £18. -It's a wonderful gesture. | 1:37:23 | 1:37:27 | |
-And it's great fun. -OK. Sold. | 1:37:27 | 1:37:29 | |
-Is that all right? -That's fine. -Thank you, sir. -Thank you. | 1:37:29 | 1:37:33 | |
Thank you very much. | 1:37:33 | 1:37:35 | |
-I know it's moth-eaten, but it's going to make people smile. -True. | 1:37:35 | 1:37:39 | |
-I didn't even have to come in with my bad cop! -You didn't. | 1:37:39 | 1:37:43 | |
-I was ready there! -Were you? -I'd had a stretch. | 1:37:43 | 1:37:47 | |
And I was in! | 1:37:47 | 1:37:49 | |
-But, great man! -Here we are. There's 20. Thank you very much. | 1:37:49 | 1:37:54 | |
'Determined to spend every penny of their £400 stake, the two Phils | 1:37:54 | 1:37:59 | |
'are trying their luck at Quay Antiques.' | 1:37:59 | 1:38:02 | |
This looks a good spot, Phil. | 1:38:02 | 1:38:05 | |
'Earlier in the day, the competition were also browsing this shop, | 1:38:05 | 1:38:09 | |
'and right up to the point Thomas said no, | 1:38:09 | 1:38:11 | |
'Chris was keen on this wee item.' | 1:38:11 | 1:38:14 | |
-I'm just thinking, Tuffers. We've got to think creatively. -Yeah. | 1:38:14 | 1:38:18 | |
I think that's worth £5 to £10. | 1:38:18 | 1:38:20 | |
If Tuffers signs it, it might be worth £20 to £30. | 1:38:20 | 1:38:24 | |
-I don't know. -"Best wishes, Phil Tufnell." | 1:38:24 | 1:38:27 | |
-A Cheeky Bowler. -A Cheeky Bowler! That's definitely it. | 1:38:27 | 1:38:32 | |
-That's what we're going to do, yeah? -All right. -It's got to be £5 to £10. | 1:38:32 | 1:38:36 | |
I bet you he won't sell it for less than £25 or £30. We'll walk away. | 1:38:36 | 1:38:41 | |
-Yeah. -We'll be firm. -We will. | 1:38:41 | 1:38:43 | |
'Don't worry, Philip, I'm sure you'll charm the pants off Norman. | 1:38:43 | 1:38:47 | |
'Well, figuratively speaking.' | 1:38:47 | 1:38:49 | |
-Hello, hello. Hiya. -How you going? | 1:38:49 | 1:38:52 | |
A Cheery Bowler. We quite like that. | 1:38:52 | 1:38:55 | |
But at £40, we've got more chance of rowing to the moon. | 1:38:55 | 1:39:00 | |
I think at auction that's £10 to £20. | 1:39:00 | 1:39:03 | |
Unfortunately, it's all different traders, you see. | 1:39:03 | 1:39:06 | |
I can only do so much. | 1:39:06 | 1:39:09 | |
-So we could do... -30 would be his best. | 1:39:09 | 1:39:12 | |
-Ooh. -No, we couldn't do that. | 1:39:12 | 1:39:15 | |
I would like to buy it. Can I make a suggestion? Can you ring the guy up? | 1:39:15 | 1:39:19 | |
We'll have a look round. Ring the guy up and explain what we're doing. | 1:39:19 | 1:39:23 | |
-If he'd take 15 quid, we'd love to buy it off him. -I'll try. | 1:39:23 | 1:39:27 | |
-Do your best. -I'm not hopeful. -You've got two hard-up people. -Yeah. | 1:39:27 | 1:39:31 | |
-Incredibly poor. -Yeah. -Can't even afford new cars. | 1:39:31 | 1:39:35 | |
'It's quite a sob story. Just one problem. | 1:39:35 | 1:39:38 | |
'Old Norm can't seem to find the dealer's phone number.' | 1:39:38 | 1:39:42 | |
Go for an executive decision. That's a suspiciously old label. | 1:39:42 | 1:39:46 | |
It's been here years. So 15 quid. How's that, then? | 1:39:46 | 1:39:51 | |
-Oh, dear. -Money on the table. | 1:39:51 | 1:39:53 | |
Good man! Get in there, Tuffers! | 1:39:53 | 1:39:55 | |
Have I said yes? Did I say yes? | 1:39:55 | 1:39:58 | |
I'm quite pleased about that. | 1:39:58 | 1:40:00 | |
'While the two Phils have blown almost every penny, | 1:40:00 | 1:40:04 | |
'the competition still have £240, which Thomas won't let Chris spend.' | 1:40:04 | 1:40:09 | |
-We don't have to buy anything. -I think that's a chicken's way out. | 1:40:09 | 1:40:14 | |
'That's right. Speculation IS the point of this contest. | 1:40:14 | 1:40:18 | |
'Go ahead, Chris. Buy something nice.' | 1:40:18 | 1:40:21 | |
We've got a tantalus. | 1:40:21 | 1:40:23 | |
'Oh. Perhaps not £395 nice.' | 1:40:23 | 1:40:26 | |
Press the button. | 1:40:28 | 1:40:30 | |
Ah! That's my idea of paradise. | 1:40:33 | 1:40:36 | |
-Is it popular? -They are quite popular, with a 1 in front of it. | 1:40:36 | 1:40:41 | |
Do you think she'd do anything on that? | 1:40:44 | 1:40:47 | |
-It's asking a bit much, isn't it? -No. | 1:40:47 | 1:40:49 | |
You could try for every single last penny, | 1:40:49 | 1:40:53 | |
but I think you might lose money. | 1:40:53 | 1:40:55 | |
'I quite agree, though this time it's Chris who gets his way.' | 1:40:55 | 1:40:59 | |
- A colleague's got the tantalus. - Are they up for a deal? | 1:40:59 | 1:41:03 | |
-I can phone them and find out. -Oh! | 1:41:03 | 1:41:06 | |
Can I ring them? | 1:41:06 | 1:41:09 | |
-I'll call and you can speak to them. -That'll be great. | 1:41:09 | 1:41:12 | |
'But Julie needs to be fast, | 1:41:12 | 1:41:15 | |
'because just outside, the enemy is approaching.' | 1:41:15 | 1:41:20 | |
They're nice. How old would they be? | 1:41:20 | 1:41:23 | |
Lord knows! These are the property of some hospital in about 1953. | 1:41:23 | 1:41:28 | |
The leather's had it. | 1:41:28 | 1:41:30 | |
That's a shame. | 1:41:30 | 1:41:32 | |
-£16.50. I think they're a fiver, Tuffers. -You reckon a fiver? | 1:41:33 | 1:41:38 | |
They've got a little wing nut, so adjustable. | 1:41:38 | 1:41:42 | |
Oo-arrr! Oooo-arrrr! | 1:41:42 | 1:41:45 | |
-Jim lad. -Behind you! -Pieces of eight. Pieces of eight. | 1:41:45 | 1:41:49 | |
THOMAS: Listen to that! | 1:41:49 | 1:41:51 | |
I can hear them making a racket. | 1:41:51 | 1:41:54 | |
Spoiling our business. | 1:41:54 | 1:41:56 | |
Spoiling our fun. | 1:41:56 | 1:41:58 | |
'And now they're coming in! Julie, not a word about the tantalus.' | 1:41:58 | 1:42:04 | |
We're just doing some nice quiet business, in a cordial fashion. | 1:42:04 | 1:42:08 | |
-THOMAS: Are you hiding something? -Where? | 1:42:08 | 1:42:11 | |
Ooh, hello. | 1:42:13 | 1:42:14 | |
Higher! Higher! | 1:42:14 | 1:42:16 | |
JULIE: They'd like a word about your tantalus. | 1:42:16 | 1:42:19 | |
TUFFERS: Oh! Tantalus! | 1:42:19 | 1:42:22 | |
'Oh, nice one, Julie(!)' | 1:42:22 | 1:42:25 | |
See you in a minute. | 1:42:25 | 1:42:26 | |
'So, as his mentor looks on, this is finally Chris's chance to buy something he chose himself.' | 1:42:26 | 1:42:33 | |
Just wondering whether you could do a deal. | 1:42:33 | 1:42:37 | |
Right. OK. Ahhh. | 1:42:38 | 1:42:42 | |
And there's nothing you can do on that at all? | 1:42:42 | 1:42:46 | |
Lovely to speak to you. | 1:42:46 | 1:42:48 | |
Rubbish. Unfortunately, best she could do was 340. | 1:42:49 | 1:42:53 | |
'In other words, it's time to take their £240 elsewhere. | 1:42:53 | 1:42:58 | |
'Although, I'm sure you can guess how this story ends.' | 1:42:58 | 1:43:02 | |
-I've seen another hat over there. -No. | 1:43:02 | 1:43:05 | |
-Trunks. -Mm-hm. No. | 1:43:05 | 1:43:08 | |
No. | 1:43:08 | 1:43:09 | |
'People who ARE prepared to spend money are Serrell and Tuffers.' | 1:43:09 | 1:43:14 | |
-These... -TUFFERS LAUGHS | 1:43:14 | 1:43:17 | |
-I've got to be truthful. -Go on. | 1:43:17 | 1:43:20 | |
These lousy crutches look out of context in your wonderful stock. | 1:43:20 | 1:43:24 | |
You want a "really good price" on the crutches? | 1:43:24 | 1:43:27 | |
Would you take the change in our pockets? | 1:43:27 | 1:43:30 | |
-No. It's probably 10p. -No. | 1:43:30 | 1:43:33 | |
I promise you it's more than that. That's only one of them! | 1:43:33 | 1:43:37 | |
-There's more to come. -There you are. | 1:43:37 | 1:43:40 | |
JULIE: How much is on the ticket? | 1:43:40 | 1:43:43 | |
-We don't look at tickets. -I think it's £16.50. | 1:43:43 | 1:43:47 | |
I don't think £1.90 is going to do it. | 1:43:47 | 1:43:50 | |
-There's a one-off offer coming. -Go on. | 1:43:50 | 1:43:54 | |
-I'll put this back in my pocket. -Take the change back. | 1:43:55 | 1:43:59 | |
There's a one-off offer coming. | 1:43:59 | 1:44:01 | |
What are we going to do with a pair of crutches? | 1:44:01 | 1:44:05 | |
-Do you agree with that, or not? -Why not? | 1:44:05 | 1:44:08 | |
-That's it. Finished. -Go on, then. | 1:44:08 | 1:44:10 | |
-I'll take a fiver. -Sure? -Yeah. | 1:44:10 | 1:44:12 | |
TUFFERS: You're a wonderful woman! I think we've been mugged off! | 1:44:12 | 1:44:17 | |
-ALL LAUGH -We've been completely mugged off! | 1:44:17 | 1:44:19 | |
-I hope you make a profit on them. > -Yeah. We'll let you know. | 1:44:20 | 1:44:24 | |
'And with that, the last of the big spenders limp off into the sunset.' | 1:44:24 | 1:44:30 | |
Get them bowls out! | 1:44:30 | 1:44:32 | |
-That's what we need. -Some of them might need your crutches! | 1:44:32 | 1:44:36 | |
'Capital thinking, boys, but right now it's time for a show and tell.' | 1:44:36 | 1:44:41 | |
-How good are they? -Real wood. | 1:44:42 | 1:44:45 | |
Not fake wood! Good! | 1:44:45 | 1:44:47 | |
Or plastic. > | 1:44:47 | 1:44:49 | |
I like the fact that they're adjustable. | 1:44:49 | 1:44:52 | |
-How much did you pay? -How much do you think we paid? | 1:44:52 | 1:44:56 | |
-£15. -Yours, sir. -No! No! | 1:44:56 | 1:44:59 | |
Fiver. | 1:44:59 | 1:45:01 | |
-That's good. -£2.50 each. | 1:45:01 | 1:45:04 | |
She was robbed. | 1:45:04 | 1:45:05 | |
< This is our first item. | 1:45:05 | 1:45:08 | |
It's a little lot. | 1:45:08 | 1:45:10 | |
We've had a bit of fun. This is a sobering item. | 1:45:10 | 1:45:15 | |
Death plaques for the First World War. | 1:45:15 | 1:45:18 | |
If you were killed, your family were sent a plaque. | 1:45:18 | 1:45:22 | |
-You loved the story. -I'm sorry. I got a bit involved. | 1:45:22 | 1:45:26 | |
I am fascinated by things that you can touch that's real history. | 1:45:26 | 1:45:30 | |
-PHIL: I like that. -Yeah. -Yeah. Good stuff. | 1:45:30 | 1:45:34 | |
'As for Phil's next buy, these two might just recognise it.' | 1:45:34 | 1:45:39 | |
BOTH: Ahh! | 1:45:39 | 1:45:41 | |
We saw that! | 1:45:41 | 1:45:43 | |
-Did you? -We think... | 1:45:43 | 1:45:46 | |
Look at the 'tashes on there! | 1:45:46 | 1:45:49 | |
We saw this. That's not you, Phil, is it? > | 1:45:49 | 1:45:53 | |
-I haven't got a moustache. -We loved that. -What's that worth? | 1:45:53 | 1:45:58 | |
-Well, we saw the price, £40, and just dismissed it. -Walked off. | 1:45:58 | 1:46:02 | |
-It's got to be worth a tenner. -We thought it's worth 10 or 15. | 1:46:02 | 1:46:06 | |
Until we thought you could put a bit of added value. | 1:46:06 | 1:46:10 | |
Oh, no! You've only played, literally, the joker card! | 1:46:10 | 1:46:14 | |
-Shall I? Best wishes? -Best wishes. Yeah. | 1:46:14 | 1:46:17 | |
-'All's fair in love and antiques.' -Freddie Flintoff! | 1:46:17 | 1:46:22 | |
£4.50! > | 1:46:22 | 1:46:25 | |
-It's going to make 30 quid! -< Y-yes. | 1:46:25 | 1:46:28 | |
Now Tuffers has signed it, they'll all giggle and it'll make 50 quid. | 1:46:28 | 1:46:33 | |
'Can the same be said for this?' | 1:46:33 | 1:46:36 | |
-What is it? -We're in Rye. | 1:46:36 | 1:46:39 | |
Don't start! | 1:46:39 | 1:46:41 | |
Harbour and docks, and you bought an anchor to take to Chiswick. | 1:46:41 | 1:46:45 | |
-Yeah. -Yeah. | 1:46:45 | 1:46:47 | |
There's a lot of wharfs in London. | 1:46:47 | 1:46:50 | |
A lot of wharfs? | 1:46:50 | 1:46:52 | |
It's a decorator's thing. Don't you think? | 1:46:52 | 1:46:55 | |
-It's a big 'un. -It's heavy. | 1:46:55 | 1:46:58 | |
It's not too big, not too small. It's a good showy object. | 1:46:58 | 1:47:03 | |
It didn't cost a great deal of money. | 1:47:03 | 1:47:06 | |
-50 quid? -There's a good 50 quid's worth of scrap there! | 1:47:07 | 1:47:11 | |
-< 40 notes. -That's fine, isn't it? | 1:47:11 | 1:47:14 | |
Yeah. That's what you've got to think about. Profit, profit, profit. | 1:47:14 | 1:47:18 | |
What do you think to those? | 1:47:19 | 1:47:22 | |
Ah! I used to be a BBC bowls correspondent! | 1:47:22 | 1:47:26 | |
-Really? -Yes! | 1:47:26 | 1:47:28 | |
We got eight. > | 1:47:28 | 1:47:30 | |
-We found them in two shops. -You're kidding? -They're all paired up. | 1:47:30 | 1:47:34 | |
-Lignum vitae, aren't they? -Yes. -The only wood which doesn't float. | 1:47:34 | 1:47:39 | |
'Thomas and Chris's next purchase comes complete with...' | 1:47:39 | 1:47:43 | |
Ha-ha-ha-ha! | 1:47:43 | 1:47:46 | |
'..a very bad Tommy Cooper impersonation.' | 1:47:46 | 1:47:49 | |
It's a tall one! LAUGHTER | 1:47:49 | 1:47:52 | |
I've never seen one that tall. Have you? | 1:47:52 | 1:47:56 | |
-And if you say it suits me... -That's a belter! | 1:47:56 | 1:48:00 | |
'And we can guarantee that anyone | 1:48:00 | 1:48:03 | |
'who tries this on will be compelled to do this.' | 1:48:03 | 1:48:07 | |
-What is it that makes you do that? -Light bulb. | 1:48:07 | 1:48:10 | |
Heavy bulb. | 1:48:10 | 1:48:12 | |
I see something lurking. | 1:48:12 | 1:48:14 | |
'And for Tuffers' next trick, he pulls a nut trolley out of a bush.' | 1:48:14 | 1:48:18 | |
I'll move the table. | 1:48:18 | 1:48:21 | |
-Exactly. Move the table, and make way... -For a little table. | 1:48:21 | 1:48:26 | |
-..for the coffee table. -I like it. | 1:48:26 | 1:48:29 | |
-These are new tops, put on for a coffee table. -Yeah. | 1:48:29 | 1:48:33 | |
Nice splinter sort of action. | 1:48:33 | 1:48:36 | |
We stuck on 300 forever and a day. | 1:48:36 | 1:48:38 | |
-That's a lot of wood for 300 quid! -It cost us 230. -230. | 1:48:38 | 1:48:43 | |
-Ooh! -And I'm not sure. | 1:48:43 | 1:48:45 | |
Tom, I said, on a really bad day, this could make | 1:48:45 | 1:48:49 | |
-£100, £120, couldn't it? -< Not a chance. | 1:48:49 | 1:48:52 | |
-You don't think so? -It's going to do well. | 1:48:52 | 1:48:55 | |
I reckon that's gonna get... | 1:48:55 | 1:48:57 | |
350, at the auction. Fantastic. This is great. | 1:48:57 | 1:49:01 | |
I think we've all bought items with profit in them. | 1:49:01 | 1:49:05 | |
-Be good, wouldn't it? -Lovely. -Yours have more profit in them. | 1:49:05 | 1:49:09 | |
'But enough of the niceties. What do our contestants really think?' | 1:49:09 | 1:49:13 | |
The only thing I'd like of theirs would be the trolley. | 1:49:13 | 1:49:17 | |
-Would you have paid 230 for it? -No. Do you know why? | 1:49:17 | 1:49:21 | |
-Because you wouldn't have let me. -No! Do you think I've been tight? | 1:49:21 | 1:49:25 | |
-Yes! -Really? -VERY tight! | 1:49:25 | 1:49:28 | |
But I have enjoyed it. It was every time, "No." | 1:49:28 | 1:49:31 | |
"What about 140?" "Oh!" That's what you do. | 1:49:31 | 1:49:35 | |
I LOVE the fez. I think it's brilliant. | 1:49:35 | 1:49:38 | |
I'd buy it. I'd do the barbecuing in it. | 1:49:38 | 1:49:41 | |
The most they can lose is £30 to £50, and the most they could make is perhaps 150. | 1:49:41 | 1:49:47 | |
-We've taken a much bigger gamble. We are... -We are the gamble team. | 1:49:47 | 1:49:52 | |
'After first revving our engines in Hastings, | 1:49:52 | 1:49:55 | |
'the Celebrity Road Trip comes to an end in Chiswick. | 1:49:55 | 1:50:01 | |
'That's old English for "cheese farm". | 1:50:01 | 1:50:04 | |
'Enough from me, we've got an auction to go to. | 1:50:04 | 1:50:08 | |
'And Philip Serrell, Thomas Plant, Chris Hollins and Phil Tufnell | 1:50:08 | 1:50:13 | |
'are descending on Chiswick Auctions hoping to make a small fortune.' | 1:50:13 | 1:50:17 | |
Ah! Partner! | 1:50:17 | 1:50:19 | |
-Oppo! -How are you? Tuffers. | 1:50:19 | 1:50:21 | |
Are you nervous? A little bit nervous. | 1:50:21 | 1:50:24 | |
A little bit worried about a few items. | 1:50:24 | 1:50:28 | |
I'm terrified. Absolutely completely terrified. | 1:50:28 | 1:50:31 | |
-We haven't got a lot to lose because we didn't spend much. -We were mean. | 1:50:31 | 1:50:36 | |
-I was mean with the purse strings. -We might need our crutches. | 1:50:36 | 1:50:39 | |
They're going to go nuts for our trolley. | 1:50:39 | 1:50:42 | |
LAUGHTER | 1:50:42 | 1:50:45 | |
'Both teams began this journey with £400 in the coffers, | 1:50:46 | 1:50:50 | |
'and two days on, Team Tufnell has played an aggressive game, | 1:50:50 | 1:50:55 | |
'spending £310 on four lots.' | 1:50:55 | 1:50:57 | |
Thank you very much. Give us a kiss. | 1:50:57 | 1:51:00 | |
'Team Hollins has played it safe, | 1:51:00 | 1:51:02 | |
'parting with just £163 for three auction lots. | 1:51:02 | 1:51:06 | |
'Though, as Thomas likes to say, | 1:51:06 | 1:51:08 | |
'the bottom line is profit, profit, profit. | 1:51:08 | 1:51:12 | |
'So, on that note, how does auctioneer Tom Keane rate our competitors' chances?' | 1:51:12 | 1:51:19 | |
Today, for me, is going to be real hard work. | 1:51:19 | 1:51:22 | |
They bought some tough lots to sell, quirky things. | 1:51:22 | 1:51:26 | |
We've catalogued the trolley as a coffee table, | 1:51:26 | 1:51:30 | |
hoping someone will see what we see, a fantastic piece of engineering. | 1:51:30 | 1:51:34 | |
But what's it going to make? It's heavy. People can't lift it. | 1:51:34 | 1:51:38 | |
The best buy of the day is Chris and Thomas, the World War I medallions. | 1:51:38 | 1:51:44 | |
They're quite a collector's item. | 1:51:44 | 1:51:46 | |
I have sold them for £50, £80 each. With a bit of paperwork, 150 each. | 1:51:46 | 1:51:50 | |
That could be the star lot. | 1:51:50 | 1:51:52 | |
'So without further ado, | 1:51:52 | 1:51:55 | |
'let the auction begin.' | 1:51:55 | 1:51:57 | |
It's like waiting to bat with a fast bowler. | 1:51:57 | 1:52:00 | |
'Tuffers, the waiting is over. | 1:52:00 | 1:52:03 | |
'First up, your pair of adjustable wooden crutches.' | 1:52:03 | 1:52:07 | |
What are these worth? £30? | 1:52:07 | 1:52:11 | |
-£10. -It's gone very quiet, Tuffers. | 1:52:11 | 1:52:13 | |
£10? | 1:52:13 | 1:52:14 | |
'50p, anyone?' | 1:52:14 | 1:52:16 | |
10. Thank you. The bid here at £10. | 1:52:16 | 1:52:19 | |
At £10. At 10. Who'll bid me 12? At £10. Give me 12. | 1:52:19 | 1:52:23 | |
-Get in there! -12 I've got. Give me 15. Give me 13. | 1:52:23 | 1:52:27 | |
13. Do you want 14? | 1:52:27 | 1:52:29 | |
£13. Take 14. At £13. | 1:52:29 | 1:52:32 | |
All done at £13. I'm gonna sell at 13... | 1:52:32 | 1:52:35 | |
-Well done. -That's all right. -That's a profit. £13! | 1:52:35 | 1:52:39 | |
'At least the two Phils will be "walking away" | 1:52:39 | 1:52:43 | |
'with an £8 profit before commission. | 1:52:43 | 1:52:46 | |
'Next, it's the auction lot | 1:52:46 | 1:52:49 | |
'that inspired one bad Tommy Cooper impersonation after another. | 1:52:49 | 1:52:53 | |
'Thomas and Chris's military fez.' | 1:52:53 | 1:52:56 | |
I've got a commission bid. | 1:52:56 | 1:52:58 | |
I'm bid £12. Give me 14 now. I'm bid 12. Give me 14 for it. | 1:52:58 | 1:53:02 | |
14. Thank you. 16. 18. 20. | 1:53:02 | 1:53:05 | |
22? 24? | 1:53:05 | 1:53:07 | |
The bid's at £22. Take 23. Going at 22. All done at £22...? | 1:53:07 | 1:53:11 | |
I like that. Still a profit. Minute. | 1:53:11 | 1:53:14 | |
-That is for nothing, Tom. -Profit? £4? | 1:53:14 | 1:53:18 | |
'That's right, Chris. Most of which will disappear in commission. | 1:53:18 | 1:53:22 | |
'Just like that! | 1:53:22 | 1:53:24 | |
'Moving on now, to Phil's lignum bowls. | 1:53:24 | 1:53:28 | |
'Maybe these will finally get the bidders of Chiswick rolling.' | 1:53:28 | 1:53:33 | |
£100? | 1:53:33 | 1:53:35 | |
£30? I'm bid at £30. Give me 32... | 1:53:35 | 1:53:38 | |
What did we pay? | 1:53:38 | 1:53:40 | |
..Two. 35. | 1:53:40 | 1:53:41 | |
38. 40. 42. 45. 48. | 1:53:41 | 1:53:46 | |
50? At £48. You want 50 over there. | 1:53:46 | 1:53:48 | |
50. 55. 60. 65. 70. | 1:53:48 | 1:53:52 | |
The bid's at 65. Who wants 70? At £65, are we done? | 1:53:52 | 1:53:55 | |
Your last chance to bid. At 65 and gone. | 1:53:55 | 1:53:58 | |
Ten quid off. That lost us a fiver. | 1:53:58 | 1:54:01 | |
'Ah, well. Better than a slap in the eye with a wet kipper. | 1:54:01 | 1:54:05 | |
'When can things get any worse? | 1:54:05 | 1:54:08 | |
'Try now. Along comes Thomas and Chris's anchor.' | 1:54:08 | 1:54:13 | |
£100 for it? | 1:54:13 | 1:54:15 | |
£50 for it, then, please? £50? £30? | 1:54:15 | 1:54:19 | |
I'm doing it slow cos his arm's getting tired! £20 to go. 20 bid. | 1:54:20 | 1:54:25 | |
22. 25? 25. 28? 28. 30? | 1:54:25 | 1:54:29 | |
32? 35? 38? | 1:54:29 | 1:54:32 | |
At £35 bid. | 1:54:32 | 1:54:33 | |
The ship's anchor at 35. Take 38. Who else wants to bid me? At £35. | 1:54:33 | 1:54:38 | |
At 35 and going. All done. | 1:54:38 | 1:54:40 | |
-I reckon it scrapped at more. -Yeah. It did. | 1:54:40 | 1:54:44 | |
'Yet another auction lot sinks without a trace. Or a Sharon. | 1:54:44 | 1:54:49 | |
'Which puts the two Phils into first place. | 1:54:49 | 1:54:54 | |
'Perhaps the Cheery Bowler, signed by one Mr Phil Tufnell, | 1:54:54 | 1:54:58 | |
'can finally bring in the mula.' | 1:54:58 | 1:55:01 | |
-Do you get £100 a signature? -Usually! | 1:55:01 | 1:55:04 | |
£20 for it? Signature's worth that. £10 for it? | 1:55:04 | 1:55:08 | |
10 I'm bid. Who'll give me 12? 12. 15? | 1:55:08 | 1:55:11 | |
15. Do you want 18? 18. 20...? | 1:55:11 | 1:55:13 | |
You're in profit. | 1:55:13 | 1:55:16 | |
..It's signed. 20. 22? 22. 25...? | 1:55:16 | 1:55:19 | |
'My gosh! The unbridled power of celebrity! It's thrilling!' | 1:55:21 | 1:55:26 | |
..No? At £28. 29 there. 30 there. Give me 32. 32. | 1:55:26 | 1:55:31 | |
35. 38. 40? 40. 42? | 1:55:31 | 1:55:35 | |
42. 45? 48? 50? | 1:55:35 | 1:55:37 | |
52? 55? 58? | 1:55:37 | 1:55:39 | |
The bid's at £55. | 1:55:39 | 1:55:41 | |
All done at £55. Going to go at 55. | 1:55:41 | 1:55:44 | |
All finished at 55, then? Your bid at 55. 171, £55. | 1:55:44 | 1:55:49 | |
Well done, Tuffers! | 1:55:49 | 1:55:50 | |
'That's more like it. A £40 profit, before commission. | 1:55:50 | 1:55:56 | |
'Hoping they really have saved the best until last, | 1:55:56 | 1:56:00 | |
'Thomas and Chris present their World War I collection.' | 1:56:00 | 1:56:04 | |
Start me low at £50? Thank you. | 1:56:04 | 1:56:07 | |
£50. 55? 55. 60? Five. 70. Five. | 1:56:07 | 1:56:10 | |
80. Five. 90. | 1:56:10 | 1:56:12 | |
Five. 100? | 1:56:12 | 1:56:14 | |
110. 120. 130. 140... | 1:56:14 | 1:56:18 | |
Well done, Tom. | 1:56:18 | 1:56:21 | |
..140 there. Hands going up everywhere. 150. 160. 170. 180. | 1:56:21 | 1:56:25 | |
190. 200. | 1:56:25 | 1:56:28 | |
I'm bid at 190. Give me two for it. 200 bid. New bidder. | 1:56:28 | 1:56:31 | |
210? Hand goes down. At £200. Give me 210. At £200. | 1:56:31 | 1:56:36 | |
All done at £200? Your last chance. You out? All out? £200, gone. | 1:56:36 | 1:56:41 | |
'It's a much needed win for Thomas and Chris, | 1:56:41 | 1:56:45 | |
'putting them firmly into first place. | 1:56:45 | 1:56:48 | |
'But this party ain't over yet. | 1:56:48 | 1:56:51 | |
'The two Phils have invested £230 in this nut trolley-cum-coffee table. | 1:56:51 | 1:56:56 | |
'They're hoping the good people of Chiswick will go nuts for it! Ha!' | 1:56:56 | 1:57:01 | |
-Have you signed that? -I will do. -Yeah. | 1:57:01 | 1:57:04 | |
'There have been several commission bids so cross your fingers, lads.' | 1:57:04 | 1:57:09 | |
One, two, three, four commission bids. | 1:57:09 | 1:57:11 | |
-Get in there! -AUCTIONEER: Don't get too excited. | 1:57:11 | 1:57:16 | |
I'll tell you what the bids are. I've got £120. I've got £125... | 1:57:17 | 1:57:23 | |
-'That's not too good.' -..Two bids of £140 each. | 1:57:23 | 1:57:27 | |
'Anyone care for a sweet sherry?' | 1:57:27 | 1:57:30 | |
I've got 140. Take 150 for it. At 140. Worth more. | 1:57:30 | 1:57:33 | |
£140. Anyone want 50? It should be more than this. £140. | 1:57:33 | 1:57:37 | |
Are we done? At 140. That's the money so far. At 140. | 1:57:37 | 1:57:41 | |
All done at 140? Bid now if you want to. Commission bid gets it. | 1:57:41 | 1:57:45 | |
Ah, mate. I am genuinely gutted there. | 1:57:46 | 1:57:50 | |
'Well, they came, they saw, they lost £90 on a nut trolley, | 1:57:50 | 1:57:54 | |
'but you have to admire their spirit of adventure.' | 1:57:54 | 1:57:59 | |
GIGGLING: Well done. | 1:57:59 | 1:58:01 | |
Thomas, well done. | 1:58:01 | 1:58:04 | |
'So, rather than fortune favouring the bold, | 1:58:04 | 1:58:08 | |
'the two Phils have made an overall loss of £86.14p, | 1:58:08 | 1:58:12 | |
'which means they end their road trip with... | 1:58:12 | 1:58:17 | |
'Chris may have been frustrated by Thomas playing it safe, | 1:58:18 | 1:58:22 | |
'but it's worked a treat. | 1:58:22 | 1:58:24 | |
'After commission, they've earned a profit of £47.74p, | 1:58:24 | 1:58:28 | |
'giving them a winning total of... | 1:58:28 | 1:58:31 | |
'Well done!' | 1:58:31 | 1:58:33 | |
Ah! Glad that's over! That was nerve-racking. | 1:58:34 | 1:58:37 | |
-Well played, team. -Commiserations. | 1:58:37 | 1:58:40 | |
-You deserved to win. -Well done. Bad luck. | 1:58:40 | 1:58:44 | |
Really good fun. Rematch? | 1:58:44 | 1:58:46 | |
-Definitely. Any time. -Any time you want! | 1:58:46 | 1:58:49 | |
'Yup, it's been quite a journey. | 1:58:52 | 1:58:55 | |
'I don't know about you, but I feel a montage coming on.' | 1:58:55 | 1:58:59 | |
# The boys are back in town The boys are back in town | 1:59:01 | 1:59:04 | |
# I said the boys are back in town... # | 1:59:07 | 1:59:10 | |
'All the money our celebrities and experts make on this series | 1:59:10 | 1:59:14 | |
'will go to Children In Need.' | 1:59:14 | 1:59:16 | |
# The boys are back in town... # | 1:59:16 | 1:59:20 | |
'So thank you, everyone, especially today's winners, | 1:59:20 | 1:59:23 | |
'Chris Hollins and Thomas Plant. See ya.' | 1:59:23 | 1:59:26 | |
Subtitles by Red Bee Media Ltd | 1:59:33 | 1:59:36 | |
E-mail [email protected] | 1:59:36 | 1:59:39 |