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-Some of the nation's favourite celebrities... -Sensational! | 0:00:02 | 0:00:06 | |
-..one antiques expert each... -I know what you need. | 0:00:06 | 0:00:09 | |
You need a history book! | 0:00:09 | 0:00:11 | |
..for one big challenge - | 0:00:11 | 0:00:13 | |
who can seek out and buy the best antiques | 0:00:13 | 0:00:17 | |
at the very best prices... | 0:00:17 | 0:00:19 | |
What is the man saying? | 0:00:19 | 0:00:21 | |
-..at auction... -55. A new bidder. Thank you. | 0:00:21 | 0:00:24 | |
..for a big profit further down the road? | 0:00:24 | 0:00:27 | |
Who will spot the good investments? | 0:00:27 | 0:00:29 | |
Who will listen to advice, | 0:00:29 | 0:00:32 | |
and who will be the first to say, "Don't you know who I am?" | 0:00:32 | 0:00:36 | |
Time to put your mettle to the pedal! | 0:00:36 | 0:00:39 | |
This is the Celebrity Antiques Road Trip. | 0:00:42 | 0:00:46 | |
Yeah! | 0:00:48 | 0:00:50 | |
Yeah, you're right! This is a 1963 Aston Martin. | 0:00:51 | 0:00:55 | |
It moves. No, it purrs, actually. | 0:00:55 | 0:00:58 | |
And how could you possibly beat that? | 0:00:58 | 0:01:00 | |
Well, with two achingly cool icons of the silver screen... | 0:01:00 | 0:01:06 | |
..and sexy with it. | 0:01:07 | 0:01:09 | |
MUSIC: "James Bond Theme" | 0:01:10 | 0:01:13 | |
It is difficult to hear the words "Bond Babe" | 0:01:13 | 0:01:17 | |
without thinking of her. | 0:01:17 | 0:01:20 | |
She's the original Avenger turned Bond girl | 0:01:20 | 0:01:23 | |
turned cool Britannia legend. | 0:01:23 | 0:01:25 | |
Get out of here! | 0:01:25 | 0:01:27 | |
She's Miss Galore. | 0:01:27 | 0:01:30 | |
She's Honor Blackman. | 0:01:30 | 0:01:33 | |
Now, how much do you know about antiques? | 0:01:33 | 0:01:35 | |
Well, I really don't know that much about antiques, | 0:01:35 | 0:01:39 | |
but I opened some storage boxes, and I found photographs of myself | 0:01:39 | 0:01:43 | |
the size of this car. | 0:01:43 | 0:01:46 | |
And this erotic Nordic goddess | 0:01:46 | 0:01:49 | |
has been in our hearts since the swinging '60s - | 0:01:49 | 0:01:52 | |
one-time wife to Peter Sellers and Bond sidekick | 0:01:52 | 0:01:56 | |
in The Man With The Golden Gun. Look at that tummy! | 0:01:56 | 0:02:00 | |
Do we need to discuss my age? | 0:02:00 | 0:02:03 | |
She's Miss Goodnight. She's Britt Ekland. | 0:02:03 | 0:02:06 | |
You've had some marvellous cars, haven't you? | 0:02:06 | 0:02:09 | |
I have, yes. My first car was a Lotus Elan. | 0:02:09 | 0:02:13 | |
My second car was a Bristol Viotti. | 0:02:13 | 0:02:17 | |
My third car was the brand-new Mercedes, | 0:02:17 | 0:02:21 | |
and then I had a Maserati Ghibli, | 0:02:21 | 0:02:24 | |
and in one of my sheds... | 0:02:24 | 0:02:26 | |
Wow! Two sheds! | 0:02:26 | 0:02:29 | |
As celebrated and capable as they are, | 0:02:29 | 0:02:32 | |
we can't expect these fabulous girls to go it alone. | 0:02:32 | 0:02:35 | |
So we've got them some eye-candy! | 0:02:35 | 0:02:38 | |
Oh! | 0:02:40 | 0:02:41 | |
He's a veteran auctioneer and road-tripper, | 0:02:41 | 0:02:45 | |
but he's occasionally lost for words. | 0:02:45 | 0:02:48 | |
-THEY LAUGH -He is mounted with nuts. | 0:02:48 | 0:02:51 | |
He's now fully recovered. He's Charlie Ross! | 0:02:51 | 0:02:55 | |
That is the worst thing I've ever seen in my life! | 0:02:55 | 0:03:00 | |
And I know what you're thinking - | 0:03:00 | 0:03:02 | |
who's this daring, demonstrative Derbyshire dandy? | 0:03:02 | 0:03:07 | |
Well, I tell you, he's a fine young auctioneer. | 0:03:07 | 0:03:09 | |
He's Charles Hanson. | 0:03:09 | 0:03:11 | |
-Cross-breeding rabbits with chickens? -Yes. | 0:03:11 | 0:03:14 | |
-And it worked? -Of course not. -Oh! | 0:03:14 | 0:03:16 | |
OK, so he's not the sharpest tool in the box. | 0:03:16 | 0:03:20 | |
And, whilst the Bond babes enjoy their cool wheels, | 0:03:20 | 0:03:24 | |
our experts have to make do with a petite 1967 Triumph Vitesse. | 0:03:24 | 0:03:30 | |
My dad had one of those. | 0:03:30 | 0:03:32 | |
We are with two of the most famous actresses | 0:03:32 | 0:03:35 | |
-to have been on the big screen. -I can't wait, Charlie. | 0:03:35 | 0:03:38 | |
I really can't wait. You and I, we are going on a double date. | 0:03:38 | 0:03:42 | |
CHARLIE LAUGHS | 0:03:42 | 0:03:43 | |
I hope that my antique expert is not a young man. | 0:03:43 | 0:03:49 | |
It's been over 25 years since I last had a young man, | 0:03:49 | 0:03:52 | |
so let's hope that he's old and fat. | 0:03:52 | 0:03:55 | |
I don't want mine to be old and fat. | 0:03:55 | 0:03:57 | |
I want him to be very knowledgeable, to make up for me, | 0:03:57 | 0:04:01 | |
and I hope, er, fun, sense of humour, that's all. | 0:04:01 | 0:04:05 | |
-Hot, hot, hot! -THEY LAUGH | 0:04:05 | 0:04:08 | |
Now, you be careful what you wish for, girls. | 0:04:08 | 0:04:12 | |
Now, let's see where we're going. | 0:04:12 | 0:04:15 | |
Cambridge kicks off the competitive road-tripping, | 0:04:16 | 0:04:19 | |
ending at auction in glorious Greenwich, southeast London. | 0:04:19 | 0:04:23 | |
So, today's mission begins | 0:04:23 | 0:04:25 | |
in this handsome, sundrenched university city... | 0:04:25 | 0:04:28 | |
..home to punting, cycling, studying, | 0:04:30 | 0:04:33 | |
and, hopefully, shopping. | 0:04:33 | 0:04:35 | |
Be careful of the bicycles. There's a lot of bicycles here. | 0:04:35 | 0:04:38 | |
-How do I look? -You're looking absolutely gorgeous. | 0:04:38 | 0:04:42 | |
-You've had a haircut, haven't you? -Well, I thought, | 0:04:42 | 0:04:44 | |
we're meeting some serious talent. | 0:04:44 | 0:04:46 | |
Might as well try and look the part, OK? | 0:04:46 | 0:04:49 | |
-Shall we pull a pose? -Best behaviour. -Absolutely. | 0:04:49 | 0:04:52 | |
-Ladies! -Hello! | 0:04:52 | 0:04:54 | |
-Hi. I'm Charlie. -Hi! Britt. | 0:04:54 | 0:04:56 | |
-Hello! -Lovely to meet you. -And you. | 0:04:56 | 0:04:58 | |
-How's her driving? -It's absolutely brilliant. | 0:04:58 | 0:05:01 | |
-Is it? -It's a very difficult car to drive. | 0:05:01 | 0:05:04 | |
I'm sure it's not easy. Allow me to take your coat. | 0:05:04 | 0:05:07 | |
-Are you a car person, Honor? -I liked motorbikes, but not now. | 0:05:07 | 0:05:11 | |
Oh, dear, I'm all of a flutter! Now, we've got to pair up, girls. | 0:05:11 | 0:05:15 | |
-This is what we do. -Eeny, meeny, miny, mo? | 0:05:15 | 0:05:17 | |
SHE RECITES RHYME IN SWEDISH | 0:05:17 | 0:05:20 | |
There we are. | 0:05:21 | 0:05:24 | |
-What is all of this? -I think he's lost for words. | 0:05:24 | 0:05:27 | |
Why don't I go with Britt, because, you know, I'm the younger one | 0:05:27 | 0:05:30 | |
-of us two, and a bit more... -Oh! My word! | 0:05:30 | 0:05:34 | |
Charles, how could you? | 0:05:34 | 0:05:37 | |
Honor, I will be honoured to take you shopping. | 0:05:37 | 0:05:41 | |
And you come shopping with me. Let's leave these two. | 0:05:41 | 0:05:44 | |
-All right. -After you. -I knew it! | 0:05:44 | 0:05:46 | |
-I knew they'd give me the young one. -I'm delighted. | 0:05:46 | 0:05:50 | |
Good luck, everyone - especially Britt. You'll need it. | 0:05:50 | 0:05:53 | |
You've got £400 per team, instructions to shop, | 0:05:53 | 0:05:56 | |
and remember, if you're captured, we must deny all knowledge | 0:05:56 | 0:06:01 | |
of your actions. | 0:06:01 | 0:06:03 | |
Oh, my God! How long have you had your licence? | 0:06:03 | 0:06:05 | |
-About ten years. -Ten years? | 0:06:05 | 0:06:08 | |
I'm quite in control. | 0:06:08 | 0:06:10 | |
I think driving an iconic lady to me is just priceless. | 0:06:10 | 0:06:13 | |
More than any antique in the world, I've got you in the car with me. | 0:06:13 | 0:06:17 | |
We're talking antiques now, aren't we? | 0:06:17 | 0:06:19 | |
We are. Sorry. Sorry. | 0:06:19 | 0:06:21 | |
Almost too good weather to be shopping, isn't it? | 0:06:21 | 0:06:24 | |
The kind of shopping I can't bear is for clothes. | 0:06:24 | 0:06:27 | |
-This, I'm really looking forward to. -Look in the window. Do you see... | 0:06:27 | 0:06:31 | |
-I know! -So many things! | 0:06:31 | 0:06:33 | |
Ooh, yes! | 0:06:33 | 0:06:35 | |
You're going to have to concentrate. It's not going to be easy. | 0:06:35 | 0:06:38 | |
-There's so much to choose from! -We'll find something. After you. | 0:06:38 | 0:06:43 | |
Are you courting? | 0:06:43 | 0:06:45 | |
No. That was beautifully put. | 0:06:45 | 0:06:47 | |
-Oh. Are you looking for love? -No. I've got a dog. | 0:06:47 | 0:06:50 | |
Crikey, Charles! You're not wasting any time, mate. Moving in! | 0:06:50 | 0:06:55 | |
-Oh, my goodness! Look at that. -Do you like it or not? | 0:06:55 | 0:06:58 | |
-No. -Thank God for that! We're on the same wavelength! | 0:06:58 | 0:07:02 | |
-Yeah. -I have to say, that's awful, isn't it? | 0:07:02 | 0:07:05 | |
There's so much! | 0:07:05 | 0:07:08 | |
I know! There really are loads of items | 0:07:08 | 0:07:11 | |
in David Theobald Antiques' crowded shop. | 0:07:11 | 0:07:15 | |
And here for your shopping enquiries is owner Mr David Theobald himself. | 0:07:15 | 0:07:20 | |
-Honor! -Yes? -How's it going? | 0:07:21 | 0:07:23 | |
Um, delicate shapes don't seem to work anymore | 0:07:23 | 0:07:28 | |
for the present generation, | 0:07:28 | 0:07:30 | |
and it's the present generation in general that's buying. | 0:07:30 | 0:07:35 | |
Yep, I'm afraid it's us delicate people | 0:07:35 | 0:07:38 | |
who like the delicate things, darling. | 0:07:38 | 0:07:41 | |
David, what I know is popular | 0:07:41 | 0:07:45 | |
are great plates that you put on the kitchen wall, | 0:07:45 | 0:07:50 | |
pretending to be a farmhouse. | 0:07:50 | 0:07:52 | |
So many people build wonderful kitchens, | 0:07:52 | 0:07:55 | |
and that's what they try to achieve. Do you have anything... | 0:07:55 | 0:07:59 | |
-There are one or two in the window. -Are there? | 0:07:59 | 0:08:01 | |
Forward. Lead me! | 0:08:01 | 0:08:03 | |
Ooh! Well, we're just getting started, | 0:08:03 | 0:08:06 | |
and Honor has a plan already. | 0:08:06 | 0:08:08 | |
Look. That's a decent-size one, and it's in beautiful condition. | 0:08:08 | 0:08:13 | |
-I like that! -So do I. -It's Davenport Stone, | 0:08:13 | 0:08:16 | |
1810, 1815. | 0:08:16 | 0:08:18 | |
Now, that's what I call a proper antique. | 0:08:18 | 0:08:21 | |
Potter John Davenport began making his fine earthenware from 1785, | 0:08:21 | 0:08:24 | |
and this handsome, decorative meat dish | 0:08:24 | 0:08:28 | |
is a fairly early example, hence the price of £215 - | 0:08:28 | 0:08:33 | |
almost as much as a joint of meat would cost today to put on it! Hah! | 0:08:33 | 0:08:38 | |
The label with the price on it is very faded. | 0:08:38 | 0:08:42 | |
-You mean it's been there for a long time. -Exactly! | 0:08:42 | 0:08:44 | |
You've hit the nail on the head. So do you think it was priced | 0:08:44 | 0:08:47 | |
-a little high to begin with? -Well, I don't know. | 0:08:47 | 0:08:51 | |
If you bought that, Honor, I would be right up behind you. | 0:08:51 | 0:08:54 | |
Don't let it slide off, whatever happens. | 0:08:54 | 0:08:57 | |
So, the pressure's on, Honor. | 0:08:57 | 0:09:00 | |
Is this the big plate you were hoping for, | 0:09:00 | 0:09:03 | |
and can you risk the investment? | 0:09:03 | 0:09:05 | |
What are we trying to do? Are we trying to make money? | 0:09:05 | 0:09:08 | |
-Make money. Make money. -I love that, | 0:09:08 | 0:09:11 | |
but unless David can do that for nearer £100, | 0:09:11 | 0:09:15 | |
you're going to be risking a lot of your money. | 0:09:15 | 0:09:17 | |
Presumably you can't do that for £120. | 0:09:17 | 0:09:21 | |
-It's a loss. -Think of the tax man! | 0:09:21 | 0:09:23 | |
He'd be so cross if you showed a loss in your book. | 0:09:23 | 0:09:26 | |
If I gave you a couple of photographs, you could sell them. | 0:09:26 | 0:09:29 | |
A signed photograph of Honor Blackman! | 0:09:29 | 0:09:33 | |
Well, in that case, yes! | 0:09:33 | 0:09:35 | |
THEY LAUGH | 0:09:35 | 0:09:38 | |
Honor, you're a star. You're a pleasure to shop with. | 0:09:38 | 0:09:41 | |
100...and 20. | 0:09:41 | 0:09:44 | |
-Thank you very much indeed. -120. -Yeah. | 0:09:44 | 0:09:46 | |
I thought we were getting it for 100. | 0:09:46 | 0:09:49 | |
-Oh, 100? I did say 120 in the end, didn't I? -Did you? | 0:09:49 | 0:09:52 | |
-I'm afraid I did. -OK. Right. | 0:09:52 | 0:09:54 | |
If it sells for 110, you can shoot me. | 0:09:54 | 0:09:57 | |
Well, a licence to kill already! Not bad for a morning's work. | 0:09:58 | 0:10:04 | |
Well done, you! What did you want? A big plate. | 0:10:04 | 0:10:07 | |
-What have we bought? -A big plate. | 0:10:07 | 0:10:10 | |
-You bought a proper antique. -Can't be bad. | 0:10:10 | 0:10:13 | |
Well done to you both. The day's just beginning, | 0:10:14 | 0:10:17 | |
and there's a chunk of the early 19th century | 0:10:17 | 0:10:20 | |
in your swag bag already. | 0:10:20 | 0:10:22 | |
However, Britt and Charles have yet to find an antique - | 0:10:22 | 0:10:26 | |
or, indeed, a shop. | 0:10:26 | 0:10:28 | |
If I could be a born-again man, | 0:10:28 | 0:10:31 | |
and I could choose any male specimen - Roger Moore. | 0:10:31 | 0:10:34 | |
-If you ever see him, just tell him that, OK? -I will. | 0:10:34 | 0:10:37 | |
He is the ultimate male, in my opinion. | 0:10:37 | 0:10:40 | |
-He was gorgeous! -Absolutely. | 0:10:40 | 0:10:43 | |
Sean was your rough-and-ready, but Roger was smooth and sensual. | 0:10:43 | 0:10:47 | |
-Roger was, like, sophisticated. -Oh, yeah. | 0:10:47 | 0:10:49 | |
-He was a sex object. -He was. He was. | 0:10:49 | 0:10:52 | |
If we ever go for physical, I'd go for more... | 0:10:52 | 0:10:55 | |
-Suave. -No! | 0:10:55 | 0:10:57 | |
Skinnier. | 0:10:57 | 0:10:59 | |
That's good. | 0:10:59 | 0:11:02 | |
They don't come much skinnier than you, Carlos. | 0:11:02 | 0:11:05 | |
But this is not a date. I'm sorry, everyone - especially Mrs Hanson. | 0:11:05 | 0:11:09 | |
-Look! Look, look. Antiques! -Oh, my goodness! | 0:11:09 | 0:11:12 | |
-Excellent. -Let's do it. | 0:11:12 | 0:11:14 | |
Steady! | 0:11:14 | 0:11:16 | |
Hold on. Hold on. It's done on purpose so I can escort you out. | 0:11:16 | 0:11:20 | |
You're such a gent, Charles. | 0:11:20 | 0:11:23 | |
Well, he tries to be. | 0:11:23 | 0:11:26 | |
Hold on, Britt. Can't open the door. | 0:11:26 | 0:11:28 | |
I'm sorry about this. Just push on your door a bit, please. | 0:11:28 | 0:11:31 | |
SHE LAUGHS | 0:11:31 | 0:11:33 | |
Charles! | 0:11:33 | 0:11:35 | |
Just push down on the handle. Just pull that really hard. | 0:11:36 | 0:11:39 | |
Dear, oh, dear, oh, dear! Gets a celebrity - now look. | 0:11:39 | 0:11:43 | |
Think about it, Hanson. Why isn't the door opening? | 0:11:43 | 0:11:46 | |
Anybody got a coat hanger? Look out. Here she comes. | 0:11:46 | 0:11:49 | |
-Oh, that's good. -Come on. After you. | 0:11:49 | 0:11:53 | |
Quite nimble. So, that went well, Charles! | 0:11:53 | 0:11:56 | |
But you have at least found a shop. Welcome to The Hive, | 0:11:56 | 0:12:01 | |
with Bill and Julia in attendance. | 0:12:01 | 0:12:04 | |
There's some really nice things here, Britt. Let them talk to you. | 0:12:05 | 0:12:08 | |
-Let the objects talk to you. -This I know nothing about. | 0:12:08 | 0:12:11 | |
There's an Egyptian bronze of a royal lady, | 0:12:11 | 0:12:14 | |
and that's fourth-century BC. | 0:12:14 | 0:12:16 | |
It came from the time of the great age of the pyramids. | 0:12:16 | 0:12:19 | |
That's history, isn't it? When you look at these things, | 0:12:19 | 0:12:22 | |
you think, my goodness me, they can go back 2,000 or 3,000 years, | 0:12:22 | 0:12:26 | |
and you can handle them and believe that history. | 0:12:26 | 0:12:28 | |
-Doesn't that get you excited? -No. It does not excite me. | 0:12:28 | 0:12:32 | |
Oh, dear! Top marks for trying, Charles. | 0:12:32 | 0:12:34 | |
However, you might need to try even harder! | 0:12:34 | 0:12:37 | |
This girl knows what she likes. | 0:12:37 | 0:12:39 | |
I hear what he says. I understand what he says. | 0:12:39 | 0:12:42 | |
-But we don't have the same taste. -I think we do. | 0:12:42 | 0:12:44 | |
When we talk about taste, what I mean is... | 0:12:44 | 0:12:48 | |
The things... I can see something specific, as can you. | 0:12:48 | 0:12:53 | |
-Yes. -We might not see the same object. | 0:12:53 | 0:12:56 | |
-Yes. We have a chemistry. -We have a chemistry, yes. | 0:12:56 | 0:12:59 | |
And it stops the minute the camera goes off. | 0:12:59 | 0:13:02 | |
-Yeah. Yeah. -He's a married man. | 0:13:02 | 0:13:04 | |
His wife wants children. | 0:13:04 | 0:13:07 | |
Right! | 0:13:08 | 0:13:10 | |
Let's leave this awkward, embarrassing modern relationship, | 0:13:10 | 0:13:14 | |
and relax with something more old fashioned - like Charlie Ross. | 0:13:14 | 0:13:18 | |
-Forward into battle! -I'm afraid I'm not Sean Connery. | 0:13:18 | 0:13:21 | |
THEY LAUGH I'll just have to do today. | 0:13:21 | 0:13:25 | |
ENGINE ROARS Oh... | 0:13:25 | 0:13:27 | |
Sorry about this. ENGINE COUGHS AND STARTS | 0:13:27 | 0:13:30 | |
Look! The Cambridge Antiques Centre. This is where we need to be. | 0:13:30 | 0:13:35 | |
Indeed it is, Charlie, | 0:13:35 | 0:13:38 | |
with owner Steve here to help you - | 0:13:38 | 0:13:42 | |
although perhaps you've met before. | 0:13:42 | 0:13:44 | |
-You're giving me a knowing look. We've met before. -A long time ago. | 0:13:44 | 0:13:48 | |
-How long ago? -17 years. | 0:13:48 | 0:13:50 | |
-Is this a good thing or a bad thing? -He's smiling, so it can't be bad. | 0:13:50 | 0:13:54 | |
We used to come to your saleroom a lot. You came to my house | 0:13:54 | 0:13:57 | |
when I moved, because I couldn't take all my stuff with me. | 0:13:57 | 0:14:01 | |
-You sold most of it, and got me jolly good prices. -Good prices! | 0:14:01 | 0:14:04 | |
That's a stroke of luck. He's going to look after us. | 0:14:04 | 0:14:07 | |
In my experience, and knowing what I know, | 0:14:07 | 0:14:10 | |
I'd say there's good karma here. | 0:14:10 | 0:14:12 | |
Very decorative little pine miniature chest. | 0:14:12 | 0:14:16 | |
Well, it's more like a wash stand, because it's got a shaped back to it. | 0:14:16 | 0:14:20 | |
But I love the almost oak-leaf, maple-leaf... | 0:14:20 | 0:14:25 | |
Traditionally Victorian in its style. | 0:14:25 | 0:14:29 | |
A rather sweet and simple piece at £88. | 0:14:29 | 0:14:32 | |
But will it turn Honor Blackman's discerning head? | 0:14:32 | 0:14:36 | |
You look as if you're...sniffing as if you've found something. | 0:14:36 | 0:14:41 | |
I've seen something that just might be a possibility. | 0:14:41 | 0:14:44 | |
I thought it would make a little jewellery casket | 0:14:44 | 0:14:49 | |
-for someone's bedroom. -I would change its knobs, to begin with. | 0:14:49 | 0:14:53 | |
-It's very decorative on the top. -It's only spoilt by the knobs. | 0:14:53 | 0:14:57 | |
-You can always change a knob. -Yes, yes. | 0:14:57 | 0:15:00 | |
THEY LAUGH | 0:15:00 | 0:15:03 | |
-So, what do you think? -It's very good for the purpose | 0:15:03 | 0:15:06 | |
you suggest, and it would help somebody like me. | 0:15:06 | 0:15:11 | |
One necklace gets caught up with another necklace. | 0:15:11 | 0:15:14 | |
He says, "For God's sakes, hurry up!" | 0:15:14 | 0:15:18 | |
HE LAUGHS | 0:15:18 | 0:15:20 | |
And you can't disentangle it. | 0:15:20 | 0:15:22 | |
-Do you know what I think it will make at auction? -I'll guess. | 0:15:22 | 0:15:25 | |
65. | 0:15:25 | 0:15:27 | |
You're very good at this, aren't you? | 0:15:27 | 0:15:29 | |
Steve, is there a monstrous discount on this, | 0:15:29 | 0:15:32 | |
-or is there a shaving to be had? -Not for you, Charles, | 0:15:32 | 0:15:35 | |
but for Miss Blackman. | 0:15:35 | 0:15:37 | |
-Ooh! -I'm cosying up. | 0:15:37 | 0:15:39 | |
I'm going to leave the room. | 0:15:39 | 0:15:41 | |
For you I am going to half the price. | 0:15:41 | 0:15:44 | |
£88, so how about 44? | 0:15:44 | 0:15:47 | |
SHE SCREAMS You're lovely! | 0:15:47 | 0:15:49 | |
No, no, no. You're supposed to say, "How about 40?" | 0:15:49 | 0:15:52 | |
Ah! I have to do that? I'm not very good at that. | 0:15:52 | 0:15:56 | |
-You have to haggle. -Yes. | 0:15:56 | 0:15:58 | |
-You've haggled for me. Thank you. -You're welcome. It's my pleasure. | 0:15:58 | 0:16:02 | |
Such is the allure of the Bond girl, | 0:16:02 | 0:16:05 | |
Steve has actually haggled himself down to £40! | 0:16:05 | 0:16:09 | |
Charlie will be proud. | 0:16:09 | 0:16:12 | |
I heard her squeal. What happened? | 0:16:12 | 0:16:14 | |
We can have it for 40. | 0:16:14 | 0:16:16 | |
-Miss Blackman, ten out of ten! -Where's the money? | 0:16:16 | 0:16:19 | |
Oh! So like a woman! | 0:16:19 | 0:16:21 | |
HE LAUGHS | 0:16:21 | 0:16:23 | |
Another able acquisition from our antiques Avenger. | 0:16:23 | 0:16:28 | |
No wonder our dithering double agents | 0:16:28 | 0:16:31 | |
want to creep up on the competition. | 0:16:31 | 0:16:33 | |
Those two, they're worse than children! | 0:16:33 | 0:16:35 | |
-I can see Pussy Galore! -What about the chap that played Goldfinger? | 0:16:35 | 0:16:39 | |
Oh, he was a very nice man. He said, "How do you do?" | 0:16:39 | 0:16:43 | |
-And then Gavin and Gert said... -Go find out! | 0:16:43 | 0:16:47 | |
Go! Go! | 0:16:47 | 0:16:50 | |
SHE HONKS HORN | 0:16:50 | 0:16:52 | |
What is going on here? THEY LAUGH | 0:16:52 | 0:16:55 | |
-How are you? -Very well. -We are cruising. We are happy. | 0:16:57 | 0:17:00 | |
We are content. Are we in your way here? | 0:17:00 | 0:17:02 | |
-Not in the slightest. -Yes, you are. Yes, you are. | 0:17:02 | 0:17:05 | |
-Oh, yes, you are. Sorry. -You want us to go? | 0:17:05 | 0:17:07 | |
-Yes. Well, no. -Fine. OK. | 0:17:07 | 0:17:09 | |
-THEY LAUGH -Fine. | 0:17:09 | 0:17:12 | |
-These girls! -We have to do what we have to do. | 0:17:12 | 0:17:16 | |
Well said, Honor. With nothing yet in their swag bag, | 0:17:16 | 0:17:19 | |
Britt and Charles must get to work. | 0:17:19 | 0:17:22 | |
-You think I should wear moisturiser? -Of course you should. | 0:17:22 | 0:17:25 | |
I'm a real man. | 0:17:25 | 0:17:27 | |
Yeah, and then you'll look like a real old man soon, as well. | 0:17:27 | 0:17:31 | |
I like this. | 0:17:31 | 0:17:33 | |
Me, too. I have one in cut crystal, and the top is silver. | 0:17:33 | 0:17:37 | |
I think it's something which... Although it's plated, | 0:17:37 | 0:17:40 | |
people will say - young, retro, Greenwich Market... | 0:17:40 | 0:17:43 | |
I'm an expert at this. What you do is, | 0:17:43 | 0:17:45 | |
put your crushed ice in here. | 0:17:45 | 0:17:48 | |
You put one measure of plain vodka. | 0:17:48 | 0:17:52 | |
-Wow! -Then you put a quarter measure of peach schnapps, | 0:17:52 | 0:17:57 | |
and then you put one full measure of cranberry juice, | 0:17:57 | 0:18:01 | |
then you do the Tom Cruise. Cha-cha-cha! | 0:18:01 | 0:18:04 | |
Ah, so it's shaken but not stirred! | 0:18:04 | 0:18:06 | |
It's excellent. My favourite drink in the world. | 0:18:06 | 0:18:09 | |
-How much is it? -£18. | 0:18:09 | 0:18:11 | |
-Too much? -Yeah. | 0:18:11 | 0:18:13 | |
For £10. It's got to be worth 25, surely. | 0:18:13 | 0:18:16 | |
-What's the best you can do? -Don't tell him. | 0:18:16 | 0:18:19 | |
Very best, for you, £10 note. | 0:18:19 | 0:18:21 | |
-OK, fine. -I'm hoping we might be able to offer eight. | 0:18:21 | 0:18:25 | |
-I don't know. -We'll split the difference. Nine. | 0:18:25 | 0:18:28 | |
-OK. What do you think? -Do you know what? | 0:18:28 | 0:18:31 | |
I think it's a fairly... ought to be a safe bet. | 0:18:31 | 0:18:34 | |
-I'm 100 percent with you. -Shall we go for it? | 0:18:34 | 0:18:37 | |
-Yeah. -And a cocktail from it as well later on, | 0:18:37 | 0:18:39 | |
-made by your fair hands? -That can easily be arranged. | 0:18:39 | 0:18:43 | |
Oh, my God. What do you think? £9? Going, going... | 0:18:43 | 0:18:45 | |
-Buying it. -Bing! -Gone. We'll take it. | 0:18:45 | 0:18:47 | |
Congratulations, Britt and Charles. A purchase finally made. | 0:18:47 | 0:18:51 | |
But are you keeping up with Pussy Galore, etc, next door? | 0:18:51 | 0:18:56 | |
You can't usually go wrong with a bit of silver, | 0:18:56 | 0:18:58 | |
and I've just spotted those pepper pots. | 0:18:58 | 0:19:01 | |
And those are modelled as capstans from a ship, | 0:19:01 | 0:19:04 | |
and there's a set of four of them. | 0:19:04 | 0:19:06 | |
I think they would almost double up as salt and pepper. | 0:19:06 | 0:19:09 | |
Post-war, 1948. | 0:19:09 | 0:19:12 | |
They're 98. I'm going to whisper to you, then I'm going to run away, | 0:19:12 | 0:19:15 | |
because you are the ace negotiator. | 0:19:15 | 0:19:17 | |
HE WHISPERS | 0:19:17 | 0:19:20 | |
I think that sign means "try it at 50" - | 0:19:21 | 0:19:23 | |
quite a drop from £98. | 0:19:23 | 0:19:26 | |
However, coded hand signals could be a good tactic today. | 0:19:26 | 0:19:30 | |
Bill would probably show me the door, | 0:19:30 | 0:19:33 | |
and probably give me a good spanking, | 0:19:33 | 0:19:35 | |
but see if you can do something on those. I have faith in those. | 0:19:35 | 0:19:39 | |
-I'm going to run away. -Now, Bill, | 0:19:39 | 0:19:42 | |
what do you think you could do for these? | 0:19:42 | 0:19:44 | |
I'd go 80. £80. | 0:19:47 | 0:19:49 | |
-That's a good price. -That's all? | 0:19:50 | 0:19:53 | |
-Could you make it 70? -75, and we've got a deal. | 0:19:53 | 0:19:56 | |
Charlie? Bill can do it for 75. | 0:19:56 | 0:20:00 | |
-We've got to be hard here. Can you do them for 65, Bill? -No. | 0:20:00 | 0:20:04 | |
-Ooh, he said that very quickly. -£70. | 0:20:04 | 0:20:07 | |
70 quid. Do you like them, Honor? | 0:20:07 | 0:20:09 | |
Yes, I think they're charming, | 0:20:09 | 0:20:11 | |
and unusual beyond belief. | 0:20:11 | 0:20:13 | |
Great! We've got a deal. | 0:20:13 | 0:20:15 | |
Meanwhile, Britt and Charles have a view to a killer item at £39. | 0:20:17 | 0:20:22 | |
Right. Let's just look at these... Oops! | 0:20:22 | 0:20:24 | |
-Oh, my God! -Sorry, Britt. | 0:20:24 | 0:20:27 | |
-These are Cartier cards. -I know. -Priced at 39. | 0:20:27 | 0:20:30 | |
-Heard of Cartier? -What do you think I'm wearing? | 0:20:30 | 0:20:33 | |
A watch. It is Cartier. Sorry, Britt. | 0:20:33 | 0:20:35 | |
-Oh, the ring's Cartier! -Idiot. | 0:20:35 | 0:20:37 | |
Sorry. I'm sorry. I'm sorry. You are just a classy... Come back. | 0:20:37 | 0:20:40 | |
-I'm sorry! Come on. I'm sorry. -SHE TOOTS HORN | 0:20:40 | 0:20:44 | |
Sorry! | 0:20:44 | 0:20:46 | |
Look, they're gilt. They're gold, as well. | 0:20:46 | 0:20:48 | |
-I would say they are not very old. Now, this... -It's gold, isn't it? | 0:20:48 | 0:20:52 | |
Oh, don't be such an idiot. | 0:20:52 | 0:20:55 | |
What do you do with a man like this? Send him back home to his wife? | 0:20:55 | 0:20:58 | |
-You certainly don't marry him. -No, it is gold. | 0:20:58 | 0:21:01 | |
I like that personally. I saw it, | 0:21:01 | 0:21:03 | |
but I thought, "I'm not going to go there." | 0:21:03 | 0:21:06 | |
Well, let me make it really, really tempting for you. | 0:21:06 | 0:21:08 | |
Um, how about a tenner? | 0:21:08 | 0:21:11 | |
Oh, my God! | 0:21:11 | 0:21:13 | |
Oh, my goodness, gracious me! | 0:21:15 | 0:21:18 | |
If you're so keen to sell them, that's really, really helpful. | 0:21:18 | 0:21:24 | |
Oh, no, Charles. No! | 0:21:24 | 0:21:26 | |
You've just had a terribly generous 75 percent reduction. | 0:21:26 | 0:21:30 | |
What kind of man would try to haggle further? | 0:21:30 | 0:21:33 | |
I'm a hard man, so I would go in and offer £5, | 0:21:33 | 0:21:37 | |
and just see if it's worthy of opportunity. | 0:21:37 | 0:21:39 | |
Absolutely not. Not for you. You ask me. | 0:21:39 | 0:21:42 | |
-You have no shame. -No, because we're in it together! | 0:21:42 | 0:21:46 | |
There. It's on a plate for you. | 0:21:46 | 0:21:48 | |
-The problem I have... -Look at me. | 0:21:48 | 0:21:51 | |
..is now this wonderful man has to make a living. | 0:21:51 | 0:21:56 | |
We've already bought a cocktail shaker, haven't we? | 0:21:56 | 0:21:58 | |
Nine quid is not going to make his dinner! | 0:21:58 | 0:22:01 | |
I have a pension. Don't worry about me. | 0:22:01 | 0:22:03 | |
You got a pension? | 0:22:03 | 0:22:05 | |
-And you can pay for your skin cream? -Absolutely. | 0:22:05 | 0:22:09 | |
And for you, the price can be £5. | 0:22:09 | 0:22:13 | |
But please don't haggle anymore. | 0:22:13 | 0:22:16 | |
I never haggle! | 0:22:16 | 0:22:18 | |
Group hug! | 0:22:18 | 0:22:20 | |
I'm sorry about that, sir. I hope you don't mind. | 0:22:20 | 0:22:23 | |
-I don't mind at all. -Sorry, Steven. | 0:22:23 | 0:22:25 | |
Being kissed by Charles is not everybody's cup of tea. | 0:22:25 | 0:22:28 | |
We usually just go for handshakes on the Road Trip. | 0:22:28 | 0:22:31 | |
When you did the Bond films, | 0:22:31 | 0:22:33 | |
Sean Connery was actually driving the cars, presumably. | 0:22:33 | 0:22:36 | |
-Yes. -I'm now feeling suitably nervous, driving you along. | 0:22:36 | 0:22:39 | |
There's a guy who's bought my helicopter out of Goldfinger, | 0:22:39 | 0:22:44 | |
-and he's waiting to give me a ride. -Oh, how fantastic! | 0:22:44 | 0:22:48 | |
I'm waiting for him to give me a ride, yeah. | 0:22:48 | 0:22:51 | |
Doesn't Cambridge look lovely in the afternoon sun? | 0:22:51 | 0:22:55 | |
So unassuming, so tranquil, so learned! | 0:22:55 | 0:22:59 | |
So full of spies! | 0:22:59 | 0:23:01 | |
Once the scene of the most serious espionage scandal | 0:23:03 | 0:23:07 | |
in modern British history. | 0:23:07 | 0:23:09 | |
-What was that old job? -Oh, that famous actress... | 0:23:09 | 0:23:12 | |
Oh, yes. | 0:23:12 | 0:23:14 | |
In a dastardly double-plotting detour | 0:23:14 | 0:23:17 | |
from their shopping assignment, | 0:23:17 | 0:23:19 | |
Honor Blackman is bringing our Checkpoint Charlie | 0:23:19 | 0:23:23 | |
to the library of Cambridge University, | 0:23:23 | 0:23:25 | |
uncovering the archive of Britain's secret history, | 0:23:25 | 0:23:29 | |
or history of secrets. | 0:23:29 | 0:23:31 | |
Here they come. | 0:23:31 | 0:23:33 | |
There! Allow me, ma'am. There's a man waiting for you. | 0:23:33 | 0:23:38 | |
No ordinary man. | 0:23:38 | 0:23:40 | |
He's on the inside. He's librarian John Wells, | 0:23:40 | 0:23:44 | |
so try not to blow his cover. | 0:23:44 | 0:23:46 | |
-Charlie Ross. -Very nice to meet you. -John, Honor Blackman. | 0:23:46 | 0:23:50 | |
-Welcome to the university library. -Thank you. -Come on in. | 0:23:50 | 0:23:54 | |
The library has existed since the early 15th century, | 0:23:54 | 0:23:57 | |
but is now contained in this handsome modernist structure, | 0:23:57 | 0:24:01 | |
built in the 1930s, | 0:24:01 | 0:24:04 | |
which was Cambridge University's most politically tumultuous period, | 0:24:04 | 0:24:07 | |
with some frankly dodgy students. | 0:24:07 | 0:24:10 | |
So, this is the Cambridge Five - | 0:24:10 | 0:24:13 | |
Burgess, Philby, Maclean, Blunt, and the fifth man, Cairncross. | 0:24:13 | 0:24:18 | |
These are the student record cards which were compiled by clerks | 0:24:18 | 0:24:22 | |
in the university offices. | 0:24:22 | 0:24:24 | |
And you can see that it's just very standard academic careers. | 0:24:24 | 0:24:28 | |
They were recruited here in the 1930s. | 0:24:28 | 0:24:30 | |
-They were spying for Russia. -But how did they get at them? | 0:24:30 | 0:24:33 | |
Did they meet somebody having a drink in a pub, or... | 0:24:33 | 0:24:37 | |
Well, Cambridge in the 1930s was a hotbed of Marxism and Communism. | 0:24:37 | 0:24:42 | |
The Communist Party at the time was seen as the bulwark | 0:24:42 | 0:24:45 | |
against the rise of Hitler's Germany. | 0:24:45 | 0:24:48 | |
Cambridge has always been a training ground | 0:24:50 | 0:24:53 | |
for Britain's political elite. | 0:24:53 | 0:24:55 | |
With the great ideological schisms of the early 20th century, | 0:24:55 | 0:24:59 | |
spymasters turned their eyes to the new generation | 0:24:59 | 0:25:03 | |
of potential political players. | 0:25:03 | 0:25:05 | |
Burgess graduated to work for the British Embassy in Washington, | 0:25:05 | 0:25:11 | |
with Maclean working at the Foreign Office in London, | 0:25:11 | 0:25:15 | |
both passing information to the Soviet Union. | 0:25:15 | 0:25:17 | |
The pair famously vanished without trace in 1951. | 0:25:17 | 0:25:22 | |
A press conference in Moscow five years later | 0:25:23 | 0:25:26 | |
confirmed their defection, but there is evidence of spying | 0:25:26 | 0:25:30 | |
reaching way back into our past. | 0:25:30 | 0:25:33 | |
This is a 12th-century manuscript, | 0:25:33 | 0:25:35 | |
beautiful Anglo-Norman script. | 0:25:35 | 0:25:37 | |
It's William of Malmesbury's History Of The Kings Of England, | 0:25:37 | 0:25:41 | |
and it includes the story of Alfred the Great, | 0:25:41 | 0:25:44 | |
and one story every school child used to know | 0:25:44 | 0:25:46 | |
is that he was a spy for a short part of his career. | 0:25:46 | 0:25:49 | |
When he was hiding out in Athelney, with Danes all around, | 0:25:49 | 0:25:52 | |
he needed to know more about what was going on in their camp, | 0:25:52 | 0:25:55 | |
so he dressed up as a minstrel. He hazards an enterprise | 0:25:55 | 0:25:59 | |
of great daring and danger, and goes into the Danish camp, | 0:25:59 | 0:26:02 | |
and comes out with all the information he needs. | 0:26:02 | 0:26:05 | |
How extraordinary! And the date of that? | 0:26:05 | 0:26:07 | |
That was happening in 878. | 0:26:07 | 0:26:10 | |
In war, a little bit of spying can go a long way. | 0:26:10 | 0:26:14 | |
I suppose spying really is common sense, isn't it? | 0:26:14 | 0:26:17 | |
I mean, if you wanted to know what was going on in the other camp... | 0:26:17 | 0:26:21 | |
Yeah! I mean, ultimately, over the years, | 0:26:21 | 0:26:23 | |
it's saved a huge number of lives, hasn't it? | 0:26:23 | 0:26:26 | |
What dull lives we live! | 0:26:26 | 0:26:28 | |
Well, no. You've touched on a lot of this, haven't you? | 0:26:28 | 0:26:31 | |
Indeed she has. | 0:26:31 | 0:26:33 | |
From William of Malmesbury to Ian Fleming | 0:26:33 | 0:26:37 | |
and John le Carre, espionage has always pricked our attention, | 0:26:37 | 0:26:42 | |
making great stories, novels, and, of course, films. | 0:26:42 | 0:26:45 | |
And, as with all good fiction, the roots are often in real events. | 0:26:45 | 0:26:50 | |
These are papers from the archive | 0:26:50 | 0:26:52 | |
of a man called Samuel Hoare, who was later Viscount Templewood. | 0:26:52 | 0:26:56 | |
He was an interesting man. He was a Conservative MP | 0:26:56 | 0:26:59 | |
at the start of the First World War, but joined the army, | 0:26:59 | 0:27:02 | |
and became first secretary in St Petersburg for MI6, | 0:27:02 | 0:27:07 | |
and later sent to Italy as part of the military mission there, | 0:27:07 | 0:27:11 | |
-working for MI5. -What a fascinating career! | 0:27:11 | 0:27:13 | |
Isn't it? Yes. This is a letter from Mansfield Cumming to Samuel Hoare, | 0:27:13 | 0:27:17 | |
giving him his instructions for St Petersburg, | 0:27:17 | 0:27:20 | |
and Cumming was the first head of the Secret Intelligence Service, | 0:27:20 | 0:27:24 | |
MI6, as it became. | 0:27:24 | 0:27:26 | |
And you can see he's signed his signature in green ink, | 0:27:26 | 0:27:30 | |
and if you remember the James Bond books, | 0:27:30 | 0:27:33 | |
M, the spymaster there, signs his letters in green ink. | 0:27:33 | 0:27:36 | |
Oh, right! | 0:27:36 | 0:27:38 | |
It's a trait of MI5 heads even today, | 0:27:38 | 0:27:41 | |
and John Scarlett, who until recently was head of MI6, | 0:27:41 | 0:27:44 | |
has confirmed that he still signed his letters in green ink. | 0:27:44 | 0:27:47 | |
Why did they write instructions? | 0:27:47 | 0:27:51 | |
Shouldn't everything be secret, | 0:27:51 | 0:27:53 | |
and only walk in St James's Park, the two of you together? | 0:27:53 | 0:27:57 | |
THEY LAUGH | 0:27:57 | 0:27:59 | |
Obviously you should always burn instructions after reading. | 0:27:59 | 0:28:03 | |
Fortunately this was often forgotten, | 0:28:04 | 0:28:07 | |
hence the wonderful double-dealing archive here at Cambridge. | 0:28:07 | 0:28:10 | |
Thank you very much indeed, John. It's been fascinating. | 0:28:10 | 0:28:15 | |
It's now time for everyone to come in from the cold. | 0:28:15 | 0:28:19 | |
Cambridgeshire must provide a debriefing | 0:28:19 | 0:28:23 | |
and shelter for the night. Sweet dreams, road-trippers, | 0:28:23 | 0:28:26 | |
and no sleeping with the enemy - particularly you, Charles. | 0:28:26 | 0:28:30 | |
It's "007" hours in the morning, | 0:28:34 | 0:28:38 | |
and our happy shoppers are straight back at it. | 0:28:38 | 0:28:41 | |
Concentrate! I don't want you hitting barns. | 0:28:41 | 0:28:45 | |
Steady, Hanson. Steady! Don't kill an old man. | 0:28:45 | 0:28:49 | |
You know, I don't think that people in general understand | 0:28:49 | 0:28:52 | |
that being an actress and being a mother | 0:28:52 | 0:28:56 | |
is probably one of the hardest professions. | 0:28:56 | 0:28:59 | |
-Don't you think so? -Well, I think so, | 0:28:59 | 0:29:02 | |
but I think probably a surgeon might say the same thing. | 0:29:02 | 0:29:06 | |
So far, Pussy Galore and Agent Ross have shopped steadily, | 0:29:07 | 0:29:12 | |
spending £230 on three items - the Davenport meat dish... | 0:29:12 | 0:29:17 | |
..the miniature wash stand with controversial knobs, | 0:29:18 | 0:29:21 | |
and the silver capstan pepper pots. | 0:29:21 | 0:29:24 | |
Honor and Charlie have £170 left to complete their mission. | 0:29:24 | 0:29:30 | |
Take him by the hair, and remember my... | 0:29:30 | 0:29:33 | |
You couldn't do that with me, could you? | 0:29:33 | 0:29:37 | |
Meanwhile, Miss Goodnight and her international man of mystery | 0:29:37 | 0:29:42 | |
have played it very cool, spending just £14 on two items - | 0:29:42 | 0:29:47 | |
the unstirred cocktail shaker, | 0:29:47 | 0:29:49 | |
and the appropriately stylish playing cards. | 0:29:49 | 0:29:52 | |
Britt and Charles have a healthy £386 left | 0:29:52 | 0:29:55 | |
to exchange for antiques - | 0:29:55 | 0:29:57 | |
or information. | 0:29:57 | 0:30:00 | |
Naughty! | 0:30:00 | 0:30:01 | |
We're getting to know each other, aren't we? | 0:30:04 | 0:30:07 | |
Yeah, but business is more important than knowing each other. | 0:30:07 | 0:30:10 | |
We can do that after. | 0:30:10 | 0:30:12 | |
Now, pay attention, BBC 002. | 0:30:14 | 0:30:18 | |
The road trip is relocating this assignment, | 0:30:18 | 0:30:21 | |
15 miles south from spy-infested Cambridge | 0:30:21 | 0:30:24 | |
to the handsome town of Saffron Walden. Yeah. | 0:30:24 | 0:30:28 | |
What we have so far is very, very cheap. | 0:30:28 | 0:30:32 | |
-I'll buy whatever you like for you. -OK. -But within budget. -OK. | 0:30:32 | 0:30:36 | |
-Do we know where we are? -I haven't got a clue where we are. | 0:30:38 | 0:30:41 | |
I think we're probably back where we started. | 0:30:41 | 0:30:43 | |
First to make it to this rich new antiques mine are Britt and Charles. | 0:30:43 | 0:30:49 | |
Let's hope they can steal a lead on the day's shopping. | 0:30:49 | 0:30:52 | |
Here we are, Britt. This is where now we've got to really go for it. | 0:30:52 | 0:30:56 | |
-Last shop. -Don't put stress on me like that. | 0:30:56 | 0:30:59 | |
But we've got an hour, an hour to shop. | 0:30:59 | 0:31:02 | |
-Let's go, Britt. -OK. Hang on. Let me get my bag. | 0:31:02 | 0:31:04 | |
OK. | 0:31:04 | 0:31:06 | |
Just pull your handle and we'll go. | 0:31:06 | 0:31:09 | |
I am pulling my handle. | 0:31:09 | 0:31:11 | |
Oh, no! | 0:31:11 | 0:31:13 | |
This is taking valuable shopping time. | 0:31:14 | 0:31:17 | |
Let's think about this. If you just turn that handle there... | 0:31:17 | 0:31:20 | |
But I did! | 0:31:20 | 0:31:22 | |
Right. This could take a while. | 0:31:22 | 0:31:25 | |
Fortunately the wonderfully adept Honor Blackman | 0:31:25 | 0:31:28 | |
has managed to disembark from that lovely Aston Martin, | 0:31:28 | 0:31:31 | |
and has brought Charlie along to Lankester Antiques. | 0:31:31 | 0:31:34 | |
Paul Lankester himself is limbering up | 0:31:34 | 0:31:37 | |
for some tense negotiations. | 0:31:37 | 0:31:40 | |
I don't like that. But perhaps we should buy something we don't like | 0:31:40 | 0:31:43 | |
but we think is very Greenwich. | 0:31:43 | 0:31:45 | |
Well, perhaps, but you might want to think more | 0:31:45 | 0:31:48 | |
about your iconic travelling companion. | 0:31:48 | 0:31:51 | |
Honor, am I allowed to call you an icon? | 0:31:51 | 0:31:54 | |
Could you walk down the street? | 0:31:54 | 0:31:56 | |
Well, some people are absolutely enchanting. | 0:31:56 | 0:31:59 | |
-Most people are lovely. -Yeah. Yeah. | 0:31:59 | 0:32:01 | |
It was if they got drunk that it was difficult. | 0:32:01 | 0:32:05 | |
-Yes. -Because people feel they know you very, very well, | 0:32:05 | 0:32:09 | |
because you've been on their television screens. | 0:32:09 | 0:32:13 | |
I was called out for fights, of course, in The Avengers, | 0:32:13 | 0:32:16 | |
-if people were drunk. Yes. -Oh! | 0:32:16 | 0:32:18 | |
Ask you to dance, then say, "You can't really do it," | 0:32:18 | 0:32:21 | |
and all this, and, "I'll see you outside." | 0:32:21 | 0:32:25 | |
Oh, awful! Surely no-one would want to pick a fight | 0:32:25 | 0:32:29 | |
with the lovely Honor Blackman. | 0:32:29 | 0:32:31 | |
Still, perhaps this tough, former leather-trousered goddess | 0:32:31 | 0:32:35 | |
could offer our Charles some inspiration, | 0:32:35 | 0:32:37 | |
rather than fisticuffs. | 0:32:37 | 0:32:40 | |
-Paul, sell us something! -There's a lot of bicyclists around | 0:32:40 | 0:32:44 | |
in Greenwich, I'm sure, and here's a very ancient Lucas King cycle lamp. | 0:32:44 | 0:32:49 | |
But the interesting thing is, it's a petrol lamp. | 0:32:49 | 0:32:52 | |
-Can you imagine that? Petrol! -It's not in great condition. | 0:32:52 | 0:32:56 | |
-Great bit of history. -Fascinating. | 0:32:56 | 0:32:58 | |
I like the idea of you on a motorbike with this. | 0:32:58 | 0:33:01 | |
There's a sentimental reason. If I saw that at auction, | 0:33:01 | 0:33:04 | |
I would expect it would probably make between £20 and £30. | 0:33:04 | 0:33:08 | |
I'm asking 35. | 0:33:08 | 0:33:11 | |
You've just said we'd get £20. | 0:33:11 | 0:33:13 | |
Between 20 and 35, I said. | 0:33:13 | 0:33:16 | |
Mm! I've got a funny feeling that Charlie Ross is about to slope off, | 0:33:16 | 0:33:21 | |
you know, for tactical reasons. | 0:33:21 | 0:33:23 | |
Well, I'm going to disappear, Paul, | 0:33:24 | 0:33:26 | |
leave you at the tender mercies of Miss Blackman. | 0:33:26 | 0:33:29 | |
-I'm sure she'll be safe. But will I? -SHE LAUGHS | 0:33:29 | 0:33:33 | |
You know that we can't afford more than something like £10. | 0:33:33 | 0:33:38 | |
Goodness gracious! | 0:33:38 | 0:33:40 | |
It's terribly sad. | 0:33:40 | 0:33:42 | |
Could you ever go that far? | 0:33:42 | 0:33:45 | |
How would you feel about giving me 25, | 0:33:45 | 0:33:47 | |
so I at least get my money back, and hopefully you can make a profit. | 0:33:47 | 0:33:51 | |
I have to ask the boss. | 0:33:51 | 0:33:53 | |
-Are you not the boss? -Well, maybe I could be today. | 0:33:53 | 0:33:57 | |
Tell you what I'll do. Absolute rocky-bottom price, £20. | 0:33:57 | 0:34:02 | |
-How does that... -You're a good man, Paul. | 0:34:02 | 0:34:06 | |
I shall call my partner. | 0:34:06 | 0:34:09 | |
-Charlie! -Oh, my goodness, I've had the call. | 0:34:09 | 0:34:12 | |
Paul has been terribly generous. He's down to 20. | 0:34:12 | 0:34:16 | |
-That's fantastic, isn't it? -I think so. | 0:34:16 | 0:34:19 | |
I think that's... I just love that vision | 0:34:19 | 0:34:22 | |
-of you on your motorbike, Honor. -No! | 0:34:22 | 0:34:25 | |
Shall we go for it? We'll have a deal. | 0:34:25 | 0:34:28 | |
Honor Blackman, you've done it again. | 0:34:28 | 0:34:30 | |
And no need for high-kicking in the car park on this one. | 0:34:30 | 0:34:33 | |
Speaking of car parks... | 0:34:33 | 0:34:36 | |
But if you just turn your handle to the half-past-seven... | 0:34:36 | 0:34:39 | |
Pull it up. That's it. Hold it there. | 0:34:39 | 0:34:42 | |
So you've now opened it. Hopefully if I do this, | 0:34:42 | 0:34:45 | |
it'll open. | 0:34:45 | 0:34:47 | |
Brilliant. Brilliant. There you go, madam. | 0:34:47 | 0:34:49 | |
-Old cars! -I know. | 0:34:49 | 0:34:51 | |
Yeah! Old cars and young auctioneers - a deadly combination. | 0:34:51 | 0:34:56 | |
Now, let's get you pair safely into an antiques shop, | 0:34:56 | 0:34:59 | |
and leave the door on the latch. | 0:34:59 | 0:35:02 | |
-Britt, it's this way. -Where? | 0:35:03 | 0:35:05 | |
-Right up here. Come on. -Well, you suddenly know. | 0:35:05 | 0:35:08 | |
-Come on, Britt. -Put your heels on and walk the same speed as me. | 0:35:08 | 0:35:13 | |
Jeepers creepers, Hanson. For the first time you could be in trouble. | 0:35:16 | 0:35:20 | |
What does he think he's going to find? | 0:35:20 | 0:35:22 | |
You know what they say? When the going gets tough, | 0:35:22 | 0:35:25 | |
you and I get going. Come on, Wonder Woman. Let's strut your stuff. | 0:35:25 | 0:35:29 | |
Now, Britt, you need to be productive today, darling. | 0:35:29 | 0:35:32 | |
Those bargains won't find themselves, | 0:35:32 | 0:35:35 | |
and the shopping moments will soon be behind you. | 0:35:35 | 0:35:38 | |
Actually, this is quite nice. You know you mentioned Art Nouveau? | 0:35:38 | 0:35:42 | |
Look at those nice lines. | 0:35:42 | 0:35:44 | |
The only thing I don't like is the gilding on it, | 0:35:44 | 0:35:47 | |
-but I could live with it. -It's made by Doulton. | 0:35:47 | 0:35:50 | |
It would date to around 1910, and you could use it for flowers. | 0:35:50 | 0:35:54 | |
It's got a lovely rim. What was its use originally? Have a guess. | 0:35:54 | 0:35:57 | |
-Potty. -As a potty. Exactly. | 0:35:57 | 0:36:00 | |
Under your bed. What would you pay for it? | 0:36:00 | 0:36:03 | |
I would say... Hmm! £23. | 0:36:03 | 0:36:05 | |
39. | 0:36:05 | 0:36:07 | |
And you're quite right. If we're going to make a silly offer, | 0:36:07 | 0:36:10 | |
we'd offer £15 for it, because at auction, | 0:36:10 | 0:36:13 | |
-it might make between 30 and 40. -Really? | 0:36:13 | 0:36:16 | |
So, without being too potty about this, | 0:36:16 | 0:36:19 | |
every problem has a solution, and like all dealers, | 0:36:19 | 0:36:22 | |
Paul is here to help. | 0:36:22 | 0:36:24 | |
Britt and I both quite like this. | 0:36:24 | 0:36:27 | |
It's got a certain Art Nouveau style about it. | 0:36:27 | 0:36:29 | |
-What's the best price? -It's £39.50, | 0:36:29 | 0:36:32 | |
which isn't that dear to start with. | 0:36:32 | 0:36:34 | |
What would you say if I said that you could have it for £25? | 0:36:34 | 0:36:39 | |
-Absolute minimum price. -We are quite desperate, aren't we, | 0:36:39 | 0:36:43 | |
sweetheart? | 0:36:43 | 0:36:44 | |
Well, I don't think we are that desperate. | 0:36:44 | 0:36:47 | |
-No. But we are really. -We are? | 0:36:47 | 0:36:49 | |
Yeah, I think we are. | 0:36:49 | 0:36:51 | |
I don't see that we can't just give them the money. | 0:36:51 | 0:36:54 | |
-No. -Just shows that we have big hearts. | 0:36:54 | 0:36:57 | |
-Oh, dear. -Did she say "heart"? | 0:36:57 | 0:36:59 | |
Britt, have you really learned nothing from the last two days? | 0:36:59 | 0:37:03 | |
Clearly Charles has failed to bring out the dealer in you. | 0:37:03 | 0:37:06 | |
But maybe he's got a plan. | 0:37:06 | 0:37:08 | |
If we tossed a coin, and if it was heads we pay 20, | 0:37:08 | 0:37:11 | |
if it was tails, we pay 15, would you go for that? | 0:37:11 | 0:37:15 | |
Have you got a double-headed coin? HE LAUGH | 0:37:19 | 0:37:21 | |
-You use your coin. -We'll use an antique coin, | 0:37:21 | 0:37:24 | |
over there, Paul, look. I will toss it. | 0:37:24 | 0:37:27 | |
I've never done this before! | 0:37:27 | 0:37:29 | |
No pressure, Britt! Well, maybe a bit. | 0:37:29 | 0:37:32 | |
Look at me, look at the coin, and think what it'll come out at. | 0:37:32 | 0:37:37 | |
If you get it right, it's £15. | 0:37:38 | 0:37:41 | |
If you get it wrong, it's £20. | 0:37:41 | 0:37:43 | |
I've got a dog. I've got to think tails. | 0:37:43 | 0:37:46 | |
Come on. Tails it must be. | 0:37:46 | 0:37:49 | |
Ready? Tails it hopefully is. | 0:37:52 | 0:37:55 | |
It's tails! We've done it! | 0:37:55 | 0:37:58 | |
Oh, Charles, you've finally managed to impress Britt, | 0:37:58 | 0:38:02 | |
alongside your many other skills. | 0:38:02 | 0:38:05 | |
# Nobody does it | 0:38:05 | 0:38:08 | |
# Half as good as you | 0:38:08 | 0:38:13 | |
# Baby, you're the best # | 0:38:13 | 0:38:15 | |
What a sight! | 0:38:15 | 0:38:17 | |
TIM LAUGHS | 0:38:17 | 0:38:19 | |
Do you know, that might just be the last deal of the day, | 0:38:19 | 0:38:23 | |
and with only the road ahead left to burn. | 0:38:23 | 0:38:26 | |
I'm a very humble man. To be in the car with you, Britt, | 0:38:26 | 0:38:30 | |
is my career highlight of the day. | 0:38:30 | 0:38:33 | |
You are the ultimate... You are, in my opinion, the Bond girl. | 0:38:33 | 0:38:36 | |
You are the Bond girl. | 0:38:36 | 0:38:38 | |
Where are we going now, by the way, Charles? | 0:38:38 | 0:38:41 | |
Good question, Britt. Charles is still out to impress, | 0:38:41 | 0:38:45 | |
taking Britt to see a stonking great stately home - | 0:38:45 | 0:38:48 | |
not his place, sadly, to introduce her to his parents, | 0:38:48 | 0:38:52 | |
but the grand, fascinating Audley End House, | 0:38:52 | 0:38:56 | |
stuffed with history and secrets. | 0:38:56 | 0:38:58 | |
It was once the biggest house in England. | 0:38:58 | 0:39:03 | |
-Did it shrink? -It was knocked down many years ago. | 0:39:03 | 0:39:06 | |
-Oh, I see! -Hello. Charles Hanson. | 0:39:06 | 0:39:08 | |
Charles, yes. Welcome to Audley. I'm David. | 0:39:08 | 0:39:11 | |
-And my partner in crime. -Lovely to see you. Welcome. | 0:39:11 | 0:39:14 | |
Tour guide David Glutton | 0:39:14 | 0:39:17 | |
is here to help open some dusty, long-forgotten chapters | 0:39:17 | 0:39:20 | |
in the story of Britain. | 0:39:20 | 0:39:22 | |
Audley End House was completed in 1603 | 0:39:24 | 0:39:27 | |
for Thomas Howard, the king's lord treasurer, | 0:39:27 | 0:39:30 | |
a man with access to...well, quite a lot of money, I suppose. | 0:39:30 | 0:39:35 | |
The very interesting fact about this house | 0:39:36 | 0:39:38 | |
-is that it was built with embezzled money. -Ah! | 0:39:38 | 0:39:42 | |
The man that built it was lord treasurer to King James I, | 0:39:42 | 0:39:45 | |
and he was taking money out of the till, | 0:39:45 | 0:39:48 | |
so he got found out. Went to the Tower of London. | 0:39:48 | 0:39:50 | |
-So it was almost built by a crook. -Yes. | 0:39:50 | 0:39:53 | |
And this is the original Jacobean ceiling. | 0:39:53 | 0:39:55 | |
It would have been plain white in those days, | 0:39:55 | 0:39:58 | |
but it was embellished with colour in the Victorian period. | 0:39:58 | 0:40:01 | |
See that one there? Why did they leave that one white? | 0:40:01 | 0:40:03 | |
-I don't know, offhand. -You don't know? | 0:40:03 | 0:40:06 | |
-It's a very complicated - -This is your job! | 0:40:06 | 0:40:09 | |
Honestly! | 0:40:09 | 0:40:11 | |
Mate, don't worry about her, OK? | 0:40:11 | 0:40:13 | |
Sorry, David. Our antiques agents are deadly, | 0:40:13 | 0:40:17 | |
but they're not always subtle. | 0:40:17 | 0:40:19 | |
I feel almost a very small human being in here, | 0:40:19 | 0:40:21 | |
just very inferior to the actual room. | 0:40:21 | 0:40:24 | |
-You are. -Thank you. | 0:40:24 | 0:40:26 | |
The last family lived here in the 1940s, | 0:40:26 | 0:40:29 | |
after which it was occupied by the Polish army | 0:40:29 | 0:40:32 | |
for a certain period, the Special Operations Executive. | 0:40:32 | 0:40:36 | |
And they trained about 300 troops in espionage. | 0:40:36 | 0:40:39 | |
Ah! Very clever, Charles. | 0:40:39 | 0:40:42 | |
Suddenly your mission becomes clear. | 0:40:42 | 0:40:45 | |
Special Operations Executive, | 0:40:47 | 0:40:50 | |
brainchild of Winston Churchill himself, | 0:40:50 | 0:40:53 | |
to coordinate guerrilla warfare against Nazi invaders, | 0:40:53 | 0:40:57 | |
a secret organisation of foreign nationals | 0:40:57 | 0:41:00 | |
intended, in Churchill's words, | 0:41:00 | 0:41:02 | |
"to set Europe ablaze". | 0:41:02 | 0:41:05 | |
Let me introduce you to Ian Valentine, | 0:41:05 | 0:41:08 | |
who's written a book about the Polish occupation. | 0:41:08 | 0:41:11 | |
-Britt. -Pleased to meet you. During the Second World War, | 0:41:11 | 0:41:14 | |
this was one of the most important houses for the Polish section | 0:41:14 | 0:41:18 | |
of SOE, so this whole house was a secret training camp | 0:41:18 | 0:41:20 | |
where up to a hundred people were based, | 0:41:20 | 0:41:24 | |
and they were learning everything from secret documentation, | 0:41:24 | 0:41:27 | |
how to create legends for themselves, | 0:41:27 | 0:41:30 | |
so they had to have a pseudonym as a special agent. | 0:41:30 | 0:41:32 | |
They had to learn how to use explosives. | 0:41:32 | 0:41:36 | |
So it was basically an underground-warfare cause, | 0:41:36 | 0:41:39 | |
of a paramilitary nature. | 0:41:39 | 0:41:41 | |
They were parachuted back into Poland in civilian clothes, | 0:41:41 | 0:41:44 | |
because obviously they had to fit in with the landscape, | 0:41:44 | 0:41:48 | |
but when they joined up with disparate resistance groups, | 0:41:48 | 0:41:51 | |
they then put on uniforms again often, | 0:41:51 | 0:41:54 | |
with a badge on their arm | 0:41:54 | 0:41:56 | |
which said "Armia Kroyova", which is "Poland Fighting". | 0:41:56 | 0:42:00 | |
And fight they did! | 0:42:02 | 0:42:04 | |
The Poles overwhelmingly refused to collaborate with Hitler's forces. | 0:42:04 | 0:42:08 | |
Of the 316 operatives trained here | 0:42:08 | 0:42:12 | |
and parachuted back into occupied Poland, | 0:42:12 | 0:42:15 | |
108 gave their lives. | 0:42:15 | 0:42:18 | |
Together with the Polish Resistance, | 0:42:18 | 0:42:21 | |
operatives fought and delivered to Britain | 0:42:21 | 0:42:24 | |
the first vital intelligence | 0:42:24 | 0:42:27 | |
on the Third Reich's appalling mass exterminations | 0:42:27 | 0:42:30 | |
and development of the deadly V1 and V2 rockets. | 0:42:30 | 0:42:33 | |
Isn't this all familiar to you? | 0:42:33 | 0:42:35 | |
-But I was never a spy. -No. | 0:42:35 | 0:42:38 | |
I was a sex object. | 0:42:38 | 0:42:40 | |
It's very interesting you say "sex object". | 0:42:40 | 0:42:43 | |
There's various photographs of Polish soldiers here | 0:42:43 | 0:42:46 | |
dressed as women. SHE LAUGHS | 0:42:46 | 0:42:48 | |
Because what they found was that women could move around the landscape | 0:42:48 | 0:42:53 | |
in German-occupied Poland, often better than men. | 0:42:53 | 0:42:58 | |
In celebrating the triumphs and sacrifices of World War II, | 0:42:58 | 0:43:03 | |
it's easy to overlook the bravery and efforts of our Allies, | 0:43:03 | 0:43:08 | |
and to find evidence of secret wartime activities | 0:43:08 | 0:43:12 | |
at Audley End House, we must search appropriately - underground. | 0:43:12 | 0:43:16 | |
OK, Britt. | 0:43:18 | 0:43:20 | |
Where are we going, Ian? | 0:43:20 | 0:43:23 | |
This is the anteroom, below the butler's pantry in the house, | 0:43:23 | 0:43:26 | |
one of the few rooms that show evidence of requisition. | 0:43:26 | 0:43:29 | |
So you've got labels on the wall here | 0:43:29 | 0:43:31 | |
that show "Webley .455", which is a revolver, a weapon, | 0:43:31 | 0:43:35 | |
a Smith & Wesson .38 calibre, so this would have been an armoury. | 0:43:35 | 0:43:38 | |
Gee whizz! It takes you back, doesn't it? | 0:43:38 | 0:43:41 | |
I wasn't born in '41. | 0:43:41 | 0:43:43 | |
What I mean is, maybe your training for Miss Goodnight. | 0:43:43 | 0:43:46 | |
You know I didn't train as Miss Goodnight. | 0:43:46 | 0:43:50 | |
-I'm an actress! -Sorry. | 0:43:50 | 0:43:52 | |
Charles, you really do counter intelligence, | 0:43:52 | 0:43:56 | |
in so many ways. | 0:43:56 | 0:43:59 | |
Thank you very much. It's been wonderful. | 0:43:59 | 0:44:01 | |
-Nice to meet you both. -My torch is not working. | 0:44:01 | 0:44:05 | |
Hold on. Britt, you OK? | 0:44:05 | 0:44:07 | |
The Special Operations Executive, or SOE, | 0:44:07 | 0:44:11 | |
lasted until the end of the Second World War, | 0:44:11 | 0:44:13 | |
but as a new, chillier tussle for European power got underway, | 0:44:13 | 0:44:17 | |
SOE personnel were incorporated into the developing MI6. | 0:44:17 | 0:44:22 | |
This corner of Britain sure has its place in our history | 0:44:22 | 0:44:27 | |
of tactical resistance and espionage. | 0:44:27 | 0:44:30 | |
-Are your clothes OK? -No. Look! | 0:44:30 | 0:44:32 | |
-It's a bit dusty down there. -I'm covered. | 0:44:32 | 0:44:34 | |
This is antique dust. Antique history on you. | 0:44:34 | 0:44:37 | |
Dust is dust! | 0:44:37 | 0:44:39 | |
You want to brush her off, Charles? | 0:44:40 | 0:44:42 | |
Now, in the grounds of Audley End House, | 0:44:42 | 0:44:45 | |
it's time to reveal your shopping secrets. | 0:44:45 | 0:44:48 | |
-How was your day? -We've had a wonderful time, haven't we? | 0:44:48 | 0:44:51 | |
-We've had a great time. -Shall I show you what we bought? | 0:44:51 | 0:44:55 | |
-They're silver. They're pepper pots. -What do you think? | 0:44:55 | 0:44:58 | |
-I like them. -They're a set of six. -Have you been drinking? | 0:44:58 | 0:45:01 | |
-No. Why? -You said a set of six. -Sorry, four. Sorry, four. | 0:45:01 | 0:45:05 | |
-I'm panicking now. -Don't panic. | 0:45:05 | 0:45:07 | |
-We've just had a little bit of fun. -Oh! | 0:45:07 | 0:45:09 | |
-Look at that! -Cocktail shaker. -Exactly. | 0:45:09 | 0:45:12 | |
-There's nothing in it. -Honor, what do you think? | 0:45:12 | 0:45:15 | |
-Antique? -No, I don't think it's antique. | 0:45:15 | 0:45:18 | |
No. | 0:45:18 | 0:45:19 | |
We are going back to a great age of jazz living. Do you like it? | 0:45:19 | 0:45:23 | |
-No. -THEY LAUGH | 0:45:23 | 0:45:25 | |
-Britt? -I'm sorry! | 0:45:25 | 0:45:28 | |
Honor is more of a champagne lady than a cocktail girl, | 0:45:28 | 0:45:32 | |
but, then, you're not here to please each other, are you? | 0:45:32 | 0:45:35 | |
-Now, the good old-fashioned... -Well, we like the decoration on it. | 0:45:35 | 0:45:40 | |
I saw that. I didn't like the decorations on it. | 0:45:40 | 0:45:43 | |
-I didn't like the white... -No, neither did I. | 0:45:43 | 0:45:47 | |
-You're absolutely in the same camp. -And it's also missing one of its - | 0:45:47 | 0:45:51 | |
Oh, it's had a bit of damage, but, then, we all have damage. | 0:45:51 | 0:45:54 | |
Not beating about the bush, we paid 40 quid for it. | 0:45:54 | 0:45:57 | |
-That's a lot, isn't it? -Is it? | 0:45:57 | 0:45:59 | |
I would... I... I... Yes. | 0:45:59 | 0:46:01 | |
OK, Britt. | 0:46:01 | 0:46:04 | |
It's never good to hold back on your feelings - | 0:46:04 | 0:46:06 | |
and so far, you haven't. | 0:46:06 | 0:46:09 | |
-Right! -We're with two strikingly beautiful ladies | 0:46:09 | 0:46:12 | |
who like to wear fine things, and my dear lady here | 0:46:12 | 0:46:15 | |
likes to wear Cartier. | 0:46:15 | 0:46:17 | |
-Oh, right! -Oh, very bon! | 0:46:17 | 0:46:19 | |
-24-carat-gold leaf. -It's the sort of thing you might buy | 0:46:19 | 0:46:23 | |
to give as a present to somebody, | 0:46:23 | 0:46:25 | |
and you might pay 25 quid, if you had a nice friend. | 0:46:25 | 0:46:28 | |
-These were a bargain at... -Five... | 0:46:28 | 0:46:31 | |
-..pounds! -Oh, no! Oh, no! | 0:46:31 | 0:46:35 | |
THEY LAUGH | 0:46:35 | 0:46:37 | |
Let's go from the sublime to the ridiculous. | 0:46:37 | 0:46:40 | |
We've got a bit of Davenport. | 0:46:40 | 0:46:42 | |
We are at about 1820. | 0:46:42 | 0:46:45 | |
Visually, it is very pretty. | 0:46:45 | 0:46:47 | |
It was marked up for nearly £300, and we paid £120 for it, | 0:46:47 | 0:46:51 | |
and I know we've put our heads on the block, haven't we, here? | 0:46:51 | 0:46:55 | |
Yes. But why did you tell them? I wanted them to guess. | 0:46:55 | 0:46:57 | |
Because I was terrified he'd say he thought it would make 50 quid, | 0:46:57 | 0:47:01 | |
but he's too much of a nice chap. | 0:47:01 | 0:47:03 | |
Now, look at that. | 0:47:03 | 0:47:06 | |
It's empty. | 0:47:06 | 0:47:08 | |
Well, thank goodness for that! | 0:47:08 | 0:47:10 | |
I have in my kitchen in Sweden a bowl where I keep bread. | 0:47:10 | 0:47:15 | |
My friend Charles, he said flowers. | 0:47:15 | 0:47:19 | |
Oh! Charles, what were you thinking? | 0:47:19 | 0:47:22 | |
-15. -£15. | 0:47:22 | 0:47:25 | |
That is downright daylight robbery! | 0:47:25 | 0:47:28 | |
-I know. -Miss Ekland, how do you do it? | 0:47:28 | 0:47:31 | |
Well, I... I'm just very giving of myself. | 0:47:31 | 0:47:37 | |
Honor was a very keen motorcyclist, | 0:47:37 | 0:47:40 | |
-and I got very excited about the image. -I know you did! | 0:47:40 | 0:47:43 | |
-Did you wear leathers? -Oh, stop it! -Sorry. Did you wear leathers? | 0:47:43 | 0:47:46 | |
-Yes, of course. -From top to toe? -Yes, of course. | 0:47:46 | 0:47:50 | |
-Wonderful. -So I wanted to find something relating to a motorcycle - | 0:47:50 | 0:47:54 | |
the old Lucas lamp. 1910, I should think. | 0:47:54 | 0:47:57 | |
-Oh, it's fabulous. -It's a real bygone. | 0:47:57 | 0:47:59 | |
Brrrm! You can just see Honor going like that. | 0:47:59 | 0:48:02 | |
Now there's a surprise in store for everyone, | 0:48:02 | 0:48:04 | |
a freebie from Saffron Walden. | 0:48:04 | 0:48:07 | |
Big-hearted Paul was so enamoured by Honor, | 0:48:07 | 0:48:10 | |
she got an unexpected item for nowt. | 0:48:10 | 0:48:13 | |
-Oh! -Oh, no! | 0:48:13 | 0:48:15 | |
How could you, Honor? How could you? | 0:48:15 | 0:48:18 | |
-He's novel! -He belongs in a pub. | 0:48:18 | 0:48:21 | |
-He's just garish and ghastly... -And nasty. -But he'll sell! | 0:48:21 | 0:48:25 | |
Well, a ghastly sailor rum decanter | 0:48:25 | 0:48:28 | |
might be just what you need in maritime Greenwich. | 0:48:28 | 0:48:31 | |
But that's what I think. What do they really think? | 0:48:31 | 0:48:34 | |
-I really, really think they're in trouble. -You do? | 0:48:36 | 0:48:39 | |
I do. I think they've bought one good lot, | 0:48:39 | 0:48:41 | |
and that's those lovely silver peppers. | 0:48:41 | 0:48:43 | |
I think that platter is going to make about £60 to £80, | 0:48:43 | 0:48:46 | |
and it cost them 120. | 0:48:46 | 0:48:48 | |
I love a good cocktail shaker. | 0:48:48 | 0:48:51 | |
I do not like a cheap, tinny cocktail shaker. | 0:48:51 | 0:48:55 | |
-Urgh! -It's got to be chic-er than that. | 0:48:55 | 0:48:57 | |
But that wonderful, magical word came out - Cartier. | 0:48:57 | 0:49:02 | |
Pussy Galore got pretty upset, and Charlie Ross could not believe it. | 0:49:02 | 0:49:06 | |
-They thought we'd just bought an empty box. -Exactly. | 0:49:06 | 0:49:09 | |
But how could I be that stupid? | 0:49:09 | 0:49:11 | |
-Well done, you! -Well done, you. -Congratulations. Mwah! | 0:49:11 | 0:49:15 | |
Well done, everyone. You've shopped till you've just about dropped, | 0:49:15 | 0:49:20 | |
and there's only one thing left to do. | 0:49:20 | 0:49:23 | |
This Aston Martin DB5, it was a Bond car, | 0:49:23 | 0:49:26 | |
-because this is what I think Sean had... -That's right. | 0:49:26 | 0:49:30 | |
There was an ejector seat, which I thought was rather wonderful. | 0:49:30 | 0:49:35 | |
This epic adventure is entering its finale, | 0:49:35 | 0:49:39 | |
as our Bond girls and antiques experts travel due south, | 0:49:39 | 0:49:43 | |
46 miles from Saffron Walden to handsome Greenwich, | 0:49:43 | 0:49:47 | |
in that great, great, great city of London. | 0:49:47 | 0:49:52 | |
The very next day is auction day, | 0:49:53 | 0:49:55 | |
and the experts, at least, have made it on time. | 0:49:55 | 0:49:59 | |
-Safely delivered, Mr Hanson! -Are they here yet? | 0:50:00 | 0:50:03 | |
Are you doubting that Britt will turn up? | 0:50:03 | 0:50:06 | |
I'm sure she will. We had a real chemistry. | 0:50:06 | 0:50:09 | |
-No, we really did. -You've got a new shirt on. | 0:50:09 | 0:50:11 | |
-What do you think? -I think you look pretty dapper. | 0:50:11 | 0:50:14 | |
-They're here now. -Hi, girls! -Hi, girls! | 0:50:14 | 0:50:17 | |
Hello! | 0:50:17 | 0:50:18 | |
Be cool, be cool. How are you, Miss Goodnight? | 0:50:18 | 0:50:21 | |
-Good morning! -You're looking gorgeous. | 0:50:21 | 0:50:24 | |
-Are you ready for this extravaganza? -I'm thrilled about it. -Goodie! | 0:50:24 | 0:50:28 | |
Arm in arm, certainly. | 0:50:28 | 0:50:30 | |
And here we finally are. The Greenwich Auction Partnership | 0:50:30 | 0:50:34 | |
has been selling fine arts, antiques and collectables here | 0:50:34 | 0:50:38 | |
since 1999. | 0:50:38 | 0:50:40 | |
And auctioneer Robert Dodd has his own thoughts | 0:50:42 | 0:50:45 | |
on today's celebrity offerings. | 0:50:45 | 0:50:48 | |
What a great lot, the cycle lamp and a decanter! | 0:50:48 | 0:50:51 | |
The person who collects drinks memorabilia | 0:50:51 | 0:50:54 | |
will probably love the drunken sailor, | 0:50:54 | 0:50:56 | |
but he don't want the lamp, vice versa. | 0:50:56 | 0:50:59 | |
The shaker, I'm not sure how many people use them. | 0:50:59 | 0:51:01 | |
If it was silver, it'd be worth a fortune. | 0:51:01 | 0:51:04 | |
The chamber pot is interesting - really, really interesting, | 0:51:04 | 0:51:07 | |
cos I don't know anybody alive today that hasn't got a toilet. | 0:51:07 | 0:51:13 | |
Even Charles Hanson, allegedly. | 0:51:13 | 0:51:16 | |
So, our Bond girls began with £400 each. | 0:51:16 | 0:51:20 | |
Pussy Galore and Charlie Ross played it cool, | 0:51:20 | 0:51:23 | |
spending a sweet £250 on four auction lots... | 0:51:23 | 0:51:27 | |
..whilst Miss Goodnight and her keen young man | 0:51:28 | 0:51:32 | |
got shaken and stirred, but barely opened their purse, | 0:51:32 | 0:51:36 | |
spending an embarrassingly small £29 on three auction lots. | 0:51:36 | 0:51:40 | |
One...two... | 0:51:40 | 0:51:43 | |
..three. | 0:51:44 | 0:51:47 | |
So, ladies and gentlemen, please live and let die! | 0:51:47 | 0:51:52 | |
The auction is about to begin. | 0:51:52 | 0:51:54 | |
-Oh, my God, I'm so nervous. -Hold my hand. | 0:51:54 | 0:51:56 | |
Three lots to go. Please hold my hand. | 0:51:56 | 0:51:59 | |
I need you to hold my hand. | 0:51:59 | 0:52:01 | |
-So do I. First up we have... -Ssh! | 0:52:01 | 0:52:04 | |
Sorry. It's Honor and Charlie's lovely silver peppers | 0:52:04 | 0:52:07 | |
to kick us off. Tension! | 0:52:07 | 0:52:10 | |
-Starts with me straight away on a bid of £70. -He's got 70! | 0:52:10 | 0:52:13 | |
85. 88. £90. I'm out. 95 there. 100 there. | 0:52:13 | 0:52:18 | |
105 there. 110 in front. Looking for 115. | 0:52:18 | 0:52:21 | |
-Yes! -115. 120. | 0:52:21 | 0:52:24 | |
125. 130. Are we all done? At £130... | 0:52:24 | 0:52:27 | |
-Yes! -Yeah! Give me applause, quick! | 0:52:27 | 0:52:31 | |
APPLAUSE That is a sensational start! | 0:52:31 | 0:52:35 | |
Miss Ekland, if we really need to shake and stir, now's the time. | 0:52:35 | 0:52:39 | |
I know the feeling. | 0:52:39 | 0:52:42 | |
And here it comes - | 0:52:42 | 0:52:44 | |
Britt and Charles's plated cocktail shaker. | 0:52:44 | 0:52:47 | |
-What did you describe it as? -Tinny. | 0:52:47 | 0:52:49 | |
Tinny. | 0:52:49 | 0:52:51 | |
-Well, miaow! -I'm so charming. | 0:52:51 | 0:52:54 | |
Bid's with me on that at £10 only. Looking for 12 on this. | 0:52:54 | 0:52:58 | |
It's worth all of that. 14. 15. I'm out. 18 there. | 0:52:58 | 0:53:02 | |
20 I need. £20. Looking for 22. | 0:53:02 | 0:53:04 | |
Why not? You started it. You ain't pulling out now. | 0:53:04 | 0:53:07 | |
£20 here. 22 I need. | 0:53:07 | 0:53:10 | |
£22. I'm looking for 24. 24. One more. | 0:53:10 | 0:53:13 | |
One more. £24. | 0:53:13 | 0:53:16 | |
Thank you. Great. We are back in business. | 0:53:16 | 0:53:20 | |
You wait till they get to my little man. | 0:53:20 | 0:53:24 | |
We'll have to wait for Honor and Charlie's drunken sailor. | 0:53:24 | 0:53:27 | |
However, their cute miniature wash stand is next on sale, | 0:53:27 | 0:53:30 | |
and who couldn't love that? | 0:53:30 | 0:53:32 | |
-I'm still not fond of it. -No. | 0:53:32 | 0:53:36 | |
And a bid's with me straight away at £40. | 0:53:36 | 0:53:39 | |
Looking for 42 on that. Two. Five with me. | 0:53:39 | 0:53:41 | |
Looking for 48 on this. 50 with me. Looking for 55. | 0:53:41 | 0:53:45 | |
-Are we all done? -Easy, easy. -Last time. | 0:53:45 | 0:53:48 | |
On the little chest at £50... | 0:53:48 | 0:53:50 | |
-I think you're bloody lucky. -THEY LAUGH | 0:53:50 | 0:53:53 | |
Ooh! Language, Miss Goodnight. Thank you! | 0:53:53 | 0:53:56 | |
And now let's raise the tone with your suave playing cards. | 0:53:56 | 0:53:59 | |
It's a great lot, this. | 0:53:59 | 0:54:02 | |
Looking for 18. Hello! It's Cartier! | 0:54:02 | 0:54:05 | |
1922. I'm out. Five here. 28. | 0:54:05 | 0:54:08 | |
-£30 I want. 30. -Or more. | 0:54:08 | 0:54:11 | |
-You can't buy a Happy Meal for that! -THEY LAUGH | 0:54:11 | 0:54:14 | |
-35. At £35... -One more. Yes. Bid! | 0:54:14 | 0:54:17 | |
-38 I've got. I've seen it! -Sorry. | 0:54:17 | 0:54:20 | |
I've seen it. Don't get excited. | 0:54:20 | 0:54:22 | |
Don't be sorry, Charles. You need all the extra bids you can get. | 0:54:22 | 0:54:27 | |
We all done? This time, seated, at £40... | 0:54:27 | 0:54:29 | |
Yes! Yeah! | 0:54:29 | 0:54:32 | |
I suppose we could call a 700 percent profit a good day's work! | 0:54:34 | 0:54:38 | |
Hats off to Britt and Charles! | 0:54:38 | 0:54:41 | |
I'd like to kiss your hand. That was brilliant. | 0:54:41 | 0:54:44 | |
Charlie, Charlie! That's enough. | 0:54:44 | 0:54:47 | |
Now, what shall we do with this drunken sailor? | 0:54:48 | 0:54:52 | |
Honor and Charlie's novelty item | 0:54:52 | 0:54:54 | |
is paired with the cool motorcycle lamp. | 0:54:54 | 0:54:57 | |
Let's hope one doesn't cancel out the other. | 0:54:57 | 0:55:00 | |
-Will this divide you? -Nothing will divide us, will it? | 0:55:00 | 0:55:03 | |
-Nothing, ever! -There you are. Ever. Did you hear that? | 0:55:03 | 0:55:06 | |
Ah, this is an absolutely stunning lot, this! | 0:55:06 | 0:55:09 | |
Serious, this is a big bid of £5. Looking for eight. | 0:55:09 | 0:55:12 | |
-It's gone quiet. -Eight, ten, 12, 15, 18, 22. I'm out. | 0:55:12 | 0:55:15 | |
22 down. 25. Done at £22! | 0:55:15 | 0:55:18 | |
Give 'em a round of applause. You're taking both of these, sir. | 0:55:18 | 0:55:22 | |
Don't know which you want, but you're taking both. | 0:55:22 | 0:55:25 | |
A slender profit for Honor and Charlie, | 0:55:25 | 0:55:28 | |
and there's barely a few pounds between our celebrity teams now. | 0:55:28 | 0:55:31 | |
That's coming right down to the wire. | 0:55:31 | 0:55:34 | |
Actually, it's right down to the chamber pot. | 0:55:34 | 0:55:36 | |
Sorry. That was a bit ill judged. | 0:55:36 | 0:55:39 | |
-Bid's with me on this at £12. -Oh! -Looking for 15. | 0:55:39 | 0:55:43 | |
I've got 18 now. £20 there. 22 I need. | 0:55:43 | 0:55:47 | |
It's worth all of that, madam. £22 there. Looking for 25. | 0:55:47 | 0:55:51 | |
25 there. Looking for 28. Are we all done in the middle of the room? | 0:55:51 | 0:55:55 | |
-At £25... -Oh! -Give 'em a round of applause. | 0:55:55 | 0:55:59 | |
-We made £60. -Did we? -You've made £60! | 0:55:59 | 0:56:03 | |
-I think you're in trouble, you two. -I think we are. | 0:56:03 | 0:56:05 | |
I think we are not in trouble. | 0:56:05 | 0:56:07 | |
Let's see who's not in trouble. | 0:56:07 | 0:56:10 | |
Honor and Charlie's Davenport dish is the last lot, | 0:56:10 | 0:56:14 | |
and needs some sort of profit to win the day. | 0:56:14 | 0:56:16 | |
Charlie, I really don't know what's going to happen. | 0:56:16 | 0:56:20 | |
It could make £60, Honor. It could make £200. | 0:56:20 | 0:56:23 | |
Anything on this meat plate. | 0:56:23 | 0:56:25 | |
Got a start with a bid with me at £80 on that. | 0:56:25 | 0:56:27 | |
-Getting there. -85. 90 with me. | 0:56:27 | 0:56:30 | |
-Looking for 95. -It's good, it's good. | 0:56:30 | 0:56:32 | |
-£90 for this platter. -It's good. | 0:56:32 | 0:56:35 | |
-Don't stop! -It's worth more than that. | 0:56:35 | 0:56:37 | |
-It's a good price. -Are we all done? Last time. | 0:56:37 | 0:56:39 | |
Oh, Charlie, do stop begging! | 0:56:39 | 0:56:42 | |
95. Are we all done? Last time. | 0:56:42 | 0:56:44 | |
95 with the gentleman in front, stood up. | 0:56:44 | 0:56:47 | |
-Oh, no! -He'll give her 100. | 0:56:47 | 0:56:49 | |
I got 95. 100. You're a lucky man. | 0:56:49 | 0:56:52 | |
Are we all done? Last time on this platter. | 0:56:52 | 0:56:55 | |
-At £100... -Oh! | 0:56:55 | 0:56:58 | |
Wasn't that wonderful? We needed one more bid. | 0:56:58 | 0:57:02 | |
-We needed one more bid to beat you! -Yes, I know! | 0:57:02 | 0:57:06 | |
We did it! You know what, Miss Goodnight? | 0:57:06 | 0:57:08 | |
-That really is "good night". -THEY LAUGH | 0:57:08 | 0:57:11 | |
And it's good night from him. | 0:57:11 | 0:57:13 | |
So, our celebrities began with £400 each. | 0:57:13 | 0:57:16 | |
After paying auction costs, | 0:57:16 | 0:57:18 | |
Honor and Charlie made a sad loss of £2.36. | 0:57:18 | 0:57:23 | |
I mean, you just can't believe that, can you? | 0:57:23 | 0:57:25 | |
So, Pussy Galore and Ross - that's Charlie Ross to you and me - | 0:57:25 | 0:57:29 | |
end their road trip with just £397.64. | 0:57:29 | 0:57:32 | |
Don't look so miserable, Charlie! | 0:57:32 | 0:57:35 | |
Britt and Charles, meanwhile, did quite a lot with very little, | 0:57:35 | 0:57:41 | |
gaining £43.98. | 0:57:41 | 0:57:43 | |
Miss Goodnight and the man who would be Roger Moore - | 0:57:43 | 0:57:47 | |
that's Charles Hanson - | 0:57:47 | 0:57:49 | |
end their road trip with £443.98 - what you call a miracle. | 0:57:49 | 0:57:54 | |
All the money generated by our teams, including the double-Os, | 0:57:56 | 0:58:00 | |
will go to Children In Need. | 0:58:00 | 0:58:02 | |
Well done, well done, well done. It was so close. | 0:58:02 | 0:58:05 | |
But we did win. | 0:58:05 | 0:58:07 | |
-OK, Britt. OK. -I'd like to rub it in. | 0:58:07 | 0:58:10 | |
-Charles and I won't speak to each other for at least a week. -We will! | 0:58:10 | 0:58:13 | |
-Let me show you to your car, madam. -Thank you very much. | 0:58:13 | 0:58:16 | |
Congratulations. | 0:58:16 | 0:58:18 | |
It's a bittersweet farewell | 0:58:18 | 0:58:21 | |
between legendary Bond girls and smitten antiques experts, | 0:58:21 | 0:58:24 | |
especially for Charles Hanson, I feel. | 0:58:24 | 0:58:27 | |
Have a third one. Go on. | 0:58:27 | 0:58:29 | |
-Bye, girls! Been wonderful! -Bye! -Bye! | 0:58:30 | 0:58:33 | |
-I don't want to go. -Parting is sweet sorrow. | 0:58:33 | 0:58:36 | |
I don't want to go! | 0:58:36 | 0:58:37 | |
Fear not, chaps! Whatever happens on the road trip | 0:58:37 | 0:58:40 | |
stays on the road trip, I promise. | 0:58:40 | 0:58:44 | |
Subtitles by Red Bee Media Ltd | 0:58:44 | 0:58:48 | |
E-mail [email protected] | 0:58:48 | 0:58:52 | |
. | 0:58:52 | 0:58:52 |